Harman-Kardon AVR 247 User Manual

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AVR 247

AUDIO/VIDEO RECEIVER

OWNER’S M ANUAL

SAFETY INFORMATION

Antenna Lead-In Wire

Ground Clamp

Antenna Discharge Unit (NEC Section 810-20)

Grounding Conductors (NEC Section 810-21)

Electric Service Equipment

Ground Clamps

Power Service Grounding Electrode System (NEC Art 250, Part H)

1. Read Instructions. All the safety and operating instructions should be read before the product is operated.

2. Retain Instructions. The safety and operating instructions should be retained for future reference.

3. Heed Warnings. All warnings on the product and in the operating instructions should be adhered to.

4. Follow Instructions. All operating and use instructions should be followed.

5. Cleaning. Unplug this product from the wall outlet before cleaning. Do not use liquid cleaners or aerosol cleaners. Use a damp cloth for cleaning.

6. Attachments. Do not use attachments not recommended by the product manufacturer, as they may cause hazards.

7. Water and Moisture. Do not use this product near water – for example, near a bathtub, wash bowl, kitchen sink or laundry tub; in a wet basement; near a swimming pool; or the like.

8. Accessories. Do not place this product on an unstable cart, stand, tripod, bracket or table. The product may fall, causing serious injury to a child or adult, and serious damage to the product. Use only with a cart, stand, tripod, bracket or table recommended by the manufacturer, or sold with the product. Any mounting of the product should follow the manufacturer’s instructions, and should use a mounting accessory recommended by the manufacturer.

9. A Product and Cart Combination Should Be Moved With Care. Quick stops, excessive

force and uneven surfaces may cause the product and cart combination to overturn.

10. Ventilation. Slots and openings in the cabinet are provided for ventilation and to ensure reliable operation of the product and to protect it from overheating, and these openings must not be blocked or covered. The openings should never be blocked by placing the product on a bed, sofa, rug or other similar surface. This product should not be placed in a built-in installation, such as a bookcase or rack, unless proper ventilation is provided or the manufacturer’s instructions have been adhered to.

11. Power Sources. This product should be operated only from the type of power source indicated on the marking label. If you are not sure of the type of power supply to your

home, consult your product dealer or local power company. For products intended to operate from battery power, or other sources, refer to the operating instructions.

12. Polarization. This product may be equipped with a polarized alternating-current-line plug (a plug having one blade wider than the other). This plug will fit into the power outlet only one way. This is a safety feature. If you are unable to insert the plug fully into the outlet, try reversing the plug. If the plug should still fail to fit, contact your electrician to replace your obsolete outlet. Do not defeat the safety purpose of the polarized plug.

13. Power-Cord Protection. Power-supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the product.

14. Nonuse Periods. The power cord of the product should be unplugged from the outlet when left unused for long periods of time.

15. Outdoor Antenna Grounding. If an outside antenna or cable system is connected to the product, be sure the antenna or cable system is grounded so as to provide some protection against voltage surges and built-up static charges. Article 810 of the National Electrical Code, ANSI/NFPA 70, provides information with regard to proper grounding of the mast and supporting structure, grounding of the lead-in wire to an antenna discharge unit, size of grounding conductors, location of antenna-discharge unit, connection to grounding electrodes, and requirements for the grounding electrode. See Figure A.

16. Lightning. For added protection for this product during a lightning storm, or when it is left unattended and unused for long periods of time, unplug it from the wall outlet and disconnect the antenna or cable system. This will prevent damage to the product due to lightning and power-line surges.

17. Power Lines. An outside antenna system should not be located in the vicinity of overhead power lines or other electric light or power circuits, or where it can fall into such power lines or circuits. When installing an outside antenna system, extreme care should be taken to keep from touching such power lines or circuits, as contact with them might be fatal.

Figure A. Example of Antenna Grounding as per National Electrical Code ANSI/NFPA 70

18. Overloading. Do not overload wall outlets, extension cords, or integral convenience receptacles, as this can result in a risk of fire or electric shock.

19. Object and Liquid Entry. Never push objects of any kind into this product through openings, as they may touch dangerous voltage points or short-out parts that could result in a fire or electric shock. Never spill liquid of any kind on the product.

20. Servicing. Do not attempt to service this product yourself, as opening or removing covers may expose you to dangerous voltage or other hazards. Refer all servicing to qualified service personnel.

21. Damage Requiring Service. Unplug this product from the wall outlet and refer servicing to qualified service personnel under the following conditions: a. The power-supply cord or the plug has been damaged; or b. Objects have fallen onto, or liquid has been spilled into, the

product; or c. The product has been exposed to rain or water; or d. The product does not operate normally when following the

operating instructions. Adjust only those controls that are

covered by the operating instructions, as an improper

adjustment of other controls may result in damage and

will often require extensive work by a qualified technician

to restore the product to its normal operation; or e. The product has been dropped or damaged in any way; or f. The product exhibits a distinct change in performance; this

indicates a need for service.

22. Replacement Parts. When replacement parts are required, be sure the service technician has used replacement parts specified by the manufacturer or that have the same characteristics as the original part. Unauthorized substitutions may result in fire, electric shock or other hazards.

23. Safety Check. Upon completion of any service or repairs to this product, ask the service technician to perform safety checks to determine that the product is in proper operating condition.

24. Wall or Ceiling Mounting. The product should be mounted to a wall or ceiling only as recommended by the manufacturer.

25. Heat. The product should be situated away from heat sources such as radiators, heat registers, stoves or other products (including amplifiers) that produce heat.

SAFETY INFORMATION

Important Safety Information

Verify Line Voltage Before Use

Your AVR 247 has been designed for use with 120-volt AC current. Connection to a line voltage other than that for which it is intended can create a safety and fire hazard and may damage the unit.

If you have any questions about the voltage requirements for your specific model, or about the line voltage in your area, contact your selling dealer before plugging the unit into a wall outlet.

Do Not Use Extension Cords

To avoid safety hazards, use only the power cord attached to your unit. We do not recommend that extension cords be used with this product. As with all electrical devices, do not run power cords under rugs or carpets or place heavy objects on them. Damaged power cords should be replaced immediately by an authorized service center with a cord meeting factory specifications.

Handle the AC Power Cord Gently

When disconnecting the power cord from an AC outlet, always pull the plug; never pull the cord. If you do not intend to use the unit for any considerable length of time, disconnect the plug from the AC outlet.

Do Not Open the Cabinet

There are no user-serviceable components inside this product. Opening the cabinet may present a shock hazard, and any modification to the product will void your guarantee. If water or any metal object such as a paper clip, wire or staple accidentally falls inside the unit, disconnect it from the AC power source immediately, and consult an authorized service center.

CATV or Antenna Grounding

If an outside antenna or cable system is connected to this product, be certain that it is grounded so as to provide some protection against voltage surges and static charges. Section 810 of the National Electrical Code, ANSI/NFPA No. 70-1984, provides information with grounding of the lead-in wire to an antenna tors, location of antenna discharge unit, requirements of the grounding electrode.

NOTE TO CATV SYSTEM INSTALLER: This reminder is provided to call the CATV (cable TV) system installer’s attention to article 820-40 of the NEC, which provides guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as possible.

Installation Location

• To ensure proper operation and to avoid the potential for safety hazards, place the unit on a firm and level surface. When placing the unit on a shelf, be certain that the shelf and any mounting hardware can support the weight of the product.

• Make certain that proper space is provided both above and below the unit for ventilation. If this product will be installed in a cabinet or other enclosed area, make certain that there is sufficient air movement within the cabinet. Under some circumstances, a fan may be required.

• Do not place the unit directly on a carpeted surface.

• Avoid installation in extremely hot or cold locations, or in an area that is exposed to direct sunlight or heating equipment.

• Avoid moist or humid locations.

• Do not obstruct the ventilation slots on the top of the unit, or place objects directly over them.

• Due to the weight of the AVR 247 and the heat generated by the amplifiers, there is the remote possibility that the rubber padding on the bottom of the

respect to proper grounding of the mast and supporting structure,

discharge unit, size of grounding conduc-

connection to grounding electrodes and

unit’s feet may leave marks on certain wood or veneer materials. Use caution when placing the unit on soft woods or other materials that may be damaged by heat or heavy objects. Some surface finishes may be particularly sensitive to absorbing such marks, due to a variety of factors beyond Harman Kardon's control, including the nature of the finish, cleaning materials used, and normal heat and vibration caused by the use of the product, or other factors. We recommend that caution be exercised in choosing an installation location for the component and in normal maintenance practices, as your warranty will not cover this type of damage to furniture.

Cleaning

When the unit gets dirty, wipe it with a clean, soft, dry cloth. If necessary, and only after unplugging the AC power cord, wipe it with a soft cloth dampened with mild soapy water, then a fresh cloth with clean water. Wipe it dry immediately with a dry cloth. NEVER use benzene, aerosol cleaners, thinner, alcohol or any other volatile cleaning agent. Do not use abrasive cleaners, as they may damage the finish of metal parts. Avoid spraying insecticide near the unit.

Moving the Unit

Before moving the unit, be certain to disconnect any interconnection cords with other components, and make certain that you disconnect the unit from the AC outlet.

Important Information for the User

This equipment has been tested and found to comply with the limits for a Class-B digital device, pursuant to Part 15 of the FCC Rules. The limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, installed and used in accordance with the instructions, may cause harmful interference to radio communication. However, there is no guarantee that harmful interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit receiver is connected.

• Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept interference received, including interference that may cause undesired operation.

NOTE: Changes or modifications may cause this unit to fail to comply with Part the FCC Rules and may void the user’s authority to operate the equipment.

uses and can radiate radio-frequency energy

different from that to which the

and, if not

15 of

Unpacking

The carton and shipping materials used to protect your new receiver during shipment were specially designed to cushion it from shock and vibration. We suggest that you save the carton and packing materials for use in shipping if you move, or should the unit ever need repair.

To minimize the size of the carton in storage, you may wish to flatten it. This is done by carefully slitting the tape seams on the bottom and collapsing the carton. Other cardboard inserts may be stored in the same manner. Packing materials that cannot be collapsed should be saved along with the carton in a plastic bag.

If you do not wish to save the packaging materials, please note that the carton and other sections of the shipping protection are recyclable. Please ment and discard those materials at a local recycling center.

It is important that you remove the protective plastic film from the front-panel lens. Leaving the film in place will affect the performance of your remote control.

respect the environ-

STAPLE INVOICE HERE

The

Bridge

TABLE OF CONTENTS

2 SAFETY INFORMATION 6 INTRODUCTION

8 FRONT-PANEL CONTROLS 10 REAR-PANEL CONNECTIONS 13 REMOTE CONTROL FUNCTIONS 16 INTRODUCTION TO HOME THEATER 17 CONNECTIONS 17 Speaker Connections 17 Subwoofer 17 Connecting Source Devices to the AVR 18 Audio Connections 18 Digital Audio 19 Analog Audio 19 Video Connections 19 Digital Video 19 Analog Video 20 Antennas 20 RS-232 Serial Port 21 SPEAKER PLACEMENT 23 INSTALLATION 23 Step One – Connect the Speakers 23 Step Two – Connect the Subwoofer 23 Step Three – Connect the Antennas 23 Step Four – Connect the Source Components 27 Step Five – Connect the Video Display 27 Step Six – Plug in AC Power 28 Step Seven – Insert Batteries in Remote 28 Step Eight – Program Sources Into the Remote 29 Step Nine – Remote IR Inputs and Output 29 Step Ten – Install a Multiroom System 30 Step Eleven – Turn On the AVR 247 31 INITIAL SETUP 31 Using the On-Screen Menu System 32 Configure the AVR 247 Using EzSet/EQ 33 What EzSet/EQ Does 34 Configure Sources 37 OPERATION 37 Turning On the AVR 247 37 Sleep Timer 37 Volume Control 37 Mute Function 38 Tone Controls 38 Headphones 38 Source Selection 39 Audio Input Selection 39 Video Input Selection 39 6-/8-Channel Direct Inputs 40 Using the Tuner 41 XM Radio Operation 42 Recording 42 Using 44 Selecting a Surround Mode

45 ADVANCED FUNCTIONS 45 Audio Processing and Surround Sound 45 Analog Audio Signals 45 Digital Audio Signals 46 Surround Modes 47 Dolby Surround Settings 47 Default Modes 51 Manual Setup 51 Step One – Determine Speaker Size 51 Step Two – Measure Speaker Distances 51 Step Three – Manual Setup Menu 52 Speaker Size Menu 53 Speaker Crossover Menu 53 Delay Adjust Menu 54 Step Four – Setting Channel Output Levels Manually 55 Video Adjustments 56 Multiroom Operation 56 Installing a Multiroom System 57 Operating the Multiroom System 57 System Settings 58 Dim Function 58 Advanced Remote Control Functions 58 Punch-Through Programming 59 Macros 59 Resetting the Remote 59 Processor Reset 59 Memory 60 TROUBLESHOOTING GUIDE 61 TECHNICAL SPECIFICATIONS 61, 64 Trademark Acknowledgements 62 APPENDIX

WARNING

To prevent fire or shock hazard, do not expose this appliance to rain or moisture.

For Canadian model

This class B digital apparatus complies with Canadian ICES-003. For models having a power cord with a polarized plug: CAUTION: To prevent electric shock, match wide blade of plug to wide slot, fully insert.

Modèle pour les Canadien

Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada. Sur les modèles dont la fiche est polarisee: ATTENTION: Pour éviter les chocs électriques, introduire la lame la plus large de la fiche dans la borne correspondante de la prise et pousser jusqu’au fond.

INTRODUCTION

Please register your AVR 247 on our Web site at www.harmankardon.com.

Note: You’ll need the product’s serial number. At the same time, you can choose to be notified about our new products and/or special promotions.

WWW.HARMANKARDON.COM

Thank you for choosing Harman Kardon®!

In the years since Harman Kardon invented the high-fidelity receiver, we have taken to heart the philosophy of bringing the joy of home entertainment to as many people as possible, adding performance and ease-of-use features that enhance the home entertainment experience. In the years since our first single-channel component was introduced, Harman Kardon has offered a number of receiver models, each an improvement upon its predecessors, leading to the AVR 247, a

7.1-channel digital audio/video receiver that offers a wealth of listening and viewing options, all in an elegant package.

AVR 247 7.1-Channel Audio/Video Receiver

Audio Section

• 50 Watts x 7, seven channels driven at full power at 8 ohms, 20Hz – 20kHz, <0.07% THD (surround modes), 350 watts total

• 65 Watts x 2, two channels driven at full power at 8 ohms, 20Hz – 20kHz, <0.07% THD (surround off mode), 130 watts total

• High-current capability, ultrawide-bandwidth amplifier design with low negative feedback

• All-discrete amplifier circuitry

• Dual independent power supplies, for front and surround channels

• Quadruple-crossover bass management

• 24-Bit, twin-core Cirrus Logic 32-bit postprocessor

CS 49510 DSP processor with

To obtain the maximum enjoyment from your new receiver, we urge you to read this manual and refer back to it as you become more familiar with its features and their operation.

If you have any questions about this product, its installation or its operation, please contact your retailer or customer installer, or visit our Web site at www.harmankardon.com.

Surround Modes

• Dolby®Digital EX

• Dolby Pro Logic

• Dolby Virtual Speaker Version 2 (Reference two- or three-speaker; Wide two-, three-, four- or five-speaker)

• Dolby Headphone Version 2

(5.1; DTS Stereo; DTS-ES®6.1 Discrete and Matrix)

• DTS

• DTS 96/24

• DTS Neo:6

• Logic 7

• Hall 1 and Hall 2 (5- or 6-channel)

II and IIx (Movie, Music and Game)

™

(DTS Stereo)

(Cinema 3-, 5- or 6-channel; Music 5- or 6-channel)

(Cinema, Music and Enhance – 5.1 and 7.1)

• 192kHz/24-bit D/A conversion

• Sampling upconversion to 96kHz

• Theater (5- or 6-channel)

• 5- or 7-Channel Stereo

• Surround Off (DSP or Analog Bypass)

INTRODUCTION

The

Bridge

Audio Inputs

• AM/FM/XM®* tuner

• CD

• Tape

• 6-/8-Channel direct

• /DMP for iPod** connectivity with audio/video playback

Audio/Video Inputs (With S-Video)

• Video 1

• Video 2

• Video 3

• Video 4 (on front panel)

• DVD

• Three assignable 100MHz component video inputs

™

• Simplay HD and 1080p pass-through)

• DCDi

Transcodes composite and S-video to component video

Transcodes 480i video to HDMI format, with upscaling up to 720p

-verified HDMI™1 and 2 (with audio/video processing

by Faroudja video processing

Ease of Use

• EzSet/EQ™automated setup (microphone supplied)

• Graphic on-screen display with HDMI, component, composite and S-video

• Two-line dot-matrix front-panel display

• Color-coded connections

• Programmable 11-device main remote control

• Source input renaming

• A/V Sync Delay

• RS-232 serial port for system upgrades

• Switched accessory power outlet

• Remote infrared (IR) input and output

• Multiroom IR input

The AVR 247 is Simplay HD-verified for compatibility

via the HDMI connection with other Simplay HD-verified products.

Supplied Accessories

The following accessory items are supplied with the AVR 247. If any of these items are missing, please contact Harman Kardon customer service at www.harmankardon.com.

Upgraded graphic text-based on-screen displays

Digital Audio Inputs

• Coaxial: two rear-panel/one front-panel

• Optical: two rear-panel/one front-panel

Outputs

• 7.1-Channel preamp outputs

• Tape (analog audio)

• Video 1 (analog audio and video)

• Video monitor (composite, S-video and component)

• Digital audio (one coaxial, one optical)

• Simplay HD-verified HDMI

• Multiroom audio: speaker- and line-level (shared with surround back channels)

• Headphone

• System remote control

• EzSet/EQ microphone

• AM loop antenna

• FM wire antenna

• Three AAA batteries

• Two covers for front-panel jacks

*XM antenna module and subscription to XM service required. Hardware and

service sold separately. XM service is not available in Alaska or Hawaii.

**Compatible with all iPod models equipped with a dock connector. Not compatible

with iPod shuffle models. Images and videos stored on iPod photo and video models may be viewed.

FRONT-PANEL CONTROLS

Main Power Switch: This mechanical switch turns the power supply

on or off. It is usually left pressed in (On position), and cannot be turned on using the remote control.

Standby/On Switch: This electrical switch turns the receiver on

for playback, or leaves it in Standby mode for quick turn-on using this switch or the remote control.

Power Indicator: This LED has three possible modes. When main

power is turned off, the LED is dark and the receiver won’t respond to any button presses. When main power is turned on, but before the Standby/On Switch is used, the LED turns amber to indicate that the receiver is in Standby mode and ready to be turned on. When the receiver is turned on, the LED turns blue.

Source Select: Press this button to select a source device, which

is a component where a playback signal originates, e.g., DVD, CD, cable TV, satellite or HDTV tuner.

Source Indicators: The name of the current source input lights up.

The indicated input changes each time the Source Select button is pressed.

Volume Knob: Turn this knob to raise or lower the volume, which will

be shown in decibels (dB) in the Message Display.

Message Display: Various messages appear in this two-line display

in response to commands and changes in the incoming signal. When the on-screen display menu system (OSD) is in use, the message OSD ON will appear to remind you to check the video display.

Tuner Band: Press this button to select the tuner as the source, to

switch between the AM and FM bands, or to select XM satellite radio.

Tuning: Press either side of this button to tune a radio station or

XM channel.

Tuning Mode: This button toggles between manual (one frequency

step at a time) and automatic (seeks frequencies with acceptable signal strength) tuning mode. It also toggles between stereo and mono modes when an FM station is tuned.

When XM Radio is in use, pressing this button repeatedly displays the channel name, category, artist and track title in the lower line of the Message Display. For traffic-and-weather channels, this button displays the city, channel name, local weather and local temperature.

Preset Stations: Press this button to select a preset radio station. Headphone Jack/EzSet/EQ Microphone Input: Plug a 1/4"

headphone plug into this jack for private listening.

This jack is also used to connect the supplied microphone before beginning the EzSet/EQ procedure described in the Initial Setup section. To begin EzSet/EQ, plug the supplied microphone into this jack, place the microphone at the listening position, and follow the directions given in the Speaker Setup-Auto Configuration on-screen menu.

Surround Mode: Press this button to select a surround sound (e.g.,

multichannel) mode group. Choose from the Dolby modes, DTS modes, Logic 7 modes, DSP modes or Stereo modes.

Surround Select: After you have selected the desired surround

mode group, press this button to select a specific mode.

Surround Mode Indicators: One or more of these icons may light

up as you select different surround modes. The Message Display also indicates the surround mode.

Analog Audio, Video and Digital Audio Inputs: Connect a

source component that will only be used temporarily, such as a camera or game console, to these jacks. Use only one type of audio and one type of video connection.

Speaker/Channel Input Indicators: The box icons indicate

which speaker positions you have configured, and the size (frequency range) of each speaker. When a digital audio input is used, letters will light inside the boxes to indicate which channels are present in the incoming signal.

Navigation: These buttons are used together with the following five

buttons to make selections.

Tone Mode: Press this button to access the tone controls (bass and

‹/›

treble). Use the

Navigation Buttons to make your selections.

Speaker: Press this button to configure speaker sizes, that is, the

low-frequency-range capability of each speaker.

Channel Level Adjust: Press this button to set the output level for

each channel so that all speakers sound equally loud at the listening position.

Digital Input Select: Press this button to select the specific digital

audio input (or analog audio input) you used for the current source.

Delay: Press this button to set delay times that compensate for

placing the speakers at different distances from the listening position.

Remote IR Sensor: This sensor receives infrared (IR) commands

from the remote control. It is important to ensure that it is not blocked. If covering the sensor is unavoidable, such as when the AVR 247 is placed inside a cabinet, you may use an optional Harman Kardon HE 1000, or other infrared receiver, connecting it to the Remote IR Input on the AVR 247’s rear panel. Alternatively, connect the Remote IR Output of another compatible component to the AVR 247’s Remote IR Input. Point the remote at the other device’s remote sensor, and the command will be transmitted to the AVR 247. An external IR “blaster” may also be used, positioned to point at this area.

Surround

Mode

Tuning

Preset Stations

Surround

Select

Tuner Band

Tuning

Mode

Source

Select

Headphone

Jack/EzSet/EQ

Microphone

Input

Digital

Audio Inputs

(Optical 3 and

Coaxial 3)

Video 4

Video Inputs

Video 4 Analog

Audio Inputs

Navigation

Tone Mode

Speaker Size

Setup

Delay

Digital Input

Select

Power

Indicator

Main Power

Switch

Standby/On

Switch

Volume

Source

Indicators

Message Display

Surround Mode Indicators

Speaker/Channel

Input Indicators

Channel Level

Adjust

Remote

IR Sensor

NOTE: To make it easier to follow the instructions throughout the manual that refer to this illustration, a copy of this page may be downloaded from the Product Support section at

www.harmankardon.com.

REAR-PANEL CONNECTIONS

AM and FM Antenna Terminals: Connect the included AM and

FM antennas to their respective terminals for radio reception.

XM Antenna Jack: Plug in an XM antenna module here. The XM

antenna module is purchased separately, and should specify that it is for home use with an XM Ready the XM service, which is available separately, and activate the service for your antenna module. (XM service is not available in Alaska and Hawaii.)

product. You will need to subscribe to

Front, Center and Surround Speaker Outputs: Use two-

conductor speaker wire to connect each set of terminals to the correct speaker. Remember to observe the correct polarity (positive and negative connections). Always connect the positive lead to the colored terminal on the receiver and the red terminal on the speaker. Connect the negative lead to the black terminal on both the receiver and the speaker. See the Connections section for more information on connecting your speakers.

Surround Back/Multiroom Speaker Outputs: These speaker

outputs may be used either for the surround back channels in a 7.lchannel home theater, or they may be reassigned to a remote room for use with a multiroom system. When these outputs are reassigned for multiroom operation, only a 5.1-channel configuration will be available in the main listening room. Use the on-screen menu system to configure these channels as desired.

As with the other speaker outputs, remember to observe proper polarity by connecting the positive and negative output terminals to the corresponding terminals on each speaker.

Subwoofer Output: If you have a powered subwoofer with a

line-level input, connect it to this jack.

Preamp Outputs: Connect these jacks to an external amplifier if

more power is desired.

Surround Back/Multiroom Preamp Outputs: These outputs

may be used with an external amplifier either to power the surround back channels, or to power the speakers in the remote zone of a multichannel system. Use the on-screen menu system to configure these channels as desired.

Remote Infrared (IR) Input and Output: When the remote IR

receiver on the front panel is blocked, such as when the AVR is placed inside a cabinet, connect an optional IR receiver to the Remote IR Input jack for use with the remote control. The Remote IR Output may be connected to the Remote IR Input of a compatible source device (or other product) to enable remote control through the AVR. This is particularly useful in multiroom applications, when you wish to control the source device from the remote room (when used with the Multiroom IR Input). When several source devices are used, connect them in “daisy chain” fashion.

Multiroom Infrared (IR) Input: Connect a remote IR receiver

located in the remote zone of a multiroom system to this jack to control the AVR and any source devices connected to the Remote IR Output from the remote zone.

Video 1, Video 2, Video 3 and DVD Audio/Video Inputs:

These jacks may be used to connect your video-capable source components (e.g., VCR, DVD player, cable TV box) to the receiver. Remember to use only one type of video connection for each source. See the Connections section for more information on audio and video connection options for each source component.

Video 1 Audio/Video Outputs: These jacks may be used to

connect your VCR or another recorder.

Composite and S-Video Monitor Outputs: If any of your

sources use composite or S-video connections, you may need to connect one or both of these monitor outputs to the corresponding inputs on your television or video display in order to view the sources and to view the on-screen displays. If your video display is equipped with HDMI or component video inputs, you may take advantage of the AVR 247’s transcoding capability, which transcodes composite and S-video signals to HDMI and component video, allowing for only a single video connection from the AVR to the video display.

HDMI Inputs and Output: HDMI (High-Definition Multimedia

Interface) is a newer type of connection for transmitting digital audio and video signals between devices. With the AVR 247’s powerful processor, you may connect up to two HDMI-equipped source devices to the HDMI inputs using a single-cable connection, while benefiting from superior digital audio and video performance. However, if your video display is not HDMI-compatible, you will need to connect the device to one of the other source inputs, selecting a coaxial or optical digital audio input and analog video input. See the Connections and Installation sections for more information.

If your video display has an HDMI input, but some of your sources have only analog video outputs, you may still rely on just the HDMI video connection to your display; the AVR 247 will automatically transcode analog video signals up to 720p to the HDMI format. High-resolution analog 1080i or higher signals are not available at the HDMI Output, but 1080i signals received through one of the HDMI Inputs will be passed through directly to the HDMI Output without any video processing.

The AVR 247 is Simplay HD-verified for compatibility via the HDMI connection with other Simplay HD-verified products.

CD and Tape Audio Inputs: These jacks may be used to connect

audio-only source components (e.g., CD player, tape deck). Do not connect a turntable to these jacks without a phono preamp.

Tape Outputs: These jacks may be used to connect a CDR or

another audio-only recorder.

Coaxial and Optical Digital Audio Inputs: If a source has

a compatible digital audio output, and if you are not using an HDMI connection for audio for the device, connect it to one of these jacks for improved audio performance. Use only one type of digital audio connection for each source.

Coaxial and Optical Digital Audio Outputs: If a source is

also an audio recorder, you may connect a compatible digital audio output to the recorder’s input for improved recording quality.

REAR-PANEL CONNECTIONS

The

Bridge

The Bridge/DMP Input: Connect the optional Harman Kardon

to this input for use with your iPod (not included). Make sure the receiver is turned off (in Standby mode) when connecting The Bridge.

6-/8-Channel Inputs: Connect the multichannel analog audio

™

outputs of a DVD-Audio, SACD (or any other external decoder) to these jacks to enjoy these proprietary formats.

NOTE: When an HD-DVD or Blu-ray Disc player has an onboard digital decoder, it is not necessary to connect it to the 6-/8-Channel Analog Audio Inputs. Only a digital audio connection (HDMI, coaxial or optical) is needed.

, Blu-ray Disc™or HD-DVD™player

Component Video Inputs: If both a video source (e.g., DVD

player or HDTV tuner) and your television or video display have analog component video (Y/Pb/Pr) capability, and if you are not using an HDMI connection for the device, then you may connect the component video outputs of the source to one of the two component video inputs. Do not make any other video connections to that source.

Component Video Monitor Outputs: If you are using one of

the Component Video Inputs and your television or video display is component-video-capable, and if you are not connecting the HDMI Output to your display, you may connect these jacks to the corresponding inputs on your video display.

Switched AC Accessory Outlet: You may plug the AC power

cord of one source device into this outlet, and it will turn on whenever you turn on the receiver. Do not use a source that consumes more than 50 watts of power.

AC Power Cord: After you have made all other connections, plug

the AC power cord into an unswitched outlet.

NOTES:

• Due to copy-protection restrictions, there is no output at the Component Video Monitor Outputs for copy-protected sources.

