Harman kardon AVR 245 OWNER’S MANUAL

ENGLISH

AVR 245 Audio/ VideoReceiver

OWNER’S MANUAL

2 TABLE OF CONTENTS

3 Introduction 4 Safety Information 4 Unpacking 5 Front Panel Controls

7 Rear Panel Connections 10 Main Remote Control Functions 13 Installation and Connections 13 Audio Connections 13 Video Connections 14 HDMI Connections 14 SCART A/V Connections 16 System and Power Connections 17 Speaker Selection 17 Speaker Placement 18 System Configuration 18 First Turn On 18 Using the On-Screen Display 18 System Setup 19 Input Setup 20 Surround Setup 21 Night Mode Settings 22 Configuring the Surround Off

(Stereo) Modes

23 Automated Speaker Setup Using EzSet+ 25 Manual Setup 25 Speaker Setup 28 Delay Settings 29 Output Level Adjustment 32 Operation 32 Surround Mode Chart 34 Basic Operation 34 Source Selection 34 6/8-Channel Direct Input 35 Controls and Use of Headphones 35 Surround Mode Selection 35 Digital Audio Playback 36 Dolby Digital 36 DTS 36 PCM Audio Playback 36 Selecting a Digital Source 36 Digital Bitstream Indicators 36 Surround mode Types 37 Surround Mode Post Processing 37 PCM Playback Indications 37 Speaker/Channel Indicators 39 Night Mode 39 Tape Recording 39 Using The Bridge 40 Output Level Adjustment

With Source Signals

40 Dim function 40 Memory backup 41 System Setup 41 Front Panel Display Fade 41 Turn-On Volume Level 41 Semi-OSD Settings 42 Full-OSD Time Out Adjustment 42 Default Surround Mode 42 Full-OSD Background Color 42 Multiroom Operation 42 Multiroom 42 Installation 43 Multiroom Setup 43 Surround Amplifier Channel Assignment 43 Multiroom Operation 44 Tuner Operation 44 Basic Tuner Operation 44 Station Selection

Table of Contents

Typographical Conventions

In order to help you use this manual with the remote control, front-panel controls and rear-panel connections, certain conventions have been used.

EXAMPLE – (bold type) indicates a specific remote control or front-panel button, or rear-panel connection jack

EXAMPLE – (OCR type) indicates a message that is visible on the front-panel information display

– (number in a square) indicates a specific front-panel control

– (number in a circle) indicates a rear-panel connection

– (number in an oval) indicates a button or indicator on the remote

– (letter in an oval) indicates a button on the Zone II remote

The appearance of the text or cursor for your receiver’s on-screen menus may vary slightly from the illustrations in this manual. Whether the text appears in all uppercase or upper- and lowercase characters, performance and operation remain the same.

Declaration of Conformity

We, Harman Consumer Group, Inc.

2, route de Tours 72500 Château-du-Loir, FRANCE

declare in own responsibility, that the product described in this owner’s manual is in compliance with technical standards:

EN 55013:2001 + A1:2003 EN 55020:2002 + A1:2003 EN 61000-3-2:2000 EN 61000-3-3:1995 + A1:2001 EN 60065:2002

Jurjen Amsterdam

Harman Consumer Group, Inc.

02/07

44 Preset Tuning 45 RDS Operation 45 RDS Tuning 45 RDS Display Options 45 Program Search 46 Programming the Remote 46 Programming the Remote with Codes 46 Direct Code Entry 46 Auto Search Method 46 Code Readout 47 Macro Programming

47 Programmed Device Functions 47 Volume Punch-Through 48 Channel Control Punch-Through 48 Transport Control Punch-Through 48 Resetting the Remote Memory 49 Function List 51 Troubleshooting Guide 51 Processor Reset 52 Technical Specifications 53 Appendix - Settings Worksheet

INTRODUCTION 3

ENGLISH

Introduction

Thank you for choosing Harman Kardon!

With the purchase of a Harman Kardon AVR 245 you are about to begin many years of listening enjoyment. Designed to provide all the excitement and detail of movie soundtracks and every nuance of musical selections, the AVR is truly a multichannel receiver for the new millennium. In addition to the traditional 5.1 digital decoding modes such as Dolby Digital and DTS, it offers the latest advancements in surround technology such as Dolby Pro Logic II and IIx, the full suite of DTS-ES 6.1 modes, DTS Neo:6 and the latest 7.1 channel versions of Harman's own Logic 7 technology.

The AVR has been engineered so that it is easy to take advantage of all the power of its digital technology. On-screen menus, fully color coded connection jacks and terminals make installation fast and simple. However, to obtain the maximum enjoyment from your new receiver, we urge you to read this manual. A few minutes spent learning the functions of the various controls will enable you to take advantage of all the power the AVR is able to deliver.

If you have any questions about this product, its installation or its operation, please contact your retailer or custom installer. They are your best local sources of information.

Description and Features

The AVR is among the most versatile and multifeatured A/V receivers available, incorporating a wide range of listening options. In addition to Dolby Digital and DTS decoding for digital sources, a broad choice of surround modes for Matrix surround-encoded or Stereo recordings are available for use with sources such as CD,VCR,TV broadcasts and the AVR’s own FM/AM tuner. Along with Dolby Digital EX, Dolby Pro Logic II and IIx, DTS Neo:6, DTS 96/24, Dolby 3 Stereo, 5 Channel or 7 Channel Stereo and Hall and Theater modes, the AVR offers Harman International’s exclusive Logic 7 process in both 5.1 and 7.1 versions to create a wider, more enveloping field environment and more defined fly-overs and pans.

Dolby Virtual Speaker is available to create enveloping sound fields from front left and right speakers, and the latest Dolby Headphone circuitry creates an amazing sense of openness with headphones.

In addition to providing a wide range of listening options, the AVR is easy to configure so that it provides the best results with your speakers and specific listening-room environment.

On-screen menus combine with the EzSet+ system to automate speaker configuration and overall setup, resulting in a perfectly balanced sound field presentation that accurately reproduces the artist’s intent.

A Stereo-Direct mode bypasses the digital processor to preserve all of the subtleties of older analog, two-channel materials, while bass management, available in the surround and Stereo-Digital modes,improves your ability to tailor the sound to suit your room acoustics or taste.

The AVR 245 takes the “video” part of its name seriously.Along with two HDMI inputs and three 60MHz analog component video inputs, the AVR 245 converts incoming analog signals to component for single wire connections.Tying audio and video together, the AVR 245 provides A/V sync delay so that the lip sync errors – commonly seen when digital video processing is used in a source, program or video display – are eliminated.

For the ultimate in flexibility, the AVR features connections for five video devices, all with both composite and S-Video inputs.Two additional audio inputs are available, and a total of six digital inputs and two outputs make the AVR 245 capable of handling all the latest digital audio sources.

Coax and optical digital outputs are available for direct connection to digital recorders.A video recording output and a color-coded eight-channel input make the AVR 245 virtually future-proof, with everything needed to accommodate tomorrow’s new formats right on board.

Until now, Harman Kardon AVRs have been able to accommodate almost any source device equipped with line-level analog, optical digital or coaxial digital outputs, including most digital media players.With one simple connection between the AVR 245 and the optional Harman Kardon , you are able to listen to materials stored on your compatible Apple

iPod®**. Your AVR’s system remote control has been preprogrammed with control codes that enable you to select tracks for playback and navigate many of your iPod’s functions, even from across the room. The Bridge

™

will even let you

charge your iPod.

The AVR 245’s flexibility and power extend beyond your main home theater or listening room. The AVR includes a sophisticated multizone control system that allows you to select one source for use in the main room and a different one (Audio only) in a second room. Complete control over volume is possible with a separate infrared control link. Additional multiroom options include the option to assign two of the AVR’s output channels to the multiroom system.

The AVR 245’s powerful amplifier uses traditional Harman Kardon high-current design technologies to meet the wide dynamic range of any program selection.

Harman Kardon invented the high-fidelity receiver more then fifty years ago.With state-ofthe-art circuitry and time-honored circuit designs, the AVR 245 is the perfect combination of the latest in digital audio technology, a quiet yet powerful analog amplifier in an elegant, easy-to-use package.

■ Dolby*Digital, Dolby Digital EX and Dolby Pro Logic* II and IIx Decoding, and the full suite of DTS

modes, including

DTS-ES

6.1 Discrete & Matrix and

Neo:6

®.

■ Seven channels of high-current amplification.

■ Harman Kardon’s exclusive Logic 7

processing, available for the first time with both 7.1 and 5.1 processing in a variety of modes.

