BASIC SPECIFICATIONS…………………..4
FRO NT PANEL CO NTRO L S ………..…..…..5
REAR PANEL CONNECTIONS………….…7
REMOTE CONTROL FUNCTIONS.………10
CONNECTIONS………………………….…14
OPERATION………………………...………16
TROUBLESHOOTING GUIDE…...……..…23
PROCESSOR RESET……………….….…..23
DISASSEM BLY……………………....….…..24
harman/kardon, Inc.
250 Crossways Park Dr.
Woodbury, New York 11797 Rev21/2006
CONTENTS
UNIT EXPLOD ED VIEW………………..…...27
AMP BIAS ADJUSTMENT…...…….….……28
TECH TIP HK2003-01…...….….………..…29
BLOCK DIAGRAM…………………………..30
ELECTRICAL PARTS LIST………………...31
SEMICONDUCTOR PINOUTS……….……68
PCB DRAWINGS…………………………..109
SCHEMATICS………………………………115
WIRING DIAGRAM……….........................121
PACKAGING………………………………..122
AVR235 harman/kardon
2
Some semiconductor (solid state) devices can be damaged easily by static electricity. Such components commonly are called
Electrostatically Sensitive (ES) Devices. Examples of typical ES devices are integrated circuits and some field effect transistors and
semiconductor "chip" components.
The following techniques should be used to help reduce the incidence of component damage caused by static electricity.
1. Immediately before handling any semiconductor component or semiconductor-equipped assembly, drain off any electrostatic charge on
your body by touching a known earth ground. Alternatively, obtain and wear a commercially available discharging wrist strap device,
which should be removed for potential shock reasons prior to applying power to the unit under test.
2. After removing an electrical assembly equipped with ES devices, place the assembly on a conductive surface such as aluminum foil, to
prevent electrostatic charge build-up or exposure of the assembly.
3. Use only a grounded-tip soldering iron to solder or unsolder ES devices.
4. Use only an anti-static solder removal device. Some solder removal devices not classified as "anti-static" can generate electrical charges
sufficient to damage ES devices.
5. Do not use freon-propelled chemicals. These can generate electrical change sufficient to damage ES devices.
6. Do not remove a replacement ES device from its protective package until immediately before you are ready to install it. (Most replacement
ES devices are packaged with leads electrically shorted together by conductive foam, aluminum foil or comparable conductive material.)
7. Immediately before removing the protective material from the leads of a replacement ES device, touch the protective material to the
chassis or circuit assembly into which the device will be installed.
CAUTION :
8. Minimize bodily motions when handling unpackaged replacement ES devices. (Otherwise harmless motion such as the brushing together
or your clothes fabric or the lifting of your foot from a carpeted floor can generate static electricity sufficient to damage an ES devices.
Be sure no power is applied to the chassis or circuit, and observe all other safety precautions.
Each precaution in this manual should be followed during servicing.
Components identified with the IEC symbolin the parts list are special significance to safety. When replacing a component identified with
, use only the replacement parts designated, or parts with the same ratings or resistance, wattage, or voltage that are designated in the
parts list in this manual. Leakage-current or resistance measurements must be made to determine that exposed parts are acceptably
insulated from the supply circuit before retuming the product to the customer.
SAFETY PRECAUTIONS
The following check should be performed for the continued
protection of the customer and service technician.
LEAKAGE CURRENT CHECK
Measure leakage current to a known earth ground (water
pipe, conduit, etc.) by connecting a leakage current tester
between the earth ground and all exposed metal parts of the
appliance (input/output terminals, screwheads, metal
overlays, control shaft, etc.). Plug the AC line cord of the
appliance directly into a 120V AC 60Hz outlet and turn the
AC power switch on. Any current measured must not exceed
o.5mA.
ANY MEASUREMENTS NOT WITHIN THE LIMITS
OUTLINED ABOVE ARE INDICATIVE OF A
POTENTIAL SHOCK HAZARD AND MUST BE
CORRECTED BEFORE RETURNING THE APPLIANCE
TO THE CUSTOMER.
3
AVR235 harman/kardon
Reading should
not be above
0.5mA
Device
under
test
Leakage
current
tester
Test all
exposed metal
surfaces
Also test with
plug reversed
(Using AC adapter
plug as required)
Earth
ground
AC Leakage Test
4
AVR235 harman/kardon
AVR 235 TECHNICAL SPECIFICATIONS
Audio Section
Stereo Mode
Continuous Average Power (FTC)
65 Watts per channel, 20Hz–20kHz,
@ <0.07% THD, both channels driven into 8 ohms
Seven-Channel Surround Modes
Power per Individual Channel
Front L&R channels:
50 Watts per channel
@ <0.07% THD, 20Hz–20kHz into 8 ohms
Center channel:
50 Watts @ <0.07% THD, 20Hz–20kHz into 8 ohms
Surround (L & R side, L & R back) channels:
50 Watts per channel
@ <0.07% THD, 20Hz–20kHz into 8 ohms
Input Sensitivity/Impedance
Linear (High-Level)200mV/47k ohms
Signal-to-Noise Ratio (IHF-A)100dB
Surround System Adjacent Channel Separation
Pro Logic I/II 40dB
Dolby Digital (AC-3)55dB
DTS55dB
Frequency Response
@ 1W (+0dB, – 3dB)10Hz –130kHz
High Instantaneous
Current Capability (HCC)±35 Amps
Depth measurement includes knobs, buttons and terminal connections.
Height measurement includes feet and chassis.
All features and specifications are subject to change without notice.
Harman Kardon and Power for the Digital Revolution are registered trademarks of
Harman International Industries, Incorporated.
TM
is a trademark of Harman International Industries, Incorporated (patent no. 5,386,478).
*Manufactured under license from Dolby Laboratories. “Dolby,” “Pro Logic” and the Double-D symbol
are trademarks of Dolby Laboratories.
DTS, DTS Surround, DTS-ES and DTS Neo:6 are registered trademarks of Digital Theater Systems, Inc.
VMAx is a registered trademark of Harman International Industries, Incorporated, and is an
implementation of Cooper Bauck Transaural Stereo under patent license.
Logic 7 is a registered trademark of Harman International Industries, Incorporated.
Cirrus and Cirrus Logic are registered trademarks of Cirrus Logic, Inc.
TECHNICAL SPECIFICATIONS 51
1
2
6
7
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DIGITALLOGIC 7
VID 1
DVD
CD
FMAM
TAPE
6 8 CH
VID 2
VID 3
VID 4
PRO LOGIC
3 STEREO DSP
5 7 CH. STEREO
SURR. OFF
AVR 235
5
AVR235 harman/kardon
FRONT-PANEL CONTROLS
FRONT-PANEL CONTROLS
1 Main Power Switch
2 Power Indicator
3 Standby/On Switch
4 Headphone Jack
5 Tone Mode
6 Speaker Selector
7 Surround Mode Group Selector
8 Surround Mode Selector
9 Tuning Selector
‹/›
)
Buttons
! Tuner Band Selector
@ Set Button
# Digital Input Selector
$ Preset Stations Selector
% Delay Adjust Selector
^ Input Source Selector
& Tuner Mode Selector
* Optical 3 Digital Audio Input
( Coaxial 3 Digital Audio Input
Ó Video 4 Video Input Jacks
Ô Video 4 Audio Input Jacks
Bass Control
Ò Balance Control
Ú Treble Control
Û Channel Adjust Selector
Ù Volume Control
ı Input Indicators
ˆ Speaker/Channel Input Indicators
˜ Upper Display Line
¯ Lower Display Line
˘ Surround Mode Indicators
¸ Remote Sensor Window
NOTE: To make it easier to follow the instructions that refer to this illustration, a larger copy may be downloaded from the Product Support section for this product
at www.harmankardon.com.
1 Main Power Switch: Press this button to apply
power to the AVR 235. When the switch is pressed
in, the unit is in a Standby mode, as indicated by the
amber Power Indicator 2 above the Standby/OnSwitch 3. This button MUST be pressed in to
operate the unit. To turn the unit off and prevent the
use of the remote control, this switch should be
pressed until it pops out from the front panel and the
word “OFF” is seen at the top of the switch.
NOTE: This switch is normally left in the “ON” position.
2 Power Indicator: This LED lights amber when the
unit is in the Standby mode to signal that the AVR is
ready to be turned on. When the unit is in operation,
the indicator is blue.
3 Standby/On Switch: When the Main Power
Switch1is “ON,” press this button to turn on the
AVR 235; press it again to turn the unit off. The Power
Indicator3turns blue when the unit is on.
4 Headphone Jack: This jack may be used to listen
to the AVR 235’s output through a pair of headphones.
The speakers will automatically be turned off when the
headphone jack is in use.
5 Tone Mode: Pressing this button enables or dis-
ables the Bass and Treble tone controls. When the button is pressed so that TONE IN appears in the
Lower Display Line ¯, the Bass and Treble
Ú controls may be used to adjust the output signals.
When the button is pressed once or twice so that the
words TONE OUT appear in the Lower DisplayLine ¯, the output signal will be “flat,” no matter how
the actual Bass and Treble Controls Ú are
adjusted.
6 Speaker Select Button: Press this button to
begin the process of configuring the unit to match the
type of speakers used in your listening room. (See
pages 16 and 20–22 for more information on speaker
setup and configuration.)
7 Surround Mode Group Selector: Press this but-
ton to select the top-level group of surround modes.
Each press of the button will select the current or last
used mode in each of the surround mode groups
(e.g., Dolby, DTS, DTS Neo:6, Logic 7, DSP, Stereo).
When the button is pressed so that the name of the
desired surround mode group appears in the onscreen display and in the Lower Display Line ¯,
press the Surround Mode Selector 8 to cycle
through the individual modes available. For example,
press this button to select Dolby modes, and then
press the Surround Mode Selector 8 to choose
from the various mode options.
FRONT-PANEL CONTROLS 55
6
AVR235 harman/kardon
FRONT-PANEL CONTROLS
8 Surround Mode Selector: Press this button
to select from among the available surround mode
options for the mode group selected. The specific
modes will vary based on the number of speakers
available, the mode group and if the input source is
digital or analog. For example, press the SurroundMode Group Selector 7 to select a mode grouping
such as Dolby or Logic 7, and then press this button
to see the specific mode choices available. For more
information on mode selection, see page 26.
9 Tuning Selector: Press the left side of the button
to tune lower-frequency stations and the right side of
the button to tune higher-frequency stations. When the
tuner is in the Manual mode, each tap will increase or
decrease the frequency by one increment. When the
tuner receives a strong enough signal for adequate
reception, MANUAL TUNED will appear in the
on-screen display and the Lower Display Line
When the tuner is in the Auto mode, press the button
once, and the tuner will scan for a station with acceptable signal strength. When the next station with a
strong signal is tuned, the scan will stop and the onscreen display and the Lower Display Line
will indicate AUTO TUNED. When an FM
Stereo station is tuned, the display will read
AUTO ST TUNED.
To switch back and forth between the Auto and
Manual tuning modes, press the Tuner Mode
Selector &.
)
‹/› Buttons: When configuring the AVR 235’s
settings, use these buttons to select from the available
choices
.
! Tuner Band Selector: Press this button to turn
the AVR 235 on and to select the Tuner as the input
source. Press it again to switch between the AM and
FM frequency bands. (See page 29 for more information on the tuner.)
@ Set Button: When making choices during the
setup and configuration process, press this button
to enter the desired setting into the AVR 235’s memory.
# Digital Input Selector: Press this button to
select one of the digital inputs or the analog input for
any source. (See pages 26–29 for more information
on digital audio.)
$ Preset Stations Selector: Press this button to
scroll up or down through the list of stations that have
been entered into the preset memory. (See page 30
for more information on tuner presets.)
% Delay Adjust Selector: Press this button to
begin the steps required to enter delay settings. (See
page 22 for more information on delay times.)
¯.
¯
^ Input Source Selector: Press this button to
change the input by scrolling up or down through the
list of Input Indicators ı.
& Tuner Mode Selector: Press this button to select
Auto or Manual tuning. When the button is pressed so
that AUTO appears in the Lower Display Line ¯,
the tuner will search for the next station with an acceptable signal when the Tuning Selector 9u
is pressed. When the button is pressed so that
MANUAL appears in the Lower Display Line ¯,
each press of the Tuning Selector 9u will increase the frequency.This button may also be used to
switch between Stereo and Mono modes for FM radio
reception. When weak reception is encountered, press
the button so that MANUAL appears in the LowerDisplay Line ¯ and the on-screen display to switch
to Mono reception. Press it again to switch back to
Stereo mode. (See page 29 for more information on
using the tuner.)