• High-resolution analog 1080i and 1080p video signals are not available at the HDMI Output, but 1080i signals are passed through, as is, to the Component Video Outputs. If your source outputs analog high-resolution video, either use the AVR’s Component Video Outputs, lower the output resolution of your source device, or connect your source’s component video outputs directly to your video display.

• Due to the design of some video displays, analog 480p or 720p component video source signals may produce artifacts when used with the AVR’s analog video outputs (composite, S-video or component video). If this occurs, try changing the Video Mode setting in the INPUT SETUP menu, or connecting the source device’s video output directly to your video display. However, for best results, we recommend you consider upgrading to an HDMI-capable video display.

RS-232 Serial Port: This specialized connector may be used with

your personal computer in case Harman Kardon offers a software upgrade for the receiver at some time in the future.

RS-232 Mode: Leave this switch popped out in the Operate position

unless the AVR 247 is being upgraded.

RS-232 Reset: This switch is only used during a software upgrade.

A standard processor reset is performed by pressing and holding the front-panel Tone button.

FM Antenna

Antenna

Jack

AM Antenna

Video 2

A/V

Inputs

Video 1

A/V

Outputs

Video 3

A/V

Inputs

Video 1

A/V

Inputs

Video

Monitor

Outputs

DVD A/V

Inputs

Component

Video

Inputs

(1, 2 & 3)

Component

Video

Monitor

Outputs

AC Power

Cord

RS-232

Serial Port

Coaxial Digital

Audio

Inputs

(1 & 2)

RS-232

Mode

The

Bridge/

DMP

Input

RS-232

Reset

HDMI

Output

HDMI 2

Input

HDMI1

Input

Subwoofer

Output

Preamp

Outputs

Front Speaker

Outputs

Surround

Speaker

Outputs

6-/8-

Channel

Inputs

Surround

Back/Multiroom

Speaker Outputs

Surround

Back/

Multiroom

Preamp

Outputs

Center Speaker

Outputs

Switched AC

Accessory

Outlet

Coaxial

Digital

Audio

Output

Optical Digital

Audio Inputs (1 & 2)

Optical Digital

Audio Output

Inputs

Multiroom

IR Input

Remote

IR Input

Remote

IR Output

Tape

Outputs

Tape

Inputs

NOTE: To make it easier to follow the instructions throughout the manual that refer to this illustration, a copy of this page may be downloaded from the Product Support section at

www.harmankardon.com.

REMOTE CONTROL FUNCTIONS

The AVR 247 remote is capable of controlling 11devices, including the AVR itself and an iPod docked in the optional The Bridge accessory. During the installation process, you may program the codes for each of your source components into the remote. Each time you wish to use the codes for any component, first press the Selector button for that component. This changes the button functions to the appropriate codes for that product.

NOTE: Several of the Input Selectors are shared between two devices. The selector button will light in red when the remote is in the device mode printed on the button, and it will light in green for the device mode printed above the button. To switch between the two device modes, press the selector in succession. The selector will remain in the last-selected mode until the next time you press the selector twice quickly.

For example, the first time you press the DVD button, the button will light up in red, indicating that the remote is in DVD mode. If you press another selector, such as the VID3 selector, and then press the DVD button again, the DVD button will remain red, indicating the remote is still in DVD mode. Now press the DVD button twice quickly. At the first press the button will light red, indicating that the remote is in DVD mode. On the second press the button will turn green, indicating that the remote is now in CD mode. If you press a different selector and return to the DVD/CD Selector, you will observe that the remote is still in CD mode.

Each Input Selector has been preprogrammed to control certain types of components, with only the codes specific to each brand and model changing, depending on which product code is programmed. The device types programmed into each selector may not be changed. However, you may program the HDMI 1 and 2 Selectors with the DVD, cable/satellite or VCR/PVR device type.

twice

quickly

DVD: Controls DVD players and recorders. CD: Controls CD players and recorders. Tape: Controls cassette decks. Video 1: Controls VCRs, TiVo

and PVRs.

Video 2: Controls cable and satellite television set-top boxes. Video 3: Controls televisions and other video displays. Video 4: Controls televisions and other video displays. HDMI 1 and 2: Each code set controls a source device (VCR/PVR,

DVD player or cable/satellite set-top box) connected to one of these two inputs.

XM: Controls the AVR functions for XM Satellite Radio. The Bridge/DMP: Controls an iPod docked in The Bridge.

For example, if you have inserted a disc in your CD player and you would like to skip ahead three tracks, but you then find that the volume is too loud, you would follow this procedure:

1. Press the CD Input Selector to switch to the codes that control your

CD player. If the remote is in DVD mode, press the selector twice quickly to switch to CD mode, indicated by the selector lighting in green.

2. Press the Play Button (in the Transport Controls section) if the disc

is not already playing.

3. Press the Skip Up Button three times to advance three tracks.

4. Press the AVR Button so that you can access the Volume Controls.

5. Press the Volume Down Button until the volume level is satisfactory.

Any given button may have different functions, depending on which component is being controlled. Some buttons are labeled with these functions. For example, the Sleep and DSP Surround Buttons are labeled for use as Channel Up/Down Buttons when controlling a television or cable box. See Table A8 in the appendix for listings of the different functions for each type of component.

IR Transmitter Lens: As buttons are pressed on the remote,

infrared codes are emitted through this lens. Make sure it is pointing toward the component being operated.

Power On Button: Press this button to turn on the AVR or another

device. The Master Power Switch on the AVR 247’s front panel must first have been switched on.

Mute Button: Press this button to mute the AVR 247’s speaker and

headphone outputs temporarily. To end the muting, press this button or adjust the volume. Muting is also canceled when the receiver is turned off.

Program Indicator: This LED lights up or flashes in one of three colors

as the remote is programmed with codes.

Power Off Button: Press this button to turn off the AVR 247 or

another device.

AVR Selector: Press this button to switch the remote to the codes

that operate the receiver.

Input Selectors: Press one of these buttons to select a source

device, which is a component where a playback signal originates, e.g., DVD, CD, cable TV, satellite or HDTV tuner, or an iPod docked in the optional The Bridge. This will also turn on the receiver and switch the remote’s mode to operate the source device.

XM Radio Button: Press this button to select XM Satellite Radio as

the source. You will need to have purchased and activated an XM antenna module, and you will also need to subscribe to the XM Radio service. Visit www.xmradio.com for more information.

AM/FM Button: Press this button to select the tuner as the source,

or to switch between the AM and FM bands, or XM Radio.

6-/8-Channel Input Selector: Press this button to select the

6-/8-Channel Inputs as the audio source. The receiver will use the video input and remote control codes for the last-selected video source.

Test Tone: Press this button to activate the test tone for manual

output-level calibration.

TV/Video: This button has no effect on the receiver, but is used to

switch video inputs on some video source components.

IR Transmitter Lens

Program Indicator

Power On

AVR Selector

AM/FM

XM Radio

Test Tone

Sleep

DSP Surround

On-Screen Display

Channel Level

Digital Input

Tuning Mode

Direct Station Entry

Tuning

Tone Mode

Night Mode

Track Skip

Transport Controls

Power Off

Mute

Input Selectors

6-/8-Channel Input Selector

TV/Video

Volume Controls

Multiroom

Speaker Setup

Set

Navigation

Numeric Keys

Delay

Memory Clear

Preset Stations Selectors

Disc Skip Macros

Surround Mode Selectors

Dim

NOTE: To make it easier to follow the instruc-

tions throughout the manual that refer to this illustration, a copy of this page may be downloaded from the Product Support section at www.harmankardon.com.

REMOTE CONTROL FUNCTIONS

Sleep Button: Press this button to activate the sleep timer, which turns

off the receiver after a programmed period of time of up to 90 minutes.

Volume Controls: Press these buttons to raise or lower the volume,

which will be shown in decibels (dB) in the Message Display.

DSP Surround: Press this button to select a DSP surround mode

(Hall 1, Hall 2, Theater).

On-Screen Display (OSD): Press this button to activate the

on-screen menu system.

Multiroom: Press this button to control the multiroom system. Three

settings are available: MULTI ON/OFF, which is used to turn the multiroom system on or off; MULTI LEVEL, which adjusts the volume of the remote zone only; and MULTI INPUT, which is used to select the source input for the remote zone. See Multiroom Operation in the Advanced Functions section for more information on using the AVR 247’s multiroom system.

Channel Level: Press this button to adjust the output levels for each

channel so that all speakers sound equally loud at the listening position. Usually this is done while playing an audio selection, such as a favorite CD, after you have calibrated the levels using EzSet/EQ, as described in the Initial Setup section.

Speaker Setup: Press this button to configure speaker sizes, that is,

the low-frequency capability of each speaker. Usually this is done using the on-screen menu system, as described in the Initial Setup section.

Navigation (

used to make selections within the on-screen menu system, or when accessing the functions of the four buttons surrounding this area of the remote – Channel Level, Speaker Setup, Digital Input or Delay.

⁄/¤

›

/‹/

) and Set Buttons: These buttons are

Digital Input Select: Press this button to select the specific digital

audio input (or analog audio input) you used for the current source.

Delay: Press this button to set delay times that compensate for placing

the speakers at different distances from the listening position, or to resolve a “lip sync” issue that may be caused by digital video processing. This may also be done using the on-screen menu system, as described in the Initial Setup section.

Numeric Keys: Use these buttons to enter radio station frequencies

or to select station presets. When the AM or FM band is in use, press the Direct Button before entering the station frequency.

When listening to XM Radio, you may enter channel numbers without first pressing the Direct Button; however, to access the preset stations, you will need to use the Preset Stations Selectors. To access another bank of XM presets, press the Set Button repeatedly until PRESET SEARCH appears, then use the

⁄/¤

Buttons to select the letter of the desired bank.

Tuning Mode: When listening to AM or FM radio, this button toggles

between manual (one frequency step at a time) and automatic (seeks frequencies with acceptable signal strength) tuning mode. It also toggles between stereo and mono modes when an FM station is tuned.

When listening to XM Radio, press the Tuning Mode Button once to view the category name of the current channel. Additional presses will display the artist, song title and channel name.

Memory: After you have tuned a particular radio station, press this

button, then the numeric keys, to save that station as a radio preset.

For XM Radio, the procedure for saving a preset is a little different. To save the current channel in one of the 40 available preset locations, press the Set Button repeatedly until PRESET SEARCH appears. Use

⁄/¤

the the five banks of preset memory slots. Then press the Memory Button, followed by a Numeric Key (1 through 8) for the precise preset memory location you wish to save the channel in.

Buttons to select a letter (A through E) representing one of

Tuning: Press these buttons to tune a radio station or XM Radio

channel. For the AM and FM bands, and depending on whether the tuning mode has been set to manual or automatic, each press will either change one frequency step at a time, or seek the next frequency with acceptable signal strength.

Direct: Press this button before using the Numeric Keys to directly

enter a radio station frequency (AM or FM bands only).

Clear: Press this button to clear a radio station frequency you have

started to enter.

Preset Stations Selector: Press these buttons to select a preset

radio station.

For XM Radio, first press the Set Button repeatedly until PRESET SEARCH

⁄/¤

appears and then use the desired bank of presets.

Buttons to select the letter of the

Tone Mode: Press this button to access the tone controls (bass and

treble). Use the Navigation Buttons to make your selections.

Disc Skip: This button has no effect on the receiver, but is used with

some optical disc changers to skip to the next disc.

Macros: These buttons may be programmed to execute long command

sequences with a single button press. They are useful for programming the command to turn on or off all of your components, or for accessing specialized functions for a different component than you are currently operating.

Surround Mode Selectors: Press any of these buttons to select

a type of surround sound (e.g., multichannel) mode. Choose from the Dolby modes, DTS modes, Logic 7 modes or Stereo modes. Each press of a button will cycle to the next available variant of that mode. Not all modes or mode groups are available with all sources.

Night Mode: Press this button to activate Night mode with specially

encoded Dolby Digital discs or broadcasts. Night mode compresses the audio so that louder passages are reduced in volume to avoid disturbing others, while dialogue remains intelligible.

Track Skip: These buttons have no effect on the receiver, but are

used with many source components to change tracks or chapters.

Dim: Press this button to partially or fully dim the front-panel display. Transport Controls: These buttons have no effect on the receiver,

but are used to control many source components. By default, when the remote is operating the receiver, these buttons will control a DVD player.

INTRODUCTION TO HOME THEATER

The AVR 247 may be the first multichannel surround sound receiver you have owned. Although it has more connections and features than 2-channel receivers, many of the principles are similar and the new concepts are easy to understand. This introductory section will help you to familiarize yourself with the basic concepts, which will make setup and operation smoother.

If you are already familiar with home theater, you may skip this section and proceed to the Connections section on page 17.

Typical Home Theater System

A home theater typically includes your audio/video receiver, which con the system; a DVD player; a source component for television broad which may be a cable box, a satellite dish receiver, an HDTV tuner or simply an antenna connected to the TV; a video display (television); and loudspeakers.

All of these components are connected using various types of cables for audio and video signals.

trols

casts,

Multichannel Audio

The main benefit of a home theater system is that several loudspeakers are used in various locations around the room to produce “surround sound.” Surround sound immerses you in the musical or film presentation for increased realism.

The AVR 247 may have up to seven speakers connected directly to it (plus a subwoofer). Each main speaker is powered by its own amplifier channel inside the receiver. When more than two speakers are used, it is called a multichannel system.

• Front Left and Right – The main speakers are used the same

way as in a 2-channel system. However, you may notice that in many surround modes, these speakers are used more for ambient sound while the main action, especially dialogue, is moved to the center speaker.

• Center – The center speaker is usually placed above or below the

video screen, and is used mostly for dialogue in movies and television programs. This placement allows the dialogue to originate near the actors’ faces, for a more natural sound.

your main listening area, and reassign the surround back channels for use with a multiroom system, in which you use the surround back channels to power a pair of loudspeakers located in another room.

Many people expect the surround speakers to play as loudly as the front speakers. Although all of the speakers in the system will be calibrated to sound equally loud at the listening position, most artists use the surround speakers for ambient effects only, and they program their materials to steer very little sound to these speakers.

• Subwoofer – A subwoofer is a special-purpose speaker designed

to play only the lowest frequencies (the bass). It may be used to augment smaller, limited-range satellite speakers used for the other channels. In addition, many digital-format programs, such as movies recorded in Dolby Digital, contain a special low-frequency effects (LFE) channel which is directed only to the subwoofer. The LFE channel packs the punch of a rumbling train or airplane, or the power of an explosion, adding realism and excitement to your home theater. Many people use two subwoofers, placed on the left and right sides of the room, for additional power and even distribution of the sound.

Surround Modes

There are different theories as to the best way to present surround sound and to distribute soundtrack information among the various speakers. A variety of algorithms have been developed in an effort to accurately reproduce the way we hear sounds in the real world. The result is a rich variety of surround mode options. Some modes are selected automatically, depending on the signal being received from the source. In many cases, you may select a surround mode manually.

Several companies have taken surround sound in slightly differing directions. It is helpful to group the numerous surround modes either by their brand name, or by using a generic name:

• Dolby Laboratories, Inc. Modes – Dolby Digital, Dolby Digital EX,

Dolby Pro Logic II and IIx, Dolby Virtual Speaker, Dolby Headphone

• DTS Modes – DTS, DTS-ES (Discrete and Matrix), DTS Neo:6,

DTS 96/24

• Harman International (Harman Kardon’s Parent Company) –

Logic 7

• Surround Left and Right – The surround speakers are used to

improve directionality of ambient sounds. In addition, by using more loudspeakers in the system, more dynamic soundtracks may be played without risk of overloading any one speaker.

• Surround Back Left and Right – Additional surround speakers may be

placed behind the listening position, improving the precision with which ambient sounds may be placed and allowing for more realistic-sounding pans. By using more speakers in the system, the same sound levels may be attained with less burden placed on any individual speaker.

The surround back speakers may also be used with specialized surround modes that are designed for use with 7.1-channel systems, such as Dolby Digital EX, DTS-ES (Discrete and Matrix) and Logic 7 (7.1 modes). However, the surround back speakers are optional. In fact, the AVR 247 enables you to set up a 5.1-channel system in

• DSP Modes – Generic modes that include Hall 1, Hall 2 and Theater

• Stereo Modes – Generic modes that expand upon conventional

2-channel stereo, including DSP Surround Off, Analog Bypass Surround Off and 5- and 7-Channel Stereo

Table 8 on pages 48–50 contains detailed explanations of the differences between the various mode groups, and the mode options available within each group. Digital modes, such as Dolby Digital and DTS, are only available with specially encoded programs, such as HDTV, DVDs and digital cable or satellite television. Other modes may be used with various digital and analog signals to create a different surround presentation, or to use a different number of speakers. Surround mode selection depends upon the number of speakers in your system, the materials you are watching or listening to, and your personal tastes. Feel free to experiment.

CONNECTIONS

SubwooferPreout

12 3

Audio Connections

Left Right Front (FL/FR) Center (C) Surround (SL/SR) Surround Back (SBL/SBR) Subwoofer (SUB)

Digital Audio Connections

Coaxial

Optical Input Output

Video Connections

Component Y Pb Pr Composite

S-Video

HDMI™ Connections

(digital audio/video)

HDMI

There are different types of audio and video connections used to connect the receiver to the speakers and video display, and to connect the source devices to the receiver. To make it easier to keep them all

straight, the Consumer Electronics Association (CEA

) has established a color-coding standard. Table 1 may be helpful to you as a reference while you set up your system.

Table 1 – Connection Color Guide

Types of Connections

This section will briefly review different types of cables and connections that you may use to set up your system.

Speaker Connections

Speaker cables carry an amplified signal from the receiver’s speaker terminals to each loudspeaker. Speaker cables contain two wire conductors, or leads, inside plastic insulation. The two conductors are usually differentiated in some way, by using different colors, or stripes, or even by adding a ridge to the insulation. Sometimes the actual wires are different, one being copper-colored and the other silver.

Bare wire cables are installed as follows (see Figure 2):

1. Unscrew the terminal cap until the pass-through hole in the collar is revealed.

2. Insert the bare end of the wire into the hole.

3. Hand-tighten the cap until the wire is held snugly.

Figure 2 – Binding-Post Speaker Terminals With Bare Wires

Subwoofer

The subwoofer is a specialized type of loudspeaker that is usually connected in a different way. The subwoofer is used to play only the low frequencies (bass), which require much more power than the other speaker channels. In order to obtain the best results, most speaker manufacturers offer powered subwoofers, in which the speaker contains its own amplifier on board. Sometimes the subwoofer is connected to the receiver using the front left and right speaker outputs, and then the front left and right speakers are connected to terminals on the subwoofer. More often, a line-level (nonamplified) connection is made from the receiver’s Subwoofer Output to a corresponding jack on the subwoofer, as shown in Figure 3.

Although the subwoofer output looks similar to the analog audio jacks used for the various components, it is filtered and only allows the low frequencies to pass. Don’t connect this output to any other devices. Although doing so won’t cause any harm, performance will suffer.

The differentiation is important because each speaker must be connected to the receiver’s speaker-output terminals using two wires, one positive (+) and one negative (–), referred to as speaker polarity. It’s important to maintain the proper polarity for all speakers in the system. If some speakers have their negative terminals connected to the receiver’s positive terminals, performance can suffer, especially for the low frequencies.

Always connect the positive terminal on the loudspeaker, which is usually colored red, to the positive terminal on the receiver, which is colored as shown in the Connection Color Guide (Table 1). Similarly, always connect the black negative terminal on the speaker to the black negative terminal on the receiver.

The AVR 247 uses binding-post speaker terminals that can accept banana plugs

Figure 1 – Binding-Post Speaker Terminals With Banana Plugs

or bare-wire cables. Banana plugs are simply plugged into the hole in the middle of the terminal cap. See Figure 1.

Figure 3 – Subwoofer

Connecting Source Devices to the AVR

The AVR 247 is designed to process audio and video input signals, playing back the audio and displaying the video on a television or monitor connected to the AVR. These signals originate in what are known as “source devices,” including your DVD player, CD player, DVR (digital video recorder) or other recorder, tape deck, game console, cable or satellite television box or MP3 player. Although the tuner is built into the AVR, it also counts as a source, even though no external connections are needed, other than the FM and AM antennas and the XM antenna module.

Separate connections are required for the audio and video portions of the signal, except for digital HDMI connections. The types of connections used depend upon what’s available on the source device, and for video signals, the capabilities of your video display.

CONNECTIONS

Optical

Optical digital audio cable

Coaxial

Coaxial digital

audio cable

Audio Connections

There are two formats for audio connections: digital and analog. Digital audio signals are of higher quality, and are required for listening to sources encoded with digital surround modes, such as Dolby Digital and DTS. There are three types of digital audio connections: HDMI, coaxial and optical. Any one type of digital audio connection may be used for each source device, but never more than one for the same source. However, it’s okay to make both analog and digital audio connections at the same time to the same source.

NOTE: Since the AVR 247 is capable of processing the audio and video portions of most HDMI signals, if your video display device has an HDMI input, you may make a single HDMI connection from your source device (such as a DVD player) to the AVR. In that case, no separate digital audio connection is required. Make sure to turn the volume on your television all the way off.

Digital Audio

The AVR 247 is equipped with two HDMI (High-Definition Multimedia Interface) inputs, and one output. HDMI is capable of carrying digital audio and video information using a single cable, thus delivering the highest possible quality picture and sound.

There are different versions of HDMI, depending on the capability of the source device and the type of signal it is capable of transmitting via the HDMI connection.

In addition, receivers and processors such as the AVR 247 may handle the incoming signal in several different ways, depending on their capability as well. The AVR 247 uses HDMI version 1.2a, and is capable of processing both the audio and video components of the HDMI data, minimizing the number of cable connections in your system.

If your digital cable television set-top box outputs 1080i or higher video via component video outputs and is not equipped with an HDMI output, contact your cable operator for a replacement.

For Xbox 360 and satellite television customers, either change the settings on your source device to ensure that it outputs only 720p video through its component video outputs, which the AVR can convert to the HDMI format, or connect the AVR’s Component Video Monitor Outputs to the video display. Although you could connect the source device’s component video outputs directly to your video display, you would then have to select the correct video input on the display, depending on which source input on the AVR was in use.

The physical HDMI connection is simple. The connector is shaped for easy plug-in (see Figure 4). If your video display has a DVI input, you may use an HDMI-to-DVI adapter (not included) to connect it to the AVR’s HDMI Output. HDMI cable runs are usually limited to about 10 feet.

The AVR 247 is Simplay HD-verified for compatibility via the HDMI connection with other Simplay HD-verified products.

Figure 4 – HDMI Connection

If your video display or source device is not HDMI-capable, use one of the analog video connections (composite, S- or component video) and, if available on your source device, either a coaxial or optical digital audio connection.

Coaxial digital audio jacks are usually color-coded in orange. Although they look similar to analog jacks, they should not be confused, and you should not connect coaxial digital audio outputs to analog inputs or vice versa. See Figure 5.

NOTE: Some multichannel audio devices, such as DVD-Audio, SACD, HD-DVD or Blu-ray Disc players, output some audio formats only through the source’s multichannel analog outputs. These include DVD-Audio players with HDMI version 1.0, and HD-DVD and Blu-ray Disc players that do not decode the digital audio. In those cases, make a separate analog audio connection in addition to the HDMI connection, which is still used for video or if you wish to listen to Dolby Digital, DTS or PCM materials that may be stored on the disc.

In addition, the AVR 247 will convert analog video signals to the HDMI format, upscaling to high-definition 720p resolution. Digital source signals with 1080i or 1080p resolution are passed via the HDMI Output to your display at their original high-quality resolution, depending on your display’s capabilities. You may view the AVR 247’s own on-screen display menus using the HDMI output.

IMPORTANT NOTE: The AVR 247 cannot convert 1080i or 1080p analog video signals to the HDMI format, but passes 1080i signals in their native format to the Component Video Outputs. This

affects users of Microsoft

Xbox®360 systems and some older

set-top boxes.

Figure 5 – Coaxial Digital Audio

Optical digital audio connectors are often covered by a shutter to protect them from dust. The shutter opens as the cable is inserted. Input connectors are color-coded using a black shutter, while outputs use a gray shutter. See Figure 6.

Figure 6 – Optical Digital Audio

Due to the nature of digital signals as binary bits, they aren’t subject to signal degradation the way analog signals are. Therefore, the quality of all digital audio connections should be the same, although it is important to limit the length of the cable. Whichever type of connection you choose, Harman Kardon recommends that you always select the highest quality cables available within your budget.

Composite video cable

Multichannel analog audio cable (RCA)

Front Surround Center

Subwoofer

Analog audio cable (RCA)

CONNECTIONS

Analog Audio

Analog connections require two cables, one for the left channel (white) and one for the right channel (red). These two cables are often attached to each other for most of their length. See Figure 7.

Most sources that have digital audio jacks also have analog audio jacks, although some older types of sources, such as tape decks, have only analog jacks. For sources that are capable of both digital and analog audio, you may wish to make both connections.

The analog audio connection is strongly recommended if you intend to use the source with the multiroom system. It’s required if you will be using the multiroom preamp outputs with an external amplifier to power your remote speakers, as the AVR 247’s multiroom system is not capable of converting the digital signal to analog format. It’s suggested that you also use the analog audio connections when using the surround back/multiroom speaker outputs, in case another two-channel digital audio source is in use in the main listening area. The AVR 247 is only capable of processing one PCM source at a time.

If you wish to record materials from DVDs or other copy-protected sources, you may only do so using analog connections. Remember to comply with all copyright laws, if you choose to make a copy for your own personal use.

messages displayed on the front panel and on a video display connected to the AVR. The Bridge outputs analog audio to the AVR 247, and it is available to the multiroom system.

Figure 9 – The Bridge

Video Connections

Although some sources produce an audio signal only (e.g., CD player, tape deck), many sources output both audio and video signals (e.g., DVD player, cable television box, HDTV tuner, satellite box, VCR, DVR). In addition to the audio connection, connect one type of video connection for each source (never more than one at the same time for any source).

Digital Video

If you have already connected a source device to one of the HDMI inputs as explained in the Digital Audio Connections section, then you have automatically made a video connection at the same time, as the HDMI signal includes both digital audio and video components.

If the source device is not capable of transmitting its digital audio signal through the HDMI connection, then use one of the coaxial or optical digital audio inputs for the source.

Figure 7 – Analog Audio

Multichannel analog connections are used with some high-definition sources where the copy-protected digital content is decoded inside the source. These types of connections are usually used with DVD-Audio, SACD, Blu-ray Disc, HD-DVD and other multichannel players. See Figure 8. However, the multichannel analog audio connection is not required for DVD-Audio players compliant with HDMI version 1.1 or better, or HD-DVD and Blu-ray Disc players that decode the digital audio internally and output linear PCM signals in digital format. Consult the owner’s guide for your disc player for more information.

Figure 8 – Multichannel Analog Audio

Harman Kardon receivers also include a proprietary, dedicated audio connection called “The Bridge/DMP”. If you own an iPod with a dock connector, you may purchase The Bridge separately and connect it to The Bridge/DMP port on the receiver. See Figure 9. Dock your iPod (not included) in The Bridge, and you may enjoy your audio and video materials through your high-performance audio/video system. You may even use the AVR 247 remote to control the iPod, with navigation

If a multichannel analog audio connection is required for certain lossless formats (e.g., DVD-Audio, SACD, HD-DVD or Blu-ray Disc), you may make both audio connections, but you must also make an analog video connection. To listen to the multichannel disc, first select the analog video source input, then select the 6-/8-channel analog audio inputs, and the AVR will retain the last video source you selected other than HDMI.

The AVR 247 is Simplay HD-verified for compatibility via the HDMI connection with other Simplay HD-verified products.

Figure 4 (repeated) – HDMI Connection

Analog Video

There are three types of analog video connections: composite video, S-video and component video.

Composite video is the basic connection most commonly available. The jack is usually color-coded yellow, and looks like an analog audio jack, although it is important never to confuse the two. Do not plug a composite video cable into an analog or coaxial digital audio jack, or vice versa. Both the chrominance (color) and luminance (intensity) components of the video signal are transmitted using a single cable. See Figure 10.

Figure 10 – Composite Video

S-video, or “separate” video, transmits the chrominance and luminance components using separate wires contained within a single cable. The

CONNECTIONS

Component video cable

S-video cable

plug on an S-video cable contains four metal pins, plus a plastic guide pin. Be careful to line up the plug correctly when you insert it into the jack on the receiver, source or video display. See Figure 11.

Figure 11 – S-Video

Component video separates the video signal into three components – one luminance (“Y”) and two sub-sampled color signals (“Pb” and “Pr”) – that are transmitted using three separate cables. The “Y” cable is colorcoded green, the “Pb” cable is colored blue and the “Pr” cable is colored red. See Figure 12.

Figure 12 – Component Video

If it’s available on your video display, HDMI is recommended as the best quality connection, followed by component video, S-video and then composite video.

NOTES:

• Due to copy-protection restrictions, there is no output at the Component Video Monitor Outputs for copy-protected sources.

