Roland FR-18 User Manual

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Owner’s Manual

WARNING – To reduce the risk of fire or electric shock, do not expose this device to rain or moisture.

For EU countries

For EU Countries

This product complies with the requirements of European Directive EMC 2004/108/EC.

For the USA

For the USA

FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

—Reorient or relocate the receiving antenna.

—Increase the separation between the equipment and receiver.

—Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

—Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:

(1)This device may not cause harmful interference, and

(2)This device must accept any interference received, including interference that may cause undesired operation.

Unauthorized changes or modification to this system can void the users authority to operate this equipment. This equipment requires shielded interface cables in order to meet FCC class B Limit.

For Canada

For Canada

NOTICE

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.

AVIS

For the UK

For the U.K.

IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.

BLUE: NEUTRAL

BROWN: LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.

ForForthetheUSAUSA

DECLARATION OF CONFORMITY

Compliance Information Statement

V-Accordion FR-18 diatonic

Digital accordion

The technology used in the FR-18 diatonic is covered by U.S. Patent No. 6.946.594.

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Owner’s Manual

Thank you and congratulations on your choice of the Roland FR-18 diatonic V-Accordion.

The FR-18 diatonic is an amazingly versatile electronic instrument that can emulate the sounds of a vast array of diatonic accordions. Its major advantage is that it allows you to change sounds, keyboard layouts (tablatures) and key note without changing instruments. Apart from the financial benefit, this also means that you can use your familiar playing style and techniques while covering a host of different musical genres.

To ensure that you obtain the maximum enjoyment and take full advantage of your FR-18 diatonic, please read this owner’s manual carefully.

About this manual

You should first read the chapter “Before you start playing” on p. 15. It explains how to connect the AC adaptor or install batteries and turn on the power. This owner’s manual explains everything, from the basic functions of the FR-18 diatonic to more advanced functions.

Conventions in this manual

In order to explain the operations as clearly as possible, this manual uses the following conventions:

•Text enclosed in square brackets [ ] indicates the name of a button or knob. Example: the [USER PROG.] button.

•Paragraphs that begin with “NOTE” are cautionary statements that you must read.

•The numbers of pages that you can turn to for additional or related information are given like this: (p. **).

Before using this instrument, carefully read “USING THE UNIT SAFELY” on p. 5 and “Important notes” on p. 9. Those sections provide information concerning the proper operation of the FR-18 diatonic. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, the manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

Copyright © 2011 ROLAND EUROPE. All rights reserved. No part of this publication may be reproduced in any form without the written permission of Roland Europe S.p.a. Roland is either a registered trademark or a trademark of Roland Corporation in the United States and/or other countries.

V-Accordion FR-18 diatonic

Features

1. Features

Adjustable keyboard layout (tablature) and key note

The FR-18 diatonic grants you the possibility to easily configure your favorite keyboard layout. You can choose from among 12 factory tablatures.

Changing the instrument’s tonality is also possible, so that you can play in any key with your FR-18 diatonic. There are 12 different musical keys that can be selected at the press of a button.

Super realistic accordion simulations

The FR-18 diatonic contains sounds that were obtained by sampling popular traditional acoustic diatonic accordions. This diatonic V-Accordion allows you to switch from a traditional Italian “Organetto” to a typical “Tex-Mex” sound without changing instruments, for instance.

Different tuning systems and scales are also available.

Orchestral sounds

8 orchestral sounds are available and can be used in combination with traditional diatonic accordion sounds—complete with full bellows articulation, and unique keyboard modes (Solo, Dual).

In addition, the FR-18 diatonic provides 3 orchestral bass and orchestral chord sounds for the bass and chord sections.

Virtual Tone Wheel organ sounds

The FR-18 diatonic allows you to play amazing organ parts in almost the same way as an organ player using the treble section. Every organ sound features a Rotary effect (both slow and fast).

Drum sounds

You can also use the FR-18 diatonic to play simple drum parts with your left hand (bass and chord sections).

Sound expansion

The FR-18 diatonic provides two internal memory banks that allow you to add new sounds.

