Digital Heart.
Analog Soul.
Yamaha has provided an impressive range of lineups in professional audio since the release of the PM200 in 1972—our first
ever professional analog mixing console. In 1987, we also released our first digital mixer, the DMP7, and have subsequently
advanced technological innovations in sound quality, reliability and advanced functionalities with cutting-edge digital
technologies.
Drawing from our decades of experience crafting innovative, premium analog gear, we originally developed our new
discrete Class-A microphone preamps for professional use in our high-end recording equipment. Utilizing an inverted
Darlington circuit design, our newly-refined D-PRE mic preamps deliver a fat, rich, smooth tone that gives the MGP Series a
significant advantage over any other mixer in its class.
With Yamaha's proprietary X-pressive EQ we've managed to capture ultimate analog authenticity by unlocking the mysterious
secrets behind the expressive sound shaping capabilities of sought-after classic EQ modules.
At the heart of the MGP's compact configuration, we've taken an innovative new approach to the utilization of digital technology
in an analog mixer; adding high-resolution effects, iPod/iPhone integration and the superb functionality of our new Stereo Hybrid
Channel to the warmth and musicality of premium analog sound. The MGP Series represents the ultimate balance of the
converging technologies that are the heart and soul of Yamaha's extraordinary achievements in professional audio.
MIXING CONSOLE
MGP32X MGP24X MGP16X MGP12X
In addition to the complete redesign of the internal circuitry—from the mic preamps to the power supply—
we also took a new, more intuitive approach to the knob design and control surface of the MGP Series consoles.
The new color coordinated design is not only attractive and professional, but also help visually guide the operator's
hands to the intended functions.
Fill Your Space
with Premium Sound
Not just for live bands and DJ's, the MG Series mixing consoles can easily adapt
to a truly impressive range of applications from portable PA to fixed installation.
Now with the newly added digital functions and superior sound of the MGP,
the possibilities are endless.
03 04
The Evolution of Analog
When it comes to audio engineering and sound reinforcement, the verdict is in—nothing beats the
warmth and musicality of analog sound. By incorporating state-of-the-art digital technologies
into the development process of our premium professional analog equipment, the MGP is the next
step in the evolution of compact professional mixers.
D-PRE
The preamp is where sound creation begins, and ultimately determines the character and quality of your
overall mix. The importance of this critical first step inspired us to develop the most fat and warm sounding
preamps possible—our newly refined D-PRE mic preamps. Initially intended for use with Yamaha's high-end
recording gear, these studio-grade, discrete Class-A mic preamps employ an inverted Darlington circuit
design that features multiple circuitry elements in a multi-layered configuration in order to deliver more power
with lower impedance. This means all the character, depth and feel of your original signal will be delivered with fat, natural
sounding bass and smooth, soaring highs. Rediscover a favourite mic or trusted instrument by capturing the full range of
your musical expression with sound that you don't hear, so much as feel. With 48V phantom power for each channel and a
sound that is incomparable in a compact mixer today, these studio-grade discrete Class-A mic preamps set the MGP
apart, clearly defining a class all its own.
D-PRE. Defies. Description.
1-Knob Compressors Internal Universal Power Supply
Originally a Yamaha innovation, 1-knob compression is now a popular feature on
an increasing number of compact mixing consoles with good reason. These
intelligent compressors add optimally set compression to a wide variety of input
sources with the touch of a single control—minus the hassle of setting up and
1-knob compressors that feature LED indicators allowing you to visually monitor when the
compression “kicks in” on each channel.
05 06
configuring complex outboard gear. The MGP features our newly upgraded
X-pressive EQ
Everyone knows vintage EQ sounds great—but not everyone knows why. Throughout the development of
the innovative VCM (Virtual Circuit Modeling) effects used in our high-end professional digital mixers, we
became increasingly focused on reproducing the warmth and musicality of classic vintage EQs. It was
through our precise modeling of the original circuitry of some of the most sought-after EQ modules from the
past that we discovered a characteristic “X-shape” of the frequency curves that was unique to these units—
and would ultimately prove essential to unlocking real vintage authenticity. More than just a means of tweaking your mix,
the precise response and very steep shelving of the high and low frequencies make the X-pressive EQ a powerful
sound-shaping tool that essentially redefines the role that EQ plays in sound reinforcement. Never before has an audio
engineer's contribution to the overall sound been so significant, with X-pressive EQ providing complete control of every
aspect of your sonic palette.