• High-resolution 1080i and 1080p video signals are not available at the HDMI Output, but 1080i signals are passed through, as is, to the Component Video Outputs. If your source outputs analog high-resolution video, either use the Component Video Outputs, change the output resolution of your source device to 720p, or connect your source’s component video outputs directly to your video display.

• Due to the design of some video displays, analog 480p or 720p component video source signals may produce artifacts when used with the AVR’s analog video outputs (composite, S-video or component video). If this occurs, try changing the Video Mode setting in the INPUT SETUP menu, or connecting the source device’s video output directly to your video display. However, for best results, we recommend that you consider upgrading to an HDMI-capable video display.

Figure 14 – AM Antenna

RS-232 Serial Port

The RS-232 serial port on the AVR 247 is used only for data. If Harman Kardon releases a software upgrade for the receiver’s operating system at some time in the future, the upgrade may be downloaded to the AVR using this port. Complete instructions will be provided at that time.

Antennas

The AVR 247 uses separate terminals for the included FM and AM antennas that provide proper reception for the tuner.

The FM antenna uses a 75-ohm F-connector. See Figure 13.

Figure 13 – FM Antenna

The AM loop antenna needs to be assembled. Then connect the two leads to the screw terminals on the receiver. See Figure 14.

SPEAKER PLACEMENT

90°

150°

90°

150°

30° 30°

SUB

FRFL

SBL SBR

Alternate placement

for Side Surround

Left Speaker

Alternate placement

for Side Surround

Right Speaker

110°

150°

110°

150°

30° 30°

SUB

FRFL

SL SR

Before you begin to connect cables, it is important to place your speakers in their correct locations in the room.

Optimally, the speakers should be placed in a circle with the listening position at its center. The distance from the listening position to the video display forms the radius of the circle.

The speakers should be angled so that they directly face the listening position.

Front Speaker Placement

The center speaker is placed either on top of, below or mounted on the wall above or below the video display screen.

The front left and right speakers are placed along the circle, about 30 degrees from the center speaker and angled toward the listener.

It is best to place the front left/right and center speakers as close to the same height as possible, preferably at about the same height as the listener’s ears. In any event, the center speaker should be no more than two feet above or below the left/right speakers.

Placement of the surround speakers depends on the number of speakers in your system. If you’re using only two speakers with the AVR 247, place them in the front left and right positions, and skip to the Installation section. However, Harman Kardon recommends using the AVR 247 in a 5.1- or 7.1-channel configuration for optimal surround sound performance.

Placement of Surround Speakers in a 5.1-Channel System

The side surround speakers should be placed 110 degrees from the center speaker, that is, slightly behind and angled toward the listener. If this isn’t feasible, place them behind the listener, with each surround speaker facing the opposite-side front speaker. See Figure 15. The surround speakers may be placed a little higher than the listener’s ears.

Placement of Surround Speakers in a 7.1-Channel System

In a 7.1-channel system, the side surround speakers are placed 90 degrees from the center speaker, directly to either side of the listening position, which is different than in a 5.1-channel system. The surround back left and right speakers are placed 150 degrees from the center speaker, or directly facing the opposite-side front speaker. See Figure 16.

Figure 15 – Speaker Placement (5.1-Channel System)

Figure 16 – Speaker Placement (7.1-Channel System)

NOTE: Some speaker manufacturers offer 6.1-channel speaker systems, which are compatible with the 6.1-channel digital surround sound formats available on DVD and elsewhere, such as Dolby Digital EX and DTS-ES Discrete and Matrix modes. We do not recommend using the AVR 247 in a 6.1-channel configuration. In fact, the 6.1-channel formats will sound better when played through a 7.1-channel system. The same surround back channel information is played through both surround back speakers, but with twice the power and clarity.

If you wish to use the AVR 247 with a 6.1-channel speaker system, place the single surround back speaker directly behind the listener, but do not connect it until after you have run the EzSet/EQ procedure for a 5.1-channel system. After EzSet/EQ finishes, connect the surround back speaker to the Surround Back

SPEAKER PLACEMENT

Left

Speaker Output. You will then need to follow the directions in the Advanced Features section for manual setup of the surround back speaker.

Subwoofer Placement

The subwoofer’s location is less critical, since low-frequency sounds are omnidirectional. Placing the subwoofer close to a wall or in a corner will reinforce the low frequencies, and may create a “boomy” sound. You may wish to experiment over time by placing the subwoofer where the listener normally sits and then walking around the room until the low frequencies sound best. Place the subwoofer in that spot.

NOTE: Your receiver will sound its best when the same model loudspeaker is used for all positions (other than the subwoofer). If that isn’t possible, try to use speakers made by the same manufacturer.

INSTALLATION

AVR 247

SUB

AVR 247

FR FL

SBR

SBL

You are now ready to connect your various components to your receiver. Before beginning, make sure that all components, including the AVR 247, are turned completely off and their power cords are unplugged. Don’t

plug any of the power cords back in until you have finished making all of your connections.

Remember that your receiver generates heat while it is on. Select a location that leaves several inches of space on all sides of the receiver. It is preferable to avoid completely enclosing the receiver inside a cabinet. It is also preferable to place components on separate shelves rather than stacking them directly on top of the receiver. Some surface finishes are delicate. Try to select a location with a sturdy surface finish.

Step One – Connect the Speakers

If you have not yet done so, place your speakers in the listening room, as described in the Speaker Placement section above.

Connect the center, front left, front right, surround left, surround right, surround back left and surround back right loudspeakers to the corresponding speaker terminals on the AVR 247. See Figure 17. Remember to maintain the proper polarity by always connecting the positive and negative terminals on each speaker to the positive and negative terminals on the receiver. Use the Connection Color Guide on page 17 as a reference.

Step Three – Connect the Antennas

Connect the FM and AM antennas to their terminals. If you have purchased an XM antenna module designed for connection to an XM Ready device, such as the AVR 247, you may connect it now. To enjoy XM Radio, remember to purchase a subscription and activate your antenna module. More information is available at www.xmradio.com.See Figure 19.

Figure 19 – Antenna Connections

Step Four – Connect the Source Components

Use the Table A4 worksheet in the Appendix to note which connections you will use for each of your source devices.

For each source, select a source input (Video 1, Video 2, Video 3, etc.). In Table 2 we recommend connecting certain types of sources to certain source inputs to make it easier to program and use the remote control.

Figure 17 – Speaker Connections

NOTE: If you only have one surround back speaker, wait until after you have run EzSet/EQ in the Initial Setup section before connecting it to the Surround Back Left speaker outputs.

Step Two – Connect the Subwoofer

Connect the Subwoofer Output on the AVR 247 to the line-level input on your subwoofer. See Figure 18. Consult the manufacturer’s guide for the subwoofer for additional information.

Figure 18 – Subwoofer Connection

Decide which audio connections you will use. If your source device has them, use one of the HDMI, coaxial digital or optical digital audio connections. Referring to Table 2, we recommend you connect the DVD source to the Coaxial 1 input jack, and the source designated Video 2 to the Optical 1 input jack. If you are using the HDMI inputs, then in most cases no other audio connection is required. If your source outputs video but not audio via its HDMI connection, then select any available coaxial or optical digital audio input on the AVR to use with the source. If your HDMI source plays DVD-Audio, SACD, HD-DVD, Blu-ray Discs or another multichannel audio format, connect its multichannel analog audio outputs to the AVR 247’s 6-/8-Channel Inputs, and connect one of its analog video outputs to a source input on the AVR 247 (e.g., Video 3). When you select that source input, e.g., Video 3, select the 6-/8-Channel Inputs, and the AVR will automatically use the analog video input.

NOTE: The multichannel analog audio connection is not required for DVD-Audio players compliant with HDMI version

1.1 or better, or HD-DVD and Blu-ray Disc players that decode the digital audio internally and output linear PCM signals in digital format. Consult the owner’s guide for your disc player for more information.

In addition to the digital audio connections, we recommend that you connect the analog audio connections for each source, as a backup to the digital connections, for recording, for use with the multiroom system, or in the event that you use all six of the digital audio inputs for other devices. For sources that don’t have digital audio outputs, you must use the analog audio connections.

INSTALLATION

For each video source, select one type of video connection. HDMI video is preferred, but both your source device and your video display must have this type of video capability. If either device does not, then use component video, S-video or composite video.

Referring to Table 2, we recommend that you connect the DVD source to the Component Video 1 inputs, the Video 1 source to the Component Video 2 inputs, and the Video 2 source to the Component Video 3 inputs. Any HDMI-capable source devices should be connected to one of the two HDMI inputs. All other source devices should be connected to either

NOTE: It’s possible for a source to use none of the connections named for that source. For example, you might connect your DVD player to the Component Video 1 inputs and the Coax 1 digital audio input. However, we will refer to this source as “DVD,” and in the Initial Setup section you will program the receiver so that these connections are assigned to the DVD source. When you select “DVD” as your source using the front panel or the remote, the correct connections for your DVD player will be used.

the component, S- or composite video input for that source. However, you may make whatever video connections are best for your system.

Table 2 – Recommended Source Component Connections

Source Device Type AVR 247 Source Input Audio Connections Video Connections

VCR, DVR, PVR, Video 1 • Video 1 Analog (inputs and outputs) • TiVo or other and audio/video recorder • Any one available coaxial or optical digital, • For recording, use Video 1 S-video

audio input, with corresponding coax Composite Video Output, and do not use or optical digital output component video connections at all

Cable TV, satellite TV, Video 2 • Video 2 Analog Inputs and • HDTV or other • Optical 1 Input S-video orVideo 2 Composite Video Input device that delivers television programs

One

of Component Video 2, Video 1 S-video

Video 1 Composite Video Input

One

of Component Video 3, Video 2

TV or other audio/video Video 3 • Video 3 Analog Inputs and • Video 3 S-video orVideo 3 Composite device (only when used • Any one available coaxial or optical Video Input as a source) digital audio input • Not required if sources is a TV

TV, game console, Video 4 (front-panel jacks) • Video 4 Analog Inputs and • Video 4 S-video camera or other • audio/video device • Not required if sources is a TV

DVD Audio/Video, DVD • DVD Analog Inputs • Component Video 1 Input SACD, HD-DVD, • 6-/8-Channel Inputs (optional) and Blu-ray Disc • Coax 1 Input

HDMI-capable DVD HDMI 1 • HDMI 1 input • HDMI 1 Input Audio/Video or HD-DVD player or other audio/ video device

HDMI-capable DVD HDMI 2 • HDMI 2 input • HDMI 2 Input Audio/Video or HD-DVD player or other audio/ video device

CD player CD • CD Analog Inputs and • Not required

CDR, MiniDisc, Tape • Tape Analog (inputs and outputs) and • Not required cassette • Any one available coaxial or optical digital,

Either

Coax 3 orOptical 3 Input Input

• 6-/8-Channel Inputs (optional)

• Any one available coaxial or optical digital audio input

audio input, with corresponding coax or optical digital output

Video 4 Composite Video

INSTALLATION

We recommend connecting your various sources using the connections shown in Table 2 in order to simplify programming your receiver and remote control. However, you may connect any device to any source input.

NOTE: The AVR 247 is equipped with a total of six digital audio inputs, not including the HDMI inputs: four on the rear panel (Coaxial 1 and 2, Optical 1 and 2) and two on the front panel (Coaxial 3 and Optical 3). However, there are a total of nine sources that may be connected to devices that have digital audio outputs. We recommend certain digital audio connections simply because, as reflected in Table A1 of the Appendix, those digital audio inputs are assigned to those sources by default at the factory. But any digital audio input (except HDMI) may be reassigned to any source. Since you may not be using all nine source inputs, you may reassign a digital audio input that is recommended for a source you aren’t using to another device. Table 2 is a guide; you may need to make adjustments to fit your system.

Video 1 Source

Since this source includes audio and video recording output jacks, it is best suited to a video recorder, such as your VCR or DVR/PVR.

Referring to Table 2, connect your recorder to the Video 1 Analog Audio inputs and outputs and to any available coaxial or optical digital audio input (and corresponding digital audio output). See Figure 20. Use either the Video 1 S-video or composite video input and output if you wish to make recordings. If you don’t plan on recording, you may use the Component Video 2 inputs.

Referring to Table 2, connect your set-top box to the Video 2 Analog Audio inputs and to the Optical 1 Digital Audio input. If possible, use the Component Video 3 inputs. Otherwise, connect the set-top box’s S-video or composite video output to the matching Video 2 video input. See Figure 21.

Figure 21 – Video 2 A/V, Digital Audio and Component Video Inputs

Video 3 Source

The Video 3 source is used only for playback. The remote control is programmed to operate a TV, but you may connect any audio/video source device to the Video 3 inputs and use the device’s own remote to control it.

If you receive your television programming using your TV with an antenna or direct cable connection, connect the analog audio outputs (if available on your TV) to the Video 3 Analog Audio inputs. See Figure 22. connect any video output on the television set to any video input on the receiver. See Step Five for information on connecting the receiver’s video monitor outputs to the TV.

NOTE: You may connect any video source other than a display device to the Video 3 S-video or composite video inputs.

Do not

Figure 20 – Video 1 A/V Inputs and Outputs, and Digital Audio Inputs and Outputs

Remember to connect the audio and video recorder to the Video 1 or digital audio

input

audio and video

output

audio

NOTE: It isn’t possible to make recordings using HDMI or component video connections. Keep this in mind as you connect other source devices that you may wish to make recordings from.

jacks on the AVR.

jacks on your recorder to the Video 1 or digital

output

jacks on your

input

jacks on the AVR, and the

Video 2 Source

The Video 2 source is used only for playback. The AVR 247 remote control is programmed to operate many brands and models of cable and satellite television devices, and we recommend connecting your cable or satellite set-top box to this source.

Figure 22 – Video 3 A/V Inputs

Video 4 Source

The Video 4 source is used only for playback. It is also generally reserved for components that are only temporarily connected to the receiver, such as cameras and game consoles. When not in use, you may place the supplied covers over the front-panel Video 4 jacks for a cleaner appearance. Simply snap the covers in place. When you wish to use the jacks, gently press on the left side of each cover to pivot it out for removal.

Referring to Table 2, connect your camera or game console to the Video 4 Analog Audio inputs and to either the Coaxial 3 or Optical 3 digital audio input. Connect the component’s S-video or composite video output to the matching Video 4 video input. See Figure 23.

INSTALLATION

Figure 23 – Video 4 A/ V and Digital Audio Inputs

NOTE: The Video 4 Input Selector on the remote may only be programmed to operate a television or video display.

IMPORTANT NOTE FOR MICROSOFT

The Microsoft Xbox 360 gaming system is capable of outputting high-definition 1080i and 1080p video signals using the analog component video outputs. Since the AVR 247 is not capable of converting these analog component video signals to the HDMI format, although 1080i signals are passed through, as is, to the Component Video Outputs, to view your Xbox 360’s video output, connect the AVR’s or Xbox’s component video outputs to your video display, or change your Xbox 360’s settings so that it outputs 720p video, which the AVR 247 can then convert to the HDMI format.

DVD

The DVD source is used for a DVD player. If you have a high-resolution multichannel device, such as a Blu-ray Disc or HD-DVD player, you may connect it to the DVD source.

Referring to Table 2, connect your DVD player to the DVD Analog Audio inputs and to the Coaxial 1 Digital Audio input. If possible, use the Component Video 1 inputs. Otherwise, connect the DVD player’s S-video or composite video output to the matching DVD video input. See Figure 24.

XBOX®360 USERS:

HDMI 1 and 2

The HDMI sources are used with devices that are capable of outputting digital audio and video through an HDMI connection, such as an HD-DVD or Blu-ray Disc player or HDTV tuner. The HDMI sources are not used with any of the 2-channel analog audio or video inputs on the AVR 247.

Make sure your video display is HDMI-capable, and for many source devices, the display must be HDCP-compliant (High-Bandwidth Digital Content Protection) in order to display copy-protected materials. If the source device is not capable of outputting digital audio via its HDMI output, connect its coaxial or optical digital audio output to an available input on the AVR. If the source device plays multichannel discs (e.g., DVD-Audio, SACD, HD-DVD, Blu-ray Disc), connect its multichannel analog audio outputs to the AVR 247’s 6-/8-Channel Inputs (but see the note that follows Figure 25). Connect one of the source’s analog video outputs to a source input on the AVR (e.g., Component Video 3 or Video 3) and select that source input, then select the 6-/8-Channel Inputs for audio; the AVR 247 will retain the last video selection other than HDMI. See Figure 26.

The AVR 247 is Simplay HD-verified for compatibility via the HDMI connection to other Simplay HD-verified products.

If your video display is equipped with a DVI (Digital Video Interface) input, you may use an HDMI-to-DVI adapter (not included).

Figure 26 – HDMI and Digital Audio Inputs

Figure 24 – DVD A/V, Digital Audio and Component Video Inputs

If your DVD player plays high-resolution audio discs, such as SACD or DVD-Audio, or when an HD-DVD or Blu-Ray Disc player is used, connect the 6- or 8-channel analog audio outputs on the player to the 6-/8-channel analog audio inputs on the receiver, in order to enjoy these discs to their fullest. See Figure 25.

Figure 25 – 6-/8-Channel Analog Audio Inputs

NOTE: The multichannel analog audio connection is not required for DVD-Audio players compliant with HDMI version

The CD source is used for a strictly audio device, such as a CD player.

Referring to Table 2, connect your CD player to the CD Analog Audio inputs and to any available digital audio input. See Figure 27.

Figure 27 – CD Audio Inputs and Digital Audio Inputs

No video connections are needed.

Tape

The Tape source is used for audio-only recorders, such as a CDR, MiniDisc or cassette deck.

Referring to Table 2, connect your recorder to the Tape Analog Audio inputs and outputs, and to any available digital audio input (and corresponding digital audio output). See Figure 28.

Figure 28 – Tape Audio Inputs and Outputs, and Digital Audio Inputs and Outputs

INSTALLATION

The

Bridge

Remember to connect the or digital audio recorder to the Tape or digital audio

No video connections are needed.

With Harman Kardon’s optional The Bridge, you can enjoy audio, video or still images stored on your iPod (not included), use your AVR 247 remote control to operate the iPod, and even charge the iPod while it’s docked in The Bridge.

Simply plug the proprietary cable from The Bridge into the special The Bridge/DMP connector on the rear of the AVR 247. See Figure 29. Refer to the owner’s manual for The Bridge to select the appropriate insert to match your iPod.

input

output

jacks on your recorder to the Tape

jacks on the AVR, and the

output

Figure 29 – The Bridge/DMP Connector

input

jacks on the AVR.

jacks on your

Step Five – Connect the Video Display

Only video connections should be made between the receiver and your video display (TV), unless your TV is the source for your television programming (see Video 3 Source on page 24).

If you used an HDMI video connection for any of your sources, then connect the HDMI Output on the AVR to an HDMI input on your video display. See Figure 30. Consult the owner’s guide for your television to learn the proper procedure for disabling or muting the audio. Unless you have a non-HDMI source device that outputs 1080i or higher video via an analog component video connection (see note below), no other video connections are required, thanks to the AVR 247’s ability to transcode most analog video signals to HDMI, and you may proceed to Step Six.

IMPORTANT NOTE: The AVR 247 cannot convert 1080i or 1080p analog video signals to the HDMI format and outputs 1080i signals, as is, to the Component Video Outputs. This affects users of Microsoft Xbox 360 systems and some older set-top boxes.

If your digital cable television set-top box outputs 1080i or higher video via component video outputs and is not equipped with an HDMI output, contact your cable operator for a replacement.

For Xbox 360 and satellite television customers, connect the AVR’s Component Video Monitor Outputs to the TV, or change the settings on your source device to ensure that it outputs only 720p video through its component video outputs, which the AVR can convert to the HDMI format. Although you could connect the source device’s component video outputs directly to your video display, you would then have to select the correct video input on the display, depending on which source input on the AVR was in use.

If your television does not have HDMI or DVI video inputs, you will need to make a video connection for each type of video used for your sources.

First, determine what types of video your display is capable of handling. Remember that component video is preferred, followed by S-video and then composite video. Ideally, this guided you in selecting the video connections for your sources.

Next, note which types of video connections you used for your source devices. Make sure you didn’t use a better type of video connection for a source than your video display can handle. If so, disconnect the source and use a video connection that’s compatible with your display.

If you used component video for any sources, connect the Component Video Monitor Outputs on the receiver to one set of component video inputs on your display. See Figure 31. The AVR 247 is able to transcode composite and S-video sources to component video. If your video display has component video inputs, then you only need to connect the Component Video Monitor Outputs and you may proceed to Step Six.

Figure 31 – Component Video Monitor Outputs

If you used S-video for any sources, connect the S-video Monitor Output on the receiver to an S-video input on your display. See Figure 32. The AVR 247 converts composite video sources to S-video. If your video display has S-video inputs, then you only need to connect the S-Video Monitor Output and you may proceed to Step Six.

If you used composite video for any sources, but not component video or S-video, connect the Composite Video Monitor output on the receiver to a composite video input on the display. See Figure 32.

Figure 32 – S-Video and Composite Video Monitor Outputs

Consult the manual for your TV to make sure you understand how to select each video input.

Step Six – Plug in AC Power

Having made all of your wiring connections, it is now time to plug each component’s AC power cord into a working outlet.

You may plug one device into the AC Switched Accessory Outlet on the rear of the AVR 247. See Figure 33. Make sure this device draws no more than 50 watts. The device should have its mechanical or master power switch turned on, and it will power on any time the AVR 247 is turned on.

Figure 33 – Switched AC Accessory Outlet

Figure 30 – HDMI Output

Before plugging the AVR 247’s AC Power Cord into an electrical outlet, make sure that the Master Power Switch on the front panel is popped

INSTALLATION

out so that the word OFF appears on its top. Gently press the button to turn the switch off. This will prevent the possibility of damaging the AVR in case of a transient power surge.

Step Seven – Insert Batteries in Remote

The AVR 247 remote control uses three AAA batteries, which are included.

To remove the battery cover located on the back of the remote, firmly press the ridged depression and slide the cover toward the top of the remote.

Insert the batteries, as shown in Figure 34, making sure to observe the correct polarity.

Figure 34 – Remote Battery Compartment

When using the remote, remember to point the lens toward the front panel of the AVR 247. Make sure no objects, such as furniture, are blocking the remote’s path to the receiver. Bright lights, fluorescent lights and plasma video displays may interfere with the remote’s functioning. The remote has a range of about 20 feet, depending on the lighting conditions. It may be used at an angle of up to 30 degrees to either side of the AVR.

When the remote is in the device mode for the primary source, e.g., DVD, pressing the device selector will cause it to light up in red. When the remote is in the secondary source’s device mode, the selector will light up in green when pressed.

To switch between the primary and secondary device modes, press the selector twice quickly in succession. The selector will retain this selection until the next time you toggle between the primary and secondary device modes. That is, if you press the DVD/CD Selector twice quickly so that the CD source is activated, then press another source selector, such as Video 1, the next time you press the DVD/CD Selector, the remote will return to the CD device mode.

The AVR 247’s remote is factory-programmed to control an iPod docked in The Bridge and many Harman Kardon DVD and CD players. If you have other source devices in your system, follow these steps to program the correct codes into the remote.

1. Using the codes in Tables A9–A16 of the Appendix, look up the product type (e.g., DVD, cable TV box) and the brand name of your source. The number(s) listed is/are potential candidates for the correct code set for your particular device.

2. Turn on your source device.

3. This step places the remote in program mode, and varies slightly, depending on which Input Selector is being programmed. Refer to Figure 35.

a) DVD, Tape, Video 1, Video 2, Video 3 and Video 4 Sources:

Press and hold the Input Selector until the Program Indicator LED starts to flash, then release it. Follow the directions in Step 4, below.

If the remote seems to operate intermittently, or if pressing a button on the remote does not cause the AVR Selector or one of the Input Selectors to light up, then make sure the batteries have been inserted correctly, or replace all three batteries with fresh ones.

Step Eight – Program Sources Into the Remote

The AVR 247 remote not only is capable of controlling the receiver, but it may also be programmed to control many brands and models of VCRs, DVD players, CD players, cable boxes, satellite receivers, cassette decks and TVs, as well as an iPod docked in The Bridge.

It may help to think of the remote as a book with pages. Each “page” represents the button functions for a different device. In order to access the functions for a particular device, you first need to turn to that page; that is, switch the remote to that device mode. This is done by pressing the AVR Button to access the codes that control the receiver, or the Input Selector Buttons to access the codes for the devices programmed into the remote.

You may have noticed that three of the Input Selectors look different from the others (see Figure 35). For the DVD/CD, TAPE/The Bridge and HDMI 1/HDMI 2 Selectors, there is a primary source, the name of which is printed on the button, and a secondary source, the name of which is printed in green above the button.

b) CD Source: Press the DVD/CD Input Selector twice quickly so

that it turns green, hold it until the Program LED starts to flash, then release. Follow the directions in Step 4, below.

c) HDMI 1 Source: Press and hold the Input Selector until it turns

red and the Program LED starts to flash, then release it. Next, press the Input Selector that corresponds to the device type you want to program into the HDMI 1 mode, i.e., DVD, VCR/PVR or CBL/SAT. Then follow the directions in Step 4, below.

d) HDMI 2 Source: Press and release the Input Selector once, then

quickly press the Input Selector again so that it turns green. Hold it until the Program LED starts to flash, then release it. Next, press the Input Selector that corresponds to the device type you want to program into the HDMI 2 mode, i.e., DVD, VCR/PVR or CBL/SAT. Then follow the directions in Step 4, below.

Figure 35 – Input Selectors

INSTALLATION

4. Enter a code from Step 1, above.

a) If the device turns off, then press the Input Selector again to accept

the code; it will flash. The remote will exit the Program mode.

b) If the device does not turn off, try entering another code. If you

run out of codes, you may search through all of the codes in the

⁄

remote’s library for that product type by pressing the

or Button repeatedly until the device turns off. When the device turns off, enter the code by pressing the Input Selector, which will flash. The remote then exits Program mode.

5. Once you have programmed a code, it’s a good idea to try using some other functions to control the device. Sometimes, manufacturers use the same Power code for several different models, while other codes will vary. You may wish to repeat this process until you’ve programmed a satisfactory code set that operates most of the functions you frequently use.

6. You may find out which code number you have programmed by pressing and holding the Input Selector to enter the Program mode. Then press the Set Button, and the LED will flash in the code sequence. One flash represents “1”, two flashes for “2”, and so forth. A series of many fast flashes represents “0”. Record the codes programmed for each device in Table 3.

Table 3 – Remote Control Codes

Source Input Product Type Remote

(circle one) Control Code

Video 1 VCR, PVR Video 2 Cable, Satellite Video 3 TV Video 4 TV HDMI 1 DVD, VCR, PVR, CBL, SAT HDMI 2 DVD, VCR, PVR, CBL, SAT DVD DVD CD CD, CDR

device without having to switch the remote’s device mode. See pages 58– 59 for instructions on these advanced programming functions.

NOTE: The AVR 247 remote is preprogrammed to operate the transport controls of Harman Kardon DVD players when the AVR, the Video 2 (cable/satellite) or the Video 3 (TV) source is selected. You may change this punch-through programming at any time.

Step Nine – Remote IR Inputs and Output (Optional)

The AVR 247 is equipped with a Remote IR Input, a Multiroom IR Input and a Remote IR Output to facilitate use of your system with a remote control in a variety of situations. See Figure 36.

Figure 36 – IR Inputs and Outputs

When the AVR 247 is placed in such a way that aiming the remote at the front-panel IR sensor is difficult, such as inside a cabinet or facing away from the listener, you may connect an external IR receiver, such as the optional Harman Kardon HE 1000, to the Remote IR Input jack. When you are using the AVR 247 in multiroom mode, you may connect an optional IR receiver, keypad or other control device to the Multiroom IR Input for remote control of the AVR 247 (and any sources connected to the AVR’s Remote IR Output) from the remote zone. Any signals transmitted through the Multiroom IR Input will only control source selection and volume for the remote zone. If a source device is being shared with the main listening area, then any control commands issued to that source will also affect the main room.

If any of your source devices are equipped with a compatible Remote IR Input, you may use a 1/8" mini-plug interconnect cable (not included) to connect the AVR’s Remote IR Output to the source device’s Remote IR Input, which will pass any applicable remote signals transmitted through the AVR to the source device. This enables you to control your sources even when the AVR itself is controlled via an external IR receiver.

Check with the manufacturer of the source device for more information on the type of IR signal expected. The AVR 247 will output a “stripped carrier” IR signal through the Remote IR Output.

If you are unable to locate a code set that correctly operates your source device, it will not be possible to use the AVR remote to control that device. However, you may still connect the source to the AVR 247 and operate it using the device’s original remote control. Alternatively, you may wish to consider purchasing Harman Kardon’s optional TC 30 activity-based remote, which is programmed by accessing a large database of product codes on the Internet. The TC 30 is also capable of “learning” codes from your device’s original remote.

Most of the button labels on the remote describe the button’s function when used to control the AVR 247. However, the button may perform a very different function when used to control another device. Refer to the Remote Control Function List, Table A8 in the Appendix, for a list of each button’s functions with the various product types.

