Roland FC-300 User Manual

Page 1
Owner’s Manual
201a
Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” (p. 2)
and “IMPORTANT NOTES” (p. 4). These sections provide important information concerning
the proper operation of the unit. Additionally, in order to feel assured that you have gained a
good grasp of every feature provided by your new unit, Owner’s Manual should be read in its
entirety. The manual should be saved and kept on hand as a convenient reference.
Copyright © 2007 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the
written permission of ROLAND CORPORATION.
Page 2

USING THE UNIT SAFELY

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.
* Material damage refers to damage or
other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.
001
• Before using this unit, make sure to read the instructions below, and the Owner’s Manual.
.......................................................................
002c
• Do not open (or modify in any way) the unit or its AC adaptor.
.......................................................................
003
• Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.
.......................................................................
004
• Never use or store the unit in places that are:
• Subject to temperature
extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat­generating equipment); or are
• Damp (e.g., baths, washrooms, on wet
floors); or are
• Humid; or are
• Exposed to rain; or are
• Dusty; or are
• Subject to high levels of vibration.
.......................................................................
007
• Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.
.......................................................................
The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.
The symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the power­cord plug must be unplugged from the outlet.
008b
• Use only the specified AC adaptor (PSA series), and make sure the line voltage at the instal­lation matches the input voltage specified on the AC adaptor’s body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock.
......................................................................
009
• Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!
......................................................................
011
• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.
......................................................................
013
• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.
......................................................................
014
• Protect the unit from strong impact. (Do not drop it!)
......................................................................
016
• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.
......................................................................
012c
• Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:
• The AC adaptor or the power-
supply cord has been damaged; or
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has
been spilled onto the unit; or
• The unit has been exposed to rain (or
otherwise has become wet); or
• The unit does not appear to operate
normally or exhibits a marked change in performance.
.......................................................................
015
• Do not force the unit’s power­supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.
.......................................................................
019
• Batteries must never be recharged, heated, taken apart, or thrown into fire or water.
.......................................................................
2
Page 3
101b
• The unit and the AC adaptor should be located so their location or position does not interfere with their proper venti­lation.
.......................................................................
102d
• Always grasp only the output plug or the body of the AC adaptor when plugging into, or unplugging from, this unit or an outlet.
.......................................................................
103b
• At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire.
.......................................................................
104
• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.
.......................................................................
106
• Never climb on top of, nor place heavy objects on the unit.
.......................................................................
107d
• Never handle the AC adaptor body, or its output plugs, with wet hands when plugging into, or unplugging from, an outlet or this unit.
......................................................................
108b
• Before moving the unit, disconnect the AC adaptor and all cords coming from external devices.
......................................................................
109b
• Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet (p. 13).
......................................................................
110b
• Whenever you suspect the possi­bility of lightning in your area, disconnect the AC adaptor from the outlet.
......................................................................
112
• Used batteries must be disposed of in compliance with whatever regulations for their safe disposal that may be observed in the region in which you live.
......................................................................
111: Selection
• If used improperly, batteries may explode or leak and cause damage or injury. In the interest of safety, please read and observe the following precau­tions (p. 11).
1
• Carefully follow the instal-
lation instructions for batteries, and make sure you observe the correct polarity.
2
• Avoid using new batteries
together with used ones. In addition, avoid mixing different types of batteries.
3
• Remove the batteries whenever the
unit is to remain unused for an extended period of time.
5
• If a battery has leaked, use a soft piece
of cloth or paper towel to wipe all remnants of the discharge from the battery compartment. Then install new batteries. To avoid inflammation of the skin, make sure that none of the battery discharge gets onto your hands or skin. Exercise the utmost caution so that none of the discharge gets near your eyes. Immediately rinse the affected area with running water if any of the discharge has entered the eyes.
6
• Never keep batteries together with
metallic objects such as ballpoint pens, necklaces, hairpins, etc.
.......................................................................
UK
DE
FR
IT
ES
PT
NL
DK
For EU Countries
SE
FI
HU
PL
CZ
SK
EE
LT
LV
SI
NO
GR
3
Page 4

IMPORTANT NOTES

291a
In addition to the items listed under “USING THE UNIT
SAFELY” on page 2, please read and observe the following:
Power Supply: Use of Batteries
• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise filter between this unit and the electrical outlet.
• The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.
303a
• The use of an AC adaptor is recommended as the unit’s power consumption is relatively high.
304a
• When installing or replacing batteries, always turn off the power on this unit and disconnect any other devices you may have connected. This way, you can prevent malfunction and/or damage to speakers or other devices.
306b
• Batteries are supplied with the unit. The life of these batteries may be limited, however, since their primary purpose was to enable testing.
• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.
Placement
352a
• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.
354a
• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.
355b
• When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.
• Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface.
Maintenance
401a
• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.
• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.
Repairs and Data
• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up in another MIDI device (e.g., a sequencer), or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.
Additional Precautions
• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory in another MIDI device (e.g., a sequencer).
• Unfortunately, it may be impossible to restore the contents of data that was stored in another MIDI device (e.g., a sequencer) once it has been lost. Roland Corporation assumes no liability concerning such loss of data.
• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.
• Never strike or apply strong pressure to the display.
• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.
558b
• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels (especially when it is late at night).
558c
• Since sound vibrations can be transmitted through floors and walls to a greater degree than expected, take care not to allow such sound to become a nuisance to neighbors, especially at night and when using headphones.
559a
• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.
• Use only the specified expression pedal (Roland EV-5, BOSS FV-500L or FV-500H; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.
4
Page 5
Table of Contents
Introduction .............................................................................................7
Main Features.............................................................................................................................................. 7
Panel Descriptions...................................................................................................................................... 7
Display.............................................................................................................................................. 7
Top Panel (Buttons) ........................................................................................................................ 8
Top Panel (Pedals) .......................................................................................................................... 9
Rear Panel....................................................................................................................................... 10
Making the Connections.......................................................................................................................... 11
Connections To Make When Using the FC-300 as a MIDI Foot Controller.......................... 11
Connections To Make When Using the FC-300 as a Dedicated Foot Controller
for an RRC2 IN Device (e.g., the VG-99).................................................................................... 12
Turning the Power On and Off .............................................................................................................. 13
When Using the FC-300 as a MIDI Foot Controller ................................................................. 13
When Using the FC-300 as a Dedicated Foot Controller for an RRC2 IN Device
(e.g., the VG-99)............................................................................................................................. 13
About the MODES.................................................................................................................................... 14
Standard Mode (p. 16) .................................................................................................................. 14
Control Change Mode (p. 21) ...................................................................................................... 14
System Exclusive Mode (p. 28).................................................................................................... 14
Patch Mode (p. 29) ........................................................................................................................ 14
Switching Modes ...................................................................................................................................... 15
About the Mode Indicators.......................................................................................................... 15
Standard Mode ......................................................................................16
Transmitting Program Change Messages............................................................................................. 16
Setting How Tones are Switched................................................................................................ 16
Transmitting Control Change Messages............................................................................................... 17
Using the Expression Pedals ....................................................................................................... 17
Using the Control Pedal and Expression Pedal Switch........................................................... 17
Using the External Control Pedals and Expression Pedals..................................................... 18
Controller Numbers for Each Pedal ........................................................................................... 18
Change the Pedal Settings....................................................................................................................... 19
Control Change Mode...........................................................................21
About the Control Change Mode........................................................................................................... 21
Transmitting Control Change Messages............................................................................................... 21
Number Pedal (1/6–5/10) ........................................................................................................... 21
[ ] [ ] Pedal ............................................................................................................................ 21
Using the Expression Pedals ....................................................................................................... 22
Using the Control Pedal and Expression Pedal Switch........................................................... 22
Using Additional Footswitches and Expression Pedals.......................................................... 23
Controller Numbers of the Pedals .............................................................................................. 23
Change the Pedal Settings....................................................................................................................... 24
Storing Controller Numbers Assigned to the Pedals (Pedal Settings) .............................................26
Switching Control Numbers Assigned to the Pedals Simultaneously ............................................. 26
Deleting a Pedal Setting........................................................................................................................... 27
System Exclusive Mode .......................................................................28
Patch Mode............................................................................................29
About the Patch Mode ............................................................................................................................. 29
About the Patch ............................................................................................................................. 29
Transmitting Control Change Messages............................................................................................... 30
Using the Expression Pedals ....................................................................................................... 30
Using the Control Pedals and Expression Pedal Switches...................................................... 30
Using the External Control Pedals and Expression Pedals..................................................... 31
The Controller Number of Each Pedal....................................................................................... 31
Transmitting Patch Data.......................................................................................................................... 32
Creating Patches ....................................................................................................................................... 33
Editing MIDI Streams................................................................................................................... 34
5
Page 6
How to Copy MIDI Streams........................................................................................................39
How to Delete MIDI Streams ......................................................................................................40
Setting the Timing for Transmission of OFF MIDI Streams ................................................... 40
Setting the Amp Control .............................................................................................................. 41
Change the Pedal Settings....................................................................................................................... 42
Set the Patch Name .................................................................................................................................. 44
Storing (Saving) Patches.......................................................................................................................... 44
Deleting Patches ....................................................................................................................................... 45
Other Features ......................................................................................46
Setting the System Parameters ...............................................................................................................46
Adjusting the LCD Contrast........................................................................................................ 46
Reducing Battery Consumption (Economy Mode).................................................................. 46
Setting the Method Used for Transmitting Program Change messages
in Standard Mode (PC Mode) .....................................................................................................47
Using the [ ] [ ] Pedals to Make the Settings ................................................................... 48
Limiting the Range of Banks That Can Be Switched (Bank Extent) ...................................... 48
Setting the [ ] [ ] Pedal Step Size ....................................................................................... 49
Setting How Numbers are Indicated.......................................................................................... 49
Setting the Polarity of the AMP CONTROL Jacks ...................................................................50
Determining the Role of an EXP PEDAL/CTL Jack ................................................................ 50
Switching the Function of the MODE Pedal Jack..................................................................... 51
Switching How the Pedal Indicators Light ...............................................................................51
Setting the MIDI Transmit Channel ........................................................................................... 52
Setting the Device ID .................................................................................................................... 52
Setting the Bank Select Output.................................................................................................... 52
Setting the Bank Select Value ...................................................................................................... 53
Transmitting Data to an External MIDI Device (Bulk Dump) ............................................... 53
Receiving Data from an External MIDI Device (Bulk Load) .................................................. 54
Appendices............................................................................................55
Restoring the Factory Settings (Factory Reset)..................................................................................... 55
Adjusting the Expression Pedal ............................................................................................................. 56
Error Messages.......................................................................................................................................... 57
Battery Low!................................................................................................................................... 57
Memory Full! .................................................................................................................................57
MIDI Buffer Full!........................................................................................................................... 57
MIDI Offline!.................................................................................................................................. 57
RRC2 Buffer Full! ..........................................................................................................................57
RRC2 Offline!................................................................................................................................. 57
Troubleshooting........................................................................................................................................ 58
MIDI Implementation.............................................................................59
Roland System Exclusive Messages....................................................................................................... 59
1. Data Format for Exclusive Messages ..................................................................................... 59
2. Address-mapped Data Transfer ............................................................................................. 59
3. One-way Transfer Procedure ..................................................................................................60
1. Recognized Receive Data ....................................................................................................................62
2. Transmitted Data.................................................................................................................................. 62
Transmitted Messages.................................................................................................................. 62
3. Exclusive Communications................................................................................................................. 64
4. Parameter Address Map (Model ID = 00H 00H 20H)..................................................................... 64
Specifications........................................................................................68
FC-300 : MIDI FOOT CONTROLLER ...................................................................................................68
Index.......................................................................................................69
6
Page 7

Introduction

3
1
2

Main Features

• Features four modes (Standard Mode, Control Change Mode, System Exclusive Mode, Patch Mode)
• Unit comes equipped with two expression pedals and two control pedals.
You can also expand control even further with up to three external expression pedals or six external control pedals.
• Includes 16-character x 2-line LCD
• Equipped with RRC2 OUT connector; enables connection with RRC2 IN compatible devices with a single cable
• Includes two separate amp control channels
• Features three-way power supply (AC Adaptor, Dry battery, RRC2)

Panel Descriptions

Display

1
MODE indicator
The current mode is indicated here. (p. 15)
2
BANK/NUMBER display
The currently selected bank and number are indicated here.
3
Liquid Crystal display (LCD)
A variety of information is shown in this display.
7
Page 8
Introduction
• By continuing to hold down
VALUE for a number of
seconds, the value of the
setting can be increased/
decreased continuously.
• The value will increase
rapidly if you hold down
VALUE [ ], then press
and hold VALUE [ ].
• The value will decrease
rapidly if you hold down
VALUE [ ], then press
and hold [ ].

Top Panel (Buttons)

1
4
2
5
3
6
1
PARAMETER button [ ] [ ]
Press these to select parameters.
2
UTILITY button / INS (insert) button
Press this when changing system settings. In the Edit screen, this is used to insert MIDI messages and blank spaces.
3
MODE button / DEL (delete) button
Press this to change the FC-300’s operating mode. In the Edit screen, this is used to delete a MIDI message or a character at the cursor location.
4
VALUE button [ ] [ ]
Use this when changing the values of settings.
To jump to the main
parameters, hold down one of
these buttons while you press
the other. With items for which
there aren’t that many
parameters, the FC-300 jumps
to the last (or initial)
parameter.
5
EXIT button
Press this to undo an operation and return to the previous screen.
6
WRITE button
Press this to store settings and execute procedures.
8
Page 9

Top Panel (Pedals)

Introduction
1
[ ] [ ] (down / up) pedals
Use these pedals to switch banks and select numbers.
Additionally, you can switch modes by pressing the pedals simultaneously.
2
CTL (Control) pedals (1, 2)
You can assign the desired functions to these pedals, then use them for control over those functions.
3
Number pedals (1/6 – 5/10)
These switch the patch numbers.
4
Number pedal indicators (1/6 – 5/10)
The indicator for the currently selected number lights.
A red indicator lights when a number from 1 through 5 is selected; a green indicator lights when a number from 6 through 10 is selected.
5
EXP PEDAL (expression pedal) (1, 2)
These control the volume, wah, or other aspects of connected devices.
6
EXP PEDAL SW (expression pedal switch) (1, 2)
Firmly press down at the front of the pedal to switch the effect on and off.
When you operate the
expression pedal, please be
careful not to get your fingers
pinched between the movable
part and the panel. In
households with small
children, an adult should
provide supervision until the
child is capable of following all
the rules essential for the safe
operation of the unit.
7
EXP PEDAL SW indicators (expression pedal switch indicators) (1, 2)
Lights when the effect being controlled with the EXP PEDAL SW is on, and goes out when the effect is turned off.
9
Page 10
Introduction

Rear Panel

2
3
4
1
1
Security Slot
http://www.kensington.com/
2
MODE jack
Connect an optional footswitch (such as the BOSS FS-5U) here.
The function is the same as that when the [ ] and [ ] pedals are held down simultaneously.
3
EXP PEDAL/CTL jack
Connect an optional expression pedal (such as the Roland EV-5, BOSS FV-500L/FV­500H) or footswitch (such as the BOSS FS-5U/FS-6) here.
4
AMP CONTROL 1, 2 jack
When using the AMP CONTROL function, connect to the jack used for switching guitar amp channels.
5
MIDI connectors (OUT, IN)
Connect an external MIDI device to these connectors to transmit and receive MIDI messages.
5
6
Be sure to connect the RRC2
OUT connector to a device
with an RRC2 IN connector.
Use of the connection with
other devices may cause
generation of heat and damage
to the equipment.
8
7
9
10
6
RRC2 OUT connector
You can connect an external RRC2 IN device here to transmit and receive performance data between the devices.
At the same time, the FC-300 can be powered by the external RRC2 IN device.
7
POWER switch
Turns the power on and off.
8
DC IN (AC Adaptor) jack
Connect the AC adaptor (PSA series; sold separately) here.
9
Cord Hook
Hook the AC adaptor cord here to prevent the adaptor plug from being disconnected. Refer to
“Connecting an AC Adaptor”
(p. 12).
When running on power
supplied by an RRC2 IN
device, the power is switched
on regardless of the position of
the POWER switch.
RRC2 is a Roland standard
developed to enable two-way
communications between
RRC2 IN devices and RRC2
OUT devices, while supplying
power to the RRC2 OUT
device from the RRC2 IN
device, all with a single cable.
You must use only the PSA
series AC adaptor. Use of any
other adaptor may cause
overheating or malfunctions.
Page 11

Making the Connections

j
BOSS FS-5U
BOSS FS-6
BA
928
b
When making connections to other equipment, be sure that all equipment is switched off. If you try to make connections while the power is turned on, the settings for the FC-300 may be changed.