PBM (Physical Behavior Modeling)

		The FR-18 diatonic is based on Roland’s sound gener-
		ation technology called “PBM” (Physical Behavior
	r	Modeling) whose sonic result is very close to the
		sound of traditional diatonic accordions.
		The digital advantage
		The FR-18 diatonic includes all functions and sounds
		of a traditional diatonic instrument, thus conveying a
		truly natural feel and sound. Yet it also provides the
		advantages only an electronic musical instrument
		can give you:
		• you can play using any desired keyboard layout (tab-
		lature) and in any key.

•possibility to choose among a variety of sounds.

•you can play with headphones, i.e. without disturbing your neighbors or family.

•tuning stability over time and wear resistance of all mechanical parts.

•reduced overall weight.

Superb performance flexibility

The FR-18 diatonic allows you to control external MIDI-compatible instruments. The treble buttons are velocity-sensitive, while the bellows controller provides more articulation possibilities than any other MIDI keyboard, MIDI wind instrument, etc., you may know.

Sophisticated bellows response

You will love the instrument’s fast response, high sensitivity and detection accuracy of opening/closing movements of the bellows, which have become possible thanks to a new bellows pressure sensing circuitry.

A bellows resistance regulator knob allows you to adjust the bellows’ inertia to your preference.

Save your settings (User Programs) to a USB memory

You can save your settings (User Programs) by connecting an optional USB memory to the FR-18 diatonic’s USB port, allowing you to use them on another FR-18 diatonic, or to share your settings with other FR-18 diatonic users.

Useful accessory

The FR-18 diatonic has a compartment for optional rechargeable Ni-MH (AA-type) batteries, so that you don’t need to connect it to a wall outlet. Consider purchasing such batteries (you will need 8) when performing on stage.

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V-Accordion FR-18 diatonic r

USING THE UNIT SAFELY

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The ● symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

•Do not open (or modify in any way) the unit or its AC adaptor.

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•Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer,

the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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•Never install the unit in any of the following locations.

•Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

•Damp (e.g., baths, washrooms, on wet floors); or are

•Exposed to steam or smoke; or are

•Subject to salt exposure; or are

•Humid; or are

•Exposed to rain; or are

•Dusty or sandy; or are

•Subject to high levels of vibration and shakiness.

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•Make sure you always have the FR-18 diatonic placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.

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•Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptor's

body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock.

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•Use only the supplied power-supply cord. Also, the supplied power cord must not be used with any other device.

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•Do not excessively twist or bend the power cord, or place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!

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•The FR-18 diatonic, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent

hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

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•Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the FR-18 diatonic.

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•Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized

Roland distributor, as listed on the “Information” page when:

•The AC adaptor, the power-supply cord, or the plug has been damaged; or

•If smoke or unusual odor occurs

•Objects have fallen into, or liquid has been spilled onto the unit; or

•The unit has been exposed to rain (or otherwise has become wet); or

•The unit does not appear to operate normally or exhibits a marked change in performance.

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•In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the FR-18 diatonic.

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•Protect the FR-18 diatonic from strong impact. (Do not drop it!)

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V-Accordion FR-18 diatonic

USING THE UNIT SAFELY

•Do not force the FR-18 diatonic’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension

cords—the total power used by all devices you have connected to the extension cord's outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

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•Before using the FR-18 diatonic in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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• Batteries must never be heated, taken apart, or thrown into fire or water.

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•Never expose batteries to excessive heat such as sunshine, fire or the like.

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•Incorrect handling of batteries, rechargeable batteries, or battery charger can cause leakage, overheating, fire, or explosion. Before use, you must read and strictly observe

all of the precautions that accompany the batteries, rechargeable batteries, or battery charger.

When using rechargeable batteries and a charger, use only the combination of rechargeable batteries and charger specified by battery manufacturer.

•The unit and the AC adaptor should be located so its

location or position does not interfere with their proper ventilation.

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•Always grasp only the plug on the AC adaptor cord when plugging into, or unplugging from, an outlet or this unit.

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•At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, discon-

nect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire.

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• Try to prevent cords and cables from becoming entan-

gled. Also, all cords and cables should be placed so they are out of the reach of children.

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• Never climb on top of, or place heavy objects on the unit.

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	• Never handle the AC adaptor or its plugs with wet hands
	when plugging into, or unplugging from, an outlet or this
	unit.
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	• Before moving the unit, disconnect the AC adaptor and
	all cords coming from external devices.
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•Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet (see p. 15).

