SC-89/CUXJ
Pioneer SC-89/CUXJ, SC-87/CUXJ, SC-85/CUXJ, SC-81/CUX, SC-82/CUXJ Reference Manual
...
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ELITE AV RECEIVERS REFERENCE GUIDE
ELITE AV Receivers
For the U.S. and Canada
Advanced Multi-Channel Stereophonic Philosophy
[minamoto]
• Digital Class D3 Amplifier (Direct Energy HD)
• Audio Scaler
- Hi-bit32 Audio Processing
- Up-Sampling (192 kHz/32-bit)
- Digital Filter
• Low Leakage Flux Power Transformer
• Hi-bit24 Audio Processing
[waza]
• MCACC Auto Room Tuning
- Phase Control
• Advanced MCACC Auto Room Tuning
- Auto Phase Control Plus
- Speaker Polarity Check
- Standing Wave Control
- Subwoofer EQ
• MCACC Pro Auto Room Tuning
- Independent Dual Subwoofer Output
- Full Band Phase Control
- Precision Distance
[tamashi]
• AIR Studios Sound Tuning
Audio Technologies
• ESS SABRE32 Ultra DAC
• Advanced Sound Retriever
• Auto Sound Retriever
• Auto Sound Retriever for ARC
• Sound Retriever Link
• Sound Retriever AIR
• Auto Level Control
• PQLS with HDMI
Video Technologies
• Ultra HD (4K/60p) Upscaling
• Ultra HD (4K/60p) Pass Through
• Stream Smoother
• Stream Smoother Link
• Advanced Video Adjust
• Highly-Precise I/P Conversion
• Triple HD Video Noise Reduction
• Deep Color
• “x.v.Color”
Audio Formats & Licenses
• Dolby Atmos® Upgradable
• Dolby TrueHD
• Dolby TrueHD Loudness Management
• DTS-HD Master Audio
• DTS Neo:X
• DTS Neo:X | 7.1
• Hi-Res Audio File Playback via USB/Network
• Multi-Channel Audio File Playback via USB/Network
• Native DSD Playback via USB-DAC with DoP Transmission
• DSD Music File Playback via USB
• DSD Disc (SACD) Playback via HDMI
• Various Music File Playback via USB/Network/HDMI
• Variable File Play Action
• Gapless Playback
Sophisticated Listening Modes
• Various Speaker Settings
• Wide Surround
• Dolby Pro Logic IIz
• Virtual Speakers
• Virtual Depth
• 9ch Speaker Configurations
• Pre-Amp Mode
• Advanced Surround Modes
• Front Stage Surround Advance
• Optimum Surround
Connectivity
• USB-DAC
• HDMI
®
(4K@60, 3D, ARC)
• Made for iPod and iPhone
• Digital Audio from iPod/iPhone via USB
• Android™ Audio/Video Playback with MHL™
• Front USB Input
Network Features
• Apple AirPlay Certified
• DLNA Certified™ (1.5)
• HTC Connect™ Certified
• Compatible with Windows
®
8.1/Windows® 8
• Internet Radio (vTuner)
• Pandora
®
Internet Radio
• Spotify
®
Digital Music-Streaming Service Ready
• Roku Ready
®
Advanced Control
• Ready for iControlAV5
- AV SCALER
- STATUS VIEWER
- CURSOR
- SOUND EXPLORER
- PUSH PLAYER
- ECO MANAGER
• Bluetooth Ready
• Built-in AVNavigator/AVNavigator for iPad
• Wireless LAN Converter Ready
• Powered HDMI ZONE Out (Powered HDZONE)
• Multi-Zone
• HDBaseT Compatible (HDMI Extension via LAN)
• Control with HDMI
• 2014 Pioneer PC Setup
• Network Setup via Web Control
• Standby Pass-Through without CEC
• HDMI Standby Input Switching
• Auto Power Down
• Power Save for HDMI Standby Through
• Simple Overlay OSD
• GUI
Construction
• Advanced Direct Construction
• 3D Space Frame Construction
• Rigid Trans-Stabilizer
• Independent Power Supply System
• Clean Grounding and High-Grade Parts
* New features in blue
Images for illustrative purposes only
SC-89
SC-87
SC-85
SC-82
SC-81
89
87
85
82
81
Applicable models displayed in icons:
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Advanced Multi-Channel Stereophonic Philosophy ELITE AV RECEIVERS REFERENCE GUIDE
Advanced Multi-Channel
Stereophonic Philosophy
Audio
Technologies
Video
Technologies
Audio Formats &
Licenses
Sophisticated
Listening Modes
Connectivity Network Features Advanced Control Construction
Pioneer's 3-step technology for reproducing studio master sound
Highly-efficient
multi-channel output
Step 1 Superior Design Technology
Advanced Direct Energy Design
Adoption of
state-of-the-art technology
Automated acoustic
calibration by MCACC
Step 2
Ideal Reproduction Environment
Exclusive DSP technology based
on latest audio research
Phase correction
by Phase Control
Tuning session with
AIR Studios
Step 3
[minamoto]
[waza]
[tamashi]
Sound Tuning
Professional sound by
experienced engineers
Reproduction of the Original Master
Closer to the professional studio sound
Advanced Multi-Channel Stereophonic Philosophy
89 87 85 82 81
Our top-line AV receivers contain only high-grade
materials that deliver precise performance, all in order
to accomplish our objective — truthful expression of
the artist’s intent. The soundstage is purified to give as close to the
original artistic expression, while expertise of professional
recording engineers is applied for a thorough sound tuning.