If you wish, you may program Macros, which are preprogrammed code sequences that execute many code commands with a single button press. You may also program “punch-through” codes, which allow the remote to operate the volume, channel or transport controls of another

To control more than one source device using the Remote IR Output, connect all sources in “daisy chain” fashion, with the AVR’s Remote IR Output connected to the first device’s Remote IR Input, the second device’s Remote IR Output connected to the next device’s Remote IR Input, and so forth.

Step Ten – Install a Multiroom System (Optional)

The AVR 247 offers several methods of distributing music to other listening areas in your home. As indicated in the subheading, a multiroom system is not required to enjoy the home theater experience. If you prefer not to install a multiroom system at this time, skip to Step Eleven to turn on the AVR 247 and configure it.

IMPORTANT SAFETY NOTE: Installing a multiroom system very often requires running various cables inside walls. Always comply with the appropriate safety codes when installing concealed wiring. The AVR 247’s multiroom connections should be installed per the

INSTALLATION

requirements of all applicable state and local building codes, as well as NEC (National Electrical Code) requirements. Check with your local authorities as needed to ensure that all wiring inside walls is installed in compliance with the proper standards. Failure to do so may present a potential safety hazard. If you have any doubt about your ability to work with electrical and telecommunications wiring, you are advised to hire a professional licensed electrician or custom installer to install the multiroom system.

1. Connect the remote room’s speakers directly to the Surround Back/Multiroom Speaker Outputs. See Figure 37.

Figure 37 – Surround Back/Multiroom Speaker Outputs

If you do not require a full 7.1-channel system in your main listening area, and you prefer not to purchase an external amplifier to power a pair of remote speakers, you may reassign the AVR 247’s Surround Back amplifier channels to power the speakers. Your main system will be limited to 5.1 channels, which affects your ability to enjoy the many DVDs and other programs recorded in 6.1 and 7.1 channels.

2. Connect an external amplifier to the Surround Back/Multiroom Preamp Outputs. See Figure 38.

the remote room may turn the multiroom system on or off, select a source input, control the source device connected to that input and adjust the volume in the remote zone.

NOTE: Only analog audio sources are available to the multiroom system.

Step Eleven – Turn On the AVR 247

Two steps are required the first time you turn on the AVR 247.

1. Gently press the Master Power Switch until the word OFF is no longer visible. The Power Indicator above the two power switches should light up in amber, indicating that the AVR is in Standby mode and is ready to be turned on. See Figure 39. Normally, you may leave the Master Power Switch in the ON position, even when the receiver is not being used.

Figure 39 – Power Switches

2. There are several ways in which the AVR 247 may be turned on from Standby mode.

a) Press the Standby/On Switch on the front panel. See Figure 39.

Figure 38 – Surround Back/Multiroom Preamp Outputs

This method may be used when it is more important to distribute audio to additional rooms than to have a full 7.1-channel system in the main listening area, as it is still necessary to assign the surround back amplifier channels to the remote zone, limiting the main system to 5.1 channels. This method also requires you to provide an additional component, that is, the amplifier. However, this method may be used to increase the number of remote rooms in the system when you are also using the Surround Back/Multiroom Speaker Outputs.

It is recommended that you place the amplifier in the same room as the AVR 247 so that a shorter length of interconnect cable is used with a long run of speaker wire to the remote room, rather than placing the amplifier in the remote room, which necessitates a long run of interconnect cable that would then be subject to signal degradation. Depending on the number of channels available in your amplifier, you may distribute the AVR 247’s analog audio signal to a single pair of speakers for twochannel listening, to several pairs of speakers located in several different rooms, or when listening to mono FM radio, to individual speakers placed in different rooms. Use the Tuning Mode Button to select the mono mode for FM radio.

In addition to the audio signal, you will usually wish to connect an IR control device to the AVR 247’s Multiroom IR Input so that listeners in

b) Press the Source Select Button on the front panel. See Figure 40.

Figure 40 – Source Select Button

c) Using the remote, press any one of these buttons: AVR, DVD/CD,

TAPE/The Bridge, HDMI 1/2, VID1, VID2, VID3, VID4, XM, AM/FM or 6/8CH. See Figure 41.

Figure 41 – AVR and Input Selectors

NOTE: Any time you press one of the Input Selectors on the remote (i.e., DVD/CD, TAPE/The Bridge, HDMI 1/HDMI 2, VID1, VID2, VID3 or VID4), the remote will switch modes so that it will only transmit the codes programmed to operate that device. In order to control the receiver, press the AVR Button to return the remote to AVR mode.

Before you begin enjoying your new receiver, a few adjustments should be made to configure the AVR 247 to match your actual system.

INITIAL SETUP

Make sure that you have connected a video display to one of the

video monitor outputs on the receiver. When you turn on your display and the AVR, you should see a blue screen. A message may appear briefly at the bottom of the screen. This message is part of the on-screen display system, and is referred to as the “semi-OSD”. The semi-OSD is activated any time you send a command to the AVR, and any time the AVR detects a change in the incoming signal. Semi-OSD messages are overlaid on top of any video signal, so that you may continue to watch your program while making adjustments to the AVR.

Although it’s possible to configure the AVR using only the remote and the semi-OSD messages, we recommend that you use the full-screen menu system, known as the “full-OSD”.

Using the On-Screen Menu System

The full-OSD system is accessed by pressing the OSD Button on the remote. See Figure 42. While the full-OSD system is in use, it isn’t possible to see any video programming. In addition, an OSD ON message will appear on the front panel of the receiver to remind you to use a video display.

Figure 43 – OSD System

When you first select a menu, the first setting line will be highlighted (see Figure 44).

Figure 44 – Input Setup Menu

If you wish to change that setting, press the Set Button. Although the setting name will remain highlighted, the value will appear in blue type with arrows to the left and right, indicating that you may use the

‹/›

Buttons to scroll through the available values. See Figure 45. When the desired value appears, press the Set Button to select it.

Figure 42 – Navigation Buttons

NOTE: The ‹/›and Set Buttons on the front panel have no effect on the OSD system.

The OSD system consists of six main menus: Input Setup, Surround Setup, Speaker Setup, Multiroom Setup, Video Setup and System Setup. Navigation tabs for each menu appear on the left side of the screen. When you first press the OSD Button, the Input Setup menu will be visible (see Figure 43), since its tab is at the top of the screen. However, you must press the Set Button to select the Input Setup menu so that you can make any necessary adjustments. If you wish to select another

⁄/¤

menu, use the

Buttons to highlight the tab for the desired menu,

and press the Set Button to select it.

Figure 45 – Changing a Setting

Use the ⁄/¤Buttons to navigate to other settings within the menu. When you have finished making all adjustments in that menu, press the

‹ Button to return to the navigation tabs, and then use the

⁄/¤

Buttons to select the tab for another menu.

We recommend that most users follow the instructions in this INITIAL SETUP section to configure a basic home theater system. You may return to these menus at any time to make additional adjustments. Thanks to the EzSet/EQ system, most of the menu adjustments may be saved until you have become more familiar with the AVR, and are therefore described in the Advanced Functions section.

The Initial Setup section requires that you complete all of the steps in the Installation section that apply to your receiver. You should have connected all of your loudspeakers and a video display, as well as your source devices. You should be able to turn on the receiver and view a blue screen on

your video display. If necessary, reread the Installation

Section before continuing.

INITIAL SETUP

Configure the AVR 247 Using EzSet/EQ

One of the most important and perhaps often overlooked aspects of setting up a home theater system is to calibrate the receiver to match the loudspeakers, which enables the AVR to perform at its best.

Until recently, most receivers required the user to perform the calibration and configuration manually, a somewhat tedious process that called for a good ear or the purchase of an SPL (sound-pressure level) meter. Although you may configure the AVR 247 manually, as described in the Advanced Features section, we recommend that most users take advantage of our signature EzSet/EQ system.

Before beginning, eliminate extraneous background noise that might affect the results, such as noisy air conditioning. Try to avoid making any loud noises while running EzSet/EQ.

IMPORTANT SAFETY NOTE: During the EzSet/EQ procedure, a series of very loud test tones will be played through all of the speakers. Avoid sitting or standing close to any one speaker during the procedure. If you are particularly sensitive to loud noises, you may wish to leave the room and have someone else run EzSet/EQ.

Step One – Place the included EzSet/EQ microphone in the listening position, or in the center of the room, at about the same height as the listeners’ ears. The microphone features a threaded insert on the bottom so that it can be mounted on a camera tripod for stability.

Select the “Auto Configuration” setting, and the screen shown in Figure 48 will appear to direct you to plug the EzSet/EQ microphone into the Headphone Jack.

Figure 48 – EzSet/EQ Screen

Step Four – After you select “Continue”, the screen shown in Figure 49 will appear. Although the AVR 247 may be used with up to eight speakers, you may have elected not to install surround back speakers at this time, or you may have decided to use the surround back speaker channels to power speakers in the remote room of a multiroom system. This screen directs you to program EzSet/EQ for a 5.1- or 7.1-channel configuration. Select the setting that reflects the number of speakers installed in your system, and EzSet/EQ will do the rest automatically!

Step Two – Plug the EzSet/EQ microphone into the Headphone Jack/EzSet/EQ Microphone Input Jack on the front of the receiver. See Figure 46.

Figure 46 – Plug EzSet/EQ microphone into receiver.

Step Three – Make sure that the AVR 247 and the video display are turned on. Press the OSD Button to display the menu system. See

⁄/¤

Figure 43. Use the

Buttons to move the cursor to the Speaker Setup tab, and then press the Set Button to select the Speaker Setup menu. See Figure 47.

Figure 49 – EzSet/EQ: Number of Speakers

NOTE: If you are using fewer than five main speakers in your system, then it will not be possible to configure your speakers using EzSet/EQ, and you will need to select Manual Configuration as described in the Advanced Functions section. If you have selected a 6.1-channel configuration, using only a single surround back speaker, it is possible to use a combination of EzSet/EQ automatic configuration for 5.1 speakers, connect the single

left

surround back speaker to the

Surround Back Speaker Output, and then configure the surround back speaker manually, as described in the Advanced Functions section. However, we do not recommend the 6.1-channel configuration.

If you have forgotten to plug in the EzSet/EQ microphone, the warning screen shown in Figure 50 will appear as a reminder.

Figure 47 – Speaker Setup Menu Screen

INITIAL SETUP

(+ terminals connected to + terminals, and – terminals connected to – terminals).

NOTE: EzSet/EQ can only detect the presence of a speaker, not its location within the room. If your speakers are not placed reasonably close to the positions shown in Figures 15 or 16 in the Speaker Placement Section, then EzSet/EQ may not be able to perform this test correctly.

Figure 50 – EzSet/EQ: Warning to Plug in Microphone

NOTE: As shown in Figures 48, 49, and 51– 54, while EzSet/EQ is in progress a Cancel setting is available or even highlighted. You may interrupt EzSet/EQ at any time by selecting the Cancel setting and pressing the Set Button.

What EzSet/EQ Does

EzSet/EQ will send test signals to the various speakers and perform the measurements described in this section, adjusting the AVR 247’s settings to match EzSet/EQ’s internal references.

Set Master Volume Level: EzSet/EQ sends test tones to the front speakers and adjusts the system’s volume level to enable it to take the remaining measurements correctly. EzSet/EQ uses the left front speaker to set the master volume level, and then it proceeds directly to measuring the speaker output levels.

Speaker Level: During this test, EzSet/EQ ensures that all speakers sound equally loud at the listening position. During a surround sound presentation it is common for the surround channels to sound less prominent, or not to be used at all at times. By setting the baseline channel levels correctly, the AVR serves as a blank canvas for the movie director to create special effects.

A screen similar to the one shown in Figure 51 will appear, with the speaker position changing as EzSet/EQ measures the levels for each speaker. You may occasionally hear EzSet/EQ send a tone back to the front left speaker. This enables EzSet/EQ to compare the level of the speaker being measured to the reference level it set for the front left speaker.

If EzSet/EQ detects only one speaker in a pair (e.g., surround back left but no surround back right or no main speakers), it will generate an error and stop. If that happens, check that you have placed your speakers in their correct locations, and that you have wired each speaker to its correct set of speaker terminals.

Speaker Distance: During this test, EzSet/EQ measures the distance from each speaker to the listening position. If the speakers are placed at different distances from the listener, the sound from speakers placed closer needs to be delayed so that it reaches the listener at the same time as the sounds from the other speakers. This preserves the clarity and directionality of surround sound presentations. During the Speaker Distance test a screen similar to the one shown in Figure 52 will appear. The speaker position will change as EzSet/EQ measures the distance for each speaker.

Figure 52 – EzSet/EQ: Speaker Distance Test

NOTE: The AVR 247 is also capable of setting a different type of delay, called A/V Sync Delay, which is used to compensate for lip sync problems that may occur when a video display device or set-top box causes delays while digital video signals are processed. It simultaneously adds a delay to all speaker channels in the system. A/V Sync Delay is not set during EzSet/EQ. It may be set while watching a program as follows: press the Delay Button on the remote and the first setting displayed is A/V Sync Delay. Press the Set Button to select it and then use the

⁄/¤

Buttons to adjust it.

Figure 51 – EzSet/EQ: Speaker Level Test

If at any time the test tone is not heard from the speaker indicated on screen, press the Set Button to stop EzSet/EQ. Turn off the AVR using the Master Power Switch and check your speaker connections. Make sure all wires are connected to the correct speakers and Speaker Outputs on the AVR, and that you have observed the correct polarity

Speaker Size: This test checks the low-frequency range capabilities of each of your speakers to ensure that low-frequency sounds are not sent to speakers unable to reproduce them efficiently. Each of the main speakers in your system will be assigned a value of Large or Small, depending solely on how it handles low frequencies. During the Speaker Size test a screen similar to the one shown in Figure 53 will appear, with the speaker position changing as each speaker is measured.

INITIAL SETUP

Figure 53 – EzSet/EQ: Speaker Size/Crossover Test

At the same time the overall size of the speaker’s frequency range is measured, the AVR will measure the crossover, which is the lowest frequency each of your main speakers is capable of handling effectively, in order to set the highest frequency the subwoofer should reproduce. The system balances the need to ensure that all frequencies are reproduced for smooth transitions between the subwoofer and main speakers without losing any information, against the need to avoid overtaxing smaller satellite speakers.

NOTE: The crossover determined by EzSet/EQ is not the same as the crossover frequency specification that appears in the speaker’s manual. EzSet/EQ is measuring the point at which the audio signal must be passed from the main speaker to the subwoofer. For an individual loudspeaker, the manufacturer specifies the point or points at which the audio signal is passed from one transducer within the speaker to another.

When EzSet/EQ has finished running all of these tests, a screen similar to the one in Figure 55 will appear. You may press the Set Button, and the Speaker Setup screen shown in Figure 47 will appear. Select “Manual Configuration” to view the settings resulting from EzSet/EQ. The manual Speaker Setup screens are explained in the Advanced Functions section.

Figure 55 – EzSet/EQ: Successful Configuration

Configure Sources

In the Installation section, you physically connected various cables between your source devices and the AVR. In this section, you will assign the various audio and video inputs to their sources, ensuring that the AVR uses the correct connections each time you select a source.

Press the OSD Button to view the menu system. The Input Setup menu tab will be highlighted. Press the Set Button to select it, and the screen shown in Figure 56 will appear.

Equalization (EQ): Many factors unique to the listening room can affect the overall sound of a home theater system. For example, a room consisting of hardwood floors and large expanses of glass can sound livelier, with added reverberation, while a carpeted room fitted with draperies can dampen sound waves. In addition, the shape of the room can affect frequency response. If a room has a small alcove near a doorway, for example, you may notice a difference in bass response depending on whether you are standing opposite the alcove or to one side of it.

EzSet/EQ is capable of measuring the impact room characteristics and speaker placement have on each speaker’s performance, and of making adjustments to low-frequency response to compensate. While EzSet/EQ is making these adjustments a screen similar to the one shown in Figure 54 will appear. You may hear EzSet/EQ repeat tones from various speakers a number of times as it performs the equalization.

Figure 54 – EzSet/EQ: Equalization

Figure 56 – Input Setup Menu

The first line indicates that the receiver is currently set to the DVD source.

Press the Set Button and then use the ›Button The sources will be selected

in the following order: Video 1, Video 2,

to view the next source.

Video 3, Video 4, HDMI 1, HDMI 2, 6CH Direct, 8CH Direct, DMP/The

‹

Bridge, Tape, CD, Tuner and XM. Pressing the

Button selects the

sources in the reverse order.

For each of these sources, you may adjust the following settings. At a minimum, you should make sure that sources connected to any of the component video or digital audio inputs have the correct settings. Other settings are optional, and you may adjust them at a later time when you have more experience with the AVR. Refer to the Table A4 worksheet in the appendix that you filled out during installation as you assign inputs to each source.

INITIAL SETUP

TITLE: You may change the display name for any source. Not only does this enable you to customize your system; it helps you to select the correct source device even when you have forgotten which physical connections were used.

Move the cursor down to the TITLE line and press the Set Button. The screen shown in Figure 57 will appear.

Figure 57 – Retitling a Source Input

Use the Navigation Buttons to highlight the desired letter (or other character), and press the Set Button to add it to the new title, which will be displayed in the bar at the top of the screen. You may use the Navigation Buttons, or select the left or right arrow and press the Set Button, to move the cursor within the new title. To add a space either move the cursor one character to the right as described above, or highlight the SPACE indicator on screen and press the Set Button.

You may edit a title by inserting or deleting characters. To insert a new character between two existing characters, move the cursor to highlight the character to the right of the insertion point in the bar at the top of the screen. Then highlight the INS indicator on screen and press the Set Button. You may now select a character to insert in the new space. Delete a character by moving the cursor to highlight the unwanted character in the bar at the top of the screen. Then highlight the DEL indicator on screen and press the Set Button.

When you have finished entering the new title, highlight the OK indicator and press the Set Button to return to the Input Setup menu. Although the Source Input name will remain the same in the Input Setup menu, the new title will appear in the semi-OSD displays and the front-panel display as appropriate.

NOTES:

• Only upper case letters are available for titles.

• Normally both the source input and the digital (or analog) audio input selection appear on the upper line of the semiOSD and front-panel displays. When The Bridge source is selected, its status as CONNECTED or UNPLUGGED appears in place of the audio input selection. However, when a source input is retitled, the audio input selection no longer appears unless you press the Digital Input Selector on the remote or front panel. The status of The Bridge also no longer appears, and cannot be displayed.

• You may select the Cancel indicator and press the Set Button if you change your mind and decide not to retitle the source input.

VIDEO IN: This setting reflects the video input that is assigned to the source. The default assignment for all sources is COMPOSITE except as shown in Table 5:

Table 5 – Default Video Inputs

Source Input Default Video Input

DVD COMPONENT 1

VIDEO 1 COMPONENT 2

VIDEO 2 COMPONENT 3

HDMI 1 HDMI 1

HDMI 2 HDMI 2

We recommend that you leave the setting for the HDMI sources as is. For the other sources, change this setting to reflect use of the Component 1, 2 or 3 Video Input as appropriate. If you used the composite or S-video input for any source, make sure this setting is COMPOSITE. (There is no separate selection for S-video.)

NOTE: If your video display has an HDMI input, then you only need to connect the AVR’s HDMI Output to the display. The AVR 247 transcodes analog source video signals up to 720p from composite, S-video or component video to the HDMI format, and is also capable of upscaling the signal up to 720p to match your display’s capabilities. The only exception to this rule is for analog 1080i/p sources, which are not available at the HDMI Output, but 1080i signals are passed, as is, to the Component Video Outputs. If your source device is a Microsoft Xbox 360 or an older set-top box that outputs 1080i or higher video via component video outputs, then set the source to output 720p video, or connect the AVR’s Component Video Monitor Outputs to your video display.

If your display does not have an HDMI input, but does have component video inputs, you only need to connect the AVR’s Component Video Monitor Outputs to the display. The AVR 247 transcodes composite and S-video signals to the component video format. Similarly, if your display’s best-quality video input is S-video, you do not need to connect the Composite Video Monitor Output to the display; any composite video source signals will be converted to S-video format, and S-video signals may be converted to composite video format if your video display is not equipped with an S-video input.

AUDIO IN: By default, the analog audio inputs are assigned at the factory to all sources, with the following exceptions:

Table 6 – Default Digital Audio Assignments

Source Input Default Digital Audio Input

DVD Coax 1

Video 2 Optical 1

HDMI 1 HDMI 1

HDMI 2 HDMI 2

INITIAL SETUP

If you used a digital audio connection for another source, change this setting to assign the correct digital audio input to the source, even if you also connected the analog audio outputs of the source to the receiver.

AUTO POLL: The Auto Poll feature is used when both an analog audio and digital audio connection have been made for one source device. If for some reason no digital signal is available, the AVR 247 will switch to the analog inputs for the source. This situation can occur with some cable or satellite television broadcasts, where some channels are broadcast with digital audio and others with analog audio.

For some sources, the Auto Poll feature is unnecessary and may be undesirable. For example, if your DVD player is stopped, you may not want to use the analog audio signal or you may have decided not to connect analog audio. Move the cursor to this line, press the Set Button

‹/›

and press the feature. With Auto Poll turned off, the receiver will only check for a signal at the audio input assigned to the source.

NOTE: Since The Bridge is connected to the AVR using a dedicated audio connection, it isn’t possible to select a different audio input for this source. The AM/FM/XM tuner and 6-/8Channel Inputs also use dedicated audio inputs, and it isn’t possible to select a digital audio input for these sources.

Buttons until OFF appears, disabling the Auto Poll

The next three lines in the Input Setup menu activate the tone controls, and may be skipped at this time. We recommend leaving the tone controls at their factory defaults for most listening, in order to enjoy the sound mix created by your favorite movie and music artists. However, if your room or speakers have unusual characteristics, or simply as a matter of personal preference, see the Tone Controls section on page 38 for more information.

VIDEO MODE: This setting is used only with a fully analog video path (composite, S-video or component video). It has no effect on HDMI sources and video displays. Due to the design of some analog video displays and the nature of the video standard, there may be timing issues with the AVR. If you observe some minor video instability when using the AVR’s analog video outputs, try changing the Video Mode setting to Mode B. If you continue to observe problems, connect your source device’s video output directly to the video display, or consider upgrading to an HDMI-capable display.

You are now ready to begin enjoying your new receiver!

OPERATION

Now that you have installed your system components and completed at least a basic configuration of your receiver, you are ready to begin enjoying your home theater system.

Turning On the AVR 247

Gently press the Master Power Switch until the word OFF is no longer visible. The Power Indicator above the two power switches should light up in amber. This indicates that the AVR is in Standby mode and is ready to be turned on. Normally, you may leave the Master Power Switch in the ON position, even when the receiver is not being used. See Figure 58.

Figure 58 – Power Switches

There are several ways in which the AVR 247 may be turned on:

a) Press the Standby/On Switch on the front panel. See Figure 58.

b) Press the Source Select Button on the front panel. See Figure 59.

Sleep Timer

You may program the AVR to play for up to 90 minutes and then turn off automatically using the sleep timer.

Press the Sleep Button on the remote, and the time until turn-off will be displayed. See Figure 61. Each additional press of the Sleep Button will reduce the time until turn-off by 10 minutes, until the OFF setting is reached, which disables the sleep timer.

Figure 61 – Sleep Button

When the sleep timer has been set, the front-panel display will automatically dim to half-brightness. If you press any button on the remote or front panel, the display will return to full-brightness. The display will dim again several seconds after your last command.

If you press the Sleep Button after the timer has been set, the remaining time until turn-off will be displayed. You may press the Sleep Button to change the time until turn-off. Pressing and holding the Sleep Button will disable the sleep timer, and the SLEEP OFF message will appear.

Figure 59 – Source Select Button

c) Using the remote, press any one of these buttons: AVR, DVD/CD,

TAPE/The Bridge, HDMI 1/HDMI 2, VID1, VID2, VID3, VID4, XM, AM/FM, 6/8CH. See Figure 60.

Figure 60 – AVR and Input Selectors

NOTE: Any time you press one of the remote’s Input Selectors (i.e., DVD/CD, TAPE/The Bridge, XM, VID1, VID2, VID3, VID4 or HDMI 1/HDMI 2), the remote will switch modes so that it will only operate that device. To control the receiver, press the AVR Button to return the remote to AVR mode.

To turn the receiver off, press either the Standby/On Switch on the front panel, or press the AVR Button and the OFF Button on the remote. Unless the receiver will not be used for an extended period of time (for example, if you will be on vacation), it is not necessary to turn off the Master Power Switch. When the Master Power Switch is turned off, any settings you have programmed, including system configuration and preset radio stations, will be preserved for up to four weeks.

Volume Control

The volume may be adjusted either by turning the knob on the front panel (clockwise to increase volume or counterclockwise to decrease volume), or by pressing the Volume Control Buttons on the remote. See Figure 62. The volume is displayed as a negative number of decibels (dB) below the 0dB reference point, and may be changed in 0.5dB increments.

Unlike the volume controls on some other products, 0dB is the maximum volume for the AVR 247. Although it’s physically possible to turn the volume to a higher level, doing so may damage your hearing and your speakers. For certain more dynamic audio materials, even 0dB may be too high, allowing for damage to equipment.

Figure 62 – Volume Controls

The AVR 247 is designed to reproduce audio with a minimum amount of distortion, which may lead you to think that your hearing and the equipment can handle higher volumes. We urge caution with regard to volume levels.

Mute Function

To temporarily mute all speakers and the headphones, press the Mute Button on the remote. See Figure 63. Any recording in progress will not be affected. The MUTE message will flash in the display as a reminder.

OPERATION

To restore normal audio, either press the Mute Button again, or adjust the volume. Turning off the AVR will also end muting.

Figure 63 – Mute Button

Tone Controls

You may boost or cut either the treble or the bass frequencies by up to 10dB.

Using the front-panel controls or the remote, press the Tone Mode Button once. See Figure 64. This will indicate whether the tone controls are in or out of the circuitry. If you wish to return the tone controls to 0,

‹/›

or “flat” response, press the the TONE OUT message appears, which preserves any changes you have made to the bass or treble settings for later use. To reactivate your changes, the tone control must again be set to TONE IN.

With the TONE IN message displayed, press the Tone Mode Button repeatedly to access TREBLE MODE and BASS MODE. Use the Buttons (⁄/¤on the remote) to change the treble or bass settings, as desired. The display will return to normal a few seconds after your last command.

Buttons (⁄/¤on the remote) until

‹/›

Headphones

Plug the 1/4" plug on a pair of headphones into the headphone jack on the front of the receiver for private listening. See Figure 65. The first time you use the headphones, the DOLBY H:BP message will be displayed, indicating that Dolby Headphone surround processing is in the bypass mode, which delivers a conventional 2-channel signal to the headphones.

Figure 65 – Headphone Jack

Press the Surround Select Button on the front panel, or the Dolby Button on the remote, to switch to Dolby Headphone virtual surround processing, indicated by the DOLBY H:DH message. Dolby Headphone delivers an enhanced sound field that emulates a 5.1-channel speaker system. No other surround modes are available for the headphones.

Source Selection

Press the front-panel Source Select Button to scroll through the sources. The left side of the button scrolls down the list that appears in the display; the right side scrolls upward. For direct access to the tuner, press the Tuner Band Button, which switches to the last-used band and frequency. See Figure 66.

Figure 64 – Tone Button

You may alternatively adjust the tone controls using the full-OSD menu system. Press the OSD Button on the remote to view the menu system. The Input Setup tab will be highlighted. Press the Set Button to activate the Input Setup menu. If you wish to make any changes to the TONE,

⁄/¤

BASS or TREBLE settings, use the the cursor to the line you wish to change, and press the Set Button. Once you have changed the setting using the Set Button to enter the new setting. When you have finished, either wait until the display times out and disappears, press the OSD Button to clear the display, or move the cursor to the menu tabs on the left side of the screen line if you wish to make other changes using the menu system.

NOTE: The AVR 247 does not have a conventional balance control. The EzSet/EQ process compensates for any characteristics of your room or speakers, and we recommend that you leave the settings as they are after EzSet/EQ has been run. However, you may manually adjust the levels of the left and right channels – decreasing one and increasing the other by the same amount – using the Channel Adjust submenu, as described in the Advanced Functions section. This achieves the same effect as a balance control.

keys on the remote to move

‹/›

Buttons, press the

Figure 66 – Source Select and Tuner Band Buttons

NOTE: The Bridge/DMP, HDMI and HDMI 2 sources have no icon in the Source Indicators display. When selected, the appropriate indication will appear in the Message Display’s upper line. One of two messages will scroll on the right side to indicate whether The Bridge is unplugged or connected. If you have retitled this source, then only the new name will appear in the upper line.

For direct access to any source, press its Input Selector on the remote (see Figure 60). Since the AVR 247 allows for more source input devices than the remote has buttons for, some sources are required to share buttons. These are the DVD and CD sources, the Tape and The Bridge sources, and the HDMI 1 and HDMI 2 sources. The first press of any of these three Input Selectors will select the source whose name appears on the button (i.e., DVD, Tape or HDMI 1), as indicated by the button lighting up in red. Press that Input Selector again quickly to select the source whose name appears above the button (i.e., CD, The Bridge or HDMI 2), and the selector will light in green to indicate that you have selected the source whose name is printed above the button.

