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JAMO C 80 SERIES
Danish Sound Design
Jamo C 80 series
C 80 is a series of top of the range stereo and surround speaker s from Jamo. Based on the experience our develop-
ment team gained from creating classic models such as the E 8 and D 5, this series of seven speakers draw on the
very latest speaker technologies and construction techniques.
The aim of this series is to recreate the per fect concer t experience - nothing more and nothing less. Regardless of
size, every speaker in the series is represented by the capital C as in Concert. The sculptural C 80 speakers, with their
exceptional level of nish and perfectly balanced sound, are a tribute to the great music and lm experiences that
we all love and take such remarkable pleasure from.
As all of the speakers in the series are developed using the same uncompromising philosophy, it’s possible to
combine them in a number of dierent ways. Sonically the C 80 family is characterised by its genuinely authentic
acoustics. The series always conveys highly detailed and beautifully sound across the entire frequency spectrum.
And selecting a system that includes the unique C 80 SUB will deliver an almost shockingly well-dened, dynamic
auditor y experience.
Whether you are looking for the ideal cinematic thrill or the perfect musical experience, the C 80 series is guaranteed
to blow your acoustic window wide open.
C 809 / C 807 / C 805
Made for serious listening
The agship of the C 80 series is the C 809. And here we’re not just talking about another high quality speaker from
Jamo. This impressive 3-way speaker is the very embodiment of Danish Sound Design – superbly cutting-edge
sound technology enclosed in beautifully designed cabinets of the highest quality and nish.
One level down you will nd the C 807 – an exceptionally melodic speaker. The C 807 is the natural choice front
speaker for any high-end surround system. Yet it can also deliver a great musical experience performing as a stereo
speaker – either with or without the C 80 SUB.
Although the woofer units have been adjusted in size to t the smaller cabinet, technically speaking the C 805 has
exactly the same state -of-the-ar t technology armoury as its bigger brothers. This makes C 805 a real best buy if you
want to reproduce genuine concert and cinema sound in a smaller room, preferably backed up by the C 80 SUB.
Spelt with a capital C as in Concert
C 803 / C 803 IW
Made for more ...
Like the whole C 80 range, C 803 is constructed with arch-shaped
sides that, together with internal bracing , makes the cabinet
extremely rigid. This ensures a clean and well-dened reproduc-
tion of midrange detail.
If you want a fully integrated sound solution then consider our
C 803 IW, which is an identical in-wall version of C 803. C 803 IW
is supplied with both a paintable grill and a black front cloth.
C 80 CEN
Screened for the screen
C 80 CEN uses the same tweeter as the rest of the C 80 range to
achieve optimum vocal clarity, partnered by a pair of the same driv-
ers used in C 805 and C 80 SUR for maximum timbral accurac y. Natu-
rally the C 80 CEN centre speaker is magnetically shielded to avoid
image distortion, when used in combination with a traditional CRT
television. Thanks to the rubber cradle it is easy to adjust the angle
of the speaker in relation to your listening position.
Jamo C 80 pa ge 03
C 80 SUR
Welcome to reality
If you want to create the perfect surround sound experience it’s vital that the rear speak-
ers generate sound diusely. The C 80 SUR add to this experience by performing as left
and right surround speakers to create the perfect interaction with the front speakers.
To improve the per formance of the dipolar arrangement Jamo has developed the
unique eXtended Bass Response (XBR) system. This allows the C 80 SUR to combine
the best from both bipolar and dipolar congurations.
If you wish an even more discreet surround solution you may alternatively consider
the unique in-ceiling surround speaker SU6.521K4 from our Custom program. This
would work perfect with e.g. C 803 IW as front speaker.
C 80 SUB
How low can you go?
C 80 SUB is a front and rear-ring subwoofer equipp ed with t wo 254mm/10mm
aluminium cone woofers in a closed cabinet.
The heart of this low frequenc y power plant is a 1800W BASH amplier,
which should be more than enough for both the most demanding mu-
sic lovers and serious lm fans everywhere. With C 80 SUB you not only
get the traditional options of adjusting and ne tuning your subwoof-
er’s sound leve l, phase and cut-o f requency, you also get a variable
boundary gain compe nsation, giving you the opportunity to oset the
harmful eects that a room can have on sound at the lowest frequency
levels. C 80 SUB also features Motional Feedback (MFB) technology
which results in a very accurate and dynamic sound.
C 80 SUB also features a 12V trigger input, so it can be turned on and
o from a A/V receiver/controller that has a 12V output, ensuring that
the subwoofer always will be active when the A/V receiver/controller
is turned on.
Black ash Dark app le White (C 803 I W)
Spelt with a capital C as in Concert
C 803 C 803
Jamo Tech platforms
Jamo C 80 pa ge 05
WaveGuide
WaveGuide refer s to the unique way Jamo has shaped the tweeter’s face-
plate. The result is a controlled sound pattern with a more open and dynamic
reproduction of sound. WaveGuide makes it easier to position the speakers
in the room.