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•Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet.

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• If used improperly, batteries may explode or leak and cause damage or injury. In the interest of safety, please read and observe the following precautions.

• Carefully follow the installation instructions for batteries, and make sure you observe the correct polarity.

• Avoid using new batteries together with used ones. In addition, avoid mixing different types of batteries.

•Remove the batteries whenever the unit is to remain unused for an extended period of time.

•If a battery has leaked, use a soft piece of cloth or paper towel to wipe all remnants of the discharge from the battery compartment. Then install new batteries. To avoid inflammation of the skin, make sure that none of the battery discharge gets onto your hands or skin. Exercise the utmost caution so that none of the discharge gets near your eyes. Immediately rinse the affected area with running water if any of the discharge has entered the eyes.

•Never keep batteries together with metallic objects such as ballpoint pens, necklaces, hairpins, etc.

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•Used batteries must be disposed of in compliance with whatever regulations for their safe disposal that may be observed in the region in which you live.

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•Keep any button caps and screws you may remove in a safe place out of children's reach, so there is no chance of them being swallowed accidentally.

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V-Accordion r

Contents

1. Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

2. Important notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

3. A first look at your FR-18 diatonic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

The sections of your FR-18 diatonic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Bellows resistance regulator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

4. Panel descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Treble control panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

5. Before you start playing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Getting ready to play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Connecting the AC adaptor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Installing and removing batteries. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Energy saving function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Connecting the FR-18 diatonic to an amplifier, mixer, etc.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Attaching the straps . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Bass strap . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Securing the adapter and/or MIDI cable . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 Personalizing your FR-18 diatonic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Switching the power on and off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 Turning on the power. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 Turning off the power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 Using headphones. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

6. Listening to the demo songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

7. Using Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

8. Selecting and playing sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Treble section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Selecting sounds for the right hand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Selecting the ORCHESTRA/ORGAN mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Transposing the treble section in octave steps . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 Bass and chord section. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 Selecting accordion sounds for the left hand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 Selecting orchestral sounds for the left hand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 Orchestral sounds for the bass section and the chord section . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29 Switching off sections you don’t need (Mute function) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Playing drum/percussion sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Selecting a Drum Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

9. Highlighting some practical functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

How to balance the various sections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Adjusting the chorus and reverb effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 Changing the key note of the keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 Saving the ‘Key’ setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 Changing the configuration of the keyboards (Tablature). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Selecting a tablature with its original key . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Saving your preferred tablature . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Using the metronome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Checking the battery status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Musette Detune. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

10. Saving your settings (User Programs) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Using User Programs during your performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 Saving your current settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 Editing a User Program . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

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FR-18 diatonic V-Accordion

11. Data management via the USB port . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

Saving a User Program Set to a USB memory (optional) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 Loading User Program Sets from a USB memory (optional) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Loading User Set memories from a USB memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Importing Tablature sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 Importing optional expansion sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

12. Editing Function settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41

Selecting the desired function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 About the indications provided by the treble registers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

13. Connecting to MIDI devices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47

Connecting an external MIDI device to the FR-18 diatonic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 About MIDI channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Communication via the USB MIDI port. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 MIDI parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

14. Miscellaneous. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51

Restoring the factory defaults . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Recovering the factory User Set data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Troubleshooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

15. Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53

16. Appendix. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54

Tablatures (default: key of G unless specified otherwise) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54 Demo Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60 Sounds contained in the various Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60 Program Change numbers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64 Bank Select and Program Change RX/TX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

17. Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .69

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8

V-Accordion FR-18 diatonic r

Important notes

2. Important notes

In addition to the items listed under “USING THE UNIT SAFELY” on p. 5, please read and observe the following:

Power supply

•Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise filter between this unit and the electrical outlet.

•The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.

•When installing or replacing batteries, always turn off the power on this unit and disconnect any other devices you may have connected. This way, you can prevent malfunction and/or damage to speakers or other devices.

•Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

Placement

•Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

•This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

•Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.

•Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.

•When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

•Do not allow objects to remain on top of the keyboard. This can be the cause of malfunction, such as keys ceasing to produce sound.

•Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface.

You can place a piece of felt or cloth under the rubber feet to prevent this from happening. If you do so, please make sure that the unit will not slip or move accidentally.