Connections To Make When Using the FC-300 as a MIDI Foot Controller

fig.
AC Adaptor BOSS PSA series
PCS-31PCS-31
White RedWhite Red
BOSS FS-5U
EV-5 etc.
BOSS FS-5U
BOSS FS-5U
BOSS
FS-6
If you want to use a footswitch for changing the mode, be sure to connect a BOSS FS­5U/FS-6 footswitch (Optional) to the MODE jack.
When using the FS-5U or FS-6, set the polarity switch as shown below.
fig.FS-5U.eps
Connect to footswitch jack
Guitar Amp etc.
External Sound Module
MIDI IN
MIDI OUT
MIDI Sequencer etc.
Introduction
921
Before connecting other
devices, always be sure to turn
down the volume on all
devices and turn off their
power to prevent malfunction
and damage to the speakers (or
other components) of
connected devices.
922
This instrument is equipped with 1/4 inch TRS phone type
acks. Wiring diagrams for these jacks are shown below. Make connections after first checking the wiring diagrams of other equipment you intend to connect.
fig.XLR/TRSJack.eps
Install batteries
The FC-300 is not loaded with batteries when purchased.
When running the FC-300 on battery power, install the batteries using the following figure.
fig.change-battery.eps
• When turning the unit
upside-down, get a bunch of
newspapers or magazines,
and place them under the
four corners or at both ends
to prevent damage to the
buttons and controls. Also,
you should try to orient the
unit so no buttons or
controls get damaged.
929
• When turning the unit
upside-down, handle with
care to avoid dropping it, or
allowing it to fall or tip over.
When the battery power
egins to run low, “Battery
Low!” appears in the display.
When this occurs, replace with
new batteries as soon as
possible.
Pressing [EXIT] clears the
message from the display.
11
Page 12
Introduction
925
Use only the specified
expression pedal (Roland EV-
5, BOSS FV-500L/FV-500H;
each sold separately). By
connecting any other
expression pedals, you risk
causing malfunction and/or
damage to the unit.
Carefully connect the RRC2
cable or Ether cable all the way
in—until it is firmly to the
RRC2 connector.
Ethernet cables designed for
crossover connections cannot
be used.
Do not subject the RRC2 cable
and the Ether cable to stress or
physical shock.
PCS-31PCS-31
Connect to footswitch jack
RRC2 cable
RRC2 IN device
EV-5 etc.
Guitar Amp etc.
BOSS
FS-6
BOSS FS-5U
BOSS FS-5U
BOSS FS-5U
White RedWhite Red
Connecting an AC Adaptor
If you’re using a BOSS PSA series AC adaptor, here’s how to connect the cord and secure it on the cord hook.
fig.CordHook.j.eps
The cord of
the supplied AC Adaptor
Cord Hook
To the Power Outlet
Connections To Make When Using the FC-300 as a Dedicated Foot Controller for an RRC2 IN Device (e.g., the VG-99)
fig.
* Power is supplied from the RRC2 IN device, so no batteries or AC adaptor is necessary.
* If using commercially available ethernet cable as the RRC2 connecting cable, be sure that
the cable meets the following specifications.
• Category 5 (Cat5) or above
• Maximum length of 15 meters
12
• Cable designed for straight-through connections
Page 13

Turning the Power On and Off

b
b
Once the connections have been completed (p. 11), turn on power to your various devices in the order specified. Turning on devices in the wrong order may cause malfunction or damage to the speakers (or other components) of connected devices.

When Using the FC-300 as a MIDI Foot Controller

Turning On the Power
fig.power-on.eps
First, check that you are connected properly with the external MIDI instrument. Then set the power switch on the FC-300 to “ON.”
fig.
When the power is turned on, the FC-300 starts up in Standard Mode.
Turning Off the Power
Introduction
In addition, it starts up with
the MIDI channel set to “1,”
ut you can change the startup
MIDI channel if you want.
Refer to “Setting the MIDI
Transmit Channel”
(p. 52).
1
Switch off the power to the device connected to the FC-300.
2
Set the FC-300’s POWER switch to OFF.

When Using the FC-300 as a Dedicated Foot Controller for an RRC2 IN Device (e.g., the VG-99)

Turning On the Power
First, check that you are connected properly with the RRC2 IN device. Then set the power switch on the RRC2 IN device to “ON.”
fig.
2
Turn on the power of RRC2 IN device.
1
Connect the RRC2 cable.
Carefully connect the RRC2
cable or Ether cable all the way
in—until it is firmly to the
RRC2 connector.
When the RRC2 IN device’s
POWER switch is set to ON,
the FC-300’s power switches
on automatically, regardless of
the position of the FC-300’s
POWER switch.
Turning Off the Power
Switch off the power to the RRC2 IN device connected to the FC-300.
Although the FC-300 starts up
in Standard Mode, it may be
switched to a different mode
y means of settings received
from an RRC2 IN device.
13
Page 14
Introduction

About the MODES

The FC-300 features the following four modes. The pedals function differently depending on the mode that’s selected.
This manual describes each mode separately, while explaining the items available in a particular mode.

Standard Mode (p. 16)

This mode is for sending Program Change messages and Control Change messages.
You can use the pedals to send any Program Change messages.

Control Change Mode (p. 21)

This mode is for sending Control Change messages.
You can use this mode to send the Control Change messages assigned to the pedals, and enhance the expressiveness of a performance.
You can also store up to five sets, or configurations, of settings for all of the pedals (Pedal Setting function).
See “Switching Modes” (p.
15) for an explanation of how
to choose a mode.

System Exclusive Mode (p. 28)

This mode is for sending System Exclusive messages.
You can use this mode to operate other equipment that accepts SysEx messages sent from the FC-300.

Patch Mode (p. 29)

This mode is for transmitting multiple MIDI messages (MIDI streams) already saved to patches.
Patches are areas of memory in which MIDI streams are stored; you can save up to 100 patches.
An individual patch can hold MIDI messages containing up to a maximum of approximately 500 bytes.
Using Patch Mode, you can transmit groups of MIDI messages through one patch, which allows you to switch the settings of multiple devices all at once.
14
Page 15

Switching Modes

985
You can change the way the
mode is switched when using
[ ] and [ ] pedal or
footswitch. See
“Switching
the Function of the MODE
Pedal Jack” (p. 51) for the
details on how to do this.
Standard Mode
Control Change Mode
System Exclusive Mode
Patch Mode
You can switch modes using one of the following methods.
• Press [MODE]
• Press a footswitch (BOSS FS-5U/FS-6; sold separately) connected to the MODE jack
• Simultaneously press the [ ] and [ ] pedals
fig.
Standard Mode
Control Change Mode
System Exclusive Mode
Patch Mode
Introduction
The explanations in this
manual include illustrations
that depict what should
typically be shown by the
display. Note, however, that
your unit may incorporate a
newer, enhanced version of the
system, so what you actually
see in the display may not
always match what appears in
the manual.

About the Mode Indicators

The current mode is indicated with the MODE indicators. You can switch modes only from the top screen of any mode.
15
Page 16

Standard Mode

• With the factory settings,
Program Change messages
are not transmitted just by
pressing the [ ] and
[ ] pedals. To transmit
Program Change messages
just by pressing the [ ]
and [ ] pedals, read
“Using the [ ] [ ]
Pedals to Make the
Settings” (p. 48).
• You can press the [ ] or
[ ] pedal to change
patch numbers ten at a
time. For more detailed
information, see
“Setting
the [ ] [ ] Pedal
Step Size”
(p. 49).
• You can limit the range of
numbers switched. For
more detailed information,
see
“Limiting the Range of
Banks That Can Be
Switched (Bank Extent)”
(p. 48).
• You can indicate the pedal
bank and number
separately in the BANK/
NUMBER display. For
details, refer to
This is the mode for sending Program Change messages and Control Change messages.

Transmitting Program Change Messages

Pressing [ ] and [ ] pedals and the number pedals (1/6 – 5/10) transmits the Program Change messages and Bank select messages for the corresponding number pedals.
1
Press the [ ] pedal, and the numbers decrease by five; press the [ ] pedal, and the numbers increase by five.
The BANK/NUMBER display and Number pedal indicators flash.

Setting How Tones are Switched

Press the number pedal (1/6–5/10) to select the number.
The indicator for the number pedal pressed lights, and the Program Change message is transmitted.
With the factory settings, transmission of Bank Select messages and Program Change messages is in accordance with what is indicated in the BANK/NUMBER display, as shown below.
BANK/NUMBER Display
001–128 129–130 1 0 29–30
You can set the way the FC-300 switches tones with the pedals and displays tone numbers.
Make the settings to match the specifications of the external MIDI devices you are using (p. 47).
2
Bank Select Message (MSB) (LSB)
0 0 1–128
Program Change Message
“Setting
How Numbers are
Indicated” (p. 49).
• You can stop output of
Bank Select messages. For
details, refer to “Setting
the Bank Select Output”
(p. 52).
• You can change the Bank
Select messages. For details,
refer to “Setting the Bank
Select Value” (p. 53).
16
Page 17

Transmitting Control Change Messages

The Control pedal is a
momentary type pedal that
sends an ON message when
depressed and an OFF
message when released. You
can change this to latch type
operation, which sends an ON
or OFF message each time you
depress it – see
“Mode” (p. 20).
j
You can transmit Control Change messages with expression pedals and control pedals.
Standard Mode

Using the Expression Pedals

In keeping with the movement of the expression pedal, Control Change messages with the controller numbers set for each pedal are transmitted consecutively.
Each pedal is set at the factory as shown below.
Expression Pedal
EXP PEDAL 1 EXP PEDAL 2 1 0–127
CC# Range
7 0–127

Using the Control Pedal and Expression Pedal Switch

When you use control pedals, you can use the control pedals to send the Control Change messages for the controller numbers assigned to each of the pedals.
In addition, you can activate the expression pedal switch by strongly pressing down on the toe end of the pedal.
Control Change messages with the controller numbers set for each pedal are transmitted.
Each pedal is set at the factory as shown below.
Pedal
CTL PEDAL 1 CTL PEDAL 2 81 0–127 LATCH EXP PEDAL SW 1 82 0–127 LATCH EXP PEDAL SW 2 83 0–127 LATCH
CC# Range Mode
80 0–127 LATCH
For details about the all
parameters and changes the
setting, refer to “Change the
Pedal Settings” (p. 19).
You can use the control pedal
and expression pedal switch to
switch the AMP CONTROL
acks – see “Change the Pedal
Settings” (p. 19).
17
Page 18
Standard Mode

Using the External Control Pedals and Expression Pedals

You can connect separately available footswitches and expression pedals and use the external pedals just like the FC-300’s pedals to transmit Control Change messages, Realtime messages, and other such data.
For details about the all
parameters and changes the
setting, refer to “Change the
Pedal Settings” (p. 19).
When a BOSS FS-5U, FS-6 Footswitch is Connected, Assigned to CTL Pedal:
These function in the same way as the FC-300’s built-in control pedals.
Connect a control pedal to the EXP PEDAL/CTL jack and set the FC-300 to enable use of the pedal. (p. 50)
* If you have two FS-5U pedals or an FS-6 pedal connected to the CTL3,4 jack with a special
PCS-31 connecting cable (from Roland; available separately), the footswitch connected to the plug with the white ring controls the setting of CONTROL 3, and the footswitch connected to the plug with the red ring controls the setting of CONTROL 4.
* When only one footswitch is connected to the CTL3,4 jack, the CONTROL 3 settings are
enabled.
* When an FS-6 is connected to the CTL3,4 jack with an optional connection cable
(stereo 1/4” phone ←→ stereo 1/4” phone), pedal switch B operates according to the CONTROL 3 settings, and pedal switch A operates according to the CONTROL 4 settings.
See “Making the
Connections” (p. 11) for
instructions on setting the
polarity switch and mode
switch for the connected pedal.
When a Roland EV-5, BOSS FV-500L or FV-500H is Connected, Assigned to Expression Pedal:
These function in the same way as the FC-300’s built-in expression pedals.
Connect a expression pedal to the EXP PEDAL/CTL jack and set the FC-300 to enable use of the pedal. (p. 50)
* These do not operate as expression pedal switches.
* If you are connecting a BOSS FV-500L/FV-500H, connect the pedal with an optional
←→
connection cable (stereo 1/4” phone
stereo 1/4” phone).

Controller Numbers for Each Pedal

Each pedal is set at the factory as shown below.
Pedal
CTL3 CTL4 75 0–127 LATCH CTL5 10 0–127 LATCH CTL6 91 0–127 LATCH CTL7 11 0–127 LATCH CTL8 64 0–127 LATCH EXP PEDAL 3 76 0–127 ­EXP PEDAL 4 10 0–127 ­EXP PEDAL 5 11 0–127 -
CC# Range Mode
76 0–127 LATCH
For details about the all
parameters and changes the
setting, refer to “Change the
Pedal Settings” (p. 19).
18
Page 19

Change the Pedal Settings

MIDI Message
You can freely change the settings for each pedal.
1
In the Standard Mode’s top screen, press PARAMETER [ ].
2
Press PARAMETER [ ] [ ] to display the pedal setting screens.
3
Press VALUE [ ] [ ] to change the value.
Standard Mode
MIDI Messages
This selects the MIDI messages to be transmitted.
fig.05-009
• OFF
These do not output MIDI messages.
• CC#1–CC#31, CC#33–CC#95
These output Control Change messages.
When the pedal is used as an expression pedal, consecutive values are output within the range set with the Range setting. When the pedal is used as a control pedal or other type of switch, the maximum value is output when the switch is on, and the minimum value is output when the switch is off.
• MIDI START / MIDI STOP / MIDI CONTINUE / MMC STOP / MMC PLAY / MMC DEF PLAY / MMC FAST FWD / MMC REWIND / MMC REC STROBE / MMC REC EXIT / MMC REC PAUSE / MMC PAUSE
This transmits MIDI Realtime messages and MMC messages.
When assigned to an expression pedal, messages are output once the pedal is pressed downward past the halfway point; when assigned to a control pedal or other switch, the messages are output when the switch is on.
• P.BEND / CH.PRS
These transmit various Pitch Bend messages and Channel Pressure messages.
When assigned to an expression pedal, consecutive values are output within the range set with the Range parameter. When assigned to a control pedal, the maximum value is output when the switch is on, and the minimum value is output when the switch is off.
19
Page 20
Standard Mode
Range
This sets the range for values that are transmitted.
fig.05-009
Minimum Maximum
Mode
This sets the switch mode.
fig.05-009
Value
LATCH MOMENTARY The value will be ON while you press the pedal, and OFF when you
Explanation
The ON and OFF will alternate each time you press the pedal.
release the pedal.
AMP Ctl Op (Amp Control Operation)
This selects whether or not the AMP CONTROL jack is to be controlled.
fig.05-009
The Range parameter is
enabled when CC#, P.BEND,
or CH.PRS is selected.
The Mode parameter and AMP
Ctl Op parameter are enabled
when a control pedal or other
switch function is selected.
This parameter is ignored
when the pedal is used as a
expression pedal.
AMP CONTROL
1 jack
AMP CONTROL
2 jack
When the AMP Ctl Op parameter is set to ON and the AMP Polarity parameter is set to Normal, control of AMP CONTROL with the pedal functions as shown below.
fig.05-009
When the pedal is OFF
Guitar Amp
(amps channel switching jack)
When the pedal is ON
Guitar Amp
(amps channel switching jack)
Closed
FC-300
(AMP CONTROL jack)
Open
FC-300
(AMP CONTROL jack)
4
When you have finished making the settings, press [EXIT] to return to the initial screen.
The settings are saved, and the FC-300 returns to the initial screen.
You can change the polarity of
the AMP CONTROL jacks. For
more detailed information, see
“Setting the Polarity of the
AMP CONTROL Jacks” (p.
50).
20
Page 21

Control Change Mode

For details about the all
parameters and changes the
setting, refer to “Change the
Pedal Settings” (p. 24).