■ system with included microphone automatically configures speakers and sets delay times and output levels for optimal sound presentation.

■ Stereo-Direct Mode for Two-Channel Sources Bypasses DSP Processing to Preserve the Integrity of Analog Materials.

■ Stereo-Digital Mode for Programmable Bass Management of Low Frequencies Between Main Speakers and Subwoofer.

■ Two HDMI

™

1.1 and three assignable high-bandwidth analog component inputs for compatibility with the latest high-definition video sources.

■ Front panel analog A/V inputs.

■ Front panel digital inputs for easy

connection to portable digital devices and the latest video game consoles.

■ Connects to Harman Kardon’s (optional) for charging, playback and control of a compatible Apple

iPod

device.

■ Input titling for all input sources (except tuner).

■ Multiple digital inputs and outputs.

■ On-screen menu and display system with

choice of blue or black background screen.

■ A/V Sync delay adjustable for each input

delivers perfect lip sync with digital programs or video displays.

■ 6-Channel/8-Channel Direct Input for Use with Future Audio Formats.

■ Extensive bass management options,

including four separate crossover groupings.

■ Extensive multiroom options, including assignable amplifier channels for listening to a separate source in a remote zone.

■ Main Remote with Internal Codes.

**Compatible with all iPod models equipped with a dock connector, including third-generation “Click Wheel” models and newer. Not compatible with iPod

shuffle models.Although iPod photo models are compatible, images stored on the iPod may not be viewed.

4 SAFETY INFORMATION

Safety Information

Important Safety Information

READ THIS BEFORE OPERATING YOUR UNIT.

Do not install this equipment in a confined space such as a case or similar – away from direct sunlight, heat sources, vibration, dust, moisture, and/or cold. Avoid installing this unit where foreign object may fall onto this unit and/or this unit may be exposed to liquid dripping or splashing. On the top of this unit, do not place:

– Burning objects (i.e. candles), as they may

cause fire, damage to this unit, and/or personal injury.

– Containers with liquid in them, as they may fall

and liquid may cause electrical shock to the user and/or damage to this unit.

Do not cover this unit with a newspaper, tablecloth, curtain, etc. in order not to obstruct heat radiation. If the temperature inside this unit rises, it may cause fire, damage to this unit, and/or personal injury. Install this unit near the AC outlet and where the AC power plug can be reached easily.

This unit is not disconnected from the AC power source as long as it is connected to the wall outlet, even if this unit itself is turned off. This state is called the standby mode. In this state, this unit is designed to consume a very small quantity of power.

WARNING. TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE.

Verify Line Voltage Before Use

Your AVR has been designed for use with 220-240-Volt AC current. Connection to a line voltage other than that for which it is intended can create a safety and fire hazard and may damage the unit. If you have any questions about the voltage requirements for your specific model, or about the line voltage in your area, contact your dealer before plugging the unit into a wall outlet.

Do Not Use Extension Cords

To avoid safety hazards, use only the power cord attached to your unit. We do not recommend that extension cords be used with this product. As with all electrical devices, do not run power cords under rugs or carpets or place heavy objects on them. Damaged power cords should be replaced immediately by an authorized service depot with a cord meeting factory specifications.

Handle the AC Power Cord Gently

When disconnecting the power cord from an AC outlet, always pull the plug, never pull the cord. If you do not intend to use the unit for any considerable length of time, disconnect the plug from the AC outlet.

Do Not Open the Cabinet

There are no user-serviceable components inside this product. Opening the cabinet may present a shock hazard, and any modification to the product will void your guarantee. If water or any metal object such as a paper clip, wire or a staple accidentally falls inside the unit, disconnect it from the AC power source immediately, and consult an authorized service station.

Installation Location

■ To assure proper operation and to avoid the potential for safety hazards, place the unit on a firm and level surface.When placing the unit on a shelf, be certain that the shelf and any mounting hardware can support the weight of the product.

■ Make certain that proper space is provided both above and below the unit for ventilation. If this product will be installed in a cabinet or other enclosed area, make certain that there is sufficient air movement within the cabinet. Under some circumstances a fan may be required.

■ Do not place the unit directly on a carpeted surface.

■ Avoid installation in extremely hot or cold locations, or an area that is exposed to direct sunlight or heating equipment.

■ Avoid moist or humid locations.

■ Do not obstruct the ventilation slots on the

top of the unit, or place objects directly over them.

■ Due to the weight of the AVR 245 and the heat generated by the amplifiers, there is the remote possibility that the rubber padding on the bottom of the unit’s feet may leave marks on certain wood or veneer materials. Use caution when placing the unit on soft woods or other materials that may be damaged by heat or heavy objects. Some surface finishes may be particularly sensitive to absorbing such marks due to a variety of factors beyond Harman Kardon's control, including the nature of the finish, cleaning materials used, and normal heat and vibration caused by the use of the product, or other factors.We recommend that cau-tion be exercised in choosing an installation location for the component and in normal maintenance practices, as your warranty will not cover this type of damage to furniture.

Cleaning

When the unit gets dirty, wipe it with a clean, soft, dry cloth. If necessary, wipe it with a soft cloth dampened with mild soapy water, then a fresh cloth with clean water. Wipe dry immediately with a dry cloth. NEVER use benzene, aerosol cleaners, thinner, alcohol or any other volatile cleaning agent. Do not use abrasive cleaners, as they may damage the finish of metal parts.Avoid spraying insecticide near the unit.

Moving the Unit

Before moving the unit, be certain to disconnect any interconnection cords with other components, and make certain that you disconnect the unit from the AC outlet.

Unpacking

The carton and shipping materials used to protect your new receiver during shipment were specially designed to cushion it from shock and vibration. We suggest that you save the carton and packing materials for use in shipping if you move, or should the unit ever need repair.

To minimize the size of the carton in storage, you may wish to flatten it. This is done by carefully slitting the tape seams on the bottom and collapsing the carton. Other cardboard inserts may be stored in the same manner. Packing materials that cannot be collapsed should be saved along with the carton in a plastic bag.

If you do not wish to save the packaging materials, please note that the carton and other sections of the shipping protection are recyclable. Please respect the environment and discard those materials at a local recycling center.

It is important that you remove the protective plastic film from the front-panel lens. Leaving the film in place will affect the performance of your remote control.

FRONT PANEL CONTROLS 5

ENGLISH

Main Power Switch: Press this button to apply power to the AVR. When the switch is pressed in, the unit is placed in a Standby mode, as indicated by the orange LED

. This button MUST be pressed in to operate the unit. To turn the unit off completely and prevent the use of the remote control, this switch should be pressed until it pops out from the front panel so that the word “OFF” may be read at the top of the switch.

NOTE: This switch is normally left in the “ON” position.

System Power Control: When the Main

Power Switch

is “ON,” press this button to turn on the AVR; press it again to turn the unit off (to Standby). Note that the Power Indicator

will turn blue when the unit is on.

Power Indicator: This LED will be illuminated in orange when the unit is in the Standby mode to signal that the unit is ready to be turned on. When the unit is in operation, the indicator will turn blue.

Headphone Jack: This jack may be used to listen to the AVR’s output through a pair of headphones. Be certain that the headphones have a standard 6.3 mm stereo phone plug. Note that the speakers will automatically be turned off when the headphones are connected.

When configuring your system using EzSet+, the calibration microphone should be plugged into this jack using the supplied adaptor that converts the small mini-plug at the end of the microphone’s cord to a 1/4" plug.

Surround Mode Group Selector: Press this button to select the top-level group of surround modes. Each press of the button will select a major mode grouping in the following order:

Dolby Modes ➜ DTS Digital Modes ➜ DSP Modes ➜ Stereo Modes ➜ Logic 7 Modes

Once the button is pressed so that the name of the desired surround mode group appears in the

Main Information Display

, press the

Surround Mode Selector

to cycle through the individual modes available. For example, press this button to select Dolby modes, and then press the Surround Mode Selector

to choose

from the various mode options.

Speaker Select Button: Press this button to begin the process of selecting the speaker positions that are used in your listening room. (See page 17 for more information on setup and configuration.)