* Optical 3 Digital Audio Input: Connect the optical
digital audio output of an audio or video product to this
jack. When the input is not in use, be certain to keep
the plastic cap installed to avoid dust contamination that
might degrade future performance.
( Coaxial 3 Digital Audio Input: This jack is used
for connection to the output of portable audio devices,
video game consoles or other products that have a
coax digital audio jack.
Ó Video 4 Video Input Jacks: These jacks may
be used for temporary connection to the composite or
S-Video output of video games, camcorders or other
portable video products. You may make a connection to either jack at any time, but not to both
simultaneously.
Ô Video 4 Audio Input Jacks: These audio jacks
may be used for temporary connection to video
games or portable audio/video products such as camcorders and portable audio players.
Bass Control: Turn this control to modify the low-
frequency output of the left/right channels by as much
as ±10dB.
Ò Balance Control: Turn this control to change the
relative volume for the front left/right channels.
NOTE: For proper operation of the surround modes,
this control should be at the midpoint or “12 o’clock”
position.
Ú Treble Control: Turn this control to modify the high-
frequency output of the left/right channels by as much
as ±10dB.
Û Channel Adjust Selector: Press this button to
begin the process of trimming the channel output levels using an external audio source. (For more information on output level trim adjustment, see page 30.)
Ù Volume Control: Turn this knob clockwise to
increase the volume, counterclockwise to decrease
the volume. If the AVR 235 is muted, adjusting the
Volume Control Ùwill automatically release
the unit from the silenced condition.
ı Input Indicators: The current selected source will
appear as one of these indicators. Note that when the
unit is turned on, the entire list of available sources will
light briefly, and then revert to normal operation with
only the active source indicator illuminated.
ˆ Speaker/Channel Input Indicators: These indi-
cators are multipurpose, indicating both the speaker
type selected for each channel and the incoming datasignal configuration. The left, center, right, surround and
surround back speaker indicators are composed of
three boxes, while the subwoofer is a single box. The
center box lights when a “small” speaker is selected,
and the two outer boxes light when “large” speakers are
selected. When none of the boxes are lit for the center,
surround or subwoofer channels, no speaker has been
assigned that position. (See page 19 for more information on configuring speakers.) The letters inside each
box display the active input channels. For standard analog inputs, only the L and R will light, indicating a stereo
input. For a digital source, the indicators will light to display the channels being received at the digital input.
When the letters flash, the digital input has been interrupted. (See page 29 for more information on the
Channel Indicators.)
˜ Upper Display Line: Depending on the unit’s sta-
tus, a variety of messages will appear here. In normal
operation, this line will show the current input source
and which analog or digital input is in use. When the
tuner is the input, this line will identify the station as AM
or FM and show the frequency and preset number, if any.
¯ Lower Display Line: Depending on the unit’s sta-
tus, a variety of messages will appear here. In normal
operation, the current surround mode will show here.
˘ Surround Mode Indicators: The current selected
surround mode will appear as one of these indicators.
Note that when the unit is turned on, the entire list of
available modes will light briefly, and then revert to
normal operation with only the active mode indicator
illuminated.
¸ Remote Sensor Window: The sensor behind
this window receives infrared signals from the remote
control. Aim the remote at this area and do not block
or cover it.
38
6 FRONT-PANEL CONTROLS
∞
¶
⁄
fi
ª
¡
£
‹
°
d
g
j
k
i
a
37
35
32
™
¢
§
‚
¤
›
fl
‡
·
f
h
31
38
36
34
33
e
c
b
•
7
AVR235 harman/kardon
REAR-PANEL CONNECTIONS
¡ CD Audio Inputs
™ Tape Outputs
£ Remote IR Input
¢ Remote IR Output
∞ Preamp Outputs
§ Subwoofer Output
¶ Front Speaker Outputs
• Surround Back Speaker Outputs
ª Surround Speaker Outputs
‚ Center Speaker Output
⁄ Component Video Monitor Outputs
¤ Video 2 Component Video Inputs
‹ DVD Component Video Inputs
NOTE: To make it easier to follow the instructions that refer to this illustration, a larger copy may be downloaded from the Product Support section for this product
at www.harmankardon.com.
NOTE: To assist in making the correct connections for
multichannel input, output and speaker connections,
all connection jacks and terminals are color-coded
in conformance with the CEA standards as follows:
Front Left:White
Front Right:Red
Center:Green
› AC Power Cord
fi Switched AC Accessory Outlet
fl Unswitched AC Accessory Outlet
‡ Optical Digital Audio Output
° Coaxial Digital Audio Output
· S-Video Monitor Output
a Coaxial Digital Audio Inputs
b DVD S-Video Input
c Video 1 S-Video Input
d Optical Digital Audio Inputs
e Video 1 S-Video Output
f Video 2 S-Video Input
g 6/8-Channel Direct Inputs
Surround Left:Blue
Surround Right:Gray
Surround Back Left:Brown
Surround Back Right: Tan
Subwoofer:Purple
Coaxial Digital Audio:Orange
Composite Video:Yellow
h Video 2 S-Video Output
i Video 3 S-Video Input
j Video Monitor Output
k DVD Audio/Video Inputs
31
Video 1 Audio/Video Inputs
32
Video 1 Audio/Video Outputs
33
Video 2 Audio/Video Inputs
34
Video 2 Audio/Video Outputs
35
Video 3 Audio/Video Inputs
36
Tape Inputs
37
AM Antenna Terminals
38
FM Antenna Jack
Component Video “Y”: Green
Component Video “Pr”: Red
Component Video “Pb”: Blue
¡ CD Audio Inputs: Connect these jacks to the
analog audio output of a compact disc player or
changer.
™
Tape Outputs: Connect these jacks to the
RECORD/INPUT
£ Remote IR Input: If the AVR 235’s front-panel
jacks of an audio recorder.
IR sensor is blocked due to cabinet doors or other
obstructions, an external IR sensor may be used.
Connect the output of the sensor to this jack.
¢ Remote IR Output: This connection permits the
IR sensor in the receiver to serve other remote controlled devices. Connect this jack to the “IR IN” jack on
Harman Kardon (or other compatible) equipment.
∞ Preamp Outputs: Connect these jacks to an
optional, external power amplifier for applications for
which higher power is desired.
§ Subwoofer Output: Connect this jack to the line-
level input of a powered subwoofer. If an external subwoofer amplifier is used, connect this jack to the subwoofer amplifier input.
REAR-PANEL CONNECTIONS 7
3
8
AVR235 harman/kardon
REAR-PANEL CONNECTIONS
¶ Front Speaker Outputs: Connect these outputs
to the matching + or – terminals on your left and right
speakers. When making speaker connections, always
make certain to maintain correct polarity by connecting
the color-coded (white for front left and red for front
right) (+) terminals on the AVR 235 to the red (+)
terminals on the speakers and the black (–) terminals
on the AVR 235 to the black (–) terminals on the
speakers. See page 14 for more information on
speaker polarity.
• Surround Back Speaker Outputs: These
speaker terminals are used to power the surround
back left/surround back right speakers in a 7.1 channel system. The brown and black terminals are the
surround back left channel positive (+) and negative
(–) connections and the tan and black terminals are
the surround back right positive (+) and negative (–)
terminals.
ª Surround Speaker Outputs: Connect these out-
puts to the matching + and – terminals on your surround channel speakers. In conformance with the CEA
color-code specification, the blue terminal is the positive, or “+,” terminal that should be connected to the
red (+) terminal on the Surround Left speaker with
older color-coding, while the gray terminal should be
connected to the red (+) terminal on the Surround
Right speaker with the older color-coding. Connect the
black (–) terminal on the AVR to the matching black
negative (–) terminals for each surround speaker. (See
page 14 for more information on speaker polarity.)
‚ Center Speaker Output: Connect these outputs
to the matching + and – terminals on your center
channel speaker. In conformance with the CEA colorcode specification, the green terminal is the positive,
or “+,” terminal that should be connected to the red
(+) terminal on speakers with the older color-coding.
Connect the black (–) terminal on the AVR to the
black (–) terminal on your speaker. (See page 14
for more information on speaker polarity.)
⁄ Component Video Monitor Outputs: Connect
these outputs to the component video inputs of a
video projector or monitor. When a source connected
to one of the Component Video Inputs ¤‹ is
selected, the signal will be sent to these jacks.
¤ Video 2 Component Video Inputs: Connect the
Y/Pr/Pb component video outputs of an HDTV set-top
converter, satellite receiver or other video source
device with component video outputs to these jacks.
‹ DVD Component Video Inputs: Connect the
Y/Pr/Pb component video outputs of a DVD player to
these jacks.
› AC Power Cord: Connect the AC power cord to a
non-switched AC wall outlet.
fi Switched AC Accessory Outlet: This outlet may
be used to power any device you wish to have turned
on when the AVR 235 is turned on.
fl Unswitched AC Accessory Outlet: This outlet
may be used to power any AC device. The power will
remain on at this outlet, regardless of whether the
AVR 235 is on or off.
NOTE: The total power consumption of all devices
connected to the accessory outlets should not exceed
100 watts.
‡ Optical Digital Audio Output: Connect this jack
to the optical digital input connector on a CD-R/RW,
MiniDisc or other digital recorder.
° Coaxial Digital Audio Output: Connect this jack
to the coaxial digital input of a CD-R/RW, MiniDisc or
other digital recorder.
· S-Video Monitor Output: When your television
or other video display is equipped with an S-Video
input and you are using at least one source with
S-Video capability, connect this jack to the S-Video
input on the display.
a Coaxial Digital Audio Inputs: Connect the coax
digital output from a DVD player, HDTV receiver,
player
or CD player to these jacks. The signal may be a
LD
Dolby Digital signal, DTS signal or a standard PCM digital
source. Do not connect the RF digital output of an LD
player to these jacks.
b DVD S-Video Input: Connect the S-Video output
of a DVD player or other video source to this jack.
c Video 1 S-Video Input: If the product connected to
the Video 1 Audio Inputshas S-Video capability,
31
connect this jack to the PLAY/OUT S-Video jack on
that unit and then make certain that the S-VideoMonitor Output · is connected as described
above.
d Optical Digital Audio Inputs: Connect the optical
digital output from a DVD player, HDTV receiver, LD
player or CD
player to these jacks. The signal may be a
Dolby Digital signal, a DTS signal or a standard PCM
digital source.
e Video 1 S-Video Output:
to the Video 1 Audio Outputshas S-Video
If the product connected
32
capability, connect this jack to the REC/IN S-Video
jack on that unit.
f Video 2 S-Video Input: If the product connected to
the Video 2 Audio Inputshas S-Video capability,
33
connect this jack to the PLAY/OUT S-Video jack on
that unit and then make certain that the S-VideoMonitor Output · is connected, as described
above.
g 6/8-Channel Direct Inputs: These jacks are
used for connection to source devices such as DVDAudio or SACD players with discrete analog outputs.
Depending on the source device in use, all eight jacks
may be used, though in many cases only connections
to the front left/right, center, surround left/right and
LFE (subwoofer input) jacks will be used for standard
5.1 audio signals.
h Video 2 S-Video Output:
to the Video 2 Audio Outputshas S-Video
If the product connected
34
capability, connect this jack to the REC/IN S-Video
jack on that unit.
i Video 3 S-Video Input: If the product connected to
the Video 3 Audio Inputshas S-Video capability,
35
connect this jack to the PLAY/OUT S-Video jack on
that unit and then make certain that the S-VideoMonitor Output · is connected as described
above.
j Video Monitor Output: Connect this jack to the
composite video input of a TV monitor or video projector to view the on-screen menus and the output of a
standard video source.
k DVD Audio/Video Inputs: Connect the composite
video and L/R analog audio output jacks of a DVD
player or other video source to these jacks.
31
Video 1 Audio/Video Inputs: Connect the com-
posite video and L/R analog audio PLAY/OUT jacks of
a VCR or other video source to these jacks.
2
Video 1 Audio/Video Outputs: Connect the
composite video and L/R analog audio REC/IN jacks
of a VCR or other video recording device such as a
DVD recorder or PVR to these jacks.
33
Video 2 Audio/Video Inputs: Connect the com-
posite video and L/R analog audio PLAY/OUT jacks of
a VCR or other video source to these jacks.
34
Video 2 Audio/Video Outputs: Connect the
composite video and L/R analog audio REC/IN jacks
of a VCR or other video recording device such as a
DVD recorder or PVR to these jacks.
35
Video 3 Audio/Video Inputs: Connect the com-
posite video and L/R analog audio PLAY/OUT jacks of
a VCR or other video source to these jacks.