The AVR 247 will switch to the audio and video inputs assigned to the source. If you selected a surround mode for the source, the AVR 247 will switch to that mode.

OPERATION

The source name will appear in the upper line of the front-panel display. If you retitled the source, only the new title will appear. Otherwise, the audio input assigned to the source (analog or one of the digital audio inputs) will also appear. The surround mode will be displayed on the lower line. The same information will also appear on screen in the semi-OSD, unless you have set the semi-OSD to OFF in the System Setup menu, as described in the Advanced Functions section.

Audio Input Selection

The AVR 247 is programmed at the factory to use the analog audio inputs for each source (except for the DVD, Video 2, HDMI 1 and HDMI 2 sources; see Table 6). To assign a digital audio input to a source (if you have not done so using the Input Setup menu during Initial Setup), press the Digital Button on the remote or front panel. The current audio input selection will flash in the display, and you may press

⁄/¤

the audio inputs. When the desired input appears, press the Set Button to select it. See Figure 67.

Figure 67 – Digital Input Selection

If the Auto Poll feature is ON in the Input Setup menu, and if a digital audio input has been assigned to the source, the AVR 247 will first check the digital audio input for a signal. If a signal is present, the AVR 247 will select the digital audio input. If no signal is present, the AVR 247 will switch to the analog audio inputs for the source.

(or ‹/›on the front panel) Buttons to scroll through the

Video Input Selection

When a source is selected, the AVR 247 switches to a video input as follows:

The VIDEO IN line of the Input Setup menu indicates which of the video inputs on the AVR 247 is assigned to each source. As shown in Table 5, by default the Component Video 1 input is assigned to the DVD source, the Component Video 2 input is assigned to the Video 1 source, and the Component Video 3 input is assigned to the Video 2 source. The two HDMI inputs obtain the video signal from their own inputs, and may not be reassigned to another video input.

If your iPod is capable of playing still images and videos, it may be used as a video source. However, you may not select another device for viewing while listening to audio files stored on the iPod, nor can you view video or images stored on the iPod while listening to another audio source.

All other sources default to the COMPOSITE setting, meaning that they are using their composite or S-video inputs. The AVR 247 will transcode the incoming composite or S-video signal and make it available using the HDMI or Component Video Monitor Outputs, enabling a single-cable connection to your television.

NOTES:

• Due to copy-protection restrictions, there is no output at the Component Video Monitor Outputs for copy-protected sources.

• High-resolution 1080i and 1080p video signals are not available at the HDMI Output, but 1080i signals are passed through, as is, to the Component Video Monitor Outputs. If your source outputs analog high-resolution video, either use the Component Video Outputs, change the output resolution of your source device to 720p, or connect your source’s component video outputs directly to your video display.

• Due to the design of some video displays, analog 480p or 720p component video source signals may produce artifacts when used with the AVR’s analog video outputs (composite, S-video or component video). If this occurs, try changing the Video Mode setting in the INPUT SETUP menu, or connecting the source device’s video output directly to your video display. However, for best results, we recommend that you consider upgrading to an HDMI-capable video display.

• The AVR 247 cannot convert 1080i or 1080p analog video signals to the HDMI format, but passes 1080i signals to the Component Video Outputs. This affects users of Microsoft Xbox 360 systems and some older set-top boxes. If your digital cable television set-top box outputs 1080i or higher video via component video outputs and is not equipped with an HDMI output, contact your cable operator for a replacement. For Xbox 360 or satellite receivers with no HDMI output, change the settings on your source device so that it outputs only 720p video through its component video outputs, which the AVR can convert to the HDMI format, or connect the AVR’s Component Video Outputs to the TV. Although you could connect the source device’s component video outputs directly to your video display, you would then have to select the correct video input on the display to match the AVR’s input.

The component video inputs may be reassigned to other source inputs as needed, depending on the physical connections you made during the Installation procedure.

If a signal is present at the component video input assigned to that source, it will be selected.

If no signal is present at the component video input, then the S-video or composite video input for the source will be selected. It is not possible to reassign the S-video or composite video inputs to other sources.

For audio-only sources, such as the tuner or CD inputs, when no component video signal is present, the last-used video source will be selected.

6-/8-Channel Direct Inputs

If you wish to hear audio through the 6-/8-Channel Direct Inputs together with video, then connect your multichannel player to the Component Video 1 Inputs, and connect the player’s 6- or 8-channel analog audio outputs to the 6-/8-Channel Inputs on the AVR. Assign the component video inputs you selected to the 6-/8-Channel Input source. The AVR will automatically select the correct component video and audio inputs when you select this source.

OPERATION

If you need to use composite or S-video for your multichannel player, e.g., if your video display does not have component video inputs, then use the video inputs for another source. Since the AVR automatically selects the last-used video inputs for audio sources, first select the source you connected the video cables to, and then the 6-/8-Channel Inputs for the audio.

Example 1: You would like to connect a DVD-Audio player to the AVR 247. You plan on playing a variety of discs using this player, including conventional DVDs and even CDs as well as multichannel discs. When playing DVDs and CDs, it is preferable to use a digital audio connection to obtain the best sound quality and the benefit of any digital surround formats contained on the DVD. However, when playing DVDAudio discs, you will need to use the 6-/8-channel analog audio connections. In addition, some of these discs contain video materials. The player does not have an HDMI output.

We recommend that you connect this player as follows:

a) Connect the player’s coaxial digital audio output to the Coaxial 1 input

on the AVR. This input is assigned by default to the DVD source.

b) Connect the player’s component video outputs to the Component

Video 1 inputs on the AVR, which are assigned by default to the DVD source. If your video display doesn’t have component video inputs, then connect the player’s composite or S-video output to the DVD’s corresponding video input.

When you wish to view a DVD, simply select the HDMI 1 source.

When you wish to play a multichannel disc, first select the analog video source, e.g., Video 3, to obtain the correct video signal, then select the 6-/8-Channel Inputs to select the audio signal.

To select the 6-/8-Channel Inputs as the source, use either the Source Selector on the front panel or press the 6/8CH Input Selector on the remote. See Figure 68.

Figure 68 – 6-/8-Channel Input Selector

NOTE: The 6-/8-Channel Inputs pass the incoming signals directly to the volume control, without digitizing or processing them. Therefore, you will need to configure bass management settings (i.e., speaker size, delay and output level) on your source device so that they match the settings you programmed using EzSet/EQ, which may be viewed using the Manual Setup menu (see Advanced Functions section). Consult the owner’s guide for your multichannel player for more information.

c) Connect the player’s 6-channel analog audio outputs to the AVR’s

6-/8-Channel Inputs and assign the Component Video 1 inputs to this source using the Input Setup menu, as described in the Initial Setup section.

d) Program the player’s remote control codes into the DVD Input

Selector. Note that not all commands will necessarily be available.

When you wish to view a DVD, simply select the DVD source.

When you wish to listen to a DVD-Audio disc and view the menus and other still images on the disc, first select DVD, and then the 6-/8-Channel Inputs as the source.

Example 2: In this example, your multichannel disc player is equipped with an HDMI output, but it does not comply with HDMI version 1.1. Connect it as follows:

a) Connect the player’s HDMI output to the HDMI 1 source input, and

make sure to connect the AVR’s HDMI Output to your video display. The player will transmit both digital audio (e.g., Dolby Digital or DTS audio found on a DVD-Video disc) and video via the HDMI connection. It is not necessary to make a separate digital audio connection.

b) Connect the player’s 6-channel analog audio outputs to the AVR’s

6-/8-Channel Inputs, and connect one of the player’s analog video outputs to a source input on the AVR (e.g., Component Video 3 or Video 3).

c) Program the player’s remote control codes into the Input Selector

corresponding to the source you used for the analog video connection, e.g., Video 3.

The multichannel analog audio connection is not required for DVD-Audio players compliant with HDMI version 1.1 or better, or HD-DVD and Blu-ray Disc players that decode the digital audio internally and output linear PCM signals in digital format. Consult the owner’s guide for your disc player for more information.

Using the Tuner

The AVR 247’s built-in tuner may be selected in one of three ways (see Figure 69):

1. Press the Source Selector Button on the front panel repeatedly until the tuner is selected. The last-used band (AM or FM) will be active.

2. Press the Tuner Band Button (marked AM/FM). Press this button again to switch bands. This will also enable you to select XM Radio, which is described separately in the next section.

3. Press the Tuner Input Selector (marked AM/FM) on the remote. Press this button again to switch bands (AM, FM or XM).

Figure 69 – Tuner Input Selection

Radio stations may be selected in one of four ways (see Figure 70):

1. If you know the frequency number, enter it directly by first pressing the Direct Button on the remote, and then using the Numeric Keys.

OPERATION

2. After you have programmed Preset stations (see below), either enter the Preset number (1 through 30) using the remote or use the Preset Stations Buttons (front panel or remote) to scroll through the list of presets.

3. In Auto tuning mode, with each press of the Tuning Buttons (front

panel or remote), the AVR 247 will scan in the chosen direction until a station with acceptable signal strength is detected. Press the Tuning Button again to stop scanning.

4. In Manual tuning mode, with each press of the Tuning Buttons, the

AVR 247 will tune the next frequency increment (0.1MHz for FM, or 10kHz for AM) in the selected direction. Press and hold the Tuning Button for faster scanning.

Figure 70 – Tuning a Station

Press the Tuning Mode Button (TUN-M on the remote) to switch between Auto and Manual tuning modes. See Figure 71. When an FM station has been tuned, pressing the Tuning Mode Button will switch between stereo and mono tuning, which may improve reception of weaker stations.

NOTE: To listen to XM Radio using the AVR 247, you will need to purchase an XM antenna module and subscription, and you will need to activate your module. (Note that XM service is not available in Alaska or Hawaii.) Visit the XM Radio Web site at www.xmradio.com for more information.

Plug the module into the XM Antenna Jack on the rear of the AVR 247. Place the antenna module so that it has a clear view through a southfacing window in order to obtain reception from the XM satellite.

Select XM Radio as the source in one of the following three ways (see Figure 73):

1. Press the Source Selector button on the front panel repeatedly until XM Radio is selected. XM will only appear in the Message Display.

2. Press the Tuner Band Button (front-panel or remote) repeatedly until XM Radio is selected.

3. Press the XM Radio Input Selector on the remote.

Figure 73 – XM Radio Source Selection

You should be able to tune in Channel 1, the Preview Channel, to confirm that your equipment is ready for activation. There are three ways to tune an XM Radio channel (see Figure 70):

Figure 71 – Tuning Mode

To store a station in one of the 30 presets (see Figure 72):

1. Tune the desired station.

2. Press the Memory Button on the remote.

3. Use the Numeric Keys to enter the desired preset number.

Figure 72 – Storing a Preset Station

XM Radio Operation

XM Radio is a satellite-delivered service that offers hundreds of program channels, as well as local traffic and weather information for select cities. The AVR 247 is “XM Ready,” which means that it is able to receive the XM service when an optional XM antenna module is connected and the service activated. As of this writing, the Audiovox and Play” module for home audio use and the XM Mini-Tuner and Home Dock (Models CNP-2000 and CNP-2000H) are compatible with the AVR 247. Additional modules may become available in the future. Modules produced for automotive, or “mobile,” use are not compatible with the AVR 247.

CNP 1000 “Connect

1. Enter the channel number directly using the Numeric Keys on the remote. It is not necessary to press the Direct Button first.

2. Press the Tuning Buttons on the front panel or remote to scan through the channels. Auto tuning mode is not available.

3. The AVR 247 is capable of storing up to 40 XM Radio preset channels. The presets are divided into five banks, denoted by the letters A through E, with eight numeric presets per bank. After you have programmed preset stations (see below), you may select one by pressing the Set Button repeatedly until PRESET SEARCH appears,

⁄/¤

then using the

Buttons to change the bank (A through E). Use the Preset Buttons to scan through the eight numeric positions within a bank.

When you are able to hear Channel 1, you are ready to activate your module. If you don’t hear Channel 1, make sure the module’s plug is firmly seated in the XM Antenna jack, and that the module is near a south-facing window. Try unfolding the module and rotating it to obtain reception. You may need to purchase an extension cable, available on the XM Radio site, to ensure that the module is near the window.

Tune to Channel 0 for a display of your antenna module’s Radio ID number, required for activation.

The current channel number and preset location will appear in the upper line of the Message Display, and the channel’s name will appear in the lower line. Three signal-strength bars will appear to the right of the

OPERATION

The

Bridge

channel number and preset location. Press the Tuning Mode Button repeatedly to display the category, current artist or song title.

For traffic and weather channels, the current city’s name will appear instead of the channel name, and pressing the Tuning Mode Button repeatedly will display the local weather and temperature.

Press the Set Button to search all channels. Press it again to search by

⁄/¤

category, using the

Buttons to change the category. Press the Set Button again to tune the lowest-numbered station available in that category, or without using the arrow keys, press the Set Button to

⁄/¤

change the preset bank, using the

Buttons to change the bank

letter. Press the Set Button again to return to the all-channel search.

To store a channel in one of the 40 preset locations:

1. Press the Set Button repeatedly until PRESET SEARCH appears, then

⁄/¤

use the

Buttons until the desired bank of presets (A through E)

appears in the upper line of the Message Display.

2. Press the Memory Button, and a line will appear next to the preset

bank letter.

3. Use the Numeric Keys to enter the preset location (1 through 8) you

wish to store the channel in.

Recording

audio/video system, operate the iPod using the AVR remote or the AVR’s front-panel controls, view navigation messages on the AVR’s front panel or a connected video display, and charge the iPod.

Either press the front-panel Source Selector repeatedly until the message “DMP/The Bridge is CONNECTED” scrolls across the front panel and semi-OSD displays, or press the DMP Button on the remote to select The Bridge as the input source.

When an iPod is docked in The Bridge, the screen shown in Figure 74 will appear on a video display connected to the AVR. Navigate The

‹/›

Bridge’s screens by using the pressing the Set Button to select the line. The

‹

and the

Button scrolls up. Press the Menu Button to return to the

Buttons to highlight a line and

›

Button scrolls down,

previous level of The Bridge’s menu system. Remember to set the remote in The Bridge device mode by pressing the Tape/The Bridge button. If it lights in red, press it again quickly so that it lights in green, indicating it is in The Bridge mode.

Two-channel analog and digital audio signals, as well as composite and S-video signals, are normally available at the appropriate recording outputs. Thus, to make a recording, you need only make sure to connect your audio or video recorder to the appropriate output jacks, as described in the Installation section, insert blank media and make sure the recorder is turned on and recording while the source is playing.

NOTES:

1. Analog audio signals are not converted to digital form, and digital audio signals are not converted to analog audio form. However, you may record a coaxial or optical digital audio source using either type of digital audio output.

2. Only PCM digital audio signals are available for recording. Proprietary formats such as Dolby Digital and DTS may not be recorded using the digital audio connections, although if the source is connected to the AVR using the analog audio connections, an analog recording may be made.

3. HDMI and component video sources are not available for recording.

4. Please make certain that you are aware of any copyright restrictions on any material you record. Unauthorized duplication of copyrighted materials is prohibited by federal law.

Using

Figure 74 – The Bridge: Main Menu Screen

MUSIC: This line allows you to navigate the audio materials stored on your iPod.

PHOTOS/VIDEOS: Selecting this item allows you to play still images or videos stored on the iPod. The screen shown in Figure 75 will appear, directing you to operate the iPod’s own controls directly to play images and videos. You may use the AVR 247 remote instead of the iPod’s controls to navigate it, but the iPod’s menu will only be displayed on its internal screen. Visual materials will be displayed on a video display connected to the AVR.

NOTE: After selecting video/photo viewing, the AVR may remain in iPod Manual Mode, even after undocking the iPod or switching to another source input and back again. To return to normal operation, with the AVR remote in The Bridge mode, press and hold the Menu Button.

The Bridge is an optional dock that may be used with a compatible iPod (not included). When The Bridge is connected to its proprietary input on the AVR 247 and the iPod is docked, you may enjoy the audio, video and still-image materials on your iPod through your high-quality

Figure 75 – The Bridge: Playing Images and Videos

OPERATION

SETTINGS: This line accesses the Settings menu, shown in Figure 76. The items in this menu enable you to use the Shuffle and Repeat functions on the iPod. You may also set the Resume function, which resumes play of a selection from the point at which it was stopped,

Figure 76 – The Bridge: Settings Menu Screen

NOTE: iTunes allows you to set certain selections to always or never remember playback position, or to be skipped in Shuffle mode.The AVR 247’s settings cannot override these iTunes settings.

Figure 77 – Using The Bridge (Remote)

NOTES:

• The Play and Pause functions are not available unless content has been selected for playback by navigating the menu system.

• For the Search function, press and hold the indicated button. Pressing the Previous Track Button once skips to the beginning of the current track. Press the Previous Track Button

twice

skip to the beginning of the previous track.

While a selection is playing, the song title, artist and album name, if available on the iPod, will scroll across the upper line in the front panel Message Display. The lower line will display the elapsed time of the track on the left, the play mode icon, and the time remaining on the right.

In addition, if a video display is connected to the AVR 247, a screen will appear briefly to display information about the iPod’s status and the track. The top line will display the play mode icon, with the phrase “Now Playing” appearing to the right to indicate that you are viewing the status of the current track. Below that the AVR displays the total number of tracks in the current play list on the right (one of the play lists includes all materials on the iPod) with the number of the current track on the left. The song title, artist and album are displayed. At the bottom of the screen is a graphic bar indicating the current play position within the track, with the elapsed and remaining times appearing below the bar.

After a period of time the screen may disappear from view. The length of time is set using the Full-OSD Time Out setting in the System Settings menu (described in the Advanced Functions section). You may restore the Now Playing screen to view by pressing either of the

‹/›

Buttons, and

you may then navigate the menus as explained above.

Figure 78 – Using The Bridge (Front Panel)

Table 7 summarizes the controls available when The Bridge is in use. See also Figures 77 and 78.

Table 7 – Using The Bridge

iPod Function Remote Control Key Front-Panel Button

Play Play (›) Tuner Mode Pause Pause (II) Tuner Mode

Menu Menu (Spkr) Tuner Band (AM/FM)

Select Set Set

Scroll Forward Left Arrow (‹) Preset Down

Scroll Reverse Right Arrow (›) Preset Up

Forward Search/Next Track Forward/Next (››) Tuning Up

Reverse Search/Previous Track Reverse/Previous (

‹‹) Tuning Down

NOTE: It is strongly recommended that you use a screen saver built into your video display to avoid possible damage from “burn-in” that may occur with plasma and many CRT displays when a still image, such as a menu screen, remains on display for an extended period of time.

NOTES ON VIDEO PLAYBACK:

• Before attempting to play videos stored on your iPod, check the Video Settings menu on the iPod and make sure that the TV Out setting is set to On. The TV Signal setting should be NTSC to match the capabilities of your video display. Set Widescreen to On or Off, depending on the aspect ratio of your video display. If your selection was playing and paused at the time you changed the TV Out setting, the iPod may require you to navigate its menu system and reselect the video for the new TV Out setting to take effect. Resuming play from the Now Playing function may not reflect the change to the TV Out setting. This is a function of the iPod, not the AVR 247.

• In Video mode, the iPod’s menus will not be visible on your video display, although you may view them on the iPod’s screen. You may operate the iPod using the AVR remote, as long as it is in The Bridge device mode.

• You may view the AVR’s on-screen displays while The Bridge is in use, just as you would with any other video source.

OPERATION

• The MP4 and H.264 video formats often used for videos to be played on the iPod are intended for optimal performance on the iPod’s small screen. Playback on larger displays may have different results.

Selecting a Surround Mode

Surround mode selection can be as simple or sophisticated as your individual system and tastes. Feel free to experiment with the many available surround modes on the AVR 247, and you may find a few that become your favorites for certain sources or program types. Although more detailed information on surround modes may be found in the Advanced Functions section, it is easy to select any of the modes available at a given time:

To select a surround mode using the front-panel controls, press the Surround Mode Button repeatedly until the desired group of modes is selected: Logic 7, Dolby, DTS, DSP or Stereo. Then press the Surround Select Button repeatedly to select the desired mode within the group. See Figure 79.

To select a surround mode using the full-OSD menu system, press the

⁄/¤

OSD Button to display the menu system. Use the

Buttons to highlight the Surround tab, and press the Set Button to access the Surround Setup menu, as shown in Figure 81. With the Surround Mode highlighted, press the Set Button to change the surround mode group.

‹/›

Use the

Buttons to scroll through the options, and press the Set Button when the desired mode group appears. Navigate to the Mode line and follow the same procedure to select an individual mode. As explained in the Advanced Functions section, there are also some additional settings that may be made.

Figure 81 – Surround Setup Menu Screen

You are now ready to enjoy the best in home theater entertainment with your AVR 247. As you become more familiar with the receiver, you may wish to explore some of its advanced functions, which are described in the following section.

Figure 79 – Select a Surround Mode (Front Panel)

To select a surround mode using the remote control, locate the button dedicated to the desired group of modes: Logic 7, Dolby Sur, DTS Sur, DTS Neo:6, Surr (DSP) or Stereo. Press that button repeatedly to select the desired mode. See Figure 80.

Figure 80 – Select a Surround Mode (Remote)

ADVANCED FUNCTIONS

Much of the AVR 247’s performance is handled automatically, with little intervention required on your part. However, the AVR 247 is a sophisticated component, and is capable of being customized to suit your particular system and your tastes. In this section we describe some of the more advanced adjustments available on the AVR 247. You may return to this section later, when you have become more familiar with your receiver.

Audio Processing and Surround Sound

Audio signals output by sources are encoded in a variety of formats that can affect not only the quality of the sound but the number of speaker channels and the surround mode. You may also manually select a different surround mode, although for certain types of audio signals, the modes available will be limited in certain ways, as described below.

Analog Audio Signals

Analog audio signals usually consist of two channels – left and right. The AVR 247 offers three basic options for playback of analog audio:

1. Analog Bypass Mode: In this mode, the 2-channel signal is passed

directly to the volume control, without being digitized or undergoing any processing for bass management or surround sound. The requirements for selecting analog bypass mode are:

a) The analog audio inputs for the source must be selected. If neces-

sary, press the Digital Button on the remote and use the Buttons to make the selection.

b) The tone controls must be disabled by setting TONE MODE to OUT.

Either use the Input Setup menu in the full-OSD system to make this change, or press the Tone Mode Button on the front panel or

‹/›

remote and use the the TONE OUT message appears.

c) The Surround Off mode must be selected. The easiest way to

select the Surround Off mode is to press the Stereo Button on the remote until the Surround Off icon is lit (and the DSP icon is in the front-panel display.

2. DSP Surround Off Mode: The DSP Surround Off mode digitizes the

incoming signal and applies the bass management settings, including speaker configuration, delay times and output levels. This mode is desirable when your front speakers are small, limited-range satellites and you are using a subwoofer. Both the DSP and Surround Off icons will be lit when this mode is active. Press the Stereo Button on the remote repeatedly to select this mode.

3. Analog Surround Modes: One of the main benefits of a surround

receiver such as the AVR 247 is its ability to process 2-channel audio signals to produce multichannel surround sound in a variety of modes, even when no surround sound has been encoded in the recording. Among the available modes are the Dolby Pro Logic II/IIx modes, the Dolby Virtual Speaker modes, the DTS Neo:6 modes, the Logic 7 modes, the Hall and Theater modes and the Stereo modes.

Buttons (⁄/¤on the remote) until

⁄/¤

not

lit)

Digital Audio Signals

Digital audio signals offer the benefit of greater capacity, which allows recording artists to encode center and surround channel information directly into the signal. The result is improved sound quality and startling directionality, since each of these channels is reproduced discretely.

Alternatively, the artist may encode only two channels, but the digital signal allows for a higher sampling rate that delivers greater detail. High-resolution recordings usually sound extraordinarily distortion-free at all frequencies, but especially at high frequencies.

Multichannel digital recordings usually are found in the 5.1-, 6.1- or

7.1-channel formats. The channels included in a 5.1-channel recording are front left, front right, center, surround left, surround right and LFE. The LFE channel is denoted as “.1” to represent the fact that it is not full-range, being limited to the low frequencies.

6.1-Channel recordings add a single surround back channel, and

7.1-channel recordings add surround back left and surround back right channels to the 5.1-channel configuration. New formats, such as Dolby TrueHD and Dolby Digital Plus, may be available in 7.1-channel configurations in the future. The AVR 247 will not be able to play native

7.1-channel programs unless the source device outputs a 5.1- or

6.1-channel version.

NOTE: In order to use the 6.1- and 7.1-channel surround modes, e.g., Logic 7 7-channel Cinema, the AVR 247 must be configured so that the Surround Back channels are enabled. See the Manual Setup section on page 51 of the Advanced Functions section for more information.

Digital formats include Dolby Digital 2.0 (two channels only), Dolby Digital 5.1, Dolby Digital EX, DTS 5.1, DTS-ES (6.1 Matrix and Discrete), DTS 96/24 and 2-channel PCM modes in 32kHz, 44.1kHz, 48kHz or 96kHz.

When a digital signal is received, the AVR 247 detects the encoding method and the number of channels. The appropriate icon will light in the front panel for Dolby Digital and DTS signals. The number of channels encoded will scroll once across the front-panel display as three numbers, separated by slashes (e.g., “3/2/.1”).

The first number indicates the number of front channels in the signal:

“1” represents a monophonic recording, usually an older program that

has been digitally remastered or, more rarely, a modern program for which the director has chosen a special effect.

“2” indicates the presence of the left and right channels, but no

center channel.

“3” indicates that all three front channels (left, right and center) are

present.

The second number indicates whether any surround channels are present:

“0” indicates that no surround information is present.

“1” indicates that a matrixed surround signal is present.

“2” indicates discrete left and right surround channels.

ADVANCED FUNCTIONS

LFE

SBL

SBR

“3” is used with DTS-ES bitstreams to represent the presence of the discrete surround back channel in addition to the side surround left and right channels.

The third number is used for the LFE channel:

“0” indicates no LFE channel.

“.1” indicates that an LFE channel is present.

The 6.1-channel signals – Dolby Digital EX and DTS-ES Matrix and Discrete – each include a flag meant to signal the receiver to decode the surround back channel.

For Dolby Digital EX materials, the incoming bitstream will be displayed as 3/2/.1 EX-ON. For older discs, the display may show EX-OFF, but you will still be able to select the Dolby Digital EX mode manually by pressing the Dolby button on the remote repeatedly, or using the frontpanel controls.

For DTS-ES materials, the incoming bitstream will be displayed as 3/3/.1 ES-ON.

Please refer to Table 8 for more information on which surround modes are available with different bitstreams.

When a PCM signal is received, the PCM message, followed by the sampling rate of the signal (32kHz, 44.1kHz, 48kHz or 96kHz), will scroll once across the front-panel display.

In addition, the Speaker/Channel Input Indicators will indicate the number of channels discretely encoded in the signal by displaying a letter inside that channel’s speaker box. A line will connect the SBL and SBR boxes when a 6.1-channel signal is detected, indicating that the same signal is playing through both speakers. The letters flash when no signal is present, such as when a DVD is paused. See Figure 82.

Figure 82 – Speaker/Channel Input Indicators

Even when only two channels – left and right – are present in the signal, the analog surround modes may be used to decode the signal into the remaining channels.

NOTE: Dolby Digital 2.0 signals may also include a Dolby Surround flag indicating DS-ON or DS-OFF, depending on whether the 2-channel bitstream contains only stereo information, or a downmix of a multichannel program that can be decoded by the Dolby Pro Logic decoder in the AVR. By default, these signals are played in Dolby Pro Logic IIx Movie mode, but you may select another Dolby surround mode manually.

a brief description of each mode the AVR 247 is capable of using, and also indicates the types of incoming signals or digital bitstreams the mode may be used with. Additional information about the Dolby and DTS modes is available on the companies’ Web sites: www.dolby.com and www.dtsonline.com.

When in doubt, check the jacket of your DVD for more information on which surround modes are available on the disc. Usually nonessential sections of the disc, such as trailers, extra materials or the disc menu, are only available in Dolby Digital 2.0 (2-channel) or PCM 2-channel mode. If the main title is playing and the letters in the Speaker/Channel Input Indicators are not lit for all speaker locations, look for an audio setup section in the disc’s menu. Also, make sure your DVD player’s audio output is set to the original bitstream rather than just PCM. Check the DVD player’s output setting by stopping play of the disc and checking the DVD player’s menu system.

As indicated in Table 8, different surround modes may only be available with certain input signals or bitstream formats. For any incoming signal, only a limited number of surround modes are available. Although there is never a time when all of the AVR 247’s surround modes are available, there is usually a wide variety of modes available for a given input.

There are three methods of manually selecting one of the available surround modes:

1. From the front panel, press the Surround Mode Button until the

desired mode group (Dolby, DTS, DSP, Stereo, Logic 7) is selected, and the last-used mode from that group will be activated. Then press the Surround Select Button repeatedly to scroll through the modes available within that group.