•Avoid the use of insecticides, perfumes, alcohol, nail polish, spray cans, etc., near the unit. Swiftly wipe away any liquid that spills on the unit using a dry, soft cloth.

Maintenance

•For everyday cleaning wipe the FR-18 diatonic with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a mild, non-abrasive detergent. Afterwards, be sure to wipe the instrument thoroughly with a soft, dry cloth.

•Never use benzine, thinner, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and data

•Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up on a USB memory or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland Europe S.p.a. assumes no liability concerning such loss of data.

Precautions for batteries (not supplied)

•The temperature range for use of the batteries depends on the battery type being used. Please see the documentation that came with the batteries.

•Do not use or store batteries at high temperature, such as in strong direct sunlight, in cars during hot weather or directly in front of heaters. This may cause battery fluid leakage, impaired performance and shorten the batteries’ service life.

•Do not splash fresh or saltwater on a battery or allow the terminals to become damp. This may cause heat generation and formation of rust on the battery and its terminals.

•Keep the batteries out of reach of babies or small children.

•Do no strike or drop the batteries. Strong impact can cause leakage of battery fluid, heat generation, bursting or fire.

•Never try to connect several batteries in parallel as this may cause leakage of battery fluid, heat generation, bursting or fire.

•Do not alter or remove protective mechanisms or other parts. Never disassemble the batteries.

Additional precautions

•Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit's memory to a USB memory.

•Unfortunately, it may be impossible to restore the contents of data that was stored on a USB memory once it has been lost. Roland Europe S.p.a. assumes no liability concerning such loss of data.

•Use a reasonable amount of care when using the unit's buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

•When connecting/disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable's internal elements.

•To avoid disturbing your neighbors, try to keep the unit's volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).

•When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

•Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.

9

V-Accordion FR-18 diatonic

Important notes

Storage devices that can be connected to the

FR-18 diatonic’s USB port

•The FR-18 diatonic allows you to connect commercially available USB memories. You can purchase such devices at a computer store, a digital camera dealer, etc.

•Use USB memory sold by Roland. We cannot guarantee operation if any other USB memory is used.

Before using external USB memories

•When connecting a USB memory, firmly insert it all the way into the FR-18 diatonic’s USB port.

•Do not touch the pins of the FR-18 diatonic’s USB port or allow them to become dirty.

•While using an external USB memory, please observe the following points when handling it:

•To prevent damage from static electrical charges, discharge any static electricity that might be present in your body before handling a USB memory.

•Do not touch the terminals with your fingers or any metal object.

•Do not bend or drop a USB memory, or subject it to strong impact.

•Do not leave a USB memory in direct sunlight or in locations such as a closed-up automobile.

•Do not allow a USB memory to become wet.

•Do not disassemble or modify your external USB memory.

•Do not insert anything other than a USB memory (e.g., wire, coins, other types of device) into the USB port. Doing so will damage the FR-18 diatonic’s USB port.

•Do not apply excessive force to the connected USB memory or the FR-18 diatonic’s USB port.

•Never connect your USB memory to the FR-18 diatonic via a USB hub.

•Never insert or remove a USB memory while this unit's power is on. Doing so may corrupt the unit's data or the data on the USB memory.

•Carefully insert the USB memory all the way in—until it is firmly in place.

Notice

•Roland and V-Accordion are either registered trademarks or trademarks of Roland Corporation in the United States and/or other countries.

•MMP (Moore Microprocessor Portfolio) refers to a patent portfolio concerned with microprocessor architecture, which was developed by Technology Properties Limited (TPL).

Roland has licensed this technology from the TPL Group.

•All product names mentioned in this document are trademarks or registered trademarks of their respective owners.

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10

V-Accordion FR-18 diatonic r

A first look at your FR-18 diatonic

3. A first look at your FR-18 diatonic

Let us first take a look at how the FR-18 diatonic is organized and how it is operated.

The sections of your FR-18 diatonic

Let’s briefly look at the various “sections” of your instrument, as that will help you understand how your FR-18 diatonic works.

Bellows

Bass and chord section

Treble section

ATreble section (right-hand manual)

This section is normally used for playing the melody. It is velocity sensitive.