You can plug in with confidence in any region with 100V- 240V power thanks to our highly-efficient internal universal
power supply. With its multi-voltage design, the MGP ensures worry-free operation in potentially damaging environments
with fluctuating power levels. An Internal power supply also simplifies rack mounting of the console at installed
applications, with no use for a bulky adapter or additional connections.
X Marks the Spot
A Revolution in Digital
An invaluable feature for applications
that require both public-speaking and
background music, Priority Ducker
This intelligent compressor “auto
levels” different tracks from a sound
source that vary in volume, providing a
Leveler
Priority Ducker
The MGP is the realization of a new approach towards the utilization of digital technologies in a mixer, offering
simple, analog-style control of sophisticated DSP functions.
One of the most compelling features of analog gear is the direct, hands-on, intuitive operation that unites
the operator with the console. The MGP design sought to keep this feel consistent throughout the design to offer
a wealth of functionality, yet with a simple, familiar touch.
More Than Just Digital... it's Hybrid.
Hybrid Channel
40 years of experience working with professional mixers has led Yamaha to offer a
new way of approaching sound reinforcement in the digital age: the Stereo Hybrid
Channel. Beneath the analog-style knobs and encoders of MGP Series mixing
consoles lies a sophisticated digital control system—a fusion that combines
traditional analog feel with the functionality that only digital technology can offer.
The MGP Series utilizes a powerful, proprietary DSP to provide three essential
features that are staples of both installed and live sound applications. In keeping
with the theme of analog simplicity found throughout the MGP Series design, each
of these functions is readily accessible and available at the touch of a button.
Featuring a mid-sweep, three-band EQ for nuanced sound control and
high-performance onboard A/D and D/A converters, the Stereo Hybrid Channel
offers unique functionality with superior sound.
LevelerPriority Ducker
An invaluable feature for applications
that require both public-speaking and
background music, Priority Ducker
over another sound source automatically, just by
speaking into the mic. Stop talking and the other
sound source is brought back to its original level,
therefore no console operator is required for this
simple yet valuable function. You can even adjust
the ducker attenuation of sound source depending
on your preferences.
07 08
allows a microphone to take priority
Ideal for small events with un-manned operation of
your console, Yamaha's proprietary DSP algorithm
allows for extended play time without the worry of
fluctuating volume levels distracting your listeners.
This intelligent compressor “auto
levels” different tracks from a sound
source that vary in volume, providing a
more pleasurable listening experience.
Stereo Image
The Stereo Image function seamlessly
narrows the pan balance of the stereo
sound source so that audiences spread
over a wide area can enjoy a
comfortably blended mix. This is particularly helpful
for installed sound applications that requires
background music. Using either of the two optimized
settings—MONO and BLEND— Stereo Image ensures
that everyone is in the "sweet spot" by providing a
more optimally mixed sound to the entire space.
Advanced REV-X and Classic SPX
Dual Digital Effects
MGP Series mixing consoles offer two separate studio-grade effects processors for ultimate
enhancement of your sound, with simple intuitive control. Yamaha's high-end REV-X reverb offers three
very musical and natural high-resolution reverb effects: Hall, Room and Plate-a first for any Yamaha
analog mixer. For more sound-shaping possibilities, Yamaha's renowned SPX digital multi-effect
processor provides a useful selection of 16 advanced digital effects with editable parameters. Both
processors can be used simultaneously, giving you a vast array of tools to color your sound.
Integrate Your Apple Devices into Your MGP Sound Experience
Digital Connectivity for Your iPod/iPhone
In response to the growing demand for compatibility with iPod/iPhone, iPod/iPhone integration with the MGP offers much more than simple playback.
With a single connection your Apple device is transformed into a flexible controller, giving you more detailed control of your MGP console.
MGP Editor High-Quality Digital Playback
MGP Editor is a free software application
that gives you additional control of your
console's DSP settings via your iPod/iPhone.