Front Panel Controls

1 2 3 4 5 6 7 8 9 )

! @ # $ % ^ & * ( Ó

Ô  Ò Ú Û Ù ı

Main Power Switch System Power Control Power Indicator Headphone Jack Surround Mode Group Selector Speaker Select Button Selector Buttons Tone Mode Surround Mode Selector Tuning

Tuner Band Selector Set Button Preset Stations Selector Speaker/Channel Input Indicator Input Source Selector RDS Select Button Delay Digital Optical 3 Input Surround Mode Indicators Digital Coax 3 Input

Video 4 input jacks Input Indicators Main Information Display Remote Sensor Window Digital Input Selector Channel Select Button Volume Control

DIGITAL LOGIC 7

PRO LOGIC

DSP

3 STEREO

5 7 CH. STEREO

HEADPHONE

SURR. OFF

VID 1

DVD

VID 2

FMAM

VID 3

TAPE

VID 4

6 8 CH

6 FRONT PANEL CONTROLS

Front Panel Controls

Selector Buttons: When you are establishing the AVR’s configuration settings, use these buttons to select from the choices available, as shown in the Main Information Display

Tone Mode: Pressing this button enables or disables the Balance, Bass and Treble tone controls.When the button is pressed so that the words

TONE I N appear in the Main

Information Display

, the settings of the Bass and Treble controls and of the Balance control will affect the output signals.When the button is pressed so that the words

TONE

OUT

appear in the Main Information

Display

, the output signal will be “flat,”

without any balance, bass or treble alteration.

Surround Mode Selector: Press this button to select from among the available surround mode options for the mode group selected. The specific modes will vary based on the number of speakers available, the mode group and if the input source is digital or analog. For example, press the Surround Mode Group Selector

to select a mode grouping such as Dolby or Logic 7, and then press this button to see the mode choices available. For more information on mode selection, see page 30.

)

Tuning Selector: Press the left side of the button to tune lower frequency stations and the right side of the button to tune higher frequency stations.When a station with a strong signal is reached,

MANUAL TUNED or AUTO

TUNED

will appear in the Main Information

Display

(see page 45 for more information

on tuning stations).

Tuner Band Selector: Pressing this button will automatically switch the AVR to the Tuner mode. Pressing it again will switch between the AM and FM frequency bands, holding it pressed for some seconds will switch between stereo and mono receiving and between automatic and manual tuning mode (See page 45 for more information on the tuner).

@ Set Button: When making choices during the setup and configuration process, press this button to enter the desired setting as shown in the

Main Information Display

into the AVR’s

memory.

Preset Stations Selector: Press this button to scroll up or down through the list of stations that have been entered into the preset memory (See page 45 for more information on tuner programming).

Speaker/Channel Input Indicators: These indicators are multipurpose, indicating either the speaker type selected for each channel or the incoming data-signal configuration.The left, center, right, right surround and left surround speaker indicators are composed of three boxes, while the subwoofer is a single box. The center box lights when a “Small” speaker is selected, and the two outer boxes light when “Large” speakers are selected. When none of the boxes are lit for the center, surround or subwoofer channels, no speaker has been selected for that position. (See page 25 for more information on configuring speakers.) The letters inside each of the center boxes display active input channels. For standard analog inputs, only the L and R will light, indicating a stereo input. When a digital source is playing, the indicators will light to display the channels begin received at the digital input. When the letters flash, the digital input has been interrupted. (See page 38 for more information on the Channel Indicators).

NOTE: When you have reassigned the surround back speakers to the remote zone using the

MULTI ROOM SETUP menu, the boxes that

indicate the presence of the surround back speakers will automatically disappear, reflecting the fact that the main listening area is now configured for

5.1-channel operation. (See page 43 for more information on reassigning the surround back speakers for multiroom use.)

Input Source Selector: Press this button to change the input by scrolling through the list of input sources.

RDS Select Button: Press this button to display the various messages that are part of the RDS data system of the AVR’s tuner. (See page 46 for more information on RDS).

Delay: Press this button to begin the sequence of steps required to enter delay time settings (See page 28 for more information on delay times).

Digital Optical 3 Input: Connect the optical digital audio output of an audio or video product to this jack. When the Input is not in use, be certain to keep the plastic cap installed to avoid dust contamination that might degrade future performance.

(

Surround Mode Indicators: The current selected mode or function will appear as one of these indicators. Note that when the unit is turned on, the entire list of available modes will light briefly, and then revert to normal operation with only the active mode indicator illuminated.

Digital Coax 3 Input: This jack is normally used for connection to the output of portable digital audio devices, video game consoles or other products that have a coax digital jack.

Video 4 Input Jacks: These audio/video jacks may be used for temporary connection to video games or portable audio/video products such as camcorders and portable audio players.



Input indicators: The current selected mode or function will appear as one of these indicators. Note that when the unit is turned on, the entire list of available modes will light briefly, and then revert to normal operation with only the active mode indicator illuminated.

Main Information Display: This display delivers messages and status indications to help you operate the receiver.

Remote Sensor Window:The sensor behind this window receives infrared signals from the remote control. Aim the remote at this area and do not block or cover it unless an external remote sensor is installed.

Note: When /DMP has been selected as the input source, no Input Indicator



will

light.

DMP/THE BRIDGE IS CON-

NECTED

will scroll across the Upper Display

Line

, unless you have retitled the source name, in which case that name will appear. See page 19 for more information on input titling.

Digital Input Selector: When playing a source that has a digital output, press this button to select between the Optical

and Coaxial

Digital inputs. (See pages 19 and 35 for

more information on digital audio).

Channel Select Button: Press this button to begin the process of trimming the channel output levels using an external audio source. (For more information on output level trim adjustment, see page 40).

Volume Control:Turn this knob clockwise to increase the volume, counterclockwise to decrease the volume. If the AVR is muted, adjusting volume control will automatically release the unit from the silenced condition.

REAR PANEL CONNECTIONS 7

ENGLISH

Rear Panel Connections

0 1 2 3 4 5 6 7 8 9 A B C D

E F G H I J K L M N O P Q R

S T U V W X Y Z a b

AM Antenna FM Antenna Tape Inputs Tape Outputs Subwoofer Output DVD Audio Inputs CD Inputs Video 1 Audio Outputs

DMP Connector 8-Channel Direct Inputs Digital Audio Outputs Video Monitor Outputs DVD Video Inputs Front Speaker Outputs

Center Speaker Outputs Surround Speaker Outputs Switched AC Accessory Outlet Multiroom IR Input AC Power Cord Video 2 Component Video Inputs Component Video Outputs Video 1 Component Video Inputs Video 2 Audio Inputs Coaxial Digital Inputs Surround Back/Multiroom Speaker Outputs Video 1 Video Outputs Video 1 Video Inputs Optical Digital Inputs

Video 1 Audio Inputs Video 2 Video Inputs Remote IR Output Remote IR Input Preamp Outputs/Multiroom Outputs Video 3 Component Video Inputs Video 3 Video Inputs Video 3 Audio Inputs HDMI Output HDMI Inputs

NOTE: To assist in making the correct connections for multichannel input/output and speaker connections, all connection jacks and terminals have been color coded in conformance with the latest CEA standards as follows: Front Left: White Front Right: Red Center: Green Surround Left: Blue Surround Right: Gray Surround Back Left: Brown Surround Back Right: Tan Subwoofer (LFE): Purple Digital Audio: Orange Composite Video: Yellow Component Video “Y”: Green Component Video “Pr”: Red Component Video “Pb”: Blue

AM Antenna: Connect the AM loop antenna supplied with the receiver to these terminals. If an external AM antenna is used, make connections to the AM and GND terminals in accordance with the instructions supplied with the antenna.

FM Antenna: Connect the supplied indoor or an optional external FM antenna to this terminal.

Tape Inputs: Connect these jacks to the PLAY/OUT jacks of an audio recorder.

Tape Outputs: Connect these jacks to the RECORD/INPUT jacks of an audio recorder.

Subwoofer Output: Connect this jack to the line-level input of a powered subwoofer. If an external subwoofer amplifier is used, connect this jack to the subwoofer amplifier input.

DVD Audio Inputs: Connect these jacks to the analog audio jacks on a DVD or other audio or video source.

CD Inputs: Connect these jacks to the analog output of a compact disc player or CD changer or any other audio source.

Video 1 Audio Outputs: Connect these jacks to the RECORD/INPUT audio jacks on a VCR or any other Audio recorder.

Digital Media Player (DMP)

Connector: With the AVR 245 turned off, con-

nect one end of the optional Harman Kardon

to this proprietary connector, and the other to your compatible Apple iPod. When the Digital Media Player source is selected, you may view your iPod’s control and navigation messages on your video display (if one is connected to one of the Video Monitor Outputs

), and in the Upper and Lower Display

Lines

. You may navigate the iPod and select

tracks for playback using the

⁄/¤/‹/›

Buttons

DE

, the Set ButtonFand

Transport Controls

on your AVR remote.

