Yamaha MMP1 User Manual

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Operation Manual

EN

1. Contents

2. Overview ...........................................................................................3

2-1. MMP1 Editor (for Windows/for Mac) ........................................................... 4

2-2. MMP1 Controller (for iPad).......................................................................... 4

3. Setting Up .........................................................................................5

3-1. Open the application ................................................................................... 5

3-2. Log in (MMP1 Editor only) ........................................................................... 5

3-3. Select an MMP1 .......................................................................................... 5

3-4. Configure basic settings .............................................................................. 6

4. Screens .............................................................................................7

4-1. MMP1 Editor................................................................................................ 7

4-2. MMP1 Controller ....................................................................................... 42

4-1-1. Menu bar .....................................................................................................7

4-1-2. Main screen.................................................................................................8

4-1-3. Sub screen ................................................................................................15

4-1-4. Monitor Matrix screen................................................................................18

4-1-5. Speaker Matrix screen ..............................................................................20

4-1-6. Speaker Management screen ...................................................................22

4-1-7. Patch screen .............................................................................................23

4-1-8. Settings screen..........................................................................................26

4-1-9. Information screen.....................................................................................40

4-2-1. Menu bar ...................................................................................................42

4-2-2. Control view...............................................................................................42

4-2-3. Editor view - Main Monitor screen .............................................................45

4-2-4. Editor view - Ch Strip screen.....................................................................47

4-2-5. Editor view - Preference screen ................................................................50

4-2-6. Information screen.....................................................................................51

5. Configuring System Settings........................................................52

5-1. Basic settings example.............................................................................. 52

5-2. Bass Management .................................................................................... 59

5-3. Lip Sync Delay .......................................................................................... 60

5-4. Commentary functions .............................................................................. 61

6. Appendix.........................................................................................64

6-1. Error messages ......................................................................................... 64

6-2. MMP1 Editor keyboard shortcuts .............................................................. 65

7. Index................................................................................................66

Information

• The illustrations and screens as shown in this manual are for instructional purposes only.

• Yamaha Corporation makes no representations or warranties with regard to the use of the software and
documentation and cannot be held responsible for the results of the use of this manual and the software.

• Windows is a registered trademark of Microsoft® Corporation in the United States and other countries.

• Mac and iPad are trademarks of Apple Inc., registered in the U.S. and other countries.

• The company names and product names in this manual are the trademarks or registered trademarks of
their respective companies.

• Software may be revised and updated without prior notice.

MMP1 Operation Manual 2

2. Overview

FIR

IIR

Bass Management

Filter (32)

Monitor

Alignment

Process (32)

DAW

Mic Pre-amp

Surround
Speakers

Speaker

Processor

Headphone

(player)

Headphone

(engineer)

DAW

Outboard
(EQ, Compressor, etc.)

Output Patch

Output Patch

input Patch

Insert

Return

Insert Send

Channel

Strip (8)

Speaker Matrix

(32x32 Matrix Mixer)

Monitor Matrix

(40x36 Matrix Mixer)

Trim

Delay

EQ (6)

Speaker
Out

Monitor
Out

Cue Out

Headphone
Out

Channel Out

The MMP1 has three main functions.

2. Overview

1 Channel strip function

Allows for the use of up to eight channel strips, each equipped with HPF, LPF, EQ, compressor, insert send/return and
other functions. This can be used to input the signal from the microphone preamp to which the recording microphone is
connected and adjust sound quality when recording to produce a low-latency cue mix. The microphone on each
channel strip can also be turned on or off using a GPI, an iPad, or other similar device (see “5-4. Commentary

functions”).

2 Monitor processing function (max. 40x36 matrix)

This is used to select a Monitor Source, mix Monitor Sources, adjust levels, and control lip sync delay and cue mix
Talkback. You can also mix the output from channel strip (1) and the cue audio sent from the DAW to produce a low­latency cue mix.

3 Speaker Management function (max. 32x32 matrix)

This adjusts monitor signals. The matrix input stage comes with a bass management crossover filter to allow for
unrestricted bass management not constrained by conventional 5.1 channel and 7.1 channel setups. This ensures
compatibility should new surround sound formats be introduced in the future.
The output stage comes equipped with 6-band EQ, delay and level adjustment trim controls, and can be used while
switching the output Speaker Set.

The following two applications can be used to operate the MMP1.

• MMP1 Editor (for Windows/for Mac)

• MMP1 Controller (for iPad)

MMP1 Operation Manual 3

2-1. MMP1 Editor (for Windows/for Mac)

MMP1

MMP1MMP1

MMP1

Editor

Network switch

Computer

MMP1

MMP1MMP1

iPad

Network switch

Wi-Fi access point

Connect the MMP1 Editor to the MMP1 on your network (one unit) to control all MMP1 functions.

