YAMAHA MW-8CX, MW10C User Manual

Owner’s Manual Bedienungsanleitung Mode d’emploi Manual de instrucciones
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DE
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ES
IMPORTANT NOTICE FOR THE UNITED KINGDOM
Connecting the Plug and Cord
IMPORTANT. The wires in this mains lead are coloured in accordance with the following code:
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug.
* This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd. (2 wires)
BLUE : NEUTRAL BROWN : LIVE
COMPLIANCE INFORMATION STATEMENT
(DECLARATION OF CONFORMITY PROCEDURE)
Responsible Party : Yamaha Corporation of America
Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620
Telephone : 714-522-9011
Type of Equipment : USB Mixing Studio
Model Name : MW8CX/MW10C
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including interference that may cause undesired operation. See user manual instructions if interference to radio reception is suspected.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (FCC DoC)
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifi­cations not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories
and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply
with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these require­ments provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the opera­tion of other electronic devices. Compliance with FCC regula-
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)
tions does not guarantee that interference will not occur in all installations. If this product is found to be the source of inter­ference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distrib­ute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distrib­uted by Yamaha Corporation of America or its subsidiaries.
(class b korea)
2

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/Power cord
• Only use the voltage specified as correct for the device. The required voltage is printed on the name plate of the device.
• Use only the included AC power adaptor (PA-10 or an equivalent recommended by Yamaha).
• Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.
Do not open
• Do not open the device or attempt to disassemble the internal parts or modify them in any way. The device contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.
Water warning
• Do not expose the device to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings.
• Never insert or remove an electric plug with wet hands.
If you notice any abnormality
• If the power cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the device, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the device inspected by qualified Yamaha service personnel.
• If this device or the AC power adaptor should be dropped or damaged, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the device inspected by qualified Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the device or other property. These precautions include, but are not limited to, the following:
Power supply/Power cord
• Remove the electric plug from the outlet when the device is not to be used for extended periods of time, or during electrical storms.
• When removing the electric plug from the device or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it.
•To avoid generating unwanted noise, make sure there is adequate distance (50 cm or more) between the AC power adaptor and the device.
• Do not cover or wrap the AC power adaptor with a cloth or blanket.
Location
• Before moving the device, remove all connected cables.
• When setting up the device, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still flowing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet.
•Avoid setting all equalizer and controls to their maximum. Depending on the condition of the connected devices, doing so may cause feedback and may damage the speakers.
• Do not expose the device to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components.
• Do not place the device in an unstable position where it might accidentally fall over.
• Do not use the device in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Doing so may result in noise, both in the device itself and in the TV or radio next to it.
Connections
• Before connecting the device to other devices, turn off the power for all devices. Before turning the power on or off for all devices, set all volume levels to minimum.
Handling caution
• When turning on the AC power in your audio system, always turn on the power amplifier LAST, to avoid speaker damage. When turning the power off, the power amplifier should be turned off FIRST for the same reason.
• Do not insert your fingers or hands in any gaps or openings on the device.
•Avoid inserting or dropping foreign objects (paper, plastic, metal, etc.) into any gaps or openings on the device. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the device inspected by qualified Yamaha service personnel.
• Do not use the device or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
• Do not rest your weight on the device or place heavy objects on it, and avoid use excessive force on the buttons, switches or connectors.
(5)-4
3
XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (-).
Insert TRS phone jacks are wired as follows: sleeve: ground, tip: send, and ring: return.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the device, or data that is lost or destroyed.
Always turn the power off when the device is not in use.
Even when the power switch is in the “STANDBY” position, electricity is still flowing to the device at the minimum level. When you are not using the device for a long time, make sure you unplug the power cord from the wall AC outlet.
The performance of components with moving contacts, such as switches, volume controls, and connectors, deteriorates over time. Consult qualified Yamaha service personnel about replacing defective components.
The MW mixer may heat up by as much as 15 to 20°C while the power is on. This is normal. Please note that the panel temperature may exceed 50°C in ambient temperatures higher than 30°C, and use caution to prevent burns.
* This Owner’s Manual applies to both the MW8CX/MW10C. The main difference between the two models is that the MW8CX includes digital effects while the MW10C
has no internal effects.
* In this manual the term “MW mixers” refers to both the MW8CX and MW10C. In cases where different features need to be described for each model, the MW8CX
feature will be described first, followed by the MW10C feature in brackets: MW8CX (MW10C).
SPECIAL NOTICES
• The owner’s manual is the exclusive copyright of Yamaha Corporation.
• The included software is the exclusive copyright of Steinberg Media Technologies GmbH.
• Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden without the written consent of the manufacturer.
•Yamaha makes no representations or warranties with regard to the use of the software and documentation and cannot be held responsible for the results of the use of this manual and the software.
• This disk is a DVD-ROM. Do not attempt to play the disk on a DVD player. Doing so may result in irreparable damage to your DVD player.
• Visit the web address below for the latest information on supplied software and operating system requirements. <http://www.yamahasynth.com/>
The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may appear somewhat different from those on your instrument.
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, style files, MIDI files, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.
Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use.
• Windows is the registered trademarks of Microsoft® Corporation.
• Apple, Mac and Macintosh are trademarks of Apple Computer, Inc., registered in the U.S. and other countries.
• Steinberg and Cubase are the registered trademarks of Steinberg Media Technologies GmbH.
• The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of their respective companies.
Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.
4