8REAR-PANEL CONNECTIONS
8REAR-PANEL CONNECTIONS
9
AVR235 harman/kardon
REAR-PANEL CONNECTIONSREAR-PANEL CONNECTIONS
36
Tape Inputs:
jacks of an audio recorder.
37
AM Antenna Terminals: Connect the AM loop
antenna supplied with the receiver to these terminals.
If an external AM antenna is used, make connections
to the AM and GND terminals, in accordance with
the instructions supplied with the antenna.
38
FM Antenna Jack: Connect the supplied indoor
(or an optional external) FM antenna to this terminal.
NOTE ON VIDEO CONNECTIONS: When connecting
a source device such as a VCR, DVD player, cable or
satellite set-top box or video game to the AVR, use
either a composite or S-Video connection for each input,
but not both.
Connect these jacks to the PLAY/OUT
REAR-PANEL CONNECTIONS 9
s
a
bc
d
e
f
g
h
j
n
n
p
o
o
q
r
t
v
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32
30
29
28
36
37
38
39
40
z
x
35
POWER
MUTE
AVR
DVD
AM/FM
CD
TAPE
VID 2
VCR
TV
CBL/SAT
6/8 CHSPL
VID 1
VID 3VID 4
OFF
ON
SLEEP
T/V
SURR.
CH.
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2
3
4
7
6
5
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M2
M3
M4
D.SKIP
M1
DIRECT
OSD
TUNING
DOLBY SUR
DTS SUR
DTS NEO:6
STEREO
LOGIC 7
........
SKIP
........
UP
DWN
PRESET
CLEAR
TEST
NIGHT
8
l
u
DIM
i
k
m
34
33
w
y
41
43
TM
31
42
10
AVR235 harman/kardon
REMOTE CONTROL FUNCTIONS
a Power Off Button
b IR Transmitter Window
c Program/SPL Indicator
d Power On Button
e Input Selectors
f AVR Selector
g AM/FM Tuner Select
h Dim Button
i Test Button
j Sleep Button
k DSP Surround Mode Selector
l Night Mode
m Channel Select Button
⁄/¤
n
o
p Set Button
q Digital Select
r Numeric Keys
s Tuner Mode
‹/›
Buttons
Buttons
t Direct Button
u Tuning Up/Down
v OSD Button
w Dolby Mode Selector
x DTS Digital Mode Selector
y Logic 7 Mode Select Button
z Skip Up/Down Buttons
` Transport Controls
Stereo Mode Select Button
28
DTS Neo:6 Mode Select
29
Macro Buttons
30
Disc Skip Button
31
Preset Up/Down
32
Clear Button
33
Memory Button
34
Delay/Prev. Ch.
35
Speaker Select
36
Spare Button
37
Volume Up/Down
38
TV/Video Selector
39
SPL Selector
40
41
6-Channel/8-Channel Direct Input
42
Mute
43
EzSet Sensor Microphone
NOTE:
• The function names shown here are each button’s feature
when used with the AVR 235. Most buttons have additional
functions when used with other devices. See pages 38–39
for a list of these functions.
• To make it easier to follow the instructions that refer to
this illustration, a larger copy may be downloaded from
the Product Support section for this product at
www.harmankardon.com.
10REMOTE CONTROL FUNCTIONS
90
min80min70min60min50min
40
min
30
min20min10min
OFF
11
AVR235 harman/kardon
REMOTE CONTROL FUNCTIONS
IMPORTANT NOTE: The AVR 235’s remote may be
programmed to control up to eight devices, including
the AVR 235. Before using the remote, it is important to
remember to press the Input Selector Button e
that corresponds to the unit you wish to operate.
In addition, the AVR 235’s remote is shipped from
the factory to operate the AVR 235 and most
Harman Kardon CD or DVD players and cassette
decks. The remote is also capable of operating a
wide variety of other products using the control codes
that are part of the remote. Before using the remote
with other products, follow the instructions on pages
35–36 to program the proper codes for the products
in your system.
It is also important to remember that many of the buttons on the remote take on different functions, depending on the product selected using the Device Control
Selectors. The descriptions shown here primarily detail
the functions of the remote when it is used to operate
the AVR 235. (See page 35 for information about
alternate functions for the remote’s buttons.)
a Power Off Button: Press this button to place the
AVR 235 or a selected device in the Standby mode.
b IR Transmitter Window: Point this window
towards the AVR 235 when pressing buttons on the
remote to make certain that infrared commands are
properly received.
c Program/SPL Indicator: This three-color indica-
tor is used to guide you through the process of programming the remote, and it is also used as a level
indicator when using the remote’s EzSet capabilities.
(See page 23 for more information on setting output
levels, and see page 35 for information on programming the remote.)
d Power On Button: Press this button to turn on
the power to a device selected by pressing one of the
Input Selectors e.
e Input Selectors: Pressing one of these buttons
will perform three actions at the same time. First, if the
AVR 235 is not turned on, this will power up the unit.
Next, it will select the source shown on the button as
the input to the AVR 235. Finally, it will switch the
remote control so that it controls the device selected.
After pressing one of these buttons, you must press
the AVR Selector Button f again to operate the
AVR 235’s functions with the remote.
f AVR Selector: Pressing this button will switch the
remote so that it will operate the AVR 235’s functions. If
the AVR 235 is in the Standby mode, it will also turn the
AVR 235 on.
g AM/FM Tuner Select: Press this button to select
the AVR 235’s tuner as the listening choice. Pressing
this button when the tuner is already in use will select
between the AM and FM bands.
h Dim Button: Press this button to activate the
Dimmer function, which reduces the brightness of the
front-panel display, or turns it off entirely. The first press
of the button shows the default state, which is full brightness, by indicating VFD FULL in the Lower
Display Line
¯. Press the button again within five
seconds to reduce the brightness by 50%, as indicated
by VFD HALF showing in the Lower Display Line
¯. Press the button again within five seconds and the
main display will go completely dark. Note that this setting is temporary in that, regardless of any changes, the
display will always return to full brightness when the AVR
is turned on. In addition, the Power Indicator 2 will
always remain at full brightness, regardless of the setting. This is to remind you that the AVR is still turned on.
i Test Button: Press this button to begin the
sequence used to calibrate the AVR 235’s output levels.
(See page 23 for more information on calibrating the
AVR 235.)
j Sleep Button: Press this button to place the unit
in the Sleep mode. After the time shown in the display,
the AVR 235 will automatically go into the Standby
mode. Each press of the button changes the time until
turn-off in the following order:
This button is also used to change channels on your
TV when the TV is selected.
When the AVR 235 remote is being programmed with
the codes to operate another device, this button is also
used in the “Auto Search” process. (See page 35 for
more information on programming the remote.)
k DSP Surround Mode Selector: Press this but-
ton to cycle through the DSP, VMAx and Stereo surround modes such as Hall, Theater, VMAx Near and
Far, and Surround Off. This button is also used to tune
channels when the TV is selected using the device
Input Selector e. When the AVR 235 remote is
being programmed with the codes of another device,
this button is also used in the “Auto Search” process.
(See page 35 for more information on programming
the remote.)
l Night Mode: Press this button to activate the
Night mode. This mode is available in specially
encoded digital sources, and it preserves dialogue
(center channel) intelligibility at low volume levels.
m Channel Select Button: This button is used to
start the process of setting the AVR 235’s output levels to
an external source. Once this button is pressed, use the
⁄/¤
Buttons n
then press the Set Button p, followed by the
Buttons
n again, to change the level setting. (See
to select the channel being adjusted,
⁄/¤
page 30 for more information.)
⁄/¤
n
Buttons: These multipurpose buttons are
used to change or scroll through items in the onscreen menus, make configuration settings such as
digital inputs or delay timing, or to select surround
modes. When changing a setting, first press the button
for the function or setting to be changed (e.g., press
the DSP Surround Mode Selector k to select a
sound field mode or the Digital Select Button q
to change a digital input) and then press one of these
buttons to scroll through the list of options or to
increase or decrease a setting. The sections in this
manual describing the individual features and functions
contain specific information on using these buttons for
each application.
‹/›
o
Buttons: These buttons are used to change
the menu selection or setting during some of the setup
procedures for the AVR 235.
p Set Button: This button is used to enter settings
into the AVR 235’s memory. It is also used in the
setup procedures for delay time, speaker configuration
and channel output level adjustment.
q Digital Select: Press this button to assign one
of the digital inputs *(ad to a source. (See
page 26 for more information on using digital inputs.)
r Numeric Keys: These buttons serve as a 10-
button numeric keypad to enter tuner preset positions.
They are also used to select channel numbers when
TV, Cable or SAT has been selected on the remote, or
to select track numbers on a CD, DVD or LD player,
depending on how the remote has been programmed.
s Tuner Mode: Press this button when the tuner
is in use to select between automatic tuning and
manual tuning. When the button is pressed so that
MANUAL appears in the Lower Display Line
¯,
pressing the Tuning Buttons u9 will move the
frequency up or down in single-step increments. When
the FM band is in use, pressing this button when a
station’s signal is weak will change to monaural reception. (See page 29 for more information.)
REMOTE CONTROL FUNCTIONS 11
12
AVR235 harman/kardon
REMOTE CONTROL FUNCTIONS
t Direct Button: Press this button when the tuner
is in use to start the sequence for direct entry of a station’s frequency. After pressing the button, simply
press the proper Numeric Keys r to select a station. (See page 29 for more information on the tuner.)
u Tuning Up/Down: When the tuner is in use, these
buttons will tune up or down through the selected frequency band. If the Tuner Mode Button s& has
been pressed so that AUTO appears in the onscreen and Lower Display Line
¯, pressing and
holding either of the buttons for three seconds will
cause the tuner to seek the next station with acceptable
signal strength for quality reception. When MANUAL
appears in the Lower Display Line
¯, pressing these
buttons will tune stations in single-step increments. (See
page 29 for more information.)
v OSD Button: Press this button to activate the
On-Screen Display (OSD) system used to set up or
adjust the AVR 235’s parameters.
w Dolby Mode Selector: This button is used to
select from among the available Dolby Surround processing modes. Each press of this button will select
one of the Dolby Pro Logic II modes or Dolby 3
Stereo. When a Dolby Digital-encoded source is in use,
the Dolby Digital mode may also be selected. (See
page 27 for the available Dolby surround mode
options.)
x DTS Digital Mode Selector: When a DTS-
encoded digital source is selected, each press of this
button will scroll through the available DTS modes. The
specific choice of modes will vary according to whether
or not the source material contains DTS-ES 6.1
Discrete encoding. When a DTS source is not in use,
this button has no function. (See page 27 for the available DTS Digital options.)
y Logic 7 Mode Select Button: Press this button
to select from among the available Logic 7 surround
modes. (See page 27 for the available Logic 7
options.)
z Skip Up/Down Buttons: These buttons do not
have a direct function with the AVR 235, but when
used with a compatibly programmed CD or DVD
changer, they will change to the previous disc in the
changer or carousel.
` Transport Controls: These buttons do not have
any direct functions for the AVR 235, but they may be
programmed for the forward/reverse play operation
of a wide variety of CD or DVD players, and audio
or video cassette recorders. When the remote is
used to control the AVR, the VID2/CBL/SAT device or
the VID3/TV device, these buttons are programmed to
operate the DVD player’s transport controls. However,
you may use the Transport Control Punch-Through
feature described on page 36 to program these buttons, to operate another device’s transport controls
when the AVR, VID2 or VID3 device has been selected. (See page 36 for more information.)
Stereo Mode Select Button: Press this button
28
to select a stereo listening mode. When the button
is pressed so that DSP SURROUND OFF
appears in the Lower Display Line
¯, the AVR will
operate in a bypass mode with true, fully analog, twochannel left/right stereo mode with no surround processing or bass management, as opposed to other
modes where digital processing is used. When the
button is pressed so that SURROUND OFF
appears in the Lower Display Line
¯, you may
enjoy a two-channel presentation of the sound, along
with the benefits of bass management. Depending on
whether your system is configured for 5.1 or 6.1/7.1
channels, the next press of the button will cause either
5 CH STEREO or 7 CH STEREO to
appear, and the stereo signal will be routed to all five
(or seven) speakers. (See page 27 for more information on stereo playback modes.)
29
DTS Neo:6 Mode Select: Press this button to
select a DTS Neo:6 mode. These modes take a twochannel stereo- or matrix surround-encoded source
and create a full five-, six- or seven-channel sound
field. (See page 27 for the available DTS Neo:6
options.)
30
Macro Buttons: Press these buttons to store or
recall a “Macro”, which is a preprogrammed sequence
of commands stored in the remote. (See page 34 for
more information on storing and recalling macros.)
