Yamaha CVP-609 User Manual

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CVP-609 / CVP-605
Owner’s Manual Mode d’emploi Manual de instrucciones
IMPORTANT — Check your power supply —
Make sure that your local AC mains voltage matches the voltage specified on the name plate on the bottom panel. In some areas a voltage selector may be provided on the bottom panel of the main keyboard unit near the power cord. Make sure that the voltage selector is set for the voltage in your area. The voltage selector is set at 240V when the unit is initially shipped. To change the setting use a “minus” screwdriver to rotate the selector dial so that the correct voltage appears next to the pointer on the panel.
Before using the instrument, be sure to read “PRECAUTIONS” on pages 6-7. For information on assembling the instrument, refer to the instructions at the end of this manual.
IMPORTANT – Vérifiez votre alimentation électrique –
Vérifiez que la tension de votre alimentation secteur correspond à celle qui est spécifiée sur la plaque du fabricant, située sur le panneau inférieur. Dans certaines régions, un sélecteur de tension peut être installé sur le panneau inférieur du clavier principal, à proximité du cordon d’alimentation. Assurez-vous que le sélecteur de tension est réglé sur la tension utilisée dans votre région. En usine, le sélecteur est initialement paramétré sur 240 V. Pour modifier ce réglage, utilisez un tournevis plat et faites tourner le cadran du sélecteur jusqu'à ce que la valeur souhaitée apparaisse à côté de l’indicateur sur le panneau.
Avant d’utiliser l’instrument, lisez attentivement la section « PRÉCAUTIONS D'USAGE » aux pages 6 et 7. Pour plus d’informations sur l’assemblage de l’instrument, reportez-vous aux instructions figurant à la fin de ce manuel.
IMPORTANTE —compruebe la fuente de alimentación—
Asegúrese de que la tensión de la red local de suministro de CA coincide con la especificada en la placa situada en el panel inferior. Es posible que en algunas zonas se incluya un selector de tensión en el panel inferior de la unidad del teclado principal, junto al cable de alimentación. Asegúrese de que este selector está ajustado según la tensión de la zona. El selector de tensión viene ajustado de fábrica en 240 V. Para cambiar el ajuste, utilice un destornillador de punta plana para girar el selector hasta aparezca que la tensión correcta al lado del puntero del panel.
Antes de utilizar el instrumento, lea las “PRECAUCIONES”, en las páginas 6-7. Para obtener más información sobre el montaje del instrumento, consulte las instrucciones que encontrará al final de este manual.
EN FR ES
FRANÇAIS
ESPAÑOL
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SPECIAL MESSAGE SECTION
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
PRODUCT SAFETY MARKINGS:
Yamah a el e c tr on i c products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.
See bottom of Keyboard enclosure for graphic symbol markings.
The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
The lightning flash with arrowhead symbol, within the equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical shock.
IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected.
ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:
Battery Notice: This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
Warni ng: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.
Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc.
NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.
NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.
92-469- 1 (bottom)
Model
Serial No.
Purchase
Date
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IMPORTANT SAFETY INSTRUCTIONS
1 Read these instructions. 2 Keep these instructions. 3 Heed all warnings. 4 Follow all instructions. 5 Do not use this apparatus near water. 6 Clean only with dry cloth. 7 Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8 Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9 Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10 Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11 Only use attachments/accessories specified by the
manufacturer.
12 Use only with the cart, stand,
tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
13 Unplug this apparatus during
lightning storms or when unused for long periods of time.
14 Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.
(UL60065_03)
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifica­tions not expressly approved by Yamaha may void your author­ity, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories
and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with
the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements pro­vides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment gen­erates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)
devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be deter­mined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
COMPLIANCE INFORMATION STATEMENT
(DECLARATION OF
CONFORMITY PROCEDURE)
Responsible Party : Yamaha Corporation of America
Type of Equipment : Digital Piano
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including interference that may cause undesired operation.
See user manual instructions if interference to radio reception is suspected.
* This applies only to products distributed by
YAMAHA CORPORATION OF AMERICA.
Address : 6600 Orangethorpe Ave., Buena Park,
Telephone : 714-522-9011
Model Name : CVP-609GP/CVP-609/CVP-605
Calif. 90620
(FCC DoC)
IMPORTANT NOTICE
FOR THE UNITED KINGDOM
Connecting the Plug and Cord
IMPORTANT. The wires in this mains lead are coloured in accordance with the following code:
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows:
The wire which is coloured BLUE must be connected to the ter­minal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Making sure that neither core is connected to the earth terminal of the three pin plug.
BLUE : NEUTRAL BROWN : LIVE
(2 wires)
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Contents
About the Manuals................................................................................. 5
Included Accessories ............................................................................. 5
PRECAUTIONS ....................................................................... 6
Notices and Information ....................................................................... 8
Compatible formats for this instrument .............................................. 9
Welcome to the World of CVP — and the New Touch Screen! 10
Panel Controls 12
Starting Up 14
Turning On/Off the Power .................................................................. 14
Making the Basic Settings.................................................................... 16
Using the Music Rest ........................................................................... 17
Opening/Closing the Lid (CVP-609 Grand Piano type).................... 18
Using Headphones............................................................................... 19
Display Structure 20
Basic Operations 22
Display Configuration ......................................................................... 22
Closing the Current Display................................................................ 24
Display-based Controls........................................................................ 25
Calling up the Desired Functions from the Home Display............... 27
Using the ASSIGNABLE Buttons........................................................ 28
File Management.................................................................................. 29
Entering Characters ............................................................................. 33
Using the Pedals................................................................................... 35
Using the Metronome.......................................................................... 36
Adjusting the Tempo ........................................................................... 36
Setting the Touch Sensitivity of the Keyboard................................... 37
Transposing the Pitch in Semitones ................................................... 38
Adjusting the Volume Balance............................................................ 38
Restoring the Factory-programmed Settings .................................... 39
Data Backup.......................................................................................... 39
Piano Room – Enjoying the Piano Performance – 40
Playing the Piano Performance........................................................... 40
Making the Desired Setup in the Piano Room................................... 40
Voices – Playing the keyboard – 42
Playing Preset Voices........................................................................... 42
Setting the Split Point .......................................................................... 45
Playing Super Articulation Voices...................................................... 46
Creating Original Organ Flutes Voices............................................... 47
Styles – Playing Rhythm and Accompaniment – 48
Playing with a Style.............................................................................. 48
Style Control Operations ..................................................................... 50
Calling up Panel Settings Appropriate for the Current Style
(One Touch Setting)............................................................................. 52
Searching for Suitable Songs for the Current Style ........................... 53
Calling up Optimum Styles for Your Performance
(Style Recommender) .......................................................................... 54
Changing the Chord Fingering Type .................................................. 55
Song Playback – Playing and Practice Songs – 57
Playback of Songs................................................................................. 57
Displaying Music Notation (Score) .................................................... 60
Displaying Lyrics.................................................................................. 61
Displaying Text.....................................................................................62
One-handed Practice with the Guide Function..................................63
Repeat Playback....................................................................................64
Adjusting the Pitch in Semitones (Pitch Shift) ..................................65
Adjusting the Playback Speed (Time Stretch) ....................................65
Canceling the Vocal Part (Vocal Cancel) ............................................65
Song Recording – Recording Your Performance – 66
Basic Procedure for Recording (MIDI/Audio Recording) ................66
Recording to Specified Channels (MIDI Recording) .........................68
Converting a MIDI Song to an Audio Song ........................................70
Microphone – Adding Vocal Harmony Effects to Your Singing – 71
Connecting a Microphone ................................................................... 71
Applying Vocal Harmony Effects to Your Voice ...............................72
Music Finder – Calling up Ideal Panel Setups for Your Performance – 74
Selecting the Desired Record (Panel Settings) ...................................75
Searching for Records (Panel Settings)...............................................76
Registering a Song or Style to a Record ..............................................77
Registration Memory – Saving and Recalling Custom Panel Setups – 78
Registering Your Panel Setups ............................................................78
Saving the Registration Memory as a Bank File .................................79
Recalling a Registered Panel Setup......................................................80
Mixer – Editing the Volume and Tonal Balance – 81
Basic Procedure for the Mixer .............................................................81
Turning Each Channel of the Style or Song On/Off ...........................83
Connections – Using Your Instrument with Other Devices – 84
I/O Connectors......................................................................................84
Connecting Audio Devices
([AUX IN] jack, AUX OUT [L/L+R]/[R] jacks) .................................85
Connecting an External Monitor
([VIDEO OUT] jack, [RGB OUT] terminal) .......................................86
Connecting a Footswitch/Foot Controller ([AUX PEDAL] jack) .....87
Connecting a Microphone or Guitar ([MIC./LINE IN] jack) ............87
Connecting USB Devices ([USB TO DEVICE] terminal) ..................88
Connecting to an iPhone/iPad ([USB TO DEVICE] terminal,
[USB TO HOST] terminal and MIDI terminals) ................................89
Connecting to a Computer ([USB TO HOST] terminal) ...................90
Connecting External MIDI Devices (MIDI terminals) ......................90
Menu Display Function List 91
CVP-609 (Grand piano type) Assembly 93
CVP-609 Assembly 96
CVP-605 Assembly 99
Troubleshooting 102
Specifications 106
Index 109
CVP-609/605 Owner’s Manual
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Page 5

About the Manuals

This instrument has the following documents and instructional materials.
Included Documents
Owner’s Manual (this book)
Explains the basic operations of the Clavinova.
Data List
Contains various important preset content lists such as Voices, Styles, etc.
Online Materials (Downloadable from the web)
Reference Manual (only in English, French, German and Spanish)
Explains advanced functions and settings which can be operated from the Menu display (page 24).
iPhone/iPad Connection Manual
Explains how to connect the instrument to smart devices, such iPhone, iPad, etc.
Computer-related Operations
Includes instructions on connecting this instrument to a computer, and operations related to transferring song data.
MIDI Reference
Contains the MIDI Data Format and MIDI Implementation chart.
To obtain these manuals, access the Yamaha Manual Library, enter the model name (such as “CVP-609”) to the Model Name box, then click [SEARCH].
Yamaha Manual Library http://www.yamaha.co.jp/manual/
• Unless indicated otherwise, the illustrations and displays as shown in this manual are based on the CVP-609 (in English). These are for instructional purposes only, and may appear somewhat different from those on your instrument.
• iPhone and iPad are trademarks of Apple Inc., registered in the U.S. and other countries.
• The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.

Included Accessories

Owner’s Manual (this book)Data List“50 Greats for the Piano” Music Book
Song files (MIDI files) corresponding to the Music Book are available for free downloading over the Internet. To download the Song files, complete the Yamaha Online Member registration and Product registration at the following website. https://member.yamaha.com/myproduct/regist/
Online Member Product Registration
You will need the PRODUCT ID on the sheet in order to fill out the User Registration form.
AC Power Cord
The following items may be included or optional, depending on your locale:
BenchUSB Wireless LAN Adaptor
CVP-609/605 Owner’s Manual
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Page 6

PRECAUTIONS

Power supply/Power cord
Do not open
Water warning
Fire warning
If you notice any abnormality
PLEASE READ CAREFULLY BEFORE PROCEEDING
Please keep this manual in a safe and handy place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
• Do not place the power cord near heat sources such as heaters or radiators. Also, do not excessively bend or otherwise damage the cord, or place heavy objects on it.
• Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument.
• Use only the supplied power cord/plug.
• Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.
• This instrument contains no user-serviceable parts. Do not open the instrument or attempt to disassemble or modify the internal components in any way. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.
• Do not expose the instrument to rain, use it near water or in damp or wet conditions, place on it any containers (such as vases, bottles or glasses) containing liquids which might spill into any openings. If any liquid such as water seeps into the instrument, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel.
• Never insert or remove an electric plug with wet hands.
• Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire.
• When one of the following problems occur, immediately turn off the power switch and disconnect the electric plug from the outlet. Then have the device inspected by Yamaha service personnel.
- The power cord or plug becomes frayed or damaged.
- It emits unusual smells or smoke.
- Some object has been dropped into the instrument.
- There is a sudden loss of sound during use of the instrument.
CVP-609/605 Owner’s Manual
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DMI-5 1/2
Page 7
CAUTION
Power supply/Power cord
Assembly
Location
Connections
Handling caution
Using the bench (If included)
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
• Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
• When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it.
• Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms.
• Read carefully the attached documentation explaining the assembly process. Failure to assemble the instrument in the proper sequence might result in damage to the instrument or even injury.
• Do not place the instrument in an unstable position where it might accidentally fall over.
• When transporting or moving the instrument, always use two or more people. Attempting to lift the instrument by yourself may damage your back, result in other injury, or cause damage to the instrument itself.
• Before moving the instrument, remove all connected cables, to prevent damage to the cables or injury to anyone who might trip over them.
• When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still flowing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet.
• Do not insert a finger or hand in any gaps on the key cover or instrument. Also take care that the key cover does not pinch your finger.
• Never insert or drop paper, metallic, or other objects into the gaps on the key cover, panel or keyboard. This could cause physical injury to you or others, damage to the instrument or other property, or operational failure.
• Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.
• Do not use the instrument/device or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
• Do not place the bench in an unstable position where it might accidentally fall over.
• Do not play carelessly with or stand on the bench. Using it as a tool or stepladder or for any other purpose might result in accident or injury.
• Only one person should sit on the bench at a time, in order to prevent the possibility of accident or injury.
• If the bench screws become loose due to extensive long-term use, tighten them periodically using the included tool.
• Keep special watch over any small children so that they don’t fall off the rear of the bench. Since the bench does not have a backrest, unsupervised use may result in accident or injury.
• Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum.
• Be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
Even when the [ ] (Standby/On) switch is in standby status (power lamp is off), electricity is still flowing to the instrument at the minimum level.
When you are not using the instrument for a long time, make sure you unplug the power cord from the wall AC outlet.
DMI-5 2/2
CVP-609/605 Owner’s Manual
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Page 8

Notices and Information

NOTICE
To avoid the possibility of malfunction/ damage to the product, damage to data, or damage to other property, follow the notices below.
Handling
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise. When you use the instrument along with the application on your iPhone/iPad, we recommend that you set “Airplane Mode” to “ON” on your iPhone/iPad in order to avoid noise caused by communication.
• Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration, damage to the internal components or unstable operation. (Verified operating temperature range: 5° – 40°C, or 41° – 104°F.)
• Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.
• In the case of a model with a polished finish, bumping the surface of the instrument with metal, porcelain, or other hard objects can cause the finish to crack or peel. Use caution.
Instrument / Bench Maintenance
To keep your Clavinova in optimum condition, we recommend that you periodically follow the maintenance points below.
• When cleaning the instrument or bench, use a soft, dry or slightly damp cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths. Otherwise, it may become discolored or degraded.
• If you are using a model with a polished finish, gently remove dust and dirt with a soft cloth. Do not wipe too hard since small particles of dirt can scratch the instrument's finish. To keep the surface polished, apply commercially available piano polisher to a soft cloth and wipe the instrument’s surface with it. Then, polish it with a separate cloth. Before using any piano polisher, make sure to read the instructions for proper usage.
• During extreme changes in temperature or humidity, condensation may occur and water may collect on the surface of the instrument. If water is left, the wooden parts may absorb the water and be damaged. Make sure to wipe any water off immediately with a soft cloth.
• As with an acoustic piano, pedals may become tarnished across the ages. When this occurs, polish the pedal with a compound designed for piano pedals. Before using the compound, make sure to read the instructions for proper usage.
Saving data
• The edited Songs/Styles/Voices and MIDI settings are lost when you turn off the power of the instrument without saving. It occurs also when the power is turned of by Auto Power Off function (page 15). Save the edited data to the instrument (User memory) or USB flash memory (page 29). Saving the data to USB flash memory is even more secure, since the data in the instrument may be lost due to malfunction or incorrect operation.
• To further protect against data loss through the USB flash memory damage, we recommend that you save your important data onto two USB flash memories.
CVP-609/605 Owner’s Manual
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Page 9
Information
About copyrights
• Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use.
• This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, style files, MIDI files, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.
About functions/data bundled with the instrument
• Yamaha may from time to time update firmware of the product without notice for improvement in functions and usability. To take full advantage of this instrument, we recommend that you upgrade your instrument to the latest version. The latest firmware can be downloaded from the website below: http://download.yamaha.com/
• Some of the preset songs have been edited for length or arrangement, and may not be exactly the same as the original.
• This device is capable of using various types/formats of music data by optimizing them to the proper format music data for use with the device in advance. As a result, this device may not play them back precisely as their producers or composers originally intended.
• MPEG Layer-3 audio coding technology licensed from Fraunhofer IIS and Thomson.
• Supply of this product does not convey a license nor imply any right to distribute content created with this product in revenue­generating broadcast systems (terrestrial, satellite, cable and/or other distribution channels), streaming applications (via Internet, intranets and/or other networks), other content distribution systems (pay-audio or audio-on-demand applications and the like) or on physical media (compact discs, digital versatile discs, semiconductor chips, hard drives, memory cards and the like). An independent license for such use is required. For details, please visit http://mp3licensing.com.
Tu n i ng
• Unlike an acoustic piano, this instrument does not need to be tuned by an expert (although the pitch can be user-adjusted to match other instruments). This is because the pitch of digital instruments is always maintained perfectly.

Compatible formats for this instrument

GM2
“GM (General MIDI)” is one of the most common Voice allocation formats. “GM System Level 2” is a standard specification that enhances the original “GM” and improves Song data compatibility. It provides for increased polyphony, greater Voice selection, expanded Voice parameters, and integrated effect processing.
XG
XG is a major enhancement of the GM System Level 1 format, and was developed by Yamaha specifically to provide more Voices and variations, as well as greater expressive control over Voices and effects, and to ensure compatibility of data well into the future.
GS
GS was developed by the Roland Corporation. In the same way as Yamaha XG, GS is a major enhancement of the GM specifically to provide more Voices and Drum kits and their variations, as well as greater expressive control over Voices and effects.
XF
The Yamaha XF format enhances the SMF (Standard MIDI File) standard with greater functionality and openended expandability for the future. This instrument is capable of displaying lyrics when an XF file containing lyric data is played.
SFF GE (Guitar Edition)
“SFF (Style File Format)” is an original Style file format by Yamaha which uses a unique conversion system to provide high­quality automatic ac compani ment based on a wide range of chord ty pes. “SF F GE (Guitar Edition)” is an enhanced format of SFF, which features improved note transposition for guitar tracks.
CVP-609/605 Owner’s Manual
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Page 10

Welcome to the World of CVP — and the New Touch Screen!