2. Overview

2-2. MMP1 Controller (for iPad)

Connect the MMP1 Controller to the MMP1 on your network (one unit) for convenience and ease in controlling certain MMP1
functions.

NOTE

Before using the MMP1 Controller, you will need to make initial settings to your MMP1 using the MMP1 Editor.

MMP1 Operation Manual 4

3. Setting Up

3. Setting Up

3-1. Open the application

3-1-1. MMP1 Editor

Click or double click the MMP1 icon.

3-1-2. MMP1 Controller

Tap the MMP1 Controller icon.

3-2. Log in (MMP1 Editor only)

3-3. Select an MMP1

3-3-1. MMP1 Editor

Select an MMP1 on the “Select MMP1” dialog box.

NOTE

You can also display the “Select MMP1” dialog box from the
menu bar to change the desired MMP1 for operation at any time.

NIC

Select the network interface card
connected to the MMP1 to operate.

User Type

Password

Online

Offline

You can restrict the MMP1 Editor operations
according to their User Type. The following
three User Types are available.

Administrator

Allows unrestricted access to all screens
and functions.

Advanced User

Allows access to almost all functions
besides settings (Settings screen).

Basic User

Allows access only to the Main screen and
the Information screen.

Enter your password to log in as an
“Administrator” or “Advanced User.”

NOTE

• “Administrator” and “Advanced User”
passwords can be set on the “Editor” tab
of the Settings screen.

• Passwords are left blank by default when
unset.

Opens the “Select MMP1” dialog box for
selecting desired MMP1.

Edits the MMP1 Editor offline without
connection to or control of the MMP1.

Device

OFFLINE

CONNECT
(Editor  MMP1)

CONNECT
(MMP1  Editor)

Select the MMP1 to operate. Click the
asterisk (*) in the Identify column so that the
indicator on the front panel of the
corresponding MMP1 flashes on and off.

Disconnects from the MMP1 and closes the
“Select MMP1” dialog box.

Connects to the MMP1 selected in the
Device field and sends MMP1 Editor
settings to the MMP1. The “Select MMP1”
dialog box will close after settings are sent.

NOTE

You must enter the Passcode for the MMP1
when connecting to an MMP1 with a
Passcode set. You can set Passcodes on
the Information screen when logged in as
an Administrator. Entering a passcode is
not necessary when connecting to the
same MMP1 as that used previously.

Connects to the MMP1 selected in the
Device field and loads MMP1 settings into
the MMP1 Editor. The “Select MMP1” dialog
box will close after settings are retrieved.

NOTE

You must enter the Passcode for the MMP1
when connecting to an MMP1 with a
Passcode set.
You can set Passcodes on the Information
screen when logged in as an Administrator.
Entering a passcode is not necessary when
connecting to the same MMP1 as that used
previously.

Exit

Closes the MMP1 Editor.

MMP1 Operation Manual 5

3. Setting Up

1

3

2

Disconnecting from the MMP1

3-3-2. MMP1 Controller

Select an MMP1 on the “Select MMP1” dialog box. The
“Select MMP1” dialog box is displayed when launching
the MMP1 Controller.

NOTE

You can also display the “Select MMP1” dialog box from the
menu bar to change the desired MMP1 for operation at any time.

1 Select the MMP1 connection.

2 Tap to select the MMP1 to operate.

3 Tap to connect.

NOTE

• You can switch between Wireless/Wired on iOS 9.3 or later
devices.

• You must enter the Passcode for the MMP1 when connecting
to an MMP1 with a Passcode set. Entering a passcode is not
necessary when connecting to the same MMP1 as that used
previously.

3-4. Configure basic settings

NOTE

Only the MMP1 Editor can be used to configure basic settings.
Basic settings must be configured on the MMP1 Editor before the
MMP1 Controller can be used.

1. Select “ (file icon)” on the menu bar, then select

“New.”

2. Select whether or not you want to use the Setup

Wizard.

Next, follow the on-screen instructions.

When using the Setup Wizard, configure basic settings by
answering the questions as they appear on the screen.
Canceling the Setup Wizard before it is complete will
revert settings to what they were prior to launching the
Setup Wizard.

When the Setup Wizard is not used, the following values
will be applied automatically.

Sample Rate 48 kHz

Speaker Format Stereo

LFE Filter None

LFE Trim None

Bass Management None

Monitor Source None

Speaker Set None

Cue Mix Input Channel None

Cue Mix Output Channel None

Talkback Mic Input Channel None

MMP1 Operation Manual 6

4. Screens

Closes the MMP1 Editor

Minimizes the MMP1 Editor

Creates and saves files

Selects a Scene

Switches screens

Displays errors

Displays online (green)/offline status

Click to display the “Select MMP1” dialog box

4-1. MMP1 Editor

4-1-1. Menu bar

This is a shared menu that appears on all screens.