With a simple and intuitive graphic display,
MGP Editor gives you additional, detailed control of your
REV-X and SPX effects parameters-as well as Hybrid
Channel's Priority Ducker, Leveler and iPod/iPhone’s
playback settings. With MGP32X and 24X, setting of GEQ
and Master comp can be adjusted. Direct playback of
iTunes play list is also possible .
The MGP Series mixers feature a built-in USB port to connect
and charge your iPod or iPhone for seamless playback with a
single connection. A direct digital connection offers a much
higher level of quality with more detail and clarity than typical
analog inputs can provide.
Attractive New Digital Features
for MGP32X and MGP24X
USB Device Recording and PlayBack
It’s easy to archive every performance when recording is this easy.
The record function allows direct recording to a conventional USB storage
device. Choose from Stereo Out or Matrix Out 1 and 2 as the source, and
select
WAV or MP3 as file formats. Playback of audio files is also supported
with the USB device. You can easily route this to a hybrid channel or to
monitor out.
09 10
Graphic EQ
The new Graphic EQ feature 14
band and flex 9 band modes that
can easily be controlled via internal
display. This Flex EQ is also used in
Yamaha’s pro-level CL series consoles. By limiting
the number of bands for boost and cut, the extra
DSP can be employed to narrow the filters to 1/3
octave, and allow the user to sweep the filter to the
range where adjustment is required. With 31
different filter positions, very fine adjustments can
be made. Additionally, finding and reducing feedback is quick and easy
using the offset/gain controls to point out vulnerable frequencies before the
feedback occurs.
Multi-band Compressor
The MGP32X and MGP24X are the
first mixers in this class to be
equipped with a master
compressor on the stereo bus.
Both a standard type (COMP) and a three-band
divided (Multi-band) master compressor have
been built in. Using a master compressor allows
you to reduce the overall dynamic range of the
signal to fit the environment, and protect the
sound system from overloads. A total of 8
memory scenes (3 read only and 5 user defined) allow settings to easily be
stored and recalled as needed quickly.
Serious Capacity for Live Sound & Installations
MIXING CONSOLE MIXING CONSOLE
MGP
32
X
32-Channel Premium Mixing Console
24 Mic Inputs with 48V Phantom Power and HPF per Channel
■
32 Line Inputs (24 mono and 4 stereo)
■
6 AUX Sends + 2 FX Sends
■
4 GROUP Buses + ST Bus
■
2 Matrix out
■
1 Mono out
■
Main Features
■
Studio-gradediscreteclassa“D-PRE”micpreampswithaninverteddarlingtoncircuit
■MusicalX-pressiveEQbasedonYamahaʼsfamedVCMtechnology
■Professional1-knobcompressorswithLEDindicators
■Internaluniversalpowersupplyforworld-wideuse
■Stereohybridchannels
■DigitalconnectivityforiPod/iPhone
■High-gradedualdigitaleffectsprocessors:advancedREV-XandclassicSPX
■MGPEditorfordetailedcontroloftheconsole'sDSPsettingsviaiPod/iPhone
■Rugged,impact-resistant,powder-coatedmetalchassis
■RecordtoorplaybackfromaconnectedUSBdevice
■31bandGEQwithselectable9flex-bandor14fixedbandmode.