See page 39 for more information.

8 REAR PANEL CONNECTIONS

Rear Panel Connections

8-Channel Direct Inputs: These jacks are used for connection to source devices such as DVD-Audio or SACD players with discrete analog outputs. Depending on the source device in use, all eight jacks may be used, though in many cases only connections to the front left/right, center, surround left/right and LFE (subwoofer input) jacks will be used for standard 5.1 audio signals.

Digital Audio Outputs: Connect these jacks to the matching digital input connector on a digital recorder such as a CD-R or MiniDisc recorder.

Video Monitor Outputs: Connect this jack to the composite and/or S-Video input of a TV monitor or video projector to view the on-screen menus and the output of any standard Video or S-Video source selected by the receiver’s video switcher.

DVD Video Inputs: Connect these jacks to the composite or S-Video output jacks on a DVD player or other video source.

Front Speaker Outputs: Connect these outputs to the matching + or – terminals on your left and right speakers. In conformance with the new CEA color code specification, the White terminal is the positive, or "+" terminal that should be connected to the red (+) terminal on Front Left speaker with the older color coding, while the Red terminal is the positive, or "+" terminal that should be connected to the red (+) terminal on Front Right speaker. Connect the black (–) terminals on the AVR to the black (–) terminals on the speakers. See page 13 for more information on speaker polarity.

Center Speaker Outputs: Connect these outputs to the matching + and – terminals on your center channel speaker. In conformance with the new CEA color code specification, the Green Terminal is the positive, or "+" terminal that should be connected to the red (+) terminal on speakers with the older color coding. Connect the black (–) terminal on the AVR to the black negative (–) terminal on your speaker. (See page 13 for more information on speaker polarity.)

Surround Speaker Outputs: Connect these outputs to the matching + and – terminals on your surround channel speakers. In conformance with the new CEA color code specification, the Blue terminal is the positive, or "+" terminal that should be connected to the red (+) terminal on the Surround Left speaker with older color coding, while the Gray terminal should be connected to the red (+) terminal on the Surround Right speaker with the older color coding. Connect the black (–) terminal on the AVR to the matching black negative (–) terminals for each surround speaker. (See page 13 for more information on speaker polarity.)

Switched AC Accessory Outlet: This outlet may be used to power any device that you wish to have turn on when the AVR is turned on with the System Power Control switch

Note: The total power consumption of all devices connected to the accessory outlets should not exceed 50 W from the Switched

Outlet

Multiroom IR Input: Connect the output of an IR sensor in a remote room to this jack to operate the AVR’s multiroom control system.

AC Power Cord: Connect the AC plug to an unswitched AC wall output.

Video 2 Component Video Inputs:

Connect the Y/Pr/Pb component video outputs of an HDTV Set-top convertor, satellite receiver, or other video source device with component video outputs to these jacks.

Monitor Component Video Outputs:

Connect these outputs to the component video inputs of a video projector or monitor. When a source connected to one of the two

Component Video Inputs

is selected

the signal will be sent to these jacks.

Video 1 Component Video Inputs:

Connect the Y/Pr/Pb component video outputs of a DVD player to these jacks.

Note: All component inputs/outputs can be used for RGB signals too, in the same way as described for the Y/Pr/Pb signals, then connected to the jacks with the corresponding color. RGB connection is not possible if the source outputs a separate sync signal (see page 14).

Video 2 Audio Inputs: Connect these jacks to the PLAY/OUT audio jacks on a second VCR or other audio or video source.

Coaxial Digital Inputs: Connect the coax digital output from a DVD player, HDTV receiver, the output of a compatible computer sound card playing MP3 files or streams, LD player, MD player or CD player to these jacks.The signal may be either a Dolby Digital signal, DTS signal, a 2 channel MPEG 1 signal, or a standard PCM digital source. Do not connect the RF digital output of an LD player to these jacks.

Surround Back/Multiroom Speaker Outputs: These speaker terminals are normally

used to power the surround back left/surround back right speakers in a 7.1 channel system. However, they may also be used to power the speakers in a second zone, which will receive the output selected for a multiroom system. To change the output fed to these terminals from the default of the Surround Back speakers to the Multiroom Output, you must change a setting in the

MULTIROOM MENU of the

OSD system. See page 43 for more information on configuring this speaker output. In normal surround system use, the brown and black terminals are the surround back left channel positive (+) and negative (–) connections and the tan and black terminals are the surround back right positive (+) and negative (–) terminals. For multiroom use, connect the brown and black SBL terminals to the red and black connections on the left remote zone speaker and connect the tan and black SBR terminals to the red and black terminals on the right remote zone speaker.

Video 1 Video Outputs: Connect these jacks to the RECORD/INPUT composite or S-Video jack on a VCR.

Video 1 Video Inputs: Connect these jacks to the PLAY/OUT composite or S-Video jacks on a TV or other video source.

Optical Digital Inputs: Connect the optical digital output from a DVD player, HDTV receiver, the output of a compatible computer sound card playing MP3 files or streams, LD player, MD player or CD player to these jacks. The signal may be either a Dolby Digital signal, a DTS signal, a 2 channel MPEG 1 signal, or a standard PCM digital source.

Video 1 Audio Inputs: Connect these jacks to the PLAY/OUT audio jacks on a TV or other audio or video source.

Video 2 Video Inputs: Connect these jacks to the PLAY/OUT composite or S-Video jacks on a second VCR or other video source.

REAR PANEL CONNECTIONS 9

ENGLISH

Rear Panel Connections

Remote IR Output: This connection permits the IR sensor in the receiver to serve other remote controlled devices. Connect this jack to the “IR IN” jack on Harman Kardon or other compatible equipment.

Remote IR Input: If the AVR’s front-panel IR sensor is blocked due to cabinet doors or other obstructions, an external IR sensor may be used. Connect the output of the sensor to this jack.

Preamp Outputs/Multiroom Outputs:

Connect these jacks to an optional, external power amplifier for applications where higher power is desired, or to power up loudspeakers in a different room.

Video 3 Component Video Inputs:

Connect the Y/Pr/Pb component video outputs of an HDTV Set-top convertor, satellite receiver, or other video source device with component video outputs to these jacks.

Video 3 Video Inputs: Connect these jacks to the PLAY/OUT composite or S-Video jacks on any video source.

Video 3 Audio Inputs: Connect these jacks to the PLAY/OUT audio jacks on any audio or video source.

HDMI Output: Connect this jack to the HDMI input on a compatible HDMI-equipped video display.

HDMI Inputs: Connect the HDMI output of video sources such as a DVD player, set-top box or HDTV tuner to either of these jacks.

NOTE ON VIDEO CONNECTIONS: When connecting a video source product such as a VCR, DVD player, satellite receiver, cable set-top box, personal video recorder or video game to the AVR 245, you may use either a composite or S-video connection, but not both.

10 MAIN REMOTE CONTROL FUNCTIONS

0 1 2 3 4 5 6 7 8 9 A B C D E F G H I J K L M N O P Q                

Main Remote Control Functions

Power Off Button IR Transmitter Window Program Indicator Power On Button Input Selectors AVR Selector AM/FM Tuner Select 6-Channel/8-Channel Direct Input Test Button Sleep Button Surround Mode Selector Night Mode Channel Select Button

⁄/¤

Buttons

‹

Button Set Button Digital Select Numeric Keys Tuner Mode Direct Button Tuning Up/Down OSD Button Dolby Mode Select Button DTS Digital Mode Selector Logic 7 Mode Select Button Transport Controls Multiroom Skip Up/Down Buttons Stereo Mode Select Button DTS Neo:6 Mode Select Macro Buttons RDS Selector Button Preset Up/Down Clear Button Memory Button Delay/Prev. Ch.

›

Button Speaker Select Mute Volume Up/Down Night TV/Video Selector Dim Button

NOTE: The function names shown here are each button’s feature when used with the AVR. Most buttons have additional functions when used with other devices. See page 50-51 for a list of these functions.

MAIN REMOTE CONTROL FUNCTIONS 11

ENGLISH

Main Remote Control Functions

IMPORTANT NOTE: The AVR 245’s remote may

be programmed to control up to seven devices, including the AVR. Before using the remote, it is important to remember to press the Input Selector button

that corresponds to the unit you wish to operate. In addition, the AVR’s remote is shipped from the factory to operate the AVR and most Harman Kardon CD or DVD players and cassette decks.The remote is also capable of operating a wide variety of other products using the control codes that are part of the remote. Before using the remote with other products, follow the instructions on pages 47-49 to program the proper codes for the products in your system.

