Yamaha MU10 User Manual

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3

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external
power supply (adapter). DO NOT connect this
product to any power supply or adapter other
than one described in the manual, on the name
plate, or specifically recommended by Yamaha.

This product should be used only with the
components supplied or; a cart, rack, or stand
that is recommended by Yamaha. If a cart, etc.,
is used, please observe all safety markings and
instructions that accompany the accessory
product.

SPECIFICATIONS SUBJECT TO
CHANGE:

The information contained in this manual is
believed to be correct at the time of printing.
However, Yamaha reserves the right to change
or modify any of the specifications without notice
or obligation to update existing units.

This product, either alone or in combination with
an amplifier and headphones or speaker/s, may
be capable of producing sound levels that could
cause permanent hearing loss. DO NOT operate
for long periods of time at a high volume level or
at a level that is uncomfortable. If you
experience any hearing loss or ringing in the
ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter
the time period before damage occurs.

NOTICE:

Service charges incurred due to a lack of
knowledge relating to how a function or effect
works (when the unit is operating as designed)
are not covered by the manufacturer’s warranty,
and are therefore the owners responsibility.
Please study this manual carefully and consult
your dealer before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are
both user safe and environmentally friendly. We
sincerely believe that our products and the
production methods used to produce them, meet
these goals. In keeping with both the letter and
the spirit of the law, we want you to be aware of
the following:

Battery Notice:

This product MAY contain a small non-recharge­able battery which (if applicable) is soldered in

place. The average life span of this type of
battery is approximately five years. When
replacement becomes necessary, contact a
qualified service representative to perform the
replacement.

This product may also use “household” type
batteries. Some of these may be rechargeable.
Make sure that the battery being charged is a
rechargeable type and that the charger is in­tended for the battery being charged.

When installing batteries, do not mix batteries
with new, or with batteries of a different type.
Batteries MUST be installed correctly. Mis­matches or incorrect installation may result in
overheating and battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any
battery. Keep all batteries away from children.
Dispose of used batteries promptly and as
regulated by the laws in your area. Note: Check
with any retailer of household type batteries in
your area for battery disposal information.

Disposal Notice:

Should this product become damaged beyond
repair, or for some reason its useful life is
considered to be at an end, please observe all
local, state, and federal regulations that relate to
the disposal of products that contain lead,
batteries, plastics, etc. If your dealer is unable to
assist you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the
product. The model number, serial number,
power requirements, etc., are located on this
plate. You should record the model number,
serial number, and the date of purchase in the
spaces provided below and retain this manual as
a permanent record of your purchase.

Model

Serial No.

Purchase Date

92-BP

PLEASE KEEP THIS MANUAL

Welcome to the MU10

Congratulations and thank you for purchasing the Yamaha MU10
Tone Generator!

The MU10 is a sophisticated, yet highly compact MIDI tone

generator, specially designed for use with computers and MIDI music

systems.

With the built-in host computer interface and MIDI terminals,

the MU10 is ideal for any computer music system — from connection
to a simple laptop to integration in a complete MIDI studio. The host
computer interface is especially convenient, allowing you to directly
connect it to your computer without the need for a special MIDI
interface.

Featuring Yamaha’s high quality AWM2 tone generation technol-

ogy, the MU10 has 676 Normal Voices and 21 Drum Voices (percus-
sion sets), with full General MIDI compatibility — including
Yamaha’s new XG-MIDI. It provides 16-Part multi-timbral capac-
ity and full 32-note polyphony for playback of even the most sophis-
ticated song data. Three independent digital effect sections — with
11 types of Reverb, 11 types of Chorus, and 43 different Variation
effects — can be used simultaneously and give you enormous versatil­ity in “sweetening” the sound. Plus, the MU10 has two convenient A/
D INPUT jacks, allowing you to connect external audio sources
(such as a microphone, guitar, or CD player), and mix those sources
with the AWM2 Voices of the MU10.

Because of all the above, as well as its exceptionally portable size

and convenient battery/AC adaptor power supply, the MU10 is an
invaluable tool for all MIDI musicians and performers.

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2

Unpacking

Your MU10 package should include the items listed below. Make sure that
you have them all. Also, write down the serial number of your MU10 in the
box below, for future reference.

MU10 Serial No.:

Owner’s Manual

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3

Table of Contents

Welcome to the MU10.............................................................. 2

Unpacking .................................................................................... 3

How to Use This Manual ......................................................... 5

Precautions ................................................................................. 6

Panel Controls and Terminals ................................................ 8

The MU10 — What It Is and What It Can Do ............................. 10

Setting Up Your MU10 ........................................................... 12

Power Supply .......................................................................... 12

Connections............................................................................. 14

● Connecting With a Computer ......................................... 14

Direct Connection.......................................................... 14

Connecting to a Computer With a MIDI Interface........ 16

● Connecting With a MIDI Device ..................................... 16

● Connecting to Audio Equipment..................................... 17

Using the A/D INPUT Function ............................................ 18

MU10 Overview and Features.............................................. 21

About MIDI ................................................................................ 24

Appendix

MIDI Data Format.................................................................... 25

XG Normal Voice List.............................................................. 42

TG300B Normal Voice List ...................................................... 44

XG Drum Voice List ................................................................. 46

TG300B Drum Voice List ........................................................ 48

Effect Type List ........................................................................ 50

Effect Parameter List ............................................................... 51

Effect Data Assign Table ......................................................... 54

Specifications........................................................................... 55

Troubleshooting ....................................................................... 56

MIDI Implementation Chart ..................................................... 58

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4

How to Use This Manual

You are probably eager to try out your new MU10 Tone Ge
than have to read through a lot of instructions before you can even get a sound out of
it.

However, to get the most out of your MU10, we strongly suggest that you read the
following sections in the order given:

nerator right away, rather

1) Precautions

This gives you important information on how to care for your new MU10,
how to avoid damaging it, and how to ensure long-term, reliable operation.

2) Panel Controls and Terminals

This section introduces you to the panel controls, jacks and terminals.

3) The MU10 — What It Is and What It Can Do

Read through this section to get an idea of how you can best use your MU10.

4) Setting Up Your MU10

This very important section gets you started using your MU10. It guides you
in connecting and setting up the instrument for different example systems,
and shows you how to get started using your MU10.

5) MU10 Overview and Features

Once you’re familiar with everything above, go over this comprehensive
guide to all MU10 functions. You won’t need (or want) to read everything at
once, but it is there for you to refer to when you need information about a
certain feature or function.

6) Appendix

Finally, use the sections in the Appendix as necessary. The various MIDI
sections provide details on how to control the Voice and Effect parameters,
while the Voice Lists show all available Voices of the MU10. And, if you
run into some problem or difficulty, refer to the Troubleshooting section for
help.

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5

Precautions

Your MU10 will give you years of reliable service if you follow the simple rules given
below:

■ LOCATION

Do not expose the instrument to the following conditions to avoid deforma­tion, discoloration, or more serious damage.

• Direct sunlight (e.g. near a window).

• High temperatures (e.g. near a heat source, outside, or in a car during
the daytime).

• Excessive humidity.

• Excessive dust.

• Strong vibration.

■ POWER SUPPLY

Turn the power switch OFF when the instrument is not in use.
This instrument runs from either an optional AC adaptor or batteries:

(When using AC adaptor) Use ONLY a Yamaha PA-3B, PA-1207 or equiva­lent AC Power Adaptor to power your instrument from the AC mains. The
use of other adaptors may result in irreparable damage to both the adaptor
and the instrument.
An AC adaptor should be unplugged from the AC outlet if the instrument is
not to be used for an extended period of time.
Unplug the AC adaptor during electric storms.
Avoid plugging the AC adaptor into the same AC outlet as appliances with
high power consumption, such as electric heaters or ovens. Also avoid using
multi-plug adaptors since these can result in reduced sound quality, operation
errors, and possibly damage.
Always unplug cables by gripping the plug firmly, not by pulling on the AC
adaptor cable.
(When using batteries) When the batteries run down, replace them with a
complete set of new batteries. NEVER mix old and new batteries, and
different kind (e.g. alkaline and manganese) at the same time.
To prevent possible damage due to battery leakage, remove the batteries from
the instrument if it is not to be used for an extended period of time.

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6

Precautions

■ TURN POWER OFF WHEN MAKING CONNECTIONS

To avoid damage to the instrument and other devices to which it is con­nected, turn the power switches of all related devices OFF prior to connect­ing or disconnecting.

■ HANDLING AND TRANSPORT

Never apply excessive force to the controls, connectors or other parts of the
instrument.

Disconnect all cables before moving the instrument.
Physical shocks caused by dropping, bumping, or placing heavy objects on

the instrument can result in scratches and more serious damage.

■ CLEANING

Clean the cabinet and panel with a dry soft cloth.
A slightly damp cloth may be used to remove stubborn grime and dirt.
Never use solvents such as alcohol or thinner.
Avoid placing vinyl objects on top of the instrument (vinyl can stick to and

discolor the surface).

■ ELECTRICAL INTERFERENCE

This instrument contains digital circuitry and may cause interference if
placed too close to radio or television receivers. If this occurs, move the
instrument further away from the affected equipment.

■ SERVICE AND MODIFICATION

The instrument contains no user serviceable parts. Opening it or tampering
with it in anyway can lead to irreparable damage and possibly electric shock.
Refer all servicing to qualified YAMAHA service personnel.

Yamaha is not responsible for damage caused by improper handling or operation.

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7

MIN MAXVOLUME LINE OUT/

PHONES

Panel Controls and Terminals

Top Panel Side Panel

TONE GENERATOR

e

r

A/D INPUT
VOLUME

POWER

qw

q POWER lamp

Lights when power is turned on. Also, flashes to indicate reception of MIDI Note On
messages and System Exclusive data. Also, flashes slowly when battery power be­comes too low for proper operation.

GENERAL

w A/D INPUT VOLUME controls (1, 2)

For control of the A/D INPUT audio level.

e LINE OUT/PHONES jack

For connection to a set of stereo headphones, or an external amplifier/speaker system
(stereo mini plug). (See page 17.)

r VOLUME control

Adjusts the overall volume of the MU10.

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8

Panel Controls and Terminals

Rear Panel

A/D INPUT

tyuio!0!1

t A/D INPUT jacks (1, 2)

For connection of external audio sources, such as microphone, guitar, or CD player
(mono 1/4” plug). When using only one input source, be sure to connect it to the A/D
INPUT 1 jack. (See page 18.)

y MIDI OUT terminal

For connection to other MIDI devices, such as a MIDI keyboard or tone generator.
Used to relay data received via the TO HOST terminal.

u MIDI IN terminal

For connection to other MIDI devices, such as a MIDI keyboard, sequencer, or to a
computer via MIDI interface. When the HOST SELECT switch is set to MIDI, the
received data is sent to the internal tone generator. When the HOST SELECT switch is
set to PC-1, PC-2, or Mac, the received data is directly sent to the TO HOST terminal,
bypassing the internal tone generator. (See page 14 – 16.)

MIDI

OUT IN

HOST SELECT

MIDI Mac

PC-2 PC-1

TO HOST

DC IN

POWER

ON OFF

i HOST SELECT switch

For selecting the type of host computer, or (when set to MIDI) normal MIDI operation.
Available settings are: MIDI, PC-2 (IBM PC/AT and compatible computers), PC-1
(NEC PC 98 computers; for use in Japan), and Mac (Macintosh). (See page 15 – 16.)

o TO HOST terminal

For connection to a host compter. Use an appropriate serial interface cable according
to the type of host computer. (See page 15.)

!0 DC IN jack

For connection to a PA-3B, PA-1207 or equivalent AC power adaptor.

!1 POWER switch

For turning the power on and off. Turning the power on automatically sets the MU10
to the XG mode and initializes all settings and parameter values.

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9

The MU10 — What It Is and What It Can Do

What It Is

The MU10 is a compact, highly portable MIDI tone generator, designed
especially for use with computers and MIDI music systems. Specifically, it
is a high-quality XG- and GM-compatible tone generator, with 676 Voices
and 21 drum Voices (percussion sets). The tone generator can be played
either from an external MIDI device (such as a keyboard or a sequencer) or a
computer. The MU10 also includes three independent digital effect sections
— with 11 types of Reverb, 11 types of Chorus, and 43 different Variation
effects — for enhancing the sound of the Voices.

The MU10 features a built-in host computer interface, allowing you to
directly connect it to your Macintosh or IBM PC/AT (and compatible)
computer—eliminating the need of installing a special MIDI interface to your
computer. With the proper sequencing software on the computer, the MU10
can be used for both recording and playing back of sequencer data. The
internal tone generator also allows for comprehensive control over all Voice
and effect parameters — via incoming system exclusive messages, transmit­ted from a sequencer or other MIDI device. (Refer to the MIDI Data Format
section on page 25 for details on controlling various MU10 parameters.)

The MU10 also features two convenient A/D INPUT jacks, allowing you to
connect external audio sources and mix those sources with the Voices.
Moreover, the built-in effects can be applied to the external sources as well
as the internal AWM2 Voices.

The MU10 is also the latest instrument in the Yamaha line to support the XG
format, a new addition to the General MIDI standard. In short, XG provides
for more instrument sounds and variations, and greater expressive control
over voices and effects.

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10

What It Can Do

Here are a few application ideas on how you can use the MU10. The list
below is not comprehensive, but is meant to be a general guide to the
possibilities and provide a starting point or springboard for your own creative
ideas and explorations.

■ Using in a MIDI Music System

Connect the MU10 to a computer with MIDI sequencing software, and
you’ve got comprehensive music making power—for recording, composing,
arranging, practicing, and editing. Combine it with a laptop computer, and
you’ve got a complete and portable music production system that’s ready to
go wherever you go. The built-in A/D Inputs let you connect an external
audio source (such as a microphone or guitar), allowing you to play along
with the MIDI tracks.

The MU10 is an ideal addition to larger MIDI studios as well, since it gives
you a high-quality 16-Part multi-timbral tone generator.

The MU10 — What It Is and What It Can Do

■ Multimedia

Since it’s portable and compatible with the XG and General MIDI formats,
the MU10 is a natural for multimedia applications. Because of its portability
and great sound, it’s the only tone generator you’ll need for recording,
editing and playing back MIDI data on your multimedia creations.

■ Using With a MIDI Keyboard in Live Performance

Simply connect the MU10 to a MIDI keyboard and play the dynamic Voices
in live performance situations. With the built-in A/D Inputs, you can even
use the MU10 as a simple 2-channel mixer. Bring a computer or MIDI data
player to your gig, and you can even mix another instrument (such as guitar
or bass) with the MIDI-driven Voices of the MU10.

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11

Setting Up Your MU10

Setting Up the MU10 in Your Music System

Whatever your system, you should follow the basic instructions in this section when
setting up your MU10. Use the example illustrations as a general guide when making
the connections with your own system.

Power Supply

Your MU10 will run either from an optional AC adaptor or batteries. When­ever possible, you should use the AC adaptor, since the MU10 runs only for
a short time on battery power (approximately two hours and twenty minutes
on alkaline batteries).

■

NOTE

●

Before making any connections, make

sure that all equipment to be con­nected is turned off.

■ Using a Power Adaptor

Connect one end of the power adaptor
(optional Yamaha PA-3B, PA-1207, or

MIDI

OUT IN

HOST SELECT

MIDI Mac

PC-2 PC-1

TO HOST

DC IN

DC IN

POWER

ON OFF

equivalent) to the DC IN jack on the
rear panel, and the other end to a
suitable electrical outlet.

■

CAUTION

●

Do not attempt to use an AC adaptor

other than the PA-3B, PA-1207, or
equivalent. The use of an incompatible
adaptor may result in irreparable
damage to the MU10, and even pose a
serious shock hazard. (The recom­mended power adaptor may vary,
depending on your location. Please
consult your nearest Yamaha dealer for
details.)

●

Be sure to disconnect the power adaptor

from the outlet when the MU10 is not in
use for an extended period of time or
during electrical storms.

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12

Power
Adaptor

Setting Up Your MU10

■ Using Batteries

To use the MU10 on battery power,
remove the battery compartment cover
(as shown at the right) and insert six

1.5V AA size (SUM-3, R-6 or equiva­lent) manganese or alkaline batteries
in the battery compartment. Make
sure to follow the polarity indications
on the bottom case.

Securely replace the battery compart­ment cover when finished installing
the batteries.

■ When to Replace the Batteries

When the battery power runs too low to properly operate the MU10, the
POWER lamp will flash slowly. When this happens, replace all batteries
with a complete set of six new batteries of the same type.

■

CAUTION

●

NEVER mix old and new batteries or different types of batteries! Also, to

prevent possible damage due to battery leakage, remove the batteries from the
instrument if it is not to be used for an extended period of time.

●

The MU10 has no memory backup function. Turning the power off will auto-

matically initialize all settings and parameter values.

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13

Setting Up Your MU10

Connections

In this section you’ll learn how to set up your MU10 with a computer or with
another MIDI device. You’ll also learn how to connect the MU10 with audio
equipment.

■

CAUTION

●

Turn off all devices before making connections.

Connecting With a Computer

You can connect the MU10 with your computer in one of two ways: 1) direct
(computer port — TO HOST terminal), or 2) via MIDI interface.

■ Direct Connection

Whatever computer you use, the connections are basically the same. How­ever, the cable you use and the HOST SELECT switch setting differ accord­ing to the computer type. Other settings on the connected computer may be
required as well. (Refer to the owner’s manuals of your particular computer
and music software for more information.)

MIDI Thru

(Echo back)

ON

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14

Computer
(Sequencer software)

Serial port

TO HOST

MIDI OUT

MIDI Keyboard

MU10

Tone generator

MIDI OUTMIDI IN

MIDI IN

External tone

generator

Since data received
via the TO HOST
terminal is relayed
to the MIDI OUT
terminal, you can
connect an external
tone generator to
the MIDI OUT
terminal like this.

Setting Up Your MU10

● Macintosh

Connect the TO HOST terminal
of the MU10 to the Modem (or
Printer) port of the computer
with an optional Apple Macin­tosh peripheral cable (M0197),
then set the HOST SELECT
switch to Mac. Also, set the
MIDI interface clock to 1 MHz.

● PC98

Connect the TO HOST terminal
of the MU10 to the serial port of
the PC98 computer with an
optional 8-pin MINI DIN to 25­pin D-SUB cable, then set the
HOST SELECT switch to PC-1.

Mac

mini DIN 8-pin mini DIN 8-pin

PC-1

mini DIN 8-pin

D-SUB 25-pin

● IBM PC/AT and Compatibles

Connect the TO HOST terminal

PC-2

of the MU10 to the serial port of
the IBM PC/AT (or compatible)
computer with an optional 8-pin

mini DIN 8-pin

MINI DIN to 9-pin D-SUB
cable, then set the HOST
SELECT switch to PC-2.

If you use an 8-pin MINI DIN
to 25-pin D-SUB cable, connect

mini DIN 8-pin

D-SUB 25-pin

D-SUB 9-pin

a 25-pin to 9-pin plug adaptor to
the D-SUB end of the cable.

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D-SUB 9-pin

15

MIDI

Setting Up Your MU10

■ Connecting to a Computer With a MIDI Interface

Connect the MIDI IN terminal of the
MU10 with the MIDI OUT terminal
on the MIDI interface as shown at the
right, then set the HOST SELECT
switch to MIDI.

■

NOTE

●

If you are using a Macintosh computer,

you may need to set the MIDI interface
clock to an appropriate value. (Refer to
the owner’s manual of your particular
music software.)

●

When the HOST SELECT switch is set to

MIDI, data received via the TO HOST
terminal is ignored.

MIDI Thru

(Echo back)

HOST SELECT

Tone generator

MU10

MIDI Keyboard

ON

Computer
(Sequencer
software)

Serial
port

MIDI
OUT

MIDI
IN

MIDI
Inter­face

MIDI
IN

MIDI
OUT

Connecting With a MIDI Device

The MU10 can be integrated into any
MIDI system in a variety of ways. In
the example connection shown at the
right, the MU10 is being played from a
MIDI keyboard. Connect the MIDI IN

PITCH

SHIFT

OCTAVE

OCTAVE SHIFT

OCTAVE
RESET

terminal of the MU10 with the MIDI
OUT terminal on the MIDI keyboard,
set the HOST SELECT switch to
MIDI, and set the MIDI transmit
channel on the keyboard to the desired
value. (Refer to the owner’s manual of
that device for details.)

■

NOTE

●

MIDI channel 10 on the MU10 is

automatically set to play the drum
Voices.

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16

CONTROLLER NUMBER LIST

CONTROL CHANGE

1 MODULATION DEPTH
5 PORTAMENTO TIME
6 DATA ENTRY
7 MAIN VOLUME
8 BALANCE CONTROL
10 PANPOT
11 EXPRESSION

ASSIGNABLE

PROGRAM RESET SYSTEM WHEEL ASSIGNSEQUENCER

BANK

STOP CONTINUESTART

TEMPO

SELECT

MIDI OUT

PROGRAM
CHANGE

MIDI Keyboard

64 HOLD1(DAMPER)

74 BRIGHTNESS

(RPN)

65 PORTAMENTO

84 PORTAMENTO CONTROL

120 PITCH BEND SENSITIVITY

66 SOSTENUTO(CHORD HOLD)

91 REVERB DEPTH

121 FINE TUNING

67 SOFT PEDAL

92 TREMOLO DEPTH

122 COARSE TUNING
(NRPN)

69 HOLD2

93 CHORUS DEPTH

71 HARMONIC CONTENT

94 VARIATION DEPTH

123 VIBRATO RATE

72 RELEASE TIME

95 PHASER DEPTH

124 VIBRATO DEPTH

73 ATTACK TIME

125 VIBRATO DELAY

TRANSPOSE

MIDI

GM

XG

FIXED

SOUND

MERGE

DRUM

CONTROLLER

NRPN

RPN

CH

ON

ON

VELOCITY

OFF

ON/OFF

NUMBER

MIDI IN

Tone generator

MU10

DC IN

IN MIDI OUT

POWER ON OFF

134 DRUM EG DECAY TIME
135 DRUM PITCH COARSE
136 DRUM PITCH FINE
137 DRUM LEVEL
138 DRUM PAN
139 DRUM REVERB DEPTH
140 DRUM CHORUS DEPTH
141 DRUM VARIATION DEPTH

142 CHANNEL PRESSURE
143 KEY PRESSURE
144 MASTER VOLUME
145 MASTER BALANCE
146 MASTER TUNING
147 VELOCITY
148 TEMPO

OTHERS

126 FILTER CUTOFF FREQUENCY
127 FILTER RESONANCE
128 EG ATTACK TIME
129 EG DECAY TIME
130 EG RELEASE TIME
131 DRUM FILTER CUTOFF FREQUENCY
132 DRUM FILTER RESONANCE
133 DRUM EG ATTACK TIME

1 2 3 4 5 6 7 8 9 A B C D E F 0

HOST SELECT

MIDI

MIDI KEYBOARD CBX-K1

ENTER

HEXA

DECIMAL

DECIMAL

Setting Up Your MU10

MIN MAXVOLUME LINE OUT/

PHONES

TONE VOLUME

LOW HIGH

POWER

ON/

OFF

TONE VOLUME

LOW HIGH

POWER

ON/

OFF

Connecting to Audio Equipment

In order to hear the sounds of the MU10, you must connect it to a set of
stereo headphones or an amplifier/speaker system. Connect the headphones
or audio cable to the stereo mini jack on the side panel. The particular cable
that you use depends on your audio equipment. (In most cases this would be
a stereo mini/dual RCA-pin cable or a stereo mini/stereo mini cable.)