2. Using the remote, press the button for the desired mode group:

Dolby Sur for Dolby modes DTS Sur for DTS Digital modes DTS Neo:6 for the DTS Neo:6 modes Logic 7 for the Logic 7 modes Stereo for the Stereo or Surround Off modes Surr for the DSP Surround modes (Hall 1, Hall 2, Theater)

Press the mode button repeatedly to scroll through the modes available within that group.

3. The full-OSD menu system allows access to submenus for each of

the mode groups through the Surround Setup menu. See Figure 81.

Surround Modes

As mentioned in the Introduction to Home Theater section, surround mode selection is dependent upon the format of the incoming audio signal, as well as personal taste. There is no harm in experimenting with all of the modes available with any given source material. Table 8 offers

Figure 81 (repeated) – Surround Setup Menu Screen

ADVANCED FUNCTIONS

Press the Set Button to access the Surround Setup menu, as shown in Figure 81. With the Surround Mode highlighted, press the Set Button

‹/›

to change the surround mode group. Use the through the options, and press the Set Button when the desired mode group appears. Navigate to the Mode line and follow the same procedure to select an individual mode. The Upsampling setting is only available for the Dolby modes. You may wait for the full-OSD screen to time-out and

‹

disappear from view, or press the and select another menu.

Button to return to the menu tabs

Buttons to scroll

Dolby Surround Settings

Some additional settings are available for Dolby modes. Three settings are active only when the Dolby Pro Logic II or IIx Music modes have been selected. See Figure 83.

Figure 83 – Dolby Pro Logic IIx Music Mode Settings

CENTER WIDTH: This setting affects how vocals sound through the three front speakers. A higher number (up to 7) focuses the vocal information tightly on the center channel. Lower numbers broaden the vocal soundstage across the three speakers.

DIMENSION: This setting affects the depth of the surround presentation, allowing you to “move” the sound toward the front or rear of the room. The setting of “0” is a neutral default. Setting “F-3” moves the sound mostly toward the front of the room, while setting “R-3” moves the sound mostly toward the rear.

PANORAMA: With the Panorama mode turned ON, some of the sound from the front speakers is moved to the surround speakers, creating an enveloping “wraparound” type of effect.

UPSAMPLING: The last line of the Surround Select menu activates upsampling, only available with the Dolby Pro Logic II/IIx Movie, Dolby Pro Logic II/IIx Music and Dolby Pro Logic modes. Normally set to OFF, upsampling, when activated, processes digital sources at a higher resolution for improved sound quality. This feature can be useful to eliminate distortion in some low-resolution sources.

OFF: At this setting, there is no compression, as the Night mode is

deactivated.

MID: A mild compression is applied.

MAX: More compression is applied.

We suggest that you experiment with the modes to find a setting that meets your needs.

The Night mode is not adjusted using the full-OSD menu system. With a Dolby Digital program encoded with Night mode playing, press the Night Button on the remote. Each press of the button will cycle through the three settings, with the selected setting being displayed on the front panel and in the semi-OSD display.

Default Modes

During initial use or after a processor reset, the AVR 247 will default to the Logic 7 7CH Music mode for all analog and PCM audio inputs. Subsequently, when a source input is selected and an analog or PCM signal is received, the AVR will switch to the last surround mode used for that source input/incoming signal combination.

Whenever a multichannel Dolby Digital or DTS signal is detected, the AVR 247 will automatically switch to that mode, unless the DEFAULT SURROUND setting in the System Setup menu has been changed to OFF. You may observe that other surround modes are available for use with the multichannel digital bitstreams. If you would prefer the AVR 247 to use one of those alternate modes any time the same digital signal is detected, then select that mode while the multichannel bitstream is present, and then change the DEFAULT SURROUND setting in the System Setup menu to OFF.

Table 8 provides descriptions of all surround modes available on the AVR 247, along with the incoming bitstreams or signals that the particular mode may be used with. Feel free to experiment and simply cycle through all of the available modes at any time; you cannot cause any problems for the AVR 247 by doing so.

NOTE: In order to access 6.1- and 7.1-channel modes, such as Dolby Digital EX, DTS-ES, Logic 7 (7.1 modes), DTS Neo:6 (6.1 modes), the 6-channel implementations of Hall 1, Hall 2 and Theater and 7-channel Stereo, you must enable the surround back channels as explained in the Manual Setup section. You should not enable these channels if you don’t have surround back speakers in your system.

Night Mode

Night mode is available with some Dolby Digital programs, if it has been encoded in the material. It compresses the peak sound levels, maintaining the intelligibility of the dialogue and quieter passages, while reducing the loudness of special effects and louder passages to avoid disturbing others. Three levels of compression are available:

ADVANCED FUNCTIONS

Table 8 – Surround Modes

Surround Mode Description Incoming Bitstream or Signal

Dolby Digital Provides up to five separate main audio channels and a dedicated • Dolby Digital 1/0/.0 or .1, 2/0/.0 or .1,

low-frequency effects (LFE) channel. May be encoded for Night mode, 3/0/.0 or .1, 2/1/.0 or .1, 2/2/.0 or .1, which allows the user to apply a compression setting that maintains 3/2/.0 or .1 intelligibility of softer passages while reducing the loudness of dynamic • Dolby Digital EX (played as 5.1) passages to avoid disturbing others.

Dolby Digital EX An expansion of Dolby Digital 5.1 that adds a surround back channel • Dolby Digital EX

which may be played through one or two surround back speakers. May • Dolby Digital 2/2/.0 or .1, 3/2/.0 or .1 be manually selected when a non-EX Dolby Digital stream is detected.

Dolby Digital Stereo Delivers a 2-channel downmix of Dolby Digital materials. • Dolby Digital 1/0/.0 or .1, 2/0/.0 or .1,

3/0/.0 or .1, 2/1/.0 or .1, 2/2/.0 or .1, 3/2/.0 or .1

• Dolby Digital EX

Dolby Pro Logic II Analog decoder that derives five full-range, discrete main audio channels See below. Mode Group from matrix surround-encoded or 2-channel analog sources. Four

variants are available.

Dolby Pro Logic II Variant of Dolby Pro Logic II that is optimized for movie and • Dolby Digital 2.0 or 2.1

Movie television programs. • Analog (2-channel)

• Tuner

• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

Dolby Pro Logic II Variant of Dolby Pro Logic II that is optimized for music selections. • Dolby Digital 2.0 or 2.1

Music Allows adjustment of sound field presentation in three dimensions: • Analog (2-channel)

• Center Width (adjusts width of vocal soundstage) • Tuner

• Dimension (adjusts depth of soundstage) • PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

• Panorama (adjusts wraparound surround effect)

Dolby Pro Logic II Variant of Dolby Pro Logic II that emphasizes use of the surround • Dolby Digital 2.0 or 2.1

Game channels and subwoofer for total immersion in the video gaming • Analog (2-channel)

experience. • Tuner

• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

Dolby Pro Logic Original version of Dolby Pro Logic that steered a mono signal • Dolby Digital 2.0 or 2.1

containing information below 7kHz to the surround channels. • Analog (2-channel)

• Tuner

• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

Dolby Pro Logic IIx An expansion of Dolby Pro Logic II that adds a surround back channel Mode Group

Dolby Pro Logic IIx This mode is similar to Dolby Pro Logic II Movie, with an added surround • Dolby Digital 2/0/.0 or .1, 2/2/.0 or .1,

Movie back channel. In addition, it may be selected even when some types of 3/2/.0 or .1, EX

which may be played through one or two surround back speakers. The

Pro Logic IIx modes may be selected not only with Dolby Digital bit-

Dolby streams, but thanks to the AVR 247’s post-processor, they may also be used with some DTS bitstreams to add a surround back channel to 5.1 modes.

DTS signals are present for a somewhat different presentation. • DTS 2/2/.0 or .1, 3/2/.0 or .1

• DTS 96/24

• DTS-ES Matrix

• DTS-ES Discrete

• Analog (2-channel)

• Tuner

• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

ADVANCED FUNCTIONS

Surround Mode Description Incoming Bitstream or Signal

Dolby Pro Logic IIx This mode is similar to Dolby Pro Logic II Music, including the availability • Dolby Digital 2/0/.0 or .1, 2/2/.0 or .1,

Music of center width, dimension and panorama adjustments. Dolby Pro Logic IIx 3/2/.0 or .1, EX

Music adds a surround back channel. In addition, it may be selected • DTS 2/2/.0 or .1, 3/2/.0 or .1 even when some types of DTS signals are present. • DTS 96/24

• DTS-ES Matrix

• DTS-ES Discrete

• Analog (2-channel)

• Tuner

• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

Dolby Pro Logic IIx This mode is similar to Dolby Pro Logic II Game, with the added benefit • Dolby Digital 2/0/.0 or .1

Game of a surround back channel. • Analog (2-channel)

• Tuner

• PCM (32kHz, 44.1kHz or 48kHz)

Dolby Virtual Speaker Simulates 5.1 channels when fewer speakers are present, or a more See below. Mode Group enveloping sound field is desired.

Dolby Virtual Speaker When fewer than five main speakers are present, the Reference • Dolby Digital (uses only two-speaker mode

Reference mode virtualizes the missing speakers with accurate localization. when s

Select from two- or three-speaker mode, depending on how many physical speakers are in your system. • Analog (2-channel)

• Tuner

• PCM (32kHz, 44.1kHz or 48kHz)

ignal does not contain center channel

information)

Dolby Virtual Speaker Wide mode may be used with two, three, four or five main speakers to • Dolby Digital (number of channels available

Wide widen the front soundstage by virtualizing the locations of the left and varies by number of channels in signal)

right speakers. • Analog (2-channel)

• Tuner

• PCM (32kHz, 44.1kHz or 48kHz)

DTS Digital Using a different encoding/decoding method than Dolby Digital, it also • DTS 1/0/.0 or .1, 2/0/.0 or .1, 3/0/.0 or .1,

provides up to five discrete main channels, plus an LFE channel. 3/1/.0 or .1, 2/2/.0 or .1, 3/2/.0 or .1

• DTS-ES Matrix (played as 5.1)

• DTS-ES Discrete (played as 5.1)

DTS-ES Matrix DTS Extended Surround adds a single surround back channel to DTS 5.1 • DTS-ES Matrix

digital surround sound. The Matrix version includes the surround back channel information “matrixed” into the left and right (side) surround channels, for compatibility with 5.1-channel systems.

DTS-ES Discrete DTS-ES Discrete is another Extended Surround mode that adds a surround • DTS-ES Discrete

back channel, but this information is encoded discretely on the disc, and is not derived from information contained in the surround channels.

DTS Stereo Delivers a 2-channel downmix of DTS Digital materials, or presents • DTS 1/0/.0 or .1, 2/0/.0 or .1, 3/0/.0 or .1,

a matrix-encoded surround presentation. 3/1/.0 or .1, 2/2/.0 or .1, 3/2/.0 or .1

• DTS 96/24

• DTS-ES Matrix

• DTS-ES Discrete

DTS Neo:6 DTS Neo:6 analog processing is available with DTS and DTS 96/24 See below. Mode Group

signals and 2-channel analog or PCM signals to create a 3-, 5- or 6-channel presentation.

ADVANCED FUNCTIONS

Surround Mode Description Incoming Bitstream or Signal

DTS Neo:6 Depending on the number of speakers in your system, select 3-, 5- or • DTS 2/2/.0 or .1, 3/2/.0 or .1

Cinema 6-channel modes, enhanced for movie or video presentations. • DTS 96/24

• Analog (2-channel)

• PCM (32kHz, 44.1kHz or 48kHz)

DTS Neo:6 Available only in 5- and 6-channel modes, creates a surround presentation • DTS 2/2/.0 or .1, 3/2/.0 or .1

Music suitable for music recordings. • DTS 96/24

• Analog (2-channel)

• PCM (32kHz, 44.1kHz or 48kHz)

Logic 7 Exclusive to Harman Kardon, Logic 7 enhances 2-channel and matrix-encoded See below. Mode Group recordings by deriving separate information for the surround back channels.

This provides more accurate placement of sound, improves panning and expands the sound field, even when used with 5.1-channel systems. Logic 7 uses 96kHz processing, and is available in 5.1- or 7.1-channel modes. Three variants are available.

Logic 7 Especially suited to 2-channel sources containing Dolby Surround or matrix • Analog (2-channel)

Cinema encoding, Logic 7 Cinema mode increases center channel intelligibility. • Tuner

• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

Logic 7 The AVR 247 is programmed at the factory to default to this mode for • Analog (2-channel)

Music 2-channel signals. Logic 7 Music mode is well suited to conventional • Tuner

2-channel music recordings. • PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

Logic 7 Logic 7 Enhance circulates low frequencies in the 40Hz – 120Hz range to • Analog (2-channel)

Enhance the main speakers for less localized bass performance than would be achieved • Tuner

solely with a subwoofer. Enhance mode is best used with music recordings. • PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

Hall 1 Hall 1 is a DSP (digital signal processor) mode that simulates a small • Analog (2-channel)

concert hall. It is available in 5- or 6-channel versions. • Tuner

• PCM (32kHz, 44.1kHz or 48kHz)

Hall 2 Simulates a medium-sized concert hall. It is available in 5- or 6-channel • Analog (2-channel)

versions. • Tuner

• PCM (32kHz, 44.1kHz or 48kHz)

Theater Simulates a live-performance theater. It is available in 5- or 6-channel • Analog (2-channel)

versions. • Tuner

• PCM (32kHz, 44.1kHz or 48kHz)

5-Channel Stereo Useful for parties, the left- and right-channel information is played through • Analog (2-channel)

both the front and surround speakers on each side, while the center speaker • Tuner plays a summed mono mix. • PCM (32kHz, 44.1kHz or 48kHz)

7-Channel Stereo Expands the 5-Channel Stereo presentation to include the surround back • Analog (2-channel)

channels. • Tuner

• PCM (32kHz, 44.1kHz or 48kHz)

DSP Surround Off Turns off all surround processing and plays a pure 2-channel signal. • Analog (2-channel)

The signal is digitized and bass management settings are applied, making it • Tuner appropriate when a subwoofer is used. • PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

Surround Off Maintains an analog input signal in that form, bypassing all digital processing • Analog (2-channel) (Analog Bypass) (i.e., surround and bass management). Requires TONE OUT setting. • Tuner

ADVANCED FUNCTIONS

Manual Setup

The AVR 247 is flexibly designed to be used with almost any loudspeakers available. The flexibility arises from the AVR 247’s capability to be configured to match the characteristics of your particular speakers, and to compensate for the acoustic characteristics of your room.

EzSet/EQ automatically detects the capabilities of each speaker, and optimizes the AVR 247’s performance in your system. However, if for some reason you are unable to run EzSet/EQ, e.g., you have misplaced the microphone, or if you wish to make further adjustments to the settings made by EzSet/EQ, you may use the Manual Setup on-screen menus as described in this section.

Before beginning manual setup you will need to have fully installed your AVR, placed your loudspeakers in their correct locations within the room (see Speaker Placement section), and connected them to the AVR. You will need the specifications for each of your speakers, which may usually be found in the owner’s guide for the speakers or on the manufacturer’s Web site. If necessary, contact the manufacturer to obtain the frequency range specification. Although the output-level setting portion of manual setup may be performed “by ear,” we recommend that you purchase an SPL (sound-pressure level) meter at a local electronics store.

We suggest that you record your configuration settings in the appropriate places in Tables A3 through A7 in the appendix in case you need to reenter them after a system reset, or if the AVR’s Master Power Switch is turned off or the unit is unplugged for more than four weeks.

Step One – Determine Speaker Size

Without using EzSet/EQ, the AVR 247 can’t detect how many speakers you’ve connected to it; nor can it determine their capabilities. For this part of the system setup, you will need to consult the speaker’s technical specifications.

The specification you’re looking for is the frequency response, which is usually given as a range, e.g., 100Hz – 20kHz (±3dB). This specification tells you whether the speaker is able to play sounds that are very high- or low-pitched, represented by the high and low frequencies. We are concerned with the lowest frequency that each of your main speakers is capable of playing, which is 100Hz in this example. Use the Table A5 worksheet in the appendix to note this number as the crossover for that speaker (not the same as the crossover frequency listed in the speaker’s specifications).

exceeding its capabilities. If you send the highest notes to the specialpurpose subwoofer, you may not hear them at all.

With proper bass management, the AVR 247 divides the source signal at a crossover point. All information above the crossover point is played through the satellite speaker (front left/right, center, surround left/right, or surround back left/right), and all information below the crossover point is played through the subwoofer. This enables each loudspeaker in your system to perform at its best, delivering an enjoyable sound experience.

Step Two – Measure Speaker Distances

Ideally, all of your speakers were placed in a circle, each at the same distance from the listening position. However, your room may not be ideal, and you may have had to place some speakers a little further away than others. This could affect the overall sound of the receiver, as sounds that are supposed to arrive simultaneously from different speakers blur due to different arrival times.

The AVR 247 has a delay adjustment that enables the receiver to compensate for real-world speaker placements.

Before you begin making adjustments, measure the distance from each speaker to the listening position, and note it in the Table A3 worksheet in the appendix. Even if all of your speakers are the same distance from the listening position, you should enter your speaker distances into the Delay Adjust menu, which is described in Step Three.

Step Three – Manual Setup Menu

Now you are ready to program these adjustments into the receiver. It’s best to sit in the usual listening position and make the room as quiet as possible. Don’t worry if you make a mistake; you can always go back and change these settings.

With the receiver and video display turned on, press the OSD Button on

the remote to display the menu system. Use the remote to move the cursor to the Speaker tab, and press the Set Button to display the Speaker Setup menu. See Figure 47.

Button on the

Your subwoofer’s frequency response will include only the very lowest frequencies, since the subwoofer is designed to play only bass materials. A typical frequency response for a subwoofer is 25Hz – 150Hz. In this case, the higher number should be noted in the worksheet.

This information is required to program the receiver’s bass management, which determines which speakers the receiver will use to play back the low-frequency (bass) portion of the source program.

If you send the lowest notes to small satellite speakers, you won’t hear these notes very well, and you may even damage the speaker by

Figure 47 (repeated) – Speaker Setup Menu Screen

Select the Manual Configuration option, and the Manual Speaker Setup menu will appear. See Figure 84.

ADVANCED FUNCTIONS

Usually you would not connect the surround back speakers without also connecting the front and side surround speakers. However, the AVR 247 has the capability to reassign the surround back amplifier channels to the multiroom system, enabling you to use these channels to power a pair of speakers in another room independently of the speakers you use in your main listening area. In that case you might connect speakers to the surround back/multiroom terminals without using the side surround speaker terminals at all.

Figure 84 – Manual Speaker Setup Menu

There are four submenus in the Manual Speaker Setup Menu: Speaker Size, Speaker Crossover, Delay Adjust and Channel Adjust. As each submenu’s name is highlighted, its settings will be displayed. To navigate the Manual Speaker Setup menus, press the Set Button when the desired submenu is highlighted, and the first line of the submenu will be highlighted. Press the Set Button to change a setting, and use the

‹/›

Buttons to scroll through the options, pressing the Set Button again to

⁄/¤

select an option. Use the

Buttons to select another setting in

the submenu. When you are finished making all of your adjustments

‹

in a particular submenu, press the submenus, and use the

⁄/¤

Button to return to the list of

Buttons to select another submenu.

If you have run EzSet/EQ, the values obtained during that process will appear in these menus. You may use them as a starting point for your adjustments, which is recommended, or you may reset the values in the Delay Adjust and Channel Adjust submenus.

Each submenu’s settings are dependent upon the previous submenu, and therefore we recommend you visit the menus in the order shown.

Speaker Size Menu

Move the cursor to the Size line and press the Set Button to display the Speaker Size submenu. See Figure 84.

The Speaker Size menu lists each of the speaker groups. You will be programming the correct setting for each group, indicating how many speakers are in your system and what their capabilities are, based on the information you obtained in Step One – Determine Speaker Size. Each of the main speaker groups can be set to one of three settings: LARGE, SMALL or NONE. These settings don’t refer to the physical size of the speaker, but rather to its frequency range. These may or may not turn out to be the same.

If the lower number of the frequency response for your speakers is less than 100Hz, choose the LARGE setting. If this number is 100Hz or greater, choose the SMALL setting. If you don’t have a speaker installed in that position, choose NONE. You may record the speaker size setting in Table A5 in the appendix.

As you can see, the system requires you to use both speakers in a pair. For example, you can’t connect just a front left speaker without a right speaker, or just a right surround (rear) speaker without a left one. However, you can connect only the front speakers, or both front and surround speakers without a center, or the front left/right and center speakers without any surrounds.

LEFT/RIGHT: This line tells the AVR 247 the capabilities of your front

‹/›

left and right speakers. Press the Set Button and use the

Buttons

to select either SMALL or LARGE for these speakers.

CENTER: Move the cursor to the line for the center speaker, press the

‹/›

Set Button and use the

Buttons to select a setting for this speaker.

NOTE: If the receiver is currently in one of the Logic 7 surround modes, which will be the case the first time you turn on the receiver, you won’t be able to set the center speaker to LARGE, due to the requirements of the Logic 7 processor. You may use the SMALL setting instead. As you listen to the receiver, if you find the SMALL setting is not satisfactory, change the surround mode to one of the Dolby Pro Logic II modes (using the Surround Select menu, accessible from the Master Menu), and return to this menu to change the center speaker to the LARGE setting.

SURROUND: Move the cursor to the line for the side surround

‹/›

speakers, press the Set Button and use the

Buttons to select the

SMALL, LARGE or NONE setting for these two speakers.

‹/›

SURR BACK: Press the Set Button and use the

Buttons to select

the SMALL, LARGE or NONE setting for the surround back speakers.

The AVR 247 is one of the few receivers in its class to include multiroom capability. With assignable surround back amplifier channels, setting up a multiroom system is more convenient than ever, no longer requiring an external amplifier to power the remote speakers. This line indicates whether the surround back channels are in use with the multiroom system by indicating MAIN when the multiroom system is not in use and MULTI when it is. It is not possible to change the status of the surround back channels from this menu; the MAIN/MULTI indication is for information only. The status may only be changed by activating or deactivating the multiroom system using the MULTI ROOM SETUP menu as described in the Multiroom Operation section.

SUBWOOFER: Move the cursor to the line for the subwoofer, which is programmed a little differently. The subwoofer’s “size” setting depends upon how you programmed the front left and right speakers.

• If you set the front speakers to SMALL, the subwoofer setting will be SUB (LFE), and you won’t be able to change it. All low-frequency information will always be sent to the subwoofer. If you don’t have a subwoofer, you may wish to set your front speakers to LARGE so as not to lose this information, but you may need to lower the volume to avoid adverse results. We recommend that you either upgrade to full-range speakers or add a subwoofer to your system at the earliest opportunity.

ADVANCED FUNCTIONS

LFE

SBL

SBR

• If you set the front speakers to LARGE, you may select from three possible settings for the subwoofer.

SUB L/R+LFE: This setting sends all low-frequency information to the subwoofer, including both information that would normally be played through the front left and right speakers and the special low-frequency effects (LFE) channel information.

SUB (LFE): This setting plays low-frequency information contained in the left and right program channels to the front speakers, and directs only the LFE channel information to the subwoofer.

NONE: This setting steers all low-frequency information to the front speakers, and no information to the subwoofer output. Use this setting if you have a passive subwoofer, or a powered subwoofer that you connected to the front speaker outputs.

NOTE: If you are using a Harman Kardon HKTS speaker system, select the SMALL setting for the LEFT/RIGHT, CENTER, SURROUND and SURR BACK lines, and the subwoofer will automatically be set to SUB (LFE).

Move the cursor to the left to select the next submenu.

The speaker sizes may also be configured without using the on-screen menu system. Press the Speaker Setup Button on the remote, and

⁄/¤

use the Speakers, Center Speaker, Surround Speakers, Surround Back Speakers, Subwoofer). Press the Set Button to display the current setting for the speaker group, and use the Press the Set Button to return to the previous display, or wait a few seconds for the AVR to return to normal operation on its own.

NOTE: The Speaker/Channel Indicators on the front panel of the receiver (see Figure 82) will display the speaker size settings as follows. For each speaker configured as SMALL, a single box will appear in the position for that speaker. For each speaker configured as LARGE, a double box will appear in its position. If a speaker is configured as NONE, no box will appear. The subwoofer will be indicated by a single box, or no box if no subwoofer has been configured. The letters inside the boxes appear when a digital channel discretely encoded. not present, such as when a DVD is paused. A line will connect the SBL and SBR boxes when a 6.1-channel signal is detected, indicating that the same signal is playing through both speakers.

Speaker Crossover Menu

On the Manual Speaker Setup menu, move the cursor to the CrossOver line and press the Set Button to display the Speaker Crossover menu. See Figure 85.

Buttons to select the desired speaker group (Front

⁄/¤

Buttons again to change the setting.

signal is being received that has that

The letters flash when the signal is

Figure 82 (repeated) – Speaker/Channel Input Indicators

Figure 85 – Speaker Crossover Menu Screen

Setting the Speaker Crossover menu correctly ensures that your speakers are properly used so that they sound their best. Although you could skip this step the first time you use the receiver, we recommend that you take the few extra minutes to enter the correct crossover settings.

You may select from seven possible settings: 40Hz, 60Hz, 80Hz, 100Hz, 120Hz, 150Hz or 200Hz. Depending upon the frequency response of your speakers, which you recorded in Step One – Determine Speaker Size, for each speaker group select the number that matches or is just above the low end of your speaker’s frequency response. You may record the speaker crossover settings in Table A5 in the appendix.

The Subwoofer line sets the frequency for a low-pass filter that determines what information is sent to the subwoofer for playback. Since the subwoofer output combines low-frequency information for all channels, in order to make sure that no information is lost due to different speakers having different capabilities, the subwoofer filter should be matched to the highest crossover frequency used for any speaker group.

Examine each of your speaker-group settings in this menu, and determine which group is set to the highest frequency. Move the cursor to

‹/›

the Subwoofer line, press the Set Button and use the

Buttons to select that speaker group. If all speaker groups have the same setting, you may leave the LFE filter at its factory default of the LEFT/RIGHT speaker group.

Move the cursor to the left to select the next submenu.

It is not possible to adjust the speaker crossover settings without using the on-screen menu system.

Delay Adjust Menu

As explained above in Step Two – Measure Speaker Distances, sometimes the speakers are placed at different distances from the listening position, which can muddy the sound, as sounds are heard earlier or later than desired.

Even if all of your speakers are placed the same distance from the listening position, you should not skip this menu.

On the Manual Speaker Setup menu, move the cursor to the Delay Adjust line and press the Set Button to display the Delay Adjust menu. See Figure 86.

ADVANCED FUNCTIONS

displayed, and use the Press the Set Button to return to the previous display, or wait a few seconds for the AVR to return to normal operation on its own.

Step Four – Setting Channel Output Levels Manually

For a conventional 2-channel receiver, the balance control enables the

Figure 86 – Delay Adjust Menu Screen

user to control the stereo imaging by adjusting the relative loudness of the left and right channels, as heard at the listening position.

⁄/¤

Buttons again to change the setting.

This menu requires you to enter the distance from each speaker to the listening position, which you measured in Step Two – Measure Speaker Distances and noted in Table A3 in the appendix.

The default unit of measurement is feet. If you wish to change the unit to meters, move the cursor down to the UNIT line, press the Set Button

‹/›

and use the

⁄/¤

Use the the Set Button then use the as needed. Use the

Buttons to change the unit to METER.

Buttons to move the cursor to the Front Left line, press

‹/›

Buttons to change the measurement

⁄/¤

Buttons to move to each speaker in turn – Center, Front Right, Surround Right, Surround Back Right, Surround Back Left, Surround Left and Subwoofer.

NOTE: When the multiroom system is in use, the surround back channels are automatically assigned to the multiroom system, as mentioned earlier. In that situation you will not be able to adjust the delay settings for these channels; the cursor will skip past them.

A/V SYNC DELAY: This line allows you to compensate for a situation in which one of your source devices, or your video display, introduces a significant amount of video processing that causes the audio and video parts of the signal to lose synchronization. This is known as a “lip sync” problem. You may delay the audio for all channels by up to 80 milliseconds to compensate.

NOTE: We recommend that you adjust the A/V Sync Delay using the Delay Button on the remote, rather than in this menu, so that you can view the picture while adjusting the audio delay. With the program playing, press the Delay Button, and the A/V SYNC DELAY message will appear on the front panel and in the semi-OSD display. Press the Set Button to display the current

⁄/¤

delay setting, and use the

Buttons to adjust the setting

until the picture and sound are back in sync.

RESET: This line is used if you wish to reset all of the speaker delay settings to the factory default of 10 feet (3.0 meters) at once. Simply highlight it and press the Set Button.

Move the cursor to the left to select the next submenu.

You may adjust the delay settings without using the on-screen menu system. Select a surround mode that uses all of the speakers in your system. Press the Delay Button on the remote to display the A/V SYNC DELAY message. If you wish to adjust A/V Sync Delay as described in the above note, press the Set Button to select it. Otherwise, use the

⁄/¤

Buttons to scroll through the list of all loudspeakers in your

system. Press the Set Button when the speaker you wish to adjust is

With up to seven main channels plus a subwoofer, imaging becomes both more critical and more complex. Unlike the rotary balance control, the goal of the AVR 247’s channel output adjustment process is to examine the output level of each channel independently and ensure that each is heard at the listening position with equal loudness.

