Yamaha Disklavier Mark IV Operating Manual

Page 1

CHAPTER

Creating a Song Library

The following functions listed in the Function Menu are useful for organizing the contents in the song libraries ([PianoSoft Library], [CD Library], [Download Library], [From/To PC], and [User Library]) as well as [Play Lists]. (→ pg. 27 “Utilizing the Play Lists”)

Note: Be sure to read “album” as “list” during

operation for the [Play Lists]. Ex.: Function Menu for the Album List of [User

Library]

Menu items

Creating an Album in the Library

This function is available for [PianoSoft Library], [User Library], and [Play Lists].

Select the desired source (→ pg. 12

“Selecting a Song” in “Quick Guide”), and then tap on .

Tap on .

Note: The menu items differ depending on the

screen.

To clear the Function Menu screen, tap on

or , or press .

Tap to cancel album creation.

To name the new album, see step 3 in “Renaming an Album” on page 62.

Tap on .

Tap on after the completion

message appears.

Page 2

CHAPTER 5: Creating a Song Library

Renaming an Album

This function is available except for [Download Library] and [From/To PC].

Select the desired album (→ pg. 12

“Selecting a Song” in “Quick Guide”), and then tap on .

Tap on .

Tap to cancel renaming in step 3.

Tap on or

Ex.: Copy Song

Copy the selected song or album.

Tap to cancel the operation in step 3.

Copying a Song:

1 Tap on , and then on the

destination source in the list that appears if necessary.

English

Tap on , rename the album

(→ pg. 35 “Entering Characters”), and then tap on .

Tap on .

Tap on after the completion

message appears.

Making Copies of Songs or Albums

This function is available except for [CD Library] and [Play Lists].

Select the desired song or album (→

pg. 12 “Selecting a Song” in “Quick Guide”), and then tap on or

Appears when there are more songs or albums not shown in the window. In such a case, tap on either end of this bar to show the hidden songs.

Tap to cancel the selection.

2 Tap on , tap on the destination

album in the list that appears if necessary, and then go to step 4.

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Page 3

CHAPTER 5: Creating a Song Library

Copying an Album:

— only when [FD] is selected as the source

Tap on , and then on the destination source in the list that appears, and then go to step 4.

E-SEQ (Piano1) format conversion

When a song is saved in this format, the song can be played back on all Disklaviers. To convert the format of the album stored in a floppy disk, tap on the check box for [Convert to ESEQ (Piano1)].

Tap on .

Tap on after the completion

message appears.

Making Copies of the Entire Contents in a Medium or Song Library

This function is available except for [CD Library] and [Play Lists].

Select the desired source (→ pg. 12

“Selecting a Song” in “Quick Guide”), and then tap on .

Tap on .

Copying an Album:

— when a source other than [FD] is selected

Tap on .

Tap to cancel making a copy.

Tap on , and then on the

destination source in the list that appears if necessary.

Tap on .

Destination album list screen

Tap on the desired album, and then go to step 4.

Page 4

CHAPTER 5: Creating a Song Library

Deleting Songs or Albums

This function is available for all song libraries and [Play Lists].

Select the desired song or album (→

pg. 12 “Selecting a Song” in “Quick Guide”), and then tap on or

Tap on or

To cancel deletion, tap on .

Tap on .

Tap on after the completion

message appears.

Rearranging the Order of Songs/Albums

This function is available except for [From/To PC].

Select the desired song or album (→

pg. 12 “Selecting a Song” in “Quick Guide”), and then tap on or

Tap on or

Ex.: Sort Song List

Tap to cancel rearrangement.

English

Tap on / repeatedly so that the

selected song or album moves to the desired position.

Tap on .

Tap on after the completion

message appears.

Page 5

CHAPTER 5: Creating a Song Library

Deleting the Entire Contents on a USB Medium

You can delete the entire content on the USB media.

Connect an external USB media to

the USB port on the Media Center.

Tap on in the [Main] screen,

and then .

Note: If you connect the USB hard disk

formatted in other than FAT16/FAT32, the message indicating that the media is not inserted appears. If necessary, reformat the USB hard disk. (→ pg. 77 “Formatting a USB Hard Disk”)

Tap on .

The following confirmation dialog appears.

Tap to cancel deletion and return to the Function Menu screen.

Tap on .

The deletion process starts.

Tap on after the completion

message appears.

Page 6

CHAPTER

Other Settings

Skipping the Blank Part at the Beginning of a Song

When there is a blank part created at the beginning of the recorded song, turning on this function automatically skips the unwanted part and starts playback from the actual beginning of the song.

Tap on in the [Main] screen,

and then on .

Tap on .

To inactivate this function, select [OFF] in step 3.

Tip: The shortcut button on the [Song] screen is also

available. Tap on to activate the function above, and on to inactivate it.

Each time you tap on this button, and alternates.

English

Tap on [Skip Space], and then press

3 4

To inactivate this function, select [OFF] in step 3.

During playback of a song, keys normally move i n accordance with the playback of the respective note’s key. In Quiet or Headphone mode, you can select an option of stopping this key movement. This enables you, for example, to play along with the song being played back, to add your own improvisation, or to create a fourhand duet.

to select [ON].

Tap on to complete the operation.

Inactivating the Key Movement During Playback

Tap on in the [Main] screen, and then on .

Using Timer Play

You can start or stop playback of a song, playback at random, turn the Disklavier off (Standby mode), or shut down the Disklavier automatically at specific times. A maximum of 99 timer programs can be set.

Note: Be sure to set the date, time, and time zone in

advance. (→ pg. 16 “Setting up the Current Date and Time”)

Tap on in the [Main] screen.

Tap on .

Tap on [Quiet Key], and then press

3 4

to select [ON].

Tap on to complete the operation.

Timer list screen

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Page 7

CHAPTER 6: Other Settings

Tap on the desired row in the timer

list.

Tap to delete the current timer program.

Tap to close the list.

Tap on [Day], and then press to

select the desired day.

The following day settings are available: All Days, Sunday, Monday, Tuesday, Wednesday, Thursday, Friday, Saturday, Sunday, Monday-Friday, Monday-Saturday.

Tap on [Hour], and then press to

select the desired hour.

Tap on [Minute], and then press

to select the desired minute.

Tap on [Library], and then the desired

library.

Tip: If you want to select the current album,

tap on . [- - - - -] appears in the [Album] column in the timer list screen.

Note: If you select [Random] in step 6, you

cannot select [DisklavierRadio].

Tap on [Album], and then the desired

album.

Tap on .

Tap on [Command], and then press

to select the desired command.

The following command settings are available:

[Stop]: Stops playback of songs. [Play]: Starts playback of songs. [Random]:

Starts playback of songs in the selected library/album at random.

[Off]: Turns off th e Disklavier (Standby

mode).

[Down]: Shuts down the Disklavier.

Tip: The following indications in the [Album]

column show the type of song library.

[PS-]: PianoSoft Library [UR-]: User Library [CD-]: CD Library [PL-]: Play list [RADIO]: DisklavierRadio

If you do not specify a library in step 7, the current album is selected for the timer program and [-----] appears in the [Album] column.

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CHAPTER 6: Other Settings

To select and activate a timer program

When two or more timer programs have been set, press to select the desired program, and then tap on . Each time you tap on , its setting changes as follows showing the status with icon colors:

Deactivated

(white)

Tap on to complete the

setting.

Activated (green)

When a timer program is activated, [Timer Playback] icon appears.

Applying an Effect to Your Voice (Vocal Harmony)

By connecting a microphone to the Disklavier and singing along with the piano, you can enjoy a variety of effects such as adding harmony to your voice and changing the pitch of your voice. You may feel as if you were singing in a bar lounge. It’s great fun to use this function.

Hook up a microphone (not supplied)

to the Media Center, and then turn on the microphone.

Microphone

(not supplied)

Media Center

English

To delete all timer program settings, tap

on on the timer list screen, and then

in the confirmation screen.

Tuning the Tone Generator (MasterTune)

The digital piano has already been tuned to match the acoustic piano (A3 = 440 Hz). However, you can re-tune the digital piano in accordance with the pitch of the acoustic piano by following the procedure below.

Tap on in the [Main] screen,

and then on .

Tap on / to tune the

Disklavier.

To cancel tuning, tap on .

Tap on to complete the

operation.

[MIC/LINE] switch

Set the [MIC/LINE] switch to the [MIC]

position.

Turn the [INPUT VOLUME] knob to

adjust the input volume of the microphone.

[INPUT VOLUME] knob

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Page 9

CHAPTER 6: Other Settings

Adjust the [MIC] volume on PRC-100.

(→ pg. 27)

Apply the desired reverb effect.

(→ pg. 45)

Tap on in the [Main] screen.

Vocal harmony type

[Vocal Harmony]

screen

Tap on the desired vocal harmony

type.

For the entire list, see “Vocal Harmony Type List”. (→ pg. 91)

Tap on to activate

Vocal Harmony mode.

Each time you tap on , the mode is activated (the color turns to blue) or inactivated.

Tap on to clear the [Vocal

Harmony] screen.

Tip: The shortcut button on the [Song] screen

is also available. Tap on to activate the mode above, and on to inactivate it.

Each time you tap on this button, and

switches.

Tap on .

The [Balance] setting screen appears.

Tap on [Balance], and then press

to adjust the balance between your voice and the effect.

Tip: The balance can be adjusted from 0 to

100%.

Note: The following features are not

available while Vocal Harmony Mode is activated.

• Video synchronized playback

• Video synchronized recording

Note: Vocal Harmony Mode does not

function while playing back songs in SmartPianoSoft, PianoSoftPlusAudio, and audio CDs or receiving analog MIDI data.

Page 10

CHAPTER 6: Other Settings

Preparing for Use of Foot Controls/Switches

The optional foot controller (FC7) or the foot control switch (FC4, FC5) can be connected to the Disklavier and the desired function is assigned to them. At the maximum of two controllers/switches can be connected simultaneously. Assignable functions are as follows:

[Play/Stop]:

Controls starting/stopping of playback. Tempo control is also available (only in the FC7).

[Main Volume]:

Controls the overall volume.

[Voice Volume]:

Controls the volume of the piano voice in Quiet Mode and Headphone Mode.

[Pitch Bend]:

Controls the pitch of the piano voice.

Tap on in the [Main] screen,

and then .

Tap on [Function] of the desired foot

control/switch, and then the desired function.

Assignable functions

English

Setting Up the Disklavier for Foot Controls/Switches

Connect a foot control/switch to the

FOOT CNTRL1/2 jack.

Bottom of the Media Center

Tap on .

Go to step 6 when you select the [Play/Stop] function.

Select the detailed setting.

When [Main Volume]/[Voice Volume] is selected

Tap on [Direction], and then press to select the option.

[Up]: Raises the volume when the foot control/

switch is pressed and turns down the volume when released.

[Down]: Lowers the volume when the foot

control/switch is pressed and turns up the volume when released.

Foot control/switch

(not supplied)

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Page 11

CHAPTER 6: Other Settings

When [Pitch Bend] is selected

Tap on [Direction], and then press to select the option.

[Up]: Raises the key when the foot control/

switch is pressed and resumes the original pitch when released.

[Down]: Lowers the key when the foot control/

switch is pressed and resumes the original pitch when released.

Tap on [Polarity], and then press to select the option.

[+]: Raises/lowers the key when the foot

control/switch is pressed and resumes the original pitch when released.

[–]: Raises/lowers the key when the foot

control/switch is released and resumes the original pitch when pressed.

Tap on to complete the setting.

Note: You cannot assign the same function to

both [Foot Cntrl 1] and [Foot Cntrl 2].

Operating an Optional Foot Switch (FC4/FC5)

When [Play/Stop] is selected for [Function]

When the switch is pressed, playback will start. When the switch is released, playback will pause.

When [Main Volume] or [Voice Volume] is selected for [Function] (with [Direction] set

to [Down]*

When the switch is pressed, the sound will be muted. When the switch is released, the original volume will resume.

*3 When [Up] is selected and the switch is pressed, the

volume will increase all the way. (There is no effect for [Voice Volume].)

When [Pitch Bend] is selected for [Function] (with [Polarity] set to [+]*

When the switch is pressed, the song will be keyed up to +2 key. When the switch is released, the original key will resume.

*4 When [–] is selected and the switch is pressed, the song

will be keyed down.

)

Operating an Optional Foot Control (FC7)

When [Play/Stop] is selected for [Function]

When the control is pressed down all the way, playback will start in the original tempo. When the control is released completely, playback will pause. Playback tempo varies depending on the angle of the controller within the range of 0 to –50%.

When [Main Volume] or [Voice Volume] is selected for [Function] (with [Direction] set to [Down]*

When the control is pressed down all the way, the sound will be muted. When the control is released completely, the volume turns up all the way. The volume varies depending on the angle of the controller.

*1 When [Up] is selected, the direction of control is

reversed.

When [Pitch Bend] is selected for [Function] (with [Polarity] set to [+]*

When the control is pressed down all the way, the song will be keyed up to +2 key. When the control is released completely, the original key will resume. The key varies depending on the angle of the controller.

*2 When [–] is selected, the song will be keyed down.

)

Page 12

CHAPTER 6: Other Settings

DIGITAL

OUT

DIGITAL

OUT

Hooking Up AV Equipment

If you connect the Disklavier to an audio system, you can hear the sound played/played back on the Disklavier from the connected audio system, and the sound played back on the connected audio system from the Disklavier.

AV amplifier, CD player, etc.

To audio inputs

RCA cord

(not

supplied)

To audio outputs

To digital audio inputs

Coaxial digital audio cord (not supplied)

Setting Up the Disklavier for Audio Data Reception/ Transmission

You can select the kind of the incoming/going out audio signals. The following options should be set up in advance.

[OMNI IN]

Selects the appropriate option to match the incoming data input to the [OMNI IN] jacks.

[Audio]: Select this when you play back an audio

software on the connected CD player, etc. and reproduce the sound from the Monitor speakers*.

[Analog MIDI-YM]:

Select this when you play back PianoSoft·PlusAudio song.

Note: While this option is selected,

Video Synchronized Playback and Vocal Harmony Mode is not available.

English

I/O Center

[Auto Detect]:

Select this when you make the Disklavier detect the input signal automatically.

[OFF]: Select this when you cancel the data

reception from the [OMNI IN] jacks.

[OMNI IN Vol]

Adjusts the volume of the incoming audio signals to the [OMNI IN] jacks. The volume can be set in a range of 0 to 127.

[OMNI OUT]

Selects the desired data to be output from the [OMNI OUT] jacks.

[Output]: Select this when you output the same audio

signals as the ones for the Monitor speakers*.