MIN MAXVOLUME LINE OUT/

PHONES

Stereo

Stereo mini

mini

INPUT

INPUT

Audio equipment

■

CAUTION

●

After making connections, turn down the volume controls on all devices,

then turn on the power of each device in the following order:

1) External MIDI device or computer

2) MU10

3) Audio equipment

When turning off the power, simply reverse the order. This is done to
avoid damaging any of the equipment and connected speakers (as well as
your ears!).

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17

Using the A/D INPUT Function

The MU10 also features an A/D INPUT function that allows you to connect two
external audio sources — such as a microphone, guitar, or CD player — and mix those
sources with the Voices of the MU10. For example, you could use this to sing or play
a guitar or keyboard over backing tracks played with the MU10 Voices from a MIDI
sequencer. With a MIDI keyboard connected to the MU10, you could plug in a CD
player and play keyboard parts along with your favorite CDs.

The built-in effects of the MU10 are also applied to the INPUT sources.

■

NOTE

●

When the A/D INPUT 1 jack (or both 1 and 2) is connected, the A/D INPUT

function is turned on and the maximum polyphony (simultaneous notes) of the
MU10 is reduced from 32 to 30.

●

Audio signals received via the A/D INPUT 1 and 2 jacks are mixed to one part,

then processed through the effect sections and mixed with the internal Voices of
the MU10.

●

When the power is turned on, the A/D Input parameters are reset to the follow-

ing values:
Input Gain — Mic
Bank Select — 0
Receive Channel — OFF
Volume — 100
Chorus Send — 0
Reverb Send — 40
Receive Program Change — OFF
Receive Bank Select — OFF

●

When the A/D Input is active (i.e., when the A/D INPUT 1 jack is connected),

Variation Send is set to 0. All other parameter settings are maintained.

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18

Using the A/D INPUT Function

MIN MAXVOLUME

A/D INPUT
VOLUME

● Operation

1 Turn down all volume controls.

This includes the A/D INPUT
VOLUME sliders on the top panel,
and the VOLUME slider on the
side panel, as well as volume
controls on any connected equip­ment.

Front Panel

Side Panel

2 Connect the cable(s) from the external source(s) to the A/D INPUT

jack(s).

When using a single mono source, connect it to the A/D INPUT 1 jack, so
that the A/D INPUT function is on. (Connecting the source to only the A/
D INPUT 2 jack does not turn on the A/D INPUT function.)

3 Turn up the various volume controls until the level is appropriate.

Start with the controls on any connected equipment, then the VOLUME
slider on the side panel, and finally slowly turn up the A/D INPUT
VOLUME slider while playing the external instrument or sound source.

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19

Using the A/D INPUT Function

■ Changing the Input Gain Setting

When the power is turned on, the A/D INPUTs are automatically set to
receive mic level signals, such as a microphone or electric guitar. To use a
keyboard or a CD player, you will need to change the setting from “mic” to
“line.” This is done by sending the MU10 a specific MIDI System Exclusive
message (usually from a sequencer).

● Operation

1 Connect a MIDI sequencer (or other MIDI device) to the TO HOST

terminal or MIDI IN terminal. (See page 14 – 16.)

The device must be able to transmit System Exclusive messages. (Refer
to the owner’s manual of the particular device or software for detailed
instructions.)

2 Send the appropriate message from the sequencer.

To set the A/D INPUTs to “line,” send this message : F0 43 1n 4c 10 00 00 01 F7
To set the A/D INPUTs to “mic,” send this message : F0 43 1n 4c 10 00 00 00 F7

(n = device number)

For more details, refer to the MIDI Data Format section on page 25.
Continue with steps 1 - 3 in the previous instructions to use the A/D

INPUTs with the new setting.

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20

MU10 Overview and Features

This section covers the performance modes of the
MU10 and describes in detail Voice- and Effect­related controls and features.

The MU10 has 32-note polyphony and is 16-Part
multitimbral, which means it can play up to 16
different instrument Parts (one Part per each of the
16 MIDI channels), each Part having its own
Voice. Up to 16 different Voices can be sounded
simultaneously.
The MU10 features both XG and TG300B
performance modes. Normally the MU10 plays in
XG mode. However, since it automatically
recognizes which mode to select based on
incoming MIDI data, you can easily change the
mode by MIDI System Exclusive messages that
you program in sequencer data, at the head of your
composition.

Please note the following:

• Turning on the power of the MU10 will
automatically initialize all MU10 settings,
or parameter values.

• Since the MU10 requires about half a
second to change modes when it receives a
mode change message, be sure to insert at
least one blank measure at the top in order
to allow enough time for the mode to
change before your actual music data
begins.

● XG Mode

In XG mode the MU10 will play XG-compatible
multitimbral data, as well as multitimbral data
created for the GM System Level 1 format.

In XG mode the MU10 can:

• Play up to 16 Parts.

• Choose from 480 Normal Voices and 11
Drum Voices.

● TG300B Mode

In TG300B mode the MU10 will play multitimbral
music data created for TG300B-compatible tone
generators. TG300B mode also provides compat­ibility with the GM System Level 1 format.

In TG300B mode the MU10 can:

• Play up to 16 Parts.

• Choose from 579 Normal Voices and 10
Drum Voices.

■ Voices and Elements

An MU10 Voice can be made up of one or two
elements (i.e., sounds), depending on the complex­ity of the Voice. Many Voices are made up of only
one element. Two-element Voices are made up of
two one-element Voices, and may be configured in
a variety of ways.
The number of elements in use determines the
maximum number of simultaneous notes (po­lyphony) which the MU10 can play at any given
time, depending on the amount of incoming MIDI
Note data. For details about the number of
elements used in each Voice, see the XG/TG300B
Normal Voice List on page 42.

■ Normal Voices and Drum Voices

The MU10 has two types of Voices—Normal
Voices and Drum Voices. (In this Owner’s Manual,
in general the word Voice refers to a Normal
Voice.)
The distinction between a Normal Voice and a
Drum Voice is as follows:

• A Normal Voice is simply a pitched Voice
which can be played on a musical scale from
low to high, such as a piano or trumpet. The
MU10 has 676 Normal Voices.

• A Drum Voice is a complete set of drum and
other percussion sounds, each sound having a
fixed pitch. Each sound is assigned to a specific
MIDI Note number (which also corresponds to
a key on a MIDI keyboard). The MU10 has 21
Drum Voices.

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21

MU10 Overview and Features

■ Maximum Polyphony

The MU10 can play a maximum of 32 notes
polyphony at once. (When the A/D INPUT 1 jack
or both the 1 and 2 jacks are connected, the A/D
INPUT function is turned on and the maximum
polyphony is reduced to 30.) However, the actual
number of notes that will play at any given time is
determined by the number of elements in use
across the 16 Parts.
For example, if you use only one-element Voices,
you can achieve the full 32 notes maximum
polyphony. If you use one or more two-element
Voices, however, maximum polyphony will be
reduced accordingly.
The MU10 is a last-note-priority tone generator,
which means that if it receives more than 32 notes
of MIDI Note data at any time, earlier (first) notes
will automatically cut off to accommodate the
most recent (last) incoming notes.

■ Part Priority

Each of the MU10’s 16 Parts corresponds to each
of the 16 MIDI channels (1 – 16). If incoming
Note data exceeds the maximum polyphony, the
MU10 will prioritize which Parts are played first,
in the following order, from higher priority to
lower:

• Channel 10 (Drum Part), 1, 2, 3, 4, 5, 6, 7, 8, 9, 11,
12, 13, 14,15, 16.

Therefore, if you are creating your own music data
using sequencer software, you should assign your
most important Parts (such as melody and bass) to
higher priority MIDI channels (i.e., lower MIDI
channel numbers) in order to preserve the integrity
of your composition. Note that with the GM
System Level 1, the Drum Part is always assigned
to MIDI channel 10.

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22

■ Element Reserve

The MU10 has an Element Reserve feature that
lets you reserve a specified number of notes for
certain Parts, in order to keep notes from being
“stolen” from those Parts by other Parts if
incoming MIDI Note data exceeds maximum
available polyphony.
For example, if you specify an Element Reserve
value of “10” for Part 1, then Part 1 will always
keep 10 elements for itself. You can set Element
Reserve values with MIDI System Exclusive
messages (see XG Native Parameter Change on
page 30, and <Table 1 - 4> on page 35).

■ Selecting Voices

The MU10 not only contains the 128 basic GM
Voices and GM drum set, but many variation
Voices as well—to give you access to a total of
676 Normal Voices and 21 Drum Voices.
In XG mode, the basic 128 GM Voices can be
accessed by selecting Program numbers 1 – 128.
Other Voices can be accessed by selecting both
bank numbers and Program Change numbers. The
Voice bank can be selected via MIDI Control
Change Bank Select (MSB and LSB) messages. In
XG mode, the MSB value determines the Voice
type (Normal, Drum), while the LSB value actually
selects the bank (excluding the SFX bank).
When the MU10 is in TG300B mode, the Voice
banks can be selected with appropriate MSB
numbers, as LSB is fixed.
Lists of all available Voices along with bank and
program numbers are provided on pages 42 – 49.
Note that the 128 MIDI Program Change numbers
consist of 0 through 127, whereas the 128 MU10
program numbers consist of 1 through 128.
Depending on the sequencing hardware and
software you use, you may have to convert the
MU10 program numbers to the appropriate
Program Change numbers.

* For more information about Bank Select and

Program Change messages, see About MIDI,
page 24.

■ Effect Types

The MU10 features dozens of extremely versatile
digital effects generated by Yamaha’s advanced
Digital Signal Processing (DSP) technology—
which add a completely new dimension to your
MU10’s sound.
There are three distinct effect types, or effect
sections, each of which include a variety of
individual effects. There are 11 Reverb type
effects, 11 Chorus type effects, and 43 Variation
type effects. For a complete list of effects, see the
Effect Type List on page 50.
These effects are configured, or routed, in one of
two ways—to be either a System Effect or an
Insertion Effect. The difference is as follows:

• SYSTEM EFFECT

- Applies the designated effect to all 16 Parts.

• INSERTION EFFECT

- Applies the designated effect to only one specific
Part.

Reverb and Chorus effect types are dedicated
System Effects, and therefore are applied to the
overall “mix”. The Variation effect type, however,
can be configured as either a System Effect or an
Insertion Effect. To designate effect types and
parameter values via MIDI messages, see XG
Native Parameter Change, page 30.

* Effects can be applied to A/D Input Sources as

well as the internal voices of the MU10.

MU10 Overview and Features

■ 16 bit A/D Input x 2

The MU10 features A/D INPUT 1, 2 jacks for
connection of external audio sources such as a
microphone, guitar, bass, or CD player.
Audio signals received via A/D INPUT 1 and 2
jacks are mixed to one part, then processed
through the effect sections and mixed with the
internal voices of the MU10. (See “Using the A/D
INPUT Function” on page 18)

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23

About MIDI

■ What is MIDI?

MIDI is an acronym that stands for Musical
Instrument Digital Interface, which allows
electronic musical instruments to “communicate”
with each other, by sending and receiving
compatible Note, Control Change, Program
Change and various other types of MIDI data, or
messages.

■ MIDI Messages Received by the

MU10

The MU10 is controlled by various types of
incoming MIDI messages which automatically
determine play mode, select MIDI channels,
Voices and effects, change parameter values, and
of course play the Voices specified for the various
Parts—complete with all the subtle nuances and
powerful dynamics of expression that the
composer originally intended. Below is an
explanation of the various types of MIDI messages
which the MU10 can receive.

● Key On/Key Off

Key On/Key Off messages, also called Note
messages, tell the MU10 which notes to play, the
Velocity value (depending on how hard the keys
are struck) at which to play them, and how long to
play them—i.e., when to start (On) and stop (Off)
playing each note.

● Program Change

Program Change messages tell the MU10 which
Voice to select for each Part. You can insert
Program Change messages at any desired location
in a song. Combining Bank Select numbers let you
select various Voices from the hundreds of Voices
available in the MU10.

● Pitch Bend

Pitch Bend messages are continuous controller
messages that allow the pitch of designated notes
to be raised or lowered by a specified amount over
a specified duration.

● Channel Aftertouch

Channel Aftertouch is a pressure sensing function
which lets you control various functions by how
hard you press the keys, over the entire channel.

● Polyphonic Aftertouch

Polyphonic Aftertouch is a pressure sensing
function which lets you control various functions
by how hard you press the keys, for each
individual key.

● System Exclusive

System Exclusive messages control various
functions of the MU10, including master volume
and master tuning, play mode (XG or TG300B),
effect type and various other parameters specifi­cally related to the MU10.

● Control Change

Control Change messages let you select a Voice
bank, control volume, panning, modulation,
portamento time, brightness and various other
controller parameters, through specific Control
Change numbers which correspond to each of the
various parameters.

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24

MIDI Data Format

By sending various types of MIDI messages you can
directly control and change the settings on the MU10.
Please refer to the owner’s manual of your software
and hardware for information about how to transmit
MIDI messages to the MU10.

If the Drum Setup parameter Rcv NOTE OFF (Table
1-6) = OFF, the Drum Part will ignore Key Off
messages.
If the Drum Setup parameter Rcv NOTE ON = OFF
(Table 1-6), the Drum Part will ignore Key On
messages.

■ RECEPTION

1. CHANNEL MESSAGES

1.1 Key On / Key Off

Messages which are generated when the keyboard is
played.
Reception note range = C-2 (0)-G8 (127), C3 = 60
Velocity range = 1-127 (Only the Key On velocity is
received)
Key On: Generated when a key is pressed.
Key Off: Generated when a key is released.
Each message includes a specific note number which
corresponds to the key which is pressed, plus a
velocity value based on how hard the key is struck.
If the Multi Part parameter Rcv NOTE MESSAGE
(Table 1-4) = OFF for a specific Part, that Part will

1.2 Control Change

Messages which control volume, panning, and other
controller parameters.
Each type of Control Change message is assigned to a
specific control number.
If the Multi Part parameter for each Control Change
Receive (Table 1-4, nn30-nn40) = OFF, that Part will
ignore the specific Control Change message.

1.2.1 Bank Select

Messages which select variation Voice bank numbers.

CNTRL# PARAMETER DATA RANGE
0 Bank Select MSB 0:Normal, 63:User Voices,

32 Bank Select LSB 0...127

64:SFX, 126:SFX Kit,
127:Drum

ignore Key On and Key Off messages.

Decimal - Hexadecimal Conversion Chart

Many MIDI messages listed in the MIDI Data Format section, are expressed in hexadecimal numbers. The
chart below lists the corresponding decimal number for each hexadecimal number. (Hexadecimal numbers
may include the letter “H” as a suffix.)

Dec Hex Dec Hex Dec Hex Dec Hex Dec Hex Dec Hex Dec Hex Dec Hex

0
1
2
3
4
5
6
7
8

9
10
11
12
13
14
15

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16

00

17

01

18

02
03

19
20

04

21

05
06

22
23

07

24

08
09

25
26

0A

27

0B
0C

28
0D
0E

30311E
0F

32

10
11
12
13
14
15
16
17
18

19
1A
1B
1C
1D29

1F

20

48

21

33
34
35
36
37
38
39
40
41
42
43
44

45
46
47

49

22

50
51

23
24

52

25

53

26

54

27

55
56

28

57

29

58

2A

59

2B
2C

60

2D

61
62

2E

63

2F

64

30

65

31

66

32
33

67
68

34
35

69
70

36

71

37

72

38

73

39
3A

74

3B

75
76

3C

77

3D

78

3E

79

3F

80

40

81

41

82

42

83

43

84

44

85

45

86

46

87

47
48

88

49

89

4A

90

4B

91
92

4C

93

4D
4E

94
95

4F

96

50
51

97
98

52
53

99

100

54

101

55
56

102

57

103

58

104

59

105

5A

106
107

5B

108

5C

109

5D

110

5E

111

5F

112

60

113

61

114

62

115

63

116

64
65

117

66

118

67

119

68

120
121

69

122

6A

123

6B

124

6C

125

6D
6E

126

6F

127

70
71
72
73
74
75
76
77
78
79
7A
7B
7C
7D
7E
7F

25

MIDI Data Format

You can select the Voice banks with MSB and LSB
numbers. MSB and LSB functions differently
depending on the play mode.
In XG mode, MSB numbers select Voice type
(Normal Voice or Drum Voice), and LSB numbers
select Voice banks. In TG300B mode, LSB is fixed,
and MSB numbers select Voice banks.(See Voice Lists
on page 42 – 49)
A new bank selection will not become effective until
the next Program Change message is received.

1.2.2 Modulation

Messages which control vibrato depth.

CNTRL# PARAMETER DATA RANGE
1 Modulation 0...127

A setting of 0 = vibrato off, and a setting of 127 =
maximum vibrato.

1.2.3 Portamento Time

Messages which control the duration of portamento,
or a continuous pitch glide between successively
played notes.

CNTRL# PARAMETER DATA RANGE
5 Portamento Time 0...127

When the parameter 1.2.9 Portamento = ON, values
will adjust the speed of pitch change.
A setting of 0 = minimum portamento time, and 127
= maximum portamento time.

1.2.7 Expression

Messages which control intonation expression of each Part.

CNTRL# PARAMETER DATA RANGE
11 Expression 0...127

A setting of 0 = minimum expression volume, and
127 = maximum expression volume.

1.2.8 Hold1

Messages which control sustain on/off.

CNTRL# PARAMETER DATA RANGE
64 Hold1 0...127

Settings between 0-63 = sustain off, and settings
between 64-127 = sustain on.

1.2.9 Portamento

Messages which control portamento on/off.

CNTRL# PARAMETER DATA RANGE
65 Portamento 0...127

Settings between 0-63 = portamento off, and settings
between 64-127 = portamento on.
The parameter 1.2.3 Portamento Time controls the
portamento speed.

1.2.10 Sostenuto

Messages which control sostenuto on/off.

CNTRL# PARAMETER DATA RANGE
66 Sostenuto 0...127

Holding specific notes and then pressing and holding

1.2.4 Data Entry

Messages which set the value for the parameter
specified by RPN/NRPN.

CNTRL# PARAMETER DATA RANGE
6 Data Entry MSB 0...127
38 Data Entry LSB 0...127

Parameter value is determined by combining MSB
and LSB.

1.2.5 Main Volume

Messages which control the volume of each Part.

CNTRL# PARAMETER DATA RANGE
7 Main Volume 0...127

A setting of 0 = minimum volume, and 127 =
maximum volume.

1.2.6 Pan

Messages which control the stereo panning position of
each Part.

CNTRL# PARAMETER DATA RANGE
10 Pan 0...127

A setting of 0 = extreme left position, and 127 =
extreme right position.

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26

the sostenuto pedal will sustain those notes as you
play subsequent notes, until the pedal is released.
Settings between 0-63 = sostenuto off, and settings
between 64-127 = sostenuto on.

1.2.11 Soft Pedal

Messages which control soft pedal on/off.

CNTRL# PARAMETER DATA RANGE
67 Soft Pedal 0...127

Notes played while holding the soft pedal will be
dampened. Settings between 0-63 = soft pedal off, and
settings between 64-127 = soft pedal on.

1.2.12 Harmonic Content

Messages which adjust the resonance set for each
Voice.

CNTRL# PARAMETER DATA RANGE
71 Harmonic Content 0...127 (0 : -64, 64 : +0,

127 : +63)

The value set here is an offset value which will be
added to or subtracted from the Voice data.
Higher values will result in a more resonant sound.
Depending on the Voice, the effective range may be
narrower than the range available for adjustment.

MIDI Data Format

1.2.13 Release Time

Messages which adjust the envelope release time set
for each Voice.

CNTRL# PARAMETER DATA RANGE
72 Release Time 0...127 (0 : -64, 64 : +0,

127 : +63)

The value set here is an offset value which will be
added to or subtracted from the Voice data.

1.2.14 Attack Time

Messages which adjust the envelope attack time set
for each Voice.

CNTRL# PARAMETER DATA RANGE
73 Attack Time 0...127 (0 : -64, 64 : +0,

127 : +63)

The value set here is an offset value which will be
added to or subtracted from the Voice data.

1.2.15 Brightness

Messages which adjust the filter cutoff frequency set
for each Voice.

CNTRL# PARAMETER DATA RANGE
74 Brightness 0...127 (0 : -64, 64 : +0,

127 : +63)

The value set here is an offset value which will be
added to or subtracted from the Voice data.
Lower values will result in a softer sound.
Depending on the Voice, the effective range may be
narrower than the range available for adjustment.

1.2.16 Portamento Control

Messages which apply a portamento between the
currently sounding note and the subsequent note.

CNTRL# PARAMETER DATA RANGE
84

Portamento Control

0...127

Portamento Control is transmitted specifying the Note
On Key of the currently-sounding note.
Specify a Portamento Source Key number between 0-

127.
When a Portamento Control message is received, the
currently sounding pitch will change with a
Portamento Time of 0 to the next Key On key on the
same channel.
For example, the following settings would apply a
portamento from note C3 to C4.

90 3C 7F ........... C3 = Key On

B0 54 3C........... Source Key number set to C3

90 48 7F ........... C4 = Key On (When C4 = on, C3

is raised by a portamento to C4.)

Even if the Multi Part parameter Rcv PORTAMENTO
(Table 1-4) = OFF, the Portamento Control message
will be received.

1.2.17 Effect1 Depth (Reverb Send Level)

Messages which adjust the send level for the Reverb
effect.

CNTRL# PARAMETER DATA RANGE
91 Effect1 Depth 0...127

1.2.18 Effect3 Depth (Chorus Send Level)

Messages which adjust the send level for the Chorus
effect.

CNTRL# PARAMETER DATA RANGE
93 Effect3 Depth 0...127

1.2.19 Effect4 Depth (Variation Effect Send Level)

Messages which adjust the send level for the Variation
effect.

CNTRL# PARAMETER DATA RANGE
94 Effect4 Depth 0...127

If Variation Connection (Table 1-3) = 1 (System), this
message sets the send level for the Variation effect.
If Variation Connection = 0 (Insertion), this has no
effect.

1.2.20 Data Increment / Decrement (for RPN)

Messages which increase or decrease the MSB value
of Pitch Bend Sensitivity, Fine Tune, or Coarse Tune
in steps of 1.