BBass and chord section (left-hand manual)

This section is normally used to play the accompaniment. The FR-18 diatonic’s bass and chord section is velocity sensitive.

CBellows

The bellows is an extremely important part of any accordion. The movement of the bellows indeed lends expression and dynamics to the sound.

The bellows of the FR-18 diatonic is so accurate and responsive that you have perfect control over your performance.

The bellows’ inertia can be set with the resistance regulator and air button.

Bellows resistance regulator

Your FR-18 diatonic is equipped with a bellows resistance regulator and air button that allows you to specify the bellows’ inertia (the force needed to push and pull it).

Bellows resistance regulator. Press and turn to select the bellows’ resistance.

B

A

Air buttons: press to purge remaining air after playing.

It is located next to one of the bellows clips and mounted onto the air button (which allows you to release remaining air from the bellows without producing sound).

•Press the wheel and rotate it clockwise to select a stronger inertia.

•Press the wheel and rotate it counterclockwise to select a lighter inertia.

•Press either of the two air buttons (1, 2) to purge the remaining air from the bellows and close it without sound.

11

V-Accordion FR-18 diatonic

Panel descriptions

4. Panel descriptions

Treble control panel

B C F G I L

r

A D E H J K M

Note: In addition to their main function (top legend), most buttons and registers shown here have a second (sometimes even a third) function (bottom legend), that is usually available in Function mode (see p. 41).

	A USB MEMORY port	• the desired Orchestral/Organ sound (total 12).
	The USB MEMORY port allows you to connect an	• (FUNCTION mode) the desired preset parameter
	optional USB memory to the FR-18 diatonic. It can be	value, User Program settings.
	used to save and load User Programs, to load User	G ORCHESTRA/ORGAN button
	Sets as well as new sounds and new tablatures.
		This button allows you to turn the Orchestral/Organ
	NOTE	sounds on/off.

Use a USB memory sold by Roland. We cannot guarantee operation if any other USB memory is used.

BORCH. BASS button

This button allows you to switch orchestral bass mode on/off. When it is on, the bass section plays the selected orchestral sound.

CORCH. CHORD button

This button allows you to turn the orchestral chord mode on/off. When it is on, the chord section plays the selected orchestral sound.

DLEFT REGISTER button

This button is used to assign the three bass registers (the large gray registers) either to the BASS (light off) or to the CHORD (light on) section. See p. 28 for details. It also allows you to check the battery status (page 34).

EFUNCTION/SET register

This register allows you:

•to recall one of the 12 diatonic accordion types (accordion SETs). There are 4 families.

•(FUNCTION mode) to access “hidden” parameter and MIDI functions, such as:

‰editing settings and MIDI parameters

‰changing octaves (page 27)

FTreble registers (1~4)

The Treble section provides 4 switches (“registers”) allowing you to select:

•a diatonic accordion type (12 accordion types divided over 4 families – “accordion sets”).

•the desired accordion sound of the selected accordion family.

HUSER PROGRAM/DEC button

This button allows you:

•to turn the User Program On/Off.

•(FUNCTION mode) to decrease parameter values.

IDRUMS/DEFAULT button

This button allows you:

•to switch the Drums function (page 30) on and off.

•(FUNCTION mode) to recall the saved setting for the selected parameter.

JTABLATURE/INC button

This button allows you:

•to select your desired tablature.

•(FUNCTION mode) to increase parameter values.

KKEY/DEMO button

This button allows you:

•to select the Key note in which you want to play your music

•to listen to the FR-18 diatonic’s demo songs (press and hold the button).

LPOWER button

Press this button to switch FR-18 diatonic on (the button lights) and off (the button goes dark).

NOTE

If you need to turn off the power completely (when using the supplied AC adaptor), first turn off the [POWER] switch, then disconnect the AC adaptor’s plug from the wall outlet.

MVOLUME knob

This knob allows you to set the overall volume.

12

V-Accordion FR-18 diatonic r

Bass control panel

Bass control panel

N

O

NBass registers

These switches allow you to select the desired bass and chord sounds. These registers do not illuminate. They include the following types (footages) for accordion sounds:

Bass registers

Register	Bass	Chord
1	8’	8’, 4’
2	16’, 8’, 4’	8’, 4’
3	16’, 8’	8’, 4’

OBass and chord buttons

These 18 button keys are used to play:

•bass notes and chords (like on an acoustic diatonic accordion).