About the Control Change Mode

This is the mode for sending Control Change messages.
In this mode, all the pedals can be used to send Control Change messages. You should use this mode at times when you want to send a lot of Control Change messages.
Pedal Setting Number
You can also store up to five sets, or configurations, of settings for all of the pedals within the FC-300’s memory. Called pedal settings, these configurations can be switched as needed (p. 26).

Transmitting Control Change Messages

Pressing the various pedals transmits the Control Change messages set for the respective pedal over the selected MIDI channel.

Number Pedal (1/6–5/10)

Control Change messages with the controller numbers set for each pedal are transmitted.
Each pedal is set at the factory as shown below.
Pedal
1 2 66 0–127 LATCH 7 71 0–127 LATCH 3 67 0–127 LATCH 8 72 0–127 LATCH 4 68 0–127 LATCH 9 73 0–127 LATCH 5 69 0–127 LATCH 10 74 0–127 LATCH
CC# Range Mode Pedal CC# Range Mode
65 0–127 LATCH 6 70 0–127 LATCH

[ ] [ ] Pedal

These switch the number pedal functions.
Pedal
[] [] This sets the number pedals to function as pedals 6–10.
Explanation
This sets the number pedals to function as pedals 1–5.
When the [ ] pedal is pressed, the [ ] pedal’s indicator lights, and the functions for number pedals 1–5 become operable.
When the [ ] pedal is pressed, the [ ] pedal’s indicator lights, and the functions for number pedals 6–10 become operable.
21
Page 22
Control Change Mode
You can use the control pedal
and expression pedal switch to
switch the AMP CONTROL
jacks – see
“Change the Pedal
Settings” (p. 24).

Using the Expression Pedals

In keeping with the movement of the expression pedal, Control Change messages with the controller numbers set for each pedal are transmitted consecutively.
Each pedal is set at the factory as shown below.
Expression Pedal
EXP PEDAL 1 EXP PEDAL 2 1 0–127
CC# Range
7 0–127

Using the Control Pedal and Expression Pedal Switch

Control Change messages with the controller numbers set for each pedal are transmitted.
Each pedal is set at the factory as shown below.
Pedal
CTL PEDAL 1 CTL PEDAL 2 81 0–127 LATCH EXP PEDAL SW 1 82 0–127 LATCH EXP PEDAL SW 2 83 0–127 LATCH
CC# Range Mode
80 0–127 LATCH
For details about the all
parameters and changes the
setting, refer to “Change the
Pedal Settings” (p. 24).
The Control pedal is a
momentary type pedal that
sends an ON message when
depressed and an OFF
message when released. You
can change this to latch type
operation, which sends an ON
or OFF message each time you
depress it – see “Mode” (p. 25).
22
Page 23
Control Change Mode

Using Additional Footswitches and Expression Pedals

You can connect separately available footswitches and expression pedals and use the external pedals just like the FC-300’s pedals to transmit Control Change messages, Realtime messages, and other such data.
When a BOSS FS-5U, FS-6 Footswitch is Connected, Assigned to CTL Pedal:
These function in the same way as the FC-300’s built-in control pedals.
Connect a control pedal to the EXP PEDAL/CTL jack and set the FC-300 to enable use of the pedal. (p. 50)
* If you have two FS-5U pedals or an FS-6 pedal connected to the CTL3,4 jack with a special
PCS-31 connecting cable (from Roland; available separately), the footswitch connected to the plug with the white ring controls the setting of CONTROL 3, and the footswitch connected to the plug with the red ring controls the setting of CONTROL 4.
* When only one footswitch is connected to the CTL3,4 jack, the CONTROL 3 settings are
enabled.
* When an FS-6 is connected to the CTL3,4 jack with an optional connection cable
(stereo 1/4” phone CONTROL 3 settings, and pedal switch A operates according to the CONTROL 4 settings.
←→
stereo 1/4” phone), pedal switch B operates according to the
For details about the all
parameters and changes the
setting, refer to “Change the
Pedal Settings” (p. 24).
See “Making the
Connections” (p. 11) for
instructions on setting the
polarity switch and mode
switch for the connected pedal.
When a Roland EV-5, BOSS FV-500L or FV-500H is Connected, Assigned to Expression Pedal:
These function in the same way as the FC-300’s built-in expression pedals.
Connect a expression pedal to the EXP PEDAL/CTL jack and set the FC-300 to enable use of the pedal. (p. 50)
* These do not operate as expression pedal switches.
* If you are connecting a BOSS FV-500L or FV-500H, connect the pedal with an optional
connection cable (stereo 1/4” phone ←→ stereo 1/4” phone).

Controller Numbers of the Pedals

Each pedal is set at the factory as shown below.
Pedal
CTL3 CTL4 75 0–127 LATCH CTL5 10 0–127 LATCH CTL6 91 0–127 LATCH CTL7 11 0–127 LATCH CTL8 64 0–127 LATCH EXP PEDAL 3 76 0–127 – EXP PEDAL 4 10 0–127 – EXP PEDAL 5 11 0–127
CC# Range Mode
76 0–127 LATCH
For details about the all
parameters and changes the
setting, refer to “Change the
Pedal Settings” (p. 24).
23
Page 24
Control Change Mode
MIDI Message

Change the Pedal Settings

You can freely change the settings for each pedal.
1
In the Control Change Mode’s top screen, press PARAMETER [ ].
2
Pressing PARAMETER [ ] [ ] to show the pedal setting screens.
3
Press VALUE [ ] [ ] to change the value.
The settings made for the
pedals are lost when the pedal
settings are switched. To save
settings made for the pedals,
save them as pedal settings.
For more detailed information,
see “Storing Controller
Numbers Assigned to the
Pedals (Pedal Settings)” (p.
26).
MIDI Messages
This selects the MIDI messages to be transmitted.
fig.05-009
• OFF
These do not output MIDI messages.
• CC#1–CC#31, CC#33–CC#95
These output Control Change messages.
When assigned to an expression pedal, consecutive values are output within the range set with the Range parameter. When assigned to a control pedal, the maximum value is output when the switch is on, and the minimum value is output when the switch is off.
• MIDI START / MIDI STOP / MIDI CONTINUE / MMC STOP / MMC PLAY / MMC DEF PLAY / MMC FAST FWD / MMC REWIND / MMC REC STROBE / MMC REC EXIT / MMC REC PAUSE / MMC PAUSE
This transmits MIDI Realtime messages and MMC messages.
When assigned to an expression pedal, messages are output once the pedal is pressed downward past the halfway point; when assigned to a control pedal or other switch, the messages are output when the switch is on.
• P.BEND / CH.PRS
These transmit various Pitch Bend messages and Channel Pressure messages.
When assigned to an expression pedal, consecutive values are output within the range set with the Range parameter. When assigned to a control pedal, the maximum value is output when the switch is on, and the minimum value is output when the switch is off.
24
Page 25
Range
This sets the range for values that are transmitted.
fig.05-009
Control Change Mode
Minimum Maximum
Mode
This sets the switch mode.
fig.05-009
Value
LATCH MOMENTARY The value will be ON while you press the pedal, and OFF when you re-
Explanation
The ON and OFF will alternate each time you press the pedal.
lease the pedal.
AMP Ctl Op (Amp Control Operation)
This selects whether or not the AMP CONTROL jack is to be controlled.
fig.05-009
AMP CONTROL
1 jack
When the AMP Ctl Op parameter is set to ON and the AMP Polarity parameter is set to Normal, control of AMP CONTROL with the pedal functions as shown below.
fig.05-00fig.05-009
When the pedal is OFF
AMP CONTROL
2 jack
Closed
The Range parameter is
enabled when CC#, P.BEND,
or CH.PRS is selected for the
expression pedal.
The Mode parameter and AMP
Ctl Op parameter are enabled
when a control pedal or other
switch function is selected.
Guitar Amp
(amps channel switching jack)
When the pedal is ON
Guitar Amp
(amps channel switching jack)
FC-300
(AMP CONTROL jack)
Open
FC-300
(AMP CONTROL jack)
4
When you have finished with the editing, press [EXIT].
The top screen appears.
5
After making the changes, follow the instructions in “Storing Controller Numbers Assigned to the Pedals (Pedal Settings)” (p. 26) to save the settings.
The settings made for the
pedals are lost when the pedal
settings are switched. To save
settings made for the pedals,
save them as pedal settings.
For more detailed information,
see “Storing Controller
Numbers Assigned to the
Pedals (Pedal Settings)” (p.
26).
You can change the polarity of
the AMP CONTROL jacks. For
more detailed information, see
“Setting the Polarity of the
AMP CONTROL Jacks” (p.
50).
25
Page 26
Control Change Mode

Storing Controller Numbers Assigned to the Pedals (Pedal Settings)

The FC-300 can store up to five different configurations of settings made for all of the pedals ( configurations are called pedal settings, and you can switch them as needed.
“Change the Pedal Settings”
(p. 24)) in Control Change mode. These
1
After completing the pedal settings (p. 24), press [WRITE] in the top screen of the Control Change Mode.
2
Select the number (1–5) for the pedal settings you want to store with VALUE [] [].
The store-destination
of the pedal setting
3
Press [WRITE].
“Sure?” appears in the display.
4
If you want to write the setting, press [WRITE]; if you want to cancel the procedure, press [EXIT].

Switching Control Numbers Assigned to the Pedals Simultaneously

1
With the Control Change Mode screen displayed, press VALUE [ ] [ ].
The pedal settings are switched, and the current pedal setting number is indicated in the BANK/NUMBER display.
26
Page 27

Deleting a Pedal Setting

1
Press [WRITE] in the top screen of the Control Change Mode.
2
Pressing PARAMETER [ ] [ ] to show the “Delete” screen.
3
Select the number (1–5) for the pedal settings you want to delete with VALUE [] [].
The erased pedal setting
4
Press [WRITE].
“Sure?” appears in the display.
Control Change Mode
5
If you want to delete the setting, press [WRITE]; if you want to cancel the procedure, press [EXIT].
27
Page 28

System Exclusive Mode

This mode is for transmitting and receiving System Exclusive messages.
Pressing the FC-300’s pedals and pedals connected to the EXP PEDAL/CTL jacks transmits the pedal status via System Exclusive messages.
In addition, display content and pedal indicators can be switched with System Exclusive messages received by the FC-300.
* For more on the System Exclusive messages transmitted and received in System Exclusive
mode, refer to the “
MIDI Implementation
(p. 59).”
28
Page 29

Patch Mode

A “MIDI stream” is a number
of MIDI messages grouped
together.

About the Patch Mode

This mode is used for storing combinations of multiple MIDI messages that you can combine freely and transmitting these messages together in groups.
This mode allows you to control the settings for multiple devices, all just with the FC-300.
Patch Number Patch Name

About the Patch

A “patch” is a group of multiple MIDI messages (MIDI stream) and other settings that are configured together as a single unit. The FC-300 can store up to 100 individual patches.(p. 44)
The patch can set the following parameters.
When a patch name is set, the
patch name is indicated in the
top screen in Patch Mode.
• Patch’s ON Stream
Group of MIDI messages transmitted when a patch is selected.
• Patch’s OFF Stream
Group of MIDI messages transmitted when a different patch is selected or when a pedal is released. These are used for canceling settings from ON streams.
• Timing for transmission of the patch’s OFF stream
• CTL1,2 ON streams
These are the groups of MIDI messages transmitted when the pedals are switched on.
• CTL1,2 OFF streams
These are the groups of MIDI messages transmitted when the pedals are switched off.
• AMP CONTROL
You can set the status of the AMP CONTROL jacks when a patch is selected.
• Control pedal, expression pedal, and other settings
• Patch names
* An individual patch can hold MIDI messages containing up to a maximum of
approximately 500 bytes. Although the total amount of MIDI message data that can be stored in Patch Mode is approximately 8 Kbytes, this amount of memory is shared by all patches. Therefore, please note that not all patches can contain the full approximately 500 bytes.
29
Page 30
Patch Mode
j
The Control pedal and EXP
pedal are the latch type pedal
that sends an ON or OFF
message each time you depress
it. You can change this to
momentary type operation,
which sends an ON message
when depressed and an OFF
message when released – see
“Mode” (p. 43).

Transmitting Control Change Messages

You can transmit Control Change messages through operation of the expression pedals, control pedals, and other controllers.

Using the Expression Pedals

In keeping with the movement of the expression pedal, Control Change messages with the controller numbers set for each pedal are transmitted consecutively.
Each pedal is set at the factory as shown below.
For details about the all
parameters and changes the
setting, refer to “Change the
Pedal Settings” (p. 42).
Expression Pedal
EXP PEDAL 1 (Assign Number=1) EXP PEDAL 2 (Assign Number=1) 1 0–127
CC# Range
7 0–127
All Assign Numbers from 2 on are set to OFF. For more information about the Assign Numbers, see
“Change the Pedal Settings”
(p. 42).

Using the Control Pedals and Expression Pedal Switches

You can connect separately available footswitches and expression pedals and use the external pedals just like the FC-300’s pedals to transmit MIDI messages.
Each pedal is set at the factory as shown below.
Pedal
CTL PEDAL 1 CTL PEDAL 2 81 0–127 LATCH EXP PEDAL SW 1 (Assign Number=1) 82 0–127 LATCH EXP PEDAL SW 2 (Assign Number=1) 83 0–127 LATCH
All Assign Numbers from 2 on are set to OFF. For more information about the Assign Numbers, see
“Change the Pedal Settings”
CC# Range Mode
80 0–127 LATCH
(p. 42).
You can use the control pedal
and expression pedal switch to
switch the AMP CONTROL
acks – see “Change the Pedal
Settings” (p. 42).
30
Page 31
Patch Mode

Using the External Control Pedals and Expression Pedals

You can connect separately available footswitches and expression pedals and use the external pedals just like the FC-300’s pedals to transmit Control Change messages, Realtime messages, and other such data.
For details about the all
parameters and changes the
setting, refer to “Change the
Pedal Settings” (p. 42).
When a BOSS FS-5U, FS-6 Footswitch is Connected, Assigned to CTL Pedal:
These function in the same way as the FC-300’s built-in control pedals.
Connect a control pedal to the EXP PEDAL/CTL jack and set the FC-300 to enable use of the pedal. (p. 50)
* If you have two FS-5U pedals or an FS-6 pedal connected to the CTL3,4 jack with a special
PCS-31 connecting cable (from Roland; available separately), the footswitch connected to the plug with the white ring controls the setting of CONTROL 3, and the footswitch connected to the plug with the red ring controls the setting of CONTROL 4.
* When only one footswitch is connected to the CTL3,4 jack, the CONTROL 3 settings are
enabled.
* When an FS-6 is connected to the CTL3,4 jack with an optional connection cable
(stereo 1/4” phone CONTROL 3 settings, and pedal switch A operates according to the CONTROL 4 settings.
←→
stereo 1/4” phone), pedal switch B operates according to the
See “Making the
Connections” (p. 11) for
instructions on setting the
polarity switch and mode
switch for the connected pedal.
When a Roland EV-5, BOSS FV-500L or FV-500H is Connected, Assigned to Expression Pedal:
These function in the same way as the FC-300’s built-in expression pedals.
Connect a expression pedal to the EXP PEDAL/CTL jack and set the FC-300 to enable use of the pedal. (p. 50)
* These do not operate as expression pedal switches.
* If you are connecting a BOSS FV-500L or FV-500H, connect the pedal with an optional
←→
connection cable (stereo 1/4” phone
stereo 1/4” phone).

