Olympus iS-3 DLX User Manual

INSTRUCTIONS

Before using your IS-3DLX, read this manual carefully to ensure correct use. We recommend that you take test shots to get accustomed to your IS-3DLX b efore taking important photographs.

Thank you for purchasing the Olympus IS-3DLX.

MAIN

FEATURES

Built-in 35mm ~ 180mm approx. 5X zoom lens for increased shooting range. Powerful built-in, dual-element intelligent flash system rated at GN 28 (ISO100·m)/GN 92 (ISO100·ft), for telephoto and GN 20 (ISO100·m)/GN 66 (ISO100·ft), for wide angle, corresponding to distant subjects and zoom shooting with high magnification and assuring beautiful pictures.

ED (extraordinary dispersion) glass is used in the lens, achieving crisp, clear images with high contrast.

The standard shooting mode lets anyone take beautiful pictures easily. Panorama photographs are possible when the optional panorama adapter is attached.

Other various easy-to-use functions include versatile flash, subject, drive, and exposure

modes and more.

Optional remote control for Bulb shooting, etc. Date imprinting function.

Symbols used in this manual :

Incorrect

Indicator on

Manual

operation

Indicator

blinking

Operation

order

Attention

Automatic

operation

Depress

halfway

PREPARATIONS

BASIC OPERATIONS

ADDITIONAL FUNCTIONS

TAKING BETTER

PICTURES

CAMERA MAINTENANCE

Names and functions of parts ......... 4

Viewfinder display/LCD panel ......... 6

Attaching the strap

Outline of operations ................ 8

Loading the film ...................................................................................................... 15

Taking pictures

Unloading the film ..................................................................................... 21

Using

the

Flash photography .................... 23

Selftimer ...........................30

Macr o photography .................... 3 2

Using the exposure modes ............ 34

Flash photography in the manual

exposure mode ............................ 45

Exposure compensation..................... 46

Flash .................................... 63

Electronic flash G40 (optional) ......... 65

Effects of zoom and its advantages .. 68

Autofocus (AF) .................................. 70

Exposure ....................................... 72

Metering the amount of light ............. 74

Care and storage ...........................................................................

Battery handling ...............................................................................................

Troubleshooting ....................................................................................... 81

Questions and answers .................................................................................... 84

Specifications .............................................................................................. 85

........................

............................................................................. 18

focus lock

................

Loading the batteries ......................10

Checking the batteries ................ 1 1

Points to remember .................... 12

Reset operation ............................. 14

Using the drive modes .................... 47

Power focus .......................................... 52

Spot metering ................................. 53

Zoom exposure ............................ 54

Autofocus beep ................................... 55

Remote control (optional) ............... 56

Printing the date and time ................. 61

Correc ting th e data ...................... 62

Exposure compensation.................. 75

Film speed............................................... 75

Macr o photography............................... 76

Panorama photography..................... 77

Accessories (optional)........................... 78

NAMES AN D FUNCTIONS O F PARTS

Remote control sensor

(rear)

Hot shoe cover

Shutter release button

Shift dial

Selects the flash, exposure and drive modes. (The same

operation can also be

performed with the shift

buttons in the rear.)

Selects the shutter speed.

Remote control sensor

PREPARATIONS

(front) AF

illuminator

Also blinks when the selftimer

is activated.

Power ON/OFF switch

Selftimer/remote

control button

Flash

Flash release (See p. 23.)

Strap attachment stud

Zoom (T/W) buttons

(See

Become the focus buttons

18.)

in the PF mode.

PF button

Macro button

Viewfinder (See

p. 6.)

Exposure mode button +/- button

Drive mode button Flash mode button

Date MODE, SET and

ADJUST buttons Battery compartment

cover

Spot button

(See

Film window

For confirmation of

film ISO speed

Back cover

release

Mid-roll rewind

button

Tripod socket

Shift buttons

Select the flash, exposure and drive modes.

(The same operation can also be performed

using the shift dial in the front) Select the aperture setting.

53.)

VIEWFINDER DISPLAY/LCD PANEL

VIEWFINDER DISPLAY

Spot frame Autofocus frame

Flash

Panorama marks*

*Optional

IS/L

required

PANORAMA

ADAPTER

LCD PANEL

Exposure modes:

Program auto-exposure/

ESP

light

metering

Aperture-preferred

auto-exposure

Shutter-speed-preferred

auto-exposure

Manual exposure

Sports Portrait

Landscape

Night scene

Drive modes:

Single-frame advance

Continuous-frame advance

Double exposure

Autofocus

Macro

Shutter speed

Aperture setting

Spot metering

Exposure compensation/

Manual exposure

Battery check Shutter speed

Aperture setting

Flash modes:

Auto flash

Auto-S flash

Fill-in flash

Exposure compensation

Exposure counter/Exposure

compensation level

Spot metering

Power focus (autofocus

override)

•Macro

Selftimer/Remote control

ATTACHING THE STRAP

OUTLINE OF OPERATIONS

Basic Shooting Procedures

Load the batteries (p. 10).

Press the zoom buttons to

determine the composition

(p.

18).

Open the back cover (p. 15).

Place the autofocus frame on

the subject you want to focu s on

(p.

19).

Load the film (p. 15).

Depress the shutter release button halfway, making sure the

autofocus indicator in the

viewfinder lights and the

autofocus beep is heard (p. 20).

Close the back cover (p . 17).

Turn the power switch ON (p. 17).

Make sure the exposure counter

on the LCD panel r ead s " "

(p.

17).

Depress the shutter release

button fully to take a picture (p. 20).

When the film reaches the end, it will automatically rewind (p. 21).

Open the back cover to remove

the rewound film (p. 21).

LOADING THE BATTERIES

Use two 3V lithium batteries (CR123A or DL123A).

Turn th e lock screw on the

bottom of the camera counterclockwise to open the battery cover.

The types of batteries that can be used are also shown inside the battery cover. When replacing the batteries, make sure to turn the power switch O F F

before unloading the batteries.

Insert the batteries a s shown and replace the cover, turning the lock screw clockwise.

Read "Battery Handling" on page 80.

CHECKING THE BATTERIES

Turn the

power switch

ON.

Press t he exposure

mode and +/-

buttons simultane-

ously to check the

batteries.

Blinks

Lights

Batteries are OK. The mark disappears

when the finger is released fr om the

button.

Batteries are

low.

Have spares handy.

Batteries should be replaced

immediately.

POINTS TO REMEMBER

Hold the Camera Correctly.

Correct.

Note: As the focal length becomes larger, shaking the

camera becomes more noticeable. Hold the camera firmly with both hands while keeping elbows at sides to prevent the camera from shaking.

Correct.

Incorrect.

Caution: Keep your fingers away

from the lens, AF

illuminator and flash.

Proper Shutter Release.

Keep the shutter release button depressed halfway.

Practice before loading the film.

Depress the shutter release button fully.

Cautions:

Press the shutter release

button gently.

Avoid shaking the

camera when pressing

the shutter release button

to prevent blurry pictures.

To lock th e focus.

Make sure

The image is clear, the

autofocus beep is heard,

and the autofocus indicator

lights in the viewfinder.

To release the shutter and take the picture.

Note: When the autofocus indicator doesn't light, the

shutter won't release.

(See

70.)

RESET OPERATION

Reset operation restores the standard shooting mode, for worry-free photography that anyone can perform. Also use this mode when you don't know what operation to perform.

Press the exposure mode and

Standard Shooting Mode

+/- buttons simultaneously.

Exposure mode: Program Auto (P)

Drive mode: Single (S)* Light metering mode: ESP

Flash

mode:

Exposure compensation: ±0

Focusing:

Autofocus beep: On

The camera will return to the standard shooting mode, and other set modes will be canceled.

