• Do not attempt to repair the unit,
or replace parts within it (except
when this manual provides
specific instructions directing
you to do so). Refer all servicing
to your retailer, the nearest
Roland Service Center, or an
authorized Roland distributor, as
listed on the “Information” page.
• Make sure you always have the
unit placed so it is level and sure
to remain stable. Never place it
on stands that could wobble, or
on inclined surfaces.
The symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.
008b
• Use only the specified AC
adaptor (PSA series), and make
sure the line voltage at the installation matches the input voltage
specified on the AC adaptor’s
body. Other AC adaptors may
use a different polarity, or be
designed for a different voltage,
so their use could result in
damage, malfunction, or electric
shock.
• Do not excessively twist or bend
the power cord, nor place heavy
objects on it. Doing so can
damage the cord, producing
severed elements and short
circuits. Damaged cords are fire
and shock hazards!
• In households with small
children, an adult should
provide supervision until the
child is capable of following all
the rules essential for the safe
operation of the unit.
• Before using the unit in a foreign
country, consult with your
retailer, the nearest Roland
Service Center, or an authorized
Roland distributor, as listed on
the “Information” page.
• Immediately turn the power off,
remove the AC adaptor from the
outlet, and request servicing by
your retailer, the nearest Roland
Service Center, or an authorized
Roland distributor, as listed on
the “Information” page when:
• The AC adaptor or the power-
supply cord has been
damaged; or
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has
been spilled onto the unit; or
• The unit has been exposed to rain (or
otherwise has become wet); or
• The unit does not appear to operate
normally or exhibits a marked change
in performance.
• Do not force the unit’s powersupply cord to share an outlet
with an unreasonable number of
other devices. Be especially
careful when using extension
cords—the total power used by
all devices you have connected to
the extension cord’s outlet must
never exceed the power rating
(watts/amperes) for the
extension cord. Excessive loads
can cause the insulation on the
cord to heat up and eventually
melt through.
• At regular intervals, you should
unplug the AC adaptor and clean
it by using a dry cloth to wipe all
dust and other accumulations
away from its prongs. Also,
disconnect the power plug from
the power outlet whenever the
unit is to remain unused for an
extended period of time. Any
accumulation of dust between
the power plug and the power
outlet can result in poor
insulation and lead to fire.
• Used batteries must be disposed
of in compliance with whatever
regulations for their safe disposal
that may be observed in the region in
which you live.
• If used improperly, batteries
may explode or leak and cause
damage or injury. In the interest
of safety, please read and
observe the following precautions (p. 11).
1
• Carefully follow the instal-
lation instructions for
batteries, and make sure you
observe the correct polarity.
2
• Avoid using new batteries
together with used ones. In addition,
avoid mixing different types of
batteries.
3
• Remove the batteries whenever the
unit is to remain unused for an
extended period of time.
5
• If a battery has leaked, use a soft piece
of cloth or paper towel to wipe all
remnants of the discharge from the
battery compartment. Then install new
batteries. To avoid inflammation of the
skin, make sure that none of the
battery discharge gets onto your hands
or skin. Exercise the utmost caution so
that none of the discharge gets near
your eyes. Immediately rinse the
affected area with running water if any
of the discharge has entered the eyes.
6
• Never keep batteries together with
metallic objects such as ballpoint pens,
necklaces, hairpins, etc.
In addition to the items listed under “USING THE UNIT
SAFELY” on page 2, please read and observe the following:
Power Supply: Use of
Batteries
301
• Do not connect this unit to same electrical outlet that is
being used by an electrical appliance that is controlled by
an inverter (such as a refrigerator, washing machine,
microwave oven, or air conditioner), or that contains a
motor. Depending on the way in which the electrical
appliance is used, power supply noise may cause this unit
to malfunction or may produce audible noise. If it is not
practical to use a separate electrical outlet, connect a
power supply noise filter between this unit and the
electrical outlet.
302
• The AC adaptor will begin to generate heat after long
hours of consecutive use. This is normal, and is not a
cause for concern.
303a
• The use of an AC adaptor is recommended as the unit’s
power consumption is relatively high.
304a
• When installing or replacing batteries, always turn off the
power on this unit and disconnect any other devices you
may have connected. This way, you can prevent
malfunction and/or damage to speakers or other devices.
306b
• Batteries are supplied with the unit. The life of these
batteries may be limited, however, since their primary
purpose was to enable testing.
307
• Before connecting this unit to other devices, turn off the
power to all units. This will help prevent malfunctions
and/or damage to speakers or other devices.
Placement
352a
• This device may interfere with radio and television
reception. Do not use this device in the vicinity of such
receivers.
354a
• Do not expose the unit to direct sunlight, place it near
devices that radiate heat, leave it inside an enclosed
vehicle, or otherwise subject it to temperature extremes.
Excessive heat can deform or discolor the unit.
355b
• When moved from one location to another where the
temperature and/or humidity is very different, water
droplets (condensation) may form inside the unit. Damage
or malfunction may result if you attempt to use the unit in
this condition. Therefore, before using the unit, you must
allow it to stand for several hours, until the condensation
has completely evaporated.
360
• Depending on the material and temperature of the surface
on which you place the unit, its rubber feet may discolor
or mar the surface.
Maintenance
401a
• For everyday cleaning wipe the unit with a soft, dry cloth
or one that has been slightly dampened with water. To
remove stubborn dirt, use a cloth impregnated with a
mild, non-abrasive detergent. Afterwards, be sure to wipe
the unit thoroughly with a soft, dry cloth.
402
• Never use benzine, thinners, alcohol or solvents of any
kind, to avoid the possibility of discoloration and/or
deformation.
Repairs and Data
452
• Please be aware that all data contained in the unit’s
memory may be lost when the unit is sent for repairs.
Important data should always be backed up in another
MIDI device (e.g., a sequencer), or written down on paper
(when possible). During repairs, due care is taken to avoid
the loss of data. However, in certain cases (such as when
circuitry related to memory itself is out of order), we
regret that it may not be possible to restore the data, and
Roland assumes no liability concerning such loss of data.
Additional Precautions
551
• Please be aware that the contents of memory can be
irretrievably lost as a result of a malfunction, or the
improper operation of the unit. To protect yourself against
the risk of loosing important data, we recommend that
you periodically save a backup copy of important data
you have stored in the unit’s memory in another MIDI
device (e.g., a sequencer).
552
• Unfortunately, it may be impossible to restore the contents
of data that was stored in another MIDI device (e.g., a
sequencer) once it has been lost. Roland Corporation
assumes no liability concerning such loss of data.
553
• Use a reasonable amount of care when using the unit’s
buttons, sliders, or other controls; and when using its jacks
and connectors. Rough handling can lead to malfunctions.
554
• Never strike or apply strong pressure to the display.
556
• When connecting / disconnecting all cables, grasp the
connector itself—never pull on the cable. This way you
will avoid causing shorts, or damage to the cable’s
internal elements.
558b
• To avoid disturbing your neighbors, try to keep the unit’s
volume at reasonable levels (especially when it is late at
night).
558c
• Since sound vibrations can be transmitted through floors
and walls to a greater degree than expected, take care not
to allow such sound to become a nuisance to neighbors,
especially at night and when using headphones.
559a
• When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise,
you will need to use equivalent packaging materials.
561
• Use only the specified expression pedal (Roland EV-5,
BOSS FV-500L or FV-500H; sold separately). By
connecting any other expression pedals, you risk causing
malfunction and/or damage to the unit.
Main Features.............................................................................................................................................. 7
How to Copy MIDI Streams........................................................................................................39
How to Delete MIDI Streams ......................................................................................................40
Setting the Timing for Transmission of OFF MIDI Streams ................................................... 40
Setting the Amp Control .............................................................................................................. 41
Change the Pedal Settings....................................................................................................................... 42
Set the Patch Name .................................................................................................................................. 44
Lights when the effect being controlled with the EXP PEDAL SW is on, and goes out
when the effect is turned off.
9
Page 10
Introduction
Rear Panel
2
3
4
1
1
Security Slot
http://www.kensington.com/
2
MODE jack
Connect an optional footswitch (such as the BOSS FS-5U) here.
The function is the same as that when the [] and [] pedals are held down
simultaneously.
3
EXP PEDAL/CTL jack
Connect an optional expression pedal (such as the Roland EV-5, BOSS FV-500L/FV500H) or footswitch (such as the BOSS FS-5U/FS-6) here.
4
AMP CONTROL 1, 2 jack
When using the AMP CONTROL function, connect to the jack used for switching
guitar amp channels.
5
MIDI connectors (OUT, IN)
Connect an external MIDI device to these connectors to transmit and receive MIDI
messages.
5
6
Be sure to connect the RRC2
OUT connector to a device
with an RRC2 IN connector.
Use of the connection with
other devices may cause
generation of heat and damage
to the equipment.
8
7
9
10
6
RRC2 OUT connector
You can connect an external RRC2 IN device here to transmit and receive
performance data between the devices.
At the same time, the FC-300 can be powered by the external RRC2 IN device.
7
POWER switch
Turns the power on and off.
8
DC IN (AC Adaptor) jack
Connect the AC adaptor (PSA series; sold separately) here.
9
Cord Hook
Hook the AC adaptor cord here to prevent the adaptor plug from being
disconnected. Refer to
“Connecting an AC Adaptor”
(p. 12).
When running on power
supplied by an RRC2 IN
device, the power is switched
on regardless of the position of
the POWER switch.
RRC2 is a Roland standard
developed to enable two-way
communications between
RRC2 IN devices and RRC2
OUT devices, while supplying
power to the RRC2 OUT
device from the RRC2 IN
device, all with a single cable.
You must use only the PSA
series AC adaptor. Use of any
other adaptor may cause
overheating or malfunctions.
Page 11
Making the Connections
j
BOSS FS-5U
BOSS FS-6
BA
928
b
When making connections to other equipment, be sure that all equipment is
switched off. If you try to make connections while the power is turned on, the
settings for the FC-300 may be changed.
Connections To Make When Using the FC-300 as a
MIDI Foot Controller
fig.
AC Adaptor
BOSS PSA series
PCS-31PCS-31
White RedWhite Red
BOSS
FS-5U
EV-5 etc.
BOSS
FS-5U
BOSS
FS-5U
BOSS
FS-6
If you want to use a footswitch for changing the mode, be sure to connect a BOSS FS5U/FS-6 footswitch (Optional) to the MODE jack.
When using the FS-5U or FS-6, set the polarity switch as shown below.
fig.FS-5U.eps
Connect to footswitch jack
Guitar Amp etc.
External Sound Module
MIDI IN
MIDI OUT
MIDI Sequencer etc.
Introduction
921
Before connecting other
devices, always be sure to turn
down the volume on all
devices and turn off their
power to prevent malfunction
and damage to the speakers (or
other components) of
connected devices.
922
This instrument is equipped
with 1/4 inch TRS phone type
acks. Wiring diagrams for
these jacks are shown below.
Make connections after first
checking the wiring diagrams
of other equipment you intend
to connect.
fig.XLR/TRSJack.eps
Install batteries
The FC-300 is not loaded with batteries when purchased.