The Controller Number of Each Pedal

Each pedal is set at the factory as shown below.
Pedal
CTL3 CTL4 75 0–127 LATCH CTL5 10 0–127 LATCH CTL6 91 0–127 LATCH CTL7 11 0–127 LATCH CTL8 64 0–127 LATCH EXP PEDAL 3 76 0–127 – EXP PEDAL 4 10 0–127 – EXP PEDAL 5 11 0–127
CC# Range Mode
76 0–127 LATCH
You can set the range for
values that are transmitted,
refer to “Change the Pedal
Settings” (p. 42).
31
Page 32
Patch Mode
You can program the FC-300
so that pressing the [ ] and
[ ] pedals changes patch
numbers ten at a time. For
details, refer to “Setting the
[ ] [ ] Pedal Step Size”
(p. 49).
You can release the number
pedal to transmit OFF stream
at a time. For more detailed
information, see
“Setting the
Timing for Transmission of
OFF MIDI Streams” (p. 40).
Patch Number 100 is indicated
as P.00.

Transmitting Patch Data

When a patch is selected with the [ ] and [ ] pedals and number pedals, the MIDI messages saved to the patch are transmitted.
1
Press the [ ] pedal, and the numbers decrease by five; press the [ ] pedal, and the numbers increase by five.
The BANK/NUMBER display and Number pedal indicators flash.
2
The numbers are selected by pressing the number pedals (1/6–5/10).
The patch for the selected number is selected (the pedal’s indicator lights), and the MIDI messages in the ON stream within the patch are transmitted.
Additionally, other settings included in the patch are enabled. A current patch’s OFF streams are transmitted before the newly selected patch’s ON streams are transmitted.
With the factory settings,
Program Change messages are
not transmitted just by
pressing the [ ] and [ ]
pedals.
To transmit Program Change
messages just by pressing the
[ ] and [ ] pedals, read
“Using the [ ] [ ]
Pedals to Make the Settings”
(p. 48).
32
Page 33

Creating Patches

You can assign the following messages to ON streams and OFF streams.
Message Display
Channel Message
Program Change Message PC Control Change Message CC Note On/Note Off Message N.ON/N.OFF Channel Pressure Message C.PRS Polyphonic Key Pressure Message K.PRS Pitch Bend Message P.BEND
Realtime Message REALTIME MIDI START
MIDI STOP MIDI CONTINUE
System Exclusive Message SYSEX
In the Patch Mode’s top screen, when press PARAMETER [ ], the various pedal setting screens appear in the display. Press PARAMETER [ ] [ ] to select the parameter you want to change.
The patch can set the following parameters.
• Patch’s ON Stream
• Patch’s OFF Stream
• The Transmit timing of the patch’s Off Stream
• ON Stream of the CTL pedal 1, 2
• OFF Stream of the CTL pedal 1, 2
• Amp Control
• Control Pedal, Expression Pedal, and Other Settings
• Patch Name
Patch Mode
If you switch patches before
saving the MIDI messages you
have input to the patch, any
edited content is lost. To save
the changes you have made,
carry out the Write procedure,
refer to “Storing (Saving)
Patches” (p. 44).
33
Page 34
Patch Mode

Editing MIDI Streams

1
In the Patch Mode’s top screen, press PARAMETER [ ].
2
Use the PARAMETER [ ] and [ ] buttons to select the MIDI stream you want to edit, then press [WRITE].
3
“Edit MIDI” appears in the screen; press [WRITE].
The screen for selecting the MIDI stream editing function appears.
The following display appears when the message is not assigned.
Message Number
4
Use the VALUE [ ] and [ ] to select the message number for the message to be edited.
If you are adding any message, press [INS]. The message is added before the number of the currently selected message.
To delete a message, select the message number with VALUE [ ] [ ] then press [DEL].
5
Use the following procedures to edit the MIDI stream for different types of messages.
You can select only one point
to which no messages at all are
assigned.
34
Page 35
When Setting Channel Messages and Realtime Messages
1
Press PARAMETER [ ] [ ] to move the cursor to the MIDI message.
Patch Mode
MIDI Message MIDI Channel
DataMessage Number
2
Press VALUE [ ] [ ] to select the MIDI message to be edited.
MIDI Message
PC CC MIDI Channel (CH#), Controller Number (CC#), Value (VAL) N.ON MIDI Channel (CH#), Note Number (NOTE#), Velocity (V) N.OFF MIDI Channel (CH#), Note Number (NOTE#), Velocity (V) C.PRS MIDI Channel (CH#), VALUE K.PRS MIDI Channel (CH#), Note Number (NOTE#), Velocity (V) P.BEND MIDI Channel (CH#), Value (MSB, LSB) REALTIME MIDI START/MIDI STOP/MIDI CONTINUE
Data
MIDI Channel (CH#), Program Number (PC#)
3
Press PARAMETER [ ] [ ] to move the cursor to the parameter you want to change.
When the MIDI channel is set
to Tx, the channel set with the
MIDI:Tx Channel parameter in
Utilities is set (p. 52).
4
Press VALUE [ ] [ ] to change the value.
If there is any other message you want to change, select the message number as instructed in Step 4 of
“Editing MIDI Streams”
(p. 34), then repeat Steps 1-4.
5
After making the changes, follow the instructions in “Storing (Saving) Patches” (p. 44) to save the MIDI messages to a patch.
35
Page 36
Patch Mode
The maximum amount of data
that can be saved to a system
exclusive message is 256 bytes.
With Roland System Exclusive
messages, moving the cursor
to the message in front of F7
(the end of the transmitted
data) and pressing [WRITE]
performs a checksum and
inserts it there.
When Setting System Exclusive Messages
1
Press PARAMETER [ ] [ ] to move the cursor to the MIDI message.
MIDI Message MIDI Channel
DataMessage Number
2
Press VALUE [ ] [ ] to select the “SYSEX.”
3
Press [WRITE] to display the advanced editing screen.
4
Press PARAMETER [ ] [ ] to move the cursor to the data you want to change.
5
Press VALUE [ ] [ ] to change the value.
6
If you want to add a data, use PARAMETER [ ] [ ] to move the cursor to the position where you want to make the addition, then press [INS]. If you want to delete a data, use PARAMETER [ ] [ ] to move the cursor to the position where you want to delete, then press [DEL].
Repeat steps 4–6, edit the data.
7
When you have finished with the editing, press [EXIT].
8
After making the changes, follow the instructions in “Storing (Saving) Patches” (p. 44) to save the MIDI messages to a patch.
36
Page 37
When Setting System Exclusive Messages Using the Template
When assigning the following System Exclusive messages, use the template.
Template
GM SYS ON GM SYS OFF MMC DEF PLAY MMC REC PAUSE V-LINK ON MMC FAST FWD MMC PAUSE V-LINK OFF MMC REWIND MMC RESET MMC STOP MMC REC STROBE MMC LOCATE
MMC PLAY MMC REC EXIT
1
Press PARAMETER [ ] [ ] to move the cursor to the MIDI message.
MIDI Message MIDI Channel
DataMessage Number
2
Press VALUE [ ] [ ] to select the “SYSEX.”
Patch Mode
3
Press PARAMETER [ ] to move the cursor to the “Template.”
4
Press [WRITE] to display the template selection screen.
Template
5
Press VALUE [ ] [ ] to select the template.
6
Press [WRITE].
The contents of the template are input in the MIDI stream.
7
After making the changes, follow the instructions in “Storing (Saving) Patches” (p. 44) to save the MIDI messages to a patch.
37
Page 38
Patch Mode
Copying and Moving MIDI Messages Within a Stream
You can copy MIDI messages saved within a MIDI stream.
Use this function when you want to program a number of similar messages in a stream.
Messages in MIDI streams are output in the same order they are programmed.
To change the sequence of the messages in a stream, use the Move function.
1
Press PARAMETER [ ] [ ] to move the cursor to message number.
2
Press VALUE [ ] [ ] to select you want to copy (or move) message number.
3
Press PARAMETER [ ] [ ] to select the “MOVE” or “COPY.”
4
Press [WRITE].
5
Press VALUE [ ] [ ] to select the copy destination (or move destination) message number.
The copy (or move) message is inserted to the in front of the selected message number.
6
Press [WRITE].
7
“Sure?” appears in the display; press [WRITE] once more.
8
After making the changes, follow the instructions in “Storing (Saving) Patches” (p. 44) to save the MIDI messages to a patch.
38
Page 39

How to Copy MIDI Streams

You can copy an edited stream to a different patch or different stream.
1
In the Patch Mode’s top screen, press PARAMETER [ ].
2
Press PARAMETER [ ] [ ] to select the stream to be used as the copy source, then press [WRITE].
3
Press PARAMETER [ ] [ ] to select “Copy MIDI,” then press [WRITE].
4
Press VALUE [ ] [ ] to select the stream to be used as the copy source, then press [WRITE].
Patch Mode
5
Press VALUE [ ] [ ] to select the stream to be used as the copy destination, then press [WRITE].
6
“Sure?” appears in the display; press [WRITE] once more.
7
After making the changes, follow the instructions in “Storing (Saving) Patches” (p. 44) to save the MIDI messages to a patch.
39
Page 40
Patch Mode

How to Delete MIDI Streams

You can delete content in streams.
1
In the Patch Mode’s top screen, press PARAMETER [ ].
2
Press PARAMETER [ ] [ ] to select the stream from which you want to delete data, then press [WRITE].
3
Press PARAMETER [ ] [ ] to select “Delete MIDI,” then press [WRITE].
4
“Sure?” appears in the display; press [WRITE] once more.
5
After making the changes, follow the instructions in “Storing (Saving) Patches” (p. 44) to save the MIDI messages to a patch.

Setting the Timing for Transmission of OFF MIDI Streams

1
In the Patch Mode’s top screen, press PARAMETER [ ].
2
Press PARAMETER [ ] [ ] to select “Off Timing.”
Setting the timing
for transmission
40
3
Press VALUE [ ] [ ] to set the value.
Value
PEDAL RELEASE
PATCH CHANGE The stream is transmitted when the next patch is selected.
Explanation
After the patches are switched, the OFF stream is transmit­ted when the pedal is released.
The OFF stream is transmitted immediately before the ON stream for the next patch is transmitted.
4
After making the changes, follow the instructions in “Storing (Saving) Patches” (p. 44) to save the MIDI messages to a patch.
The Off Timing parameter is
set to PATCH CHANGE when
shipped from the factory.
Page 41

Setting the Amp Control

You can set the status of the AMP CONTROL jacks when patches are selected.
1
In the Patch Mode’s top screen, press PARAMETER [ ].
2
Press PARAMETER [ ] [ ] to select “AMP Ctl.”
Patch Mode
AMP CONTROL
1 jack
AMP CONTROL
2 jack
3
Press PARAMETER [ ] [ ] to select “1” or “2” of the AMP Ctl.
4
Press VALUE [ ] [ ] to change the value.
Control of AMP CONTROL when the AMP Pol. parameter (p. 50) is set to NORMAL is as shown below.
Value
--­OFF The AMP CONTROL jack is switched off (closed). ON The AMP CONTROL jack is switched on (open).
When the AMP Ctl is OFF
(amps channel switching jack)
When the AMP Ctl is ON
Explanation
The AMP CONTROL jack is disabled.
Closed
Guitar Amp
FC-300
(AMP CONTROL jack)
Open
You can change the polarity of
the AMP CONTROL jacks. For
more detailed information, see
“Setting the Polarity of the
AMP CONTROL Jacks” (p.
50).
Guitar Amp
(amps channel switching jack)
FC-300
(AMP CONTROL jack)
5
After making the changes, follow the instructions in “Storing (Saving) Patches” (p. 44) to save the setting to a patch.
41
Page 42
Patch Mode

Change the Pedal Settings

You can freely change the settings for each pedal.
1
In the Patch Mode’s top screen, press PARAMETER [ ].
2
Press PARAMETER [ ] [ ] to select the each pedal settings screen.
The pedals being set appear at the left and upper of the screen.
You can set the following parameters:
• ON Stream
• OFF Stream
• Control Change Message (The pedal can be assigned to up to six messages.)
• Amp Control
3
Press VALUE [ ] [ ] to change the value.
Setting the ON Stream and OFF Stream
You can assign these in the same manner as streams set as patch parameters. (p. 34)
However, the timing for transmission of OFF streams follows the settings made in Pedal mode. You can set ON streams and OFF streams only with the FC-300’s CTL pedals.
Assign Number
The EXP PEDAL and EXP PEDAL SW can be assigned to up to six messages to be transmitted. You can also assign one message to be transmitted to each of the pedals connected to the rear panel’s EXP PEDAL/CTL jacks and FC-300’s CTL pedals.
Assign Number
MIDI Channel
MIDI Message
MIDI Channel
This sets the MIDI channel for the messages being transmitted.
MIDI Messages
This sets the range for values that are transmitted.
• Off
These do not output MIDI messages.
• CC#1 – CC#31, CC#33 – CC#95
These output Control Change messages.
When used to an expression pedal, consecutive values are output within the range set with the Range parameter. When used to a control pedal, the maximum value is output when the switch is on, and the minimum value is output when the switch is off.
• MIDI START / MIDI STOP / MIDI CONTINUE / MMC STOP / MMC PLAY / MMC DEF PLAY / MMC FAST FWD / MMC REWIND / MMC REC STROBE /
When the MIDI channel is set
to Tx, the channel set with the
MIDI:Tx Channel parameter in
Utilities is set (p. 52).
42
Page 43
MMC REC EXIT / MMC REC PAUSE / MMC PAUSE
The Range parameter is
enabled only when CC#,
P.BEND, or CH.PRS is
selected.
The Mode parameter and AMP
Ctl Op parameter are enabled
with control pedals and other
such switches. These
parameters are disregarded
when the pedal is used as an
expression pedal.
This transmits MIDI Realtime messages and MMC messages.
When assigned to an expression pedal, messages are output once the pedal is pressed downward past the halfway point; when assigned to a control pedal or other switch, the messages are output when the switch is on.
• P.BEND/CH.PRS
These transmit various Pitch Bend messages and Channel Pressure messages.
When assigned to an expression pedal, consecutive values are output within the range set with the Range parameter. When assigned to a control pedal, the maximum value is output when the switch is on, and the minimum value is output when the switch is off.
Range
This sets the range for values that are transmitted.
fig.05-009
Minimum Maximum
Patch Mode
Mode
This sets the switch mode.
fig.05-009
Value
LATCH MOMENTARY The value will be ON while you press the pedal, and OFF when you
AMP Ctl Op (Amp Control Operation)
This selects whether or not the AMP CONTROL jack is to be controlled.
fig.05-009
AMP CONTROL
Control of AMP CONTROL using a pedal when the AMP Ctl Op parameter is set to ON and the AMP Pol. parameter (p. 50) is set to NORMAL is as shown below.
fig.05-009
When the pedal is OFF
When the pedal is ON
Explanation
The ON and OFF will alternate each time you press the pedal.
release the pedal.
1 jack
(amps channel switching jack)
(amps channel switching jack)
AMP CONTROL
2 jack
Guitar Amp
Guitar Amp
Closed
FC-300
(AMP CONTROL jack)
Open
FC-300
(AMP CONTROL jack)
You can change the polarity of
the AMP CONTROL jacks. For
more detailed information, see
“Setting the Polarity of the
AMP CONTROL Jacks” (p.
50).
43
Page 44
Patch Mode
4
When you have finished with the editing, press [EXIT].
The top screen appears.
5
After making the changes, follow the instructions in “Storing (Saving) Patches” (p. 44) to save the setting to a patch.