* This mode won't be restored by performing

the reset operation once the Double Exposure mode is activated and the first

shot is taken. (See p. 50.)

AUTO

AUTO-S

LOADING THE FILM

Slide the back cover

release upward to open

the back cover.

Shutter curtains

Pu sh in the film cartridge

until it clicks.

Note: Use DX-coded film. Caution: Do not touch the shutter curtain, and do not press it with the

edge of film.

BASIC OPERATIONS

Pass

the

edge

of the

film under the film guide, and align the film leader with the film loading indicator.

Film loading indicator

Note: Make sure the film is lying flat. If not , push the cartridge down.

Film guide

Close the back cover.

The film automatically advances to the first frame.

Turn the power switch

ON.

Make sure

The exposure counter on the LC D panel reads .

Note: If blinks in the exposure

counter, reload the film.

TAKING PICTURES

Follow the procedure here to cover ordinary photography.

Remove the lens cap,

and turn the power

switch ON.

Make sure

LCD panel lights.

Note: If no operation is made for approx. 30 seconds, the LCD panel goes out and will come on again when the operation is resumed.

The lens advances, and the

While looking through the

viewfinder, press the zoom

button to determine the

composition.

There are two zoom speeds. Press the

zoom button halfway for slow zooming and fully for fast zooming.

How to Us e t he Zoom Buttons

Telephoto: Press th e button to zoom in.

Max. telephoto focal

length: 180mm

Wide-angle: Press the button to zoom out.

Max. wide-angle focal

length: 35 mm

Position the autofocus

frame on your subject.

Autofocus frame

Working distance 1 2 m (3 9 ft) ~

Depress th e shutter

release button halfway.

Depress the shutter release button fully to take th e picture.

Make sure

autofocus indicator lights when the subject is in focus.

It will blink if the subject is difficult for the autofocus to

lock on, and when the subject is too close. Note: When the au t o fo c u s i n dicator blinks, the shutter

won't release. (See p. 70.)

The autofocus beep is heard and the

The shutter releases and the film automatically advances to th e next

frame.

UNLOADING THE FILM

The camera automatically rewinds the film when you

reach the end of a roll.

Make sure the motor has stopped and the E is blinking on the LCD panel, before opening the back cover and removing th e film.

Rewinding the film before

the end of the roll

If the power is turned O FF while rewinding, operations will stop. Rewind mode, however, is not canceled. Rewinding will continue when the power switch is turned ON again. The final number of exposures may sometimes exceed the number of exposures specified on the film.

After confirming that the power is ON, press the mid-roll rewind button with the

tip of a ballpoint p en , or the like. Do not

use an instrument with a sharp tip.

When the ma in subject i s not in the center of the Autofocus

frame, us e the focus lock.

Position the autofocus frame on your subject and press the shutter release button halfway.

ADDITIONAL FUNCTIONS

USING THE FOCUS LOCK

Reposition your subjects in t he

pic t u r e frame while keeping

the shutter release button depressed halfway. Then press the shutter release button fully.

Make sure

The autofocus beep is heard, and the autofocus indicator lights in the viewfinder.

Autofocus frame

Note:

When the focus is locked, the

exposure is also locked (AE lock).

FLASH PHOTOGRAPHY

This

camera according to the shooting conditions. There are also various flash modes that can be selected to match your needs.

Flash Modes

has two

flash

tubes

that

are

automatically

selected

and

How to Select the Flash Mode

fired

Mode

Note: See p. 45 f or flash photography in the Manual

Exposure mode.

Function

Automatically fires in low-light conditions.

(p. 26)

Significantly reduces

the phenomenon of

"red-eye" (when a subject's

eyes appear red). (p. 28)

Fires regardless of available light. (p. 29)

Slide the flash release to

flip up the flash.

Press

the

flash

The available modes appear, and

blinks on the left of the mode currently engaged.

button.

While pressing the flash button, select the mode using

the shift buttons or shift dial,

Release the flash button to engage the

mode.

Make sure

the selected flash mode.

is blinking on the left of

Make sure

engaged flash mode remains on the

LCD panel.

disappears, and the

Auto Flash

AUTO

The flash fires automatically when there is insufficient light.

When blinks in the

viewfinder, the flash

should be used. Slide

the flash release.

When the flash i s flipped up, the camera

will start recharging the

flash.

Make sure

the flash is recharged, in the viewfinder will light.

Note: The flash won't fire until

recharging is finished.

AUTO lights on the LCD panel. When

Press the shutter release button.

Auto Flash Range*

(with color negative film)

Focal length

ISO 100 ISO 200

ISO 400

* The Aut o Flash m o d e can be combined with the Macro mode.

Note: The shutter speed is automatically set at 1/100-sec. when the flash fi r e s . If the subject requires a faster shutter speed, the flash won't fire.

35mm

6.3 m

(20.7

8.9 m

(29.2

12.6m (41.

ft) ft)

3 ft)

180mm

7 m (23 ft)

9.8m (32.2ft) 14 m

(45.9

ft)

Red-Eye Reducing Flash

Approximately 20 pre-flashes are emitted before the main flash fires,

significantly reducing the phenomenon of "red-eye" (when a subject's eyes

appear

Notes:

red).

This

mode

is the

same

Auto

Flash

except

Flip up the flash, and

select the Auto-S mode.

The pre-flashes are not emitted in the Sports mode.

After pressing the shutter release button, hold the camera securely until the shutter has been released. To cancel the Auto-S mode, select another mode following the procedure on page 23.

Press the shutter releas e button.

for the

AUTO-S

pre-flashes.

Forced Activation

In this mode, the flash always fires. Even in backlighting, bo t h the subject and background can be shot clearly. And portraits loo k lively by reflecting light into the subject's eyes.

FILL-IN

Make sure the exposure

mode is set to P

(program).

In exposure modes

other than Program, t he

FILL-IN Flash m ode

cannot be engaged.

Flip up the flash, and

select th e FILL-IN Flash

mode. Press the shutter

release button.

Note: The shutter

speed is automatically

set at 1/100-sec.

SELFTIMER

Press the selftimer/

remote control button.

is displayed on the

LCD

panel.

Note: When th e selftimer/remote control

button is pressed again, will start blinking, but the selftimer will operate in the same manner as when lights.

Position the autofocus frame

on the subject. Press the

shutter release button half-

way to focus on the subject.

The focus and exposure will

be locked.

Important: Do not press the shutter release button while standing in front of the camera as this may cause out-of-focus pictures.

Press the shutter

release button fully to

activate the selftimer.

The shutter will be released

12 seconds later.

Make sure

the operation.

The viewfinder display disappears and th e AF illuminator blinks during

Notes:

Use a tripod, etc., to hold the camera steady.

The selftimer w ill be automatically

canceled after the shot.

To cancel the selftimer in the middle of

operation, press the selftimer button

again.

Important: To prevent backlight from entering through the viewfinder, do not move your eye from the viewfinder when you press the shutter release button.

MACRO PHOTOGRAPHY

Close-up photography is possible at working distance of 0.6 m (2 ft) to , between focal

lengths of 35 mm and 120 mm.

Press

the

macro

button.

Note: When the lens is at a setting greater than 120 mm, it will be withdrawn to 120 mm automatically.

Make sure

viewfinder and on the LCD panel.

appears both in the

Press the zoom buttons to determine the

composition.

Note: To cancel the Macro mode, press

the macro button again.

USING THE EXPOSURE MODES

There are seven exposure modes: four with preset settings

for easy shooting in various common situations, and three allowing yo u to select your own settings.

Exposure Modes

Program Auto (ESP metering)

Standard exposure mode for ordinary shooting.