When running the FC-300 on battery power, install the batteries using the following figure.
fig.change-battery.eps
• When turning the unit
upside-down, get a bunch of
newspapers or magazines,
and place them under the
four corners or at both ends
to prevent damage to the
buttons and controls. Also,
you should try to orient the
unit so no buttons or
controls get damaged.
929
• When turning the unit
upside-down, handle with
care to avoid dropping it, or
allowing it to fall or tip over.
When the battery power
egins to run low, “Battery
Low!” appears in the display.
When this occurs, replace with
new batteries as soon as
possible.
Pressing [EXIT] clears the
message from the display.
11
Page 12
Introduction
925
Use only the specified
expression pedal (Roland EV-
5, BOSS FV-500L/FV-500H;
each sold separately). By
connecting any other
expression pedals, you risk
causing malfunction and/or
damage to the unit.
Carefully connect the RRC2
cable or Ether cable all the way
in—until it is firmly to the
RRC2 connector.
Ethernet cables designed for
crossover connections cannot
be used.
Do not subject the RRC2 cable
and the Ether cable to stress or
physical shock.
PCS-31PCS-31
Connect to footswitch jack
RRC2 cable
RRC2 IN device
EV-5 etc.
Guitar Amp etc.
BOSS
FS-6
BOSS
FS-5U
BOSS
FS-5U
BOSS
FS-5U
White RedWhite Red
Connecting an AC Adaptor
If you’re using a BOSS PSA series AC adaptor, here’s how to connect the cord and
secure it on the cord hook.
fig.CordHook.j.eps
The cord of
the supplied AC Adaptor
Cord Hook
To the Power Outlet
Connections To Make When Using the FC-300 as a
Dedicated Foot Controller for an RRC2 IN Device
(e.g., the VG-99)
fig.
* Power is supplied from the RRC2 IN device, so no batteries or AC adaptor is necessary.
* If using commercially available ethernet cable as the RRC2 connecting cable, be sure that
the cable meets the following specifications.
• Category 5 (Cat5) or above
• Maximum length of 15 meters
12
• Cable designed for straight-through connections
Page 13
Turning the Power On and Off
b
b
Once the connections have been completed (p. 11), turn on power to your various
devices in the order specified. Turning on devices in the wrong order may cause
malfunction or damage to the speakers (or other components) of connected devices.
When Using the FC-300 as a MIDI Foot Controller
Turning On the Power
fig.power-on.eps
First, check that you are connected properly with the external MIDI
instrument. Then set the power switch on the FC-300 to “ON.”
fig.
When the power is turned on, the FC-300 starts up in Standard Mode.
Turning Off the Power
Introduction
In addition, it starts up with
the MIDI channel set to “1,”
ut you can change the startup
MIDI channel if you want.
Refer to “Setting the MIDI
Transmit Channel”
(p. 52).
1
Switch off the power to the device connected to the FC-300.
2
Set the FC-300’s POWER switch to OFF.
When Using the FC-300 as a Dedicated Foot
Controller for an RRC2 IN Device (e.g., the VG-99)
Turning On the Power
First, check that you are connected properly with the RRC2 IN device. Then set the
power switch on the RRC2 IN device to “ON.”
fig.
2
Turn on the power of RRC2 IN device.
1
Connect the RRC2 cable.
Carefully connect the RRC2
cable or Ether cable all the way
in—until it is firmly to the
RRC2 connector.
When the RRC2 IN device’s
POWER switch is set to ON,
the FC-300’s power switches
on automatically, regardless of
the position of the FC-300’s
POWER switch.
Turning Off the Power
Switch off the power to the RRC2 IN device connected to the FC-300.
Although the FC-300 starts up
in Standard Mode, it may be
switched to a different mode
y means of settings received
from an RRC2 IN device.
13
Page 14
Introduction
About the MODES
The FC-300 features the following four modes. The pedals function differently
depending on the mode that’s selected.
This manual describes each mode separately, while explaining the items available in
a particular mode.
Standard Mode (p. 16)
This mode is for sending Program Change messages and Control Change messages.
You can use the pedals to send any Program Change messages.
Control Change Mode (p. 21)
This mode is for sending Control Change messages.
You can use this mode to send the Control Change messages assigned to the pedals,
and enhance the expressiveness of a performance.
You can also store up to five sets, or configurations, of settings for all of the pedals
(Pedal Setting function).
See “Switching Modes” (p.
15) for an explanation of how
to choose a mode.
System Exclusive Mode (p. 28)
This mode is for sending System Exclusive messages.
You can use this mode to operate other equipment that accepts SysEx messages sent
from the FC-300.
Patch Mode (p. 29)
This mode is for transmitting multiple MIDI messages (MIDI streams) already saved
to patches.
Patches are areas of memory in which MIDI streams are stored; you can save up to
100 patches.
An individual patch can hold MIDI messages containing up to a maximum of
approximately 500 bytes.
Using Patch Mode, you can transmit groups of MIDI messages through one patch,
which allows you to switch the settings of multiple devices all at once.
14
Page 15
Switching Modes
985
You can change the way the
mode is switched when using
[] and [] pedal or
footswitch. See
“Switching
the Function of the MODE
Pedal Jack” (p. 51) for the
details on how to do this.
Standard Mode
Control Change Mode
System Exclusive Mode
Patch Mode
You can switch modes using one of the following methods.
• Press [MODE]
• Press a footswitch (BOSS FS-5U/FS-6; sold separately) connected to the MODE
jack
• Simultaneously press the [] and [] pedals
fig.
Standard Mode
Control Change Mode
System Exclusive Mode
Patch Mode
Introduction
The explanations in this
manual include illustrations
that depict what should
typically be shown by the
display. Note, however, that
your unit may incorporate a
newer, enhanced version of the
system, so what you actually
see in the display may not
always match what appears in
the manual.
About the Mode Indicators
The current mode is indicated with the MODE indicators. You can switch modes
only from the top screen of any mode.
15
Page 16
Standard Mode
• With the factory settings,
Program Change messages
are not transmitted just by
pressing the [] and
[] pedals. To transmit
Program Change messages
just by pressing the []
and [] pedals, read
“Using the [] []
Pedals to Make the
Settings” (p. 48).
• You can press the [] or
[] pedal to change
patch numbers ten at a
time. For more detailed
information, see
“Setting
the [] [] Pedal
Step Size”
(p. 49).
• You can limit the range of
numbers switched. For
more detailed information,
see
“Limiting the Range of
Banks That Can Be
Switched (Bank Extent)”
(p. 48).
• You can indicate the pedal
bank and number
separately in the BANK/
NUMBER display. For
details, refer to
This is the mode for sending Program Change messages and Control Change
messages.
Transmitting Program Change Messages
Pressing [] and [] pedals and the number pedals (1/6 – 5/10) transmits the
Program Change messages and Bank select messages for the corresponding number
pedals.
1
Press the [] pedal, and the numbers decrease by five; press the []
pedal, and the numbers increase by five.
The BANK/NUMBER display and Number pedal indicators flash.
Setting How Tones are Switched
Press the number pedal (1/6–5/10) to select the number.
The indicator for the number pedal pressed lights, and the Program Change message
is transmitted.
With the factory settings, transmission of Bank Select messages and Program
Change messages is in accordance with what is indicated in the BANK/NUMBER
display, as shown below.
BANK/NUMBER Display
001–128
129–1301029–30
You can set the way the FC-300 switches tones with the pedals and displays tone
numbers.
Make the settings to match the specifications of the external MIDI devices you are
using (p. 47).
2
Bank Select Message
(MSB)(LSB)
001–128
Program Change Message
“Setting
How Numbers are
Indicated” (p. 49).
• You can stop output of
Bank Select messages. For
details, refer to “Setting
the Bank Select Output”
(p. 52).
• You can change the Bank
Select messages. For details,
refer to “Setting the Bank
Select Value” (p. 53).
16
Page 17
Transmitting Control Change Messages
The Control pedal is a
momentary type pedal that
sends an ON message when
depressed and an OFF
message when released. You
can change this to latch type
operation, which sends an ON
or OFF message each time you
depress it – see
“Mode” (p. 20).
j
You can transmit Control Change messages with expression pedals and control
pedals.
Standard Mode
Using the Expression Pedals
In keeping with the movement of the expression pedal, Control Change messages
with the controller numbers set for each pedal are transmitted consecutively.
Each pedal is set at the factory as shown below.
Expression Pedal
EXP PEDAL 1
EXP PEDAL 210–127
CC#Range
70–127
Using the Control Pedal and Expression Pedal Switch
When you use control pedals, you can use the control pedals to send the Control
Change messages for the controller numbers assigned to each of the pedals.
In addition, you can activate the expression pedal switch by strongly pressing down
on the toe end of the pedal.
Control Change messages with the controller numbers set for each pedal are
transmitted.
Using the External Control Pedals and Expression Pedals
You can connect separately available footswitches and expression pedals and use the
external pedals just like the FC-300’s pedals to transmit Control Change messages,
Realtime messages, and other such data.
For details about the all
parameters and changes the
setting, refer to “Change the
Pedal Settings” (p. 19).
When a BOSS FS-5U, FS-6 Footswitch is Connected,
Assigned to CTL Pedal:
These function in the same way as the FC-300’s built-in control pedals.
Connect a control pedal to the EXP PEDAL/CTL jack and set the FC-300 to enable
use of the pedal. (p. 50)
* If you have two FS-5U pedals or an FS-6 pedal connected to the CTL3,4 jack with a special
PCS-31 connecting cable (from Roland; available separately), the footswitch connected to
the plug with the white ring controls the setting of CONTROL 3, and the footswitch
connected to the plug with the red ring controls the setting of CONTROL 4.
* When only one footswitch is connected to the CTL3,4 jack, the CONTROL 3 settings are
enabled.
* When an FS-6 is connected to the CTL3,4 jack with an optional connection cable
(stereo 1/4” phone ←→ stereo 1/4” phone), pedal switch B operates according to the
CONTROL 3 settings, and pedal switch A operates according to the CONTROL 4
settings.
See “Making the
Connections” (p. 11) for
instructions on setting the
polarity switch and mode
switch for the connected pedal.
When a Roland EV-5, BOSS FV-500L or FV-500H is
Connected, Assigned to Expression Pedal:
These function in the same way as the FC-300’s built-in expression pedals.
Connect a expression pedal to the EXP PEDAL/CTL jack and set the FC-300 to
enable use of the pedal. (p. 50)
* These do not operate as expression pedal switches.
* If you are connecting a BOSS FV-500L/FV-500H, connect the pedal with an optional
You can freely change the settings for each pedal.
1
In the Standard Mode’s top screen, press PARAMETER [].
2
Press PARAMETER [] [] to display the pedal setting screens.
3
Press VALUE [] [] to change the value.
Standard Mode
MIDI Messages
This selects the MIDI messages to be transmitted.
fig.05-009
• OFF
These do not output MIDI messages.
• CC#1–CC#31, CC#33–CC#95
These output Control Change messages.