Introduction

Thank you for choosing a Yamaha MW8CX/MW10C USB Mixing Studio. The MW8CX/MW10C includes an audio mixer equipped with a USB interface for digital audio data transfer, and Cubase AI DAW (Digital Audio Workstation) software for Windows® and Macintosh® computer operating sys­tems. With the MW8CX/MW10C USB Mixing Studio and your personal computer you have the basic elements of a high-performance computer recording system that is easy to set up and operate.
Please read through this manual carefully before beginning use, so that you will be able to take full advantage of your mixer’s superlative features and enjoy trouble-free operation for years to come. After reading the manual, please store it in a safe place.

Features

Connect To Your Computer via a Single USB Cable (page 7)
The MW mixer connects to your computer via the supplied USB cable. Stereo audio data is transferred in both direc­tions—from the mixer to the computer, and vice-versa—via the USB connection (44.1 kHz or 48 kHz sampling fre­quency).
No Driver Installation Required (page 7)
The MW system uses the standard drivers included in your computer’s operating system, so there’s no need to install any extra driver software.
Cubase AI DAW Software Supplied (page 7)
Cubase AI software, included in the MW package, offers versatile, high-performance hard-disk recording capability.
Compression (page 9)
Compression increases the overall level without introducing distortion by compressing excessive peaks in the signals from microphones and guitars.
Mixer Functions (page 16)
The MW mixer can handle up to 8 inputs (MW8CX) or 10 inputs (MW10C), mixing them to STEREO OUT or REC OUT. The MW mixer can simultaneously connect to a wide range of devices: microphones, line-level devices, stereo synthesizers, and more.
48V Phantom Power (page 18)
A PHANTOM switch supplies +48V phantom power to the mixer’s microphone inputs, so you can use high-quality phantom-powered condenser microphones for superior recording quality.
Accessories
• Cubase AI DVD-ROM
•Power adaptor (PA-10)*
• USB cable
• Owner’s Manual (this book)
*May not be included depending on your particular area. Please
check with your Yamaha dealer.

Contents

Introduction...........................................5
Features.......................................................... 5
Contents.......................................................... 5
Before Turning on the Mixer............................ 6
Turning the Power On/OFF............................. 6
Mixer Basics................................ 7
Quick Guide ..........................................7
1. Installing Cubase AI .................................... 7
2. Connecting to the MW mixer....................... 7
3. Powering Up the System ............................ 8
4. Adjusting Level and Tone ........................... 9
5. Recording with Cubase AI ........................ 10
6. Mixing with Cubase AI .............................. 13
Reference .................................. 15
Setup....................................................15
Front & Rear Panels ...........................16
Channel Control Section ............................... 16
Master Control Section.................................. 18
Jack List ........................................................ 19
Digital Effect.................................................. 20
Rear Input/Output Section............................. 20
Digital Effect Program List (Only MW8CX) ... 21
Mounting to a Microphone Stand .................. 21
Troubleshooting .................................22
Specifications .....................................91
Electrical Specifications ................................ 91
General Specifications .................................. 91
Analog Input Specifications........................... 92
Analog Output Specifications........................ 92
Digital Input/Output Specifications ................ 92
Dimensional Diagrams.................................. 93
Block Diagram and Level Diagram................ 94
About the accessory disk..................95
5
Introduction