MODE

The modes are accessed in the order

shown

For creative expressions making good use of

your experience:

Aperture-Preferred Auto (center-weighted average metering) (P. 41) The aperture is set manually, and the camera automatically controls the correct shutter speed. Shutter-Preferred Auto (center-weighted average

metering) (P. 42)

The shutter speed is set manually, and the camera automatically controls the correct aperture. Manual Exposure (center-weighted average metering) (P. 43) Both the aperture and shutter speed are set manually.

For easy, effective shooting in various

common situations:

Sports (P. 36)

Fo r fast-moving subjects.

Portrait (P. 37) For pictures with blurred backgrounds for "portrait" effect. Landscape (P. 38) For pictures with extended in-focus backgrounds.

Night Scene (P. 3 9 )

For night scenes or night scenes with subjects in

the foreground.

How to Select the Exposure Mode

While pressing the

mode button, select the

mode using the shift

buttons or shift dial.

Release the mode button to engage the

mode.

Make sure

blinks to show the selected e x po su re

mode.

Make sure

The engaged exposure mode lights.

SPORTS

To shoot fast-moving subjects.

In this mode, the camera automatically selects both a faster shutter speed and the Continuous Shooting mode. T his results in increased clarity, and lets you capture fast moving photo opportunities you might otherwise miss.

Select the Sports mode to display on th e LCD panel.

Notes:

In the Sports mode, for faster flash response, Auto-S pre-flashes will not be emitted.

The camera exposes a maximum of t wo frames per second.

As long as the shutter release

button is pressed, the shutter

will release continuously.

PORTRAIT

To take pictures with blurred backgrounds for a "portrait" effect.

Portrait

mode

lets

you

take

beautiful

portrait photographs.

This

especially effective when the lens is at the telephoto setting.

Select the Portrait

mode to display on

the LCD panel.

Note: The aperture is wide open.

Press t he shutter release button.

LANDSCAPE

To take pictures with extended in-focus backgrounds.

When shooting landscapes or landscapes with subjects in the foreground, both the nearest and farthest objects are sharply in focus.

Select the Landscape

mode to display on

the LCD panel.

Note: Set the lens at wide angle f or

optimal results.

Press the shutter

release button.

NIGHT SCENE

To shoot night scenes or night scenes with subjects in the foreground.

In this mode, the camera automatically selects the ideal exposure compensation for shooting

night scenes free of subjects, and for shooting night scenes with subjects in the foreground.

Shooting Night Scenes Free of Subjects

Select the Night Scene mode to display on

the LCD panel.

Press th e shutter release

button.

Shooting Night Scenes with Subjects in the Foreground (Slow-Synchro)

Engage the Night Scene mode.

the shutter release button.

Flip

up the

flash.

Press

With Auto Flash

Both the subject and background will be

perfectly exposed.

Note: Since a slow shutter speed is automatically selected in low-light situations, the use of a tripod is recommended to prevent blurred pictures caused by shaking the camera.

Shutter speeds in the Night Scene mode: Wide-angle: 3 sec. max. Telephoto: 4 sec. max. (With negative color film, ISO 100)

In the Aut o Flash mode, only t he subject

in the foreground can be shot.

APERTURE-PREFERRED

AUTO

The background blur can be controlled by adjusting the aperture setting. The shutter speed will be selected automatically.

Enter the Aperture-Preferred

Auto mode. Press the sh ift

buttons to adjust the aperture setting.

Larger

Note: If the shutter speed indicator blinks,

adjust the aperture until the shutter speed

lights steadily.

aperture

Smaller aperture

Larger aperture settings will often give a blurred background, and smaller aperture settings will give

a sharper background

F5.6

F22

SHUTTER-PREFERRED

AUTO

Subjects in motion can be captured by adjusting the shutter speed. The aperture will be controlled automatically.

Enter th e Shutter-Preferred S

Aut o mode. Turn the shift dial to adjust the shutter speed.

Slower shutter

speed

1/60-sec.

Faster shutter

speed

Note: If the aperture indicator blinks,

adjust the shutter speed until the aperture

indicator lights steadily.

1/500-sec.

When the shutter speed is set slower, fast-moving

subjects will be blurred, showing motion. Whe n it ' s

set faster, fast-moving subjects will be frozen in stop-motion.

the

shift

button

MANUAL EXPOSURE

Both the shutter speed and aperture can be set as desired

to reflect your photographic intentions.

Select the Manual

Exposure mode to

display M on the LCD

Press

adjust the aperture.

panel.

Note: Exposure compensation cannot be pe rformed in the Manual Exposure mode.

Turn the shift dial to

adjust the shutter

speed.

The exposure level will be displayed on the

LCD panel and in the

viewfinder.

Blinks: Overexposed

Lights: Slightly overexposed

Lights: Correctly exposed

Lights: Slightly underexposed

Blinks: Underexposed

FLASH PHOTOGRAPHY IN THE MANUAL EXPOSURE MODE

Flip up the flash,

and set the shutter speed to 1/100sec, or slower.

Set the aperture setting according to

the camera-to-subject distance in the

table below,

Aperture setting (color negative film)

Zoom Macro

Distance

ISO 50 ISO 100 ISO 200 ISO 400

Calculation formula for ISO 100: Aperture setting = GN20 ÷ Distance (m)

0.6 ~

0.8m

2.0 ~

2.6ft F22

0.8 ~

1 ~

1.2m

2.6 ~

3.3 ~

3.3ft

3.9ft

F16

F13

F22

F19

Aperture setting = (GN66 ÷ Distance (ft)

1.2 ~

1.5m

3.9 ~

4.9ft

F11 F16

F22

Standard

1.5 ~

4.9 ~

6.6ft F8

F11

F16

F22

2 ~

2.5m

6.6 ~

8.2ft F6.7 F9.5 F13 F19

2.5 ~

3.2m

8.2 ~

10.5ft

F5.6

F6.7 F9.5 F13

3.2 ~

10.5 ~

13.1ft _

F5.6 F8 F11

EXPOSURE COMPENSATION

The exposure compensation levels can

be set up to ±4EV in 1/3EV steps.

While pressing the +/button, set the desired

compensation level using

the shift buttons or shift dial.

+2EV

±0EV

Make sure

the viewfinder and on the LCD panel.

Note: Wh ile pressing the +/- button, the

exposure counter changes to the compensation level display .

The exposure level is displayed in

-2EV

USING THE DRIVE MODES

DRIVE

There are two film-advance modes in addition to the

standard single-frame advance mode.

Drive Modes

Display

Single

Standard single-frame advance mode

Continuous Shooting

The camera releases the shutter continuously while keeping moving subjects in focus and

correctl y exposed. (p. 49)

Double Exposure

You can combine two images on a single frame. (p. 50)

Function

Selecting the Drive Mode

Press

the

drive

The available modes appear, and

blinks on the left of the mode currently

engaged.

button.

While pressing the drive

button, select the mode using th e shift buttons or shift dial.

Release the drive button

to engage the mode.

Make sure

is blinking on the left of the selected

drive mode.

Make sure

disappears, and the engaged drive

mode remains on the LCD panel.

CONTINUOUS SHOOTING

CONT.

The camera releases the shutter continuously while keeping

moving subjects in focus and correctly exposed.

Select the Continuous Shooting mode to display

LCD

Notes:

The camera exposes a maximum of approximately 2 frames per second. When used in combination with the flash, the flash may not fire after the second frame. The exposure will be adjusted automatically instead. The autofocus beep will not function even when the subject is in focus.

CONT.

panel.

on the

While the shutter release button is fully pressed,

the shutter re leases

continuously.

DOUBLE EXPOSURE

D.EXP.

You c an expose two images on a single frame.

Select the Double

Exposure mode to

display

LCD

D.EXP.

panel.

on the

Press t h e shutter release button fully to take the

first exposure.