When the pedal is used as an expression pedal, consecutive values are output within
the range set with the Range setting. When the pedal is used as a control pedal or
other type of switch, the maximum value is output when the switch is on, and the
minimum value is output when the switch is off.
This transmits MIDI Realtime messages and MMC messages.
When assigned to an expression pedal, messages are output once the pedal is
pressed downward past the halfway point; when assigned to a control pedal or other
switch, the messages are output when the switch is on.
• P.BEND / CH.PRS
These transmit various Pitch Bend messages and Channel Pressure messages.
When assigned to an expression pedal, consecutive values are output within the
range set with the Range parameter. When assigned to a control pedal, the
maximum value is output when the switch is on, and the minimum value is output
when the switch is off.
19
Page 20
Standard Mode
Range
This sets the range for values that are transmitted.
fig.05-009
Minimum Maximum
Mode
This sets the switch mode.
fig.05-009
Value
LATCH
MOMENTARYThe value will be ON while you press the pedal, and OFF when you
Explanation
The ON and OFF will alternate each time you press the pedal.
release the pedal.
AMP Ctl Op (Amp Control Operation)
This selects whether or not the AMP CONTROL jack is to be controlled.
fig.05-009
The Range parameter is
enabled when CC#, P.BEND,
or CH.PRS is selected.
The Mode parameter and AMP
Ctl Op parameter are enabled
when a control pedal or other
switch function is selected.
This parameter is ignored
when the pedal is used as a
expression pedal.
AMP CONTROL
1 jack
AMP CONTROL
2 jack
When the AMP Ctl Op parameter is set to ON and the AMP Polarity parameter is set
to Normal, control of AMP CONTROL with the pedal functions as shown below.
fig.05-009
When the pedal is OFF
Guitar Amp
(amps channel switching jack)
When the pedal is ON
Guitar Amp
(amps channel switching jack)
Closed
FC-300
(AMP CONTROL jack)
Open
FC-300
(AMP CONTROL jack)
4
When you have finished making the settings, press [EXIT] to return to the
initial screen.
The settings are saved, and the FC-300 returns to the initial screen.
You can change the polarity of
the AMP CONTROL jacks. For
more detailed information, see
“Setting the Polarity of the
AMP CONTROL Jacks” (p.
50).
20
Page 21
Control Change Mode
For details about the all
parameters and changes the
setting, refer to “Change the
Pedal Settings” (p. 24).
About the Control Change Mode
This is the mode for sending Control Change messages.
In this mode, all the pedals can be used to send Control Change messages. You
should use this mode at times when you want to send a lot of Control Change
messages.
Pedal Setting Number
You can also store up to five sets, or configurations, of settings for all of the pedals
within the FC-300’s memory. Called pedal settings, these configurations can be
switched as needed (p. 26).
Transmitting Control Change Messages
Pressing the various pedals transmits the Control Change messages set for the
respective pedal over the selected MIDI channel.
Number Pedal (1/6–5/10)
Control Change messages with the controller numbers set for each pedal are
transmitted.
[]
[]This sets the number pedals to function as pedals 6–10.
Explanation
This sets the number pedals to function as pedals 1–5.
When the [] pedal is pressed, the [] pedal’s indicator lights, and the functions
for number pedals 1–5 become operable.
When the [] pedal is pressed, the [] pedal’s indicator lights, and the functions
for number pedals 6–10 become operable.
21
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Control Change Mode
You can use the control pedal
and expression pedal switch to
switch the AMP CONTROL
jacks – see
“Change the Pedal
Settings” (p. 24).
Using the Expression Pedals
In keeping with the movement of the expression pedal, Control Change messages
with the controller numbers set for each pedal are transmitted consecutively.
Each pedal is set at the factory as shown below.
Expression Pedal
EXP PEDAL 1
EXP PEDAL 210–127
CC#Range
70–127
Using the Control Pedal and Expression Pedal Switch
Control Change messages with the controller numbers set for each pedal are
transmitted.
Using Additional Footswitches and Expression Pedals
You can connect separately available footswitches and expression pedals and use the
external pedals just like the FC-300’s pedals to transmit Control Change messages,
Realtime messages, and other such data.
When a BOSS FS-5U, FS-6 Footswitch is Connected,
Assigned to CTL Pedal:
These function in the same way as the FC-300’s built-in control pedals.
Connect a control pedal to the EXP PEDAL/CTL jack and set the FC-300 to enable
use of the pedal. (p. 50)
* If you have two FS-5U pedals or an FS-6 pedal connected to the CTL3,4 jack with a special
PCS-31 connecting cable (from Roland; available separately), the footswitch connected to
the plug with the white ring controls the setting of CONTROL 3, and the footswitch
connected to the plug with the red ring controls the setting of CONTROL 4.
* When only one footswitch is connected to the CTL3,4 jack, the CONTROL 3 settings are
enabled.
* When an FS-6 is connected to the CTL3,4 jack with an optional connection cable
(stereo 1/4” phone
CONTROL 3 settings, and pedal switch A operates according to the CONTROL 4
settings.
←→
stereo 1/4” phone), pedal switch B operates according to the
For details about the all
parameters and changes the
setting, refer to “Change the
Pedal Settings” (p. 24).
See “Making the
Connections” (p. 11) for
instructions on setting the
polarity switch and mode
switch for the connected pedal.
When a Roland EV-5, BOSS FV-500L or FV-500H is
Connected, Assigned to Expression Pedal:
These function in the same way as the FC-300’s built-in expression pedals.
Connect a expression pedal to the EXP PEDAL/CTL jack and set the FC-300 to
enable use of the pedal. (p. 50)
* These do not operate as expression pedal switches.
* If you are connecting a BOSS FV-500L or FV-500H, connect the pedal with an optional
You can freely change the settings for each pedal.
1
In the Control Change Mode’s top screen, press PARAMETER [].
2
Pressing PARAMETER [] [] to show the pedal setting screens.
3
Press VALUE [] [] to change the value.
The settings made for the
pedals are lost when the pedal
settings are switched. To save
settings made for the pedals,
save them as pedal settings.
For more detailed information,
see “Storing Controller
Numbers Assigned to the
Pedals (Pedal Settings)” (p.
26).
MIDI Messages
This selects the MIDI messages to be transmitted.
fig.05-009
• OFF
These do not output MIDI messages.
• CC#1–CC#31, CC#33–CC#95
These output Control Change messages.
When assigned to an expression pedal, consecutive values are output within the
range set with the Range parameter. When assigned to a control pedal, the
maximum value is output when the switch is on, and the minimum value is output
when the switch is off.
This transmits MIDI Realtime messages and MMC messages.
When assigned to an expression pedal, messages are output once the pedal is
pressed downward past the halfway point; when assigned to a control pedal or other
switch, the messages are output when the switch is on.
• P.BEND / CH.PRS
These transmit various Pitch Bend messages and Channel Pressure messages.
When assigned to an expression pedal, consecutive values are output within the
range set with the Range parameter. When assigned to a control pedal, the
maximum value is output when the switch is on, and the minimum value is output
when the switch is off.
24
Page 25
Range
This sets the range for values that are transmitted.
fig.05-009
Control Change Mode
Minimum Maximum
Mode
This sets the switch mode.
fig.05-009
Value
LATCH
MOMENTARYThe value will be ON while you press the pedal, and OFF when you re-
Explanation
The ON and OFF will alternate each time you press the pedal.
lease the pedal.
AMP Ctl Op (Amp Control Operation)
This selects whether or not the AMP CONTROL jack is to be controlled.
fig.05-009
AMP CONTROL
1 jack
When the AMP Ctl Op parameter is set to ON and the AMP Polarity parameter is set
to Normal, control of AMP CONTROL with the pedal functions as shown below.
fig.05-00fig.05-009
When the pedal is OFF
AMP CONTROL
2 jack
Closed
The Range parameter is
enabled when CC#, P.BEND,
or CH.PRS is selected for the
expression pedal.
The Mode parameter and AMP
Ctl Op parameter are enabled
when a control pedal or other
switch function is selected.
Guitar Amp
(amps channel switching jack)
When the pedal is ON
Guitar Amp
(amps channel switching jack)
FC-300
(AMP CONTROL jack)
Open
FC-300
(AMP CONTROL jack)
4
When you have finished with the editing, press [EXIT].
The top screen appears.
5
After making the changes, follow the instructions in “Storing Controller
Numbers Assigned to the Pedals (Pedal Settings)” (p. 26) to save the settings.
The settings made for the
pedals are lost when the pedal
settings are switched. To save
settings made for the pedals,
save them as pedal settings.
For more detailed information,
see “Storing Controller
Numbers Assigned to the
Pedals (Pedal Settings)” (p.
26).
You can change the polarity of
the AMP CONTROL jacks. For
more detailed information, see
“Setting the Polarity of the
AMP CONTROL Jacks” (p.
50).
25
Page 26
Control Change Mode
Storing Controller Numbers Assigned to the Pedals
(Pedal Settings)
The FC-300 can store up to five different configurations of settings made for all of the
pedals (
configurations are called pedal settings, and you can switch them as needed.
“Change the Pedal Settings”
(p. 24)) in Control Change mode. These
1
After completing the pedal settings (p. 24), press [WRITE] in the top screen of
the Control Change Mode.
2
Select the number (1–5) for the pedal settings you want to store with VALUE
[] [].
The store-destination
of the pedal setting
3
Press [WRITE].
“Sure?” appears in the display.
4
If you want to write the setting, press [WRITE]; if you want to cancel the
procedure, press [EXIT].
Switching Control Numbers Assigned to the Pedals
Simultaneously
1
With the Control Change Mode screen displayed, press VALUE [] [].
The pedal settings are switched, and the current pedal setting number is indicated in
the BANK/NUMBER display.
26
Page 27
Deleting a Pedal Setting
1
Press [WRITE] in the top screen of the Control Change Mode.
2
Pressing PARAMETER [] [] to show the “Delete” screen.
3
Select the number (1–5) for the pedal settings you want to delete with VALUE
[] [].
The erased pedal setting
4
Press [WRITE].
“Sure?” appears in the display.
Control Change Mode
5
If you want to delete the setting, press [WRITE]; if you want to cancel the
procedure, press [EXIT].
27
Page 28
System Exclusive Mode
This mode is for transmitting and receiving System Exclusive messages.
Pressing the FC-300’s pedals and pedals connected to the EXP PEDAL/CTL jacks
transmits the pedal status via System Exclusive messages.
In addition, display content and pedal indicators can be switched with System
Exclusive messages received by the FC-300.
* For more on the System Exclusive messages transmitted and received in System Exclusive
mode, refer to the “
MIDI Implementation
(p. 59).”
28
Page 29
Patch Mode
A “MIDI stream” is a number
of MIDI messages grouped
together.
About the Patch Mode
This mode is used for storing combinations of multiple MIDI messages that you can
combine freely and transmitting these messages together in groups.
This mode allows you to control the settings for multiple devices, all just with the
FC-300.
Patch NumberPatch Name
About the Patch
A “patch” is a group of multiple MIDI messages (MIDI stream) and other settings
that are configured together as a single unit. The FC-300 can store up to 100
individual patches.(p. 44)
The patch can set the following parameters.