[Output+PianoTG]:

Select this when you output the ensemble part and the digital piano sound. (Note that the digital piano sound is also output in Acoustic mode.)

[PianoTG]: Select this when you output only the digital

piano sound.

[OFF]: Select this when you cancel the data

transmission from the [OMNI OUT] jacks.

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Page 13

CHAPTER 6: Other Settings

[OMNI OUT Vol]

Adjusts the volume of the outgoing audio signals from the [OMNI OUT] jacks. The volume can be set in a range of 0 to 127 or to [Master volume]. When you set to [Master volume], the OMNI OUT volume works with the main volume.

[Digital Out]

Selects the desired data to be output from the [DIGITAL OUT] jack.

[Output]: Select this when you output the same audio

signals as the ones for the Monitor speakers*.

[OMNI OUT]:

Select this when you output the same audio signals as the ones to be output from the [OMNI OUT] jacks.

[SYNC OUT]:

Select this when you output the same audio signals as the ones to be output from the [SYNC OUT] jacks.

[OFF]: Select this when you cancel the data

transmission from the [DIGITAL OUT] jack.

* Only for models supplied with the Monitor speakers.

Tap on in the [Main] screen,

and then on .

Tap on [OMNI IN]/[OMNI IN Vol]/

[OMNI OUT]/[OMNI OUT Vol]/ [Digital Out]/[A-MIDI Offset]/ [OUTPUT Offset], and then press to select the desired option.

Tap on to complete the

operation.

[A-MIDI Offset]

For some display devices, the video images may be displayed a little bit later than the piano playing when playing back the DVD software that contains the analog MIDI signal. To eliminate this delay, you can adjust the offset time that leads the actual playback of the piano. A delay is applied to the incoming analog MIDI signal. The offset time can be set in a range of –500 ms to 0 ms. Decrease this value to delay the piano.

[OUTPUT Offset]

For some speakers or digital amplifiers, the audio from the Disklavier may be output a little bit later than the acoustic piano playing. To eliminate this delay, you can adjust the offset time for the sound output. This setting is applied to the outgoing audio signal from the OUTPUT jacks, OMNI OUT jacks, and DIGITAL OUT jack. Decrease this value to advance the sound output. The offset time can be set in a range of –100 ms to 0 ms. Decrease this value to delay the piano.

Page 14

CHAPTER 6: Other Settings

Lyric Screen

By hooking up a TV or a monitor display to the I/O Center, lyrics are automatically displayed on the TV or the monitor display during playback a song with lyrics prerecorded.

Note: For purchasing songs with lyrics, consult

your Disklavier dealer.

Note: For users in North America, refer to page 27

thru 29 in the “Tablet Controller Operating Manual” as well.

Showing the Lyrics on a TV or a Monitor Display during Playback

Hook up a TV or a monitor display to

the I/O Center.

TV, monitor display, etc.

Start playback of a song with lyrics on

the Disklavier.

The lyrics appear with a colorful background picture. A color bar behind the lyrics stretches gradually as the song goes on to indicate the current playback point.

Note: The lyrics are shown only when the

song includes the lyric data.

Changing the Background Picture of the Lyric Screen

A number of colorful background pictures are prepared and categorized in the following subjects: Nature, Flowers, Vacation, World, Textures, Holidays, and Romantic.

Show the Lyric Screen on the TV or the

monitor display to monitor the picture selection. (See above.)

English

To Video input

RCA cord

(not supplied)

I/O Center (Right side)

Turn on the TV or the monitor display,

and then select the input mode that corresponds to the connected TV or monitor display.

Tap on in the [Main] screen,

and then on .

Tap on .

Tap on [Category], press to select

the desired option, and then tap on

Tap on [Picture No.], and then press

5 6

to select the desired option.

Tap on to complete the operation.

Page 15

CHAPTER 6: Other Settings

Converting MIDI Data to a Standard Form (Strip XP)

Disklavier PRO pianos record highly precise control information (XP events) that becomes part of the MIDI song files. This data is used to achieve accurate playback on the Disklavier PRO, but is not used when the file is played back on general MIDI devices. When you edit the song with external MIDI products (for example a software sequencer), the relationship between the note data and the XP event as well as the actual performance may not be maintained. There may be cases in which songs edited in this manner cannot be played back normally, depending on the instrument’s settings. In such cases, use the Strip XP function to remove the XP event to convert the song to standard MIDI format before using it for playback. Strip XP also makes it possible to reduce the size of MIDI files when desired.

Note: Once the XP event is stripped, the original

data cannot be restored. Before converting valuable music data, be sure to backup the original data.

Select the song to be converted

(→ pg. 12 “Selecting a Song” in “Quick Guide”), and then tap on

or .

Tap on .

Making Backups and Restoring the Song Library

You can make a backup copy of the song libraries and play lists, and restore the songs in the Disklavier. In order to protect your valuable music data, Yamaha strongly recommends that you backup your Mark IV hard drive on a regular basis.

Note: Be sure to use a USB HDD formatted in a

FAT32 file system in the following procedure. The NTFS file system is not supported for this function.

Making Backups

Connect an external USB HDD to the

USB port on the Media Center.

Tap on in the [Main] screen,

and then on .

Tap on .

Tap on in the [System]

screen, and then .

Tap on .

Tap on after the completion

message appears.

Tap on .

The Disklavier will start making backups.

Tap on after the completion

message appears, and then .

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CHAPTER 6: Other Settings

Restoring the Song Library

Perform steps 1 thru 3 in “Making

Backups” above.

Tap on in the [System]

screen, and then .

Tap on .

Restoring the Contents in the Demo Album

If the demo songs are erased by chance, they can be restored by following the procedure below.

Tap on in the [Main] screen,

and then on .

Tap on .

Tap on to start restoring.

Tap on to complete the

operation.

Note: The contents saved in the demo album will be

erased.

English

Tap on .

The Disklavier will start restoring the song library.

Tap on after the completion

message appears, and then .

Page 17

CHAPTER 6: Other Settings

Making an Install Floppy Disk

In the case of updating the Disklavier, be sure to make a install floppy disk.

Tap on in the [Main] screen,

and then on .

Tap on .

Load a formatted floppy disk (2HD) to

the drive. (→ pg. 20 “Loading and Ejecting a Floppy Disk”)

Tap on .

The Disklavier will start making a backup floppy disk.

Formatting a Floppy Disk

You can format a floppy disk.

Tap on in the [Main] screen

(→ pg. 12 “Selecting a Song” in “Quick Guide”), and then tap on

Tap on .

To cancel erasure, tap on .

Tap on .

Tap on after the completion

message appears.

Formatting a USB Hard Disk

Tap on , and then on to

complete the operation.

You can reformat the USB hard disks formatted in other than FAT16/FAT32 so that you can use them with the Disklavier.

Note: All data stored in the disk will be erased after

formatting. Make sure that the disk to be formatted does not contain the data you want to keep.

Connect a USB hard disk to the USB

port on the Media Center.

Tap on in the [Main] screen.

When the connected USB hard disk is formatted in other than FAT16/FAT32, the message indicating that the media is not inserted appears.

Tap on to close the message,

and then .

Tap on .

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CHAPTER 6: Other Settings

Tap on .

The following confirmation dialog appears.

Tap to cancel formatting and return to the [Main] screen.

Tap on .

The formatting process starts.

Resetting the Disklavier

If you want to return your Disklavier to its initial factory settings, follow the procedure below.

Tap on in the [Main] screen,

and then on .

Tap on .

Tap to cancel resetting.

English

Note: The time required for formatting

differs depending on the capacity of the hard disk.

Tap on after the completion

message appears.

Tap on to start resetting.

Tap on to complete the

operation.

Page 19

CHAPTER 6: Other Settings

Assigning Frequently-used Functions to the Numeric Keys of the Pocket Controller (Shortcut)

You can assign the numeric keys of the Pocket Controller keyboard ([1] thru [9] and [0]) a series of procedures for often used functions. The following functions are available:

[Power]: Turns on and off the Disklavi er. [Play]: Starts playback of a song or songs in a

selected album/song.

[Repeat]: Starts repeat playback of a song or songs in

the selected album/song.

[Random]: Starts playback of songs in the selected

album at random.

[Radio]: Starts playback of the selected

DisklavierRadio channel. (→ pg. 99 “Accessing the Internet”)

[Balance]: Adjust the volume balance among the

different sound sources (Voice, TG, Audio, and MIC). (→ pg. 27 “Adjusting the Volume Balance among the Keyboard Playing, Ensemble Sound, Software Playback, and Microphone’s Input”)

[Quiet]: Activates and inactivates the Quiet Mode.

(→ pg.16 “Basic Piano Playing” in “Quick Guide”)

Assigning Functions

Tap on in the [Main] screen,

and then on .

Tap on .

Tap on the desired row in the shortcut

list.

Tap to delete the current shortcut setting.

Tap to cancel the setting.

Tap on [Command], and then press

to select the desired command.

Select the detailed setting.

When [Power] or [Quiet] is selected:

Detailed settings are not required. Go to step 6.

When [Play] or [Repeat] is selected:

1 Tap on [Medium], and then press

to select the desired library.

2 Tap on [Album], and then on the

desired album in the list.

3 Tap on [Song], and then on the

desired song in the list.

4 Go to step 6.

Note: You can skip the song selection process in

step 3. In such a case, playback starts from the first song in the selected album.

When [Random] is selected:

1 Tap on [Medium], and then press

to select the desired library.

2 Tap on [Album], and then on the

desired album in the list.

3 Go to step 6.

Shortcut list

Page 20

CHAPTER 6: Other Settings

When [Radio] is selected:

1 Tap on [Channel], and then on the

desired channel in the list.

2 Go to step 6.

When [Balance] is selected:

1 Tap on [Resource], and then press

to select the desired sound

source.

2 Tap on [Direction], and then press

to select the option.

[Up]: Raises the volume when the shortcut

keys are pressed.

[Down]: Lowers the volume when the shortcut

keys are pressed.

3 Go to step 6.

To rename the shortcut, tap on [Name], enter the

desired name with the keyboard on the Pocket Controller, and then tap on .

Tap on .

Using the Shortcut

Slide the front panel of the Pocket

Controller to show the keyboard.

Press the corresponding key to

execute the assigned function.

Paste

Space

Symbol

–

` "

∗

(

Del

)

, ,

. . .

Copy

Cut

Num

Caps

Tab

Shortcut Keys to Press

#1 1 ( + ) #2 2 ( + ) #3 3 ( + ) #4 4 ( + ) #5 5 ( + ) #6 6 ( + ) #7 7 ( + ) #8 8 ( + ) #9 9 ( + ) #0 0 ( + )

English

Numeric keys (1 thru 9 and 0)

Tap on to complete the setting.

To delete all shortcut settings, tap on on

the shortcut list screen, and then on in the confirmation screen.

Page 21

CHAPTER 6: Other Settings

Assigning a Specific Function to the ONE TOUCH Button

You can assign the ONE TOUCH button on the cradle a series of procedures for an often used function. The followings are the available functions.

[Record]: Sets the Disklavier in recording mode. (→

pg. 46)

[Performance]:

Turns on the Performance function. (→ pg. 42)

[Standby]: Turns off the Disklavier. (→ pg. 6 in

“Quick Guide”)

[DisklavierRadio]:

Turns on the DisklavierRadio. (→ pg. 100)

[Metronome]:

Turns on or off the internal metronome.

[Shortcut]: Recalls the function assigned to Shortcut

#1 thru #9 and #0. (→ pg. 79 “Assigning Frequently-used Functions to the Numeric Keys of the Pocket Controller (Shortcut)”)

Tap on in the [Main] screen,

and then on .

Diagnosing the Disklavier

The piano diagnostics may be required as the occasion demands. In such a case, follow the instructions of your Yamaha dealer and perform the following procedure.

Tap on [Service Center] in the

[PRC-100 Menu] screen.

Tap on the desired option, and then

follow the instructions that appears on the screen.

Tap on to return to the [PRC-100

Menu] screen.

Tap on [Function], press to select

the desired option, and then on

Tip: If you cannot find a desired option, tap on

or to switch the screen.

Tap on to complete the

operation.

To inactivate the ONE TOUCH button, select [No Function] in step 2.

Page 22

CHAPTER 6: Other Settings

Piano Voice List

The following table lists the voices in the internal tone generator only for the piano playing in Quiet or Headphone mode. For details on the voice selection, see “Selecting the Voice in Quiet/Headphone Mode” on page 19 in “Quick Guide”.