CNTRL# PARAMETER DATA RANGE
96 RPN Increment 0...127
97 RPN Decrement 0...127

The data byte is ignored.
When the maximum value or minimum value is
reached, the value will not be incremented or
decremented further.
(Incrementing the Fine Tune will not cause the Coarse
Tune to be incremented.)

1.2.21 NRPN (Non-Registered Parameter Number)

Messages which adjust a Voice’s vibrato, filter, EG,
drum setup or other parameter settings.

CNTRL# PARAMETER DATA RANGE
98 NRPN LSB 0...127
99 NRPN MSB 0...127

First send the NRPN MSB and NRPN LSB to specify
the parameter which is to be controlled. Then use
Data Entry to set the value of the specified parameter.

* Note that once the NRPN has been set for a channel,

subsequent data entry will be recognized as the same
NRPN’s value change. Therefore, after you use the
NRPN, you should set a Null (7FH, 7FH) value to
avoid an unexpected result.

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27

MIDI Data Format

The following NRPN numbers can be received.

NRPN
MSB LSB MSB

01H 08H mmH Vibrato Rate

01H 09H mmH Vibrato Depth

01H 0AH mmH Vibrato Delay

01H 20H mmH Filter Cutoff Frequency

01H 21H mmH Filter Resonance

01H 63H mmH EG Attack Time

01H 64H mmH EG Decay Time

01H 66H mmH EG Release Time

14H rrH mmH Drum Filter Cutoff Frequency

15H rrH mmH Drum Filter Resonance

16H rrH mmH Drum EG Attack Rate

17H rrH mmH Drum EG Decay Rate

18H rrH mmH Drum Instrument Pitch Coarse

19H rrH mmH Drum Instrument Pitch Fine

1AH rrH mmH Drum Instrument Level

1CH rrH mmH Drum Instrument Pan

1DH rrH mmH

1EH rrH mmH

1FH rrH mmH

DATA ENTRY

PARAMETER NAME and VALUE RANGE

mm : 00H-40H-7FH (-64 - 0 - +63)

mm : 00H-40H-7FH (-64 - 0 - +63)

mm : 00H-40H-7FH (-64 - 0 - +63)

mm : 00H-40H-7FH (-64 - 0 - +63)

mm : 00H-40H-7FH (-64 - 0 - +63)

mm : 00H-40H-7FH (-64 - 0 - +63)

mm : 00H-40H-7FH (-64 - 0 - +63)

mm : 00H-40H-7FH (-64 - 0 - +63)

mm : 00H-40H-7FH (-64 - 0 - +63)
rr : drum instrument note number

mm : 00H-40H-7FH (-64 - 0 - +63)
rr : drum instrument note number

mm : 00H-40H-7FH (-64 - 0 - +63)
rr : drum instrument note number

mm : 00H-40H-7FH (-64 - 0 - +63)
rr : drum instrument note number
Applies to both Decay1 and 2.

mm : 00H-40H-7FH (-64 - 0 - +63)
rr : drum instrument note number

mm : 00H-40H-7FH (-64 - 0 - +63)
rr : drum instrument note number

mm : 00-7F (0-max)
rr : drum instrument note number

mm : 00H-40H-7FH

(random, left-center-right)
rr : drum instrument note number
Drum Instrument Reverb Send Level
mm : 00H-7FH (0-max)
rr : drum instrument note number
Drum Instrument Chorus Send Level
mm : 00H-7FH (0-max)
rr : drum instrument note number
Drum Instrument Variation Send Le vel
mm : 00H-7FH (0-max)
rr : drum instrument note number

MSB 14H-1FH (for Drum) is valid only if the Multi
Part parameter (Table 1-4) PART MODE = DRUMS 1
or DRUMS2 for that channel. (If PART MODE =
DRUM, no values will be changed.)

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28

1.2.22 RPN (Registered Parameter Number)

Messages which offset, or add or subtract values from
a Part’s pitch bend sensitivity, tuning, or other
parameter settings.

CNTRL# PARAMETER DATA RANGE
100 RPN LSB 0...127 (Default:7FH)
101 RPN MSB 0...127 (Default:7FH)

* Note that once the RPN has been set for a channel,

subsequent data entry will be recognized as the same
RPN’s value change. Therefore after you use the
RPN, you should set a Null (7FH, 7FH) value to
avoid an unexpected result.

The following RPN numbers can be received.

RPN DATA ENTRY
MSB LSB MSB LSB

00H 00H mmH -- Pitch Bend Sensitivity

00H 01H

00H 02H mmH -- Coarse Tuning

7FH 7FH -- -- RPN null

mmH 11H

PARAMETER NAME and VALUE RANGE

mm : 00-18H (0-24 chromatic steps)
Assignable in chromatic steps up to
2 octaves
Default : 02H
LSB value is ignored.
Fine Tuning
mm : 00H-40H-7FH (-64 - 0 - +63)

mm : 28H-40H-58H (-24 - +24 chro­matic steps)
LSB value is ignored.

Cancels RPN and NRPN numbers.

1.2.23 Channel Mode Messages

The following Channel Mode Messages can be received.

2nd BYTE 3rd BYTE MESSAGE

120 0 All Sounds Off
121 0 Reset All Controllers
123 0 All Notes Off
124 0 Omni Off
125 0 Omni On
126 0 - 16 Mono
127 0 Poly

1.2.23.1 All Sounds Off

Terminates all sounds currently sounding on the
specified channel. However, the status of channel
messages such as Note On and Hold On is
maintained.

1.2.23.2 Reset All Controllers

The values of the following controllers will be
reset to the defaults.

CONTROLLER VALUE

Pitch Bend Change ±0 (center)
Channel Aftertouch 0 (off)
Polyphonic Aftertouch 0 (off)
Modulation 0 (off)
Expression 127 (max)

MIDI Data Format

Hold1 0 (off)
Portamento 0 (off)
Sostenuto 0 (off)
Soft Pedal 0 (off)
Portamento Control cancels the Portamento Source

RPN number not specified; internal

NRPN number not specified; internal

Key Number that was received.

data will not change.

data will not change.

1.2.23.3 All Notes Off

Terminates all notes currently on for the specified
channel. However, if Hold1 or Sostenuto is on,

If the Multi Part parameter Rcv CHANNEL AFTER
TOUCH (Table 1-4) = OFF, that Part will not receive
Channel Aftertouch.

1.6 Polyphonic Aftertouch

Messages which let you control various functions by
the pressure you apply to the keys after the initial
striking of the keys, for each individual key.
If the Multi Part parameter Rcv POLYPHONIC
AFTER TOUCH (Table 1-4) = OFF, that Part will not
receive Polyphonic Aftertouch. Effective range is
between note numbers 36-97.

notes will continue sounding until these are turned
off.

1.2.23.4 Omni Off

Performs the same function as when an All Notes
Off message is received.

1.2.23.5 Omni On

2. SYSTEM EXCLUSIVE MESSAGES

System Exclusive messages control various functions
of the MU10, including master volume and master
tuning, play mode, effect type and various other
parameters.

* The device number of the MU10 is fixed to “All”.

Performs the same function as when an All Notes
Off message is received.

1.2.23.6 Mono

Performs the same function as when an All Sounds
Off message is received, and if the 3rd byte (mono
number) is in the range of 0-16, sets the corre­sponding channel to Mono Mode (Mode 4 : m =

1).

1.2.23.7 Poly

Performs the same function as when an All Sounds
Off message is received, and sets the corresponding
channel to Poly Mode (Mode 3).

1.3 Program Change

Messages for Voice selection.
With a combination of Bank Select, you can select not
only basic Voice numbers, but also variation Voice
bank numbers.
If the Multi Part parameter Rcv PROGRAM
CHANGE (Table 1-4) = OFF, that Part will not
receive Program Change messages.

1.4 Pitch Bend

Messages for pitch bend wheel values.
If the Multi Part parameter Rcv PITCH BEND
CHANGE (Table 1-4) = OFF, that Part will not
receive Pitch Bend messages.

1.5 Channel Aftertouch

Messages which let you control various functions by
the pressure you apply to the keys after the initial
striking of the keys, over the entire channel.

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2.1 Parameter Change

The MU10 receives the following parameter change
messages.

[ UNIVERSAL REALTIME MESSAGE ]

1) Master Volume

[ UNIVERSAL NON REALTIME MESSAGE ]

1) General MIDI Mode On

[ XG NATIVE PARAMETER CHANGE ]

1) XG System on

2) XG System Data parameter change

3) Multi Effect1 Data parameter change

4) Multi Part Data parameter change

5) A/D Part Data parameter change

6) A/D System Data parameter change

7) Drums Setup Data parameter change

[ MU10 NATIVE PARAMETER CHANGE ]

1) MU10 System Data parameter change

[ OTHER ]

1) Master tuning

2) TG300 System Data parameter change

3) TG300 Multi Effect Data parameter change

4) TG300 Multi Part Data parameter change

2.1.2 Universal Realtime Messages

2.1.2.1 Master Volume

11110000 F0 Exclusive status
01111111 7F Universal Real Time
01111111 7F ID of target device
00000100 04 Sub-ID #1=Device Control

00000001 01 Sub-ID #2=Master Volume
0sssssss ss* Volume LSB

Message

29

MIDI Data Format

0ttttttt tt Volume MSB
11110111 F7 End of Exclusive

or,

11110000 F0 Exclusive status
01111111 7F Universal Real Time
0xxxnnnn xn Device Number,

00000100 04 Sub-ID #1=Device Control

00000001 01 Sub-ID #2=Master Volume
0sssssss ss Volume LSB
0ttttttt tt Volume MSB
11110111 F7 End of Exclusive

xxx=irrelevant

Message

When received, the Volume MSB will be effective

0aaaaaaa aa Address Mid
0aaaaaaa aa Address Low
0ddddddd dd Data
||
11110111 F7 End of Exclusive

* Any number is OK since the device number for the

MU10 is fixed to “All”.
For parameters with data size of 2 or 4, transmit
the appropriate number of data bytes.
When sending the parameter change messages
consecutively, be sure to leave an appropriate
interval (if the time base is 480, ca 5 unit) between
the messages.

for the System Parameter MASTER VOLUME
(Table 1-2).

* “ss” is the hexadecimal expression of 0sssssss;

same as for “tt”, “aa”, etc.

2.1.3 Universal Non-Realtime Messages

2.1.3.1 General MIDI Mode On

11110000 F0 Exclusive status
01111110 7E Universal Non-Real Time
01111111 7F ID of target device
00001001 09 Sub-ID #1=General MIDI

00000001 01 Sub-ID #2=General MIDI On
11110111 F7 End of Exclusive

or,

11110000 F0 Exclusive status
01111110 7E Universal Non-Real Time
0xxxnnnn xn Device Number, xxx =

00001001 09 Sub-ID #1=General MIDI

00000001 01 Sub-ID #2=General MIDI On
11110111 F7 End of Exclusive

Message

irrelevant

Message

When General MIDI Mode On is received, the play
mode will be changed to XG mode.
When this happens, the MU10 will receive the MIDI
messages which compatible with GM System Level 1,
and consequently will not receive NRPN and Bank
Select messages.
Since approximately 50ms is required to execute this
message, be sure to leave an appropriate interval
before the subsequent message.

2.1.4 XG Native Parameter Change

With the Parameter Change messages as listed below,
you can change the basic character or sound of a
Voice, such as by Effect Type or effect parameter,
transpose, tuning, and others.

11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0001nnnn 1n* Device Number
01001100 4C XG Model ID
0aaaaaaa aa Address High

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30

EXAMPLE OF PARAMETER CHANGE

1. To change reverb effect type to Stage 1,

first check the Effect Type List (page 50) to
identify the MSB and LSB numbers; for Stage
1 Reverb effect type numbers are MSB = 03,
LSB = 00.
Next, check the Address in Table 1-3 for the
REVERB TYPE parameter; in this case the
address is High, Mid, Low = 02, 01, 00,
respectively.
Apply these to the 2.1.4 XG Native Parameter
Change list as follows:

11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0001nnnn 1n* Device Number
01001100 4C XG Model ID
00000010 02 Address High
00000001 01 Address Mid
00000000 00 Address Low
00000011 03 Data (REVERB TYPE MSB)
00000000 00 Data (REVERB TYPE LSB)
11110111 F7 End of Exclusive

When this data is received, the MU10 will
change the effect type to Stage 1 Reverb.

* Any number is OK since the device number for

the MU10 is fixed to “All”.

2. To change the effect Dry/Wet balance of Stage

1 to 50% each,
first check the Effect Parameter List (page 51),
parameter number 10, to identify the Dry
(50%)/Wet (50%); in this case the Dry=Wet
value is 64 (hexadecimal 40).
Next, check the Address in Table 1-3 for the
REVERB PARAMETER 10; in this case the
address is High, Mid, Low = 02, 01, 0B,
respectively.
Apply these to the 2.1.4 XG Native Parameter
Change list as follows:

MIDI Data Format

11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0001nnnn 1n Device Number
01001100 4C XG Model ID
00000010 02 Address High
00000001 01 Address Mid
00001011 0B Address Low
01000000 40 Data (MSB)
00000000 00 Data (LSB) Æfixed at

11110111 F7 End of Exclusive

00.

When this data is received, the MU10 will change
the effect Dry/Wet balance of Stage 1 to 50%
each.

Be sure to allow enough time for the procedure to
take place by inserting an empty measure at the
top of the song for every channel.

2.1.4.1 XG System On

11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0001nnnn 1n Device Number
01001100 4C XG Model ID
00000000 00 Address High
00000000 00 Address Mid
01111110 7E Address Low
00000000 00 Data
11110111 F7 End of Exclusive

When this data is received, the MU10 will switch
to XG mode and all the parameters will be
initialized accordingly, and XG-compatible
messages such as NRPN and Bank Select messages
can be received. However, A/D part parameter
settings except Variation Send value will be
preserved (Variation Send will be initialized to the
value of 0).
Since approximately 50ms is required to execute
this message, be sure to leave an appropriate
interval before the subsequent message.

PERFORMANCE MODE CHANGE
(XG mode / TG300B mode)

XG System On = F0 43 1n 4c 00 00 7E 00 F7
TG300B Reset = F0 41 1n 42 12 40 00 7F 00

2.1.4.2 XG System Data parameter change

See Tables 1-1 and 1-2.

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41 F7
n = device number

2.1.4.3 Multi Effect1 Data parameter change

See Tables 1-1 and 1-3.

2.1.4.4 Multi Part Data parameter change

See Tables 1-1 and 1-4.

2.1.4.5 A/D Part Data parameter change

See Tables 1-1 and 1-5.

2.1.4.6 Drums Setup Data parameter change

See Tables 1-1 and 1-6.
If a Drum Setup Reset parameter change message

(Table 1-2) is received, the Drum Setup parameter
values will be initialized. Selecting a Drum Set will
cause the Drum Setup parameter values to be
initialized.

2.1.5 MU10 Native Parameter Change

11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0001nnnn 1n Device Number
01001001 49 Model ID
0aaaaaaa aa Address High
0aaaaaaa aa Address Mid
0aaaaaaa aa Address Low
0ddddddd dd Data
||
11110111 F7 End of Exclusive

2.1.5.1 MU10 System Data parameter change

See Tables 2-1 and 2-2.

2.1.6 Other parameter changes

2.1.6.1 Master Tuning

11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0001nnnn 1n Device Number
00100111 27 Model ID
00110000 30 Sub ID2
00000000 00
00000000 00
0mmmmmmm mm Master Tune MSB
01111111 11 Master Tune LSB
Occccccc cc irrelevant
11110111 F7 End of Exclusive

This message simultaneously changes the pitch of
all channels.

2.2 Bulk Dump

The MU10 receives the following bulk dump data.

[ XG NATIVE ]

1) XG System Data

2) Multi Effect1 Data

3) Multi Part Data

4) A/D Part Data

5) Drums Setup Data

31

MIDI Data Format

[ QS300 NATIVE ]

1) QS300 User Normal Voice Data

2.2.1 XG Native Bulk Dump

11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0000nnnn 0n Device Number
01001100 4C XG Model ID
0bbbbbbb bb Byte Count
0bbbbbbb bb Byte Count
0aaaaaaa aa Address High
0aaaaaaa aa Address Mid
0aaaaaaa aa Address Low
0ddddddd dd Data
||
||
0ccccccc cc checksum
11110111 F7 End of Exclusive

For the Address and Byte Count, refer to the
supplementary tables.
The checksum is the value that results in a value of
0 for the lower 7 bits when the Start Address, Byte
Count, plus the checksum itself are added.

2.2.1.1 XG System Data bulk dump

See Tables 1-1 and 1-2.

2.2.1.2 Multi Effect1 Data bulk dump

See Tables 1-1 and 1-3.

2.2.1.3 Multi Part Data bulk dump

See Tables 1-1 and 1-4.

2.2.1.4 A/D Part Data bulk dump

See Tables 1-1 and 1- 5

2.2.1.5 Drums Setup Data bulk dump

See Tables 1-1 and 1-6.

0ddddddd dd Data
||
||
0ccccccc cc checksum
11110111 F7 End of Exclusive

* Because of possible differences in number of

elements, some QS300 Voices may sound slightly
different.

2.2.2.1 QS300 User Normal Voice Data bulk
dump

See Tables 3-1 and 3-2.

3. REALTIME MESSAGES

3.1 Active Sensing

Once FE has been received, if no MIDI data is
subsequently received for longer than an interval of
approximately 300msec, the MU10 will perform the
same function as when ALL SOUNDS OFF, ALL
NOTES OFF, and RESET ALL CONTROLLERS
messages are received, and will then return to a status
in which FE is not monitored.

■ TRANSMISSION

When the HOST SELECT switch is set to other than
“MIDI”, data received via TO HOST terminal is
relayed to MIDI OUT terminal.
If the data received via TO HOST terminal includes
port message, the only data with the port message
specified in MULTI PORT NUMBER for MIDI OUT
( Table 2-2 ) is relayed to MIDI OUT terminal.

2.2.2 QS300 Native Bulk Dump

Up to 32 Voices created by the QS300 can be saved in
the MU10’s User Memory by bulk dump messages.
(Effective only when the XG mode is active.)
QS300 User Voices are stored in Bank MSB = 63,
LSB = 00. Program Change numbers for User Voices
are 1-32.

11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0000nnnn 0n Device Number
01001011 4B QS300 Model ID
0bbbbbbb bb Byte Count
0bbbbbbb bb Byte Count
0aaaaaaa aa Address High
0aaaaaaa aa Address Mid
0aaaaaaa aa Address Low

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32

MIDI Data Format

n : Drum Setup number (0, 1)

System
Drum setup Reset
XG System On
All Parameter Reset
Effect1(Reverb,Chorus,Variation )
Multi Part 1

:
Multi Part 16
A/D Part

Drum Setup 1
Drum Setup 2

00 00 00
00 00 7D
00 00 7E
00 00 7F
02 01 00
08 00 00
:
08 0F 00
10 00 00
11 00 00
30 0D 00
31 0D 00

XG SYSTEM

EFFECT 1
MULTI PART

A/D PART
A/D SYSTEM
DRUM

Parameter Change

Address

Description

High Mid Low

Address Parameter
3n 0D 00 note number 13
3n 0E 00 note number 14

: :

3n 5B 00 note number 91

■ MIDI Data Tables

● Table 1-1

Parameter Base Address
Model ID = 4C [XG]

● Table 1-2

MIDI Parameter Change Table ( SYSTEM ) [XG]

Address Size Data Parameter Description Default

(H) (H) (H) value(H)

00 00 00 4 0000-07FF MASTER TUNE -102.4 - +102.3[cent] 00 04 00 00

04 1 00-7F MASTER VOLUME 0-127 7F
05 1 NOT USED
06 1 28-58 TRANSPOSE -24 - +24 [semitones] 40
7D n DRUM SETUP RESET n=Drum Setup number (0, 1)
7E 00 XG SYSTEM ON 00=XG System ON (receive only)
7F 00 ALL PARAMETER RESET 00=ON (receive only)

TOTAL SIZE 07

1st bit 3-0 Æ bit 15-12
2nd bit 3-0 Æ bit 11-8
3rd bit 3-0 Æ bit 7-4
4th bit 3-0 Æ bit 3-0

● Table 1-3

MIDI Parameter Change Table ( EFFECT 1 ) [XG]

Address Size Data Parameter Description Default

(H) (H) (H) value(H)

02 01 00 2 00-7F REVERB TYPE MSB Æ *1 01 (=HALL1)

02 1 00-7F REVERB PARAMETER 1 Æ *2 depends on reverb type
03 1 00-7F REVERB PARAMETER 2 Æ *2 depends on reverb type
04 1 00-7F REVERB PARAMETER 3 Æ *2 depends on reverb type
05 1 00-7F REVERB PARAMETER 4 Æ *2 depends on reverb type
06 1 00-7F REVERB PARAMETER 5 Æ *2 depends on reverb type
07 1 00-7F REVERB PARAMETER 6 Æ *2 depends on reverb type
08 1 00-7F REVERB PARAMETER 7 Æ *2 depends on reverb type
09 1 00-7F REVERB PARAMETER 8 Æ *2 depends on reverb type
0A 1 00-7F REVERB PARAMETER 9 Æ *2 depends on reverb type
0B 1 00-7F REVERB PARAMETER 10 Æ *2 depends on reverb type
0C 1 00-7F REVERB RETURN -Infinity...0dB...+6dB (0...64...127) 40
0D 1 01-7F REVERB PAN L63...C...R63 (1...64...127) 40

TOTAL SIZE 0E

02 01 10 1 00-7F REVERB PARAMETER 11 Æ *2 depends on reverb type

11 1 00-7F REVERB PARAMETER 12 Æ *2 depends on reverb type

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12 1 00-7F REVERB PARAMETER 13 Æ *2 depends on reverb type
13 1 00-7F REVERB PARAMETER 14 Æ *2 depends on reverb type
14 1 00-7F REVERB PARAMETER 15 Æ *2 depends on reverb type
15 1 00-7F REVERB PARAMETER 16 Æ *2 depends on reverb type

TOTAL SIZE 6

Æ *1 : See Effect Type List (on page 50)
Æ *2 : See Effect Parameter List (on page 51)

00-7F REVERB TYPE LSB 00 : basic type 00

33

MIDI Data Format

Address Size Data Parameter Description Default

(H) (H) (H) value(H)

02 01 20 2 00-7F CHORUS TYPE MSB Æ *1 41 (=CHORUS1)