This new CVP model is equipped with a convenient touch screen, enabling visual and intuitive control over virtually all instrument functions. Simply by touching this large and easy-to-see display, you can select desired items, enable and control various features, or edit parameter values — with greater ease and speed than ever before!
The instrument also has many advanced features that enhance your musical enjoyment and expand your creative and
Welcome to the World of CVP — and the New Touch Screen!
performance possibilities. Let’s take a look…
True Acoustic Piano Feel
We’ve combined some sophisticated technologies — including the Real Grand Expression (RGE) Sound Engine and Natural Wood (NW) keyboard (on the CVP-609), or the Graded Hammer 3 (GH3) keyboard (on the CVP-605) — to reproduce the natural touch response and expressive nuances of an actual concert grand piano. In addition, there is a special “Piano Room” containing all relevant piano performance settings, which you can call up with a single button press any time you want. This complete piano ‘environment’ lets you select the desired piano type as well as different room ambiences — providing a total piano experience, as if you were playing an actual piano.
Page 40
Enormous Variety of Instrument Voices
Naturally, the CVP provides many realistic piano Voices for your playing enjoyment. But it also features a wide variety of authentic instruments, both acoustic and electronic. Moreover, the special Super Articulation Voices realistically recreate many of the performance techniques and characteristic sounds generated when an artist plays an instrument. The result is superbly detailed expression — such as the realistic sound of finger slides on guitar, and the expressive breath noises of saxophone and other wind instruments.
Page 42
Full Backing Band Accompaniment
Even if you’re playing alone, the CVP can put an entire backing band behind you! Simply playing chords w ith your left hand automatically triggers and controls the auto accompaniment backing (Style function). You can change arrangements on the fly, instantly selecting different rhythm variations and breaks in real time — including Intro, Ending, and Fill-in — during your performance. And if you find it hard to select just the right Style from the huge variety available, use the Style Recommender function, which calls up a list of suggested Styles, based on a sample rhythm you play.
Page 48
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Page 11
Enjoyable Song Lesson Features — with Score Display and Guide Lamps
The Lesson features are a fun way to learn and master Songs, with notation shown on the display. Moreover, each key of the keyboard has a Guide lamp, which lights to indicate the notes to be played, letting you practice melodies and phrases smoothly — even if you are a beginner or have trouble reading notation.
Page 63
Sing Along with Song Playback or Your Own Performance
Since a microphone can be connected to the Clavinova and Song lyrics can be shown on the display, you can enjoy singing along with your keyboard performance or along with Song playback. You can also cancel the vocal part on audio recordings, letting you sing along with (or instead of!) your favorite artists and groups, and enjoy performing even more.
Pages 61, 71
Welcome to the World of CVP — and the New Touch Screen!
Using an iPhone or iPad with the CVP
By connecting your iPhone or iPad to the Clavinova and using applications, you can manage your music files more easily and take advantage various functions — expanding the potential of the Clavinova and make it an even more integral part of your total music life.
Page 89
Want to learn more about the Clavinova’s features? Press the [DEMO] button and start the demonstration!
In the Demo Menu, you can play special Demo Songs or call up brief historical information and function explanations of the Clavinova by touching the display.
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Page 12

Panel Controls

A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3
1
2 3 4 5 6 7 9 ) @
!
A
8
Panel Controls
1 [USB TO DEVICE] terminal ............ page 88
For connecting a USB flash memory or USB wireless LAN adaptor.
2 [P] (Standby/On) switch .................. page 14
For turning the power on or setting it to standby.
3 [MASTER VOLUME] control ........... page 14
For adjusting the overall volume.
4 [DEMO] button ................................. page 11
For calling up the Demo display.
5 [MIC] lamp ........................................ page 71
For checking the input level of the microphone.
6 [METRONOME ON/OFF] button .... page 36
For turning the metronome on or off.
7 TRANSPOSE buttons ....................... page 38
For transposing the pitch in semitone steps.
8 [TAP TEMPO]/TEMPO [-]/[+] buttons
............................................................ page 36
For controlling the tempo for Style, MIDI Song and metronome playback.
9 STYLE buttons .................................. page 48
For selecting a Style category.
) ASSIGNABLE buttons ....................... page 28
For assigning shortcuts to often used functions.
! STYLE CONTROL buttons ............... page 50
For controlling Style playback.
@ LCD (touch screen)............................ page 20
Allows you to select or change the parameters by simply touching the ‘virtual’ buttons or sliders on the display.
# Data Dial ............................................ page 26
For selecting an item or changing the value.
$ [HOME] button ................................. page 26
For calling up the Home display, or the first display when the power is turned on.
% [PIANO ROOM] button.................... page 40
For instantly calling up the optimum piano-related settings for playing the instrument simply as a piano.
^ SONG CONTROL buttons................ page 59
For controlling Song playback.
& VOICE buttons .................................. page 42
For selecting a keyboard part or a Voice category.
* REGISTRATION MEMORY buttons
............................................................ page 78
For registering and recalling panel setups.
( ONE TOUCH SETTING buttons...... page 52
For calling up the appropriate panel settings for the Style.
A Drum Kit icons .................................. page 44
These indicate drum instruments assigned to each key when the “Standard Kit 1” Voice is selected.
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Page 13
Panel Controls
F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7
%#
$
^ &
* (
CVP-609
CVP-609
CVP-605
Key cover (page 14)
Guide lamps (page 63)
I/O connectors
(page 84)
Sheet music braces
(page 17)
Music rest (page 17)
Music rest
(page 17)
Sheet music
braces (page 17)
I/O connectors
(page 84)
Key cover (page 14)
Guide lamps (page 63)
Peda ls (page 35)
Music rest (page 17)
Sheet music braces (page 17)
I/O connectors
(page 84)
Key cover (page 14)
Guide lamps (page 63)
Pedals (page 35)
Pedals (page 35)
Lid (page 18)
(Grand Piano type)
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Page 14

Starting Up

1-1
1-2
The shape of the plug and outlet differ depending on locale.
CAUTION
CAUTION
Be careful to avoid catching your fingers when opening the cover.
Power indicator

Turning On/Off the Power

1 Connect the power cord.
First insert the plug of the power cord into the AC connector on the instrument, then plug the other end of the cable into a proper AC outlet on the wall.
Starting Up
2 Lift the key cover slightly, then push it up and back to open.
3 Press the [P] (Standby/On) switch to turn the power on.
The display located in the center of the front panel and the power indicator located below the left end of the keyboard lights up.
• Hold the cover with both hands when opening or closing it. Do not release it until it is fully opened or closed. Be careful to avoid catching fingers (yours or others, especially children’s) between the cover and the unit.
• Do not place anything (such as metal objects or pieces of paper) on top of the key cover. Small objects placed on the key cover may fall inside the unit when the cover is opened and may be nearly impossible to remove. Once inside, they could cause electric shock, short circuit, fire or other serious damage to the instrument.
14
4 Play the keyboard.
While playing the keyboard, adjust the volume level by using the [MASTER VOLUME] control.
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Page 15
5 After you use the instrument, press the [P] (Standby/On) switch to
CAUTION
Even when the power switch is turned off, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the power cable from the wall AC outlet.
NOTICE
• If you force-quit the instrument during recording or editing, data might be lost, and the instrument and external devices might be damaged.
• Any data which is not saved via the Save operation will be lost if the power automatically turns off. Make sure to save your data before this happens.
• Depending on the instrument status, the power may not turn off automatically, even after the elapse of the specified period of time. Always turn off the power manually when the instrument is not in use.
CAUTION
Be careful to avoid catching your fingers when closing the cover.
turn the power off.
The display and power indicator turn off. During recording, editing and display of certain messages, the power cannot be turned off even if you press the [P] switch. If you want to force-quit the instrument in such a situation, press and hold the [P] switch for longer than three seconds.
Auto Power Off function
To prevent unnecessary power consumption, this instrument features an Auto Power Off function that automatically turns the power off if the instrument is not operated for a specified period of time. The amount of time that elapses before the power is automatically turned off is approximately 30 minutes by default; however, you can change the setting (page 16).
6 Lower the key cover back in place gently with both hands.
CVP-609/605 Owner’s Manual
Starting Up
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Page 16

Making the Basic Settings

NOTICE
• Any data which is not saved via the Save operation will be lost if the power automatically turns off. Make sure to save your data before this happens.
• Depending on the instrument status, the power may not turn off automatically, even after the elapse of the specified period of time. Always turn off the power manually when the instrument is not in use.
+
As necessary, make the basic settings such as Language shown on the display.
1 Call up the operation display.
First, touch [Menu] at the bottom right corner of the Home display which is shown when the power is turned on. Then touch [] to move to page 2 (if necessary), and touch [Utility] and [System] in order.
Starting Up
2 Make the necessary settings by touching the display.
Ve rs i on
Copyright
Language
Owner Name
Auto Power Off
Disabling Auto Power Off (Simple Method)
Turn the power on while holding down the lowest key on the keyboard. An “Auto power off disabled” message appears briefly and Auto Power Off is disabled.
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16
Indicates the firmware version of this instrument. Yamaha may from time to time update firmware of the product without notice for improvement in functions and usability. To take full advantage of this instrument, we recommend that you upgrade your instrument to the latest version. The latest firmware can be downloaded from the website below: http://download.yamaha.com/
Touch here to call up copyright information.
Determines the language used in the display for messages. Touch this setting to call up the language list, then select the desired one.
Lets you input your name which appears in the opening display (called up when the power is turned on). Touch this setting to call up the character entry window, then input your name (page 33).
Lets you set the amount of time that elapses before the power is turned off by Auto Power Off function (page 15). Touch this to call up the list of settings, then select the desired one. To disable Auto Power Off, select “Disabled” here.
Page 17

Using the Music Rest

CAUTION
Sheet music braces
CAUTION
Be careful to avoid catching your fingers.
Close the sheet music braces
CAUTION
Before lowering the music rest, close the sheet music braces. Otherwise you may catch your fingers between the music rest and the music braces and injure them.
Pull the music rest toward yourself as far as it will go. When raised, the music rest locks in place at a certain angle and cannot be adjusted. The braces allow you to hold the pages of music books in place.
To lower the music rest, lift the music rest slightly, then turn it back slowly.
When raising or lowering the music rest, do not release your hands from the music rest until it is all the way up or down.
Starting Up
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Page 18

Opening/Closing the Lid (CVP-609 Grand Piano type)

CAUTION
Do not let children open or close the lid. Also, be careful to avoid catching fingers (yours or others, and especially those of children) when raising or lowering the lid.
CAUTION
• Do not use the outer recess for the longer stay. Doing so makes the lid unstable and may cause it to fall, resulting in damage or injury.
• Make sure that the end of the stay fits securely in the lid recess. If the stay is not properly seated in the recess, the lid may fall, causing damage or injury.
• Be careful that you or others do not bump the stay while the lid is raised. The stay may be bumped out of the lid recess causing the lid to fall.
Longer stay
Shorter stay
One long stay and one short stay are provided on the lid. Use one of them to hold the lid open at desired angle.
Opening the Lid
1 Raise the music rest. 2 Raise and hold the right side of the lid (viewed from the keyboard end of the
instrument).
3 Raise the lid stay and carefully lower the lid so that the end of the stay fits into the
Starting Up
recess in the lid.
2
3
1
For the longer stay, use the inner recess, and for the shorter stay, use the outer recess to support the lid.
Closing the Lid
1 Hold the lid stay and carefully raise the lid. 2 Hold the lid in its raised position and lower the lid stay. 3 Carefully lower the lid.
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1
3
2
Page 19

Using Headphones

CAUTION
Standard stereo phone plug
NOTICE
Do not hang anything other than the headphones on the hanger. Otherwise, the instrument or the hanger may be damaged.
Since this instrument is equipped with two [PHONES] jacks, you can connect two sets of standard stereo headphones. If you are using only one set of headphones, insert a plug into either of these jacks.
MIC.
INPUT
MIC. LINE PHONES
VOLUME
LINE IN
MIN MAX
Using the Headphone Hanger
A headphone hanger is included in the instrument package so that you can hang the headphones on the instrument. Install the headphone hanger by following the instructions at the end of this manual.
Do not use headphones at a high volume for an extended period of time; doing so may cause hearing loss.
Starting Up
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Page 20

Display Structure

File Selection display
You can call up the desired type of display by touching the Style name, Voice name or Song name on the Home display.
Home display
This is the portal or home base of the instrument’s display structure.
By expanding the Style area, you can call up the playback­related controls on the display.
Menu display
By touching each of the icons, you can call up various functions, such as Song Score, Volume Balance and other detailed settings.
Style Selection display Voice Selection display
Turning on this instrument calls up the Home display, from which you can call up the File Selection display and Menu display giving you convenient access to various functions and allowing you to make various settings. For detailed instructions on the display, refer to page 22.
Display Structure
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By expanding the Song area, you can call up the playback­related controls on the display.
Song Selection display
Display Structure
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Basic Operations

1
2
4
5
3
NOTE
On the Voice area, Style area or Song area, flicking right expands the Style area, while flicking left expands the Song area.
NOTE
Flicking right or left on the Registration area can also hide or show this area.

Display Configuration

This section covers the most often used displays: Home, File Selection and Menu. The Home display appears when the power is turned on. The File Selection display and Menu display can be called up from the Home display.
Home Display
Appears when the power is turned on, and can be called up when the [HOME] button is pressed. This display shows the current basic settings such as the current Voice and Style, allowing you to see them at a single glance. Because of this, you should normally have the Home display shown when you perform on the keyboard.
Basic Operations
1 Voic e a r e a
Indicates the current Voices for each of the keyboard parts (Main, Left and Layer) and the on/off status of these parts (page 42). Touching a Voice name calls up the Voice Selection display.
2 Style area
Indicates the current Style (page 48). Touching a Style name calls up the Style Selection display. Touch [] at the upper left of this area to expand the area. To reset the area to the default status, touch [], which appears at the upper right of the Voice area.
3 Song area
Indicates the current Song (page 57). Touching a Song name calls up the Song Selection display. Touch [] at the upper right of this area to expand the area. To reset the area to the default status, touch [] appears at the upper left of the Voice area.
4 Registration area
Indicates the currently selected Registration Memory Bank name, Registration name and Registration Sequence when it is active (page 78). Touching this area calls up the Registration Bank Selection display. You can hide or show this area by touching [] or [] in the area.
5 Menu area
Contains the shortcut icons which let you call up various functions with a single touch. Touching a shortcut icon will call up the display of the corresponding function. Touch [Menu] icon at the right end to call up the Menu display, from which you can register the desired one to this Menu area (page 27).
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Page 23
File Selection Display
1
2
3
4
Path
To the upper folder
NOTE
You can call up another page also by flicking vertically on the list.
The File Selection display is for selecting a Voice, Style, Song, and other data. You can call up this display by touching the name of the Voice, Style or Song on the Home display, or by pressing one of the VOICE or STYLE buttons, etc.
1 Category
A wide variety of data such as Voices and Styles are divided into several categories (tabs) according to the data type. Except for the following two, all tabs are referred to as “preset” tabs, since they contain preset data.
Location where the Voices or Styles which you have registered as
(Favorite tab)
(User tab)
Favorites are shown (page 32). This tab is available only for Voices and Styles.
Location where recorded or edited data is saved. Data saved to the instrument are shown in “USER” (User memory), while data in the connected USB flash memory are shown in “USB.” In this manual, data in the User tab is referred to as “User data.”
2 Sub Category / Folder (Path)
• When one of the preset tabs is selected, the sub categories are shown here according to the data type. For example, various piano types such as Grand Piano and Electric Piano are shown when you touch the “Piano” tab on the Voice Selection display.
• When the Favorite tab is selected, this is not available.
• When the User tab is selected, the current path or folder is shown here according to the folder structure.
3 Selectable data (files)
The files that can be selected are shown. If two or more pages are available, you can call up another page by touching [] or [].
4 Operation icons
The functions (save, copy, delete, etc.) which can be operated via the File Selection display are shown. The icons shown here differ depending on which File Selection display is selected. For detailed instructions, refer to pages 29 – 33, or the instructions for each function’s File Selection display.
Basic Operations
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Page 24
Menu Display
NOTE
You can call up the Menu display also by flicking upward from the bottom on the Home display. Flicking downward on the Menu display calls up the Home display.
1
2
NOTE
You can also change pages by flicking horizontally.
This is the portal display for using various functions and can be called up by touching the [Menu] icon at the bottom right corner of the Home display.
1 Functions
Various convenient functions are shown via icons. Touching each of them calls up
Basic Operations
the corresponding function. This list consists of two pages, which you can select by pressing [] or []. For information on each function, refer to the “Menu Display Function List” (page 91) or the Reference Manual on the website.
2 Shortcuts
By registering often used functions here as Shortcuts, you can call up them quickly from the Home display. For instructions, refer to page 27.
Instruction conventions for the Menu display
Throughout this manual, instructions with multiple steps are given in convenient shorthand, with arrows indicating the proper sequence.
Example: [Menu] → [Utility] → [System] → [Language]
The example above describes a three step operation:
1) From the Menu display, touch [Utility].
2) Touch [System].
3) Touch [Language].

Closing the Current Display

To close the current display, touch [×] at the upper right of the display (or window) or [Close] at the lower right of the display (or window). When a message (information or confirmation dialog) appears, touching the appropriate item such as “Yes” or “No” closes the message. If you want to quickly return to the Home display press the [HOME] button.
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Page 25

Display-based Controls

Data d ial
[HOME] button
Display
NOTICE
Do not use any sharp or hard tools to operate the touch screen. Doing so may damage the display.
NOTE
Keep in mind that operation by simultaneously touching two or more points on the display is not possible.
NOTE
You can turn on/off system sounds produced when touching the display from [Menu] [Utility] [Display] Touch Panel [Sound]
The display of this instrument is a special touch screen that allows you to select or change the desired parameter by simply touching the corresponding setting on the display.
Using the Display (Touch Screen)
To u ch
To select an item, lightly touch the corresponding indication on the display.
Slide
Hold down the display slider, then slide your finger vertically or horizontally to change the parameter value.
Rotate
Touch and hold the display knob, and rotate your finger around the knob to change the parameter value.
Touch and hold
This instruction means to touch the object in the display and hold it for a while. When setting values by using []/[], a slider or a knob, you can restore the default value by touching and holding the value on the display.
Basic Operations
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Rotating the Data Dial
Data dial
Depending on the display, the Data dial can be used in the following two ways.
Adjusting the parameter values
After selecting the desired parameter, use the Data dial to adjust the value. This is useful if you have difficulty adjusting by touching on the display, or want finer control over the adjustment.
Selecting an item from a list
Basic Operations
In File Selection displays (page 23) and the List windows for setting parameters, use the Data dial to select an item.
Pressing the [HOME] Button
You can quickly return to the Home display (the display shown when the power is turned on) by pressing the [HOME] button whenever you want.
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Page 27
Calling up the Desired Functions from the Home
NOTE
To cancel this operation, touch any blank location on the display before going on to step 2.
NOTE
To cancel this operation, touch any blank location on the display before going on to step 2.
1
NOTE
To cancel this operation, touch any blank location on the display before going on to step 2.
Display
From all the functions shown on the Menu display, you can pick out an often used one and register it to a shortcut. Registered shortcuts are shown in the Menu area (page 22) at the bottom of the Home display, allowing you to quickly call up the desired function from the Home display.
Creating a Shortcut on the Home Display
Although seven shortcuts are registered by default, you can customize them as necessary.
1 Touch and hold the icon of the desired function until the color of the
shortcut area (bottom of the display) changes.
1
2
Basic Operations
2 From the seven locations at the bottom of the display, touch the one you
want to replace.
The function selected in step 1 will be registered, replacing the one selected here.
Moving a Shortcut
1 Touch and hold the desired icon until the color changes.
12
2 From the seven locations, touch the desired destination icon.
The icons touched in steps 1 and 2 are switched.
Deleting a Shortcut
1 Touch and hold the desired icon until the color changes.
2 Touch the same icon again to delete it from the shortcuts.
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Using the ASSIGNABLE Buttons

NOTE
For details about the functions which can be assigned to these buttons, refer to the Reference Manual on the website.
You can assign the functions which you use frequently to these four buttons at the left side of the display. Also the functions listed on the Menu display can be assigned as shortcut.
1 Call up the operation display via [Menu] → [Assignable] → [Assignable].
Basic Operations
2
3
2 Touch the desired button number to call up the list. 3 Select the desired item from the functions and shortcuts (equivalent to
the functions in the Menu display).
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Page 29