Instrument

Group

Grand Piano Grand Piano

Bright Piano Mellow Piano

E.Piano Electric Piano

Modern Electric Piano DX Electric Piano Galaxy Electric Piano Vintage Electric Piano

Harpsichord Harpsichord 4’

Harpsichord 4’+8’ Clavinet

Voice Name

Instrument

Group

AEM Brass AEM-Trumpet 1

AEM-Trumpet 2 AEM-Trombone

AEM Sax AEM-Alt Sax 1

AEM-Alt Sax 2 (for Solo) AEM-Tenor Sax AEM-Baritone Sax

AEM Section AEM-Brass Section

AEM-Sax Section

Voice Name

English

Vibraphone Vibraphone

Marimba Celesta

Church Organ Church Organ Principal

Church Organ Flute Church Organ Full

Jazz Organ Drawbar Organ

Jazz Organ Rotor Organ

Guitar Nylon Guitar

Steel Guitar

Bass Acoustic Bass

Finger Bass Fretless Bass A.Bass and Cymbal

Strings Strings 1

Strings 2 Synth Strings

Choir Choir

Slow Choir Scat

Pad New Age Pad

Warm Pad

Page 23

CHAPTER 6: Other Settings

Ensemble Part Playback Voice List

The following table lists the voices in the internal tone generators for the ensemble part contained in the PianoSoft·Plus, or for MIDI file playback on the Disklavier or external MIDI device (synthesizer, sequencer, etc.). (→ pg. 93 “Enhancing the Disklavier Features by Hooking Up a MIDI Device”)

Group Name

Piano 1 Grand Piano

Voice

Number

2 XG-GrandPno

3 XG-GrndPnoK

4Mellow Piano

5 XG-MelloGrP

6 XG-PianoStr

Voice Name

Group Name

Piano 28 DX Electric Piano

Voice

Number

29 Galaxy Elec. Piano

30 XG-E.Piano2

31 XG-El.Pno2K

32 XG-Chor.EP2

33 XG-DX Hard

34 XG-DXLegend

35 XG-DX Phase

36 XG-DX+Analg

37 XG-DXKotoEP

38 XG-VX El.P2

39 Harpsichord 4'

40 Harpsichord 4'+8'

Voice Name

7XG-Dream

8 Bright Piano

9 XG-BritePno

10 XG-BritPnoK

11 XG-E.Grand

12 XG-ElGrPnoK

13 XG-Det.CP80

14 XG-ElGrPno1

15 XG-ElGrPno2

16 XG-HnkyTonk

17 XG-HnkyTnkK

18 Electric Piano

19 Modern Elec. Piano

20 Vintage Elec. Piano

21 XG-E.Piano1

41 XG-Harpsi.

42 XG-Harpsi.K

43 XG-Harpsi.2

44 XG-Harpsi.3

45 Clavinet

46 XG-Clavi.

47 XG-Clavi. K

48 XG-ClaviWah

49 XG-PulseClv

50 XG-PierceCl

Percussion 51 Celesta

52 XG-Celesta

53 XG-Glocken

54 XG-MusicBox

55 XG-Orgel

22 XG-El.Pno1K

23 XG-MelloEP1

24 XG-Chor.EP1

25 XG-HardEl.P

26 XG-VX El.P1

27 XG-60sEl.P

56 Vibraphone

57 XG-Vibes

58 XG-VibesK

59 XG-HardVibe

60 Marimba

Page 24

CHAPTER 6: Other Settings

Group Name

Percussion 61 XG-Marimba

Voice

Number

62 XG-MarimbaK

63 XG-SineMrmb

64 XG-Balafon2

65 XG-Log Drum

66 XG-Xylophon

67 XG-TubulBel

68 XG-ChrchBel

69 XG-Carillon

70 XG-Dulcimer

71 XG-Dulcimr2

72 XG-Cimbalom

73 XG-Santur

Voice Name

Group Name

Organ 95 XG-RockOrgn

Voice

Number

96 XG-RotaryOr

97 XG-SloRotar

98 XG-FstRotar

99 Ch. Organ Principal

100 Ch. Organ Flute

101 Ch. Organ Full

102 XG-ChrchOrg

103 XG-ChurOrg3

104 XG-ChurOrg2

105 XG-NotreDam

106 XG-OrgFlute

107 XG-TrmOrgFl

Voice Name

English

Organ 74 Drawbar Organ

75 Jazz Organ

76 XG-DrawOrgn

77 XG-DetDrwOr

78 XG-60sDrOr1

79 XG-60sDrOr2

80 XG-70sDrOr1

81 XG-DrawOrg2

82 XG-60sDrOr3

83 XG-EvenBar

84 XG-16+2"2/3

85 XG-Organ Ba

86 XG-70sDrOr2

87 XG-CheezOrg

88 XG-DrawOrg3

108 XG-ReedOrgn

109 XG-Puff Org

110 XG-Acordion

111 XG-AccordIt

112 XG-Harmnica

113 XG-Harmo 2

114 XG-TangoAcd

115 XG-TngoAcd2

Guitar 116 Nylon Guitar

117 XG-NylonGtr

118 XG-NylonGt2

119 XG-NylonGt3

120 XG-VelGtHrm

121 XG-Ukulele

122 Steel Guitar

89 XG-PercOrgn

90 XG-70sPcOr1

91 XG-DetPrcOr

92 XG-LiteOrg

93 XG-PercOrg2

94 Rotor Organ

123 XG-SteelGtr

124 XG-SteelGt2

125 XG-12StrGtr

126 XG-Nyln&Stl

127 XG-Stl&Body

Continue to next page...

Page 25

CHAPTER 6: Other Settings

Group Name

Guitar 128 XG-Mandolin

Voice

Number

129 XG-Jazz Gtr

130 XG-MelloGtr

131 XG-JazzAmp

132 XG-CleanGtr

133 XG-ChorusGt

134 XG-Mute.Gtr

135 XG-FunkGtr1

136 XG-MuteStlG

137 XG-FunkGtr2

138 XG-Jazz Man

139 XG-Ovrdrive

140 XG-Gt.Pinch

Voice Name

Group Name

Guitar 162 Fretless Bass

Voice

Number

163 XG-Fretless

164 XG-Fretles2

165 XG-Fretles3

166 XG-Fretles4

167 XG-SynFretl

168 XG-Smooth

169 XG-SlapBas1

170 XG-ResoSlap

171 XG-PunchThm

172 XG-SlapBas2

173 XG-VeloSlap

174 XG-SynBass1

Voice Name

141 XG-Dist.Gtr

142 XG-FeedbkGt

143 XG-FeedbGt2

144 XG-GtrHarmo

145 XG-GtFeedbk

146 XG-GtrHrmo2

147 Acoustic Bass

148 A.Bass and Cymbal

149 XG-Aco.Bass

150 XG-JazzRthm

151 XG-VXUprght

152 Finger Bass

153 XG-FngrBass

154 XG-FingrDrk

155 XG-FlangeBa

175 XG-SynBa1Dk

176 XG-FastResB

177 XG-AcidBass

178 XG-Clv Bass

179 XG-TeknoBa

180 XG-Oscar

181 XG-SqrBass

182 XG-RubberBa

183 XG-Hammer

184 XG-SynBass2

185 XG-MelloSB1

186 XG-Seq Bass

187 XG-ClkSynBa

188 XG-SynBa2Dk

189 XG-SmthBa 2

156 XG-Ba&DstEG

157 XG-FngrSlap

158 XG-FngBass2

159 XG-ModAlem

160 XG-PickBass

161 XG-MutePkBa

190 XG-ModulrBa

191 XG-DX Bass

192 XG-X WireBa

Strings 193 XG-Violin

194 XG-SlowVln

195 XG-Viola

Page 26

CHAPTER 6: Other Settings

Group Name

Strings 196 XG-Cello

Ensemble 205 Strings 1

Voice

Number

197 XG-Contrabs

198 XG-Trem.Str

199 XG-SlowTrStr

200 XG-Susp Str

201 XG-Pizz.Str

202 XG-Harp

203 XG-YangChin

204 XG-Timpani

206 XG-Strings1

207 XG-S.Strngs

208 XG-SlowStr

Voice Name

Group Name

Ensemble 230 Slow Choir

Voice

Number

231 Scat

232 XG-ChoirAah

233 XG-S.Choir

234 XG-Ch.Aahs2

235 XG-MelChoir

236 XG-ChoirStr

237 XG-VoiceOoh

238 XG-SynVoice

239 XG-SynVox2

240 XG-Choral

241 XG-AnaVoice

242 XG-Orch.Hit

Voice Name

English

209 XG-ArcoStr

210 XG-60sStrng

211 XG-Orchestr

212 XG-Orchstr2

213 XG-TremOrch

214 XG-VeloStr

215 Strings 2

216 XG-Strings2

217 XG-S.SlwStr

218 XG-LegatoSt

219 XG-Warm Str

220 XG-Kingdom

221 XG-70s Str

222 XG-Str Ens3

223 Synth Strings

243 XG-OrchHit2

244 XG-Impact

Brass 245 AEM-Trumpet 1

246 AEM-Trumpet 2

247 XG-Trumpet

248 XG-Trumpet2

249 XG-BriteTrp

250 XG-WarmTrp

251 AEM-Trombone

252 XG-Trombone

253 XG-Trmbone2

254 XG-Tuba

255 XG-Tuba 2

256 XG-Mute.Trp

257 XG-Fr.Horn

224 XG-Syn.Str1

225 XG-ResoStr

226 XG-Syn Str4

227 XG-SS Str

228 XG-Syn.Str2

229 Choir

258 XG-FrHrSolo

259 XG-FrHorn2

260 XG-HornOrch

261 XG-BrasSect

262 XG-Tp&TbSec

Continue to next page...

Page 27

CHAPTER 6: Other Settings

Group Name

Brass 263 XG-BrssSec2

Voice

Number

264 XG-HiBrass

265 XG-MelloBrs

266 XG-SynBras1

267 XG-QuackBr

268 XG-RezSynBr

269 XG-PolyBrss

270 XG-SynBras3

271 XG-JumpBrss

272 XG-AnaVelBr

273 XG-AnaBrss1

274 XG-SynBras2

275 XG-Soft Brs

Voice Name

Group Name

Pipe 297 XG-Piccolo

Synth Lead 305 XG-SquareLd

Voice

Number

298 XG-Flute

299 XG-Recorder

300 XG-PanFlute

301 XG-Bottle

302 XG-Shakhchi

303 XG-Whistle

304 XG-Ocarina

306 XG-Square 2

307 XG-LMSquare

308 XG-Hollow

309 XG-Shmoog

Voice Name

276 XG-SynBras4

277 XG-ChorBrss

278 XG-VelBras2

279 XG-AnaBras2

Reed 280 XG-SprnoSax

281 AEM-Alto Sax 1

282 AEM-Alto Sax 2

283 XG-Alto Sax

284 XG-Sax Sect

285 XG-HyprAlto

286 AEM-Tenor Sax

287 XG-TenorSax

288 XG-BrthTnSx

289 XG-SoftTenr

290 XG-TnrSax 2

310 XG-Mellow

311 XG-SoloSine

312 XG-SineLead

313 XG-Saw.Lead

314 XG-Saw 2

315 XG-ThickSaw

316 XG-DynaSaw

317 XG-DigiSaw

318 XG-Big Lead

319 XG-HeavySyn

320 XG-WaspySyn

321 XG-PulseSaw

322 XG-Dr. Lead

323 XG-VeloLead

324 XG-Seq Ana

291 AEM-Baritone Sax

292 XG-Bari.Sax

293 XG-Oboe

294 XG-Eng.Horn

295 XG-Bassoon

296 XG-Clarinet

325 XG-CaliopLd

326 XG-Pure Pad

327 XG-Chiff Ld

328 XG-Rubby

329 XG-CharanLd

330 XG-DistLead

Page 28

CHAPTER 6: Other Settings

Group Name

Synth Lead 331 XG-WireLead

Voice

Number

332 XG-Voice Ld

333 XG-SynthAah

334 XG-VoxLead

335 XG-Fifth Ld

336 XG-Big Five

337 XG-Bass &Ld

338 XG-Big&Low

339 XG-Fat&Prky

340 XG-SoftWurl

341 New Age Pad

342 XG-NewAgePd

343 XG-Fantasy2

Voice Name

Group Name

Synth Lead 365 XG-Pan Pad

Synth

Effects

Voice

Number

366 XG-Halo Pad

367 XG-SweepPad

368 XG-Shwimmer

369 XG-Converge

370 XG-PolarPad

371 XG-Celstial

372 XG-Rain

373 XG-ClaviPad

374 XG-HrmoRain

375 XG-AfrcnWnd

376 XG-Caribean

377 XG-SoundTrk

Voice Name

English

344 Warm Pad

345 XG-Warm Pad

346 XG-ThickPad

347 XG-Soft Pad

348 XG-SinePad

349 XG-Horn Pad

350 XG-RotarStr

351 XG-PolySyPd

352 XG-PolyPd80

353 XG-ClickPad

354 XG-Ana Pad

355 XG-SquarPad

356 XG-ChoirPad

357 XG-Heaven2

358 XG-Itopia

378 XG-Prologue

379 XG-Ancestrl

380 XG-Crystal

381 XG-SynDrCmp

382 XG-Popcorn

383 XG-TinyBell

384 XG-RndGlock

385 XG-GlockChi

386 XG-ClearBel

387 XG-ChorBell

388 XG-SynMalet

389 XG-SftCryst

390 XG-LoudGlok

391 XG-XmasBell

392 XG-VibeBell

359 XG-CC Pad

360 XG-BowedPad

361 XG-Glacier

362 XG-GlassPad

363 XG-MetalPad

364 XG-Tine Pad

393 XG-DigiBell

394 XG-AirBells

395 XG-BellHarp

396 XG-Gamelmba

397 XG-Atmosphr

Continue to next page...

Page 29

CHAPTER 6: Other Settings

Group Name

Synth

Effects

Voice

Number

398 XG-WarmAtms

399 XG-HollwRls

400 XG-NylonEP

401 XG-NylnHarp

402 XG-Harp Vox

403 XG-AtmosPad

404 XG-Planet

405 XG-Bright

406 XG-FantaBel

407 XG-Smokey

408 XG-Goblins

409 XG-GobSyn

410 XG-50sSciFi

Voice Name

Group Name

Synth

Effects

Voice

Number

432 XG-Tamboura

433 XG-Banjo

434 XG-MuteBnjo

435 XG-Rabab

436 XG-Gopichnt

437 XG-Oud

438 XG-Shamisen

439 XG-Koto

440 XG-T.Koto

441 XG-Kanoon

442 XG-Kalimba

443 XG-Bagpipe

444 XG-Fiddle

Voice Name

411 XG-Ring Pad

412 XG-Ritual

413 XG-ToHeaven

414 XG-Night

415 XG-Glisten

416 XG-BelChoir

417 XG-Echoes

418 XG-EchoPad2

419 XG-Echo Pan

420 XG-EchoBell

421 XG-Big Pan

422 XG-SynPiano

423 XG-Creation

424 XG-Stardust

425 XG-Reso Pan

445 XG-Shanai

446 XG-Shanai2

447 XG-Pungi

448 XG-Hichriki

Percussive 449 XG-TnklBell

450 XG-Bonang

451 XG-Gender

452 XG-Gamelan

453 XG-S.Gamlan

454 XG-Rama Cym

455 XG-AsianBel

456 XG-Agogo

457 XG-SteelDrm

458 XG-GlasPerc

459 XG-ThaiBell

426 XG-Sci-Fi

427 XG-Starz

428 XG-Sitar

429 XG-DetSitar

430 XG-Sitar 2

431 XG-Tambra

460 XG-WoodBlok

461 XG-Castanet

462 XG-TaikoDrm

463 XG-Gr.Cassa

464 XG-MelodTom

465 XG-Mel Tom2

Page 30

CHAPTER 6: Other Settings

Group Name

Percussive 466 XG-Real Tom

Voice

Number

467 XG-Rock Tom

468 XG-Syn.Drum

469 XG-Ana Tom

470 XG-ElecPerc

471 XG-RevCymbl

472 XG-FretNoiz

473 XG-BrthNoiz

474 XG-Seashore

475 XG-Tweet

476 XG-Telphone

477 XG-Helicptr

478 XG-Applause

Voice Name

Group Name

SFX Voice 511 XG-WindChm

Voice

Number

512 XG-Telphon2

513 XG-CarEngin

514 XG-Car Stop

515 XG-Car Pass

516 XG-CarCrash

517 XG-Siren

518 XG-Train

519 XG-Jetplane

520 XG-Starship

521 XG-Burst

522 XG-Coaster

523 XG-SbMarine

Voice Name

English

479 XG-Gunshot

SFX Voice 491 XG-CuttngNz

492 XG-CttngNz2

493 XG-Str Slap

494 XG-Fl.KClik

495 XG-Rain

496 XG-Thunder

497 XG-Wind

498 XG-Stream

499 XG-Bubble

500 XG-Feed

501 XG-Dog

502 XG-Horse

503 XG-Bird

504 XG-Ghost

524 XG-Laughing

525 XG-Scream

526 XG-Punch

527 XG-Heart

528 XG-FootStep

529 XG-MchinGun

530 XG-LaserGun

531 XG-Xplosion

532 XG-FireWork

505 XG-Maou

506 XG-Tel.Dial

507 XG-DoorSqek

508 XG-Door Slam

509 XG-Scratch

510 XG-Scratch 2

Page 31

CHAPTER 6: Other Settings

Drum Voice List

The following table lists the drum voice in the internal tone generators for MIDI file playback on the Disklavier or external MIDI device (synthesizer, sequencer, etc.). (→ pg. 93 “Enhancing the Disklavier Features by Hooking Up a MIDI Device”)

Group Name

Drum 480 XG-StandKit

Voice

Number

481 XG-Stnd2Kit

482 XG-Room Kit

483 XG-Rock Kit

484 XG-ElectKit

485 XG-AnalgKit

486 XG-Jazz Kit

487 XG-BrushKit

Drum Voice Name

Vocal Harmony Type List

The following table lists the available vocal harmony types. For details on the type selection, see “Applying an Effect to Your Voice (Vocal Harmony)” on page 68.