4. Screens

(File icon) “Administrator” privileges are required to use files.

(Error icon) Cooling fan has stopped

When you open a file online, the settings in the opened file are sent to the connected MMP1.

Store different system configurations as Scenes to be loaded later depending on the studio in use or the event.
Scenes are stored from “Scene Management” in the “MISC” tab of the “Scene” tab on the Settings screen. Use
the “Confirmation Recall” option of the “Editor” tab on the Settings screen to choose whether a confirmation
dialog box appears when changing Scenes.

Please contact your Yamaha dealer and have qualified Yamaha service personnel inspect the cooling
fan.

The backup battery voltage is reduced
Please contact your Yamaha dealer and have qualified Yamaha service personnel replace the backup
battery.

Memory defects
If the issue is still not solved even after restoring factory settings, please contact qualified Yamaha
service personnel.

Dante module defects

NOTE

Please refer to the MMP1 Getting Started for more information about restoring factory settings and contact
qualified Yamaha service personnel.

MMP1 Operation Manual 7

4-1-2. Main screen

Meters

Displays Monitor Matrix Out meters

Channel strips

For setting EQ, compressor, insert, pan,

output level and other values for each

channel strip

User Assignable functions

For displaying and enabling operation

of User Assignable functions

Click the tabs to change

Selected Channel tab

For fine-tuning of the parameters for the selected

channel strip

Monitor Control tab

For selecting the audio being monitored and setting

Monitor output levels

This is the Main screen used for monitor control.

NOTE

This screen can be used by all User Types.

4. Screens

MMP1 Operation Manual 8

4. Screens

Displays the signal processors applied to audio
signals in the order in which they are applied
(descending order).

Displays the EQ graph.

Displays the COMP graph.

Turns output to the PFL (Pre Fader Listen) bus on
(green) or off.

Turns output to the AFL (After Fader Listen) bus
on (green) or off.

Turns mute on (yellow) or off.

Drag or use the mouse wheel to set the pan value.
To return the setting to the center, simultaneously
hold down the <Ctrl> key (Windows) or the
<command> key (Mac) and click on the control.

Shows the status of mics controlled with the
Commentary functions.

Drag or use the mouse wheel to set output level.
To return the setting to 0 dB, simultaneously hold
down the <Ctrl> key (Windows) or the
<command> key (Mac) and click on the control.

Displays the output level.
Double click to enter a value.

Displays the channel name.
Double click to change the name.

4-1-2a. Meters

Here you can display Monitor Matrix Out meters. These
channels include Monitor outputs (up to 32 ch), Downmix
L/R, and Headphone L/R.

NOTE

The meters shown here are the same as those on the Sub screen.

Values less than -20 dB are displayed in green , values
less than 0 dB in yellow , and values equal to or above 0
in red . Peak hold circuits are not displayed.

NOTE

• The breakdown of Monitor outputs is based on the format
selected under “Monitor Matrix Out” in the “Monitor Matrix” tab
of the “Scene” tab on the Settings screen.

• The signal position displayed on the meters can be selected in
the “System” tab of the “Scene” tab on the Settings screen.

4-1-2b. Channel strips

For setting EQ, compressor, insert, pan, output level and
other values for each channel strip.

Click these buttons to set all Main Monitor
outputs to SOLO or MUTE.

/ Click these buttons to turn each Main Monitor

Click these buttons to turn the oscillator on (lit)

SOLO or MUTE setting on (lights up) or off.

or off. You can select the oscillator type used in
the “Oscillator” section on the Sub screen.
represents sine waves and represents pink
noise.

This is displayed when using Talkback.

NOTE

• Eight channel strips are available when the MMP1’s sample
rate is 96 kHz or less, and four channel strips are available
when the MMP1’s sample rate being used is higher than
96 kHz. You can change the sample rate in the “MISC” tab of
the “Scene” tab on the Settings screen.

• Set channel strip input sources in “Channel Strip In” on the
Patch screen, and switch between these using “SOURCE A”
and “SOURCE B” on the “Selected Channel” tab on the Main
screen.

• Click to select a channel strip, and then set the parameters in
the “Selected Channel” tab on the Main screen.

• To bring up the context menu, (for Windows) right click
anywhere within the section, or (for Mac) hold down the
<control> key and then click in the section.

MMP1 Operation Manual 9

4. Screens

PFL

AFL

Level meter

Fader

Output level

Channel name

Turn this on (green) to send outputs to Main
Monitors 1 and 2 while muting outputs from
Main Monitor 3 onwards.