31
Disc Skip Button: This button has no direct
function for the AVR 235 but is most often used to
change to the next disc in a CD or DVD player when
the remote is programmed for that type of device.
When the remote is used to control the AVR, the
VID2/CBL/SAT device or the VID3/TV device, these
buttons are programmed to operate the DVD player’s
transport controls. However, you may use the Transport
Control Punch-Through feature described on page 36
to program these buttons to operate another device’s
transport controls when the AVR, VID2 or VID3 device
has been selected. (See page 35 for more information
on using the remote with products other than the
AVR 235.)
32
Preset Up/Down: When the tuner is in use,
press these buttons to scroll through the stations
programmed into the AVR 235’s memory. When
some source devices, such as CD players, VCRs and
cassette decks, are selected using the device InputSelectors e, these buttons may function as
Chapter Step or Track Advance.
Clear Button: Press this button to clear incorrect
33
entries when using the remote to directly enter a radio
station’s frequency.
34
Memory Button: Press this button to enter a
radio station into the AVR 235’s preset memory. First,
tune the desired station, and then press this button.
Two underline indicators will flash at the right side of
the Upper Display Line ˜, and within five seconds
press the Numeric Keys r for the preset number
between 01 and 30 that you wish to assign to the
station. (See page 29 for more information.)
35
Delay/Prev Ch.: Press this button to begin
the process for setting the delay times used by the
AVR 235 when processing surround sound or to
compensate for video-to-audio delays caused by the
use of digital sources or video displays. After pressing
this button, the delay times are entered by pressing
the Set Button p and then using the
⁄/¤
Buttons n to change the setting. Press the Set
Button p again to complete the process.
(See page 22 for more information.)
36
Speaker Select: Press this button to begin
the process of configuring the AVR 235’s bass management system for use with the type of speakers
used in your system. Once the button has been
pressed, use the
⁄/¤
Buttons n to select the
channel you wish to set up. Press the Set Buttonp and then select another channel to configure.
When all adjustments have been completed, press
the Set Button p twice to exit the settings and
return to normal operation. (See page 20 for more
information.)
37
Spare Button: This button has no function when
used with the AVR. When used with the DVD player, it
controls the Subtitle On/Off function.
38
Volume Up/Down: Press these buttons to raise
or lower the system volume.
39
TV/Video Selector: This button does not have a
direct function on the AVR 235, but when used with a
compatibly programmed VCR, DVD or satellite receiver
that has a “TV/Video” function, pressing this button will
switch between the output of the player or receiver
and the external video input to that player. Consult the
owner’s manual for your specific player or receiver for
the details of how it implements this function.
40
SPL Selector: This button activates the
AVR 235’s EzSet function to quickly and accurately
calibrate the AVR 235’s output levels. Press and hold
the button for three seconds and then release it. Press
the “5” or “7” Numeric Key r to indicate whether
you are using a 5.1-channel or a 6.1/7.1-channel
speaker system with the AVR 235. The test tone will
begin circulating, and the Program/SPL Indicator
12REMOTE CONTROL FUNCTIONS
13
AVR235 harman/kardon
REMOTE CONTROL FUNCTIONS
c will change colors. During this sequence, EzSet
will automatically adjust the output levels for all channels until they are equal, as shown by the Program/SPL Indicator c lighting green for each channel.
(See page 23 for more information on EzSet.)
6-Channel/8-Channel Direct Input: Press
41
this button to select the device connected to the
6/8-Channel Direct Inputs g as the audio source.
(See page 25 for more information.)
When you wish to use the 6-Channel/8-Channel
Direct Input
you must first select the video source by pressing one
of the Input Selectors e, then press this button to
choose the device connected to the 6-Channel/8-
Channel Direct Input
42
the AVR 235 or TV set being controlled, depending on
which device has been selected. When the AVR 235
remote is being programmed to operate another device,
this button is pressed with the Input Selector Buttone to begin the programming process. (See page
35 for more information on programming the remote.)
g
in conjunction with a video source,
g
as the audio source.
Mute: Press this button to momentarily silence
43
EzSet Sensor Microphone: The sensor micro-
phone for the EzSet microphone is behind these slots.
When using the remote to calibrate speaker output
levels using EzSet, be sure that you do not hold the
remote in a way that covers these slots. (See page 23
for more information on using EzSet.)
REMOTE CONTROL FUNCTIONS 13
14
AVR235 harman/kardon
INSTALLATION AND CONNECTIONS
System Installation
After unpacking the unit, locating it in a place with adequate ventilation and placing it on a solid surface capable
of supporting its weight, you will need to make the connections to your audio and video equipment.
IMPORTANT NOTE: For your personal safety and to
avoid possible damage to your equipment and speakers,
it is always a good practice to turn off and unplug the
AVR and ALL source equipment from the AC output
before making any audio or video system connections.
Audio Equipment Connections
We recommend that you use high-quality interconnect
cables when making connections to source equipment
and recorders to preserve the integrity of the signals.
1. Connect the analog output of a CD player to the
CD Audio Inputs ¡.
NOTE: When the CD player has both fixed and vari-
able audio outputs, it is best to use the fixed output
unless you find that the input to the receiver is so low
that the sound is noisy, or so high that it is distorted.
2. Connect the analog Play/Out jacks of a cassette
deck, MD, CD-R or other audio recorder to the Tap eInput Jacks. Connect the analog Record/In jacks
on the recorder to the Tape Output Jacks ™ on
the AVR 235.
3. Connect the output of any digital sources such
as a CD or DVD changer or player, advanced video
game, a digital satellite receiver, HDTV tuner or digital
cable set-top box or the output of a compatible
computer sound card to the Optical and CoaxialDigital Audio Inputs ad*(.
4. Connect the coaxial or optical Digital Audio Outputs
‡° on the rear panel of the AVR 235 to the matching
digital input connections on a CD-R or MiniDisc recorder.
5. Assemble the AM Loop Antenna supplied with the
unit so that the tabs at the bottom of the antenna loop
snap into the holes in the base. Connect it to the AMAntenna Terminals .
6. Connect the supplied FM antenna to the FM (75-
ohm) Connection. The FM antenna may be an
external roof antenna, an inside powered or wire-lead
antenna or a connection from a cable TV system. If
the antenna or connection uses 300-ohm twin-lead
cable, you must use an optional 300-ohm-to-75-ohm
adapter to make the connection.
36
37
38
7. Connect the front, center, surround and surround
back speaker outputs ¶•ª‚ to the respective
speakers.
To ensure that all the audio signals are carried to your
speakers without loss of clarity or resolution, we suggest that you use high-quality speaker cable. Many
brands of cable are available and the choice of cable
may be influenced by the distance between your
speakers and the receiver, the type of speakers you
use, personal preferences and other factors. Your dealer
or installer is a valuable resource to consult in selecting the proper cable.
Regardless of the brand of cable selected, we recommend that you use a cable constructed of
copper with a gauge of 14 or smaller.
multistrand
Remember that
in specifying cable, the lower the number, the thicker
the cable.
Cable with a gauge of 16 may be used for short runs
of less than 10 feet. We do not recommend that you
use cables with an AWG equivalent of 18 or higher,
due to the power loss and degradation in performance
that will occur.
Cables that are run inside walls should have the appropriate markings to indicate listing with UL, CSA or other
appropriate testing agency standards. Questions about
running cables inside walls should be referred to your
installer or a licensed electrician who is familiar with
the NEC and/or the applicable local building codes in
your area.
When connecting wires to the speakers, be certain
to observe proper polarity. Note that the positive (+)
terminal of each speaker connection now carries a
specific color code, as noted on page 7. However,
most speakers still use a red terminal for the positive
(+) connection. Connect the “negative” or “black”
wire to the same terminal on both the receiver and
the speaker.
NOTE: While most speaker manufacturers adhere to
an industry convention of using black terminals for
negative and red ones for positive, some may vary
from this configuration. To ensure proper phase and
optimal performance, consult the identification plate on
your speaker or the speaker’s manual to verify polarity.
If you do not know the polarity of your speaker, ask
your dealer for advice before proceeding, or consult
the speaker’s manufacturer.
We also recommend that the length of cable used
to connect speaker pairs be identical. For example,
use the same length piece of cable to connect the
front-left and front-right or surround-left and surround-right speakers, even if the speakers are a
different distance from the AVR 235.
It is appropriate to configure the AVR 235 for either
5.1- or 7.1-channel operation, but not for 6.1
channels. When 6.1-channel program material or a
6.1-channel processing mode is in use, material for
the surround back channel will be outputted simultaneously through both the Surround Back Left and
Right Speaker Outputs •. Connecting only one
loudspeaker to these speaker terminals will not only
deprive you of the benefits of 7.1-channel surround
modes, such as Logic 7, but will also interfere with
the functioning of EzSet speaker calibration, as
described on page 23. It may also put undesirable
strain on the surround back amplifier circuits and
power supplies.
8. Connections to a subwoofer are normally made via
a line-level audio connection from the SubwooferOutput § to the line-level input of a subwoofer with
a built-in amplifier. When a passive subwoofer is used,
the connection first goes to a power amplifier, which
will be connected to one or more subwoofer speakers.
If you are using a powered subwoofer that does not
have line-level input connections, follow the instructions furnished with the speaker for connection
information.
9. If an external multichannel audio source with 5.1
outputs such as an external digital processor/decoder,
DVD-Audio or SACD player is used, connect the
outputs of that device to the 6/8-Channel Direct
Inputs g.
Video Equipment Connections
Video equipment is connected in the same manner
as audio components. Again, the use of high-quality
interconnect cables is recommended to preserve
signal quality.
1. Connect a VCR’s, personal video recorder’s (PVR)
or other video source’s audio and video Play/Out jacks
to the Video 1 or Video 2 Audio/Video and S-VideoInput Jacks cfon the rear panel. The
31
33
Audio and Video Record/In jacks on the VCR should
be connected to the Video 1 or Video 2 Audio/
Video and S-Video Output Jacks eh
32
34
on the AVR 235.
Although any video device may be connected to these
jacks, we recommending connecting your video
recorder to the Video 1 Audio/Video and S-Video
32
Input and Output Jacks ceso that you
31
may take advantage of the fact that the remote control
is preprogrammed with video recorder product codes
for the Video 1 device.
2. Connect the analog audio and video outputs of
a satellite receiver, cable TV converter, television
set or any other video source to the Video 2 or
Video 3 Audio/Video and S-Video Input Jacks
35
fhi.
14INSTALLATION AND CONNECTIONS
15
AVR235 harman/kardon
INSTALLATION AND CONNECTIONS
Although any video device may be connected to these
jacks, we recommend connecting your cable TV converter or satellite receiver so that you may take advantage of the fact that the remote control is preprogrammed with the product codes of these device
types for the Video 2 device. If your device is capable
of switching component video, we particularly recommend connecting it to the Video 2 Audio Input
33
Jacks, as the Video 2 Component Video
Inputs ¤ are assigned to the Video 2 device.
3. Connect the analog audio and video outputs of
a television or other video device to the Video 3Audio/Video and S-Video Input Jacks i.
Although any video or audio device may be connected
to these jacks, we recommend connecting your TV
so that you may take advantage of the fact that the
remote control is preprogrammed with television product codes for the Video 3 device. IMPORTANT: If
you are only using the television as a display device
(i.e., if you receive your television programs through
a cable box or satellite receiver), do not connect
the TV’s outputs to the Video 3 Audio/Video and S-Video Input Jacks i , or to any other inputs
on the AVR 235.
4. Connect the analog audio and video outputs of a
DVD or laser disc player to the DVD Audio/Videoand S-Video Inputs bk.
5. Connect the digital audio outputs of a DVD player,
satellite receiver, cable box or HDTV converter to the
appropriate Optical or Coaxial Digital Inputsad*(.
6. Connect the Video and/or S-Video MonitorOutput ·j jacks on the receiver to the composite
or S-Video input of your television monitor or video
projector.
7. If your DVD player and monitor both have component video connections, connect the component outputs of the DVD player to the DVD ComponentVideo Inputs ‹. Even when component video connections are used, the audio connections should still
be made to either the analog DVD Audio Inputs k
or any of the Optical or Coaxial Digital Input Jacksad*(.
8. If another device with component video outputs
is available, connect it to the Video 2 ComponentVideo Inputs ¤. The audio connections for this
device should be made to either the Video 2 Audio
33
Inputsor any of the Optical or Coaxial Digital
Input Jacks ad*(
9. If the component video inputs are used, connect
the Component Video Monitor Outputs ⁄ to the
component video inputs of your TV, projector or display device.
35
.