Before Turning on the Mixer

1
CAUTION
2
Be sure that the mixer’s power switch is in the STANDBY position.
Use only the included power adaptor (PA-10) or an equivalent recommended by Yamaha. Use of a different adaptor may result in equipment dam­age, overheating, or fire.
Connect the power adaptor to the AC ADAPTOR IN connector ( turn the fastening ring clockwise (
q) on the rear of the mixer, and then
w) to secure the
connection.
w
q
Plug the power adaptor into a standard household
3
power outlet.
• Be sure to unplug the adaptor from the outlet when not using the mixer, or when there are
CAUTION
lightning storms in the area.
•To avoid generating unwanted noise, make sure there is 50 cm or more between the power adaptor and the mixer.

Turning the Power On/OFF

Press the mixer’s power switch to the ON position. When you are ready to turn the power off, press the power switch to the STANDBY position.
Note that trace current continues to flow while the switch is in the STANDBY position. If you do not plan
CAUTION
to use the mixer again for a long while, please be sure to unplug the adaptor from the wall outlet.
NOTE
To prevent loud pops and noises, turn on the power to your sound gear starting with the sources (instruments, CD players, etc.) and ending with the power amplifier or powered speakers.
Example : Instruments, microphones, and CD players
first, then the mixer, and finally the power amplifier or powered speakers.
When turning off the power to the system, reverse the order described above.
6

Mixer Basics

Quick Guide

Mixer Basics
This quick setup and operation guide covers everything from installing the Cubase AI software to using Cubase AI for recording and mixdown. While going through this section you might find it useful to also refer to the “Front and Rear Panels” section on page 16, as well as the pdf manual supplied with the Cubase AI software.
Step
Important!
1 2 3
Step
1

Installing Cubase AI

1
You are only permitted to use this software pursuant to the terms and conditions of the “Steinberg Soft­ware End User License Agreement (EULA)” shown during the installation.
Start the computer and log on to the Administrator account.
Insert the included DVD-ROM into the computer’s DVD-ROM drive.
Follow the on-screen instructions to install the Cubase AI software.
NOTE
• In order to have continuous use of Cubase AI, including support and other benefits, you will need to register the software and activate your software license by starting it while the computer is connected to the Internet. Click the “Register Now” button shown when the software is started, then fill in all required fields for registration. If you do not register the product, you will be unable to use the application after a limited period of time expires.
•To install on Mac computers double-click the “Cubase AI*.mpkg” icon or the “Cubase AI* Start Center” icon. “*” indicates where the version number appears in the actual icon name.
• Visit the web address below for the latest information on:
<http://www.yamahasynth.com/>

Connecting to the MW mixer

2
Turn the power to the MW mixer and all
2
gear that is to be connected to the MW mixer off/standby (except the computer), and set the LEVEL controls and STEREO Master control to their minimum settings.
USB Connection Precautions
Be sure to observe the following points when connecting to the computer’s USB interface. Failure to observe these rules can result in computer freezes/ hang-ups and possibly data loss or corruption. If the MW mixer or computer does hang up, turn the power to both devices off and then on again, and restart the computer.
Connect the MW mixer to your computer using the supplied USB cable.
LEVEL controls
STEREO Master control
CAUTION
• Be sure to wake the computer from sleep/sus­pended/standby mode before making a con­nection to the computer’s USB connector.
• Connect the MW mixer to the computer before turning the MW mixer power on.
•Always quit all applications running on the computer before turning the MW mixer’s power on or off, or connecting or disconnect­ing the USB cable.
•Wait at least 6 seconds between turning the MW mixer on or off, and between connecting or disconnecting the USB cable.
When connecting or disconnecting the USB cable be sure to turn the 2TR IN/USB control
CAUTION
all the way down.
NOTE
Disconnect the USB cable when using the MW mixer without the computer.
7
Mixer Basics
NOTE
Quick Guide
3
Be sure to turn the MW mixer PHANTOM switch on when using phantom-powered con­denser microphones.
Although electric guitars and basses can be con­nected directly to the mixer’s inputs, the sound is likely to be thin and possi­bly noisy. For best results with these types of instru­ments use a DI box (direct box) or amp simulator between the instrument and the mixer.
Connecting Microphones and/or Instru­ments.
For details on making connections refer to the “Setup” section on page 15 and the “Front & Rear Panels” sec­tion on page 16.
DI
USB cable
Step

Powering Up the System

3
To prevent loud pops and noises, turn on the power to your sound gear starting with the sources (instruments, CD players, etc.) and end­ing with the power amplifier or powered speakers.
Example : Instruments, microphones, and CD players first, then
the mixer, and finally the power amplifier or powered speakers.
Observe the following precautions when
CAUTION
turning on phantom power.
• Make sure that the PHANTOM switch is off when phantom power is not needed.
• When turning the switch on, be sure that only con­denser microphones are connected to the XLR input jacks. Other devices may be damaged if con­nected to phantom power. This precaution does not apply to balanced dynamic microphones, however, as these will not be affected by phantom power.
•To minimize the possibility of speaker damage, turn phantom power on ONLY while your power amplifier or powered speakers are switched off. It’s also a good idea to turn the mixer’s output controls—STE­REO Master control—all the way down.
•We recommend that you set the computer output to the
maximum level and mute the computer’s internal speaker. For details on how to make the setting refer to the “The recorded sound is too low in level.” in the “Trou­bleshooting” on page 22.
• The first time you connect to the computer’s USB con-
nector, or change the connection to a different USB port, a driver installation display may appear after turning the power to the MW mixer on. If this occurs, wait until the installation is complete before proceeding.
Balanced Cables and Unbalanced Cables
Tw o types of cables can be used to connect microphones, elec­tronic instruments, and other audio sources to the mixer’s inputs, as well as to connect the mixer’s outputs to a power amplifier or related gear: balanced or unbalanced. Balanced cables are highly resistant to noise, and are the best choice for low-level sig­nals such as the output from microphones, as well as for long cable runs. Unbalanced cables are generally used for short runs from line-level sources such as synthesizers.
Cable Guidelines
Microphone cable Balanced is best.
Short line-level cables
Long line-level cables Balanced is best.
Unbalanced cable is fine in a relatively noise-free environment.
Connector Types
XLR Connectors
This 3-pin connector is resistant to externally induced noise, and is used primarily for balanced con­nections. With properly designed receiving circuitry cables with this type of connector can also be used for unbalanced signals. XLR type connectors are the standard for microphone connections as well as most professional audio gear.
Phone Connectors
Phone connectors are avail­able in mono and stereo ver­sions. Stereo types are also known as “TRS” connectors (Tip-Ring-Sleeve), and are used for stereo headphone jacks, insert jacks, and also to carry balanced signals in many cases. Unbalanced types are used for mono signals -guitar cables are a common example.
RCA Pin Connectors
This type of unbalanced con­nector is most commonly found on home audio and video equipment. RCA type pin jacks are often color coded: white for left audio channel and red for right audio channel, for exam­ple.
8
Mixer Basics
(Min)
(Max)
INPUT
OUTPUT
Quick Guide
Step

Adjusting Level and Tone

4
Level Adjustment
The first step is to set the level controls on
1
all instruments and other sources appro­priately.
Adjust the channel GAIN controls so that
2
the corresponding PEAK indicators flash briefly on the highest peak levels. (GAIN controls are not provided on the stereo channels—7/8 (MW8CX), or 7/8 and 9/10 (MW10C)).
Raise the STEREO Master control to the
3
” position.
Adjust the LEVEL control to create the
4
desired initial balance while monitoring via headphones or monitor speakers. The overall headphone level is adjusted by the MONITOR/PHONES control.
Tone Adjustment
The MW mixer’s compressors and 3-band equalizers make it easy to shape the tone of independent channels to achieve the best possible mix.
Use the High-pass Filter for Microphone Input
As the name implies, a “high-pass filter” allows only signals above a certain frequency to pass. Conversely, signals below that “cutoff frequency” are attenuated. When an MW high­pass filter is turned on, signals below 80 Hz are attenuated. This can be useful for minimizing low-frequency breath noise from a vocalist, as well as handling noise, or rumble transmit­ted via the microphone stand. It is generally a good idea to turn the high-pass filter on for microphone channels.
Compression
One form of compression known as “limiting” can, when properly used, produce a smooth, unified sound with no excessive peaks or distortion. A common example of the use of compression is to “tame” a vocal that has a wide dynamic range in order to tighten up the mix. Compression can also be applied to guitar tracks to add extra sustain. Too much compression can be a cause of feedback, however, so use it sparingly.
GAIN control
PEAK indicator
LEVEL controls
MONITOR/PHONES control
STEREO Master control
Equalizer Tips
The best advice that can be given regarding equalization while recording is simply to use as little equalization as possi­ble. If you want a little more presence you can turn the HIGH end up a bit. Or you can boost the bass a little if you feel the low end is lacking. During recording it’s better to use EQ sparingly for compensation only.
9
Mixer Basics
Quick Guide
Step
This section describes the procedure for recording to the Cubase AI software we installed earlier via the MW mixer.
NOTE
Cubase AI Setup

Recording with Cubase AI

5
Cubase AI 6 is used for the examples in this manual. For details about other versions of Cubase AI or Cubase AI operation in general, refer to the PDF manual provided with the software.
Select [Device Setup] from the [Devices]
4
menu to open the Device Setup window.
To prevent the playback sound from
1
Cubase AI from being directly re-recorded, set the MW mixer’s 2TR IN/USB switch to TO MONITOR ( ).
Launch Cubase AI.
2
Windows:
Click [Start] [All Program] [Steinberg Cubase AI *] [Cubase AI *] to launch the program. (“*” indicates
where the version number appears in the actual icon name.)
NOTE
If the ASIO Direct Sound Full Duplex Driver dia­log window appears, click [OK].
Mac:
Double-click the [Application] [Cubase AI *]. “*” indicates where the version number appears in the actual icon name.
NOTE
• If you specified a file destination when installing the Cubase AI software, launch the application from that location.
• Create a Cubase AI shor tcut or alias on your desktop so you can easily launch the program when required.
When the Project Assistant window
3
appears, select the [More] menu → [Empty] and click [Create].
Windows:
Select [VST Audio System] in the [Devices] field on the left side of the window. Select [ASIO DirectX Full Duplex Driver] in the [ASIO Driver] field on the right side of the window. A dialog window will appear asking “Do you want to switch the ASIO driver?”. Click [Switch].
Mac:
Select [VST Audio System] in the [Devices] field on the left side of the window. Select [USB Audio CODEC] in the [ASIO Driver] field on the right side of the window. A dialog box will appear asking “Do you want to switch the ASIO driver?”. Click [Switch].
10
A new project is created.
NOTE
Recorded Cubase AI data is stored as a “Project.”
Select [ASIO DirectX Full Duplex Driver]
5
(Windows), [USB Audio CODEC] (Mac) in the [Devices] field on the left side of the Device Setup window, and click [Control Panel] on the right side of the window.
Select [VST Connections] from the
7
[Devices] menu.
Mixer Basics
Quick Guide
Windows:
The ASIO Direct Sound Full Duplex Setup dialog win­dow will be displayed. Check only the input port and output port [USB Audio CODEC] checkbox, and then click [OK] to close the dialog window.
Mac:
The [CoreAudio Device Settings] dialog window appears. Check only the [USB Audio CODEC] check­box in both “Input” and “Output” of the [Input/Output Configuration] field. Click [Close] to close the dialog window.
Make sure that “USB Audio CODEC 1/2”
6
(Windows), “Front Left/Front Right” (Mac) are shown in the [Port System Name] field, and check the [Visible] column in the Device Setup window. Click [OK] to close the window.
NOTE
If the [Port System Name] field does not change, close and restart the Cubase AI, then open the Device Setup window.
Windows:
If “Not Connected” is selected in the [Audio Device] field, click on the “Not Connected” indication, and then switch to [ASIO DirectX Full Duplex Driver]. Also set the [Outputs] in the same way, and then close the window.
Mac:
If “Not Connected” is selected in the [Audio Device] field, click on the “Not Connected” indication, and then switch to [USB Audio CODEC]. Also set the [Outputs] in the same way, and then close the window.
Select [Add Track] [Audio] from the
8
[Project] menu.
The Add Audio Track dialog window appears.
Set the “Count” and “Configuration”
9
parameters, and then click [Add Track].
The added tracks will appear.
NOTE
You will normally use a stereo track when recording synthesizers, and a monaural track when recording vocals or guitars.
11
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