[minamoto]
source/origin/foundation
When something is created, that upon which it is
based. Gathering the materials essential for
creating things.
Example:
A true masterpiece, made from the finest
components.
Advanced Multi-Channel Stereophonic Philosophy
[waza]
skill/technique/ability
The methods and techniques used to process
things. Overcoming challenges with knowledge
and experience.
Example:
The skill of a craftsman lives on in his
masterpiece.
[tamashi]
soul/spirit/will
Obsession or zeal. Or even emotion. Paying
careful attention to details, and refining the
value of things by human hands.
Example:
Within a masterpiece lies a spirit that moves
people.
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Advanced Multi-Channel Stereophonic Philosophy ELITE AV RECEIVERS REFERENCE GUIDE
Advanced Multi-Channel
Stereophonic Philosophy
Audio
Technologies
Video
Technologies
Audio Formats &
Licenses
Sophisticated
Listening Modes
Connectivity Network Features Advanced Control Construction
[minamoto]
source/origin/foundation
Digital Class D3 Amplifier (Direct Energy HD Amplifier)
89 87 85 82 81
The Direct Energy HD Amplifier has further evolved as Digital Class
D
3
Amplifier to meet the needs of the latest HD content. With our
MOSFET, the Direct Power FET, a simple, high-power solution is
provided to fully enjoy today’s AV entertainment. This year, the
digital circuit power supply has been redesigned on all models, to
provide a clean electric current with reduced noise.
High-Power Simultaneous Multi-Channel Drive
With class AB amplifiers, driving all channels in full power is only
possible for a short time, at around 300 W to 400 W power output.
Pioneer’s Digital Class D
3
Amplifier has plenty of allowance to
simultaneously drive 9 channels at 760 W (SC-85) to 850 W (SC-89)
power output, letting you fully enjoy dynamic scenes.
Eco-Friendly
The p ower consumption of the Digital Class D3 Amplifier is
exceedingly lower than analog amplifiers — letting you save
energy without compromising performance.
High Efficiency
The Digital Class D3 Amplifier has b een designed with a simple
structure to take a straight signal path, resulting in improved
sound quality.
Low Heat Generation
The simple form of the Direct Power FET has the advantage of
improved thermal characteristics. In addition to the upper-side
heat dissipation from the heat sink, the circuit board’s heat
radiation feature is also utilized for downward heat dissipation,
providing efficient cooling for a superior performance.
Quick-Response Sound
The Direct Power FET is directly connected to the print circuit
board without any wiring. This simple structure maximizes
audio performance by reduced noise and improved switching,
offering a quick-responding sound, perfect for digital content
playback.
Improved Circuit Design
On the top two models, dedicated ICs are lavishly used on the
circuit in pursuit of ideal sound. The operational amplifier IC for
processing small signal is set apart from the amplifying section
to prevent mutual interference. This allows clear signal to be
transmitted to the Direct Power FET. As for the SC-85/SC-82/
SC-81, they adopt a compact integrated IC with space merit. The
directly coupled IC reduces signal loss and provides precise
signal transmission.
Class D3 Amplifier Assy
Direct Power FET features a simple
structure with superior heat dissipation
Direct Power FET
Analog Signal
Input
FET Driver IC
LPF
Audio Signal
Output
SC-85/SC-82/SC-81 Amplifier Circuit Configuration
+
-
+
Direct Power FET
silicon
print
circuit
board
Direct contact
with print
circuit board
Signal path length approx: 7-7/8"
Integral
Power
Audio Input
Driver
MOSFET
Low Pass Filter
Power Supply
Signal path length approx: 10-5/8"
Integral
Power
Power Supply
MOSFET
Driver
Low Pass Filter
Audio Input
New model's signal pathPrevious signal path
Pioneer
Model B
Model A
2ch
9ch
2ch
9ch
2ch
9ch
Power
THD
Power
THD
Power
THD
Pioneer Class D Digital Amp
General Class AB Analogue Amp
– 67 W
– 146 W
– 107 W
Other Models—high power for
2-ch specification, but output
drops with actual 9-ch drive
Pioneer—only one keeping up
high power with multi-channel
output
Simultaneous Power Output for Pioneer's Class D Amplifier (9ch)
Direct Power FET
Analog Signal
Input
FET Driver IC
LPF
Audio Signal
Output
SC-89/SC-87 Amplifier Circuit Configuration
SC-85/SC-82/SC-81 Amplifier Circuit Configuration
+
-
+
Direct Power FET
Analog Signal
Input
FET Driver IC
LPF
Audio Signal
Output
+
+
-
Thermal View Comparison of Top Panel
℃
72.9
65.9
58.8
51.8
44.8
37.7
30.7
23.6
16.6
Pioneer
℃
72.9
65.9
58.8
51.8
44.7
37.7
30.7
23.6
16.6
Brand A
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Advanced Multi-Channel Stereophonic Philosophy ELITE AV RECEIVERS REFERENCE GUIDE
Advanced Multi-Channel
Stereophonic Philosophy
Audio
Technologies
Video
Technologies
Audio Formats &
Licenses
Sophisticated
Listening Modes
Connectivity Network Features Advanced Control Construction
Audio Scaler
89 87 85
Pioneer’s latest Audio Scaler technology consists of Hi-bit32,
Up-Sampling, and Digital Filter. The Hi-bit32 Audio Processing
improves resolution and density, while the Up-Sampling reduces
noise. Then the Digital Filter creates soft, natural sound and
improves transient response and pre-echo effect. The three
features integrate to upscale all 2-channel audio content up to
176.4 kHz/192 kHz 32-bit playback—176.4 kHz/192 kHz 32-bit by
auto, and selectable from 176.4/192, 88.2/96, 44.1/48 kHz
frequency, 32/24-bit rate by manual setting—offering realistic
reproduction of the content. The features can be controlled on the
Sound Explorer screen of the iControlAV5 app.