■Three-bandmastercompressorisassignedtostereobus
11 12
MGP
24
X
24-Channel Premium Mixing Console
16 Mic Inputs with 48V Phantom Power and HPF per Channel
■
24 Line Inputs (16 mono and 4 stereo)
■
6 AUX Sends + 2 FX Sends
■
4 GROUP Buses + ST Bus
■
2 Matrix out
■
1 Mono out
■
Dimensions
MGP32X
1027
（40.4）
169
（6.7）
565(22.2)
MGP24X
819(32.2)
169
（6.7）
565(22.2)
mm(inch)
Serious Capacity for Live Sound & Installations
MIXING CONSOLE MIXING CONSOLE
MGP
16
X MGP
16-Channel Premium Mixing Console
10 Mic Inputs with 48V Phantom Power and HPF per Channel
■
16 Line Inputs (8 mono and 4 stereo)
■
Additional 2TR Inputs Provided to Accept the Output from
■
Analog Devices or iPod/iPhone
2 AUX Sends + 2 FX Sends
■
4 GROUP Buses + ST Bus
■
Main Features
■
Studio-gradediscreteclassa“D-PRE”micpreampswithaninverteddarlingtoncircuit
■MusicalX-pressiveEQbasedonYamahaʼsfamedVCMtechnology
■Professional1-knobcompressorswithLEDindicators
■Internaluniversalpowersupplyforworld-wideuse
■Stereohybridchannelsutilizingapowerful,proprietaryDSP
■DigitalconnectivityforiPod/iPhone
■High-gradedualdigitaleffectsprocessors:advancedREV-XandclassicSPX
■MGPEditorfordetailedcontroloftheconsole'sDSPsettingsviaiPod/iPhone
■Rugged,impact-resistant,powder-coatedmetalchassis
■Integratedrack-earsforeasyrackmounting
13 14
12
X
12-Channel Premium Mixing Console
6 Mic Inputs with 48V Phantom Power and HPF per Channel
■
12 Line Inputs (4 mono and 4 stereo)
■
Additional 2TR Inputs Provided to Accept the Output from
■
Analog Devices or iPod/iPhone
2 AUX Sends + 2 FX Sends
■
4 GROUP Buses + ST Bus
■
Integrated Rack Ears
1027
（40.4）
Dimensions
MGP16X
447
（17.6）
（5.7）
146
143
（5.6）
（18.8）
478
（19.5）
495
MGP12X
348
（13.7）
（5.7）
146
143
（5.6）
（18.8）
478
（19.5）
495
mm(inch)
MGP Series Specifications
General Specifications
Total Harmonic Distortion
20Hz-20kHz@ +14dBu
Frequency Response
Noise
INPUT Connectors
OUTPUT Connectors
Crosstalk
Phantom Power
Input HPF
Input channel EQ
Compressor (COMP)
Internal
Digital Effect
LED Level Meter
Pre MONITOR Level
Signal Indicator
USB Audio USB IN/OUT
Power Supply
Power Consumption
Dimensions (W × H × D)
NET Weight
FX1:REV-X
MGP32X MGP24X MGP16X
0.02%
+0.5/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHz
-128 dBu Equivalent Input Noise/-94 dBu Residual Output Noise
20 Hz – 20 kHz Rs = 150Ω Input Gain = Maximum
MIC: 24
LINE: 24 mono + 4 stereo
CH INSERT IN: 24
RETURN: 1 stereo
STEREO OUT: 1
AUX SEND: 6
CH INSERT OUT: 24
MONITOR OUT: 1
GROUP OUT: 4
PHONES: 1
ST CH INSERT: 1
Matrix out: 2
Mono out: 1
-74dB @ 1kHz
48V phantom power per channel
MIC INPUT (100Hz 12dB/oct)
High
8kHz: shelving
250Hz-5kHz: peaking (MGP32X:CHs 1-24, 29-32 MGP24X:CHs 1-16, 21-24) 2.5kHz: peaking (MGP32X:CHs 25-28 MGP24X:CHs 17-20)
Mid
125Hz: shelving
Low
control x 1 (Gain/Threshold/Ratio)
8 PROGRAM, PARAMETER control
FX2:SPX
16 PROGRAM, PARAMETER control
4 ×12 segments LED meter (PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30dB)
PEAK lights if the signal comes within 3dB of the clipping level.
PEAK indicator (red), SIG indicator (green)
Peak lights if the signal comes within 3dB of the clipping level.
USB Device, iPod / iPhone
100-240V 50Hz/60Hz
86W max
1,027×169×565mm (40.4×6.7×22.2")
19kg (41.9lb)
*1 Noise is measured with a A-Weighting filter. *2 Crosstalk is measured with a 1 kHz band pass filter.
*3 Maximum voltage gain is measured under the condition that all faders and GAIN knobs are at
maximum. PAN/BAL knob is panned hard left or right.