Make sure

D.EXP.

The film wil l not be advanced.

on the LCD

panel

will

blink.

Take the second exposure.

The film will advance, and

the Double Exposure

mode will be canceled.

Note: The Double Exposure mode

cannot be canceled after the first shot

(See

14).

Power Focus

When the di stance at which you want to shoot is predetermined, you

can set th e focus in advance and wait until the photo opportunity comes. Manual focusing is possible in this mode, so PF can also be used

when autofocusing is difficult (see P. 70).

When you want to wait until the photo opportunity comes, focus on the subject first by using autofocus. Then press the PF button.

After making sure is blinking on the LCD

panel, press the shutter release button when the photo opportunity comes.

Note: Manual focusing is possible using the

zoom buttons, but zooming cannot be

performed in the PF mode. To cancel the PF

mode, press the PF button again.

Note: There are two PF speeds, available for

manual focusing, functioning in the same

manner as the zoom.

SPOT METERING

In this mode, the camera limits light metering to a particular area, such

as a subject's face, and sets the correct exposure.

Position the subject for

spot metering within the spot frame, and press

the

SPOT

button.

Make sure

displayed on the LCD

panel and in the view/finder, and the

exposure is locked.

will be

Recompose the shot,

then press the shutter

release button to take

the picture.

Notes:

When the flash is f lipp ed up, or the Night Scene mode is engaged, the camera does not perform

spot metering.

After the shot, the Spot Metering mode is

canceled. To cancel the mode without taking a

shot, press the SPOT button again.

ZOOM EXPOSURE

Using this mode, the film i s exposed while zooming, resulting in intriguing

"streaked" images.

Select the Night Scene mode to

display on the LCD panel,

Se t t he focal length where you

want to start zooming.

Notes:

This exposure method is most effective when the

focal length is set at either the maximum (180 mm)

or the minimum ( 3 5 mm) setting.

Use the flash when photographing a person.

Whil e pressing the shutter release

button halfway to keep the

subject in focus, press either W or

T on the zoom buttons.

Note: The lens will not move until th e shutter release button is fully pressed.

AUTOFOCUS BEEP

When no t required, the beep can be overridden.

While keeping the zoom

button depressed, press the shutter release button fully to take the picture.

Note: If t he shutter speed is faster than

1/3-sec., zoom exposure will

automatically be canceled, and the

camera will operate in the standard

Night Scene mode.

Press the drive and flash buttons

simultaneously to override the

beep. To reactivate it, press the

buttons again.

When overriding or reactivating the

beep, a confirmation beep is heard.

Note: When the power is switched off and on again, the beep will be functioning.

REMOTE CONTROL

The optional RC-100 Remote Control is required.

(OPTIONAL)

Press the selftimer/remote

control button to engage the

Position the autofocus frame

on the subject.

Remote Control mode.

Press Once

Twice Thrice

Display

Lights Blinks

Goes out

Shutter will be: Released 3 sec. later

Released right away Canceled

Note: When there is no subject in the position

you want to focus on, first focus on an object

at the same distance as the desired position.

Then enter the PF mode, and recompose the

frame. (See page 52.)

Aim the remote control at the camera from within the range shown in the illustrations below, and press the button. The shutter will be released after the autofocus be ep is heard and the AF illuminator blinks.

When releasing the shutter from in front of the

camera:

When releasing the shutter from behind the

camera:

Notes:

Use selftimer outside this range.

When the IS/L B-28 H.Q. CONVERTER 0.8X is

mounted, the remote control may not work even within the above range because the signal

transmission is blocked by the converter.

Important: After the shot(s), be sure to press the selftimer/remote control button again t o cancel the

Remote Control mode.

Notes:

Use the remote control from behind the camera to prevent

the camera from shaking by pressing the shutter release

button when in macro photography or when the tele-

converter is mounted.

When using the remote control from behind the camera,

aim at the remote control sensor on the top of the grip.

Viewfinder Cap

Use the provided viewfinder

cap t o prevent light from

entering the viewfinder.

Notes on the Remote Control:

The remote control may not work when there is backlighting and when

autofocusing is difficult (see p. 70).

Continuous shooting cannot be performed when the remot e control is used.

The shutter will not release using the remote control when the remote control's battery is exhausted.

The battery of the remote control cannot be replaced. The service life is

approx. 5 years (variable with operating

conditions and environments).

CAUTIONS:

Keep the remote control out of the

reach of children. I n case it is

Notes:

Place the viewfinder cap securely on the

viewfinder.

When the viewfinder cap is not used, the

camera may not set the cor rect exposure or

may not focus on the subject.

swallowed, immediately consult a

physician.

Keep the remote control away from fire

and extreme heat. Never try to

disassemble it.

Bulb

Select the Manual Exposure

mode to display M on the

LCD panel, and set the

shutter speed to

Press the button o n the remote control.

The shutter will open. Note: The selftimer/remote control

display remains on the LCD panel as long as the shutter is open.

Press

the

button

remote control again.

The shutter will clo se.

Note: The shutter automatically closes

when the camera's batteries are

exhausted.

on the

PRINTING THE DATE AND TIME

There are five printing modes as shown below. Choose the

desired

Month mark

Print mark

mode

Blinks for 3 seconds after

the exposure to confirm

that the data is imprinted.

with

the

DATE

As the DATE MODE

MODE

button is pressed, the

mo d e w i ll s wi t ch in t h e

order shown below.

Year-month-day

Day-hour-minute No data

Month-day-year Day-Month-year

button.

DATE MODE button:

Switch es the mode.

DATE SET button:

Chooses the data to be

changed.

DATE ADJUST button:

Changes the data.

The data will be imprinted when the shutter is released.

Press

the

DATE

MODE

CORRECTING THE DATA

button

select

the

mode

to be

corrected.

Choose the data to be

changed

SET

with

Make sure Make sure

Note: For fine-tuning of the built-in clock to the beginning of a specified minute, press the DATE

ADJUST button when " : " is blinking.

pressing

button.

the

The data t o be corrected i s blinking.

Change

DATE

ADJUST

the

DATA

the

data

button.

After setting the data,

press the DATE MODE

button again.

The print mark is displayed.

FLASH

Flash Strength

The flash on the IS-3DLX employs a new exposure control system that combines the advantages of

both "flashmatic," used in compact cameras, and "auto flash," found in SLR cameras. Flashmatic emits a full-strength flash while automatically adjusting the aperture for proper exposure. This

system is effective in most cases. However, subjects

at extremely close range tend t o be overexposed, and the background too dark, because the narrowest aperture setting has been selected. Auto flash varies the amount of light emitted by the flash,

and sets the exposure by measuring reflected light.

Depending on the background, however, the wrong exposure for the main subject can be selected. For example, with a white background, the subject may appear too dark due to the level of reflected light received through the lens. The reverse is true for a

dark background.

The IS-3DLX adjusts both the aperture and flash strength to give you perfect exposure every time, taking into account the effect of the background light and the distance to the subject.

Dual-Strobe Intelligent Flash

The flash of the IS-3DLX is distinguished by two emission tubes. One of the most impor tant functions

of a flash is to distribute light evenly throughout the

frame. When a zoom lens is used, the area that can

be lit by a single flash is determined by the wideangle focal length. When telephoto is used, the light

is wasted because the light is spread over a wide area. If this wasted light is concentrated on the picture area, however, the working distance of the flash wil l be increased. Solving this problem is crucial to effective telephoto-flash photography.

The zoom flash system found in some cameras is one solution to this problem. Wit h this system, the distance between the xenon tube — which is the emission source of the flash — and the reflective material behind it is varied according to the focal length of the lens. When telephoto is used, the light from the flash is condensed more intensely. (The

distance between the xenon tube and tne

condenser lens can be varied for the same result.)