File Management

NOTE
Before using a USB flash memory, be sure to read “Connecting USB Devices” on page 88.
3
NOTE
To cancel this operation, touch [Cancel].
Data you have created such as recorded Song and edited Voice can be saved as files to the instrument (referred to as “User memory”) and the USB flash memory. If you’ve saved a lot of files, you may have trouble finding the desired file quickly. To make operation easier, you can organize your files in folders, rename the files, delete unnecessary files, etc. These operations are done in the File Selection display.
Saving a File
You can save your original data (such as Songs you’ve recorded and Voices you’ve edited) as a file to the instrument or USB flash memory.
1 In the relevant display, touch (Save) to call up the display for
selecting the saving destination.
2 Select the location to which you want to save the file.
To show the next higher level folder, touch . You can create a new folder by touching (New Folder).
Basic Operations
3 Touch [Save here] to call up the Character Entry window. 4 Enter the file name (page 33).
Even if you skip this step, you can rename the file at any time (page 30) after saving.
5 Touch [OK] in the Character Entry window to actually save the file.
The saved file will be automatically located at the appropriate position among the files in alphabetical order.
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Creating a New Folder
NOTE
• In User memory, no more than three folder levels can be created. The maximum total number of files/folders which can be saved differs depending on the file size and the length of the file/ folder names.
• The maximum number of files/folders which can be stored in a folder is 500.
NOTE
• To cancel the file operation, touch [] at right corner to hide the File Management icons.
• You can hide or show the File Management icons by flicking the bottom of the display horizontally.
2 3
File Management icons
NOTE
Files in the Preset tabs cannot be renamed.
NOTE
• To cancel the file operation, touch [] at right corner to hide the File Management icons.
• You can hide or show the File Management icons by flicking the bottom of the display horizontally.
NOTE
Only one file or folder can be renamed at a time.
Folders can be created, named and organized as desired, making it easier to find and select your original data.
1 In the File Selection display, touch the User tab (page 23) then select the
location to which you want to create a new folder.
To show the next higher level folder, touch .
2 Touch [File] to call up the File Management icons.
Basic Operations
3 Touch (New folder) to call up the Character Entry window. 4 Input the name of the new folder (page 33).
Renaming a File/Folder
You can rename files/folders.
1 Call up the File Selection display, on which the desired file/folder is
shown.
2 Touch [File] to call up the File Management icons. 3 Enter a checkmark to the desired file or folder by touching it. 4 Touch (Rename) to call up the Character Entry window. 5 Input the name of the selected file or folder (page 33).
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Copying or Moving Files
NOTE
• Files in the Preset tabs cannot be moved.
• Copying of commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use. Commercially available Song data may be copy protected to prevent illegal copying or accidental erasure.
NOTE
• To cancel the file operation, touch [] at right corner to hide the File Management icons.
• You can hide or show the File Management icons by flicking the bottom of the display horizontally.
NOTE
To cancel this operation, touch [Cancel] before going to step
6.
NOTE
Files in the Preset tabs cannot be deleted.
NOTE
• To cancel the file operation, touch [] at right corner to hide the File Management icons.
• You can hide or show the File Management icons by flicking the bottom of the display horizontally.
You can copy or cut a file and paste it to another location (folder). You can also copy a folder (but not move it) by using the same procedure.
1 Call up the File Selection display, on which the desired files/folders are
shown.
2 Touch [File] to call up the File Management icons. 3 Enter checkmarks to the desired files/folders by touching each item.
One or more files/folders can be checked. When you want to enter checkmarks to all displayed items, touch (Check All). Touch (Check All) again to remove all the checkmarks.
4 Touch (Copy) or (Move), to call up the display for selecting the
destination.
5 Select the desired destination (path) to paste the files/ folders.
You can create a new folder by touching (New Folder).
6 Touch [CopyHere] or [MoveHere] to paste the files/folders you’ve
selected in step 3.
The pasted file/folder appears on the display at the appropriate position among the files in alphabetical order.
Basic Operations
Deleting Files/Folders
You can delete files/folders.
1 Call up the File Selection display, on which the desired files/folders are
shown.
2 Touch [File] to call up the File Management icons. 3 Enter checkmarks to the desired files/folders by touching each item.
One or more files/folders can be checked. When you want to enter checkmarks to all displayed items, touch (Check All). Touch (Check All) again to remove all the checkmarks.
4 Touch (Delete). 5 After the confirmation message appears, touch [Yes] to actually delete
the files/folders you’ve selected in step 3.
To cancel this operation, touch [No] instead of [Yes].
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Registering Files to the Favorite Tab
NOTE
• If you change the name of the original file or move/ delete the original file, touching the corresponding file name in the Favorite tab cannot call up the file.
• Within the Favorite tab, to actually remove the file, you need to touch the colored star then close or switch the display.
Favorite tab
Registered
Not registered
You can call up your favorite or often used Voices or Styles quickly by registering them to the Favorite tab. Touch the star mark ( ) at the right side of each file to register the corresponding file to the Favorite tab. To remove the registered file from the Favorite tab, touch the colored star mark ( ) in the Favorite tab or in the tab which actually contains the corresponding file.
Basic Operations
Sorting the File Order in the Favorite Tab
You can change the order of the files such as Voices and Styles in the Favorite tab.
1 In the Voice Selection display or Style Selection display, touch the
Favorite tab.
2 Touch (Order) to call up the Order Edit display. 3 Touch the file you want to move.
3
4 Touch the location to which you want to move the file selected in step 3. 5 Repeat steps 3 – 4 as necessary. 6 Touch [Complete] to exit from the Order Edit display.
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4
2
1
3
Page 33
Restrictions for protected Songs
Commercially available Song data may be copy protected to prevent illegal copying or accidental erasure. They are marked by the indications at the left side of the file names. The indications and relevant restrictions are detailed below.
(gray) Protected 1: Indicates Preset Songs saved to the “USER” (User memory) and
Disklavier Piano Soft Songs. These cannot be copied/moved/saved to external devices.
(yellow) Protected 2 Original: Indicates Yamaha-protection-formatted Songs. These
• cannot be copied. These can be moved/saved only to the “USER” (User memory) and USB storage devices with ID.
(yellow) Protected 2 Edited: Indicates edited “Protected 2 Original” Songs. Make sure to
save these to the same folder containing the corresponding “Protected 2 Original” Song. These cannot be copied. These can be moved/saved only to the “USER” (User memory) and USB storage devices with ID.
Note for “Protected 2 Original” and “Protected 2 Edited” Song file operation
Make sure to save the “Protected 2 Edited” Song to the same folder containing its original “Protected 2 Original” Song. Otherwise the “Protected 2 Edited” Song cannot be played back. Also, if you move a “Protected 2 Edited” Song, be sure to move its original “Protected 2 Original” Song to the same location (folder) at the same time.

Entering Characters

This section covers how to enter characters for naming your files/folders, inputting keywords on Music Finder (page 74), etc. Entering characters should be done in the display shown below.
Basic Operations
2
1
1 Touch the character type.
When the Language (page 16) is set to other than Japanese:
Touching [Symbol] (or [abc]) switches between entering symbols or Roman letters (and numbers). To switch between entering capital letters or small letters, touch (Shift).
When the Language (page 16) is set to Japanese:
: Roman letters and numbers in half size (full size)
: Symbols in half size (full size)
: Katakana in full size (half size)
: Hiragana and Kanji
To switch between full size or half size, touch and hold the Character Type. For example, [ ] can be called up by holding [ ]. When entering Roman letters, you can switch between capital and small letters by touching (Shift).
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2 Touch []/[] or rotate the Data dial to move the cursor to the desired
NOTE
• Depending on the display for character entry you are working in, some types of characters cannot be entered.
• A file name can contain up to 41 characters and a folder name can contain up to 50 characters.
• The following characters (half size) cannot be used: ¥ / : * ? " < > I
NOTE
To cancel this operation, touch [Cancel] before going on to step 3.
location.
3 Input the desired character one by one.
To delete a single character, touch [Delete]; to delete all characters at once, touch and hold [Delete]. To enter a space, touch the space key indicated in the illustration on the previous page.
To input letters with auxiliary symbols (when Language is set to other than
Japanese):
You can input letters with auxiliary symbols such as umlaut by touching and holding a letter to call up a list. For example, touch and hold “E” to enter “Ё” from the list.
To convert into Kanji (when the Language is set to Japanese):
When the entered “hiragana” characters are shown in reverse display (highlighted), touch [ ] several times to call up the conversion options. You can change the reversed area by touching [] or []. When you find the desired Kanji, touch []. To change the converted kanji back to “hiragana,” touch [ ].
Basic Operations
To clear the reversed area at once, touch [ ].
4 Touch [OK] to finalize the characters (name, keywords, etc.) you have
input.
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Using the Pedals

If you press and hold the damper pedal here, all the notes shown will be sustained.
NOTE
• Certain Voices, such as strings and brass, sustain continuously when the damper/sostenuto pedal is pressed.
• Certain Voices such as drum kits may not be affected by use of the damper/sostenuto pedal.
NOTE
The pedals are covered with vinyl covers when shipped from the factory. If your instrument features the GP Responsive Damper Pedal, remove the cover from the damper pedal for optimum use of the pedal effect.
NOTE
If the pedal box rattles or gives way when you step on the pedals, turn the adjuster so that it is set firmly against the floor (pages 95, 98, 100).
If you press and hold the sostenuto pedal here, only the notes held at this timing will be sustained.
Damper Pedal (Right)
Pressing this pedal sustains notes. Releasing this pedal immediately stops (damps) any sustained notes. A “half-pedal” function of this pedal creates partial sustain effects, depending on how far down you press the pedal.
Half-pedal function
This function allows the sustain length to vary depending on how far the pedal is pressed. The farther you press the pedal, the more the sound sustains. For example, if you press the damper pedal and the notes you play sound a bit murky and loud with too much sustain, you can partially release the pedal to lessen the sustain (murkiness).
GP Responsive Damper Pedal
This special pedal has been designed to provide enhanced tactile response and, when pressed, is much closer in feel to the pedal of an actual grand piano. It makes it easier to physically experience the half-pedal point and more easily apply the half-pedal effect than other pedals. Since the pressing sensation may vary depending on the situation, including the location where the instrument is installed, you can adjust the half-pedal point to the desired setting on the display called up via [Menu] → [Assignable] → [Pedal]. For details, refer to the Reference Manual on the website.
Sostenuto Pedal (Center)
When the Piano Voice is selected, if you play a note or chord on the keyboard and press this pedal while holding the note(s), the notes will sustain as long as the pedal is held. All subsequent notes will not sustain. When a Voice other than piano is selected, a specific function appropriate for the Voice is automatically assigned to the center pedal.
Soft Pedal (Left)
When the Piano Voice is selected, pressing this pedal reduces the volume and slightly changes the timbre of the notes you play. When a Voice other than piano is selected, a specific function appropriate for the Voice is automatically assigned to the center pedal. You can adjust the depth of the Soft pedal effect on the display called up via [Menu] → [Assignable] → [Pedal]. For details, refer to the Reference Manual on the website.
Assigning a function to each pedal
Various functions can be assigned to each of the three pedals and an optional foot controller/ footswitch — including start/stop of Song playback and controlling a Super Articulation Voice. These can be set on the display called up via [Menu] → [Assignable] → [Pedal]. For details, refer to the Reference Manual on the website.
Basic Operations
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Using the Metronome

NOTE
You can also change the time signature, volume and sound of the metronome on the display called up via [Menu] [Metronome] [Metronome].
NOTE
If you want to adjust the tempo of an Audio Song, use the Time Stretch function on page 65.
The [METRONOME ON/OFF] button lets you start or stop the metronome. The metronome provides a click sound, giving you an accurate tempo guide when you practice, or letting you hear and check how a specific tempo sounds.

Adjusting the Tempo

Basic Operations
The TEMPO [-] and [+] buttons let you change the playback tempo of Metronome, Style and MIDI Song. The tempo of the Style and MIDI Song can also be adjusted via the [TAP] button.
TEMPO [-]/[+] buttons
Press the TEMPO [-] or [+] button to call up the Tempo pop-up display. Use the TEMPO [-]/[+] buttons to decrease or increase the tempo over a range of 5 – 500 beats per minute. Holding down either button can change the value continuously. Pressing both TEMPO [-] and [+] buttons can call up the default tempo of the last selected Style or Song.
[TAP] button
During playback of a Style or MIDI Song, you can change the tempo by tapping the [TAP] button twice at the desired tempo. When Style and Song are stopped, tapping the [TAP] button (four times for a 4/4 time signature) starts playback of the rhythm part of the Style at the tempo you tapped.
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Setting the Touch Sensitivity of the Keyboard

NOTE
The Touch Sensitivity settings may have no effect with certain Voices.
Touch Sensitivity determines how the sound responds to your playing strength. This setting does not change the weight of the keyboard.
1 Call up the display via [Menu] → [Keyboard].
2 Make the settings by touching the display.
Touch C ur ve
Fixed Velocity
Enter checkmarks to the boxes of the desired keyboard parts, then touch here to call up the setting window and select the Touch Sensitivity type. If you remove the checkmark, playing the corresponding part will produce a fixed velocity regardless of your playing strength.
Hard2: Requires strong playing to produce high volume. Best for players with a heavy touch.
Hard1: Requires moderately strong playing for high volume.
Medium: Standard Touch Sensitivity.
Soft1: Produces high volume with moderate playing strength.
Soft2: Produces relatively high volume even with light playing strength. Best for players with a light touch.
Make sure that the box of the desired keyboard parts are checked, then touch here to call up the setting window and set the velocity with which you play the keys, which stays fixed regardless of your playing strength.
Maintaining the Left Voice (even when releasing the keys)
When the Left Hold function is set to “On” in the display above, the Left Voice is held even when the keys are released. Nondecaying Voices such as strings are held continuously, while decay-type Voices such as piano decay more slowly (as if the sustain pedal has been pressed). When the Left Hold is “On,” an “H” indication appears at the left side of the keyboard illustration in the center of the Home display.
Basic Operations
This function is convenient when used along with Style playback since the sound of the chord matching Style playback is maintained. To stop the Left Voice which is sounding, stop Style or Song playback, or set the Left Hold function to “Off.”
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Transposing the Pitch in Semitones

NOTE
• If you want to transpose the pitch of the Audio Song, use the Pitch Shift parameter on page 65.
• The Transpose functions do not affect the Drum Kit or SFX Kit Voices.
NOTE
Transpose can be done on the display also via [Menu] [Transpose].
Hz (Hertz):
This unit of measurement refers to the frequency of a sound and represents the number of times a sound wave vibrates in a second. This instrument is tuned to 440.Hz by default to conform to the conventional tuning value (440.0Hz) of acoustic pianos.
The TRANSPOSE [-]/[+] buttons transpose the overall pitch of the instrument (the keyboard sound, Style playback, MIDI Song playback, and so on) in semitone steps (from -12 to 12). Pressing the [-] and [+] buttons simultaneously resets the value to 0.
You can independently select the part to transpose as desired. Touch the Transpose pop­up several times until the desired part appears, then use the TRANSPOSE [-]/[+] buttons to transpose it.
Basic Operations
Master
Transposes the pitch of the entire sound with the exception of the Audio Song and input sound from a microphone or the [AUX IN] jack.
Keyboard
Song
Transposes the keyboard pitch including the chord root triggering Style playback.
Transposes the pitch of the MIDI Song.
Fine tuning the pitch
By default, the pitch of the entire instrument is set to 440.0 Hz with the Equal Temperament. This setup can be changed from the display called up via [Menu] → [Tuning]. For details, refer to the Reference Manual on the website.

Adjusting the Volume Balance

From the Balance display called up via [Menu] → [Balance], you can adjust the volume balance between the keyboard parts (Main, Layer and Left), Style and Song and the microphone sound. Slide your finger vertically for each part to adjust the volume. Since the volume of MIDI Songs and Audio Songs are handled individually, you need to set the volume balance for each case (when a MIDI Song is selected, or when an Audio Song is selected).
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Restoring the Factory-programmed Settings

NOTE
You can also restore the factory default value of specified settings or delete all files/folders in the User memory on the display called up via [Menu] [Utility] [Factory Reset/Backup] page 1/2. For details, refer to the Reference Manual on the website.
NOTE
Before using a USB flash memory, be sure to read “Connecting USB Devices” on page 88.
NOTE
• You can back up User data such as Voice, Song, Style, and Registration Memory by copying them individually to USB flash memory. For instructions, refer to page 31.
• You can back up the System settings, MIDI settings, User Effect settings, and Music Finder Records individually.
3
NOTICE
Move the Protected Songs which are saved to User memory before restoring. If the Songs are not moved, the operation deletes the data.
NOTE
Completing the backup/ restore operation may take a few minutes.
While holding the C7 key (right-most key on the keyboard), turn the power on. This restores the all settings to the factory default.
C7
+
If you want to restore the default value of any parameter you’ve changed, touch and hold the value on the display (page 25).

Data Backup

You can back up all data in the User memory of this instrument (except for Protected Songs) and all settings to the USB flash memory as a single file. This procedure is recommended for data security and backup in case of damage.
1 Connect the USB flash memory to the [USB TO DEVICE] terminal as
backup destination.
2 Call up the display via [Menu] → [Utility] → [Factory Reset/ Backup] →
page 2/2.
3 Touch [Backup] of “All” to save the backup file to the USB flash
memory.
Restoring the Backup File
To do this, touch [Restore] of “All” in step 3 above. When the operation is complete, the instrument will be restarted automatically.
Basic Operations
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Piano Room
2
– Enjoying the Piano Performance –
If you want to simply play the instrument as a piano without having to worry about other unrelated settings, the Piano Room function is exceptionally convenient. No matter what settings you’ve made from the panel, you can instantly call up the settings for the piano performance by a single button press. You can also change the piano settings as you like.

Playing the Piano Performance

1 Press the [PIANO ROOM] button to call up the Piano Room display.
This operation calls up the panel settings for the piano performance and disables all other functions except for the pedal, metronome and master volume setting.

Piano Room – Enjoying the Piano Performance –

2 Play the keyboard.
You can play with the pedal (page 35) and metronome (page 36).
3 Touch [×] at the upper right of the display to exit from the Piano Room
display.
The panel settings return to the ones last made before you called up the Piano Room display.