Set the Patch Name

The settings made for the
pedals are lost when the patch
is switched. To save settings
made for the pedals, save them
as a patch. For more detailed
information, see “Storing
(Saving) Patches” (p. 44).
1
In the Patch mode’s top screen, press PARAMETER [ ].
2
Press PARAMETER [ ] [ ] to select “Patch Name.”
3
Press PARAMETER [ ] to move the cursor, and press VALUE [ ] [ ] to enter the characters.

Storing (Saving) Patches

To store patches you have created in memory, carry out the Write procedure.
1
In the Patch mode’s top screen, press [WRITE].
Patch names can be up to 12
characters in length.
When you press [INS], inserts
a blank space at the cursor
location. When you press
[DEL], deletes a character at
the cursor location.
Patch names are indicated in
the top screen in Patch Mode.
2
Press VALUE [ ] [ ] to select the save-destination patch number, then press [WRITE].
3
“Sure?” appears in the display; press [WRITE] once more.
The set value is saved, and the FC-300 returns to the top screen.
44
Page 45

Deleting Patches

You can delete entire patches.
1
Select the patch you want to delete in the Patch mode’s top screen, then press [WRITE].
2
Press PARAMETER [ ] to select “Delete.”
3
Press [WRITE].
Patch Mode
4
“Sure?” appears in the display; press [WRITE] once more.
The selected patch is deleted, and the FC-300 returns to the top screen.
45
Page 46

Other Features

Setting the System Parameters

Set the system parameters with the following procedure.
1
Press [UTILITY].
The [UTILITY] indicator lights, and the Utility screen appears in the display.
2
Press PARAMETER [ ] [ ] to call up the parameter you want to set.
Parameters that can be set and their screens are described in the next section.
3
Press VALUE [ ] [ ] to set the various parameters.
4
When you’ve finished making the settings, press [UTILITY] or [EXIT].
The data is saved, and FC-300 returns to the top screen.

Adjusting the LCD Contrast

Depending on where the FC-300 is placed, the display (on the right) may become difficult to read.
If this occurs, adjust the display contrast.
1
Press PARAMETER [ ] [ ] to select “SYS:LCD Contrast.”
2
Press VALUE [ ] [ ] to adjust the contrast.
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].

Reducing Battery Consumption (Economy Mode)

When the FC-300 is run on battery power, setting Economy Mode to ON enables approximately 1.8 times continuous running time of the normal FC-300’s operating mode.
46
1
Press PARAMETER [ ] [ ] to select “SYS:Economy Mode.”
2
Press VALUE [ ] [ ] to switch Economy Mode on and off.
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].
The display and indicators
may flicker when Economy
Mode is set to ON, but this
does not indicate a
malfunction.
Page 47
Setting the Method Used for Transmitting Program
When PC Mode is set to
EFFECTS, the Bank Select
messages actually output
include the Bank Select in the
table at the left together with
the Bank Select set with the
UTILITY MIDI:Bank Select
parameter (p. 47).
You can switch how
information is indicated in the
BANK/NUMBER display (p.
49).
The MIDI Bank Select setting
increases and decreases the
MSB. You can also have this
change the LSB. For more
detailed information, see
“Setting the Bank Select
Output” (p. 52).
When PC Mode is set to
SOUND MODULE, the MSB
and LSB values upon power-
up will be the values set in
MIDI:Bank Select.
Change messages in Standard Mode (PC Mode)
You can change the method used for transmitting program changes to match the device connected to the FC-300.
1
Press PARAMETER [ ] [ ] to select “SYS:PC Mode.”
2
Press VALUE [ ] [ ] to make the setting.
Other Features
Value
EFFECTS SOUND MODULE Optimal mode for switching sound module patches
When PC Mode parameter sets to “EFFECTS” and SYS:Bank Display parameter sets to “LINEAR,” the FC-300’s BANK/NUMBER display and the transmitted bank select messages and program change messages correspond as shown below.
BANK/NUMBER Display
001–128 129–200 1 0 29-100 201–300 2 0 1–100 301–400 3 0 1–100 401–500 4 0 1–100 501–600 5 0 1–100 601–700 6 0 1–100 701–800 7 0 1–100 801–900 8 0 1–100 901–990 9 0 1–90
When set to “SOUND MODULE,” the FC-300’s LCD appears bank select MSB and LSB, and the transmitted bank select message with program change message.
Explanation
Optimal mode for switching effects processor patches
Bank Select message Program Change (MSB) (LSB)
0 0 1–128
message
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].
Program Change Number
LSBMSB
Bank Select
47
Page 48
Other Features

Using the [ ] [ ] Pedals to Make the Settings

1
Press PARAMETER [ ] [ ] to select “SYS:Bnk Chg Mode.”
2
Press the VALUE [ ] [ ] to program the settings.
Here are some examples of operation in Standard Mode.
Value
IMMEDIATE
WAIT FOR A NUM Program changes are transmitted when a number pedal is
RESET NUMBER Although program changes are transmitted immediately when
Explanation
Program changes are transmitted immediately when [ ] or [ ] is pressed. Example) When starting from “003,” pressing [ ] simulta­neously transmits PC#8.
pressed after [ ] or [ ] is pressed. Example) Starting from “003,” after [ ] is pressed and all of the green number pedal indicators are flashing, pressing number pedal 8 outputs PC#8.
[ ] or [ ] is pressed, just as with Immediate, in this case, the number furthest to the left is output. Example) If starting from “003,” pressing [ ] simultaneously transmits PC#6.
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].

Limiting the Range of Banks That Can Be Switched (Bank Extent)

You can set an upper limit on the banks that can be switched, thus limiting the range of banks that are switched and allowing you to select only the patches required.
1
Press PARAMETER [ ] [ ] to select “SYS:Bank Extent.”
This is enabled only when PC
Mode is set to EFFECTS.
48
2
Press VALUE [ ] [ ] to set the upper limit on the banks.
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].
Page 49

Setting the [ ] [ ] Pedal Step Size

You can set the size of the step made when the [ ] [ ] pedals are pressed.
1
Press PARAMETER [ ] [ ] to select “SYS:Bank Step.”
2
Press VALUE [ ] [ ] to make the setting.
Other Features
Value
5STEP
10STEP The number decreases or increases by ten each time [ ] or [ ] is
Explanation
The number decreases or increases by five each time [ ] or [ ] is pressed.
pressed. Additionally, each time a number pedal is pressed, that pedal’s number is switched. Example) When “012” is indicated in BANK/NUMBER display, pressing number pedal 2/7 switches it to “017.”
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].

Setting How Numbers are Indicated

You can select the way numbers are indicated in Standard Mode to match that of the connected device.
1
Press PARAMETER [ ] [ ] to select “SYS:Bank Display.”
2
Press VALUE [ ] [ ] to make the setting.
Value
LINEAR BANK&NUM The bank and number are indicated as separate numbers. A dot
FC-200 The numerals are indicated in the same way as with BANK &
Explanation
The bank and number are indicated as a single decimal number.
is displayed between the bank and number. Example) The number indicated in LINEAR as “001” appears as “01.1” with BANK&NUM.
NUM, but with the banks beginning with “00” in the display.
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].
49
Page 50
Other Features

Setting the Polarity of the AMP CONTROL Jacks

Change this parameter if the indicator on an amp connected to an AMP CONTROL jack (1 or 2) does not correspond to the ON indicator (indicator lit) on the FC-300.
1
Press PARAMETER [ ] [ ] to select “SYS:AMP 1 Pol.” or “SYS:AMP 2 Pol.”
2
Press VALUE [ ] [ ] to make the setting.
Value
NORMAL INVERT Actual operation is the reverse of that indicated by the FC-300’s ON/OFF
Explanation
The parameter is set to the factory setting.
indicator.
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].

Determining the Role of an EXP PEDAL/CTL Jack

Follow the steps below to specify whether a pedal being connected to an EXP PEDAL/CTL jack (on the rear panel) is a control pedal or an expression pedal. This setting needs to be made individually for each jack.
1
Press PARAMETER [ ] [ ] to select “SYS:E3/C3 Type”, “SYS:E4/C5 Type” or “SYS:E5/C7 Type.”
2
Press VALUE [ ] [ ] to make the setting.
50
Value
EXP PEDAL
CTL The jack will be used for connecting control pedals.
Explanation
The jack will be used for connecting expression pedals. Connect a Roland EV-5 or BOSS FV-500L or FV-500H.
Connect a BOSS FS-5U or FS-6.
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].
Page 51

Switching the Function of the MODE Pedal Jack

This sets the modes that can be selected when the mode is switched with a pedal. This setting allows you to toggle only between the modes you need when using the pedal.
1
Press PARAMETER [ ] [ ] to select “SYS:MODE Pdl Seq.”
Standard Mode Patch Mode
Control Change
Mode
System Exclusive Mode
2
Press PARAMETER [ ] [ ] to select the mode you want to set, then press VALUE [ ] [ ] to make the setting.
Other Features
The actions performed by
simultaneously pressing the
[ ] and [ ] pedals also
conform to this setting.
You cannot set the lower case
letters in all modes.
Value
Uppercase letters Lowercase letters These cannot be selected by pressing the pedal.
Explanation
These can be selected by pressing the pedal.
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].

Switching How the Pedal Indicators Light

You can have all unlit pedal indicators flash faintly instead.
This makes it easier to locate pedal positions on stage and in other darkened environments.
1
Press PARAMETER [ ] [ ] to select “SYS:Pdl Indicate.”
2
Press VALUE [ ] [ ] to make the setting.
Value
OFF ON All pedal indicators other than the unlit pedal indicator flash.
Explanation
All pedal indicators other than the lit pedal indicator remain off.
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].
51
Page 52
Other Features

Setting the MIDI Transmit Channel

This sets the Transmit Channel of the MIDI messages.
1
Press PARAMETER [ ] [ ] to select “MIDI:Tx Channel.”
2
Press VALUE [ ] [ ] to set the transmit channel.
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].

Setting the Device ID

This sets the Device ID used for transmitting and receiving system exclusive messages.
1
Press PARAMETER [ ] [ ] to select “MIDI:Device ID.”
2
Press VALUE [ ] [ ] to set the Device ID.
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].

Setting the Bank Select Output

This setting determines whether or not Bank Select messages as well as Program Change messages are transmitted in Standard Mode.
1
Press PARAMETER [ ] [ ] to select “MIDI:Bnk Sel Out.”
2
Press VALUE [ ] [ ] to make the setting.
52
Value
OFF ON (MSB INC) The Bank Select (MSB) message is incremented (or decremented) by
ON (LSB INC) The Bank Select (LSB) message is incremented (or decremented) by
Explanation
Bank Select messages are not transmitted.
one when the Program Change is incremented (or decremented).
one when the Program Change is incremented (or decremented).
3
When you’ve finished making the settings, press [UTILITY] or [EXIT].
Page 53

Setting the Bank Select Value

You can change the values of the Bank Select messages output in Standard Mode to match the connected device. Values from the [ ] [ ] pedals are added to the base values set here and then output. For details, refer to
for Transmitting Program Change messages in Standard Mode (PC Mode)”
47).
1
Press PARAMETER [ ] [ ] to select “MIDI:Bank Select.”
2
Press PARAMETER [ ] [ ] to select either “MSB” or “LSB.”
3
Press VALUE [ ] [ ] to make the setting.
Other Features
“Setting the Method Used
(p.
4
When you’ve finished making the settings, press [UTILITY] or [EXIT].

Transmitting Data to an External MIDI Device (Bulk Dump)

On the FC-300, you can use System Exclusive messages to provide another FC-300 with identical settings, and save settings on a MIDI sequencer or other device.
Making the Connections
• When saving to a MIDI sequencer
Connect the FC-300’s MIDI OUT to the MIDI sequencer’s MIDI IN connector with a MIDI cable.
• When transmitting data to another FC-300
Connect the sending FC-300’s MIDI OUT to the receiving FC-300’s MIDI IN connector with a MIDI cable.
1.
Set the Device ID for the transmitting and receiving FC-300s to the same ID (p. 52).
2.
Switch to the Bulk Load screen on the receiving FC-300 (p. 54).
Transmitting
For instructions on operating
the MIDI sequencer, see the
owner’s manual that came
with your MIDI sequencer.
1
Press PARAMETER [ ] [ ] to select “Bulk Dump.”
53
Page 54
Other Features
J
2
Press VALUE [ ] [ ] to make the setting.
Value
ALL UTILITY System parameter settings are transmitted. STANDARD Standard Mode settings are transmitted. CONTROL Control Change Mode settings are transmitted. PATCH Patch Mode settings are transmitted.
Explanation
All settings (UTILITY, STANDARD, CONTROL, PATCH) are transmitted.
3
Press [WRITE].
The “Now Sending...” message appears in the display when the FC-300 sends the data. The top screen appears in the display when the FC-300 finishes sending the data.
If either ALL, CONTROL, or PATCH is selected in Step 2, the message “Erase Tmp Data Sure?” is displayed.
Press [WRITE] again; the data currently being edited (unsaved) in Control Change mode and Patch mode is erased, and then the bulk dump begins.

Receiving Data from an External MIDI Device (Bulk Load)

FC-300 can receive the setting saved in the sequencer or the other FC-300 with identical settings.
Making the Connections
• When receiving data saved to a MIDI sequencer
Connect the MIDI sequencer’s MIDI OUT to the FC-300’s MIDI IN connector with a MIDI cable.
Transmitting
For instructions on operating
the MIDI sequencer, see the
owner’s manual that came
with your MIDI sequencer.
1
Press PARAMETER [ ] [ ] to select “Bulk Load.”
ust as when transmitting data
to a MIDI sequencer, match the
FC-300’s and MIDI sequencer’s
Device ID settings (p. 52).
2
Transmit the data.
The “Now Receiving...” message appears in the display when the FC-300 receiving the data.
The bulk load processing ended when the message “Now Waiting...” appears in the display.
3
When you’ve finished receiving the data, press [UTILITY] or [EXIT].
The data is saved, and the FC-300 returns to the top screen.
54
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Appendices

Do not turn off the power to
the FC-300 while Factory Reset
is in progress.
If you want to cancel the
factory reset operation, turn off
the power.

Restoring the Factory Settings (Factory Reset)

You can restore all of the FC-300’s settings to their original factory settings.
This is referred to as “Factory Reset.”
Use the following procedure when carrying out Factory Reset.
1
Switch off the power.
2
Hold down VALUE [ ] [ ] and switch on the power.
The message “Factory Reset Are you sure?” appears in the display.
3
Press [WRITE].
Factory Reset is executed.
When the Factory Reset is finished, the message “Completed!” appears in the display.
4
Switch off the power.
55
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Appendices

Adjusting the Expression Pedal

Although the FC-300’s EXP pedals are adjusted for optimal performance when shipped from the factory, extended use over time and under certain usage conditions may result in the pedals going out of adjustment. If you find the pedals exhibiting problems, such as “a failure to completely shut off the volume when used as volume pedals,” or “MIDI messages not being output in the range corresponding to the set values,” you can readjust the pedals using the following procedure.
1
Hold down [UTILITY] and switch on the power.
2
When “EXP1:Set to MIN” is displayed, rock EXP PEDAL 1 all the way back (so that the toe end of the pedal is raised). Release your foot from EXP PEDAL 1, and then press [WRITE].
3
When “EXP1:Set to MAX” is displayed, rock EXP PEDAL 1 fully forward (so that the heel end of the pedal is raised). Release your foot from EXP PEDAL 1, and then press [WRITE].
When you operate the
expression pedal, please be
careful not to get your fingers
pinched between the movable
part and the panel. In
households with small
children, an adult should
provide supervision until the
child is capable of following all
the rules essential for the safe
operation of the unit.
4
When “EXP1:Threshold” appears in the display, set the sensitivity of the EXP PEDAL SW 1 with VALUE [ ] [ ], and then press [WRITE].
5
When “EXP2:Set to MIN” is displayed, rock EXP PEDAL 2 all the way back (so that the toe end of the pedal is raised). Release your foot from EXP PEDAL 2, and then press [WRITE].
6
When “EXP2:Set to MAX” is displayed, rock EXP PEDAL 2 fully forward (so that the heel end of the pedal is raised). Release your foot from EXP PEDAL 2, and then press [WRITE].
7
When “EXP2:Threshold” appears in the display, set the sensitivity of the EXP PEDAL SW 2 with VALUE [ ] [ ], and then press [WRITE].
EXP1:Threshold and
EXP2:Threshold can be set to
any value from 1 through 16.
The expression pedal switch
can be switched on and off
with less pressure as the value
is lowered.
56
8
When the message “Complete!” appears in the display, switch off the power.
Page 57

Error Messages

Battery Low!

Appendices
[Cause]
[Solution]
The batteries are depleted (6 x AA size).
Replace the batteries as soon as possible. (p. 11)

Memory Full!

[Cause 1]
[Solution 1]
[Cause 2]
[Solution 2]
The internal memory became full at the time the patch was saved.
Delete any unnecessary patches. (p. 45)
The area of memory for the FC-300’s internal operations became full while the patch was being edited (COPY, INS, etc).
Delete MIDI messages within the patch. (p. 40)

MIDI Buffer Full!

[Cause]
[Solution]
Too many MIDI messages were received in a short time from an external MIDI device than could be processed correctly.
Reduce the amount of MIDI message data transmitted by the external MIDI device.

MIDI Offline!

[Cause]
[Solution]
There is a problem with the MIDI cable connection.
Check to make sure the cable has not been pulled out or is not defective.

RRC2 Buffer Full!

[Cause]
[Solution]
Too many RRC2 control messages were received in a short time from an external RRC2 IN device than could be processed correctly.
Reduce the amount of control message data transmitted by the external RRC2 IN device.

RRC2 Offline!

[Cause]
[Solution]
There is a problem with the RRC2 cable connection.
Check to make sure the cable has not been pulled out or is not defective.
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Appendices

Troubleshooting

If other operational problems occur, first check by using the following solutions:
If this does not resolve the problem, then contact your dealer or a nearby Roland service station.
The power doesn’t come on
• Is the specified AC adaptor (PSA series; sold separately) properly connected?
Check connections again. Never use any AC adaptor other than one specified for use with the FC-300 (p. 12).
• Are the batteries dead?
Replace the new batteries (p. 11).
Power not turning off
• Is there an RRC2 IN device connected?
Switch the RRC2 IN device’s POWER switch to OFF (p. 13).
MIDI messages are not transmitted/received
• Are the MIDI cables broken?
Try another set of MIDI cables.
• Is the FC-300 correctly connected to the other MIDI device?
Check connections with the other MIDI device.
• Do the MIDI channel settings of both devices match?
Make sure that the MIDI channels of both devices match (p. 52).
• Is the number pedal indicator flashing?
Program Change messages are not transmitted while the number pedal’s indicator is flashing.
Pressing a number pedal and selecting the number transmits the message.
The batteries that are supplied
with the unit is for temporary
use, intended primarily for
testing this unit.
When running on power
supplied by an RRC2 IN
device, the power is switched
on regardless of the position of
the POWER switch.
58
• When you send messages from the FC-300, make sure the FC-300 is set to the settings appropriate for sending data.
Check the
messages in Standard Mode (PC Mode)” Change Messages”
“Setting the Method Used for Transmitting Program Change
(p. 47) or
(p. 17) (p. 21) (p. 30).
“Transmitting Control
Expression pedal switch not switching on and off / Fails to completely shut off the volume when used as a volume pedal
• Has the pedal gone out of adjustment?
Adjust the expression pedal (p. 56).
Display is faint or flickering
Check the following settings.
“Adjusting the LCD Contrast”
“Reducing Battery Consumption (Economy Mode)”
“Switching How the Pedal Indicators Light”
(p. 46)
(p. 46)
(p. 51)
Although the FC-300’s EXP
pedals are adjusted for optimal
performance when shipped
from the factory, extended use
over time and under certain
usage conditions may result in
the pedals going out of
adjustment.
Page 59
MIDI FOOT CONTROLLER
Device (B)
MIDI IN
MIDI OUT
Device (A)
MIDI OUT
MIDI IN
1
2
Apr. 1, 2007
Model FC-300