35
10. If you have a camcorder, video game or other
audio/video device that is connected to the AVR on a
temporary rather than permanent basis, connect the
audio, video and digital audio outputs of that device to
the Front-Panel Inputs *(ÓÔ. A device connected here is selected as the Video 4 input, and the
digital inputs must be assigned to the Video 4 input.
(See page 17 for more information on input configuration.)
Video Connection Notes:
• When the component video jacks are used, the onscreen menus are not visible and you must switch
to the standard composite or S-Video input on your
TV to view them.
• The AVR 235 will accept either standard composite,
S-Video or Y/Pr/Pb component video signals.
However, it will not convert any of these signals
to a different format.
• When connecting a video source to the AVR 235,
you may use composite, component or S-Video,
but only one type of video may be connected for
each device.
• When more than one video format is used, it is
necessary to make a separate connection from
the AVR to your video display for each format.
For example, if both composite and component
sources are connected to the AVR 235, both the
Composite and Component Video Monitor
Outputs ⁄j must be connected to the appro-
priate inputs on your video display.
AC Power Connections
This unit is equipped with two accessory AC outlets.
They may be used to power accessory devices, but
they should not be used with high-current-draw equipment such as power amplifiers. The total power draw
to each outlet may not exceed 100 watts.
The Switched AC Accessory Outlet fi will receive
power only when the unit is on. This is recommended
for devices that have no power switch or a mechanical
power switch that may be left in the “ON” position.
NOTE: Many audio and video products go into a
Standby mode when they are used with switched outlets, and cannot be fully turned on using the outlet
alone without a remote control command.
The Unswitched AC Accessory Outlet fl will
receive power as long as the unit is plugged into a
powered AC outlet.
Once the AC Power Cord › is connected, you are
almost ready to enjoy the AVR 235’s incredible power
and fidelity!
INSTALLATION AND CONNECTIONS 15
16
AVR235 harman/kardon
OPERATION
Basic Operation
Once you have completed the initial setup and configuration of the AVR 235, it is simple to operate and
enjoy.The following instructions will help you maximize
the enjoyment of your new receiver:
Turning the AVR 235 On or Off
• When using the AVR 235 for the first time, you must
press the Main Power Switch1on the front panel
to turn the unit on. This places the unit in a Standby
mode, as indicated by the amber color of the Power
Indicator2. Once the unit is in Standby, you may
begin a listening session by pressing the Standby/On
Switch3on the front panel, or the Power On
Button d or AVR Selector f on the remote.
The Power Indicator2will turn blue. This will turn
the unit on and return it to the input source that was
last used. The unit may also be turned on from
Standby by pressing any of the Input Selector
Buttons eg on the remote or the Input
Source Selector Button^on the front panel.
NOTE: After pressing one of the Input Selector
Buttons eg to turn the unit on, press the AVR
Selector f to set the remote control to the AVR 235
functions.
To turn the unit off at the end of a listening session,
simply press the Standby/On Switch 3 on the
front panel or the Power Off Button a on
the remote. Power will be shut off to any equipment
plugged into the rear-panel Switched AC AccessoryOutlet fi and the Power Indicator 2 will turn
amber.
When the remote is used to turn the unit “off” it is
actually placing the system in a Standby mode, as indicated by the amber color of the Power Indicator 2.
• To program the AVR 235 for automatic turn-off, press
the Sleep Button j on the remote. Each press of
the button will decrease the time before shutdown in
the following sequence:
90
min80min70min60min50min
30
40
min20min10min
min
The sleep time will be displayed in the Lower
Display Line ¯ and it will count down until the
time has elapsed.
When the programmed sleep time has elapsed, the
unit will automatically turn off. The front-panel display
will dim to one-half brightness when the Sleep function
is programmed. To cancel the Sleep function,
and hold the Sleep Buttonj until the information
display returns to normal brightness; the Sleep
indicator numbers will disappear and the words
SLEEP OFF will appear in the Lower Display
Line ¯
.
OFF
press
When you will be away from home for an extended
period of time, it is always a good idea to completely
turn the unit off with the front-panel Main Power
Switch1.
NOTE: All preset memories are lost if the unit is left
turned off by using the Main Power Switch1for
more than four weeks.
Source Selection
• To select a source, press any of the Input
Buttons eg on the remote.
• The input source may also be changed by pressing
the front-panel Input Source Selector Button ^.
Each press of the button will move the input selection through the list of available inputs.
• As the input is changed, the AVR 235 will automati-
cally switch to the digital input (if selected), surround
mode, speaker configuration, output levels, crossover
frequency and night mode status that were entered
during the configuration process for that source.
• The front-panel Video 4 Inputs ÓÔ, Optical 3
Digital Input*or the Coaxial 3 Digital Input
may be used to connect a device such as a video
game or camcorder to your home entertainment
system on a temporary basis.
• As the input source is changed, the new input name
will appear momentarily as an on-screen display in
the lower third of the video display. The input name
will also appear in the Upper Display Line ˜ and
in the front-panel Input Indicators ı.
• When an audio source is selected, the last video input
used remains routed to the Video 1/Video 2 Video
32
Outputs ehand Video and S-Video
34
Monitor Outputs ·j. This permits simultaneous
viewing and listening to different sources. This also
allows you to choose a video source and then
select the 6/8-Channel Direct Inputs g as the
audio source.
• When a composite or S-Video source is selected, the
video signal for that input will be routed to the S-Video
Monitor Output·and will be viewable on a TV
monitor connected to the AVR 235.
6-Channel/8-Channel Direct Input
• There are two input choices available for use with
sources such as a DVD-Audio or SACD player that
are connected to the 6/8-Channel Direct Inputsg. Select the appropriate input according to the
way your system and source equipment are
configured:
Selector
(
6 CH DIRECT should be used when the
SBR and SBL inputs are NOT in use. The
AVR 235 operates on the assumption that the
input source device has its own internal bassmanagement system. This input passes the input
from the source directly through to the volume
control without any analog to digital conversion
and it mutes the unused input jacks to prevent
unwanted noise from interfering with system
performance.
8 CH DIRECT should be used when an
input is connected to all eight 8-Channel DirectInputs g. The AVR 235 operates on the
assumption that the input source device has its
own internal bass-management system. This
input passes the input from the source directly
through to the volume control without any analogto-digital conversion, and it
input jacks to prevent unwanted
mutes the unused
noise from inter-
fering with system performance.
Volume Control
• Adjust the volume to a comfortable level using the
front-panel Volume Control Ù or remote VolumeUp/Down Buttons .
• When listening in one of the Stereo modes with the
surround circuits off, the Balance Control Ò may
be used to adjust the relative sound output between
the front left and right speakers. For all other modes,
it is important that the Balance Control Ò remain
in the “12 o’clock” position in order to ensure a
proper sound field presentation.
• To temporarily silence all speaker outputs, press the
Mute Button. This will interrupt the output to
all speakers and the headphone jack, but it will not
affect any recording or dubbing that may be in
progress. When the system is muted, the word
MUTE will flash in the Lower Display Line ¯.
Press the Mute Buttonagain to return to
normal operation.
• You may adjust the bass and treble tone controls at
any point during a listening session by simply turning the Bass Control or Treble Control Ú
until the desired setting is achieved. You may also
totally remove the tone controls from the circuit so
that the output is “flat” at any time by pressing the
Tone Mode Button 5 and then pressing the
Button ) so that TONE OFF appears in theon-screen display and the Lower Display Line ¯.
38
42
42
‹/›
OPERATION 25
17
AVR235 harman/kardon
OPERATION
• For private listening, plug the 1/4" stereo phone
plug from a pair of stereo headphones into the
front-panel Headphone Jack4. When the
headphone plug is connected, all speakers will be
silenced and DOLBY H:BP will scroll once
across the Lower Display Line ¯ , indicating that
the headphone output is in the Bypass mode, and
to confirm that no processing is being used. When
the headphone plug is removed, the audio feed
to the speakers will be restored.
• When the headphones are in use, you may take
advantage of the Dolby Headphone modes to bring
added spaciousness to headphone listening. Press
the Dolby Mode Select Button w or the
Surround Mode Group Selector 7 to cycle
through the three Dolby Headphone modes and
select the one that you prefer.
Surround Mode Selection
One of the most important features of the AVR 235
is its ability to reproduce a full multichannel surround
sound field from digital sources, analog matrix
surround-encoded programs and standard
stereo programs.
Selection of a surround mode is based on personal
taste, as well as the type of program source material
being used. For example, motion pictures or TV
programs bearing the logo of one of the major surround-encoding processes, such as Dolby Surround or
DTS Stereo, may be played in either the Dolby Digital,
Dolby Pro Logic II Cinema, Dolby Pro Logic IIx Cinema,
DTS Neo:6 Cinema or Logic 7 Cinema surround
modes, depending on the source material.
NOTE: Once a program has been encoded with matrix
surround information, it retains the surround information
as long as the program is broadcast in stereo. Thus,
movies with surround sound may be decoded via any of
the analog surround modes such as Dolby Pro Logic II
Movie, Logic 7 Cinema or DTS Neo:6 Cinema, when
they are broadcast via conventional TV stations, cable,
pay-TV and satellite transmission. In addition, a growing
number of made-for-television programs, sports broadcasts, radio dramas and music CDs are also recorded in
surround sound.
Even when a program is not listed as carrying intentional surround information, you may find that the Dolby
Pro Logic II, Logic 7 Enhanced or DTS Neo:6, VMAx
and the Hall or Theater modes often deliver enveloping
surround presentations through the use of the natural
information present in all stereo recordings.
Surround modes may be changed at any time by
using either the front panel or remote control. To
select a new surround mode from the front panel, first
press the Surround Mode Group Selector Button7 until the desired major surround mode group such
as Dolby, DTS or Logic 7 is selected. Next, press the
Surround Mode Selector Button 8 to choose the
specific individual surround mode.
To select a surround mode using the remote, press
the button for the major surround mode group that
includes the mode you wish to choose from: Dolby
w, DTS Surround x, DTS Neo:6 , Logic 7
y, Stereo or DSP Surround k. The first
press of the button will show the current mode from
that group if it is already in use, or the first available
mode if you are currently using another mode. To cycle
through the available modes in that group, press the
button again until the desired mode appears in the
Lower Display Line ¯, in the on-screen display and
in the Surround Mode Indicators ˘.
As the surround modes change, the appropriate
Surround Mode Indicator
which mode has been selected.
The Dolby Digital, Dolby Digital EX and DTS 5.1,
DTS-ES Matrix and DTS-ES Discrete modes may only
be selected when a digital input is in use. In addition,
when a digital source is present, the AVR 235 will
automatically select and switch to the correct mode,
regardless of the mode that has been previously
selected. For more information on selecting digital
sources, see the Digital Audio Playback section below.
The Dolby Pro Logic IIx modes are available only
when the AVR 235 has been configured for 6.1/7.1
operation by configuring the Surround Back speakers
as either “Large” or “Small” as described on page 21.
These modes provide a matrixed 6.1-channel presentation of analog sources. See page 27 for more information.
When the 6-channel/8-channel direct inputs are in
use there is no surround processing, as these inputs
take the analog output signals from an optional, external DVD-Audio or SACD player, or another source
device and carry them straight through to the volume
control without any further digital processing.
To listen to a program in traditional two-channel stereo,
using the front left and front right speakers only (plus
the subwoofer, if installed and configured), press the
Stereo Buttonuntil SURR OFF appears in the
Lower Display Line ¯, or press the Surround Mode
Group Selector 7 until the Stereo
the on-screen display and Lower Display Line ¯.
Next, press the Surround Mode Select Button 8
until SURROUND OFF appears in the on-screen
display and Lower Display Line ¯. The Surround
Off mode provides an analog bypass of the digital processing, including bass management. Scroll until
28
˘ will light to indicate
28
29
modes appear in
SURROUND OFF DSP appears if you require
bass management (usually used when the system
includes a separate subwoofer).
Digital Audio Playback
Digital audio is a major advancement over older analog
surround processing systems such as Dolby Pro Logic.
It delivers five (or six as of this writing) discrete channels:
left front, center, right front, left surround and right surround (or back surround, if it is a 6.1-channel format).
Each channel reproduces full frequency range (20Hz to
20kHz) and offers dramatically improved dynamic range
and significant improvements to signal-to-noise ratios. In
addition, digital systems have the capability to deliver an
additional channel that is specifically devoted to low-frequency information. This is the “.1” channel referred to
when you see these systems described as “5.1,” “6.1”
or “7.1.” The bass channel is separate from the other
channels, but since it is intentionally bandwidth-limited,
sound designers have given it that unique designation.
Dolby Digital
Dolby Digital is a standard part of DVD, and is available on specially encoded LD discs and satellite broadcasts and it is a part of the high-definition television
(HDTV) system.