Making the Desired Setup in the Piano Room

The Piano Room display lets you set various parameters such as piano type. The settings here are applied only when the Piano Room display is shown. The settings you made on another display will not be applied when the Piano Room display is shown.
1 Press the [PIANO ROOM] button to call up the Piano Room display.
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2 Make the desired setups by touching the display.
NOTE
• You can change the piano type also by quickly sliding the piano picture horizontally.
• When the “Grand Piano” or “Pop Grand” is selected, you can open or close the lid by sliding up or down on the lid.
Selecting a piano type
Touch the picture of the piano to call up the piano list at the bottom of the display, then select the desired one. The last selected environment for the piano (see below) will automatically be called up when you select a particular piano.
Selecting an environment (reverb type)
Touch the background picture of the piano to call up the environment list at the bottom of the display, then select the desired one.
Making detailed settings
Touch the (Settings) to call up the detailed settings menu. Make the desired settings for the selected piano type by touching the parameters. Depending on the selected piano type, some parameters may not be available.
Lid Position
To u ch
Tu ne
Damper Resonance
String Resonance
Key Off Sampling
Reset
Determines how much the Lid is opened.
Determines how the sound responds to the strength with which you play the keys. “Soft” produces high volume with moderate playing strength. “Medium” is the standard touch response. “Hard” requires moderately strong playing for high volume.
Determines the pitch of this instrument in 1Hz steps.
Determines whether the Damper Resonance effect is enabled or disabled created when you press the Damper Pedal.
Turns String Resonance on or off.
Determines whether very delicate noises are produced or not when keys are released.
Restores all settings above for the selected piano type to the default.
Touching (Help) provides on-screen instructions for some of the settings.
The settings in the Piano Room display will be maintained even if you exit from this display or turn off the power. Pressing the [PIANO ROOM] button next time will call up the Piano settings which were made the previous time.
Piano Lock Function
You can “lock” the panel settings in the Piano Room settings you made last time. Once locked, the instrument stays in the Piano Room settings, even if other buttons are pressed — allowing you to play the keyboard, use the pedals, or adjust the master volume only.
Piano Room – Enjoying the Piano Performance –
1 Press and hold down the [PIANO ROOM] button for two seconds or
longer.
A message appears in the display.
2 Touch [Lock] to call up the Piano Lock display.
The panel settings will be locked in the Piano Room settings you made.
If you turn off the power with Piano Lock enabled, turning on the power next time will call up the Piano Lock display. To disable Piano Lock, press and hold the [PIANO ROOM] button again for two seconds or longer.
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Voices
NOTE
You can also play only the Layer part by turning the Main part off.
Left part
Layer part Main part
Split Point (F#2 as default)
NOTE
The Split Point can be changed (page 45).
NOTE
The Voice settings can be memorized to Registration Memory (page 78).
Keyboard parts which are turned on and their Voi ces
On/off status of the keyboard parts
– Playing the keyboard –
The instrument features a wide variety of exceptionally realistic instrumental Voices, including piano, guitar, strings, brass, wind instruments and more.

Playing Preset Voices

The Voices can be played via three keyboard parts: Main, Layer and Left. These playing modes allow you to play just one single Voice (Main), play two different Voices in layer (Main and Layer), or play different Voices in the right- and left-hand areas of the keyboard (Main/Layer and Left). By combining these three parts, you can create luscious instrument textures and convenient performance combinations.
When the Left part is turned off, the entire keyboard is used for the Main and Layer parts. When the Left part is turned on, the F#2 and lower keys are used for the Left part while the upper keys (excluding F#2) are used for the Main and Layer parts. The key which divides the keyboard into the left-hand and right-hand areas is referred to as

Voi ces – P lay ing t he ke yboar d –

“Split Point” and its guide lamp lights when the Left part is turned on. The Voices of the parts which are turned on can be confirmed on the Home display.
1 Select the keyboard part then call up the Voice Selection display.
Do this to select a Voice for each keyboard part.
To u ch in g th e d i sp l ay
1-1 On the Home display, touch [Main], [Left], or [Layer] to turn on the
desired keyboard part.
The center of the display shows the keyboard parts which are turned on and their corresponding Voices.
1-2 Touch the Voice of the desired part to call up the Voice Selection display.
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Using the panel buttons
NOTE
You can select Voices for the Main and Layer parts simply by using the Voice category selection buttons. While holding down one of the Voice category selection buttons, press another Voice category selection button. The Voice corresponding to the first pressed button is assigned to the Main part while the Voice of the second pressed button is assigned to the Layer part.
1-1
1-2
NOTE
For information about Voices in the “Others” tab, refer to the Reference Manual on the website.
NOTE
You can play the Demo also by touching the Demo icon which appears in the Information window.
1-1 To select the keyboard part, press the VOICE [MAIN/LAYER/LEFT]
button repeatedly if necessary until the desired part’s lamp lights.
1-2 Press one of the desired VOICE category buttons to call up the Voice
Selection display.
2 Touch t he de si r e d Voic e .
To hear the characteristics of the Voices:
Touch (Demo) to start demo playback of the selected Voice. Touch (Demo) again to stop playback. Touch (Information) to call up the Voice Information window, which may or may not be available depending on the Voice.
3 Make sure that the desired keyboard part is turned on.
The on/off setting for the keyboard part can be made as described in step 1-1 in “Touching the display” above.
4 Play the keyboard.
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Voice Char a c t e r i s t i c s
NOTE
• SA and SA2 Voices are only
compatible with other models which have those types of Voices installed. Any Song or Style data you’ve created on the instrument using these Voices will not sound properly when played back on other instruments.
• SA and SA2 Voices sound
differently depending on the keyboard range, velocity, touch, etc. Hence, if you turn on a Keyboard Harmony effect, change the transpose setting or change the Voice Settings, unexpected or undesired sounds may result.
• The characteristics of SA2
Voices (default vibrato setting and articulation effects applied by the pedals) are effective for real-time performance; however, these effects may not be completely reproduced when you play back a Song which has been recorded using SA2 Voices.
At the left side of each Voice name on the Voice Selection display, the icon which represents its defining characteristic is indicated.
There are various Voice characteristics; however, only the following ones are covered here. For detailed explanations, refer to the Reference Manual on the website.
•/: Super Articulation (SA, SA2) Voices
The word “articulation” in music usually refers to the transition or continuity between notes. This is often reflected in specific performance techniques, such as staccato, legato and slur. For details, refer to page 46.
: Organ Flutes Voices
Lets you recreate all of the classic organ sounds by adjusting the flute footage levels and the percussive sounds, just like on conventional organs. For details, refer to page 47.
/ : Drum Voices, / : SFX Voices
Lets you play various drums and percussion instruments or SFX (sound effects) sounds on the keyboard. Details are given in the Drum/Key Assignment List of the separate Data List.
Calling up the default Piano Settings (Piano Reset)
When you turn the power on, the Voice is set to “Concert Grand,” allowing you to play the instrument as a piano across the entire keyboard. No matter what settings you’ve made from the panel, you can instantly call up these default settings.
Voi ces – P lay ing t he ke yboar d –
1 Press and hold down the [PIANO ROOM] button for two seconds or
longer.
A message appears in the display.
2 Touch [Reset] to call up the default piano settings.
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Setting the Split Point

Style Split Point
Left Split Point
Chord area
Left Voice area
Left Voice, Main (and Layer) Voice area
Main (and Layer) Voice area
NOTE
The Split Point/Fingering window can be called up also by holding the keyboard illustration on the Home display.
Style Split Point
Left Split Point
NOTE
The Left Split Point cannot be set lower than the Style Split Point.
The key which divides the keyboard into two or three areas is referred to as “Split Point.” There are two types of Split Point: “Left Split Point” and “Style Split Point.” The “Left Split Point” divides the keyboard into the Left Voice area and Main Voice area while the “Style Split Point” divides the keyboard into the Chord area and the Main or Left Voice area. Though both Split Points are at the same key (F#2) by default, you can also set them individually (as shown).
1 Call up the Split Point/Fingering window: [Menu] → [Split&Fingering].
2
3
2 Touch [Left] or [Style] to turn it on.
If you want to set both Split Points to the same key, turn both of them on.
3 Touch [ ]/[] to select the desired key as Split Point.
You can set the Split Point also by pressing the actual key while holding down the keyboard illustration on the display.
Voices – Playing the keyboard –
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Playing Super Articulation Voices

NOTE
AEM is a technology that simulates the sound of acoustic instruments naturally by smoothly joining the most appropriate sound samples selected from the data base in realtime during performance.
NOTE
• If you want to lock the pedal function regardless of the Voice, turn off the Depend On Main Voice parameter called up via [Menu] [Assignable] [Pedal] [Depend On Main Voice].
• If you assign the Articulation function to the ASSIGNABLE buttons (page 28), you can control articulation effects by using the buttons instead of the pedals.
The Super Articulation Voices (SA Voices and SA2 Voices) enable you to create subtle, very realistic musical expressions, simply by how you play.
SA Voices
The SA Voices provide many benefits with great playability and expressive control in real time.
Example: Saxophone Voice
If you play a C note and then an adjacent D in a very legato way, you will hear the note change seamlessly, as though a saxophone player played it in a single breath.
Example: Guitar Voice
If you press and hold a C note then press the left pedal, the pitch will change from C to D note as if a guitarist played a hammer-on note.
Voi ces – P lay ing t he ke yboar d –
SA2 Voices (only for the CVP-609)
For wind instrument Voices and Violin Voices, a special technology called AEM has been used, which features detailed samples of special expressive techniques used on those specific instruments — to bend or slide into notes, to “join” different notes together, or to add expressive nuances at the end of a note, etc.
Example: Clarinet Voice
If you hold a C note and play the Bb above, you’ll hear a glissando up to the Bb. Some “note off ” effects are also produced automatically when you hold a note for over a certain time.
Adding Articulation Effects by Using the Pedal
When you assign a SA or SA2 Voice to the Main part, the function of the center and left pedals are switched to control articulation effects. Pressing a pedal triggers different playing effects, separate from your keyboard playing. For example, pressing a pedal for a saxophone Voice can produce breath noises or key noises, while doing the same for a guitar Voice can produce fret noises or body-tapping sounds. You can effectively intersperse these into the notes as you play. When an SA2 Voice is selected (CVP-609), pressing a pedal and playing/releasing a note enables you to add articulation effects, such as bend up/down, glissando up/down, brass falls, etc.
For specific performance instructions on certain Voices, you can call up the Information window of the selected SA Voice or SA2 Voice by touching the [S.Art] or [S.Art2] icon which appears on the upper right of the Voice name on the Home display.
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Creating Original Organ Flutes Voices

NOTE
The term “footage” is a reference to the sound generation of traditional pipe organs, in which the sound is produced by pipes of different lengths (in feet).
NOTE
In addition to the Organ Flutes Voices, other Voices can be edited by calling up the Voice Edit display after selecting the desired Voice. For details, refer to the Reference Manual on the website.
NOTE
You can also make Effects and EQ settings. For details, refer to the Reference Manual on the website.
NOTICE
The settings will be lost if you select another Voice or turn the power to the instrument off without executing the Save operation.
The instrument uses advanced digital technology to recreate the legendary sound of vintage organs. Just as on a traditional organ, you can create your own sound by increasing and decreasing the levels of the flute footages. The created Voice can be saved for future recall.
1 On the Voice Selection display, select the desired Organ Flutes Voice.
Touch the [Organ Flutes] tab in the [Organ] category, then select the desired Organ Vo ic e .
2 Return to the Home display, then touch (Organ Flutes) located at
the upper right of the Voice name to call up the Organ Flutes Voice Edit display.
3 Slide the Footage levers to adjust the footage settings.
The footage settings determine the basic sound of the Organ Flutes.
13 5
2
46
3
If you want, you can select the Organ type, change the settings such as Rotary Speaker and Vibrato.
1 Organ Type
2 Vo l u me
3 Rotary Speaker
4 Vibrato
5
Response
6
Attack
Specifies the type of organ tone generation to be simulated.
Determines the volume of the entire Organ Flutes sound.
Alternately switches between the slow and fast rotary speaker speeds. This parameter is available when an Effect type in the ROTARY SP category is selected.
Turns the vibrato on or off, and allows you to adjust the vibrato depth and vibrato speed.
Adjusts the response speed of both the Attack and Release portions of the sound.
Switches between two different Attack modes: First and Each, and determines the length of the Attack sound.
4 Touch (Save) and save the created Organ Voice.
For instructions on saving, refer to page 29.
Voices – Playing the keyboard –
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Page 48
Styles
Ending
NOTE
The Fingering type (page 55) of “Multi Finger” (default setting) or “Single Finger” can be used for the example score here.
1
– Playing Rhythm and Accompaniment –
The instrument features a variety of accompaniment and rhythmic backing patterns (called “Styles”) in a variety of different musical genres including pop, jazz, and many others. Each Style features Auto Accompaniment, letting you produce automatic accompaniment playback simply by playing “chords” with your left hand. This lets you automatically recreate the sound of a full band or orchestra — even if you’re playing by yourself.

Playing with a Style

Try out Style accompaniment with the following song. After you understand how to use the Style, try out other songs by using various Styles.
Mary Had a Little Lamb (Style: Country 8Beat)
CC
C

Styles – Playing Rhythm and Accompaniment –

CFC
G
G
1 On the Home display, touch the Style name to call up the Style Selection
display.
C
2 Touch t he de si r e d S ty le .
For the example score above, touch [Country & Blues] category and touch [Modern Country], then touch [Country 8Beat].” The Style category can be selected also by pressing one of the STYLE buttons.
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3 Make sure that the STYLE CONTROL [ACMP ON/OFF] button is
Chord section
Split Point (F#2 as default)
NOTE
The Split Point can be changed as desired (page 45).
Style File Compatibility
This instrument uses the SFF GE file format (page 9). This instrument can play back existing SFF files, but they will be saved in the SFF GE format when the file is saved (or pasted) in this instrument. Please keep in mind that the saved file can only be played back on instruments that are compatible with the SFF GE format.
turned on.
When turned on, the specific left-hand section of the keyboard can be used as the Chord section, and chords played in this section are automatically detected and used as a basis for fully automatic accompaniment with the selected Style.
4 Return to the Home display, touch [] at the upper left to expand the
Style area, then touch [ ] (SYNC START) to enable Sync Start.
4 6
Here and in the later steps, the operation in the Style area of the Home display can be controlled by the STYLE CONTROL buttons (page 50).
5 Play a chord with your left hand to start the selected Style.
Referring to the notation on page 48, play chords with your left hand and a melody with your right.
6 Touch [ R/J] (START/STOP) to stop Style playback.
You can also stop playback by pressing one of the ENDING [I] – [III] buttons at the “Ending” location on the notation (page 48).
Style Characteristics
The Style type and its defining characteristics are indicated on the Preset Style icon (such as Pro and Session). For details, refer to the Reference Manual on the website.
A Style consists of eight parts (channels): rhythm, bass, etc. You can add variations and change the feeling of a Style by selectively turning channels on/off or by changing the Voices (page 83).
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Style Control Operations

NOTE
For instructions on adjusting the tempo, refer to page 36.
Style Control Style Control
While Style is stopped While Style is playing
STYLE CONTROL buttons
Home display
NOTE
The rhythm does not sound for some Styles. When you want to use any of these Styles, always make sure that [ACMP ON/ OFF] button is turned on.
NOTE
When the Fingering type (page 55) is set to “Full Keyboard” or “AI Full Keyboard,” Sync Stop cannot be turned on.
To do this, use the on-screen buttons called up by touching [] in the Style area of the Home display, or use the STYLE CONTROL buttons.
[ACMP ON/OFF], [AUTO FILL IN] and [SYNC STOP] can be controlled only by using the panel buttons.
To Start/Stop Playing
Styles – Playing Rhythm and Accompaniment –
[R/J] (START/STOP)
Starts playback of the rhythm part of the current Style. To stop playback, press this button again.
[ ] (SYNC START)
This puts the Style playback in “standby.” The Style starts playing back when you play a chord with your left hand (when [ACMP ON/OFF] is on) or you press any note on the keyboard (when [ACMP ON/OFF] is off). During Style playback, pressing this button stops the Style and puts playback in “standby.”
[SYNC STOP] button
You can start and stop the Style anytime you want by simply playing or releasing the keys in the chord section of the keyboard. Make sure that the [ACMP ON/OFF] button is on, press the [SYNC STOP] button, then play the keyboard.
Playing back both rhythm and auto accompaniment
If you turn on the [ACMP ON/OFF] button, both the rhythm part and auto accompaniment can be played back when playing chords in the chord section during Style playback.
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INTRO [I] – [III]
NOTE
When you select INTRO [II] or [III], you need to play chords in the chord section to play the complete Intro section.
Press the selected Main section (lit in red) again.
The fill-in of the selected Main section plays (flashes in red).
NOTE
If you press the ENDING [I] button when the Style is playing, a fill-in automatically plays before ENDING [I].
The instrument features three different Intro sections to add an introduction before starting Style playback. After pressing (or touching) one of the INTRO [I] – [III] buttons, start playback of the Style. When the Intro finishes playing, Style playback automatically shifts to the Main section.
ENDING [I] – [III]
The instrument features three different Ending sections to add an ending before stopping Style playback. When you press (or touch) one of the ENDING [I] – [III] buttons while a Style is playing back, the Style will automatically stop after the ending is played. You can have the ending gradually slow down (ritardando) by pressing the same ENDING button once again, while the ending is playing.
Changing Variation (Sections) During Style Playback
Each Style features four different Main sections, four Fill-in sections and a Break section. By using these sections effectively, you can easily make your performance sound more dynamic and professional. The section can be freely changed while the Style is playing back.
MAIN VARIATION [A] − [D]
Press (or touch) one of the MAIN VARIATION [A] – [D] to select the desired Main section (the button lights in red). Each is an accompaniment pattern of a few measures and it plays indefinitely. Pressing the selected MAIN VARIATION button again maintains the same section, but plays an appropriate fill-in pattern to spice up the rhythm and break the repetition.
AUTO FILL func tion
When the [AUTO FILL IN] button is turned on, pressing any of the Main [A] − [D] buttons as you play automatically plays a fill-in section.
[] (BREAK)
This lets you add dynamic breaks in the rhythm of the accompaniment. Press this button during Style playback. When the one-measure Break pattern finishes playing, the Style playback automatically shifts to the Main section.
About the lamp status of the section buttons (INTRO/MAIN VARIATION/ BREAK/ENDING)
Red: The section is currently selected.
Red (flashing): The section will be played next, following the currently selected section.
• * The Main [A] − [D] button lamps also flash in red.
Green: The section contains data but is not currently selected.
Off: The section contains no data and cannot be played.
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Calling up Panel Settings Appropriate for the
NOTE
Gray color for a Voice name indicates that the corresponding Voice part is currently turned off.
NOTE
You can change the timing in which the One Touch Settings change with MAIN VARIATION [A] − [D] changes. To do this, touch [Menu] [StyleSetting] [Setting] then set the OTS Link Timing parameter. For details, refer to the Reference Manual on the website.
Current Style (One Touch Setting)
One Touch Setting is a powerful and convenient feature that automatically calls up the most appropriate panel settings (Voices or effects, etc.) for the currently selected Style, with the touch of a single button. If you’ve already decided which Style you wish to use, you can have One Touch Setting automatically select the appropriate Voice for you.
1 Select the desired Style (steps 1– 2 on page 48). 2 Press one of the ONE TOUCH SETTING [1] − [4] buttons.
Not only does this instantly call up all the settings (Voices, effects, etc.) that match the current Style, it also automatically turns on ACMP and SYNC START, so that you can immediately start playing the Style.
Confirming the One Touch Setting Contents
In the Style Selection display, touch (Information) to call up the Information window that shows what Voices are assigned to the ONE TOUCH SETTING [1] – [4] buttons for the current Style. You can call up the desired settings also by touching one of the One Touch Settings 1– 4 directly on the Information window.
Styles – Playing Rhythm and Accompaniment –
3 As soon as you play a chord with your left hand, the selected Style
starts.
Each Style has four One Touch Setting setups. Press the other ONE TOUCH SETTING [1] − [4] buttons to try out other setups.
Automatically Changing One Touch Settings with the Main Sections
The convenient OTS (One Touch Setting) Link function lets you automatically have One Touch Settings change when you select a different Main section (A − D). The Main sections A, B, C and D correspond to One Touch Settings 1, 2, 3 and 4 respectively. To use the OTS Link function, turn the [OTS LINK] button on.
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Memorizing original settings to One Touch Setting
3 4
NOTE
To cancel this operation, touch [No].
NOTICE
The memorized One Touch Setting will be lost if you change to another Style or you turn the power off without executing the save operation.
NOTE
Before following these instructions, we recommend that you import Music Finder Records (page 74).
NOTE
To exit from this status, touch [Cancel].
32
NOTE
Depending on the particular selected Style, there may not be any Records available.
You can memorize your original panel settings to the One Touch Setting. The newly created One Touch Setting will be saved in the User tab as a User Style, and you can call up the One Touch Setting as a part of the Style file.
1 Select the desired Style to memorize your One Touch Setting. 2 Make the desired panel settings, such as those for Voices and Effects.
3 Press the [MEMORY] button of REGISTRATION MEMORY.
4 Press one of the ONE TOUCH SETTING [1] – [4] buttons.
A message appears prompting you to save the panel settings.
5 Touch [Yes] to call up the Style Selection display for saving your data,
then save the current settings as a User Style.
For instructions on saving, refer to page 29.