•orchestral bass and orchestral chord sounds;

•drum sounds;.

They are velocity-sensitive.

16’/8’	16’/8’
Full Chord	Chord –3^

The bass registers are also used to select orchestral sounds for the bass or chord section.

13

V-Accordion FR-18 diatonic

Panel descriptions

Battery compartment

P

P Battery compartment

This is where you install 8 commercially available rechargeable AA-type Ni-MH batteries (see p. 16).

Connection panel

r

A B

ADC IN socket

This is where you need to connect the supplied power adapter (PSB-1U). Note that you can also purchase 8 rechargeable AA-type Ni-MH batteries and use the FR-18 diatonic without the adapter.

BMIDI OUT/IN socket

This socket can be used to connect the FR-18 diatonic to an external MIDI device to receive or transmit MIDI data. When the “MIDI OUT/IN” parameter (see p. 50) is set to “In”, the FR-18 diatonic doesn’t play: it only receives MIDI messages.

CUSB MIDI port

This port can be connected to a USB port of your computer (see p. 48). Please use a commercially available USB cable.

DOUTPUT L/MONO (TREBLE) & R/MONO (BASS) sockets

These sockets can be connected to an amplifier, a mixing console or a commercially available wireless system. If you use both connectors, the FR-18 diatonic’s output is stereo. In that case the signals of the Treble section is transmitted to the L/MONO socket, while the R/MONO socket transmits the bass (and chord) signals. If you only use one audio cable (connected to the “L” or “R” socket), the FR-18 diatonic’s output is mono.

C D E

EPHONES socket

This is where you can connect the supplied earphones or optional stereo headphones (Roland RH-series). Doing so does not mute the OUTPUT sockets.

NOTE

When using the supplied earphones, do not set the volume too high (i.e. past “12 o’clock”) to avoid distortion.

■Important handling notes

•After connecting any cable to the FR-18 diatonic, be sure to never place it on the side when not using it.

•Always let FR-18 diatonic stand on its rubber feet (and in the corresponding direction) to avoid damaging the plugs.

•Always handle and move the FR-18 diatonic with care and pay special attention to the cable slack to avoid damaging or bending the cables.

•If you place the FR-18 diatonic on your lap, ensure that the audio and adaptor cables run between your legs (not sideways) to avoid damaging or bending the cables.

14

V-Accordion FR-18 diatonic r

Before you start playing

5. Before you start playing

Getting ready to play

The FR-18 diatonic is an electronic instrument that requires some form of electrical power. This chapter explains how to power your V-Accordion using the supplied adaptor or 8 commercially available rechargeable batteries (AA type Ni-MH). Consider purchasing such batteries when performing on stage.

In addition, since the FR-18 diatonic has no loudspeakers inside, you will learn how to connect it to an external amplification system.

Connecting the AC adaptor

NOTE

To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

1. Turn the [VOLUME] knob all the way towards the small dot to minimize the volume.

2. Connect the included power cord to the AC adapter.

The indicator will light once you plug the AC adapter into a wall outlet.

Place the AC adaptor so that the side with the indicator (see illustration) faces upwards and the side with textual information faces downwards.

To the FR-18 diatonic’s DC IN connector

AC adaptor

Power cord

To a wall outlet

Indicator

NOTE

Depending on your region, the included power cord may differ from the one shown above.

NOTE

Be sure to use only the AC adaptor supplied with the unit (PSB-1U). Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptor’s body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock.

3. Connect the AC adaptor to the FR-18 diatonic’s DC IN jack.

To a wall outlet

4. Plug the power cord into a power outlet.

Now that the FR-18 diatonic is connected to a wall outlet, you can continue with the section “Switching the power on and off” on p. 21. To use the FR-18 diatonic with batteries, see “Installing and removing batteries” on p. 16.

NOTE

If the FR-18 diatonic is to remain unused for an extended period of time, unplug the adaptor.

NOTE

To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the AC adaptor jack, anchor the power cord. “Securing the adapter and/or MIDI cable” on p. 19.

15

V-Accordion FR-18 diatonic

Before you start playing

Installing and removing batteries

Your FR-18 diatonic has a compartment into which you can install 8 optional rechargeable AA-type Ni-MH batteries (not supplied). You can therefore play your instrument without connecting the supplied adapter.