An optional, external RF demodulator is required to
use the AVR 235 to listen to the Dolby Digital soundtracks available on laser discs. Connect the RF output
of the LD player to the demodulator and then connect
the digital output of the demodulator to the Optical orCoaxial Inputs *(ad of the AVR 235. No
demodulator is required for use with DVD players or
DTS-encoded laser discs.
DTS
DTS is another digital audio system that is capable of
delivering 5.1 or 6.1 discrete or matrix sound field
reproduction. Although both DTS and Dolby Digital are
digital, they use different methods of encoding the signals, and thus they require different decoding circuits
to convert the digital signals back to analog.
DTS-encoded soundtracks are available on select DVD
and LD discs, as well as on special audio-only DTS
discs. You may use any LD or CD player equipped
with a digital output to play DTS-encoded discs with
the AVR 235. All that is required is to connect the
player’s output to either an Optical or Coaxial Input
on the rear panel ad or front panel *(.
In order to listen to DVDs encoded with DTS soundtracks, the DVD player must be compatible with the
DTS signal as indicated by a DTS logo on the player’s
front panel. Early DVD players may not be able to play
DTS-encoded DVDs. This does not indicate a problem
(Continued on p. 28)
26OPERATION
18
AVR235 harman/kardon
OPERATION
Surround Mode Chart
MODEFEATURES
Dolby DigitalAvailable only with digital input sources encoded with Dolby Digital data. It provides up to five separate main audio channels and
Dolby Digital EXAvailable when the receiver is configured for 6.1/7.1-channel operation, Dolby Digital EX is the latest version of Dolby Digital. When used with
DTS 5.1When the speaker configuration is set for 5.1-channel operation, the DTS 5.1 mode is available when DVD, audio-only music or laser discs encoded
DTS-ES 6.1 MatrixWhen the speaker configuration is set for 6.1/7.1 operation, playback of a DTS-encoded program source will automatically trigger the selection
DTS-ES 6.1 Discreteof one of the two DTS-ES modes. Newer discs with special DTS-ES discrete encoding will be decoded to provide six discrete, full-bandwidth
Dolby Pro Logic IIDolby Pro Logic II is the latest version of Dolby Laboratory’s benchmark surround technology that decodes full-range, discrete left, center right,
Movieright surround and left surround channels from either matrix surround-encoded programs and conventional stereo sources when an analog input
Musicis in use. The Dolby Pro Logic II Movie mode is optimized for movie soundtracks, while the Pro Logic II Music mode should be used with
Pro Logicmusical selections. The Pro Logic mode activates original Pro Logic processing for those who prefer that presentation.
Logic 7 CinemaExclusive to Harman Kardon for A/V receivers, Logic 7 is an advanced mode that extracts the maximum surround information from either
Logic 7 Musicsurround-encoded programs or conventional stereo material. Depending on the number of speakers in use and the selection made in the
Logic 7 EnhanceSURROUND SELECT menu, the “5.1” versions of Logic 7 modes are available when the 5.1 option is chosen, while the “7.1” versions of
DTS Neo:6 CinemaThese two modes are available when any analog source is playing to create a six-channel surround presentation from conventional Matrix-encoded
DTS Neo:6 Musicand traditional Stereo sources. Select the Cinema version of Neo:6 when a program with any type of analog Matrix surround encoding is present.
Dolby Virtual SpeakerDolby Virtual Speaker uses advanced technology to simulate the sonic signature of a speaker location even when there is no speaker physically
TheaterThe Theater mode creates a sound field that resembles the acoustic feeling of a standard live-performance theater.
Hall 1, Hall 2The two Hall modes create sound fields that resemble a small (Hall 1) and medium-sized (Hall 2) concert hall.
VMAx NearWhen only the two front-channel loudspeakers are used, Harman’s patented VMAx mode delivers a three-dimensional sound space with the illusion
VMAx Farof “phantom speakers” at the center and surround positions. The VMAx N, or “Near Field,” mode should be selected when your listening position is
5-Channel StereoThis mode takes advantage of multiple speakers to place a stereo signal at both the front and back of a room. Depending on whether the AVR
7-Channel Stereohas been configured for either 5.1 or 6.1/7.1 operation, one of these modes, but not both, is available at any time. Ideal for playing music in
SurroundThis mode turns off all surround processing and presents the pure left- and right-channel presentation of two-channel stereo programs.
Off (Stereo)When SURROUND OFF is selected, the unit is in a “bypass” mode with no bass management. When SURROUND OFF+DSP
Dolby Headphone Dolby Headphone enables ordinary stereo headphones to portray the sound of a five-speaker surround-playback system. The DH1 mode creates a headphone
DH 1presentation that resembles a small, well-damped room and is appropriate for use with both movies and music-only recordings. The DH2 mode creates
DH 2a more acoustically live room particularly suited to music listening. The DH3 mode creates a larger room, more like a concert hall or movie theater.
DH 3The Bypass mode bypasses any Dolby Headphone processing.
For additional information on the specifics of surround modes and processing, information on Dolby modes may be found at www.dolby.com/Consumer/Technologies, and
information on DTS modes is available at www.dtsonline.com/home&car/overview.php.
a special dedicated low-frequency effects (LFE) channel.
movies or other programs that have special encoding, Dolby Digital EX reproduces specially encoded soundtracks so that a full 6.1/7.1 sound field is
available. When the receiver is set for 6.1/7.1 operation and a Dolby Digital signal is present, the EX mode is automatically selected. Even if specific
EX encoding is not available to provide the additional channel, the special algorithms will derive a 6.1/7.1 output.
with DTS data are played. DTS 5.1 provides up to five separate main audio channels and a special dedicated low-frequency channel.
channels plus a separate low-frequency channel. All other DTS discs will be decoded using the DTS-ES Matrix mode, which creates a 6.1-channel
sound field from the original 5.1-channel soundtrack.
Logic 7 produce a full sound field presentation, including back surround speakers when the “6.1/7.1” option is chosen. The Logic 7 C (or Cinema)
mode should be used with any source that contains Dolby Surround or similar matrix encoding. Logic 7 C delivers increased center-channel
intelligibility, and more accurate placement of sounds with fades and pans that are much smoother and more realistic than with other decoding
techniques. The Logic 7 M or Music mode should be used with analog or PCM stereo sources. Logic 7 M enhances the listening experience by
presenting a wider front soundstage and greater rear ambience. Both Logic 7 modes also direct low-frequency information to the subwoofer
(if installed and configured) to deliver maximum bass impact. The Logic 7 E (or Enhance) mode, available only when the 5.1 option is chosen,
is an extension of the Logic 7 mode that is primarily used with musical programs. Logic 7 adds additional bass enhancement that circulates low
frequencies in the 40Hz to 120Hz range to the front and surround speakers to deliver a less localized soundstage that appears broader and wider
than when the subwoofer is the sole source of bass energy.
Select the Music version of Neo:6 for optimal processing when a nonencoded, two-channel stereo program is being played.
present in that location. The Reference (“REF”) mode activates any missing speakers to simulate a 5.1 presentation with accurate localization.
The Wide mode virtualizes the locations of the front-channel speakers to create a wider image and a more enveloping sound field. It is available no
matter how many speakers are present.
less than five feet from the speakers. The VMAx F, or “Far Field,” mode should be selected when your listening position is greater than five feet from
the speakers. The VMAx modes are also available using the Headphones Output 4. When headphones are being used, the Far Field mode will
appear to push the sound field away from your ears, reducing the “inside the head” sensation often experienced when using headphones.
situations such as a party, it places the same signal at the front-left and surround-left, and front-right and surround-right speakers.
The center channel is fed a summed mono mix of the in-phase material of the left and right channels.
is selected, the signal is digitized and bass management settings are applied.
OPERATION 27
19
AVR235 harman/kardon
OPERATION
with the AVR 235, as some players cannot pass the
DTS signal through to the digital outputs. If you are in
doubt as to the capability of your DVD player to handle
DTS discs, consult the player’s owner’s manual.
IMPORTANT NOTE: Many DVD players have a default
setting that does not pass through the DTS data, even
though the machine is capable of doing so. If your
DVD player has the “DTS Digital Out” logo but does
not trigger DTS playback in the AVR 235, change the
player’s settings in the “Audio” or “Bitstream"” configuration menu so that DTS playback is enabled. The
method for doing this will vary with each player. In
some cases, the proper menu choice will be “Original,”
while in others it will be “DTS.” Consult the owner’s
manual for your player to find the specific information
to find the proper setting.
Selecting a Digital Source
To utilize either digital mode, you must have properly
connected a digital source to the AVR 235. Connect
the digital outputs from DVD players, HDTV receivers,
satellite systems or CD players to the Optical orCoaxial Inputs *(ad. In order to provide a
backup signal and a source for analog stereo recording,
the analog outputs provided on digital source equipment
should also be connected to their appropriate inputs on
the AVR 235 rear panel (e.g., connect the analog stereo
audio output from a DVD to the DVD Audio Inputs k
on the rear panel when you connect the source’s
digital outputs).
If you have not already configured an input for a digital
source using the on-screen menus as shown on
pages 17–18, first select the input using the remote
or front-panel controls, as outlined in this manual.
Next, select the digital source by pressing the
Digital Select Button q# and then using the
⁄/¤
Buttons n on the remote or the‹/
Selector Buttons ) on the front panel to
any of the OPTICAL or COAXIAL
they appear in the Upper Display Line ˜ or onscreen display. When the digital source is playing, the
AVR 235 will automatically detect which type of digital
data stream is being decoded and display that information in the Upper Display Line ˜.
Digital Bitstream Indications
When a digital source is playing, the AVR 235 senses
the type of bitstream data that is present. Using this
information, the correct surround mode will automatically be selected. For example, DTS bitstreams will
cause the unit to switch to DTS decoding, and Dolby
Digital bitstreams will enable Dolby Digital decoding.
When the unit senses PCM data from CDs or LDs, you
may select any of the standard surround modes, such
as Dolby Pro Logic II or Logic 7. Since the range of
available surround modes is dependent on the type of
digital data that is present, the AVR 235 uses a variety
›
choose
inputs, as
of indicators to let you know what type of signal is
present. This will help you to understand the choice
of modes.
When a digital source is playing, the AVR 235 will display a variety of messages to indicate the type of bitstream being received. These messages will appear
shortly after an input or surround mode is changed,
and they will remain in the Lower Display Line ¯
for about five seconds before that portion of the display returns to the normal surround mode indication.
Surround Mode Types
For Dolby Digital and DTS sources, a three-digit
indication will appear, showing the number of channels
present in the data. An example of this type of display
is 3/2/.1.
The first number indicates how many discrete frontchannel signals are present.
• A “3” tells you that separate front left, center and
front right signals are available. This will be displayed
for Dolby Digital 5.1 and DTS 5.1 programs.
• A “2” tells you that separate front left and right signals are available, but there is no discrete center
channel signal. This will be displayed for Dolby
Digital bitstreams that have stereo program material.
• A “1” tells you that there is only a mono channel
available in the Dolby Digital bitstream.
The middle number indicates how many discrete surround channel signals are present.
• A “2” tells you that separate surround left and right
signals are available. This will be displayed for Dolby
Digital 5.1 and DTS 5.1 programs.
• A “1” tells you that there is only a single, surroundencoded surround channel. This will appear for
Dolby Digital bitstreams that have matrix encoding.
• A “0” indicates that there is no surround channel
information. This will be displayed for two-channel
stereo programs.
The last number indicates whether there is a discrete
low-frequency effects (LFE) channel. This is the “.1” in
the common abbreviation of “5.1” sound and it is a
special channel that contains only bass frequencies.
• A “.1” tells you that an LFE channel is present. This
will be displayed for Dolby Digital 5.1 and DTS 5.1
programs, as available.
• A “0” indicates that there is no LFE channel information available. However, even when there is no
dedicated LFE channel, low-frequency sound will be
present at the subwoofer output when the speaker
configuration is set to show the presence of a
subwoofer.
The information in the right side of the display will
tell you if the digital audio data contains a special
flag signal that will automatically activate the appropriate 6.1 mode. This will be shown as EX-ON
or EX-OFF for Dolby Digital bitstreams, and
ES-ON or ES-OFF for DTS bitstreams.
An UNLOCK message may appear in the LowerDisplay Line ¯. This is your indication that the digital audio data stream has been interrupted or is no
longer present. When that occurs, the unit's digital signal processor has no signal to lock onto, and is thus
“unlocked.” You may see this message when a DVD is
first started until the stream is playing and the processor determines which mode to apply; or any time the
data stream is stopped or paused, such as when the
menus of some discs are displayed or when the player
is switching between the different sections of a disc.