Searching for Suitable Songs for the Current Style

You can search for music pieces and songs that are most suitable for playing with the current Style by using the Music Finder Records (page 74). You can automatically call up appropriate settings such as Voice, effect and pedal by selecting the desired music piece.
1 Select the desired Style (steps 1– 2 on page 48). 2 In the Style Selection display, touch (Search).
The music pieces which can be played with the current Style are listed on the display.
3 Select the desired music piece.
The appropriate panel settings for playing the music piece are called up.
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Calling up Optimum Styles for Your Performance
2-1
1
B0
Hi-Hat
Snare
Kick
PianoDrum
NOTE
To cancel the operation, touch [Cancel].
NOTE
The instrument only analyzes the timing of your keyboard play. The strength at which you play a key, the length at which you hold it, and the pitches of the sounds themselves are all ignored.
Snare
Kick
(Style Recommender)
This convenient function “recommends” optimum Styles for the song you want to perform, based on the rhythm you play for one or two measures.
1 On the Style selection display, touch (Recommender) to call up the
Style Recommender display.
The keyboard is divided (at the B0 key) into two sections as below. The drum instruments (Kick, Snare and Hi-Hat) are assigned to the left-hand section while the piano sound is assigned to the right.
Styles – Playing Rhythm and Accompaniment –
2 Use the Style Recommender function to find the Style.
2-1 Touch [Start] to start the metronome, indicating that the Style
Recommender function starts.
As necessary, use the TEMPO [-]/[+] buttons or [TAP] button to adjust the tempo, and touch []/[] on the display to select the beat.
2-2 Play the rhythm you have in mind on the Drum or Piano section for one or
two measures along with the metronome.
The timing at which you play the keys is analyzed over several seconds, then playback of the most recommended Style starts. In addition, the candidates of the other recommended Styles are listed in the display.
Example 1:
Play the following rhythm in the Piano section of the keyboard.
Bossa Nova Styles or those of a similar feel may be listed on the display.
Example 2:
Play the following rhythm in the Drum section of the keyboard.
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8-beat Styles or those of a similar feel may be listed on the display.
Page 55
3 Select the desired Style from the list.
NOTE
The Split Point/Fingering window can be called up also by holding the keyboard illustration on the Home display.
2
Listen to the recommended Styles by changing the Sections (page 51), playing chords in the Piano section and adjusting the tempo (page 36). If the Style called up doesn’t match the song you want to play, touch [Retry], then return to step 2-2.
4 When you’ve found a Style you’re satisfied with, touch [OK] to exit
from the Style Recommender display.
5 Play the keyboard along with the Style you just found.

Changing the Chord Fingering Type

By changing the Chord Fingering type, you can automatically produce appropriate accompaniment even if you don’t press all of the notes which comprise a chord. Seven types are available.
1 Call up the Split Point/Fingering window: [Menu] → [Split&Fingering].
2 Touch [ ]/[] to select the desired Fingering Type.
Single Finger
Multi Finger
Lets you easily play chords in the accompaniment range of the keyboard using only one, two or three fingers. This type is available only for Style playback.
C
Cm
C
7
Cm
7
Automatically detects Single Finger or Fingered chord fingerings, so you can use either type of fingering without having to switch fingering types.
Major chord
Press the root key only.
Minor chord
Simultaneously press the root key and a black key to its left.
Seventh chord
Simultaneously press the root key and a white key to its left.
Minor seventh chord
Simultaneously press the root key and both a white and black key to its left.
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Fingered
Lets you finger your own chords on the chord section of the keyboard, while the instrument supplies appropriately orchestrated rhythm, bass, and chord accompaniment in the selected Style. The Fingered type recognizes the various chord types which are listed on the separate Data List booklet and can be looked up using the Chord Tutor function called up via [Menu] → [ChordTutor].
Fingered On Bass
Full Keyboard
AI Fingered
AI Full Keyboard
Styles – Playing Rhythm and Accompaniment –
Accepts the same fingerings as Fingered, but the lowest note played in the Chord section of the keyboard is used as the bass note, allowing you to play “on bass” chords. (In the Fingered mode, the root of the chord is always used as the bass note.)
Detects chords in the entire key range. Chords are detected in a way similar to Fingered, even if you split the notes between your left and right hands — for example, playing a bass note with your left hand and a chord with your right, or by playing a chord with your left hand and a melody note with your right.
Basically the same as Fingered, with the exception that less than three notes can be played to indicate the chords (based on the previously played chord, etc.).
When this advanced fingering type is engaged, the instrument will automatically create appropriate accompaniment while you play just about anything, anywhere on the keyboard using both hands. You don’t have to worry about specifying the Style chords. Although the AI Full Keyboard type is designed to work with many songs, some arrangements may not be suitable for use with this feature. This type is similar to Full Keyboard, with the exception that less than three notes can be played to indicate the chords (based on the previously played chord, etc.). 9th, 11th and 13th chords cannot be played. This type is available only for Style playback.
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Song Playback
MIDI
Audio
MIDI Audio
NOTE
• For a general overview of MIDI and how you can effectively use it, refer to “MIDI Basics” on the Yamaha Manual Library (page 5).
• For information on compatible MIDI formats, refer to page 9.
NOTE
Before using a USB flash memory, be sure to read “Connecting USB Devices” on page 88.
NOTE
Song files (MIDI files) corresponding to the included Music Book are available for free downloading from the website (page 5).
1
– Playing and Practice Songs –
For the Clavinova, “Song” refers to MIDI or audio data which include preset songs, commercially available music files, etc. Not only can you play back a Song and listen to it, but you can also play the keyboard along with Song playback. There are two kinds of Songs that can be recorded and played back on this instrument: MIDI Songs and Audio Songs.
• MIDI Song
A MIDI Song is comprised of your keyboard performance information and is not a recording of the actual sound itself. The performance information refers to which keys are played, at what timing, and at what strength — just as in a musical score. Based on the recorded performance information, the tone generator (of the Clavinova, etc.) outputs the corresponding sound. Since MIDI Song data contains the information such as keyboard part and Voice, you can practice effectively by viewing the score, turning the particular part on or off, or changing Voices.
• Audio Song
An Audio Song is a recording of the performed sound itself. This data is recorded in the same way as that used in recording cassette tapes, or with voice recorders, etc. You can play commercially available music on this instrument (as long as the files have been converted to WAV or MP3 format), just like you do on a portable music player.
Availability of functions differs between MIDI Songs and Audio Songs. In this chapter, the following icons indicate whether or not the explanation applies to MIDI Songs or Audio Songs individually.
Example: … Indicates explanation applies only to MIDI Songs.

Playback of Songs

You can play back the following types of Songs.
• Preset Songs (MIDI Songs)
• Your own recorded Songs (see page 66 for instructions on recording)
• Commercially available Songs: MIDI files in SMF (Standard MIDI File) format, Audio files in WAV or MP3 format.
WAV 44.1 kHz sample rate, 16 bit resolution, stereo
MP3 MPEG-1 Audio Layer-3: 44.1/48.0 kHz sample rate, 64 – 320 kbps and variable bit
If you want to play back a Song in USB flash memory, connect the USB flash memory containing Song data to the [USB TO DEVICE] terminal beforehand.
1 On the Home display, touch the Song name to call up the Song
Selection display.
rate, mono/stereo

Song Playback – Playing and Practice Songs –

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2 Touch the desired Song on the display to select it.
NOTE
On the Song Selection display or the Home display, you can distinguish the data format of the Audio Song by the icon shown next to the Song name. If it is in MP3 format, "MP3" appears in the icon, and in case of WAV format, nothing is shown.
A Preset Song can be selected from one of the following tabs:
• Usage: The Songs are divided into several usages.
• Title: The Songs are sorted in alphabetical order.
• Genre: The Songs are divided into several genres.
The Songs you recorded or the commercially available songs can be selected from one of the following tabs:
• : MIDI Songs are listed.
• : Audio Songs are listed.
Viewing Song information
When an Audio Song or a protected MIDI Song is selected, touching (Information) calls up the Song Information window.
3 Return to the Home display, touch [] at the upper right to expand the
Song area, then touch [R/K] (PLAY/PAUSE) to start playback.
3 4
Song Playback – Playing and Practice Songs –
Here and in the later steps, the operation in the Song area of the Home display can be controlled by the SONG CONTROL buttons (page 59).
Queuing the next Song for playback (MIDI Song only)
While a MIDI Song is playing back, you can queue up the next MIDI Song for playback. This is convenient for chaining it to the next Song smoothly during stage performance. Select the Song you want to play next in the Song Selection display, while a Song is playing back. The [Next] icon appears at the right side of the corresponding Song name. To cancel this setting, touch the [Next] icon.
4 Touch [ J] (STOP) to stop playback.
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Song Control Operations
NOTE
For instructions on adjusting the tempo, refer to page 36 for MIDI Songs, and page 65 for Audio Songs.
Song Control
Home display
SONG CONTROL buttons
NOTE
For information about [I] (REC), refer to page 66.
For Audio Songs
The Phrase Mark number appears only when a MIDI Song containing Phrase Marks is selected. You can choose to rewind/fast forward the Song in “Bar” or “Phrase Mark” units by touching the pop-up window beforehand.
For MIDI Songs
Current measure number
Phrase Mark number
Elapsed time
NOTE
• The pop-up window mentioned here does not appear when you rewind or fast forward a MIDI Song not having Phrase Marks or an Audio Song by touching on the display.
• Phrase Mark is a pre­programmed marker in a certain MIDI Song data, which specifies a certain location in the Song.
To control Song playback, you can use the on-screen buttons called up by touching [] in the Song area of the Home display, or use the SONG CONTROL buttons.
Keep in mind that, unlike with certain panel button operations, you cannot touch two buttons simultaneously on the display.
Pause
Press (or touch) the [R/K] (PLAY/PAUSE) during playback. Pressing it again resumes Song playback from the current position.
Rewind/Fast Forward
Press (or touch) the [LL] (REW) or [RR] (FF) during playback or while the Song stopped. Pressing one of them once moves one measure back/forward for MIDI Songs, or one second for Audio Songs. Holding one of them scrolls backward/forward continuously. When you press (or touch) [LL] (REW) or [RR] (FF), a pop-up window appears showing the current position of the Song.
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Moving the Song Playback Position
When an Audio Song is selected:When a MIDI Song is selected:
Current measure number Last measure number Elapsed time Total time
NOTE
You can also enable the Syncro Start function by holding [R/K] in the Song area (when expanded) of the Home display.
MIDI
Audio
For changing the page.
NOTE
• The instrument can display the music notation of commercially available music data or your recorded Songs.
• You can change the page by flicking horizontally on the display.
• The displayed notation is generated by the instrument based on the Song data. As a result, it may not be exactly the same as commercially available sheet music of the same song — especially when displaying notation of complicated passages or many short notes.
In the Song area (when expanded) of the Home display, the current position of the Song playback is shown. This can be moved forward or backward by moving the slider on the display.
Synchro Start (MIDI Song)
You can conveniently start playback of a MIDI Song as soon as you start playing the keyboard. While playback is stopped, hold down the SONG CONTROL [STOP] button and press the [PLAY/PAUSE] button. To cancel the Synchro Start function, hold down the SONG CONTROL [STOP] button and press the [PLAY/PAUSE] button once again.

Displaying Music Notation (Score)

You can view the music notation (score) of the selected Song. We suggest that you read through the music notation before starting to practice.
Song Playback – Playing and Practice Songs –
1 Select a MIDI Song (steps 1 − 2 on page 57). 2 Call up the Score display via [Menu] → [Score].
You can look through the entire notation by touching [] or [] when the Song playback is stopped. As starting playback, the “ball” bounces along through the score, indicating the current position.
You can change the displayed notation style. For details on the Score display, refer to the Reference manual on the website.
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Displaying Lyrics

MIDI
Audio
NOTE
You can change the page by flicking horizontally on the display.
For changing the page.
NOTE
The Lyrics can be displayed on an external monitor or television (page 86).
When the selected Song contains lyric data, you can view it on the instrument’s display during playback.
1 Select a MIDI Song (steps 1 − 2 on page 57). 2 Call up the Lyrics display via [Menu] → [Lyrics].
When the Song data contains lyrics data, the lyrics are shown on the display. You can look through the entire lyrics by touching [] or []when Song playback is stopped. As Song playback starts, the color of the lyrics changes, indicating the current position.
For details on the Lyrics display, refer to the Reference manual on the website.
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Displaying Text

NOTE
The Text can be displayed on an external monitor or television (page 86).
2
For changing the page.
NOTE
Information about Text File selection can be memorized to the Registration Memory (page 78).
NOTE
You can change the page by flicking horizontally on the display.
Regardless of whether a Song is selected or not, you can view the text file (.txt) created by using a computer on the instrument’s display. This feature enables various useful possibilities, such as the showing of lyrics, chord names, and text notes.
If you want to view the text in a USB flash memory, connect the USB flash memory containing text data to the [USB TO DEVICE] terminal beforehand.
1 Call up the Text display via [Menu] → [TextViewer].
2 Touch the bottom left corner on the display to call up the Text File
Selection display.
3 Select the desired text file, and touch [Close] to show the text in the
display.
Song Playback – Playing and Practice Songs –
You can look through the entire text by touching [] or []. To clear the text from the display, touch [] located at right of the text file name.
For detailed operations such as changing the font style, refer to the Reference Manual on the website.
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One-handed Practice with the Guide Function

MIDI
Audio
NOTE
The guide lamps light in red for the white keys and green for the black keys.
234
NOTE
The Playback Settings can also be controlled from the Home display and Lyrics display.
NOTE
• When you practice the left­hand part, make sure to turn off the [ACMP ON/OFF] button.
• Usually, Ch 1 is assigned to [Right], Ch 2 is assigned to [Left], and Ch 3 − 16 are assigned to [Extra]. You can turn each channel on or off from the Mixer display (page 83).
You can mute the right-hand part to try practicing that part on your own. The explanations here apply when you practice the right-hand part with “Follow Lights” of the Guide functions. The guide lamps indicate the notes you should play and when you should play them. You can also practice at your own pace — since the accompaniment waits for you to play the notes correctly.
1 Select a MIDI Song and call up the Score display (page 60). 2 Touch (Playback Settings) to call up the Playback Settings menu.
3 Touch [Guide] to turn it on. 4 Touch [Right] to turn off the right-hand part.
The right-hand part is muted and the Guide for the right-hand part is enabled.
5 Press the SONG CONTROL [PLAY/PAUSE] button to start playback.
Practice the right-hand part at your own pace along with the guide lamps. The playback of the Left and Extra parts will wait for you to play the notes correctly.
After you’ve finished practicing, touch [Guide] to turn off the Guide function.
Other guide functions
In addition to the “Follow Lights” function explained above, there are more functions in the Guide features, for practicing the timing of playing the keys (Any Key mode), for Karaoke or for practicing a song at your own pace (Your Tempo). You can select the functions via [Menu] → [SongSetting] → [Guide] → [Type]. For more information, refer to the Reference Manual on the website.
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Repeat Playback

MIDI Audio
NOTE
• You can play multiple Songs repeatedly: ([Menu] [SongSetting] [Play] [Repeat Mode]).
• When a MIDI Song is selected, you can control Repeat playback also on the Playback Settings menu called up from the Score display or Lyrics display (page 63).
AB
Top of the Song End of the Song
NOTE
• When you want to repeat from the top of the song to to somewhere in the middle of the song:
1. Turn on the A-B Repeat
icon, then start Song playback.
2. Touch the A-B Repeat
icon again at the desired ending point (B).
• Specifying only Point A results in repeat playback between Point A and the end of the Song.
The Song Repeat functions can be used to repeatedly play back a Song or a specific range of measures in a Song. This function controlled in the Song area (when expanded) of the Home display is useful for repeated practicing of difficult-to-play phrases.
To repeat an entire Song, turn on (A-B Repeat) in the display and start playback of the Song. To cancel Repeat playback, turn off (A-B Repeat).
Specifying a Range of Measures and Playing them Back Repeatedly (A-B Repeat)
1 Select a Song (steps 1 − 2 on page 57). 2 Touch [ R/K] (PLAY/PAUSE) to start playback.
Song Playback – Playing and Practice Songs –
3 Specify the repeat range.
When playback reaches the point you want to specify as the starting point (A), turn on (A-B Repeat). When playback reaches the point you want to specify as the ending point (B), touch (A-B Repeat) again. The range from Point A to Point B will be played back repeatedly. For MIDI Songs, an automatic lead-in (to help guide you into the phrase) is added before Point A.
4 Touch [ J] (Stop) to stop playback.
The Song position will return to Point A. After your practice, turn off (A-B Repeat).
Specifying the repeat range while Songs are stopped
1. Fast-forward the Song to Point A then turn on (A-B Repeat).
2. Fast-forward the Song to Point B then touch (A-B Repeat) again.
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Adjusting the Pitch in Semitones (Pitch Shift)

MIDI
Audio
NOTE
Before using a USB flash memory, be sure to read “Connecting USB Devices” on page 88.
NOTE
Pitch Shift cannot be applied to MP3 files of 48.0 kHz sample rate.
MIDI
Audio
NOTE
Playback speed cannot be changed for MP3 files of 48 kHz sampling rate.
MIDI
Audio
NOTE
Though the Vocal Cancel function is highly effective on most audio recordings, the vocal sound on some songs may not be completely cancelled.
Like the Transpose function (page 38) of the MIDI Song, the pitch of an Audio Song in the USB flash memory can be adjusted in semitone steps (from -12 to 12) on the Home display.
1 Connect the USB flash memory containing Audio Songs to the [USB
TO DEVICE] terminal.
2 Select an Audio Song (steps 1 – 2 on page 57). 3 In the Song area (when expanded) of the Home display, touch
(Pitch Shift) to call up the Setup window.
4 Set the value by touching []/[].

Adjusting the Playback Speed (Time Stretch)

Like Tempo adjustment of a MIDI Song (page 36), you can adjust the playback speed of an Audio Song in USB flash memory by stretching or compressing it. To do this, select an Audio Song then touch (Time Stretch) in the Song area of the Home display to call up the Setup window. Touch []/[] in this window to set the value (from 70% to 140%). Higher values result in a faster tempo.

Canceling the Vocal Part (Vocal Cancel)

You can cancel or attenuate the center position of the stereo sound. This lets you sing “karaoke” style with just instrumental backing, or play the melody part on the keyboard, since the vocal sound is usually at the center of the stereo image in most recordings. To turn the Vocal Cancel function on/off, first select an Audio Song, then turn on/off (Vocal Cancel) in the Song area of the Home display.
Song Playback – Playing and Practice Songs –
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Song Recording
NOTE
Before using a USB flash memory, be sure to read “Connecting USB Devices” on page 88.
2
1
When you want to re­record an already recorded MIDI Song:
An already recorded MIDI Song can be overwritten. To do this, select the desired MIDI Song on the Song Selection display, call up the Song Recording window (step 1), confirm the Song name on the display, then go on to step 3 (skipping step 2)
– Recording Your Performance –
This instrument allows you to record your performance in the following two methods.
• MIDI recording
With this method, recorded performances are saved to the instrument or a USB flash memory as an SMF (format 0) MIDI file. If you want to re-record a specific section or edit parameters such as Voice, use this method. Also if you want to record your performance to each channel one by one, execute Multi Track Recording of the MIDI recording method. Since a MIDI Song can be converted to an Audio Song after recording (page 70), you may want to use MIDI recording (with overdubbing and multiple parts) to first create a complex arrangement you would not otherwise be able to play live, then convert it to an Audio Song. This instrument allows you to record approximately 300 KB per Song.
• Audio recording
With this method, recorded performances are saved to a USB flash memory as an Audio file. Recording is done without designating the recorded part. Since it is saved in stereo WAV format of normal CD quality resolution (44.1kHz/16bit) by default, it can be transmitted to and played on portable music players by using a computer. The file format can be changed to MP3 via [Menu] → [SongSetting] → [Rec] → [Audio Rec Format]. This instrument allows you to record up to 80 minutes per single recording.