1. Switch off the FR-18 diatonic.

2. Remove the cover from the FR-18 diatonic’s battery compartment by pressing the two tabs and lifting the cover.

3. Insert 8 rechargeable AA-type batteries into the compartment, taking care to orient them in accordance with the “+” and “–” indications.

4. Close the FR-18 diatonic’s battery compartment.

Note about rechargeable batteries

Certain batteries can be recharged several times before they need to be replaced with a new ones. Note that it is normal for the batteries to last increasingly shorter as time goes by. At the end of their life cycle, they may only last one hour, for example. But that is a gradual process.

Battery duration

New or fully charged batteries should last about 5.5 hours (for 2000mAh Ni-MH batteries) during continuous operation.

NOTE

Though it is perfectly possible to use rechargeable batteries, be aware that they cannot be recharged simply by leaving them in the FR-18 diatonic’s compartment and connecting the adapter. You will need an external charging unit.

r	NOTE
	We recommend using rechargeable AA-type Ni-MH batter-
	ies.
	NOTE
	When replacing batteries, be sure to insert them correctly
	(ensure correct polarity).
	NOTE
	Remove the batteries whenever FR-18 diatonic is to remain
	unused for an extended period of time.

NOTE

Actual battery life varies according to usage conditions, the quality of the batteries and the number of charging cycles.

Energy saving function

NOTES

This unit has an Auto Power Off function, which automatically switches off the power after a certain amount of time has passed without any buttons being operated.

You can disable the Auto Power Off function. For more about the Auto Power Off function, refer to “Auto Power Off” on p. 46.

16

Connecting the FR-18 diatonic to an amplifier, mixer, etc.

The FR-18 diatonic needs to be connected to an amplification system. If you are using optional batteries and need to connect the FR-18 diatonic to a PA system or mixer, we recommend using a commercially available wireless system to avoid having to use excessively long signal cables.

You can also use the supplied earphones or a pair of optional headphones (Roland RH-series).

NOTE

To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

NOTE

When using the supplied earphones, do not set the volume too high (i.e. past “12 o’clock”) to avoid distortion.

1. Turn the [VOLUME] knob all the way towards the small dot to minimize the volume.

2. Switch off all devices.

3. Connect the FR-18 diatonic’s OUTPUT jacks to the inputs of your external device.

V-Accordion FR-18 diatonic r

Connecting the FR-18 diatonic to an amplifier, mixer, etc.

NOTE

You can also use a pair of headphones (Roland RH-series).

Attaching the straps

Proceed as follows to attach the straps to your FR-18 diatonic:

1. Unpack the straps.

The FR-18 diatonic comes with two straps, each with two ends: the upper end is fitted with a velcro strip and the clip, the lower end is not. See the illustration below:

2. Put the FR-18 diatonic on a stable surface as shown in the illustration below.

Left holder ring

OUTPUT	INPUT
L/MONO (Treble) + R/MONO (Bass)	L + R

Use either a long signal cable (10m or more) or a commercially available wireless system (recommended).

Please choose unbalanced (mono) cables with 1/4” jacks at one end (for the FR-18 diatonic). The connectors at the other end need to match the input sockets of the device to which you are connecting the FR-18 diatonic.

NOTE

Be sure to read “Important handling notes” on p. 14.

NOTE

If your amplifier is monaural, you only need to connect the L/MONO socket.

NOTE

If you use a commercially available wireless transmitter, the FR-18 diatonic’s output signals may distort. In that case, change the FR-18 diatonic’s volume setting.

3. Slide the upper end (with the velcro strip) of one strap through the left holder ring (see the illustration).

4. Attach the strap’s upper part to the velcro layer below it.

17

V-Accordion FR-18 diatonic

Before you start playing

5. Close the security clip to ensure that the strap cannot come loose.

9. Turn the strap end around and insert it into the lower eyelet, then pull it tight.

6. Repeat steps (3)~(5) for the other strap.

The upper strap ends should look as follows:

NOTE

You may want to adjust the length first to suit your preference.