It is also important to remember that many of the buttons on the remote take on different functions, depending on the product selected using the Input Selector Button

.The descriptions shown here primarily detail the functions of the remote when it is used to operate the AVR. (See page 50-51 for information about alternate functions for the remote’s buttons.)

Power Off Button: Press this button to place the AVR or a selected device unit in the Standby mode.

IR Transmitter Window: Point this window towards the AVR when pressing buttons on the remote to make certain that infrared commands are properly received.

Program Indicator: This three-color indicator is used to guide you through the process of programming the remote. (See page 47 for information on programming the remote.)

Power On Button: Press this button to turn on the power to a device selected by pressing one of the Input Selectors

(except Tape).

Input Selectors: Pressing one of these buttons will perform three actions at the same time. First, if the AVR is not turned on, this will power up the unit. Next, it will select the source shown on the button as the input to the AVR. Finally, it will change the remote control so that it controls the device selected.

The buttons labeled DVD, DMP and HDMI 1 are each used to select either of two input sources:

• The first press of the DVD Button selects the component connected to the DVD inputs.A second press of this button selects the component connected to the CD inputs.

• The first press of the button labeled DMP selects Tape as the input. A second press of this button selects the The Bridge as an input.

• The first press of the HDMI 1 button selects the device that is connected to the HDMI 1 jack. A second press selects the device connected to the HDMI 2 jack.

After pressing one of these buttons you must press the AVR Selector button

again to

operate the AVR’s functions with the remote.

AVR Selector: Pressing this button will switch the remote so that it will operate the AVR’s functions. If the AVR is in the Standby mode, it will also turn the AVR on.

AM/FM Tuner Select: Press this button to select the AVR’s tuner as the listening choice. Pressing this button when the tuner is in use will select between the AM and FM bands.

6-Channel/8 Channel Direct Input:

Press this button to select the device connected to the 6-Channel Direct Inputs or the

8-Channel Direct Inputs

(the input

available will depend on the selection 5.1 or

6.1/7.1 made in the surround mode setting, see page 34 for more information).

Test Tone: Press this button to begin the sequence used to calibrate the AVR’s output levels. (See page 25 for more information on calibrating the AVR).

Sleep Button: Press this button to place the unit in the Sleep mode.After the time shown in the display, the AVR will automatically go into the Standby mode. Each press of the button changes the time until turn-off in the following order:

Hold the button pressed for two seconds to turn off the Sleep mode setting. Note that this button is also used to change channels on your TV,VCR and Sat receiver when the appropriate source is selected, using the device Input Selectors

Surround Mode Selector: Press this button to select any of the HALL, THEATER or VMAx surround modes. Note that depending on the type of input, some modes are not always available. (See page 32 - 33 for more information about surround modes.) Note that this button is also used to tune channels on your TV, VCR and Sat receiver when the appropriate source is selected using the device Input Selector

Night Mode: Press this button to activate the Night mode.This mode is available only with Dolby Digital encoded sources, and it preserves dialog (center channel) intelligibilty at low volume levels (See page 21 for more information).

Channel Select Button: This button is used to start the process of setting the AVR’s output levels with an external source. Once this button is pressed, use the

⁄/¤

buttons Dto select the channel being adjusted, then press the Set button

, followed by the

⁄/¤

buttons

again, to change the level setting.

(See page 37 for more information.)

⁄/¤

Buttons: These multipurpose buttons are used to change or scroll through items in the on-screen menus or on the front panel or to make configuration settings such as digital inputs or delay timing. When changing a setting, first

press the button for the function or setting to be changed (e.g., press the Digital Select Button

to change a digital input) and then press one of these buttons to scroll through the list of options or to increase or decrease a setting. The sections in this manual describing the individual features and functions contain specific information on using these buttons for each application.

When the AVR remote is being programmed for the codes of another device, these buttons are also used in the “Auto Search” process (See page 47 for more information on programming the remote.)

E‹Button: This button is used to change the menu selection or setting during some of the setup procedures for the AVR.

Set Button: This button is used to enter settings into the AVR’s memory. It is also used in the setup procedures for delay time, speaker configuration and channel output level adjustment.

Digital Select: Press this button to assign one of the digital inputs

NR*Ó

to a source. (See page 36 for more information on using digital inputs.)

Numeric Keys: These buttons serve as a ten-button numeric keypad to enter tuner preset positions.They are also used to select channel numbers when TV, VCR or Sat receiver has been selected on the remote, or to select track numbers on a CD, DVD or LD player, depending on how the remote has been programmed.

Tuner Mode: Press this button when the tuner is in use to select between automatic tuning and manual tuning. When the button is pressed so

MANUAL appears in the Main

Information Display

, pressing the Tuning

buttons

K)will move the frequency up or

down in single-step increments.When the FM band is in use and

AUTO appears in the Main

Information Display

, pressing this button will change to monaural reception making even week stations audible. (See page 45 for more information.)

Direct Button: Press this button when the tuner is in use to start the sequence for direct entry of a station’s frequency. After pressing the button simply press the proper Numeric Keys

to select a station (See page 45 for more information on the tuner).

Tuning Up/Down: When the tuner is in use, these buttons will tune up or down through the selected frequency band. If the Tuner Mode but- ton

has been pressed or the Band button

on the front panel was held pressed so that

AUTO appears in the Main Information

Display

, pressing either of the buttons will cause the tuner to seek the next station with acceptable signal strength for quality reception. When the

MANUAL appears in the Main

Information Display

, pressing these buttons will tune stations in single-step increments. (See page 45 for more information.)

12 MAIN REMOTE CONTROL FUNCTIONS

OSD Button: Press this button to activate the On Screen Display (OSD) system used to set up or adjust the AVR’s parameters.

Dolby Mode Selector: This button is used to select one of the available Dolby Surround processing modes. Each press of this button will select one of the Dolby Pro Logic II modes, Dolby 3 Stereo or Dolby Digital. Note that the Dolby Digital mode is only available with a digital input selected and the other modes only as long as a Dolby Digital source is not playing (except Pro Logic II with Dolby Digital 2.0 recordings, see page 32-33). See page 30 for the available Dolby surround mode options.

DTS Digital Mode Selector: When a DTS source is in use the AVR will select the appropriate mode automatically and no other mode will be available. Pressing this button will display the mode currently selected by the AVR´s decoder, depending on the surround material played and the speaker setting.When a DTS source is not in use, this button has no function. (See page 32-33 for the available DTS options.)

Logic 7 Selector: Press this button to select one of the available Logic 7 surround modes. (See page 32-33 for the available Logic 7 options.)

Transport Control Buttons: These buttons do not have any functions for the AVR, but they may be programmed for the forward/reverse play operation of a wide variety of CD or DVD players, and audio or video- cassette recorders. (See page 47 for more information on programming the remote.)

Multi-Room: Press this button to activate the Multiroom system or to begin the process of changing the input or volume level for the second zone. (See page 43 for more information on the Multiroom system.)



Skip Up/Down Buttons: These buttons do not have a direct function with the AVR, but when used with a compatibly programmed CD or DVD player/changer they will change the tracks on the disc currently being played.



Stereo Mode Selector: Press this button to select a stereo playback mode.When the button is pressed so that

SURROUND OFF

appears in the Main Information DisplayÒ, with only the Surr Off Surround Mode

Indicator

(

lit, the AVR will operate in a bypass mode with true fully analog, two-channel left/right stereo mode with no surround processing or bass management as opposed to other modes where digital processing is used. When the button is pressed so that

SURROUND

OFF

appears in the Main Information

Display

, with both the DSP and Surr Off

Surround Mode Indicators

(

lit, you may enjoy a two-channel presentation of the sound along with the benefits of bass management. When the button is pressed so that

5CH

STEREO

or 7 C H STEREO appears, the

stereo signal is routed to all five speakers, if

installed. (See page 22 for more information on stereo playback modes).



DTS Neo:6 Mode Selector: Pressing this selector button cycles the AVR through the various DTS Neo:6 modes, which extract a five-, six- or seven-channel surround field from two-channel program material (from PCM source or analog input signal). The first press selects the last DTS Neo:6 surround mode that was in use, and each subsequent press selects the next mode.



Macro Buttons: Press these buttons to store or recall a “Macro”, which is a pre-programmed sequence of commands stored in the remote. (See page 48 for more information on storing and recalling macros).



RDS Select Button: Press this button to display the various messages that are part of the RDS data system of the AVR’s tuner. (See page 46 for more information on RDS).