Vocal Harmony

Type

Instrument Scat Vocoder

Octave Up Scat Vocoder

Auto Key Harmony Vocoder

Auto Harmony-M Vocoder

Auto Harmony-F Vocoder

Octave Up Chromatic

Octave Down Chromatic

Country Quartet Vocoder

Closed Men Quartet Vocoder

Vocal Harmony

Mode

488 XG-ClascKit

489 XG-SFX Kit1

490 XG-SFX Kit2

Mix Acap Quartet Vocoder

Womem Choir Vocoder

Jazz Sisters Vocoder

Standard Duet Vocoder

Men Choir Vocoder

Closed Choir Vocoder

Girl in Duet Vocoder

Speedy Mouse Chromatic

High Male Quartet Vocoder

Jazz Quartet Vocoder

Mixed Choir Vocoder

Country Girls Vocoder

Sister Trio Vocoder

Country Men Vocoder

A Capella Boy Vocoder

A Capella Mix Vocoder

Gospel Diva Vocoder

Lisa and Tina Vocoder

Acap Mem Quartet Vocoder

Jazz Mem Choir Vocoder

Jazz Closed Cho Vocoder

Page 32

CHAPTER 6: Other Settings

Vocal Harmony

Type

Jazz Women Cho Vocoder

Ladies Quartet Vocoder

Sing B+G Vocoder

Barber shop Vocoder

Jazz Mixed Cho Vocoder

Dream Girls Vocoder

Sing the Bass Chromatic

Falsetto Duet Vocoder

Falsetto Trio Vocoder

Falsetto Dia Vocoder

Fal A Capella Vocoder

Falsetto Jazz Vocoder

2 Unison Low Vocoder

3 Unison Low Vocoder

Vocal Harmony

Mode

Vocal Harmony

Type

Voice & Inst Vocoder

Vocal Harmony

Mode

English

Diatonic Jazz Vocoder

Diatonic Girl Vocoder

A Capella Dia Vocoder

Chordal XG Vocoder

Karaoke Auto Vocoder

Karaoke Mode Vocoder

Karaoke Girl Vocoder

Karaoke Pitch Vocoder

2 Unison High Vocoder

3 Unison High Vocoder

Vocoder Auto Upper Vocoder

Vocoder Auto Lower Vocoder

DetuneXG Detune

VocoderXG Vocoder

Vocoder Mode Upper Vocoder

Vocoder Mode Lower Vocoder

Vocoder Girl Upper Vocoder

Vocoder Girl Lower Vocoder

Vocoder PitchUpper Vocoder

Vocoder PitchLower Vocoder

ChromaticXG Chromatic

Page 33

CHAPTER

Enhancing the Disklavier Features by

MIDI (an acronym for Musical Instrument Digital Interface) allows electronic device (synthesizers, etc.) to interact and work in synchronization with other MIDI compatible device. Disklavier enables you to enjoy a variety of MIDI features by connecting a MIDI device or computer to the Disklavier’s I/O Center.

Hooking Up a MIDI Device

MIDI device (Drum Machine, sequencer, synthesizer, tone generator, etc.) or computer

Note: When you use the USB connection, it is

required to install the USB driver to the connected device. In such a case, visit the following website and download the driver.

http://www.global.yamaha.com/download/usb_midi/

To MIDI outputTo USB

port

USB cable (not supplied)

MIDI cable* (not

supplied)

I/O Center

* Be sure to use the commercially available MIDI cable

with the L-shaped connector on the I/O Center end.

To MIDI input

Page 34

CHAPTER 7: Enhancing the Disklavier Features by Hooking Up a MIDI Device

Setting Up the Disklavier for MIDI Data Reception (MIDI IN)

The Disklavier can play back the MIDI data being received from the connected MIDI device as well as the software loaded or stored in the Disklavier itself. The following options should be set up in advance.

[Port]

Selects the terminal/port used for the data reception. [MIDI]: Select this when the MIDI device is

connected to MIDI IN terminal.

[USB]: Select this when the MIDI device is

connected to USB port on the front of the I/O Center.

[Piano Rcv Ch]

The MIDI data consists of multi channels that are respectively assigned to a certain instrument’s part. This option assigns the desired channel(s) to the piano part(s) that is (are) played back on the Disklavier’s keyboard.

[##]: Select this when you assign no channel to

the piano part.

[01] thru [16]:

Select the desired channel to which you assign the piano part.

[HP]: Select this when you assign the “01” and

“02” channels to the piano parts, and the “03” channel to the pedal part.

[1+2]: Select this when the “01” and “02”

channels are assigned to the piano parts.

[Prg]: Selects the smallest number channel

assigned to the piano group voice (→ pg.

83) to be played on the Disklavier.

[Prg(All)]: Selects all channels assigned to the piano

group voice (→ pg. 83) to be played on the Disklavier.

[Delay]

When the Disklavier receives two kinds of data (strong and weak note) at the same time, the weak note sounds a little bit later than the strong one due to the characteristics of the Disklavier’s mechanism. To eliminate this delay in the sound reproduction and the notes are sounded in accurate timing at 500 millisecond after the data reception, usually a delay is applied to the incoming MIDI data.

[ON]: Select this when you apply this delay to the

incoming MIDI data.

[OFF]: Select this when you do not apply this

delay.

Tap on in the [Main] screen,

and then on .

The MIDI screen consists of three screens. Tap on

or to

switch the screen.

Tap on [Port]/[Piano Rcv Ch]/[Delay],

and then press to select the desired option.

Tap on to complete the setup.

English

Page 35

CHAPTER 7: Enhancing the Disklavier Features by Hooking Up a MIDI Device

Setting Up the Disklavier for MIDI Data Transmission (MIDI OUT)

The Disklavier can transmit the information of piano playing/ensemble part playback on the Disklavier as the MIDI data to the connected MIDI device to reproduce the sound with its sound generator, etc. or to record the MIDI data. The following options should be set up in advance.

[Port]

Selects the terminal/port used for the data transmission. [MIDI]: Select this when the MIDI device is

connected to MIDI OUT terminal.

[USB]: Select this when the MIDI device is

connected to USB port on the front of the I/O Center.

[Transmit]

Selects one of the following parts to be transmitted to the connected MIDI device.

[ESBL Out]:Select this when you transmit the ensemble

part played back on the Disklavier.

[KBD Out]: Select this when you transmit the piano

part played on the Disklavier.

Tap on in the [Main] screen,

and then on .

Tap on / so that the

following screen appears.

Tap on [Port]/[Transmit]/[P-Part ESBL

Out], and then press to select the desired option.

Tap on to complete the setup.

[P-Part ESBL Out]

Selects the channel(s) to which the piano part is assigned. [ON]: Select this when you assign the piano parts

to both the piano and the ensemble channels at data transmission.

[OFF]: Select this when you assign the piano parts

to only the piano channels at data transmission.

Page 36

CHAPTER 7: Enhancing the Disklavier Features by Hooking Up a MIDI Device

Setting Up the Disklavier for Keyboard Playing Data Transmission (KBD OUT)

Besides the [MIDI OUT] options, more detailed setups for the keyboard playing data transmission is available. The following options should be set up in advance.

[Out Ch]

Assigns the piano part to the desired channels. [##]: Select this when you assign no channel to

the piano part.

[01] thru [16]:

Select the desired channel to which you assign the piano part.

[HP]: Select this when you transmit the ON/OFF

pedal data to the “01” and the half-pedal data to the “03”. (This option is prepared for the data format used on the former version of the Disklavier.)

[Local]

Selects whether you reproduce or not the piano part playing with the Disklavier’s internal tone generator.

[ON]: Select this when you reproduce the piano

part with the Disklavier’s internal tone generator.

[OFF]: Select this when you reproduce the song

(played on the Disklavier) on the external MIDI device. This option inactivates the internal tone generator to prevent both the internal and external tone generator sound at the same time.

[Split]

Sets the split point on the desired note that divides the keyboard into left-hand and right-hand part. The selected note and the notes lower than that note are assigned to the channel set in [Out Ch] option, and the notes higher than that note are assigned to the channel next to the channel set in [Out Ch] option.

[A-1] thru [C7]:

Select the desired note as the split point.

[OFF]: Select this when you assign all the notes to

one channel.

[Trans L]

Transposes the left-hand part to the desired key at transmission.

[Trans R]

Transposes the right-hand part to the desired key at transmission.

Tap on in the [Main] screen,

and then on .

Tap on / so that the

following screen appears.

English

Tap on [Out Ch]/[Local]/[Split]/[Trans

L]/[Trans R], and then press to select/adjust the selected option.

Tap on to complete the

operation.

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CHAPTER

Internet Direct Connection (IDC)

Service

What is Internet Direct Connection (IDC)?

Internet Direct Connection (IDC) is a feature that allows you to connect your Disklavier directly to the Internet. Internet Direct Connection users are able to listen to a streaming broadcast (DisklavierRadio), preview and purchase thousands of songs (DisklavierMusicStore), and receive valuable information such as product updates (Network Update). Your Disklavier can be upgraded remotely as new technologies and services are developed through the IDC service.

Obtaining an ID and Password for the IDC Service (IDC Registration)

For details on entering characters, see “Entering Characters” on page 35.

Tap to submit the entered information.

Tap to cancel login.

Note: Some IDC service functions do not require

an ID or password.

Connecting the Disklavier to the Internet

To use the IDC service, initial registration is required using an Internet-connected computer. Please register at the following website: https://

music.yamaha.com/serviceRegistration.html

Note: If you have already registered for the IDC

service with any other instrument (such as the Clavinova), you do not need to register again. You can use your ID and password obtained through that registration.

Once you have an IDC account, you will interact with that account using the Pocket Controller. The dialog below shows a sample screen on the Pocket Controller in which you need to enter your previously registered ID (email address) and password for using the full IDC service.

You can connect the Disklavier to a full-time online Internet connection (ADSL, optical fiber, cable Internet, etc.) via a router or a modem equipped with a router.

Preparations

• To use the Internet connection, you will first need to subscribe to an Internet service or provider.

• Use a computer to obtain and configure Internet service. You cannot obtain Internet service or configure router settings on a local area network using the Disklavier itself

• Use an STP (shielded twisted pair) cable to connect the I/O Center and a router.

• Before connecting the LAN cable, make sure to turn off (or shut down) the Disklavier.

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CHAPTER 8: Internet Direct Connection (IDC) Service

Connecting the I/O Center to the Internet

Connection example 1:

Using a modem with router function

Modem (with router function)

Other device (such as computer)

LAN cable

I/O Center (right side)

Connection example 2:

Using a modem without router function

Note:

Depending on the contract with your Internet provider, you may not be able to connect two or more devices (for example, a computer and the Disklavier) to the Internet. Please check your contract or contact your Internet provider for further information.

Note:

Some types of modems (such as ADSL modems or cable modems) have multiple ports for connecting two or more devices (such as computer, musical instrument, etc.). If your modems have only one port, an optional router or hub is required in order to connect several devices simultaneously.

Note:

Use an STP (shielded twisted pair) cable for connection.

For further information on the Internet connection (only a wired LAN connection is supported), visit the Yamaha Disklavier website:

http://www.yamaha.com/disklavier/ (for US customers)

http://www.yamaha.ca/content/piano/products/ disklavierpianos/ (for Canadian customers)

http://www.yamaha-disklavier.com/ (for European customers)

http://www.yamaha.com.au/au/ (for Australian customers; Check the Disklavier website)

English

LAN cable

Modem (without router function)

Router

Other device (such as computer)

I/O Center (right side)

Notes on Network Security

The Disklavier Mark IV attempts to achieve a balance between security and usability in its network implementation. However, a determined hacker may be able to defeat these security measures and utilize the network of the purchaser in an unauthorized manner. Since each network is different, only the purchaser can determine whether the security measures discussed here will adequately protect their network.

The purchaser acknowledges that connection to the Internet and use of the Disklavier Mark IV Internet features is done at the risk of the purchaser. In no event shall Yamaha, its subsidiaries or Yamaha's and/or its subsidiaries' directors, officers, or employees be responsible for unauthorized access, loss or alteration of the data of the purchaser or be liable for any damage from intrusions.

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CHAPTER 8: Internet Direct Connection (IDC) Service

Accessing the Internet

Once you have established an IDC account and successfully connected your Disklavier to the Internet, you can access a special Disklavier website where you can audition and purchase song files, access DisklavierRadio, and download software updates, among other things.

Note: Free contents that do not require an ID and

password are available.

Note: The service contents are subject to change

without prior notice.

[DisklavierRadio]:

Select this to listen to streaming broadcasts of music, with many channels of music content. You can enjoy listening to piano performances that play continuously.

Note: Music contents with narration are also

available.

[DisklavierMusicStore]:

Select this to purchase and download MIDI song files. The available formats are PianoSoft Solo, PianoSoft Plus, Smart PianoSoft, and Standard MIDI.

Note: Standard MIDI files may not include an

interesting piano part.

[To Download Library]:

Select this to play purchased songs. This option functions as the shortcut to [Download Library], where the purchased songs are stored.