You may also see the message when a satellite
receiver, cable set-top or HDTV tuner is in use if the
digital audio is temporarily interrupted when channels
are changed or when a cable box switches from a
channel with a digital data stream to a channel with
analog audio only. The UNLOCK message is normal, and does not indicate any problem with your
receiver. Rather, it tells you that the incoming data has
simply been paused or is not present for a variety of
possible reasons.
When Dolby Digital 3/2/.1 or DTS 3/2/.1 signals are
being played, the AVR will automatically switch to the
proper surround mode, and no other processing may
be selected. When a Dolby Digital signal with a 3/1/0
or 2/0/0 signal is detected, you may select any of the
Dolby surround modes.
It is always a good idea to check the readout for the
channel data to make certain that it matches the audio
logo information shown on the back of a DVD package. In some cases, you will see an indication for
“2/0/0” even when the disc contains a full 5.1, or
3/2/.1, signal. When this happens, check the audio
output settings for your DVD player or the audio menu
selections for the specific disc being played to make
certain that the player is sending the correct signal
to the AVR.
PCM Playback Indications
PCM is the abbreviation for Pulse Code Modulation,
which is the type of digital signal used for standard CD
playback, and other non-Dolby Digital and non-DTS
digital sources such as Mini-Disc. When a PCM signal
is detected, the Lower Display Line ¯ will briefly
show a message with the letters PCM, in addition to a
readout of the sampling frequency of the digital signal.
In most cases, this will be 48kHz, though in the
case of specially mastered, high-resolution audio
discs, you will see a 96kHz indication.
28 OPERATION
20
AVR235 harman/kardon
OPERATION
Speaker/Channel Indicators
In addition to the bitstream indicators, the AVR 235
features a set of unique channel-input indicators that
tell you how many channels of digital information are
being received and/or whether the digital signal is
interrupted (see Figure 9).
Figure 9
These indicators are the L/C/R/LFE/SL/SR/SBL/SBR
letters that are inside the center boxes of the Speaker/Channel Input Indicators ˆ on the front panel.
When a standard analog signal is in use, only the “L”
and “R” indicators will light, as
left and right channels.
Digital signals, however, may have two, five, six or
seven channels, depending on the program material,
the method of transmission and the way in which it
was encoded. When a digital signal is playing, the letters in these indicators will light in response to the
specific signal being received. It is important to note
that although Dolby Digital, for example, is referred
to as a “5.1” system, not all Dolby Digital DVDs or
programs are encoded for 5.1. Thus, it is sometimes
normal for a DVD with a Dolby Digital soundtrack to
trigger only the “L” and “R” indicators.
NOTE: Many DVD discs are recorded with both “5.1”
and “2.0” versions of the same soundtrack. When
playing a DVD, always be certain to check the type of
material on the disc. Most discs show this information
in the form of a listing or icon on the back of the disc
jacket. When a disc does offer multiple soundtrack
choices, you may have to make some adjustments to
your DVD player (usually with the “Audio Select” button
or in a menu screen on the disc) to send a full 5.1
feed to the AVR 235. It is also possible for the type of
signal feed to change during the course of a DVD
playback. In some cases, the previews of special
material will only be recorded in 2.0 audio, while the
main feature is available in 5.1 audio. The AVR 235
will automatically sense changes to the bitstream and
channel count and reflect them in these indicators.
The letters used by the Speaker/Channel InputIndicators ˆ also flash to indicate when a bitstream
has been interrupted. This will happen when a digital
input source is selected before the playback starts, or
when a digital source such as a DVD is paused. The
UNLOCK message will also appear on-screen and
in the Lower Display Line ¯. The UNLOCK
analog signals have only
message will also appear on screen and in the LowerDisplay Line ¯. The flashing indicators remind you
that the playback has stopped due to the absence
of a digital signal and not through any fault of the
AVR 235. This is normal, and the digital playback will
resume once the playback is started again.
Night Mode
A special feature of Dolby Digital is the Night mode,
which enables specially encoded Dolby Digital input
sources to be played back with full digital intelligibility
while reducing the minimum peak level by 1/4 to 1/3.
This prevents abruptly loud transitions from disturbing
others, without reducing the impact of the digital
source. The Night mode is available only when Dolby
Digital signals with special data are being played.
The Night mode may be engaged when a Dolby
Digital DVD is playing by pressing the Night Mode
Button l on the remote. Next, press the
Buttons n to select either the middle range or
full-compression versions of the Night mode. To turn
the Night mode off, press the
until the message in the lower third of the video display and in the Lower Display Line ¯ reads
D-RANGE OFF.
The Night mode may also be selected to always be on
at either level of compression using the options in the
DOLBY menu. See page 19 for information on
using the menus to set this option.
IMPORTANT NOTES ON DIGITAL PLAYBACK:
• When the digital playback source is stopped, or
in a pause, fast forward or chapter search mode,
the digital audio data will momentarily stop, and
the channel position letters inside the Speaker/Channel Input Indicators ˆ will flash. The
UNLOCK message will also appear on-screen
and in the Lower Display Line ¯. This is normal
and does not indicate a problem with either the
AVR 235 or the source machine. The AVR 235
will return to digital playback as soon as the data
is available and when the machine is in a standard
play mode.
• Although the AVR 235 will decode virtually all current
DVD movies, CDs and HDTV sources, it is possible
that some future digital sources may not be compatible with the AVR 235.
• Not all digitally encoded programs contain full 5.1or 6.1-channel audio. Consult the program guide
that accompanies the DVD or laser disc to determine which type of audio has been recorded on the
disc. The AVR 235 will automatically sense the type
of digital surround encoding used and adjust to
accommodate it.
⁄/¤
⁄/¤
Buttons n
• When a digital source is playing, you may not be
able to select some of the analog surround modes
such as Dolby Pro Logic II, Dolby 3, Stereo, Hall,
Theater or Logic 7.
• When a Dolby Digital or DTS source is playing,
it is not possible to make an analog recording using
the Tape Outputs ™ and Video 1 or Video 2Audio Outputs. However, the digital signals
will be passed through to the Digital Audio
Outputs ‡°.
PCM Audio Playback
PCM (Pulse Code Modulation) is the noncompressed
digital audio system used for compact discs and laser
discs. The digital circuits in the AVR 235 are capable of
high-quality digital-to-analog decoding, and they may
be connected directly to the digital audio output of your
CD or LD player.
Connections may be made to either the rear-panel
Optical or Coaxial Inputs ad or the front-panel
Digital Inputs *(.
To listen to a PCM digital source, first select the input for
the desired source (e.g., CD). Next press the Digital
Select Button #q and then use the
Buttons n on the remote, or the‹/›Selector
Buttons ) on the front panel, until the desired choice
appears in the Upper Display Line ˜.
During PCM playback, you may select any Surround
mode except Dolby Digital or DTS.
32
34
⁄/¤
Tuner Operation
The AVR 235’s tuner is capable of tuning AM, FM and
FM Stereo broadcast stations. Stations may be tuned
manually, or they may be stored as favorite station presets and recalled from a 30-position memory.
Station Selection
1. Press the AM/FM Tuner Select Button g on
the remote to select the tuner as an input. The
tuner may be selected from the front panel by
either pressing the Input Source Selector ^
until the tuner is active or by pressing the AM/FMBand Selector !.
2. Press the AM/FM Tuner Select Button g or
AM/FM Band Selector ! again to switch
between AM and FM so that the desired frequency
band is selected.
3. Press the Tuner Mode Button&s to select
manual or automatic tuning.
When the button is pressed so that AUTO
appears in the Lower Display Line ¯ each
press of the Tuning Selectors 9u will put the
tuner in a scan mode that seeks the next higher or
OPERATION 29OPERATION 29
21
AVR235 harman/kardon
OPERATION
OPERATION
lower frequency station with acceptable signal
strength. An AUTO ST TUNED indication
will momentarily appear when the station stops
at a stereo FM station, and an AUTO TUNED
indication will momentarily appear when an AM
or monaural FM station is tuned. Press the Tuning
buttons again to scan to the next receivable station.
When the button is pressed so that MANUAL
appears in the Lower Display Line ¯ each tap
of the Selector will increase or decrease the frequency by one increment. When the tuner receives
a strong enough signal for adequate reception,
MANUAL TUNED will appear in the Lower
Display Line ¯.
4. Stations may also be tuned directly in either the
automatic or manual mode. To enter a station’s frequency directly, first select the AM or FM band as
desired be pressing the AM/FM Tuner Select
Button g!. Next, press the Direct Button
t. Within five seconds of when DIRECT
IN scrolls in the Upper Display Line ˜, enter
the station frequency by pressing the NumericKeys r. If you press an incorrect button while
entering a direct frequency, press the Clear Button
to start over.
35
NOTE: When the FM reception of a station is weak,
audio quality will be increased by switching to Mono
mode by pressing the Tuner Mode Button&s
so that MANUAL appears momentarily in the
Lower Display Line ¯ and then goes out. This
will also activate manual tuning mode.
Preset Tuning
Using the remote, up to 30 stations may be stored in
the AVR 235’s memory for easy recall using the frontpanel controls or the remote.
To enter a station into the memory, first tune the station using the steps outlined above. Then:
1. Press the Memory Buttonon the remote.
48
The two underscore lines will appear at the far right
side of the Upper Display Line ˜.
2. Within five seconds, press the Numeric Keys r
corresponding to the location where you wish to
store this station’s frequency. Once entered, the
preset number will appear in the Upper DisplayLine ˜.
3. Repeat the process after tuning any additional stations to be preset.
Recalling Preset Stations
• To manually select a station previously entered in
the preset memory, press the Numeric Keys r
that correspond to the desired station’s memory
location.
• To manually tune through the list of stored preset
stations one by one, press the Preset StationsSelector Buttons $on the front panel or
34
remote.
Recording
In normal operation, the audio or video source
selected for listening through the AVR 235 is sent to
the record outputs. This means that any program you
are watching or listening to may be recorded simply
by placing machines connected to the Tape Outputs
™ or Video 1/Video 2 Audio and Video Outputs
ehin the Record mode.
32
34
When a digital audio recorder is connected to the
Digital Audio Outputs ‡°, you are able to record
the digital signal using a CD-R, MiniDisc or other digital
recording system.
NOTES:
• The digital outputs are active only when a digital signal is present, and they do not convert an analog
input to a digital signal, or change the format of the
digital signal. In addition, the digital recorder must
be compatible with the output signal. For example,
the PCM digital input from a CD player may be
recorded on a CD-R or MiniDisc, but Dolby Digital
or DTS signals may not.
• Please make certain that you are aware of any
copyright restrictions on any material you copy.
Unauthorized duplication of copyrighted materials
is prohibited by federal law.
Output Level Trim Adjustment
Normal output level adjustment for the AVR 235 is
established using the test tone, as outlined on pages
23–24. In some cases, however, it may be desirable to
adjust the output levels using program material such as
a test disc, or a selection you are familiar with. Additionally,
the output level for the subwoofer can only be adjusted
using this procedure.
To adjust the output levels using program material, first
set the reference volume for the front left and front right
channels using the Volume Control Ù
If you are using a disc with test signals or an external
signal generator as the source from which to trim the
output levels, you may use the EzSet feature of the
remote to guide you to the correct SPL level. To use
the remote for this purpose, press and quickly release
the SPL Selector Buttonto activate the sensor.
40
While the test tone is circulating, the Program/SPL
Indicator c will change color to indicate the level.
38
î
.
Adjust the level using the
⁄/¤
Buttonsnuntil
the LED lights green for all channels. When it is red,
the level is too high; when it is amber, the level is too
low. Press the SPL Selector Buttonto turn the
40
sensor and indicator off.
If you prefer, you may use a handheld SPL meter to
guide you to the correct SPL levels. Set the meter to
the C-Weighting Slow scale, and adjust the volume
until the meter reads 75dB.
Once the reference level has been set, press the
Channel Select Buttonmand FRONT L
LEV will appear in the Lower Display Line ¯.
To change the level, first press the Set Button p,
and then use the
⁄/¤
Buttonsnto raise or
lower the level. DO NOT use the volume control,
as this will alter the reference setting.
Once the change has been made, press the Set
Button p and then press the
⁄/¤
Buttons
n
to select the next output channel location that you
wish to adjust. To adjust the subwoofer level, press
⁄/¤
the
Buttonsnuntil WOOFER LEV
appears in the Lower Display Line ¯.
Repeat the procedure as needed until all channels
requiring adjustment have been set. When all adjustments have been made and no further adjustments
are made for five seconds, the AVR 235 will return
to normal operation.