Preset Up/Down: When the tuner is in use, press these buttons to scroll through the stations programmed into the AVR’s memory.When CD or DVD is selected using the Input Selector button

, these buttons may function as Slow

Fwd/Rev (DVD) or ”+10” (CD, CDR).



Clear Button: Press this button to clear incorrect entries when using the remote to directly enter a radio station’s frequency.



Memory Button: Press this button to enter a radio station into the AVR ’s preset memory. Two underline indicators will flash at the right side of the Main Information Display

, you then have five seconds to enter a preset memory location using the Numeric Keys

. (See page 45

for more information).



Delay/Prev Ch.: Press this button to begin the process for setting the delay times used by the AVR when processing surround sound. After pressing this button, the delay times are entered by pressing the Set button

and then using

the

⁄/¤

buttons Dto change the setting. Press the Set button again to complete the process. (See page 28 for more information).

›Button: Press this button to change a setting or selection when configuring many of the AVR’s settings.



Speaker Select: Press this button to begin the process of configuring the AVR’s Bass Management System for use with the type of speakers used in your system. Once the button has been pressed, use the

⁄/¤

buttons Dto select the channel you wish to set up. Press the Set Button

and then select the speaker type (Large, Small or None) appropriate with the speaker in use. (See page 25 for more information).



Mute: Press this button to momentarily silence the AVR or TV set being controlled, depending on which device has been selected. When the AVR remote is being programmed to operate another device, this button is pressed with the Input Selector button

to begin the programming process. (See page 47 for more information on programming the remote).



Volume Up/Down: Press these buttons to

raise or lower the system volume.





TV/Video Button: This button does not have a direct function on the AVR, but when used with a compatibly programmed VCR, DVD or satellite receiver that has a “TV/Video” function, pressing this button will switch between the output of the player or receiver and the external video input to that player. Consult the Owner’s Manual for your specific player or receiver for the details of how it implements this function.

NOTE: With the press of any remote button the Input Selector button

associated with the botton pressed will briefly flash red to confirm the transmission of the command, as long as there is a function for that button with the device selected (see function list on pages 50-51).



Dim Button: Press this button to activate the Dimmer function, which reduces the brightness of the front-panel display, or turns it off entirely.The first press of the button shows the default state. Press the button again to change the display to reduce the brightness by 50%, and press it again within five seconds and the main display will go completely dark. Note that this setting is temporary; regardless of any changes, the display will always return to full brightness when the AVR is turned on. The blue illumination around the Power Indicator

will always remain at full brightness regardless of the setting to remind you that the AVR is still turned on.

Main Remote Control Functions

INSTALLATION AND CONNECTIONS 13

ENGLISH

Installation and Connections

After unpacking the unit, and placing it on a solid surface capable of supporting its weight, you will need to make the connections to your audio and video equipment.

Audio Equipment Connections

We recommend that you use high-quality interconnect cables when making connections to source equipment and recorders to preserve the integrity of the signals.

When making connections to audio source equipment or speakers it is always a good practice to unplug the unit from the AC wall outlet. This prevents any possibility of accidentally sending audio or transient signals to the speakers that may damage them.

1. Connect the analog output of a CD player to the CD inputs

NOTE: When the CD player has both fixed and variable audio outputs it is best to use the fixed output unless you find that the input to the receiver is so low that the sound is noisy, or so high that the signal is distorted.

2. Connect the analog Play/Out jacks of a cassette deck, MD, CD-R or other audio recorder to the Tape Input jacks

. Connect the analog Record/In jacks on the recorder to the Tape Output jacks

on the AVR.

3. Connect the digital output of any digital sources such as a CD or DVD changer or player, advanced video game, a digital satellite receiver, HDTV tuner or digital cable set-top box or the output of a compatible computer sound card to the Optical and Coaxial Digital Inputs

NR*Ó

. We recommend connecting the coaxial digital audio output of your DVD player to the Coax 1

Digital Audio Input

, since that digital input

is assigned to the DVD source by default.

The Video 2/Cable/Sat source defaults to the

Optical 1 Digital Audio Input

. If your cable television set-top box or satellite receiver is equipped with an optical digital audio output, we recommend that you connect it to this input to obtain the benefits of higher-quality digital audio (such as PCM, Dolby Digital 2.0 or Dolby Digital 5.1 signals when broadcast by your cable or satellite provider).

NOTE: If you wish for your digital source device to be available for use by the multiroom system, you will need to connect its analog audio outputs to the appropriate inputs on the AVR 245, as the multiroom system is not capable of distributing digital signals to the remote zone.

4. Connect the Coaxial or Optical Digital

Outputs

on the rear panel of the AVR to the matching digital input connections on a CD-R or MiniDisc recorder.

5. Assemble the AM Loop Antenna supplied with the unit as shown below. Connect it to the AM and GND screw terminals

6. Connect the supplied FM antenna to the FM (75 ohm) connection

. The FM antenna may be an external roof antenna, an inside powered or wire lead antenna or a connection from a cable system. Note that if the antenna or connection uses 300-ohm twin-lead cable, you should use a 300-ohm-to-75-ohm adapter to make the connection.

7. With the AVR 245 turned off, connect the optional Harman Kardon to

Digital Media Player (DMP) Connector

Your compatible Apple

iPod®may be docked in

when you wish to use it as your audio source device.Video materials stored on the iPod are not able to be viewed using the AVR.

8. Connect the front, center and surround speaker outputs

DEFO

to the respective

speakers.

To assure that all the audio signals are carried to your speakers without loss of clarity or resolution, we suggest that you use high-quality speaker cable. Many brands of cable are available and the choice of cable may be influenced by the distance between your speakers and the receiver, the type of speakers you use, personal preferences and other factors.Your dealer or installer is a valuable resource to consult in selecting the proper cable.

Regardless of the brand of cable selected, we recommend that you use a cable constructed of fine, multistrand copper with an area greater than 2 mm

Cable with an area of 1.5 mm

may be used for short runs of less than 4 m. We do not recommend that you use cables with an area less than 1mm

due to the power loss and degradation in

performance that will occur.

Cables that are run inside walls should have the appropriate markings to indicate listing with any appropriate testing agency standards. Questions about running cables inside walls should be referred to your installer or a licensed electrician who is familiar with the applicable local building codes in your area.

When connecting wires to the speakers, be certain to observe proper polarity. Note that the positive (+) terminal of each speaker connection now carries a specific color code as noted on page 8. However, most speakers will still use a red terminal for the postive (+) connection. Connect the “negative” or “black” wire to the same terminal on both the receiver and the speaker.

NOTE: While most speaker manufacturers adhere to an industry convention of using black terminals for negative and red ones for positive, some manufacturers may vary from this configuration. To assure proper phase and optimal performance, consult the identification plate on your speaker or the speaker’s manual to verify polarity. If you do not know the polarity of your speaker, ask your dealer for advice before proceeding, or consult the speaker’s manufacturer.

We also recommend that the length of cable used to connect speaker pairs be identical. For example, use the same length piece of cable to connect the front-left and front-right or surround-left and surround-right speakers, even if the speakers are a different distance from the AVR.

9. Connections to a subwoofer are normally made via a line level audio connection from the

Subwoofer Output

to the line-level input of a subwoofer with a built-in amplifier. When a passive subwoofer is used, the connection first goes to a power amplifier, which will be connected to one or more subwoofer speakers. If you are using a powered subwoofer that does not have line-level input connections, follow the instructions furnished with the speaker for connection information.

10. If an external multi-channel audio source with 5.1 outputs such as an external digital processor/decoder, DVD-Audio or SACD player is used, connect the outputs of that device to the

8-Channel Direct Inputs

Video Equipment Connections

Video equipment is connected in the same manner as audio components.Again, the use of highquality interconnect cables is recommended to preserve signal quality.To ensure best video performance S-Video sources should be connected to the AVR only with their S-Video In/Outputs, not with their composite video connectors too.

1. Connect a VCR’s audio and video Play/Out jacks to the Video 2 In jacks

on the rear panel. The Audio and Video Record/In jacks on the VCR should be connected to the Video 1

Out jacks

on the AVR.

14 INSTALLATION AND CONNECTIONS

9. If you have a camcorder, video game or other audio/video device that is connected to the AVR on a temporary, rather than permanent basis, connect the audio, video and digital audio outputs of that device to the Front Panel Inputs

*ÓÔ

. A device connected to the Video 4

jacks

is selected as the Video 4 input, and

connected to the digital jacks

*Ó

it is selected as "Optical 3" or "Coaxial 3" input. (See page 19 for more information on input configuration.)