If you followed the instructions in the Initial Setup section, then you let EzSet/EQ handle this critical task for you, simply and automatically.

However, if you prefer to make these adjustments manually, the AVR 247’s Channel Adjust menu allows you to do so, either using the system’s test tone or while playing source material. In addition, this is the only method for adjusting the level of the subwoofer.

You may use a handheld SPL meter (available at most electronics stores) set to the C-Weighting, Slow scale.

1. Make sure all speakers have been connected correctly.

2. Adjust the size, crossover and delay for each speaker in your system as described in Step Three.

3. If you are using a handheld SPL meter with source material, such as a test disc or another audio selection, play it now and adjust the

meter

AVR’s master volume control until the

measures 75dB.

4. There are several methods of adjusting the channel output levels, using either the test tone or source materials. In all cases, you may measure the channel levels in one of two ways:

a) By ear. Try to adjust the levels so that all channels sound equally loud.

b) Using a handheld SPL meter set to the C-Weighting, Slow scale. Try to

adjust each channel so that the meter reads 75dB.

The best method of setting the output levels is by running EzSet/EQ, as described in the Initial Setup section. If any finer adjustments are desired, we recommend using the full-OSD system to make the adjustments while playing the AVR’s built-in test tone and measuring the output using an SPL meter. Less effective would be to measure the output by ear. The adjustments may also be made using the remote’s Test Tone command or Channel command. Although the Channel command is also accessible using the front-panel controls, we don’t recommend doing so, as the measurements cannot be made from the listening position.

A. Using the Remote Control With the Test Tone

While sitting in the listening position, press the Test Button on the remote. The test tone will start playing at the front left channel. After

ADVANCED FUNCTIONS

a few seconds, it will move to the center channel, then the front right channel, surround right, surround back right, surround back left, surround left and finally the subwoofer, displaying the channel name on the front of the receiver and in the semi-OSD display, as well as the current level setting (varies between –10dB and +10dB). Press the

⁄/¤

Buttons to adjust the level setting, and the tone will remain at that channel until several seconds after your last adjustment. When you have finished adjusting the levels, press the Test Button again to stop the tone. Measure the levels by ear, or using an SPL meter, as described above.

B. Using the Front-Panel or Remote-Control Channel Command

You may adjust the levels by pressing the Channel Button on the front panel, and the FRONT L LEVEL message will appear. Use the

‹/›

Buttons on the front panel to select the desired speaker channel to adjust, and press the Set Button when the desired channel is displayed. The current level for that channel will appear, and you may adjust it

‹/›

using the

Buttons. Press the Set Button to return to the speaker channel choices. This method is not recommended, as you will not be able to measure the channel levels at the listening position. In addition, this method requires a source to be playing.

You may also access the Channel command by pressing the Channel

⁄/¤

Button on the remote. Use the speaker channel and press the Set Button, then use the

Buttons to select the desired

⁄/¤

Buttons again to adjust the level. As with the front-panel controls, a source should be playing for best results. However, the source may be mixed to highlight certain channels at various times during the selection, which could skew the results when a different program is played.

C. Using the Full-OSD Menu

Next to EzSet/EQ, the full-OSD menu system offers the easiest and most flexible manner of setting output levels. Press the OSD Button to display the menu system, and then navigate to the Speaker tab. Press the Set Button to display the Speaker Setup menu. Select Manual Configuration, press the Set Button, and then navigate to the Channel Adjust line. Press the Set Button to display the Channel Adjust menu. See Figure 87.

If you are using an external source to set your output levels, simply navigate to each channel, press the Set Button and use the

‹/›

Buttons to adjust the level as desired.

If you would like to set your levels using the AVR 247’s internal test tone, adjust the TEST TONE SEQ and TEST TONE lines as follows.

TEST TONE SEQ: When this setting reads AUTO, the test tone will automatically circulate to all channels, pausing for a few moments at each channel and then moving to the next channel several seconds later, as indicated by the highlight bar. You may adjust the level for any channel

‹/›

when the test tone is paused there by using the

⁄/¤

also use the

Buttons at any time to move the cursor to another

Buttons. You may

line, and the test tone will follow the cursor.

When this setting reads MANUAL, the test tone will not move to the

⁄/¤

next channel until you use the

Buttons to move it.

TEST TONE: This line determines whether the test tone is active. To begin the process of setting the levels, press the Set Button and use

‹/›

the

Buttons to change the setting to ON. Any time you manually move the cursor out of the channel listings area of the screen, this setting will automatically change to OFF, stopping the test tone.

NOTE: Setting the channel levels while one surround mode is active does not necessarily carry over to all other modes. We recommend that after you have set the levels satisfactorily in one mode, you note the results and change to other surround modes. For those modes that don’t reflect your level settings, you may either copy the settings you obtained (as a short cut), or redo the procedure to determine the correct settings for those surround modes.

Video Adjustments

The AVR 247 includes sophisticated DCDi by Faroudja video processing that delivers enhanced video quality, even for older analog video source components, as well as upgraded on-screen displays. When upscaling video materials from a lower resolution to a higher one (the AVR 247 upscales to a maximum of 720p), the processor is adding pixels to the original image. Sometimes when converting interlaced video (displays all odd rows then all even rows of the frame) to progressive-scan video (displays all rows at once) and increasing the resolution, the interpolation of new pixels can cause jagginess, or a staircase effect, at edge transitions, such as between the stripes in an American flag. Faroudja engineers developed the DCDi (Directional Correlational Deinterlacing) algorithm to ensure that the additional pixels follow the edge, virtually eliminating the jagginess and enhancing upscaled images.

Figure 87 – Channel Adjust Menu Screen

All of the speaker channels will appear with their current level settings.

RESET: If you wish to start by resetting all of the levels to their factory defaults of 0dB, navigate to this line and press the Set Button. The levels will be reset.

The video processor is set at the factory to automatically provide the best picture as it detects the capabilities of your video display and the incoming source video signals. However, you may experiment with the Video Setup menu adjustments to try to improve the picture further. The Video Setup menu includes a reset feature in the event you wish to return to the factory defaults and try again.

IMPORTANT NOTE: The AVR 247 cannot convert 1080i or 1080p analog video signals to the HDMI format. This affects

ADVANCED FUNCTIONS

users of Microsoft Xbox 360 systems and some older set-top boxes, and the picture cannot be improved by making adjustments in the AVR 247’s Video Setup menu.

If your digital cable television set-top box outputs 1080i or higher video via component video outputs and is not equipped with an HDMI output, contact your cable operator for a replacement.

To access the Video Setup menu, press the OSD Button to display the menu system, and navigate to the Video tab. Press the Set Button to access the Video Setup menu, shown in Figure 88.

processing, which may lead to loss of sync with the audio or visual artifacts. However, there is no harm in experimenting with this setting.

Brightness: This control adjusts the level at which black is delivered. We recommend leaving it at its factory setting, although there is no harm in experimenting if you are using a test signal.

Contrast: This control adjusts the difference between black and white in the picture. We recommend leaving it at its factory setting, although there is no harm in experimenting if you are using a test signal.

Color: This control adjusts the hue of the colors in the picture, and may be set between 0 and 99. Select a setting in which people and objects on screen look natural. There is no “recommended” setting, and no harm in experimenting.

Reset: If you wish to return the video settings to their factory defaults, select this line and press the Set Button.

Multiroom Operation

The AVR 247 offers the benefits of multiroom operation, a rarity in a receiver this affordable. With the multiroom system in use, you may enjoy an exciting 5.1-channel home theater presentation in the main listening area, while others listen to the same materials or an entirely different presentation in another room.

Figure 88 – Video Setup Menu Screen

Output Format: This setting is used to specify the resolution of the AVR’s video output as 480i, 480p or 720p.

When the HDMI Output is active, 480i output is not available. If you select the 480i setting and the video display is capable of 720p resolution, the AVR will automatically select the higher resolution. If the display is not capable of 720p resolution, the AVR will select the 480p setting.

If your source signal is 1080i or 1080p (must be digital, not analog; see important note above), it will be passed through to the HDMI Output as is, but you may not select that output format on this line, as upscaling to these resolutions is not supported. If you are using the Component Video Monitor Outputs, you will not be able to view 1080p materials, but 1080i sources will be passed through. In any event, when the source signal is 1080i or 1080p, the semi-OSD messages will not appear, including the volume bar. Full-OSD displays will appear, but at a lower resolution.

Viewing Preference: This setting allows you to select a factorypredetermined picture setting that is optimized for various types of program materials. The available options are CINEMA, SPORT, NATURE and VIVID.

Sharpness: You may adjust the Sharpness setting from 0 to 100 in increments of 4 units. We recommend leaving this setting as low as possible, as contrary to what you might expect, a less sharp image can appear clearer on screen. In addition, increasing the Sharpness requires additional video

Although installation of a multiroom system is not complicated, it is often accomplished by running wires inside walls. We urge you to check your local building codes and comply with the requirements for in-wall wiring systems to prevent the possibility of a dangerous situation. If you have any questions about installing a multiroom system, we strongly recommend that you contact a professional custom installer in your area.

Installing a Multiroom System

A typical multiroom system consists of only one remote room in the remote zone. That is, you connect only one pair of loudspeakers to the AVR 247, placing those speakers in the remote room the same way you would place the front left and right speakers in the main listening room. It is not recommended that you separate the left and right multiroom speakers, unless you will only use the system with the tuner as the source, and you have pressed the Tuning Mode Button to select monaural operation for FM radio stations.

If you wish to use the AVR 247 with more than one remote room, you will need to purchase a multichannel external amplifier that enables you to connect several pairs of loudspeakers. However, the AVR 247 only outputs one remote zone, meaning that only one signal is sent through the multiroom system. All remote rooms will hear the same source, even when a multichannel amplifier is used.

There are two ways of connecting the remote speakers to the AVR 247:

a) Connect the speakers to the left and right Surround Back/Multiroom

Speaker Outputs on the rear panel of the AVR 247. This is the simplest type of multiroom system. However, it is not recommended for long speaker-wire runs (e.g., more than 25 feet), as the audio signal tends to degrade over long distances. If your application would require a long speaker-wire run, consider option b) below.

ADVANCED FUNCTIONS

b) Purchase an external amplifier. Connect the Surround Back/Multiroom

Preamp Outputs to the amplifier’s inputs. You may place the amplifier either in the main listening room or the remote room. Placing the amplifier in the main listening room would require the use of long speaker wires to reach the remote room, while placing the amplifier in the remote room calls for the opposite – long interconnect cables and short speaker wires.

When you use either the Surround Back/Multiroom Speaker Outputs or the Surround Back/Multiroom Preamp Outputs for a multiroom system, you will not be able to use the surround back speakers with your main system, which will be limited to 5.1 channels. However, when the multiroom system is turned off, you may relocate your remote speakers (if that’s practical) to the main listening room for 7.1-channel operation.

You may install an optional remote infrared (IR) receiver in the remote room and connect it to the Multiroom IR Input on the back of the receiver. This lets you use an optional second-zone remote, a keypad or another control device to turn the multiroom system on or off, select a source input, and operate any source devices that are connected in daisychain fashion to the AVR 247’s Remote IR Output. You may use the main AVR 247 remote control in the remote zone, or you may purchase a second-zone remote by contacting Harman Kardon customer service through our Web site.

You may use the above connection methods simultaneously to increase the total number of remote rooms in your system. Remember that sending control commands from one room in the system will affect the entire remote zone of the multiroom system.

Operating the Multiroom System

The AVR 247’s multiroom system is accessed using the on-screen Multiroom Setup menu. Press the OSD Button to display the menu System, and use the tab. Press the Set Button to display the Multiroom Setup menu. See Figure 89.

⁄/¤

Buttons to navigate to the Multiroom

Default Volume: The volume is controlled separately for the remote zone.

SB Amps: This line is for information only and cannot be changed.

When the multiroom system is turned off, this line will always display the MAIN setting. When the multiroom system is turned on, this line will always display the MULTI setting, reflecting that the surround back channels are always assigned to the remote zone when the multiroom system is used.

The three multiroom settings may also be accessed by pressing the Multiroom Button on the remote (see Figure 90). The first press displays the MULTI ON/OFF setting, which functions the same as the first line

⁄/¤

of the Multiroom Setup menu. You may use the

Buttons to scroll to the MULTI INPUT and MULTI LEVEL settings, which perform the same functions as the Source and Default Volume lines of the Multiroom Setup menu. For each of the three settings, press the Set

⁄/¤

Button to adjust the setting, using the

Buttons to select the

desired option.

Figure 90 – Multiroom Button

System Settings

The AVR 247 offers several system settings that allow you to make the receiver easier to use rather than directly affecting performance. Most of these settings may be accessed from the System Setup menu, which is selected by pressing the OSD Button and navigating to the System tab. Press the Set Button to display the System Setup menu. See Figure 91.

Figure 89 – Multiroom Setup Menu Screen

Multiroom: This line is used to turn the multiroom system on or off. When no one is listening in the remote room, leave this setting at the default of OFF.

Source: This line indicates the source input selected for the remote zone. You may select any source input for which a device has been connected to the AVR 247, even when a different source is being enjoyed in the main listening area. However, if the tuner has been selected for simultaneous operation in both the main listening area and the remote zone, listeners in both areas will hear the same radio station.

Figure 91 – System Setup Menu Screen

VFD Fade Timeout: Some people find the brightness of the AVR’s front-panel display distracting during movies or listening sessions. It’s possible to dim the front-panel display completely using the Dim function (see below). This sets the display to remain dark most of the time, lighting up only when a button is pressed or a remote command is received, and going dark again five seconds after the last command. The VFD Fade Time Out feature also causes the display to light up only when a button is pressed or a change in the incoming signal is detected, but the display immediately begins to fade to dark.

Select a time-out period of between 3 and 10 seconds, or select OFF if you prefer to leave the displays on at all times or to use the Dim function.

Volume Default and Default Volume Set: These two settings are used together to program a volume level the AVR will always switch to

ADVANCED FUNCTIONS

when turned on. This feature avoids discomfort for listeners in case the last user turned the volume very high.

Press the OSD Button to remove the display from the screen so that you may adjust the volume to a desired level while a source is playing. Make a note of the number that appears in the display, and return to the System Setup menu. At the Default Volume Set line, select the desired volume setting, and activate the feature by setting Volume Default to ON.

NOTE: Although volume is normally displayed in 0.5dB increments, the default volume setting only allows whole numbers.

Semi OSD Timeout: At this line, you may program the amount of time (2 to 5 seconds) the two-line semi-OSD on-screen messages remain visible, or you may deactivate the semi-OSD display altogether if you find it distracting. These messages will continue to appear on the front panel of the receiver.

NOTE: The semi-OSD displays are not available when a 1080i or 1080p high-definition video source is in use.

Full OSD Timeout: At this line, you may program the amount of time (20, 30, 40 or 50 seconds) the full-OSD menus remain visible on screen. The full-OSD system may not be deactivated.

Default Surround Mode: This setting determines how the AVR 247 will handle Dolby Digital and DTS sources. For the purposes of this setting, the “default surround mode” means the mode encoded in the program, such as Dolby Digital 5.1. With this setting ON, the receiver will always use the default surround mode encoded in the program. When this setting is changed to OFF, the receiver will use the surround mode you selected the last time this type of audio stream was detected.

Dolby Digital 2.0 signals default to the Dolby Pro Logic II Movie mode, but you may select another Dolby surround mode manually. For PCM and analog sources, the factory default surround mode is Logic 7 Music. In general, the receiver will use the surround mode selected the last time that type of signal was received.

2. Press the Set Button on the front panel and hold it for about five

seconds. A message indicating the current brightness setting (see

‹/›

above) will appear in the display. Use the front-panel to change the setting and press the Set Button to select it.

Buttons

Advanced Remote Control Functions

The AVR 247 remote control not only operates the AVR 247, but it also serves as a universal remote that may be programmed to operate many other home theater components, as described in the Installation section. Each time you select one of your other components, the AVR remote switches to the control functions for that component. Since many buttons have unique functions for each component, refer to the Function List in the Appendix for assistance in operating your other components. The function of each button will not necessarily correspond to the label printed on the button.

Punch-Through Programming

The AVR 247 remote’s punch-through feature allows you to select one component for the remote to operate, while simultaneously setting certain groups of controls to operate another component. For example, while using the AVR to control surround modes and other audio functions, you may operate the transport controls of your DVD player. Or while using the remote to control video functions on your TV, you may use your cable box to change channels and the AVR to control the volume.

NOTE: It is not necessary to program the remote to control your DVD player’s transport controls while the AVR, VID2 or VID3 devices are in use, as the remote is preprogrammed at the factory with this function.

To program punch-through control while operating any device:

1. Press and hold the Input Selector (or AVR selector) for the main

device the remote will be operating until the Program LED flashes and the remote enters Program mode.

2. Select the type of punch-through programming.

Dim Function

Some people find the front-panel messages distracting and would prefer to dim them or turn them off altogether. When the display is dimmed or darkened, it will return to full brightness for five seconds any time a command is received before dimming or darkening again.

To dim the display:

1. Press the Dim Button on the remote. Each button press will cycle through the three settings of:

VFD FULL: Normal brightness

VFD HALF: Display is dimmed but still visible; the light inside the

volume knob goes dark

VFD OFF: Display goes completely dark except for the Power Indicator to remind you that the receiver is turned on

a) To program volume control punch-through, press the Volume Up

Button.

b) To program channel control punch-through, press the Volume

Down Button.

c) To program transport control punch-through, press the Play Button.

3. Press the Input Selector (or AVR selector) for the device whose volume, channel or transport controls you would like to be active while operating the device you selected in the first step. The LED will flash green to confirm the programming.

For example, if you wish to watch your TV (programmed into the Video 3 Button) while changing channels using your cable box (Video 2), first press the Video 3 Button until the Program LED flashes. Then press the Volume Down Button, followed by the Video 2 Button.

To undo punch-through programming, follow the same steps as above, but press the same Input (or AVR) Selector in Steps 1 and 3.

ADVANCED FUNCTIONS

You may reassign the transport control punch-through programming for the AVR, VID2 and VID3 devices to other devices, such as CD. If you wish to remove transport control punch-through altogether for the AVR, VID2 or VID3 device, follow the same procedure as for programming punch-through, but in Step 3 press either of the other two of these three special selector buttons. For example, to remove punch-through transport control from the VID3 device so that pressing any of the transport controls will have no effect in that device mode, press and hold VID3 until the Program Indicator Program LED flashes in amber, then press the Play button, followed by either the AVR or VID2 Button.

Macros

Macros are used to program sequences of up to 19 commands that are executed with a single button press. Macros are well suited for power on and off commands, or to send out a favorite multidigit channel number with one button press, or to have the ability to send out a code sequence to control another device while the remote is operating one device, but with more flexibility than the built-in punch-through controls.

Some commands may not be programmed into macros: Mute, Dim, Channel Up/Down, or any of the surround mode commands.

NOTE: Use caution when programming complicated macros. It isn’t possible to program a pause or delay before sending commands after Power On, and the component may not be ready to respond to commands instantaneously after powering on.

To program, or “record” a macro, follow these steps:

1. Simultaneously press and hold one of the four Macro Buttons (or the Power On Button) and the Mute Button to enter Program mode.

2. Press the Input (or AVR) Selector for each device before you enter commands to be transmitted to that device. This step counts as one of the 19 commands allowed for each macro.

NOTE: Even if you previously switched one of the dual-source Input Selectors (DVD/CD, TAPE/THE BRIDGE, HDMI 1/HDMI 2) to the primary or secondary source prior to programming the macro, the remote always requires you to press any of these

once

selectors source and

to program the macro to select the primary

twice

for the secondary source.

Resetting the Remote

To reset the remote to its factory defaults, simultaneously press and hold any Input Selector and the “0” Numeric key. When the Program LED flashes in amber, enter the code “333”. When the green LED goes out, the remote will have been fully reset.

Processor Reset

There may be instances when you wish to fully reset the AVR 247 to its factory defaults, or the unit may behave erratically after a power surge.

To correct erratic behavior, first try turning the Master Power Switch off and unplugging the AC power cord for at least three minutes. Plug the cord back in and turn the receiver back on. If this doesn’t help, try a system reset.

NOTES:

• A system reset erases all user configurations, including speaker and level settings and tuner presets. After a reset, you will need to reenter all of these settings.

• The RS-232 Reset Button on the rear panel of the AVR 247 does not perform a system reset. DO NOT press the RS-232 Reset Button.

To reset the AVR 247, place the receiver in Standby mode (press the front-panel Standby/On Switch so that the Power Indicator turns amber). Then press and hold the front-panel Tone Mode Button for at least five seconds until the RESET message appears in the display.

If the receiver still does not function correctly after a processor reset, contact an authorized Harman Kardon service center for assistance. Authorized service centers may be located by visiting our Web site at www.harmankardon.com.

Memory

If the AVR 247 is unplugged or experiences a power outage, it will retain user settings for up to four weeks.

3. For the Power On command, DO NOT press the Power On Button. Press the Mute Button instead.

4. Press the Power Off Button to program the Power Off command.

5. Press the Sleep Button to end the programming process.

It isn’t possible to “edit” a command within a macro. However, you may erase the macro as follows:

1. Simultaneously press and hold the Mute Button and the Macro Button containing the macro until the Program LED flashes.

2. Press the Surround Button to erase the macro.

TROUBLESHOOTING GUIDE

SYMPTOM CAUSE SOLUTION

Unit does not function when Main • No AC Power • Make certain AC power cord is plugged into Power Switch is pushed a live outlet

• Check to see whether outlet is switch-controlled

Display lights, but no sound • Intermittent input connections • Make certain that all input and speaker connections or picture are secure

• Mute is on • Press Mute Button

• Volume control is down • Turn up volume control

No sound from any speaker; • Amplifier is in protection mode • Check speaker wire connections for shorts at receiver and light around power switch is red due to possible short speaker ends

• Amplifier is in protection mode • Contact your local Harman Kardon service center due to internal problems

No sound from surround or • Incorrect surround mode • Select a mode other than Stereo center speakers • Input is monaural • There is no surround information from mono sources

• Incorrect configuration • Check speaker mode configuration

• Stereo or Mono program material • The surround decoder may not create center- or rear-channel

information from nonencoded programs

Unit does not respond to • Weak batteries in remote • Change remote batteries remote commands • Wrong device selected • Press the AVR selector

• Remote sensor is obscured • Make certain front-panel sensor is in line of sight of remote

or connect an optional remote sensor

Intermittent buzzing in tuner • Local interference • Move unit or antenna away from computers, fluorescent

lights, motors or other electrical appliances

Letters flash in the channel indicator • Digital audio feed paused • Resume play for DVD display and digital audio stops • Check that the correct digital input is selected

Surround Back Speaker settings • Multiroom system has been turned on, • Use the OSD menu system to access the Multiroom Setup cannot be accessed, and test tone and the surround back channels menu and turn off the multiroom system. does not play through Surround were reassigned to multiroom operation Back Speakers

The XM Preview Channel (001) • XM antenna is not plugged in • Make sure you are using a home audio XM antenna module is silent designed for use with XM Ready home audio equipment,

and that the module is plugged into the XM Radio Jack on the rear panel of the receiver.

• XM antenna is not located in such • The XM Antenna module needs to be placed with an a way as to enable reception unobstructed view of the southern sky, or within range of an

XM terrestrial repeater. If necessary, purchase an extension cable from your XM Radio dealer.

Unable to activate Program mode • Input Selector not held for at least • The selector will light as you initially press it, and go dark as you on remote 3 seconds hold it down. Wait at least 3 seconds for the selector to light

up again, and the Program LED will flash.

Unable to assign a device to • Invalid device assignment attempted • Only the DVD, VCR (includes DVR), cable or satellite (CBL/SAT HDMI 1 or 2 selectors selector) devices may be assigned to the HDMI 1 or 2 selectors.

Remote behaves erratically • Buttons are pressed too hard • Always press remote control buttons as gently as possible.

Additional information on troubleshooting possible problems with your AVR 247, or installation-related issues, may be found in the list of “Frequently Asked Questions”, which is located in the Product Support section of our Web site at www.harmankardon.com.

The

Bridge

AVR 247 TECHNICAL SPECIFICATIONS

Audio Section

Stereo Mode Continuous Average Power (FTC)

65 Watts per channel, 20Hz–20kHz, @ <0.07% THD, both channels driven into 8 ohms

Seven-Channel Surround Modes Power per Individual Channel

Front L&R channels: 50 Watts per channel @ <0.07% THD, 20Hz–20kHz into 8 ohms

Center channel: 50 Watts @ <0.07% THD, 20Hz–20kHz into 8 ohms

Surround (L & R Side, L & R Back) channels: 50 Watts per channel @ <0.07% THD, 20Hz–20kHz into 8 ohms

Input Sensitivity/Impedance

Linear (High-Level) 200mV/47k ohms

Signal-to-Noise Ratio (IHF-A) 100dB

Surround System Adjacent Channel Separation

Pro Logic I/II 40dB

Dolby Digital (AC-3) 55dB

DTS 55dB

Frequency Response

@ 1W (+0dB, –3dB) 10Hz – 130kHz

High Instantaneous Current Capability (HCC) ±35 Amps

Transient Intermodulation Distortion (TIM) Unmeasurable

Slew Rate 40V/µsec

FM Tuner Section

Frequency Range 87.5–108.0MHz Usable Sensitivity IHF 1.3µV/13.2dBf Signal-to-Noise Ratio Mono/Stereo 70/68dB Distortion Mono/Stereo 0.2/0.3% Stereo Separation 40dB @ 1kHz Selectivity ±400kHz, 70dB Image Rejection 80dB IF Rejection 90dB

The AVR 247 is Simplay HD

™

-verified for compatibility

via the HDMI connection with other Simplay HD-verified products.

Please register your AVR 247 on our Web site at

www.harmankardon.com. NOTE: You’ll need the product’s serial number.

At the same time, you can choose to be notified about our new products and/or special promotions.

AM Tuner Section

Frequency Range 520–1720 kHz Signal-to-Noise Ratio 45dB Usable Sensitivity Loop 500 µV Distortion 1kHz, 50% Mod 0.8% Selectivity ±10kHz, 30dB

Video Section

Television Format NTSC Input Level/Impedance 1Vp-p/75 ohms Output Level/Impedance 1Vp-p / 75 ohms

Video Frequency Response (Composite and S-Video) 10Hz–8MHz (–3dB)

Video Frequency Response (Component Video) 10Hz–100MHz (–3dB)

™

HDMI

Audio and video processing

General

Power Requirement AC 120V/60Hz Power Consumption 65W idle, 540W maximum

(7 channels driven)

Dimensions (Product) (Shipping) Width 17-5/16 inches (440mm) 21-7/8 inches (555mm) Height 6-1/2 inches (165mm) 10-1/2 inches (266mm) Depth 15 inches (382mm) 18-5/16 inches (465mm)

(Product) (Shipping)

Weight 30.0 lb (13.6kg) 35.0 lb (15.9kg)

Depth measurement includes knobs, buttons and terminal connections. Height measurement includes feet and chassis. All features and specifications are subject to change without notice.

Harman Kardon and Logic 7 are trademarks of Harman International Industries, Incorporated, registered in the United States and/or other countries. EzSet/EQ, and Designed to Entertain are trademarks of Harman International Industries, Incorporated.

Apple, iTunes and iPod are trademarks of Apple Inc., registered in the U.S. and other countries. Shuffle is a trademark of Apple Inc.

Audiovox is a registered trademark of Audiovox Corporation.

Blu-ray Disc is a trademark of the Blu-ray Disc Association.

CEA is a registered trademark of the Consumer Electronics Association.

Cirrus Logic is a registered trademark of Cirrus Logic, Inc.

Dolby, Pro Logic and the double-D symbol are trademarks of Dolby Laboratories. Manufactured under license from Dolby Laboratories.

“DTS” and “DTS ESINeo:6” are registered trademarks of DTS, Inc. “96/24” is a trademark of DTS, Inc.

Faroudja and DCDi by Faroudja are registered trademarks of Genesis Microchip Inc.

HD-DVD is a trademark of the DVD Format/Logo Licensing Corporation (DVD FLLC).

HDMI is a trademark of HDMI Licensing LLC.

Microsoft and Xbox are registered trademarks of Microsoft Corporation in the United States and other countries.

SACD is a trademark of Sony Corporation.

The Simplay HD logo and the Simplay, Simplay HD and Simplay Labs trademarks are owned by Silicon Image, Inc. and are used under license from Silicon Image, Inc. and/or Simplay Labs, LLC.

TiVo is a registered trademark of TiVo Inc.

XM and XM Ready are registered trademarks of XM Satellite Radio.