Turn this on (green) to send outputs to Main
Monitors 1 and 2 while muting outputs from
Main Monitor 3 onwards. When “PFL” is on,
signals will not be sent to the Main Monitors
even when this button is turned on.

Shows the status of mics controlled with the
Commentary functions.

Shows the mic audio is being input.

Shows that the mic user has muted
mic audio.
Shows that the mic on and off
control by the mic user is disabled.

NOTE

• Select or deselect the “Show Cough
Status” check box of the “Editor” tab on the
Settings screen to show or hide this status
display.

• Set GPI inputs/outputs in the “GPI” tab of
the “Global” tab on the Settings screen
and use the device connected to the
MMP1 GPI [INPUT] connector to turn mics
on or off. This can also be operated using
buttons created in the “User Assignable”
tab of the “Scene” tab.

Values less than -20 dB are displayed in
green

, values less than 0 dB in yellow ,

and values equal to or above 0 in red
Peak hold circuits are not displayed.

Double click on a position to move the fader
there.

Out-of-range values entered will be corrected
to the maximum or minimum value allowed.
You can also use the mouse wheel to change
the output level.

Enter a channel name of up to
17 alphanumeric characters and symbols.
To insert a line break at any point,
simultaneously hold the <Alt> key and press
<Enter> (Windows), or hold the <option> key
and press <return> (Mac).

.

4-1-2c. Selected Channel tab

Here you can fine-tune the parameters for the selected
channel strip.

Channel name

SOURCE A/
SOURCE B

Double click to change. Enter a channel
name up to 17 alphanumeric characters
and symbols. To insert a line break at any
point, simultaneously hold the <Alt> key
and press <Enter> (Windows), or hold the
<option> key and press <return> (Mac).

Switches between channel strip input
sources.

NOTE

The input source (A/B) can be set using
“Channel Strip In” of the “Input Patch” tab
on the Patch screen.

Shows the status of mics controlled with
the Commentary functions.

Shows the mic audio is being
input.
Shows that the mic user has
muted mic audio.
Shows that the mic on and off
control by the mic user is
disabled.

NOTE

• Select or deselect the “Show Cough
Status” check box of the “Editor” tab on
the Settings screen to show or hide this
status display.

• Set GPI inputs/outputs in the “GPI” tab
of the “Global” tab on the Settings
screen and use the device connected
to the MMP1 GPI [INPUT] connector to
turn mics on or off. This can also be
operated using buttons created in the
“User Assignable” tab of the “Scene”
tab.

HPF

Click to switch between the signal phases
(normal phase/reversed phase (green)).

Click to turn the HPF (High Pass Filter) on
(green) or off.

MMP1 Operation Manual 10

4. Screens

HPF cutoff
frequency

LPF

LPF cutoff
frequency

INSERT

Send Destination

Return Source

(Insert) Trim

SIGNAL CHAIN

EQ

PRECISE

Drag or use the mouse wheel to change
the HPF cutoff frequency. To return the
setting to 80 Hz, simultaneously hold
down the <Ctrl> key (Windows) or the
<command> key (Mac) and click on the
control.

Click to turn the LPF (Low Pass Filter) on
(green) or off.

Drag or use the mouse wheel to change
the LPF cutoff frequency. To return the
setting to 16 kHz, simultaneously hold
down the <Ctrl> key (Windows) or the
<command> key (Mac) and click on the
control.

Click to turn the Insert on (green) or off.

Select the signal to send to the Insert.

Select the signal to be returned from the
Insert.

Drag or use the mouse wheel to adjust
signal levels to be sent to the Insert. To
return the setting to 0 dB, simultaneously
hold down the <Ctrl> key (Windows) or
the <command> key (Mac) and click on
the control.

Displays the signal processors applied to
audio signals in the order in which they
are applied (descending order).

Click to turn the EQ on (green) or off.
You can choose from the following four EQ
algorithms. The color of the bar at the
bottom of the EQ graph will change based
on the algorithm selected.

This EQ strives for ultimate precision and
controllability. It enables you to adjust the
target point precisely, and flexibly satisfies
various requirements for sound making.
Low/High Shelving filters feature a “Q”
parameter, which enables you to adjust
the knee characteristics.

Displays the EQ graph and filters.

Drag or use the mouse wheel to change four band EQ
parameters (Frequency, Gain, Q). To return these parameters to
their default values, simultaneously hold down the <Ctrl> key
(Windows) or the <command> key (Mac) and click on the
corresponding control. Default values are F: 125 Hz/355 Hz/

3.55 kHz/6.3 kHz, G: 0 dB, and Q: 4.0 (Shelf)/1.4 (Peak)/1.0
(Notch). You can also select the EQ type from Peak and Shelf
(Shelving), or Peak and Notch.

COMP

Click to turn the compressor on (green) or
off.