Basic Procedure for Recording (MIDI/Audio Recording)

Before recording, make the necessary settings such as Voice/Style selection (for MIDI recording and Audio Recording) and the microphone connection (only for Audio Recording, if you want to record your vocal). As necessary, connect the USB flash memory to the [USB TO DEVICE] terminal, especially if you want to execute Audio Recording.
Before starting Audio Recording:
Recorded data via Audio can only be saved to USB flash memory. If you want to execute Audio Recording, make sure to connect the USB flash memory beforehand.

Song Recording – Recording Your Performance –

1 On the Home display, touch [] at the upper right to expand the Song
area, then touch [I] (Rec) to call up the Song Recording window.
Here and in the later steps, the operation in the Song area of the Home display can be controlled by the SONG CONTROL buttons (page 59).
2 To uc h (MIDI Recording) or (Audio Recording).
66
A blank Song for recording is automatically set. If you want to cancel recording, touch [Cancel] in the display or press the SONG CONTROL [REC] button.
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3 Start Recording.
Part Assignment to Channels (MIDI Recording)
With MIDI Recording, you can record your performance to each channel one by one (page 68). When you execute MIDI Recording without specifying the part as explained here, the keyboard parts will be recorded to channels 1 – 3 and the Style parts will be recorded to channels 9 – 16.
NOTICE
The recorded MIDI Song will be lost if you change to another Song or you turn the power off without executing the save operation.
NOTE
In Audio recording, the data is saved in WAV format by default. However, you can also set it to MP3 format on the display called up via [Menu] [SongSetting] [Rec] [Audio Rec Format].
With MIDI Recording, you can start recording either by playing the keyboard or touching [Rec Start]. With Audio Recording, start recording by touching [Rec Start].
3
You can also start recording by pressing the SONG CONTROL [PLAY/PAUSE] button.
4 Play the keyboard.
5 After you finish performance, touch [] (Stop) on the Home display to
stop recording.
6 To hear the recorded performance, touch [R/K] (Play/Pause). 7 Save the recorded performance.
In MIDI recording
After recording, (Save) appears in the Song area of the Home display. This icon indicates that recorded data exists but has not yet been saved.
7-1 On the Home display, touch (Save) shown in the Song area.
The Song Selection display appears for selecting a destination to save the recorded Song.
7-2 Save the recorded data as a file by following the instructions on page 29,
steps 2 – 5.
MIDI Songs can be saved to (User MIDI Song tab).
In Audio recording
Since the Audio Song file is automatically saved to the USB flash memory while recording, the Save operation is not required. The recorded Audio Song will appear in the (User Audio Song tab) on the Song Selection display. If necessary, rename the file name by following the instructions on page 30.
5 6
Song Recording – Recording Your Performance –
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Recording to Specified Channels (MIDI Recording)

3
2
NOTE
If you want to cancel recording, touch [Cancel] in the display or press the SONG CONTROL [REC] button before going on to step 5.
NOTE
The Main, Layer and Left parts are assigned to channels 1 – 3 respectively by default, though you can change the assignment on the display called up via [Menu] [SongSetting] [Part Ch].
Channel
Par t
With MIDI Recording, you can create a MIDI Song consisting of 16 channels by recording your performance to each channel one by one. In recording a piano piece, for example, you can record the right-hand part to channel 1 then record the left-hand part to channel 2, allowing you create a complete piece which may be difficult to play live with both hands together. To record a performance with Style playback, for example, record the Style playback to channels 9 – 16, then record melodies to channel 1 while listening to the already recorded Style playback. In this way, you can create an entire Song which would otherwise be difficult, or even impossible, to play live.
1 If you want to re-record an existing MIDI Song, select the desired Song
(steps 1 – 2 on page 57).
If you want to record from scratch, skip this step.
2 On the Home display, touch [] at the upper right to expand the Song
area, then touch [I] (Rec) to call up the Song Recording window.
When you re-record to an existing Song, the name of the Song selected in step 1 appears. When you record from scratch, touch the [New MIDI] icon before going on to step
3. An empty Song is prepared and “New Song” appears.
Here and in the later steps, the operation in the Song area of the Home display can
Song Recording – Recording Your Performance –
be controlled by the SONG CONTROL buttons (page 59).
3 Touch [ ] at the left of “Channel” to expand the Channel area. 4 Specify the target channel and part for recording.
To specify a channel, touch and turn on the corresponding number. To turn the channel number off, touch it again. To specify a part, touch the part icon of the specified channel to call up the Part Selection window, then select the desired part.
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To make the settings quickly, simply select the keyboard part ([Extra], [Left] or
7
6
NOTE
When recording another channel, you can turn already recorded channels on or off in the Mixer display (page 83).
NOTICE
The recorded MIDI Song will be lost if you change to another Song or you turn the power off without executing the Save operation.
[Right] located at the bottom left).
Right: This can be selected when recording only the right-hand part. The Main part of the Voice will be recorded to channel 1, and the Layer part will be recorded to channel 3.
Left: This can be selected when recording only the left-hand part. The Left part of the Voice will be recorded to channel 2. When the Left part of the Voice is off, the Main part will be recorded to channel 2 and the Layer part will be recorded to channel 4.
Extra: This can be selected when recording only Style playback. The Style parts will be recorded to channels 9 – 16.
5 Play the keyboard to start Recording.
You can also start recording by touching [Rec Start] or pressing the SONG CONTROL [PLAY/PAUSE] button.
6 After you finish your performance, touch [] (Stop) on the Home
display to stop recording.
7 To hear the recorded performance, touch [R/K] (Play/Pause). 8 Record your performance to another Channel by repeating steps 2 – 7.
In step 4, select a Channel which has no recorded data. In step 5, play the keyboard while listening to the already recorded data.
9 Save the recorded performance.
9-1 On the Home display, touch (Save) shown in the Song area.
The Song Selection display appears for selecting a destination to save the recorded Song.
9-2 Save the recorded data as a file by following the instructions on page 29,
steps 2 – 5.
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Page 70

Converting a MIDI Song to an Audio Song

NOTE
Before using a USB flash memory, be sure to read “Connecting USB Devices” on page 88.
3 54
NOTE
Audio Conversion can only be done one file at a time.
You can convert a recorded MIDI Song in the User memory or USB flash memory to an Audio Song by playing back. Conversion is executed by playing back the MIDI Song and re-recording it as an Audio Song. By default, the converted data is saved in WAV format, in the same way as Audio recording (page 66).
1 Connect the USB flash memory (to which the Audio Song is to be
saved) to the [USB TO DEVICE] terminal.
2 Call up the Song Selection display which contains the MIDI Song to be
converted.
3 Touch [File] to call up the File Management icons.
4 Enter a checkmark to the MIDI Song to be converted. 5 Touch (Audio Convert) to call up the Song Selection display for
selecting the Save destination.
6 Specify the Save destination location.
Song Recording – Recording Your Performance –
You can add a new folder by touching (New Folder)
7 Touch [ConvertHere] to start conversion.
This operation starts playback and conversion from MIDI to audio. If you play the keyboard or input audio signals via a microphone or the [AUX IN] jack during conversion, the sound also will be recorded. When conversion is completed, the message indicating that the conversion is being executed will no longer be shown in the display, and the newly created new Audio Song is shown in the Song Selection display.
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Microphone
NOTE
Make sure you have a conventional dynamic microphone.
MIN MAX
INPUT
MIC.
MIC. LINE PHONES
VOLUME
LINE IN
MIN MAX
INPUT
MIC.
MIC. LINE PHONES
VOLUME
LINE IN
32
– Adding Vocal Harmony Effects to Your Singing –
By connecting a microphone to the [MIC./LINE IN] jack (standard 1/4" phone jack), you can enjoy singing along with your keyboard performance or with Song playback. The instrument outputs your vocals through the built-in speakers. Moreover, you can automatically apply various Vocal Harmony effects to your voice as you sing.

Connecting a Microphone

1 Before turning on the power of the instrument, set the [INPUT
VOLUME] knob to the minimum position.
2 Connect the microphone to the [MIC./LINE IN] jack.
3 Set the [LINE MIC] switch to “MIC.” 4 Turn on the power of the instrument. 5 (If necessary, turn on the microphone.) Adjust the [INPUT VOLUME]
6 On the Balance display ([Menu] → [Balance]), adjust the volume
knob while singing into the microphone.
Adjust the control while checking the [MIC] lamp. Make sure to adjust the control so the lamp lights in green. Make sure that the lamp does not light in red, since this indicates that the input level is too high.
balance between the microphone sound and the instrument sound (page 38).
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Microphone – Adding Vocal Harmony Effects to Your Singing –

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Disconnecting the microphone
NOTE
Before turning the power off, make sure to set the [INPUT VOLUME] knob to the minimum position.
4
3
6-1
Vocal Harmony name
Mode
(When the Mode is set to “Vocoder” or “Vocoder Mono”)
NOTE
The display shown at left is called up when the Harmony Mode is set to “Vocoder” on the CVP-609. A different display appears when the Harmony Mode is set to “Chordal” or when using the CVP-605.
1. Set the [INPUT VOLUME] knob to the minimum position.
2. Disconnect the microphone from the [MIC./LINE IN] jack.

Applying Vocal Harmony Effects to Your Voice

The Vocal Harmony feature lets you add harmonies to your vocal input via the microphone sound.
1 Connect the microphone to the instrument (page 71). 2 Call up the Vocal Harmony display via [Menu] → [VocalHarmony].
Microphone – Adding Vocal Harmony Effects to Your Singing –
3 Make sure that Harmony is set to “On.” 4 Touch the Vocal Harmony name to call up the Vocal Harmony Selection
display.
5 Select a Vocal Harmony type.
The Vocal Harmony features three different Modes which can be selected automatically by selecting a Vocal Harmony type.
Harmony mode
Chordal
Vo co d e r
Vo co d e r- M on o
(only for CVP-609)
Auto (Vocoder/ Chordal)
72
(only for CVP-605)
CVP-609/605 Owner’s Manual
The harmony notes are determined by the chords you play in the chord section (with [ACMP ON/OFF] turned on), the left hand section (with [ACMP ON/OFF] turned off and the Left part turned on) or chord data of Song.
The microphone sound is output via the notes you play on the keyboard or the Song playback notes.
Same as the Vocoder basically. In this mode, only single-note melodies or lines can be played back (with last-note priority).
When the [ACMP ON/OFF] or Left part is turned on, or a Song contain chord data is being played back, the mode is automatically set to “Chordal.” In all other cases, the mode is set to “Vocoder.”
Page 73
6 Follow the steps below, depending on which Type (and mode) you
NOTE
You can adjust the microphone settings for Talk on the Mic Setting display called up via [Menu] [MicSetting].
selected.
If you selected the Chordal Type:
6-1 Make sure that the [ACMP ON/OFF] button is turned on. 6-2 Play back a Style, or play back a Song which contains chords.
Vocal harmonies based on the chords are applied to your singing.
If you selected the Vocoder or Vocoder-Mono Type:
6-1 As necessary, change the “Keyboard” setting to “Off,” “Upper,” or “Lower.”
When “Upper” or “Lower” is selected, playing the right-hand or left-hand section of the keyboard will control the Vocoder effect. When “Off ” is selected, playing the keyboard will not control the Vocoder effect.
6-2 Play melodies on the keyboard or play back a Song, and sing into the
microphone.
You’ll notice that you don’t actually have to sing pitched notes. The Vocoder effect takes the words you say and applies them to the pitch of the instrument sounds.
Useful functions for Karaoke
• Lyrics on the display ...................... page 61
• Transpose, Pitch Shift ....................pages 38, 65
• Vocal Cancel ...................................page 65
Using the Talk Function
This function lets you instantly change the microphone settings for talking or making announcements between song performances. To call up the Talk setting, touch [Talk] located at the left on the Vocal Harmony display. To recall the Vocal Harmony settings, touch [Vocal] and turn it on.
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Music Finder
4
NOTE
Before using a USB flash memory, be sure to read “Connecting USB Devices” on page 88.
– Calling up Ideal Panel Setups for Your Performance –
This feature lets you call up panel settings ideal for your performance simply by selecting a “Record,” which includes Voice and Style settings. If you want to play a certain piece of music but don't know which Style and Voice settings would be appropriate, you can search for relevant Records by the title of the piece. Moreover, by registering Song and Style files saved in various locations into Music Finder, the instrument can easily call up the desired Song or Style file from the corresponding Record.
Downloading Records (panel settings) from the website
As a factory default, s ome sample Records (panel s ettings) are provided i n the Music Finder. To use the Music Finder function more conveniently and effectively, we recommend that you download the Records (panel settings) from the Yamaha website, and load them to this instrument.
1 On the computer, access the following website and download the Music
Finder file (***.mfd) to the USB flash memory connected to the computer.

Music Finder – Calling up Ideal Panel Setups for Your Performance –

http://download.yamaha.com/
2 Connect the USB flash memory containing the Music Finder file (***.mfd) to
the [USB TO DEVICE] terminal of this instrument.
3 Call up the Music Finder display via [Menu] → [MusicFinder].
4 Touch (Load) to call up the File Selection display.
5 Select the desired Music Finder file in the USB flash memory to call up a
message prompting you to select “Replace” or “Append.”
6 Touch [Append] if you want to add Records of the selected Music Finder file,
or touch [Replace] if you want to replace all Records with the new ones.
7 Touch [Yes] in response to the confirmation message.
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Selecting the Desired Record (Panel Settings)

Sorting tab
NOTE
If you want to avoid changing the Tempo during Style playback when selecting another Record, set the “Tempo” parameter to “Hold” or “Lock” on the display called up via [Menu]  [StyleSetting] [Change Behavior]. When set to “Lock,” the tempo will be locked while stopping as well as playing.
1 Call up the Music Finder display via [Menu] → [MusicFinder].
2 Touch the desired Record.
The panel settings in the Record are called up. When the Record including the Style name is selected, ACMP and SYNC START are turned on and the corresponding Style is called up. This lets you start Style playback immediately. If searching for the desired Record is difficult, use the Sort function described below.
Sorting the Records
Touch one of the Sorting tabs to sort the Records in the corresponding order. Touch the same tab to alternate the order, ascending or descending.
•Music
Sorts the Records title of the music piece.
•Style
Sorts the Records by Style name.
•Beat
Sorts the Records by beat.
q (Tempo)
Sorts the Records by tempo.
(Favorite)
Touching here shows only the Favorite Records. To show all the Records, touch here again. To add a Record to Favorite, touch the star mark ( ) of the desired Record to make it colored ( ★). To delete it from Favorite, touch the colored star mark ().
Music Finder – Calling up Ideal Panel Setups for Your Performance –
3 Play the Style by specifying the chords with your left hand and play the
melody with your right.
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Searching for Records (Panel Settings)

2
Search box
You can also search for Records by specifying a song title or keyword, using the Search function of Music Finder.
1 Call up the Music Finder display via [Menu] → [MusicFinder].
Music Finder – Calling up Ideal Panel Setups for Your Performance –
2 Touch the Search box to call up the Character Entry window. 3 Enter the keyword for searching (page 33) to start Search.
If you want to input two or more keywords, insert a space between each word. After the Search is completed, the resulting Record list appears. If no Records are listed, try this step again with another keyword.
4 Select the desired Record.
To clear the result and show all Records in the Music Finder, touch [×] in the Search box.
5 Play the Style by specifying the chords with your left hand and playing
the melody with your right.
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Page 77

Registering a Song or Style to a Record

NOTE
• If you want to register files in the USB flash memory, connect the USB flash memory containing the data to the [USB TO DEVICE] terminal.
• Before using a USB flash memory, be sure to read “Connecting USB Devices” on page 88.
2
NOTE
To cancel the operation, touch [Cancel].
NOTE
If you register a Song or Style in the USB flash memory to a Record, make sure to connect the same USB flash memory to the [USB TO DEVICE] terminal when you call it up via the Music Finder Record.
By registering Song or Style files in various locations (Preset, User and USB) into Music Finder, you can easily call up your favorite files.
1 In the Song or Style Selection display, select the desired file.
2 Touch (Add) to call up the Create Record display.
As necessary, you can change the Music title and keyword, etc. For details about the Create Record display, refer to the Reference Manual on the website.
3 Touch [Create] to create a new Record to which the Song or Style
selected in step 1 is registered.
4 Check that the created Record is shown in the Music Finder display.
In the “Style” column of the Record to which the Song is registered, “(MIDI Song)” or “(Audio Song)” is shown.
Calling up the Song or Style registered to Music Finder
You can call up the registered Song or Style in the same way as done in the sections “Selecting the Desired Record” (page 75) and “Searching for Records” (page 76).
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Registration Memory
Displays or hides the list of items
NOTICE
If you select the button whose lamp is lit in red or green here, the panel setup previously memorized to the button will be erased and replaced by the new settings. Hence, you should memorize panel setups only to buttons that are turned off.
NOTE
• The panel setups registered to the numbered buttons are preserved even when you turn off the power. If you want to delete all eight current panel setups, turn the power on while holding the B6 key (right-most B key on the keyboard).
• You can also disable recall of specific item(s) when calling up the registered panel setups: [Menu] [RegistFreeze].
– Saving and Recalling Custom Panel Setups –
The Registration Memory function allows you to save (or “register”) virtually all panel settings to a Registration Memory button, and then instantly recall your custom panel settings by simply pressing a single button. The registered settings for eight Registration Memory buttons should be saved as a single Bank (file).

Registering Your Panel Setups

1 Set up the panel controls (such as Voice, Style and so on) as desired.
Refer to the separate Data List for a list of parameters that can be registered with the Registration Memory function.
2 Press the [MEMORY] button in the REGISTRATION MEMORY
section to call up the Registration Memory window.

Registration Memory – Saving and Recalling Custom Panel Setups –

Selecting the items to be registered
Tou ching [ ] at the bottom left of the window calls up the list for selecting the items to be registered. Before going on to step 3, enter or remove checkmarks by touching the desired items. Items having checkmarks will be registered.
3 Press one of the REGISTRATION MEMORY [1] – [8] buttons to which
you wish to memorize the panel setup.
The memorized button becomes red, indicating that the number button contains data and its number is selected.
About the lamp status
Red: Data registered and currently selected
Green: Data registered but not currently selected
Off: No data registered
4 Register various panel setups to other buttons by repeating steps 1 – 3.
The registered panel setups can be recalled by simply pressing the desired number button.
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Saving the Registration Memory as a Bank File

Bank 01
Bank 02
Bank 03
Bank 04
2
1
NOTE
In general, Registration Memory data (Bank files) is compatible among the models CVP-609/605/601. However, the data may not be perfectly compatible, depending on the specifications of each model.
You can save all eight registered panel setups as a single Registration Memory Bank file.
1 On the Home display, touch [] at the upper right corner to show the
Registration area, then touch the area to call up the Registration Bank Selection display.
This display can be called up also by pressing the REGIST BANK [+] and [-] buttons simultaneously.
2 Touch (Save) to save the Bank file.
For instructions on saving, refer to page 29.
CVP-609/605 Owner’s Manual
Registration Memory – Saving and Recalling Custom Panel Setups –
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Recalling a Registered Panel Setup

NOTE
• When recalling setups that include Song, Style or text files selected from a USB flash memory, make sure that the appropriate USB flash memory containing the registered Song, Style or text is connected into the [USB TO DEVICE] terminal.
• Before using a USB flash memory, be sure to read “Connecting USB Devices” on page 88.
• You can also call up the eight setups by using pedals in any order you specify via [Menu] [RegistSeq]. For details, refer to the Reference Manual on the website.
For switching the pages.
NOTE
If a certain Voice part is set to off, the Voice name for the corresponding part is shown in gray.
The saved Registration Memory Bank files can be recalled by using the REGIST BANK [-]/[+] buttons or the following procedure.
1 Call up the Registration Bank Selection display (step 1 on page 79). 2 Touch and select the desired Bank on the display.
You can also use the REGIST BANK [-]/[+] buttons to select a Bank.
3 Press one of the green-lit numbered buttons ([1] – [8]) in the
Registration Memory section.
Confirming the Registration Memory Information
You can call up the information display to confirm which Voices and Style are memorized to the [1] – [8] buttons of a Registration Memory Bank.
Registration Memory – Saving and Recalling Custom Panel Setups –
1 Call up the Registration Bank Selection display, then select the desired
Bank.
2 Touch (Information) to call up the Registration Information
window.
This display consists of two pages: Voice-related and Style-related. You can alternate between the two via []/[].
To change the name of the selected Registration, touch (Rename). To delete the selected Registration, touch (Delete).
Naming the Registration Memory data
If you have created a wide variety of Registration Setups, it may be difficult to find the one desired for your particular live performance situation. To remedy this, it is good idea to assign names to both the Registration Memory Bank and its Registration Setups individually.
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Mixer
– Editing the Volume and Tonal Balance –
The Mixer gives you intuitive control over aspects of the keyboard parts and Song/Style channels, including volume balance and the timbre of the sounds. It lets you adjust the levels and stereo position (pan) of each Voice to set the optimum balance and stereo image, and lets you set how the effects are applied.

Basic Procedure for the Mixer

1 Call up the Mixer display via [Menu] → [Mixer].
2
3
2 Touch a tab for editing the balance between the desired parts.
Panel
Style
Song Ch1-8 / 9-16
Use this display when you want to adjust the balance between the entire Song part, entire Style part, Mic part, Main part, Layer part and Left part.
Use this display when you want to adjust the balance between all the parts of the Style.
•Rhythm1, Rhythm2
These are the basic parts of the Style, containing the drum and percussion rhythm patterns.
•Bass
The bass part uses various appropriate instrument sounds to match the Style.
•Chord1, Chord2
These comprise the rhythmic chord backing, commonly consisting of piano or guitar Voices.
•Pad
This part is used for sustained instruments such as strings, organ, choir, etc.
•Phrase1, Phrase2
These parts are used for punchy brass stabs, arpeggiated chords, and other extras that make the accompaniment more interesting.
Use this display when you want to adjust the balance between all the parts of the MIDI Song. This is available only when a MIDI Song is selected.

Mixer – Editing the Volume and Tonal Balance –

Master
Unlike the other displays, use this display when you want to adjust the tonal characteristics of the entire sound (except for Audio Songs) of this instrument.
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3 Touch a tab for editing the desired parameters.
NOTE
To reset each parameter to the default value, touch the number value or setting and hold it.
When a tab other than “Master” is selected in step 2:
Filter
EQ
Effect
Chorus/Reverb
Pan/Volume
When “Master” is selected in step 2:
Compressor (only for CVP-
609)
EQ
4 Set the value of each parameter. 5 Save your Mixer settings.
Mixer – Editing the Volume and Tonal Balance –
To save the Panel display settings:
Register them to Registration Memory (page 78).
To save t he St y le di s pl a y s et t in g s:
Save them as a Style file to the User memory or USB flash memory. If you want to recall the settings for future use, select the Style file saved here.
1. Call up the operation display via [Menu] → [StyleCreator].
2. Touch (Save) to call up the Style Selection display, then save as a Style file
(page 29).
To save the Song Ch 1-8/9-16 display settings:
First register the edited settings as part of the Song data (Setup), then save the Song to the User memory or USB flash memory. If you want to recall the settings for future use, select the Song file saved here.
1. Call up the operation display via [Menu] → [SongCreator] → [Channel Edit].
2. Touch [Setup].
3. Touch [Execute] to execute the Setup.
4. Touch (Save) to call up the Song Selection display, then save as a Song file
(page 29).
Adjusts the Harmonic Content (resonance) and sound brightness.
Adjusts equalization parameters to correct the tone or timbre of the sound.
Selects an Effect type and adjusts its depth for each part.
Selects a Chorus/Reverb type and adjusts its depth for each part.
Adjusts panning and volume for each part
Lets you turn the Master Compressor (which is applied to the entire sound) on or off, select the Master Compressor type, and edit the related parameters. Your original edits can be saved as the Master Compressor type.
Lets you select the Master EQ type applied to the entire sound and edit the related parameters. Your original edits can be saved as the Master EQ type.
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To store the Master display settings:
Channel
Voi ce
Your original edits can be stored as a Master Compressor type and Master EQ type. Up to five types can be stored respectively. To call one of these up in the future, select the corresponding type at the upper right of each display.
1. Touch (Save) in the “Compressor” display or “EQ” display.
2. Select one of USER1 – USER5 then touch [Save] to call up the Character Entry
window.
3. On the Character Entry window, change the name as necessary, then touch
[OK] to save the data.

Turning Each Channel of the Style or Song On/Off

The Mixer display lets you turn each channel of the current Style or Song on or off.
1 In the Mixer display, touch the [Style] tab, [Song Ch 1-8] tab or [Song
Ch 9-16] tab.
2 Touch the Channel which you want to turn on or off.
If you want to solo a specific channel, touch and hold the desired channel until the number turns green. To cancel solo, simply touch the (green) channel number again.
To change the Voice for each channel:
Touch the instrument icon below the channel number to call up the Voice Selection display, then select the desired Voice.
3 As necessary, make other settings then save them as a Style file or Song
file (step 5 on page 82).
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Mixer – Editing the Volume and Tonal Balance –
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Connections
NOTE
To see where these connectors are located on the instrument, refer to page 13.
1
67
8
2345
Right
(higher-key side)
Left (lower-key side)
Front (keyboard side)
1
7
8
2345
Right
(higher-key side)
Left (lower-key side)
Front (keyboard side)
MIN MAX
INPUT
MIC.
MIC. LINE PHONES
VOLUME
LINE IN
!@
9
)
CAUTION
Before connecting the instrument to other electronic components, turn off the power of all the components. Also, before turning any components on or off, make sure to set all volume levels to minimum (0). Otherwise, damage to the components, electrical shock, or even permanent hearing loss may occur.
– Using Your Instrument with Other Devices –

I/O Connectors

CVP-609
CVP-605

Connections – Using Your Instrument with Other Devices –

CVP-609/605
1 [AUX PEDAL] jack ................page 87
2 MIDI terminals......................page 90
3 [USB TO HOST] terminal.....page 90
4 [USB TO DEVICE] terminal.page 88
5 [VIDEO OUT] jack................page 86
6 [RGB OUT] terminal
(only for CVP-609) ................page 86
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7 [AUX IN] jack........................page 85
8 AUX OUT [L/L+R]/[R] jacks page 85
9 [INPUT VOLUME] knob ......page 71
) [MIC./LINE IN] jack .............page 87
! [MIC. LINE] switch ...............page 71
@ [PHONES] jacks ....................page 19
Page 85
Connecting Audio Devices ([AUX IN] jack, AUX
NOTE
Use audio cables and adaptor plugs having no (zero) resistance.
NOTICE
To avoid damage to the devices, first turn on the power to the external device, then to the instrument. When turning off the power, first turn off the power to the instrument, then to the external device.
NOTE
The instrument’s [MASTER VOLUME] setting affects the input signal from the [AUX IN] jack.
NOTE
Use only the [L/L+R] jack for connection with a monaural device.
NOTICE
• To avoid possible damage, first turn on the power to the instrument, then to the external device. When turning off the power, first turn off the power to the external device, then to the instrument. Since this instrument’s power may automatically be turned off due to the Auto Power Off function (page 15), turn off the power to the external device, or disable Auto Power Off when you do not intend to operate the instrument.
• Do not route the output from the [AUX OUT] jacks to the [AUX IN] jacks. If you make this connection, the signal input at the [AUX IN] jacks is output from the [AUX OUT] jacks. These connections could result in a feedback loop that will make normal performance impossible, and may even damage the equipment.
Instrument Portable audio player
Headphone jack
Phone plug (stereo mini)
Phone plug (stereo mini)
Audio cable
Audio signal
Instrument Powered speaker
Audio cable
Audio signal
Phone plug (standard)
Phone plug (standard)
Input jack
OUT [L/L+R]/[R] jacks)
Playing a Portable Audio Player with the Built-in Speakers
You can connect the headphone jack of a portable audio player to the instrument’s [AUX IN] jack, letting you hear the sound of that audio player through the built-in speakers of the instrument.
Minimizing noise of the input sound via Noise Gate
By default, this instrument cuts unwanted noise from the input sound. However, this may result in wanted sounds also being cut, such as the soft decay sound of the piano. To avoid this, set the Noise Gate to off via [Menu] → [Utility] → [Speaker/Connectivity] → [AUX In Noise Gate].
Using an External Stereo System for Playback
You can connect a stereo system to amplify the instrument’s sound by using the AUX OUT [L/L+R]/[R] jacks. The microphone or guitar sound connected to the instrument’s [MIC./LINE IN] jack is output at the same time.
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Connections – Using Your Instrument with Other Devices –
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Connecting an External Monitor ([VIDEO OUT]
CAUTION
Avoid looking at the television or video monitor for prolonged periods of time since doing so could damage your eyesight. Take frequent breaks and focus your eyes on distant objects to avoid eyestrain.
(CVP-609 only)
RCA pin plug
VIDEO IN
Mini D-sub 15-pin
Video cable
Instrument
NOTE
• When NTSC is selected, the lower part of the screen might not be shown for certain displays.
• When using a monitor on which display resolution cannot be set, the display may not be able to be output to the monitor, even if you select the appropriate monitor type.
• Transition effects on the instrument’s display cannot be output.
jack, [RGB OUT] terminal)
By connecting with an external monitor such as a television to the [VIDEO OUT] jack of the instrument, the lyrics and text on the instrument's display can be shown on the television or the monitor. On the CVP-609, the instrument can be connected with an external monitor also by the [RGB OUT] terminal.
Screen Out Settings
Connections – Using Your Instrument with Other Devices –
1 Call up the operation display via [Menu] → [Utility] → [Speaker/
Connectivity].
2 Set the monitor type and screen contents.
Monitor Ty pe
Content
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Selects the desired output monitor type (NTSC or PAL) to correspond to the standard used by your video equipment. CVP-609 only: Select “RGB” when connecting to an external monitor.
Determines the contents of the Video Out signal.
Lyrics/Text: Only the lyrics of the Song or text files (whichever you used last time) are output, regardless of the display that is called up on the instrument.
LCD: The currently selected display is output.
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Connecting a Footswitch/Foot Controller ([AUX
NOTE
Do not connect or disconnect the pedal when the power is on.
Foot Pedals
Footswitch FC4 (optional)
Footswitch FC5 (optional)
Foot Controller FC7 (optional)
PEDAL] jack)
Optional footswitches (Yamaha FC4 or FC5) and an optional Foot controller (Yamaha FC7) can be connected to the [AUX PEDAL] jack. A footswitch can be used for switching functions on and off, while a foot controller controls continuous parameter such as volume.
Example 1: Using a foot controller to control the volume of the
performance data played on the keyboard.
Connect the FC7 foot controller to the [AUX PEDAL] jack. With the initial factory settings, no special setup is necessary.
Example 2: Using a footswitch to control Song Start/Stop.
Connect a footswitch (FC4 or FC5) to the [AUX PEDAL] jack. To assign the function to the connected pedal, select “Song Play/Pause” in the operation display: [Menu] → [Assignable] → [Pedal].

Connecting a Microphone or Guitar ([MIC./LINE IN] jack)

To the [MIC./LINE IN] jack (standard 1/4" phone jack), you can connect a microphone, guitar, or other various equipment. For instructions on connecting a microphone, refer to page 71. Note that you need to select “MIC” or “LINE IN” depending on the connected equipment. When the output level of the connected equipment (such as a microphone, guitar, bass) is low, set the [MIC. LINE] switch to “MIC.” When the output level of the connected equipment (such as a synthesizer, keyboard, CD player) is high, set the [MIC. LINE] switch to “LINE.”
Connections – Using Your Instrument with Other Devices –
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Connecting USB Devices ([USB TO DEVICE] terminal)

NOTE
NOTE
NOTE
You can connect a USB flash memory or a USB wireless LAN adaptor to the [USB TO DEVICE] terminal. You can save data you’ve created on the instrument to the USB flash memory (page 29), or you can connect the instrument to a smart device such as iPad via wireless LAN (page 89).
Precautions when using the [USB TO DEVICE] terminal
When connecting a USB device to the terminal, be sure to handle the USB device with care. Follow the important precautions below.
For more information about the handling of USB devices, refer to the owner’s manual of the USB device.
Using USB Flash Memories
By connecting the instrument to a USB flash memory, you can save data you’ve created to the connected USB flash memory, as well as read data from the connected USB flash memory.
Maximum number of USB flash memory devices
Up to two USB flash memory devices can be connected to the [USB TO DEVICE] terminal.
Compatible USB devices
•USB flash memory
• USB wireless adaptor (which is included only in some areas)
The instrument does not necessarily support all commercially available USB devices. Yamaha cannot guarantee operation of USB devices that you purchase. Before purchasing a USB device for use with this instrument, please visit the following web page: http://download.yamaha.com/
Formatting USB flash memory
Yamaha recommends that you format the USB flash memory with this instrument (page 89). USB flash memory formatted on another device may not operate properly.
NOTICE
The Format operation deletes any previously existing data. Make sure that the USB flash memory you are formatting does not contain important data. Proceed with caution, especially when connecting multiple USB flash memories.
To protect your data (write-protect)
Other USB devices such as a computer keyboard or mouse
Connections – Using Your Instrument with Other Devices –
cannot be used.
Connecting a USB device
When connecting a USB device to the [USB TO DEVICE] terminal, make sure that the connector on the device is appropriate and that it is connected in the proper direction.
To prevent important data from being inadvertently erased, apply the write-protect provided with each USB flash memory. If you are saving data to the USB flash memory, make sure to disable write-protect.
Turning off the instrument
When turning off the instrument, make sure that the instrument is NOT accessing the USB flash memory by playback/recording or file management (such as during Save, Copy, Delete and Format operations). Failure to do so may corrupt the USB flash memory and the data.
NOTICE
• When connecting a USB device to the [USB TO DEVICE] terminal on the top panel, remove it before closing the key cover. If the key cover is closed with the USB device connected, the USB device may be damaged.
• Avoid connecting or disconnecting the USB device during playback/recording, file management (such as Save, Copy, Delete and Format operations) or when accessing the USB device. Failure to do so may result in “freezing” of the operation of the instrument or corruption of the USB device and the data.
• When connecting then disconnecting the USB device (and vice versa), make sure to wait a few seconds between the two operations.
When connecting a USB cable, make sure that the length is less than 3 meters.
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Formatting a USB Flash Memory
NOTICE
The Format operation deletes any previously existing data. Make sure that the USB flash memory you are formatting does not contain important data. Proceed with caution, especially when connecting multiple USB flash memories.
4
NOTE
• Before using the [USB TO DEVICE] terminal, be sure to read “Precautions when using the [USB TO DEVICE] terminal” on page 88.
• When you use the instrument along with an application on your iPhone/ iPad, we recommend that you first set “Airplane Mode” to “ON” then set “Wi­Fi” to “ON” on your iPhone/ iPad in order to avoid noise caused by communication.
• Certain applications may not be supported in your area. Please check with your Yamaha dealer.
NOTICE
Do not place your iPhone/ iPad in an unstable position. Doing so may cause the device to fall and result in damage.
When a USB flash memory is connected or media is inserted, a message appears indicating that the connected USB flash memory is not formatted. If so, execute the format operation.
1 Connect a USB flash memory for formatting to the [USB TO DEVICE]
terminal.
2 Call up the operation display via [Menu] → [Utility] → [USB Memory].
3 Touch the USB flash memory to be formatted from the device list.
The indications USB 1, USB 2, etc. are displayed depending on the number of the connected devices.
4 Touch [Format] to execute the Format operation.

Connecting to an iPhone/iPad ([USB TO DEVICE] terminal, [USB TO HOST] terminal and MIDI terminals)

You can connect a smart device such as an iPhone or iPad to the [USB TO DEVICE] terminal of the instrument via the USB wireless LAN adaptor (if included). The USB wireless LAN adaptor may not be included depending on your locale due to local regulations. If the USB wireless LAN adaptor is not supplied with your instrument, connect the smart device to the [USB TO HOST] terminal via the Yamaha i-UX1 (optional) or to the MIDI terminals via the Yamaha i-MX1 (optional). By using an application tool on your smart device, you can take advantage of convenient functions and get more enjoyment out of this instrument.
For details on connections, refer to the “iPhone/iPad Connection Manual” on the website. For information about the compatible smart devices and application tools, access the following page: http://www.yamaha.com/kbdapps/
For inquiries about the included USB wireless LAN adaptor, contact your nearest Yamaha representative or the distributor listed at the end of this manual, and not the device’s manufacturer. Or you can access the following website and contact Yamaha support at your location. http://www.yamaha.com/contact/
Yamaha does not guarantee or support use of the included USB wireless LAN adaptor with any devices other than this instrument.
Connections – Using Your Instrument with Other Devices –
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Connecting to a Computer ([USB TO HOST]
NOTICE
Use an AB type USB cable of less than 3 meters. USB 3.0 cables cannot be used.
NOTE
• The instrument will begin transmission a short time after the USB connection is made.
• When using a USB cable to connect the instrument to your computer, make the connection directly without passing through a USB hub.
• For information on setting up your sequence software, refer to the owner’s manual of the relevant software.
ComputerInstrument
USB cable
External MIDI deviceInstrument
MIDI reception
MIDI OUT MIDI INMIDI OUTMIDI IN
MIDI transmission
NOTE
For a general overview of MIDI and how you can effectively use it, refer to “MIDI Basics” on the Yamaha Manual Library (page 5).
terminal)
By connecting a computer to the [USB TO HOST] terminal, you can transfer data between the instrument and the computer via MIDI. For details on using a computer with this instrument, refer to the “Computer-related Operations” on the website.