22 1 00-7F CHORUS PARAMETER 1 Æ *2 depends on chorus type
23 1 00-7F CHORUS PARAMETER 2 Æ *2 depends on chorus type
24 1 00-7F CHORUS PARAMETER 3 Æ *2 depends on chorus type
25 1 00-7F CHORUS PARAMETER 4 Æ *2 depends on chorus type
26 1 00-7F CHORUS PARAMETER 5 Æ *2 depends on chorus type
27 1 00-7F CHORUS PARAMETER 6 Æ *2 depends on chorus type
28 1 00-7F CHORUS PARAMETER 7 Æ *2 depends on chorus type
29 1 00-7F CHORUS PARAMETER 8 Æ *2 depends on chorus type
2A 1 00-7F CHORUS PARAMETER 9 Æ *2 depends on chorus type
2B 1 00-7F CHORUS PARAMETER 10 Æ * 2 depends on chorus type
2C 1 00-7F CHORUS RETURN -Infinity...0dB...+6dB (0...64...127) 40
2D 1 01-7F CHORUS PAN L63...C...R63 (1...64...127) 40
2E 1 00-7F SEND CHORUS TO REVERB -Infinity...0dB...+6dB (0...64...127) 00

TOTAL SIZE 0F

02 01 30 1 00-7F CHORUS PARAMETER 11 Æ *2 depends on chorus type

31 1 00-7F CHORUS PARAMETER 12 Æ *2 depends on chorus type
32 1 00-7F CHORUS PARAMETER 13 Æ *2 depends on chorus type
33 1 00-7F CHORUS PARAMETER 14 Æ *2 depends on chorus type
34 1 00-7F CHORUS PARAMETER 15 Æ *2 depends on chorus type
35 1 00-7F CHORUS PARAMETER 16 Æ *2 depends on chorus type

TOTAL SIZE 6

02 01 40 2 00-7F VARIATION TYPE MSB Æ *1 05 (=DELAY L,C,R)

42 2 00-7F VARIATION PARAMETER 1 MSB Æ *2 depends on variation type

44 2 00-7F VARIATION PARAMETER 2 MSB Æ *2 depends on variation type

46 2 00-7F VARIATION PARAMETER 3 MSB Æ *2 depends on variation type

48 2 00-7F VARIATION PARAMETER 4 MSB Æ *2 depends on variation type

4A 2 00-7F VARIATION PARAMETER 5 MSB Æ *2 depends on variation type

4C 2 00-7F VARIATION PARAMETER 6 MSB Æ *2 depends on variation type

4E 2 00-7F VARIATION PARAMETER 7 MSB Æ *2 depends on variation type

50 2 00-7F VARIATION PARAMETER 8 MSB Æ *2 depends on variation type

52 2 00-7F VARIATION PARAMETER 9 MSB Æ *2 depends on variation type

54 2 00-7F VARIATION PARAMETER 10 MSB Æ *2 depends on variation type

56 1 00-7F VARIATION RETURN -Infinity...0dB...+6dB (0...64...127) 40
57 1 01-7F VARIATION PAN L63...C...R63 (1...64...127) 40
58 1 00-7F SEND VARIATION TO REVERB -Infinity...0dB...+6dB (0...64...127) 00
59 1 00-7F SEND VARIATION TO CHORUS -Infinity...0dB...+6dB (0...64...127) 00
5A 1 00-01 VARIATION CONNECTION 0:INSERTION, 1:SYSTEM 00
5B 1 00-0F, VARIATION PART part 1...16=0...15 7F

5C 1 00-7F MW VARIATION CONTROL DEPTH -64 - +63 40
5D 1 00-7F
5E 1 00-7F CAT VARIATION CONTROL DEPTH -64 - +63 40
5F 1 00-7F AC1 VARIATION CONTROL DEPTH -64 - +63 40
60 1 00-7F AC2 VARIATION CONTROL DEPTH -64 - +63 40

TOTAL SIZE 21

Æ *1 : See Effect Type List (on page 50)
Æ *2 : See Effect Parameter List (on page 51)

00-7F CHORUS TYPE LSB 00 : basic type 00

00-7F VARIATION TYPE LSB 00 : basic type 00

00-7F VARIATION PARAMETER 1 LSB Æ *2 depends on variation type

00-7F VARIATION PARAMETER 2 LSB Æ *2 depends on variation type

00-7F VARIATION PARAMETER 3 LSB Æ *2 depends on variation type

00-7F VARIATION PARAMETER 4 LSB Æ *2 depends on variation type

00-7F VARIATION PARAMETER 5 LSB Æ *2 depends on variation type

00-7F VARIATION PARAMETER 6 LSB Æ *2 depends on variation type

00-7F VARIATION PARAMETER 7 LSB Æ *2 depends on variation type

00-7F VARIATION PARAMETER 8 LSB Æ *2 depends on variation type

00-7F VARIATION PARAMETER 9 LSB Æ *2 depends on variation type

00-7F VARIATION PARAMETER 10 LSB Æ *2 depends on variation type

40,7F A/D part =64, OFF=127

BEND VARIATION CONTROL DEPTH

-64 - +63 40

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

34

MIDI Data Format

Address Size Data Parameter Description Default

(H) (H) (H) value(H)

02 01 70 1 00-7F VARIATIONPARAMETER 11 Æ *2 depends on variation type

71 1 00-7F VARIATION PARAMETER 12 Æ * 2 depends on variation type
72 1 00-7F VARIATION PARAMETER 13 Æ * 2 depends on variation type
73 1 00-7F VARIATION PARAMETER 14 Æ * 2 depends on variation type
74 1 00-7F VARIATION PARAMETER 15 Æ * 2 depends on variation type
75 1 00-7F VARIATION PARAMETER 16 Æ * 2 depends on variation type

TOTAL SIZE 6

Æ *1 : See Effect Type List (on page 50)
Æ *2 : See Effect Parameter List (on page 51)

● Table 1-4

MIDI Parameter Change Table ( MULTI PART ) [XG]

Address Size Data Parameter Description Default

(H) (H) (H) value(H)

08 nn 00 1 00-20 ELEMENT RESERVE 0-32 part10=00, other=02

nn 01 1 00-7F BANK SELECT MSB 0-127 par t10=7F, other=00
nn 02 1 00-7F BANK SELECT LSB 0-127 00
nn 03 1 00-7F PROGRAM NUMBER 1-128 00
nn 04 1 00-0F,7F Rcv CHANNEL 1-16,OFF part no.

nn 05 1 00-01 MONO/POLY MODE 0:MONO, 1:POLY 01
nn 06 1 00-02 SAME NOTE NUMBER 0:SINGLE 01

nn 07 1 00-03 PART MODE 0:NORMAL 00(Other than Part10)

nn 08 1 28-58 NOTE SHIFT -24 - +24 [semitones] 40
nn 09 2 00-FF DETUNE -12.8 - +12.7 [Hz] 08 00
nn 0A 1st bit 3-0 Æ bit 7-4 (80)

nn 0B 1 00-7F VOLUME 0-127 64
nn 0C 1 00-7F VELOCITY SENSE DEPTH 0-127 40
nn 0D 1 00-7F VELOCITY SENSE OFFSET 0-127 40
nn 0E 1 00-7F PAN 0:random, L63...C...R63 (1...64...127) 40
nn 0F 1 00-7F NOTE LIMIT LOW C-2-G8 00
nn 10 1 00-7F NOTE LIMIT HIGH C-2-G8 7F
nn 11 1 00-7F DRY LEVEL 0-127 7F
nn 12 1 00-7F CHORUS SEND 0-127 00
nn 13 1 00-7F REVERB SEND 0-127 28
nn 14 1 00-7F VARIATION SEND 0-127 00

nn 15 1 00-7F VIBRATO RATE -64 - +63 40
nn 16 1 00-7F VIBRATO DEPTH -64 - +63 40 (drum part ignores)
nn 17 1 00-7F VIBRATO DELAY -64 - +63 40 (drum part ignores)
nn 18 1 00-7F FILTER CUTOFF FREQUENCY -64 - +63 40
nn 19 1 00-7F FILTER RESONANCE -64 - +63 40
nn 1A 1 00-7F EG ATTACK TIME -64 - +63 40
nn 1B 1 00-7F EG DECAY TIME -64 - +63 40
nn 1C 1 00-7F EG RELEASE TIME -64 - +63 40

nn 1D 1 28-58 MW PITCH CONTROL -24 - +24 [semitones] 40
nn 1E 1 00-7F MW FILTER CONTROL -9600 - +9450 [cent] 40
nn 1F 1 00-7F MW AMPLITUDE CONTROL -64 - +63 40
nn 20 1 00-7F MW LFO PMOD DEPTH 0-127 0A
nn 21 1 00-7F MW LFO FMOD DEPTH 0-127 00
nn 22 1 00-7F MW LFO AMOD DEPTH 0-127 00

nn 23 1 28-58 BEND PITCH CONTROL -24 - +24 [semitones] 42
nn 24 1 00-7F BEND FILTER CONTROL -9600 - +9450 [cent] 40
nn 25 1 00-7F BEND AMPLITUDE CONTROL -64 - +63 40
nn 26 1 00-7F BEND LFO PMOD DEPTH +100 - +100 [%] 40
nn 27 1 00-7F BEND LFO FMOD DEPTH +100 - +100 [%] 40
nn 28 1 00-7F BEND LFO AMOD DEPTH +100 - +100 [%] 40

TOTAL SIZE 29

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

KEY ON ASSIGN 1:MULTI

2:INST (for DRUM)

1:DRUM 02(Part10)
2-3:DRUMS1-2

2nd bit 3-0 Æ bit 3-0

35

MIDI Data Format

Address Size Data Parameter Description Default

(H) (H) (H) value(H)

nn 30 1 00-01 Rcv PITCH BEND 0:OFF, 1:ON 01
nn 31 1 00-01 Rcv CH AFTER TOUCH (CAT) 0:OFF, 1:ON 01
nn 32 1 00-01 Rcv PROGRAM CHANGE 0:OFF, 1:ON 01
nn 33 1 00-01 Rcv CONTROL CHANGE 0:OFF, 1:ON 01
nn 34 1 00-01 Rcv POLY AFTER TOUCH (PAT) 0:OFF, 1:ON 01
nn 35 1 00-01 Rcv NOTE MESSAGE 0:OFF, 1:ON 01
nn 36 1 00-01 Rcv RPN 0:OFF, 1:ON 01
nn 37 1 00-01 Rcv NRPN 0:OFF, 1:ON XG=01, GM=00
nn 38 1 00-01 Rcv MODULATION 0:OFF, 1:ON 01
nn 39 1 00-01 Rcv VOLUME 0:OFF, 1:ON 01
nn 3A 1 00-01 Rcv PAN 0:OFF, 1:ON 01
nn 3B 1 00-01 Rcv EXPRESSION 0:OFF, 1:ON 01
nn 3C 1 00-01 Rcv HOLD1 0:OFF, 1:ON 01
nn 3D 1 00-01 Rcv PORTAMENTO 0:OFF, 1:ON 01
nn 3E 1 00-01 Rcv SOSTENUTO 0:OFF, 1:ON 01
nn 3F 1 00-01 Rcv SOFT PEDAL 0:OFF, 1:ON 01
nn 40 1 00-01 Rcv BANK SELECT 0:OFF, 1:ON XG=01, GM=00

nn 41 1 00-7F SCALE TUNING C -64 - +63 [cent] 40
nn 42 1 00-7F SCALE TUNING C# -64 - +63 [cent] 40
nn 43 1 00-7F SCALE TUNING D -64 - +63 [cent] 40
nn 44 1 00-7F SCALE TUNING D# -64 - +63 [cent] 40
nn 45 1 00-7F SCALE TUNING E -64 - +63 [cent] 40
nn 46 1 00-7F SCALE TUNING F -64 - +63 [cent] 40
nn 47 1 00-7F SCALE TUNING F# -64 - +63 [cent] 40
nn 48 1 00-7F SCALE TUNING G -64 - +63 [cent] 40
nn 49 1 00-7F SCALE TUNING G# -64 - +63 [cent] 40
nn 4A 1 00-7F SCALE TUNING A -64 - +63 [cent] 40
nn 4B 1 00-7F SCALE TUNING A# -64 - +63 [cent] 40
nn 4C 1 00-7F SCALE TUNING B -64 - +63 [cent] 40

nn 4D 1 28-58 CAT PITCH CONTROL -24 - +24 [semitones] 40
nn 4E 1 00-7F CAT FILTER CONTROL -9600 - +9450 [cent] 40
nn 4F 1 00-7F CAT AMPLITUDE CONTROL -64 - +63 40
nn 50 1 00-7F CAT LFO PMOD DEPTH 0-127 00
nn 51 1 00-7F CAT LFO FMOD DEPTH 0-127 00
nn 52 1 00-7F CAT LFO AMOD DEPTH 0-127 00

nn 53 1 28-58 PAT PITCH CONTROL -24 - +24 [semitones] 40
nn 54 1 00-7F PAT FILTER CONTROL -9600 - +9450 [cent] 40
nn 55 1 00-7F PAT AMPLITUDE CONTROL -64 - +63 40
nn 56 1 00-7F PAT LFO PMOD DEPTH 0-127 00
nn 57 1 00-7F PAT LFO FMOD DEPTH 0-127 00
nn 58 1 00-7F PAT LFO AMOD DEPTH 0-127 00

nn 59 1 00-5F AC1 CONTROLLER NUMBER 0-95 10
nn 5A 1 28-58 AC1 PITCH CONTROL -24 - +24 [semitones] 40
nn 5B 1 00-7F AC1 FILTER CONTROL -9600 - +9450 [cent] 40
nn 5C 1 00-7F AC1 AMPLITUDE CONTROL -64 - +63 40
nn 5D 1 00-7F AC1 LFO PMOD DEPTH 0-127 00
nn 5E 1 00-7F AC1 LFO FMOD DEPTH 0-127 00
nn 5F 1 00-7F AC1 LFO AMOD DEPTH 0-127 00

nn 60 1 00-5F AC2 CONTROLLER NUMBER 0-95 11
nn 61 1 28-58 AC2 PITCH CONTROL -24 - +24 [semitones] 40
nn 62 1 00-7F AC2 FILTER CONTROL -9600 - +9450 [cent] 40
nn 63 1 00-7F AC2 AMPLITUDE CONTROL -64 - +63 40
nn 64 1 00-7F AC2 LFO PMOD DEPTH 0-127 00
nn 65 1 00-7F AC2 LFO FMOD DEPTH 0-127 00
nn 66 1 00-7F AC2 LFO AMOD DEPTH 0-127 00

nn 67 1 00-01 PORTAMENTO SWITCH 0:OFF, 1:ON 00
nn 68 1 00-7F PORTAMENTO TIME 0-127 00

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36

MIDI Data Format

Address Size Data Parameter Description Default

(H) (H) (H) value(H)

nn 69 1 00-7F PITCH EG INITIAL LEVEL -64 - +63 40
nn 6A 1 00-7F PITCH EG ATTACK TIME -64 - +63 40
nn 6B 1 00-7F PITCH EG RELEASE LEVEL -64 - +63 40
nn 6C 1 00-7F PITCH EG RELEASE TIME -64 - +63 40
nn 6D 1 01-7F VELOCITY LIMIT LOW 1-127 01
nn 6E 1 01-7F VELOCITY LIMIT HIGH 1-127 7F

TOTAL SIZE 3F

nn = Part Number (0 : Part 1, 1 : Part 2, 2 : Part 3, ... , 15 : Part 16)
For the DRUM PART, the following parameters have no effect.

* SOFT PEDAL * BANK SELECT LSB * MONO/POLY * SCALE TUNING * PORTAMENTO
* POLY AFTER TOUCH * PITCH EG INITIAL LEVEL * PITCH EG ATTACK TIME * PITCH EG RELEASE LEVEL * PITCH EG RELEASE TIME

● Table 1-5

MIDI Parameter Change Table ( A/D PART ) [XG]

Address Size Data Parameter Description Default

(H) (H) (H) value(H)

10 00 00 1 INPUT GAIN 0:MIC, 1:LINE 00

00 01 1 00-7F BANK SELECT MSB 0-127 00
00 02 1 00-7F BANK SELECT LSB 0-127 00
00 03 1 00-7F PROGRAM NUMBER 1-128 02
00 04 1 00-0F,7F Rcv CHANNEL 1-16,OFF 7F

00 05 1 NOT USED
00 06 1 NOT USED
00 07 1 NOT USED
00 08 1 NOT USED
00 09 1 NOT USED
00 0A 1 NOT USED
00 0B 1 00-7F VOLUME 0-127 64
00 0C 1 NOT USED
00 0D 1 NOT USED
00 0E 1 01-7F PAN L63...C...R63 (1...64...127) 40
00 0F 1 NOT USED
00 10 1 NOT USED
00 11 1 00-7F DRY LEVEL 0-127 7F
00 12 1 00-7F CHORUS SEND 0-127 00
00 13 1 00-7F REVERB SEND 0-127 28
00 14 1 00-7F VARIATION SEND 0-127 00

TOTAL SIZE 15

10 00 30 1 NOT USED

00 31 1 NOT USED
00 32 1 00-01 Rcv PROGRAM CHANGE 0:OFF, 1:ON 00
00 33 1 00-01 Rcv CONTROL CHANGE 0:OFF, 1:ON 01
00 34 1 NOT USED
00 35 1 NOT USED
00 36 1 NOT USED
00 37 1 NOT USED
00 38 1 NOT USED
00 39 1 00-01 Rcv VOLUME 0:OFF, 1:ON 01
00 3A 1 00-01 Rcv PAN 0:OFF, 1:ON 01
00 3B 1 00-01 Rcv EXPRESSION 0:OFF, 1:ON 01
00 3C 1 NOT USED
00 3D 1 NOT USED
00 3E 1 NOT USED
00 3F 1 NOT USED
00 40 1 00-01 Rcv BANK SELECT 0:OFF, 1:ON 00
00 41 1 NOT USED
00 42 1 NOT USED
00 43 1 NOT USED
00 44 1 NOT USED
00 45 1 NOT USED
00 46 1 NOT USED
00 47 1 NOT USED

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

37

MIDI Data Format

Address Size Data Parameter Description Default

(H) (H) (H) value(H)

00 48 1 NOT USED
00 49 1 NOT USED
00 4A 1 NOT USED
00 4B 1 NOT USED
00 4C 1 NOT USED
00 4D 1 NOT USED
00 4E 1 NOT USED
00 4F 1 NOT USED
00 50 1 NOT USED
00 51 1 NOT USED
00 52 1 NOT USED
00 53 1 NOT USED
00 54 1 NOT USED
00 55 1 NOT USED
00 56 1 NOT USED
00 57 1 NOT USED
00 58 1 NOT USED
00 59 1 00-5F AC1 CONTROLLER NUMBER 0-95 10
00 5A 1 NOT USED
00 5B 1 NOT USED
00 5C 1 NOT USED
00 5D 1 NOT USED
00 5E 1 NOT USED
00 5F 1 NOT USED
00 60 1 00-5F AC2 CONTROLLER NUMBER 0-95 11

TOTAL SIZE 31

● Table 1-6

MIDI Parameter Change Table ( DRUM SETUP ) [XG]

Address Size Data Parameter Description Default

(H) (H) (H) value(H)

3n rr 00 1 00-7F PITCH COARSE -64 - +63 40
3n rr 01 1 00-7F PITCH FINE -64 - +63[cent] 40
3n rr 02 1 00-7F LEVEL 0-127 depend on the note
3n rr 03 1 00-7F ALTERNATE GROUP 0:OFF, 1-127 depend on the note
3n rr 04 1 00-7F PAN
3n rr 05 1 00-7F REVERB SEND 0-127 depend on the note
3n rr 06 1 00-7F CHORUS SEND 0-127 depend on the note
3n rr 07 1 00-7F VARIATION SEND 0-127 7F

3n rr 08 1 00-01 KEY ASSIGN 0:SINGLE, 1:MULTI 00
3n rr 09 1 00-01 Rcv NOTE OFF 0:OFF, 1:ON depend on the note
3n rr 0A 1 00-01 Rcv NOTE ON 0:OFF, 1:ON 01
3n rr 0B 1 00-7F FILTER CUTOFF FREQUENCY -64 - +63 40
3n rr 0C 1 00-7F FILTER RESONANCE -64 - +63 40
3n rr 0D 1 00-7F EG ATTACK RATE -64 - +63 40
3n rr 0E 1 00-7F EG DECAY1 RATE -64 - +63 40
3n rr 0F 1 00-7F EG DECAY2 RATE -64 - +63 40
TOTAL SIZE 10

[Note]

n : Drum Setup number (0, 1)
rr : note number (0D-5B)
When XG system on or GM mode on messages are received, all Drum Setup parameters are initialized.
The Drum Setup Reset message can be used to initialize each Drum Setup parameter.
Selecting a Drum Set will cause the Drum Setup parameter values to be initialized.