When a patch name is set, the
patch name is indicated in the
top screen in Patch Mode.
• Patch’s ON Stream
Group of MIDI messages transmitted when a patch is selected.
• Patch’s OFF Stream
Group of MIDI messages transmitted when a different patch is selected or
when a pedal is released. These are used for canceling settings from ON
streams.
• Timing for transmission of the patch’s OFF stream
• CTL1,2 ON streams
These are the groups of MIDI messages transmitted when the pedals are
switched on.
• CTL1,2 OFF streams
These are the groups of MIDI messages transmitted when the pedals are
switched off.
• AMP CONTROL
You can set the status of the AMP CONTROL jacks when a patch is selected.
• Control pedal, expression pedal, and other settings
• Patch names
* An individual patch can hold MIDI messages containing up to a maximum of
approximately 500 bytes. Although the total amount of MIDI message data that can be
stored in Patch Mode is approximately 8 Kbytes, this amount of memory is shared by all
patches. Therefore, please note that not all patches can contain the full approximately 500
bytes.
29
Page 30
Patch Mode
j
The Control pedal and EXP
pedal are the latch type pedal
that sends an ON or OFF
message each time you depress
it. You can change this to
momentary type operation,
which sends an ON message
when depressed and an OFF
message when released – see
“Mode” (p. 43).
Transmitting Control Change Messages
You can transmit Control Change messages through operation of the expression
pedals, control pedals, and other controllers.
Using the Expression Pedals
In keeping with the movement of the expression pedal, Control Change messages
with the controller numbers set for each pedal are transmitted consecutively.
All Assign Numbers from 2 on are set to OFF. For more information about the Assign
Numbers, see
“Change the Pedal Settings”
(p. 42).
Using the Control Pedals and Expression Pedal
Switches
You can connect separately available footswitches and expression pedals and use the
external pedals just like the FC-300’s pedals to transmit MIDI messages.
All Assign Numbers from 2 on are set to OFF. For more information about the Assign
Numbers, see
“Change the Pedal Settings”
CC#RangeMode
800–127LATCH
(p. 42).
You can use the control pedal
and expression pedal switch to
switch the AMP CONTROL
acks – see “Change the Pedal
Settings” (p. 42).
30
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Patch Mode
Using the External Control Pedals and Expression Pedals
You can connect separately available footswitches and expression pedals and use the
external pedals just like the FC-300’s pedals to transmit Control Change messages,
Realtime messages, and other such data.
For details about the all
parameters and changes the
setting, refer to “Change the
Pedal Settings” (p. 42).
When a BOSS FS-5U, FS-6 Footswitch is Connected,
Assigned to CTL Pedal:
These function in the same way as the FC-300’s built-in control pedals.
Connect a control pedal to the EXP PEDAL/CTL jack and set the FC-300 to enable
use of the pedal. (p. 50)
* If you have two FS-5U pedals or an FS-6 pedal connected to the CTL3,4 jack with a special
PCS-31 connecting cable (from Roland; available separately), the footswitch connected to
the plug with the white ring controls the setting of CONTROL 3, and the footswitch
connected to the plug with the red ring controls the setting of CONTROL 4.
* When only one footswitch is connected to the CTL3,4 jack, the CONTROL 3 settings are
enabled.
* When an FS-6 is connected to the CTL3,4 jack with an optional connection cable
(stereo 1/4” phone
CONTROL 3 settings, and pedal switch A operates according to the CONTROL 4
settings.
←→
stereo 1/4” phone), pedal switch B operates according to the
See “Making the
Connections” (p. 11) for
instructions on setting the
polarity switch and mode
switch for the connected pedal.
When a Roland EV-5, BOSS FV-500L or FV-500H is
Connected, Assigned to Expression Pedal:
These function in the same way as the FC-300’s built-in expression pedals.
Connect a expression pedal to the EXP PEDAL/CTL jack and set the FC-300 to
enable use of the pedal. (p. 50)
* These do not operate as expression pedal switches.
* If you are connecting a BOSS FV-500L or FV-500H, connect the pedal with an optional
When a patch is selected with the [] and [] pedals and number pedals, the
MIDI messages saved to the patch are transmitted.
1
Press the [] pedal, and the numbers decrease by five; press the []
pedal, and the numbers increase by five.
The BANK/NUMBER display and Number pedal indicators flash.
2
The numbers are selected by pressing the number pedals (1/6–5/10).
The patch for the selected number is selected (the pedal’s indicator lights), and the
MIDI messages in the ON stream within the patch are transmitted.
Additionally, other settings included in the patch are enabled. A current patch’s OFF
streams are transmitted before the newly selected patch’s ON streams are
transmitted.
With the factory settings,
Program Change messages are
not transmitted just by
pressing the [] and []
pedals.
To transmit Program Change
messages just by pressing the
[] and [] pedals, read
“Using the [] []
Pedals to Make the Settings”
(p. 48).
32
Page 33
Creating Patches
You can assign the following messages to ON streams and OFF streams.
MessageDisplay
Channel
Message
Program Change MessagePC
Control Change MessageCC
Note On/Note Off MessageN.ON/N.OFF
Channel Pressure MessageC.PRS
Polyphonic Key Pressure MessageK.PRS
Pitch Bend MessageP.BEND
Realtime MessageREALTIMEMIDI START
MIDI STOP
MIDI CONTINUE
System Exclusive MessageSYSEX
In the Patch Mode’s top screen, when press PARAMETER [], the various pedal
setting screens appear in the display. Press PARAMETER [] [] to select the
parameter you want to change.
The patch can set the following parameters.
• Patch’s ON Stream
• Patch’s OFF Stream
• The Transmit timing of the patch’s Off Stream
• ON Stream of the CTL pedal 1, 2
• OFF Stream of the CTL pedal 1, 2
• Amp Control
• Control Pedal, Expression Pedal, and Other Settings
• Patch Name
Patch Mode
If you switch patches before
saving the MIDI messages you
have input to the patch, any
edited content is lost. To save
the changes you have made,
carry out the Write procedure,
refer to “Storing (Saving)
Patches” (p. 44).
33
Page 34
Patch Mode
Editing MIDI Streams
1
In the Patch Mode’s top screen, press PARAMETER [].
2
Use the PARAMETER [] and [] buttons to select the MIDI stream you
want to edit, then press [WRITE].
3
“Edit MIDI” appears in the screen; press [WRITE].
The screen for selecting the MIDI stream editing function appears.
The following display appears when the message is not assigned.
Message Number
4
Use the VALUE [] and [] to select the message number for the message
to be edited.
If you are adding any message, press [INS]. The message is added before the number
of the currently selected message.
To delete a message, select the message number with VALUE [] [] then press
[DEL].
5
Use the following procedures to edit the MIDI stream for different types of
messages.
You can select only one point
to which no messages at all are
assigned.
34
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When Setting Channel Messages and Realtime Messages
1
Press PARAMETER [] [] to move the cursor to the MIDI message.
Patch Mode
MIDI MessageMIDI Channel
DataMessage Number
2
Press VALUE [] [] to select the MIDI message to be edited.
MIDI Message
PC
CCMIDI Channel (CH#), Controller Number (CC#), Value (VAL)
N.ONMIDI Channel (CH#), Note Number (NOTE#), Velocity (V)
N.OFFMIDI Channel (CH#), Note Number (NOTE#), Velocity (V)
C.PRSMIDI Channel (CH#), VALUE
K.PRSMIDI Channel (CH#), Note Number (NOTE#), Velocity (V)
P.BENDMIDI Channel (CH#), Value (MSB, LSB)
REALTIMEMIDI START/MIDI STOP/MIDI CONTINUE
Data
MIDI Channel (CH#), Program Number (PC#)
3
Press PARAMETER [] [] to move the cursor to the parameter you want
to change.
When the MIDI channel is set
to Tx, the channel set with the
MIDI:Tx Channel parameter in
Utilities is set (p. 52).
4
Press VALUE [] [] to change the value.
If there is any other message you want to change, select the message number as
instructed in Step 4 of
“Editing MIDI Streams”
(p. 34), then repeat Steps 1-4.
5
After making the changes, follow the instructions in “Storing (Saving)
Patches” (p. 44) to save the MIDI messages to a patch.
35
Page 36
Patch Mode
The maximum amount of data
that can be saved to a system
exclusive message is 256 bytes.
With Roland System Exclusive
messages, moving the cursor
to the message in front of F7
(the end of the transmitted
data) and pressing [WRITE]
performs a checksum and
inserts it there.
When Setting System Exclusive Messages
1
Press PARAMETER [] [] to move the cursor to the MIDI message.
MIDI MessageMIDI Channel
DataMessage Number
2
Press VALUE [] [] to select the “SYSEX.”
3
Press [WRITE] to display the advanced editing screen.
4
Press PARAMETER [] [] to move the cursor to the data you want to
change.
5
Press VALUE [] [] to change the value.
6
If you want to add a data, use PARAMETER [] [] to move the cursor to
the position where you want to make the addition, then press [INS]. If you
want to delete a data, use PARAMETER [] [] to move the cursor to the
position where you want to delete, then press [DEL].
Repeat steps 4–6, edit the data.
7
When you have finished with the editing, press [EXIT].
8
After making the changes, follow the instructions in “Storing (Saving)
Patches” (p. 44) to save the MIDI messages to a patch.
36
Page 37
When Setting System Exclusive Messages Using the
Template
When assigning the following System Exclusive messages, use the template.
Press PARAMETER [] [] to move the cursor to the MIDI message.
MIDI MessageMIDI Channel
DataMessage Number
2
Press VALUE [] [] to select the “SYSEX.”
Patch Mode
3
Press PARAMETER [] to move the cursor to the “Template.”
4
Press [WRITE] to display the template selection screen.
Template
5
Press VALUE [] [] to select the template.
6
Press [WRITE].
The contents of the template are input in the MIDI stream.
7
After making the changes, follow the instructions in “Storing (Saving)
Patches” (p. 44) to save the MIDI messages to a patch.
37
Page 38
Patch Mode
Copying and Moving MIDI Messages Within a Stream
You can copy MIDI messages saved within a MIDI stream.
Use this function when you want to program a number of similar messages in a
stream.
Messages in MIDI streams are output in the same order they are programmed.
To change the sequence of the messages in a stream, use the Move function.
1
Press PARAMETER [] [] to move the cursor to message number.
2
Press VALUE [] [] to select you want to copy (or move) message
number.
3
Press PARAMETER [] [] to select the “MOVE” or “COPY.”
4
Press [WRITE].
5
Press VALUE [] [] to select the copy destination (or move destination)
message number.
The copy (or move) message is inserted to the in front of the selected message
number.
6
Press [WRITE].
7
“Sure?” appears in the display; press [WRITE] once more.
8
After making the changes, follow the instructions in “Storing (Saving)
Patches” (p. 44) to save the MIDI messages to a patch.
38
Page 39
How to Copy MIDI Streams
You can copy an edited stream to a different patch or different stream.
1
In the Patch Mode’s top screen, press PARAMETER [].