Another b ig challenge is to secure a uniform dispersion pattern in the tre-
ble and midrange frequencies. In general, dispersion gets narrower at high-
er frequencies. Consequently in the area whe re the mid/woofer and the
tweeter should integrate smoothly, the mid/woofer has a narrow dispersion
and the tweeter has a wide dispersion. This problem is solved with the Jamo
WaveGuide. The completely smooth design of the WaveGuide also reduces
diraction to an absolute minimum. Finally, the WaveGuide increases treble
output in the lower treble range which means the tweeter needs less power for
the same SPL . So, power handling is improved and distortion is reduced.
dB (SPL)
120
110
100
▲ O n-axis
90
▼ O -axis
80
70
60
50
40
30
Wave Guide No rmal tweeter
20
100 200 5 00 1k 2k 5k 10k 20k
The WaveGuide results in a uniform treble dispersion pattern from
10kHz all the way down to the critical x-over point at 2kHz and thus
secures a seamless transition to the mid/woofer – both when listening on and o axis.
DTT (Decoupled Tweeter Technology)
DTT* (Decoupled Tweeter Techno logy) is a remarkable mounting system
specially developed by Jamo.
One of the biggest challenges when designing speakers is preventing unwanted
cabinet vibrations from clouding or colouring the sound. High frequencies are
particularly susceptible. This problem is solved using the ingenious Jamo DTT.
By decoupling the tweeter from the rest of the loudspeaker, vibrations trans-
mitted from the front bae to the tweeter are re duced by more than 20dB
resulting in an uncommonly detailed and realistic reproduction of high fre-
quencies.
* Patent pe nding
dB
125
120
115
110
105
100
95
90
85
80
75
70
Overpl ot
No rmal face plate DTT
60.0 100.0 1000.0
Dierence between vibrations in a normal face-plate and vibrations in a face-plate employing Decoupled Tweeter technology.
Jamo Tech platforms
Centre-Plug
The Centre-Plug replaces the traditional dust cap, making the cone both lighter
and more responsive, while also cooling the voice-coil, resulting in a higher
power handling and a stable sound reproduction when playing loud. The de-
sign allows increased power-handling capabilities along with a more uniform,
precise and dynamic reproduc tion of sound.
The Centre-Plug also prevents potential break-up points where the dust cap
would have been glued to the cone. In addition, it prevents over- and under
pressure behind the dust cap when the cone moves back and for th.
The advantage is more dynamic and precise sound reproduction.
dB (SPL)
100
95
HCC (Hard Conical Cone)
The HCC technology (Hard Conical Cone) enables the driver to reach far beyond
midrange frequencies before any signicant cone break-ups occur. The mate -
rial’s rigidity and the membrane’s conical shape ensures the unit creates clear
and detailed sound with very little distortion, even at high sound pressures.
This combines with the natural rubber suspension, which eectively prevents
vibrations from travelling back to the diaphragm, the result being a very well-
controlled diaphragm that operates without break-ups up to 4kHz -well beyond
its working range.
dB
25.0
20.0
15.0
10.0
5.0
1k 2k
Cumulati ve Spectral De cay IEX Freque ncies - Hz
Jamo HCC operates without break-ups in critical areas.
0.50
1.00
1.50
2.00
2.50 mse c
MLSSA
0.00
90
85
80
75
Cen tre-Plug Normal sp eaker unit
70
100 20 0 500 1k 2k 5k50
Sound pressure level from a speaker with Centre -Plug compared to
one without, when playing at high play-back level.
dB
25.0
20.0
15.0
10.0
5.0
1k 2k
Cumulati ve Spectral De cay IEX Freque ncies - Hz
Conventional speakers don’t fare so well!
0.00
0.50
1.00
1.50
2.00
2.50 mse c
MLSSA
Jamo Tech platforms
Jamo C 80 pa ge 07
Motional Feedback (MFB)
C 80 SUB features a Motional Feedback circuit. When a large woofer has been
abruptly driven by a strong sonic impulse such as an explosion or a timpani,
the woofer continues moving after the impulse stops. The MFB circuit com-
pares the impulse to be reproduced with the actual movement of the woofer.
If the woofer moves unnaturally in relation to the input signal, the MFB circuit
corrects the error before it becomes audible. Furthermore, the MFB makes it
possible to equalize the subwoofer to go deeper without losing any precision.
The result is incredibly accurate, deep bass, full of punch and dynamics.
Motio nal Feedbac k (MFB)
Impuls e response [V ]
0
Wi thout MFB W ith MFB
Time - mse c.
Boundary Gain Compensation
The Boundary Gain Compensation lter in C 80 SUB compensates for the
room inuence at low frequencies, as any room amplies the lowest frequen -
cies. The magnitude of the room’s amplication depends on the room size
and where the sub is positioned in the room – normally it increases the closer
the sub get to a wall. This can result in too high a bass level from approx.
60Hz and increasing downwards – in the range between 20 - 30Hz it peaks
up to 5 - 10dB in an average room!