[My Account]:

Select this to confirm your account information. You can also re-download song files previously purchased, log out from the IDC service, or refer to the help information from this option.

Tap on in the [Main] screen.

The message [Connecting to the Internet ...] appears on the screen. The [Internet] screen appears if the Disklavier has successfully connected to the Internet.

IDC service options

Note: If the connection fails, the [Failed to

connect the Internet] message appears. In such a case, tap on to return to the [Main] screen. Turn off the Disklavier and make sure the LAN cable is connected to the I/O Center firmly. Then turn on the Disklavier and perform step 1 again. If the connection still fails, see “Setting Up the Disklavier for Internet Connection” on page 103 and check the setting.

Tap on the desired option.

Perform operations on the screen that appears.

Tap on to return to the

[Internet] screen.

Press to return to the [Main]

screen.

[Network Update]:

Select this to update the Disklavier using Internet connection.

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CHAPTER 8: Internet Direct Connection (IDC) Service

Logging Out from IDC Service

If you wish to use another IDC account or prevent the current account from being used by others, you must first log out from the IDC service.

Perform step 1 of “Accessing the

Internet.” (→ pg. 99)

Tap on , and then

on .

Tap on to return to the

[Internet] screen.

Basic Operations on the IDC Service Screens

The following samples show the basic operations that you will perform frequently.

List Screen

Tap to select the desired option.

Tap on either end of the bar to show the hidden options.

Tap to return to the [Internet] screen.

Tap to confirm the shopping cart.

[Shopping Cart] Screen

Tap to display the song information.

English

DisklavierRadio [Play] Screen

Channel name

Song title

Other information such as album name, composer, etc.

Tap to add the song being played to the shopping cart.

Tap to return to the [Internet] screen.

Each time you tap on this button, and alternates. Tap on to mute the sound. Tap on

to resume the sound.

Tap to purchase the song file on the shopping cart.

Tap to clear all the songs on the shopping cart.

Purchase Screen

Tap to purchase the song file.

Tap to show the album information.

Tap to preview the song file.

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CHAPTER 8: Internet Direct Connection (IDC) Service

Checking Your Account Information

You can check your account information such as purchase history of song files and subscription status of the DisklavierRadio. You can also log out from the IDC service.

[Account Information]:

Select this to confirm your account information.

[Purchase History]:

Select this to confirm the purchase history of song files. You can also re-downloa d previously purchased song files.

[Subscription Status]:

Select this to renew a DisklavierRadio subscription or to unsubscribe from DisklavierRadio.

Perform step 1 of “Accessing the

Internet.” (→ pg. 99)

Accessing the Download Library

The song data purchased in the DisklavierMusicStore is stored in [Download Library]. You can access this library from the [Main] screen or the [Internet] screen.

Tap to access [Download

[Main] screen

Library].

Tap on .

Tap on the desired option.

Perform operations on the screen that appears.

Tap on to return to the

[Internet] screen.

Tap to access [Download Library].

[Internet] screen

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CHAPTER 8: Internet Direct Connection (IDC) Service

Updating the Disklavier Using the Internet

You can download and then install update firmware using the IDC service.

Perform step 1 of “Accessing the

Internet.” (→ pg. 99)

Tap on .

The version confirmation process between the IDC server and the Disklavier starts. If there is any updated firmware available, the following confirmation dialog appears.

Tap to cancel update.

The following confirmation dialog appears when the download process is completed.

Tap to reboot the Disklavier and install the firmware.

Tap to install the firmware next time you turn on the Disklavier.

Tap to cancel the installation process.

Tap on the desired option ( or

Note: The installation process starts

automatically when you reboot the Disklavier.

Note: Since the installation process starts

when the Disklavier is rebooted, it may take longer than usual to operate the Disklavier after power up.

Note: You cannot cancel the installation

process once it has started.

English

Tap on .

The download process of the firmware starts.

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CHAPTER 8: Internet Direct Connection (IDC) Service

Setting Up the Disklavier for Internet Connection

You can change various settings related to networking. In most cases, you do not have to change the default factory settings.

[Use DHCP]:

Select the method to determine several addresses. If your router has DHCP server function, we recommend that you to select [DHCP] or [DHCP+DNS].

[DNS1]/[DNS2]:

Enter the address of the primary and secondary DNS server. These settings must be made when [Use DHCP] is set to [DHCP+DNS] or [MAN.].

[IP Addr.]/[Sub Mask]/[Gateway]:

Enter the address of the I/O Center, subnet mask and gateway server. These settings must be made when [Use DHCP] is set to [MAN.].

Note: For information about DNS server address,

IP address, subnet mask and gateway server address, check your contract or contact your Internet provider.

[Proxy Server]/[Proxy Port]:

Enter the name and the port number for the proxy server. These settings are necessary only when a proxy server is located in your local network.

[Delete Cookies]:

Delete the contents of all saved cookies*

*1 See “Cookie” in “Glossary” on page 113.

[Connection Info.]:

You can confirm the information of network settings.

[Passcode]*

Enter the 4-digit passcode to prevent unauthorized access from the external remote controller.

[Thru MAC Addr.]*

For the external remote controller that cannot input the passcode, you can set the MAC address of that remote controller.

*2 These settings are not required for the use of the

Pocket Controller and Tablet Controller. In case of using an external remote controller, refer to the user's guide for the remote controller.

Note: If changes are inappropriately made for

[Passcode] and/or [Thru MAC Addr.] settings, the external remote controller may not function properly. In such cases, clear the current passcode to restore the initial settings.

Tap on in the [Main] screen,

and then on .

Tap on .

The [Network] screen consists of three screens. Tap on

or to

switch the screen.

Tap on the desired option.

Perform operations on the screen that appears.

Tap on to complete the setup.

Initializing Internet Settings

If you want to initialize Internet settings, first you must reset the whole system of the Disklavier. (→ pg. 78 “Resetting the Disklavier”) However, cookies* are still remain after system resetting. To delete cookies, perform the appropriate operation on the [Network] setup screen. (→ pg. 103 “Setting Up the Disklavier for Internet Connection”)

* See “Cookie” in “Glossary” on page 113.

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CHAPTER

Troubleshooting

If you are having difficulty operating your Disklavier, see if any of the symptoms listed below apply to your problem and follow the recommended remedy.

The Disklavier does not turned on.

• Make sure that the Power Supply unit is securely connected to an AC wall outlet with the supplied power cord. (→ pg. 14)

• Make sure that the Mains switches on both the Power Supply unit and the I/O Center are turned on.

• When the does not light green and stays flashing green several minutes after the I/O Center is turned on, turn the Power Supply unit off, wait approximately 10 seconds or more, and then turn the unit back on. (→ pg. 4 “Turning the Disklavier On” in “Quick Guide”)

No sound is heard from the supplied Monitor speakers.

• Make sure the Monitor speakers’ AC power cables are connected to the SWITCHED AC outlets on the Power Supply unit.

• Make sure that the POWER switches on both Monitor speakers are turned on.

• Make sure the Monitor speakers are connected to the OUTPUT jacks on the I/O Center with the supplied speaker cords. (→ pg. 13)

• Make sure that the overall volume is adequately turned up on the Pocket Controller. (→ pg. 12 “Adjusting the Overall Volume” in “Quick Guide”)

• Make sure that the volume adjusted in [Balance] screen is adequately turned up on the Pocket Controller. (→ pg. 27 “Adjusting the Volume Balance among the Keyboard Playing, Ensemble Sound, Software Playback, and Microphone’s Input”)

• In Quiet mode, no sound is heard other than the solo piano sound during playback of a PianoSoft Solo song.

• The Monitor speakers are not supplied with the Disklavier PRO Series. In such a case, prepare active speakers equivalent to the Monitor speakers supplied with the Mark IV Series. (→ pg. 117 “Specifications”)

The Disklavier cannot be controlled on the Pocket Controller.

• The Pocket Controller is beyond the maximum operating range (approx. 20 m (65.6 ft.)). In such a case, move closer to the Disklavier.

• Make sure that the CF wireless LAN card is securely inserted into the Pocket Controller’s CF card slot. When you reinsert the card, be sure to reboot the Pocket Controller. (→ pg. 17)

The Disklavier does not read a song file.

• The maximum number of the readable files in an album (folder) is 999.

• Make sure that the name of the SMF song has an extension as “.MID”/“.mid” and the E-SEQ song has “.FIL”/“.fil”.

The playback order differs from the order on another device.

• The playback order depends on th e recording sof tware or other factors. Naming the file starting from numbers such as 01, 02, etc. may solve the problem.

English

Continue to next page...

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CHAPTER 9: Troubleshooting

The Disklavier does not recognize an USB flash memory.

• The Disklavier restricts the usage of the USB flash memories to seven identical ones by recognizing the ID information of the memories that have been inserted to the USB port. (→ pg. 2) If you use USB flash memories other than the ones already recognized, shut down the Disklavier once before using them.

• Certain USB storage devices may not function properly with the Disklavier Mark IV/PRO Series. For a list of compatible products, please visit www.yamaha.com/disklavier.

The Disklavier does not read a CD-R/-RW.

• The song files should be formatted in ISO 9660 LEVEL1. The Disklavier may not read song files other than this format.

Some notes drop out during playback.

• In Acoustic mode, when a piano song is played back at a low volume, some notes in trill or tranquil part may drop out. This is a characteristic of the Disklavier and not a malfunction.

PianoSmart playback cannot be performed.

• Makes sure that the numbers indicated on both the SmartPianoSoft floppy disk and the paired CD are the same.

The I/O Center becomes hot.

• Although the chassis of the I/O Center may become hot while the Disklavier is turned on (also in Standby mode), this is not a malfunction.

Noise is heard from the I/O Center.

• The I/O Center contains HDD (Hard Disk Drive) and the HDD makes a disk spinning noise. This is not a malfunction.

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CHAPTER

While operating your Disklavier, an error message may appear in the display. If an error message appears, refer to the table below for an explanation of the message.

Situation Error Messages Description

Error Messages

English

You tried to copy copy-protected song files into a removable medium.

You tried to copy song files into an album that already contains 3,000 song files.

You tried to copy song files into a library that already contains 10,000 songs.

You tried to copy song files into a certain medium.

You tried to erase entire contents in a floppy disk. ([Delete All])

You tried to copy an album to a floppy disk in E-SEQ (Piano1) format.

CANNOT EXECUTE PROTECTED FILE

CANNOT EXECUTE Exceeds limit of 3,000 songs

CANNOT EXECUTE Exceeds limit of 10,000 songs

NOT ENOUGH DISK SPACE

CANNOT EXECUTE DISK FORMAT

CANNOT EXECUTE PROTECTED FILE EXIST

CANNOT EXECUTE NOT 2DD DISK

CANNOT EXECUTE Exceeds limit of 60 songs

The commercially available copy-protected song files cannot be copied into any removable media.

The maximum number of the files in an album (folder) is 3,000.

The maximum number of songs in a library or playlist is limited to 10,000.

The storage space in the destination medium is not enough.

The floppy disk is not formatted in MS-DOS. In such a case, reformat on a Windows PC.

When the floppy disk contains copy-protected song files, this function cannot be executed.

The destination floppy disk must be 2DD.

The maximum number of songs on an E-SEQ type disk is limited to 60.

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CHAPTER

[Main] screens

Screen Transition Diagrams

(→ pg. 9 in “Quick Guide”,

and 22, 46)

(→ pg. 9 in “Quick Guide”, and 40, 42,

99, 101)

(→ pg. 6, 7 in “Quick Guide” and

66, 68, 70, 73 – 81, 94 – 96)

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[Rec] screens

L/R (Piano) mode Time mode Time mode

CHAPTER 11: Screen Transition Diagrams

English

(→ pg. 46)

Ensemble mode Metronome mode Metronome mode

(→ pg. 50) (→ pg. 55) (→ pg. 52, 54)

(→ pg. 55) (→ pg. 52)

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CHAPTER 11: Screen Transition Diagrams

[Song] screens

(→ pg. 15 in “Quick Guide”) (→ pg. 26)

(→ pg. 25)

(→ pg. 33)

PianoSmart manual adjustment

screen*

(only for PianoSmart playback)

* For normal use, modification of these

setups are not required.

109

(→ pg. 36)

(→ pg. 34)

Page 50

[Song] playback option buttons

CHAPTER 11: Screen Transition Diagrams

English

(→ pg. 24) (→ pg. 25, 66)

Playback option buttons

[Setup] menu screens

A(→ pg. 73) B(→ pg. 94 – 96) C(→ pg. 45) D(→ pg. 68) E(→ pg. 48) F(→ pg. 70) G(→ pg. 44) H(→ pg. 81)

(→ pg. 49, 69)

I(→ pg. 66) J(→ pg. 103) K(→ pg. 75 – 78) L(→ pg. 74) M (→ pg. 79)

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CHAPTER 11: Screen Transition Diagrams

[Setup] option screens

(→ pg. 94)(→ pg. 48)(→ pg. 73)

(→ pg. 75) (→ pg. 79)

(→ pg. 77, 78)

111

(→ pg. 103)

(→ pg. 103)(→ pg. 103)

Page 52

CHAPTER 11: Screen Transition Diagrams

English

(→ pg. 95) (→ pg. 96)

(→ pg. 70)

(→ pg. 45) (→ pg. 68)(→ pg. 44)

(→ pg. 81)(→ pg. 66)(→ pg. 74)

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CHAPTER

This glossary provides basic definitions of terms used frequently in Disklavier manuals.

Glossary

Continuous Pedal

See “Incremental Pedal”.

A computer data file that stores certain information for use when revisiting a website. In the case of the Disklavier, cookies are used to store ID and password for the IDC service.

DHCP

This is a standard or protocol by which IP addresses and other low-level network configuration information can be dynamically and automatically assigned each time a connection is made to the Internet.

DNS

A system that translates names of computers connected to a network to their corresponding IP addresses.

Download

Transferring data over a network, from a larger “host” system to a smaller “client” system’s hard drive or other local storage device—much like copying files from your hard disk drive to a floppy disk. For the Disklavier, this refers to the process of transferring songs and other data from a website to the Disklavier.

Ensemble Song

A song which contains piano parts and accompanying instrumental voices. An Ensemble song contains the same left and right-hand parts as an L/R song, and in addition, up to 13 accompanying instrument tracks. These extra tracks are played by the internal XG tone generator. The accompanying tracks may be used for acoustic bass, drums, strings, vibes, etc.

E-SEQ Song Format

A song file format developed by Yamaha for saving songs.

Floppy Disk

The magnetic storage medium that the Disklavier uses to save songs. The Disklavier uses the 3.5 inch 2DD and 2HD floppy disks commonly used for computers.