AGGRESSIVE

SMOOTH

LEGACY

This EQ is musical and effective. It
enables you to add a powerful, creative
edge and serves as a powerful tool for
artistic expression.

This EQ focuses on smooth sound
qualities. It contributes to a natural sound
without changing the atmosphere of the
original.

This is the standard EQ that has been
provided on Yamaha digital mixers since
the PM1D and PM5D.

Displays the COMP graph together with the GR meter and the
OUT meter.

MMP1 Operation Manual 11

4. Screens

Drag or use the mouse wheel to change compressor parameters.
To return these parameters to their default values, simultaneously
hold down the <Ctrl> key (Windows) or the <command> key
(Mac) and click on the corresponding control. (shown in the table
below).

Threshold:
Ratio:
Attack:
Release:
Knee:
Input:
Output:

Tri m

0.0 dB

1.00: 1

3.148 ms

290.6 ms
Soft 2

0.0 dB

0.0 dB

Drag or use the mouse wheel to adjust the
output level for the selected channel. To
return the output level to 0 dB,
simultaneously hold down the <Ctrl> key
(Windows) or the <command> key (Mac)
and click on the control.

Fader

Output level

Drag or use the mouse wheel to set output
levels. To return the setting to 0 dB,
simultaneously hold down the <Ctrl> key
(Windows) or the <command> key (Mac)
and click on the control.

Displays the output level. Double click to
enter a value. Out-of-range values
entered will be corrected to the maximum
or minimum value allowed. You can also
use the mouse wheel to change the
output level.

PFL

AFL

MUTE

PA N

PRE
POST

Level meter

Click to turn output to the PFL (Pre Fader
Listen) bus on (green) or off. Turn this on
to send pre fader audio signals to Main
Monitors 1 and 2 while muting outputs
from Main Monitor 3 onwards.

Click to turn output to the AFL (After Fader
Listen) bus on (green) or off. Turn this on
to send post fader audio signals to Main
Monitors 1 and 2 while muting outputs
from Main Monitor 3 onwards. When “PFL”
is on, signals will not be sent to the Main
Monitors even when this button is turned
on.

Click to turn mute on (yellow) or off.

Drag or use the mouse wheel to set the
pan. To return pan to the center position,
simultaneously hold down the <Ctrl> key
(Windows) or the <command> key (Mac)
and click on the control.

Click to change the position (pre fader/
post fader) of the signal displayed on the
meter.

Values less than -20 dB are displayed in

, values less than 0 dB in

green

, and values equal to or above 0

yellow
in red

. Peak hold circuits are not

displayed. To change whether pre fader
or post fader values are displayed, use
the “PRE” and “POST” controls above.

MMP1 Operation Manual 12

4-1-2d. Monitor Control tab

Here you can select the audio being monitored and set
Monitor output levels.

4. Screens

Select the audio to be monitored from the available Cue
outputs. To change the available Cue outputs for selection
to Cue 5 - Cue 8, turn “Cue 5-8” on (green).

NOTE

• Select the format for Cue Sources 1-8 under the “Monitor
Matrix Out” in the “Monitor Matrix” tab of the “Scene” tab on the
Settings screen.

• You can confirm that the input source to the Cue outputs is
turned on (displayed in green) on the Monitor Matrix screen.

This is used to enable operation of the Main Monitor
outputs.

This is used to enable operation of the headphone
outputs.

Monitor Level
or Headphone
Monitor Level

DIM

DIM Level

Click “u” or “d,” or use the mouse wheel to
set Monitor output level. Double click to
enter a value directly. Out-of-range values
entered will be corrected to the maximum or
minimum value allowed.

NOTE

• You can use the mouse wheel while
holding down <Shift> to make minor
adjustments.

• Changing this value will also change the
SPL value.

Click to turn the dimmer on (green) or off.
Turn this on to lower Monitor output for the
DIM Level without changing the Monitor
Level.

NOTE

This button will be on (displayed in green)
and cannot be changed while talkback is on
when “Dim main monitor while talkback is
on” is checked (in the General settings of
the “Global” tab on the Settings screen).

Click “u” or “d,” or use the mouse wheel to
set the attenuation amount of the Monitor
output signal when the dimmer is on. Double
click to enter a value directly. Out-of-range
values entered will be corrected to the
maximum or minimum value allowed.

Select the audio to be monitored from the Monitor Sources
available. Turn “SUM” on (green) to select multiple
Monitor Sources at the same time.

NOTE

• Select the format for Monitor Sources 1-8 under “Monitor Matrix
In” in the “Monitor Matrix” tab of the “Scene” tab on the
Settings screen, and then assign input sources for each in the
“Monitor Matrix In” section on the Patch screen or the Monitor
Matrix screen.

• You can confirm the destination of Monitor Sources sent to on
(displayed in green) on the Monitor Matrix screen.