CH9-24 CH9-16
MIC: 16
LINE: 16 mono + 4 stereo
CH INSERT: 16
RETURN: 1 stereo
STEREO OUT: 1
AUX SEND: 6
CH INSERT OUT: 16
MONITOR OUT: 1
GROUP OUT: 4
PHONES: 1
ST CH INSERT: 1
Matrix out: 2
Mono out: 1
76W max
819×169×565mm (32.2×6.7×22.2")
15.5kg (34.2lb)
0.02%
+0.5/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHz
-128 dBu Equivalent Input Noise/-102 dBu Residual Output Noise
20 Hz – 20 kHz Rs = 150Ω Input Gain = Maximum
MIC: 10
LINE: 8 mono + 4 stereo
CH INSERT: 8
RETURN: 1 stereo
2TR IN: 1 stereo
STEREO OUT: 1
AUX SEND: 2
CH INSERT OUT: 8
REC OUT: 1
MONITOR OUT: 1
GROUP OUT: 4
PHONES: 1
-74dB @ 1kHz
48V phantom power per channel
MIC INPUT (100Hz 12dB/oct)
8kHz: shelving
250Hz-5kHz: peaking (MGP16X: CH1-8,13-16 MGP12X: CH1-4,9-12) 2.5kHz: peaking (MGP16X: CH9-12 MGP12X: CH5-8)
125Hz: shelving
control x 1 (Gain/Threshold/Ratio)
8 PROGRAM, PARAMETER control
16 PROGRAM, PARAMETER control
2 x 12points LED meter (PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30dB)
PEAK lights if the signal comes within 3dB of the clipping level.
PEAK indicator (red), SIG indicator (green)
Peak lights if the signal comes within 3dB of the clipping level.
iPod, iPhone exclusive
100-240V 50Hz/60Hz
55W max
447×143×495mm (17.6×5.6×19.5")
9.0kg (19.8lb)
*1 Noise is measured with an A-Weighting filter. *2 Crosstalk is measured with a 1 kHz band pass filter.
*3 Maximum voltage gain is measured under the condition that all faders and GAIN controls are at
maximum. PAN/BAL controls are panned hard left or right.
MGP32X MGP24X
ANALOG INPUT SPECIFICATIONS ANALOG OUTPUT SPECIFICATIONS
Input terminal
PAD GAIN
MONO CH INPUT
MGP32X: 1–24
MGP24X: 1–16
STEREO CH INPUT
MGP32X: 25–32
MGP24X: 17–24
MONO CH INSERT INPUT
MGP32X: 1–24
MGP24X: 1–16
0
26dB
ST CH INSERT INPUT L,R
TALKBACK INPUT
0 dBu is referenced to 0.775 Vrms. 0 dBV is referenced to 1 Vrms.
*1 Sensitivity is the lowest level that will produce an output of +4 dB (1.23 V), or the nominal output level when the unit is set to
maximum level. (all faders and level controls are at maximum position.)
*2 XLR-3-31 type connectors are balanced.(1=GND, 2=HOT, 3=COLD)
*3 Phone Jacks are balanced. (Tip=HOT, Ring=COLD, Sleeve=GND) *4 Phone Jacks are unbalanced.
*5 Phone Jacks are unbalanced.(Tip=Out, Ring=In, Sleeve=GND) *6 XLR-3-31 type connectors is unbalanced.
-60dB
-16dB
-34dB
+10dB
-34dB
+10dB
Actual
source
impedance
3kΩ
10kΩ
10kΩ
10kΩ
10kΩ
For use with
nominal
50-600Ω
Mics
600Ω
Lines
600Ω
Lines
600Ω
Lines
600Ω
Lines
50-600Ω
Mics
Input level
Sensitivity*1Nominal
-80 dBu
-36 dBu
(12.3 mV)
-54 dBu
(1.55 mV)
-10 dBu
(245 mV)
-54 dBu
(1.55 mV)
-10 dBu
(245 mV)
-20 dBu
(77.5 mV)
-20 dBu
(77.5 mV)
-66 dBu
-60 dBu
(0.775 mV)
-16 dBu
(123 mV)
-34 dBu
(15.5 mV)
+10 dBu
(2.45 V)
-34 dBu
(15.5 mV)
+10 dBu
(2.45 V)
0 dBu
(0.775 V)
0 dBu
(0.775 V)
-50 dBu
(2.45 mV)
(0.078 mV)
(0.389 mV)
Max.