MIDI Implementation

Roland System Exclusive Messages
1. Data Format for Exclusive Messages
Roland’s MIDI implementation uses the following data format for all
Exclusive messages (type IV):
Byte
F0H 41H Manufacturer ID (Roland) DEV Device ID MDL Model ID CMD Command ID [BODY] Main data F7H EOX (End of System Exclusive)
Description
System Exclusive Status
Version 1.00
Command ID: CMD
The Command ID indicates the function of an Exclusive message.
The Command ID format may contain 00H in one or more places to
provide an extended data field.
The following are examples of valid Command IDs, each representing
a unique function:
01H
02H
03H
00H, 01H
00H, 02H
00H, 00H, 01H
Main data: BODY
This field contains a message to be exchanged across an interface.
The exact data size and content will vary with the Model ID and
Command ID.
MIDI status: F0H, F7H
An Exclusive message must be flanked by a pair of status codes,
starting with a Manufacturer ID immediately after F0H (MIDI version
1.0).
Manufacturer ID: 41H
The Manufacturer ID identifies the manufacturer of a MIDI
instrument that sends an System Exclusive message. Value 41H
represents Roland’s Manufacturer ID.
Device ID: DEV
The Device ID contains a unique value that identifies individual
devices in the implementation of several MIDI instruments.
It is usually set to 00H–0FH, a value smaller by one than that of a basic
channel, but value 00H–1FH may be used for a device with several
basic channels.
Model ID: MDL
The Model ID contains a value that identifies one model from another.
Different models, however, may share an identical Model ID if they
handle similar data.
The Model ID format may contain 00H in one or more places to
provide an extended data field.
The following are examples of valid Model IDs, each representing a
unique model:
01H
02H
03H
00H, 01H
00H, 02H
00H, 00H, 01H
2. Address-mapped Data Transfer
Address mapping is a technique for transferring messages
conforming to the data format given in Section 1.
It assigns a series of memory-resident records–waveform and tone
data, switch status, and parameters, for example, to specific locations
in a machine-dependent address space, thereby allowing access to
data residing at the address a message specifies.
Address-mapped data transfer is therefore independent of models
and data categories.
This technique allows use of two different transfer procedures: one-
way transfer and handshake transfer.
One-way transfer procedure (See Section 3 for details.)
This procedure is suited to the transfer of a small amount of data.
It sends out an Exclusive message completely independent of the
receiving device’s status.
fig.Connection-Diagram1.eps
Connection at point 2 is essential for “Request data” procedures. (See
Section 3.)
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MIDI Implementation
Handshake-transfer procedure (This device does not use this procedure)
This procedure initiates a predetermined transfer sequence
(handshaking) across the interface before data transfer takes place.
Handshaking ensures that reliability and transfer speed are high
enough to handle a large amount of data.
fig.Connection-Diagram2.eps
Device (A)
1
MIDI OUT
MIDI IN
Connection at points 1 and 2 is essential.
2
Device (B)
MIDI IN
MIDI OUT
3. One-way Transfer Procedure
This procedure sends out data until it has all been sent and is used
when the messages are so short that answerbacks need not be
checked.
For longer messages, however, the receiving device must acquire each
message in time with the transfer sequence, which inserts 20
milliseconds intervals. In this method, as for the receiving device, it is
necessary to receive data correctly in time.
Types of Messages
Message
Request data 1 Data set 1 DT1 (12H)
Command ID
RQ1 (11H)
Notes on the above procedures
• There are separate Command IDs for different transfer
procedures.
• Devices A and B cannot exchange data unless they use the same
transfer procedure, share identical Device ID and Model ID,
and are ready for communication.
Request data 1: RQ1 (11H)
This message is sent out when there is a need to acquire data from a
device at the other end of the interface.
It contains data for the address and size that specify designation and
length, respectively, of data required.
On receiving an RQ1 message, the remote device checks its memory
for the data address and size that satisfy the request.
If it finds them and is ready for communication, the device will
transmit a “Data set 1 (DT1)” message, which contains the requested
data.
Otherwise, the device won’t send out anything.
Byte Description
F0H 41H Manufacturer ID (Roland) DEV Device ID MDL Model ID 11H Command ID aaH Address MSB : : : :
ssH Size MSB : : : :
sum Check sum F7H EOX (End of System Exclusive)
System Exclusive Status
Address LSB
Size LSB
60
• The size of the requested data does not indicate the number of
bytes that will make up a DT1 message, but represents the
address fields where the requested data resides.
• Some models are subject to limitations in data format used for a
single transaction. Requested data, for example, may have a
limit in length or must be divided into predetermined address
fields before it is exchanged across the interface.
• The same number of bytes comprises address and size data,
which, however, vary with the Model ID.
• The error-checking process uses a checksum that provides a bit
pattern where the last 7 bits are zero when values for an
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MIDI Implementation
Device (B)Device (A)
Data Set 1
* Wait for 20 msec or longer.
Data Set 1
Data Set 1
Device (B)Device (A)
Data Set 1 Request Data Data Set 1
* Wait for 20 msec or longer.
Data Set 1
Data Set 1
address, size, and that checksum are summed.
Data set 1: DT1 (12H)
This message corresponds to the actual data transfer process.
Because every byte in the data is assigned a unique address, a DT1
message can convey the starting address of one or more bits of data as
well as a series of data formatted in an address-dependent order.
The MIDI standards inhibit non real-time messages from interrupting
an Exclusive one. This fact is inconvenient for devices that support a
“soft-thru” function.
To maintain compatibility with such devices, Roland has limited the
DT1 to 256 bytes so that an excessively long message is sent out in
separate ‘segments.’
Byte
F0H 41H Manufacturer ID (Roland) DEV Device ID MDL Model ID 12H Command ID aaH Address MSB : : : :
ddH Data MSB : : : :
sum Check sum F7H EOX (End of System Exclusive)
Description
System Exclusive Status
Address LSB
Data LSB
Example of Message Transactions
• Device A sending data to Device B
Transfer of a DT1 message is all that takes place.
fig.MessageTransaction1.eps
• Device B requesting data from Device A
Device B sends an RQ1 message to Device A.
Checking the message, Device A sends a DT1 message back to
Device
fig.MessageTransaction2.eps
• A DT1 message is capable of providing only the valid data
among those specified by an RQ1 message.
• Some models are subject to limitations in data format used for a
single transaction. Requested data, or example, may have a
limit in length or must be divided into predetermined address
fields before it is exchanged across the interface.
• The number of bytes comprising address data varies from one
Model ID to another.
• The error-checking process uses a checksum that provides a bit
pattern where the last 7 bits are zero when values for an
address, data, and that checksum are summed.
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MIDI Implementation
1. Recognized Receive Data
System Realtime Message
Active Sensing
Status
FEH
When FC-300 receives Active Sensing, it measures time intervals
between incoming messages. If the subsequent message will not come
within 400 msec after the previous one, FC-300 turns off Active
Sensing for a period and stops measuring message intervals.
System Exclusive Message
Status
F0H
F0H System Exclusive Status ii ID Number: The ID Number (manufacturer’s ID) is
used to distinguish one manufacturer’s System Exclu­sive messages from another. Roland’s manufacturer ID is 41H. ID Numbers 7EH and 7FH are used as Universal Non-realtime messages (7EH), and Universal Realtime
message (7FH) for extending the MIDI standard. dd, ..., ee 00H-7FH (0-127) F7H EOX (End of System Exclusive)
System Exclusive messages that the FC-300 can receive are Data
Request (RQ1) and Data Set (DT1).
For a detailed explanation about Data Request (RQ1) and Data Set
(DT1), refer to
“3. Exclusive Communications”
“Roland System Exclusive Messages”
Data Status
iiH, ddH, ....., eeH F7H
(p. 59) and
(p. 64).
2. Transmitted Data
Transmitted Messages
Channel Voice Message
Note Off
Status
8nH
n = MIDI Channel Number kk = Note Number vv = Velocity
* Specifically when Patch Mode is selected.
Note On
Status
9nH
n = MIDI Channel Number kk = Note Number vv = Velocity
* Specifically when Patch Mode is selected.
Polyphonic Key Pressure
Status Second Third
AnH
n = MIDI Channel Number kk = Note Number vv = Polyphonic Key
Pressure
* Specifically when Patch Mode is selected.
Second Third
kkH vvH
0H-FH (ch.1-ch.16) 00H-7FH (0-127) 00H-7FH (0-127)
Second Third
kkH vvH
0H - FH (ch.1-ch.16) 00H-7FH (0-127) 01H-7FH (1-127)
kkH vvH
0H - FH (ch.1-ch.16) 00H-7FH (0-127) 00H-7FH (0-127)
62
Control Change
Status Second Third
BnH ccH vvH
n = MIDI Channel Number cc = Control Number vv = Control Value
* Does not transmit while in System Exclusive Mode.
0H-FH (ch.1-ch.16) 01H-1FH (1-31), 21H-5FH (33-95) 00H-7FH (0-127)
Bank Select
Status Second Third
BnH 00H mmH BnH 20H llH
n = MIDI Channel Number mm = Upper bytes of Bank Select Number ll = Lower bytes of Bank Select Number
* Specifically when Standard Mode and Patch Mode are selected.
0H-FH (ch.1-ch.16) 00H-7FH (0-127) 00H-7FH (0-127)
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MIDI Implementation
Program Change
Status
CnH
n = MIDI Channel Number pp = Program Number
* Specifically when Standard Mode and Patch Mode are selected.
Second
ppH
0H-FH (ch.1-ch.16) 00H-7FH (prog.1-prog.128)
Channel Pressure
Status
DnH
n = MIDI Channel Number vv = Channel Pressure
* Does not transmit while in System Exclusive Mode.
Second
vvH
0H - FH (ch.1-ch.16) 00H-7FH (0-127)
Pitch Bend Change
Status
EnH
n = MIDI Channel Number mm, ll = Pitch Bend
* Does not transmit while in System Exclusive Mode.
Second Third
llH mmH
0H - FH (ch.1-ch.16) 00 00H - 40 00H - 7F 7FH
(-8192 - 0 - +8192)
System Realtime Message
Start
Status
FAH
* Does not transmit while in System Exclusive Mode.
System Exclusive Message
Status
F0H
F0H ii = ID Number dd, ..., ee = data F7H
For a detailed explanation, see
Messages”
(p. 59) and
MIDI Machine Control (MMC)
Status
F0H
Byte
F0H 7FH ID Number (Universal Realtime Message) 7FH Device ID (Broadcast) 06H Sub-ID#1 (Machine Control Command) com Sub-ID#2 (MMC Command) F7H EOX (End of System Exclusive)
* FC-300 can set the following MMC commands.
com
01H 02H PLAY 03H DEFERRED PLAY 04H FAST FORWARD 05H REWIND 06H RECORD STROBE 07H RECORD EXIT 08H RECORD PAUSE 09H PAUSE
* Does not transmit while in System Exclusive Mode.
Description
System Exclusive Status
STOP
Data Status
iiH, ddH, ....., eeH F7H
System Exclusive Status 41H (65) 00H-7FH (0-127) EOX (End of System Exclusive)
“Roland System Exclusive
“3. Exclusive Communications”
Data Status
7FH, 7FH, 06H, com F7H
(p. 64).
Continue
Status
FBH
* Does not transmit while in System Exclusive Mode.
Stop
Status
FCH
* Does not transmit while in System Exclusive Mode.
Active Sensing
Status
FEH
* During the normal operation, transmits at approx. 200 msec intervals.
* When message intervals are being monitored at the input section, the
output of Active Sensing messages will cease for a certain period of time
if the input interval exceeds 400 msec.
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MIDI Implementation
3. Exclusive Communications
Using Roland’s one-way System Exclusive message you can transfer
data between FC-300 and another device.
You can use the following Model ID for the FC-300.
• 00H 00H 1EH (FC-300)
You can use System Exclusive messages to transmit and receive
the FC-300’s internal parameters in the form of bulk data.
• 00H 00H 20H (Foot Controller)
You can use System Exclusive messages to transmit and receive
the FC-300’s operational messages and display messages.
The Device ID can be set within the 00H to 1FH range.
For more on setting the Device ID, see
52).
Request Data 1 RQ1 (11H)
Byte
F0H 41H Manufacturer ID (Roland) dev Device ID (dev: 00H-0FH) mdl Model ID
11H Command ID (RQ1) aaH Address MSB bbH Address LSB ssH Size MSB ttH Size LSB sum Checksum F7H EOX (End of System Exclusive)
Description
System Exclusive Status
(mdl: 00H 00H 1EH) FC-300 (mdl: 00H 00H 20H) Foot Controller
DATA SET 1 DT1 (12H)
Byte Description
F0H System Exclusive Status 41H Manufacturer ID (Roland) dev Device ID (dev: 00H-0FH) mdl Model ID
(mdl: 00H 00H 1EH) FC-300
(mdl: 00H 00H 20H) Foot Controller 12H Command ID (DT1) aaH Address MSB bbH Address LSB ddH Data : : eeH Data sum Checksum F7H EOX (End of System Exclusive)
“Setting the Device ID”
(p.
4. Parameter Address Map (Model ID = 00H 00H 20H)
There are two type of the FC-300 System Exclusive message. FC-300
can send and receive the operation of this unit and display
information by using the system exclusive message.
Address Block Map
Address (H)
10 00 20 00 Pedal Status Read 30 00 Pedal LED Status Write 40 00 BANK/NUMBER Display Status Write 50 00 Controller Status Read/Write 60 00 Message Display Status Write 68 00 Message Display User Font Write 70 00 71 00 Tuner Pitch Status Write
Mode Status Read/Write
Tuner Display Status
Mode Status (Individual area)
Address (H)
10 00
10 01 00 01 00-01
10 02 00 01 00-01
*1 Outputs on power-up or when Mode change is made.
*2 Mode Status is changed when Data Set (DT1) is received.
*3 Changes the display of LCD in System Exclusive Mode when
Size (H)
00 01 00-01
Also outputs upon receiving Data Request (RQ1).
Data Set (DT1) is ignored.
Changes the System Exclusive Mode when On is received.
MODE pedal is pressed same operation when Off is received in
System Exclusive Mode.
Data Set (DT1) is received.
Appears the received data in Message Display Status Address
when PLAY is received.
Appears the TUNER screen and received data in Tuner Pitch
Status Address when TUNER is received. (FC-300 has not
TUNER function.)
Outputs when Data Request (RQ1) is received.
Block
Data (H)
Parameter
SYSEX Mode Status *1
SYSEX Mode Status *2
Function Mode Status *3
Description
Write
Description
0: Off, 1:On
0: Off, 1:On
0: Play, 1:TUNER
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MIDI Implementation
Pedal Status (Individual area)
Status
Status
Status
Status
Status
Parameter
Description
OFF/ON
OFF/ON
0-127
0-127
0-127
Address (H)
20 00 20 01 00 01 00/7F Pedal 2/7 Status OFF/ON 20 02 00 01 00/7F Pedal 3/8 Status OFF/ON 20 03 00 01 00/7F Pedal 4/9 Status OFF/ON 20 04 00 01 00/7F Pedal 5/10 Status OFF/ON
21 00 00 01 00/7F CTL Pedal 1 Status OFF/ON 21 01 00 01 00/7F CTL Pedal 2 Status OFF/ON 21 02 00 01 00/7F CTL Pedal 4 Status OFF/ON 21 03 00 01 00/7F CTL Pedal 6 Status OFF/ON 21 04 00 01 00/7F CTL Pedal 8 Status OFF/ON
22 00 00 01 00/7F EXP Pedal SW 1
22 01 00 01 00/7F EXP Pedal SW 2
24 00 00 01 00-7F EXP Pedal 1 Status 0-127 24 01 00 01 00-7F EXP Pedal 2 Status 0-127 24 02 00 01 00-7F CTL3/EXP3 Pedal
24 03 00 01 00-7F CTL5/EXP4 Pedal
24 04 00 01 00-7F CTL7/EXP5 Pedal
25 00 00 01 00/7F UP Pedal Status OFF/ON 25 01 00 01 00/7F DOWN Pedal Status OFF/ON
• Outputs when pedal is operated while in the System Exclusive
• Also outputs Data Set (DT1) when Data Request (RQ1) is
• Data Set (DT1) is ignored.
Size (H)
00 01 00/7F Pedal 1/6 Status OFF/ON
Mode.
received.
Data (H)
LED Status (Individual area)
Address (H)
30 00
30 01 00 01 00/7F Pedal 2/7 red LED
30 02 00 01 00/7F Pedal 3/8 red LED
30 03 00 01 00/7F Pedal 4/9 red LED
30 04 00 01 00/7F Pedal 5/10 red LED
30 05 00 01 00/7F Pedal 1/6 green LED
30 06 00 01 00/7F Pedal 2/7 green LED
30 07 00 01 00/7F Pedal 3/8 green LED
30 08 00 01 00/7F Pedal 4/9 green LED
30 09 00 01 00/7F Pedal 5/10 green
31 00 00 01 00/7F CTL Pedal 1 LED
31 01 00 01 00/7F CTL Pedal 2 LED
32 00 00 01 00/7F EXP Pedal SW 1 LED
32 01 00 01 00/7F EXP Pedal SW 2 LED
35 00 00 01 00/7F UP Pedal LED Status OFF/ON 35 01 00 01 00/7F DOWN Pedal LED
• Receives Data Set (DT1) in all mode, changes the LED status of
• Data Request (RQ1) is ignored.
Size (H)
00 01 00/7F Pedal 1/6 red LED
each pedal only in the System Exclusive Mode.
Data (H)
Parameter
Status
Status
Status
Status
Status
Status
Status
Status
Status
LED Status
Status
Status
Status
Status
Status
Description
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
BANK/NUMBER Display Status (Individual area)
Address (H)
40 00
40 02 00 02 0abcdefg,
40 04 00 02 0abcdefg,
• Receives Data Set (DT1) in all mode, changes the BANK/
NUMBER display status only in the System Exclusive Mode.
• Each bit represents ON/OFF of corresponding display segment.
Bit “0” = OFF; “1” = ON
• Data Request (RQ1) is ignored.
Size (H) Data (H) Parameter
00 02 0abcdefg,
0000000h
0000000h
0000000h
Right
Center
Left
Description
d
c
e
a
b
f
g
h
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MIDI Implementation
Controller Status (Individual area)
Address (H)
50 00
50 01 00 01 00/7F AMP CON-
• Receives Data Set (DT1) in all mode.
• Changes status of AMP CONTROL jack when Data Set (DT1) is
received.
• Outputs when Data Request (RQ1) is received.
Size (H) Data (H) Parameter
00 01 00/7F AMP CON-
TROL 1 Status
TROL 2 Status
Description
OFF/ON
OFF/ON
Message Display Status (Individual area)
Address (H)
60 00
: : : 60 0F 00-07,
64 00 00 10 00-07,
: : : 64 0F 00-07,
• Receives Data Set (DT1) in all mode.
• Outputs when Data Request (RQ1) is received.
Size (H)
00 10 00-07,
Data (H)
20-7D
20-7D
20-7D
20-7D
Parameter
Line 0 Column 0 data
Line 0 Column 15 data
Line 1 Column 0 data
Line 1 Column 15 data
Description
00-07: User Font 20-7D: ASCII characters
Message Display User Font (Individual area)
Address (H)
68 00
: : : 68 07 00-1F
68 08 00 08 00-1F
: : : : 68 38 00 08 00-1F
• Receives Data Set (DT1) in all mode, changes the user font of the
• Data Request (RQ1) is ignored.
*1 The bitmap data of the user font following displayed in LCD.
Size (H)
00 08 00-1F
LCD only in the System Exclusive Mode.
Data (H)
Parameter Description
User Font 1 Line 0 data
User Font 1 Line 7 data
User Font 2 Line 0 data
User Font 8 Line 7 data
*1
Tuner Display Status (Individual area)
Address (H)
70 01
70 02
70 03
70 04
70 05
• Receives Data Set (DT1) in all mode, changes the display of the
LCD when only Function Mode Status is TUNER.
• Data Request (RQ1) is ignored.
Size (H) Data (H) Parameter
00 01 00/7F
00 01 00/7F
00 01 00/7F
00 01 00/7F
00 01 00/7F
C#/D Display Status
D#/E Display Status
F#/G Display Status
G#/A Display Status
A#/B Display Status
Description
C#/D
D#/E
F#/G
G#/A
A#/B
Tuner Pitch Status (Individual area)
Address (H)
71 00
71 01 00 01 00, 01-0D Tuner Note
71 02 00 01 00,
• Receives Data Set (DT1) when only Function Mode Status is
TUNER.
• Changes the display of the LCD when Data Set (DT1) is
received.
• Data Request (RQ1) is ignored.
Size (H) Data (H) Parameter
00 01 00, 01-06 String
Number
Status
Tuner Cent
01–40–7F
Status
Description
00: OFF 01: 1-6
00: No Signal 01: C, 02: C# 03: D, 04: D# 05: E, 06: F 07: F#, 08: G 09: G#, 0A: A 0B: A#, 0C: B
00: No Signal 01: -50 40: 0 7F: 50
Parameter Data
User Font line0 data 000xxxxx User Font line1 data 000xxxxx User Font line2 data 000xxxxx User Font line3 data 000xxxxx User Font line4 data 000xxxxx User Font line5 data 000xxxxx User Font line6 data 000xxxxx User Font line7 data 000xxxxx
66
Page 67
MIDI Implementation
MIDI FOOT CONTROLLER
Model FC-300
Function...
Basic Channel
Mode
Default
Changed
Default
Messages
Altered
Note Number
Velocity
After Touch
True Voice
Note ON
Note OFF
Key's
Ch's
Pitch Bend
Control Change
0, 32
1 – 31
33 – 95
MIDI Implementation Chart
Transmitted Recognized Remarks
1–16 1–16
x x
**************
0–127
**************
o 9n v=1–127 o 8n v=0–127
o 0–127 o 1–16
o
o o o
*1 *1
*3
*3 *3
*3 *1
*1
*2 *1 *1
x x
x x
x x
x x
x x
x
x x x
Memorized
Bank Select
Date : Apr. 1, 2007
Version : 1.00
Program Change
System Exclusive
Common
Song Position
Song Select
Tune Request
System Realtime
AUX Messages
Reset All Controller
Commands
Local ON/OFF
All Notes OFF
All Sound OFF
Active Sense
System Reset
Notes
Mode 1: OMNI ON, POLY Mode 3: OMNI OFF, POLY
True #
Clock
*2
*1
x x
o
x x x
x x
x x x x o x
o *********
o
x x x
x o
x x x x o x
*1 Does not transmit while in System Exclusive Mode. *2 Transmits while in Standard Mode and Patch Mode. *3 Transmits while in Patch Mode.
Mode 2: OMNI ON, MONO Mode 4: OMNI OFF, MONO
Program Number 1 – 128
o: Yes x: No
67
Page 68

Specifications

FC-300 : MIDI FOOT CONTROLLER
Connectors
Controls
Display
Indicators
Number of Patches (Patch Mode)
Power Supply
Current Draw
Expected battery life under continu­ous use (Carbon):
Dimensions
Weight
Accessories
Options
MIDI connectors (IN, OUT)
MODE jack
EXP PEDAL/CTL jack (3/3,4 4/5,6 5/7,8)
AMP CONTROL jack (1, 2)
RRC2 OUT connector
DC IN jack
Number pedals 1/6–5/10
[ ] [ ] pedals
CTL pedals (1, 2)
EXP PEDAL (1, 2)
PARAMETER [ ] [ ] button
VALUE [ ] [ ] button
UTILITY button
MODE button
EXIT button
WRITE button
POWER switch
BANK/NUMBER display (7 segments w/ dots, 3 characters LED)
LCD (16 characters x 2 lines with backlit)
MODE indicators (STANDARD, CONTROL, SYS EX, PATCH)
UTILITY button indicator
WRITE button indicator
Number pedal indicators 1/6–5/10 (When the number pedal 1-5 is selected, the indicator lights in red. When the number pedal 6-10 is selected, the indicator lights in green.)
[ ] [ ] pedal indicators
CTL pedal indicators (1, 2)
EXP PEDAL indicators (1, 2)
100
9 V DC: Dry battery (AA) type x 6
AC Adaptor (BOSS PSA series; sold separately)
RRC2 (Supplied from RRC2 IN device)
94 mA (When Economy Mode is OFF.) 61 mA (When Economy Mode is ON.)
6.5 hours or longer (When Economy Mode is OFF) 12 hours or longer (When Economy Mode is ON) * These figures will vary depending on the actual conditions of use.
550 (W) x 250 (D) x 76 (H) mm
21-11/16 (W) x 9-7/8 (D) x 3 (H) inches
5.3 kg / 11 lbs 11 oz (including batteries)
Owner’s Manual
Dry battery R6 (AA) type (carbon) x 6
Roland Service
AC Adaptor: BOSS PSA series
Footswitch: BOSS FS-5U, FS-6
Expression Pedal: Roland EV-5, BOSS FV-500L, FV-500H
* In the interest of product development, the specifications and/or appearance of this unit are subject to change without prior notice.
68
Page 69