SPL Level

MUTE

REF

Click “u” or “d,” or use the mouse wheel to
set the SPL to enter a value directly. Out-of­range values entered will be “--.- dB,” and
the SPL setting will be off.
As Monitor Level values are tied to the SPL
when the SPL is set, the SPL value will
change when changing the Monitor Level
value.
For example, changing a Monitor Level of

-10 dB to -20 dB when an SPL value of
85 dB is set will result in the SPL value
changing to 75 dB.

Click to turn the Monitor output mute on
(orange) or off.

Click to change the Monitor Level value to
the reference level value.
Holding this down for at least two seconds
(until the indicator flashes) stores the current
Monitor Level value as the reference level.

MMP1 Operation Manual 13

4. Screens

DOWNMIX

Click to turn the Downmix audio output on
(green) or off.
Turn this on to send Downmix L/R outputs to
Main Monitors 1 and 2 while muting outputs
from Main Monitor 3 onwards.

NOTE

This button is disabled when the Cue output
format is selected as the audio being
monitored.

4-1-2e. User Assignable functions

Here you can display and use User Assignable functions.

This displays functions registered in the “User
Assignable” tab of the “Scene” tab on the Settings screen.
Depending on the particular functions registered, these
may appear and function as:

• An on/off button (an latch type button that switches on
and off each time you click it)

• A push button (a momentary type button that works
while the button is held down)

• A display indication only

MMP1 Operation Manual 14

4-1-3. Sub screen

Meters

Displays Monitor Matrix Out meters

Monitor section

For adjusting input source and Send levels

Oscillator section

For selecting signals

to output from the

oscillator, and

adjusting their output

levels

Snapshot section

For storing and recalling

Snapshots

Talkback section

For selecting Talkback

interrupt destinations

and adjusting Talkback

output levels

This is the Sub screen used for monitor control.

NOTE

You can use this screen when logged in as an “Administrator” or “Advanced User.”

4. Screens

4-1-3a. Meters

Here you can display Monitor Matrix Out meters. These
channels include Monitor outputs (up to 32 ch), Downmix
L/R, and Headphone L/R.

NOTE

The meters shown here are the same as those on the Main
screen.

Values less than -20 dB are displayed in green , values
less than 0 dB in yellow , and values equal to or above 0
in red . Peak hold circuits are not displayed.

NOTE

• The breakdown of Monitor outputs is based on the format
selected under “Monitor Matrix Out” in the “Monitor Matrix” tab
of the “Scene” tab on the Settings screen.

• The signal position displayed on the meters can be selected in
the “System” tab of the “Scene” tab on the Settings screen.

Click these buttons to set all Main Monitor
outputs to SOLO or MUTE.

/ Click these buttons to turn each Main Monitor

SOLO or MUTE setting on (lights up) or off.

Click these buttons to turn the oscillator on (lit)

or off. You can select the oscillator type used in
the “Oscillator” section on the Sub screen.
represents sine waves and represents pink
noise.

This is displayed when using Talkback.

MMP1 Operation Manual 15

4. Screens

4-1-3b. Monitor section

Here you can adjust the input source and Send levels.

NOTE

Control the sources and outputs of the format selected in the
“Monitor Matrix” tab of the “Scene” tab on the Settings screen.

LFE Trim

LFE Filter

Click to turn the LFE Trim on (green) or off.
Turn this on to add an LFE Trim Level to all
channels where the CH Type has been set
to “LFE” in the “Speaker Matrix” tab of the
“Scene” tab on the Settings screen.

NOTE

• You can set the CH Type in the “Speaker
Matrix” tab of the “Scene” tab on the
Settings screen.

• You can set the LFE Trim Level in the
“MISC” tab of the “Scene” tab on the
Settings screen.

Click to turn the LFE Filter on (green) or off.
Turn this off to change the crossover filter
for LFE channels in the following ways.
FIR  THRU
IIR  (Bypass)
THRU  THRU (Unchanged)

NOTE

Note that while filters will not be applied
when the crossover filter is set to “THRU,”
the same delay as that applied to the main
channel will be added.

Monitor Source
Tri m

Cue Source Trim

Cue Output Trim

Studio Speaker
Output Trim

Lip Sync Delay

Drag or use the mouse wheel to adjust
Monitor Source levels. To return the setting
to 0 dB, simultaneously hold down the
<Ctrl> key (Windows) or the <command>
key (Mac) and click on the control.

Drag or use the mouse wheel to adjust Cue
Source levels. To return the setting to 0 dB,
simultaneously hold down the <Ctrl> key
(Windows) or the <command> key (Mac)
and click on the control.