0:random, L63...C...R63 (1...64...127)

depend on the note

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

38

MIDI Data Format

● Table 2-1

Parameter Base Address
Model ID = 49 [MU10 ]

MU80 SYSTEM
DB60XG SYSTEM

● Table 2-2

MIDI Parameter Change Table ( SYSTEM ) [ MU10 ]

Address Size Data Parameter Description Default

(H) (H) (H) value(H)

00 00 00 1 NOT USED
00 00 01 1 NOT USED
00 00 02 1 NOT USED
00 00 03 1 NOT USED
00 00 04 1 NOT USED
00 00 05 1 NOT USED
00 00 06 1 NOT USED
00 00 07 1 NOT USED
00 00 08 1 NOT USED
00 00 09 1 00-07
01 00 00 1 NOT USED

01 1 00-01 KARAOKE LOCK OFF/ON 00

MULTI PORT NUMBER for MIDI OUT

● Table 3-1

Parameter Base Address
Model ID = 4B [ QS300 ]

User Normal Voice

Parameter Change

Address

High Mid Low

00 00 00
01 00 00

Bulk Dump

Address

High Mid Low

11 00 00
:
11 1F 00

Description

System
System

1-8 01

Description

User Normal Voice 1

:

User Normal Voice 32

● Table 3-2

MIDI Bulk Dump Table ( USER NORMAL VOICE ) [ QS300 ]

Address Size Data Parameter Description Default

(H) (H) (H) value(H)

11 nn 00 17D 20-7E Voice Name

:
07
08 NOT USED
: NOT USED
0A NOT USED
0B 01-03 Element Switch 1:Element 1 on, 2:Element 2 on, 3:Element 1 and 2 on
0C 00-7F Voice Level
0D NOT USED
: NOT USED
3C NOT USED

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[Common]

39

MIDI Data Format

Address Size Data Parameter Description Default

(H) (H) (H) value(H)

3D 00-7F Wave Number High bit 13 - bit 7
3E 00-7F Wave Number Low bit 6 - bit 0
3F 00-7F Note Limit Low
40 00-7F Note Limit High
41 00-7F Velocity Limit Low
42 00-7F Velocity Limit High
43 00-01 Filter EG Velocity Cur ve
44 00-02 LFO Wave Select 0:saw, 1:tri, 2:S&H
45 00-01 LFO Phase Initialize 0:OFF, 1:ON
46 00-3F LFO Speed
47 00-7F LFO Delay
48 00-7F LFO Fade Time
49 00-3F LFO PMD Depth
4A 00-0F LFO CMD Depth
4B 00-1F LFO AMD Depth
4C 20-60 Note Shift
4D 0E-72 Detune
4E 00-05 Pitch Scaling 0:100%, 1:50%, 2:20%, 3:10%, 4:5%, 5:0%
4F 00-7F Pitch Scaling Center Note
50 00-03 Pitch EG Depth 0:1/2oct, 1:1oct, 2:2oct, 3:4oct
51 39-47 Velocity PEG Level Sensitivity
52 39-47 Velocity PEG Rate Sensitivity
53 39-47 PEG Rate Scaling
54 00-7F PEG Rate Scaling Center Note
55 00-3F PEG Rate 1
56 00-3F PEG Rate 2
57 00-3F PEG Rate 3
58 00-3F PEG Rate 4
59 00-7F PEG Level 0
5A 00-7F PEG Level 1
5B 00-7F PEG Level 2
5C 00-7F PEG Level 3
5D 00-7F PEG Level 4
5E 00-3F Filter Resonance
5F 00-07 Velocity Sensitivity
60 00-7F Cutoff Frequency
61 00-7F Cutoff Scaling Break Point 1
62 00-7F Cutoff Scaling Break Point 2
63 00-7F Cutoff Scaling Break Point 3
64 00-7F Cutoff Scaling Break Point 4
65 00-7F Cutoff Scaling Offset 1
66 00-7F Cutoff Scaling Offset 2
67 00-7F Cutoff Scaling Offset 3
68 00-7F Cutoff Scaling Offset 4
69 39-47 Velocity FEG Level Sensitivity
6A 39-47 Velocity FEG Rate Sensitivity
6B 39-47 FEG Rate Scaling
6C 00-7F FEG Rate Scaling Center Note
6D 00-3F FEG Rate 1
6E 00-3F FEG Rate 2
6F 00-3F FEG Rate 3
70 00-3F FEG Rate 4
71 00-7F FEG Level 0
72 00-7F FEG Level 1
73 00-7F FEG Level 2
74 00-7F FEG Level 3
75 00-7F FEG Level 4
76 00-7F Element Level
77 00-7F Level Scaling Break Point 1
78 00-7F Level Scaling Break Point 2
79 00-7F Level Scaling Break Point 3
7A 00-7F Level Scaling Break Point 4
7B 00-7F Level Scaling Offset 1
7C 00-7F Level Scaling Offset 2
7D 00-7F Level Scaling Offset 3
7E 00-7F Level Scaling Offset 4
7F 00-06 Velocity Curve

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

40

[Element 1]

MIDI Data Format

Address Size Data Parameter Description Default

(H) (H) (H) value(H)

80 00-0F Pan 0(Left)-14(Right),15:Scaling
81 39-47 AEG Rate Scaling
82 00-7F AEG Scaling Center Note
83 00-0F AEG Key on Delay
84 00-7F AEG Attack Rate
85 00-7F AEG Decay 1 Rate
86 00-7F AEG Decay 2 Rate
87 00-7F AEG Release Rate
88 00-7F AEG Decay 1 Level
89 00-7F AEG Decay 2 Level
8A 00-7F Address Offset High bit 13 - bit 7
8B 00-7F Address Offset Low bit 6 - bit 0
8C 39-47 Resonance Sensitivity

8D Same as [Element 1]
: Same as [Element 1]
DC Same as [Element 1]

DD NOT USED
: NOT USED
12C NOT USED
12D [Element 4]
: NOT USED
17C NOT USED

TOTAL SIZE 17D

nn=Voice Number (00-1F)

[Element 2]

[Element 3]

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41

XG Normal Voice List

Bank Select MSB=000, LSB=Bank Number

Instrument
Group

Piano 1 0 GrandPno 1

Chromatic 9 0 Celesta 1
Percussion 10 0 Glocken 1

Bank

Program

Voice Name

#

#

1 GrndPnoK 1
18 MelloGrP 1
40 PianoStr 2
41 Dream 2

2 0 BritePno 1

1 BritPnoK 1

3 0 E.Grand 2

1 ElGrPnoK 2
32 Det.CP80 2
40 ElGrPno1 2
41 ElGrPno2 2

4 0 HnkyTonk 2

1 HnkyTnkK 2

5 0 E.Piano1 2

1 El.Pno1K 1
18 MelloEP1 2
32 Chor.EP1 2
40 HardEl.P 2
45 VX El.P1 2
64 60sEl.P 1

6 0 E.Piano2 2

1 El.Pno2K 1
32 Chor.EP2 2
33 DX Hard 2
34 DXLegend 2
40 DX Phase 2
41 DX+Analg 2
42 DXKotoEP 2
45 VX El.P2 2

7 0 Harpsi. 1

1 Harpsi.K 1
25 Harpsi.2 2
35 Harpsi.3 2

8 0 Clavi. 2

1 Clavi. K 1
27 ClaviWah 2
64 PulseClv 1
65 PierceCl 2

11 0 MusicBox 2

64 Orgel 2

12 0 Vibes 1

1 VibesK 1
45 HardVibe 2

13 0 Marimba 1

1 MarimbaK 1
64 SineMrmb 2
97 Balafon2 2

98 Log Drum 2
14 0 Xylophon 1
15 0 TubulBel 1

96 ChrchBel 2

97 Carillon 2
16 0 Dulcimer 1

35 Dulcimr2 2

96 Cimbalom 2

97 Santur 2

Bank 0 : (GM)
Bank 1 : Key Scale Panning
Bank 3 : Stereo
Bank 6 : Single
Bank 8 : Slow
Bank 12 : Fast Decay
Bank 14 : Double Attack
Bank 16 : Bright
Bank 17 : Bright

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

42

Instrument

Ele-

Group

ment

Organ 17 0 DrawOrgn 1

Guitar 25 0 NylonGtr 1

Bank 18 : Dark
Bank 19 : Dark
Bank 20 : Resonant
Bank 24 : Attack
Bank 25 : Release
Bank 27 : Reso Sweep
Bank 28 : Muted
Bank 32 : Detune 1
Bank 33 : Detune 2

Bank

Program

Voice Name

#

#

32 DetDrwOr 2
33 60sDrOr1 2
34 60sDrOr2 2
35 70sDrOr1 2
36 DrawOrg2 2
37 60sDrOr3 2
38 EvenBar 2
40 16+2"2/3 2
64 Organ Ba 1
65 70sDrOr2 2
66 CheezOrg 2
67 DrawOrg3 2

18 0 PercOrgn 1

24 70sPcOr1 2
32 DetPrcOr 2
33 LiteOrg 2
37 PercOrg2 2

19 0 RockOrgn 2

64 RotaryOr 2
65 SloRotar 2
66 FstRotar 2

20 0 ChrchOrg 2

32 ChurOrg3 2
35 ChurOrg2 2
40 NotreDam 2
64 OrgFlute 2
65 TrmOrgFl 2

21 0 ReedOrgn 1

40 Puff Org 2

22 0 Acordion 2

32 AccordIt 2

23 0 Harmnica 1

32 Harmo 2 2

24 0 TangoAcd 2

64 TngoAcd2 2

16 NylonGt2 1
25 NylonGt3 2
43 VelGtHrm 2
96 Ukulele 1

26 0 SteelGtr 1

16 SteelGt2 1
35 12StrGtr 2
40 Nyln&Stl 2
41 Stl&Body 2
96 Mandolin 2

27 0 Jazz Gtr 1

18 MelloGtr 1
32 JazzAmp 2

28 0 CleanGtr 1

32 ChorusGt 2

29 0 Mute.Gtr 1

40 FunkGtr1 2
41 MuteStlG 2
43 FunkGtr2 2
45 Jazz Man 1

30 0 Ovrdrive 1

43 Gt.Pinch 2

31 0 Dist.Gtr 1

40 FeedbkGt 2
41 FeedbGt2 2

32 0 GtrHarmo 1

65 GtFeedbk 1
66 GtrHrmo2 1

Instrument

Ele-

Group

ment

Bass 33 0 Aco.Bass 1

Strings 41 0 Violin 1

Bank

Program

#

#

40 JazzRthm 2
45 VXUprght 2

34 0 FngrBass 1

18 FingrDrk 2
27 FlangeBa 2
40 Ba&DstEG 2
43 FngrSlap 2
45 FngBass2 2
65 ModAlem 2

35 0 PickBass 1

28 MutePkBa 1

36 0 Fretless 1

32 Fretles2 2
33 Fretles3 2
34 Fretles4 2
96 SynFretl 2
97 Smooth 2

37 0 SlapBas1 1

27 ResoSlap 1
32 PunchThm 2

38 0 SlapBas2 1

43 VeloSlap 2

39 0 SynBass1 1

18 SynBa1Dk 1
20 FastResB 1
24 AcidBass 1
35 Clv Bass 2
40 TeknoBa 2
64 Oscar 2
65 SqrBass 1
66 RubberBa 2
96 Hammer 2

40 0 SynBass2 2

6 MelloSB1 1
12 Seq Bass 2
18 ClkSynBa 2
19 SynBa2Dk 1
32 SmthBa 2 2
40 ModulrBa 2
41 DX Bass 2
64 X WireBa 2

8 SlowVln 1
42 0 Viola 1
43 0 Cello 1
44 0 Contrabs 1
45 0 Trem.Str 1

8 SlowTrStr 1

40 Susp Str 2
46 0 Pizz.Str 1
47 0 Harp 1

40 YangChin 2
48 0 Timpani 1

Bank 34 : Detune 3
Bank 35 : Octave 1
Bank 36 : Octave 2
Bank 37 : 5th 1
Bank 38 : 5th 2
Bank 39 : Bend
Bank 40 : Tutti
Bank 41 : Tutti
Bank 42 : Tutti

Voice Name

Group

ment

Ensemble 49 0 Strings1 1

Brass 57 0 Trumpet 1

Instrument

Ele-

Bank 43 : Velo-Switch
Bank 45 : Velo-Xfade
Bank 64 : Other wave
Bank 65 : Other wave
Bank 66 : Other wave
Bank 67 : Other wave
Bank 68 : Other wave
Bank 69 : Other wave
Bank 70 : Other wave

Bank

Program

Voice Name

#

#

3 S.Strngs 2
8 SlowStr 1
24 ArcoStr 2
35 60sStrng 2
40 Orchestr 2
41 Orchstr2 2
42 TremOrch 2
45 VeloStr 2

50 0 Strings2 1

3 S.SlwStr 2
8 LegatoSt 2
40 Warm Str 2
41 Kingdom 2
64 70s Str 1
65 Str Ens3 1

51 0 Syn.Str1 2

27 ResoStr 2
64 Syn Str4 2

65 SS Str 2
52 0 Syn.Str2 2
53 0 ChoirAah 1

3 S.Choir 2

16 Ch.Aahs2 2

32 MelChoir 2

40 ChoirStr 2
54 0 VoiceOoh 1
55 0 SynVoice 1

40 SynVox2 2

41 Choral 2

64 AnaVoice 1
56 0 Orch.Hit 2

35 OrchHit2 2

64 Impact 2

16 Trumpet2 1

17 BriteTrp 2

32 WarmTrp 2
58 0 Trombone 1

18 Trmbone2 2
59 0 Tuba 1

16 Tuba 2 1
60 0 Mute.Trp 1
61 0 Fr.Horn 2

6 FrHrSolo 2

32 FrHorn2 1

37 HornOrch 2
62 0 BrasSect 1

35 Tp&TbSec 2

40 BrssSec2 2

41 HiBrass 2

42 MelloBrs 2
63 0 SynBras1 2

12 QuackBr 2

20 RezSynBr 2

24 PolyBrss 2

27 SynBras3 2

32 JumpBrss 2

45 AnaVelBr 2

64 AnaBrss1 2
64 0 SynBras2 1

18 Soft Brs 2

40 SynBras4 2

41 ChorBrss 2

45 VelBras2 2

64 AnaBras2 2

Bank 71 : Other wave
Bank 72 : Other wave
Bank 96 : Other wave
Bank 97 : Other wave
Bank 98 : Other wave
Bank 99 : Other wave
Bank 100 : Other wave
Bank 101 : Other wave

Ele-

ment

XG Normal Voice List

65 Tel.Dial 1
66 DoorSqek 1
67 Door Slam 1
68 Scratch 1
69 Scratch 2 2
70 WindChm 1
71 Telphon2 1
72
73
74
75
76
77
78
79
80
81 CarEngin 1
82 Car Stop 1
83 Car Pass 1
84 CarCrash 1
85 Siren 2
86 Train 1
87 Jetplane 2
88 Starship 2
89 Burst 2
90 Coaster 2
91 SbMarine 2
92
93
94
95
96
97 Laughing 1
98 Scream 1
99 Punch 1
100 Heart 1
101 FootStep 1
102
103
104
105
106
107
108
109
110
111
112
113 MchinGun 1
114 LaserGun 2
115 Xplosion 2
116 FireWork 2
117
118
119
120
121
122
123
124
125
126
127
128

Ele-

ment

Program

#
1 CuttngNz 1
2 CttngNz2 2
3
4 Str Slap 1
5
6
7
8
9
10
11
12
13
14
15
16
17 Fl.KClik 1
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33 Rain 1
34 Thunder 1
35 Wind 1
36 Stream 2
37 Bubble 2
38 Feed 2
39
40
41
42
43
44
45
46
47
48
49 Dog 1
50 Horse 1
51 Bird 2 1
52
53
54
55 Ghost 2
56 Maou 2
57
58
59
60
61
62
63
64

MSB=064
LSB=000

Ele­ment

MSB=064
LSB=000

Program

#

Bank Select MSB=064,
LSB=000
SFX voice

Instrument
Group

Reed 65 0 SprnoSax 1

Pipe 73 0 Piccolo 1

Synth Lead 81 0 SquareLd 2

Synth Pad 89 0 NewAgePd 2

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Bank

Program

#

#

66 0 Alto Sax 1

40 Sax Sect 2
43 HyprAlto 2

67 0 TenorSax 1

40 BrthTnSx 2
41 SoftTenr 2

64 TnrSax 2 1
68 0 Bari.Sax 1
69 0 Oboe 2
70 0 Eng.Horn 1
71 0 Bassoon 1
72 0 Clarinet 1

74 0 Flute 1
75 0 Recorder 1
76 0 PanFlute 1
77 0 Bottle 2
78 0 Shakhchi 2
79 0 Whistle 1
80 0 Ocarina 1

6 Square 2 1

8 LMSquare 2

18 Hollow 1

19 Shmoog 2

64 Mellow 2

65 SoloSine 2

66 SineLead 1
82 0 Saw.Lead 2

6 Saw 2 1

8 ThickSaw 2

18 DynaSaw 1

19 DigiSaw 2

20 Big Lead 2

24 HeavySyn 2

25 WaspySyn 2

40 PulseSaw 2

41 Dr. Lead 2

45 VeloLead 2

96 Seq Ana 2
83 0 CaliopLd 2

65 Pure Pad 2
84 0 Chiff Ld 2

64 Rubby 2
85 0 CharanLd 2

64 DistLead 2

65 WireLead 2
86 0 Voice Ld 2

24 SynthAah 2

64 VoxLead 2
87 0 Fifth Ld 2

35 Big Five 2
88 0 Bass &Ld 2

16 Big&Low 2

64 Fat&Prky 2

65 SoftWurl 2

64 Fantasy2 2
90 0 Warm Pad 2

16 ThickPad 2

17 Soft Pad 2

18 SinePad 2

64 Horn Pad 2

65 RotarStr 2
91 0 PolySyPd 2

64 PolyPd80 2

65 ClickPad 2

66 Ana Pad 2

67 SquarPad 2

Voice Name

Instrument

Ele-

Group

ment

Synth Pad 92 0 ChoirPad 2

Synth 97 0 Rain 2
Effects 45 ClaviPad 2

Bank

Program

Voice Name

#

#

64 Heaven2 2
66 Itopia 2
67 CC Pad 2

93 0 BowedPad 2

64 Glacier 2
65 GlassPad 2

94 0 MetalPad 2

64 Tine Pad 2

65 Pan Pad 2
95 0 Halo Pad 2
96 0 SweepPad 2

20 Shwimmer 2

27 Converge 2

64 PolarPad 2

66 Celstial 2

64 HrmoRain 2

65 AfrcnWnd 2

66 Caribean 2
98 0 SoundTrk 2

27 Prologue 2

64 Ancestrl 2
99 0 Crystal 2

12 SynDrCmp 2

14 Popcorn 2

18 TinyBell 2

35 RndGlock 2

40 GlockChi 2

41 ClearBel 2

42 ChorBell 2

64 SynMalet 1

65 SftCryst 2

66 LoudGlok 2

67 XmasBell 2

68 VibeBell 2

69 DigiBell 2

70 AirBells 2

71 BellHarp 2

72 Gamelmba 2
100 0 Atmosphr 2

18 WarmAtms 2

19 HollwRls 2

40 NylonEP 2

64 NylnHarp 2

65 Harp Vox 2

66 AtmosPad 2

67 Planet 2
101 0 Bright 2

64 FantaBel 2

96 Smokey 2
102 0 Goblins 2

64 GobSyn 2

65 50sSciFi 2

66 Ring Pad 2

67 Ritual 2

68 ToHeaven 2

70 Night 2

71 Glisten 2

96 BelChoir 2
103 0 Echoes 2

8 EchoPad2 2

14 Echo Pan 2

64 EchoBell 2

65 Big Pan 2

66 SynPiano 2

67 Creation 2

68 Stardust 2

69 Reso Pan 2
104 0 Sci-Fi 2

64 Starz 2

Instrument

Ele-

Group

ment

Ethnic 105 0 Sitar 1

Percussive 113 0 TnklBell 2

Sound 121 0 FretNoiz 2
Effects 122 0 BrthNoiz 2

Bank

Program

#

#

32 DetSitar 2
35 Sitar 2 2
96 Tambra 2
97 Tamboura 2

106 0 Banjo 1

28 MuteBnjo 1
96 Rabab 2
97 Gopichnt 2

98 Oud 2
107 0 Shamisen 1
108 0 Koto 1

96 T. Koto 2

97 Kanoon 2
109 0 Kalimba 1
110 0 Bagpipe 2
111 0 Fiddle 1
112 0 Shanai 1

64 Shanai2 1

96 Pungi 1

97 Hichriki 2

96 Bonang 2

97 Gender 2

98 Gamelan 2

99 S.Gamlan 2

100 Rama Cym 2

101 AsianBel 2
114 0 Agogo 2
115 0 SteelDrm 2

97 GlasPerc 2

98 ThaiBell 2
116 0 WoodBlok 1

96 Castanet 1
117 0 TaikoDrm 1

96 Gr.Cassa 1
118 0 MelodTom 2

64 Mel Tom2 1

65 Real Tom 2

66 Rock Tom 2
119 0 Syn.Drum 1

64 Ana Tom 1

65 ElecPerc 2
120 0 RevCymbl 1

123 0 Seashore 2
124 0 Tweet 2
125 0 Telphone 1
126 0 Helicptr 1
127 0 Applause 1
128 0 Gunshot 1

Voice Name

Ele­ment

: No Sound

43

TG300B Normal Voice List

Bank Select MSB=Bank Number, LSB=000

Instrument

Program#Bank

Group
Piano 1 0 GrandPno 1

Chromatic 9 0 Celesta 1
Percussion 126 E-Piano2 2

13 0 Marimba 1

Voice Name

#

8 GrndPnoK 1
16 MelloGrP 1
126 A-Piano1 2
127 a.piano1 1

2 0 BritePno 1

8 BritPnoK 1
126 A-Piano2 2
127 a.piano2 1

3 0 E.Grand 2

1 ElGrPno1 2
2 ElGrPno2 2
8 ElGrPnoK 2
126 A-Piano3 2
127 a.piano3 1

4 0 HnkyTonk 2

8 HnkyTnkK 2
126 A-Piano4 2
127 e.piano1 1

5 0 E.Piano1 2

8 Chor.EP1 2
16 VX El.P1 2
24 60sEl.P 1
25 HardEl.P 2
26 MelloEP1 2
32 El.Pno1K 1
126 A-Piano5 1
127 e.piano2 1

6 0 E.Piano2 2

8 Chor.EP2 2
16 VX El.P2 2
24 DX Hard 2
32 El.Pno2K 1
126 A-Piano6 1
127 e.piano3 1

7 0 Harpsi. 1

8 Harpsi.3 2
16 Harpsi.K 1
24 Harpsi.2 2
126 A-Piano7 1
127 e.piano4 1

8 0 Clavi. 2

8 Clavi. K 1
126 E-Piano1 2
127 hnkytnk 2

127 e.organ1 2

10 0 Glocken 1

126 E-Piano3 2
127 e.organ2 2

11 0 MusicBox 2

126 A-Guitr1 1
127 e.organ3 1

12 0 Vibes 1

1 HardVibe 2
8 VibesK 1
126 A-Guitr2 2
127 e.organ4 1

8 MarimbaK 1
17 Balafon2 2
24 Log Drum 2
126 A-Guitr3 2
127 pipeorg1 2

14 0 Xylophon 1

126 E-Guitr1 2
127 pipeorg2 2

15 0 TubulBel 1

8 ChrchBel 2
9 Carillon 2
126 E-Guitr2 1
127 pipeorg3 2

16 0 Dulcimer 1

1 Dulcimr2 2
8 Cimbalom 2
126 Slap-1 2
127 acordion 2

Instrument

Ele-

Group

ment

Organ 17 0 DrawOrgn 1

Guitar 25 0 NylonGtr 1

Bank

Program

Voice Name

#

#

1 70sDrOr1 2
8 DetDrwOr 2
9 70sDrOr2 2
16 60sDrOr1 2
17 60sDrOr2 2
18 60sDrOr3 2
24 CheezOrg 2
32 DrawOrg2 2
33 EvenBar 2
40 Organ Ba 1
126 Slap-2 2
127 harpsi1 1

18 0 PercOrgn 1

1 70sPcOr1 2
8 DetPrcOr 2
32 PercOrg2 2
126 Slap-3 2
127 harpsi2 2

19 0 RockOrgn 2

8 RotaryOr 2
16 SloRotar 2
24 FstRotar 2
126 Slap-4 2
127 harpsi3 1

20 0 ChrchOrg 2

8 ChurOrg2 2
16 ChurOrg3 2
24 OrgFlute 2
32 TrmOrgFl 2
126 Slap-5 2
127 clavi1 1

21 0 ReedOrgn 1

126 Slap-6 2
127 clavi2 1

22 0 Acordion 2

8 AccordIt 2
126 Slap-7 2
127 clavi3 1

23 0 Harmnica 1

1 Harmo 2 2
126 Slap-8 2
127 celesta1 1

24 0 TangoAcd 2

126 Finger-1 1
127 celesta2 1

8 Ukulele 1
16 NylonGt3 2
24 VelGtHrm 2
32 NylonGt2 1
40 LequintG 1
126 Finger-2 2
127 synbras1 2

26 0 SteelGtr 1

8 12StrGtr 2
9 Nyln&Stl 2
16 Mandolin 2
32 SteelGt2 1
126 Picked-1 1
127 synbras2 2