Gateway

A system which links different networks or systems, and makes possible data transfer and conversion despite differing communications standards.

General MIDI (GM)

An addition to the MIDI standard that simplifies the transfer of MIDI song files between instruments of different manufacturers. A MIDI song recorded using a GM compatible tone generator should play back correctly when used with any GM compatible tone generator. The standard specifies that a GM compatible tone generator must support 24-note polyphony, 16 parts, and 128 standard voices.

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CHAPTER 12: Glossary

Half Pedal

See “Incremental Pedal”.

Headphone Mode

A mode of the Silent Piano™ function in which sound is output through connected stereo headphones so that you can listen to songs or play the piano without disturbing people around you.

Incremental Pedal

Piano pedals are not always completely up or down and may be held somewhere in-between. Using incremental pedal data (also called continuous or half pedal data) the Disklavier precisely records the up and down movement of the piano pedals.

Internet

A huge network made up of networks, the Internet allows high-speed data transfer among computers, mobile phones and other devices.

IP Address

A string of numbers assigned to each computer connected to a network, and indicating the device’s location on the network.

Modem

A device which connects and allows data transfer between a conventional telephone line and a computer. It converts the digital signals from the computer to analog audio for sending over the phone line, and vice versa.

Piano Parts

Refers to the left- and right-hand piano parts of a song. The left-hand piano part is recorded onto track 1 and the right-hand piano part is recorded onto track 2. These track assignments are the default settings and can be changed.

PianoSoft™

The PianoSoft Disk Collection is a library of prerecorded song disks made by Yamaha specifically for use with the Disklavier.

PianoSoft·Plus™

PianoSoft·Plus disks contain Ensemble songs that can be played on the Disklavier.

Polyphony

The maximum number of voices (or sounds) that can be produced at a time from MIDI instruments.

English

LAN

Short for Local Area Network, this is a data-transfer network that connects a group of computers at a single location (such as an office or home) by means of a special cable.

L/R Song

In a L/R song, the left-hand piano part is stored on track 1 (L) and the right-hand piano part is stored on track 2 (R). During playback you can cancel either part, and then play that part yourself. When recording an L/R song, you can record the two parts simultaneously or separately.

MIDI

An acronym for Musical Instrument Digital Interface. MIDI allows electronic musical instruments to communicate with each other.

Provider

A communications business that offers Internet connection services. In order to connect to the Internet, it is necessary to contract to a provider.

Proxy

A proxy server is a server that all computers on a local network have to go through before accessing information on the Internet. It intercepts all or designated requests to the real server to see if it can fulfill the requests itself. If not, it forwards the request to the real server. Proxy servers are used to improve performance and speed, and to filter requests, usually for security and to prevent unauthorized access to an internal network.

Continue to next page...

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CHAPTER 12: Glossary

Quiet Mode

A mode of the Silent Piano™ function in which sound is output through the monitor speakers, enabling you to freely adjust the volume of the piano.

Reverb

Short for “reverberation.” The effect that adds a more realistic feel to a sound by simulating the reflection of the sound in rooms and halls of various sizes.

Rhythm Track

Tracks of an ensemble song designated for the accompanying rhythm. The rhythm track is unaffected by the playback transposition function.

Router

A device for connecting multiple computer networks. For example, a router is necessary when connecting several computers in a house or office, to allow all of them access the Internet and share data. A router is usually connected between a modem and a computer, although some modems have a built-in router.

Sequencer

A sequencer can be used with the Disklavier to play back and record MIDI data.

SMF

Abbreviation for Standard MIDI File.

SMF Song Format

A song file format supported by MIDI sequencers and music software.

Song

Normally, a short piece of music with lyrics. However, for clarity in Disklavier manuals, the term is used to refer to any piece of music of any genre.

Standard MIDI File

A file of MIDI data that can be read and used by a number of different MIDI devices and computers.

Subnet Mask

A setting used to divide a large-scale network into several smaller networks.

TG Master Tune

The function that allows you to tune the internal XG tone generator, and if connected, an external tone generator simultaneously so that their tunings match that of the Disklavier.

Server

A hardware system or computer used as a central point for a network, providing access to files and services.

Silent Piano™ Function

Yamaha’s innovative function that keeps the hammers from striking the strings, effectively silencing the acoustic piano. Sound information is sent to the digital piano tone generator and output through the monitor speakers (Quiet mode) or stereo headphones (Headphone mode).

Smart PianoSoft™

Software made by Yamaha containing MIDI signals for playing back along with standard audio CDs.

Tone Generator

An electronic device that can generate tones or instrument voices.

Transpose

Changing the key of a song. For example, a song in the key of C is transposed to the key of D when it is moved up two semitones.

Velocity

Because the loudness of a piano note is determined by the speed (velocity) with which a string is struck by a hammer, note loudness is referred to as velocity.

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Voice

The sounds produced by a tone generator expressing various instruments.

Web Page

Refers to each individual page that makes up a website.

Website

This refers to the group of web pages that are opened together. For example, the collection of web pages whose addresses begin with “http://www.yamaha.com/” is referred to as the Yamaha site.

Yamaha XG is an extension of the GM (General MIDI) format. Its greater polyphony, more voices, and use of effects enhances the compatibility between MIDI devices. When a song in the Yamaha XG format is played on another XG-compatible tone generator or synthesizer, it plays and sounds as the original composer/creator intended.

CHAPTER 12: Glossary

English

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CHAPTER

General

Sensor System Key Sensors Noncontact optical fiber/grayscale shutter sensing system for 88 keys (senses

Drive System Keys DSP servo drive system (high-power servocontrolled solenoids with

Data Storage Internal HDD 80 GB

Removable Media Compact Disc Yamaha PianoSoft·PlusAudio, audio CD (ISO 9600-compliant), Data CD

Media Center Drive CD and floppy disk drive

Pocket Controller Dimensions (W × H × D) 74 × 138 × 23 mm (2 15/16 × 5 7/16 × 15/16 in.)

Monitor Speakers*

* Only for models

supplied with the Monitor speakers.

Record/Playback Mode Standard mode (Mark IV Series), XP mode (PRO Series) Pitch Control Set at A=440 Hz, tunable ±50 cents in 1 cent increment Silencing Mechanism Motor-driven hammer shank stopper

Piano Voice and Performance Tone

Specifications

the key position, keying velocity, and key releasing velocity)

Hammer Sensors*

* Equipped with the C3 grand

piano or higher specification models only.

Pedal Sensors Noncontact digital optical sensing system (senses the pedal position*)

Pedals DSP servo drive system (servocontrolled solenoids)

File Format Standard MIDI File (SMF) FORMAT 0/1, E-SEQ

Floppy Disk 3.5” 2DD (720 KB) or 2HD (1.44 MB) floppy disk USB Flash Memory Yamaha does not assure the operation of all the commercially available USB

USB Hard Disk Drive FAT32 format

Dimensions (W × H × D) 405 × 257 × 73 mm (16 × 10 1/8 × 2 7/8 in.) Wei gh t 3.3 kg (7.3 lb.)

Wei gh t 210 g (7.4 oz.) (not incl. screen protector, wireless LAN card, incl.

Rated Power Output 20W × 2 with tone and volume controls Drivers 16 cm (6 5/16 in.) woofer × 2, 2.5 cm (1 in.) tweeter × 2 Dimensions (W × H × D) 144 × 236 × 167 mm (5 11/16 × 9 5/16 × 6 5/8 in.) Wei gh t 4.4 kg (9.7 lb.)

Type AWM2/Articulation Element Modeling (AEM) Polyphony 64 notes digital stereo sampling (90 MB wave memory, 16 bit linear)

Normal Voices Piano (digital stereo sampling) and other 42 voices

Noncontact optical fiber/grayscale shutter sensing system

* Continuous sensing for the damper and soft pedals, and on/off sensing for the

sostenuto pedal.

supersensitive magnetic sensor*)

* The supersensitive magnetic sensor is only for the PRO Series.

(ISO 9660 Level1-compliant)

flash memories. For a list of compatible products, please visit www.yamaha.com/disklavier.

rechargeable battery)

(AWM2)/ 6 notes Articulation Element Modeling (AEM)

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Ensemble Tone Type Advanced Wave Memory 2 (AWM2)

Polyphony 32 notes (max.) Ensemble Parts 16 parts Voice Module Modes XG, GM Normal Voices 676 Drum Voices 21 kits

Power Source Local AC current, 100 – 240 V, 50/60 Hz Power Consumption 180 W Supplied Accessories Media Center (1), Installation kit for the Media Center (1 set), Monitor

speaker (2)*, Installation kit for the Monitor speaker (1 set)*, Speaker cord (2)*, Pocket Controller PRC-100 (1), CF wireless LAN card (2), Rechargeable battery EA-BL08 (1), Cradle (1), AC adaptor EA-70 (1), AC power cord (1), Advanced Operating Manual (this book), (1), Quick Guide (1), Stereo headphones (1 set)

* Only for models supplied with the Monitor speakers.

Optional Accessories HPE-170 headphones

English

Features

Playback Features Media Select Floppy disk, CD, USB media, internal HDD

Arrangement of Songs Song Libraries (PianoSoft Library, User Library, CD Library, Download

Library, From/To PC) → pg. 9 in “Quick Guide”

Polyphony 32 keys (PRO Series), 16 keys (Mark IV Series) Volume 128 levels Repeat ALL (all songs in current album), RPT (current song), RND (all songs in

current album in random order), A-B repeat

Programming Play Lists feature Part cancel L (left), R (right), Pedal, Accompaniment Tem po -50 to +20% in 1% increment Transposition ±24 semitones (2 octaves) in 1 semitone increment Balance Volume balances among Voice (digital piano sound), TG (ensemble sound),

Audio (accompaniment or standard audio sound on a CD), and MIC (microphone input)

Track Voice changing → pg. 28 Track Editing Mix, Move, Copy, Delete, Transpose → pg. 30 SmartKey → pg. 37 SmartPiano → pg. 38 Video Synchronization → pg. 38

Piano Playing Features

Metronome → pg. 42 AEM Articulation Head (blow-up), Joint, Tail (fall-down) Harmony → pg. 44 Reverb Hall1, 2, Room1, 2, 3, Stage1, 2, Plate (with 0 to 128 depth control)

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Recording Features Overwrite Recording → pg. 47

Video Synchronization → pg. 48 Ensemble Part Recording → pg. 50 Overdubbing → pg. 52 Metronome Mode

Recording Quantize → pg. 54 Tempo Changing → pg. 55 Audio Recording → pg. 56 Audio + MIDI Recording → pg. 57

Other Features Timer Play → pg. 66

Vocal Harmony → pg. 68 Foot control/switch → pg. 70 XP Strip → pg. 75 Backup → pg. 75 One Touch Button → pg. 81

→ pg. 53

Specifications are subject to change without prior notice.

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Appendix

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Software License Notice

GNU GENERAL PUBLIC LICENSE

Version 2, June 1991

59 Temple Place, Suite 330, Boston, MA 02111-1307 USA

Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed.

Preamble

The licenses for most software are designed to take away your freedom to share and change it. By contrast, the GNU General Public License is intended to guarantee your freedom to share and change free software--to make sure the software is free for all its users. This General Public License applies to most of the Free Software Foundation’s software and to any other program whose authors commit to using it. (Some other Free Software Foundation software is covered by the GNU Library General Public License instead.) You can apply it to your programs, too.

When we speak of free software, we are referring to freedom, not price. Our General Public Licenses are designed to make sure that you have the freedom to distribute copies of free software (and charge for this service if you wish), that you receive source code or can get it if you want it, that you can change the software or use pieces of it in new free programs; and that you know you can do these things.

To protect your rights, we need to make restrictions that forbid anyone to deny you these rights or to ask you to surrender the rights. These restrictions translate to certain responsibilities for you if you distribute copies of the software, or if you modify it.

For example, if you distribute copies of such a program, whether gratis or for a fee, you must give the recipients all the rights that you have. You must make sure that they, too, receive or can get the source code. And you must show them these terms so they know their rights.

We protect your rights with two steps: (1) copyright the software, and (2) offer you this license which gives you legal permission to copy, distribute and/or modify the software.

Also, for each author’s protection and ours, we want to make certain that everyone understands that there is no warranty for this free software. If the software is modified by someone else and passed on, we want its recipients to know that what they have is not the original, so that any problems introduced by others will not reflect on the original authors’ reputations.

Finally, any free program is threatened constantly by software patents. We wish to avoid the danger that redistributors of a free program will individually obtain patent licenses, in effect making the program proprietary. To prevent this, we have made it clear that any patent must be licensed for everyone’s free use or not licensed at all.

The precise terms and conditions for copying, distribution and modification follow.

Appendix

GNU GENERAL PUBLIC LICENSE

TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION

0. This License applies to any program or other work

which contains a notice placed by the copyright holder saying it may be distributed under the terms of this General Public License. The “Program”, below, refers to any such program or work, and a “work based on the Program” means either the Program or any derivative work under copyright law: that is to say, a work containing the Program or a portion of it, either verbatim or with modifications and/or translated into another language. (Hereinafter,

translation is included without limitation in the term “modification”.) Each licensee is addressed as “you”.

Activities other than copying, distribution and modification are not covered by this License; they are outside its scope. The act of running the Program is not restricted, and the output from the Program is covered only if its contents constitute a work based on the Program (independent of having been made by

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Software License Notice

running the Program). Whether that is true depends on what the Program does.

1. You may copy and distribute verbatim copies of the

Program’s source code as you receive it, in any medium, provided that you conspicuously and appropriately publish on each copy an appropriate copyright notice and disclaimer of warranty; keep intact all the notices that refer to this License and to the absence of any warranty; and give any other recipients of the Program a copy of this License along with the Program.

You may charge a fee for the physical act of transferring a copy, and you may at your option offer warranty protection in exchange for a fee.

2. You may modify your copy or copies of the Program

or any portion of it, thus forming a work based on the Program, and copy and distribute such modifications or work under the terms of Section 1 above, provided that you also meet all of these conditions:

a)You must cause the modified files to carry

prominent notices stating that you changed the files and the date of any change.

b)You must cause any work that you distribute or

publish, that in whole or in part contains or is derived from the Program or any part thereof, to be licensed as a whole at no charge to all third parties under the terms of this License.

c)If the modified program normally reads commands

interactively when run, you must cause it, when started running for such interactive use in the most ordinary way, to print or display an announcement including an appropriate copyright notice and a notice that there is no warranty (or else, saying that you provide a warranty) and that users may redistribute the program under these conditions, and telling the user how to view a copy of this License. (Exception: if the Program itself is interactive but does not normally print such an announcement, your work based on the Program is not required to print an announcement.)