10. Connect the AVR to your video display using one of the following connections, even if you will also use an HDMI connection:

• If your video display has component video

inputs (Y/Pr/Pb), connect the Component

Video Outputs

• If your display does not have digital or

component video inputs, connect the Video

Monitor Output

on the AVR to the matching input on your display. Only one connection is needed, and S-video is the higher quality signal.

HDMI Connections

HDMI™is the abbreviation for High-Definition Multimedia Interface, which is quickly becoming the standard connection point between advanced video/audio source products and displays, particularly for high-definition video signals. HDMI is a digital connection, eliminating the need to convert signals back and forth from digital to analog.

Some source or display components in your system may use DVI (Digital Video Interface) for digital video connections. DVI carries the same digital video signals as HDMI but uses a larger connector and does not transport audio or control signals. In most cases, you may mix and match DVI and HDMI digital video connections by using optional connector adapters. Note, however, that some DVI-equipped video displays are not compatible with the HDCP copy protection coding that is increasingly carried with signals connected via HDMI. If you have an HDMI source and a DVI-equipped display, you may occasionally be unable to view a program if the display does not include HDCP. This is not the fault of the AVR or your source; it simply indicates that the video display is not compatible.

The AVR 245 is equipped for HDMI switching, which means that it is able to select either of the two HDMI inputs as the source that feeds your system’s video display. This preserves the digital signal in its original form by passing it directly through from source to display. However, this also means that the AVR does not have access to the signal and thus it is not able to add menus or on-screen messages to HDMI signals, or to

process the audio that may be part of the signal in an HDMI connection.

Therefore, the following connections are required when the AVR 245 is used with HDMI sources:

• Connect the HDMI output of a source to either of the HDMI Inputs

• Connect the HDMI Output

of the AVR to

an HDMI input on your display.

• Connect either an optical or coaxial digital audio output from the source to the AVR. The default connections are Coaxial 2

for a

source connected to HDMI 1

and

Optical 2

for a source connected to

HDMI 2

. You may use any digital or analog audio source in conjunction with the HDMI inputs, but if it varies from the default you must make a change to the input’s setting, as shown on page 19.

• Even when HDMI inputs are used, it is important to make sure that a component, S-video or composite video connection is made between the AVR and your display. This is needed to view both the setup menus and onscreen messages, and to view other (nonHDMI) video sources. The AVR 245 does not convert analog video signals to HDMI.

• All component inputs/outputs can be used for

RGB signals too, in the same way as described for the Y/Pr/Pb signals, then connected to the jacks with the corresponding color. But this is only correct as long as only the three RGB video signals are output by the video source, with a sync signal in the "G" signal only, without any sync signal output separately by the source.

SCART A/V Connections

For the connections described above your video device needs RCA (cinch) connectors or/and SVideo connectors for all Audio and Video signals: Any normal video device (Not SVHS or High 8) for only playback needs 3 RCA jacks,VCRs for record and playback even 6 RCA jacks.Any S-Video device (SVHS, High 8) needs 2 RCA (Audio) and 1 S-Video jack (Video), if it´s a playback unit, or 4 RCA (Audio In/Out) and 2 S-Video (Video In/Out) jacks, if it´s a recording VCR.

Many european video devices are equipped with RCA (Cinch) or S-Video jacks only partially, not for all audio and video in/outputs needed as described above, but with a so called Scart or Euro-AV connector (almost rectangular jack with 21 pins, see drawings on next page).

2. Although any video device may be connected to these jacks, we recommend connecting your TV to the Audio 1 Audio/Video Input Jacks

so that you may take advantage of the fact that the remote control is preprogrammed with TV product codes for the Video 1 device. For the same reason, we recommend connecting your video recorder, cable TV converter or satellite receiver to the Video 2 Audio/Video

Input Jacks

3. Connect the analog audio and video outputs of a DVD or laser disc player to the DVD jacks

4. Connect the digital audio outputs of a CD, MD or DVD player, satellite receiver, cable box or HDTV converter to the appropriate Optical or

Coaxial Digital Inputs

NR*Ó

Remember that the DVD source defaults to the

Coaxial 1 Digital Input

. All other sources default to their analog inputs, although any source may be assigned to any digital audio input on the receiver.

NOTE: When connecting a device such as a digital cable box or other set-top tuner product with a digital audio output, we recommend that you connect both the digital and analog outputs of the product to your AVR. The audio input polling feature of the AVR will then be able to make certain that you have a constant audio feed, since it will automatically switch the audio input to the analog jacks if the digital feed is interrupted or not available for a particular channel.

5. Connect the Composite and S-Video (if S-Video device is in use) Monitor Output

jacks on the receiver to the composite and S-Video input of your television monitor or video projector.

6. If your DVD player and monitor both have component video connections, connect the component outputs of the DVD player to the Video

1 Component Video Inputs

. Note that even when component video connections are used the audio connections must still be made to either the analog DVD Audio Inputs

or any

of the Coaxial or Optical Digital Input jacks

7. If another component video device is available, connect it to the Video 2 or Video 3 Component Video Input jacks

.The audio connections for this device should be made to either the Video 2 or Video 3 Input jacks

or any of the Coaxial or Optical Digital

Input jacks

8. If the component video inputs are used, connect the Component Video Output

to the component video inputs of your TV, projector or display device.

Installation and Connections

INSTALLATION AND CONNECTIONS 15

ENGLISH

Installation and Connections

In that case the following Scart to Cinch adapters or cables are needed:

• Units for playback, such as satellite receivers, camcorders, DVD or LD players, need an adapter from Scart to 3 RCA plugs, see fig. 1 (normal video devices) or from Scart to 2 RCA+1 S-Video plugs, see fig. 4 (S-Video devices).

• HiFi VCRs need an adapter from Scart to 6 RCA plugs, see fig. 2 (normal video), or from Scart to 4 Audio+2S-Video jacks, see fig. 5 (S-Video VCR). Read carefully the instruction attached to the adapter to find which of the six plugs is used for the record signal to the VCR (connect with the AVR´s Out jacks) and for the playback signal from the VCR (connect with the AVR´s In jacks). Do not misconnect Audio and Video signals. Don´t hesitate to consult your dealer, if you are uncertain.

• If you use only normal video devices the TV monitor needs an adapter from 3 RCA plugs to Scart (fig. 3) only. If also S-Video devices are used an adapter from 2 RCA+1S-Video plugs to Scart is needed additionally (fig. 6), connected to the SCART input on your TV that is provided for S-Video.

Note that only the video plugs (the "yellow" cinch plug in fig. 3 and the S-Video plug in fig. 6) must be connected to the TV Monitor

Output

, and the volume on the TV must be

reduced to minimum.

Important Note for Adapter Cables:

If the cinch connectors of the adapter you’ll use are labeled, connect the Audio and Video ”In” plugs with the corresponding Audio and Video ”In” jacks on the AVR (and with a VCR connect the ”Out” plugs to the ”Out” jacks on the VCR). Note that with some adapter types it may be just turned around: If no signal is audible/ visible when the VCR is playing connect the “Out” plugs to the ”In” jacks on the AVR and turned around. If the adapter plugs are not labeled in that way, pay attention to the signal flow directions as shown in the diagrams above and in the instruction attached to the adapter. If uncertain, don’t hesitate to consult your dealer.

Important Notes for S-Video connections:

1. Only the S-Video In/Out of S-Video devices

must be connected to the AVR, NOT both, normal video and S-Video In/Outputs (except the TV, see item below). When both connections are made, only the S-Video signal will be viewed on the screen.

Figure 1:

SCART/Cinch-Adapter

for playback;

signal flow:

SCART → Cinch

Figure 2:

SCART/Cinch-Adapter

for record and playback;

signal flow:

SCART ↔ Cinch

Figure 3:

Cinch/SCART-Adapter for

playback;

signal flow:

Cinch → SCART

Figure 4:

SCART/S-Video Adapter

for playback;

signal flow:

SCART → Cinch

Figure 5:

SCART/S-Video Adapter

for record and playback;

signal flow:

SCART ↔ Cinch

Figure 6:

SCART/S-Video Adapter

for playback;

signal flow:

Cinch → SCART

Black

Yellow

Red

Black

Red

Blue

Yellow

Green

White

Black

Yellow

Red

Black

S-Video In

Red

Black

S-Video Out

Black

Red

Blue

Yellow

S-Video In

S-Video Out

Also other colours possible, e.g. brown and grey.