27 0 Jazz Gtr 1

1 MelloGtr 1
8 PdlSteel 1
126 Picked-2 2
127 synbras3 2

28 0 CleanGtr 1

8 ChorusGt 2
126 FretlsBs 1
127 synbras4 2

Instrument

Ele-

ment

Program

Group

#

Guitar 29 0 Mute.Gtr 1

30 0 Ovrdrive 1

31 0 Dist.Gtr 1

32 0 GtrHarmo 1

Bass 33 0 Aco.Bass 1

34 0 FngrBass 1

35 0 PickBass 1

36 0 Fretless 1

37 0 SlapBas1 1

38 0 SlapBas2 1

39 0 SynBass1 1

40 0 SynBass2 2

Bank

Voice Name

#

8 FunkGtr1 2
16 FunkGtr2 2
126 A-Bass 2
127 synbass1 1

126 Choir-1 1
127 synbass2 1

8 FeedbkGt 2
9 FeedbGt2 2
126 Choir-2 1
127 synbass3 2

8 GtFeedbk 1
126 Choir-3 2
127 synbass4 1

126 Choir-4 2
127 newagepd 2

1 FngBass2 2
126 Strngs-1 2
127 synharmo 2

8 MutePkBa 1
126 Strngs-2 2
127 choir pd 2

1 Fretles2 2
2 Fretles3 2
3 Fretles4 2
4 SynFretl 2
5 Smooth 2
126 Strngs-3 2
127 bowed pd 2

8 ResoSlap 1
126 Strngs-4 2
127 soundtrk 2

126 E-Organ1 2
127 atmosphr 2

1 SynBa1Dk 1
8 AcidBass 1
9 FastResB 1
10 TeknoBa 2
16 ResoBass 1
126 E-Organ2 2
127 syn warm 2

1 ClkSynBa 2
2 ModulrBa 2
3 Seq Bass 2
8 DX Bass 2
9 X WireBa 2
16 RubberBa 2
17 SynBa2Dk 1
18 MelloSB1 1
19 SmthBa 2 2
126 E-Organ3 2
127 synfunny 1

Instrument

Ele-

Group

ment

Strings 41 0 Violin 1

Ensemble 49 0 Strings1 1

Bank

Program

#

#

8 SlowVln 1
126 E-Organ4 2
127 synecho1 2

42 0 Viola 1

126 E-Organ5 2
127 rain 2

43 0 Cello 1

126 E-Organ6 2
127 synoboe 2

44 0 Contrabs 1

126 E-Organ7 2
127 synecho2 2

45 0 Trem.Str 1

8 SlowTrStr 1
9 Susp Str 2
126 E-Organ8 2
127 synsolo 2

46 0 Pizz.Str 1

126 E-Organ9 2
127 synrdorg 2

47 0 Harp 1

126 SoftTP-1 1
127 synbell 1

48 0 Timpani 1

126 SoftTP-2 1
127 squareld 2

1 Slow Str 1
8 Orchestr 2
9 Orchstr2 2
10 TremOrch 2
11 ChoirStr 2
16 S.Strngs 2
24 VeloStr 2
126 TP/TRB-1 1
127 strsect1 2

50 0 Strings2 1

1 70s Str 1
8 LegatoSt 2
9 Warm Str 2
10 S.SlwStr 2
126 TP/TRB-2 1
127 strsect2 2

51 0 Syn.Str1 2

1 Syn Str4 2
126 TP/TRB-3 1
127 strsect3 2

52 0 Syn.Str2 2

126 TP/TRB-4 1
127 pizz.str 1

53 0 ChoirAah 1

8 S.Choir 2
9 MelChoir 2
32 Ch.Aahs2 2
126 TP/TRB-5 2
127 violin 1 2

54 0 VoiceOoh 1

126 TP/TRB-6 2
127 violin 2 1

55 0 SynVoice 1

8 SynVox2 2
126 Sax-1 1
127 cello 1 1

56 0 Orch.Hit 2

1 OrchHit2 2
8 Impact 2
16 LoFiRave 2
126 Sax-2 1
127 cello 2 1

Voice Name

Ele-

ment

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

44

TG300B Normal Voice List

Instrument
Group

Brass 57 0 Trumpet 1

Reed 65 0 SprnoSax 1

Pipe 73 0 Piccolo 1

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Bank

Program

Voice Name

#

#

1 Trumpet2 1
24 BriteTrp 2
25 WarmTrp 2
126 Sax-3 1
127 contrabs 1

58 0 Trombone 1

1 Trmbone2 2
126 Sax-4 2
127 harp 1 1

59 0 Tuba 1

1 Tuba 2 1
126 Brass-1 1
127 harp 2 1

60 0 Mute.Trp 1

126 Brass-2 1
127 guitar 1 1

61 0 Fr.Horn 2

1 FrHorn2 2
8 FrHrSolo 1
16 HornOrch 2
126 Brass-3 2
127 guitar 2 1

62 0 BrasSect 1

8 BrssSec2 2
126 Brass-4 2
127 elecgtr1 2

63 0 SynBras1 2

1 PolyBrss 2
8 SynBras3 2
9 QuackBr 2
16 AnaBrss1 2
126 Brass-5 2
127 elecgtr2 2

64 0 SynBras2 1

1 Soft Brs 2
8 SynBras4 2
16 AnaBrss2 2
17 VelBras2 2
126 Orch-Hit 1
127 sitar 1

127 a.bass 1 1

66 0 Alto Sax 1

8 HyprAlto 2
127 a.bass 2 1

67 0 TnrSax 2 1

8 BrthTnSx 2
127 e.bass 1 1

68 0 Bari.Sax 1

127 e.bass 2 1

69 0 Oboe 2

127 slapbas1 1

70 0 Eng.Horn 1

127 slapbas2 1

71 0 Bassoon 1

127 fretles1 1

72 0 Clarinet 1

127 fretles2 1

127 flute1 1

74 0 Flute 1

127 flute2 1

75 0 Recorder 1

127 piccolo1 1

76 0 PanFlute 1

127 piccolo2 2

77 0 Bottle 2

127 recorder 1

78 0 Shakhchi 2

127 panpipes 2

79 0 Whistle 1

127 sax1 2

80 0 Ocarina 1

127 sax2 1

Instrument

Ele-

Group

ment

Synth Lead 81 0 SquareLd 2

Synth Pad 89 0 NewAgePd 2

Bank

Program

#

#

1 Square 2 1
2 Hollow 1
3 Mellow 2
4 SoloSine 2
5 Shmoog 2
6 LMSquare 2
8 SineLead 1
127 sax3 1

82 0 Saw.Lead 2

1 Saw 2 1
2 PulseSaw 2
3 ThickSaw 2
4 Big Lead 2
5 VeloLead 2
6 HeavySyn 2
7 DynaSaw 1
8 Dr. Lead 2
16 WaspySyn 2
127 sax4 1

83 0 CaliopLd 2

2 Pure Pad 2
127 clarint1 1

84 0 Chiff Ld 2

127 clarint2 1

85 0 CharanLd 2

8 DistLead 2
127 oboe 1

86 0 Voice Ld 2

127 eng.horn 1

87 0 Fifth Ld 2

1 Big Five 2
127 bassoon 1

88 0 Bass &Ld 2

1 Big&Low 2
2 Fat&Prky 2
127 harmnica 1

1 Fantasy2 2
127 trumpet1 1

90 0 Warm Pad 2

1 ThickPad 2
2 Horn Pad 2
3 RotarStr 2
4 Soft Pad 2
127 trumpet2 1

91 0 PolySyPd 2

1 PolyPd80 2
127 trmbone1 2

92 0 ChoirPad 2

1 Heaven2 2
127 trmbone2 2

93 0 BowedPad 2

127 fr.horn1 1

94 0 MetalPad 2

1 Tine Pad 2
2 Pan Pad 2
127 fr.horn2 2

95 0 Halo Pad 2

127 tuba 2

96 0 SweepPad 2

1 PolarPad 2
8 Converge 2
9 Shwimmer 2
10 Celstial 2
127 brssect1 1

Voice Name

Instrument

Ele-

Group

ment

Synth 97 0 Rain 2
Effects 1 HrmoRain 2

Ethnic 105 0 Sitar 1

Bank

Program

#

#

2 AfrcnWnd 2
8 ClaviPad 2
127 brssect2 2

98 0 SoundTrk 2

1 Ancestrl 2
2 Prologue 2
127 vibe1 1

99 0 Crystal 2

1 SynMalet 1
2 SftCryst 2
3 RndGlock 2
4 LoudGlok 2
5 GlockChi 2
6 ClearBel 2
7 XmasBell 2
8 VibeBell 2
9 DigiBell 2
16 ChorBell 2
17 AirBells 2
18 BellHarp 2
19 Gamelmba 2
127 vibe2 1

100 0 Atmosphr 2

1 WarmAtms 2
2 NylnHarp 2
3 Harp Vox 2
4 HollwRls 2
5 NylonEP 2
6 AtmosPad 2
127 symallet 1

101 0 Bright 2

127 maletwin 2

102 0 Goblins 2

1 GobSyn 2
2 50sSciFi 2
127 glocken 2

103 0 Echoes 2

1 EchoBell 2
2 Echo Pan 2
3 EchoPad2 2
4 Big Pan 2
6 SynPiano 2
127 tubulbel 1

104 0 Sci-Fi 2

1 Starz 2
127 xylophen 1

1 Sitar 2 2
2 DetSitar 2
8 Tambra 2
16 Tamboura 2
127 marimba 2

106 0 Banjo 1

1 MuteBnjo 1
8 Rabab 2
16 Gopichnt 2
24 Oud 2
127 koto 1

107 0 Shamisen 1

127 sho 2

108 0 Koto 1

8 T. Koto 2
16 Kanoon 2
127 shakhchi 2

109 0 Kalimba 1

127 whistle1 2

110 0 Bagpipe 2

127 whistle2 1

111 0 Fiddle 1

127 bottle 2

112 0 Shanai 1

1 Shanai2 1
8 Pungi 1
16 Hichriki 2
127 breath 2

Voice Name

Instrument

Ele-

Group

ment

Percussive 113 0 TnklBell 2

Sound 121 0 FretNoiz 2
Effects 1 CuttngNz 1

Bank

Program

#

8 Bonang 2
9 Gender 2
10 Gamelan 2
11 S.Gamlan 2
16 Rama Cym 2
127 timpani 1

114 0 Agogo 2

127 melotom 1

115 0 SteelDrm 2

127 deepsnar 1

116 0 WoodBlok 1

8 Castanet 1
127 e.perc1 1

117 0 TaikoDrm 1

8 Gr.Cassa 1
127 e.perc2 1

118 0 MelodTom 2

1 Real Tom 2
8 Mel Tom2 1
9 Rock Tom 2
127 taiko 1

119 0 Syn.Drum 1

8 Ana Tom 1
9 ElecPerc 2
127 taikorim 1

120 0 RevCymbl 1

127 cymbal 2

2 Str Slap 1
3 CttngNz2 2
127 castanet 1

122 0 BrthNoiz 2

1 Fl.KClik 1
127 triangle 1

123 0 Seashore 2

1 Rain 1
2 Thunder 1
3Wind 1
4 Stream 2
5 Bubble 2
127 orchehit 1

124 0 Tweet 2

1 Dog 1
2 Horse 1
3 Bird 2 1
127 telphone 1

125 0 Telphone 1

1 Tel.Dial 1
2 DoorSqek 1
3 DoorSlam 1
4 Scratch 1
5 WindChm 1
6 Scratch2 2
127 bird 1

126 0 Helicptr 1

1 CarEngin 1
2 Car Stop 1
3 Car Pass 1
4 CarCrash 1
5 Siren 2
6 Train 1
7 Jetplane 2
8 Starship 2
9 Burst 2
16 Coaster 2
127 jam 1

127 0 Applause 1

1 Laughing 1
2 Scream 1
3 Punch 1
4 Heart 1
5 FootStep 1
127 efctwatr 2

128 0 Gunshot 1

1 MchinGun 1
2 LaserGun 2
3 Xplosion 2
127 efctjngl 2

#

Voice Name

Ele­ment

45

XG Drum Voice List

Bank 127 127 127 127 127 127 127 127 127 126 126

Program # 1 2 9 17 25 26 33 41 49 1 2

Note# Note Key Alternate Standard Kit Standard2 Kit Room Kit Rock Kit Electro Kit Analog Kit Jazz Kit Brush Kit Classic Kit SFX 1 SFX 2

off assign

13 C# -1 3 Surdo Mute

14 D -1 3 Surdo Open

15 D# -1 Hi Q

16 E -1 Whip Slap

17 F -1 4 Scratch Push

18 F# -1 4 Scratch Pull

19 G -1 Finger Snap

20 G# -1 Click Noise

21 A -1 Metronome Click

22 A# -1 Metronome Bell

23 B -1 Seq Click L

24 C 0 Seq Click H

25 C# 0 Brush Tap

26 D 0 O Brush Swirl L

27 D# 0 Brush Slap

28 E 0 O Brush Swirl H Reverse Cymbal Reverse Cymbal

29 F 0 O Snare Roll Snare Roll 2

30 F# 0 Castanet Hi Q Hi Q

31 G 0 Snare L Snare L 2 SD Rock M Snare M SD Rock H Brush Slap L

32 G# 0 Sticks

33 A 0 Bass Drum L Bass Drum M Bass Drum H 4 Bass Drum M Bass Drum L2

34 A# 0 Open Rim Shot Open Rim Shot 2

35 B 0 Bass Drum M Bass Drum M 2 Bass Drum H 3 BD Rock BD Analog L Gran Cassa

36 C 1 Bass Drum H Bass Drum H 2 BD Rock BD Gate BD Analog H BD Jazz BD Soft Gran Cassa Mute Guitar Cutting Noise Dial Tone

37 C# 1 Side Stick Analog Side Stick Guitar Cutting Noise 2 Door Creaking

38 D 1 Snare M Snare M 2 SD Room L SD Rock SD Rock L Analog Snare L Brush Slap M Marching Sn M Door Slam

39 D# 1 Hand Clap String Slap Scratch

40 E 1 Snare H Snare H 2 SD Room H SD Rock Rim SD Rock H Analog Snare H Brush Tap H Marching Sn H Scratch 2

41 F 1 Floor Tom L Room Tom 1 Rock Tom 1 E Tom 1 Analog Tom 1 Jazz Tom 1 Brush Tom 1 Jazz Tom 1 Windchime

42 F# 1 1 Hi-Hat Closed Analog HH Closed 1 Telephone Ring2

43 G 1 Floor Tom H Room Tom 2 Rock Tom 2 E Tom 2 Analog Tom 2 Jazz Tom 2 Brush Tom 2 Jazz Tom 2

44 G# 1 1 Hi-Hat Pedal Analog HH Closed 2

45 A 1 Low Tom Room Tom 3 Rock Tom 3 E Tom 3 Analog Tom 3 Jazz Tom 3 Brush Tom 3 Jazz Tom 3

46 A# 1 1 Hi-Hat Open Analog HH Open

47 B 1 Mid Tom L Room Tom 4 Rock Tom 4 E Tom 4 Analog Tom 4 Jazz Tom 4 Brush Tom 4 Jazz Tom 4

48 C 2 Mid Tom H Room Tom 5 Rock Tom 5 E Tom 5 Analog Tom 5 Jazz Tom 5 Brush Tom 5 Jazz Tom 5

49 C# 2 Crash Cymbal 1 Analog Cymbal Hand Cym.Open L

50 D 2 High Tom Room Tom 6 Rock Tom 6 E Tom 6 Analog Tom 6 Jazz Tom 6 Brush Tom 6 Jazz Tom 6

51 D# 2 Ride Cymbal 1 Hand Cym.Closed L

52 E 2 Chinese Cymbal FL.Key Click Engine Start

53 F 2 Ride Cymbal Cup Tire Screech

54 F# 2 Tambourine Car Passing

55 G 2 Splash Cymbal Crash

56 G# 2 Cowbell Analog Cowbell Siren

57 A 2 Crash Cymbal 2 Hand Cym.Open H Train

58 A# 2 Vibraslap Jetplane

59 B 2 Ride Cymbal 2 Hand Cym.Closed H Starship

Bank Select MSB=Bank Number, LSB=000

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46

XG Drum Voice List

60 C 3 Bongo H Burst Noise

61 C# 3 Bongo L Coaster

62 D 3 Conga H Mute Analog Conga H SbMarine

63 D# 3 Conga H Open Analog Conga M

64 E 3 Conga L Analog Conga L

65 F 3 Timbale H

66 F# 3 Timbale L

67 G 3 Agogo H

68 G# 3 Agogo L Rain Laughing

69 A 3 Cabasa Thunder Screaming

70 A# 3 Maracas Analog Maracas Wind Punch

71 B 3 O Samba Whistle H Stream Heartbeat

72 C 4 O Samba Whistle L Bubble Footsteps

73 C# 4 Guiro Short Feed

74 D 4 O Guiro Long

75 D# 4 Claves Analog Claves

76 E 4 Wood Block H

77 F 4 Wood Block L

78 F# 4 Cuica Mute Scratch Push Scratch Push

79 G 4 Cuica Open Scratch Pull Scratch Pull

80 G# 4 2 Triangle Mute

81 A 4 2 Triangle Open

82 A# 4 Shaker

83 B 4 Jingle Bell

84 C 5 Bell Tree Dog Machine Gun

85 C# 5 Horse Gallop Laser Gun

86 D 5 Bird 2 Explosion

87 D# 5 FireWork

88 E 5

89 F 5

90 F# 5 Ghost

91 G 5 Maou

: Same as Standard Kit

: No Sound

For example, the Hi-Hat Open sound (group 1) and Hi-Hat

Closed sound (also group 1) cannot be sounded at the same time.

Assign numbered group cannot be sounded simultaneously.

* Drum and percussion sounds assigned to the same Alternate

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47

Program # 1 9 17 25 26 33 41 49 57 128

Note# Note Alternate Standard Kit Room Kit Power Kit Electro Kit Analog Kit Jazz Kit Brush Kit Orchestra Kit SFX Set C/M Kit

assign

25 C# 0 Snare Roll

26 D 0 Finger Snap

27 D# 0 Hi Q Hi-Hat Closed

28 E 0 Whip Slap Hi-Hat Pedal

29 F 0 7 Scratch Push Hi-Hat Open

30 F# 0 7 Scratch Pull Ride Cymbal 1

31 G 0 Sticks

32 G# 0 Click Noise

33 A 0 Metronome Click

34 A# 0 Metronome Bell

35 B 0 Bass Drum M BD Jazz

36 C 1 Bass Drum H BD Power BD Electronic BD Analog H BD Jazz BD Soft Gran Cassa

37 C# 1 Side Stick Analog Side Stick

38 D 1 Snare M SD Power SD Electronic Analog Snare L Brush Tap Concert SD

39 D# 1 Hand Clap Brush Slap Castanet High-Q

40 E 1 Snare H SD Power Brush Swirl Concert SD Slap SD Electro

41 F 1 Floor Tom L Room Tom 1 Room Tom 1 E Tom 1 Analog Tom 1 Jazz Tom 1 Jazz Tom 1 Timpani F Scratch Push

42 F# 1 1 Hi-Hat Closed Analog HH Closed 1 Timpani F# Scratch Pull

43 G 1 Floor Tom H Room Tom 2 Room Tom 2 E Tom 2 Analog Tom 2 Jazz Tom 2 Jazz Tom 2 Timpani G Sticks

44 G# 1 1 Hi-Hat Pedal Analog HH Closed 2 Timpani G# Square Click Hi-Hat Open 1

45 A 1 Low Tom Room Tom 3 Room Tom 3 E Tom 3 Analog Tom 3 Jazz Tom 3 Jazz Tom 3 Timpani A Metronome Click

46 A# 1 1 Hi-Hat Open Analog HH Open Timpani A# Metronome Bell Hi-Hat Open 2

47 B 1 Mid Tom L Room Tom 4 Room Tom 4 E Tom 4 Analog Tom 4 Jazz Tom 4 Jazz Tom 4 Timpani B Guitar Fret Noise

48 C 2 Mid Tom H Room Tom 5 Room Tom 5 E Tom 5 Analog Tom 5 Jazz Tom 5 Jazz Tom 5 Timpani C Guitar Cutting Down

49 C# 2 Crash Cymbal 1 Analog Cymbal Timpani C# Guitar Cutting Up

50 D 2 High Tom Room Tom 6 Room Tom 6 E Tom 6 Analog Tom 6 Jazz Tom 6 Jazz Tom 6 Timpani D Ac Bass Slap

51 D# 2 Ride Cymbal 1 Timpani D# FL.Key Click

52 E 2 Chinese Cymbal Reverse Cymbal Timpani E Laughing

53 F 2 Ride Cymbal Cup Timpani F Screaming

54 F# 2 Tambourine Punch

55 G 2 Splash Cymbal Heartbeat

56 G# 2 Cowbell Analog Cowbell Footsteps 1

57 A 2 Crash Cymbal 2 Hand Cym.1 Footsteps 2

58 A# 2 Vibraslap Applause

59 B 2 Ride Cymbal 2 Hand Cym.2 Door Creaking

60 C 3 Bongo H Door Slam

61 C# 3 Bongo L Scratch

62 D 3 Conga H Mute Analog Conga H Windchime

63 D# 3 Conga H Open Analog Conga M Engine Start

64 E 3 Conga L Analog Conga L Tire Screech

65 F 3 Timbale H Car Passing

66 F# 3 Timbale L Crash

67 G 3 Agogo H Siren

68 G# 3 Agogo L Train

69 A 3 Cabasa Jetplane

70 A# 3 Maracas Analog Maracas Helicopter

71 B 3 2 Samba Whistle H Starship

72 C 4 2 Samba Whistle L Gunshot

TG300B Drum Voice List

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48

TG300B Drum Voice List

73 C# 4 3 Guiro Short Machine Gun Vibraslap

74 D 4 3 Guiro Long Laser Gun

75 D# 4 Claves Analog Claves Explosion

76 E 4 Wood Block H Dog Laughing

77 F 4 Wood Block L Horse Gallop Screaming

78 F# 4 4 Cuica Mute Bird Tweet Punch

79 G 4 4 Cuica Open Rain Heartbeat

80 G# 4 5 Triangle Mute Thunder Footsteps 1

81 A 4 5 Triangle Open Wind Footsteps 2

82 A# 4 Shaker Seashore Applause

83 B 4 Jingle Bell Stream Door Creaking

84 C 5 Bell Tree Bubble Door Slam

85 C# 5 Castanet Scratch

86 D 5 6 Surdo Mute Windchime

87 D# 5 6 Surdo Open Engine Start

88 E 5 Applause Tire Screech

89 F 5 Car Passing

90 F# 5 Crash

91 G 5 Siren

92 G# 5 Train

93 A 5 Jetplain

94 A# 5 Helicopter

95 B 5 Starship

96 C 6 Gunshot

97 C# 6 Machine Gun

98 D 6 Laser Gun

99 D# 6 Explosion

100 E 6 Dog

101 F 6 Horse Gallop

102 F# 6 Bird Tweet

103 G 6 Rain

104 G# 6 Thunder

105 A 6 Wind

106 A# 6 Seashore

107 B 6 Stream

108 C 7 Bubble

: Same as Standard Kit

: No Sound

Kit differ from those of the Standard Kit in effect send level or

pan settings etc., even though the instrument itself is the same.

* Some of the C/M Kit instruments in common with the Standard

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49

Effect Type List

REVERB

Exclusive

MSB LSB

00 00 NO EFFECT
01 00 HALL1
01 01 HALL2
02 00 ROOM1
02 01 ROOM2
02 02 ROOM3
03 00 STAGE1
03 01 STAGE2
04 00 PLATE
10 00 WHITE ROOM
11 00 TUNNEL
13 00 BASEMENT

CHORUS

Exclusive

MSB LSB

00 00 NO EFFECT
41 00 CHORUS1
41 01 CHORUS2
41 02 CHORUS3
41 08 CHORUS4
42 00 CELESTE1
42 01 CELESTE2
42 02 CELESTE3
42 08 CELESTE4
43 00 FLANGER1
43 01 FLANGER2
43 08 FLANGER3

VARIATION

Exclusive

MSB LSB

00 00 NO EFFECT
01 00 HALL1
01 01 HALL2
02 00 ROOM1
02 01 ROOM2
02 02 ROOM3
03 00 STAGE1
03 01 STAGE2
04 00 PLATE
05 00 DELAY L, C, R
06 00 DELAY L, R
07 00 ECHO
08 00 CROSS DELAY
09 00 EARLY REF1
09 01 EARLY REF2
0A 00 GATE REVERB
0B 00 REVERSE GATE
14 00 KARAOKE 1
14 01 KARAOKE 2
14 02 KARAOKE 3
41 00 CHORUS1
41 01 CHORUS2
41 02 CHORUS3
41 08 CHORUS4
42 00 CELESTE1
42 01 CELESTE2
42 02 CELESTE3
42 08 CELESTE4
43 00 FLANGER1
43 01 FLANGER2
43 08 FLANGER3
44 00 SYMPHONIC
45 00 ROTARY SPEAKER
46 00 TREMOLO
47 00 AUTO PAN
48 00 PHASER1
48 08 PHASER2
49 00 DISTORTION
4A 00 OVER DRIVE
4B 00 AMP SIMULATOR
4C 00 3BAND EQ(MONO)
4D 00 2BAND EQ(STEREO)
4E 00 AUTO WAH(LFO)
50 00 PITCH CHANGE
40 00 THRU

* MSB, LSB is represented in hexadecimal. * LSB = 0 is the basic effect type.

Effect Type Description

Effect Type Description

Effect Type Description

Effect turned off.
Reverb simulating the resonance of a hall.
Reverb simulating the resonance of a hall.
Reverb simulating the resonance of a room.
Reverb simulating the resonance of a room.
Reverb simulating the resonance of a room.
Reverb appropriate for a solo instrument.
Reverb appropriate for a solo instrument.
Reverb simulating a metal plate reverb unit.
A unique short reverb with a bit of initial delay.
Simulation of a tunnel space expanding to left and right.
A bit of initial delay followed by reverb with a unique resonance.

NO EFFECT Effect turned off.
CHORUS1 Conventional chorus program that adds natural spaciousness.
CHORUS2 Conventional chorus program that adds natural spaciousness.
CHORUS3 Conventional chorus program that adds natural spaciousness.
CHORUS4 Chorus with stereo input. The pan setting specified for the Part will also apply to the effect sound.
CELESTE1 A 3-phase LFO adds modulation and spaciousness to the sound.
CELESTE2 A 3-phase LFO adds modulation and spaciousness to the sound.
CELESTE3 A 3-phase LFO adds modulation and spaciousness to the sound.
CELESTE4 Celeste with stereo input. The pan setting specified for the Part will also apply to the effect sound.
FLANGER1 Adds a jet-airplane effect to the sound.
FLANGER2 Adds a jet-airplane effect to the sound.
FLANGER3 Adds a jet-airplane effect to the sound.

Effect turned off.
Reverb simulating the resonance of a hall.
Reverb simulating the resonance of a hall.
Reverb simulating the resonance of a room.
Reverb simulating the resonance of a room.
Reverb simulating the resonance of a room.
Reverb appropriate for a solo instrument.
Reverb appropriate for a solo instrument.
Reverb simulating a metal plate reverb unit.
A program that creates three delay sounds; L, R, and C (center).
A program that creates two delay sounds; L and R. Two feedback delays are provided.
Two delays (L and R) and independent feedback delays for L and R.
A program that crosses the feedback of two delays.
An effect that produces only the early reflection component of reverb.
An effect that produces only the early reflection component of reverb.
A simulation of gated reverb.
A program that simulates gated reverb played backwards.
A delay with feedback of the same types as used for karaoke reverb.
A delay with feedback of the same types as used for karaoke reverb.
A delay with feedback of the same types as used for karaoke reverb.
Conventional chorus program that adds natural spaciousness.
Conventional chorus program that adds natural spaciousness.
Conventional chorus program that adds natural spaciousness.
Chorus with stereo input.
A 3-phase LFO adds modulation and spaciousness to the sound.
A 3-phase LFO adds modulation and spaciousness to the sound.
A 3-phase LFO adds modulation and spaciousness to the sound.
Celeste with stereo input.
Adds a jet-airplane effect to the sound.
Adds a jet-airplane effect to the sound.
Adds a jet-airplane effect to the sound.
A multi-phase version of CELESTE.
A simulation of a rotary speaker. You can use AC1 (assignable controller) etc. to control the speed of rotation.
An effect that cyclically modulates the volume.
A program that cyclically moves that sound image to left and right, front and back.
Cyclically changes the phase to add modulation to the sound.
Phaser with stereo input.
Adds a sharp-edged distortion to the sound.
Adds mild distortion to the sound.
A simulation of a guitar amp.
A mono EQ with adjustable LOW, MID, and HIGH equalizing.
A stereo EQ with adjustable LOW and HIGH. Ideal for drum Parts.
Cyclically modulates the center frequency of a wah filter. With an AC1 etc. this can function as a pedal wah.
This program changes the pitch of the input signal.
Bypass without applying an effect.

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50

Effect Parameter List

HALL1,2, ROOM1,2,3,STAGE1,2, PLATE

No. * Parameter Range Value → P54**

1 Reverb Time 0.3 ~ 30.0s 0-69 table#4
2 Diffusion 0 ~ 10 0-10
3 Initial Delay 0 ~ 63 0-63 table#5
4 HPF Cutoff Thru ~ 8.0kHz 0-52 table#3
5 LPF Cutoff 1.0k ~ Thru 34-60 table#3
6
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●
11 Rev Delay 0 ~ 63 0-63 table#5
12 Density 0 ~ 3 0-3
13 Er/ Rev Balance E63> R ~ E=R ~ E<R63 1-127
14
15 Feedback Level -63 ~ +63 1-127
16

WHITE ROOM ,TUNNEL,BASEMENT

No. * Parameter Range Value → P54**

1 Reverb Time 0.3 ~ 30.0s 0-69 table#4
2 Diffusion 0 ~ 10 0-10
3 Initial Delay 0 ~ 63 0-63 table#5
4 HPF Cutoff Thru ~ 8.0kHz 0-52 table#3
5 LPF Cutoff 1.0k ~ Thru 34-60 table#3
6 Width 0.5 ~ 10.2m 0-37 table#8
7 Height 0.5 ~ 20.2m 0-73 table#8
8 Depth 0.5 ~ 30.2m 0-104 table#8
9 Wall Vary 0 ~ 30 0-30
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●
11 Rev Delay 0 ~ 63 0-63 table#5
12 Density 0 ~ 3 0-3
13 Er/ Rev Balance E63> R ~ E=R ~ E<R63 1-127
14
15 Feedback Level -63 ~ +63 1-127
16

DELAY L,C,R

No. * Parameter Range Value → P54**

1 Lch Delay 0.1 ~ 715.0ms 1-7150
2 Rch Delay 0.1 ~ 715.0ms 1-7150
3 Cch Delay 0.1 ~ 715.0ms 1-7150
4 Feedback Delay 0.1 ~ 715.0ms 1-7150
5 Feedback Level -63 ~ +63 1-127
6 Cch Level 0 ~ 127 0-127
7 High Damp 0.1 ~ 1.0 1-10
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●
11
12
13 EQ Low Frequency 50Hz ~ 2.0kHz 8-40 table#3
14 EQ Low Gain -12 ~ +12dB 52-76
15 EQ High Frequency 500Hz ~ 16.0kHz 28-58 table#3
16 EQ High Gain -12 ~ +12dB 52-76

Control

Control

Control

ECHO

No. * Parameter Range Value → P54**

1 Lch Delay1 0.1 ~ 355.0ms 1-3550
2 Lch Feedback Level -63 ~ +63 1-127
3 Rch Delay1 0.1 ~ 355.0ms 1-3550
4 Rch Feedback Level -63 ~ +63 1-127
5 High Damp 0.1 ~ 1.0 1-10
6 Lch Delay2 0.1 ~ 355.0ms 1-3550
7 Rch Delay2 0.1 ~ 355.0ms 1-3550
8 Delay2 Level 0 ~ 127 0-127
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●
11
12
13 EQ Low Frequency 50Hz ~ 2.0kHz 8-40 table#3
14 EQ Low Gain -12 ~ +12dB 52-76
15 EQ High Frequency 500Hz ~ 16.0kHz 28-58 table#3
16 EQ High Gain -12 ~ +12dB 52-76

CROSS DELAY

No. * Parameter Range Value → P54**

1 L->R Delay 0.1 ~ 355.0ms 1-3550
2 R->L Delay 0.1 ~ 355.0ms 1-3550
3 Feedback Level -63 ~ +63 1-127
4 Input Select L,R,L&R 0-2
5 High Damp 0.1 ~ 1.0 1-10
6
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●
11
12
13 EQ Low Frequency 50Hz ~ 2.0kHz 8-40 table#3
14 EQ Low Gain -12 ~ +12dB 52-76
15 EQ High Frequency 500Hz ~ 16.0kHz 28-58 table#3
16 EQ High Gain -12 ~ +12dB 52-76

EARLY REF1,2

No. * Parameter Range Value → P54**

1 Type S-H, L-H, Rdm, Rvs, Plt, Spr 0-5
2 Room Size 0.1 ~ 7.0 0-44 table#6
3 Diffusion 0 ~ 10 0-10
4 Initial Delay 0 ~ 63 0-63 table#5
5 Feedback Level -63 ~ +63 1-127
6 HPF Cutoff Thru ~ 8.0kHz 0-52
7 LPF Cutoff 1.0k ~ Thru 34-60
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●
11 Liveness 0 ~ 10 0-10
12 Density 0 ~ 3 0-3
13 High Damp 0.1 ~ 1.0 1-10
14
15
16

Control

Control

Control

DELAY L,R

No. * Parameter Range Value → P54**

1 Lch Delay 0.1 ~ 715.0ms 1-7150
2 Rch Delay 0.1 ~ 715.0ms 1-7150
3 Feedback Delay 1 0.1 ~ 715.0ms 1-7150
4 Feedback Delay 2 0.1 ~ 715.0ms 1-7150
5 Feedback Level -63 ~ +63 1-127
6 High Damp 0.1 ~ 1.0 1-10
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●
11
12
13 EQ Low Frequency 50Hz ~ 2.0kHz 8-40 table#3
14 EQ Low Gain -12 ~ +12dB 52-76
15 EQ High Frequency 500Hz ~ 16.0kHz 28-58 table#3
16 EQ High Gain -12 ~ +12dB 52-76

Control

GATE REVERB,REVERSE GATE

No. * Parameter Range Value → P54**

1 Type TypeA,TypeB 0-1
2 Room Size 0.1 ~ 7.0 0-44 table#6
3 Diffusion 0 ~ 10 0-10
4 Initial Delay 0 ~ 63 0-63 table#5
5 Feedback Level -63 ~ +63 1-127
6 HPF Cutoff Thru ~ 8.0kHz 0-52
7 LPF Cutoff 1.0k ~ Thru 34-60
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●
11 Liveness 0 ~ 10 0-10
12 Density 0 ~ 3 0-3
13 High Damp 0.1 ~ 1.0 1-10
14
15
16

• ● : Can be controlled by AC1 (Assignable Controller 1)

• No. * : These numbers correspond to the Parameter Suffix numbers in

<Table 1 - 3> (page 33)

• ÆP54** : Refer to “Effect Data Assign Table”

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Control

51

Effect Parameter List

KARAOKE1,2,3

No. * Parameter Range Value → P54**

1 Delay Time 0 ~ 127 0-127 table#7
2 Feedback Level -63 ~ +63 1-127
3 HPF Cutoff Thru ~ 8.0kHz 0-52
4 LPF Cutoff 1.0k ~ Thru 34-60
5
6
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●
11
12
13
14
15
16

CHORUS1,2,3,4, CELESTE1,2,3,4

No. * Parameter Range Value → P54**

1 LFO Frequency 0.00 ~ 39.7Hz 0-127 table#1
2 LFO PM Depth 0 ~ 127 0-127
3 Feedback Level -63 ~ +63 1-127
4 Delay Offset 0 ~ 127 0-127 table#2
5
6 EQ Low Frequency 50Hz ~ 2.0kHz 8-40 table#3
7 EQ Low Gain -12 ~ +12dB 52-76
8 EQ High Frequency 500Hz ~ 16.0kHz 28-58 table#3
9 EQ High Gain -12 ~ +12dB 52-76
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●
11
12
13
14
15 Input Mode mono/stereo 0-1
16

FLANGER1,2,3

No. * Parameter Range Value → P54**

1 LFO Frequency 0.00 ~ 39.7Hz 0-127 table#1
2 LFO Depth 0 ~ 127 0-127
3 Feedback Level -63 ~ +63 1-127
4 Delay Offset 0 ~ 63 0-63 table#2
5
6 EQ Low Frequency 50Hz ~ 2.0kHz 8-40 table#3
7 EQ Low Gain -12 ~ +12dB 52-76
8 EQ High Frequency 500Hz ~ 16.0kHz 28-58 table#3
9 EQ High Gain -12 ~ +12dB 52-76
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●
11
12
13
14 LFO Phase Difference -180 ~ +180deg 4-124
15
16

resolution=3deg.

Control

Control

Control

ROTARY SPEAKER

No. * Parameter Range Value → P54**

1 LFO Frequency 0.00 ~ 39.7Hz 0-127 table#1 ●
2 LFO Depth 0 ~ 127 0-127
3
4
5
6 EQ Low Frequency 50Hz ~ 2.0kHz 8-40 table#3
7 EQ Low Gain -12 ~ +12dB 52-76
8 EQ High Frequency 500Hz ~ 16.0kHz 28-58 table#3
9 EQ High Gain -12 ~ +12dB 52-76
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11
12
13
14
15
16

TREMOLO

No. * Parameter Range Value → P54**

1 LFO Frequency 0.00 ~ 39.7Hz 0-127 table#1 ●
2 AM Depth 0 ~ 127 0-127
3 PM Depth 0 ~ 127 0-127
4
5
6 EQ Low Frequency 50Hz ~ 2.0kHz 8-40 table#3
7 EQ Low Gain -12 ~ +12dB 52-76
8 EQ High Frequency 500Hz ~ 16.0kHz 28-58 table#3
9 EQ High Gain -12 ~ +12dB 52-76
10
11
12
13
14 LFO Phase Difference -180 ~ +180deg 4-124
15 Input Mode mono/stereo 0-1
16

resolution=3deg.

AUTO PAN

No. * Parameter Range Value → P54**

1 LFO Frequency 0.00 ~ 39.7Hz 0-127 table#1 ●
2 L/R Depth 0 ~ 127 0-127
3 F/R Depth 0 ~ 127 0-127
4 PAN Direction L<->R,L->R,L<-R,Lturn,Rturn,L/R 0-5
5
6 EQ Low Frequency 50Hz ~ 2.0kHz 8-40 table#3
7 EQ Low Gain -12 ~ +12dB 52-76
8 EQ High Frequency 500Hz ~ 16.0kHz 28-58 table#3
9 EQ High Gain -12 ~ +12dB 52-76
10
11
12
13
14
15
16

Control

Control

Control

SYMPHONIC

No. * Parameter Range Value → P54**

1 LFO Frequency 0.00 ~ 39.7Hz 0-127 table#1
2 LFO Depth 0 ~ 127 0-127
3 Delay Offset 0 ~ 127 0-127 table#2
4
5
6 EQ Low Frequency 50Hz ~ 2.0kHz 8-40 table#3
7 EQ Low Gain -12 ~ +12dB 52-76
8 EQ High Frequency 500Hz ~ 16.0kHz 28-58 table#3
9 EQ High Gain -12 ~ +12dB 52-76
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●
11
12
13
14
15
16

Control

PHASER1,2

No. * Parameter Range Value → P54**

1 LFO Frequency 0.00 ~ 39.7Hz 0-127 table#1
2 LFO Depth 0 ~ 127 0-127
3 Phase Shift Offset 0 ~ 127 0-127
4 Feedback Level -63 ~ +63 1-127
5
6 EQ Low Frequency 50Hz ~ 2.0kHz 8-40 table#3
7 EQ Low Gain -12 ~ +12dB 52-76
8 EQ High Frequency 500Hz ~ 16.0kHz 28-58 table#3
9 EQ High Gain -12 ~ +12dB 52-76
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●
11 Stage 6 ~ 10(phaser1) / 3 ~ 5(phaser2) 3-10
12 Diffusion Mono/Stereo 0-1
13

LFO Phase Difference
14
15
16

-180 ~ +180deg. 4-124

Phaser2 only

• ● : Can be controlled by AC1 (Assignable Controller 1)

• No. * : These numbers correspond to the Parameter Suffix numbers in

<Table 1 - 3> (page 33)

• ÆP54** : Refer to “Effect Data Assign Table”

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

52

Control

Effect Parameter List

DISTORTION,OVERDRIVE

No. * Parameter Range Value → P54**

1 Drive 0 ~ 127 0-127 ●
2 EQ Low Frequency 50Hz ~ 2.0kHz 8-40 table#3
3 EQ Low Gain -12 ~ +12dB 52-76
4 LPF Cutoff 1.0k ~ Thru 34-60 table#3
5 Output Level 0 ~ 127 0-127
6
7 EQ Mid Frequency 500Hz ~ 10.0kHz 28-54 table#3
8 EQ Mid Gain -12 ~ +12dB 52-76
9 EQ Mid Width 1.0 ~ 12.0 10-120
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11 Edge(Clip Curve) 0 ~ 127 0-127 mild ~ sharp
12
13
14
15
16

GUITAR AMP SIMULAT OR

No. * Parameter Range Value → P54**

1 Drive 0 ~ 127 0-127 ●
2 AMP Type Off,Stack,Combo,Tube 0-3
3 LPF Cutoff 1.0k ~ Thru 34-60 table#3
4 Output Level 0 ~ 127 0-127
5
6
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11 Edge(Clip Curve) 0 ~ 127 0-127 mild ~ sharp
12
13
14
15
16

3-BAND EQ

No. * Parameter Range Value → P54**

1 EQ Low Gain -12 ~ +12dB 52-76
2 EQ Mid Frequency 500Hz ~ 10.0kHz 28-54 table#3
3 EQ Mid Gain -12 ~ +12dB 52-76
4 EQ Mid Width 1.0 ~ 12.0 10-120
5 EQ High Gain -12 ~ +12dB 52-76
6 EQ Low Frequency 50Hz ~ 2.0kHz 8-40 table#3
7 EQ High Frequency 500Hz ~ 16.0kHz 28-58 table#3
8
9
10
11
12
13
14
15
16

Control

Control

Control

AUTO WAH

No. * Parameter Range Value → P54**

1 LFO Frequency 0.00 ~ 39.7Hz 0-127 table#1
2 LFO Depth 0 ~ 127 0-127
3 Cutoff Frequency Offset 0 ~ 1 27 0 -127 ●
4 Resonance 1.0 ~ 12.0 10-120
5
6 EQ Low Frequency 50Hz ~ 2.0kHz 8-40 table#3
7 EQ Low Gain -12 ~ +12dB 52-76
8 EQ High Frequency 500Hz ~ 16.0kHz 28-58 table#3
9 EQ High Gain -12 ~ +12dB 52-76
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11
12
13
14
15
16

PITCH CHANGE

No. * Parameter Range Value → P54**

1 Pitch -24 ~ +24 40-88
2 Initial Delay 0 ~ 127 0-127
3 Fine -50 ~ +50 14-114
4
5
6 EQ Low Frequency 50Hz ~ 2.0kHz 8-40 table#3
7 EQ Low Gain -12 ~ +12dB 52-76
8 EQ High Frequency 500Hz ~ 16.0kHz 28-58 table#3
9 EQ High Gain -12 ~ +12dB 52-76
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●
11
12
13
14
15
16

Control

Control

2-BAND EQ

No. * Parameter Range Value → P54**

1 EQ Low Frequency 50Hz ~ 2.0kHz 8-40 table#3
2 EQ Low Gain -12 ~ +12dB 52-76
3 EQ High Frequency 500Hz ~ 16.0kHz 28-58 table#3
4 EQ High Gain -12 ~ +12dB 52-76
5
6
7
8
9
10
11
12
13
14
15
16

Control

• ● : Can be controlled by AC1 (Assignable Controller 1)

• No. * : These numbers correspond to the Parameter Suffix numbers in

<Table 1 - 3> (page 33)

• ÆP54** : Refer to “Effect Data Assign Table”

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

53

Effect Data Assign Table

Table#4

Data Value

Reverb Time (s)

Data Value

00.3

10.4

20.5

30.6

40.7

50.8

60.9

71.0

81.1

91.2
10 1.3
11 1.4
12 1.5
13 1.6
14 1.7
15 1.8
16 1.9
17 2.0
18 2.1
19 2.2
20 2.3
21 2.4
22 2.5
23 2.6
24 2.7
25 2.8
26 2.9
27 3.0
28 3.1
29 3.2
30 3.3
31 3.4
32 3.5
33 3.6
34 3.7
35 3.8
36 3.9
37 4.0
38 4.1
39 4.2
40 4.3
41 4.4
42 4.5

43 4.6
44 4.7
45 4.8
46 4.9
47 5.0
48 5.5
49 6.0
50 6.5
51 7.0
52 7.5
53 8.0
54 8.5
55 9.0
56 9.5
57 10.0
58 11.0
59 12.0
60 13.0
61 14.0
62 15.0
63 16.0
64 17.0
65 18.0
66 19.0
67 20.0
68 25.0
69 30.0

LFO Frequency (Hz)

Delay Time (ms)

54

Table#1

Data Value

Data Value Data Value

0 0.00

43 1.81
44 1.85
45 1.89
46 1.94
47 1.98
48 2.02
49 2.06
50 2.10
51 2.15
52 2.19
53 2.23
54 2.27
55 2.31
56 2.36
57 2.40
58 2.44
59 2.48
60 2.52
61 2.57
62 2.61
63 2.65
64 2.69
65 2.78
66 2.86
67 2.94
68 3.03
69 3.11
70 3.20
71 3.28
72 3.37
73 3.45
74 3.53
75 3.62
76 3.70
77 3.87
78 4.04
79 4.21
80 4.37
81 4.54
82 4.71
83 4.88
84 5.05
85 5.22

86 5.38
87 5.55
88 5.72
89 6.06
90 6.39
91 6.73
92 7.07
93 7.40
94 7.74
95 8.08
96 8.41
97 8.75
98 9.08

99 9.42
100 9.76
101 10.10
102 10.80
103 11.40
104 12.10
105 12.80
106 13.50
107 14.10
108 14.80
109 15.50
110 16.20
111 16.80
112 17.50
113 18.20
114 19.50
115 20.90
116 22.20
117 23.60
118 24.90
119 26.20
120 27.60
121 28.90
122 30.30
123 31.60
124 33.00
125 34.30
126 37.00
127 39.70

1 0.04
2 0.08
3 0.13
4 0.17
5 0.21
6 0.25
7 0.29
8 0.34

9 0.38
10 0.42
11 0.46
12 0.51
13 0.55
14 0.59
15 0.63
16 0.67
17 0.72
18 0.76
19 0.80
20 0.84
21 0.88
22 0.93
23 0.97
24 1.01
25 1.05
26 1.09
27 1.14
28 1.18
29 1.22
30 1.26
31 1.30
32 1.35
33 1.39
34 1.43
35 1.47
36 1.51
37 1.56
38 1.60
39 1.64
40 1.68
41 1.72
42 1.77

Table#5

Data Value

Data Value Data Value

0 0.1

43 67.8
44 69.4
45 70.9
46 72.5
47 74.1
48 75.7
49 77.2
50 78.8
51 80.4
52 81.9
53 83.5
54 85.1
55 86.7
56 88.2
57 89.8
58 91.4
59 93.0
60 94.5
61 96.1
62 97.7
63 99.3
64 100.8
65 102.4
66 104.0
67 105.6
68 107.1
69 108.7
70 110.3
71 111.9
72 113.4
73 115.0
74 116.6
75 118.2
76 119.7
77 121.3
78 122.9
79 124.4
80 126.0
81 127.6
82 129.2
83 130.7
84 132.3
85 133.9

86 135.5
87 137.0
88 138.6
89 140.2
90 141.8
91 143.3
92 144.9
93 146.5
94 148.1
95 149.6
96 151.2
97 152.8
98 154.4

99 155.9
100 157.5
101 159.1
102 160.6
103 162.2
104 163.8
105 165.4
106 166.9
107 168.5
108 170.1
109 171.7
110 173.2
111 174.8
112 176.4
113 178.0
114 179.5
115 181.1
116 182.7
117 184.3
118 185.8
119 187.4
120 189.0
121 190.6
122 192.1
123 193.7
124 195.3
125 196.9
126 198.4
127 200.0

1 1.7
2 3.2
3 4.8
4 6.4
5 8.0
6 9.5
7 11.1
8 12.7

9 14.3
10 15.8
11 17.4
12 19.0
13 20.6
14 22.1
15 23.7
16 25.3
17 26.9
18 28.4
19 30.0
20 31.6
21 33.2
22 34.7
23 36.3
24 37.9
25 39.5
26 41.0
27 42.6
28 44.2
29 45.7
30 47.3
31 48.9
32 50.5
33 52.0
34 53.6
35 55.2
36 56.8
37 58.3
38 59.9
39 61.5
40 63.1
41 64.6
42 66.2

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Table#2

Modulation Delay Offset (ms)

Data Value

Data Value Data Value

0 0.0

43 4.3

1 0.1

44 4.4

2 0.2

45 4.5

3 0.3

46 4.6

4 0.4

47 4.7

5 0.5

48 4.8

6 0.6

49 4.9

7 0.7

50 5.0

8 0.8

51 5.1

9 0.9

52 5.2

10 1.0

53 5.3

11 1.1

54 5.4

12 1.2

55 5.5

13 1.3

56 5.6

14 1.4

57 5.7

15 1.5

58 5.8

16 1.6

59 5.9

17 1.7

60 6.0

18 1.8

61 6.1

19 1.9

62 6.2

20 2.0

63 6.3

21 2.1

64 6.4

22 2.2

65 6.5

23 2.3

66 6.6

24 2.4

67 6.7

25 2.5

68 6.8

26 2.6

69 6.9

27 2.7

70 7.0

28 2.8

71 7.1

29 2.9

72 7.2

30 3.0

73 7.3

31 3.1

74 7.4

32 3.2

75 7.5

33 3.3

76 7.6

34 3.4

77 7.7

35 3.5

78 7.8

36 3.6

79 7.9

37 3.7

80 8.0

38 3.8

81 8.1

39 3.9

82 8.2

40 4.0

83 8.3

41 4.1

84 8.4

42 4.2

85 8.5

Table#6

Room Size (m)

Data Value

Data Value

00.1

43 6.8

10.3

44 7.0

20.4

30.6

40.7

50.9

61.0

71.2

81.4

91.5
10 1.7
11 1.8
12 2.0
13 2.1
14 2.3
15 2.5
16 2.6
17 2.8
18 2.9
19 3.1
20 3.2
21 3.4
22 3.5
23 3.7
24 3.9
25 4.0
26 4.2
27 4.3
28 4.5
29 4.6
30 4.8
31 5.0
32 5.1
33 5.3
34 5.4
35 5.6
36 5.7
37 5.9
38 6.1
39 6.2
40 6.4
41 6.5
42 6.7

86 8.6
87 8.7
88 8.8
89 8.9
90 9.0
91 9.1
92 9.2
93 9.3
94 9.4
95 9.5
96 9.6
97 9.7
98 9.8

99 9.9
100 10.0
101 11.1
102 12.2
103 13.3
104 14.4
105 15.5
106 17.1
107 18.6
108 20.2
109 21.8
110 23.3
111 24.9
112 26.5
113 28.0
114 29.6
115 31.2
116 32.8
117 34.3
118 35.9
119 37.5
120 39.0
121 40.6
122 42.2
123 43.7
124 45.3
125 46.9
126 48.4
127 50.0

Delay Time (ms)

Table#7

Data Value

0 0.1
1 3.2
2 6.4
3 9.5
4 12.7
5 15.8
6 19.0
7 22.1
8 25.3

9 28.4
10 31.6
11 34.7
12 37.9
13 41.0
14 44.2
15 47.3
16 50.5
17 53.6
18 56.8
19 59.9
20 63.1
21 66.2
22 69.4
23 72.5
24 75.7
25 78.8
26 82.0
27 85.1
28 88.3
29 91.4
30 94.6
31 97.7
32 100.9
33 104.0
34 107.2
35 110.3
36 113.5
37 116.6
38 119.8
39 122.9
40 126.1
41 129.2
42 132.4

Table#3

EQ Frequency (Hz)

Data Value

10 63
11 70
12 80
13 90
14 100
15 110
16 125
17 140
18 160
19 180
20 200
21 225
22 250
23 280
24 315
25 355
26 400
27 450
28 500
29 560
30 630
31 700
32 800
33 900
34 1.0k
35 1.1k
36 1.2k
37 1.4k
38 1.6k
39 1.8k
40 2.0k
41 2.2k
42 2.5k

Data Value Data Value

43 135.5
44 138.6
45 141.8
46 144.9
47 148.1
48 151.2
49 154.4
50 157.5
51 160.7
52 163.8
53 167.0
54 170.1
55 173.3
56 176.4
57 179.6
58 182.7
59 185.9
60 189.0
61 192.2
62 195.3
63 198.5
64 201.6
65 204.8
66 207.9
67 211.1
68 214.2
69 217.4
70 220.5
71 223.7
72 226.8
73 230.0
74 233.1
75 236.3
76 239.4
77 242.6
78 245.7
79 248.9
80 252.0
81 255.2
82 258.3
83 261.5
84 264.6
85 267.7

Data Value

0 THRU(20)
122
225
328
432
536
640
745
850
956

86 270.9
87 274.0
88 277.2
89 280.3
90 283.5
91 286.6
92 289.8
93 292.9
94 296.1
95 299.2
96 302.4
97 305.5
98 308.7

99 311.8
100 315.0
101 318.1
102 321.3
103 324.4
104 327.6
105 330.7
106 333.9
107 337.0
108 340.2
109 343.3
110 346.5
111 349.6
112 352.8
113 355.9
114 359.1
115 362.2
116 365.4
117 368.5
118 371.7
119 374.8
120 378.0
121 381.1
122 384.3
123 387.4
124 390.6
125 393.7
126 396.9
127 400.0

43 2.8k
44 3.2k
45 3.6k
46 4.0k
47 4.5k
48 5.0k
49 5.6k
50 6.3k
51 7.0k
52 8.0k
53 9.0k
54 10.0k
55 11.0k
56 12.0k
57 14.0k
58 16.0k
59 18.0k

THRU(20.0k)

60

Table#8

Reverb Width; Depth; Height (m)

Data Value

Data Value Data Value

0 0.5

43 11.8

1 0.8

44 12.1

2 1.0

45 12.3

3 1.3

46 12.6

4 1.5

47 12.9

5 1.8

48 13.1

6 2.0

49 13.4

7 2.3

50 13.7

8 2.6

51 14.0

9 2.8

52 14.2

10 3.1

53 14.5

11 3.3

54 14.8

12 3.6

55 15.1

13 3.9

56 15.4

14 4.1

57 15.6

15 4.4

58 15.9

16 4.6

59 16.2

17 4.9

60 16.5

18 5.2

61 16.8

19 5.4

62 17.1

20 5.7

63 17.3

21 5.9

64 17.6

22 6.2

65 17.9

23 6.5

66 18.2

24 6.7

67 18.5

25 7.0

68 18.8

26 7.2

69 19.1

27 7.5

70 19.4

28 7.8

71 19.7

29 8.0

72 20.0

30 8.3

73 20.2

31 8.6

74 20.5

32 8.8

75 20.8

33 9.1

76 21.1

34 9.4

77 21.4

35 9.6

78 21.7

36 9.9

79 22.0

37 10.2

80 22.4

38 10.4

81 22.7

39 10.7

82 23.0

40 11.0

83 23.3

41 11.2

84 23.6

42 11.5

85 23.9

100 28.8
101 29.2
102 29.5
103 29.9
104 30.2

86 24.2
87 24.5
88 24.9
89 25.2
90 25.5
91 25.8
92 26.1
93 26.5
94 26.8
95 27.1
96 27.5
97 27.8
98 28.1
99 28.5

Specifications

Tone Generation Method AWM2 (Advanced Wave Memory 2)
Performance Modes XG mode, TG300B mode
Maximum Simultaneous 32-note (last note priority; 30-note polyphony when A/D

Polyphony INPUT is used)
Multi-timbral Capacity 16-Part (on 16 MIDI channels; with Element Reserve

priority for later notes and Dynamic Voice Allocation)

Voices Normal Voices Total : 676

XG mode : 480

TG300B mode : 579
Drum Voices Total : 21
(percussion sets) XG mode : 11

TG300B mode : 10

A/D Input Input jacks : 2

A/D resolution : 16 bit

Channel : 1

Input gain : Mic/Line (changed upon reception of appro-

priate MIDI System Exclusive messages)

Input volume controls : 2 independent A/D INPUT

VOLUME sliders

Effects Reverb (11 types), Chorus (11 types), Variation (43

types); can be applied to A/D Input sources

Controls and Indicators POWER LED; A/D INPUT VOLUME sliders; VOLUME

slider; HOST SELECT switch; POWER ON/OFF switch

Jacks and Terminals LINE OUT/PHONES jack; DC IN jack; TO HOST

terminal; MIDI OUT/IN terminals; A/D INPUT 1, 2 jacks

Power Supply Yamaha PA-3B, PA-1207, or equivalent AC Adaptor

(The recommended power adaptor may vary, depending

on your location. Please consult your nearest Yamaha

dealer for details.)

Six 1.5 V AA size (SUM-3, R-6, or equivalent) batteries

Dimensions 188 x 104 x 35 mm (7-3/8” x 4-1/8” x 1-3/8”)
Weight 300 g (11 oz.; without batteries)
Included Accessories Owner’s Manual

* Specifications subject to change without notice.

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55

Troubleshooting

Even though the MU10 is exceptionally easy to use, it may occasionally not function as
you expect it to. If that happens, check the possible problems and solutions below
before assuming that the instrument is faulty.

Problem Possible Cause and Solution

If you are using an AC adaptor, check that the
adaptor is properly plugged into both the AC outlet

No power.

No sound from the A/D
INPUTs.

No sound when playing
the MU10 from a com­puter, sequencer or
external keyboard.

and the MU10. (See page 12.)
If you are using batteries, check that a fresh set of
batteries is properly installed in the battery compart­ment. (See page 13.)

Check that:

• The input sources are properly connected to the A/
D INPUT jacks.

• The A/D INPUT VOLUME sliders and the side
panel VOLUME slider are set to appropriate levels.

• The LINE OUT/PHONES jack is properly con­nected to your audio equipment or headphones.

Check that:

• The LINE OUT/PHONES jack is properly con­nected to your audio equipment or headphones.

• The side panel VOLUME slider is set to an appro­priate level.

• All MIDI connections have been properly made,
making sure that the MIDI OUT of the external
device is connected to the MIDI IN of the MU10.
(See page 16.) Or, if you are using the TO HOST
terminal with a computer, make sure that the
computer is properly connected to the terminal and
that the HOST SELECT switch is properly set for
your particular computer. (See page 14.)

• The incoming MIDI data is appropriate. For
example, MIDI Volume or Expression messages
with a value of 0 will result in no sound for the
correwsponding Part.

• You have turned on the connected MIDI instrument
or computer before turning on the MU10. If you
haven’t, simply turning the MU10 off and back on
again may solve the problem.

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56

Problem Possible Cause and Solution

Notes are cut off or
omitted.

Troubleshooting

The maximum polyphony of the MU10 may be
exceeded. The MU10 can play no more than 32
notes at once; when the A/D INPUTs are used, this
is reduced to 30 (see page 18).

The POWER lamp
flashes, even though
MIDI messages are not
being received.

When the battery power runs too low to properly
operate the MU10, the POWER lamp will flash
slowly. Replace all batteries with a complete set of
six new batteries of the same type. (See page 13.)

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57

58

YAMAHA [ Tone Generator ] Date:05-APR-1996
Model MU10 MIDI Implementation Chart Version : 1.0

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+----------------------------------------------------------------------+
: : Transmitted : Recognized : Remarks :
: Function ... : : : :
:-------------------+----------------+----------------+----------------:
:Basic Default : x : 1 - 16 : :
:Channel Changed : x : 1 - 16 : :
:-------------------+----------------+----------------+----------------:
: Default : x : 3 : :
:Mode Messages : x : 3,4(m = 1) *2 : :
: altered : ************** : x : :
:-------------------+----------------+----------------+----------------:
:Note : x : 0 - 127 : :
:Number : True voice: ************** : 0 - 127 : :
:-------------------+----------------+----------------+----------------:
:Velocity Note ON : x : o 9nH,v=1-127 : :
: Note OFF : x : x : :
:-------------------+----------------+----------------+----------------:
:After Key's : x : o *1 : :
:Touch Ch's : x : o *1 : :
:-------------------+----------------+----------------+----------------:
:Pitch Bender : x : o 0-24 semi *1 : :
:-------------------+----------------+----------------+----------------:
: 0,32 : x : o *1 :Bank Select :
: 1,5,7,10,11 : x : o *1 : :
: 6,38 : x : o *1 :Data Entry :
: 64-67 : x : o *1 : :
: Control 71-74 : x : o *1 :Sound Controller:
: 84 : x : o *1 :Portamento Cntrl:
: Change 91,93,94 : x : o *1 :Effect Depth :
: 96-97 : x : o *1 :RPN Inc,Dec :

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: 98-99 : x : o *1 :NRPN LSB,MSB :
: 100-101 : x : o *1 :RPN LSB,MSB :
: 120 : x : o :All Sound Off :
: 121 : x : o :Reset All Cntrls:
: : : : :
:-------------------+----------------+----------------+----------------:
:Prog : x : o 0 - 127 : :
:Change : True # : *********** : : :
:-------------------+----------------+----------------+----------------:
:System Exclusive : x : o : :
:-------------------+----------------+----------------+----------------:
: : Song Pos. : x : x : :
:common : Song Sel. : x : x : :
: : Tune : x : x : :
:-------------------+----------------+----------------+----------------:
:System :Clock : x : x : :
:Real Time :Commands: x : x : :
:-------------------+----------------+----------------+----------------:
:Aux :Local ON/OFF : x : x : :
: :All Notes OFF: x : o(123-127) : :
:Mes- :Active Sense : x : o : :
:sages:Reset : x : x : :
:-------------------+----------------+----------------+----------------:
:Notes: *1 ; receive if switch is on. :
: *2 ; m is always treated as "1" regardless of its value. :
: :
: :
+-------------------+----------------+----------------+----------------+
Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No

59

For details of products, please contact your near­est Yamaha or the authorized distributor listed
below.

Pour plus de détails sur les produits, veuillez­vous adresser à Yamaha ou au distributeur le
plus proche de vous figurant dans la liste suivante.

Die Einzelheiten zu Produkten sind bei Ihrer unten
aufgeführten Niederlassung und bei Yamaha
Vertragshändlern in den jeweiligen
Bestimmungsländern erhältlich.

Para detalles sobre productos, contacte su tienda
Yamaha más cercana o el distribuidor autorizado
que se lista debajo.

NORTH AMERICA

CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: [phone]

U.S.A.

Yamaha Corporation of America

6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
Tel: [phone]

MIDDLE & SOUTH AMERICA

MEXICO

Yamaha De Mexico S.A. De C.V.,
Departamento de ventas

Javier Rojo Gomez No.1149, Col. Gpe Del
Moral, Deleg. Iztapalapa, 09300 Mexico, D.F.
Tel: [phone]

BRASIL

Yamaha Musical Do Brasil LTDA.

Ave. Reboucas 2636, São Paulo, Brasil
Tel: [phone]

PANAMA

Yamaha De Panama S.A.

Edificio Interseco, Calle Elvira Mendez no.10,
Piso 3, Oficina #105, Ciudad de Panama, Panama
Tel: [phone]

OTHER LATIN AMERICAN COUNTRIES
AND CARIBBEAN COUNTRIES

Yamaha Music Latin America Corp.

6101 Blue Lagoon Drive, Miami, Florida 33126,
U.S.A.
Tel: [phone]

EUROPE

THE UNITED KINGDOM/IRELAND/
THE NETHERLANDS/
BELGIUM/LUXEMBOURG/
SPAIN/PORTUGAL/GREECE

Yamaha-Kemble Music (U.K.) Ltd.

Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: [phone]

GERMANY/SWITZERLAND/
AUSTRIA/HUNGARY/SLOVENIA/
ROMANIA/BULGARIA/

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen,
F.R. of Germany
Tel: [phone]

FRANCE

Yamaha Musique France

BP 70-77312 Marne-la-Valée Cedex 2, France
Tel: [phone]

ITALY

Yamaha Musica Italia S.P.A.,
Keyboard & Multimedia Division

Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: [phone]

SWEDEN/FINLAND/NORWAY/
ICELAND

Yamaha Scandinavia AB

J. A. Wettergrens Gata 1
Box 30053
S-400 43 Göteborg, Sweden
Tel: [phone]

DENMARK

YS Copenhagen Liaison Office

Generatorvej 8B
DK-2730 Herlev, Denmark
Tel: [phone]

OTHER EUROPEAN COUNTRIES

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen, F.R. of
Germany
Tel: [phone]

AFRICA

Yamaha Corporation,
International Marketing Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430
Tel: [phone]

MIDDLE EAST

TURKEY/CYPRUS

Yamaha-Kemble Music (U.K.) Ltd.

Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: [phone]

OTHER COUNTRIES

Yamaha Corporation,
International Marketing Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430
Tel: [phone]

ASIA

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: [phone]

INDONESIA

PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: [phone]

PHILIPPINES

Yupangco Music Corporation

339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: [phone]

SINGAPORE

Yamaha Music Asia Pte., Ltd.

Blk 17A Toa Payoh #01-190 Lorong 7
Singapore 1231
Tel: [phone]

THAILAND

Siam Music Yamaha Co., Ltd.

865 Phornprapha Building, Rama I Road,
Patumwan, Bangkok 10330, Thailand
Tel: [phone]

THE PEOPLE’S REPUBLIC OF CHINA
AND OTHER ASIAN COUNTRIES

Yamaha Corporation,
International Marketing Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430
Tel: [phone]

OCEANIA

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

17-33 Market Street, South Melbourne, Vic. 3205,
Australia
Tel: [phone]

NEW ZEALAND

Music Houses of N.Z. Ltd.

146/148 Captain Springs Road, Te Papapa, Auckland,
New Zealand
Tel: [phone]

COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN

Yamaha Corporation,
International Marketing Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430
Tel: [phone]

SC01

HEAD OFFICE Yamaha Corporation, XG Engineering & Marketing Department

Nakazawa-cho 10-1, Hamamatsu, Japan 430
Tel: [phone]

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual,
meets FCC requirements. Modifications not expressly approved by Yamaha may void your
authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or another product use

only high quality shielded cables. Cable/s supplied with this product MUST be used.
Follow all installation instructions. Failure to follow instructions could void your FCC
authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the requirements listed in

FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these
requirements provides a reasonable level of assurance that your use of this product in a
residential environment will not result in harmful interference with other electronic devices.
This equipment generates/uses radio frequencies and, if not installed and used according
to the instructions found in the users manual, may cause interference harmful to the
operation of other electronic devices. Compliance with FCC regulations does not
guarantee that interference will not occur in all installations. If this product is found to be
the source of interference, which can be determined by turning the unit “OFF” and “ON”,
please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install

AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-

in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local

retailer authorized to distribute this type of product. If you can not locate the appropriate
retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600
Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed by Yamaha Corporation
of America or its subsidiaries.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

M.D.G., EMI Division © Yamaha Corporation 1996

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2