10. Slide the plastic clip over the loose and long lower strap ends to secure the strap.

7. Slide the lower end of one strap through the right holder ring as shown.

11. Repeat steps (7)~(9) for the other lower strap end.

Bass strap

The FR-18 diatonic’s bass strap (used to move the bellows in and out) is made of fabric and fitted with a velcro strip that allows you to adjust its slack.

8. Slide the strap end through the upper eyelet of its plastic buckle (see the illustration).

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18

Securing the adapter and/or MIDI cable

Proceed as follows to ensure that the adapter cable –or a MIDI cable– doesn’t come loose while you are playing.

Your FR-18 diatonic comes with an adapter and an attachment strip that allows you to secure the adapter cable and optional MIDI as well as audio cables to the right strap.

1. Prepare the adapter cable and the attachment strip as follows:

V-Accordion FR-18 diatonic r

Securing the adapter and/or MIDI cable

4. Keep winding the attachment strip around the strap until your assembly looks as follows:

5. Reverse these steps to remove and disconnect the adapter and/or MIDI and audio cables when you want to stop playing.

Be sure to attach the strip before the ferrite core on the adapter cable. If you like, you can also add the MIDI cable and audio cables to this assembly.

2. Secure the attachment strip as shown in the illustration, making sure that the ferrite core cannot slide out of the loop.

3. Hold the adapter cable close to the right strap and wind the attachment strip around it as shown.

The strip is fitted with a Velcro layer that holds it in place.

19

V-Accordion FR-18 diatonic

Before you start playing

Personalizing your FR-18 diatonic

The artwork you see behind the treble registers (above the Roland logo) can be replaced either with one of the sheets supplied with the FR-18 diatonic or with a graphic you create yourself. To do so, proceed as follows:

1. Use the supplied hexagonal wrench to loosen the two screws holding the “traforo” cover:

There is one screw on either side.

Be careful not to turn the screws too far—they should remain in the traforo cover.

2. After loosening both screws, you can open the traforo cover:

4. Secure the traforo cover by tightening the two screws using the supplied hexagonal wrench.

r

NOTE

Be careful not to scratch the housing of your FR-18 diatonic.

3. Remove the sheet from underneath the traforo cover and insert another one.

While creating your own sheet, pay attention to the following:

•You can use your color printer and a graphic program to create your own artwork.

•Be sure to use paper or rather thin media—card- board is usually too thick.

•For a professional look, be sure to prepare a sheet with the following dimensions: 297mm (L) x 89mm

(H).

20

Switching the power on and off

Once the connections have been completed (see p. 17), turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.

Turning on the power

1. Turn the [VOLUME] knob all the way towards the small dot to minimize the volume.

2. To switch the FR-18 diatonic on, press its [POWER] button.

The [POWER] button lights.

3. Switch on the external amplifier, mixing console, etc.

4. Turn the [VOLUME] knob clockwise to set the volume to an appropriate level.

5. Adjust the volume of the receiving audio device.

Turning off the power

1. Turn the [VOLUME] knob all the way towards the small dot to minimize the volume.

If you connected the FR-18 diatonic to an amplifier, etc., set its volume to the minimum value as well.

NOTE

This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally.

V-Accordion FR-18 diatonic r

Switching the power on and off

NOTE

This unit has a function that automatically switches off the power after a certain amount of time has passed without any buttons being operated.

You can disable this function. See “Auto Power Off” on

p.46.

2.Press the FR-18 diatonic’s [POWER] button (its indicator goes dark).

Using headphones

The FR-18 diatonic has a socket for plugging in headphones. This allows you to play without having to worry about bothering others around you, even at night.

1. Plug the headphones into the [PHONES] jack located on the FR-18 diatonic’s connection panel.

NOTE

Use stereo headphones. Please use only Roland headphones. Headphones from other manufacturers may be unable to provide sufficient volume.

2. Use the FR-18 diatonic’s [VOLUME] knob to adjust the headphone volume.

■Cautions when using headphones

•To prevent damage to the cord’s internal conductors, avoid rough handling. When using headphones, mainly try to handle either the plug or the headset.

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V-Accordion FR-18 diatonic

Before you start playing

•Your headphones may be damaged if the volume of a device is already turned up when you plug them in. Minimize the volume before you plug in the headphones.

•Excessive input will not only damage your hearing, but may also strain the headphones. Please enjoy music at an appropriate volume.

r

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