before clip
-40 dBu
(7.75 mV)
+4 dBu
(1.23 V)
-14 dBu
(155 mV)
+30 dBu
(24.5 V)
-14 dBu
(155 mV)
+30 dBu
(24.5 V)
+20 dBu
(7.75 V)
+20 dBu
(7.75 V)
-30 dBu
(24.5 mV)
Connector
XLR-3-32 type*
Phone jack*
Phone jack*
Phone jack*
RCA Pin Jack
Phone Jack*
Phone Jack*
XLR-3-31 type*
Output terminal
ST OUT [L,R] 75Ω 600Ω Lines
2
4
MONO OUT 75Ω 600Ω Lines
GROUP OUT (1-4) 150Ω 10kΩ Lines
3
AUX SEND (1-6) 75Ω 600Ω Lines
MATRIX OUT (1, 2) 150Ω 10kΩ Lines
4
MONO CH INSERT OUT
MGP32X: 1–24
MGP24X: 1–16
5
ST CH INSERT OUT [L,R] 75Ω 10kΩ Lines
5
MONITOR OUT [L,R] 150Ω 10kΩ Lines
6
PHONES OUT 150Ω 40Ω Phones 3mW 75mW ST Phone Jack
0 dBu is referenced to 0.775 Vrms. 0 dBV is referenced to 1 Vrms.
*1 XLR-3-32 type connectors are balanced. (1=GND, 2=HOT, 3=COLD)
*2 Phone Jacks are impedance balanced. (Tip=HOT, Ring=COLD, Sleeve=GND)
*3 Phone Jacks are unbalanced.(Tip=Out, Ring=In, Sleeve=GND)
*4 Phone Jacks are balanced. (Tip=HOT, Ring=COLD, Sleeve=GND)
MGP16X MGP12X
ANALOG INPUT SPECIFICATIONS ANALOG OUTPUT SPECIFICATIONS
Input terminal
PAD GAIN
MONO CH INPUT
MGP16X: 1–8
MGP12X: 1–4
STEREO CH INPUT
MGP16X: 9–12
MGP12X: 5–8
STEREO CH INPUT
MGP16X: 13–16
MGP12X: 9–12
MONO CH INSERT IN
MGP16X: 1–8
MGP12X: 1–4
0
26dB
RETURN (L, R) 10kΩ
2TR IN [L,R] 10kΩ
0 dBu=0.775 Vrms, 0 dBV=1 Vrms
*1 Sensitivity: The lowest level that will produce an output of +4 dB (1.23 V), or the nominal output level when the unit is set to
maximum level. (All faders and level controls are at their maximum position.)
*2 Combo jacks are balanced (1&Sleeve=GND, 2&Tip=HOT, 3&Ring=COLD)
*3 XLR-3-31 type connectors are balanced. (1=GND, 2=HOT, 3=COLD)
*4 Phone jacks are unbalanced. *5 Phone jacks are unbalanced. (Tip=Out, Ring=In, Sleeve=GND)
-60dB
-16dB
-34dB
+10dB
-60dB
-16dB
-34dB
+10dB
-34dB
+10dB
Actual
source
impedance
3kΩ
3kΩ
10kΩ
10kΩ
10kΩ
For use with
nominal
50-600Ω
Mics
600Ω
Lines
50-600Ω
Mics
600Ω
Lines
600Ω
Lines
600Ω
Lines
600Ω
Lines
600Ω
Lines
15
Input level
Sensitivity*1Nominal
-80 dBu
-36 dBu
(12.3 mV)
-54 dBu
(1.55 mV)
-10 dBu
(245 mV)
-80 dBu
-36 dBu
(12.3 mV)
-54 dBu
(1.55 mV)
-10 dBu
(245 mV)
-54 dBu
(1.55 mV)
-10 dBu
(245 mV)
-20 dBu
(77.5 mV)
-12 dBu
(195 mV)
-26 dBV
(50.1 mV)
-60 dBu
(0.775 mV)
-16 dBu
(123 mV)
-34 dBu
(15.5 mV)
+10 dBu
(2.45 V)
-60 dBu
(0.775 mV)
-16 dBu
(123 mV)
-34 dBu
(15.5 mV)
+10 dBu
(2.45 V)
-34 dBu
(15.5 mV)
+10 dBu
(2.45 V)
0 dBu
(0.775 V)
+4 dBu
(1.23 V)
-10 dBV
(0.316 V)
(0.078 mV)
(0.078 mV)
Max.