Index

Numerics
1/6 – 5/10 pedals ............................................................ 9
1/6–5/10 ......................................................................... 21
A
AMP 1 Pol. ...................................................................... 50
AMP 2 Pol. ...................................................................... 50
AMP CONTROL 1, 2 jack ............................................ 10
AMP CTL OP ........................................................... 20, 43
AMP Ctl Op ................................................................... 25
Assign Number ............................................................. 42
B
Bank Display .................................................................. 49
Bank Extent .................................................................... 48
Bank Select ..................................................................... 53
Bank Step ........................................................................ 49
BANK/NUMBER display .............................................. 7
Battery Low! ................................................................... 57
Bnk Chg Mode ............................................................... 48
Bnk Sel Out ..................................................................... 52
Bulk Dump ..................................................................... 53
Bulk Load ....................................................................... 54
C
Contrast .......................................................................... 46
Control Change Mode ............................................ 14, 21
Copy MIDI Streams ...................................................... 39
CTL pedals ....................................................................... 9
D
DC IN (AC Adaptor) jack ............................................ 10
DEL button ....................................................................... 8
Delete MIDI Streams ..................................................... 40
Deleting Patches ............................................................ 45
Device ID ........................................................................ 52
E
E3/C3 Type .................................................................... 50
E4/C5 Type .................................................................... 50
E5/C7 Type .................................................................... 50
Economy Mode .............................................................. 46
Error Messages .............................................................. 57
EXIT button ...................................................................... 8
EXP PEDAL 1, 2 ............................................................... 9
EXP PEDAL SW 1, 2 ....................................................... 9
EXP PEDAL SW indicators ............................................ 9
EXP PEDAL/CTL jack .................................................. 10
F
Factory Reset .................................................................. 55
I
INS button ........................................................................ 8
L
LCD ................................................................................... 7
LCD Contrast ................................................................. 46
Liquid Crystal display .................................................... 7
M
Memory Full! ................................................................. 57
MIDI Buffer Full! ........................................................... 57
MIDI Channel ................................................................ 42
MIDI connectors (OUT, IN) ......................................... 10
MIDI Offline! .................................................................. 57
Mode ................................................................... 20, 25, 43
MODE button ................................................................... 8
MODE indicator .............................................................. 7
MODE jack ..................................................................... 10
MODE Pdl Seq ............................................................... 51
MODES ........................................................................... 14
N
Number Pedal ............................................................ 9, 21
P
PARAMETER button ...................................................... 8
Patch Mode ............................................................... 14, 29
Patch Name .................................................................... 44
PC Mode ......................................................................... 47
Pdl Indicate .................................................................... 51
Pedal Settings ............................................... 19, 24, 26, 42
Pedal Step Size ............................................................... 49
Polarity ............................................................................ 50
POWER switch ............................................................... 10
R
Range ................................................................... 20, 25, 43
RRC2 Buffer Full! ........................................................... 57
RRC2 connecting cable ................................................. 12
RRC2 Offline! ................................................................. 57
RRC2 OUT connector .................................................... 10
S
Set to MAX ..................................................................... 56
Set to MIN ....................................................................... 56
Standard Mode ........................................................ 14, 16
Storing (Saving) Patches ............................................... 44
69
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Index
System Exclusive Messages ......................................... 59
System Exclusive Mode ................................................ 14
System Parameters ........................................................ 46
T
Threshold ........................................................................ 56
Troubleshooting ............................................................ 58
Tx Channel ..................................................................... 52
U
UTILITY button ............................................................... 8
V
VALUE button ................................................................. 8
W
WRITE button .................................................................. 8
70
Page 71
For the U.K.
This product complies with the requirements of European Directive 89/336/EEC.
For EU Countries
For Canada
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
NOTICE
AVIS
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
– Reorient or relocate the receiving antenna. – Increase the separation between the equipment and receiver. – Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. – Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment. This equipment requires shielded interface cables in order to meet FCC class B Limit.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE: BROWN:
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
NEUTRAL LIVE
Page 72
Information When you need repair service, call your nearest Roland Service Center or authorized Roland
distributor in your country as shown below.
AFRICA
EGYPT
Al Fanny Trading Office
9, EBN Hagar A1 Askalany
Street,
ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: 20-2-417-1828
REUNION
Maison FO - YAM Marcel
25 Rue Jules Hermann, Chaudron - BP79 97 491 Ste Clotilde Cedex, REUNION ISLAND
TEL: (0262) 218-429
SOUTH AFRICA
T.O.M.S. Sound & Music
(Pty)Ltd.
2 ASTRON ROAD DENVER
JOHANNESBURG ZA 2195,
SOUTH AFRICA TEL: (011)417 3400 FAX: (011)417 3462
Paul Bothner(PTY)Ltd.
Royal Cape Park, Unit 24 Londonderry Road, Ottery 7800 Cape Town, SOUTH AFRICA
TEL: (021) 799 4900
ASIA
CHINA
Roland Shanghai Electronics
Co.,Ltd.
5F. No.1500 Pingliang Road
Shanghai 200090, CHINA
TEL: (021) 5580-0800
Roland Shanghai Electronics
Co.,Ltd.
(BEIJING OFFICE)
10F. No.18 3 Section Anhuaxili Chaoyang District Beijing 100011 CHINA
TEL: (010) 6426-5050
HONG KONG
Tom Lee Music Co., Ltd. Service Division
22-32 Pun Shan Street, Tsuen Wan, New Territories,
HONG KONG
TEL: 2415 0911
Parsons Music Ltd.
8th Floor, Railway Plaza, 39 Chatham Road South, T.S.T,
Kowloon, HONG KONG
TEL: 2333 1863
INDIA
Rivera Digitec (India) Pvt. Ltd.
409, Nirman Kendra Mahalaxmi Flats Compound Off. Dr. Edwin Moses Road, Mumbai-400011, INDIA
TEL: (022) 2493 9051
INDONESIA
PT Citra IntiRama
J1. Cideng Timur No. 15J-150 Jakarta Pusat
INDONESIA
TEL: (021) 6324170
KOREA
Cosmos Corporation
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8855
MALAYSIA
Roland Asia Pacific Sdn. Bhd.
45-1, Block C2, Jalan PJU 1/39, Dataran Prima, 47301 Petaling Jaya, Selangor, MALAYSIA
TEL: (03) 7805-3263
PHILIPPINES
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue Makati, Metro Manila 1200, PHILIPPINES TEL: (02) 899 9801
SINGAPORE
SWEE LEE MUSIC COMPANY PTE. LTD.
150 Sims Drive, SINGAPORE 387381 TEL: 6846-3676
TAIWAN
ROLAND TAIWAN ENTERPRISE CO., LTD.
Room 5, 9fl. No. 112 Chung Shan N.Road Sec.2, Taipei, TAIWAN, R.O.C. TEL: (02) 2561 3339
THAILAND
Theera Music Co. , Ltd.
330 Soi Verng NakornKasem, New Road, Sumpantawongse, Bangkok 10100, THAILAND TEL: (02) 224-8821
AUSTRALIA/ NEW ZEALAND
AUSTRALIA/ NEW ZEALAND
Roland Corporation Australia Pty.,Ltd.
38 Campbell Avenue Dee Why West. NSW 2099 AUSTRALIA
For Australia Tel: (02) 9982 8266 For New Zealand Tel: (09) 3098 715
CENTRAL/LATIN AMERICA
ARGENTINA
Instrumentos Musicales S.A.
Av.Santa Fe 2055 (1123) Buenos Aires ARGENTINA TEL: (011) 4508-2700
BARBADOS
A&B Music Supplies LTD
12 Webster Industrial Park Wildey, St.Michael, Barbados TEL: (246)430-1100
BRAZIL
Roland Brasil Ltda.
Rua San Jose, 780 Sala B Parque Industrial San Jose Cotia - Sao Paulo - SP, BRAZIL TEL: (011) 4615 5666
CHILE
Comercial Fancy II S.A.
Rut.: 96.919.420-1 Nataniel Cox #739, 4th Floor Santiago - Centro, CHILE TEL: (02) 688-9540
COLOMBIA
Centro Musical Ltda.
Cra 43 B No 25 A 41 Bododega 9 Medellin, Colombia TEL: (574)3812529
COSTA RICA
JUAN Bansbach Instrumentos Musicales
Ave.1. Calle 11, Apartado 10237, San Jose, COSTA RICA TEL: 258-0211
CURACAO
Zeelandia Music Center Inc.
Orionweg 30 Curacao, Netherland Antilles TEL:(305)5926866
DOMINICAN REPUBLIC
Instrumentos Fernando Giraldez
Calle Proyecto Central No.3 Ens.La Esperilla Santo Domingo, Dominican Republic TEL:(809) 683 0305
ECUADOR
Mas Musika
Rumichaca 822 y Zaruma Guayaquil - Ecuador TEL:(593-4)2302364
EL SALVADOR
OMNI MUSIC
75 Avenida Norte y Final Alameda Juan Pablo II, Edificio No.4010 San Salvador, EL SALVADOR TEL: 262-0788
GUATEMALA
Casa Instrumental
Calzada Roosevelt 34-01,zona 11 Ciudad de Guatemala Guatemala TEL:(502) 599-2888
HONDURAS
Almacen Pajaro Azul S.A. de C.V.
BO.Paz Barahona 3 Ave.11 Calle S.O San Pedro Sula, Honduras TEL: (504) 553-2029
MARTINIQUE
Musique & Son
Z.I.Les Mangle 97232 Le Lamantin Martinique F.W.I. TEL: 596 596 426860
Gigamusic SARL
10 Rte De La Folie 97200 Fort De France Martinique F.W.I. TEL: 596 596 715222
MEXICO
Casa Veerkamp, s.a. de c.v.
Av. Toluca No. 323, Col. Olivar de los Padres 01780 Mexico D.F. MEXICO TEL: (55) 5668-6699
NICARAGUA
Bansbach Instrumentos Musicales Nicaragua
Altamira D'Este Calle Principal de la Farmacia 5ta.Avenida 1 Cuadra al Lago.#503 Managua, Nicaragua TEL: (505)277-2557
PANAMA
SUPRO MUNDIAL, S.A.
Boulevard Andrews, Albrook, Panama City, REP. DE PANAMA TEL: 315-0101
PARAGUAY
Distribuidora De Instrumentos Musicales
J.E. Olear y ESQ. Manduvira Asuncion PARAGUAY TEL: (595) 21 492147
PERU
Audionet
Distribuciones Musicales SAC Juan Fanning 530 Miraflores Lima - Peru TEL: (511) 4461388
TRINIDAD
AMR Ltd
Ground Floor Maritime Plaza Barataria Trinidad W.I. TEL: (868) 638 6385
URUGUAY
Todo Musica S.A.
Francisco Acuna de Figueroa 1771 C.P.: 11.800 Montevideo, URUGUAY TEL: (02) 924-2335
VENEZUELA
Instrumentos Musicales Allegro,C.A.
Av.las industrias edf.Guitar import #7 zona Industrial de Turumo Caracas, Venezuela TEL: (212) 244-1122
EUROPE
AUSTRIA
Roland Elektronische Musikinstrumente HmbH. Austrian Office
Eduard-Bodem-Gasse 8, A-6020 Innsbruck, AUSTRIA TEL: (0512) 26 44 260
BELGIUM/FRANCE/ HOLLAND/ LUXEMBOURG
Roland Central Europe N.V.
Houtstraat 3, B-2260, Oevel (Westerlo) BELGIUM TEL: (014) 575811
CROATIA
ART-CENTAR
Degenova 3. HR - 10000 Zagreb TEL: (1) 466 8493
CZECH REP.
CZECH REPUBLIC DISTRIBUTOR s.r.o
Voctárova 247/16 CZ - 180 00 PRAHA 8, CZECH REP. TEL: (2) 830 20270
DENMARK
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880, DK-2100 Copenhagen DENMARK TEL: 3916 6200
FINLAND
Roland Scandinavia As, Filial Finland
Elannontie 5 FIN-01510 Vantaa, FINLAND TEL: (0)9 68 24 020
GERMANY
Roland Elektronische Musikinstrumente HmbH.
Oststrasse 96, 22844 Norderstedt, GERMANY TEL: (040) 52 60090
GREECE/CYPRUS
STOLLAS S.A. Music Sound Light
155, New National Road Patras 26442, GREECE TEL: 2610 435400
HUNGARY
Roland East Europe Ltd.
Warehouse Area ‘DEPO’ Pf.83 H-2046 Torokbalint, HUNGARY TEL: (23) 511011
IRELAND
Roland Ireland
G2 Calmount Park, Calmount Avenue, Dublin 12 Republic of IRELAND TEL: (01) 4294444
ITALY
Roland Italy S. p. A.
Viale delle Industrie 8, 20020 Arese, Milano, ITALY TEL: (02) 937-78300
NORWAY
Roland Scandinavia Avd. Kontor Norge
Lilleakerveien 2 Postboks 95 Lilleaker N-0216 Oslo NORWAY TEL: 2273 0074
POLAND
ROLAND POLSKA SP. Z O.O.
UL. Gibraltarska 4. PL-03 664 Warszawa POLAND TEL: (022) 679 4419
PORTUGAL
Roland Iberia, S.L. Portugal Office
Cais das Pedras, 8/9-1 Dto 4050-465, Porto, PORTUGAL TEL: 22 608 00 60
ROMANIA
FBS LINES
Piata Libertatii 1, 535500 Gheorgheni, ROMANIA TEL: (266) 364 609
RUSSIA
MuTek
Dorozhnaya ul.3,korp.6 117 545 Moscow, RUSSIA TEL: (095) 981-4967
SLOVAKIA
DAN Acoustic s.r.o.
Povazská 18. SK - 940 01 Nové Zámky TEL: (035) 6424 330
SPAIN
Roland Iberia, S.L.
Paseo García Faria, 33-35 08005 Barcelona SPAIN TEL: 93 493 91 00
SWEDEN
Roland Scandinavia A/S SWEDISH SALES OFFICE
Danvik Center 28, 2 tr. S-131 30 Nacka SWEDEN TEL: (0)8 702 00 20
SWITZERLAND
Roland (Switzerland) AG
Landstrasse 5, Postfach, CH-4452 Itingen, SWITZERLAND TEL: (061) 927-8383
UKRAINE
EURHYTHMICS Ltd.
P.O.Box: 37-a. Nedecey Str. 30 UA - 89600 Mukachevo, UKRAINE TEL: (03131) 414-40
UNITED KINGDOM
Roland (U.K.) Ltd.
Atlantic Close, Swansea Enterprise Park, SWANSEA SA7 9FJ, UNITED KINGDOM TEL: (01792) 702701
MIDDLE EAST
BAHRAIN
Moon Stores
No.16, Bab Al Bahrain Avenue, P.O.Box 247, Manama 304, State of BAHRAIN TEL: 17 211 005
IRAN
MOCO INC.
No.41 Nike St., Dr.Shariyati Ave., Roberoye Cerahe Mirdamad Tehran, IRAN TEL: (021) 285-4169
ISRAEL
Halilit P. Greenspoon & Sons Ltd.
8 Retzif Ha'aliya Hashnya St. Tel-Aviv-Yafo ISRAEL TEL: (03) 6823666
JORDAN
MUSIC HOUSE CO. LTD. FREDDY FOR MUSIC
P. O. Box 922846 Amman 11192 JORDAN TEL: (06) 5692696
KUWAIT
EASA HUSAIN AL-YOUSIFI & SONS CO.
Abdullah Salem Street, Safat, KUWAIT TEL: 243-6399
LEBANON
Chahine S.A.L.
Gerge Zeidan St., Chahine Bldg., Achrafieh, P.O.Box: 16­5857 Beirut, LEBANON TEL: (01) 20-1441
OMAN
TALENTZ CENTRE L.L.C.
Malatan House No.1 Al Noor Street, Ruwi SULTANATE OF OMAN TEL: 2478 3443
QATAR
Al Emadi Co. (Badie Studio & Stores)
P.O. Box 62, Doha, QATAR TEL: 4423-554
SAUDI ARABIA
aDawliah Universal Electronics APL
Corniche Road, Aldossary Bldg., 1st Floor, Alkhobar, SAUDI ARABIA
P.O.Box 2154, Alkhobar 31952 SAUDI ARABIA TEL: (03) 898 2081
SYRIA
Technical Light & Sound Center
Rawda, Abdul Qader Jazairi St. Bldg. No. 21, P.O.BOX 13520, Damascus, SYRIA TEL: (011) 223-5384
TURKEY
ZUHAL DIS TICARET A.S.
Galip Dede Cad. No.37 Beyoglu - Istanbul / TURKEY TEL: (0212) 249 85 10
U.A.E.
Zak Electronics & Musical Instruments Co. L.L.C.
Zabeel Road, Al Sherooq Bldg., No. 14, Grand Floor, Dubai, U.A.E. TEL: (04) 3360715
NORTH AMERICA
CANADA
Roland Canada Ltd. (Head Office)
5480 Parkwood Way Richmond B. C., V6V 2M4 CANADA TEL: (604) 270 6626
Roland Canada Ltd. (Toronto Office)
170 Admiral Boulevard Mississauga On L5T 2N6 CANADA TEL: (905) 362 9707
U. S. A.
Roland Corporation U.S.
5100 S. Eastern Avenue Los Angeles, CA 90040-2938, U. S. A. TEL: (323) 890 3700
As of November 1, 2006 (ROLAND)
04564278 07-04-1N
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