So why does the IS-3DLX incorporate the dualstrobe system? Because the dual-strobe system can utilize the light more effectively while achieving more uniform lighting than the zoom flash system is capable of. The zo o m flash system also cannot alter the actual shapes of the reflector and the condenser lens. In practice, these two factors greatly affect th e even distribution and condensing intensity of light

from the flash. The zoom flash sa crifices the effective use of the light's intensity for even distribution. To achieve both optimal condensing intensity and even distribution, Olympus developed the dual-strobe flash system with two sets of tubes

and a re f l e c t i ve backing that are ideal for b o t h wide-

angle and tel e photo photography. This makes a

powerful, versatile flash with GN 28(130 100·m)/ GN 92 (ISO 100·ft)possible.

TAKING BETTER PICTURES

The lower tube is designed for telephoto

photography and offers GN 28 ~ 1.4 (ISO 100 ·m) /

GN 92 ~ 4.2 (ISO 100 ·ft). The upper tube is an

intelligent variable-power flash of fe ri ng GN20-1.4 (IS0100· m)/GN 66 ~ 4.2(ISO 100·ft). When the camera-to-subject distance is less than 1.2 m in the Macro mode, the upper flash will automatically fire to prevent the flash light from being obstructed by

the tip of the lens. The flash is also capable of

emitting minimal intensity for ideal macro photography.

Auto-S Flash

The Auto-S Flash mode includes a series of preflashes that reduces the phenomenon of red-eye, in addition to the same functions as the Auto Flash mode which prevent camera-shake and insufficient lighting by automatically firing in dimly lit and dark conditions when the flash is flipped up . The phenomenon of red-eye is when subject's eyes appear red in printed photographs. In this mode, the camera will start emitting approximately 20 lowpower pre-flashes about a second before the

regular flash.

This contracts pupils, which are wide open in the dark, significantly reducing red-eye. The pre-flashes do not decrease the power of the main flash. The red-eye reducing effect varies according to shooting

conditions.

Fill-in Flash

Fill-in refers to the auxiliary light that "fills in" areas of the subject shadowed by the main light source.

Even w h e n t h e subject is backlit, the IS-3DLX can shoot it at the correct exposure using ESP metering or spot metering. However, this may wash out the

background. This happens because the difference

in brightness between that of the subject and the

background is too great . When the Fill-in Flash is used in such a case, the subject is lit brightly by the flash. This minimizes the difference in brightness between the subject and the background, allowing

both to be shot clearly. This light is also reflected from the subject's eyes (catch light effect), making

the picture lively.

In this mode, th e flash fires no matter what li ght is available as long as the flash is flipped up. (Flash emission in well-lit conditions is called daylight synchro.)

Electronic Flash G4 0 (Optional)

The G40 is a dedicated flash for the IS Series (GN 40, IS O 10Om/GN 132,ISO 100•ft).

Refer to these pages when the G40 is to be used in the Shutter-Preferred Auto mode.

When shooting in the Shutter-Preferred Auto mode:

Turn the power switch

ON , set th e camera's

exposure mode to S.

Make sure

The battery has been recharged.

Select 1/100-sec. or

slower shutter speed

using the shift dial.

Note: The G40 won't fire at shutter speeds

faster than 1/100-sec.

Press t he shutter release button.

Note: When used together, the G40

fires full emission but the built-in flash is

compensated by -3EV.

Refer to the G40's manual for mor e instructions.

Advanced flash photography using th e G40

Multi Flash

Bounce (with simultaneous use of

the built-in flash)

Normal Slow-Synchro

(Curtain-1 Synchro)

Follow-Synchro

(Curtain-2 Synchro)

flash fires at the final point of slow-

Bounce photography uses indirect lighting of subjects by reflecting the flash off the ceiling or wall. With straight flash

photography a strong shadow

often appears behind the subject. By bouncing the flash, you can obtain soft, wellbalanced lighting of the entire

subject. You can also use the

built-in flash together with t he

G40 for additional affects.

Multi-flash emits the light several times in one exposure.

With this flash mode, continuous movement, such as a g olf swing,

can be photographed

sequentially in one frame. It's a

multiple exposure with flash.

With Follow-Synchro mode, the

synchro. For example, the taillights of a moving automobile can

be captured on film.

When the IS-3DLX is equipped

with the teleconverter lens (1.7X)

or the wide-converter (0.8X), the

built-in flash cannot be used. We recommend you use the G40 for

such cases.

EFFECTS OF ZOOM AND ITS ADVANTAGES

In a zoom lens, the focal length is changed by

moving part of the lens. In the case of the IS-3DLX,

any focal length between 35 mm and 180 mm can

be selected.

35 mm wide-angle

Because the angle of v i e w is wide and the depth of

field is large, sharp photographs with enhanced

perspective and contrast can be taken.

100 mm

With the lens zoomed to 100 mm, subjects appear

three times closer than when the lens is positioned

at 35 mm.

IS/L LENS B-28 H.Q. CONVERTER 0.8X

More than 100 mm

When the lens is set to the maximum focal length of

180 mm, magnification is approximately five times

greater than at 35 mm, for genuine telephoto

photography. As the telephoto power is increased, the perspective narrows and the depth of field

becomes more shallow. The result is that object s in front of and behind your subject are more likely to

be out of focus. This can be used to interesting

effec t on snapshots and portraits.

Maximum telephoto lengths are particularly useful

for taking pictures at sporting events and for nature

photography, wh en you w ant to get c loser to y our subject without disturbing it.

The five pictures below are samples taken using

the zoom lens. Notice the dimensions of the subject

as the camera zooms in.

Be sure to hold the camera firmly or u s e a tripod,

as pictures ten d to blur more easily at longer focal

lengths. Setting the shutter speed at 1 /250-sec. or

faster is recommended.

Angle of view and depth of field

Angle of view is directly related to the focal depth of field (the distance in front of and behind the subject

that the camera i s able to bring into focus). The

greater the angle of view (wide angle), the greater

the depth of field. When the angle of view is

narrow (telephoto), the depth of field decreases.

IS/L LENS B-300 H.Q. CONVERTER 1.7X

The use of a converter lens (optional)

It is possible to attach a converter lens for an even

wider angle of view, or for additional telephoto

power.

Instead of 35 mm, a wide-angle converter (0.8X) enables you to reduce the camera's focal length

to 28 mm.

Instead of 180 mm , a telephoto converter (17X)

enables you to increase the camera's focal length

to 300 mm.

AUTOFOCUS (A F )

Difficult Subjects for Autofocus to Lock Onto

Although the IS-3DLX's autofocus can lock on virtually any subject, there are certain conditions, such as ~ shown below, where it may not be possible to obtain the correct focus. In the situations shown below in ~ , autofocus ma y not lock on th e correct subject even though the autofocus indicator lights and the shutter releases.

Subjects with low contrast

Use the focus lock by first

focusing on something at the

same distance as the subject you

wish to take a picture of, and then

aim at the subject. Or use the power focus to manually focus on the subject.

Subjects that do not contain

vertical lines

Use the focus lock first while

holding the camera vertically. Then switch the camera to the horizontal position to take the

photograph. Or use th e power

focus to manually focus on the subject.

Subjects in excessively bright light

Use the focus lock by first

focusing on something at the

same distance as th e subject you wish to take a picture of, an d then aim at the subject. Or use the

power focus to manually focus on

the subject.

Two subjects at different

distances

Subjects with repetitive patterns

High-speed subjects at close

range

When the subject l ooks out-of-

focus although the auto fo cus

lamp lights, use the power focus

to manually focus on the subject.

When t he subject looks out-offocus although the autofocus lamp lights, use the power focus to manually focus on the subject.

Focus on another subject at the

desired camera-to-subject

distance first. Switch the mode to power focus, and shoot the subject when it is at the distance

set in advance.

EXPOSURE

Automatic Exposure Mode

Exposure refers to the amount of light which strikes

the film, and is controlled by a combination of

aperture size and shutter speed. The correct amount of light, called correct exposure, depends

on the film speed (indicated on the film package,

e.g.

ISO 100 or ISO

The automatic exposure function automatically sets

the correct exposure. The IS-3000 employs three types of automatic exposure modes: (1)

programmed auto-exposure, (2) aperture-preferred auto-exposure, and (3) shutter-preferred autoexposure. With programmed auto exposure, the camera automatically selects the most suitable combination

of F st o p and shutter speed for the existing lighting

conditions. This lets you concentrate on composing

your shot and releasing the shutter at just the right time.

With aperture-preferred auto, you select the desired F stop, and the camera automatically selects th e

correct shutter speed. Aperture-preferred auto

gives more artistic freedom of expression and

creativity by selecting a desired F stop to control

the blu r of the background.

With shutter-preferred au to, you select the shutter speed, and the camera automatically selects the F

stop. By changing the shutter speed, you can freeze a fast-moving subject or blur it to convey a

sen se of motion.

200).

Program Chart (Standard Photography Mode)

The following program chart is for 35mm wide-

angle and 180mm telephoto focal lengths.

According to the focal length, the cam era's program

itself changes. When the subject is brightly lit, the F

stop and shutter speed change s imu lta neo usly . When t he lighting is darker, the aperture opens fully and the shutter speed changes t o match it.

In the standard photography mode (ref er to p. 14), if

the built-in flash has bee n flipped up , it will automatically fire in dark lighting conditions. The

shutter speed will be fixed at 1/100-sec.

Portrait Mode

In this mode, the IS-3DLX chooses a wide aperture

for a short depth of field. This results in a softly

blurred subject background, against which your subject stands out in sharp focus.

Night Scene Mode

When shooting night scenes you may sometimes

be disappointed with the result, usually because the camera's automatic exposure function works on a standard exposure ratio. In such situations a

professional photographer would adjust for exposure compensation based on long experience, or select the manual shooting mode.

The IS-3DLX's night scene mode will automatically

adjust the exposure compensation for attractive night scene photography. For example, wh e n

shooting a subject with a night scene as its

background, the u se of the flash is often desirable. Should tha t be the case, the camera performs the

most suitable exposure compensation for both the

subject and the background. Since the selected

shutter speed may be very slow (up to 4 seconds

with ISO 100 or 15 seconds with ISO 25), the

camera should be held firmly in position (with a

tripod for example) to prevent blurring.

Sports Mode

This mode is ideal for capturing high-speed photo opportunities such as sports scenes and children at

play. A fas t shutter speed is automatically selected

to "freeze" the action on film. However, the high shutter speed is not the only important feature of

this mode. To shoot such high-speed action, excellent timing is essential to take the photo at just the right moment. This mode offer s the optimal combination of continuous shooting and autofocus to maximize your timing for maximum results.

Landscape Mode

This m od e i s ideal when yo u wa nt to focus on both

the subject and the background or when you want

to shoot natural scenery with low contrast. The

camera automatically stops down the aper tu r e to

make the range of focus as large as possible. In

shooting conditions for this mode, the subjects are

likely be at a distance of (infinity), so the

autofocus function in this mode starts from the

position.

METERING THE AMOUNT OF LIGHT

Light Metering

Light metering can measure the brightness of the framed picture in various ways. The IS-3DLX employs three metering systems: (1) ESP light

metering , (2) center-weighted average light metering, and (3) spot metering. The IS-3DLX allows you to select the light metering system most

suitable in any photographic situation.

At the same time, the IS-3DLX uses TTL (throughthe-lens) light metering to automatically measure

the light that enters the lens. This allows you to

obtain ve r y accurate light metering that is not affected by changes in the distance between the

subject and the camera.

Fuzzy Logic ESP (Electro-Selective Pattern) Light Metering (Exposure Mode P)

ESP light metering measures the brightness of the

central portion and peripheral portion o f the frame separately in order to determine the proper

expo s u r e. T he calcu lat io n program used is based

on programmed data to properly compensate for

backlighting. ESP light metering is used

automatically when in the P (Program) mode.

Center-Weighted Average Light Metering

(Exposure Mode A or M)

Center-weighted average light metering is the most

widely used light metering system (Fig. A). This system measures the light available throughout the

frame with special emphasis on the center of the

frame. When in A (Aperture-preferred), S (Shutter preferred) or M (Manual) mode, this light metering

system is automatically

activated. When the contrast between bright and dark areas is not too

extreme outside the center

of the frame, this system

offers excellent results.

Spot Metering

Spot m e t e r i n g (Fig. B) measures the brightness at the center of the frame only. Because this metering

system calculates the correct exposure fo r only one

point, it is convenient when the subject is backlit or the picture contains strong contrasts. When

shooting a subject in front of an extremely bright

background, you should use spot-metering on the subject's face. To properly expose white objects,

use spot metering and then press the + side of t h e

exposure compensation button. To properly expose black objects, use spot metering and then press the

- side of the exposure compensation button.

Spot metering can be

used in any of the P, A, S or M exposure modes.

EXPOSURE

COMPENSATION

FILM SPEED

Fixed Proper Exposure

Proper exposure re fers to the balance of light and

dark in a photo. When shooting a black and white

wall, the exposure will be based on the average

ratio of black and white — thus the overall

exposure is set for gray. This is technically called

"fixed proper exposure." A good example of this is a

subject with a strongly lit background. The reason the subject turns out dark is because there is more brightness than darkness in the frame. Therefore, the fixed proper exposure is based on the total level of light in the photo, which is significantly brighter

than the subject. In the case of strong backlighting,

the exposure needs to be adjusted to compensate

for the excessive brightness.

Adjusting the exposure to accommodate lighting conditions is called exposure compensation. W he n ESP light metering is used, the camera automatically evaluates the lighting situation and compensates for the proper exposure, so manual exposure compensation is not needed.

Exposure Compensation

With the IS-3DLX, ±4EV exposure compensation in 1/3 EV steps is possible. + Compensation wil l make

a subject appear b rig ht er , while - compensation will make a subject appear darker. Under backlit

conditions you'll want to make your subject appear

brighter (+1 to +2EV). For shooting winter snow scenes, you may want adjust the exposure for

additional definition (+2EV). Or, suppose your picture

is composed of a black wall, (-2EV) compensation would most likely be appropriate.

Film Speed

Film speed is indicated on the back of film

packages. ISO 100, ISO 200, and ISO 400 are the most common. High-speed film (ISO 400), as implied by its name, is fo r taking photos of fastmoving subjects in action shots, f o r example.

However, there are also other advantages. W ith

high-speed film, such as ISO 400, it is possible to take pi c tures in lower light. And the distance covered by the flash will be greater. With this camera, we recommend the use of "DX" film cartridges: ISO 25 ~ 5000. In the case of non-

DX-coded film, the camera will automatically be set

to fil m speed ISO 32.

MACRO PHOTOGRAPHY

Zoom Macro

The IS-3DLX's Macro mode enables you to shoot

subjects as close as 0.6 m (2 ft) when the focal

length is set fr o m 3 5 mm to 120mm. The autofocus and built-in flash can also be used with this

function, which can fill the frame with an area of

approx. 12 x 18 cm (4-3/4 x 7-1/16 in) at a working distance of 0.6m (2 ft) w ith the focal length set to

120mm. The picture area can be adjusted by

changing the focal length and working distance.

Zoom Macro at 120mm

IS/L LENS B- MACRO H.Q. CONVERTER

f=40cm (Optional)

This is a close-up lens that lets you fill the frame

with an area approx. 4.4 x 6.4 cm (1-3/4 x 2-5/8 in), about the size of an ordinary business card. This

converter can be used with the Aperture-Preferred

Aut o Exposure mode and the Manual Flash mode. Autofocus also works when using this mode,

making it ideal for macro photography beginners.

Converter f=40cm at 180mm

PANORAMA PHOTOGRAPHY (OPTIONAL)

By mounting the optional IS/L PANORAMA ADAPTER inside the camera,

panorama pictures can be taken. Zoom in and out with the adapter

mounted to obtain various co m positions. When the optional IS/L LENS

B-28 H.Q. CONVERTER 0.8X is us ed with the adapter, wide-angle

panorama photography is possible, adding extension and depth to

pictures.

Picture area is shown with

panorama marks as illustrated on

the left.

Panorama marks

Notes:

When the adapter is mounted, the entire roll of film must be shot as panorama-format p ictures.

Panorama prints generally take longer to get processed than ordinary prints.

Availability of Panorama format film processing facilities varies according to area. Consult your

local film processor or camera dealer for details.

ACCESSORIES (OPTIONAL)

IS/L LENS B-300

H.Q. CONVERTER

1.7X

Grip Strap B

IS/L LENS B- 2 8

H.Q. CONVERTER

0.8X

REMOTE CONTROL

RC-100

IS/L LENS

B-MACRO H.Q.

CONVERTER

f=40cm

IS/L PANORAMA

ADAPTER

Electronic Flash

G40

Variable Dioptric

Adapter A

CARE AND STORAGE

CAUTIONS

DO NOT EXPOSE THE CAMERA TO

EXTREME HEAT (OVER 40°C/104°F) OR TO EXTREME COLD (BELOW

-10°C/14°F). AVOID SUDDEN TEMPERATURE

CHANGES AND HUMIDITY. DO NOT EXPOSE THE CAMERA TO

STRONG MAGNETIC FIELDS. DO NOT APPLY EXCESSIVE FORCE

TO THE CAMERA OR ITS CONTROLS. DO NOT TOUCH THE CONTACT

POINTS INSIDE THE CAMERA.

DO NOT USE ORGANIC SOLVENTS,

THINNERS, OR BENZINE TO CLEAN THE CAMERA.

AVOID STRONG IMPACTS CAUSED

BY BUMPING OR DROPPING THE

CAMERA.

DO NOT EXPOSE THE CAMERA TO

WATER, SUCH AS FROM RAIN.

DO NOT EXPOSE THE CAMERA TO DUST AN D SAND.

WARNING

NEVER ATTEMPT TO DISASSEMBLE

THE CAMERA; I T CONTAINS A

HIGH-VOLTAGE CIRCUIT.

In case of malfunction, consult your nearest

Olympus dealer or Olympus ser vic e c enter.

CAMERA MAINTENANCE

BATTERY HANDLING

NOTES

Do not mix different types of batteries

or new and old batteries.

When the camera is not used for an extended period of time, remove the

batteries.

Keep spare batteries on hand when going on a long tri p or to a cold area.

Sweat, oil, and so on can prevent a battery's terminals from making

electrical contact. To avoid this, wipe both terminals before loading batteries.

WARNINGS

NEVER TRY TO DISASSEMBLE,

RECHARGE, OR SHORT CIRCUIT BATTERIES. NEVER EXPOSE BATTERIES TO EXCESSIVE HEAT OR OPEN FLAMES.

KEEP THE BATTERIES OUT OF THE

REACH OF CHILDREN. IF A CHILD SWALLOWS A BATTERY, CONTACT A

DOCTOR IMMEDIATELY.

USE TWO 3V LI THI UM BATTERIES

(CR123A OR DL123A). NEVER TRY TO

DISASSEMBLE OR MODIFY ANY

BATTERY OR BATTERY PACK FOR USE

IN THI S CAMERA.

Operating Problems

Symptom

The camera does

not work.

The displays tu rn off suddenly.

The shutter speed

and aperture

setting blink.

The subject cannot be focused on.

TROUBLESHOOTING

The power is OFF.

The batteries are loaded incorrectly.

The batteries are exhausted.

The batteries are temporarily unable to function. The loaded film has been rewound. The film is i nc or re ct ly loaded.

The LCD panel and viewfinder displays

turn o f f after approx. 30 sec. (5 min. when th e flash is flipped up) if the camera is not used.

When the light metering function of

the camera does not work correctly

because it's too dark, these indicators start blinking. In the Manual Exposure

mode, ± also blinks.

When the subject is moving too fast ,

the camera is being shaken, or the subject is difficult for autofocus to lock onto (refer to p. 70 ), the autofocus

may not work.

The subject is closer than the camera's

minimum working distance.

When th e PF mode is engaged, autofocus will not operate

even though the shutter release

button is pressed.

Cause

Remedy

Set the power switch to ON.

Reload the batteries correctly. Replace batteries with new ones. Keep the camera warm while

using it.

Load new film. Reload the film.

Press the shutter release button halfway to turn on the displays.

Use the flash.

Focus on the subject by using the power focus, or by first

focusing on something at the

same distance as the subject. Use the Macro mode.

Cancel the PF mode.

See

p.17

p.10 p.11

p.21 p.17

p.18

p.26

p.70 p.22

p.32 p.52

Symptom

The camera doesn't

focus on the subject

even though the AF

illuminator lights. The shutter doesn't

release even when

the shutter release button is pressed.

The flash doesn't f i r e

The zooming speed does not get faster even when the

zoom button is fully depressed.

The autofocus may not work when the

subject is out of the AF illuminator's

working distance (approx. 1 .2 ~ 7 m/

3.9 ~ 23 ft) or when the subject has low

contrast (blue or black).

The subject is not in focus.

The rewound film is still loaded.

The battery has not been recharged.

The shutter speed is set at faster

than 1/100-sec. (except in the Manual

Exposure and Portrait modes).

As the batteries get exhausted, the

fast zooming speed becomes slower, and the difference between the fast and slow zooming speeds becomes

smaller.

Cause

Remedy

Use the power focus, or move the

camera closer to the subject.

Make sure the subject is in focus

and the autofocus indicator in the viewfinder lights.

Remove the film.

Wait until lights.

Set the flash mode to one other

than Fill-in. Check the batteries on the LCD

panel. If the display blinks, replace

the batteries.

See

p.52/70

p.20

p.21

p.26 p.29

p.11

Problems with Printed Pictures

Symptom

The subjects' eyes

appear red in

printed pictures.

The subject was

within the frame of

the viewfinder, but

its edges are

missing on th e print.

The film is scratched.

The picture is out of focus.

The picture is to o

dark.

This "red-eye phenomenon" occurs with

all cameras when a flash is used. It is caused by light from the flash reflecting

off the retina at the ba ck of the eye. Red-

eye varies depending on the individual and the shooting conditions such as

ambient lighting. It is also more likely to

occur when using 135mm telephoto than

when using wide-angle focal lengths.

When a negative is enlarged, sometimes the edge of the frame is not printed.

Sand or dust is lodged in the film path.

Film particles have accumulated inside

the camera.

The camera moved w hen the shutter

release button was pressed.

The viewfinder's autofocus frame was

not positioned on the subject.

The subject was out of the working

range of the flash .

The subject was backlit.

Cause

Remedy

significantly reduce red-eye phenomenon.

Leave some room on the edges of the frame when you compose

your shots.

Clean the film path while taking care not to damage the shutter

curtains.

Consult your nearest Olympus

dealer or Olympus service center. Hold the camera correctly, and

press the shutter release button gently. Position the autofocus frame on

the subject, or use the focus lock.

Shoot within the working range of the flash. Set the flash to Fill-In mode.

See

p.28

p.12

p.22

p.27

p.29

QUESTIONS AND ANSWERS

Q: How long will the batteries last?

A: Two new 3V lithium batteries will

last for roughly 20 rolls of 24-

exposure film on which the flash was used on half of all t he shots

(determin ed under Olympus test conditions). If you do not use the flash and zoom very often, the

batteries will last much longer.

Q:How should I store the camera?

A: Cameras are susceptible to

damage caused by dust, moisture, and salt. Wipe and dry the camera thoroughly before storing it. After using it at the beach, wipe it with a cloth that has bee n moistened wit h fresh wate r and then wrung out. Do not u se mothballs.

Q:When does t h e camera measure

and set the exposure?

A: When the shutter release button is

pressed halfway, th e camera measures both the exposure and the focus and the n locks them as

long as the shutter release button remains halfway depressed. In the

Spot Metering mode, the exposure

is locked when the spot button is pressed.

Q:How should I clean the lens?

A: Wipe the lens gently with lens

cleaning tissue that has been moistened with a small amount of lens cleaning fluid.

SPECIFICATIONS

Type: Fully automatic 35mm autofocus

single-lens reflex camera with built-in 35mm ~ 180mm zoom lens.

Film format: 35mm standard DX-coded film

(24 X 36mm)

Lens: Olympus lens (filter available, 55mm filter

diameter) 35mm ~ 180mm F4.5 ~ 5.6, 16

elements in 15 groups (5-group zoom

construction) with extraordinary dispersion (ED) glass at third element in the first zoom

lens group.

Shutter: Electronic control system vertical focal

plain shutter. Shutter speed 1/2000-sec. ~

15-sec. bulb.

Focusing: TTL phase-difference detection

system autofocus with focus lock, AF illuminator automatically lights up in low light. Auto f o c us beep available. Manual

focusing available (power focus). Focusing

range —1.2m ( 3. 9 f t ) ~ ; 0.6 m ( 2 f t ) ~

in Macro mode at 35 ~ 120 mm.

Viewfinder: Sing le -l en s reflex system,

magnification ratio 0.75 (at 50mm). Finder

view-field — 85% of actual view-field.

Viewfinder information: Autofocus frame, spot

frame, panorama marks, autofocus

indicator, flash indicator (to be used as flash warning), shutter speed, aperture setting, spot metering, macro, exposure compensation (manual exposure).

Light metering system: TTL ligh t metering

system — Fuzzy logic ESP light metering, center-weighted average light metering,

spot metering.

Exposure modes: (1) Program AE (Standard,

Sports, Portrait, Night-Scene, Landscape),

(2) Aperture-preferred AE, (3) Shutter-

Preferred AE, (4) Manual exposure.

Exposure compensation: ±4 EV compensation

possible (1/3 EV step).

Exposure counter: Progressive type, displayed

on LCD panel.

Film speed range: Automatic setting wi th

DX-coded film (ISO 25 ~ 5000).

Film loading: Automatic loading (automatically

advances to first fra m e wh en camera back is closed).

Film advance: Automatic film winding,

consecutive winding max. 2 frames/sec. (in PF mode, under Olympus test

conditions), double exposure possible.

Film rewind: Automatic film rewind (automatic

rewind activated at end of film, automatic

rewind stop). Rewind is possible at any point with rewind button.

Selftimer: Electronic selftimer with 12-sec.

delay.

Remote control (optional): Infrared remote

sam e as Auto otherwise), Fill-in (forced

activati on), Manual.

Battery check: Displayed on LCD panel. Power source: Two 3V lithium batteries

(CR123A or DL123A) (replaceable).

Dimensions: 122(W) X 93(H) X 173(D) mm

(4.8 X 3.7 X 6. 8 in) (excluding protrusions).

Weight: 960 g (33.9 oz) (without batteries).

control unit, 3-sec/0-sec. delay switchable).

Flash: Built-in IVP (Intelligent Variable-Power)

flash system with dual light emitting tubes. Manual activating system, recycling time of about 5 sec. (at normal temperature). Light

emission, Automatic; IS O 100 · m of GN 28

/ ISO 100·ft of GN 92, Manual; ISO 100 ·

m of GN 20/ISO 100 · ft of GN 6 6

Flash range: Wide — 1.2 ~ 6.3 m (3.9 ~ 20.7

ft), Tele — 1.2 ~ 7 m (3.9 ~ 23 ft) with ISO

100 negative color film; Wide — 1.2 ~

12.6m (3.9~41.3 ft), Tele — 1.2 ~ 14m

(3.9 45.9 ft) with ISO 400 negative color film. Flash available in Macro mode.

Flash modes, A uto (automatic flash activation

in low-light), Auto-S (red-eye reducing,

DATE UNIT SPECIFICATIONS

Imprinting direction: Data imprinted from

behind film in bottom le ft of picture.

Data coding: Year-month-day, day-hour-

minute, no data, month-day-year and daymonth-year.

External indication of data: Data display o n

LCD panel. Automatic calendar system: Up to year 2019. Power source: Two 3V lithium batteries

(CR123A or DL123A) in camera.

Specifications are subject to change without

any notice or obligation on the part of the

manufacturer.

San-Ei Building, 22-2, Nishi Shinjuku 1-chome, Shinjuku-ku, Tokyo, Japan. Tel.03-3340-2211

Crossways Park, Woodbury, New York 11797-2087, U.S.A. Tel. 516-364-3000

(Premises/Goods delivery) Wendenstrasse 1 4-1 6, 20097 Hamburg, Germany. Tel.040-237730

2-8 Honduras Street, London EC1Y 0TX , United Kingdom. Tel. 071-253-2772

OLYMPUS OPTICAL CO., LTD.

OLYMPUS AMERICA INC.

OLYMPUS OPTICAL CO. (EUROPA) GMBH.

(Letters) Postfach 10 49 08, 20034 Hamburg, Germany.

OLYMPUS OPTICAL CO. (UK.) LTD.

0295.10MM

Olympus iS-3 DLX User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

NAMES AN D FUNCTIONS O F PARTS

PREPARATIONS

VIEWFINDER DISPLAY/LCD PANEL

ATTACHING THE STRAP

OUTLINE OF OPERATIONS

LOADING THE BATTERIES

CHECKING THE BATTERIES

POINTS TO REMEMBER

RESET OPERATION

LOADING THE FILM

BASIC OPERATIONS

TAKING PICTURES

UNLOADING THE FILM

ADDITIONAL FUNCTIONS

USING THE FOCUS LOCK

FLASH PHOTOGRAPHY

SELFTIMER

MACRO PHOTOGRAPHY

USING THE EXPOSURE MODES

FLASH PHOTOGRAPHY IN THE MANUAL EXPOSURE MODE

EXPOSURE COMPENSATION

USING THE DRIVE MODES

Power Focus

SPOT METERING

ZOOM EXPOSURE

AUTOFOCUS BEEP

PRINTING THE DATE AND TIME

CORRECTING THE DATA

FLASH

TAKING BETTER PICTURES

Electronic Flash G4 0 (Optional)

EFFECTS OF ZOOM AND ITS ADVANTAGES

AUTOFOCUS (A F )

EXPOSURE

METERING THE AMOUNT OF LIGHT

FILM SPEED

Exposure Compensation

MACRO PHOTOGRAPHY

ACCESSORIES (OPTIONAL)

CARE AND STORAGE

CAMERA MAINTENANCE

BATTERY HANDLING

TROUBLESHOOTING

QUESTIONS AND ANSWERS

SPECIFICATIONS