before clip
-40 dBu
(7.75 mV)
+4 dBu
(1.23 V)
-14 dBu
(155 mV)
+30 dBu
(24.5 V)
-40 dBu
(7.75 mV)
-6dBu
(389mV)
-14 dBu
(155 mV)
+30 dBu
(24.5 V)
-14 dBu
(155 mV)
+30 dBu
(24.5 V)
+20 dBu
(7.75 V)
+24 dBu
(12.3 V)
+10 dBV
(3.16 V)
Connector
Combo jack*
XLR-3-31 type*
4
Phone jack*
4
Phone jack*
RCA pin jack
TRS Phone Jack*
Phone Jack*
RCA Pin Jack
Output terminal
ST OUT [L,R] 75Ω 600Ω Lines
GROUP OUT (1-4) 150Ω 10kΩ Lines
2
AUX SEND (1, 2) 75Ω 600Ω Lines
FX SEND (1, 2) 150Ω 10kΩ Lines
MONO CH INSERT OUT
MGP16X: 1–8
3
MGP12X: 1–4
REC OUT [L,R] 600Ω 10kΩ Lines
MONITOR OUT [L,R] 150Ω 10kΩ Lines
PHONES OUT 100Ω 40Ω Phones 3mW 75mW ST Phone Jack
0 dBu=0.775 Vrms, 0 dBV=1 Vrms
*1 XLR-3-32 type connectors are balanced. (1=GND, 2=HOT, 3=COLD)
*2 Phone jacks are impedance balanced. (Tip=HOT, Ring=COLD, Sleeve=GND)
*3 Phone jacks are unbalanced. (Tip=Out, Ring=In, Sleeve=GND)
*4 Phone jacks are balanced. (Tip=HOT, Ring=COLD, Sleeve=GND)
5
4
CH1-8 CH1-4
Actual
For use with
source
impedance
nominal
75Ω 10kΩ Lines
Actual
For use with
source
impedance
nominal
150Ω 10kΩ Lines
MGP12X
MIC: 6
LINE: 4 mono + 4 stereo
CH INSERT IN: 4
RETURN: 1 stereo
2TR IN: 1 stereo
STEREO OUT: 1
AUX SEND: 2
CH INSERT OUT: 4
REC OUT: 1
MONITOR OUT: 1
GROUP OUT: 4
PHONES: 1
45W max
348×143×495mm (13.7×5.6×19.5")
7.5kg (16.5lb)
Output Level
Output Level
Max.
before clip
+24 dBu
(12.3 V)
+24 dBu
(12.3 V)
+20 dBu
(7.75 V)
+24 dBu
(12.3 V)
+20 dBu
(7.75 V)
+20 dBu
(7.75 V)
+20 dBu
(7.75 V)
+20 dBu
(7.75 V)
Max.
before clip
+24 dBu
(12.3 V)
+20 dBu
(7.75 V)
+24 dBu
(12.3 V)
+20 dBu
(7.75 V)
+20 dBu
(7.75 V)
+10 dBV
(3.16 V)
+20 dBu
(7.75 V)
Nominal
+4 dBu
(1.23 V)
+4 dBu
(1.23 V)
+4 dBu
(1.23 V)
+4 dBu
(1.23 V)
+4 dBu
(1.23 V)
0 dBu
(0.775 V)
0 dBu
(0.775 V)
+4 dBu
(1.23 V)
Nominal
+4 dBu
(1.23 V)
+4 dBu
(1.23 V)
+4 dBu
(1.23 V)
+4 dBu
(1.23 V)
0 dBu
(0.775 V)
-10 dBV
(0.316 V)
+4 dBu
(1.23 V)
Connector
XLR3-32 type*
Phone jack*
XLR3-32 type*
Phone jack*
XLR3-32 type*
Phone jack*
Phone jack*
Phone jack*
Phone jack*
Connector
XLR3-32 type*
Phone jack*
Phone jack*
XLR3-32 type*
Phone jack*
Phone jack*
RCA Pin Jack
Phone jack*
1
4
1
2
1
2
3
3
2
1
4
2
1
2
3
2
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