2
Press PARAMETER [] [] to select the stream to be used as the copy
source, then press [WRITE].
3
Press PARAMETER [] [] to select “Copy MIDI,” then press [WRITE].
4
Press VALUE [] [] to select the stream to be used as the copy source,
then press [WRITE].
Patch Mode
5
Press VALUE [] [] to select the stream to be used as the copy
destination, then press [WRITE].
6
“Sure?” appears in the display; press [WRITE] once more.
7
After making the changes, follow the instructions in “Storing (Saving)
Patches” (p. 44) to save the MIDI messages to a patch.
39
Page 40
Patch Mode
How to Delete MIDI Streams
You can delete content in streams.
1
In the Patch Mode’s top screen, press PARAMETER [].
2
Press PARAMETER [] [] to select the stream from which you want to
delete data, then press [WRITE].
3
Press PARAMETER [] [] to select “Delete MIDI,” then press [WRITE].
4
“Sure?” appears in the display; press [WRITE] once more.
5
After making the changes, follow the instructions in “Storing (Saving)
Patches” (p. 44) to save the MIDI messages to a patch.
Setting the Timing for Transmission of OFF MIDI Streams
1
In the Patch Mode’s top screen, press PARAMETER [].
2
Press PARAMETER [] [] to select “Off Timing.”
Setting the timing
for transmission
40
3
Press VALUE [] [] to set the value.
Value
PEDAL RELEASE
PATCH CHANGEThe stream is transmitted when the next patch is selected.
Explanation
After the patches are switched, the OFF stream is transmitted when the pedal is released.
The OFF stream is transmitted immediately before the ON
stream for the next patch is transmitted.
4
After making the changes, follow the instructions in “Storing (Saving)
Patches” (p. 44) to save the MIDI messages to a patch.
The Off Timing parameter is
set to PATCH CHANGE when
shipped from the factory.
Page 41
Setting the Amp Control
You can set the status of the AMP CONTROL jacks when patches are selected.
1
In the Patch Mode’s top screen, press PARAMETER [].
2
Press PARAMETER [] [] to select “AMP Ctl.”
Patch Mode
AMP CONTROL
1 jack
AMP CONTROL
2 jack
3
Press PARAMETER [] [] to select “1” or “2” of the AMP Ctl.
4
Press VALUE [] [] to change the value.
Control of AMP CONTROL when the AMP Pol. parameter (p. 50) is set to NORMAL
is as shown below.
Value
--OFFThe AMP CONTROL jack is switched off (closed).
ONThe AMP CONTROL jack is switched on (open).
When the AMP Ctl is OFF
(amps channel switching jack)
When the AMP Ctl is ON
Explanation
The AMP CONTROL jack is disabled.
Closed
Guitar Amp
FC-300
(AMP CONTROL jack)
Open
You can change the polarity of
the AMP CONTROL jacks. For
more detailed information, see
“Setting the Polarity of the
AMP CONTROL Jacks” (p.
50).
Guitar Amp
(amps channel switching jack)
FC-300
(AMP CONTROL jack)
5
After making the changes, follow the instructions in “Storing (Saving)
Patches” (p. 44) to save the setting to a patch.
41
Page 42
Patch Mode
Change the Pedal Settings
You can freely change the settings for each pedal.
1
In the Patch Mode’s top screen, press PARAMETER [].
2
Press PARAMETER [] [] to select the each pedal settings screen.
The pedals being set appear at the left and upper of the screen.
You can set the following parameters:
• ON Stream
• OFF Stream
• Control Change Message (The pedal can be assigned to up to six messages.)
• Amp Control
3
Press VALUE [] [] to change the value.
Setting the ON Stream and OFF Stream
You can assign these in the same manner as streams set as patch parameters. (p. 34)
However, the timing for transmission of OFF streams follows the settings made in
Pedal mode. You can set ON streams and OFF streams only with the FC-300’s CTL
pedals.
Assign Number
The EXP PEDAL and EXP PEDAL SW can be assigned to up to six messages to be
transmitted. You can also assign one message to be transmitted to each of the pedals
connected to the rear panel’s EXP PEDAL/CTL jacks and FC-300’s CTL pedals.
Assign Number
MIDI Channel
MIDI Message
MIDI Channel
This sets the MIDI channel for the messages being transmitted.
MIDI Messages
This sets the range for values that are transmitted.
• Off
These do not output MIDI messages.
• CC#1 – CC#31, CC#33 – CC#95
These output Control Change messages.
When used to an expression pedal, consecutive values are output within the
range set with the Range parameter. When used to a control pedal, the
maximum value is output when the switch is on, and the minimum value is
output when the switch is off.
This transmits MIDI Realtime messages and MMC messages.
When assigned to an expression pedal, messages are output once the pedal is
pressed downward past the halfway point; when assigned to a control pedal
or other switch, the messages are output when the switch is on.
• P.BEND/CH.PRS
These transmit various Pitch Bend messages and Channel Pressure messages.
When assigned to an expression pedal, consecutive values are output within
the range set with the Range parameter. When assigned to a control pedal, the
maximum value is output when the switch is on, and the minimum value is
output when the switch is off.
Range
This sets the range for values that are transmitted.
fig.05-009
Minimum Maximum
Patch Mode
Mode
This sets the switch mode.
fig.05-009
Value
LATCH
MOMENTARYThe value will be ON while you press the pedal, and OFF when you
AMP Ctl Op (Amp Control Operation)
This selects whether or not the AMP CONTROL jack is to be controlled.
fig.05-009
AMP CONTROL
Control of AMP CONTROL using a pedal when the AMP Ctl Op parameter is set to
ON and the AMP Pol. parameter (p. 50) is set to NORMAL is as shown below.
fig.05-009
When the pedal is OFF
When the pedal is ON
Explanation
The ON and OFF will alternate each time you press the pedal.
release the pedal.
1 jack
(amps channel switching jack)
(amps channel switching jack)
AMP CONTROL
2 jack
Guitar Amp
Guitar Amp
Closed
FC-300
(AMP CONTROL jack)
Open
FC-300
(AMP CONTROL jack)
You can change the polarity of
the AMP CONTROL jacks. For
more detailed information, see
“Setting the Polarity of the
AMP CONTROL Jacks” (p.
50).
43
Page 44
Patch Mode
4
When you have finished with the editing, press [EXIT].
The top screen appears.
5
After making the changes, follow the instructions in “Storing (Saving)
Patches” (p. 44) to save the setting to a patch.
Set the Patch Name
The settings made for the
pedals are lost when the patch
is switched. To save settings
made for the pedals, save them
as a patch. For more detailed
information, see “Storing
(Saving) Patches” (p. 44).
1
In the Patch mode’s top screen, press PARAMETER [].
2
Press PARAMETER [] [] to select “Patch Name.”
3
Press PARAMETER [] to move the cursor, and press VALUE [] [] to
enter the characters.
Storing (Saving) Patches
To store patches you have created in memory, carry out the Write procedure.
1
In the Patch mode’s top screen, press [WRITE].
Patch names can be up to 12
characters in length.
When you press [INS], inserts
a blank space at the cursor
location. When you press
[DEL], deletes a character at
the cursor location.
Patch names are indicated in
the top screen in Patch Mode.
2
Press VALUE [] [] to select the save-destination patch number, then
press [WRITE].
3
“Sure?” appears in the display; press [WRITE] once more.
The set value is saved, and the FC-300 returns to the top screen.
44
Page 45
Deleting Patches
You can delete entire patches.
1
Select the patch you want to delete in the Patch mode’s top screen, then
press [WRITE].
2
Press PARAMETER [] to select “Delete.”
3
Press [WRITE].
Patch Mode
4
“Sure?” appears in the display; press [WRITE] once more.
The selected patch is deleted, and the FC-300 returns to the top screen.
45
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Other Features
Setting the System Parameters
Set the system parameters with the following procedure.
1
Press [UTILITY].
The [UTILITY] indicator lights, and the Utility screen appears in the display.
2
Press PARAMETER [] [] to call up the parameter you want to set.
Parameters that can be set and their screens are described in the next section.
3
Press VALUE [] [] to set the various parameters.
4
When you’ve finished making the settings, press [UTILITY] or [EXIT].
The data is saved, and FC-300 returns to the top screen.
Adjusting the LCD Contrast
Depending on where the FC-300 is placed, the display (on the right) may become
difficult to read.
If this occurs, adjust the display contrast.
1
Press PARAMETER [] [] to select “SYS:LCD Contrast.”
2
Press VALUE [] [] to adjust the contrast.
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].
Reducing Battery Consumption (Economy Mode)
When the FC-300 is run on battery power, setting Economy Mode to ON enables
approximately 1.8 times continuous running time of the normal FC-300’s operating
mode.
46
1
Press PARAMETER [] [] to select “SYS:Economy Mode.”
2
Press VALUE [] [] to switch Economy Mode on and off.
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].
The display and indicators
may flicker when Economy
Mode is set to ON, but this
does not indicate a
malfunction.
Page 47
Setting the Method Used for Transmitting Program
When PC Mode is set to
EFFECTS, the Bank Select
messages actually output
include the Bank Select in the
table at the left together with
the Bank Select set with the
UTILITY MIDI:Bank Select
parameter (p. 47).
You can switch how
information is indicated in the
BANK/NUMBER display (p.
49).
The MIDI Bank Select setting
increases and decreases the
MSB. You can also have this
change the LSB. For more
detailed information, see
“Setting the Bank Select
Output” (p. 52).
When PC Mode is set to
SOUND MODULE, the MSB
and LSB values upon power-
up will be the values set in
MIDI:Bank Select.
Change messages in Standard Mode (PC Mode)
You can change the method used for transmitting program changes to match the
device connected to the FC-300.
1
Press PARAMETER [] [] to select “SYS:PC Mode.”
2
Press VALUE [] [] to make the setting.
Other Features
Value
EFFECTS
SOUND MODULEOptimal mode for switching sound module patches
When PC Mode parameter sets to “EFFECTS” and SYS:Bank Display parameter sets
to “LINEAR,” the FC-300’s BANK/NUMBER display and the transmitted bank
select messages and program change messages correspond as shown below.
When set to “SOUND MODULE,” the FC-300’s LCD appears bank select MSB and
LSB, and the transmitted bank select message with program change message.
Explanation
Optimal mode for switching effects processor patches
Bank Select messageProgram Change
(MSB)(LSB)
001–128
message
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].
Program Change Number
LSBMSB
Bank Select
47
Page 48
Other Features
Using the [] [] Pedals to Make the Settings
1
Press PARAMETER [] [] to select “SYS:Bnk Chg Mode.”
2
Press the VALUE [] [] to program the settings.
Here are some examples of operation in Standard Mode.
Value
IMMEDIATE
WAIT FOR A NUMProgram changes are transmitted when a number pedal is
RESET NUMBERAlthough program changes are transmitted immediately when
Explanation
Program changes are transmitted immediately when [] or
[] is pressed.
Example) When starting from “003,” pressing [] simultaneously transmits PC#8.
pressed after [] or [] is pressed.