Drag or use the mouse wheel to adjust Cue
output levels. To return the setting to 0 dB,
simultaneously hold down the <Ctrl> key
(Windows) or the <command> key (Mac)
and click on the control. Click “MUTE” to
mute.

Drag or use the mouse wheel to adjusts
studio speaker output levels. To return the
setting to 0 dB, simultaneously hold down
the <Ctrl> key (Windows) or the
<command> key (Mac) and click on the
control. Click “MUTE” to mute.

Drag or use the mouse wheel to set the lip
sync delay. To return the setting to 0 ms,
simultaneously hold down the <Ctrl> key
(Windows) or the <command> key (Mac)
and click on the control.

4-1-3c. Oscillator section

Here you can select signals to output from the oscillator,
and adjust their output levels.

NOTE

Click the or of the meter to turn the oscillator on or off.

Oscillator Trim

Drag or use the mouse wheel to set Oscillator levels. To
return the setting to -20 dB, simultaneously hold down the
<Ctrl> key (Windows) or the <command> key (Mac) and
click on the control.

MMP1 Operation Manual 16

4. Screens

4-1-3d. Snapshot section

Here you can store parameters at a set point in time as
Snapshots to be loaded later as desired or needed.

NOTE

Up to 20 Snapshots can be stored per Scene.

4-1-3e. Talkback section

Here you can select Talkback interrupt destinations and
adjust Talkback output levels.

Store

Recall

Name

Click to store a Snapshot at the selected
location.

Click to recall (load) the selected Snapshot.

Click to select a Snapshot (or an empty field).
Double click to change the name entered.
Enter a channel name up to 17 alphanumeric
characters and symbols.

Click to lock or unlock a Snapshot.
Locked Snapshots cannot be overwritten by
selecting Store.

NOTE

To bring up the context menu, (for Windows) right click anywhere
within the section, or (for Mac) hold down the <control> key and
then click in the section.

Talkba ck

Click to turn the Talkback on (green) or off.

NOTE

Set Talkback inputs and interrupt destinations
in the “Talkback Mic In” of the “Input Patch”
tab on the “Patch” screen and “Talkback
Destination” tab of the “Scene” tab on the
Settings screen.

Tri m

Drag or use the mouse wheel to adjust
Talkback levels. To return the setting to 0 dB,
simultaneously hold down the <Ctrl> key
(Windows) or the <command> key (Mac)
and click on the control.

NOTE

You can set the amount that the audio output of interrupt
destination is reduced (dimmed) when Talkback is turned on by
using “Talkback Dim Level” in the “MISC” tab of the “Scene” tab
on the Settings screen.

MMP1 Operation Manual 17

4. Screens

Monitor Matrix Out

Monitor Matrix Out names appear here. Adjust output levels here

Monitor Matrix In

For selecting input sources, and

adjusting the levels of the selected

input sources

Monitor matrix

For turning the Send output from Monitor Matrix In to Out on (green) or off,

and setting Send levels

4-1-4. Monitor Matrix screen

This screen is used for routing monitor signals.

NOTE

• You can use this screen when logged in as an “Administrator” or “Advanced User.”

• This matrix is set to 40x36 when the MMP1’s sample rate is 96 kHz or less, and 20x20 when the MMP1’s sample rate being used is higher
than 96 kHz. You can change the sample rate in the “MISC” tab of the “Scene” tab on the Settings screen.

Monitor Matrix In

Source

Typ e & N o

For selecting monitor matrix input sources.

NOTE

The same items can be configured on the
“Input Patch” tab on the Patch screen.

The Monitor Matrix In input type. Monitor
Sources 1-8 will appear as Monitor 1-8, Cue
Sources 1-8 as Cue 1-8, and other inputs will
be “---” and blank.

NOTE

You can select the format for Monitor 1-8 and
Cue 1-8 in the “Monitor Matrix” tab of the
“Scene” tab on the Settings screen.

Source Label

Tri m

If the Type is “Monitor” or “Cue,” double click
to add a name (label). Enter a channel name
up to 17 alphanumeric characters and
symbols. To insert a line break at any point,
simultaneously hold the <Alt> key and press
<Enter> (Windows), or hold the <option> key
and press <return> (Mac).

Double click or use the mouse wheel to
adjust input levels. Out-of-range values
entered will be corrected to the maximum or
minimum value allowed.

MMP1 Operation Manual 18

Monitor Matrix Out Monitor matrix

4. Screens

Name (Label)

Tri m

Displays Monitor Matrix Out names.

NOTE

• The breakdown of Monitor Matrix Out is
based on the format selected in the
“Monitor Matrix” tab of the “Scene” tab on
the Settings screen.

• You can add Monitor Matrix Out names
(labels) in the “MISC” tab of the “Scene”
tab on the Settings screen.