Important Note for the Use of SCART-Cinch Adapters:

When video sources are connected to the TV directly with a SCART cable, specific control signals apart from Audio/Video signals will be fed to the TV. These specific signals are: With all video sources, the signal for automatic input selection that switches the TV automatically to the appropriate input as soon as the video source is started. And with DVD players, the signals automatically turning the TV to 4:3/16:9 format (with 16:9 TVs or with 4:3 TVs with selectable 16:9 format) and turning the RGB video decoder of the TV on or off, depending on the DVD player´s setting. With any adapter cable, these control signals will be lost and the appropriate setting of the TV must be made manually.

Note for RGB signal with SCART:

If you use a unit providing RGB signals on a SCART output (as e.g. most DVD players do) and you want to use that RGB signal, this SCART output must be connected directly to your TV. Although the AVR can switch three-way video signals (like component signals Y/Pb/Pr), most TVs need separate sync signals for RGB (also with SCART) that cannot be switched and provided by the AVR. RGB signals can be pathed through the AVR only when no separate sync signal is needed (see last ”Video Connection Note” on page 15).

16 INSTALLATION AND CONNECTIONS

Installation and Connections

System and Power Connections

The AVR 245 is designed for flexible use with multiroom systems, external control components and power amplifiers.

Main Room Remote Control Extension

If the receiver is placed behind a solid or smoked glass cabinet door, the obstruction may prevent the remote sensor from receiving commands. In this event, the remote sensor of any Harman Kardon or other compatible device, not covered by the door, or an optional remote sensor may be used. Connect the Remote IR Output of that device or the output of the remote sensor to the Remote IR Input jack

If other components are also prevented from receiving remote commands, only one sensor is needed. Simply use this unit’s sensor or a remote eye by running a connection from the Remote IR Output jack

to the Remote IR Input jack on Harman Kardon or other compatible equipment.

Multiroom IR Link

The key to remote room operation is to link the remote room to the AVR’s location with wire for an infrared receiver and speakers or an amplifier. The remote room IR receiver (this can be an optional IR receiver or any other remotable Harman Kardon device in the remote room with IR sensor integrated) should be connected to the AVR via standard coaxial cable. Connect the Remote IR Output of the device or of the optional sensor with the Multiroom IR Input jack

on the AVR’s rear panel.

If other Harman Kardon compatible source equipment is part of the main room installation, the Remote IR Output jack

on the rear panel should be connected to the IR IN jack on that source device.This will enable the remote room location to control source equipment functions.

NOTE: All remotely controlled components must be linked together in a “daisy chain”. Connect the IR OUT jack of one unit to the IR IN of the next to establish this chain.

Multiroom Audio Connections

Depending on your system`s requirement and distance from the AVR to the remote room, three options are available for audio connection:

Option 1: Use high-quality, shielded audio interconnect phono cable from the AVR’s location to the remote room. In the remote room, connect the interconnect cable to a stereo power amplifier. The amplifier will be connected to the room’s speakers. At the AVR, plug the audio interconnect cables into the Multiroom

Output Jacks

on the AVR’s rear panel.

Option 2: Place the amplifier that will provide power to the remote location speakers in the same room as the AVR, and connect the Multiroom Output jacks

on the rear panel of the AVR to the audio input of the remote room amplifier. Use the appropriate speaker wire to connect the optional power amplifier to the remote speakers. High-quality wire of at least

2.5 mm

is recommended for long multiroom

connections.

Option 3: Taking advantage of the AVR’s builtin seven-channel amplifier, it is possible to use two of the amplifier channels to power speakers in the remote room. When using this option you will not be able to use the full 7.1-channel capabilities of the AVR in the main listening room, but you will be able to add another listening room without additional external power amplifiers.To use the internal amplifiers to power a remote zone, connect the speakers for the remote room location to the Surround

Back/Multiroom Speaker Outputs

. Before using the remote room you will need to configure the amplifiers for surround operation by changing a setting in the Multiroom menu, following the instructions shown on page 43.

NOTE: For all options, you may connect an optional IR sensor (Harman Kardon He 1000) in the remote room to the AVR via an appropriate cable. Connect the sensor’s cable to the

Multiroom IR Input

on the AVR and use the remote to control the room volume. Alternatively, you may install an optional volume control between the output of the amplifiers and the speakers.

NOTE: The AVR 245’s multiroom system is only capable of distributing analog audio sources to the remote zone.Therefore, when connecting your digital audio equipment (e.g. CD or DVD players) as described on page 13, make sure to use both analog and digital audio connections to ensure that the devices will be available to the multiroom system.

AC Power Connections

This unit is equipped with one accessory AC outlets. It may be used to power Accessory devices, but it should not be used with high-current draw equipment such as power amplifiers.The total power draw to the Switched

Outlet must

not exceed 50 watts.

The Switched

outlet will receive power only when the unit is on completely.This is recommended for devices that have no power switch or a mechanical power switch that may be left in the “ON” position.

NOTE: Many audio and video products go into a Standby mode when they are used with switched outlets, and cannot be fully turned on using the outlet alone without a remote control command.

The AVR draws significantly more current than other household devices such as computers that use removable power cords. For that reason, it is important that only the cord supplied with the unit (or a direct replacement of identical capacity) be used.

Once the power cord is connected, you are almost ready to enjoy the AVR 245’s incredible power and fidelity!

INSTALLATION AND CONNECTIONS 17

ENGLISH

Installation and Connections

Speaker Selection

No matter which type or brand of speakers is used, the same model or brand of speaker should be used for the front-left, center and front-right speakers.This creates a seamless front soundstage and eliminates the possibility of distracting sonic disturbances that occur when a sound moves across mismatched front-channel speakers.

Speaker Placement

The placement of speakers in a multichannel home-theater system can have a noticeable impact on the quality of sound reproduced.

Depending on the type of center-channel speaker in use and your viewing device, place the center speaker either directly above or below your TV, or in the center behind a perforated frontprojection screen.

Once the center-channel speaker is installed, position the left-front and right-front speakers so that they are as far away from one another as the center-channel speaker is from the preferred listening position. Ideally, the front-channel speakers should be placed so that their tweeters are no more than 60cm above or below the tweeter in the center-channel speaker.

They should also be at least 0.5 meter from your TV set unless the speakers are magnetically shielded to avoid colourings on the TV screen. Note that most speakers are not shielded, even with complete surround sets only the Center speaker may be.

Depending on the specifics of your room acoustics and the type of speakers in use, you may find that imaging is improved by moving the front-left and front-right speakers slightly forward of the center-channel speaker. If possible, adjust all front loudspeakers so that they are aimed at ear height when you are seated in the listening position.

Using these guidelines, you’ll find that it takes some experimentation to find the correct location for the front speakers in your particular installation. Don’t be afraid to move things around until the system sounds correct. Optimize your speakers so that audio transitions across the front of the room sound smooth.

When the AVR is used in 5.1-channel operation, the preferred location for surround speakers is on the side walls of the room, at or slightly behind the listening position. In a 6.1-channel system, a back surround speaker is required, ideally placed at the center of the room's rear wall, pointing directly towards the front center channel speaker. The center of the speaker should face you (see below).

In a 7.1-channel system, both side surround and back surround speakers are required.The center of the speaker should face you (see below).

Rear surround speakers are required when a full

7.1-channel system is installed, and they may also be used in 5.1 channel mode as an alternative mounting position when it is not practical to place the main surround speakers at the sides of the room. Speakers may be placed on a rear wall, behind the listening position.As with the side speakers, the center of the rear surrounds should face you. The speakers should be no more than 2 meters behind the rear of the seating area.

It is appropriate to configure the AVR 245 for either 5.1- or 7.1-channel operation, but not for

6.1 channels.When 6.1-channel program material or a 6.1-channel processing mode is in use, material for the surround back channel will be outputted simultaneously through both the

Surround Back Left and Right Speaker Outputs

. Connecting only one loudspeaker to these speaker terminals will not only deprive you of the benefits of 7.1-channel surround modes, such as Logic 7, but will also interfere with the functioning of EzSet+ speaker setup and calibration, as described on page 23. It may also put undesirable strain on the surround back amplifier circuits and power supplies.

A) Front Channel Speaker Installation with Direct-View TV Sets or Rear-Screen Projectors

At least 15 cm from celling

At least 60 cm

5.1-Channel System

6.1-Channel System

7.1-Channel System

+ 39 hidden pages

Harman kardon AVR 245 OWNER’S MANUAL

Specifications and Main Features

Frequently Asked Questions

User Manual