Yamaha CVP-205E1, CVP-205 User Manual

CVP-205/205M/203
CVP-205/205M/203
OWNER’S MANUAL
OWNER’S MANUAL
SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS:
Yamaha electronic
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
See bottom of Keyboard enclosure for graphic symbol markings.
The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servic­ing) instructions in the literature accompanying the product.
The lightning flash with arrowhead symbol, within the equilateral trian­gle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclo­sure that may be of sufficient magni­tude to constitute a risk of electrical shock.
Battery Notice:
rechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
Warning:
incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.
Disposal Notice:
beyond repair, or for some reason its useful life is consid­ered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc.
NOTICE:
edge relating to how a function or effect works (when the unit is operating as designed) are not covered by the man­ufacturer’s warranty, and are therefore the owners respon­sibility. Please study this manual carefully and consult your dealer before requesting service.
NAME PLATE LOCATION:
cates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
This product MAY contain a small non-
Do not attempt to recharge, disassemble, or
Should this product become damaged
Service charges incurred due to lack of knowl-
The graphic below indi-
IMPORTANT NOTICE:
are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product perfor­mance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected.
SPECIFICATIONS SUBJECT TO CHANGE:
information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.
ENVIRONMENTAL ISSUES:
duce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:
All Yamaha electronic products
The
Yamaha strives to pro-
CVP-205
Model
Serial No.
Purchase Date
CVP-203
92-469 1 (bottom)
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/Power cord
Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument.
Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.
Use only the supplied power cord/plug.
Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.
Do not open
Do not open the instrument or attempt to disassemble the inter­nal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.
Water warning
Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liq­uids which might spill into any openings.
Never insert or remove an electric plug with wet hands.
Fire warning
Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire.
If you notice any abnormality
If the power cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the instrument inspected by quali­fied Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
Power supply/Power cord
When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it.
Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms.
Do not connect the instrument to an electrical outlet using a mul­tiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
Assembly
Read carefully the attached documentation explaining the assembly process. Failure to assemble the instrument in the proper sequence might result in damage to the instrument or even injury.
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Location
Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfigu­ration or damage to the internal components.
Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise.
Do not place the instrument in an unstable position where it might accidentally fall over.
Before moving the instrument, remove all connected cables.
Do not place the instrument against a wall (allow at least 3 cm/ one-inch from the wall), since this can cause inadequate air cir­culation, and possibly result in the instrument overheating.
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Connections
Before connecting the instrument to other electronic compo­nents, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to mini­mum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
Maintenance
When cleaning the instrument, use a soft, dry or slightly damp cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths.
Handling caution
Take care that the key cover does not pinch your fingers, and do not insert a finger or hand in any gaps on the key cover or instru­ment.
Never insert or drop paper, metallic, or other objects into the gaps on the key cover, panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel.
Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.
Do not rest your weight on, or place heavy objects on the instru­ment, and do not use excessive force on the buttons, switches or connectors.
Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
Using the bench (If included)
Do not place the bench in an unstable position where it might accidentally fall over.
Do not play carelessly with or stand on the bench. Using it as a tool or step-ladder or for any other purpose might result in acci­dent or injury.
Only one person should sit on the bench at a time, in order to prevent the possibility of accident or injury.
If the bench screws become loose due to extensive long-term use, tighten them periodically using the included tool.
Saving data
Saving and backing up your data
Current memory data (see page 40) is lost when you turn off the power to the instrument. Save the data to a floppy disk/the User Drive (see page 40). Saved data may be lost due to malfunction or incorrect opera­tion. Save important data to a floppy disk.
When you change settings in a display page and then exit from that page, System Setup data (listed in the Parameter Chart of the separate Data List booklet) is automatically stored. However, this edited data is lost if you turn off the power without properly exiting from the relevant display.
Backing up the floppy disk
To protect against data loss through media damage, we recom-
mend that you save your important data onto two floppy disks.
4
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
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CVP-205/203
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Thank you for purchasing the Yamaha Clavinova!
We recommend that you read this manual carefully
so that you can fully take advantage of the advanced
and convenient functions of the Clavinova.
We also recommend that you keep this manual
in a safe and handy place for future reference.
About this Owner’s Manual and Data List
This manual consists of four main sections: Introduction, Quick Guide, Basic Operation, and Reference. Also, a separate Data List is provided.
Introduction (page 2): Please read this section first. Quick Guide (page 20): This section explains how to use the basic functions. Basic Operation (page 39): This section explains how to use the basic operations including display-based controls. Reference (page 53): This section explains how to make detailed settings for the Clavinova’s various functions.
Data List : Voice List, MIDI Data Format, etc.
* The models CVP-205/205M/203 will be referred to as the CVP/Clavinova in this Owner’s Manual. * The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may appear
somewhat different from those on your instrument. * The example Operation Guide displays shown in this Manual are taken from the CVP-205, and in English. * The bitmap fonts used in this instrument have been provided by and are the property of Ricoh co., Ltd. * Copying of the commercially available software is strictly prohibited except for your personal use.
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, styles files, MIDI files, WAVE data and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.
Trademarks:
• Apple and Macintosh are trademarks of Apple Computer, Inc.
• IBM-PC/AT is a trademark of International Business Machines Corporation.
• Windows is the registered trademark of Microsoft® Corporation.
• All other trademarks are the property of their respective holders.
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Eject button
Accessories
“Music Software Collection” Disk (and Music Book) (CVP-203 only)
This disk features sample songs that you can play back on your Clavinova.
“50 greats for the Piano” Disk (and Music Book)
Recording disk
Use this blank disk to save your performance.
Owner’s Manual
This manual contains complete instructions for operating your Clavinova.
Data List
This manual contains lists of voices, styles and parameters, etc.
Bench
A bench may be included or optional, depending on your locale.
Handling the Floppy Disk Drive (FDD) and Floppy Disk
Precautions
Be sure to handle floppy disks and treat the disk drive with care. Follow the important precautions below.
Compatible Disk Type
• 3.5" 2DD and 2HD type floppy disks can be used.
Inserting/Ejecting Floppy Disks
To insert a floppy disk into the disk drive:
• Hold the disk so that the label of the disk is facing
upward and the sliding shutter is facing forward,
towards the disk slot. Carefully insert the disk into the
slot, slowly pushing it all the way in until it clicks into
place and the eject button pops out.
To eject a floppy disk:
Before ejecting the disk, be sure to confirm that data is not being written to the floppy disk. If data is currently being written to the floppy disk in the following operations, the messages “Now executing,” “Now copying,” and “Now formatting” appears in the display.
• Moving, copying, pasting, saving, or deleting data (page 43 - 45).
• Naming files and folders (page 42); creating a new folder (page 45).
• Copying a disk to an another disk (page 142); formatting the disk (page 142).
6
Drive lamp
When the power is turned on, the drive lamp (at the bottom left of the drive) lights to indicate the drive can be used.
CVP-205/203
• Never attempt to remove the disk or turn the power off when the data is being written to the floppy disk. Doing so can damage the disk and possibly the disk drive. Press the eject button slowly as far as it will go; the disk will automatically pop out. When the disk is fully ejected, carefully remove it by hand.
• If the eject button is pressed too quickly, or if it is not pressed in as far as it will go, the disk may not eject properly. The eject button may become stuck in a half­pressed position with the disk extending from the drive slot by only a few millimeters. If this happens, do not attempt to pull out the partially ejected disk, since using force in this situation can damage the disk drive mechanism or the floppy disk. To remove a partially ejected disk, try pressing the eject button once again, or push the disk back into the slot and then repeat the eject procedure.
• Be sure to remove the floppy disk from the disk drive before turning off the power. A floppy disk left in the drive for extended periods can easily pick up dust and dirt that can cause data read and write errors.
Cleaning the Disk Drive Read/Write Head
• Clean the read/write head regularly. This instrument employs a precision magnetic read/write head which, after an extended period of use, will pick up a layer of magnetic particles from the disks used that will eventually cause read and write errors.
• To maintain the disk drive in optimum working order Yamaha recommends that you use a commercially­available dry-type head cleaning disk to clean the head about once a month. Ask your Yamaha dealer about the availability of proper head-cleaning disks.
• Never insert anything but floppy disks into the disk drive. Other objects may cause damage to the disk drive or floppy disks.
• Never use a floppy disk with a deformed shutter or housing.
• Do not attach anything other than the provided labels to a floppy disk. Also make sure that labels are attached in the proper location.
To protect your data (Write-protect Tab):
• To prevent accidental erasure of important data, slide the disk’s write-protect tab to the “protect” position (tab open).
write-protect tab open (protect position)
Data backup
• For maximum data security Yamaha recommends that you keep two copies of important data on separate floppy disks. This gives you a backup if one disk is lost or damaged. To make a backup disk use the Disk to Disk function on page 142.
About the Floppy Disks
To handle oppy disks with care:
• Do not place heavy objects on a disk or bend or apply pressure to the disk in any way. Always keep floppy disks in their protective cases when they are not in use.
• Do not expose the disk to direct sunlight, extremely high or low temperatures, or excessive humidity, dust or liquids.
• Do not open the sliding shutter and touch the exposed surface of the floppy disk inside.
• Do not expose the disk to magnetic fields, such as those produced by televisions, speakers, motors, etc., since magnetic fields can partially or completely erase data on the disk, rendering it unreadable.
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About the Display Messages
A message (information or confirmation dialog) sometimes appears on the screen to facilitate operation. When such messages appear, simply follow the instructions as shown by pressing the corresponding button.
For this example, press the [G] (YES) button to execute formatting.
You can select the desired language from the Help dis­play (page 50).
“The Clavinova-Computer Connection” is a supplementary guidebook that describes, for beginners, what you can
do with your Clavinova and a personal computer and how to set up a Clavinova-Computer system (the manual is not written for any specific models). The document is available as a PDF file (in English) at the following Internet address:
Clavinova Home Page .......................... http://www.yamahaclavinova.com/
Yamaha Manual Library
(Electronic Musical Instruments) ......... http://www2.yamaha.co.jp/manual/english/
Maintenance
Clean the instrument using a dry, soft cloth or slightly damp, soft cloth (wring well).
CAUTION
Do not use benzine, thinner, detergent, or chemical cloth for cleaning. Do not place vinyl, plastic, or rubber products on the instrument.
Otherwise, the panel or keys may be discolored or degraded.
CAUTION
Before using the Clavinova, be sure to read “Precautions” on pages 3 - 4.
Tuning
Unlike an acoustic piano, the Clavinova does not need to be tuned. It always stays perfectly in tune.
Transporting
If you move to another location, you can transport the Clavinova along with other belongings. You can move the unit as it is (assembled) or you can disassemble the unit down to the condition it was in when you first took it out of the box. Transport the keyboard horizontally. Do not lean it up against a wall or stand it up on its side. Do not subject the instrument to excessive vibration or shock.
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Table of Contents
Introduction
SPECIAL MESSAGE SECTION ................................... 2
PRECAUTIONS.......................................................... 3
About this Owners Manual and Data List .............. 5
Accessories ............................................................... 6
Handling the Floppy Disk Drive (FDD)
and Floppy Disk..................................................... 6
About the Display Messages.................................... 8
Maintenance ............................................................ 8
Application Index................................................... 12
What can you do with the Clavinova?................... 14
Setting Up the Clavinova....................................... 16
Key cover................................................................................ 16
Music Stand............................................................................ 16
Sheet Music Braces (CVP-205 only)......................................... 16
Turning the Power On and Off................................................ 17
Using headphones ..................................................................17
Panel Controls and Terminals................................ 18
Quick Guide
Playing the Demos ................................................. 20
Song Playback ........................................................ 21
Playback of Songs ....................................................21
Playing Voices ........................................................ 25
Playing a Voice ........................................................25
Playing Two Voices Simultaneously ..........................26
Playing Different Voices with the Left
and Right Hands...................................................27
Playing Styles ......................................................... 28
Playing a style..........................................................28
Style Sections...........................................................30
One Touch Setting...................................................32
Music Finder........................................................... 33
Using the Music Finder ............................................33
Searching the Music Finder Records.........................34
Saving and Recalling Music Finder Data...................35
Playing and Practicing with the Songs.................. 36
Playing Along with the Clavinova.............................36
Recording ................................................................37
Mastering Your Favorite Songs.................................38
Basic Operations
— Organizing Your Data ....... 39
Selecting Files and Folders..................................... 41
File/Folder-related Operations .............................. 42
Naming Files/Folders ...............................................42
Moving Files/Folders ................................................43
Copying Files/Folders...............................................44
Deleting Files/Folders...............................................44
Saving Files ..............................................................45
Organizing Files by Creating a New Folder ..............45
Displaying Upper Level pages ..................................45
Entering Characters and Changing Icons .................45
Using the [DATA ENTRY] Dial ................................ 47
Direct Access Instant Selection of Displays....... 48
Help Messages........................................................ 50
Using the Metronome............................................ 51
Adjusting the Tempo ............................................. 51
Tap Tempo ............................................................. 52
Reference
Playing the Demos.................53
Voices.....................................55
Selecting a Voice .................................................... 55
One-touch Piano Play.............................................. 56
Layer/Left Playing Several Sounds
Simultaneously .................................................... 57
Layer — Layering Two Different Voices ................... 57
Left — Setting Separate Voices for the Left
and Right Sections of the Keyboard ..................... 58
Applying Voice Effects ........................................... 58
Using the Pedals..................................................... 59
Styles......................................60
Playing a style ........................................................ 60
Playing a Style’s Rhythm Channels only .................. 62
Adjusting the Volume Balance/Channel Muting ...... 62
Chord Fingerings.................................................... 63
Arranging the Style Pattern (SECTIONS:
MAIN A/B/C/D, INTRO, ENDING, BREAK) ......... 65
Stopping the Style Playback While Releasing Keys
(SYNC. STOP) ...................................................... 66
Selecting Intro and Ending Types (INTRO/ENDING)
Playing Fill-in patterns automatically when changing
accompaniment sections — Auto Fill In................ 67
Appropriate Panel Setting for the Selected Style
(ONE TOUCH SETTING) ...................................... 68
Automatically Changing One Touch Settings
with the Sections — OTS Link .............................. 69
Registering the Panel Controls in One Touch Setting
(ONE TOUCH SETTING) ...................................... 69
Calling Up Ideal Setups for Your Music
Music Finder.................................................... 70
Searching the Ideal Setups — Music Finder Search.. 71
Editing Records — Music Finder Record Edit ........... 72
... 67
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Song Playback ....................... 74
Creating Accompaniment Styles
Compatible Song Types......................................... 74
Song Playback ........................................................ 75
Playing the Internal Songs........................................75
Playing Back Songs on Disk......................................77
Other Playback-related Operations...........................77
Muting Specific Parts
Track1/Track2/Extra Tracks............................ 78
Repeat Playback of a Specific Range ..................... 78
Using the Practice Functions Guide ................... 79
Practice Functions....................................................79
Practicing Music with the Guide Functions...............80
Displaying Music Notation
Score (CVP-205 only)...................................... 81
Displaying the Lyrics .............................................. 84
Saving and Recalling Custom Panel Setups
— Registration Memory ........ 85
Registering Panel Setups
Registration Memory...................................... 85
Saving Your Registration Memory Setups.................86
Recalling a Registration Memory Setup ................ 87
— Style Creator....................109
About Creating Accompaniment Styles............... 109
Style File Format................................................... 110
Operation ............................................................. 110
Realtime Recording Basic ................................ 111
Step Recording..................................................... 112
Assembling an Accompaniment Style
Assembly ........................................................ 113
Edit the Created Accompaniment Style .............. 114
Change the Rhythmic Feel — Groove and Dynamics
Editing the Channel Data...................................... 116
Making Style File Format Settings —Parameter ..... 117
.. 114
Adjust the Volume Balance and Changing Voices
— Mixing Console ................119
Operation ............................................................. 119
Setting the Level Balance and Voice
Volume/Voice ............................................... 120
Changing the Tone of the Voice Filter............ 121
Changing Pitch-related Settings Tune ............ 121
Adjusting the Effects ............................................ 122
Effect Structure ..................................................... 124
Editing Voices
— Sound Creator ................... 88
Operation ............................................................... 88
SOUND CREATOR Parameters ............................... 89
Recording Your Performances and Creating Songs
— Song Creator ..................... 93
About Song Recording........................................... 93
Quick Recording..................................................... 94
Multi Recording ..................................................... 95
Recording Individual Notes Step Record .......... 97
Operation ................................................................97
Recording Melodies — Step Record (Note) ..............99
Recording Chord Changes for the Auto
Accompaniment — Step Record (Chord)............100
Select the Recording Options: Starting,
Stopping, Punching In/Out Rec Mode......... 102
Editing a Recorded Song ..................................... 103
Editing Channel-related Parameters — Channel.....103
Editing Note Events — 1 - 16.................................106
Editing Chord Events — CHD.................................107
Editing System Events — SYS/EX. (System Exclusive)
Inputting and Editing Lyrics ...................................108
Customizing the Event List — Filter........................108
..107
Making Global and Other Important Settings
— Function...........................125
Operation ............................................................. 125
Fine Tuning the Pitch/Selecting a Scale
Master Tune/Scale Tune............................... 127
Tuning the Overall Pitch — Master Tune............... 127
Selecting a Scale — Scale Tune ............................. 127
Setting Song-related Parameters
Song Settings................................................ 129
Setting Auto Accompaniment-related Parameters
Style Setting, Split Point,
and Chord Fingering......................................... 130
Setting Auto Accompaniment-related Parameters
— Style Setting and Split Point .......................... 130
Setting the Fingering Method — Chord Fingering
Making Settings for the Pedals and Keyboard
Controller...................................................... 131
Making Settings for the Pedals .............................. 131
Changing the Touch Sensitivity and Transpose
— Keyboard/Panel............................................. 133
Setting the Registration Sequence, Freeze,
and Voice Set..................................................... 134
Specifying the Order for Calling Up Registration
Memory Presets — Registration Sequence.......... 134
Maintaining Panel Settings — Freeze .................... 134
Changing the Automatically Selected Voice Settings
— Voice Set ....................................................... 135
.... 131
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CVP-205/203
Setting Harmony and Echo.................................. 135
Showing the Clavinova Display on a TV
Video Out (CVP-205 only) ............................ 136
Setting the MIDI Parameters............................... 137
Making Overall System Settings
(Local Control, Clock, etc.) — System.................137
Transmitting MIDI Data — Transmit ......................138
Receiving MIDI Data — Receive .............................139
Setting Root Note Channels — Root ......................139
Setting Chord Channels — Chord Detect ..............139
Other Settings Utility ...................................... 140
Making Settings for Fade In/Out, Metronome,
Parameter Lock, and Tap — CONFIG 1...............140
Making Settings for the Display, Speaker System,
and Voice Number Indication — CONFIG 2........141
Copying and Formatting Disks — Disk...................142
Entering Your Name and Language Preference
— Owner............................................................143
Restoring the Factory-programmed Settings of the
CVP-205/203 — System Reset ............................143
Using Your Clavinova
Introduction
Quick Guide
Basic Operations - Organizing Your Data
Playing the Demos
Voices
with Other Devices.............. 144
Using the Headphones (PHONES jacks)..................144
Connecting the Microphone or Guitar
(MIC./LINE IN jack) (CVP-205 only). ...................144
Connecting Audio & Video Devices .......................145
Using the Pedal (footswitch) or Foot Controller
(AUX PEDAL jack) ...............................................146
Connecting external MIDI devices
(MIDI terminals) .................................................146
Connecting to a Computer
(MIDI terminals/TO HOST terminal)....................146
What’s MIDI?.........................................................148
What You Can Do With MIDI.................................150
Data Compatibility............................................... 151
Disk format ............................................................151
Sequence Format...................................................151
Voice Allocation Format .........................................152
CVP-205/205M: Keyboard
Stand Assembly ................... 153
Styles
Song Playback
Saving and Recalling Custom Panel Setups - Registration Memory
Editing Voices - Sound Creator
Recording Your Performances and Creating Songs - Song Creator
Creating Accompaniment Styles
- Style Creator
Adjust the Volume Balance and Changing Voices - Mixing Console
CVP-203: Keyboard Stand
Assembly ............................. 155
Troubleshooting.................. 157
Specifications ...................... 159
Index ................................... 161
Making Global and Other Important Settings - Function
Using Your Clavinova with Other Devices
Appendix
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Application Index
Use this index to find reference pages that may be helpful for your particular application and situation.
Listening
Listening to the internal songs................................................................................................................ page 75
Listening to disk songs .......................................................................“Playing Back Songs on Disk” on page 77
Listening to demo songs......................................................................................................................... page 53
Listening to the demo of the selected voices ..........................................................................................page 55
Listening to songs with the special voices of the Clavinova .................................................................. page 120
Playing
Calling up the piano setting ...................................................................................................................page 56
Using the three performance control pedals........................................................................................... page 59
Playing an accompaniment that matches pitch..................................................“Transpose Assign” on page 133
Combining two voices ...................................................... “Layer — Layering Two Different Voices” on page 57
Playing separate voices with the right and left hands
...........................“Left — Setting Separate Voices for the Left and Right Sections of the Keyboard” on page 58
Changing the sound
Enhancing the sound with reverb and other effects .....................................“Applying Voice Effects” on page 58
.................................................................................................................“Adjusting the Effects” on page 122
Adjusting the Level Balance................................................................................................................. page 120
Combining two voices ...................................................... “Layer — Layering Two Different Voices” on page 57
Playing separate voices with the right and left hands
...........................“Left — Setting Separate Voices for the Left and Right Sections of the Keyboard” on page 58
Creating voices ...................................................................................................................................... page 88
Playing the auto accompaniment
Playing the accompaniment automatically............................................................................................. page 60
Calling up ideal panel settings for your music........................................................................................ page 70
Practicing
Muting the right- or left-hand part.......................................................................................................... page 80
Practicing with an accurate and steady tempo.............................................“Using the Metronome” on page 51
Recording
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Recording your performance...........................................................................................................pages 94, 95
Creating a song by entering notes ..........................................................................................................page 97
Creating your original settings
Creating voices ...................................................................................................................................... page 88
Creating accompaniment styles............................................................................................................ page 109
CVP-205/203
Using a microphone (CVP-205 only)
Connecting the microphone.............. ”Connecting the Microphone or Guitar (MIC./LINE IN jack)” on page 144
Settings
Registering Panel Setups......................................................................................................................... page 85
Tuning the pitch/Selecting a scale ........................................................................................................page 127
Making detailed settings for playing back songs................................................................................... page 125
Making detailed settings for the auto accompaniment.......................................................................... page 130
Making settings for the pedals........... “Making Settings for the Pedals and Keyboard — Controller” on page 131
Making detailed settings for the keyboard voices .................................................................................page 133
Showing the display on a TV (CVP-205 only)
.....................................“Showing the Clavinova Display on a TV — Video Out (CVP-205 only)” on page 136
Making detailed settings for MIDI ........................................................................................................page 137
Connecting the Clavinova to other devices
Basic information on MIDI..................................................................................... “What’s MIDI?” on page 148
Recording your performance................ ”Playing the sounds of the Clavinova through an external audio system,
and recording the sounds to an external recorder (AUX OUT jacks)” on page 145
Raising the volume .............................. ”Playing the sounds of the Clavinova through an external audio system,
and recording the sounds to an external recorder (AUX OUT jacks)” on page 145
Outputting another instrument’s sound from the Clavinova ............ ”Outputting the sound of an external device
through the built in speakers of the Clavinova (AUX IN jacks)” on page 145
Connecting a computer. .......... .”Connecting to a Computer (MIDI terminals/TO HOST terminals)” on page 146
Assembling
Assembling and disassembling the Clavinova............“CVP-205/205M: Keyboard Stand Assembly” on page 153
“CVP-203: Keyboard Stand Assembly” on page 155
Quick solution
Basic functions of the Clavinova and how you can best use it .........................................................pages 12, 14
Resetting the Clavinova to the default setting
.................... “Restoring the Factory-programmed Settings of the CVP-205/203 — System Reset” on page 143
Displaying the Messages......................................................................“About the Display Messages” on page 8
Troubleshooting ................................................................................................................................... page 157
CVP-205/203
13
What can you do with the Clavinova?
SONG
Playback previously recorded songs (page 21, 36, 74)
Enjoy a wide variety of preset songs as well as songs on commercially available disks.
POWER
ON
MASTER VOLUME
MIN
STYLE
ACMP
OFF
AUTO FILLIN
OTS LINK
METRONOME
START STOP
FADE IN / OUT
MAX
BREAK
GUIDE
Learn and practice with the Guide functions (page 38, 79)
Play back the preset songs or the appropriate disk software, and let the display and guide lamps show you when and where to play the proper notes. It’s never been easier or more fun to learn new music!
SONG
EXTRA TRACKS
(STYLE)
REC TOP START / STOP REW FF REPEAT GUIDE
NEW SONG
TEMPO
INTRO
ABCD
RESET
TRACK 2
SYNC.START
MAIN
(L)
TRACK 1
(R)
TAP TEMPO
ENDING / rit. SYNC.STOP SYNC.START START / STOP
TRANSPOSE
RESET
DEMO
Explore the Demos (page 20, 53)
These not only showcase the stunning voices and styles of the instrument, they introduce you to the various functions and features — and give you hands-on experience using the Clavinova!
MENU
DEMO
PAR T
A
B
C
D
E
BALANCE
CHANNEL
ON / OFF
PAR T
HELP
FUNCTION
DIGITAL STUDIO
SOUND
CREATOR
DIGITAL
RECORDING
MIXING
CONSOLE
14
STYLE
Back up your performance with Auto Accompaniment (page 28, 60)
Playing a chord with your left hand automatically plays the auto accompaniment backing. Select an accompaniment style — such as pop, jazz, Latin, etc. — and let the Clavinova be your backing band!
CVP-205/203
DIRECT ACCESS
1234
DIGITAL RECORDING
Record your performances (page 93, 109)
With the powerful and easy-to-use song recording features, you can record your own keyboard performances, and create your own complete, fully orchestrated compositions — which you can then save to the USER drive or a floppy disk for future recall.
LCD
The large LCD (together with the various panel buttons) provides comprehensive and easy­to-understand control of the Clavinova’s operations.
MUSIC FINDER
Call up the perfect accompaniment style (page 33, 70)
If you know what song you want to play, but you don’t know which style or voice would be right for it, let the Music Finder help you. Just select the song title, and the Clavinova automatically calls up the most appropriate style and voice.
VOICE
Enjoy a huge variety of realistic voices (page 25, 55)
The Clavinova features a wealth of exceptionally authentic and dynamic voices (more than 800) — including piano, strings, woodwinds, and more!
5678
PIANO
Set up the piano — instantly (page 56)
You can call up all the optimum piano settings for the Clavinova with just a single button press — then play the extraordinarily realistic grand piano voice.
BACK NEXT
VOICE PART
F
G
H
I
J
EXIT
ON / OFF
LAYER
LEFT
LCD
CONTRAST
ENTER
DATA ENTRY
VOICE EFFECT
REVERB
VOICE
PIANO & HARPSI.
BRASS
MUSIC FINDER
PIANO
DSP VARIATION HARMONY / ECHO MONO LEFT HOLD
E.P IANO ORGAN & ACCORDION PERCUSSION GUITAR BASS
WOODWIND
REGISTRATION MEMORY
FREEZE
STRINGS CHOIR & PAD SYNTH. XG USER
ONE TOUCH SETTING
1234
12345678
TO HOST terminal
Make music with a computer — quickly and easily (page 146)
Dive in and take advantage of the wide world of computer music software. Connections and setup are exceptionally easy, and you can play back your computer recorded parts with different instrument sounds — all from a single Clavinova!
MEMORY
IN OUT THRU
PC-1PC-2
MIDI Mac
CVP-205
(
)
LEVEL FIXED
L L+R R LL+R R
TO HOST AUX PEDAL VIDEO OUT AUX IN AUX OUTHOST SELECTMIDI
LR
CVP-205/203
15
Setting Up the Clavinova
Key cover
To open the key cover:
Lift the cover slightly, then push and slide it open.
To close the key cover:
Slide the cover toward you and gently lower the cover over the keys.
CAUTION
Be careful to avoid catching your fingers when opening or closing the cover.
CAUTION
Hold the cover with both hands when opening or closing it. Do not release it until it is fully opened or closed. Be careful to avoid catching ngers (yours or others, especially childrens) between the cover and the unit.
To lower the music stand:
Pull the music stand toward yourself as far as it will
1
go.
Raise the two metal supports until they are flat
2
against the rear surface of the stand.
Gently lower the music stand backward until it is all
3
the way down.
CAUTION
Do not try to use the music stand in a half-raised position. Also, when lowering the stand, let the stand all the way down before releasing it.
Sheet Music Braces
CAUTION
Do not place objects such as a piece of metal or paper on top of the key cover. Small objects placed on the key cover may fall inside the unit when the cover is opened and may be nearly impossible to remove. This could cause electric shock, short circuit, re or other serious damage to the instrument.
Music Stand
To raise the music stand:
Pull the stand up and toward yourself as far as it will
1
go.
Flip down the two metal supports at the left and the
2
right on the rear of the music stand.
Lower the music stand so that it rests on the metal
3
supports.
(CVP-205 only)
These braces are for holding the pages of music books in place.
To open
To close
16
CVP-205/203
Turning the Power On and Off
Adjusting the display contrast
If the LCD is difficult to read, adjust the contrast with the [LCD CONTRAST] knob at the right of the LCD.
Connect the power cord.
Insert the plugs at the ends of the cord, one into the
1
AC INLET on the Clavinova, and the other into a
standard AC outlet. In some areas, a plug adapter may be provided to match the pin configuration of the AC wall outlets in your area.
CVP-205
CVP-203
LCD
CONTRAST
Setting the volume
Use the [MASTER VOLUME] dial to adjust the volume to an appropriate level.
MASTER VOLUME
FADE IN / OUT
MIN
CAUTION
Do not use the Clavinova at a high volume level for a long period of time, or your hearing may be damaged.
MAX
(The shape of plug differs depending on locale.)
Press the [POWER] switch.
2
The main display appears in the LCD display. The
drive lamp below the lower right end of the keyboard also lights.
POWER
ON
OFF
The drive lamp lights.
A
B
C
D
E
BALANCE
CHANNEL ON / OFF
PART
F
G
H
I
J
Using headphones
Connect a pair of headphones to one of the [PHONES] jacks. Two [PHONES] jacks are provided. Two sets of standard stereo headphones can be plugged in. (If you are using only one pair of headphones, you can plug them into either of these jacks.)
CVP-205 CVP-203
MIC.
INPUT
MIC. LINE PHONES
VOLUME
LINE IN
MIN MAX
PHONES
When you’re ready to turn off the power, press the
[POWER] switch again.
Both the display and the drive lamp below the
right end of the keyboard will turn off.
CVP-205/203
17
Panel Controls and Terminals
CVP-205
CVP-205
IN OUT THRU
MIDI Mac
PC-1PC-2
TO HOST AUX PEDAL VIDEO OUT AUX IN AUX OUTHOST SELECTMIDI
L L+R R L L+R R
(
)
LEVEL FIXED LR
PC-1 PC-2
TO HOSTAUX PEDAL HOST SELECT
MIDIMac
69 70 71 72 73 74 75 76 72 71 70 76 75 7469
CVP-203
POWER
ON
MASTER VOLUME
MIN
STYLE
ACMP
OFF
1
AUTO FILLIN
OTS LINK
METRONOME
START STOP
2
FADE IN / OUT
3
MAX
4
BREAK
19
SONG
EXTRA TRACKS
(STYLE)
5 76
REC TOP START / STOP REW FF REPEAT GUIDE
8 9 10 11 12 13 14
NEW SONG
TEMPO
INTRO
ABCD
TRACK 2
(L)
SYNC.START
RESET
15 16 17
MAIN
TRACK 1
(R)
TAP TEMPO
ENDING / rit. SYNC.STOP SYNC.START START / STOP
TRANSPOSE
RESET
18 20 21 22 23 24 25 26 27 28 29 30
65 66 6867
MIC.
INPUT
MIC. LINE PHONES
VOLUME
LINE IN
MIN MAX
68
PHONES
CVP-203
MIDI
LL L+RRR L L+RR
(
)
LEVEL FIXED
PART
AUX OUT AUX IN
37
A
B
C
D
E
BALANCE
CHANNEL
ON / OFF
PART
38
39
45
1234
INOUTTHRU
MENU
DEMO
31
HELP
32
FUNCTION
33
DIGITAL
STUDIO
SOUND
CREATOR
34
DIGITAL
RECORDING
35
MIXING
CONSOLE
36
40
DIRECT ACCESS
POWER
[ON / OFF] button (POWER)................................................ P. 17
1
METRONOME
[START / STOP] button (METRONOME)............................. P. 51
2
MASTER VOLUME
[MASTER VOLUME] dial...................................................... P. 17
3
[FADE IN / OUT] button........................................................ P. 66
4
SONG
[EXTRA TRACKS (STYLE)] button ...................................... P. 78
5
[TRACK 2 (L)] button............................................................ P. 78
6
[TRACK 1 (R)] button........................................................... P. 78
7
[REC] button ........................................................................ P. 93
8
[TOP] button......................................................................... P. 77
9
[START / STOP] button (SONG) .......................................... P. 75
10
[REW] button........................................................................ P. 77
11
[FF] button............................................................................ P. 77
12
[REPEAT] button .................................................................. P. 78
13
[GUIDE] button..................................................................... P. 79
14
TEMPO
[E] [F] buttons (TEMPO)............................................... P. 51
15
[TAP TEMPO] button............................................................ P. 52
16
TRANSPOSE
[E] [F] buttons (TRANSPOSE) ................................... P. 133
17
STYLE
[ACMP] button...................................................................... P. 61
18
[AUTO FILLIN] button........................................................... P. 67
19
[OTS LINK] button................................................................ P. 69
20
[BREAK] button.................................................................... P. 65
21
[INTRO] button............................................................... P. 31, 67
22
MAIN [A] button.................................................................... P. 65
23
MAIN [B] button.................................................................... P. 65
24
MAIN [C] button ................................................................... P. 65
25
MAIN [D] button ................................................................... P. 65
26
[ENDING / rit.] button..................................................... P. 31, 67
27
[SYNC.STOP] button ........................................................... P. 66
28
[SYNC.START] button.......................................................... P. 61
29
[START / STOP] button (STYLE) ......................................... P. 61
30
MENU
[DEMO] button ..................................................................... P. 53
31
[HELP] button ...................................................................... P. 50
32
[FUNCTION] button ........................................................... P. 125
33
DIGITAL STUDIO
[SOUND CREATOR] button................................................. P. 88
34
[DIGITAL RECORDING] button ................................... P. 93, 109
35
[MIXING CONSOLE] button............................................... P. 119
36
DISPLAY CONTROL
[A] - [J] buttons..................................................................... P. 41
37
[BALANCE] button ............................................................... P. 62
38
[CHANNEL ON / OFF] button ........................................ P. 62, 77
39
[DIRECT ACCESS] button................................................... P. 48
40
[BACK] button ................................................................ P. 41, 47
41
[NEXT] button ................................................................ P. 41, 47
42
VOICE PART ON / OFF [LAYER] button.............................. P. 57
43
VOICE PART ON / OFF [LEFT] button ................................ P. 57
44
[1▲▼] - [8▲▼] buttons ................................................. P. 39 - 46
45
[LCD CONTRAST] knob ...................................................... P. 17
46
[ENTER] button.................................................................... P. 47
47
[DATA ENTRY] dial............................................................... P. 47
48
[EXIT] button........................................................................ P. 41
49
VOICE EFFECT
[REVERB] button ................................................................. P. 58
50
[DSP] button......................................................................... P. 58
51
18
CVP-205/203
64
77
78
79
46
LCD
43 44
CONTRAST
47
56
ENTER
57 58
DATA ENTRY
59 60 61 62
BACK NEXT
41
37
F
G
H
I
J
42
VOICE PART
ON / OFF
LAYER
LEFT
48
49
5678
[VARIATION] button ............................................................. P. 58
52
[HARMONY / ECHO] button ................................................ P. 59
53
[MONO] button..................................................................... P. 59
54
[LEFT HOLD] button ............................................................ P. 59
55
VOICE
VOICE buttons ..................................................................... P. 55
56
MUSIC FINDER
[MUSIC FINDER] button ...................................................... P. 70
57
ONE TOUCH SETTING
[1] - [4] buttons (ONE TOUCH SETTING) ............................ P. 68
58
PIANO Setting
[PIANO] button..................................................................... P. 56
59
REGISTRATION MEMORY
[FREEZE] button.................................................................. P. 87
60
[1] – [8] buttons (REGISTRATION MEMORY) ..................... P. 85
61
[MEMORY] button................................................................ P. 85
62
Floppy disk drive (3.5)........................................................... P. 6
63
Keyboard guide lamps ......................................................... P. 79
64
Microphone and Headphone Connectors
[INPUT VOLUME] knob...................................................... P. 144
65
[MIC. LINE IN] jack ............................................................. P. 144
66
[MIC. LINE] switch .............................................................. P. 144
67
[PHONES] jacks................................................................. P. 144
68
Connectors
MIDI [THRU] [OUT] [IN] terminals...................................... P. 146
69
[HOST SELECT] switch ..................................................... P. 146
70
[TO HOST] terminal ........................................................... P. 147
71
[AUX PEDAL] jack .............................................................. P. 146
72
[VIDEO OUT] jack.............................................................. P. 145
73
AUX IN [L / L+R] [R] jacks.................................................. P. 145
74
AUX OUT [L / L+R] [R] jacks.............................................. P. 145
75
AUX OUT (LEVEL FIXED) [L] [R] jacks ............................. P. 145
76
Pedals
Left pedal ............................................................................. P. 59
77
Sostenuto pedal ................................................................... P. 59
78
Damper pedal ...................................................................... P. 59
79
EXIT
VOICE EFFECT
REVERB
50
VOICE
PIANO & HARPSI.
BRASS
MUSIC FINDER
PIANO
63
DSP VARIATION HARMONY / ECHO MONO LEFT HOLD
51 52 54 5553
E.PI ANO ORGAN & ACCORDION PERCUSSION GUITAR BASS
WOODWIND
REGISTRATION MEMORY
FREEZE
STRINGS CHOIR & PAD SYNTH. XG USER
ONE TOUCH SETTING
1234
12345678
MEMORY
The Panel Logos
The logos printed on the Clavinova panel indicate standards/ formats it supports and special features it includes.
GM System Level 1
“GM System Level 1” is an addition to the MIDI standard which guarantees that any data conforming to the standard will play accurately on any GM-compatible tone generator or synthesizer from any manufacturer.
XG Format
XG is a new Yamaha MIDI specification which significantly expands and improves on the “GM System Level 1” standard with greater voice handling capacity, expressive control, and effect capability while retaining full compatibility with GM. By using the Clavinova’s XG voices, it is possible to record XG-compatible song files.
XF Format
The Yamaha XF format enhances the SMF (Standard MIDI File) standard with greater functionality and open-ended expandability for the future. The Clavinova is capable of displaying lyrics when an XF file containing lyric data is played. (SMF is the most common format used for MIDI sequence files. The Clavinova is compatible with SMF Formats 0 and 1, and records “song” data using SMF Format 0.)
Disk Orchestra Collection
The DOC voice allocation format provides data playback compatibility with a wide range of Yamaha instruments and MIDI devices.
Style File Format
The Style File Format (SFF) is Yamaha’s original style file format, which uses a unique conversion system to provide high-quality automatic accompaniment based on a wide range of chord types. The Clavinova uses the SFF internally, reads optional SFF style disks, and creates SFF styles using the Style Creator feature.
CVP-205/203
19
Quick Guide . . . . . . . . . . . . . . . . . . . . . . . . .
Playing the Demos
The Clavinova features an extensive variety of Demo songs, that showcase its rich, authentic voices and its dynamic rhythms and styles.
What’s more, there’s a special selection of Demo functions. These take you through a hands-on journey of all the important features and functions of the instrument — letting you see firsthand how to effectively use the Clavinova in your own music.
1 Pressing the [DEMO] button
automatically plays back the Demo songs at random.
MENU
DEMO
HELP
FUNCTION
For this example, FUNCTION is selected. Function Demos demonstrate many of the different functions on the CVP-205/203.
2 Press the [BACK]/[NEXT] button to select the Demo
Reference
on page 53
Demo button
categories.
BACK NEXT
Voice Demos showcase the voices of the CVP-205/203. Style Demos introduce you to the rhythms and accom­paniment styles of the CVP­205/203 (page 53).
3
Press any of the [A] to [J] buttons or [8] (AUTO) button (FUNCTION page only) to select the Demo songs.
For this example, press the [8] (AUTO) button. All of the function demos are played back in sequence.
A
B
C
D
E
12345678
F
G
H
I
J
VOICE PART
ON / OFF
LAYER
LEFT
For details about the Demos, refer to page 53.
Press the [EXIT] button to exit from the demo mode and return to the MAIN display when you’ve finished playing the demo songs.
When you’re done with the Demos, you can get to know your Clavinova even better with these functions:
• Preset Song (Song Book) playback (CVP-205) (page 21)
• Disk Song Playback (CVP-203) (page 21)
• Short demo playback of the selected voice (in the Voice Open display; page 26).
20
Quick Guide
Song Playback
Song Playback
Reference
on page 74
Here’s where all of the amazing voices, effects, rhythms, styles and other sophisticated features of the Clavinova come together — in songs!
As you heard in the Demos, the Clavinova contains many built-in recordings. But there’s more. On the CVP-203, check out the included disk; on the CVP-205 or 203, call up the Song Open (PRESET) display. And there’s an even greater wealth of song material you can enjoy with your Clavinova — in commercially available software.
Song related buttons
BALANCE and
CHANNEL buttons
Floppy disk drive
Make sure that the Lan­guage setting for the instru­ment (page 143) is the same as that of the le name of the song that you are playing back.
The following songs are compatible for playback on the CVP-205/203. Refer to pages 74, 151 for more details on the logos.
Disks bearing this logo contain song data for voices dened in the GM standard.
Disks bearing this logo contain song data using the XG format, an extension of the GM standard that provides a wider variety of voices and more comprehensive sonic control.
Disks bearing this logo contain song data for voices dened in Yamahas DOC format.
Songs containing a large amount of data may not be able to be read properly by the instrument, and as such you may not be able to select them. The maximum capacity is about 200– 300KB, however this may differ depending on the data contents of each song.
Playback of Songs
1 If you want to play back a disk song, insert an appropriate disk containing song data into the disk drive.
CAUTION
Make sure to read the section Using the Floppy Disk Drive (FDD) and Floppy Disks on page 6.
Quick Guide
21
Song Playback
2 Press the [A] button to call up the Song Open display.
If the MAIN screen is not displayed, press the [DIRECT ACCESS] button followed by the [EXIT] button.
PRESET FLOPPY DISK
From the MAIN display (the display shown when the power is turned on), you can select songs, voices, accom­paniment styles, etc.
Press the [BACK]/[NEXT] button to select the drive. In the example display of the CVP-205 at left, the PRESET page is selected. At right is a display from the CVP-203, with FLOPPY DISK selected.
3 PRESET only
Press the [A] button to select the preset songs (Song Book; CVP-205 only) folder.
A
B
C
D
E
22
Quick Guide
4 Press one of the [A] to [J] buttons to select a song file. 5 Press the SONG [START/STOP] button to start playback.
Song Playback
REC TOP START / STOP
To rewind or fast forward to the playback point of the song, press the [REW] or [FF] button.
With song data software (Standard MIDI format 0) that includes lyrics, you can view the lyr-
NEW SONG
SYNC.START
ics on the display during playback. You can also view the score (CVP-205 only). See pages 81 and 84 for details.
6 While the song is playing, try using the Mute function to turn certain instrument channels off or on —
letting you craft dynamic arrangements on the fly!
1) Press the [CHANNEL ON/OFF] button.
2) Press the [1 - 8▲▼] button corresponding to the channel you wish to turn on or off.
CHANNEL
ON / OFF
PAR T
12345678 1 2345678
If the STYLE tab is selected, press this button again.
Quick Guide
23
Song Playback
7 Finally, take the producer’s seat and try your hand at mixing. These Balance controls let you adjust the levels
of the individual parts — the song, the style, your singing (CVP-205 only), and your playing.
1) Press the [BALANCE] button.
2) Press the [1 - 8▲▼] button corresponding to the part of which the volume you wish to adjust.
BALANCE
12345678
8 Press the SONG [START/STOP] button to stop playback.
REC TOP START / STOP
NEW SONG
SYNC.START
You can call up a full set of mixing controls by pressing the [MIXING CONSOLE] button (page 119).
The [FADE IN/OUT] but­ton (page 66) can be used to produce smooth fade­ins and fade-outs when starting and stopping the song, as well as the accompaniment.
24
Quick Guide
Playing Voices
Playing Voices
The Clavinova features a stunning variety of over 800 dynamic, rich and realistic voices. Try playing
Reference
on page 55
some of these voices now and hear what they can do for your music. Here, you’ll learn how to select individual voices, combine two voices in a layer, and split two voices between your left and right hands.
Voice related buttons
Playing a Voice
1 Press the [F] button to call up the menu for selecting the MAIN voice.
If the MAIN screen is not displayed, press the [DIRECT ACCESS] button followed by the [EXIT] button.
The voice you’re selecting here belongs to the MAIN
F
G
H
I
J
VOICE PART
ON / OFF
LAYER
LEFT
part, and is called the MAIN voice. (See page 57 for more information.)
2 Select a voice group.
VOICE
PIANO & HARPSI.
BRASS
For this example, STRINGS is selected.
E.P IANO ORGAN & ACCORDION PERCUSSION GUITAR BASS
WOODWIND
Yo u ’ll want to hear the MAIN voice all by itself so make sure that the LAYER and LEFT parts are turned off.
STRINGS CHOIR & PAD SYNTH. XG USER
Press the [BACK]/[NEXT] button to select the memory location of the voice. For this example, PRESET is selected.
Quick Guide
25
Playing Voices
3 Select a voice.
For this example, Orchestra is selected.
4 Play the voices.
Naturally, you can play the voice yourself from the keyboard, but you can also have the Clavinova demonstrate the voice for you. Simply press the [8] button from the display above, and a Demo of the voice plays automatically.
You can instantly jump back
A
B
C
D
E
Press the [8] button to start the Demo for the selected voice. To stop the Demo, press this button again.
Press the corresponding buttons to select the other pages and discover even more voices.
Theres more to the Demo features than just voices, though–for more information, see page 53.
to the Main display by dou­ble-clicking on one of the [A]
- [J] buttons.
Playing Two Voices Simultaneously
1 Press the VOICE PART ON/OFF [LAYER] button to
turn the LAYER part on.
2 Press the [G] button to select the LAYER part. 3 Select a voice group.
Here, we’ll select a lush pad to fill out the sound. Call up the “CHOIR & PAD” group.
VOICE
PIANO & HARPSI.
BRASS
4 Select a voice.
For example, select “Hah Choir.”
5 Play the voices.
Now, you can play two different voices together in a rich sounding layer — the MAIN voice you selected in the previous section, plus the new LAYER voice you’ve selected here.
E.P IANO ORGAN & ACCORDION PERCUSSION GUITAR BASS
WOODWIND
STRINGS CHOIR & PAD SYNTH. XG USER
G
H
VOICE PART
ON / OFF
LAYER
LEFT
26
And that’s just the beginning. Check out these other voice-related features:
• Instant setup of the Clavinova for piano play — with the press of a single button (page 56).
• Create your own original voices — quickly and easily — by changing the settings of existing voices (page 88).
• Set up your favorite panel settings — including voices, styles, and more — and call them up whenever you need them (page 85).
Quick Guide
Playing Different Voices with the Left and Right Hands
LAYER
LEFT
1 Press the VOICE PART ON/OFF [LEFT] button to turn the
LEFT part on.
2 Press the [H] button to select the LEFT part. 3 Select a voice group.
Here, we’ll select the “STRINGS” group — so that you can play rich, orchestral chords with your left hand.
VOICE
PIANO & HARPSI.
E.P IANO ORGAN & ACCORDION PERCUSSION GUITAR BASS
Playing Voices
BRASS
WOODWIND
STRINGS CHOIR & PAD SYNTH. XG USER
4 Select a voice, then press the [EXIT] button to return to the MAIN display.
For example, select “Symphon. Str.”
5 Press the [I] button to call up the SPLIT POINT display. From here, you can set the particular key on the
keyboard that separates the two voices — called the Split Point. To do this, simultaneously hold down the [F] or [G] button and press the desired key on the keyboard. (For more information, see page 130.)
F
G
H
I
J
F
G
H
I
J
6 Play the voices.
The notes you play with your left hand sound one voice, while the notes you play with your right sound a different voice (or voices).
Split Point
LEFT
MAIN/LAYER
MAIN and LAYER voices are meant to be played with the right hand. The LEFT voice is played with the left hand.
7 Press the [EXIT] button to return to the MAIN display.
EXIT
Quick Guide
27
Playing Styles
Playing Styles
The Clavinova has a huge variety of musical “styles” that you can call upon to back up your own performance. They give you anything from a simple, yet effective piano backing or percussion accompaniment to a full band or orchestra.
Style related buttons
Playing a style
1 Press the [D] button to call up the style group.
If the MAIN screen is not displayed, press the [DIRECT ACCESS] button followed by the [EXIT] button.
A
B
C
D
E
Reference
on page 60
Press the [BACK]/[NEXT] button to select the memory location of the style. For this example, PRESET is selected.
2 Select a style group and a style.
A
B
C
D
E
For this example, Dance is selected.
A
B
C
D
E
For this example, EuroTrance is selected.
28
Quick Guide
Playing Styles
3 Turn ACMP on.
The specified left-hand section of the keyboard becomes the “Auto Accompaniment” section, and chords played in this section are automatically detected and used as a basis for fully automatic accompaniment with the selected style.
Split Point
ACMP
Auto Accompaniment
section
4 Turn SYNC.START on.
SYNC.START
5 As soon as you play a chord with your left hand, the style starts.
For this example, play a C major chord (as shown below).
Split Point
The point on the keyboard that separates the auto accompaniment section and the right-hand sec­tion of the keyboard is called the split point. Refer to page 130 for instructions on setting the split point.
Auto Accompaniment
section
6 Change the tempo by using the TEMPO[ ] [ ] buttons if necessary.
Simultaneously press the TEMPO [ ] [ ] buttons to return the tempo to its original setting. Press the [EXIT] button to leave the TEMPO display.
The Tempo can also be adjusted by using the [TAP TEMPO] button (page 52).
7 Try playing other chords with your left hand.
For information on how to enter chords, see “Chord Fingerings” on page 63.
8 Press the STYLE [START/STOP] button to stop the style.
And there’s much more. Check out these other style-related features:
Easily create your own original styles (page 109).
Set up your favorite panel settings — including styles, voices, and more — and call them up whenever you need
them (page 85).
Quick Guide
29
Playing Styles
VOICE EFFECT
REVERB DSP VARIATION HARMONY / ECHO MONO LEFT HOLD
Embellish and enhance your melodies — with the automatic Harmony and Echo effects
This powerful performance feature lets you automatically add harmony notes to the melodies you play with your right hand — based on the chords you play with your left. Tremolo, Echo, and other effects are available, too.
1 Turn HARMONY/ECHO on.
2 Turn ACMP on (page 28).
3 Play a chord with your left hand and play some notes in the right-hand range of the
keyboard.
The CVP-205/203 has various Harmony/Echo types (page 135). The Harmony/Echo type may change according to the selected MAIN voice.
• Harmony/Echo is just one of the many Voice Effects you can use. Try out some of the other effects and see how they can enhance your performance (page 58).
For details about Harmony/ Echo types, refer to the sep­arate Data List.
Style Sections
Each style in the auto accompaniment is made up of “sections.” Since each section is a rhythmic variation of the basic style, you can use them to add spice to your performance and mix up the beats — while you’re playing. Intros, Endings, Main patterns, and Breaks — they’re all here, giving you the dynamic elements you need to create professional­sounding arrangements.
INTRO This is used for the beginning of the song. When the intro nishes playing, accompaniment shifts to the
MAIN This is used for playing the main part of the song. It plays an accompaniment pattern of several measures,
BREAK This lets you add dynamic variations and breaks in the rhythm of the accompaniment, to make your
ENDING This is used for the ending of the song. When the ending is nished, the auto accompaniment stops
main section.
and repeats indenitely until another sections button is pressed.
performance sound even more professional.
automatically.
1 - 4 Use the same operations as in “Playing a style” on pages 28 and 29.
5 Press the [INTRO] button.
BREAK
INTRO
MAIN
ABCD
ENDING / rit.
6 As soon as you play a chord with your left hand, the Intro starts.
For this example, play a C major chord (as shown below).
Split Point
Auto Accompaniment
section
When the playback of the intro is finished, it automatically leads into main section.
7 Press any of the MAIN [A] to [D] buttons or [BREAK] button
as desired. (See the Accompaniment Structure on the next page.)
Quick Guide
30
BREAK
or
INTRO
ABCD
MAIN
ENDING / rit.
Playing Styles
8 Press the [AUTO FILL IN] button to add a fill-in, if
necessary.
Fill-in patterns play automatically between each change in the Main sections.
9 Press the [ENDING] button.
This switches to the ending section. When the ending is finished, the style automatically stops.
Accompaniment Structure
INTRO (page 67)
INTRO (page xx)
MAIN VARIATION
INTRO A INTRO B INTRO C
(max. four patterns)
via BREAK
AUTO FILLIN
BREAK
INTRO D
INTRO
MAIN
ABCD
ENDING / rit.
via BREAK
ENDING (page xx)
ENDING (page 67)
MAIN
VARIATION
B
MAIN
VARIATION
A
MAIN
VARIATION
D
via BREAK
ENDING A ENDING B ENDING C
(max. four patterns)
MAIN
VARIATION
C
Press the [ENDING] button.
ENDING D
via BREAK
You can have the ending gradually slow down (ritardando) by pressing the [ENDING] button again while the ending is playing back.
An Intro doesnt necessarily have to be at the beginning! If you want, you can play an Intro section in the middle of your performance by simply pressing the [INTRO] button at the desired point.
Watch your timing with the Break sections. If you press a [BREAK] button too close to the end of the measure (i.e., after the nal eighth note), the Break section starts playing from the next measure. This also applies to the Auto Fill-in.
Mix up your intros and use any of the other sections to start the style, if you want.
If you want to come back into the style right away after an Ending, simply press the [INTRO] button while the Ending section is playing.
If you press the [BREAK] button while the ending is playing, the break will immediately start playing, continuing with the main section.
Quick Guide
31
Playing Styles
FADE IN / OUT
Other Controls
FADE IN/OUT The [FADE IN/OUT] button can be used to produce smooth fade-ins and fade-outs (page 66)when starting and stopping
TAP TEMPO The style can be started at any tempo you desire by tapping out the tempo with the [TAP/TEMPO] button. For details,
TAP TEMPO
SYNC.STOP When Synchro Stop is on, you can stop and start the style anytime you want by simply releasing or playing the keys (in
SYNC.STOP
the style.
see page 52.
the Auto Accompaniment section of the keyboard). This is a great way to add dramatic breaks and accents to your performance. For details, see page 66.
ONE TOUCH SETTING buttons
One Touch Setting
One Touch Setting is a powerful and convenient feature that automatically calls up the most appropriate panel settings (voice number, etc.) for the currently selected style, with the touch of a single button. This is a wonderful way to instantly reconfigure all the settings on the Clavinova to match the style you want to play.
1 Select a style (page 28).
2 Press one of the [ONE TOUCH SETTING]
buttons.
Not only does this instantly call up all the settings (voices, effects, etc.) that match the current style (see page 68) — it also automatically turns on ACMP and SYNC. START, so that you can immediately start playing the style.
3 As soon as you play a chord with your left hand, the auto
accompaniment starts.
4 Play melodies with your right hand and play various chords
with your left hand.
5 Try out other One Touch Setting setups.
You can also create your own One Touch Setting setups. For details, refer to page 69.
ONE TOUCH SETTING
1234
Split Point
Auto Accompaniment
section
ONE TOUCH SETTING
1234
32
• Here’s another way to further automate musical changes and spice up your performance: Use the convenient OTS (One Touch Setting) Link function to automatically change One Touch Settings when you select a different Main section (page 69).
Quick Guide
Music Finder
Music Finder
Reference
on page 70
MUSIC FINDER button
If you want to play in a certain song but don’t know which style and voice settings would be appropriate, the convenient Music Finder can help you out. Simply select the song name from the Music Finder and the CVP-205/203 automatically makes all appropriate panel settings to let you play in that music style!
Using the Music Finder
1 Press the [MUSIC FINDER] button.
MUSIC FINDER
2 Select a record.
Select the desired record.
For this example, press the [1 - 3▲▼] button to select a record by song title.
3 Play along with the style playback.
Split Point
Press the [BACK]/[NEXT] button to select the desired page of records. For this example, ALL is selected.
You can also have the voice and other important settings change automatically with the style changes. To do this, turn on OTS LINK (page 69) and set the OTS LINK TIM­ING (page 130) to REAL.
Auto Accompaniment
section
Press the [EXIT] button to return to the MAIN display.
Quick Guide
33
Music Finder
Searching the Music Finder Records
The Music Finder is also equipped with a convenient search function that lets you enter a song title or keyword — and instantly call up all the records that match your search criteria.
1 Press the [MUSIC FINDER] button.
MUSIC FINDER
2 Press the [I] button to call up the MUSIC FINDER SEARCH 1 display.
The results of Search 1 and 2 appear in the correspond­ingly numbered SEARCH 1/ 2 displays.
For this example,
4
press the [A] button to call up the display for inputting the song title.
Enter the song title,
5
then press the [8] (OK) button.
For this example, ANY is selected.
For this example, ALL is selected.
Refer to page 46 for instruc­tions on entering characters.
Press the [F], [G]
3
and [H] to clear the previous conditions, if necessary.
Press the [8] (START SEARCH)
6
button.
The search function calls up all records that contain the entered word or words.
34
Quick Guide
7 Select a record (see step #2 on page 33) and play along with the style playback.
Split Point
Auto Accompaniment
section
Press the [EXIT] button to return to the MAIN display.
You can also create your own Music Finder setups and save them to floppy disk (pages 39 and 45). In this way, you can expand your Music Finder collection by exchanging them with other Clavinova users.
Music Finder
Saving and Recalling Music Finder Data
To save your Music Finder data, call up the MUSIC FINDER Open/Save window from the SYSTEM RESET page (page 143) of the UTILITY display, and follow the same procedure as that in the Open/Save window for Voice (page 39, 45). To recall the saved data, execute the appropriate operation from the MUSIC FINDER’s Open/Save window. Records can be replaced or added (page 72).
In the instructions above, all Music Finder data is handled together. Besides this, when you save or load style files, the Music Finder data that uses the relevant style file(s) is stored or added automatically. When you copy or move a style file on a floppy disk to the USER drive (page 43, 44), the record which was recorded when storing the relevant style is automatically added to the CVP-205/203.
In the example above, you specified a song title, but you can also look for relevant records by keyword or music
genre — for example, Latin, 8-beat, etc. (page 71).
Music Finder data is compat­ible for both the CVP-205 and the CVP-203.
Quick Guide
35
Playing and Practicing with the Songs
If you want to start the song right away without an intro, use the Sync Start function. To set Sync Start to standby, simultaneously hold down the [TOP] button and press the SONG [START/STOP] button. Song playback starts automatically the moment you start playing the mel­ody.
If you can hear the Clavinova playing the melody part as well, check the channel setting for the melody part in the song data, and change the chan­nel assigned to Track 1 (page 129). You can also change the song chan­nel itself permanently (page 104).
Playing and Practicing with the Songs
Reference
on page 74
Song related buttons
Playing Along with the Clavinova
In this section, try using the Clavinova’s song playback features to cancel or mute the right-hand melody while you play the part yourself. It’s like having a very talented and versatile playing partner accompany you while you perform. If you haven't yet mastered the melody part, take a look at the section “Mastering Your Favorite Songs” on page 38, and practice it a while.
1 - 4 Use the same operations as in “Song Playback” on pages 21 - 23. 5 Press the [TRACK 1] button to cancel the right hand melody part.
TRACK 1
(R)
To cancel the left hand part, press the [TRACK 2] button
6 If you want to have the notation displayed as you play (CVP-205 only), press the [C] button. If you want to
see the lyrics, press the [B] button.
If the MAIN screen is not displayed, press the [DIRECT ACCESS] button followed by the [EXIT] button.
If the selected song does not contain lyric data, lyrics are not displayed.
7 Press the SONG [START/STOP] button and play the part.
REC TOP START / STOP
NEW SONG
36
8 Press the SONG [START/STOP] button to stop playback.
REC TOP START / STOP
NEW SONG
Quick Guide
SYNC.START
SYNC.START
Playing and Practicing with the Songs
Recording
The Clavinova lets you record, too — quickly and easily. Try out the Quick Recording feature now and capture your keyboard performance.
1 - 3 Select a voice for recording. Use the same operations as in “Playing a Voice” on pages 25, 26. 4 Press the [REC] and [TOP] buttons simultaneously to select “New Song“ for recording.
REC TOP START / STOP REW FF REPEAT
NEW SONG
SYNC.START
5 Simultaneously hold down the [REC] button and press the [TRACK1] button.
REC
SONG
EXTRA TRACKS
(STYLE)
TRACK 2
(L)
TRACK 1
(R)
6 Recording starts as soon as you start playing the keyboard.
7 When you’ve finished recording, press the [REC] button.
REC
8 To hear your newly recorded performance, return the song to the beginning by
using the [TOP] button and press the SONG [START/STOP] button.
REC TOP START / STOP
NEW SONG
SYNC.START
9 Save the recorded data as required (pages 39, 45).
CAUTION
The recorded data will be lost if you turn off the power. To keep your important recordings, youll need to save them to the User drive or oppy disk.
Quick Guide
37
Playing and Practicing with the Songs
Mastering Your Favorite Songs
The Clavinova has several very useful practice features that help learn and master recorded songs. Here, you’ll try out the Follow Lights function, and use the special guide lamps to help you play the right notes.
1 - 6 Use the same operations as in “Playing Along with the Clavinova” on
page 36.
For this example, you practice the right hand part of “Playing Along with the Clavinova.”
7 Press the [GUIDE] button.
GUIDE
Before Practicing
Before starting a practice session, play back the entire song (without canceling any parts) and listen to it care­fully. This will give you a clear idea of how the song should be played, and will make your practice sessions progress more smoothly. If you want to hear only the melody part, turn the [TRACK 2] and [EXTRA TRACKS] buttons off.
8 Press the SONG [START/STOP] button and practice the missing (muted) part, according to the key guide
lamps.
If you want, you can adjust the tempo by pressing the TEMPO[ ] [ ] buttons.
REC TOP START / STOP
NEW SONG
SYNC.START
TEMPO
RESET
9 You can use the powerful Repeat function to practice and master difficult parts. Simply specify a short
phrase you want to work on and repeat it until you’ve got it down.
1) While the song is playing back, press the [GUIDE] button once to turn the GUIDE function off.
2) Just before the desired phrase comes around, press the [REPEAT] button to designate the beginning point for Repeat.
3) Just after the phrase finishes, press the [REPEAT] button again to designate the end point.
4) Turn the GUIDE function on again.
10
Press the SONG [START/STOP] button to stop playback.
REC TOP START / STOP
NEW SONG
SYNC.START
See pages 79 and 129 for more information on the Guide function.
38
Quick Guide
Basic Operations — Organizing Your Data
The CVP-205/203 utilizes a variety of data types — including voices, accompaniment styles, songs and registration memory settings. Much of this data is already programmed and contained in the CVP-205/203; you can also create and edit your own data with some of the functions on the instrument. All this data is stored in separate files — just as is done on a computer. Here, we’ll show you how to use the basic operations of the display controls in handling and organizing the data of the CVP-205/203 in files and folders. Files can be opened, saved, named, moved, or deleted in their respective Open/Save displays. You can select these displays according to their respective file types, as well: Song, Voice, Style, etc. Moreover, you can organize your data efficiently by putting various files of the same type into a single folder. The Open/Save displays for Song, Voice, Style, and Registration Bank can be called up from the MAIN display (the display shown when the power is turned on) by pressing the appropriate [A] - [J] button.
Open/Save display for Song (page 75)
handles the Song files.
A
B
C
D
E
Open/Save display for Voice (page 55)
handles the Voice files.
The following Open/Save display types
F
G
H
I
J
are also available; however, these are selected from displays other than the MAIN display (page 143
SYSTEM SETUP
MIDI SETUP
USER EFFECT
MUSIC FINDER
).
Open/Save display for Style (page 60)
handles the Style files.
If the MAIN screen is not displayed, press the [DIRECT ACCESS] button followed by the [EXIT] button.
Open/Save display for Registration Bank (page 86)
handles the Registration Bank files.
CVP-205/203
39
Basic Operations — Organizing Your Data
Example Open/Save display for Voice
Each Open/Save display consists of PRESET, USER, and FLOPPY DISK drive pages.
PRESET drive
The files that are pre­programmed and installed internally to the CVP-205/203 are kept here. Preset files can be loaded but cannot be re-written. However, you can use a preset file as a basis for creating your own original file (which can be saved in the USER or FLOPPY DISK drive).
USER drive
Files kept here are those containing your own original data, created or edited using the various functions of the CVP­205/203. They are stored internally to the CVP-205/203.
FLOPPY DISK drive
You can also store your original data to floppy disk. Commercially available disk software can also be called up here. Naturally, these files are available only when the appropriate disk is inserted in the floppy disk drive.
BACK NEXT
Changes drives among
PRESET, USER and FLOPPY DISK.
File
All data, both pre­programmed and your own original, are stored as “files.”
Calls up the upper level directory page. In this example, the voice folder selection page can be called up.
Current Memory
“Current Memory” is the area where the voice is called up when you select a voice. Also it is the area where you edit your voice using the SOUND CREATOR function. Your edited voice should then be saved as a file in the USER or FLOPPY DISK drive. Recording songs (page 93) and creating accompaniment styles (page 109) are done within the current memory. Please make sure to properly save this data to the USER/FLOPPY DISK drive as a file or files. The data will be lost if you turn off the power without saving.
40
CVP-205/203
Basic Operations — Organizing Your Data
Selecting Files and Folders
Select a file shown in the display. In this example, we’ll select a voice file.
First, press the VOICE [PIANO & HARPSI] button to call up the display containing the files. This display (“Open/Save” display) is typical of those used to call up and store files (voice files). The CVP-205/203 already contains a variety of voices in the PRESET section. You can store your own original voices created with the Sound Creator function to the USER or FLOPPY DISK section.
Use the [1] ~ [7] buttons to
2
turn the pages.
When the amount of available les or folders exceeds ten, the bottom of the display changes as shown below.
Press Prev.(previous)
Press Next
BACK NEXT
Select the file/folder.
3
There are two ways to select the file/ folder:
Press the [A] - [J] button.
Press the letter button corresponding to the le/folder you wish to call up. (In the example display shown above, the voice les are shown.)
Use the [DATA ENTRY] dial and
the [ENTER] button.
When you turn the [DATA ENTRY] dial, the highlight moves among the available les/folders. Highlight the desired le or folder (voice les are shown in the example above) and press the [ENTER] button to call up the selected item.
1
DATA ENTRY
Select “PRESET,” “USER,” or “FLOPPY DISK” by using the [BACK][NEXT] button.
ENTER
When JAPANESE” is selected for the Language parameter (pages 50, 143), and you change this to one of the western languages, the kanji and kana characters of the file name stored in the disk drive are changed to western characters. In the opposite case, special Latin characters and marks are changed into normal characters. Also, in the case of oppy disk data, text in the les are changed to characters that cannot be read by the instrument. Keep in mind that similar prob­lems may occur when trying to access les originating or edited by a computer having a different language operating system. In general, be careful when switching languages you risk not being able to access the data properly.
Double-clicking the appropriate [A] -[J] button calls up the corresponding le and returns to the MAIN display.
Press the [EXIT] button to go back to the MAIN display.
END
You can go back to the previous display by pressing the [EXIT] button.
Exiting from small pop-up windows
You can also exit from small pop-up windows (such as in the illustration below) by pressing the [EXIT] button.
Highlighting the desired le and double-clicking the [ENTER] button calls up the corresponding le and returns to the MAIN display.
CVP-205/203
41
Basic Operations — Organizing Your Data
File/Folder-related Operations
Naming Files/Folders
You can assign names to files and folders. Any file/folder in the USER and FLOPPY DISK sections can be named or renamed. Execute the following steps when there is data in the User drive. If there are Preset files/folders you wish to rename, copy them beforehand (page 44) and use them as User files/folders.
Press the [1] (NAME) button (page 39).
1
The NAME display appears.
Select the appropriate file/folder and press the [7](OK) button.
2
The currently selected le/folder is highlighted. To select another le/folder, press one of the [A] - [J] buttons.
A le/folder name can con­tain up to 50 half size letters (or 25 Hiragana and kanji let­ters), including the Icon ID (see the note below) and the extension.
The le name will appear on your computer as follows. If you change the Icon ID or the extension, the icon may change or the le may not be properly recognized.
ABCDE.S002.MID
File ID Icon ID
Extension
42
END
CVP-205/203
Input the new name (page 46).
Press the [8] (OK) button. To cancel, press the [8] (CANCEL) button.
Basic Operations — Organizing Your Data
Moving Files/Folders
You can move files and folders as desired, for organizing your data. Any file/folder in the USER and FLOPPY DISK sections can be moved, using the cut-and-paste operation described below.
Press the [2] (CUT) button (page 39).
1
The CUT display appears.
Select the desired file/folder for moving.
2
Select the appropriate le/folder and press the [7](OK) button. The currently selected le/folder is highlighted. To select another le/folder, press one of the [A] ­[J] buttons. Several les/folders can be selected together, even those from other pages. To release or cancel the selection, press the button of the selected le/folder again. Press the [6] (ALL) button to select all the les/folders in the displayed page (USER/FLOPPY DISK). When the [6] (ALL) button is pressed the [6] button changes to ALL OFF button to release or cancel the selection.
Press the [7] (OK) button.
3
To stop the operation, press the [8] (CANCEL) button.
Call up the destination display.
4
Only the USER and FLOPPY DISK pages can be selected as the destination.
Press the [4] (PASTE) button.
END
The le/folder you cut is now pasted at the destination.
This operation cannot be used to directly move a le/ folder from one oppy disk to another. If you want to do this, cut and paste the le or folder from the rst oppy disk to the USER page, then change disks and paste it to the FLOPPY DISK page.
All les/folders in a oppy disk can be copied to another disk in one batch (page 142).
After being pasted, the les are automatically re-ordered in alphabetical order and displayed.
About les/folders in a oppy disk
In the FLOPPY DISK page of the Open/Save display, only the les which can be handled in that Open/Save display will appear even though a folder in a oppy disk can contain different kinds of les. In the case of a folder cut­and-paste operation (for oppy disk), an entire folder can be cut; however, only the specic les which can be handled in the current Open/ Save display will be pasted.
CVP-205/203
43
Basic Operations — Organizing Your Data
Copying Files/Folders
You can also copy files and folders as desired, for organizing your data. Any file/folder in the PRESET, USER and FLOPPY DISK sections can be copied, using the copy-and-paste operation described below.
Press the [3] (COPY) button
1
(page 39).
The COPY display appears.
Press the [7] (OK) button.
3
To stop the operation, press the [8] (CANCEL) button.
Call up the destination display.
4
Only the USER and FLOPPY DISK pages can be selected as the destination.
Select the desired file/folder.
2
Select the appropriate le/folder and press the [7](OK) button. The currently selected le/folder is highlighted. To select another le/ folder, press one of the [A] - [J] buttons. Several les/folders can be selected together, even those from other pages. To release or cancel the selection, press the button of the selected le/folder again. Press the [6] (ALL) button to select all the les/folders in the displayed page (PRESET/USER/ FLOPPY DISK). When the [6] (ALL) button is pressed, the [6] button changes to ALL OFF, letting you release or cancel the selection.
Press the [4] (PASTE) button.
END
The le/folder you copied is now pasted at the destination.
Please note that the copy functions are intended for your personal use only.
This operation cannot be used to directly copy a le/ folder from one oppy disk to another. If you want to do this, copy and paste the le or folder from the rst oppy disk to the User page, then change disks and paste it to the Floppy Disk page.
Deleting Files/Folders
You can also delete files and folders as desired, for organizing your data. Any file/folder in the USER and FLOPPY DISK sections can be deleted, using the operation described below.
Press the [5] (DELETE) button (page 39).
1
The DELETE display appears.
Select the desired file/folder.
2
Select the appropriate le/folder and press the [7▼](OK)
button. The currently selected le/folder is highlighted. To select another le/folder, press one of the [A] - [J] buttons. Several les/folders can be selected together, even those from other pages. To release or cancel the selection, press the button of the selected le/folder again. Press the [6] (ALL) button to select all the files/folders in the displayed page (USER/FLOPPY DISK). When the [6] (ALL) button is pressed, the [6] button changes to ALL OFF, letting you release or cancel the selection.
END
Press the [7] (OK) button.
To cancel the operation, press the [8] (CANCEL) button.
The message Are you sure you want to delete the
****** le (or data/folder)? YES/NO appears.
YES ..........Deletes the highlighted item.
NO............ Exits from the prompt without deleting.
When several les have been selected, the message
Are you sure you want to delete the “****** le (or data/folder)? YES/YES ALL/NO/CANCEL appears.
YES/NO...... Deletes the highlighted item (YES), or
skips the highlighted item without deleting
(NO).
YES ALL .... Deletes all selected items at once.
CANCEL .... Exits from the prompt without deleting.
44
CVP-205/203
Basic Operations — Organizing Your Data
Saving Files
This operation lets you save the data (such as song and voice) you created in current memory (page 40) to files. The files can be saved only to the USER and FLOPPY DISK drives. If the Open/Save display for the type of data you wish to save is not shown, first return to the MAIN display by pressing the [DIRECT ACCESS] button followed by the [EXIT] button. Then, press the appropriate button [A]–[J] from the MAIN display to call up the respective Open/Save display. Finally, call up the USER or FLOPPY DISK page (pages 39, 40).
Press the [6]
1
(SAVE) button.
Enter a name for the new le (page 46).
Press the [8] (OK) button.
To stop the operation, press the [8] (CANCEL) button.
The internal memory capac­ity of the Clavinova is about 580KB. Memory capacity for 2DD and 2HD oppy disks is about 720KB and 1.44MB, respectively. When you store data to these locations, all le types of the Clavinova (Voice, Style, Song, Regis­tration, etc.) are stored together.
The les of commercially available DOC software and Yamaha Disklavier software, and their edited les on the CVP-205/203, can be stored in the USER page, but can­not be copied to another oppy disk.
Organizing Files by Creating a New Folder
This operation lets you easily organize your various files into categories by creating a new folder for each category. Folders can only be created in the USER and FLOPPY DISK sections.
Call up the page to
1
which you wish to
Enter the name of the new folder (page 46).
create a new folder and press the [7] (NEW) button (page 39).
To cancel the operation, press the [8] (CANCEL) button.
Press the [8](OK) button.
Folder directories can con­tain up to four levels. The maximum total number of les and folders which can be stored is 800, but this may differ depending on the length of the le names. The maximum number of les which can be stored in a folder will be 250.
Displaying Upper Level pages
Press the [8] (UP) button to call up the upper level pages. For example, you can call up the folder level pages from the file level pages.
Entering Characters and Changing Icons
Press the [1]
1
(NAME), [6] (SAVE), or [7] (NEW) button (page 39).
Change the type of character by using the [1] button.
If you select Japanese as the Language in the FUNCTION display (page 143), the following different types of characters and sizes can be entered:
(kana-kan)
Hiragana and kanji, marks (full size)
(kana)
Katakana (normal size), marks (full size)
(kana)
Katakana (half size), marks (half size)
A B C Alphabet (capital and small letters, full size), numbers (full size), marks (full size) ABC Alphabet (capital and small letters, half size), numbers (half size), marks (half size)
If youve selected a language other than Japanese in the FUNCTION display (page 143), the following types of characters are available:
CASE Alphabet (capital letters, half size), numbers (half size), marks (half size) case Alphabet (lowercase letters, half size), numbers (half size), marks (half size)
Call up the ICON SELECT display by pressing the [1] button. This lets you change the icon at the left of the le name.
CVP-205/203
45
Basic Operations — Organizing Your Data
Entering Characters
The instructions that follow show you how to enter characters in naming your files and folders. The method is much the same as inputting names and numbers to your cell phone.
Move the cursor to the desired position by using the [DATA ENTRY] dial.
1
Press the appropriate button, [2] - [7] and [2]- [6], corresponding to the character you wish to enter.
2
Several different characters are assigned to each button, and the characters change each time you press the button. To actually enter the selected character, move the cursor or press another letter-input button. If you’ve entered a character by mistake, move the cursor to the character letter you wish to erase and press the
[7] (DELETE) button. If you want to delete all of the characters on the line at once, press and hold down the [7] (DELETE) button for a while, or press the [8] (CANCEL) button. When the cursor appears in reverse display
(highlight), only the reversed area is deleted.
To actually enter the new name, press the [8] (OK) button.
3
To cancel the operation, press the [8] (CANCEL) button.
Converting into Kanji (Japanese language)
This applies only if you are using the “ (kana-kan)” button (in Japanese). When the input “hiragana” characters are shown in reverse display (highlighted), press the [ENTER] button one or several times to convert the characters into the appropriate kanji. The reversed area can be changed by the [DATA ENTRY] dial. The converted area can be changed back to “hiragana” by the [7] (DELETE) button. The reversed area can be cleared at once by the [8] (CANCEL) button. To actually enter the change, press the [8] (OK) button or enter the next character. To enter the “hiragana” itself (without converting it), press the [8] (OK) button.
The following half-size marks cannot be used in naming les and folders: ¥ \ / : * ? < > |
Entering special character marks (umlaut, accent, Japanese “ ” and “ ”)
Select a character to which a character mark is to be added and press the [6] button (before actual entry of the character.)
Entering miscellaneous characters (marks)
You can call up the mark list by pressing the [6] button, after actually entering a character by moving the cursor.
Move the cursor to the desired mark by using the [DATA ENTRY] dial, then press the
] (OK) or [ENTER] button.
[8
Entering numbers
First, select one of the following: “A B C” (full-size alphabet), “ABC” “CASE” (half-size capital alphabet) and “case” (half-size lowercase alphabet). Then, press and hold down the appropriate button, [2 repeatedly until the desired number is selected.
] - [7] and [2] - [5], for a while, or press it
In the case of characters which are not accompanied by special character marks (with the exception of kana­kan and half-size katakana), you can call up the mark list by pressing the [6] button after selecting a character (before actual entry of a character).
46
CVP-205/203
Changing the Icon
You can also change the icon that appears at the left of the file name. Call up the ICON SELECT display by pressing the [1] (ICON) button from the character input display (page 46).
Select the desired icon by using the [A] - [J] buttons, or by using the [3▲▼] - [5▲▼] buttons, then enter the selected icon by pressing the [8] (OK) button.
Basic Operations — Organizing Your Data
BACK NEXT
Turns pages for icon selection.
Enters the selected icon.
Cancels the icon selection operation.
Using the [DATA ENTRY] Dial
This convenient control lets you easily select items in the display or quickly change parameter values. The actual function of the [DATA ENTRY] dial differs depending on the selected display.
Adjusting values
You can change parameter values by rotating the [DATA ENTRY] dial. In the example [BALANCE] display, turning the dial adjusts the volume of the part in reverse display (highlight). To adjust the volume of another part, first select the part by pressing the [ corresponding to the part, then rotate the [DATA ENTRY] dial.
Selecting items
You can select the desired item or function in the display by rotating the [DATA ENTRY] dial. The selected item can then be called up or executed by using the [ENTER] button. In the example VOICE display, you can select the desired voice file with the [DATA ENTRY] dial, and call up the selected item by pressing the [ENTER] button on the panel.
▲▼] button
DATA ENTRY
ENTER
DATA ENTRY
CVP-205/203
47
Basic Operations — Organizing Your Data
Direct Access — Instant Selection of Displays
DIRECT ACCESS
METRONOME
SONG
EXTRA TRACKS
TRACK 2
(STYLE)
(L)
REC TOP START / STOP REW FF REPEAT GUIDE
SYNC.START
NEW SONG
TEMPO
RESET
MAIN
ABCD
BREAK
START STOP
FADE IN / OUT
INTRO
TRACK 1
(R)
TRANSPOSE
TAP TEMPO
ENDING / rit. SYNC.STOP SYNC.START START / STOP
LCD
VOICE PART
ON / OFF
CONTRAST
LAYER
ENTER
LEFT
DATA ENTRY
MENU
DEMO
A
HELP
B
FUNCTION
DIGITAL
C
STUDIO
SOUND
D
CREATOR
RECORDING
CONSOLE
DIGITAL
E
MIXING
BALANCE
PART
CHANNEL
ON / OFF
PART
RESET
BACK NEXT
F
G
H
I
J
MASTER VOLUME
MIN
STYLE
ACMP
POWER
ON
OFF
MAX
AUTO FILLIN
OTS LINK
VOICE EFFECT
REVERB
DSP VARIATION HARMONY / ECHO MONO LEFT HOLD
VOICE
PIANO & HARPSI.
E.PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS
WOODWIND
BRASS
MUSIC FINDER
PIANO
STRINGS CHOIR & PAD SYNTH. XG USER
ONE TOUCH SETTING
1234
REGISTRATION MEMORY
FREEZE
12345678
MEMORY
DIRECT ACCESS
12345678
EXIT
With the convenient Direct Access function, you can instantly call up the desired display — with just a single additional button press. Press the [DIRECT ACCESS] button and a message appears in the display prompting you to press the appropriate button. Then, simply press the button corresponding to the desired setting display to instantly call up that display. In the example below, Direct Access is used to call up the display for selecting the Chord Fingering (page 131).
ACMP
DIRECT ACCESS
Refer to the Direct Access Chart (page 49) for a list of the displays that can be called up with the Direct Access function.
CVP-205/203
48
Heres a convenient way to return to the MAIN display from any other display: Simply press the [DIRECT
ACCESS] button, then the [EXIT] button.
Basic Operations — Organizing Your Data
E
E
Direct Access Chart
Operation: [DIRECT ACCESS] button + button listed below Corresponding LCD display and function
STYLE [ACMP] FUNCTION CHORD FINGERING FINGERING TYPE selection 131
SONG [TRACK1]
METRONOME [START/STOP]
TEMPO [TAP TEMPO] TAP settings
TRANSPOSE [ ] CONTROLLER
MENU [DEMO]
DIGITAL STUDIO [SOUND CREATOR]
[BALANCE] [CHANNEL ON/OFF] VOICE settings [DIRECT ACCESS] Exit from the Direct Access mode [NEXT] [BACK] [ENTER] [EXIT] Return to the MAIN display VOICE PART [LAYER]
VOICE EFFECT [REVERB]
VOICE [PIANO & HARPSI]
[MUSIC FINDER] MUSIC FINDER MUSIC FINDER SEARCH1 (Searching the records) 71 ONE TOUCH SETTING [1]
[PIANO] REGISTRATION MEMORY [FREEZE] FREEZE 134
PEDAL RIGHT
[BREAK]
MAIN [A] VOLUME settings MAIN [B] MAIN [C] BRIGHTNESS settings MAIN [D]
[AUTO FILL IN] DSP settings [OTS LINK] [SYNC. STOP] SYNC. STOP WINDOW setting [SYNC. START] [START/STOP]
[TRACK2] TRACK2 CHANNEL selection [EXTRA TRACKS] [REPEAT] [GUIDE] GUIDE MODE selection [REC] [TOP] [START/STOP] [REW] [FF]
[] []
[] MIXING CONSOLE TUNE 121
[HELP] LCD BRIGHTNESS settings 141 [FUNCTION] MIDI MIDI settings 137
[DIGITAL RECORDING] SCALE TUNING setting [MIXING CONSOLE]
[LEFT]
[VARIATION] EFFECT TYPE selection [HARMONY/ECHO] FUNCTION HARMONY/ECHO 135 [MONO] MIXING CONSOLE TUNE PORTAMENTO TIME settings 121 [LEFT HOLD]
[E.PIANO] [ORGAN & ACCORDION] [PERCUSSION] [GUITAR] [BASS] [BRASS] [WOODWIND] [STRINGS] [CHOIR & PAD] [SYNTH.] [XG] [USER]
[2] [3] [4]
[1] [2] [3] [4] [5] [6] [7] [8] [MEMORY]
CENTER CENTER PEDAL function assignment LEFT LEFT PEDAL function assignment AUX AUX PEDAL function assignment
MIXING CONSOLE (STYLE PAR T)
FUNCTION
FUNCTION SONG SETTING
FUNCTION
FUNCTION
MIXING CONSOLE (SONG PAR T)
MIXING CONSOLE
FUNCTION
FUNCTION
REGISTRATION BANK REGISTRATION EDIT (Editing the REGISTRATION) 86
FUNCTION
VOLUME/VOICE
FILTER
EFFECT
STYLE SETTING/SPLIT POINT
UTILITY
MIDI MIDI CLOCK setting 138
UTILITY
MASTER TUNE/SCALE TUNE
VOLUME/VOICE
TUNE OCTAVE settings 121
EFFECT
STYLE SETTING/SPLIT POINT
VOICE SET 135
CONTROLLER
REGISTRATION SEQUENCE (Creating the REGISTRATION SEQUENCE) 134
CONTROLLER
VOICE settings
HARMONIC CONTENT settings
REVERB settings
TRACK1 CHANNEL selection
METRONOME settings
TRANSPOSE settings
LANGUAGE selection 143
MASTER TUNING setting
VOLUME settings
REVERB settings
SPLIT POINT (LEFT) setting 130
KEYBOARD TOUCH selection
RIGHT PEDAL function assignment
See pages
120[INTRO] PANPOT settings
121
122[ENDING] CHORUS settings
130
129
140[FADE IN/OUT] FADE IN/OUT settings
133
127
120
122[DSP] DSP settings
133
131
CVP-205/203
49
Basic Operations — Organizing Your Data
Help Messages
The Help messages give you explanations and descriptions of all the main functions and features of the CVP-205/203.
HELP
METRONOME
MASTER VOLUME
MIN
STYLE
ACMP
POWER
ON
OFF
MAX
AUTO FILLIN
OTS LINK
SONG
EXTRA TRACKS
TRACK 2
(STYLE)
(L)
REC TOP START / STOP REW FF REPEAT GUIDE
SYNC.START
NEW SONG
TEMPO
RESET
MAIN
ABCD
BREAK
START STOP
FADE IN / OUT
INTRO
TRACK 1
(R)
TRANSPOSE
TAP TEMPO
ENDING / rit. SYNC.STOP SYNC.START START / STOP
MENU
DEMO
A
HELP
B
FUNCTION
DIGITAL
C
STUDIO
SOUND
D
CREATOR
RECORDING
CONSOLE
DIGITAL
E
MIXING
BALANCE
PART
CHANNEL
ON / OFF
PART
RESET
BACK NEXT
F
G
H
I
J
VOICE PART
ON / OFF
LAYER
LEFT
CONTRAST
ENTER
DATA ENTRY
VOICE EFFECT
LCD
REVERB
DSP VARIATION HARMONY / ECHO MONO LEFT HOLD
VOICE
E.PIANO ORGAN & ACCORDION PERCUSSION GU ITAR BASS
PIANO & HARPSI.
WOODWIND
BRASS
MUSIC FINDER
PIANO
STRINGS CHOIR & PAD SYNTH. XG USER
ONE TOUCH SETTING
1234
REGISTRATION MEMORY
FREEZE
12345678
MEMORY
1
3
MENU
DEMO
HELP
FUNCTION
DIRECT ACCESS
12345678
2
2-1 Select the desired
Help topic.
Select the Language, if necessary. The language selected here are also used for various “Messages” shown during operations.
BACK NEXT
Use this to select different pages.
2-2 Call up the topic.
EXIT
Help messages can be displayed in any one of the following languages:
ENGLISH JAPANESE GERMAN FRENCH SPANISH ITALIAN
The language can also be selected in the FUNCTION LANGUAGE (page 143) display.
When JAPANESE is selected for the Language parameter, and you change this to one of the western languages, the kanji and kana char­acters of the le name stored in the disk drive are changed to western characters. In the opposite case, special Latin characters and marks are changed into normal characters. Also, in the case of oppy disk data, text in the les are changed to char­acters that cannot be read by the instrument. Keep in mind that similar problems may occur when trying to access les originating or edited by a com­puter having a different language operating system. In general, be careful when switching languages you risk not being able to access the data properly.
ENTER
50
Help messages also feature links to the detailed explanation or actual setting display of the selected topic. Simply select the underlined word (using the [DATA ENTRY] dial), and press the [ENTER] button to jump to the detailed explanation or actual setting display of the selected topic.
CVP-205/203
DATA ENTRY
END
Press this to return to the previous display.
EXIT
Basic Operations — Organizing Your Data
The sound, volume level, and the beat (time signature) of the metronome can all be changed (page 140).
Using the Metronome
The metronome provides a click sound, giving you an accurate tempo guide when you practice, or letting you hear and check how a specific tempo sounds.
METRONOME
START STOP
METRONOME
MASTER VOLUME
MIN
STYLE
ACMP
POWER
ON
OFF
MAX
AUTO FILLIN
OTS LINK
SONG
EXTRA TRACKS
START STOP
FADE IN / OUT
BREAK
INTRO
TRACK 2
(STYLE)
(L)
REC TOP START / STOP REW FF REPEAT GUIDE
SYNC.START
NEW SONG
TEMPO
RESET
MAIN
ABCD
TRACK 1
(R)
TRANSPOSE
TAP TEMPO
ENDING / rit. SYNC.STOP SYNC.START START / STOP
MENU
DEMO
A
HELP
B
FUNCTION
DIGITAL
C
STUDIO
SOUND
D
CREATOR
RECORDING
CONSOLE
DIGITAL
E
MIXING
BALANCE
PART
CHANNEL
ON / OFF
PART
RESET
BACK NEXT
F
G
H
J
VOICE PART
ON / OFF
LAYER
LEFT
I
CONTRAST
ENTER
DATA ENTRY
VOICE EFFECT
LCD
REVERB
DSP VARIATION HARMONY / ECHO MONO LEFT HOLD
VOICE
E.PIANO ORGAN & ACCORDION PERCUSSION GU ITAR BASS
PIANO & HARPSI.
WOODWIND
BRASS
MUSIC FINDER
PIANO
STRINGS CHOIR & PAD SYNTH. XG USER
ONE TOUCH SETTING
1234
REGISTRATION MEMORY
FREEZE
12345678
MEMORY
DIRECT ACCESS
12345678
EXIT
The metronome starts by pressing the METRONOME [START/STOP] button. Adjust the tempo by using the TEMPO[ ] [ ] buttons (see below). To stop the metronome, press the [START/STOP] button again.
Adjusting the Tempo
This section shows you to adjust the playback tempo — which not only affects the metronome, but also the playback of a song or an accompaniment style.
MASTER VOLUME
MIN
STYLE
ACMP
POWER
ON
AUTO FILLIN
OTS LINK
TEMPO
RESET
METRONOME
SONG
EXTRA TRACKS
OFF
START STOP
FADE IN / OUT
MAX
INTRO
BREAK
TRACK 2
(STYLE)
(L)
REC TOP START / STOP REW FF REPEAT GUIDE
SYNC.START
NEW SONG
TEMPO
RESET
MAIN
ABCD
TAP TEMPO
TRACK 1
(R)
TRANSPOSE
TAP TEMPO
ENDING / rit. SYNC.STOP SYNC.START START / STOP
VOICE EFFECT
LCD
REVERB
DSP VARIATION HARMONY / ECHO MONO LEFT HOLD
VOICE
E.PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS
PIANO & HARPSI.
WOODWIND
BRASS
MUSIC FINDER
PIANO
STRINGS CHOIR & PAD SYNTH. XG USER
ONE TOUCH SETTING
1234
REGISTRATION MEMORY
FREEZE
12345678
MEMORY
VOICE PART
ON / OFF
CONTRAST
LAYER
ENTER
LEFT
DATA ENTRY
MENU
DEMO
A
HELP
B
FUNCTION
DIGITAL
C
STUDIO
SOUND
D
CREATOR
RECORDING
CONSOLE
DIGITAL
E
MIXING
BALANCE
PART
CHANNEL
ON / OFF
PART
RESET
BACK NEXT
F
G
H
I
J
DIRECT ACCESS
1 2
TEMPO
TAP TEMPO
RESET
Adjust the tempo by using either the TEMPO [ ] [] buttons or the [DATA ENTRY] dial.
Press either the TEMPO [ ] button or the [] button.
The number in the display indicates how many quarter-note beats there are in one minute. The range is between 5 and 500. The higher the value, the faster the tempo.
When you change the tempo, both tempos of the current song and style will be changed to the same tempo. To restore their respective default (initial) tempo settings, press both the TEMPO [ ] [ ]
END
Press this to close the TEMPO display.
EXIT
buttons simultaneously. Also refer to the “Tempo Indications MAIN display (page 52) for more about tempo.
12345678
EXIT
Songs and accompaniment styles have been given default (initial) tempo settings, designed to best suit the song/style.
CVP-205/203
51
Basic Operations — Organizing Your Data
Tap Tempo
This useful feature lets you tap out the tempo for a song or an accompaniment style. Simply tap the [TAP TEMPO] button at the desired speed, and the tempo of the song or the accompaniment style changes to match your tapping.
Playback the song or the
1
accompaniment style
2
(page 60, 75).
Tempo Indications MAIN Display
There are three different tempo indications in the Main display, as shown below.
Indicates the default (initial) tempo setting for the currently selected song (unless the tempo has been changed manually).
Indicates the current tempo for the selected song, accompaniment style or the metronome which is now playing back. When nothing is playing back (stopped), this indicates the tempo for the selected style. When the song and style are played back simultaneously, the tempo of the style is automatically changed to match the tempo of the song, and is displayed here. This tempo is used for recording when recording a song or accompaniment style.
Indicates the default (initial) tempo setting for the currently selected accompaniment style (unless the tempo has been changed manually).
TEMPO
TAP TEMPO
RESET
Tap the [TAP TEMPO] button twice to change the tempo.
Hitting the [TAP TEMPO] button produces a tapping sound. You can change this sound, if desired (page 141).
n
You can also use Tap Tempo to automatically start the song or accompaniment style at the desired tempo. While both the song and accompaniment style are stopped, tap the [TAP TEMPO] button several times, and the selected accompaniment style starts automatically at the tempo you tapped. While a song is set to Sync. Start stand-by (page 61, 75), tapping the [TAP TEMPO] button starts the song playback in the same manner. For songs and styles in 2/4 and 4/4 time, tap four times; for 3/4 time, tap three times; for 5/4 time, tap ve times.
52
CVP-205/203
Playing the Demos
Reference
The CVP-205/203 is an extraordinarily versatile and sophisticated instrument, featuring a wide variety of dynamic voices and rhythms, plus a wealth of advanced functions. Three different types of Demo songs have been specially prepared showcasing the stunning sound and features of the CVP-205/203.
POWER
ON
OFF
MASTER VOLUME
MAX
MIN
STYLE
ACMP
AUTO FILLIN
OTS LINK
Pressing the [DEMO]
1
button automatically plays back the Demo songs at random.
METRONOME
SONG
EXTRA TRACKS
TRACK 2
(STYLE)
(L)
REC TOP START / STOP REW FF REPEAT GUIDE
SYNC.START
NEW SONG
TEMPO
RESET
MAIN
ABCD
BREAK
START STOP
FADE IN / OUT
INTRO
MENU
DEMO
TRACK 1
(R)
HELP
FUNCTION
TRANSPOSE
TAP TEMPO
ENDING / rit. SYNC.STOP SYNC.START START / STOP
RESET
FUNCTION
MENU
DEMO
HELP
FUNCTION
CREATOR
RECORDING
CONSOLE
VOICE EFFECT
LCD
REVERB
DSP VARIATION HARMONY / ECHO MONO LEFT HOLD
VOICE
PIANO & HARPSI.
E.PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS
WOODWIND
BRASS
MUSIC FINDER
PIANO
STRINGS CHOIR & PAD SYNTH. XG USER
ONE TOUCH SETTING
1234
REGISTRATION MEMORY
FREEZE
12345678
MEMORY
VOICE PART
ON / OFF
LEFT
CONTRAST
LAYER
ENTER
DATA ENTRY
MENU
DEMO
A
HELP
B
DIGITAL
C
STUDIO
SOUND
D
DIGITAL
E
MIXING
BALANCE
PART
CHANNEL ON / OFF
PART
BACK NEXT
F
G
H
I
J
2
2-2 Use these to select
different display pages.
2-1 Use the [BACK][NEXT] buttons to select the desired Demo category.
Function Demos ....... These demonstrate each of the different functions on the CVP-205/203.
Voice Demos ............. These showcase the voices of the CVP-205/203.
Style Demos .............. These introduce you to the rhythms and accompaniment styles of the CVP-205/203.
BACK NEXT
2-3 Press one of these buttons twice
once to select the desired demo, and once again to start it.
Press this to play back all Demo songs/items continuously, starting from the rst item at the top left of the display. This is available only from the FUNCTION page.
All of the available demos are played back in sequence, starting from the one at top left. The VOICE and STYLE pages do not have the [AUTO] button; however, all demo songs are played back in sequence. Pressing this button cancels the interactive features of the Function Demos (otherwise available in step 3 below).
CVP-205/203
53
Playing the Demos
For the Function demos, an introduction screen appears in the display and
3
the Demo starts playing.
This example shows the Voices in the FUNCTION demo.
BACK NEXT
VOICE PART
F
G
H
I
J
ON / OFF
LAYER
LEFT
Select the desired word or item by using the [DATA ENTRY] dial, then press the [ENTER] button or number buttons ([1], [2], etc.) to call it up.
ENTER
DATA ENTRY
Use the [BACK][NEXT] buttons in the introduction screen to call up the previ­ous or next page.
n
Press the SONG [START/ STOP] button to stop the
Demo song. To start the Demo again from the point at which it was stopped, press the SONG [START/ STOP] button again. Rewind and fast-forward can also be used with the Demo songs (page 77).
Relevant explanations are shown in the display.
4
END
EXIT
54
Return to the MAIN screen.
CVP-205/203
Voices
The CVP-205/203 gives you an enormous selection of authentic voices, including various keyboard instruments, strings and brass — and many, many more.
VOICE
PIANO & HARPSI.
E.P IANO ORGAN & ACCORDION PERCUSSION GUITAR BASS
BRASS
MASTER VOLUME
MIN
STYLE
ACMP
WOODWIND
METRONOME
POWER
ON
OFF
AUTO FILLIN
OTS LINK
SONG
EXTRA TRACKS
START STOP
(STYLE)
REC TOP START / STOP REW FF REPEAT GUIDE
NEW SONG
FADE IN / OUT
TEMPO
MAX
INTRO
BREAK
ABCD
SYNC.START
RESET
MAIN
Selecting a Voice
Select
1
the desired voice group.
Indicates that the display
2
is for selecting the MAIN voice (page 25).
2-2 Select the
various pages in the current voice group.
Play the keyboard to hear the
3
selected voice.
VOICE
PIANO & HARPSI.
BRASS
E.P IANO ORGAN & ACCORDION PERCUSSION GUITAR BASS
WOODWIND
Press this to call up the display for selecting the voice group.
STRINGS CHOIR & PAD SYNTH. XG USER
TRACK 2
TRACK 1
(L)
(R)
TAP TEMPO
ENDING / rit. SYNC.STOP SYNC.START START / STOP
MENU
DEMO
A
HELP
B
FUNCTION
DIGITAL
RECORDING
STUDIO
SOUND
CREATOR
DIGITAL
MIXING
CONSOLE
PART
DIRECT ACCESS
C
D
E
BALANCE
CHANNEL ON / OFF
PART
12345678
TRANSPOSE
RESET
STRINGS CHOIR & PAD SYNTH. XG USER
BACK NEXT
VOICE PART
F
ON / OFF
G
LAYER
H
LEFT
I
J
EXIT
2-1 Select the memory location of the
voice (PRESET/USER/FLOPPY DISK).
BACK NEXT
2-3 Select the voice.
Press this to start the demo of the selected voice. To stop the demo at any time, press this button again.
Press this to return to
END
the MAIN display.
VOICE EFFECT
LCD
REVERB
CONTRAST
ENTER
DATA ENTRY
DSP VARIATION HARMONY / ECHO MONO LEFT HOLD
VOICE
E.PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS
PIANO & HARPSI.
WOODWIND
STRINGS CHOIR & PAD SYNTH. XG USER
BRASS
ONE TOUCH SETTING
MUSIC FINDER
1234
REGISTRATION MEMORY
PIANO
FREEZE
12345678
MEMORY
When you select a voice group, the last selected voice will automatically be selected.
n
Selecting a voice automati­cally selects the best-suited effect and other settings for that particular voice. You can disable this so that settings are not automatically selected (page 135).
n
You can set how much the volume of the voice changes according to your playing strength (page 133).
n
For a list of the available voices, refer to the separate Data List.
n
You can set whether the voice bank and program change numbers (MSB­LSB-Program Change num­ber at the right above the voice name) are displayed or not (page 141).
n
XG is a major enhancement of the GM System level 1 for­mat, and was developed by Yamaha specially to provide more voices and variations, as well as greater expressive control over voices and effects, and to ensure com­patibility of data well into the future.
EXIT
CVP-205/203
55
Voices
Voice Characteristics
The voice type and its defining characteristics are indicated above the voice name.
Natural!
These rich and luscious voices are comprised mostly of keyboard instrument sounds and are especially intended for playing piano and other keyboard parts. Since they use a completely independent sound source, you can play full, sustained chords — even along with the accompaniment style — and not have to worry about notes cutting off. They also take full advantage of Yamaha’s advanced sampling technology such as Stereo Sampling, Dynamic Sampling, Sustain Sampling, and Key-off Sampling.
Live!
These acoustic instrument sounds were sampled in stereo, to produce a truly authentic, rich sound — full of atmosphere and ambience.
Cool!
These voices capture the dynamic textures and subtle nuances of electric instruments — thanks to a huge amount of memory and some very sophisticated programming.
Sweet!
These acoustic instrument sounds also benefit from Yamaha’s sophisticated technology — and feature a sound so finely detailed and natural, you’ll swear you’re playing the real thing!
Drum
Various drum and percussion sounds are assigned to individual keys, letting you play the sounds from the keyboard.
SFX
Various special effect sounds are assigned to individual keys, letting you play the sounds from the keyboard.
Keyboard Percussion
When one of the drum of SFX kits is selected in the PERCUSSION voice group, various drum, percussion, and special effect sounds are assigned to individual keys, letting you play the sounds from the keyboard.The various drums and percussion instruments of the Standard Kit are indicated by symbols above the assigned keys. Keep in mind that even though different kits feature different sounds, some same-named sounds in different kits are identical. Refer to the separate Data List (Drum/key Assignment List) for a listing of the sounds in each drum/SFX kit.
One-touch Piano Play
This convenient, easy-to-use feature completely and automatically reconfigures the entire CVP-205/203 for optimum piano performance. No matter what settings you’ve made from the panel, you can instantly call up the piano settings by a single button press.
PIANO
PIANO button
This reconfigures all of the panel settings for playing the CVP-205/203 as a piano.
You can also use the metro­nome with this function (page 51).
56
Piano Lock function
The convenient Piano Lock function lets you “lock” the piano so that you don’t inadvertently change the settings by pressing another button on the panel. Once locked, the CVP-205/203 stays in the piano mode, even if other buttons are pressed — preventing you from accidently starting a song or accompaniment style during a piano concert.
Hold down the [PIANO] button for a short time, until a message appears prompting you to enable Piano Lock.
To enable Piano Lock, select “OK.”
To turn Piano Lock off, hold down the [PIANO] button again for a short time.
CVP-205/203
Even if you turn Piano Lock off, the piano settings are still active.
Voices
LAYER part
MAIN part
Layer/Left — Playing Several Sounds Simultaneously
The CVP-205/203 lets you set three voices for simultaneous play: MAIN, LAYER, and LEFT. By effectively combining these three, you can create richly textured, multi-instrument setups for your performance.
VOICE PART
ON / OFF
G
METRONOME
OFF
START STOP
FADE IN / OUT
MAX
INTRO
BREAK
SONG
EXTRA TRACKS
TRACK 2
TRACK 1
(STYLE)
(L)
RESET
SYNC.START
MAIN
(R)
TAP TEMPO
ENDING / rit. SYNC.STOP SYNC.START START / STOP
REC TOP START / STOP REW FF REPEAT GUIDE
NEW SONG
TEMPO
ABCD
MASTER VOLUME
MIN
STYLE
ACMP
POWER
ON
AUTO FILLIN
OTS LINK
Playing a layer of two voices
TRANSPOSE
VOICE EFFECT
LCD
REVERB
VOICE
PIANO & HARPSI.
BRASS
ENTER
MUSIC FINDER
PIANO
DATA ENTRY
DSP VARIATION HARMONY / ECHO MONO LEFT HOLD
E.PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS
WOODWIND
STRINGS CHOIR & PAD SYNTH. XG USER
ONE TOUCH SETTING
1234
REGISTRATION MEMORY
FREEZE
12345678
MEMORY
MENU
DEMO
A
HELP
B
FUNCTION
DIGITAL
C
STUDIO
SOUND
D
CREATOR
DIGITAL
RESET
RECORDING
E
MIXING
BALANCE
CONSOLE
PART
CHANNEL
ON / OFF
PART
DIRECT ACCESS
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BACK NEXT
CONTRAST
VOICE PART
F
ON / OFF
G
LAYER
H
LEFT
I
J
EXIT
LAYER
H
LEFT
Playing two voices separately — on the left and right sections of the keyboard
LEFT part
Left range Right range
Playing three different voices — one on the left section of the keyboard, plus a layer of two on the right
LEFT part
Left range Right range
Layer Layering Two Different Voices
Press this to
1
turn the LAYER function on. To
turn it off, press the button again.
G
H
VOICE PART
ON / OFF
LAYER
LEFT
Select LAYER with the [G] button. Press the same
2
button to call up the VOICE display, from which you can select the specific voice you want to play in a layer with the Main voice. The method of selecting a
voice here is the same as that in VOICE (MAIN) display (page 55).
Split point
Split point
MAIN part
LAYER part
MAIN part
There is an alternate way for quickly selecting both the MAIN and LAYER voices from the panel: While hold­ing down one panel voice button, press a second voice button. The rst selected voice becomes the MAIN voice, and the second becomes the LAYER.
END
Press this to return to the
EXIT
MAIN display.
CVP-205/203
57
Voices
Left Setting Separate Voices for the Left and Right Sections of the Keyboard
Set the LEFT to
1
ON. Press this button again to set it to OFF.
END
EXIT
Press this to return to the MAIN display.
LAYER
LEFT
Select LEFT with the [H] button. Press the same
2
button to call up the VOICE display, from which you can select the specific voice you want to play in a left. How to select the voice is the same as the way of VOICE (MAIN) screen (page 55).
The split point can be freely set to any key on the key­board. To set it, call up the SPLIT POINT display by pressing the [I] (SPLIT POINT) button in the MAIN display. The operation steps are the same as in the
STYLE SETTING/SPLIT
F
G
H
POINT display of the FUNC­TION page (page 130).
n
Each part (MAIN, LAYER, and LEFT) can have its own volume setting (page 62).
n
You can also use the LAYER and LEFT functions together, to create a combi­nation layer/split. To do this, set separate voices for the left and right sections of the keyboard (as indicated), and set up a layer of two different voices on the right.
Applying Voice Effects
This section of the panel lets you add a variety of effects to the voices you play on the keyboard.
VOICE EFFECT
REVERB DSP VARIATION HARMONY / ECHO MONO LEFT HOLD
METRONOME
OFF
START STOP
FADE IN / OUT
MAX
INTRO
BREAK
SONG
EXTRA TRACKS
TRACK 2
TRACK 1
(STYLE)
(L)
SYNC.START
RESET
MAIN
(R)
TRANSPOSE
TAP TEMPO
ENDING / rit. SYNC.STOP SYNC.START START / STOP
RESET
REC TOP START / STOP REW FF REPEAT GUIDE
NEW SONG
TEMPO
ABCD
RECORDING
MENU
DEMO
A
HELP
B
FUNCTION
DIGITAL
C
STUDIO
SOUND
D
CREATOR
DIGITAL
E
MIXING
BALANCE
CONSOLE
PART
CHANNEL ON / OFF
PART
DIRECT ACCESS
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BACK NEXT
VOICE PART
F
ON / OFF
G
LAYER
H
LEFT
I
J
EXIT
MASTER VOLUME
MIN
STYLE
ACMP
POWER
ON
AUTO FILLIN
OTS LINK
Press one of the effect buttons to turn the corresponding effects on. Press it again to turn the effect off. For explanations on each of the effects, see below.
REVERB
Reverb is an effect that recreates the acoustic ambiance of a performance space — anything from a small jazz club to a concert hall.
DSP
The CVP-205/203 features a variety of dynamic built-in digital effects, letting you process the sound in various ways. You can use DSP to enhance the voices in subtle ways — such as by applying chorus to add animation and depth, or using a symphonic effect to give the sound warmth and richness. DSP also has effects such as distortion that can completely change the character of the sound. DSP is set for the currently selected part (MAIN/LAYER/LEFT).
VOICE EFFECT
LCD
REVERB
CONTRAST
VOICE
PIANO & HARPSI.
BRASS
ENTER
MUSIC FINDER
PIANO
DATA ENTRY
DSP VARIATION HARMONY / ECHO MONO LEFT HOLD
E.PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS
WOODWIND
STRINGS CHOIR & PAD SYNTH. XG USER
ONE TOUCH SETTING
1234
REGISTRATION MEMORY
FREEZE
12345678
MEMORY
The DSP and VARIATION effect types and the their depth can be selected and adjusted in the MIXING CON- SOLE display (page 122).
VARIATION (Regular voice only; page 89)
This control changes the Variation effect settings, letting you alter some aspect of the effect, depending on the selected type. For example, when the Rotary Speaker effect is selected (page 122), this lets you switch the rotor speed between slow and fast.
CVP-205/203
58
HARMONY/ECHO
This control adds Harmony or Echo effects to the voices played on the right hand section of the keyboard (page 135).
MONO
This control determines whether the voice is played monophonically (only one note at a time) or polyphonically for each part (MAIN/LAYER/LEFT). This is set to MONO when the lamp is lit, and set to polyphonic when the lamp is off. When set to MONO, only the last note played will sound. This lets you play wind instrument voices more realistically. Depending on the selected voice, the MONO setting also lets you effectively use the Portamento effect, when playing in legato.
LEFT HOLD
This function causes the left part voice to be held even when the keys are released — the same effect as when the damper (sustain) pedal is pressed. This function is especially effective when used with the auto accompaniment. For example, if you play and release a chord in the auto accompaniment section of the keyboard (with the left part on and the Left voice set to Strings), the strings part sustains, adding a natural richness to the overall accompaniment sound.
Voices
The Portamento effect creates a smooth pitch glide between successively played notes.
You can add special empha­sis to melody lines you play over chords by using the Layer function with a mono­phonic voice. Set the Main voice to play polyphonically and set the Layer voice to play monophonically (MONO). In this case, the melody you play including the top notes of any chords sounds monophonically. Try this using the following voices.
MAIN voice
(polyphonic) + Sweet Trump (monophonic)
: Brass Section
LAYER voice
:
Using the Pedals
The CVP-205/203 features three pedals.
Left Pedal
Damper Pedal (Right)
The damper pedal performs the same function as the damper pedal on an actual acoustic piano, letting you sustain the sound of the voices even after releasing the keys.
Sostenuto Pedal (Center)
If you play a note or chord on the keyboard and press the sostenuto pedal while the note(s) are held, those notes will be sustained as long as the pedal is held, but all subsequently played notes will not be sustained.
Damper Pedal
Sostenuto Pedal
When you press the damper pedal here, the notes you play before you release the pedal have a longer sustain.
When you press the sostenuto pedal here while holding the note, the note will sustain as long as you hold the pedal.
You can also assign one of many other functions to these pedals (as well as the optional foot controller or footswitch). For example, you can use it to start/stop the accompaniment style, or use it to play Fill-ins (page 131).
Some voices may sound continuously or have a long decay after the notes have been released while the damper pedal is held.
Certain voices in the [PER- CUSSION] and [XG]
groups may not be affected by use of the damper pedal.
Certain voices, such as [STRINGS] or [BRASS], sustain continuously when the sostenuto pedal is pressed.
Certain voices in the [PERCUSSION] and [XG] groups may not be affected by use of the sos­tenuto pedal.
Left Pedal
When the Piano voice is selected, pressing this pedal reduces the volume and slightly changes the timbre of the notes you play. The settings assigned to this pedal may differ depending on the selected voice.
The depth of the left pedal effect can be adjusted (
page 131
).
Foot Controller/Footswitch
An optional Yamaha foot controller (FC7) or footswitch (FC4 or FC5) can be connected to the AUX PEDAL jack and used to control various functions assigned in the FUNCTION page (page 131).
CVP-205/203
59
Styles
The CVP-205/203 features styles (accompaniment patterns) in a variety of different musical genres including pops, jazz, Latin and dance. To use it, all you have to do is play the chords with your left hand as you perform and the selected Accompaniment Style (style) matching your music will automatically play along, instantly following the chords you play. Try selecting some of the different styles (refer to separate Data List (Style List) ) and play them.
METRONOME
POWER
ON
OFF
MASTER VOLUME
MAX
MIN
STYLE
ACMP
AUTO FILLIN
BREAK
OTS LINK
STYLE
ACMP
AUTO FILLIN
OTS LINK
Playing a style
SONG
EXTRA TRACKS
START STOP
FADE IN / OUT
TRACK 2
(STYLE)
(L)
REC TOP START / STOP REW FF REPEAT GUIDE
SYNC.START
NEW SONG
TEMPO
RESET
INTRO
MAIN
ABCD
BREAK
TRACK 1
(R)
TRANSPOSE
TAP TEMPO
ENDING / rit. SYNC.STOP SYNC.START START / STOP
RESET
INTRO
BACK NEXT
RECORDING
MENU
DEMO
HELP
FUNCTION
DIGITAL STUDIO
SOUND
CREATOR
DIGITAL
MIXING
CONSOLE
PART
DIRECT ACCESS
A
B
C
D
E
BALANCE
CHANNEL
ON / OFF
PART
12345678
MAIN
ABCD
VOICE PART
F
ON / OFF
G
LAYER
H
LEFT
I
J
EXIT
ENDING / rit. SYNC.STOP SYNC.START START / STOP
VOICE EFFECT
LCD
REVERB
CONTRAST
ENTER
DATA ENTRY
DSP VARIATION HARMONY / ECHO MONO LEFT HOLD
VOICE
E.PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS
PIANO & HARPSI.
WOODWIND
STRINGS CHOIR & PAD SYNTH. XG USER
BRASS
ONE TOUCH SETTING
MUSIC FINDER
1234
REGISTRATION MEMORY
PIANO
FREEZE
12345678
MEMORY
1
2
To call up the [MAIN] dis­play, rst press the [DIRECT ACCESS] button, then press the [EXIT] but­ton.
BACK NEXT
2-1 Select a location (Preset,
User, Floppy Disk) for saving the style.
2-2 Select a Style.
60
When you've opened a lower directory's display, this button (UP) lets you call up the next higher directory, from which you can select Style groups.
For a list of the available accompaniment styles, refer to the separate Data List (Style List).
CVP-205/203
Styles
3
ACMP
When the [ACMP] button is set to on, you can play/indicate chords from the auto accompaniment section of the keyboard. (Depending on the settings, this may be the range of the Left voice, or the entire keyboard.)
STYLE
AUTO FILLIN
OTS LINK
BREAK
4
STYLE
ACMP
5
The Tempo can be adjusted using the TEMPO [ ][ ] or [TAP TEMPO] button. If you tap the [TAP TEMPO] button, the tempo will adjust to the same speed that you tapped.
AUTO FILLIN
OTS LINK
As soon as you play a chord with the auto accompaniment section, the style starts. For details about chord ngerings, refer to page 63.
BREAK
INTRO
ABCD
Turn SYNC. (SYNCHRONIZED) START on.
INTRO
ABCD
MAIN
Auto Accompaniment section
MAIN
ENDING / rit.
ENDING / rit. SYNC.STOP SYNC.START START / STOP
Split point
SYNC.STOP SYNC.START START / STOP
You can set the key range for auto accompaniment (page 130).
Sync. Start
Enabling this lets you start the style simply by playing the keyboard.
You can begin the rhythm channels (tracks) of the Style by pressing the [START/STOP] button.
The rhythm channels of the style can also be started by tapping the [TAP TEMPO] button. With the style stopped, tap the [TAP TEMPO] button three, four or ve times (three for 3/4 time, four for 2/4 or 4/4 time, ve for 5/4 time).
6
SYNC.STOP SYNC.START START / STOP
Accompaniment Style Characteristics
The dening characteristics of some of the accompaniment styles are indicated above the relevant style names in the Open/Save display.
Session!
These styles provide even greater realism and authentic backing by mixing in original chord types and changes, as well as special riffs with chord changes, with the Main sections. These have been programmed to add spice” and a professional touch to your performances of certain songs and in certain genres. As a result, the styles may not necessarily be appropriate or even harmonically correct for all songs and for all chord playing. In some cases for example, playing a simple major triad may result in a seventh chord, or playing an on­bass chord may result in incorrect or unexpected accompaniment.
Piano Combo!
These accompaniment styles feature a basic piano trio (piano, bass, and drums), augmented in some cases with other instruments. Since this is a small combo sound, the accompaniment backing is appropriately sparse, making it useful and effective for a wide variety of songs.
Pianist!
These special styles provide piano-only accompaniment effectively recreating the left-hand performance of an accomplished pianist. Just by playing the proper chords with your left hand, you can automatically add complicated arpeggios and bass/chord patterns such as difcult-to-play stride piano parts.
Stop the style.
END
STYLE
ACMP
Turn ACMP off.
When you simultaneously play back accompaniment styles with a song, the accompaniment parts recorded to the song (chan­nels 9 - 16) are temporarily replaced by the selected accompaniment style let­ting you try out and use dif­ferent accompaniment with the song (page 76).
CVP-205/203
61
Styles
Playing a Style’s Rhythm Channels only
Select a style (page 60).
1
2
STYLE
ACMP
3
AUTO FILLIN
OTS LINK
Set to off.
BREAK
Play along with the rhythm playback. The Tempo can be adjusted using the TEMPO [ ][ ] or [TAP TEMPO] buttons.
INTRO
MAIN
ABCD
ENDING / rit. SYNC.STOP SYNC.START START / STOP
Rhythm starts.
If you tap the [TAP TEMPO] button, the tempo will adjust to the same speed that you tapped.
The Rhythm channels are part of the styles. Each style has different rhythm pat­terns.
You can also start the rhythm simply by playing a key on the keyboard, if Sync Start is enabled (turn on the [SYNC.START] button).
Press the STYLE [START/STOP] button
END
again to stop the rhythm playback.
Adjusting the Volume Balance/Channel Muting
BALANCE display
MIC part
STYLE part (Auto Call up the BALANCE display.
BALANCE
CHANNEL
ON / OFF
PAR T
Call up the
Channel ON/ OFF display.
Accompaniment section)
SONG part
Adjust the output level of the Part.
CHANNEL ON/OFF display
Call up the STYLE display by pressing the [CHANNEL ON/OFF] button, then turn the instrument you want to cancel off. To listen to only one instrument by itself, hold down the appropriate button for the channel to set the channel to SOLO. To cancel SOLO, simply press the appropriate channel button again.
When selecting the style group PIANIST,” the rhythm doesnt sound. When you want to use any of the styles, always make sure that ACMP is turned on.
Parts played from the keyboard (MAIN/LAYER/ LEFT)
Channel
Refers to the MIDI channel in the song data (page 150). The channels are assigned as shown below.
Song
1 - 16
Accompaniment Style
9 - 16
62
CVP-205/203
Styles
Chord Fingerings
The style playback can be controlled by the chords you play in the keys to the left of the split point. There are 7 types of fingerings as described below. Go to the CHORD FINGERING page (page 131), and select the Chord Fingerings. The page shows how to play chords with your left hand.
SINGLE FINGER
Single Finger accompaniment makes it simple to produce beautifully orchestrated accompaniment using major, seventh, minor and minor-seventh chords by pressing a minimum number of keys on the auto accompaniment section of the keyboard. The abbreviated chord fingerings described below are used.
For a major chord, press the root key only. For a minor chord, simultaneously press the root key
and a black key to its left.
For a seventh chord, simultaneously press the root key and a white key to its left.
For a minor-seventh chord, simultaneously press the root key and both a white and black key to its left.
MULTI FINGER
The Multi Finger mode automatically detects Single Finger or Fingered chord fingerings, so you can use either type of fingering without having to switch fingering modes. If you want to play minor, seventh, or minor-seventh chords using the SINGLE FINGER operation in the MULTI FINGER Mode, always press the closest white/black key(s) to the root of the chord.
Chord detection in the AI Full Keyboard mode occurs at approximately 8th-note intervals. Extremely short chords less than an 8th note in length may not be detected.
FINGERED
This mode lets you produce accompaniment by playing full chords on the auto accompaniment section of the keyboard. The Fingered mode recognizes the various chord types listed on the next page.
FINGERED ON BASS
This mode accepts the same fingerings as the FINGERED mode, but the lowest note played in the auto accompaniment section of the keyboard is used as the bass note, allowing you to play “on bass” chords. For example, to indicate a C-on-E chord, play a C major chord with E as the lowest note (E, G, C).
FULL KEYBOARD
This method detects chords in the entire key range. Chords are detected in a way similar to Fingered, even if you split the notes between your left and right hands — for example, playing a bass note with your left hand and a chord with your right, or by playing a chord with your left hand and a melody note with your right.
In Full Keyboard mode, chords are detected based on the lowest and second lowest notes you play. If the two lowest notes fall within a single octave, those two notes determine the chord. If the lowest note and the sec­ond lowest note are sepa­rated by more than one octave, the lowest note becomes the bass and the chord is determined from the second lowest note and the other notes played in the same octave.
AI FINGERED
This mode is basically the same as FINGERED, with the exception that less than three notes can be played to indicate the chords (based on the previously played chord, etc.).
AI FULL KEYBOARD
AI
Articial Intelligence
When this advanced auto accompaniment mode is engaged, the CVP-205/203 will automatically create appropriate accompaniment while you play just about anything, anywhere on the keyboard using both hands. You don’t have to worry about specifying the accompaniment chords. Although the AI Full Keyboard mode is designed to work with many songs, some arrangements may not be suitable for use with this feature. This mode is similarto FULL KEYBOARD, with the exception that less than three notes can be played to indicate the chords (based on the previously played chord, etc.). 9th and 11th chords cannot be played.
CVP-205/203
63
Styles
Chord Types Recognized in the Fingered Mode (Example for “C” chords)
9
C6
C
C9
C6
CM7
CM7
9
CM7
11
C
5
CM7
5
Csus4
CmM7
9
C7
( )
Caug
9
CmM7
( )
11
C7
( )
( )
CM7aug
( )
Cm7
5
( )
13
C7
( )
Cm
CmM7
9
C7
( )
5
( )
Chord Name [Abbreviation] Normal Voicing
Cm9
Cdim
C7
( )
Cm6
Cdim7
5
C7aug
Display for root “C”
Major [M] 1 - 3 - 5 C
Ninth [9] 1 - 2 - 3 - 5 C9
( )
( )
Cm7
C7
C7sus4 Csus2
Cm7
( )
C7
( )
Notes in parentheses can
For FINGERED, FIN-
Sixth [6] 1 - (3) - 5 - 6 C6
Sixth ninth [69] 1 - 2 - 3 - (5) - 6 or 3 - 6 - 2* C6
9
Major seventh [M7] 1 - 3 - (5) - 7 CM7
CM7
C7
9
11
5
Playing two same root
A perfect fth (1 + 5) pro-
The auto accompaniment
9
11
9
You can also have the
5
9
13
9
11
13
9
5
Major seventh ninth [M79] 1 - 2 - 3 - (5)j - 7 CM7
Major seventh add sharp eleventh [M711]
Flatted fth [ 5] 1 - 3 - 5 C 5
Major seventh atted fth [M75] 1 - 3 - 5 - 7 CM7


 
1 - (2) - 3 - 4 - 5 - 7 or 1 - 2 - 3 - 4 - (5) - 7
Suspended fourth [sus4] 1 - 4 - 5 Csus4
Augmented [aug] 1 - 3 - 5 Caug
Major seventh augmented [M7aug] 1 - (3) - 5 - 7 CM7aug
Minor [m] 1 - 3 - 5 Cm
Minor ninth [m9] 1 - 2 - 3 - 5 Cm9
Minor sixth [m6] 1 - 3 - 5 - 6 Cm6
Minor seventh [m7] 1 - 3 - (5) - 7 Cm7
9
Minor seventh ninth [m7
] 1 - 2 - 3 - (5) - 7 or 3 - 7 - 2 Cm7
Minor seventh eleventh [m711] 1 - (2) - 3 - 4 - 5 - ( 7) Cm7
Minor major seventh [mM7] 1 - 3 - (5) - 7 CmM7
Minor major seventh ninth [mM79] 1 - 2 - 3 - (5) - 7 CmM7
Minor seventh atted fth [m75] 1 - 3 - 5 - 7 Cm7 5
Minor major seventh atted fth [mM75] 1 - 3 - 5 - 7 CmM7


Diminished [dim] 1 - 3 - 5 Cdim
Diminished seventh [dim7] 1 - 3 - 5 - 6 Cdim7
Seventh [7] 1 - 3 - (5) - 7 or 1 - (3) - 5 - 7 C7
9
 
Seventh atted ninth [7
Seventh add atted thirteenth [713] 1 - 3 - 5 - 6 - 7 C7
] 1 - 2 - 3 - (5) - 7 C7

Seventh ninth [79] 1 - 2 - 3 - (5) - 7 or 3 - 7 - 2* C7
Seventh add sharp eleventh [711]

Seventh add thirteenth [713] 1 - 3 - (5) - 6 - 7 or 3 - 6 - 7 C7
Seventh sharp ninth [79] 1 - 2 - 3 - (5) - 7 C7
Seventh atted fth [75] 1 - 3 - 5 - 7 C7

 
Seventh augmented [7aug] 1 - 3 - 5 - 7 C7aug
Seventh suspended fourth [7sus4] 1 - 4 - 5 - 7 C7sus4






1 - (2) - 3 - 4 - 5 - 7 or 1 - 2 - 3 - 4 - (5) - 7

Suspended second [sus2] 1 - 2 - 5 Csus2
* Only this voicing (inversion) is recognized. Other chords not marked with an asterisk can be played in any inversion.
9
( )
9
( )
Cm7
C7
11
( )
13
be omitted.
GERED ON BASS, and AI FINGERED, if you play any three adjacent keys (including black keys), the chord sound will be can­celed and only the rhythm instruments will continue playing (Chord Cancel function). This let you play back only the rhythm.
keys in the adjacent octaves produces accom­paniment based only on the root.
duces accompaniment based on the root and the fth.
Style will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh).
CVP-205/203 teach you how to play Fingered chords. From the CHORD FINGERING display (page 131), specify the chord you want to learn, and the notes you should press are indicated in the display.
( )
CVP-205/203
64
Styles
Arranging the Style Pattern
(SECTIONS: MAIN A/B/C/D, INTRO, ENDING, BREAK)
The CVP-205/203 features various types of Auto Accompaniment Sections that allow you to vary the arrangement of the Style. They are: Intro, Main, Break and Ending. By switching among them as you play, you can easily produce the dynamic elements of a professional-sounding arrangement in your performance.
Select a style (page 60).
1
2
STYLE
ACMP
AUTO FILLIN
OTS LINK
BREAK
2-1 Turn the ACMP function on.
INTRO
MAIN
ABCD
ENDING / rit. SYNC.STOP SYNC.START START / STOP
2-3 Turn the SYNC. START function on.
2-2 Press the [INTRO] button. To cancel the INTRO section
before starting the style, press the [INTRO] button again.
The Intro section starts as soon as you play a key in the Auto
3
Accompaniment section of the keyboard, and changes to the Main section.
Split point
Auto Accompaniment section
4
Main sections can be shifted.
STYLE
ACMP
AUTO FILLIN
OTS LINK
BREAK
INTRO
ABCD
Press this button to add breaks.
MAIN
ENDING / rit.
SYNC.STOP SYNC.START START / STOP
You can also use this func­tion to play only rhythms (page 62).
If you press the [INTRO] button, you can play back an Intro section while an accompaniment is play­ing.
Section button indications [BREAK], [INTRO],
[MAIN], [ENDING] but­tons LED is green
The section is not selected.
LED is red
The section is cur­rently selected.
LED is off
No section data; the section cannot be played.
You can dynamically con­trol the level of the accompaniment by how softly or strongly you play the keys in the Auto Accompaniment section of the keyboard (page 130).
If you press the [SYNC. START] button while an
accompaniment is play­ing, the accompaniment will stop and the CVP­205/203 will enter Syn­chronized Start standby status.
You can also change style sections by using the pedal (page 131).
The Break section lets you add dynamic varia­tions and breaks in the rhythm of the accompani­ment, to make your per­formance sound even more professional. If you press the [BREAK] but­ton while an accompani­ment is playing, the ll-in will play back for one measure.
The indicator of the desti­nation section (MAIN A/ B/C/D) will ash while the Break is playing.
When the [AUTO FILLIN] button is set to on and the MAIN [A][B][C][D] button is pressed after the nal half beat (eighth note) of the measure, the ll-in will begin from the next measure.
CVP-205/203
65
Styles
This switches to the ending section. When the ending is nished, the Style stops
END
STYLE
ACMP
AUTO FILLIN
OTS LINK
automatically. You can have the ending gradually slow down (ritardando) by pressing the same [ENDING/rit.] button again while the ending is playing back.
BREAK
INTRO
ABCD
MAIN
ENDING / rit.
SYNC.STOP SYNC.START START / STOP
Fade-in/Fade-out
The accompaniment style also include a convenient Fade-in/Fade-out function that gradually fades in and fades out the accompaniment. To start the style with a fade-in, press the [FADE IN/OUT] button, then turn SYNC. START on. To cancel the fade-in before starting the style, press the button again. To fade out and stop the Style, press this button while the style is playing. The time of the fade-in/fade-out can also be set (page 140).
Stopping the Style Playback While Releasing Keys (SYNC. STOP)
When the Synchro Stop function is engaged, accompaniment playback will stop completely when all keys in the Auto Accompaniment section of the keyboard are released. Accompaniment playback will start again as soon as the key in the Auto Accompaniment section is played.
Turn ACMP (Accompaniment) on.
1
Turn SYNC. STOP on. SYNC. START is also automatically set to on when
2
SYNC. STOP is turned on.
STYLE
ACMP
AUTO FILLIN
OTS LINK
BREAK
INTRO
MAIN
ABCD
ENDING / rit. SYNC.STOP SYNC.START START / STOP
Styles can also be started by pressing the STYLE [START/STOP] button.
You can select the Intro and Ending type by press­ing the [E] button in the MAIN window (page 67).
If you press the [INTRO] button while the ending is playing, the Intro section will begin playing after the ending is nished.
When the [AUTO FILLIN] button is set to on and you press a MAIN button while the ending is playing, fill-in accompaniment will immediately start playing, continuing with the Main section.
You can begin the accom­paniment by using the Ending instead of the Intro section. In this case, the auto accompaniment doesnt stop when the ending is nished.
If you select a different style while the style is not playing, the default tempo for that style is also selected. If the accompa­niment is playing, the same tempo is maintained even if you select a differ­ent style.
When STOP ACMP is set to on and the accompani­ment is not playing, you can play both chords and bass in the Auto Accom­paniment section in the keyboard (page 130).
66
As soon as you play a chord with your left hand, the auto accompaniment
3
starts.
The auto accompaniment stops when you release your left hand from the keys.
4
Playing a chord with your
5
left hand automatically restarts the auto accompaniment.
CVP-205/203
Split point
Auto Accompaniment section
END
Press the [SYNC. STOP]/ [SYNC. START] button again to stop the accompaniment.
You can also use the SYNC. STOP function by pressing the auto accompaniment section/left-hand range briey (page 130).
Synchro Stop cannot be set to on when the ngering mode is set to Full Key­board/AI Keyboard or the auto accompaniment on the panel is set to off.
Selecting Intro and Ending Types (INTRO/ENDING)
Styles
1
2
Select a Intro
D
E
Select a Ending
To call up the [MAIN] dis­play, rst press the [DIRECT ACCESS] button, then press the [EXIT] button.
Play the style using
3
the Intro or Ending section (page 30, 31).
Playing Fill-in patterns automatically when changing accompaniment sections Auto Fill In
1
2
STYLE
ACMP
Play the style and switch among the accompaniment sections as they play (page 30, 31).
Fill-in patterns play automatically between each change in the Main sections.
END
AUTO FILLIN
OTS LINK
To cancel the Auto Fill, press the [AUTO FILLIN] button again.
BREAK
INTRO
MAIN
ABCD
ENDING / rit.
SYNC.STOP SYNC.START START / STOP
Fill
A short phrase used to add variation to the style.
You can also add a ll-in by pressing the selected MAIN button again.
You can temporarily disable Auto Fill In during a perfor­mance by pressing the next Main sections button twice quickly.
CVP-205/203
67
Styles
Appropriate Panel Setting for the Selected Style
(ONE TOUCH SETTING)
The convenient One Touch Setting function makes it easy for you to select voices and effects that are appropriate to the style you’re playing. Each preset style has four pre-programmed panel setups that you can select by pressing a single button.
METRONOME
EXTRA TRACKS
START STOP
REC TOP START / STOP REW FF REPEAT GUIDE
FADE IN / OUT
MAX
INTRO
BREAK
SONG
TRACK 2
(STYLE)
(L)
SYNC.START
NEW SONG
TEMPO
RESET
MAIN
ABCD
TRACK 1
(R)
TRANSPOSE
TAP TEMPO
ENDING / rit. SYNC.STOP SYNC.START START / STOP
MENU
DEMO
A
HELP
B
FUNCTION
DIGITAL
C
STUDIO
SOUND
D
CREATOR
DIGITAL
RESET
RECORDING
MIXING
CONSOLE
PART
DIRECT ACCESS
E
BALANCE
CHANNEL ON / OFF
PART
12345678
MASTER VOLUME
MIN
STYLE
ACMP
POWER
ON
OFF
AUTO FILLIN
OTS LINK
ONE TOUCH SETTING
1234
Select a style (page 60).
1
Press one of the ONE TOUCH SETTING buttons ([1] - [4]).
2
LED is red The One Touch Setting is currently selected.
ONE TOUCH SETTING
1234
BACK NEXT
VOICE PART
F
ON / OFF
G
LAYER
H
LEFT
I
J
EXIT
VOICE EFFECT
LCD
REVERB
CONTRAST
VOICE
PIANO & HARPSI.
BRASS
ENTER
MUSIC FINDER
PIANO
DATA ENTRY
DSP VARIATION HARMONY / ECHO MONO LEFT HOLD
E.PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS
WOODWIND
STRINGS CHOIR & PAD SYNTH. XG USER
ONE TOUCH SETTING
1234
REGISTRATION MEMORY
FREEZE
12345678
3
MEMORY
As soon as you play a chord with your left hand, the auto accompaniment starts.
LED is green The One Touch Setting is not selected.
LED is off No One Touch Setting data. The button is not available.
Various settings (such as voices, effects, etc.) that match the selected style can be instantly recalled. When the style is not playing, Auto Accompaniment and Sync. Start will automatically be turned on. For details about the One Touch Setting parameters, refer to the separate Data List (Parameter Chart).
Stop the Auto Accompaniment.
4
STYLE
ACMP
AUTO FILLIN
OTS LINK
BREAK
INTRO
MAIN
ENDING / rit.
ABCD
SYNC.STOP SYNC.START START / STOP
Split point
Auto Accompaniment section
68
Try out other One Touch Setting setups. You can also create your own One
5
Touch Setting setups (page 69).
ONE TOUCH SETTING
1234
CVP-205/203
Styles
Automatically Changing One Touch Settings with the Sections OTS Link
The convenient OTS (One Touch Setting) Link function lets you automatically have One Touch Settings change when you select a different Main section (A - D).
1
END
AUTO FILLIN
OTS LINK
To cancel the OTS Link function, press the [OTS LINK] button again.
When you switch among the Main sections (A
2
- D), the corresponding One Touch Setting will be called up automatically.
The Main sections A, B, C, and D correspond to One Touch Settings 1, 2, 3, and 4, respectively.
The One Touch Settings can be set to change with the sections in one of two different timings (page 130):
Immediately when you press a section button.
At the next measure (in an accompaniment style), after you press a section button.
Registering the Panel Controls in One Touch Setting (ONE TOUCH SETTING)
This section covers how to create your own One Touch Setting setups (four setups per style). For a list of One Touch Setting setup parameters, refer to the separate Data List (Parameter Chart).
Select a style.
1
Set up the panel controls
2
such as selecting a voice as required.
Press the [MEMORY]
3
button.
MEMORY
Press one of the ONE TOUCH SETTING buttons:[1] through [4].
4
END
ONE TOUCH SETTING
1234
The items you can register in a One Touch Setting are Voice, Harmony and Pedal settings.
A message prompting you to save the current style will appear. Select “YES” to call up the STYLE display, then save the panel settings (page 39, 45).
Unless you store the panel settings here, the registered settings will be deleted when you select a different accompaniment style.
CVP-205/203
69
Styles
Calling Up Ideal Setups for Your Music — Music Finder
The Music Finder feature lets you instantly call up the appropriate settings for the instrument — including voice, style, and One Touch Settings — simply by selecting the desired song title. If you want to play a certain song but don’t know which style and voice settings would be appropriate, the convenient Music Finder function will help you out. The recommended settings, which together make up a “record,” can also be edited and stored. This lets you create and save your own Music Finder records for future recall.
METRONOME
MASTER VOLUME
MIN
STYLE
ACMP
POWER
ON
OFF
AUTO FILLIN
OTS LINK
EXTRA TRACKS
START STOP
REC TOP START / STOP REW FF REPEAT GUIDE
NEW SONG
FADE IN / OUT
MAX
INTRO
BREAK
SONG
TRACK 2
(STYLE)
(L)
SYNC.START
TEMPO
RESET
MAIN
ABCD
TRACK 1
(R)
TRANSPOSE
TAP TEMPO
ENDING / rit. SYNC.STOP SYNC.START START / STOP
MENU
DEMO
A
HELP
B
FUNCTION
DIGITAL
C
STUDIO
SOUND
D
CREATOR
DIGITAL
RESET
RECORDING
E
MIXING
BALANCE
CONSOLE
PART
CHANNEL ON / OFF
PART
DIRECT ACCESS
12345678
BACK NEXT
VOICE PART
F
ON / OFF
G
LAYER
H
LEFT
I
J
EXIT
MUSIC FINDER
VOICE EFFECT
LCD
REVERB
CONTRAST
VOICE
PIANO & HARPSI.
BRASS
ENTER
MUSIC FINDER
PIANO
DATA ENTRY
MUSIC FINDER
DSP VARIATION HARMONY / ECHO MONO LEFT HOLD
E.PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS
WOODWIND
STRINGS CHOIR & PAD SYNTH. XG USER
ONE TOUCH SETTING
1234
REGISTRATION MEMORY
FREEZE
12345678
MEMORY
The MUSIC FINDER records and its contents is just one example of the recom­mended panel setups. You can also create your own Music Finder settings for your favorite songs and genres.
Keep in mind that Music Finder is a performance aid in that it automatically nds appropriate accompaniment styles and voices for your playing. Even though you can specify song titles, it does not actually contain song data.
1
2
top record by pressing the [1▲▼] button to call up the recommended setups. The setting data shown here is referred to as a record.
Select a record by song title. When sorting records by song title, use the [1▲▼] button to skip up or down through the songs alphabetically. Simultaneously press the [▲▼] buttons to move the cursor to the rst record.
Select a record. For example, select the
All ..........................Show all records.
FAVORITE..............Show the records that have added to the Favorite page.
SEARCH1,2...........Show the results by SEARCH function (page 71).
Sorting the records
MUSIC ...... The record is sorted by song title.
STYLE....... The record is sorted by style name.
BEAT ........ The record is sorted by beat.
TEMPO ..... The record is sorted by tempo.
Change the order of the records (ascending or descending).
Add the selected record to “Favorite (Bookmark)” page
When you press the [H] button, the “Add selected data to the favorite list? YES/NO message will be
displayed. Select [YES] to add the selected page to
Show the number of records of each page.
FAVORITE page.
Search record(s). Enter the condition of the search
in the MUSIC FINDER SEARCH display (page 71). The results of SEARCH 1 or 2 appear in the
SEARCH 1 or SEARCH 2 page respectively.
Call up the MUSIC FINDER RECORD EDIT (page 72) display (for editing the selected record).
Turn TEMPO LOCK on/off. TEMPO LOCK function lets you avoid changing
the Tempo during style playback when selecting another record. The on/off setting affects all pages (ALL/FAVORITE/SEARCH 1/SEARCH 2).
Select a record by style name. When sorting the records by style name, press these buttons to move the cursor to the next /previous style. Simultaneously press the [▲▼] buttons to move the cursor to the rst record.
70
Play the style (page 61).
3
CVP-205/203
Records can be selected by using the [DATA ENTRY] dial and pressing the [ENTER] button.
Searching the Ideal Setups Music Finder Search
You can search the record by music title or keywords. The results appears in the display.
Styles
Press the [I]
1
(SEARCH 1) button or [J] (SEARCH 2)
button in the MUSIC FINDER display.
Enter the
2
conditions for the search (see below), then start search by using [START SEARCH] button.
Start searching the record. The results that satisfy all the conditions appear in the SEARCH page. For details about the search settings in this display, see below.
[A] MUSIC
Searches by music or song title. Press this button to call up the display for inputting the song title. When you enter the song title (page 46), the search function calls up all records that contain the entered word or words.
[B] KEYWORD
Searches by keyboard. Press this button to call up the display for inputting the keyword. When you enter the keyword (page 46), the search function calls up all
records that contain the entered word or words. You can search several different keywords simultaneously by inserting a separator (comma) between each. The search function finds and displays all records that contain at least one match in the keywords.
[C] STYLE
Searches by style name. Press this button to call up the STYLE FILE SELECT display. Press the [A] through [J] button in the display to select the desired accompaniment style. This convenient function lets you find all songs that use a certain accompaniment style.
[D] BEAT
Searches by beat or rhythmic feel.
The STYLE FILE SELECT display can only be used to select the style name for searching; it cannot be used to call up the actual accom­paniment style.
[E] SEARCH AREA
Selects a specific location for searching. You can further narrow down your search by using the SEARCH 1 and 2 selections.
[F]~[H] CLEAR
Clears the entered item at left.
[1▲▼] TEMPO FROM
You can also narrow your search by specifying a tempo range. This lets you set the minimum tempo for the search. Press the [▲▼] buttons simultaneously to instantly reset the tempo value to the minimum.
[2▲▼]TEMPO TO
You can also narrow your search by specifying a tempo range. This lets you set the maximum tempo for the search. Press the [▲▼] buttons simultaneously to instantly reset the tempo value to the maximum.
[3▲▼]~[5▲▼] GENRE
Selects the specific music genre for searching. The available range includes all genres (ANY), the preset genres, and any genres you’ve entered yourself (page 70).
[8] CANCEL
Press this to cancel the operation and return to the previous display.
CVP-205/203
71
Styles
You can also change/clear a preset record. To avoid chang­ing/clearing the record, register the record as a new record after editing.
Editing Records Music Finder Record Edit
From this display, you can call up existing records and edit them to suit your preferences. You can even use this to create your own Music Finder records.
Press the [8 ▲▼] (RECORD EDIT) button in the MUSIC FINDER display.
1
Change/clear the record data. You can also register new records. For details
2
about all settings and operations, see below.
All Music Finder records can be stored together as a single le (page 143). When calling up a stored le, a message appears prompting you to replace or append the records as desired.
Replace:
All Music Finder records cur­rently in the instrument are deleted and replaced with the records of the selected le.
Append:
The records called up are added to the vacant record numbers.
[A] MUSIC
Selects the music or song title for editing. Press the button to call up the display for inputting the music or song title, then edit the name as desired.
[B] KEYWORD
Selects the keyword for editing. Press the button to call up the display for inputting the keyword, then edit it as desired. You can enter several different keywords by inserting a separator (comma) between each.
[C] STYLE
Selects the style name for editing. Always enter the name when a new record is registered. Press the button to call up the STYLE FILE SELECT display. Press the [A] through [J] button in the display to select the desired style you want to change/clear/register.
[D] BEAT
Selects the beat (time signature) for editing. When another file is selected by pressing the [C] button, the current beat setting is replaced with the beat setting of the selected file.
[E] FAVORITE
Adds the selected record to the FAVORITE page (page 70).
[F]~[H] CLEAR
Clears the entered item at left.
[I] DELETE RECORD
Clears the selected record. The deleted record number becomes empty. When you press this button, a message appears prompting you to execute, abort or cancel the operation.
YES .................. Press this to clear the record and close the display.
NO .................. Press this to close the display without clearing the record.
CANCEL........... Press this to close the message box and return to the previous display.
72
CVP-205/203
The STYLE FILE SELECT display can only be used to select the style name for record editing; it cannot be used to call up the actual accompaniment style.
Keep in mind that the Beat setting made here is only for the Music Finder search function; this does not affect the actual Beat setting of the accompaniment style itself.
Styles
[J] NEW RECORD
Registers a new record. The smallest available empty record number is used for registering. When you press this button, a message appears prompting you to execute, abort or cancel the operation.
YES .................. Press this to register the record and close the display.
NO .................. Press this to close the display without registering the record.
CANCEL........... Press this to close the message box and return to the previous display.
[1▼▲] TEMPO
Determines the tempo for the selected style. When changing the style with the [C] button, the tempo is automatically changed to that of the changed style.
[3▼▲]~[5▼▲] GENRE
Indicates and changes the genre to which the selected record is assigned. The available range includes all preset genres as well as any you’ve entered yourself.
[6▼▲] GENRE NAME
For entering a genre name. Press the button to call up the display for inputting the genre name, then edit the name as desired. A maximum of 200 genre names can be stored. The genre name you input becomes effective when the current record is edited (overwritten) by pressing the [8] (OK) button, or when a new record is registered by pressing the [J] (NEW RECORD) button. If you exit from the MUSIC FINDER EDIT display without actually editing or registering a record, the input genre name is deleted.
The maximum number of records is 2500, including internal records.
[8] OK
Executes all editing and changes to the record. When you press this button, a message appears prompting you to execute, abort or cancel the operation.
YES .................. Press this to replace the record and close the display.
NO .................. Press this to close the display without replacing the record.
CANCEL........... Press this to close the message box and return to the previous display.
[8] CANCEL
Press this to cancel the operation and return to the MUSIC FINDER display.
To maintain the edited and registered data, make sure to save all Music Finder records as a le (page 143). If no saved, the data will be lost when another Music Finder le is called up or the factory-programmed settings are restored (page 143).
CVP-205/203
73
Song Playback
Commercially available music data is subject to copyright restrictions, and is intended only for your own personal use.
For more information on the song le types compatible with the Clavinova, see page 151.
Here you’ll learn how to play back songs. Songs include the internal songs of the instrument, performances you’ve recorded yourself using the recording functions (page 93), and commercially available song data. You can use this highly versatile feature in a variety of ways — playing along on the keyboard with the recorded song, as well as practicing and learning new music with the Guide (page 79) and Repeat (page 78) functions. You can also display the music notation (CVP-205 only) and lyrics in the LCD.
METRONOME
MASTER VOLUME
MIN
STYLE
ACMP
POWER
ON
OFF
MAX
AUTO FILLIN
OTS LINK
SONG
EXTRA TRACKS
START STOP
FADE IN / OUT
BREAK
INTRO
EXTRA TRACKS
TRACK 2
(STYLE)
(L)
REC TOP START / STOP REW FF REPEAT GUIDE
SYNC.START
NEW SONG
TEMPO
RESET
MAIN
SONG
ABCD
(STYLE)
TRACK 1
(R)
TRANSPOSE
TAP TEMPO
ENDING / rit. SYNC.STOP SYNC.START START / STOP
TRACK 2
(L)
MENU
DEMO
A
HELP
B
FUNCTION
DIGITAL
C
STUDIO
SOUND
D
CREATOR
RESET
DIGITAL
RECORDING
MIXING
CONSOLE
TRACK 1
(R)
DIRECT ACCESS
E
BALANCE
PART
CHANNEL
ON / OFF
PART
12345678
BACK NEXT
F
G
H
J
I
VOICE PART
EXIT
ON / OFF
LAYER
LEFT
REC TOP START / STOP REW FF REPEAT GUIDE
CONTRAST
ENTER
DATA ENTRY
VOICE EFFECT
LCD
REVERB
DSP VARIATION HARMONY / ECHO MONO LEFT HOLD
VOICE
E.PIANO ORGAN & ACCORDION PERCUSSION GU ITAR BASS
PIANO & HARPSI.
WOODWIND
BRASS
MUSIC FINDER
PIANO
STRINGS CHOIR & PAD SYNTH. XG USER
ONE TOUCH SETTING
1234
REGISTRATION MEMORY
FREEZE
12345678
MEMORY
NEW SONG
SYNC.START
Compatible Song Types
• Internal songs (Song Book; CVP-205 only)
• Song data on included disk [50 greats for the Piano (CVP-205/203), Music Software
Collection (CVP-203 only)]
• Commercially available song data
Disks having this logo mark feature song data compatible with GM (General MIDI).
Disks having this logo mark feature song data compatible with Yamaha’s XG format. XG is a significant enhancement of the “GM system level 1” standard, providing more voices, greater editing control, and support for multiple effect sections and effect types.
Disks having this logo mark feature song data compatible with Yamaha’s DOC (Disk Orchestra Collection)
format.
Disks having this logo mark feature song data compatible with Yamaha’s original MIDI file format.
• Songs you recorded (page 93) and stored to the CVP-205/203 or disk.
CVP-205/203
74
Song Playback
Playing the Internal Songs
Song Playback
1
2
2-2 Open a folder and
select a song to be played back.
BACK
2-1 Select the PRESET tab with the [BACK]
button.
BACK
If the MAIN screen (at left) is not displayed, press the [DIRECT ACCESS] button followed by the [EXIT] button.
n
You can also make a variety of other settings (such as tempo, voice selection, set­tings for the practice func­tions, etc.) and have them automatically called up when you play back the song (page 105).
You can enable the Synchro Start for the song by simul­taneously pressing the
[TOP] button and the SONG [START/STOP] but-
ton. The song starts as soon as you play the key­board. You can also use this function along with the Styles Synchro Start func­tion (page 61).
n
You can have the volume automatically fade in and fade out at the beginning and end of the song. Simply press the [FADEIN/OUT] button at the start of song playback to fade in the song, and press it again at the end of the song to fade out.
The song starts.
3
REC TOP START / STOP REW FF REPEAT GUIDE
NEW SONG
Adjust the tempo by using the TEMPO [ ][ ] buttons (page 51) or the [TAP TEMPO] button. You can even change the playback speed by tapping out the tempo simply tap the [TAP TEMPO] button twice.
SYNC.START
Songs can also be played back continuously. Set SONG CHAIN PLAY to ON from the SONG SETTING display (page 129).
END
START / STOP
To stop the song immediately, press the button again.
Press the button in order to go back to the previous screen.
EXIT
Make sure that the Language setting for the instrument (page 143) is the same as that of the le name of the song that you are playing back.
CVP-205/203
75
Song Playback
Simultaneously Playing a Song and an Accompaniment Style
When playing back a song and an accompaniment style at the same time, channels 9 ­16 of the song data are replaced with accompaniment style channels — allowing you to use the auto accompaniment styles and features in place of the accompaniment parts of the song. Make the settings below and play your own chord substitutions in place of the song’s chord data.
• [ACMP] button .................. ...ON
• [AUTO FILL IN] button ..... ...ON
Select the song and start playback by pressing the SONG [START/STOP] button.
1
Select the desired accompaniment style.
2
Start the style by pressing the STYLE [START/STOP] button.
3
While the song is playing, insert a break or change sections (with the STYLE
4
section buttons.) Fill-in patterns play when you switch sections.
END
The accompaniment stops when you stop the song. If the accompaniment style is playing and you start the song, the accompaniment automatically stops. How­ever, for internal songs that use accompaniment styles, the accompaniment style is not stopped.
The style automatically stops when the song finishes or is stopped.
Some of the internal songs have been created using the accompaniment styles. For these songs, the accompaniment styles are automatically started when starting song playback.
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CVP-205/203
Playing Back Songs on Disk
Insert the disk into the drive.
Insert the disk shutter side rst and label face up.
The method for playing back is the same as in the “Playing the Internal Songs” instructions (page 75), except that you should select FLOPPY DISK page in the SONG display.
Other Playback-related Operations
Repeat / Rewind / Fast forward
During playback, you can have the song return to the top and play back again from the beginning by pressing this button. When playback is stopped, pressing this button returns the song to the beginning.
REC TOP START / STOP REW FF REPEAT
NEW SONG
SONG POSITION display
When BAR is selected, you can specify a measure number (counted from the beginning of the song) by using the [REW] and [FF] buttons. When PHRASE MARK is selected, specify the phrase mark number by using the [REW] and [FF] buttons.
SYNC.START
Press this button to call up the SONG POSITION display (see below). To return to the SONG display, press the [EXIT] button.
PHRASE MARK is shown only when the song contains phrase marks. Press the [J] button to toggle between BAR and PHRASE MARK, then use the [REW] and [FF] buttons to select the desired measure or phrase mark.
Song Playback
Before proceeding, make sure to read the section Handling the Floppy Disk Drive (FDD) and Floppy Disk (page 6).
n
You can set whether or not the Clavinova automatically calls up the rst disk song when a disk is inserted (page 142).
n
Some song data for the Clavinova has been recorded with special free tempo settings. During play­back of such song data, the measure numbers shown in the display will not corre­spond to the actual mea­sure; this only serves as a reference as to how much of the song has been played back.
n
Songs containing a large amount of data may not be able to be read properly by the instrument, and as such you may not be able to select them. The maximum capacity is about 200– 300KB, however this may differ depending on the data contents of each song.
Phrase Mark
This data species a certain location in the song data. In the included Music Soft­ware Collection songs (CVP-203 only), these are indicated by numbers (1, 2, etc.) in the score.
Adjusting the Volume Balance / Muting Specic Channels
BALANCE
CHANNEL
ON / OFF
PAR T
CHANNEL ON/OFF display
Select the [SONG] tab with the [CHANNEL ON/OFF] button, and mute the desired channel by setting it to [OFF]. To solo a channel (only that channel will sound), hold down the appropriate button corresponding to the channel. To release the solo for the channel, press that channel’s button again.
Press this button to call up the BALANCE display (page 62).
Press this button to call up the CHANNEL ON/OFF display (see below).
Channel
Refers to the MIDI channel in the song data. The chan­nels are assigned as shown below for the CVP-205/203.
Song
1 - 16
Accompaniment Style
9 - 16
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Song Playback
Muting Specific Parts — Track1/Track2/Extra Tracks
This feature lets you mute certain parts of the song (Track1, Track2, Extra Tracks), and play back only those parts you want to hear. For example, if you want to practice the melody of a song, you can mute just the right-hand part and play that part yourself.
Select the song to be played back (page 74).
1
2
Use this button to turn on/off the additional performance parts (all but the right hand/left hand).
SONG
EXTRA TRACKS
(STYLE)
TRACK 2
(L)
TRACK 1
(R)
Use this button to turn on/off the right-hand part.
Use this button to turn on/off the left-hand part.
You can change the channel assignments for Track 1 and Track 2 (page 129), letting you specify which parts are muted when pressing the
[TRACK 1]/[TRACK 2]/ [EXTRA TRACKS] buttons.
All tracks are automatically set to on when selecting a different song.
Start the song.
3
Adjust the tempo by using the TEMPO [ ][ ] buttons (page 51).
REC TOP START / STOP REW FF REPEAT GUIDE
END
To stop the song, press the
START / STOP
button again.
NEW SONG
SYNC.START
Repeat Playback of a Specific Range
This feature allows you to specify a certain range of the song (between Point A and Point B), and play it back repeatedly.
Play back the song (page 75, 77).
1
2
3
REC TOP START / STOP REW FF REPEAT
NEW SONG
SYNC.START
After an automatic lead-in (to help guide you into the phrase), the range from point A to point B is played back repeatedly.
Press this button at the point you want the repeating phrase to start (Point A). Press this button at the point you want the repeating phrase to end (Point B).
Regardless of whether the song is playing back or is stopped, pressing the [TOP] button returns to point A.
You can also specify Points A and B when the song is stopped. Set Point A by pressing the [REPEAT] but- ton, then use the [FF] but­ton to move to the desired end location, then set Point B by pressing the [REPEAT] button again.
Point B cannot be selected unless Point A has been selected rst.
n
Specifying only Point A results in repeat playback between Point A and the end of the song.
78
Stop the song.
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CVP-205/203
START / STOP
END
REPEAT
To cancel the Repeat function, press the button again.
n
The specied A and B points will be erased when selecting a different song number, cancelling the Repeat function, or select­ing a different repeat mode such as Phrase Repeat or repeat in Song Chain Play (page 129).
Using the Practice Functions —Guide
These fun features make it easy to learn new music. The key guide lamps indicate the notes you should play, when you should play them, and how long you should hold them down. Also, when you sing and play along with a song using a connected microphone (CVP-205 only), the Clavinova automatically adjusts the timing of the song to match your vocal performance.
REC TOP START / STOP REW FF REPEAT GUIDE
Song Playback
You can turn the key guide lamps on/off from the SONG SETTING display (page 129).
NEW SONG
SYNC.START
Key guide lamp
Practice Functions
For keyboard performance
Follow Lights
When this is selected, you can see which notes you should play by watching the key guide lamps. They light up in time with music, showing you when to play a note. You can also practice at your own pace — since the accompaniment waits for you to play the notes correctly.
Accompaniment Guide
If the song data you’re using contains chord data and the [ACMP] button is turned on, you can use the guide lamps (page 129) to help you play chords as well. Watch the guide lamps and try playing the appropriate chords.
Any Key
With this function, you can play the melody of a song simply by pressing a single key (any key is OK) in time with the rhythm. As long as you play the key in time with the music, the melody flows smoothly with the song.
You can also determine the timing by which the key guide lamps light to t your playing preference (Guide Lamp Timing; page 129).
n
If you want to learn how to play certain chords, use the Chord Tutor function (page 131).
n
The Accompaniment Guide function cannot be used if the chord ngering method is set to Single Finger, Full
keyboard or AI Full Key­board.
For sing-along performance
Karao-Key
This convenient function lets you control the song and accompaniment playback with just one finger, while you sing along. Simply play a key on the keyboard in time with the music — any key is fine — and the accompaniment parts of the song follow your playing. This lets you control the timing and tempo of the song and accompaniment to perfectly match your singing performance.
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Song Playback
Practicing Music with the Guide Functions
Select the desired practice function from the SONG SETTING page in the
1
FUNCTION display (page 129).
Selects the specic practice function.
Turns the key guide lamps on/off.
Determines the timing by which the key guide lamps light.
JUST ..... The guide lamp lights in time with the
NEXT..... The guide lamps light slightly ahead of the
music, at the same time you should play the appropriate notes.
music, indicating the notes you should play next. The guide lamp ashes if you do not play the key with the correct timing.
Determines whether phrase mark sections in the song will be repeatedly played back or not. When this is set to ON, the specied measures of the phrase play back repeatedly. [REW] button or the [FF] button, and select PHRASE MARK” by pressing the [J] button. Set the desired phrase mark number by using the [REW] and [FF] buttons.
Call up the SONG POSITION display by pressing either the
For details on the SONG SET- TING display, see page 129.
n
The guide lamps light according to song channel recorded to Tracks 1 and 2 and the chord data in the song (when such data is included). Normally, you can leave the AUTO SET CH function set to ON, and the song channel will automati­cally be set. If the results aren't satisfactory, you'll need to match the Channel
SettingTRK1 CH and TRK2 CH parameters to
the appropriate right- and left-hand parts.
n
Phrase Mark
This data species a certain location in the song data. In the included Music Software Collection songs (CVP-203 only), these are indicated by numbers (1, 2, etc.) in the score.
Select the desired song (page 75, 77) and mute the track you wish to practice
2
(page 78).
3
REC TOP START / STOP REW FF REPEAT GUIDE
NEW SONG
REC TOP START / STOP REW FF REPEAT GUIDE
SYNC.START
4
NEW SONG
Start the song and try playing the part you’ve muted. Adjust the tempo by using the TEMPO [ ][ ] buttons (page 51).
SYNC.START
5
REC TOP START / STOP REW FF REPEAT GUIDE
END
n
Track 1 or Tracks 1 & 2 are automatically selected for practicing when calling the practice function as long as you havent muted the track to be practiced.
n
The key guide lamps some­times light an octave or two lower/higher than the actual pitch. Any notes outside of the 88-key range cannot be indicated by the key guide lamps.
n
If the right- and left-hand parts recorded to the song data have not been properly separated, the practice func­tions may not work as expected.
GUIDE
80
NEW SONG
Stop the song.
CVP-205/203
SYNC.START
To turn the practice function, press the button again.
Song Playback
Displaying Music Notation — Score (CVP-205 only)
With this feature, you can have the notation automatically shown on the display as the song plays. This can be used with your own recordings as well as the internal Demo songs.
Select the
1
desired song
2
(page 75, 77).
3
Enables/disables display of the left-hand key range. Depending on other settings, this parameter may be unavailable and may appear grayed out. If this is the case, go to the detailed setting display (shown below; use the [8▲▼] buttons) and set the LEFT CH. parameter to any channel except AUTO.” Or, go to the SONG SETTING display in the Function menu (page 129) and set the TRACK 2 parameter to any channel except OFF.
Enables/disables display of the right-hand key range. Channel 1 is automatically selected when [TRACK1] is set to [OFF] from the SONG SETTING display (page 129).
Enables/disables display of the lyrics. If the selected song does not contain lyric data, lyrics are not displayed.
Enables/disables display of the chords. If the selected song does not contain chord data, chords are not displayed.
Enables/disables display of the note name (pitch).
Determines the display resolution (or zoom level) of the notation.
SMALL ..... Notation is shown in small size.
LARGE ..... Notation is shown in large size.
This calls up the detailed setting display for notation. For details, see the next page.
If the MAIN screen (at left) is not displayed, press the [DIRECT ACCESS] button followed by the [EXIT] but­ton.
The displayed notation is generated by the Clavinova based on the song data. As a result, it may not be exactly the same as com­mercially available sheet music of the same song especially when displaying notation of complicated pas­sages or many short notes.
n
Some song data for the Clavinova has been recorded with special free tempo settings. For such song data, the tempo, beat, measure and music nota­tion will not be displayed correctly.
n
[RIGHT] and [LEFT] cannot be turned off at the same time.
n
The note name is indicated at the left of the note. When the space between the notes is too small, the indi­cation may be moved to the top left of the note.
n
You can increase the num­ber of measures that will be displayed by decreasing the other items to be displayed (parts, lyrics, chords, etc.).
n
When accidentals (sharp and ats) and notes cannot be displayed on one line, they are displayed in the next line from the middle of the measure.
n
The notation functions can­not be used to create song data by inputting notes. For information on creating song data, see page 97.
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81
Song Playback
Detailed Settings for Notation
When LEFT and RIGHT are set to the same channel, the notation of the right-hand notes and left-hand notes are displayed in piano format (two connected staves).
[1▲▼] LEFT CH/[2▲▼] RIGHT CH
This determines the Left channel (channel for the left-hand part) and Right channel (channel for the right-hand part). This setting returns to AUTO when a different song is selected.
AUTO .........................The channels for the right- and left-hand parts are assigned automatically — setting the parts
to the same channel as the channel which is specified in the SONG SETTING display of the
Function menu (page 129).
1-16............................Assigns the part to the specified channel, 1- 16.
OFF (LEFT CH only)....No channel assignment.
[3▲▼], [4▲▼] KEY SIGNATURE
This lets you enter key signature changes in the middle of a song, at the stopped position, allowing you to transpose key at any point within a song. For a list of the key signatures, with their relative minor keys and accidentals, see the chart below.
Key Signatures and Accidentals
C Maj (A min) G Maj (E min) D Maj (B min) A Maj (F min) E Maj (C min) B Maj (G min) F Maj (D min) C Maj (A min)
C Maj (A min) G Maj (E min) D Maj (B min) A Maj (F min) E Maj (C min) B Maj (G min) F Maj (D min)
The note indicates the root note of the major key, and the note indicates the root of the relative minor.
[5▲▼] QUANTIZE
This gives you control over the note resolution in the notation, letting you shift or correct the timing of all displayed notes so that they line up to a particular note value. Make sure to select the smallest note value which is used in the song.
Note resolution:
1/4 note, 1/8 note, 1/16 note, 1/32 note, 1/4 note triplet, 1/8 note triplet, 1/16 note triplet, 1/32 note triplet
Short notes and ornamented notes (such as trills and grace notes) which are shorter than the Note resolu­tion will not be displayed in the notation.
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CVP-205/203
Song Playback
[6▲▼] NOTE NAME
When [NOTE NAME] is set to ON, the note name and solfeggio name (do, re, mi, etc.) are indicated.
ABC ................. Note names are indicated as letters (C, D, E, F, G, A, B).
Fixed Do.......... Note names are indicated in solfeggio and differ depending on the selected language (page 50).
English.............. Do Re Mi Fa Sol La Ti
French..............Ut Re Mi Fa Sol La Si
Italian............... Do Re Mi Fa Sol La Si
German............Do Re Mi Fa Sol La Si
Spanish............. Do re Mi Fa Sol La Si
Japanese...........
Movable Do..... Note names are indicated in solfeggio according to the scale intervals, and as such are relative to
the key. The root note is indicated as Do. For example, in the key of G major the root note of Sol would be indicated as Do. As with “Fixed Do,” the indication differs depending on the selected language.
[8] OK
This closes the detailed setting display and starts generating the notation. You can also execute this by pressing the [ENTER] button on the panel.
[8] CANCEL
This closes the detailed setting display without changing the settings. You can also execute this by pressing the [EXIT] button or [RECORD] button on the panel.
You can select the display pages (one before and after) by the using the [BACK]/ [NEXT] buttons or the pedal (page 131).
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Song Playback
Displaying the Lyrics
This function lets you display the lyrics while the song is playing back — making it easy to sing along with your performance or song playback.
* Microphone input is available only on the CVP-205.
Select the
1
desired song (page 75, 77).
3
2
The language used for lyr­ics display depends on the particular lyric data. If the lyrics are garbled or unread­able, you can remedy this by changing the LYRICS LANGUAGE” setting from the SONG SETTING dis­play (page 129).
If the selected song does not contain lyric data, lyrics are not displayed.
If the selected song con­tains chord data, chord names are displayed with the lyrics.
4
The lyrics are
5
in reverse display along with song playback.
REC TOP START / STOP REW FF REPEAT GUIDE
NEW SONG
Start the song.
SYNC.START
END
REC TOP START / STOP REW FF REPEAT GUIDE
NEW SONG
Stop the song. To return to the previous page, press the button.
SYNC.START
The contents of the display can also be shown on a connected TV (CVP-205 only; page 136, 145).
The lyrics can be changed (page 108).
EXIT
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CVP-205/203
Saving and Recalling Custom Panel Setups — Registration Memory
Registration Memory is a powerful feature that lets you set up the Clavinova just as you want — selecting specific voices, styles, effect settings etc. — and save your custom panel setup for future recall. Then, when you need those settings, simply press the appropriate REGISTRATION MEMORY button.
METRONOME
OFF
START STOP
FADE IN / OUT
MAX
AUTO FILLIN
BREAK
OTS LINK
SONG
EXTRA TRACKS
TRACK 2
TRACK 1
(STYLE)
(L)
(R)
REC TOP START / STOP REW FF REPEAT GUIDE
SYNC.START
NEW SONG
TEMPO
TAP TEMPO
RESET
INTRO
MAIN
ABCD
ENDING / rit. SYNC.STOPSYNC.START START / STOP
MENU
DEMO
A
HELP
B
FUNCTION
DIGITAL
TRANSPOSE
C
STUDIO
SOUND
D
CREATOR
DIGITAL
RESET
E
RECORDING
MIXING
BALANCE
CONSOLE
PART
CHANNEL
ON / OFF
PART
DIRECT ACCESS
12345678
BACK NEXT
MEMORY
VOICE PART
F
ON / OFF
G
H
I
J
EXIT
REGISTRATION MEMORY
FREEZE
MASTER VOLUME
MIN
12345678
STYLE
ACMP
POWER
ON
Registering Panel Setups — Registration Memory
This shows you how to register your custom panel settings to the REGISTRATION MEMORY buttons. Make all the settings you want with the panel controls, and Registration Memory will “remember” them for you.
Set up the panel controls as desired.
1
For a list of the settings that can be registered, refer to the separate Data List (Parameter Chart).
2
REGISTRATION MEMORY
FREEZE
12345678
MEMORY
VOICE EFFECT
LCD
REVERB
DSP VARIATION HARMONY / ECHO MONO LEFT HOLD
CONTRAST
VOICE
PIANO & HARPSI.
E.PIANO ORGAN & ACCORDION PERCUSSION G UITAR BASS
WOODWIND
BRASS
LAYER
ENTER
LEFT
DATA ENTRY
STRINGS CHOIR & PAD SYNTH. XG USER
ONE TOUCH SETTING
MUSIC FINDER
1234
REGISTRATION MEMORY
PIANO
FREEZE
12345678
MEMORY
Keep in mind that songs or styles on disk cannot registered to Registration Memory. If you want to register a disk-based song or style, copy the relevant data to USER in the SONG/STYLE display (page 39) and register the data separately.
3
Select the desired parameter groups for the settings you want to register. You can also use the [DATA ENTRY] dial to navigate in this display. To
register a parameter group, checkmark the corresponding box. Groups left without checkmarks will not be included in the Registration Memory setting. This allows you to maintain certain settings, even when switching among Registration Memory presets. You can also use the Freeze function (page 87) to override the Registration Memory changes letting you prevent certain panel settings from being changed.
Press the desired number button for registering the settings.
END
Indicator is green......The panel setting is registered, but not selected.
Indicator is red .........The panel setting is registered and is currently selected.
Indicator is off ..........The panel setting is not registered.
REGISTRATION MEMORY
FREEZE
12345678
MEMORY
Cancels the registration and returns to the MAIN display. You can also use the [EXIT] button.
Enters a checkmark to the selected box. You can also use the [ENTER] button.
Removes the checkmark from the selected box. You can also
use the [ENTER] button.
Any data that was previ­ously registered to the selected REGISTRATION MEMORY button (indicator is green or red) will be erased and replaced by the new settings.
The registrations registered here will be lost when the power is turned off, unless you perform the Save operation explained on the next page.
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