These requirements apply to the modified work as a whole. If identifiable sections of that work are not derived from the Program, and can be reasonably considered independent and separate works in themselves, then this License, and its terms, do not apply to those sections when you distribute them as separate works. But when you distribute the same sections as part of a whole which is a work based on the Program, the distribution of the whole must be on the terms of this License, whose permissions for other licensees extend to

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c)Accompany it with the information you received as

to the offer to distribute corresponding source code. (This alternative is allowed only for noncommercial distribution and only if you received the program in object code or executable form with such an offer, in accord with Subsection b above.)

The source code for a work means the preferred form of the work for making modifications to it. For an executable work, complete source code means all the source code for all modules it contains, plus any associated interface definition files, plus the scripts used to control compilation and installation of the executable. However, as a special exception, the source code distributed need not include anything that is normally distributed (in either source or binary form) with the major components (compiler, kernel, and so on) of the operating system on which the executable runs, unless that component itself accompanies the executable.

If distribution of executable or object code is made by offering access to copy from a designated place, then

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offering equivalent access to copy the source code from the same place counts as distribution of the source code, even though third parties are not compelled to copy the source along with the object code.

4. You may not copy, modify, sublicense, or distribute the Program except as expressly provided under this License. Any attempt otherwise to copy, modify, sublicense or distribute the Program is void, and will automatically terminate your rights under this License. However, parties who have received copies, or rights, from you under this License will not have their licenses terminated so long as such parties remain in full compliance.

5. You are not required to accept this License, s ince you have not signed it. However, nothing else grants you permission to modify or distribute the Program or its derivative works. These actions are prohibited by law if you do not accept this License. Therefore, by modifying or distributing the Program (or any work based on the Program), you indicate your acceptance of this License to do so, and all its terms and conditions for copying, distributing or modifying the Program or works based on it.

6. Each time you redistribute the Program (or any work based on the Program), the recipient automatically receives a license from the original licensor to copy, distribute or modify the Program subject to these terms and conditions. You may not impose any further restrictions on the recipients’ exercise of the rights granted herein. You are not responsible for enforcing compliance by third parties to this License.

7. If, as a consequence of a court judgment or allegation of patent infringement or for any other reason (not limited to patent issues), conditions are imposed on you (whether by court order, agreement or otherwise) that contradict the conditions of this License, they do not excuse you from the conditions of this License. If you cannot distribute so as to satisfy simultaneously your obligations under this License and any other pertinent obligations, then as a consequence you may not distribute the Program at all. For example, if a patent license would not permit royalty-free redistribution of the Program by all those who receive copies directly or indirectly through you, then the only way you could satisfy both it and this License would be to refrain entirely from distribution of the Program.

If any portion of this section is held invalid or unenforceable under any particular circumstance, the

balance of the section is intended to apply and the section as a whole is intended to apply in other circumstances.

It is not the purpose of this section to induce you to infringe any patents or other property right claims or to contest validity of any such claims; this section has the sole purpose of protecting the integrity of the free software distribution system, which is implemented by public license practices. Many people have made generous contributions to the wide range of software distributed through that system in reliance on consistent application of that system; it is up to the author/donor to decide if he or she is willing to distribute software through any other system and a licensee cannot impose that choice.

This section is intended to make thoroughly clear what is believed to be a consequence of the rest of this License.

8. If the distribution and/or use of the Program is restricted in certain countries either by patents or by copyrighted interfaces, the original copyright holder who places the Program under this License may add an explicit geographical distribution limitation excluding those countries, so that distribution is permitted only in or among countries not thus excluded. In such case, this License incorporates the limitation as if written in the body of this License.

9. The Free Software Foundation may publish revised and/or new versions of the General Public License from time to time. Such new versions will be similar in spirit to the present version, but may differ in detail to address new problems or concerns.

Each version is given a distinguishing version number. If the Program specifies a version number of this License which applies to it and “any later version”, you have the option of following the terms and conditions either of that version or of any later version published by the Free Software Foundation. If the Program does not specify a version number of this License, you may choose any version ever published by the Free Software Foundation.

10.If you wish to incorporate parts of the Program into other free programs whose distribution conditions are different, write to the author to ask for permission. For software which is copyrighted by the Free Software Foundation, write to the Free Software Foundation; we sometimes make exceptions for this. Our decision will be guided by the two goals of preserving the free status of all derivatives of our free software and of promoting the sharing and reuse of software generally.

Appendix

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Software License Notice

NO WARRANTY

11.BECAUSE THE PROGRAM IS LICENSED FREE OF CHARGE, THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM “AS IS” WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE PROGRAM IS WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL NECESSARY SERVICING, REPAIR OR CORRECTION.

GNU LESSER GENERAL PUBLIC LICENSE

Version 2.1, February 1999

59 Temple Place, Suite 330, Boston, MA 02111-1307 USA

Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed.

[This is the first released version of the Lesser GPL. It also counts as the successor of the GNU Library Public License,

version 2, hence the version number 2.1.]

12.IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY MODIFY AND/OR REDISTRIBUTE THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.

Preamble

The licenses for most software are designed to take away your freedom to share and change it. By contrast, the GNU General Public Licenses are intended to guarantee your freedom to share and change free software--to make sure the software is free for all its users.

This license, the Lesser General Public License, applies to some specially designated software packages-typically libraries--of the Free Software Foundation and other authors who decide to use it. You can use it too, but we suggest you first think carefully about whether this license or the ordinary General Public License is the better strategy to use in any particular case, based on the explanations below.

When we speak of free software, we are referring to freedom of use, not price. Our General Public Licenses are designed to make sure that you have the freedom to distribute copies of free software (and charge for this service if you wish); that you receive source code or can get it if you want it; that you can change the software and use pieces of it in new free programs; and that you are informed that you can do these things.

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We protect your rights with a two-step method: (1) we copyright the library, and (2) we offer you this license, which gives you legal permission to copy, distribute and/ or modify the library.

To protect each distributor, we want to make it very clear that there is no warranty for the free library. Also, if the library is modified by someone else and passed on, the

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recipients should know that what they have is not the original version, so that the original author’s reputation will not be affected by problems that might be introduced by others.

Finally, software patents pose a constant threat to the existence of any free program. We wish to make sure that a company cannot effectively restrict the users of a free program by obtaining a restrictive license from a patent holder. Therefore, we insist that any patent license obtained for a version of the library must be consistent with the full freedom of use specified in this license.

Most GNU software, including some libraries, is covered by the ordinary GNU General Public License. This license, the GNU Lesser General Public License, applies to certain designated libraries, and is quite different from the ordinary General Public License. We use this license for certain libraries in order to permit linking those libraries into non-free programs.

When a program is linked with a library, whether statically or using a shared library, the combination of the two is legally speaking a combined work, a derivative of the original library. The ordinary General Public License therefore permits such linking only if the entire combination fits its criteria of freedom. The Lesser General Public License permits more lax criteria for linking other code with the library.

We call this license the “Lesser” General Public License because it does Less to protect the user’s freedom than the ordinary General Public License. It also provides other free software developers Less of an advantage over competing non-free programs. These disadvantages are

the reason we use the ordinary General Public License for many libraries. However, the Lesser license provides advantages in certain special circumstances.

For example, on rare occasions, there may be a special need to encourage the widest possible use of a certain library, so that it becomes a de-facto standard. To achieve this, non-free programs must be allowed to use the library. A more frequent case is that a free library does the same job as widely used non-free libraries. In this case, there is little to gain by limiting the free library to free software only, so we use the Lesser General Public License.

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Although the Lesser General Public License is Less protective of the users’ freedom, it does ensure that the user of a program that is linked with the Library has the freedom and the wherewithal to run that program using a modified version of the Library.

The precise terms and conditions for copying, distribution and modification follow. Pay close attention to the difference between a “work based on the library” and a “work that uses the library”. The former contains code derived from the library, whereas the latter must be combined with the library in order to run.

Appendix

GNU LESSER GENERAL PUBLIC LICENSE

TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION

0. This License Agreement applies to any software library or other program which contains a notice placed by the copyright holder or other authorized party saying it may be distributed under the terms of this Lesser General Public License (also called “this License”). Each licensee is addressed as “you”.

A “library” means a collection of software functions and/ or data prepared so as to be conveniently linked with application programs (which use some of those functions and data) to form executables.

The “Library”, below, refers to any such software library or work which has been distributed under these terms. A “work based on the Library” means either the Library or any derivative work under copyright law: that is to say, a

work containing the Library or a portion of it, either verbatim or with modifications and/or translated straightforwardly into another language. (Hereinafter, translation is included without limitation in the term “modification”.)

“Source code” for a work means the preferred form of the work for making modifications to it. For a library, complete source code means all the source code for all modules it contains, plus any associated interface definition files, plus the scripts used to control compilation and installation of the library.

Activities other than copying, distribution and modification are not covered by this License; they are

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Appendix

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If any portion of this section is held invalid or unenforceable under any particular circumstance, the balance of the section is intended to apply, and the section as a whole is intended to apply in other circumstances.

It is not the purpose of this section to induce you to infringe any patents or other property right claims or to contest validity of any such claims; this section has the sole purpose of protecting the integrity of the free software distribution system which is implemented by public license practices. Many people have made generous contributions to the wide range of software distributed through that system in reliance on consistent application of that system; it is up to the author/donor to decide if he or she is willing to distribute software through any other system and a licensee cannot impose that choice.

This section is intended to make thoroughly clear what is believed to be a consequence of the rest of this License.

12.If the distribution and/or use of the Library is restricted in certain countries either by patents or by copyrighted interfaces, the original copyright holder who places the Library under this License may add an explicit geographical distribution limitation excluding those countries, so that distribution is permitted only in or among countries not thus excluded. In such case, this License incorporates the limitation as if written in the body of this License.

13.The Free Software Foundation may publish revised and/or new versions of the Lesser General Public License from time to time. Such new versions will be similar in spirit to the present version, but may differ in detail to address new problems or concerns.

Each version is given a distinguishing version number. If the Library specifies a version number of this License which applies to it and “any later version”, you have the option of following the terms and conditions either of that version or of any later version published by the Free Software Foundation. If the Library does not specify a license version number, you may choose any version ever published by the Free Software Foundation.

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Software License Notice

14.If you wish to incorporate parts of the Library into other free programs whose distribution conditions are incompatible with these, write to the author to ask for permission. For software which is copyrighted by the Free Software Foundation, write to the Free Software

NO WARRANTY

15.BECAUSE THE LIBRARY IS LICENSED FREE OF CHARGE, THERE IS NO WARRANTY FOR THE LIBRARY, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES PROVIDE THE LIBRARY “AS IS” WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE LIBRARY IS WITH YOU. SHOULD THE LIBRARY PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL NECESSARY SERVICING, REPAIR OR CORRECTION.

Foundation; we sometimes make exceptions for this. Our decision will be guided by the two goals of preserving the free status of all derivatives of our free software and of promoting the sharing and reuse of software generally.

16.IN NO EVENT UNLESS REQUIRE D BY APPLICABLE LAW OR AGREED TO IN WRITING WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY MODIFY AND/OR REDISTRIBUTE THE LIBRARY AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE LIBRARY (INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD PARTIES OR A FAILURE OF THE LIBRARY TO OPERATE WITH ANY OTHER SOFTWARE), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.

Appendix

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Software License Notice

NOTIFICATION

On December 23, 2002 Metrowerks Corporation, a wholly owned subsidiary of Motorola Inc., acquired certain assetts of Embedix Inc., formerly Lineo Inc. As a result of the acquisition, the Embedix

and Embedix® Plus PDA™ brand products have now become Metrowerks Linux

and Metroworks OpenPDA™ brand

products. The Metrowerks Linux and Metrowerks

METROWERKS SOFTWARE LICENSE AGREEMENT

THIS METROWERKS SOFTWARE LICENSE AGREEMENT (“LICENSE”) IS AN AGREEMENT BETWEEN YOU AND METROWERKS CORPORATION (“METROWERKS”). METROWERKS IS WILLING TO LICENSE THE ENCLOSED SOFTWARE TO YOU ONLY UPON THE CONDITION THAT YOU ACCEPT ALL OF THE TERMS CONTAINED IN THIS LICENSE. PLEASE READ THIS LICENSE CAREFULLY BEFORE USING THE SOFTWARE, AS BY USING THE SOFTWARE YOU INDICATE THAT YOU AGREE TO BE BOUND BY THE TERMS OF THIS LICENSE. IF YOU DO NOT AGREE TO THE TERMS OF THIS LICENSE, METROWERKS IS UNWILLING TO LICENSE THE SOFTWARE TO YOU.

1. Grant of License. This software including

application, demonstration, system and all other software accompanying this License, whether electronically distributed or distributed on CD-ROM or any other media (the “Software”) and the related documentation are licensed to you by Metrowerks according to the terms of this License. This License allows you to use the Software on the product the Software is distributed with (“Product”). If you have purchased a concurrent uses license (i.e., Locating of Server License), you may install the Software on a common storage device that is accessible by multiple devices provided that you have a software mechanism that locks out any concurrent uses in excess of the number of licensed copies of he Software. One backup copy of the software may be made solely as a part of the routine backup activities of your company or business, you are not licensed to make additional copies. You may transfer to another party all your license rights in the Software and related documentation by transferring to that party both the original media on which the Software and related documentation were provided, the Product and a copy of this License, provided that the other party reads and

OpenPDA products are governed by the Metrowerks Software License Agreement below. If you have questions or would like more information on OpenPDA products and other Metrowerks solutions, please visit the following websites www.openpda.com

and

www.metrowerks.com

agrees to accept the terms and conditions of this License. Immediately upon transfer, you have no further rights to use or own copies of the Product, Software or related documentation and must destroy all copies in your possession or control. If this Software is an update, patch, error correction or upgrade to a prior version, then you must be licensed to use the prior version of the Software in order to exercise the license rights granted hereunder and you agree all previous licenses are hereby replaced by this license. If you are a corporation or other organization, you must designate one individual to have the rights provided herein. Certain components of the Software is licensed pursuant to the GNU General Public License Version 2. You may obtain a copy of the GPL General Pubic License at http://www.fsf.org/ copyleft/gpl.html.Metrowerks will provide source code for the components of the Software licensed pursuant to the GNU General Public License. To obtain such source code, send email to support@openpda.com

2. Restrictions. The Software contains copyrighted material, trade secrets, and other proprietary material of Metrowerks and its licensors. You agree that in order to protect those proprietary materials, except as expressly permitted by applicable legislation, you will not decompile, reverse engineer, disassemble or otherwise reduce all or any part of the Software to human-readable form unless Metrowerks provided it to you in human-readable form. You may not modify, rent, lease, loan, distribute or create derivative works based upon the Software in whole or in part, except as expressly permitted in Section 3. If the Software is labeled as an academic version or is otherwise licensed to you for academic use, you may not use the Software for commercial product development, but you may use the Software to develop freeware or shareware within your academic community only. If the Software licensed to you is part of the Discover

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Software License Notice

Programming series or is labeled as a Learning Edition, Demo Version, Evaluation Edition or Lite version, you may not use the Software to develop any product for distribution, whether commercial, freeware, or shareware. No press releases or any other public announcements regarding this Software shall be made without the written consent of Metrowerks.