Double click or use the mouse wheel to
adjust output levels. Out-of-range values
entered will be corrected to the maximum or
minimum value allowed.

NOTE

When the Cue and Studio Speaker format is
set to stereo, the same settings will be
applied to both L/R.

• Click to turn Send on (green) or off. When a cell has
been turned on, a signal will be sent from the cell row
(the input source) to the cell column (output).

• To turn multiple cells on or off at the same time,
simultaneously hold down the right mouse button
(Windows) or the <control> key (Mac) and then drag
and release the button (key).

Quick Assign:
On:

Turns entire dragged area on (green)

Off:

Turns entire dragged area off

Criss cross from dragging origin point

• Right click (Windows), or hold down the <control> key

and then click (Mac) on a cell that has been turned on
(appearing in green) to set Send levels. Out-of-range
values entered will be corrected to the maximum or
minimum value allowed.

• If the input source is the channel strip (Ch 1-8), right
click (Windows), or hold down the <control> key and
then click (Mac) to select either “Mono,” “L,” or “R.”

• If the Monitor Source format has been selected in the
“Monitor Matrix” tab of the “Scene” tab on the Settings
screen, you cannot set Monitor Sources 1-8 to send to
the Main Monitor, Downmix L/R, or Headphone L/R on
this screen.
Use the “Monitor Control” tab on the Main screen to turn
these Send signals on or off (described in detail below).

Send signals to the Main Monitor: Use the “Monitor
Source” selection button to turn Send on or off.

Send signals to Downmix L/R: Use the “Monitor
Source” selection button to turn Send on or off.

Send signals to Headphone L/R: Set the target to
headphone output, and then use the “Monitor Source”
selection button to turn Send on or off.

MMP1 Operation Manual 19

4. Screens

Speaker Matrix Out

Displays Speaker Matrix Out names

Speaker Matrix In

For selecting input sources, and

adjusting the levels of the selected input

sources

Speaker matrix

Click to turn Send on (purple) or off from Speaker Matrix In to Out

4-1-5. Speaker Matrix screen

This screen is used for routing input signals and speakers.

NOTE

• You can use this screen when logged in as an “Administrator” or “Advanced User.”

• Cells with black backgrounds can be used in the “Speaker Matrix” tab of the “Scene” tab on the Settings screen when logged in as an
Administrator.

• This matrix is 32x32 when the MMP1's sample rate is 96 kHz or less, and 16x16 when the MMP1's sample rate being used is higher than
96 kHz. You can change the sample rate in the “MISC” tab of the “Scene” tab on the Settings screen.

NOTE

Refer to page 59 when configuring bass management.

Speaker Matrix In

Source

For selecting speaker matrix input sources.

NOTE

The same items can be configured on the
“Input Patch” tab on the Patch screen.

Type

Tri m

The input type to the speaker matrix (“Monitor”
or “LFE”) will appear here.

NOTE

You can set the Type (CH Type) in the
“Speaker Matrix” tab of the “Scene” tab on the
Settings screen.

Double click or use the mouse wheel to adjust
input levels. Out-of-range values entered will
be corrected to the maximum or minimum
value allowed.

NOTE

When the Type (CH Type) is “LFE,” and the
“LFE Trim” button in the “Monitor” section on
the Sub screen is set to on, the LFE Trim Level
will be added to the input value.

MMP1 Operation Manual 20

4. Screens

Process Type

Displays the crossover filter type.

NOTE

• You can set the crossover filter type in the
“Speaker Matrix” tab of the “Scene” tab on
the Settings screen.

• The color of the text will be orange when the
FIR filter is temporarily changed to the IIR
filter with the talkback or User Assignable
function.

Filter Setting

Displays the high pass/low pass filter type and
cutoff frequency.

NOTE

You can set the high pass/low pass filter type
and cutoff frequency in the “Speaker Matrix”
tab of the “Scene” tab on the Settings screen.

Speaker Matrix Out

Name (Label)

Display the Speaker Matrix Out names.

NOTE

You can change the names (labels) of
Speaker Matrix Out in the “MISC” tab of the
“Scene” tab on the Settings screen.

Speaker Set

Displays the Speaker Set to which the
Speaker Matrix Out belongs.

NOTE

You can set the Speaker Set in “Speaker
Matrix” tab of the “Scene” tab on the Settings
screen.

Speaker matrix

• Click to turn Send on (purple) or off. When a cell has

been turned on, a signal will be sent from the cell row
(the input source) to the cell column (output).

• To turn multiple cells on or off at the same time,
simultaneously hold down the right mouse button
(Windows) or the <control> key (Mac) and then drag
and release the button (key).

Quick Assign: Criss cross from dragging origin point

On: Turns entire dragged area on (purple)

Off:

Turns entire dragged area off

MMP1 Operation Manual 21