Connecting External MIDI Devices (MIDI terminals)

Use the MIDI [IN]/[OUT]/[THRU] terminals and standard MIDI cables to connect external MIDI devices (keyboard, sequencer, etc.).
Connections – Using Your Instrument with Other Devices –
MIDI IN
Receives MIDI messages from another MIDI device.
MIDI OUT
Transmits MIDI messages generated by the instrument to another MIDI device.
MIDI THRU
Simply relays the MIDI messages received at MIDI IN.
The MIDI settings such as transmit/receive channels on the instrument can be set via [Menu] → [MIDI]. For details, refer to the Reference Manual on the website.
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Menu Display Function List

This section explains simply and very briefly explains what you can do in the displays which are called up by touching each icon on the Menu display. Some functions are described in this Owner’s Manual on the pages indicated below. For details about each function, refer to the Reference Manual on the website.
Menu Description Pages
Tempo
Transpose
Adjusts the tempo of MIDI Song, Style or Metronome. The same operation as using Tempo [-]/[+] and [Tap] buttons can be done on the display.
Transposes the pitch of the entire sound in semitones, or just the sound of the keyboard or MIDI Song.
36
38
Split Point & Fingering Type
Chord Tutor
Balance
Filter
EQ
Effect
Mixer
Chorus/Reverb
Pan/Volume
(Master) Compressor
(Master) EQ
Score
Lyrics
Text Viewer
Keyboard Harmony
Mic Setting
Lets you set the Split Point or change the Chord Fingering type. 45, 55
Shows you an example of how to play a chord that corresponds to the specified chord name.
Adjusts the volume balance among the keyboard parts (Main, Layer, Left), Style, Song and microphone sound.
Adjusts the Harmonic Content (resonance) and sound brightness.
Adjusts equalization parameters to correct the tone or timbre of the sound.
Selects an Effect type and adjusts its depth for each part.
Selects a Chorus/Reverb type and adjusts its depth for each part.
Adjusts panning and volume for each part.
Lets you turn on/off the Master Compressor, and edit related parameters.
Lets you edit the Master EQ.
Displays the music notation (score) of the current MIDI Song. 60
Displays the lyrics of the current MIDI Song. 61
Displays text files created on your computer. 62
Adds the Harmony effect to the right-hand section of the keyboard. Parameters such as Harmony type can be set.
Makes settings for the microphone sound.
38
81
Vocal Harmony
Music Finder
Registration Sequence
Registration Freeze
Pedal
Assignable
Assignable
Voic e Edit
Style Creator
Adds Vocal Harmony effects to your singing. You can edit the Vocal Harmony and save as your original harmony.
Calls up ideal panel settings (as a Record) for your performance. Records can be created or edited.
Determines the order for calling up Registration Memory settings when using the pedal.
Selects the item(s) to be unchanged even when you call up panel setups from the Registration Memory.
Determines the functions assigned to the pedals.
Determines the functions assigned to the ASSIGNABLE [1] – [4] buttons. 28
Lets you edit the preset Voices to create your own Voices. The display differs depending on whether an Organ Flutes Voice or another kind of Voice is selected.
Lets you create a Style by editing the preset Style, or by recording Style channels one by one.
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72
74
Menu Display Function List
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Menu Description Pages
Song Creator
Tune
Piano
Voic e Setting
Voi c e S et
Setting
Style Setting
Setting
Change Behavior
Guide
Part Ch
Song
Lyrics
Setting
Play
Rec
Master Tune
Tuning
Scale Tune
Keyboard Setting
Metronome Setting
Metronome
Tap Te m po
System
Transmit
Receive
MIDI Setting
On Bass Note
Chord Detect
Menu Display Function List
Speaker/ Connectivity
Display
Parameter Lock
Utility
USB Memory
System
Factory Reset/ Backup
Wireless LAN Setting
Lets you create a Song by editing the recorded Song.
Adjusts the pitch for each keyboard part (Main/Layer/Left).
Edits the parameters for the piano Voices.
Determines which settings (effects, etc.) linked to the Voices are not called up when selecting a Voice.
Determines how the Voice Selection display is opened when one of the VOICE category buttons is pressed. Also determines whether to add articulation effects or not when selecting an SA2 Voice (CVP-609 only).
Edits parameters for Style playback such as Stop Accompaniment and OTS Link Timing.
Determines the Style condition (sections, tempo, etc.) when selecting a different Style.
Selects the type of the Guide function, or changes the guide lamp settings.
Determines which MIDI channel in the Song data is used for the right-hand/ left-hand part.
Determines the language of the displayed lyrics.
Edits parameters for Song playback such as Repeat Playback and the Performance Assistant Technology.
Edits parameters for re-recording of MIDI Songs, or determines the file format for Audio recording.
Fine-tunes the pitch of the entire instrument in approx. 0.2 Hz steps.
Selects the scale type and tunes the pitch of the desired note (key) in cents.
Determines the Touch Response of the keyboard, or turns the Left Hold function on/off.
Determines the metronome volume, sound and time signature.
Determines the volume and sound type of the sound caused when the [TAP] button is pressed.
Edits the parameters for MIDI system messages.
Edits the parameters for MIDI transmission.
Edits the parameters for MIDI reception.
Determines the bass note for Style playback based on the note messages received via MIDI.
Determines the chord type for Style playback based on the note messages received via MIDI.
Makes the settings for the instrument’s speakers and the external monitor. 86
Edits the parameters for the display settings, such as touch panel calibration.
Determines which parameters (effect, split point, etc.) will not be changed when the panel setups are changed via Registration Memory.
Indicates the capacity of the connected USB flash memory or allows you to format it.
Indicates the firmware version of this instrument, or lets you make basic settings such as language for the display.
Initializes the instrument to the factory default, or backs up the data stored in the instrument.
Makes settings for connecting the instrument to a smart device such as iPad via wireless LAN. This icon appears only when the USB wireless adaptor (if included) has been connected once.
37
89
16
39
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CVP-609 (Grand piano type) Assembly

CAUTION
CAUTION
Pedal box
Power cord
Legs
6 x 20 mm fixing screws (4)
Cord holder
6 x 40 mm fixing screws (12)
Headphone hanger
4 x 10 mm
thin screws (2)
To prevent the key cover from accidentally opening during assembly, press down on the key cover, making sure that the sheets (shown) remain in place.
To prevent damage to the instrument, do not lay the unit on the floor directly. Lean the unit against the wall as shown in the “How to position the main unit” section.
Main unit
Be sure to position the keyboard side on the bottom.
Incorrect
Incorrect
Incorrect
How to position the main unit
• Assemble the unit on a hard and flat floor with ample space.
• Be careful not to confuse or misplace the parts, and be sure to install all parts in the correct orientation. Please assemble the unit in accordance with the sequence described here.
• Assembly should be carried out by at least two persons.
• Be sure to use only the included screws of the specified sizes. Do not use any other screws. Use of incorrect screws can cause damage or malfunction of the product.
• Be sure to tighten all screws upon completing assembly of each unit.
• To disassemble the unit, reverse the assembly sequence.
Have a Phillips-head (+) screwdriver of the appropriate size ready.
Be careful not to pinch your fingers.
1 Remove all parts from the package and
make sure you have all of the items.
Spread a large soft cloth, such as a blanket, on the floor. Place the unit on the cloth with the key cover closed and the keyboard side on the bottom and lean the unit against the wall so that the unit will not fall or slip. Place a soft cloth against the wall to protect the instrument and the wall from scratches.
NOTICE
Do not place the main unit as shown in the illustration here.
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2 Attach two front legs and a rear leg.
CAUTION
Rear leg
Front leg Front leg
6 x 40 mm fixing screws
Twist tie
6 x 20 mm fixing screws
Refer to the diagram below to verify the orientation of the legs.
Install and tighten four screws on each leg, starting with one of the front legs.
3 Insert the pedal cord plug into the pedal connector.
Insert the plug into the connector so that the side with the arrow mark is facing forward (keyboard side). If the plug does not fit easily do not try to force it, but check the plug for correct orientation, and then reinsert it into the connector.
Insert the pedal cord securely until the metal part of the cord plug disappears from view. Otherwise, the pedal may not function properly.
3
4
3 Install the pedal box.
1 Remove the twist tie that affixes the pedal cord to the upper
portion of the pedal box.
CVP-609 (Grand piano type) Assembly
2 Align the cord with the groove on the unit, and attach the
pedal box using four screws.
4 Attach the cord holder on the unit as shown in the
illustration below, then use the cord holder to affix the pedal cord.
4 Raise the unit to the standing position.
Use the front legs as support to raise the unit.
• Be careful not to pinch your fingers.
• When you raise the unit, do not hold the key cover.
.
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5 Plug the power cord into the power
WARNING
Right leg on the bottom of the main unit, when viewed from front
For models that feature a voltage selector:
Set the voltage selector to an appropriate voltage.
CAUTION
CAUTION
Do not hold here.
Do not hold here.
connector.
Voltage Selector
Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a “minus” screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped. After the proper voltage has been selected, connect the AC power cord to the AC IN jack and an AC wall outlet. A plug adaptor may be also provided in some areas to match the pin configuration of the AC wall outlets in your area.
An improper voltage setting can cause serious damage to the instrument or result in improper operation.
7 Attach the headphone hanger.
Attach the headphone hanger using two thin screws (4 x 10 mm) as shown in the illustration.
After completing the assembly, please check the following.
•Are there any parts left over?
→ Review the assembly procedure and correct any errors.
• Is the Clavinova clear of doors and other movable fixtures?
→ Move the Clavinova to an appropriate location.
• Does the Clavinova make a rattling noise when you shake it?
→ Tighten all screws.
• Does the pedal box rattle or give way when you step on the pedals?
→ Turn the adjuster so that it is set firmly against the floor.
• Are the pedal and power cords inserted securely into the sockets?
When moving the instrument, always hold the bottom of the main unit. Do not hold the key cover or top portion. Improper handling can result in damage to the instrument or personal injury.
6 Rotate the adjuster until it comes in firm
contact with the floor surface.
Tra n sp or ti ng
If you move to another location, you can transport the instrument along with other belongings. You can move the unit as it is (assembled) or you can disassemble the unit down to the condition it was in when you first took it out of the box. Transport the keyboard hor izontally. Do not lean it up against a wall or st and it up on its side. Do not subject the instrument to excessive vibration or shock. When transporting the assembled instrument, make sure all screws are properly tightened and have not been loosened by moving the instrument.
If the unit creaks or is otherwise unsteady when you play on the keyboard, refer to the assembly diagrams and retighten all screws.
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CVP-609 Assembly

CAUTION
CAUTION
To prevent the key cover from accidentally opening during assembly, press down on the key cover, making sure that the sheets (shown) remain in place.
To prevent damage to the speaker box located at the bottom of unit A, make sure to place unit A on the styrofoam pads. Also, make sure that the pads do not touch the speaker box.
Bundled pedal cord inside. The pedals are covered with vinyl covers when shipped from the factory. Remove the cover from the damper pedal for optimum use of the GP Responsive Damper Pedal effect.
4 x 10 mm screws
for the cover (2)
Power cord
5 x 18 mm short screws (10) 4 x 20 mm thin screws (3)
5 x 30 mm long screws (4) Washers (4)
Headphone hanger
4 x 10 mm
thin screws (2)
Protective pads (2)
Large soft cloth
Styrofoam
pads
NOTICE
Do not touch the speaker net. Doing so may damage the speaker inside.
Protective pads
Protective pads
• Assemble the unit on a hard and flat floor with ample space.
• Be careful not to confuse or misplace the parts, and be sure to install all parts in the correct orientation. Please assemble the unit in accordance with the sequence described here.
• Assembly should be carried out by at least two persons.
• Be sure to use only the included screws of the specified sizes. Do not use any other screws. Use of incorrect screws can cause damage or malfunction of the product.
• Be sure to tighten all screws upon completing assembly of each unit.
• To disassemble the unit, reverse the assembly sequence.
Have a Phillips-head (+) screwdriver of the appropriate size ready.
Remove all parts from the package and make sure you have all of the items.
1 Lean unit A against the wall as shown.
1 Spread a large soft cloth, such as a blanket, as shown to
protect the floor and wall surfaces.
2 Lean unit A against the wall with the key cover closed and
the keyboard side on the bottom.
2
1
• Be careful not to pinch your fingers.
NOTICE
• The top part of the music rest is not fixed. Support the music rest with your hand so that the music rest will not fall.
• Do not place the main unit upside down or with the rear side facing down.
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2 Attach units B and C to unit A.
1 Align units B and A so that the protrusion fits into the hole.
2 Fix unit B to the bottom surface of unit A using two long
screws (5 x 30 mm).
Attach the parts, pressing unit B onto unit A so that the two fit tightly together.
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3 Fix unit B to the speaker box of unit A using two short
CAUTION
Washers
1
2
3
4
1 Insert the pedal cord plug into the
pedal connector. Insert the plug into the connector so that the side with the arrow mark is facing forward (keyboard side). If the plug does not fit easily do not try to force it, but check the plug for correct orientation, and then reinsert it into the connector. Insert the pedal cord securely until the metal part of the cord plug disappears from view. Otherwise, the pedal may not function properly.
screws (5 x 18 mm).
6 Install unit F.
1 Remove the cover from unit D.
If the screw holes do not align, loosen the other screws and adjust the position of unit B.
4 Fasten unit C to unit A in the same way.
3 Attach unit E to unit D.
Fix unit E to unit D using two short screws (5 x 18 mm).
4 Attach unit D to unit A.
1 Fix unit D to the bottom surface of unit A using two short
screws (5 x 18 mm).
2 Untie and straighten out the bundled cord.
3 Pass the pedal cord from under unit D to the backside of
the main unit.
4 Place unit F on the bracket of unit D.
5 Attach unit F to unit D using three thin screws (4 x 20 mm).
2 Fix unit D to the speaker box of unit A using two short
screws (5 x 18 mm). If the screw holes do not align, loosen the other screws and adjust the position of unit D.
5 Raise unit A into the upright position.
• Be careful not to pinch your fingers.
• When you raise the unit, do not hold the key cover.
7 Connect the pedal cord.
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4 Attach unit G using two screws for the cover (4 x 10 mm).
WARNING
2 Pass the pedal
cord between units D and E.
3 Align the pedal cord into the
groove on unit D, then install the cover onto the groove correctly.
Correct
Incorrect
CAUTION
CAUTION
Hold here.
Do not hold here.
8 Plug the power cord into the power
connector.
10Attach the headphone hanger.
Attach the headphone hanger using two thin screws (4 x 10 mm) as shown in the illustration.
After completing the assembly, please check the following.
•Are there any parts left over?
→ Review the assembly procedure and correct any errors.
• Is the Clavinova clear of doors and other movable fixtures?
→ Move the Clavinova to an appropriate location.
• Does the Clavinova make a rattling noise when you shake it?
→ Tighten all screws.
• Does the pedal box rattle or give way when you step on the pedals?
→ Turn the adjuster so that it is set firmly against the floor.
• Are the pedal and power cords inserted securely into the sockets?
When moving the instrument, always hold the bottom of the main unit. Do not hold the key cover or top portion. Improper handling can result in damage to the instrument or personal injury.
Voltage Selector
Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a “minus” screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped. After the proper voltage has been selected, connect the AC power cord to the
CVP-609 Assembly
AC IN jack and an AC wall outlet. A plug adaptor may be also provided in some areas to match the pin configuration of the AC wall outlets in your area.
An improper voltage setting can cause serious damage to the instrument or result in improper operation.
9 Rotate the adjuster until it comes in firm
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98
For models that feature a voltage selector: Set the voltage selector to an appropriate voltage.
contact with the floor surface.
Tra n sp or ti ng
If you move to another location, you can transport the instrument along with other belongings. You can move the unit as it is (assembled) or you can disassemble the unit down to the condition it was in when you first took it out of the box. Transport the keyboard hor izontally. Do not lean it up against a wall or st and it up on its side. Do not subject the instrument to excessive vibration or shock. When transporting the assembled instrument, make sure all screws are properly tightened and have not been loosened by moving the instrument.
If the unit creaks or is otherwise unsteady when you play on the keyboard, refer to the assembly diagrams and retighten all screws.
Page 99

CVP-605 Assembly

CAUTION
CAUTION
A
B
C
D
E
To prevent damage to the speaker box located at the bottom of unit A, make sure to place unit A on the styrofoam pads. Also, make sure that the pads do not touch the speaker box.
Bundled pedal cord inside here.
6 x 20 mm long screws (4)
6 x 16 mm short screws (6)
4 x 12 mm thin screws (2)
4 x 20 mm tapping screws (4)
Cord holders (2)
Headphone hanger
Power cord
4 x 10 mm
thin screws (2)
D
C
E
1
2
B
E
D
1 3
2
Align the
screw holes.
15 cm distance or further
• Assemble the unit on a hard and flat floor with ample space.
• Be careful not to confuse or misplace the parts, and be sure to install all parts in the correct orientation. Please assemble the unit in accordance with the sequence described here.
• Assembly should be carried out by at least two persons.
• Be sure to use only the included screws of the specified sizes. Do not use any other screws. Use of incorrect screws can cause damage or malfunction of the product.
• Be sure to tighten all screws upon completing assembly of each unit.
• To disassemble the unit, reverse the assembly sequence.
Have a Phillips-head (+) screwdriver of the appropriate size ready.
Remove all parts from the package and make sure you have all of the items.
1 Attach units D and E to unit C.
1 Untie and straighten out the bundled pedal cord.
You will need the vinyl tie later in step 5.
2 Attach units D and E to unit C by tightening four long
screws (6 x 20 mm).
2 Attach unit B to the above assembly.
1 Align the screw holes on the upper side of unit B with the
bracket holes on units D and E, then attach the upper corners of unit B to units D and E by manually tightening two thin screws (4 x 12 mm).
2 Secure the bottom end of unit B using four tapping screws
(4 x 20 mm).
3 Securely tighten the screws on the top of unit B that were
attached in step 2-
1.
3 Mount unit A on the above assembly.
Be sure to place your han ds at least 15 cm from either end of the main unit when positioning it.
A
• Be extra careful not to drop the unit or let your fingers be pinched by the main unit.
• Do not hold the main unit in any position other than the position specified here.
CVP-609/605 Owner’s Manual
CVP-605 Assembly
99
Page 100
4 Secure unit A to the assembly.
A
A
1
2
1
2
3
4
WARNING
1 Adjust the position of unit A so that the left and right ends
of unit A project beyond units D and E equally (as seen from the front).
2 Secure unit A by tightening six short screws (6 x 16 mm)
from the front.
5 Connect the pedal cord and power cord.
1 Insert the plug of the pedal cord into the pedal connector.
Insert the pedal cord securely until the metal part of the cord plug disappears from view. Otherwise, the pedal may not function properly.
2 Attach the cord holders to the rear panel as shown, then clip
the cord into the holders.
3 Use a vinyl tie to take up any slack in the pedal cord.
4 Plug the power cord into the power connector.
Volta ge Se l e ctor
Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a “minus” screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped. After the proper voltage has been selected, connect the AC power cord to the AC IN jack and an AC wall outlet. A plug adaptor may be also provided in some areas to match the pin configuration of the AC wall outlets in your area.
An improper voltage setting can cause serious damage to the instrument or result in improper operation.
6 Rotate the adjuster until it comes in firm
contact with the floor surface.
7 Attach the headphone hanger.
Attach the headphone hanger using two thin screws (4 x 10 mm) as shown in the illustration.
CVP-605 Assembly
For models that feature a voltage selector: Set the voltage selector to an appropriate voltage.
CVP-609/605 Owner’s Manual
100
After completing the assembly, please check the following.
•Are there any parts left over?
→ Review the assembly procedure and correct any errors.
• Is the Clavinova clear of doors and other movable fixtures?
→ Move the Clavinova to an appropriate location.
• Does the Clavinova make a rattling noise when you shake it?
→ Tighten all screws.
• Does the pedal box rattle or give way when you step on the pedals?
→ Turn the adjuster so that it is set firmly against the floor.
• Are the pedal and power cords inserted securely into the sockets?
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