Example) Starting from “003,” after [] is pressed and all of the
green number pedal indicators are flashing, pressing number
pedal 8 outputs PC#8.
[] or [] is pressed, just as with Immediate, in this case, the
number furthest to the left is output.
Example) If starting from “003,” pressing [] simultaneously
transmits PC#6.
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].
Limiting the Range of Banks That Can Be Switched
(Bank Extent)
You can set an upper limit on the banks that can be switched, thus limiting the range
of banks that are switched and allowing you to select only the patches required.
1
Press PARAMETER [] [] to select “SYS:Bank Extent.”
This is enabled only when PC
Mode is set to EFFECTS.
48
2
Press VALUE [] [] to set the upper limit on the banks.
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].
Page 49
Setting the [] [] Pedal Step Size
You can set the size of the step made when the [] [] pedals are pressed.
1
Press PARAMETER [] [] to select “SYS:Bank Step.”
2
Press VALUE [] [] to make the setting.
Other Features
Value
5STEP
10STEPThe number decreases or increases by ten each time [] or [] is
Explanation
The number decreases or increases by five each time [] or [] is
pressed.
pressed. Additionally, each time a number pedal is pressed, that pedal’s
number is switched.
Example) When “012” is indicated in BANK/NUMBER display, pressing
number pedal 2/7 switches it to “017.”
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].
Setting How Numbers are Indicated
You can select the way numbers are indicated in Standard Mode to match that of the
connected device.
1
Press PARAMETER [] [] to select “SYS:Bank Display.”
2
Press VALUE [] [] to make the setting.
Value
LINEAR
BANK&NUMThe bank and number are indicated as separate numbers. A dot
FC-200The numerals are indicated in the same way as with BANK &
Explanation
The bank and number are indicated as a single decimal number.
is displayed between the bank and number.
Example) The number indicated in LINEAR as “001” appears as
“01.1” with BANK&NUM.
NUM, but with the banks beginning with “00” in the display.
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].
49
Page 50
Other Features
Setting the Polarity of the AMP CONTROL Jacks
Change this parameter if the indicator on an amp connected to an AMP CONTROL
jack (1 or 2) does not correspond to the ON indicator (indicator lit) on the FC-300.
1
Press PARAMETER [] [] to select “SYS:AMP 1 Pol.” or
“SYS:AMP 2 Pol.”
2
Press VALUE [] [] to make the setting.
Value
NORMAL
INVERTActual operation is the reverse of that indicated by the FC-300’s ON/OFF
Explanation
The parameter is set to the factory setting.
indicator.
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].
Determining the Role of an EXP PEDAL/CTL Jack
Follow the steps below to specify whether a pedal being connected to an EXP
PEDAL/CTL jack (on the rear panel) is a control pedal or an expression pedal. This
setting needs to be made individually for each jack.
1
Press PARAMETER [] [] to select “SYS:E3/C3 Type”, “SYS:E4/C5 Type”
or “SYS:E5/C7 Type.”
2
Press VALUE [] [] to make the setting.
50
Value
EXP PEDAL
CTLThe jack will be used for connecting control pedals.
Explanation
The jack will be used for connecting expression pedals.
Connect a Roland EV-5 or BOSS FV-500L or FV-500H.
Connect a BOSS FS-5U or FS-6.
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].
Page 51
Switching the Function of the MODE Pedal Jack
This sets the modes that can be selected when the mode is switched with a pedal.
This setting allows you to toggle only between the modes you need when using the
pedal.
1
Press PARAMETER [] [] to select “SYS:MODE Pdl Seq.”
Standard ModePatch Mode
Control Change
Mode
System Exclusive
Mode
2
Press PARAMETER [] [] to select the mode you want to set, then press
VALUE [] [] to make the setting.
Other Features
The actions performed by
simultaneously pressing the
[] and [] pedals also
conform to this setting.
You cannot set the lower case
letters in all modes.
Value
Uppercase letters
Lowercase lettersThese cannot be selected by pressing the pedal.
Explanation
These can be selected by pressing the pedal.
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].
Switching How the Pedal Indicators Light
You can have all unlit pedal indicators flash faintly instead.
This makes it easier to locate pedal positions on stage and in other darkened
environments.
1
Press PARAMETER [] [] to select “SYS:Pdl Indicate.”
2
Press VALUE [] [] to make the setting.
Value
OFF
ONAll pedal indicators other than the unlit pedal indicator flash.
Explanation
All pedal indicators other than the lit pedal indicator remain off.
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].
51
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Other Features
Setting the MIDI Transmit Channel
This sets the Transmit Channel of the MIDI messages.
1
Press PARAMETER [] [] to select “MIDI:Tx Channel.”
2
Press VALUE [] [] to set the transmit channel.
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].
Setting the Device ID
This sets the Device ID used for transmitting and receiving system exclusive
messages.
1
Press PARAMETER [] [] to select “MIDI:Device ID.”
2
Press VALUE [] [] to set the Device ID.
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].
Setting the Bank Select Output
This setting determines whether or not Bank Select messages as well as Program
Change messages are transmitted in Standard Mode.
1
Press PARAMETER [] [] to select “MIDI:Bnk Sel Out.”
2
Press VALUE [] [] to make the setting.
52
Value
OFF
ON (MSB INC)The Bank Select (MSB) message is incremented (or decremented) by
ON (LSB INC)The Bank Select (LSB) message is incremented (or decremented) by
Explanation
Bank Select messages are not transmitted.
one when the Program Change is incremented (or decremented).
one when the Program Change is incremented (or decremented).
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].
Page 53
Setting the Bank Select Value
You can change the values of the Bank Select messages output in Standard Mode to
match the connected device. Values from the [] [] pedals are added to the
base values set here and then output. For details, refer to
for Transmitting Program Change messages in Standard Mode (PC Mode)”
47).
1
Press PARAMETER [] [] to select “MIDI:Bank Select.”
2
Press PARAMETER [] [] to select either “MSB” or “LSB.”
3
Press VALUE [] [] to make the setting.
Other Features
“Setting the Method Used
(p.
4
When you’ve finished making the settings, press [UTILITY] or [EXIT].
Transmitting Data to an External MIDI Device (Bulk Dump)
On the FC-300, you can use System Exclusive messages to provide another FC-300
with identical settings, and save settings on a MIDI sequencer or other device.
Making the Connections
• When saving to a MIDI sequencer
Connect the FC-300’s MIDI OUT to the MIDI sequencer’s MIDI IN connector
with a MIDI cable.
• When transmitting data to another FC-300
Connect the sending FC-300’s MIDI OUT to the receiving FC-300’s MIDI IN
connector with a MIDI cable.
1.
Set the Device ID for the transmitting and receiving FC-300s to the same
ID (p. 52).
2.
Switch to the Bulk Load screen on the receiving FC-300 (p. 54).
Transmitting
For instructions on operating
the MIDI sequencer, see the
owner’s manual that came
with your MIDI sequencer.
1
Press PARAMETER [] [] to select “Bulk Dump.”
53
Page 54
Other Features
J
2
Press VALUE [] [] to make the setting.
Value
ALL
UTILITYSystem parameter settings are transmitted.
STANDARDStandard Mode settings are transmitted.
CONTROLControl Change Mode settings are transmitted.
PATCHPatch Mode settings are transmitted.
Explanation
All settings (UTILITY, STANDARD, CONTROL, PATCH) are transmitted.
3
Press [WRITE].
The “Now Sending...” message appears in the display when the FC-300 sends the
data. The top screen appears in the display when the FC-300 finishes sending the
data.
If either ALL, CONTROL, or PATCH is selected in Step 2, the message “Erase Tmp
Data Sure?” is displayed.
Press [WRITE] again; the data currently being edited (unsaved) in Control Change
mode and Patch mode is erased, and then the bulk dump begins.
Receiving Data from an External MIDI Device (Bulk Load)
FC-300 can receive the setting saved in the sequencer or the other FC-300 with
identical settings.
Making the Connections
• When receiving data saved to a MIDI sequencer
Connect the MIDI sequencer’s MIDI OUT to the FC-300’s MIDI IN connector
with a MIDI cable.
Transmitting
For instructions on operating
the MIDI sequencer, see the
owner’s manual that came
with your MIDI sequencer.
1
Press PARAMETER [] [] to select “Bulk Load.”
ust as when transmitting data
to a MIDI sequencer, match the
FC-300’s and MIDI sequencer’s
Device ID settings (p. 52).
2
Transmit the data.
The “Now Receiving...” message appears in the display when the FC-300 receiving
the data.
The bulk load processing ended when the message “Now Waiting...” appears in the
display.
3
When you’ve finished receiving the data, press [UTILITY] or [EXIT].
The data is saved, and the FC-300 returns to the top screen.
54
Page 55
Appendices
Do not turn off the power to
the FC-300 while Factory Reset
is in progress.
If you want to cancel the
factory reset operation, turn off
the power.
Restoring the Factory Settings (Factory Reset)
You can restore all of the FC-300’s settings to their original factory settings.
This is referred to as “Factory Reset.”
Use the following procedure when carrying out Factory Reset.
1
Switch off the power.
2
Hold down VALUE [] [] and switch on the power.
The message “Factory Reset Are you sure?” appears in the display.
3
Press [WRITE].
Factory Reset is executed.
When the Factory Reset is finished, the message “Completed!” appears in the
display.
4
Switch off the power.
55
Page 56
Appendices
Adjusting the Expression Pedal
Although the FC-300’s EXP pedals are adjusted for optimal performance when
shipped from the factory, extended use over time and under certain usage
conditions may result in the pedals going out of adjustment. If you find the pedals
exhibiting problems, such as “a failure to completely shut off the volume when used
as volume pedals,” or “MIDI messages not being output in the range corresponding
to the set values,” you can readjust the pedals using the following procedure.
1
Hold down [UTILITY] and switch on the power.
2
When “EXP1:Set to MIN” is displayed, rock EXP PEDAL 1 all the way back (so
that the toe end of the pedal is raised). Release your foot from EXP PEDAL 1,
and then press [WRITE].
3
When “EXP1:Set to MAX” is displayed, rock EXP PEDAL 1 fully forward (so
that the heel end of the pedal is raised). Release your foot from EXP PEDAL 1,
and then press [WRITE].
When you operate the
expression pedal, please be
careful not to get your fingers
pinched between the movable
part and the panel. In
households with small
children, an adult should
provide supervision until the
child is capable of following all
the rules essential for the safe
operation of the unit.
4
When “EXP1:Threshold” appears in the display, set the sensitivity of the EXP
PEDAL SW 1 with VALUE [] [], and then press [WRITE].
5
When “EXP2:Set to MIN” is displayed, rock EXP PEDAL 2 all the way back (so
that the toe end of the pedal is raised). Release your foot from EXP PEDAL 2,
and then press [WRITE].
6
When “EXP2:Set to MAX” is displayed, rock EXP PEDAL 2 fully forward (so
that the heel end of the pedal is raised). Release your foot from EXP PEDAL 2,
and then press [WRITE].
7
When “EXP2:Threshold” appears in the display, set the sensitivity of the EXP
PEDAL SW 2 with VALUE [] [], and then press [WRITE].
EXP1:Threshold and
EXP2:Threshold can be set to
any value from 1 through 16.
The expression pedal switch
can be switched on and off
with less pressure as the value
is lowered.
56
8
When the message “Complete!” appears in the display, switch off the power.
Page 57
Error Messages
Battery Low!
Appendices
[Cause]
[Solution]
The batteries are depleted (6 x AA size).
Replace the batteries as soon as possible. (p. 11)
Memory Full!
[Cause 1]
[Solution 1]
[Cause 2]
[Solution 2]
The internal memory became full at the time the patch was saved.
Delete any unnecessary patches. (p. 45)
The area of memory for the FC-300’s internal operations became full
while the patch was being edited (COPY, INS, etc).
Delete MIDI messages within the patch. (p. 40)
MIDI Buffer Full!
[Cause]
[Solution]
Too many MIDI messages were received in a short time from an
external MIDI device than could be processed correctly.
Reduce the amount of MIDI message data transmitted by the external
MIDI device.
MIDI Offline!
[Cause]
[Solution]
There is a problem with the MIDI cable connection.
Check to make sure the cable has not been pulled out or is not
defective.
RRC2 Buffer Full!
[Cause]
[Solution]
Too many RRC2 control messages were received in a short time from
an external RRC2 IN device than could be processed correctly.
Reduce the amount of control message data transmitted by the
external RRC2 IN device.
RRC2 Offline!
[Cause]
[Solution]
There is a problem with the RRC2 cable connection.
Check to make sure the cable has not been pulled out or is not
defective.
57
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Appendices
Troubleshooting
If other operational problems occur, first check by using the following solutions:
If this does not resolve the problem, then contact your dealer or a nearby Roland
service station.
The power doesn’t come on
• Is the specified AC adaptor (PSA series; sold separately) properly
connected?
Check connections again. Never use any AC adaptor other than one specified for
use with the FC-300 (p. 12).
• Are the batteries dead?
Replace the new batteries (p. 11).
Power not turning off
• Is there an RRC2 IN device connected?
Switch the RRC2 IN device’s POWER switch to OFF (p. 13).
MIDI messages are not transmitted/received
• Are the MIDI cables broken?
Try another set of MIDI cables.
• Is the FC-300 correctly connected to the other MIDI device?
Check connections with the other MIDI device.
• Do the MIDI channel settings of both devices match?
Make sure that the MIDI channels of both devices match (p. 52).
• Is the number pedal indicator flashing?
Program Change messages are not transmitted while the number pedal’s
indicator is flashing.
Pressing a number pedal and selecting the number transmits the message.
The batteries that are supplied
with the unit is for temporary
use, intended primarily for
testing this unit.
When running on power
supplied by an RRC2 IN
device, the power is switched
on regardless of the position of
the POWER switch.
58
• When you send messages from the FC-300, make sure the FC-300 is set to
the settings appropriate for sending data.
Check the
messages in Standard Mode (PC Mode)”
Change Messages”
“Setting the Method Used for Transmitting Program Change
(p. 47) or
(p. 17) (p. 21) (p. 30).
“Transmitting Control
Expression pedal switch not switching on and off / Fails to
completely shut off the volume when used as a volume pedal
• Has the pedal gone out of adjustment?
Adjust the expression pedal (p. 56).
Display is faint or flickering
Check the following settings.
“Adjusting the LCD Contrast”
“Reducing Battery Consumption (Economy Mode)”
“Switching How the Pedal Indicators Light”
(p. 46)
(p. 46)
(p. 51)
Although the FC-300’s EXP
pedals are adjusted for optimal
performance when shipped
from the factory, extended use
over time and under certain
usage conditions may result in
the pedals going out of
adjustment.
Page 59
MIDI FOOT CONTROLLER
Device (B)
MIDI IN
MIDI OUT
Device (A)
MIDI OUT
MIDI IN
1
2
Apr. 1, 2007
Model FC-300
MIDI Implementation
Roland System Exclusive
Messages
1. Data Format for Exclusive
Messages
Roland’s MIDI implementation uses the following data format for all
Exclusive messages (type IV):
Byte
F0H
41HManufacturer ID (Roland)
DEVDevice ID
MDLModel ID
CMDCommand ID
[BODY]Main data
F7HEOX (End of System Exclusive)
Description
System Exclusive Status
Version 1.00
Command ID: CMD
The Command ID indicates the function of an Exclusive message.
The Command ID format may contain 00H in one or more places to
provide an extended data field.
The following are examples of valid Command IDs, each representing
a unique function:
01H
02H
03H
00H, 01H
00H, 02H
00H, 00H, 01H
Main data: BODY
This field contains a message to be exchanged across an interface.
The exact data size and content will vary with the Model ID and
Command ID.
MIDI status: F0H, F7H
An Exclusive message must be flanked by a pair of status codes,
starting with a Manufacturer ID immediately after F0H (MIDI version
1.0).
Manufacturer ID: 41H
The Manufacturer ID identifies the manufacturer of a MIDI
instrument that sends an System Exclusive message. Value 41H
represents Roland’s Manufacturer ID.
Device ID: DEV
The Device ID contains a unique value that identifies individual
devices in the implementation of several MIDI instruments.
It is usually set to 00H–0FH, a value smaller by one than that of a basic
channel, but value 00H–1FH may be used for a device with several
basic channels.
Model ID: MDL
The Model ID contains a value that identifies one model from another.
Different models, however, may share an identical Model ID if they
handle similar data.
The Model ID format may contain 00H in one or more places to
provide an extended data field.
The following are examples of valid Model IDs, each representing a
unique model:
01H
02H
03H
00H, 01H
00H, 02H
00H, 00H, 01H
2. Address-mapped Data Transfer
Address mapping is a technique for transferring messages
conforming to the data format given in Section 1.
It assigns a series of memory-resident records–waveform and tone
data, switch status, and parameters, for example, to specific locations
in a machine-dependent address space, thereby allowing access to
data residing at the address a message specifies.
Address-mapped data transfer is therefore independent of models
and data categories.
This technique allows use of two different transfer procedures: one-
way transfer and handshake transfer.
One-way transfer procedure
(See Section 3 for details.)
This procedure is suited to the transfer of a small amount of data.
It sends out an Exclusive message completely independent of the
receiving device’s status.
fig.Connection-Diagram1.eps
Connection at point 2 is essential for “Request data” procedures. (See
Section 3.)
59
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MIDI Implementation
Handshake-transfer procedure
(This device does not use this procedure)
This procedure initiates a predetermined transfer sequence
(handshaking) across the interface before data transfer takes place.
Handshaking ensures that reliability and transfer speed are high
enough to handle a large amount of data.
fig.Connection-Diagram2.eps
Device (A)
1
MIDI OUT
MIDI IN
Connection at points 1 and 2 is essential.
2
Device (B)
MIDI IN
MIDI OUT
3. One-way Transfer Procedure
This procedure sends out data until it has all been sent and is used
when the messages are so short that answerbacks need not be
checked.
For longer messages, however, the receiving device must acquire each
message in time with the transfer sequence, which inserts 20
milliseconds intervals. In this method, as for the receiving device, it is
necessary to receive data correctly in time.
Types of Messages
Message
Request data 1
Data set 1DT1 (12H)
Command ID
RQ1 (11H)
Notes on the above procedures
• There are separate Command IDs for different transfer
procedures.
• Devices A and B cannot exchange data unless they use the same
transfer procedure, share identical Device ID and Model ID,
and are ready for communication.
Request data 1: RQ1 (11H)
This message is sent out when there is a need to acquire data from a
device at the other end of the interface.
It contains data for the address and size that specify designation and
length, respectively, of data required.
On receiving an RQ1 message, the remote device checks its memory
for the data address and size that satisfy the request.
If it finds them and is ready for communication, the device will
transmit a “Data set 1 (DT1)” message, which contains the requested
data.
Otherwise, the device won’t send out anything.
ByteDescription
F0H
41HManufacturer ID (Roland)
DEVDevice ID
MDLModel ID
11HCommand ID
aaHAddress MSB
: :
: :
ssHSize MSB
: :
: :
sumCheck sum
F7HEOX (End of System Exclusive)
System Exclusive Status
Address LSB
Size LSB
60
• The size of the requested data does not indicate the number of
bytes that will make up a DT1 message, but represents the
address fields where the requested data resides.
• Some models are subject to limitations in data format used for a
single transaction. Requested data, for example, may have a
limit in length or must be divided into predetermined address
fields before it is exchanged across the interface.
• The same number of bytes comprises address and size data,
which, however, vary with the Model ID.
• The error-checking process uses a checksum that provides a bit
pattern where the last 7 bits are zero when values for an
Page 61
MIDI Implementation
Device (B)Device (A)
Data Set 1
* Wait for 20 msec or longer.
Data Set 1
Data Set 1
Device (B)Device (A)
Data Set 1Request Data
Data Set 1
* Wait for 20 msec or longer.
Data Set 1
Data Set 1
address, size, and that checksum are summed.
Data set 1: DT1 (12H)
This message corresponds to the actual data transfer process.
Because every byte in the data is assigned a unique address, a DT1
message can convey the starting address of one or more bits of data as
well as a series of data formatted in an address-dependent order.
The MIDI standards inhibit non real-time messages from interrupting
an Exclusive one. This fact is inconvenient for devices that support a
“soft-thru” function.
To maintain compatibility with such devices, Roland has limited the
DT1 to 256 bytes so that an excessively long message is sent out in
separate ‘segments.’
Byte
F0H
41HManufacturer ID (Roland)
DEVDevice ID
MDLModel ID
12HCommand ID
aaHAddress MSB
: :
: :
ddHData MSB
: :
: :
sumCheck sum
F7HEOX (End of System Exclusive)
Description
System Exclusive Status
Address LSB
Data LSB
Example of Message Transactions
• Device A sending data to Device B
Transfer of a DT1 message is all that takes place.
fig.MessageTransaction1.eps
• Device B requesting data from Device A
Device B sends an RQ1 message to Device A.
Checking the message, Device A sends a DT1 message back to
Device
fig.MessageTransaction2.eps
• A DT1 message is capable of providing only the valid data
among those specified by an RQ1 message.
• Some models are subject to limitations in data format used for a
single transaction. Requested data, or example, may have a
limit in length or must be divided into predetermined address
fields before it is exchanged across the interface.
• The number of bytes comprising address data varies from one
Model ID to another.
• The error-checking process uses a checksum that provides a bit
pattern where the last 7 bits are zero when values for an
address, data, and that checksum are summed.
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MIDI Implementation
1. Recognized Receive Data
System Realtime Message
Active Sensing
Status
FEH
When FC-300 receives Active Sensing, it measures time intervals
between incoming messages. If the subsequent message will not come
within 400 msec after the previous one, FC-300 turns off Active
Sensing for a period and stops measuring message intervals.