Active Impedance Control (AIC)
All C 80 mid/woofers feature Active Impedance Control (AIC), an innovative
extension of existing techniques to reduce distortion in electrodynamic loud-
speaker drivers.
The AIC makes the impedance more linear in the mid and high frequency
range. AIC also increases the sensitivit y and total SPL in the upper range of
the driver.
AIC - Act ive Impedan ce Control:
Impeda nce [Ohm]
30
dr iver with AIC driver with out AIC
25
20
15
10
5
0
200 500
The eect of AIC is a clearer midrange with a markedly reduced ‘roughness’, es-
pecially noticeable on vocal reproduction. In gures, this amounts to a reduc-
tion of third-order harmonic distortion of around 6dB (ie a 50% reduction).
Harmo nic distort ion
[dB]
-35
-40
1k 2k
2k 10k 20k
Frequen zy ]Hz]
At rst this could sound really impressive, but the sound quickly begins to
sound ‘boomy’, especially when listening to music, and rather annoying. So
the Boundary Gain Compensation ensures a very linear in-room bass response
and gives you more exibility when it comes to placement and choosing your
favourite listening position.
Bound ary Gain Comp ensation
SPL/ Volts [0 .33 oct]
O On
10.0
100.0
Frequen zy ]Hz]
-45
-50
-55
-60
-65
200 500
dr iver with AIC driver with out AIC
1k 2k
Frequen zy ]Hz]
When a voice coil is moving in and out of a magnet gap, it changes induc-
tion. When the coil moves inward, the induc tion increases and vice versa.
This causes the current from the amplier to be modulated, creating very
audible distortion.
Furthermore the current owing in the voice coil modulates the magnetiza-
tion of the magnet assembly which also causes distortion of the current.
By using an extra coil, placed inside the voice coil with opposite polarity to
the voice- coil winding, the inductance variation and the ux modulation can
be signicantly counteracted.
Compared to the conventional conductive rings in a magnet system AIC has
the advantage that it is signicantly better at higher frequencies i.e. in the
midrange (on voices) where distortion is most audible to the human ear.
Model C 809 C 807 C 805 C 803 C 80 CEN C 80 SUR C 80 SUB C 803 IW SU6.521K4
Placement FRONT
Placement CEN
Placement SUR
Placement SUB
System 3-way bass-ree x 2½-way bass-reex 2½-way bass-ree x 2-way bass-reex 2-way bass-reex 2-way dipo le Closed 2-way closed 3-way dip ole/bipole
Woofer mm / in 2 x 180 / 7 180 / 7 155 / 6 180 / 7 2 x 155 / 6 2 x 155 / 6 2 x 254 / 10 180 / 7 165 / 6½
Midrange mm / in 180 / 7 180 / 7 155 / 6 38 / 1½
Tweeter mm / in 25 / 1 DTT 25 / 1 DTT 25 / 1 DTT 25 / 1 DTT 25 / 1 DTT 2 x 25 / 1 DTT 25 / 1 DTT 25 / 1 Dome
Power W long / short term 200 / 40 0 180 / 360 160 / 320 125 / 250 160 / 320 160 / 320 125 / 250 60 / 120
Sensitivi ty dB (2.8V/1m)(2.8V/1m) 89 89 88 87 88 87 87 90
Frequency ran ge Hz 30-24,000 35-24,000 40-24,00 0 45-24,000 70-24,000 65-24,000 20-200 45-20,000 60 -22,000
Impedance Ohm 6 6 6 6 6 6 22k 6 4-8 swi tchable
Rated output W 1800
Weight kg / lb 33.6 / 74.1 28.3 / 62.4 18.5 / 40.8 9.9 / 21.8 11.6 / 25.6 7.5 / 16.5 25.0 / 55.1 2.8 / 6.2
Dimension s (frame, bae, cabinet)
mm / in (H x W x D)
Dimension s (hole)
mm / in (H x W x D)
Back box size
3
litre / in
Optional RI K RIK10.5LW
Finish
• • • •
1157 x 252 x 428 /
45.6 x 9.9 x 16.9
Black ash,
Dark apple
1007 x 242 x 406 /
39.6 x 9.6 x 16.0
Black ash,
Dark apple
877 x 201 x 347 /
34.5 x 7.9 x 13.7
Black ash,
Dark apple
380 x 225 x 341 /
15.0 x 8.9 x 13.4
Black ash,
Dark apple
212 x 501 x 281 /
8.3 x 8.9 x 13.4
Black ash,
Dark apple
• •
• •
•
293 x 286 x 181 /
11.5 x 11.3 x 7.1
Black ash,
Dark apple
447 x 390 x 432 /
17.6 x 15.4 x 17.0
Black ash,
Dark apple
400 x 270 x 85 /
15.7 x 10.6 x 3.3
347 x 225 x 110 /
13.7 x 8.9 x 4.3
14 / 854 23 / 1400
White (paintable)
and Black grill incl.
•
342 / 13.5
307 x 184 / 12.1 x 7.3
White (paintable)
Danish Sound Design
w w w . j a m o . c o m
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