Hi-bit32 Audio Processing
The technology works to create undistorted sound,
bringing out the best in the 32-bit DAC. The 32-bit
DAC hardware alone does not reproduce better
sound. Maximum performance is gained
by applying the Hi-bit32 processing to expand signal
resolution, creating more detailed, smooth sound,
closer to the original analog signal. Hi-bit32 Audio
Processing also increases the sound pressure for a tactile listening
experience, and the more channels you have, the more impressive
it becomes. It is effective for multi-channel content on DVD/Bluray Disc as well as CD audio, and works with any disc player.
Up-Sampling (192 kHz/32-bit)
The Up-Sampling feature of the Audio Scaler upgrades the sound
with reduced noise, providing maximum quality audio playback of
up to 192 kHz/32-bit.
Digital Filter
The world’s first digital filter for AV receivers let you
enjoy two types of sound characters by switching the
DAC — “Slow” for soft and warm, and “Sharp” for
solid and tight sound.
24-bit vs 32-bit signal wave form comparison
Actual Effects
1
0
Level Ch1/FS
Time / s
0 2m 4m 6m 8m 10m 12m 14m
-1
Level Ch2/FS
1
0
Level Ch1/FS
Level Ch2/FS
Time / s
0 2m 4m 6m 8m 10m 12m 14m
-1
32-bit Extension Processing 24-bit Processing
32-bit resolution
32-bit resolution
24-bit resolution
24-bit resolution
24-bit resolution
input signals
Close up
24-bit sine wave
32-bit DAC +
Hi-bit32
32-bit DAC
Previous
24-bit DAC
DAC + signal
processing
–> closer to
original signal
(in red)
DAC alone
makes no
difference
Previous
24-bit Signals
Red: original analog signals (ideal)
Black: 24-bit digital signals (actual)
Bit expansion processing required to bring out the real
performance from 32-bit DAC.
Effects of Bit Expansion Processing
Digital Filter
Slow
Slow Sharp
Input
176.4 kHz/192 kHz
32-bit
176.4 kHz/192 kHz
16-bit/24-bit
88.2 kHz/96 kHz
32-bit
44.1 kHz/48 kHz
32-bit
44.1 kHz/48 kHz
16-bit/24-bit
Output
176.4 kHz/192 kHz
32-bit
SHARP
176.4 kHz/192 kHz
32-bit
SLOW
176.4 kHz/192 kHz
16-bit/24bit
SLOW
176.4 kHz/192 kHz
16-bit/24bit
SHARP
88.2 kHz/96 kHz
32-bit
SLOW
88.2 kHz/96 kHz
32-bit
SHARP
88.2 kHz/96 kHz
16-bit/24-bit
SLOW
88.2 kHz/96 kHz
16-bit/24-bit
SHARP
44.1 kHz/48 kHz
32-bit
SLOW
44.1 kHz/48 kHz
32-bit
SHARP
44.1 kHz/48 kHz
16-bit/24-bit
SLOW
44.1 kHz/48 kHz
16-bit/24-bit
SHARP
88.2 kHz/96 kHz
16-bit/24-bit
2ch only
Auto
Manual
Red
Red + Blue
Audio Scaler Upscaling
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Advanced Multi-Channel Stereophonic Philosophy ELITE AV RECEIVERS REFERENCE GUIDE
Advanced Multi-Channel
Stereophonic Philosophy
Audio
Technologies
Video
Technologies
Audio Formats &
Licenses
Sophisticated
Listening Modes
Connectivity Network Features Advanced Control Construction
Low Leakage Flux Power Transformer
89
The power transformer features minimum leakage flux, ensuring
low noise with increased S/N ratio.
Hi-bit24 Audio Processing
82 81
Combined with the 24-bit DAC, maximum
performance is gained by applying the signal
processing to expand signal resolution, creating
more detailed, smooth sound and increased sound
pressure. The technology is effective for multichannel content on CD/DVD, PC files less than
24-bit and works with any disc player.
0 (360)
Previous power transformer
SC-89 power transformer
Pioneer specified coil is placed 4 inch from the power transformer,
and the inductance voltage in the coil is measured.
* Image may differ from actual product
30
60
100
80
60
40
20
30
60
90
120
150
180
210
240
300
270
330
120
100
80
60
40
20
Horizontal Leakage Flux Comparison
[waza]
skill/technique/ability
MCACC Auto Room Tuning
89 87 85 82 81
Create the optimum acoustic environment with Pioneer’s
MCACC (Multi-Channel Acoustic Calibration System), developed
with the expertise of professional recording studios. The system
— complete with custom microphone — automatically
compensates for differences in speaker size, level and distance,
and equalizes response.
Phase Control
When amplifying multi-channel audio signals,
receivers use a Low Pass Filter (LPF) to process
low-frequency signals for subwoofer output.
This causes “phase lag” — a delay of
approximately 5 msec — of the low-frequency
signals compared to the main channel signals. As a result,
the delayed bass makes the sound lack synchronization.
Pioneer’s Phase Control technology effectively eliminates
phase lag and significantly improves the multi-channel sound
without any extra operation.
Calibration
After Calibration
Speaker distance, sound pressure level, and
frequency response are all equalized.
Before Calibration
Speaker distance, sound pressure level, and
frequency response are all uneven.
The sound field is automatically
measured using the supplied mic.
Speaker sizes and number of
speakers are automatically detected.
SET-UP
MIC
SET-UP
MIC
Acoustic Calibration by MCACC
Before Calibration After Calibration
Level (dB)
Time (msec)
Frequency (Hz) Frequency (Hz)
Time (msec)
Level (dB)
MCACC Reverberation Characteristics
Reverb
Reverb
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Advanced Multi-Channel Stereophonic Philosophy ELITE AV RECEIVERS REFERENCE GUIDE
Advanced Multi-Channel
Stereophonic Philosophy
Audio
Technologies
Video
Technologies
Audio Formats &
Licenses
Sophisticated
Listening Modes
Connectivity Network Features Advanced Control Construction
Advanced MCACC Auto Room Tuning
89 87 85 82 81
The Advanced MCACC uses a 3D calibration
method with even more precise measurements
by including the time axis. The AV receivers
also feature a speaker polarity check for
detecting misconnected cables, and a reverb
measurement display for showing before/after calibration
results. The system automatically measures crossover frequency
— much easier than the previous manual setting — and also lets
you check the measured data by MCACC application in the
AVNavigator. The subwoofer EQ feature has been newly added,
for auto or manual EQ adjustments.
Auto Phase Control Plus
During Blu-ray Disc/DVD/multi-channel file
playback, Auto Phase Control Plus makes realtime analysis of the phase difference between
the LFE (low frequency effect) and the main
signals, and automatically compensates the gap.
Elimination of phase lag enhances strong bass
and clear high-frequency sound — especially effective for
audio content such as live performance and music video clips.
* Effectiveness depends on content
Speaker Polarity Check
The Advanced MCACC will check the speaker polarity for
proper connection. “Reverse Phase” will be displayed on the
GUI screen if the speaker’s wiring (+ and -) is inverted.
Standing Wave Control
Acoustic standing waves occur when the sound waves from
your speaker resonate with those reflected off the walls.
Depending on the speaker placement, your listening position
or the shape of the room, standing waves have a negative
effect on the overall sound, especially in certain lower
frequencies. Standing Wave Control effectively decreases
resonance and prevents inaccurate EQ-setting calibration.
Subwoofer EQ
This new EQ feature allows you to adjust the subwoofer
tone. For Auto MCACC, the subwoofer EQ is automatically
adjusted with EQ type ALL CH ADJ, while manual adjustment
is available with EQ type SYMMETRY and FRONT ALIGN. As
with other EQ, the manual adjustment can be done on the AV
receiver’s GUI.
The "Phase Control" Compensates for the Delay of Low-Frequency Sound
Speakers
AV Receiver
PHASE CONTROL
Source
= Standing Waves
Standing Wave in a Typical Listening Room
Effect of Auto Phase Control Plus (data comparison)
Original disc playback
Delay setting: 0 msec
Superior sound provided by compensating the lag in the subwoofer channel on the disc.
Playback with Auto Phase Control Plus
Delay setting: 9 msec TimeTime
Level
Level
Front L
Front L
LFE
LFE
7
Advanced Multi-Channel Stereophonic Philosophy ELITE AV RECEIVERS REFERENCE GUIDE
Advanced Multi-Channel
Stereophonic Philosophy
Audio
Technologies
Video
Technologies
Audio Formats &
Licenses
Sophisticated
Listening Modes
Connectivity Network Features Advanced Control Construction
MCACC Pro Auto Room Tuning
89 87 85
On top of Advanced MCACC features, MCACC Pro
goes a step further by analyzing the phase and
group delay characteristics due to network
filtering to precisely control phase differences
between speakers. This correction is also performed between
channels, providing a smooth flow of sound as if all delivered
from the same type of speaker. Other features include
independent correction for dual subwoofers, and speaker
position adjustment in 1-millimeter increments. MCACC Pro
corrects phase differences in all ranges and all channels, from
phase difference in the original audio material to the sound
emitted from the speakers.
Independent Dual Subwoofer Output
When connecting an additional subwoofer to increase the
bass, the two subwoofers may not be at a same distance. In
such a case, cancelling out of the bass may occur and prevent
you from perceiving the full effect of the additional
subwoofer. MCACC Pro supports independent adjustment for
each subwoofer, offering optimal performance for a dualsubwoofer setup. You can enjoy free placement of your
subwoofers.
Full Band Phase Control
The further advanced Full Band Phase Control technology
focuses on the group delay in the speaker network filter, and
compensates with special digital signal processing (DSP), to
adjust the phase of each unit as well as the group delay for
each speaker. Full Band Phase Control gives multi-range
speakers the sound coherence of full-range speakers, while
retaining the wide frequency range advantage.
Precision Distance*
Precision Distance is an innovative, world’s first feature for
making millimeter-level manual adjustments to speaker
distance. You can easily duplicate a skilled installer’s precise
positioning with the help of a level gauge shown on the
display.
* SC-89 only
Full Band Phase Control Off Full Band Phase Control On
Adjusts group delay for each unit
TWEETER
(+)
MIDRANGE
(+)
WOOFER
(+)
TWEETER
(+)
MIDRANGE
(+)
WOOFER
(+)
Auto Phase Control Plus
Source AV Receiver Speakers
Speaker Adjustment
Equalizer
Phase Control
Speaker Polarity Check
Standing Wave Control
Subwoofer Equalizer
Independent Dual Subwoofer Output
Full Band Phase Control
MCACC—Acoustic Field Correction at All Levels
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Advanced Multi-Channel Stereophonic Philosophy ELITE AV RECEIVERS REFERENCE GUIDE
Advanced Multi-Channel
Stereophonic Philosophy
Audio
Technologies
Video
Technologies
Audio Formats &
Licenses
Sophisticated
Listening Modes
Connectivity Network Features Advanced Control Construction
[tamashi]
soul/spirit/will
AIR Studios Sound Tuning
89 87
Pioneer has a proven track record of applying its
audio expertise to the creation of multi-channel
sound environments, collaborating with George
Martin’s AIR Studios in England on numerous
occasions. Our perfect application of the worldfamous dubbing studio’s monitoring methods intensifies the
emotion and excitement of what you see and hear. Established
in 1969 in London, AIR Studios is now an acclaimed recording
complex, favoured by many of the world’s most popular and
renowned musical talents. The SC-89 and SC-87 have received
the AIR Studios Monitor certification.
http://www.airstudios.com/
AIR Studios
Studio 6
9
Audio Technologies ELITE AV RECEIVERS REFERENCE GUIDE
ESS SABRE32 Ultra DAC
89 87 85
The highly acclaimed 192 kHz/32-bit ESS
SABRE
32
Ultra DAC (ES9016S) is adopted
to deliver exceptional sound, with ultra-low
distortion and high signal-to-noise ratio. It offers jitter-free
performance for an astounding audio reproduction with rich deep
bass, bringing out the full potentials of Pioneer’s Class D amplifiers.
Advanced Sound Retriever
89 87 85 82 81
The Advanced Sound Retriever restores the output
of compressed audio — such as WMA, MPEG-4 AAC,
and MP3 — to the level of CD sound. The technology
creates new signals to restore the minor details left out during
the compression process. Advanced Sound Retriever for multisurround sound is compatible with DVD soundtracks featuring
Dolby Digital or DTS.
Auto Sound Retriever
89 87 85 82 81
Since the Advanced Sound Retriever is designed
with an algorithm optimized to process 128 kbps
signal, it did not work well with 8-15 kHz high
frequencies in 64 kbps signal, which is the bit rate for quite a few
internet stations. The newly developed Auto Sound Retriever
automatically determines the audio signal’s bit rate, and
interpolates the data lost during compression. It is especially
effective for improving the sound quality of low bit rate content —
an ideal feature when switching between internet radio stations
with different bit rates.
Auto Sound Retriever for ARC
89 87 85 82 81
With digital broadcast, although images are displayed in highdefinition, the audio quality is not as high since they are
compressed with various bit rates. By applying Pioneer’s Auto
Sound Retriever feature to TV broadcast signals, it adjusts the
effects according to the bit rate transferred via HDMI’s ARC (Audio
Return Channel), letting you enjoy digital TV broadcast in highdefinition sound via Pioneer AV receiver.
Sound Retriever Link
89 87 85 82 81
Through HDMI connection, Sound Retriever Link
detects the original audio file information such as
source type, codec, and bit rate played on a
compatible Pioneer Blu-ray Disc player, and automatically
switches to the most suitable Sound Retriever. So there is no
need to switch on/off according to the source. Advanced Sound
Retriever is selected for Blu-ray Disc and DVD sources, and Auto
Sound Retriever is selected for other sources.
* Advanced Sound Retriever is selected for all sources when connected with a
non-compatible Blu-ray Disc player.
Time
Sound density
Sound density
Sound density
Sound pressure
Sound pressure
Sound pressure
Restoration of lost music cadence
Restoration of lost music cadence
CD sound
CD sound
Compressed
sound
Compressed
sound
Restored
sound
Restored
sound
Sound Retriever ON
Sound Retriever ON
FrequencyMiddleLow High FrequencyMiddleLow High FrequencyMiddleLow High
Time Time
Advanced Sound Retriever
Restoration Image
Advanced Sound Retriever ON
Advanced Sound Retriever OFF
Original Sound
Hz0 5k 10k 15k 20k
-140
dBrA
-120
-100
-80
-60
-40
-20
+0
Advanced Sound Retriever
Compensation Effect
MP3
64
5
10
15
20
25
96 128 160
Bit rate (kbps)
Upper frequency (kHz)
192 256 320
WMA
AAC
Current Sound Retriever
unable to play 8-15 kHz
range for MP3's 64 kbps
Upper limit for
playback differs
by frequency
Current Sound Retriever
optimized for
128 kbps bit rate
Playback Upper Limit Frequency by Bit Rate
Auto Sound Retriever
Compressed Sound Restored Sound
Advanced Multi-Channel
Stereophonic Philosophy
Audio
Technologies
Video
Technologies
Audio Formats &
Licenses
Sophisticated
Listening Modes
Connectivity Network Features Advanced Control Construction
-80
-100
dB
-120
1k 20k
14.5dB
: OFF
: ON
Hz
Improvement for S/N Ratio
ESS DAC SABRE32 Jitter Reduction Performance
10 ns Square (10 Hz) Jitter, 12 kHz @-20 dB Signal
Typical
DAC
ES9016
Without Jitter
-140 dB Line
-140 dB Line
-140 dB
-150 dB
With or Without Jitter
Jitter level lower than
previous DAC even
with jitter.
With JitterWith Jitter
ESS SABRE
32
10
Audio Technologies ELITE AV RECEIVERS REFERENCE GUIDE
Sound Retriever AIR
89 87 85 82 81
When streaming music via Bluetooth*, the sound
quality often suffers due to the compression
process. Pioneer’s Sound Retriever AIR is the
world’s first technology for improving the quality of Bluetooth
transmitted sound. It restores the music cadence lost through
compression, and also reduces the noise generated by Bluetooth
transmission resulting in a better S/N ratio.
* AS-BT200 optional adapter required
Auto Level Control
89 87 85 82 81
Auto Level Control equalizes volume level
differences between tracks when playing music
from an iPod or other sources. Multi-channel Auto
Level Control supports surround sound playback,
maintaining a consistent level and clear audio. The function
adjusts low and high frequency sounds, dialogs, surround
effects etc. that are difficult to hear in low volume, to optimal
levels — an ideal feature for listening at night without disturbing
others.
PQLS with HDMI
89 87 85 82 81
With the precision quartz controller on the AV
receiver, Pioneer’s Precision Quartz Lock System
(PQLS) eliminates distortion caused by timing errors.
It controls the amount of audio signals from the AV
receiver to the compatible player, giving the best
possible digital-to-analog conversion.
Three types of PQLS are available on the AV receivers depending
on the connected Blu-ray Disc player (see compatibility chart on
right).
- PQLS 2ch Audio: For CD playback.
- PQLS Multi-Surround: For CD/DVD/BD playback, when the
Blu-ray Disc player output is set to LPCM.
- PQLS Bit-stream: For CD/DVD/BD playback, all the time.
For PQLS to be effective, Control with HDMI needs to be on, and
PQLS setting needs to be set to Auto.
Track 1 Track 2 Track 3
Standardized Playback Volume
Music Hi-Def Movie
Satellite/Cable
Radio
Track 1 Track 2 Track 3
Different Volumes
Sound Level Equalization
Auto Level
Control
Auto Level Control for Multi Surround Playback
AUDIO DATA
AUDIO CLOCK
CONTROL DATA
Servo
Circuit
HDMI
IN/OUT
HDMI
IN/OUT
A/V decoder
PLL
DAC
Control Data
Transfer
Clocking
Crystal
DATA
MEMORY
Data
Transfer
Blu-ray Disc Player
Audio signal with jitter Jitterless signal via PQLS
AV Receiver
Jitterless Transmission (PQLS)
Blu-ray Disc Players
BDP-05FD
BDP-09FD
BDP-320
BDP-23FD
BDP-33FD/BDP-31FD/BDP-330
BDP-43FD/BDP-41FD/BDP-430
BDP-53FD/BDP-51FD/BDP-440
BDP-62FD
AV Receivers
SC-89/SC-87/SC-85/SC-82/SC-81
2ch
2ch
2ch
Multi-Surround/2ch
Bit-stream/Multi-Surround/2ch
PQLS Backward Compatibility
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Sound Retriever AIR OFF
Sound Retriever AIR ON
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Video Technologies ELITE AV RECEIVERS REFERENCE GUIDE
Ultra HD (4K/60p) Upscaling
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Ultra HD (4K), usually referred to as 4K, is the nextgeneration ultra-high-resolution standard with
3,840 x 2,160 pixels or 4,096 x 2,160 pixels — four
times the current HD 1080p standard. The AV
receiver upscales standard video sources up to
4K/60p high-resolution images (4K/60p/4:4:4/24bit, 4K/24p/4:4:4/36-bit, 4K/60p/4:2:2/36-bit) based on the HDMI
2.0 specification, for viewing on a 4K-compatible display. The AV
receivers support 18 Gbps bandwidth, allowing reproduction of
4:4:4 color format, and are ready to bring out the best from the
future generation Ultra HD devices with 18 Gbps transfer
capabilities.
Ultra HD (4K/60p) Pass Through
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The feature lets you take advantage of the highestquality video source, by passing through 4K/60p
signals (4K/60p/4:4:4/24-bit*, 4K/24p/4:4:4/36-bit,
4K/60p/ 4:2:2/36-bit*) based on the HDMI 2.0
specification for viewing on a compatible display.
* BD IN, IN 1, IN 2 HDMI input only
Stream Smoother
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Stream Smoother is a video adjustment feature for watching
network content on your home theater. It reduces block noise
and mosquito noise on low bit rate video content such as
YouTube™, offering finer and clearer images.
Stream Smoother Link
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Through HDMI connection, Stream Smoother Link detects the
source type playing on a compatible Pioneer Blu-ray Disc player,
and automatically switches Stream Smoother on or off
accordingly. So there is no need for manual switching
depending on the source. Stream Smoother is turned off for
Blu-ray Disc and DVD sources, and turned on for network
content to enrich low bit rate video quality.
* When connected with a non-compatible Blu-ray Disc player, Stream
Smoother is turned off with ”Auto” setting.
Stream Smoother OFF Stream Smoother ON
* For illustration purpose only
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Compatible Resolution
• 3,840 x 2,160 pixels, defined by ITU (International Telecommunication
Union) mainly for broadcasting
• 4,096 x 2,160 pixels, defined by DCI (Digital Cinema Initiatives) for Digital
Cinema
Full HD 1,920 x 1,080 pixelsFull HD 1,920 x 1,080 pixels
Ultra HD (Quad HD) 3,840 x 2,160 pixels
Ultra HD (Quad HD) 3,840 x 2,160 pixels
SD 720 x 576 pixelsSD 720 x 576 pixels
4K 4,096 x 2,160 pixels4K 4,096 x 2,160 pixels
What’s 4K?
Next generation high resolution video signal standard with 4 times Full
HD resolution.
Difference in Resolution by Chroma Format
Chroma Format
Luma
Resolution
Chroma Resolution
Horizontal Vertical
4:4:4 Full Full Full
4:2:2 Full 1/2 Full
4:2:0 Full 1/2 1/2
4K/60p/4:4:4 4K/60p/4:2:0
* For illustration purpose only
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Video Technologies ELITE AV RECEIVERS REFERENCE GUIDE
Optimized Image with Advanced Video Adjust
By Display Type By Distance
Advanced Video Adjust
Through
• PDP Mode 1
Adjusts for optimum image with more detail and less noise
PDP Mode 1
Through
• PDP Mode 2
Adjusts for a more natural image
PDP Mode 2
Through
• LCD Mode
Adjusts LCD's washed out black for optimum image
LCD Mode
Through
• Front Projector Mode
Provides a sharp and vivid image suited for a front projector
Front Projector Mode
* For illustration purpose only
Advanced Video Adjust
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Advanced Video Adjust is a new feature which optimizes video
signals according to the connected display type, such as plasma
display panel, LCD, or projector. Additionally, it automatically
adjusts the picture image for the distance of your viewing
position, based on MCACC measurement data.
* Function not available for component/composite analog connection.
Video optimization only available for HDMI connection.
Highly-Precise I/P Conversion
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Merely having a high-grade video processor does not guarantee
a quality picture — a fine-tuned setup makes the difference.
Pioneer engineers have performed rigorous testing to achieve
an optimum image from almost any content. This highly-precise
conversion is effective for HD as well as SD sources.
PureCinema I/P Conversion
For film content, PureCinema I/P Conversion faithfully reproduces
the original material.
Motion Adaptive I/P Conversion
For video content, Motion Adaptive I/P Conversion processes
moving images by eliminating conversion errors or noise
generation, to deliver high-quality pictures.
Conventional I/P Conversion Motion Adaptive I/P Conversion
Motion Adaptive I/P Conversion
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13
Video Technologies ELITE AV RECEIVERS REFERENCE GUIDE
Block NoiseGaussian Noise
Triple HD Video Noise Reductions
Mosquito Noise
Mosaic-Like ArtifactsGrainy Image Hazy Edge
Clear ImageClear Image
Clear Image
Triple HD Video Noise Reduction
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The AV receivers feature three separate noise
reduction circuits for enhanced video
performance.
- Component Frame Noise Reduction (YNR/
CNR): reduces Gaussian noise without
blurring the picture
- Block Noise Reduction: reduces block noise found in flat areas
- Mosquito Noise Reduction: reduces noise along the outline
of images
The Pioneer-exclusive advanced PureCinema I/P Converter also
helps to remove distracting lines during playback.
Deep Color
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Pioneer AV receivers support 36-bit Deep Color, featuring
smooth gradation steps with more accurate precision of
brightness and color information, resulting in superbly detailed,
natural color.
“x.v.Color”
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Pioneer AV receivers support ”x.v.Color”,
which almost doubles the range of colors
(known as the “gamut”) that can be
accurately captured, and reproduced on a compatible display,
thereby more closely matching the natural characteristics of the
human eye.
* ”x.v.Color” only av ailable f or playb ack of di scs re corde d with AVCHD d evices .
”x.v.Color” and the “ x.v.Color” logo are trademarks of Sony Corporation.
24-bit (8-bit x 3)
256 steps 4,096 steps
36-bit (12-bit x 3)
* For illustration purpose only
24-bit 16 million colors
Smoother Images
36-bit 68,719 million colors
36-bit Deep Color Image
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14
Audio Formats & Licenses ELITE AV RECEIVERS REFERENCE GUIDE
Dolby Atmos® Upgradable
89 87 85
Dolby Atmos is a unique new technology for enjoying the latest
surround sound. In a movie theater, overhead speakers are
placed, with a multi-layer approach to the sound design. On top
of the conventional channel-based soundtrack, object-oriented
mixing is used to layer dynamic sound elements, so regardless
of the theater’s speaker setup, independent sound elements can
move around freely in a three-dimensional space. Compared to
Dolby Digital with discrete channels, Dolby Atmos offers
seamless surround sound movement with up to 64 separate
speaker output and a sense of height created by the overhead
speakers. The sound is completely in sync with the screen view,
providing total immersion with unprecedented sound
localization and movement.
This theater sound experience can be reproduced in your home
with Pioneer’s Dolby Atmos upgradable* AV receiver, which not
only decodes Dolby Atmos, but also features three new speaker
configuration modes using overhead speakers—5.2.4-ch with
top forward/top backward (9.2-ch), 7.2.2-ch system with top
middle/front wide (9.2-ch), and 7.2.2-ch with top middle/front
height (9.2-ch). With 7.2.2-ch top middle/front wide and top
middle/front height, the top middle speaker is used for Dolby
Atmos content, and switches to front wide or front height when
playing other content.
What’s more, with the latest MCACC Pro room calibration
technology, the AV receiver not only adjusts the speaker
distance, level, and tones, but also the phase differences for
precise sound delivery. You can fully appreciate the object effects
of Dolby Atmos with more clear and accurately positioned
theater sound.
* Firmware update required. Firmware update available by end of 2014.
Dolby TrueHD
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Dolby TrueHD delivers sound that is on par with
the original soundtrack, letting you experience
the world of true high-definition entertainment from Blu-ray
Discs. With lossless encoding in up to 18 Mbps bit rate, Dolby
TrueHD creates a synergy with high-definition video to offer you
a home theater experience like never before.
Dolby TrueHD Loudness Management
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Loudness Management frees you from annoying volume
fluctuations that often occur when switching channels,
programs, or input sources, by maintaining a consistent
loudness-level. The function turns on/off during content
playback, activating or deactivating post processing within the
decoder. When the function is turned off, audio is delivered in a
lossless mode.
DTS-HD Master Audio™
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With DTS-HD Master Audio, you
can enjoy sound that is bit-for-bit
identical to the studio master.
DTS-HD Master Audio delivers
audio at extremely high variable bit rates of 24.5 Mbps, which far
exceeds standard DVDs. DTS-HD Master Audio offers movies and
music in the pure, original state as intended by the artists.
Speaker Layout of a Dolby Atmos Theater
Speaker Layout Example of a Dolby Atmos Home Theater (5.2.4ch)
High Definition Audio Formats
DTS-HD Master Audio and Dolby TrueHD provide sound that is bitby-bit identical to the studio master, delivering sound at extremely
high variable bit rates far exceeding standard DVDs.
Comparison of High Definition Audio Formats
Compressed
Lossless Lossy
Dolby TrueHD Dolby Digital Plus Linear PCM
DTS-HD
Master Audio
DTS-HD
High Resolution Audio
Uncompressed 48 kHz/
16-bit audio format
similar to CD, but with
higher sampling
frequencies and
quantization. No
decoding required.
Uncompressed
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