System Exclusive Message
Status
F0H
F0HSystem Exclusive Status
iiID Number: The ID Number (manufacturer’s ID) is
used to distinguish one manufacturer’s System Exclusive messages from another. Roland’s manufacturer ID
is 41H. ID Numbers 7EH and 7FH are used as Universal
Non-realtime messages (7EH), and Universal Realtime
message (7FH) for extending the MIDI standard.
dd, ..., ee 00H-7FH (0-127)
F7HEOX (End of System Exclusive)
System Exclusive messages that the FC-300 can receive are Data
Request (RQ1) and Data Set (DT1).
For a detailed explanation about Data Request (RQ1) and Data Set
(DT1), refer to
“3. Exclusive Communications”
“Roland System Exclusive Messages”
DataStatus
iiH, ddH, ....., eeHF7H
(p. 59) and
(p. 64).
2. Transmitted Data
Transmitted Messages
Channel Voice Message
Note Off
Status
8nH
n = MIDI Channel Number
kk = Note Number
vv = Velocity
* Specifically when Patch Mode is selected.
Note On
Status
9nH
n = MIDI Channel Number
kk = Note Number
vv = Velocity
* Specifically when Patch Mode is selected.
Polyphonic Key Pressure
StatusSecondThird
AnH
n = MIDI Channel Number
kk = Note Number
vv = Polyphonic Key
* Specifically when Standard Mode and Patch Mode are selected.
Second
ppH
0H-FH (ch.1-ch.16)
00H-7FH (prog.1-prog.128)
Channel Pressure
Status
DnH
n = MIDI Channel Number
vv = Channel Pressure
* Does not transmit while in System Exclusive Mode.
Second
vvH
0H - FH (ch.1-ch.16)
00H-7FH (0-127)
Pitch Bend Change
Status
EnH
n = MIDI Channel Number
mm, ll = Pitch Bend
* Does not transmit while in System Exclusive Mode.
SecondThird
llHmmH
0H - FH (ch.1-ch.16)
00 00H - 40 00H - 7F 7FH
(-8192 - 0 - +8192)
System Realtime Message
Start
Status
FAH
* Does not transmit while in System Exclusive Mode.
System Exclusive Message
Status
F0H
F0H
ii = ID Number
dd, ..., ee = data
F7H
For a detailed explanation, see
Messages”
(p. 59) and
MIDI Machine Control (MMC)
Status
F0H
Byte
F0H
7FHID Number (Universal Realtime Message)
7FHDevice ID (Broadcast)
06HSub-ID#1 (Machine Control Command)
comSub-ID#2 (MMC Command)
F7HEOX (End of System Exclusive)
• Outputs when pedal is operated while in the System Exclusive
• Also outputs Data Set (DT1) when Data Request (RQ1) is
• Data Set (DT1) is ignored.
Size (H)
00 0100/7FPedal 1/6 StatusOFF/ON
Mode.
received.
Data (H)
LED Status (Individual area)
Address (H)
30 00
30 0100 0100/7FPedal 2/7 red LED
30 0200 0100/7FPedal 3/8 red LED
30 0300 0100/7FPedal 4/9 red LED
30 0400 0100/7FPedal 5/10 red LED
30 0500 0100/7FPedal 1/6 green LED
30 0600 0100/7FPedal 2/7 green LED
30 0700 0100/7FPedal 3/8 green LED
30 0800 0100/7FPedal 4/9 green LED
30 0900 0100/7FPedal 5/10 green
31 0000 0100/7FCTL Pedal 1 LED
31 0100 0100/7FCTL Pedal 2 LED
32 0000 0100/7FEXP Pedal SW 1 LED
32 0100 0100/7FEXP Pedal SW 2 LED
35 0000 0100/7FUP Pedal LED StatusOFF/ON
35 0100 0100/7FDOWN Pedal LED
• Receives Data Set (DT1) in all mode, changes the LED status of
• Data Request (RQ1) is ignored.
Size (H)
00 0100/7FPedal 1/6 red LED
each pedal only in the System Exclusive Mode.
Data (H)
Parameter
Status
Status
Status
Status
Status
Status
Status
Status
Status
LED Status
Status
Status
Status
Status
Status
Description
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
BANK/NUMBER Display Status (Individual
area)
Address (H)
40 00
40 0200 020abcdefg,
40 0400 020abcdefg,
• Receives Data Set (DT1) in all mode, changes the BANK/
NUMBER display status only in the System Exclusive Mode.
• Each bit represents ON/OFF of corresponding display segment.
Bit “0” = OFF; “1” = ON
• Data Request (RQ1) is ignored.
Size (H)Data (H)Parameter
00 020abcdefg,
0000000h
0000000h
0000000h
Right
Center
Left
Description
d
c
e
a
b
f
g
h
65
Page 66
MIDI Implementation
Controller Status (Individual area)
Address (H)
50 00
50 0100 0100/7FAMP CON-
• Receives Data Set (DT1) in all mode.
• Changes status of AMP CONTROL jack when Data Set (DT1) is
received.
• Outputs when Data Request (RQ1) is received.
Size (H)Data (H)Parameter
00 0100/7FAMP CON-
TROL 1 Status
TROL 2 Status
Description
OFF/ON
OFF/ON
Message Display Status (Individual area)
Address (H)
60 00
:::
60 0F00-07,
64 00 00 1000-07,
:::
64 0F00-07,
• Receives Data Set (DT1) in all mode.
• Outputs when Data Request (RQ1) is received.
Size (H)
00 1000-07,
Data (H)
20-7D
20-7D
20-7D
20-7D
Parameter
Line 0
Column 0 data
Line 0
Column 15
data
Line 1
Column 0 data
Line 1
Column 15
data
Description
00-07: User Font
20-7D: ASCII
characters
Message Display User Font (Individual
area)
Address (H)
68 00
:::
68 0700-1F
68 08 00 0800-1F
::::
68 38 00 0800-1F
• Receives Data Set (DT1) in all mode, changes the user font of the
• Data Request (RQ1) is ignored.
*1 The bitmap data of the user font following displayed in LCD.
Size (H)
00 0800-1F
LCD only in the System Exclusive Mode.
Data (H)
ParameterDescription
User Font 1
Line 0 data
User Font 1
Line 7 data
User Font 2
Line 0 data
User Font 8
Line 7 data
*1
Tuner Display Status (Individual area)
Address (H)
70 01
70 02
70 03
70 04
70 05
• Receives Data Set (DT1) in all mode, changes the display of the
LCD when only Function Mode Status is TUNER.
• Data Request (RQ1) is ignored.
Size (H)Data (H)Parameter
00 0100/7F
00 0100/7F
00 0100/7F
00 0100/7F
00 0100/7F
C#/D Display
Status
D#/E Display
Status
F#/G Display
Status
G#/A Display
Status
A#/B Display
Status
Description
C#/D
D#/E
F#/G
G#/A
A#/B
Tuner Pitch Status (Individual area)
Address (H)
71 00
71 0100 0100, 01-0DTuner Note
71 0200 0100,
• Receives Data Set (DT1) when only Function Mode Status is
TUNER.
• Changes the display of the LCD when Data Set (DT1) is
received.
• Data Request (RQ1) is ignored.
Size (H)Data (H)Parameter
00 0100, 01-06String
Number
Status
Tuner Cent
01–40–7F
Status
Description
00: OFF
01: 1-6
00: No Signal
01: C, 02: C#
03: D, 04: D#
05: E, 06: F
07: F#, 08: G
09: G#, 0A: A
0B: A#, 0C: B
00: No Signal
01: -50
40: 0
7F: 50
ParameterData
User Font line0 data000xxxxx
User Font line1 data000xxxxx
User Font line2 data000xxxxx
User Font line3 data000xxxxx
User Font line4 data000xxxxx
User Font line5 data000xxxxx
User Font line6 data000xxxxx
User Font line7 data000xxxxx
66
Page 67
MIDI Implementation
MIDI FOOT CONTROLLER
Model FC-300
Function...
Basic
Channel
Mode
Default
Changed
Default
Messages
Altered
Note
Number
Velocity
After
Touch
True Voice
Note ON
Note OFF
Key's
Ch's
Pitch Bend
Control
Change
0, 32
1 – 31
33 – 95
MIDI Implementation Chart
TransmittedRecognizedRemarks
1–16
1–16
x
x
**************
0–127
**************
o 9n v=1–127
o 8n v=0–127
o 0–127
o 1–16
o
o
o
o
*1
*1
*3
*3
*3
*3
*1
*1
*2
*1
*1
x
x
x
x
x
x
x
x
x
x
x
x
x
x
Memorized
Bank Select
Date : Apr. 1, 2007
Version : 1.00
Program
Change
System Exclusive
Common
Song Position
Song Select
Tune Request
System
Realtime
AUX
Messages
Reset All Controller
Commands
Local ON/OFF
All Notes OFF
All Sound OFF
Active Sense
System Reset
Notes
Mode 1: OMNI ON, POLY
Mode 3: OMNI OFF, POLY
True #
Clock
*2
*1
x
x
o
x
x
x
x
x
x
x
x
x
o
x
o
*********
o
x
x
x
x
o
x
x
x
x
o
x
*1 Does not transmit while in System Exclusive Mode.
*2 Transmits while in Standard Mode and Patch Mode.
*3 Transmits while in Patch Mode.
Mode 2: OMNI ON, MONO
Mode 4: OMNI OFF, MONO
Program Number
1 – 128
o: Yes
x: No
67
Page 68
Specifications
FC-300 : MIDI FOOT CONTROLLER
Connectors
Controls
Display
Indicators
Number of Patches
(Patch Mode)
Power Supply
Current Draw
Expected battery
life under continuous use (Carbon):
Number pedal indicators 1/6–5/10 (When the number pedal 1-5 is selected, the indicator lights in red.
When the number pedal 6-10 is selected, the indicator lights in green.)
[] [] pedal indicators
CTL pedal indicators (1, 2)
EXP PEDAL indicators (1, 2)
100
9 V DC: Dry battery (AA) type x 6
AC Adaptor (BOSS PSA series; sold separately)
RRC2 (Supplied from RRC2 IN device)
94 mA (When Economy Mode is OFF.)
61 mA (When Economy Mode is ON.)
6.5 hours or longer (When Economy Mode is OFF)
12 hours or longer (When Economy Mode is ON)
* These figures will vary depending on the actual conditions of use.
550 (W) x 250 (D) x 76 (H) mm
21-11/16 (W) x 9-7/8 (D) x 3 (H) inches
5.3 kg / 11 lbs 11 oz (including batteries)
Owner’s Manual
Dry battery R6 (AA) type (carbon) x 6
Roland Service
AC Adaptor: BOSS PSA series
Footswitch: BOSS FS-5U, FS-6
Expression Pedal: Roland EV-5, BOSS FV-500L, FV-500H
* In the interest of product development, the specifications and/or appearance of this unit are subject to change without prior notice.
This product complies with the requirements of European Directive 89/336/EEC.
For EU Countries
For Canada
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
NOTICE
AVIS
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
– Reorient or relocate the receiving antenna.
– Increase the separation between the equipment and receiver.
– Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
– Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE:
BROWN:
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
NEUTRAL
LIVE
Page 72
InformationWhen you need repair service, call your nearest Roland Service Center or authorized Roland