3. Ownership. The Software and documentation are licensed, not sold, to you for use only under the terms of this License, and Metrowerks and its Licensors reserve all rights not expressly granted to you in this License. You own the media on which the Software and documentation are recorded but Metrowerks and/ or Metrowerks’ licensors retain title to the Software and related documentation, and all intellectual property rights therein. Third Party Products which may accompany the Software may also be subject to their own licensing terms.

4. Termination. This License is effective until terminated. You may terminate this License at any time by destroying all copies of the Software and related documentation in your possession or control. This License will terminate immediately without notice from Metrowerks if you fail to comply with any provision of this License. Upon termination you must destroy all copies of the Software and related documentation in your possession or control.

5. Export Law Assurances. You agree and certify that neither the Software nor any other technical data received from Metrowerks, nor the direct product thereof, will be exported outside the United States except as authorized and as permitted by the laws and regulations of the United States. If the Software has been rightfully obtained by you outside of the United States, you agree that you will not re-export the Software nor any other technical data received from Metrowerks, nor the direct product thereof, except as permitted by the laws and regulations of the United States and the laws and regulations of the jurisdiction in which you obtained the Software.

6. Government End Users. If you are acquiring the Software and fonts on behalf of any unit or agency of the United States Government, the following provisions apply. The Licensed Software constitutes a “commercial item”, as that term is defined at Federal Acquisition Regulation (FAR) 2.101 (MAY 2001), consisting of “commercial computer software” and “commercial computer software documentation”, as such terms are used in FAR 12.212 (SEP 1995), and is provided to the U.S. Government only as

commercial software (with “Restricted Rights”. if applicable). Use, duplication, or disclosure by the U.S. Government is subject to restrictions set forth in this license agreement and as provided in DFARS

227.7202-1(a) and (c) (JUN 1995), DFARS

227.7202-3(a) (JUN 1995), FAR 12.212 (a) (SEP

1995), FAR 52.227-19 (JUN 1987), or FAR 52.22714 (ALT III) (JUN 1987), as applicable.

7. Limited Warranty on Media. Metrowerks warrants the media on which the Software is recorded to be free from defects in materials and workmanship under normal use for a period of ninety (90) days from the date of purchase as evidenced by a copy of the receipt. Metrowerks’ entire liability and your exclusive remedy will be replacement of the media not meeting Metrowerks limited warranty returned to Metrowerks with a copy of the receipt. Metrowerks will have no responsibility to replace any media damaged by accident, abuse or misapplication. ANY IMPLIED WARRANTIES ON THE MEDIA, INCLUDING THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, ARE LIMITED IN DURATION TO NINETY (90) DAYS FROM THE DATE OF DELIVERY. THIS WARRANTY GIVES YOU SPECIFIC LEAGAL RIGHTS, AND YOU MAY ALSO HAVE OTHER RIGHTS WHICH VARY BY JURISDICTION.

8. Disclaimer of Warranty. THE SOFTWARE, RELATED DOCUMENTATION, THIRD PARTY PRODUCTS IF ANY, AND ANY APPLICATIONS CREATED WITH THE SOFTWARE ARE PROVIDED “AS IS” AND WITHOUT WARRANTY OF ANY KIND. YOU EXPRESSLY ACKNOWLEDGE AND AGREE THAT USE OF THE SOFTWARE AND RELATED DOCUMENTATION IS AT YOUR SOLE RISK. SHOULD THE SOFTWARE OR RELATED DOCUMENTATION PROVE DEFECTIVE, YOU (AND NOT METROWERKS OR ANY METROWERKS REPRESENTATIVE) ASSUME THE ENTIRE COST OF ALL NECESSARY SERVICING, REPAIR OR CORRECTION. METROWERKS AND METROWERKS’ LICENSORS (FOR THE PURPOSES OF THIS SECTON 9. METROWERKS AND METROWERKS’ LICENSORS SHALL BE COLLECTIVELY REFERRED TO AS “METROWERKS”) EXPRESSLY DISCLAIM ALL OTHER WARRANTIES WITH RESPECT TO THE SOFTWARE AND RELATED

Appendix

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Software License Notice

DOCUMENTATION, WHETHER SUCH WARRANTIES ARE EXPRESS OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. WITHOUT LIMITING THE GENERALITY OF THE FOREGOING, METROWERKS MAKES NO WARRANTY OR REPRESENTATION THAT THE FUNCTIONS CONTAINED IN THE SOFTWARE WILL MEET YOUR REQUIREMENTS, THAT THE OPERATON OF THE SOFTWARE WILL BE UNINTERRUPTED OR ERROR-FREE, THAT DEFECTS IN THE SOFTWARE WILL BE CORRECTED, NOR WITH RESPECT TO THE CORRECTNESS, ACCURACY, OR RELIABILITY OF THE SOFTWARE AND RELATED DOCUMENTATION. METROWERKS DISCLAIMS ANY AND ALL EXPRESS OR IMPLIED WARRANTIES OF ANY KIND, AND YOU EXPRESSLY ASSUME ALL LIABILITIES AND RISKS, FOR ANYONE’S USE OR OPERATION OF ANY APPLICATION PROGRAMS YOU MAY CREATE WITH THE SOFTWARE. YOU ACKNOWLEDGE AND AGREE THAT THE SOFTWARE HAS NOT BEEN DESIGNED, TESTED, MANUFACTURED, OR INTENDED FOR USE IN DEVELOPING APPLICATIONS WHERE THE FAILURE, MALFUNCTION, OR ANY INACCURACY OF THE APPLICATION CARRIES A RISK OF DEATH, SERIOUS BODILY INJURY, OR DAMAGE TO TANGIBLE PROPERTY, INCLUDING, BUT NOT LIMITED TO, USE IN FACTORY CONTROLS SYSTEMS, MEDICAL DEVICES OR FACILITIES, UNCLEAR FACILITIES, AIRCRAT OR AUTOMOBILE NAVIGATION OR COMMUNICATION, EMERGENCY SYSTEMS, OR OTHER APPLICATIONS WITH A SIMILAR DEGREE OF POTENTIAL HAZARD. NO ORAL OR WRITTEN INFORMATION OR ADVICE GIVEN BY METROWERKS OR ANY OF ITS EMPLOYEES, REPRESENTATIVES, OR RESELLERS SHALL CREATE ANY WARRANTY IN ADDITION TO THOSE GIVEN HEREIN. SOME JURISDICTIONS DO NOT ALLOW THE EXCLUSION OF IMPLIED WARRANTIES, SO THE ABOVE EXCLUSION MAY NOT APPLY TO YOU.

9. Limitation of Liability. UNDER NO CIRCUMSTANCES SHALL METROWERKS BE

LIABLE FOR ANY INCIDENTAL, SPECIAL, PUNTIVE OR CONSEQUENTIAL DAMAGES THAT RESULT FROM THE USE OR INABILITY TO USE THE SOFTWARE OR RELATED DOCUMANTATION UNDER ANY THEORY, INCLUDING CONTRACT, TORT, OR NEGLIGENCE, EVEN IF METROWERKS HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. SOME JURISDICTIONS DO NOT ALLOW THE LIMITATION OR EXCLUSION OF LIABILITY FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES SO THE ABOVE LIMITATION OR EXCLUSION MAY NOT APPLY TO YOU.

IN NO EVENT SHALL METROWERKS’ TOTAL LIABILITY TO YOU FOR ALL DAMAGES, LOSSES, AND CAUSES OF ACTION (WHETHER IN CONTRACT, TORT (INCLUDING NEGLIGENCE) OR OTHERWISE) EXCEED THE AMOUNT PAID BY YOU FOR THE SPECIFIC LICENSE OF THE SOFTWARE AND RELATED DOCUMANTATION TO WHICH THE LIABILTY IS RELATED.

10.Controlling Law and Severability. THIS LICENSE SHALL BE GOVERNED BY AND CONSTRUED IN ACCORDANCE WITH THE LAWS OF THE UNITED STATES AND THE STATE OF TEXAS, EXCEPT FOR ITS CONFLICT OF LAWS PRINCIPLES. The United Nations Convention on Contracts for the International Sale of Goods is hereby excluded in its entirety and does not apply to this agreement. If for any reason a court of competent jurisdiction finds any provision of this License, or portion thereof, to be unenforceable, that provision of the License shall be enforced to the maximum extent permissible so as to effect the intent of the parties, and the remainder of this License shall continue in full force and effect.

11.Complete Agreement. This License constitutes the entire agreement between the parties with respect to the use of the Software and related documentation and supersedes all prior or contemporaneous understandings or a agreements, written or oral, regarding such subject matter. No amendment to or modification of this License will be binding unless in writing and signed by an authorized officer of Metrowerks.

Should you have any questions or comments concerning this License, please do not hesitate to contact Metrowerks Corporation at 9801 Metric Boulevard, Austin, TX,

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78758, USA. attn: Warranty Information or by email: info@metrowerks.com

Embedix is a trademark of Metrowerks Corporation. Metrowerks United States

9801 Metric Blvd. Austin, Texas 78758 USA Phone: +1.512.997.4700 Fax: +1.512.997.4901 E-mail: info@metrowerks.com

Metrowerks Europe Riehenring 175, CH-4058 Basel, Switzerland Phone: +41.61.690.7500 Fax: +41.61.690.7501 E-mail: info_europe@metrowerks.com

Metrowerks Japan Shibuya Mitsuba Bldg. 5F Udagawa-cho 20-11 Shibuya-ku Tokyo 150-0042 Japan Phone: +81-3-3780-6091 Fax: +81-3-3780-6092 E-mail: asia-sales@metrowerks.com

Software License Notice

© Copyright. 2003. Metrowerks Corp. All rights reserved. Metrowerks, the Metorwerks logo, CodeWarrior and OpenPDA are trademarks or registered trademarks of Metrowerks Corp. in the U.S. and/or other countries. Metrowerks is a Motorola company. All other tradenames and trademarks are the property of their respective owners and are hereby recognized. Printed in U.S.A.

Appendix

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MIDI Implementation Chart

Yamaha Disklavier Date: 24-Dec-2009 Model: Mark IV/PRO Version: 4.00

Function … Transmitted Recognized Remarks Basic Channel Mode Default

Note Number : True Voice Velocity Note ON

After Touch Pitch Bend 0-24

Control Change

Program Change : True # System Exclusive Common : Song Pos

System Real Time Aux Messages

Notes *1=Received if switch is on.

Mode 1 : OMNI ON. POLY Mode 2 : OMNI ON. MONO : Yes Mode 3 : OMNI OFF. POLY Mode 4 : OMNI OFF. MONO : No

Default Changed

1-16 1-16

3 Message Altered



0-127



9nH, V=1-127 V=1-127 Note OFF Key's

Ch's

0,32 1 5 7 11 10 6, 38 64 65 66

67 71-74, 84 91, 93, 94 96-101

0-127



: Song Sel : Tune : Clock : Commands : All Sound Off : Reset All Cntrls : Local ON/OFF : All Notes OFF : Active Sense : Reset

*2="Player Piano" can recognize. *3=Tone for Ensemble (XG, GM) can recognize. *4=Tone for Quiet (AWM2) can recognize. *5=Tone for Quiet (AEM) can recognize. *6=M is always treated as "1" regardless of its

value.

1-16

Memorized 1-16 3 3, 4 (M=1)

*3, *6

0-127 0-127

*1, *3, *4

*1, *3, *4, *5

semi

*1, *3, *4, *5

*1, *3, *4

Bank Select

Modulation

Portament Time

Volume

Expression

0-127

*1, *3, *4, *5

*3, *4,

*2, *3, *4, *5

*3, *4

*2, *3, *4

*3, *4

*1, *3, *4

*3, *4, *5

Pan

Data Entry

Hold 1 (Sustain)

Portament

Sostenuto

Soft (Shift) Pedal

Effect Depth

*7=Transmit if this model has a Sostenuto Pedal. *8=Applying further pressure on the key does not

output "key aftertouch" information. Instead, key position is transmitted as additional information.

A-14

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Yamaha Disklavier Mark IV Operating Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

Creating an Album in the Library

Renaming an Album

Making Copies of Songs or Albums

Making Copies of the Entire Contents in a Medium or Song Library

Deleting Songs or Albums

Rearranging the Order of Songs/Albums

Deleting the Entire Contents on a USB Medium

Skipping the Blank Part at the Beginning of a Song

Inactivating the Key Movement During Playback

Using Timer Play

Applying an Effect to Your Voice (Vocal Harmony)

Tuning the Tone Generator (MasterTune)

Preparing for Use of Foot Controls/Switches

Hooking Up AV Equipment

Setting Up the Disklavier for Audio Data Reception/ Transmission

Lyric Screen

Converting MIDI Data to a Standard Form (Strip XP)

Making Backups and Restoring the Song Library

Restoring the Contents in the Demo Album

Making an Install Floppy Disk

Formatting a Floppy Disk

Formatting a USB Hard Disk

Resetting the Disklavier

Assigning Frequently-used Functions to the Numeric Keys of the Pocket Controller (Shortcut)

Assigning a Specific Function to the ONE TOUCH Button

Diagnosing the Disklavier

Piano Voice List

Ensemble Part Playback Voice List

Drum Voice List

Vocal Harmony Type List

Hooking Up a MIDI Device

Setting Up the Disklavier for MIDI Data Reception (MIDI IN)

Setting Up the Disklavier for MIDI Data Transmission (MIDI OUT)

Setting Up the Disklavier for Keyboard Playing Data Transmission (KBD OUT)

What is Internet Direct Connection (IDC)?

Obtaining an ID and Password for the IDC Service (IDC Registration)

Connecting the Disklavier to the Internet

Accessing the Internet

Logging Out from IDC Service

Basic Operations on the IDC Service Screens

Checking Your Account Information

Accessing the Download Library

Updating the Disklavier Using the Internet

Setting Up the Disklavier for Internet Connection

Initializing Internet Settings

Software License Notice

MIDI Implementation Chart