The channel output for any input may also be adjusted
using the full-OSD on-screen menu system. First, set
the volume to a comfortable listening level using the
Volume Control Ù. Then, press the OSD
38
Button v to bring up the MASTER MENU
(Figure 1). Press the
›
screen
cursor is next to the CHANNEL
¤
Button n until the on-
ADJUST line. Press the Set Button p to
activate the CHANNEL ADJUST menu.
Once the menu appears on your video screen, first
⁄/¤
use the
›
cursor so that it is next to the TEST TONE
line. Press the
Buttons n to move the on-screen
‹/›
Buttons o so that OFF
appears. This will turn off the test tone and allow you
to use your external test disc or other source material
as the reference. Then, use the
⁄/¤
Buttons n
to select the channels to be adjusted. At each channel
position, use the
‹/›
Buttons o to change the out-
put level. Remember, the goal is to have the output
level at each channel equal when heard at the listening
position.
If you wish to reset all the levels to their original
factory default of 0dB offset, press the
⁄/¤
Buttons
n so that the on-screen cursor is next to the
CHANNEL RESET line and press the
Buttons o so that the word ON appears.
‹/›
After the
30OPERATION
22
AVR235 harman/kardon
OPERATION
levels are reset, resume the procedure outlined above
to reset the levels to the desired settings. When all
adjustments are done, press the
to move the on-screen
BACK TO MASTER MENU and then press
the Set Button p if you wish to go back to the
main menu to make other adjustments. If you have no
other adjustments to make, press the OSD Buttonv to exit the menu system.
NOTE: The output levels may be separately trimmed for
each digital and analog surround mode. If you wish to
have different trim levels for a specific mode, select that
mode and then follow the instructions in the steps
shown earlier.
Memory Backup
This product is equipped with a memory backup system that preserves the system configuration information
and tuner presets if the unit is accidentally unplugged
or subjected to a power outage. This memory will last
for approximately four weeks, after which time all information must be reentered.
⁄/¤
›
cursor so that it is next to
Buttons
n
OPERATION 31OPERATION 31
23
AVR235 harman/kardon
TROUBLESHOOTING GUIDE
TROUBLESHOOTING GUIDE
SYMPTOMCAUSESOLUTION
Unit does not function when Main• No AC power• Make certain AC power cord is plugged into
Power Switch is pusheda live outlet.
• Check to see whether outlet is switch-controlled.
Display lights, but no sound• Intermittent input connections• Make certain that all input and speaker connections
or pictureare secure.
• Mute is on• Press Mute Button
• Volume control is down• Turn up volume control.
Unit turns on, but front-panel • Display brightness is turned off• Follow the instructions in the Display Brightness section
display does not light upon page 32 so that the display is set to VFD FULL.
No sound from any speaker;• Amplifier is in protection mode • Check speaker wire connections for shorts at receiver and
light around power switch is reddue to possible shortspeaker ends.
• Amplifier is in protection mode • Contact your local Harman Kardon service center.
due to internal problems
No sound from surround or• Incorrect surround mode• Select a mode other than Stereo.
center speakers• Input is monaural• There is no surround information from mono sources.
• Stereo or Mono program material• The surround decoder may not create center- or rear-channel
information from nonencoded programs.
42
.
Unit does not respond to• Weak batteries in remote• Change remote batteries.
remote commands• Wrong device selected• Press the AVR selector.
• Remote sensor is obscured• Make certain front-panel sensor is visible to remote,
or connect remote sensor.
Intermittent buzzing in tuner• Local interference• Move unit or antenna away from computers, fluorescent
lights, motors or other electrical appliances.
Letters flash in the channel indicator• Digital audio feed paused• Resume play for DVD.
display and digital audio stops• Check that Digital Input is selected.
Fan does not appear to operate• Additional cooling may not be required• The fan is activated only when additional cooling is required due to
high internal temperature. It is normal for the fan to be inactive at
normal volume levels.
In addition to the items shown above, additional information on troubleshooting possible problems with your AVR 235, or installation-related issues, may be found in the list of
“Frequently Asked Questions” which is located in the Product Support section of our Web site at www.harmankardon.com.
Processor Reset
In the rare case in which the unit’s operation or the displays seem abnormal, the cause may involve the erratic
operation of the system’s memory or microprocessor.
To correct this problem, first unplug the unit from the
AC wall outlet and wait at least three minutes. After the
pause, reconnect the AC power cord and check the
unit’s operation. If the system still malfunctions, a system reset may clear the problem.
To clear the AVR 235’s entire system memory including tuner presets, output level settings, delay times and
speaker configuration data, press and hold the ToneMode Button 5 buttons for three seconds. The unit
will turn on automatically.
NOTE: Resetting the processor will erase any configuration settings you have made for speakers, output
levels, surround modes and digital input assignments,
as well as the tuner presets. The unit will be returned
to the factory presets, and all settings for these items
must be reentered.
If the system is still operating incorrectly, there may
have been an electronic discharge or severe AC line
interference that has corrupted the memory or
microprocessor.
If these steps do not solve the problem, consult an
authorized Harman Kardon service center.
50 TROUBLESHOOTING GUIDE
24
AVR235 harman/kardon
DISASSEMBLY
1. Removing the Top Cabinet
Remove the Screws
4
5
AVR235
3. Removing the Rear Panel
13
1
~
10
9
11
6
7
8
12
13
3
1
2
Remove the Screws
10
11
12
13
14
15
16
17
18
26
27
28
8
9
3029
36
1
~
576432 1
32313334
19
20 21
35 36
22
2523 24
4. Removing the Main PCB
18
Remove the Screws
~
2. Removing the Front Panel
9
8
7
6
5
4
Remove the Screws
1
2
3
19
~
1
5
2
6
3
4
8
7
25
AVR235 harman/kardon
DISASSEMBLY PROCEDURES(AVR235)
I TOP-COVER (21) REMOVAL
1. Remove 13 screws (S1,S7) and then remove the Top-cover.
II FRONT PANEL ASS’Y REMOVAL
1. Remove the Top-cover, referring to the previous step1.
2. Disconnect the lead wire (BN72-32p)) on the Fip PCB (37-1) from connector (CN72) on the Input PCB (39-1)
3. Disconnect the lead wire (BN80-11P) on the Fip PCB (37-1) from connector (CN80) on the Main PCB (38-1).
4. Disconnect the lead wire (BN16-8P,BN10-4P) on the Tone PCB (37-3) from connector (CN16,CN10) on the Connect
PCB (37-7).
5. Disconnect the lead wire (BN41-6P) on the Tone PCB (37-3) from connector (CN41) on the Video PCB (40-1).
6. Disconnect the lead wire (BN18-5P) on the Digital input PCB (37-8) from connector (CN18) on the Input PCB (39-1).
7. Disconnect the lead wire (BN81-8P) on the Fip PCB (37-1) from connector (CN81) on the Trans PCB (40-5).
8. Disconnect the lead wire (BN15-6P) on the Fip PCB (37-1) from connector (CN15) on the Download PCB (37-9).
9. Remove 1 screw (S10) and then lead wire (JW82-2P) on the Phone PCB (37-4).
10. Remove 1screw (S10) and then lead wire (JW84-1P) on the Tone PCB (37-3)
11. Remove 10 screws (S1) and then remove the Front Panel ASS’Y.
III TONE PCB (37-3) REMOVAL
1. Remove the Top-cover, referring to the previous step1.
2. Remove the Front Panel ASS’Y, referring to the previous step2.
3. Pull out the Volume Knob ASS’Y & 3 Rotary Knobs (5).
4. Remove 10 screws (S2,S14), and then remove the Tone PCB (37-3).
5. Disconnect the lead wire (BN84-5P,BN90-2P) One the Tone PCB (37-3) from connector (CN84,CN90) on the
Fip PCB (37-1)
6. Disconnect the lead wire (BN87-6P) One the Tone PCB (37-3) from connector (CN87) on the Phone PCB (37-4)
IV PHONE PCB (37-4) REMOVAL
1. Remove the Top-cover, referring to the previous step1.
2. Remove the Front Panel ASS’Y, referring to the previous step2.
3. Disconnect the lead wire (BN87-6P) One the Tone PCB (37-3) from connector (CN87) on the Phone PCB (37-4)
4. Disconnect the lead wire (BN85-2P) One the Fip PCB (37-1) from connector (CN85) on the Phone PCB (37-4)
5. Remove 2 screws (S2,S3) and then remove the Phone PCB (37-4)
.
V POWER LED PCB (37-6) REMOVAL
1. Remove the Top-cover, referring to the previous step1.
2. Remove the Front Panel ASS’Y, referring to the previous step2.
3. Remove 2 screws (S2) and then remove the Power led PCB (37-6).
4. Disconnect the lead wire (BN88-4P) from connector (CN88) on the Fip PCB (37-1).
VI FIP PCB (37-1) REMOVAL
1. Remove the Top-cover, referring to the previous step1.
2. Remove the Front Panel ASS’Y, referring to the previous step2.
3. Remove the Tone PCB (37-3), referring to the previous step3.
4. Remove the Phone PCB (37-4), referring to the previous step4.
5. Remove the Power led PCB (37-6), referring to the previous step5.
6. Remove 6 screws (S2) and then remove the Fip PCB (37-1)
26
AVR235 harman/kardon
VII TUNER MODULE(41) REMOVAL
1. Remove the Top-cover, referring to the previous step1.
2. Disconnect the connector (CON1-Card cable) from connector (CN13) on the Input PCB ASS’Y (39-1).
3. Remove 2 screws (S8) and then remove the Tuner Module (40).
VIII VIDEO PCB (40-1) REMOVAL
1. Remove the Top-cover, referring to the previous step1.
2. Disconnect the lead wire (BN41-6P) on the Tone PCB (37-3) from connector (CN41) on the Video PCB (40-1
3. Disconnect the connector (CN15-Card cable) on the Input PCB (39-1) from connector (CN43) on the Video PCB
(40-1).
4. Remove 6 screws (S8) and then remove the Video PCB (39-2).
IX INPUT PCB (39-1,39-2) REMOVAL
1. Remove the Top-cover, referring to the previous step1.
2. Remove the Connect PCB (37-7).
3. Disconnect the lead wire (BN18-5P) on the Digital input PCB (37-8) from connector (CN18) on the Input PCB (39-1).
4. Disconnect the connect (BN72-Card cable) on the Fip PCB (37-1) from connector (CN72) on the Input PCB (39-1)
5. Remove 13 screws (S8,S11) and then remove the Input PCB (39-1).
X Download PCB (37-9) REMOVAL
1. Remove the Top-cover, referring to the previous step1.
2. Disconnect the connector (CN15) from lead wire (BN15-6P) on the Fip PCB (37-2)
3. Remove 2 screws (S4) and then remove the Download PCB (37-9).
XI POWER TRANS(31) REMOVAL
1. Remove the Top-cover, referring to the previous step1.
2. Disconnect the connector (BN20,BN96) on the Trans PCB (40-4) from lead wire (CN20-3P,CN96-6P) on the
Main PCB (38-1).
3. Remove 4 Trans screws(S9) and then remove the Power Trans(36).
XII MAIN PCB ASS’Y(38-1) REMOVAL
1. Remove the Top-cover, referring to the previous step1.
2. Remove the Tuner module, referring to the previous step7.
3. Remove the Video PCB, referring to the previous step8.
4. Remove the Input PCB, referring to the previous step9.
5. Disconnect the connector (CN80) from lead wire (CN80-11P) on the Fip PCB (37-1).
6. Disconnect the connector (CN86) from lead wire (CN86-2P) on the Moms PCB (37-5).
7. Disconnect the connector (CN20,BN96) from lead wire (CN20-3P,BN96-8P) on the Trans PCB (40-4,40-5)
8. Remove 11screws (S1-1EA, S4-2EA, S6-2EA, S8-6EA) and then remove the Main PCB ASS’Y (38-1).
Subject: Backup Memory on AVR/DPR/HK series receivers
In the event of the complaint: “the receiver is losing its memory (any programmed system settings)
when the unit is turned off, or after the unit is unplugged (briefly*)”:
Check and replace:
Model Designator Location Description Part number
AVR10
AVR7000 C730 Front PCB 0.047 Farad 5.5v capacitor
HK3375/3475 C301 Front PCB 0.1Farad 5.5v capacitor # CEGT-B104J-0J0
HK3250
* After approximately two weeks of being disconnected from AC supply, even a normally functioning receiver may lose
any programmed settings and switch to default settings. (Four weeks for the DPR1005 & 2005)
C712
D709
C216 Front PCB 0.047 Farad 5.5v capacitor # 55134360