APPENDIX

Appendix – Default settings, worksheets, remote product codes

Table A1 – Source Input Setting Defaults

Source DVD HDMI 1 HDMI 2 Video 1 Video 2 Video 3 Video 4

Title

Video Input Comp V 1 HDMI 1 HDMI 2 Comp V 2 Comp V 3 Composite Composite The Bridge/ Comp V1 Comp V1 Comp V1 Comp V1 Comp V1

Audio Input Coax 1 HDMI 1 HDMI 2 Analog Optical 1 Analog Analog Analog Analog Analog Analog Analog Analog

Auto Poll On Off Off On On On On Off On On Off Off Off

Surround Logic 7 Logic 7 Logic 7 Logic 7 Logic 7 Logic 7 Logic 7 Logic 7 Logic 7 Logic 7 Logic 7 Logic 7 Logic 7

†

Mode

†

The default shown is the preferred surround mode for PCM and Analog audio sources.

7CH Music 7CH Music 7CH Music 7CH Music 7CH Music 7CH Music 7CH Music 7CH Music 7CH Music 7CH Music 7CH Music 7CH Music 7CH Music

The Bridge/ DMP Channel

DMP

(

The Bridge/DMP)

CD Tape Tuner 6-/8- XM

TUNER

(Tuner) (

6-/8-Channel)

(Tuner)

Table A2 – Speaker/Channel Setting Defaults

Source DVD HDMI 1 HDMI 2 Video 1 Video 2 Video 3 Video 4

Left/Right Speaker Size Small Small Small Small Small Small Small Small Small Small Small Large Small

Center Speaker Size Small Small Small Small Small Small Small Small Small Small Small Large Small

Surround Speaker Size Small Small Small Small Small Small Small Small Small Small Small Large Small

Surround Back Speaker Size Small Small Small Small Small Small Small Small Small Small Small Large Small

The Bridge/ DMP

CD Tape Tuner 6-/8- XM

Channel

Subwoofer Sub Sub Sub Sub Sub Sub Sub Sub Sub Sub Sub Sub Sub

Left/Right Speaker Crossover 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz N/A 100Hz

Center Speaker Crossover 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz N/A 100Hz

Surround Speaker Crossover 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz N/A 100Hz

Subwoofer Crossover Left/Right Left/Right Left/Right Left/Right Left/Right Left/Right Left/Right Left/Right Left/Right Left/Right Left/Right N/A Left/Right

Table A3 – Delay Setting Defaults

Speaker Position Distance From Speaker to Listening Position Your Delay Settings

Front Left 10 feet

Center 10 feet

Front Right 10 feet

Surround Right 10 feet

Surround Left 10 feet

Subwoofer 10 feet

A/V Sync Delay 0mS

APPENDIX

Table A4 – Source Input Settings

Source DVD HDMI 1 HDMI 2 Video 1 Video 2 Video 3 Video 4 The Bridge/DMP CD Tape Tuner 6-/8-Channel XM

Title

Video Input

Audio Input The Bridge/DMP Tuner 6-/8-Channel Tuner

Auto Poll

Surround Mode

Tone Mode

Bass

Treble

Video Mode

Table A5 – Speaker/Channel Settings

Source DVD HDMI 1 HDMI 2 Video 1 Video 2 Video 3 Video 4 The Bridge/DMP CD Tape Tuner 6-/8-Channel††XM

Left/Right Speaker Size N/A

Center Speaker Size N/A

Surround Speaker Size N/A

Subwoofer N/A

Left/Right Speaker Crossover

Center Speaker Crossover

Surround Speaker Crossover

N/A

Subwoofer Crossover N/A

Left Channel Level

Right Channel Level

Center Channel Level

Surround Left Channel Level

Surround Right Channel Level

Surround Back Left Channel Level

Surround Back Right Channel Level

Subwoofer Channel Level

††

The 6-/8-Channel Inputs are “direct” inputs, meaning their signals are passed directly to the volume control without any bass management processing. Thus, the speaker sizes are always full range, and it isn’t possible to adjust speaker size or crossover.

†††

Channel levels vary by surround mode rather than source input.

†††

APPENDIX

Table A6 – Remote Control Codes

Source Input Product Type (circle one or fill in) Remote Control Code

Video 1 VCR, PVR

Video 2 Cable, Satellite

Video 3 TV

Video 4 TV

DVD DVD

CD CD, CDR

Tape Cassette

HDMI 1 VCR, PVR, DVD, Cable, Satellite

HDMI 2 VCR, PVR, DVD, Cable, Satellite

Table A7 – System Settings

Feature Default Setting Your Setting

VFD Fade Timeout Off

Volume Default Off

Default Volume Set – 25dB

Semi-OSD Time Out 5 seconds

Full-OSD Time Out 20 seconds

Default Surround Mode On

Permission is hereby granted, free of charge, to any person obtaining a copy of the fonts accompanying this license ("Fonts") and associated documentation files (the "Font Software"), to reproduce and distribute the Font Software, including without limitation the rights to use, copy, merge, publish, distribute, and/or sell copies of the Font Software, and to permit persons to whom the Font Software is furnished to do so, subject to the following conditions:

The above copyright and trademark notices and this permission notice shall be included in all copies of one or more of the Font Software typefaces.

The Font Software may be modified, altered, or added to, and in particular the designs of glyphs or characters in the Fonts may be modified and additional glyphs or characters may be added to the Fonts, only if the fonts are renamed to names not containing either the words "Bitstream" or the word "Vera".

This License becomes null and void to the extent applicable to Fonts or Font Software that has been modified and is distributed under the "Bitstream Vera" names.

The Font Software may be sold as part of a larger software package but no copy of one or more of the Font Software typefaces may be sold by itself.

THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL BITSTREAM OR THE GNOME FOUNDATION BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM OTHER DEALINGS IN THE FONT SOFTWARE.

Except as contained in this notice, the names of Gnome, the Gnome Foundation, and Bitstream Inc., shall not be used in advertising or otherwise to promote the sale, use or other dealings in this Font Software without prior written authorization from the Gnome Foundation or Bitstream Inc., respectively. For further information, contact: fonts at gnome dot org.

26 28

656766

32 33 34 35

36 37 38 39

40 41 42 43

44 45 46 47

48 49 50 51

52 53 54 55

56 57 58

59 60 61

62 63 64

APPENDIX

Refer to the numbered buttons in Figure 92 when using the Function List.

Figure 92 – Remote Control Function List Reference

APPENDIX

The

Bridge

The

Bridge

Table A8 – Remote Control Function List

No. Button Name AVR Function DVD CD/CD-R Tape VCR (VID1) TiVo (VID1) CBL (VID2) SAT (VID2) TV (VID3/VID4) (DMP) XM HDMI 1/2

Power On Power On Power On Power On Power On Power On/Off Power On Power On Power On Power On Power On

Power Off Power Off Power Off Power Off Power Off TV Power Power Off Power Off Power Off Power Off Power Off

3 Mute Mute Mute Mute Mute Mute Mute Mute Mute Mute Mute Mute

AVR AVR Select AVR Select AVR Select AVR Select AVR Select AVR Select AVR Select AVR Select AVR Select AVR Select AVR Select AVR Select

DVD/CD DVD Input Select DVD Select DVD Select DVD Select DVD Select DVD Select DVD Select DVD Select DVD Select DVD Select DVD Select DVD Input Select

CD Input Select CD Select CD Select CD Select CD Select CD Select CD Select CD Select CD Select CD Select CD Select CD Input Select

6Tape/ Tape Select Tape Select Tape Select Tape Select Tape Select Tape Select Tape Select Tape Select Tape Select Tape Select Tape Select Tape Select

The Bridge (DMP) Select The Bridge (DMP) Select

HDMI1/HDMI 2 HDMI 1 Select HDMI 1 Select HDMI 1 Select HDMI 1 Select HDMI 1 Select HDMI 1 Select HDMI 1 Select HDMI 1 Select HDMI 1 Select HDMI 1 Select HDMI 1 Select HDMI 1 Select

HDMI 2 Select HDMI 2 Select HDMI 2 Select HDMI 2 Select HDMI 2 Select HDMI 2 Select HDMI 2 Select HDMI 2 Select HDMI 2 Select HDMI 2 Select HDMI 2 Select HDMI 2 Select

VID 1 (VCR) Video 1 Select VCR Select VCR Select VCR Select VCR Select VCR Select VCR Select VCR Select VCR Select VCR Select VCR Select VCR Select

VID 2 (CBL/SAT) Video 2 Select CBL/SAT Select CBL/SAT Select CBL/SAT Select CBL/SAT Select CBL/SAT Select CBL Select SAT Select CBL/SAT Select CBL/SAT Select CBL/SAT Select CBL/SAT Select

VID 3 (TV) Video 3 Select TV Select TV Select TV Select TV Select TV Select TV Select TV Select TV Select TV Select TV Select TV Select

VID 4 Video 4 Select Video 4 Select Video 4 Select Video 4 Select Video 4 Select Video 4 Select Video 4 Select Video 4 Select Video 4 Select Video 4 Select Video 4 Select Video 4 Select

XM XM Select XM Select XM Select XM Select XM Select XM Select XM Select XM Select XM Select XM Select XM Select XM Select

AM/FM Tuner Select Tuner Select Tuner Select Tuner Select Tuner Select Tuner Select Tuner Select Tuner Select Tuner Select Tuner Select Tuner Select Tuner Select

6/8CH 6/8 Ch. Input Select 6/8 Ch. Input Select 6/8 Ch. Input Select 6/8 Ch. Input Select 6/8 Ch. Input Select 6/8 Ch. Input Select 6/8 Ch. Input Select 6/8 Ch. Input Select 6/8 Ch. Input Select 6/8 Ch. Input Select 6/8 Ch. Input Select 6/8 Ch. Input Select 15 Sleep/CH+ Sleep Channel + Channel + Channel + Channel + Channel + Channel + 16 Test Tone Test Tone

T/V T

V/DVD or V. OFF

18 Vol Up Volume Up Volume Up Volume Up Volume Up Volume Up Volume Up Volume Up Volume Up 19 Surr/CH–

OSD OSD Program OSD Live TV OSD OSD OSD OSD

M-Room Multiroom HD Mode

DSP Surround Mode Select

Disc Menu or Title CDR Select Channel – Channel – Channel – Channel – Channel – Channel –

22 Vol Down Volume Down Volume Down Volume Down Volume Down Volume Down Volume Down Volume Down Volume Down

CH./Guide Channel Trim Title or Disc Menu Continuous Play Guide Info/Guide Info/Guide Guide

Speaker/Menu Speaker Setup

⁄

ﬁ Move/Adjust Left Left Left Left Left Left Left Scroll – Left Left

Move/Adjust Up

Menu or Setup Intro Scan Menu Menu Menu Menu Menu Menu Menu

Up Up Up Up Up Up Up Up

27 Set Set Enter Enter Select Enter Enter Enter Select Set Set/Enter

ﬂ

Digital/Exit

Delay/Prev. Ch.

1 111 1 1 11 1 11

2 222 2 2 22 2 22

3 333 3 3 3 3 3 33

4 444 4 4 4 4 4 44

5 555 5 5 55 5 55

6 666 6 6 6 6 6 66

7 777 7 7 77 7 77

8 888 8 8 88 8 88

Tun-M Tuning Mode Chapter+ or Zoom Repeat Tuning Mode

9 999 9 9 99 9 99

0 000 0 0 00 0 00

Move/Adjust Righ

Move/Adjust Down

Digital Input Select

t Right Right Right Right Right Right Scroll + Right Right

Down Down Down Down Down Down Down Down

Open/Close Return/Exit

Delay Adjust Return or Status Open/Close Prev Channel Prev Channel Prev Channel Prev. Channel

The Bridge (DMP) Select The Bridge (DMP) Select The Bridge (DMP) Select The Bridge (DMP) Select The Bridge (DMP) Select The Bridge (DMP) Select The Bridge (DMP) Select The Bridge (DMP) Select

The Bridge (DMP) Select

Input Select TV/VCR TV Input TV/CBL TV/SAT TV/VCR TV/Video

Volume Up

Volume Down

The

Bridge

APPENDIX

Table A8 – continued

No. Button Name AVR Function DVD CD/CD-R Tape VCR (VID1) TiVo (VID1) CBL (VID2) SAT (VID2) TV (VID3/VID4) (DMP) XM HDMI 1/2

Memory Memory Audio or Playlist Time

Tuning Up Tuning Up Next Chapter Track Direct Cancel Cancel Sleep

Direct Direct Tuner Entry Angle Random Play FAV/Angle FAV Angle/FAV

46 Clear Clear Clear Clear Clear Clear Next Clear

Preset Up Preset Tune Up Slow Forward +10 Alt

Tuning Down Tuning Down Prev Chapter Track Increment 49 Tone Tone mode Program 50 D. Skip

Preset Down Preset Down Slow Rev Preset Down

M1 Macro 1 Macro 1 Macro 1 Macro 1 Macro 1 Macro 1 Macro 1 Macro 1 Macro 1 Macro 1 Macro 1

M2 Macro 2 Macro 2 Macro 2 Macro 2 Macro 2 Macro 2 Macro 2 Macro 2 Macro 2 Macro 2 Macro 2

M3 Macro 3 Macro 3 Macro 3 Macro 3 Macro 3 Macro 3 Macro 3 Macro 3 Macro 3 Macro 3 Macro 3

M4 Macro 4 Macro 4 Macro 4 Macro 4 Macro 4 Macro 4 Macro 4 Macro 4 Macro 4 Macro 4 Macro 4

Dolby Surround Dolby Modes

DTS Surround DTS Digital Modes

DTS Neo:6 DTS Neo:6 Select

Night Night Mode Select Subtitle On/Off CDP Select

Logic 7 Logic 7 Select

Stereo Stereo Mode Select

Skip Down Skip – (DVD) Step – Skip – Scan – Thumbs Down Skip – (DVD) Skip – (DVD) Skip – (DVD)

Skip Up Skip + (DVD) Step + Skip + Scan + Thumbs Up Skip + (DVD) Skip + (DVD) Skip + (DVD)

Dim Dimmer

Rewind (‹‹) R. Search (DVD) R. Search R. Search Rewind Rewind R. Search R. Search (DVD) R. Search (DVD) R. Search (DVD) Skip–/R. Search R. Search

Play (‹›) Play (DVD) Play Play

F F (››) F. Search (DVD) F. Search F. Search Fast Fwd Fast Fwd F. Search F. Search (DVD) F. Search (DVD) F. Search (DVD) Skip+/F. Search F. Search

Disc Skip (DVD)

Disc Skip Disc Skip Skip

R. Play/F. Play

Play Play Play (DVD) Play (DVD) Play (DVD) Play Play

68 Record Record Record/Pause Record Record Record 69 Stop Stop (DVD) Stop Stop Stop Stop Slow Stop (DVD) Stop (DVD) Stop (DVD) Stop 70 Pause Pause (DVD) Pause Pause Pause Pause Pause (DVD) Pause (DVD) Pause (DVD) Pause Pause

Memory

Tuning Up

Preset Up

Tuning Down

NOTE: When any of the transport controls are pressed while the remote is in AVR, Video 2 or Video 3 mode, the remote will automatically switch to DVD mode and the command will be applied to the DVD player. If you then press a button native to the original mode, e.g., Volume Down for the AVR, the remote will revert to the original mode. See Punch-Through Programming, described in the Advanced Functions section, for more information.

APPENDIX

Refer to Tables A9 through A16 when programming the codes for your components into the remote. Table A9 – Remote Control Product Codes – TV

TV Manufacturer/Brand Setup Code Number

AIWA 027 A MARK 122 132 ADMIRAL 192 AKAI 123 160 AMPRO 164 ANAM 045 106 109 112 122 AOC 122 123 128 BLAUPUNKT 084 BROKSONIC 205 206 CANDLE 123 128 CAPEHART 059 CENTURION 123 171 CENTRONIC 045 CITIZEN 045 123 128 132 CLASSIC 045 CONCERTO 128 CONTEC 045 CORANDO 172 CORONADO 132 CRAIG 045 157 158 159 CROWN 045 132 CURTIS MATHES 123 128 132 CXC 045 DAEWOO 045 087 102 105 106 108 111

114 116 119 127 128 132 DAYTRON 128 132 DIGI LINK 200 DYNASTY 045 DYNATECH 063 ELECTROHOME 115 132 EMERSON 045 123 128 132 139 157 158

159 162 205 FUNAI 045 FUTURETECH 045 GE 029 087 121 123 128 133 145

159 163 GOLDSTAR/LG 101 110 122 128 132 GRUNDIG 193 HALL MARK 128 HARMAN KARDON 201 HITACHI 123 128 132 144 147 INFINITY 148 INKEL 120 JBL 148 JC PENNEY 115 123 128 132 145 JENSEN 019 JVC 079 087 134 KAWASHO 173 KEC 045 KENWOOD 123 204 KMC 132

TV Manufacturer/Brand Setup Code Number

KTV 045 123 132 162 LLOYTRON 172 173 LODGENET 069 LOGIK 069 LUXMAN 128 LXI 077 145 148 MAGNAVOX 030 123 128 132 145 148 MARANTZ 115 123 148 MATSUI 148 MEMOREX 069 128 METZ 084 MGA 115 123 128 MINERVA 084 MITSUBISHI 077 115 123 128 160 167 168 MTC 175 176 NATIONAL 148 177 179 180 181 182 NEC 115 121 123 125 NIKEI 045 ONKING 045 ONWA 045 OPTONICA 077 ORION 207 208 209 210 211 PANASONIC 087 148 169 PHILCO 045 115 123 128 132 148 PHILIPS 033 034 035 036 123 128 132

145 148 PIONEER 024 123 128 PORTLAND 128 132 PROSCAN 133 PROTON 059 122 128 132 165 QUASAR 032 087 RADIO SHACK 045 128 132 180 196 197 RCA 021 115 123 128 133 145 161 163 REALISTIC 045 167 196 RUNCO 152 153 SAA 183 SAMPO 059 123 128 SAMSUNG 020 022 124 128 132 145 SANYO 026 054 SCOTT 045 128 132 SEARS 128 132 145 SHARP 077 128 132 SIEMENS 084 SIGNATURE 069 SONY 028 031 117 130 136 194 212 SOUNDESIGN 045 128 SPECTRICON 122 SSS 045 SYLVANIA 025 123 128 145 148 SYMPHONIC 184 TANDY 077

Table A9 – continued

TV Manufacturer/Brand Setup Code Number

LOGIK 069 LUXMAN 128 LXI 077 145 148 MAGNAVOX 030 123 128 132 145 148 MARANTZ 115 123 148 MATSUI 148 MEMOREX 069 128 METZ 084 MGA 115 123 128 MINERVA 084 MITSUBISHI 077 115 123 128 160 167 168 MTC 175 176 NATIONAL 148 177 180 181 182 NEC 115 121 123 125 NIKEI 045 ONKING 045 ONWA 045 OPTONICA 077 ORION 207 208 209 210 211 PANASONIC 087 148 169 PHILCO 045 115 123 128 132 148 PHILIPS 033 035 036 123 128 132 145 148 PIONEER 024 123 128 PORTLAND 128 132 PROSCAN 133 PROTON 059 122 128 132 165 QUASAR 032 087 RADIO SHACK 045 128 132 180 196 197 RCA 021 115 123 128 133 145 161 163 REALISTIC 045 167 196 RUNCO 152 153 SAA 183 SAMPO 059 123 128 SAMSUNG 020 022 124 128 132 145 SANYO 026 054 SCOTT 045 128 132 SEARS 128 132 145 SHARP 077 128 132 SIEMENS 084 SIGNATURE 069 SONY 028 031 117 130 136 194 212 SOUNDESIGN 045 128 SPECTRICON 122 SSS 045 SYLVANIA 025 123 128 145 148 SYMPHONIC 184 TANDY 077 TATUNG 063 TECHNICS 181 TECHWOOD 128 TEKNIKA 045 069 115 123 128 132 TELERENT 069

APPENDIX

TV Manufacturer/Brand Setup Code Number

TERA 156 THOMSON 190 191 TMK 128 TOSHIBA 063 129 202 TOTEVISION 132 VIDEO CONCEPTS 160 VIDTECH 128 WARDS 069 128 132 148 YAMAHA 123 128 YORK 128 YUPITERU 045 ZENITH 069 090 ZONDA 122

APPENDIX

Table A10 – Remote Control Product Codes – VCR

VCR Manufacturer/Brand Setup Code Number

AIWA 040 AKAI 048 108 109 126 AMPRO 076 ASA 134 AUDIO DYNAMICS 018 048 BROKSONIC 110 147 CANDLE 134 135 CANON 135 140 CAPEHART 094 CITIZEN 134 CRAIG 045 116 DAEWOO 017 094 104 DAYTRON 094 DBX 018 048 DYNATECH 040 EMERSON 013 040 042 110 112 FISHER 017 FUNAI 040 GE 076 095 124 GO VIDEO 113 GOLDSTAR/LG 018 107 HARMAN KARDON 002 003 018 049 HITACHI 040 048 JC PENNEY 018 045 JENSEN 048 JVC 018 048 111 132 KENWOOD 020 048 LLOYD 040 LXI 020 040 MAGIN 045 MAGNAVOX 040 MARANTZ 018 MEMOREX 017 020 040 052 053 054 076 MGA 049 MITSUBISHI 049 131 MULTITECH 040 NAD 139 NATIONAL 140 NEC 018 048 NORDMENDE 048 OPTIMUS 159 ORION 147 PANASONIC 125 150 167 172 PHILCO 040 PHILIPS 040 075 PORTLAND 094 PULSAR 076 QUASAR 001 125 RADIO SHACK 055 134 140 142 158 159 RCA 095 124 125 157 172 REALISTIC 017 020 040 045 159 SALORA 020

VCR Manufacturer/Brand Setup Code Number

SAMSUNG 045 051 095 105 109 SANSUI 048 116 147 SANYO 017 020 SCOTT 110 112 SEARS 017 020 SHARP 129 156 SONY 080 129 SOUNDESIGN 040 SYLVANIA 040 SYMPHONIC 040 TANDY 017 040 TASHICO 134 TATUNG 048 TEAC 040 048 TEKNIKA 040 THOMAS 040 TiVo 002 003 004 005 007 008 012 TMK 013 TOSHIBA 112 155 TOTEVISION 045 UNITECH 045 VECTOR RESEARCH 018 VIDEO CONCEPTS 018 040 VIDEOSONIC 045 WARDS 040 045 112 YAMAHA 018 040 048 ZENITH 040 050 076 083

Table A11 – Remote Control Product Codes – CD

CD Manufacturer/Brand Setup Code Number

ADCOM 063 069 AIWA 072 111 118 156 170 AKAI 050 177 184 AUDIO TECHNICA 053 AUDIOACCESS 125 AUDIOFILE 211 BSR 044 CALIFORNIA AUDIO 109 CAPETRONIC 070 CARRERA 087 CARVER 136 140 141 143 144 145 185 186 CASIO 117 166 CLARINETTE 166 DENON 187 188 213 EMERSON 052 093 108 FISHER 055 095 FRABA 117 FUNAI 126 GE 164 GENEXXA 108 GOLDSTAR/LG 016 087 HAITAI 099 214 HARMAN KARDON 001 002 025 054 190 HITACHI 093 INKEL 216 JC PENNEY 098 147 JENSEN 153 JVC 176 195 196 KENWOOD 030 062 078 079 148 151 176

178 181 LOTTE 108 LUXMAN 077 102 LXI 164 MAGNAVOX 039 113 MARANTZ 058 084 191 192 193 MCINTOSH 194 MCS 080 098 MITSUMI 152 MODULAIRE 166 NAD 013 074 197 198 NAKAMICHI 199 200 201 NEC 069 NIKKO 053 055 ONKYO 037 038 045 046 171 175 202 203 OPTIMUS 065 089 091 092 099 104 212 PANASONIC 075 109 119 158 183 204 PHILIPS 039 138 149 209 PIONEER 071 094 100 112 123 131 161

162 215 PROTON 210 QUASAR 109 RADIO SHACK 126 166 213

APPENDIX

CD Manufacturer/Brand Setup Code Number

RCA 024 081 093 150 RCX 169 REALISTIC 058 093 095 104 105 108 164 166 SANSUI 047 081 134 157 172 SANYO 033 082 095 SCOTT 108 SHARP 058 105 114 151 159 167 180 181 SHERWOOD 003 041 058 105 133 SONY 103 115 116 118 132 139 163 205

206 207 208 212 217 SOUNDSTREAM 124 SYMPHONIC 059 110 TAEKWANG 177 TEAC 011 058 085 086 106 107 110 121

137 146 154 THETA DIGITAL 039 TOSHIBA 013 074 097 151 155 173 VECTOR RESEARCH 087 VICTOR 120 130 WARDS 095 YAMAHA 019 031 053 061 135 169 YORK 166

APPENDIX

Table A12 – Remote Control Product Codes – DVD

DVD Manufacturer/Brand Setup Code Number

APEX DIGITAL 061 DENON 019 051 GE 003 004 GOLDSTAR/LG 005 055 064 066 HARMAN KARDON 001 002 068 JVC 006 MAGNAVOX 056 MARANTZ 059 MITSUBISHI 023 NAD 062 ONKYO 009 048 PANASONIC 024 030 044 PHILIPS 056 PIONEER 041 065 PROCEED 060 PROSCAN 003 004 RCA 003 004 SAMSUNG 053 054 SHARP 028 SONY 043 045 THOMSON 003 004 TOSHIBA 009 058 067 YAMAHA 030 063 ZENITH 005 055 064

Table A13 – Remote Control Product Codes – SAT

SAT Manufacturer/Brand Setup Code Number

ALPHASTAR 472 ALPHASTAR DBS 450 ALPHASTAR DSR 442 BIRDVIEW 425 CHANNEL MASTER 320 321 325 361 CHAPARRAL 315 316 451 CITOH 360 DRAKE 313 317 318 413 481 DX ANTENNA 331 352 379 483 ECHOSTAR 395 397 452 453 463 477 478

484 485 ELECTRO HOME 392 FUJITSU 324 329 334 GENERAL INSTRUMENT 303 311 323 365 403 454 468 474 HITACHI DBS 455 HOUSTON TRACKER 463 HUGHES 437 489 JANIEL 366 JERROLD 454 468 484 KATHREIN 410 LEGEND 453 MACOM 317 365 369 370 371 MAGNAVOX 461 473 MEMOREX 453 NEXTWAVE 423 NORSAT 373 OPTIMUS 466 PACE DSS 487 PANASONIC 366 469 PANASONIC DBS 457 PANSAT 420 PERSONAL CABLE 418 PHILIPS 375 PICO 407 PRESIDENT 381 404 PRIMESTAR 412 454 468 475 RCA 301 439 465 490 RCA DSS 458 REALISTIC 349 480 SAMSUNG 442 SATELLITE SERVICE CO 335 388 SCIENTIFIC ATLANTA 339 SONY 405 STAR CHOICE DBS 459 STARCAST 347 SUPER GUIDE 327 423 TELECOM 330 333 390 391 393 409 TOSHIBA 302 426 460 461 462 470 UNIDEN 323 332 348 349 350 351 354 355

381 383 389 403 466 479 480 ZENITH 384 385 387 394 419 488

APPENDIX

Table A14 – Remote Control Product Codes – TAPE

Tape Manufacturer/Brand

HARMAN KARDON 001

Setup Code Number

Table A15 – Remote Control Product Codes – CBL

CBL Manufacturer/Brand Setup Code Number

ABC 001 011 ALLEGRO 111 AMERICAST 212 ARCHER 112 BELCOR 113 CABLE STAR 033 113 CITIZEN 111 COLOUR VOICE 085 090 DIGI 114 EAGLE 186 EASTERN 066 070 ELECTRICORD 039 EMERSON 112 FOCUS 116 G.I. 001 011 017 096 097 GC ELECTRONICS 113 GEMINI 032 060 GENERAL 210 GENERAL INSTRUMENT 210 GOODMIND 112 HAMLIN 056 099 100 101 117 175 208 HITACHI 001 188 JASCO 111 JERROLD 001 002 011 017 073 096 097 162

188 210 LINDSAY 118 MACOM 191 MAGNAVOX 017 019 068 MOVIE TIME 035 039 NSC 035 190 OAK 197 220 PACE 179 PANASONIC 053 176 177 189 214 PANTHER 114 PHILIPS 013 019 020 085 090 PIONEER 001 041 119 171 209 215 216 POPULAR MECHANICS 116 PRELUDE 120 PRIMESTAR 162 RADIO SHACK 111 112 213 RCA 053 214 RECOTON 116 REGAL 056 099 100 101 208 REMBRANT 032 SAMSUNG 003 072 186

CBL Manufacturer/Brand Setup Code Number

SCIENTIFIC ATLANTA 183 203 221 222 SEAM 121 SIGNATURE 001 188 SPRUCER 053 081 177 189 STARCOM 002 011 163 STARGATE 120 TANDY 024 TELECAPATION 028 TEXSCAN 036 TFC 122 TIMELESS 123 TOCOM 170 205 UNITED CABLE 011 UNIVERSAL 033 034 039 042 113 VIDEOWAY 124 211 VIEWSTAR 019 025 086 089 190 ZENITH 065 125 211 219 ZENTEK 116

Table A16 – Remote Control Product Codes –

THE BRIDGE/DMP

Manufacturer/Brand Setup Code Number

HARMAN KARDON 001 TEN TECHNOLOGIES 002

NOTES

Harman-Kardon AVR 247 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual