Casio CTK810, WK110 User Manual

USER’S GUIDE
GUÍA DEL USUARIO

ES

CTK810/WK110ES1A

GUIDELINES LAID DOWN BY FCC RULES FOR USE OF THE UNIT IN THE U.S.A. (not applicable to other areas).

NOTICE

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15
of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a
residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed
and used in accordance with the instructions, may cause harmful interference to radio communications. However,
there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful
interference to radio or television reception, which can be determined by turning the equipment off and on, the user
is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

• Consult the dealer or an experienced radio/TV technician for help.

FCC WARNING

Changes or modifications not expressly approved by the party responsible for compliance could void the user’s
authority to operate the equipment.

Declaration of Conformity

Model Number: CTK-810/WK-110
Trade Name: CASIO COMPUTER CO., LTD.
Responsible party: CASIO, INC.
Address: 570 MT. PLEASANT AVENUE, DOVER, NEW JERSEY 07801
Telephone number: 973-361-5400
This device complies with Part 15 of the FCC Rules, Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and (2) this device must accept any interference received,
including interference that may cause undesired operation.

Important!

Please note the following important information before using this product.

• Before using the optional AD-5 Adaptor to power the unit, be sure to check the AC Adaptor
for any damage first. Carefully check the power cord for breakage, cuts, exposed wire and
other serious damage. Never let children use an AC adaptor that is seriously damaged.

• Never attempt to recharge batteries.

• Do not use rechargeable batteries.

• Never mix old batteries with new ones.

• Use recommended batteries or equivalent types.

• Always make sure that positive (+) and negative (–) poles are facing correctly as indicated
near the battery compartment.

• Replace batteries as soon as possible after any sign they are getting weak.

• Do not short-circuit the battery terminals.

• The product is not intended for children under 3 years.

• Use only CASIO AD-5 adaptor.

• The AC adaptor is not a toy.

• Be sure to disconnect the AC adaptor before cleaning the product.

This mark applies in EU countries only.

CASIO Europe GmbH
Bornbarch 10, 22848 Norderstedt, Germany

Safety Precautions

Congratulations on your selection of the CASIO
electronic musical instrument.

• Before using the instrument, be sure to carefully
read through the instructions contained in this
manual.

• Please keep all information for future reference.

Symbols

Various symbols are used in this user’s guide and on
the product itself to ensure that the product is used
safely and correctly, and to prevent injury to the user
and other persons as well as damage to property.
Those symbols along with their meanings are shown
below.

DANGER

This symbol indicates information that, if ignored
or applied incorrectly, creates the danger of death
or serious personal injury.

WARNING

This indication stipulates matters that have the risk
of causing death or serious injury if the product is
operated incorrectly while ignoring this indication.

Symbol Examples

This triangle symbol ( ) means that the
user should be careful. (The example at
left indicates electrical shock caution.)

This circle with a line through it (
means that the indicated action must not
be performed. Indications within or
nearby this symbol are specifically
prohibited. (The example at left indicates
that disassembly is prohibited.)

The black dot (
indicated action must be performed.
Indications within this symbol are actions
that are specifically instructed to be
performed. (The example at left indicates
that the power plug must be unplugged
from the electrical socket.)

)

) means that the

CAUTION

This indication stipulates matters that have the risk
of causing injury as well as matters for which there
is the likelihood of occurrence of physical damage
only if the product is operated incorrectly while
ignoring this indication.

E-1

Safety Precautions

DANGER

Alkaline Batteries

Perform the following steps immediately if
fluid leaking from alkaline batteries ever
gets into your eyes.

1. Do not rub your eyes! Rinse them with
water.

2. Contact your physician immediately.

Leaving alkaline battery fluid in your eyes
can lead to loss of sight.

WARNING

Smoke, Strange Odor, Overheating

Continued use of the product while it is
emitting smoke, a strange odor, or heat
creates the risk of fire and electric shock.
Take the following steps immediately.

1. Turn off power.

2. If you are using the AC adaptor for
power, unplug it from the wall outlet.

3. Contact your original retailer or an
authorized CASIO Service Provider.

AC Adaptor

● Misuse of the AC adaptor creates the
risk of fire and electric shock. Always
make sure you observe the following
precautions.

• Be sure to use only the AC adaptor

that is specified for this product.

• Use only a power source whose

voltage is within the rating marked on
the AC adaptor.

• Do not overload electrical outlets and

extension cords.

● Misuse of the AC adaptor’s electric cord
can damage or break it, creating the risk
of fire and electric shock. Always make
sure you observe the following
precautions.

• Never place heavy objects on the cord

or subject it to heat.

• Never try to modify the cord or subject

it to excessive bending.

• Never twist or stretch the cord.

• Should the electric cord or plug

become damaged, contact your
original retailer or authorized CASIO
Service Provider.

● Never touch the AC adaptor while your
hands are wet.
Doing so creates the risk of electric shock.

● Use the AC adaptor where it will not be
splashed with water. Water creates the
risk of fire and electric shock.

● Do not place a vase or any other container
filled with liquid on top of the AC
adaptor. Water creates the risk of fire
and electric shock.

Batteries

Misuse of batteries can cause them to leak,
resulting in damage to nearby objects, or to
explode, creating the risk of fire and
personal injury. Always make sure you
observe the following precautions.

• Never try to take batteries apart or allow
them to become shorted.

• Never expose batteries to heat or dispose
of them by incineration.

• Never mix old batteries with new ones.

• Never mix batteries of different types.

• Do not charge the batteries.

• Make sure the positive (+) and negative
(–) ends of the batteries are facing
correctly.

Do not incinerate the product.

Never throw the product into fire.
Doing so can cause it to explode, creating
the risk of fire and personal injury.

Water and Foreign Matter

Water, other liquids, and foreign matter
(such as pieces of metal) getting into the
product create the risk of fire and electric
shock. Take the following steps
immediately.

1. Turn off power.

2. If you are using the AC adaptor for
power, unplug it from the wall outlet.

3. Contact your original retailer or an
authorized CASIO Service Provider.

Disassembly and Modification

Never try to take this product apart or
modify it in any way. Doing so creates the
risk of electric shock, burn injury, or other
personal injury. Leave all internal
inspection, adjustment, and maintenance up
to your original retailer or authorized
CASIO Service Provider.

E-2

Safety Precautions

Dropping and Impact

Continued use of this product after it has
been damaged by dropping or subjecting it
to strong impact creates the risk of fire and
electric shock. Take the following steps
immediately.

1. Turn off power.

2. If you are using the AC adaptor for
power, unplug it from the wall outlet.

3. Contact your original retailer or an
authorized CASIO Service Provider.

Plastic Bags

Never place the plastic bag the product
comes in over your head or in your mouth.
Doing so creates the risk of suffocation.
Particular care concerning this precaution
is required where small children are
present.

Keep off of the product and stand.*

Climbing onto the product or stand can
cause it to tip over or become damaged.
Particular care concerning this precaution
is required where small children are
present.

Location

Avoid locating the product on an unstable
stand, on an uneven surface, or any other
unstable location. An unstable location can
cause the product to fall over, creating the
risk of personal injury.

CAUTION

AC Adaptor

● Misuse of the AC adaptor creates the
risk of fire and electric shock. Always
make sure you observe the following
precautions.

• Do not locate the electric cord near a

stove or other sources of heat.

• Never pull on the cord when

unplugging from the electrical outlet.
Always grasp the AC adaptor when
unplugging.

● Misuse of the AC adaptor creates the
risk of fire and electric shock. Always
make sure you observe the following
precautions.

• Insert the AC adaptor into the wall

outlet as far as it will go.

• Unplug the AC adaptor from the wall

outlet during lightening storms or
before leaving on a trip or other long­term absence.

• To keep dust from building up in the

area between the prongs of the power
plug, unplug it from the power outlet
and use a dry cloth or vacuum cleaner
to remove dust at least once a year.

• Never use detergent to clean the power

cord, especially the plug and jack parts.

Relocating the Product

Before relocating the product, always
unplug the AC adaptor from the wall outlet
and disconnect all other cables and
connecting cords. Leaving cords connected
creates the risk of damage to the cords, fire,
and electric shock.

Cleaning

Before cleaning the product, always unplug
the AC adaptor from the wall outlet first.
Leaving the AC adaptor plugged in creates
the risk of damage to the AC adaptor, fire,
and electric shock.

Batteries

Misuse of batteries can cause them to leak
resulting in damage to nearby objects, or to
explode, creating the risk of fire and
personal injury. Always make sure you
observe the following precautions.

• Use only batteries that are specified for
use with this product.

• Remove batteries from the product if you
do not plan to use it for a long time.

E-3

Safety Precautions

Connectors

Connect only the specified devices and
equipment to the product’s connectors.
Connection of a non-specified device or
equipment creates the risk of fire and
electric shock.

Location

Avoid the following locations for this
product. Such locations create the risk of
fire and electric shock.

• Areas subject to high humidity or large
amounts of dust.

• In food preparation areas or other areas
subject to oil smoke.

• Near air conditioning equipment, on a
heated carpet, in areas exposed to direct
sunlight, inside of a vehicle parked in
the sun, or any other area that subjects
the product to high temperatures.

Display Screen

• Never push on the display screen’s LCD
panel or subject it to strong impact. Doing
so can cause the LCD panel’s glass to
crack, creating the risk of personal injury.

• Should the LCD panel ever crack or
break, never touch the liquid inside of
the panel. LCD panel liquid can cause
skin irritation.

• Should LCD panel liquid ever get inside
your mouth, immediately wash out your
mouth with water and contact your
physician.

• Should LCD panel liquid ever get into
your eyes or onto your skin, rinse with
clear water for at least 15 minutes, and
then contact a physician.

Correct Stand* Assembly

An incorrectly assembled stand can tip over,
causing the product to fall and creating the
risk of personal injury.
Make sure you assemble the stand correctly,
following the assembly instructions that
come with it. Make sure you mount the
product on the stand correctly.

* Stand is available as an option.

IMPORTANT!

When using batteries, be sure to replace them or shift to
one of the alternate power sources whenever you notice
any of the following symptoms.

• Dim power supply indicator

• Instrument does not turn on.

• Dim, difficult to read display

• Abnormally low speaker/headphone volume

• Distortion of sound output

• Occasional interruption of sound when playing at high
volumes

• Sudden power failure when playing at high volumes

• Dimming of the display when playing at high volume

• Continued sound output even after you release a key

• A totally different tone may sound

• Abnormal rhythm pattern and demo tune play

Company and product names used in this
manual may be registered trademarks of
others.

Sound Volume

Do not listen to music at very loud volumes
for long periods. Particular care concerning
this precaution is required when using
headphones. High volume settings can
damage your hearing.

Heavy Objects

Never place heavy object on top of the
product.
Doing so can make the product top heavy,
causing the product to tip over or the object
to fall from it, creating the risk of personal
injury.

E-4

Main Features

❐ 515 tones

A wide selection of tones includes stereo piano and synthesized sounds, drum sets, and much more.
Other features include digital effects that control the acoustical characteristic of tones.

❐ PIANO SETTING button

The press of a button optimizes the keyboard setup for piano play.

❐ 3-Step Lesson System

• 3-Step Lesson System: Now you can learn the parts that make up the keyboard’s built-in tunes and SMF data you download
over the Internet step-by-step. Guidance that appears on the monitor screen helps lead you down the path to music proficiency.

• Evaluation System: The keyboard can be configured to evaluate your 3-Step Lesson progress. You can even have the keyboard
display your points, both part way through and at the end of a lesson.

❐ 100 built-in tunes

❐ 120 rhythms

A selection of rhythms cover rock, pops, jazz and just about any other musical style imaginable.

❐ Auto Accompaniment

Simply play a chord and the corresponding rhythm, bass, and chord parts play along automatically. One Touch Presets instantly
recalls the most suitable tone and tempo settings to match the rhythm you are using.

❐ Registration Memory

Keyboard setups can be stored in memory for later recall and instant settings whenever you need them. Up to 32 setups (4
setups × 8 banks) can be stored in registration memory.

❐ Recording and Play Back

With lesson recording you can record as you play along with built-in tunes for later playback.
Performance recording lets you record your performances, including Auto Accompaniment, in real time.

❐ Storing and Playing Back Tune Data You Transferred from Your Computer

You can connect your keyboard to a computer, use special CASIO conversion software to convert SMF data you purchase or
create to CASIO format, and then transfer it to the keyboard.

E-5

Contents

Safety Precautions ................ E-1

Main Features ........................ E-5

General Guide........................ E-8

Attaching the Score Stand ..................... E-12

Quick Reference .................. E-13

To play the keyboard .............................. E-13

Power Supply ...................... E-15

Using batteries ....................................... E-15

Using the AC Adaptor ............................. E-16

Auto Power Off ....................................... E-17

Memory Contents ................................... E-17

Connections ........................ E-18

Phones/Output Terminal......................... E-18

Connecting to a Computer or Other

Equipment .............................................. E-18

Sustain/Assignable jack Terminal........... E-19

Accessories and Options ....................... E-19

Playing a Built-in Tune........ E-22

To play back a Song Bank tune ............. E-22

Adjusting the Tempo............................... E-23

To pause playback ................................. E-23

To fast reverse ....................................... E-23

To fast forward ....................................... E-23

Looping a Musical Phrase ...................... E-24

To change the melody tone .................... E-24

To play all tunes in succession ............... E-24

3-Step Lesson...................... E-25

Evaluation Mode .................................... E-26

Using the Lesson Functions and

Evaluation Mode .................................... E-26

Step 1 – Master the timing. .................... E-27

Step 2 – Master the notes. ..................... E-27

Step 3 – Play at normal speed. .............. E-28

Evaluating Your Keyboard Play .............. E-28

Voice Fingering Guide............................ E-29

Using the Metronome ............................. E-29

Basic Operations................. E-20

To play the keyboard .............................. E-20

Selecting a Tone..................................... E-20

Using Tone Effects ................................. E-21

PIANO SETTING Button ........................ E-21

E-6

Auto Accompaniment ......... E-30

Selecting a Rhythm ................................ E-30

Playing a Rhythm ................................... E-31

Adjusting the Tempo............................... E-31

Using Auto Accompaniment ................... E-31

Using an Intro Pattern ............................ E-35

Using a Fill-in Pattern ............................. E-35

Contents

Using a Rhythm Variation ....................... E-35

Using a Fill-in Pattern with a Variation

Rhythm ................................................... E-35

Synchro Starting Accompaniment with

Rhythm Play ........................................... E-35

Finishing with an Ending Pattern ........... E-36

Using One-touch Preset ......................... E-36

Registration Memory .......... E-37

Registration Memory Features ............... E-37

To Save a Setup in Registration

Memory .................................................. E-38

To Recall a Setup from Registration

Memory .................................................. E-38

Recording and Play Back ... E-39

Parts and Tracks .................................... E-39

Transposing the Keyboard ..................... E-47

Adjusting Accompaniment and

Song Bank Volume ................................ E-47

Using Touch Response .......................... E-48

Tuning the Keyboard .............................. E-48

Connection to a

Computer ............................. E-49

Connecting to a Computer ..................... E-49

Expanding the Selections in the

Song Bank Tunes................................... E-50

Using the SMF Data on the Bundled

CD-ROM ................................................ E-51

General MIDI Tone ................................. E-51

Changing the Settings ............................ E-51

Troubleshooting .................. E-54

Recording Play Along with a

Built-in Tune ........................................... E-40

Playing Back a Lesson Recording ......... E-41

Recording a Performance ...................... E-41

Playing Back a Performance

Recording ............................................... E-43

Overdubbing a Performance

Recording ............................................... E-44

Deleting a Specific Part/Track ................ E-44

Keyboard Settings .............. E-45

Using Layer ............................................ E-45

Using Split .............................................. E-45

Using Layer and Split Together .............. E-46

Specifications ...................... E-56

Operating Precautions........ E-57

Appendix ................................ A-1

Tone List ................................................... A-1

Drum Assignment List .............................. A-5

FINGERED Chord Chart .......................... A-7

Rhythm List .............................................. A-8

Song List .................................................. A-9

MIDI messages that can be sent
and received using the USB port

E-7

CTK-810

General Guide

2

1

8 C

35476 *2

D *1F

9 :A B

DGE H

E-8

IJ

P

ONMLK

QR

VWXY

TSZ]\[

U

1

Power indicator

2

POWER button

3

MODE switch

4

RECORDER button

5

TRANSPOSE/SETTING button

6

REVERB/CHORUS button

7

ONE TOUCH PRESET button

8

VOLUME knob

9

SONG BANK button

0

RHYTHM button

A

TONE button

B

DATA ACCESS lamp

C

PIANO SETTING button

D

Speaker

E

TONE list

F

Display

G

RHYTHM list

H

SONG BANK list

I

CHORD root names

J

Percussion instrument list

General Guide

● RHYTHM/SONG CONTROLLER

K

INTRO button, REPEAT button

L

NORMAL/FILL-IN button, REW button

M

VARIATION/FILL-IN button, FF button

N

SYNCHRO/ENDING button, PAUSE button

O

START/STOP button, PLAY/STOP button

P

Rhythm controller indicator

Q

Song controller indicator

R

TEMPO buttons

S

BANK button

T

REGISTRATION buttons

U

STORE button

● 3-STEP LESSON SYSTEM

V

LEFT/TRACK 1 button

W

RIGHT/TRACK 2 button

X

SPEAK button

Y

METRONOME button

Z

STEP 1 to 3 button

[

SCORING button

\

SPLIT button

]

LAYER button

E-9

General Guide

WK-110

3

21

B BC D F*1 E

5476 98 : *2A

GH

E-10

I

O

J K L M N P

S TR Y ]\Z

Q

U V W X [

1

POWER button

2

Power indicator

3

MODE switch

4

RECORDER button

5

TRANSPOSE/SETTING button

6

REVERB/CHORUS button

7

ONE TOUCH PRESET button

8

SONG BANK button

9

RHYTHM button

0

TONE button

A

PIANO SETTING button

B

Speaker

C

RHYTHM list

D

SONG BANK list

E

Display

F

TONE list

G

CHORD root names

H

Percussion instrument list

I

VOLUME knob

General Guide

● RHYTHM/SONG CONTROLLER

J

INTRO button, REPEAT button

K

NORMAL/FILL-IN button, REW button

L

VARIATION/FILL-IN button, FF button

M

SYNCHRO/ENDING button, PAUSE button

N

START/STOP button, PLAY/STOP button

O

Rhythm controller indicator

P

Song controller indicator

Q

TEMPO buttons

R

BANK button

S

REGISTRATION buttons

T

STORE button

● 3-STEP LESSON SYSTEM

U

LEFT/TRACK 1 button

V

RIGHT/TRACK 2 button

W

SPEAK button

X

METRONOME button

Y

STEP 1 to 3 button

Z

SCORING button

[

DATA ACCESS lamp

\

SPLIT button

]

LAYER button

E-11

General Guide

NOTE

• Illustrations in this User’s Guide shows the WK-110.

*1 Attaching the Score Stand

Insert the score stand into the slot at the top
of the keyboard as shown in the illustration.

*2

Rear Panel

b c d e

^

Number buttons

a

[+]/[–]

buttons

• For input of numbers to
change a displayed number
or setting.

• Negative values cannot be
input using the number
buttons. Use [+] (increase)
and [–] (decrease) instead.

b

USB port

c

SUSTAIN/ASSIGNABLE JACK terminal

d

PHONES/OUTPUT terminal

e

DC 9V jack

Controller Indicators

PP

P

Rhythm controller indicator (CTK-810:

Pressing the RHYTHM button to enter the Rhythm Mode causes the Rhythm controller indicator to light. This indicates that
buttons K through O (WK-110: J through N) are currently functioning as rhythm control buttons.

PP

, WK-110:

OO

O

OO

)

QQ

Q

Song controller indicator (CTK-810:

Pressing the SONG BANK button, or pressing the RHYTHM and TONE buttons at the same time to start demo tune play causes
the Song controller indicator to light. This indicates that buttons K through O (WK-110: J through N) are currently functioning
as playback control buttons.

QQ

, WK-110:

PP

P

PP

)

NOTE

• Display examples shown in this User’s Guide are intended for illustrative purposes only. The actual text and values that
appear on the display may differ from the examples shown in this User’s Guide.

• Viewing a liquid crystal display screen from an angle can change the appearance of display contrast. The display contrast of
this keyboard is set to allow easy viewing for a person seated on a chair in front of the keyboard. Note that display contrast
is fixed, and cannot be adjusted.

E-12

Quick Reference

MODE

Power indicator

POWER

PLAY/STOP

This section provides a quick overview of keyboard operation
using steps one and two of the 3-step lesson feature.
With the 3-step lesson feature, the on-screen keyboard guide
keys light to show the next note of the tune.

To play the keyboard

1

Press the POWER button to turn on power.

• This causes the power indicator to light.

Lit

SONG BANK

Number buttons

STEP 2

STEP 1

4

Find the tune you want to play in the SONG BANK
List, and then use the number buttons to input its
three-digit number.

• See page A-9 for the SONG BANK List.

Example: To select “047 ALOHA OE”, input 0, 4 and

then 7.

Aloha Oe

5

Press the STEP 1 button or STEP 2 button.

• The keyboard sounds a count beat and waits for you
to play something on the keyboard. The keys that you
need to press first flash on the display.

2

Set the MODE switch to NORMAL.

3

Press the SONG BANK button.

Indicator
appears

6

Play the melody along with the selected tune’s
accompaniment.

• Play in accordance with the keyboard keys, fingerings
and notes that appear on the display.

Aloha Oe

FingeringKeyboard key used

Note pitch

E-13

Quick Reference

If you selected lesson Step 1

• Play the notes on the keyboard.

• Accompaniment (left-hand part) plays in time with

the notes.

• With Step 1, the correct melody note is played no
matter which keyboard key you press.

If you selected lesson Step 2

• Play the correct notes on the keyboard.

• While an on-screen keyboard guide key is lit, press

the corresponding key on the actual keyboard. In the
case of a two-hand tune, the keyboard guide
indication turns off when you press a keyboard key,
and the on-screen keyboard guide key lights for the
next note to be played.

• Accompaniment (left-hand part) plays in time with
the notes, as long as you press the correct keyboard
keys.

7

To stop play at any time, press the PLAY/STOP
button.

E-14

Power Supply

This keyboard can be powered by current from a standard
household wall outlet (using the specified AC adaptor) or by
batteries. Always make sure you turn the keyboard off
whenever you are not using it.

Using batteries

Always make sure you turn off the keyboard before loading
or replacing batteries.

NOTE

• The keyboard may not function correctly if you load or
replace batteries with power turned on. If this happens,
turning the keyboard off and then back on again should
return functions back to normal.

To load batteries

<CTK-810>

1

Remove the battery compartment cover.

<WK-110>

1

Remove the battery compartment cover.

2

Load six D-size batteries into the battery
compartment.

• Make sure that the positive (+) and negative (–) ends
are facing correctly.

3

Insert the tabs on the battery compartment cover
into the holes provided and close the cover.

tab

2

Load 6 AA-size batteries into the battery
compartment.

• Make sure that the positive (+) and negative (–) ends
are facing correctly.

3

Insert the tabs on the battery compartment cover
into the holes provided and close the cover.

tab

E-15

Power Supply

Important Battery Information

■

The following shows the approximate battery life.

Alkaline batteries .......................... <CTK-810> 2.5 hours

Manganese batteries ..................... <WK-110> 6 hours

The above value is standard battery life at normal
temperature, with the keyboard volume at medium
setting. Temperature extremes or playing at very loud
volume settings can shorten battery life.

WARNING

Misuse of batteries can cause them to leak, resulting in
damage to nearby objects, or to explode, creating the risk of
fire and personal injury. Always make sure you observe the
following precautions.

• Never try to take batteries apart or allow them to
become shorted.

• Never expose batteries to heat or dispose of them by
incineration.

• Never mix old batteries with new ones.

• Never mix batteries of different types.

• Do not charge the batteries.

• Make sure the positive (+) and negative (–) ends of

the batteries are facing correctly.

CAUTION

Misuse of batteries can cause them to leak resulting in
damage to nearby objects, or to explode, creating the risk of
fire and personal injury. Always make sure you observe the
following precautions.

• Use only batteries that are specified for use with this
product.

• Remove batteries from the product if you do not plan
to use it for a long time.

Using the AC Adaptor

Make sure that you use only the AC adaptor specified for
this keyboard.

Specified AC Adaptor: AD-5

[Rear Panel]

DC 9V jack

Note the following important precautions to avoid damage
to the power cord.

● During Use

• Never pull on the cord with excessive force.

• Never repeatedly pull on the cord.

• Never twist the cord at the base of the plug or connector.

• The power cord should not be stretched tight while it is

in use.

● During Movement

• Before moving the keyboard, be sure to unplug the AC
adaptor from the power outlet.

● During Storage

• Loop and bundle the power cord, but never wind it
around the AC adaptor.

AC adaptor AD-5

AC outlet

NOTE

• Do not use an oxyride battery or any other type of nickel­based primary battery with this product.
Incompatibility between such batteries and product
specifications can result in shorter battery life and
product malfunction.

E-16

IMPORTANT!

• Make sure that the keyboard is turned off before
connecting or disconnecting the AC adaptor.

• Using the AC adaptor for a long time can cause it to
become warm to the touch. This is normal and does not
indicate malfunction.

Auto Power Off

When you are using battery power, keyboard power turns
off automatically whenever you leave it on without
performing any operation for about 6 minutes. When this
happens, press the POWER button to turn power back on.

NOTE

• Auto Power Off is disabled (it does not function) when
you are using the AC adaptor to power the keyboard.

To disable Auto Power Off

Hold down the TONE button while turning on the keyboard
to disable Auto Power Off.

NOTE

• When this function is turned off, the keyboard does not
turn off automatically no matter how long it is left with
no operation being performed.

• Auto Power Off is enabled again when you manually
turn off power and then turn it back on again.

Power Supply

Memory Contents

Registration memory contents, recorder memory contents,
and song bank data you transfer from a computer to keyboard
memory are all retained when the keyboard is turned off,
either by pressing the power button or by Auto Power Off.

Electrical Power

The memory contents described above are retained as long
as the keyboard is being supplied with electrical power.
Unplugging the AC adaptor when batteries are not loaded
or when loaded batteries are dead cuts off the keyboard’s
electrical power supply. This clears all data stored in memory.

Power Requirements

Note the following precautions whenever you want to ensure
that current memory contents are not lost.

• Make sure the keyboard is being supplied power through
the AC adaptor before replacing its batteries.

• Before unplugging the AC adaptor, make sure that fresh
batteries are loaded in the keyboard.

Make sure that keyboard power is turned off before replacing
batteries or unplugging the AC adaptor.

E-17

Connections

Phones/Output Terminal

PREPARATION

• Before connecting headphones or other external
equipment, be sure to first turn down the volume settings
of the keyboard and the connected equipment. You can
then adjust volume to the desired level after connections
are complete.

[Rear Panel]

PHONES/OUTPUT terminal

Stereo standard plug

2

AUX IN or similar terminal

3

Keyboard amp,
guitar amp, etc.

Connecting Headphones (Figure 1)

Connecting headphones cuts off output from the keyboard’s
built-in speakers, so you can play even late at night without
disturbing anyone.

Audio Equipment (Figure 2)

Connect the keyboard to an audio equipment using a
commercially available connecting cord with a standard plug
on one end and two PIN plugs on the other end. Note that
the standard plug you connect to the keyboard must be a
stereo plug, otherwise you will be able to output only one of
stereo channels. In this configuration, you normally set the
input selector of the audio equipment to the terminal (usually
marked AUX IN or something similar) where the cord from
the keyboard is connected. See the user documentation that
comes with your audio equipment for full details.

Audio connection

White

RIGHT

LEFT

of audio amplifier

Red

1

PIN plug

Musical Instrument Amplifier (Figure 3)

Use a commercially available connecting cord to connect the
keyboard to a musical instrument amplifier.

NOTE

• Be sure to use a connecting cord that has a stereo
standard plug on the end you connect to the keyboard,
and a connector that provides dual channel (left and
right) input to the amplifier to which you are connecting.
The wrong type of connector at either end can cause
one of the stereo channels to be lost.

When connected to a musical instrument amplifier, set the
volume of the keyboard to a relatively low level and make
output volume adjustments using the amplifier’s controls.

Connection Example

To keyboard’s
PHONES/OUTPUT
terminal

Stereo standard plug

PIN plug (red)

PIN plug (white)

PIN jack

Standard plug

INPUT 1

INPUT 2

Keyboard or
guitar amp

Connecting to a Computer or
Other Equipment

You can also connect the keyboard to a computer. See
“Connecting to a Computer” on page E-49 for details.

E-18

Sustain/Assignable jack Terminal

You can connect an optional sustain pedal (SP-3 or SP-20) to
the SUSTAIN/ASSIGNABLE JACK terminal to enable the
capabilities described below.

For details on how to select the pedal function you want, see
“SUSTAIN/ASSIGNABLE JACK (Default: SUS)” on page
E-53.

SUSTAIN/ASSIGNABLE JACK Terminal

SP-20

Sustain Pedal

• With piano tones, depressing the pedal causes notes to
linger, much like a piano’s damper pedal.

• With organ tones, depressing the pedal causes notes to
continue to sound until the pedal is released.

Connections

Sostenuto Pedal

• As with the sustain pedal function described above,
depressing the sostenuto pedal causes notes to be sustained.

• This difference between a sostenuto pedal and sustain pedal
is the timing. With a sostenuto pedal, you press the keys
and then depress the pedal before you release the keys.

• Only the notes that are sounding when the pedal is
depressed are sustained.

Soft Pedal

Depressing the pedal softens the sound of the notes being
played.

Rhythm Start/Stop Pedal

In this case, the pedal performs the same functions as the
START/STOP button.

Accessories and Options

Use only the accessories and options specified for this
keyboard. Use of non-authorized items creates the danger of
fire, electrical shock, and personal injury.

E-19

Basic Operations

REVERB/CHORUS

MODE

POWER

VOLUME

This section provides information on performing basic
keyboard operations.

To play the keyboard

1

Press the POWER button to turn the keyboard on.

2

Set the MODE switch to NORMAL.

3

Use the VOLUME knob to set the volume to a
relatively low level.

4

Play something on the keyboard.

Selecting a Tone

This keyboard comes with 515 built-in tones. Use the
following procedure to select the tone you want.

TONE

3

Use the number buttons to input the three-digit tone
number of the tone you want to select.

Example: To select “111 ACOUSTIC BASS”, input 1, 1

and then 1.

PIANO SETTING

Number buttons

[+] / [–]

Acous . Bs

NOTE

• Always input all three digits for the tone number,
including leading zeros (if any). If you input one or two
digits and stop, the display will automatically clear your
input after a few seconds.

• You can also increment the displayed tone number by
pressing [+] and decrement it by pressing [–].

• When one of the drum sets is selected (tone numbers
501 through 515), each keyboard key is assigned a
different percussion sound. See page A-5 for details.

To select a tone

1

Find the tone you want to use in the TONE List and
note its tone number.

• Not all of the available tones are shown on the tone
list printed on the keyboard console. For a complete
list, see the “Tone List” on page A-1.

2

Press the TONE button.

Indicator

appears

E-20

Polyphony

The term polyphony refers to the maximum number of notes
you can play at the same time. The keyboard has 32-note
polyphony, which includes the notes you play as well as the
rhythms and auto-accompaniment patterns that are played
by the keyboard. This means that when a rhythm or auto­accompaniment pattern is being played by the keyboard, the
number of notes (polyphony) available for keyboard play is
reduced. Also note that some of the tones offer only 16-note
polyphony.

• When rhythm or auto accompaniment is playing, the
number of sounds simultaneously played is reduced.

Basic Operations

Using Tone Effects

Reverb: Makes your notes resonate
Chorus: Adds more breadth to your notes

1

Press the REVERB/CHORUS button to cycle through
the effect settings as shown below.

• You can find out the current effect setting by looking
at the REVERB and CHORUS indicators.

Reverb on

Chorus on

Both on

Both off

2

After turning on the effect you want, use the number
buttons or the [+]/[–] buttons to select the effect
type you want.

• Note that you need to select an effect type with the
number buttons or the [+]/[–] buttons within a few
seconds after turning on an effect. If you don’t, the
display will exit the setting screen.

Effect List

Reverb 1: Room 1

2: Room 2
3: Hall 1
4: Hall 2

Chorus 1: Chorus 1

2: Chorus 2
3: Chorus 3
4: Chorus 4

PIANO SETTING Button

Pressing this button changes the setup of the keyboard to
optimize it for piano play.

Settings

Tone Number: “001”
Rhythm Number: “101”
Layer: Off
Split: Off
Reverb: On (Type 3)
Chorus: Off
Transpose: 00
Touch Response:

Off: Returns to initial default

On: No change
Assignable Jack: SUS
Local Control: On

To optimize keyboard settings for
piano play

1

Set the MODE switch to NORMAL.

2

Press the PIANO SETTING button.

3

Now try playing something on the keyboard.

• The notes you play will sound with a piano tone.

• If you want to play with rhythm accompaniment,

press the START/STOP button. This causes a rhythm
that is optimized for piano will start to play.

• To stop rhythm play, press the START/STOP button
again.

NOTE

• Pressing the PIANO SETTING button while a rhythm is
playing stops rhythm play and then changes the
keyboard setup.

• The setup of the keyboard does not change if you press
the PIANO SETTING button when any one of the
following exists.

• During real-time recording of the Song Memory

• During demo tune play

E-21

Playing a Built-in Tune

TEMPO

REPEAT

REW

FF PAUSE SONG BANK

Your keyboard comes with a total of built-in 100 tunes. You can play back built-in tunes for your own listening pleasure, or you
can use them for practice. Built-in tunes are divided between the two groups described below.

Tune Numbers

Auto-accompaniment
Tunes

Two-hand tune

In addition to the built-in tunes, you can also play back the tunes you download over the Internet (page E-50).

<CTK-810>001, 004 through 050
<WK-110> 003 through 050

<CTK-810>002, 003, and 051 through 100
<WK-110> 001, 002, and 051 through 100

PLAY/STOP

To play back a Song Bank tune

PREPARATION

• Adjust the main volume (page E-20).

RHYTHM

Left-hand Part

Auto-accompaniment
(percussion, bass, chords)

Left-hand notes

NOTE

• Tune Number 001 is the initial default Song Bank tune
setting whenever you turn on keyboard power.

• You can also increment the displayed tune number by
pressing [+] and decrement is by pressing [–].

TONE

Number buttons

[+] / [–]

Right-hand Part

Melody

Right-hand notes

1

Find the tune you want to play in the SONG BANK
List, and note its number.

• See page A-9 for the SONG BANK List.

2

Press the SONG BANK button to enter the Song
Bank Mode.

Indicator
appears

3

Use the number buttons to input the tune’s three­digit number.

Example: To select “047 ALOHA OE”, input 0, 4 and

then 7.

Aloha Oe

Song number Song name

E-22

4

Press the PLAY/STOP button to start play of the tune.

Staff display

Al oha Oe

Chord name

5

Press the PLAY/STOP button to stop playback of
the Song Bank tune.

• The tune you select continues to play until you stop it.

Keyboard keys used

Fingering

Playing a Built-in Tune

Adjusting the Tempo

Each tune has a preset default tempo (beats per minute) that
is set automatically whenever you select a tune. While the
tune is playing, you can change the tempo setting to a value
in the range of 30 to 255.

To set the tempo

1

Use the TEMPO buttons to set the tempo.

: Increases the tempo value.
: Decreases the tempo value.

Flash

Tempo value

NOTE

• While the tempo value is flashing, you can also use the
number buttons or [+] and [–] to input a three-digit value.
Note that you must input leading zeros, so 90 is input
as 090.

• Pressing both the and TEMPO buttons at the same
time automatically returns the currently selected rhythm
to its default tempo.

To pause playback

1

Press the PAUSE button while a tune is playing to
pause it.

To fast reverse

1

While a tune is playing or paused, hold down the
REW button to skip in a reverse direction at high
speed.

• The fast reverse operation skips back one measure at
a time.

• The measure and beat numbers on the display change
while the fast reverse operation is being performed.

Beat numberMeasure number

2

Releasing the REW button starts song playback from
the measure whose number is shown on the display.

NOTE

• Fast reverse does not work while tune play is stopped.

To fast forward

1

While a tune is playing or paused, hold down the
FF button to skip forward at high speed.

• The fast forward operation skips forward one measure
at a time.

• The measure and beat numbers on the display change
while the fast forward operation is being performed.

2

Pressing the PAUSE button again resumes play from
the point where it was paused.

Beat numberMeasure number

2

Releasing the FF button starts song playback from
the measure whose number is shown on the display.

NOTE

• Fast forward does not work while tune play is stopped.

E-23

Playing a Built-in Tune

Looping a Musical Phrase

You can select one or more measures and “loop” them, which
means that they play again and again until you stop playback.

1

While the tune is playing, press the REPEAT button
while the measure you want to start from is playing.

Flash

2

When playback is within the measure you want to
specify as the end of the loop, press the REPEAT
button again.

Lit

• To cancel repeat play of a loop, press the REPEAT
button again so the repeat indicator is not displayed.

To play all tunes in succession

1

Press the RHYTHM button and TONE button at the
same time.

• Playback starts from Song Bank tune number 001.

2

To stop tune play, press the PLAY/STOP button.

NOTE

• While a tune is playing, you can use the number buttons
or [+] and [–] to change to another tune.

• You can play along with the tunes on the keyboard.

To change the melody tone

1

Press the TONE button.

Indicator

appears

2

Find the tone you want in the TONE List, and then
use the number buttons to input its three-digit
number.

Example: To select “131 VIOLIN”, input 1, then 3, then 1.

• You can select any one of the keyboard’s built-in tones.

Viol in

NOTE

• You can also use the [+] and [–] buttons to change the
melody tones.

• Specifying the tune number for the same tune that is
currently selected returns the melody tone to the default
setting for that tune.

E-24

3-Step Lesson

With the 3-Step Lesson System, you can practice built-in tunes
and SMF data you download over the Internet, and even plot
your progress according to the evaluation points the keyboard
awards you.

* See “Expanding the Selections in the Song Bank Tunes” on

page E-50 for information about the SMF data you
download over the Internet.

Lesson Progress

Step 1 Step 2 Step 3 Evaluation

3-Step Lesson

The 3-step lesson feature takes you through the three distinct
steps described below to help you learn to play tunes on the
keyboard.

Step 1 – Master the timing.

Step 2 – Master the notes.

Step 3 – Play at normal speed.

Lesson Parts

3-Step Lesson lets you practice the right-hand part, left-hand
part, or the parts for both hands.

Display Contents During 3-step
Lesson Play

Whenever you select an Auto Accompaniment tune for 3­step lesson play, the on-screen keyboard guide and staff
notation shows the note you should play and its length. The
on-screen keyboard guide also shows the notes you play on
the keyboard. The following describes the information that
appears on the display.

Next Note

An on-screen keyboard guide key flashes to indicate the next
note to be played, while a number appears on the display
near the finger you should use to play the next note.

Series of Same Pitch Notes

The on-screen keyboard guide key turns off momentarily
between the notes, and lights again for each successive note.
The staff notation and fingerings also turn off and back on
again.

Example: When play requires pressing keys with fingers

Next note

Current note

On-screen
keyboard
guide

3, 2, and then 1

1st Note 2nd Note 3rd Note

Flash

Lit

Flash

Lit

Flash

Lit

NOTE

• Note length is not indicated when you are using two­hand tunes with 3-step lesson Steps 1 and 2. As soon
as you press a key that is lit on the on-screen keyboard
guide, it goes out and the next key you need to press
starts to flash.

• Note length is indicated by the on-screen keyboard guide
when you use two-hand tunes with Step 3. In this case,
the next key to be pressed does not flash when you
press a lit key.

• During Step 3, the next finger number does not appear
on the display. Only the current finger number is shown.

Note Pitch

The key you should press lights on the on-screen keyboard
guide, while the actual pitch of the note appears in the
display’s staff notation area. The fingers you should use to
play the notes are also shown on the display.

Note Length

The key stays lit on the on-screen keyboard guide for as long
as the note should be sustained. The staff notation and
fingerings also remain on the display for the length of the
note.

3-step Lesson Tempo Setting

Use the procedure under “Adjusting the Tempo” on page
E-23 to adjust the tempo for 3-step lesson play.

E-25

3-Step Lesson

Evaluation Mode

The keyboard can be configured to evaluate your 3-Step
Lesson progress. A perfect score is 100. You can even have
the piano display your points, both part way through and at
the end of a lesson.

Evaluation Mode Display

Level Indicator (9 Levels): This indicator shows the evaluation
of your current performance at a glance. The more segments
that appear, the higher your points.

Example: 50 points

Timing Indicator: In the Evaluation Mode, the configuration

of the star changes with each note to let
you know how your timing is. The more
stars, the better your timing.

Using Tone Guide

When the keyboard senses that your timing is off, it will let
you know by changing the notes you play to a tone that is
different from the one you currently have selected.

Evaluation Results

After you finish playing, the keyboard calculates an
evaluation of your total performance, from beginning to end,
and displays your total score on the monitor screen.

Evaluation Rank Display Messages

Display Message

“Bravo!” <High>
“Great!”
“Not bad!”
“Again!” <Low>

“****” : indicates that the Evaluation Mode was exited

before an evaluation result could be obtained.

Evaluation Ranges

Using the Lesson Functions and
Evaluation Mode

Perform the following steps to master your favorite tunes.

E-26

3-Step Lesson

TEMPO

PLAY/STOP

Step 1 – Master the timing.

1

Select the tune you want to use.

2

Press the RIGHT/TRACK 2 button or the LEFT/
TRACK 1 button to specify the part you want to
practice.

• Indicator appears on the display whose part is
selected for practice.

LEFT/TRACK 1

STEP 1

4

5

RIGHT/TRACK 2

SPEAK

Number buttons

[+] / [–]

METRONOME

SCORING

STEP 2

Press any keyboard keys to play the notes.

• The key for the next note to be played flashes on the
on-screen keyboard guide and the keyboard waits for
you to play it. When you press any key to play the
note, the on-screen key remains lit as the note plays.

• Accompaniment (left-hand part) waits until you press
any key to play a note.

• If you accidentally press more than one key in
succession, accompaniment is played for the
corresponding number of notes.

• Pressing more than one key at the same time counts
as a single note. Pressing a key while another key is
held down is counted as two notes.

To stop play at any time, press the STEP 1 or PLAY/
STOP button.

STEP 3

Indicator appears

• If you want to practice both hands, press both buttons
at the same time.

3

Press the STEP 1 button to start Step 1 play.

Indicator appearsNote pitch

Al oha Oe

Keyboard keys used Fingering

• After a count sounds, they keyboard stands by and
waits for you to play the first note of the tune.

• Voice fingering guide will use a simulated human
voice to call out fingering numbers during one-hand
part practice. See “Voice Fingering Guide” on page
E-29 for details.

Step 2 – Master the notes.

1

Select the tune you want to use.

2

Press the RIGHT/TRACK 2 button or the LEFT/
TRACK 1 button to specify the part you want to
practice.

• Indicator appears on the display whose part is
selected for practice.

• If you want to practice both hands, press both buttons
at the same time.

E-27

3-Step Lesson

3

Press the STEP 2 button to start Step 2 play.

Indicator appears

3

Press the STEP 3 button to start Step 3 play.

Indicator appears

Aloha Oe

Keyboard keys used Fingering

• After a count sounds, the keyboard stands by and
waits for you to play the first note of the tune.

• Voice fingering guide will use a simulated human
voice to call out fingering numbers during one-hand
part practice. See “Voice Fingering Guide” on page
E-29 for details.

4

Play the notes as indicated by the on-screen
keyboard guide.

• The key for the next note to be played flashes on the
on-screen keyboard guide and the keyboard waits for
you to play it. When you press any key to play the
note, the on-screen key remains lit as the note plays.

• If multiple keys light on the on-screen keyboard guide
when you are using a two-hand tune, it means that
you must press all of the keys that are lit.

5

To stop play at any time, press the STEP 2 or PLAY/
STOP button.

Al oha Oe

Keyboard keys used Fingering

• Accompaniment (left hand part) starts to play at
normal speed.

4

Play the notes as indicated by the on-screen
keyboard guide.

5

To stop play at any time, press the STEP 3 or PLAY/
STOP button.

Evaluating Your Keyboard Play

1

Press the SCORING button.

• This causes the SCORING indicator to appear on the
display.

Step 3 – Play at normal speed.

1

Select the tune you want to play.

2

Press the RIGHT/TRACK 2 button or the LEFT/
TRACK 1 button to specify the part you want to
practice.

• Indicator appears on the display whose part is
selected for practice.

• If you want to practice both hands, press both buttons
at the same time.

E-28

Indicator appears

• A count beat sounds and then evaluation mode starts.

2

Play in accordance with the guidance on the
monitor screen.

• To stop evaluation, press the PLAY/STOP button. This
displays only the points accumulated up to that point.

3

After you finished playing, your evaluation result
appears on the display.

• For information about evaluation ranks, see
“Evaluation Results” on page E-26.

• Pressing the SONG BANK button returns to the tune

selection screen.

Bravo!

Voice Fingering Guide

Voice fingering guide uses a simulated human voice to call
out fingering numbers during Step 1 and Step 2 one-hand
part practice. If you need to press a key with your thumb, for
example, voice fingering guide says, “One!” In the case of a
chord to be played with your thumb, middle and little finger,
voice fingering guide says, “One, three, five!”
Voice Fingering Guide calls out fingerings only when you do
not press the proper key when you should.

Voice Fingering Guide

One : Thumb
Two : Forefinger
Three : Middle finger
Four : Ring finger
Five : Little finger

To turn voice fingering guide on or off

Press the SPEAK button to toggle voice fingering guide on
(voice fingering guide indicator displayed) and off (indicator
not displayed).

3-Step Lesson

2

Use the number buttons or [+] and [–] to change
the number of beats per measure.

• You can specify 0, or a value from 2 to 6 as the number
of beats per measure.

Bea t

NOTE

• The bell (indicating the first beat of a measure) does not
sound while 0 beat per measure is specified. All beats
are indicated by a click sound. This setting lets you
practice with a steady beat, without worrying about how
many beats there are in each measure.

3

Use the TEMPO buttons to set the tempo.

• Press to increase the tempo (make if faster) or to
decrease it (make it slower).

Flash

Indicator
appears

NOTE

• Note that Voice Fingering is disabled in the Evaluation
Mode.

• Exiting the Evaluation Mode automatically restores the
Voice Fingering setting that was in effect when you
entered the Evaluation Mode.

Using the Metronome

The metronome feature of this keyboard produces a bell
sound for the first beat of each measure, followed by click
sounds for each successive beat of the measure. It is the perfect
tool for practicing tunes without accompaniment (rhythm).

To start the metronome

1

Press the METRONOME button to start sounding
the metronome.

• This causes “Beat” to appear on the display. Perform
step 2 within five seconds after “Beat” appears.

Tempo value

NOTE

• While the tempo value is flashing, you can also use the
number buttons or [+] and [–] to input a three-digit value.
Note that you must input leading zeros, so 90 is input
as 090.

• Pressing both the and TEMPO buttons at the same
time automatically returns the currently selected rhythm
or tune to its default tempo.

4

To turn off the metronome, press the METRONOME
button.

NOTE

• The metronome is disabled whenever you are using Step
1 or Step 2 of the 3-step lesson.

E-29

Auto Accompaniment

ONE TOUCH PRESET

MODE

INTRO

NORMAL/FILL-IN

VARIATION/FILL-IN

This keyboard automatically plays bass and chord parts in
accordance with the chords you finger. The bass and chord
parts are played using sounds and tones that are
automatically selected to select the rhythm you are using.
All of this means that you get full, realistic accompaniments
for the melody notes you play with your right hand, creating
the mood of an one-person ensemble.

START/STOP

SYNCHRO/ENDING

TEMPO

RHYTHM

Number buttons

[+] / [–]

Selecting a Rhythm

This keyboard provides you with 120 exciting rhythms that
you can select using the following procedure.

To select a rhythm

1

Find the rhythm you want to use in the RHYTHM
List and note its rhythm number.

• Not all of the available rhythms are shown on the
rhythm list printed on the keyboard console. For a
complete list, see the “Rhythm List” on page A-8.

2

Press the RHYTHM button to enter the Rhythm
Mode.

Indicator

appears

3

Use the number buttons to input the three digit
rhythm number for the rhythm you want to select.

Example: To select “095 HAWAIIAN”, input 0, 9 and

then 5.

Hawaiian

NOTE

• You can also increment the displayed rhythm number
by pressing [+] and decrement it by pressing [–].

• Some rhythms (No. 110, 112 to 120) consist of chord
accompaniments only, without any drums or other
percussion instruments. Such rhythms do not sound
unless CASIO CHORD, FINGERED, or FULL RANGE
CHORD is selected as the accompaniment mode.

E-30

Auto Accompaniment

Playing a Rhythm

Use the following procedure to start and stop rhythm play.

To play a rhythm

1

Set the MODE switch to NORMAL.

2

Press the START/STOP button to start play of the
currently selected rhythm.

3

To stop rhythm play, press the START/STOP button
again.

NOTE

• All of the keyboard keys are melody keys while the
MODE switch is set to NORMAL.

Adjusting the Tempo

The tempo (beats per minute) can be set to a value in the
range of 30 to 255. The tempo value you set is use for Song
Bank, 3-step lesson, and Auto Accompaniment chord play,
as well as playback from the recorder and metronome
operation.

Using Auto Accompaniment

The following procedure describes how to use the keyboard’s
Auto Accompaniment feature. Before starting, you should
first select the rhythm you want to use and set the tempo of
the rhythm to the value you want.

To use Auto Accompaniment

1

Set the MODE switch to CASIO CHORD,
FINGERED, or FULL RANGE CHORD.

2

Press the START/STOP button to start play of the
currently selected rhythm.

3

Play a chord.

• The actual procedure you should use to play a chord
depends on the current MODE switch position. Refer
to the following pages for details on chord play.

CASIO CHORD .......................... Page E-32

FINGERED ................................... Page E-33

FULL RANGE CHORD ............. Page E-34

Hawaiian

To set the tempo

1

Use the TEMPO buttons to set the tempo.

: Increase the tempo value.
: Decreases the tempo value.

Metronome

Beat number

NOTE

• While the tempo value is flashing, you can also use the
number buttons or [+] and [–] to input a three-digit value.
Note that you must input leading zeros, so 90 is input
as 090.

• Pressing both the and TEMPO buttons at the same
time automatically returns the currently selected rhythm
to its default tempo.

Flash

Tempo value

(The chord form that appears here may show
notes that differ from those actually pressed on
the keyboard. With some chords, inverted chord

Chord name

4

NOTE

• If you press the SYNCHRO/ENDING button and then

• If you press the SYNCHRO/ENDING button in place of

• You can adjust the accompaniment part volume level

forms may be displayed.)

To stop Auto Accompaniment play, press the START/
STOP button again.

the INTRO button in place of the START/STOP button
in step 2, accompaniment will start with an intro pattern
when you perform the operation in step 3. For details
about these buttons, see pages E-35 and E-36.

the START/STOP button in step 4, an ending pattern
will play before accompaniment play is ended. For details
about this button, see page E-36.

independently of the main volume. For details, see
“Adjusting Accompaniment and Song Bank Volume” on
page E-47.

E-31

Auto Accompaniment

CASIO CHORD

This method of chord play makes it possible for anyone to
easily play chords, regardless of previous musical knowledge
and experience. The following describes the CASIO CHORD
“Accompaniment keyboard” and “Melody keyboard”, and
tells you how to play CASIO CHORDs.

CASIO CHORD Accompaniment Keyboard and Melody
Keyboard

<WK-110>

Accompaniment

keyboard

<CTK-810>

Accompaniment

keyboard

NOTE

• The accompaniment keyboard can be used for playing
chords only. No sound will be produced if you try playing
single melody notes on the accompaniment keyboard.

• The split point (page E-46) is the point that separates
the Auto Accompaniment area and the melody area of
the keyboard. You can change the location of the split
point, which also changes the sizes of the keyboard
areas.

Melody keyboard

Melody keyboard

Chord Types

CASIO CHORD accompaniment lets you play four types of
chords with minimal fingering.

Chord Types

Major chords

Major chord names are marked above
the keys of the accompaniment
keyboard. Note that the chord
produced when you press an
accompaniment keyboard does not
change octave, regardless of which
key you use to play it.

Minor chords (m)

To play a minor chord, keep the major
chord key depressed and press any
other accompaniment keyboard key
located to the right of the major chord
key.

Seventh chords (7)

To play a seventh chord, keep the
major chord key depressed and press
any other two accompaniment
keyboard keys located to the right of
the major chord key.

Minor seventh chords (m7)

To play a minor seventh chord, keep
the major chord key depressed and
press any other three accompaniment
keyboard keys located to the right of
the major chord key.

Example

C Major (C)

CDEF GABCDE F

C minor (Cm)

CDE F GABC DE F

C seventh (C7)

CDEFGABCDEF

C minor seventh (Cm7)

CDEF GABCDE F

NOTE

• It makes no difference whether you press black or white
keys to the right of a major chord key when playing minor
and seventh chords.

E-32

Auto Accompaniment

FINGERED

FINGERED provides you with a total of 15 different chord
types. The following describes the FINGERED
“Accompaniment keyboard” and “Melody keyboard”, and
tells you how to play a C-root chord using FINGERED.

FINGERED Accompaniment Keyboard and Melody
Keyboard

<WK-110>

Accompaniment

keyboard

<CTK-810>

Accompaniment

keyboard

NOTE

• The accompaniment keyboard can be used for playing
chords only. No sound will be produced if you try playing
single melody notes on the accompaniment keyboard.

• The split point (page E-46) is the point that separates
the Auto Accompaniment area and the melody area of
the keyboard. You can change the location of the split
point, which also changes the sizes of the keyboard
areas.

Melody keyboard

Melody keyboard

C

*1

Caug

*2

Cm7



5 *1

C7

Cmadd9

See the FINGERED Chord Chart on page A-7 for details on
playing chords with other roots.

*1: Inverted fingerings cannot be used. The lowest note is

the root.

*2: The same chord can be played without pressing the 5th

G.

Cm

Csus4

Cmaj7

C7sus4

CmM7

*2

*2

Cdim

*2

C7

Cm7

Cadd9

Cdim7



5

*1

NOTE

• Except for the chords specified in note*1 above, inverted
fingerings (i.e. playing E-G-C or G-C-E instead of C-E­G) will produce the same chords as the standard
fingering.

• Except for the exception specified in note*2 above, all
of the keys that make up a chord must be pressed.
Failure to press even a single key will not play the desired
FINGERED chord.

E-33

Auto Accompaniment

2

FULL RANGE CHORD

This accompaniment method provides a total of 38 different
chord types: the 15 chord types available with FINGERED
plus 23 additional types. The keyboard interprets any input
of three or more keys that matches a FULL RANGE CHORD
pattern to be a chord. Any other input (that is not a FULL
RANGE CHORD pattern) is interpreted as melody play.
Because of this, there is no need for a separate accompaniment
keyboard, so the entire keyboard, from end to end, can be
used for both melody and chords.

FULL RANGE CHORD Accompaniment Keyboard and
Melody Keyboard

<WK-110>

Accompaniment keyboard/Melody keyboard

<CTK-810>

Accompaniment keyboard/Melody keyboard

< Chords Recognized by This Keyboard >

Chord Types

Corresponding

FINGERED Chord

Other Chords

15 (page E-33)

23

The following are examples of chords
that use C as the bass note.

C6 • Cm6 • C69

C

Ddim

Number of Types



D

E

•

•

C

C

BCCmCDm

• •

C

C

C



A

7

• • • •

•

CF7C

FCGC A

• • • •

FmCGmCAmCBm

•

•

Fm7CGm7CA

C

• •



C



add9



B

C

C

Example: To play the chord C major.

Any of the fingerings shown in the illustration below will
produce C major.

<WK-110>

1

EG C

E

G C

2

1 .... Chord C

2 .... Chord C

C
E

<CTK-810>

1

EG C

E

NOTE

• As with the FINGERED mode (page E-33), you can play
the notes that form a chord in any combination (1).

• When the composite notes of a chord are separated by
6 or more notes, the lowest sound becomes the bass
(2).

< Music Example >

Tone: 001, Rhythm: 102, Tempo: 070

D

#

DBmGA






















C

4

4









4



4
















G C

Bm

A











  





1 .... Chord C

2 .... Chord C

E7



A







C
E

A
G
















E-34

Auto Accompaniment

Using an Intro Pattern

This keyboard lets you insert a short intro into a rhythm
pattern to make startup smoother and more natural.

The following procedure describes how to use the Intro
feature. Before starting, you should first select the rhythm
you want to use, and set the tempo.

To insert an intro

1

Press the INTRO button to start the selected rhythm
with an intro pattern.

• With the above setup, the intro pattern is played and
the auto accompaniment with intro pattern starts as
soon as you play chords on the accompaniment
keyboard.

NOTE

• The standard rhythm pattern starts to play after the intro
pattern is complete.

• Pressing the VARIATION/FILL-IN button while an intro
pattern is playing causes the variation pattern to sound
after the intro pattern is complete.

Using a Fill-in Pattern

Fill-in patterns let you momentarily change the rhythm
pattern to add some interesting variation to your
performances.

The following procedure describes how to use the Fill-in
feature.

To insert a fill-in

1

Press the START/STOP button to start rhythm play.

2

Press the NORMAL/FILL-IN button to insert a fill­in pattern for the rhythm you are using.

NOTE

• The fill-in pattern does not play if you press the
NORMAL/FILL-IN button while an intro pattern is playing.

Using a Rhythm Variation

In addition to the standard rhythm pattern, you can also
switch to a secondary “variation” rhythm pattern for a bit of
variety.

To insert the variation rhythm pattern

1

Press the START/STOP button to start rhythm play.

2

Press the VARIATION/FILL-IN button to switch to
the variation pattern for the rhythm you are using.

NOTE

• To switch back to the standard rhythm pattern, press
the NORMAL/FILL-IN button.

Using a Fill-in Pattern with a
Variation Rhythm

You can also insert a fill-in pattern while a variation rhythm
pattern is playing.

To insert a fill-in into a rhythm variation

1

While a variation rhythm pattern is playing, press
the VARIATION/FILL-IN button to insert a fill-in
pattern for the variation rhythm you are using.

Synchro Starting Accompaniment
with Rhythm Play

You can set up the keyboard to start rhythm play at the same
time you play the accompaniment on the keyboard.

The following procedure describes how to use synchro start.
Before starting, you should first select the rhythm you want
to use, set the tempo, and use the MODE switch to select the
chord play method you want to use (NORMAL, CASIO
CHORD, FINGERED, FULL RANGE CHORD).

E-35

Auto Accompaniment

To use synchro start

1

Press the SYNCHRO/ENDING button to put the
keyboard into synchro start standby.

Flash

2

Playing a chord and the rhythm pattern starts to
play automatically.

NOTE

• If the MODE switch is set to NORMAL, only the rhythm
plays (without a chord) when you play on the
accompaniment keyboard.

• If you press the INTRO button before playing anything
on the keyboard, the rhythm starts automatically with
an intro pattern when you play something on the
accompaniment keyboard.

• Pressing the VARIATION/FILL-IN button before playing
anything on the keyboard causes play to start with the
variation pattern when something is played on the
keyboard.

• To cancel synchro start standby, press the SYNCHRO/
ENDING button one more time.

Using One-touch Preset

One-touch preset automatically makes the settings listed
below in accordance with the rhythm pattern you are using.

• Keyboard tone

• Layer, Split, or Layer Split on/off

• Layered tone (when layer is turned on), split tone (when

split is turned on), or layered split tone (when layer and
split are turned on)

• Tempo

• Reverb and chorus settings

To use one-touch preset

1

Select the rhythm you want to use.

2

Use the MODE switch to select the accompaniment
mode you want to use.

3

Press the ONE TOUCH PRESET button.

• This automatically configures the one-touch preset
settings in accordance with the rhythm you selected,
and enters synchro start standby.

4

Play a chord. This will cause the rhythm pattern to
start to play automatically.

• Accompaniment is played using the one touch preset
settings.

Finishing with an Ending Pattern

You can end your performances with an ending pattern that
brings the rhythm pattern you are using to a natural-sounding
conclusion.
The following procedure describes how to insert an ending
pattern. Note that the actual ending pattern played depends
on the rhythm pattern you are using.

To finish with an ending pattern

1

While the rhythm is playing, press the SYNCHRO/
ENDING button.

• This causes the ending pattern to play, which brings
rhythm accompaniment to an end.

E-36

Registration Memory

Registration Memory Features

Registration memory lets you store up to 32 keyboard setups
(4 sets × 8 banks) for instant recall whenever you need them.
The following is a list of settings that are saved in registration
memory.

Registration Memory Settings

• Tone

• Rhythm

• Tempo

• Layer on/off

• Split on/off

• Split point

• Effect settings

• Touch Response settings

• Assignable jack setting

• Synchro standby state

NOTE

• Each bank of registration memory initially contains data
when you first use the keyboard. Simple replace the
existing data with your own data.

Setup Names

You can assign setups into one of 32 areas, which you can
select using BANK button and the four REGISTRATION
buttons. Area names range from 1-1 through 8-4 as shown
below.

21

123

1-1BANK 1 1-2 1-3 1-4

2-1BANK 2 2-2 2-3

3-1BANK 3 3-2

4-1BANK 4 4-2 4-3 4-4

5-1BANK 5 5-2

6-1BANK 6 6-2 6-3 6-4

7-1BANK 7 7-2 7-3

8-1BANK 8 8-2 8-3 8-4

3-3

5-3

1 Use the BANK button to select the bank. Each press of

BANK cycles through the bank numbers from 1 to 8.

2 Pressing one of the REGISTRATION buttons (1 to 4) selects

the corresponding area in the currently selected bank.

4

2-4

3-4

5-4

7-4

NOTE

• Whenever you save a setup and assign it a setup name,
any setup data previously assigned to that name is
replaced with the new data.

E-37

Registration Memory

Number buttons

BANK

REGISTRATION STORE

To Save a Setup in Registration
Memory

1

Select a tone and rhythm, and otherwise set up the
keyboard the way you want it.

• See “Registration Memory Settings” on page E-37 for
details on what data is stored in the registration
memory.

2

Use the BANK button or the number buttons to
select the bank you want.

• If you do not perform any operation for about three
seconds after pressing the BANK button, the display
returns to the contents in step 1, above.

• Bank 1 selected.

Bank

3

While holding down the STORE button, press a
REGISTRATION button (1 to 4).

• The following display appears when you press the 2
button.

Store

To Recall a Setup from
Registration Memory

1

Use the BANK button or the number buttons to
select the bank.

• If you do not perform any operation for about three
seconds after pressing the BANK button, the keyboard
automatically clears the registration memory recall
screen.

Bank

2

Press the REGISTRATION button (1 to 4) for the
area whose setup you want to recall.

Reca l l

• The setup name along with the message “Recall”
appears on the display.

NOTE

• If you press a REGISTRATION button without using the
BANK button to select a bank first, the last bank number
selected is used.

4

Release the STORE and REGISTRATION buttons.

NOTE

• The setup is saved as soon as you press a
REGISTRATION button in step 3, above.

E-38

Recording and Play Back

RECORDER SONG BANK

MODE

START/STOP

You can record your lesson play (lesson recording) and
keyboard play along with the Auto Accompaniment you are
using (performance recording).

Parts and Tracks

How data is recorded to the keyboard and the type of data
that is recorded depends on whether you are performing a
performance recording operation or a lesson recording
operation.

Lesson Recording

With lesson recording, you use the LEFT/TRACK 1 button
and the RIGHT/TRACK 2 button to select recording of only
the left-hand part, only the right-hand part, or both the left­hand and right-hand parts.

Performance Recording

With performance recording, the keyboard operates like a
tape recorder or sequencer. In this case, you can use the LEFT/
TRACK 1 button and the RIGHT/TRACK 2 button to select
the track you want to record to.
Performance recording records the data shown in the
illustration below, using two memory tracks.

Start End

Track 1

Track 2

• Since each track is independent of the other, you can edit a
recording by re-recording only one of the tracks.

Auto Accompaniment

(rhythm, bass, chords), melody

Melody

Data recorded in track

RHYTHM

[+] / [–]

RIGHT/TRACK 2

LEFT/TRACK 1TEMPO

Using the RECORDER Button

Each press of the RECORDER button cycles through the
recording options in the sequence shown below.

Playback

Standby

Displayed

Record

Standby

Flashing Not displayed

Normal

Memory Capacity

This keyboard can hold a total of approximately 12,000 notes,
which can be divided between a lesson recording and a
performance recording. Note that you can use up all 12,000
notes for either the lesson recording or the performance
recording. If you do, you will not be able to record anything
for the other type of recording.

• The recorder shares the same memory area with the song
bank area used for storing song data transferred from a
computer. Because of this, you may not be able to store the
full 12,000 notes of data.

• When the number of remaining notes becomes less than
about 100 while you are recording, the RECORDER
indicator and the track/part indicator (L, R) will start to
flash at high speed.

• Recording will stop automatically if memory becomes full.

If you are using Auto Accompaniment or a rhythm, they will
also stop playing at this time.

IMPORTANT!

• Never turn off the keyboard while it is recording or
standing by for recording to the keyboard. Doing so will
cause all of the song data currently stored in the Song
Bank user area to be deleted.

E-39

Recording and Play Back

Recorded Data Storage

• Anything previously stored in the keyboard is replaced
whenever you make a new recording.

• Recorder contents are retained even when power is turned
off, as long as the keyboard is being supplied battery or
AC adaptor power. If you remove the batteries or should
the batteries go dead while the keyboard is not being
supplied power by the AC adaptor, recorder contents will
be deleted. Be sure to supply power to the keyboard with
the AC adaptor when replacing batteries.

• Turning off the keyboard while a record operation is in
progress causes the contents of the track you are currently
recording to be lost.

CASIO COMPUTER CO., LTD. assumes no responsibility
for any loss or damage to you or any third party arising
out of the loss or corruption of data.

Recording Play Along with a Built­in Tune

You can use the lesson recording procedure to record notes
you play along with one of the keyboard’s built-in tunes.
When you start a lesson recording, the keyboard plays the
song minus the part(s) you selected as the recording part(s).

Part/Track Indicators in Recording
Standby

Press the part/track button of the part you want to play on
the keyboard (recording part). This causes its part/track
indicator to flash.

Playback part
(not displayed)

Example: The above indicates the left-hand part is the

playback part, and the right-hand part is the
recording part.

Recording part
(flashing)

Selecting Parts

Press the part/track button that corresponds to the part(s)
you want to select as the recording part(s).

To select this part:

Left-hand
Right-hand

Both hands

The part that is currently selected is indicated by the part/
track indicators (L and R) that appear on the display as
described below.

Press this button:

LEFT/TRACK 1
RIGHT/TRACK 2
LEFT/TRACK 1 +

RIGHT/TRACK 2

E-40

Recording and Play Back

To record as you play along with a
built-in tune

1

Press the SONG BANK button to select the mode
that includes the tune you want to play along with.

Indicator
appears

2

Use the RECORDER button to select record standby.

• This causes the RECORDER indicator to flash on the
display.

3

Select the tune you want to play along with.

• See “To play back a Song Bank tune” on page E-22 for
information about selecting Song Bank tunes.

4

Use the LEFT/TRACK 1 button or RIGHT/TRACK 2
button to select the part(s) (left-hand, right-hand)
you want to mute in the built-in tune playback and
play along on the keyboard.

• If you want to mute and play both parts, press both
buttons at the same time.

5

Configure the following settings as required.

• Tone (page E-20)

• Tempo (page E-23)

Lesson Recording Data

In addition to the notes you play on the keyboard and the
accompaniment of the built-in song you selected, the
following data is also stored by a lesson recording operation.

• Tone setting

• Tempo setting

• Tune name

• Recording part selection

• Pedal operations

• Layer and split settings, and their tone settings

• Effect setting

Playing Back a Lesson Recording

1

Press the SONG BANK button to select the bank of
the built-in tune that you originally used to record
the lesson recording.

2

Use the RECORDER button to select playback
standby.

3

Press the controller block START/STOP button.

• This starts playback of lesson recording contents.

• You can adjust the tempo at this point, if you want.

4

To stop playback, press the controller block START/
STOP button again.

6

Press the controller block START/STOP button.

• This starts recording.

7

Play the notes for the part(s) you selected in step 4
on the keyboard.

8

Recording stops automatically when playback of
the built-in tune is finished.

• To interrupt recording part way through, press the
controller block START/STOP button. This will play
back everything you recorded up to that point.

• If you want to hear what you recorded immediately,
press the controller block START/STOP button again.

Recording a Performance

Use this procedure when you want to record what you play
on the keyboard in real time. Performance recording records
both the notes you play and any accompaniment patterns
that you use.

Selecting a Track

Press the part/track button that corresponds to the track you
want to select.

To select this track:

Track 1
Track 2

The track that is currently selected is indicated by the part/
track indicator (L or R) that appears on the display as
described below.

Press this button:

LEFT/TRACK 1
RIGHT/TRACK 2

E-41

Recording and Play Back

Part/Track Indicators in Playback
Standby

Each press of a part/track button toggles playback of that
track on (part/track indicator displayed) and off (indicator
not displayed).

Track 1 Track 2

Playback
(displayed)

Example: The above indicates that Track 1 will be played back,

while Track 2 will not.

No playback
(not
displayed)

Part/Track Indicators in Recording
Standby

The part/track indicator will be displayed if its track already
contains data.
Press the part/track button of the track to which you want to
record (record track). This causes its part/track indicator to
flash. The part/track indicator of the other track will remain
displayed (without flashing) to indicate that it will playback
during recording (playback track).

To record your keyboard
performances

IMPORTANT!

• Recording to a track that already contains data causes
the existing data to be replaced by your new
performance.

1

Press the RHYTHM button to enter the rhythm
mode.

Indicator
appears

2

Use the RECORDER button to select record standby.

• This causes the RECORDER indicator to flash on the
display.

3

Press the LEFT/TRACK 1 button to select Track 1.

• This causes the L indicator to flash, indicating that
Track 1 is the recording track.

Playback track
(displayed)

Example: The above indicates Track 1 is the playback track,

and Track 2 is the record track.

Record track
(flashing)

Flashing

4

Configure the following settings as required.

• Tone (page E-20)

• Rhythm (page E-30)

• MODE switch setting (page E-31)

• Use a slower tempo if you feel you might have trouble

playing properly at a faster tempo (page E-23).

5

Press the controller block START/STOP button.

• This starts recording.

6

Play the notes you want on the keyboard.

• Besides notes, any chords you play on the keyboard
are recorded, along with their Auto Accompaniment
patterns. Melody notes you play are also recorded.

• Any pedal operations you perform while playing are
also recorded.

7

To stop recording, press the controller block START/
STOP button again.

• If you make a mistake, you need to go back and re­record from step 2.

• If you want to immediately hear what you recorded,
press the controller block START/STOP button again.

E-42

Recording and Play Back

Track 1 Data

In addition to notes played on the keyboard and chord
accompaniments, the following data is also stored in Track 1
during performance recording.

• Tone number

• Rhythm number

• INTRO button, SYNCHRO/ENDING button, NORMAL/

FILL-IN button, VARIATION/FILL-IN button operations

• Pedal operations

• Layer and split settings, and their tone settings

• Split point

• Tempo setting

• Effect setting

Track 1 Recording Variations

■ To record without rhythm

Skip step 5 of the above procedure.

• Recording without rhythm starts as soon as you press a
keyboard key.

■ To start recording with synchro start

In place of step 5 of the above procedure, press the
SYNCHRO/ENDING button.

• Now Auto Accompaniment and recording will start when
you play a chord within the accompaniment keyboard
range.

■ To insert an intro, ending, or fill-in into a recording

During recording, press the INTRO button, SYNCHRO/
ENDING button, NORMAL/FILL-IN button, or
VARIATION/FILL-IN button as required.

■ To start recording with an intro using synchro start

In place of step 5 of the above procedure, press the
SYNCHRO/ENDING button and then the INTRO button.

• Now Auto Accompaniment and recording will start with
an intro pattern when you play a chord within the
accompaniment keyboard range.

■ To start Auto Accompaniment part way into a recording

In place of step 5 of the above procedure, press the
SYNCHRO/ENDING button, and play something within
the melody range of the keyboard.

• This records the melody without any accompaniment.
Auto Accompaniment will start when you play a chord
within the accompaniment keyboard range.

Playing Back a Performance
Recording

Perform the following procedure when you want to play back
a tune you recorded with performance recording.

1

Press the RHYTHM button to enter the rhythm
mode.

Indicator
appears

2

Use the RECORDER button to select playback
standby.

3

Press the controller block START/STOP button.

• This starts playback of performance recording
contents. During playback, you can press the LEFT/
TRACK 1 or RIGHT/TRACK 2 button to mute either
track and listen to the contents of the other track only.

• You can adjust the tempo at this point, if you want.

4

To stop playback, press the controller block START/
STOP button again.

NOTE

• During performance recording playback, the entire range
of the keyboard operates as a melody keyboard,
regardless of the MODE switch setting. You can play
along with performance recording playback, if you want.
You could use layer and split (page E-45 through E-47)
at this time to assign multiple tones to the keyboard.

• Note that pause, skip forward, and skip back operations
cannot be performed during performance recording
playback.

• You can send playback of performance recording
contents as MIDI data.

E-43

Recording and Play Back

Overdubbing a Performance
Recording

You can use the following procedure to record a melody in
Track 2 so it combines with a recording you previously made
in Track 1.

1

Press the RHYTHM button to enter the rhythm
mode.

Indicator
appears

2

Use the RECORDER button to select record standby.

3

Press the RIGHT/TRACK 2 button to select Track 2
as the recording track.

Flashing

4

Select the tone you want to use.

5

Press the controller block START/STOP button.

• This starts playback of Track 1 and recording in
Track 2.

6

Play the melody notes you want as you listen to
the playback from Track 1.

7

To stop recording, press the controller block START/
STOP button again.

• If you make a mistake, you need to go back and re­record from step 2.

• If you want to immediately hear what you recorded,
press the controller block START/STOP button again.

Track 2 Data

In addition to notes played on the keyboard, the following
data is also recorded to Track 2.

• Tone number

• Pedal operations

Deleting a Specific Part/Track

You can use the following procedure to delete a specific
part/track from a lesson recording or performance recording.

Getting Ready

■ When deleting a lesson recording part

• Press the SONG BANK button.

■ When deleting a performance recording track

• Press the RHYTHM button.

1

Press the RECORDER button to enter record
standby.

2

Select the part/track you want to delete by pressing
the LEFT/TRACK 1 button or RIGHT/TRACK 2
button.

3

Hold down the RECORDER button.

• This causes a confirmation message to appear on the
display.

• To cancel the delete operation, press the [–] (NO)
button .

4

Press the [+] (YES) button to delete the part/track.

• This causes the keyboard to return to playback
standby.

NOTE

• Pressing the RECORDER button while the part/track
delete screen is on the display returns to record standby.

NOTE

• Track 2 is a melody-only track, which means that chord
accompaniment cannot be recorded there. Because of
this, the entire range of the keyboard becomes a melody
keyboard when recording the Track 2, regardless of the
current MODE switch setting.

• If you want to record without playback from a recorded
track, enter playback standby, deselect the playback
track, and then enter record standby. Note, however,
that you cannot turn off rhythm and Auto
Accompaniment.

E-44

Keyboard Settings

TRANSPOSE/SETTING TONE

Number buttons

[+] / [–]

This section describes how to use layer (to play two tones
with a single key) and split (to assign different tones to either
end of the keyboard), and how to make touch response,
transpose, and tuning settings.

Using Layer

Layer lets you assign two different tones (a main tone and a
layered tone) to the keyboard, both of which play whenever
you press a key. For example, you could layer the FRENCH
HORN tone on the BRASS tone to produce a rich and brassy
sound.

To layer tones

1

First select the main tone.

Example: To select “180 BRASS” as the main tone, press

the TONE button and then use the number
buttons or [+] and [–] buttons to input 1, 8 and
then 0.

Brass

2

Press the LAYER button.

St r i ngs

Selected layer tone Indicator appears

SPLIT

3

Select the layered tone.

Example: To select “178 FRENCH HORN” as the layered

tone, use the number buttons or [+] and [–]
buttons to input 1, 7 and then 8.

LAYER

Fr .Horn

4

Now try playing something on the keyboard.

• Both tones are played at the same time.

5

Press the LAYER button again to unlayer the tones
and return the keyboard to normal.

LAYER

Example: WK-110

Main Tone (BRASS) + Layered Tone (FRENCH HORN)

Using Split

With split you can assign two different tones (a main tone
and a split tone) to either end of the keyboard, which lets
you play one tone with your left hand and another tone with
your right hand. For example, you could select STRINGS as
the main (high range) tone and PIZZICATO STRINGS as the
split (low range) tone, putting an entire string ensemble at
your fingertips.
Split also lets you specify the split point, which is the location
on the keyboard where the changeover between the two tones
occurs.

E-45

Keyboard Settings

To split the keyboard

1

First select the main tone.

Example: To select “146 STRINGS” as the main tone,

press the TONE button and then use the
number buttons or [+] and [–] buttons to input
1, 4 and then 6.

St r ings

2

Press the SPLIT button.

Acous . Bs

Indicator appears

3

Select the split tone.

Example: To select “134 PIZZICATO STRINGS” as the

split tone, use the number buttons or [+] and
[–] buttons to input 1, 3 and then 4.

Pizz. tSr

4

Specify the split point. While holding down the
SPLIT button, press the keyboard where you want
the leftmost key of the high end range to be.

Example: To specify G3 as the split point, press the G3

key.

G 3

Using Layer and Split Together

You can use layer and split together to created a layered split
keyboard. It makes no difference whether you layer tones
first and then split the keyboard, or split the keyboard and
then layer tones. When you use layer and split in combination,
the high range of the keyboard is assigned two tones (main
tone + layered tone), and the low range two tones (split tone
+ layered split tone).

To split the keyboard and then layer
tones

1

Press the TONE button and then input the tone
number of the main tone.

Brass

2

Press the SPLIT button and then input the number
of the split tone.

Pizz.Str

Indicator appears

• After specifying the split tone, press the SPLIT button
to unsplit the keyboard.

3

Press the LAYER button and then input the number
of the layered tone.

• Note that you can reverse steps 2 and 3, specifying
the layered tone first and then the split tone.

5

Now try playing something on the keyboard.

• Every key from F3 and below is assigned the
PIZZICATO STRINGS tone, while every key from G3
and above is assigned the STRINGS tone.

6

Press the SPLIT button again to unsplit the keyboard
and return it to normal.

SPLIT

Example: WK-110

(PIZZICATO STRINGS)

Split point

E-46

Main Tone (STRINGS)Split Tone

Fr .Horn

Indicator appears

4

Press the SPLIT button or the LAYER button so both
of the SPLIT and LAYER indicators are displayed.

5

Input the number of the layered split tone.

St r i ngs

6

Specify the split point.

• While holding down the SPLIT button, press the
keyboard where you want the leftmost key of the low
end range to be.

Keyboard Settings

7

Play something on the keyboard.

• Press the LAYER button to unlayer the keyboard, and
the SPLIT button to unsplit it.

LAYER SPLIT

Example: WK-110

(BRASS)

Split Tone

(PIZZICATO STRINGS)

Layered Split Tone (STRINGS)

+

Split point

Main Tone

Layered Tone (FRENCH HORN)

+

About TRANSPOSE/SETTING button

Each press of the TRANSPOSE/SETTING button cycles
through the setting screens. If you accidentally pass the screen
you want to use, keep pressing the TRANSPOSE/SETTING
button until the screen appears again.

Transposing the Keyboard

Transpose lets you raise and lower the overall key of the
keyboard in semitone units. If you want to play an
accompaniment for a vocalist who sings in a key that’s
different from the keyboard, for example, simply use
transpose to change the key of the keyboard.

• If you leave the transpose screen on the display for about
five seconds without doing anything, the screen is
automatically cleared.

• The transpose setting also affects playback from memory
and Auto Accompaniment.

• To return the keyboard to its default key, perform the
above procedure and press both of the [+] and [–] buttons
at the same time in step 2.

• The effect of a transpose operation depends on the pitch
of each note and on the tone you are currently using. If
a transpose operation causes a note to be outside of
the allowable range for a tone, the same note in the
nearest octave within the range will be substituted.

Adjusting Accompaniment and
Song Bank Volume

You can adjust the volume of the accompaniment and Song
Bank tunes independently of the notes you play on the
keyboard. You can specify a volume level in the range of 000
(minimum) to 127 (maximum).

To adjust the accompaniment volume

1

Press the TRANSPOSE/SETTING button until the
accompaniment volume adjustment screen
appears.

Aco

mpVo l

To transpose the keyboard

1

Press the TRANSPOSE/SETTING button until the
transpose setting screen appears.

Trans.

2

Use the number buttons or the [+]/[–] buttons to
change the key of the keyboard.

Example: To transpose the keyboard five semitones

upwards.

Trans.

NOTE

• The keyboard can be transposed within a range of –12
(one octave downwards) to +12 (one octave upwards).

• The default transpose setting is “00” when keyboard
power is turned on.

Current accompaniment volume setting

2

Use the number buttons or the [+]/[–] buttons to
change the current volume setting value.

Example: 110

Aco

NOTE

• The current accompaniment volume value that appears
in Step 1 automatically clears from the display if you do
not input anything within about five seconds.

mpVo l

To adjust built-in tune volume

Enter the Song Bank mode, and then perform the procedure
under “To adjust the accompaniment volume”.

• In this case, a song volume screen will appear in place of
the accompaniment volume screen.

E-47

Keyboard Settings

Using Touch Response

When touch response is turned on, the relative volume of
sound output by the keyboard is varied in accordance with
the amount of pressure applied, just like an acoustic piano.

Touch response provides a choice of three settings, described
below.

OFF: This setting turns off touch response. Keyboard pressure

does not have any affect on the output notes.

1:This setting provides touch response that is suited for

normal play.

2:This setting increases touch response, so stronger keyboard

pressure has a greater effect than the “1” setting.

1

Press the TRANSPOSE/SETTING button until the
TOUCH RESPONSE SELECT screen appears.

Touch

2

Use the [+] and [–] or [0] and [1] buttons to change
the setting.

Example: To select touch response 2.

Touch

• Touch response is on when touch response indicator
is on.

Indicator appears

Tuning the Keyboard

Use the following procedure to fine tune the keyboard to
match the tuning of another musical instrument.

To tune the keyboard

1

Press the TRANSPOSE/SETTING button until the
tuning screen appears.

Tune

2

Use the [+], [–], and the number buttons to adjust
the tuning value.

Example: To lower tuning by 20

Tune

NOTE

• The keyboard can be tuned within a range of –50 cents
to +50 cents.
* 100 cents is equivalent to one semitone.

• The default tuning setting is “00” when keyboard power
is turned on.

• If you leave the tuning screen on the display for about
five seconds without doing anything, the screen is
automatically cleared.

• The tuning setting also affects playback from recorder
and Auto Accompaniment.

• To return the keyboard to its default tuning, perform the
above procedure and press the [+] and [–] buttons at
the same time in step 2.

• Touch response is off when touch response indicator
is off.

NOTE

• Recording playback and accompaniment do not affect
the touch response setting.

E-48

Connection to a Computer

TRANSPOSE/SETTING

Number buttons

[+] / [–]

Connecting to a Computer

The keyboard’s USB port makes it quick and simple to connect
to a computer. After installing the USB MIDI driver onto your
computer from the CD-ROM that comes with the keyboard,
you will be able to use commercially available MIDI software
on your computer to exchange data between the keyboard
and your computer.

To install the USB MIDI driver

1

On the computer to which you plan to connect,
install the USB MIDI driver that comes on the CD­ROM that comes bundled with the keyboard.

• For information about installing the USB MIDI driver,
see the “CASIO USB MIDI Driver User’s Guide”
(manual_e.pdf) on the “USB Manual and Driver CD­ROM”.

NOTE

• Before starting actual installation of USB MIDI driver,
be sure to read the contents of the “readme.txt” file in
the “English” folder on the CD-ROM.

• Use Adobe Reader or Acrobat Reader to access the USB
MIDI driver user’s guide.*

* You need to have Adobe Reader or Acrobat Reader installed on

your computer in order to view the contents of the “CASIO USB
MIDI Driver User’s Guide” (manual_e.pdf). If your computer
does not have either Adobe Reader or Acrobat Reader installed,
use the procedure below to install it.

LEFT/TRACK 1

Minimum Computer system Requirements

Supported Operating Systems

Operation is supported under Windows® XP Professional,
Windows® XP Home Edition, Windows® 2000 Professional,
Windows® Me, Windows® 98SE, and Windows® 98.

RIGHT/TRACK 2

● Universal

• IBM AT or compatible computer

• USB port that provides normal operation under Windows

• CD-ROM drive (for installation)

• At least 2MB of free hard disk space (not including space

required for Adobe Reader)

● Windows XP

• 300MHz or higher Pentium processor

• At least 128MB of memory

● Windows 2000

• 166MHz or higher Pentium processor

• At least 64MB of memory

● Windows Me, Windows 98SE, Windows 98

• 166MHz or higher Pentium processor

• At least 32MB of memory

NOTE

• Company and product names used herein are
trademarks of their respective owners.

Installing Adobe Reader (Acrobat Reader**)

• Place the “USB Manual and Driver CD-ROM” into your
computer’s CD-ROM drive.

• On the CD-ROM, navigate to the folder named “Adobe”,
open the folder named “English”, and then double-click
“ar601enu.exe” (“ar505enu.exe”**). Follow the instructions
that appear on your computer screen to install Adobe
Reader.

** Adobe Reader cannot be installed on a computer running

Windows 98. If your computer is running under Windows 98,
double-click “ar505enu.exe” to install Acrobat Reader.

E-49

Connection to a Computer

Using the USB port

Note that you need to purchase a commercially available USB
cable to connect the keyboard to a computer using the USB
port.

To connect to a computer using the
USB port

1

Use a commercially available USB cable to connect
the keyboard to the computer.

Computer

USB port

USB cable

USB connector

Keyboard USB port

DATA ACCESS Lamp

• The DATA ACCESS lamp lights whenever the keyboard is
exchanging data with a connected computer over a USB
cable connection. Never disconnect the USB cable while the
DATA ACCESS lamp is lit.

Expanding the Selections in the
Song Bank Tunes

You can transfer song data from your computer to the
keyboard. You can store up to 5 tunes as Song Bank tunes
101 through 105. For SMF data you purchase or create, you
need to use an SMF Converter to convert it to CASIO format
before transferring it to the keyboard.

To install the SMF Converter

1

On the computer to which you plan to connect,
install the SMF Converter that comes on the CD­ROM that comes bundled with the keyboard.

• On the CD-ROM, double-click “SMFConv-e.exe”, and
then follow the instructions that appear on your
computer screen to install SMF Converter.

• Before installing SMF Converter, be sure to read the contents of
the “smfreadme.txt” file in each language folder on the CD-ROM.

For information about using SMF Converter, double-click
“index.html” in the [help] folder, which was created when
you installed SMF Converter. You can also access user
documentation from the Windows [Start] menu by clicking
[Programs] - [CASIO] - [SMF Converter] - [manual].

• A browser that supports frames (like Internet Explorer 4 or
Netscape Navigator 4.04 or higher) is required to view the SMF
Converter manual.

Minimum Computer System Requirements

● Operating System:

Windows 98SE
Windows Me
Windows XP Home Edition/XP Professional

● Storage

At least 10MB free HDD space

● USB interface

E-50

• You can also obtain a copy of the SMF Converter by
downloading it at the Web page shown below. After
downloading, install the software on your computer.

CASIO MUSIC SITE

http://music.casio.com/

• In addition to the software itself, the CASIO MUSIC SITE
will also provide you with information about its installation
and use. You can also find out about the latest news about
your keyboard and other CASIO musical instruments, and
much more.

Connection to a Computer

Song Data Storage

Song data saved as Song Bank tunes are retained even when
power is turned off, as long as the keyboard is being supplied
battery or AC adaptor power. If you remove the batteries or
should the batteries go dead while the keyboard is not being
supplied power by the AC adaptor, song data will be deleted.
Be sure to supply power to the keyboard with the AC adaptor
when replacing batteries.

NOTE

• This keyboard supports SMF 0 and 1 format data.

• Voice Fingering Guide, on-screen fingering indicators,

and voice announcement of evaluation points are not
supported for SMF data you purchase or create.

Using the SMF Data on the
Bundled CD-ROM

The CD-ROM that comes bundled with the keyboard contains
demos as well as 25 tunes (SMF data) that you can use for
step lessons. It also contains PDF format files that contain
the sheet music of the included tunes.
For a full list of the tunes that are included, open the “List.txt”
file located inside the “MusicDataFolder” on the CD-ROM.
For each tune, “List.txt” shows the tune name, SMF file name,
PDF file name of the music score, and the type of lesson★ for
which the tune can be used.
★A tune marked with an asterisk (*) can be used for a both-

hand lesson. A tune that is not marked with an asterisk can
be used for a right-hand lesson.

NOTE

• You can load SMF data from the CD-ROM to the
keyboard using the SMF converter tool (page E-50).

• You will need to have Adobe Reader or Acrobat Reader
installed on your computer in order to view the contents
of a music score PDF file. If neither of these applications
is installed on your computer, see “Installing Adobe
Reader (Acrobat Reader)” on page E-49.

General MIDI Tone

The General MIDI standard defines the tone numbering
sequence, the drum sound numbering sequence, the number
of MIDI channels that can be used, and other general factors
that determine the sound source configuration. Because of
this, musical data produced on a General MIDI sound source
can be played back using similar tones and identical nuances
as the original, even when played on another manufacturers
sound source.
This keyboard conforms with General MIDI standards, so it
can be connected to a computer and used to play back General
MIDI data that has been purchased, downloaded from the
Internet, or obtained from any other source.

Changing the Settings

This section tells you how to make the settings required when
connecting to a computer.

KEYBOARD CHANNEL (Default: 1)

The keyboard channel is the channel used to send messages
from this keyboard to a computer. You can specify one channel
from 1 to 16 as the keyboard channel.

1

Press the TRANSPOSE/SETTING button until the
KEYBOARD CHANNEL screen appears.

Keybd Ch

2

Use the [+], [–], and the number buttons to change
the channel number.

Example: To specify channel 4

Keybd Ch

E-51

Connection to a Computer

NAVIGATE CHANNEL (Default: 4)

When messages are received from a computer for play on
this keyboard, the navigate channel is the channel whose note
data appears on the display. You can select one channel from
01 to 16 as the navigate channel. Since this setting lets you
use the data on any channel of commercially available SMF
data to light on the on-screen keyboard guide, you can
analyze how different parts of an arrangement are played.

1

Press the TRANSPOSE/SETTING button until the
NAVIGATE CHANNEL screen appears.

Nav i . Ch

2

Use the [+], [–], and the number buttons [0] through
[9] to change the channel number.

Example: To specify channel 2

Nav i . Ch

To turn off specific sounds before playing back tune data
that is being received

<<Navigate channel on/off>>

1

While playing tune data, press the RIGHT/TRACK
2 button.

• This cuts the sound of the navigate channel, but on­screen keyboard guide keys continue to light in
accordance with the channel’s data as it is received.
Press RIGHT/TRACK 2 button again to turn the
channel back on.

<<Next lower channel from navigate channel on/off>>

LOCAL CONTROL (Default: On)

oFF: Anything played on the keyboard is output as a message

from the USB port, without being sounded by the
internal sound source.

• Note that no sound is produced by the keyboard if LOCAL
CONTROL is turned off and no external device is
connected.

1

Press the TRANSPOSE/SETTING button until the
LOCAL CONTROL screen appears.

Example: When LOCAL CONTROL is on

Loca l

2

Use the [+] and [–] or [0] and [1] buttons to turn
the setting on and off.

Example: To turn LOCAL CONTROL off

Loca l

ACCOMP OUT (Default: Off)

on: Auto Accompaniment is played by the keyboard and

the corresponding message is output from the USB port.

oFF: Auto Accompaniment messages are not output from the

USB port.

1

Press the TRANSPOSE/SETTING button until the
ACCOMP OUT screen appears.

Example: When ACCOMP OUT is off

1

While playing tune data, press the LEFT/TRACK 1
button.

• This cuts the sound of the channel whose number is
one less than the navigate channel, but on-screen
keyboard guide keys continue to light in accordance
with the channel’s data as it is received. Press LEFT/
TRACK 1 button again to turn the channel back on.

Example: If the navigate channel is channel 4, the above

operation turns off channel 3.

E-52

Aco

2

Use the [+] and [–] or [0] and [1] buttons to turn
the setting on and off.

Example: To turn ACCOMP OUT on

Aco

mpOu t

mpOu t

SUSTAIN/ASSIGNABLE JACK
(Default: SUS)

SUS(sustain): Specifies a sustain*1 effect when the pedal is

depressed.

SoS (sostenuto): Specifies a sostenuto*2 effect when the

pedal is depressed.

SFt (soft): Specifies reduction of the sound’s volume when

the pedal is depressed.

rHy (rhythm): Specifies START/STOP button operation

when the pedal is depressed.

1

Press the TRANSPOSE/SETTING button until the
SUSTAIN/ASSIGNABLE JACK screen appears.

Example: When sustain is currently set

Jack

2

Use the [+] and [–] or [0], [1], [2], and [3] buttons
to change the setting.

Example: To select rhythm

Connection to a Computer

Jack

*1 Sustain

With piano tones and other sounds that decay, the pedal acts
as a damper pedal, with sounds being sustained longer when
the pedal is depressed. With organ tones and other continuous
sounds, notes played on the keyboard continue to sound until
the pedal is released. In either case, the sustain effect is also
applied to any notes that are played while the pedal is
depressed.

*2 Sostenuto

This effect performs the same way as sustain, except that it is
applied only to notes that are sounding already when the
pedal is depressed. It does not affect notes that are played
after the pedal is depressed.

E-53

Troubleshooting

Problem Possible Cause See pageAction

No keyboard sound

Any of the following symptoms
while using battery power.

• Dim power supply indicator

• Instrument does not turn on

• Dim, difficult to read display

• Abnormally low speaker/headphone volume

• Distortion of sound output

• Occasional interruption of sound when playing at high volumes

• Sudden power failure when playing at high volumes

• Dimming of the display when playing at high volume

• Continued sound output even after you release a key

• A totally different tone may sound

• Abnormal rhythm pattern and demo tune play

1. Power supply problem.

2. Power is not turned on.

3. Volume setting is too low.

4. The MODE switch is in the
CASIO CHORD or FINGERED
position.

5. LOCAL CONTROL is off.

Low battery power

1. Correctly attach the AC adaptor,
make sure that batteries poles
(+/–) are facing correctly, and
check to make sure that batteries
are not dead.

2. Press the POWER button to turn
on power.

3. Use the VOLUME knob to
increase volume.

4. Normal play is not possible on
the accompaniment keyboard
while the MODE switch is set to
CASIO CHORD or FINGERED.
Change the MODE switch
setting to NORMAL.

5. Turn on LOCAL CONTROL.

Replace the batteries with a set of
new ones or use the AC adaptor.

Pages
E-15, 16

Page E-20

Page E-20

Page E-31

Page E-52

Pages
E-15, 16

Auto Accompaniment does not
sound.

Sound output does not change
when key pressure is varied.

On-screen keyboard guide keys
stay on.

When playing with another
instrument, keys or tunings do not
match.

E-54

Accompaniment volume is set to

000.

Touch response is turned off.

Keyboard is waiting for play of
the correct note during Step 1 or
Step 2 play.

Transpose or tuning is set to a
value other than 00.

Use the TRANSPOSE/SETTING
button to increase the volume.

Press the TRANSPOSE/SETTING
button to turn it on.

1. Press the lit key to continue with
Step 1 or Step 2 play.

2. Press the PLAY/STOP button to
quit Step 1 or Step 2 play.

Use the TRANSPOSE/SETTING
button to display the applicable
setting screens and set both
transpose and tuning to 00.

Page E-47

Page E-48

Pages
E-27, 28
Pages
E-27, 28

Page E-47

Problem Possible Cause See pageAction

Cannot record Auto
Accompaniment or rhythm.

Cannot record chord
accompaniment data on a
computer.

After transferring song data from
my computer, playback stops part
way through.

A tone’s quality and volume
sounds slightly different
depending where it is played on
the keyboard.

Troubleshooting

Track other than Track 1 is selected
as the recording track.

ACCOMP OUT is turned off.

Digital noise from the USB cable
or power cord caused data
communication between your
computer and keyboard to be
interrupted.

This is an unavoidable result of the digital sampling process,* and does not indicate
malfunction.
* Multiple digital samples are taken for the low range, middle range, and high range of

the original musical instrument. Because of this, there may be a very slight difference
in tonal quality and volume between sample ranges.

Use the track select buttons to select
Track 1. (Track 2 is melody track.)

Turn on ACCOMP OUT.

Stop playback, disconnect the USB
cable from and then reconnect it to
the keyboard’s USB port, and then
try playing back the tune again.
If this does not correct the problem,
exit the MIDI software you are
using, and then disconnect the USB
cable from and then reconnect it to
the keyboard’s USB port. Next,
restart your MIDI software and try
playback again.

Page E-41

Page E-52

Page E-50

E-55

Specifications

Models: CTK-810/WK-110

Keyboard: CTK-810: 61 standard-size keys, WK-110: 76 standard-size keys (with touch

Tones: 515; with layer and split
Polyphony: 32 notes maximum (16 for certain tones)

Auto Accompaniment

Rhythm Patterns: 120
Tempo: Variable (226 steps, = 30 to 255)
Chords: 3 fingering methods (CASIO CHORD, FINGERED, FULL RANGE CHORD)
Rhythm Controller: START/STOP, INTRO, NORMAL/NORMAL FILL-IN, VARIATION/

Accomp Volume: 0 to 127 (128 steps)
One Touch Presets: Recalls settings for tone, tempo, layer, split, reverb, and chorus.

3-step Lesson: 3 lessons (Step 1, 2, 3)

Playback: Repeat play of a single tune
Evaluation Mode: Scoring
Voice Fingering Guide: On/Off

Song Bank

Number of Tunes: Song Bank: 100, download songs: Up to 5 (Capacity: Approximately 70 KB*)

Controllers: PLAY/STOP, PAUSE, FF, REW, REPEAT, LEFT/RIGHT

Musical Information Function: Tone, Auto Accompaniment, Song Bank, numbers and names; staff notation,

Metronome: On/Off

Beat Specification: 0, 2 to 6

Registration Memory:

Number of Setups: 32 (4 setups × 8 banks)

Recorder

Number of Songs: Two (1 Lesson Recording, 1 Performance Recording)
Recorded Data: Lesson Recording: Right-hand part, left-hand part, both-hand parts

Recording Method: Real-time
Memory Capacity: Approximately 12,000 notes (total for two songs)

Other Functions

Transpose: 25 steps (–12 semitones to +12 semitones)
Tuning: 101 steps (A4 = approximatery 440Hz ±50Cents)

Terminals

USB port: TYPE B
Sustain/Assignable Jack: Standard jack (sustain, sostenuto, soft, rhythm start/stop)
Headphone/Output Terminal: Stereo standard jack

Power Jack: 9V DC

Power Supply: 2-way

Batteries: CTK-810: 6 AA-size batteries, WK-110: 6 D-size batteries
Battery Life: CTK-810: Approximately 2.5 hours continuous operation on alkaline batteries

AC Adaptor: AD-5
Auto Power Off: Turns power off approximately 6 minutes after last key operation. Enabled

response on/off)

VARIATION FILL-IN, SYNCHRO/ENDING

* Calculated based on 1 KB = 1024 bytes.

tempo, metronome, measure and beat number, step lesson display, chord name,
fingering, pedal operation, Keyboard, Voice Fingering Guide, Evaluation Mode,
Recorder indicator

Performance Recording: Track 1 (chord accompaniment), Track 2 (melody)

<CTK-810> Output Impedance: 150Ω, Output Voltage: 4.5V (RMS) MAX
<WK-110> Output Impedance: 200Ω, Output Voltage: 5.2V (RMS) MAX

WK-110: Approximately 6 hours continuous operation on manganese batteries

under batter power only, can be disabled manually.

E-56

Speaker Output: 2.5W + 2.5W

Power Consumption: 9V 7.7W
Dimensions: CTK-810: 94.5 × 37.3 × 13.1 cm (37 1/4 × 14 11/16 × 5 1/8 inch)

WK-110: 118.7 × 40.0 × 15.3 cm (46 3/4 × 15 3/4 × 6 inch)

Weight: CTK-810: Approximately 4.8 kg (10.6 lbs)(without batteries)

WK-110: Approximately 7.0 kg (15.4 lbs)(without batteries)

• Design and specifications are subject to change without notice.

Specifications

Operating Precautions

Be sure to read and observe the following operating
precautions.

■ Location

Avoid the following locations for this product.

• Areas exposed to direct sunlight and high humidity

• Areas subjected to temperature extremes

• Near a radio, TV, video deck, or tuner

The above devices will not cause malfunction of the
product, but interference from the product can cause
audio or video interference of a nearby device.

■ User Maintenance

• Never use benzene, alcohol, thinner, or other chemical
agents to clean the product.

• To clean the product or its keyboard, wipe with a soft
cloth moistened in a weak solution of water and a mild
neutral detergent. Wring all excess moisture from the
cloth before wiping.

■ Included and Optional Accessories

Use only accessories that are specified for use with this
product. Use of unauthorized accessories creates the risk
of fire, electric shock, and personal injury.

■ Weld Lines

Lines may be visible on the exterior of the product. These
are “weld lines” that result from the plastic molding
process. They are not cracks or scratches.

■ Musical Instrument Etiquette

Always be aware of others around you whenever using
this product. Be especially careful when playing late at
night to keep the volume at levels that do not disturb
others. Other steps you can take when playing late at night
are closing the window and using headphones.

• Any reproduction of the contents of this manual, either
in part or its entirety, is prohibited. Except for your
own, personal use, any other use of the contents of
this manual without the consent of CASIO is
prohibited under copyright laws.

• IN NO EVENT SHALL CASIO BE LIABLE FOR ANY
DAMAGES WHATSOEVER (INCLUDING,
WITHOUT LIMITATION, DAMAGES FOR LOSS OF
PROFITS, BUSINESS INTERRUPTION, LOSS OF
INFORMATION) ARISING OUT OF THE USE OF OR
INABILITY TO USE THIS MANUAL OR PRODUCT,
EVEN IF CASIO HAS BEEN ADVISED OF THE
POSSIBILITY OF SUCH DAMAGES.

• The contents of this manual are subject to change
without notice.

E-57

Appendix/Apéndice

C

C

C

32

32

16

2

4

8

25

25

25

3456

2

Cambio de programa

Tipo de gama

STEEL STR.GUITAR 1

STEEL STR.GUITAR 2

12 STR.GUITAR

C

32

2

26

JAZZ GUITAR

C

16

8

26

OCT JAZZ GUITAR

C

32

2

27

CLEAN GUITAR 1

C

32

3

27

CLEAN GUITAR 2

C

32

2

28

MUTE GUITAR

C

16

8

27

CRUNCH ELEC.GUITAR

C

C

C

C

C

C

32

32

16

16

16

16

2

2

5

4

8

9

29

30

30

30

31

25

OVERDRIVE GT

DISTORTION GT

POWER DIST. GT

RHYTHM DIST. GT

FEEDBACK GT

CHORUS STEEL GT

C

C

C

C

C

C

C

16

16

32

16

32

32

32

6

3

2

2

2

2

32

30

25

32

32

33

34

35

DIST.GT & BASS

STEEL GT HARMONICS

BASS

ACOUSTIC BASS

RIDE BASS

FINGERED BASS

PICKED BASS

FRETLESS BASS

C

C

C

C

C

C

C

C

C

32

16

32

32

32

32

16

32

32

2

3

2

2

3

1

1

4

3

37

37

38

39

38

39

38

38

33

SLAP BASS

DOUBLED STRINGS BASS

SAW SYNTH-BASS

SQR SYNTH-BASS

VOCODER BASS

DIGI ROCK BASS

SOUL SYNTH-BASS

TRANCE BASS

MELLOW FINGERED BASS

A

C

C

16

16

3

4

39

39

BASS & KICK

CLAVI BASS

A

C

C

32

32

32

32

3

4

6

5

34

33

39

39

RHYTHM PICKED BASS

RHYTHM FINGERED BASS

SINE BASS

ORGAN BASS

STR/ORCHESTRA

A

A

A

C

32

32

32

32

2

8

2

2

40

40

42

45

VIOLIN

SLOW VIOLIN

CELLO

PIZZICATO STRINGS

A

A

A

A

C

32

16

32

16

16

2

1

8

4

9

46

40

42

40

40

HARP 1

DOUBLE VIOLIN

SLOW CELLO

VIOLIN SECTION

SLOW VIOLIN SECTION

A

16

1

45

PIZZICATO ENSEMBLE

1

094

095

096

3: Program Change/

6: Range Type/

A

A

A

16

16

16

2

2

2

13

14

15

3456

ía máxima

Polifon

2

Nombre de sonido

VIBRAPHONE & MARIMBA

TUBULAR BELL

DULCIMER

1

047

048

049

2: Tone Name/

5: Maximum Polyphony/

A

A

16

32

2

1

ón de banco

3456

0

0

097

098

099

100

101

102

103

104

A

A

B

A

A

A

A

32

16

16

16

16

16

16

1

8

8

8

2

1

3

8

8

9

11

16

16

16

BRIGHT CELESTA

CHORUS CELESTA

CHORUS GLOCKENSPIEL

CHORUS VIBRAPHONE

ORGAN

DRAWBAR ORGAN 1

DRAWBAR ORGAN 2

DRAWBAR ORGAN 3

050

051

052

053

054

055

056

A

A

A

A

A

A

A

A

16

16

16

16

16

16

16

16

2

3

3

1

8

5

2

9

1

0

1

1

0

1

3

3

105

106

107

108

A

A

A

A

32

16

16

16

2

3

8

32

17

17

17

16

ROTARY DRAWBAR

PERC.ORGAN 1

PERC.ORGAN 2

ELEC.ORGAN 1

057

058

059

060

A

A

A

A

16

16

16

16

8

2

3

4

3

2

2

0

111

110

112

109

A

A

16

16

4

4

16

17

ELEC.ORGAN 2

JAZZ ORGAN 1

061

062

A

A

16

16

9

5

0

0

113

A

A

A

A

16

16

32

16

2

2

8

2

18

19

19

20

ROCK ORGAN 1

CHURCH ORGAN

CHAPEL ORGAN

REED ORGAN

063

064

065

066

A

A

A

32

16

16

2

8

1

6

6

6

114

115

116

117

118

A

A

A

A

A

16

16

16

32

16

2

8

2

2

8

21

21

23

22

22

ACCORDION 1

OCTAVE ACCORDION

BANDONEON

HARMONICA 1

HARMONICA 2

067

068

069

070

071

A

A

A

A

A

32

16

16

32

32

2

3

5

7

5

4

5

5

4

4

119

120

121

122

123

A

A

A

A

A

16

16

16

16

16

6

3

5

6

1

19

23

16

17

18

THEATER

OCTAVE BANDONEON

DRAWBAR ORGAN 4

JAZZ ORGAN 2

ROCK ORGAN 2

072

073

074

075

076

A

A

A

A

A

16

16

16

16

16

9

6

2

8

8

4

4

5

4

5

124

125

126

127

128

129

A

A

A

A

A

A

16

16

16

16

16

16

6

8

1

5

3

4

16

17

17

17

18

18

DRAWBAR ORGAN 5

JAZZ ORGAN 3

PERC.ORGAN 3

8’ORGAN

ROCK ORGAN 3

ROCK ORGAN 4

077

078

079

080

081

082

A

A

A

A

A

A

16

16

32

16

32

32

3

1

4

4

2

1

4

4

4

5

7

7

130

131

132

133

A

A

A

A

A

32

16

16

32

32

9

7

1

3

16

7

16

17

19

19

FULL DRAWBAR

ORGAN PAD

SEQUENCE ORGAN

PIPE ORGAN 1

PIPE ORGAN 2

083

084

085

086

087

A

A

A

A

16

16

16

32

3

8

9

2

7

7

7

8

134

135

136

137

138

139

140

A

A

A

A

A

C

16

16

32

16

16

32

4

5

3

1

4

2

19

19

21

23

23

24

ORGAN & HARPSICHORD

PIPE ORGAN PAD

ACCORDION 2

BANDONEON SOLO

BANDONEON & VIOLIN

GUITAR

NYLON STR.GUITAR

088

089

090

091

092

093

B

A

A

A

A

A

A

32

16

32

32

16

16

16

2

2

2

2

3

3

3

9

9

11

10

11

12

12

2

O

Tone List/Lista de sonidos

1: No./N

PIANO

STEREO GRAND PIANO

GRAND PIANO

BRIGHT PIANO

MELLOW PIANO

MODERN PIANO

DANCE PIANO

STRINGS PIANO

SYNTH-STR PIANO

HONKY-TONK

Bank Select MSB/MSB de selecci

1

:

4

001

002

003

004

005

006

007

008

009

1 OCTAVE PIANO

2 OCTAVE PIANO

011

010

ELEC.GRAND PIANO

MODERN E.G.PIANO

STEREO PIANO

STEREO PIANO WIDE

PIANO PAD

HARPSICHORD

COUPLED HARPSICHORD

HARPSICHORD PAD

012

013

014

015

016

017

018

019

ELECTRIC PIANO

ELEC.PIANO 1

ELEC.PIANO 2

FM ELEC.PIANO

DYNO ELEC.PIANO

60’S ELEC.PIANO

020

021

022

023

024

CHORUS EP 1

CHORUS EP 2

MODERN E.PIANO

SOFT E.PIANO

E.PIANO PAD 1

025

026

027

028

029

SYNTH-STR. E.PIANO

E.PIANO PAD 2

CLEAN E.PIANO

HARPSICHORD E.PIANO

CLAVI

SOFT CLAVI

CLAVI & DRAWBAR

DETUNE CLAVI

030

031

032

033

034

035

036

037

SEQUENCE CLAVI

CHROMATIC PERC.

CELESTA

038

039

GLOCKENSPIEL

MUSIC BOX

VIBRAPHONE

MARIMBA

GLOCKENSPIEL PAD

SYNTH-VIBRAPHONE

040

041

042

043

044

045

A-1

SYNTH-MARIMBA

046

Appendix/Apéndice

A

A

A

A

A

A

16

16

16

16

16

16

2

5

2

4

1

2

82

82

83

83

83

3456

2

CALLIOPE 1

1

247

C

32

VENT LEAD

248

C

32

85

CHIFF LEAD 1

DROP LEAD

EP LEAD

VOICE LEAD 1

249

250

251

252

A

A

A

32

16

16

A

A

A

A

A

A

16

16

16

16

16

16

2

3

4

6

7

16

87

80

80

80

80

80

BASS+LEAD

SQUARE LEAD 2

SLOW SQUARE LEAD

SLOW SQUARE PULSE

SEQUENCE SQUARE

SEQUENCE PULSE 1

253

254

255

256

257

258

A

C

C

C

C

C

32

16

32

16

16

16

A

A

A

A

A

A

32

16

32

16

16

16

1

1

4

5

81

81

81

SAW LEAD 2

SLOW SAW LEAD

PULSE SAW LEAD

261

262

263

C

C

C

16

16

32

6

81

SLOW SAW PULSE

264

A

32

32

80

80

SQUARE LEAD 3

SQUARE LEAD 4

259

260

C

C

16

32

A

A

A

A

A

A

A

16

16

16

16

16

16

16

1

9

3

1

4

16

86

81

81

FIFTH SEQUENCE

SEQUENCE PULSE 2

SEQUENCE SAW 2

265

266

267

A

A

C

32

16

32

8

82

82

82

84

CALLIOPE 2

VENT SYNTH

PURE LEAD

DISTORTION LEAD

268

269

270

271

C

C

C

C

32

16

16

16

A

A

A

A

A

16

16

16

16

16

2

3

4

8

5

84

85

85

85

85

OCTAVE CHARANG

VOICE LEAD 2

CHURCH LEAD

DOUBLE VOICE LEAD

VOICE CHOIR LEAD

272

273

274

275

276

A

A

C

32

B

C

32

32

32

16

A

A

A

A

A

A

16

16

16

16

16

16

6

7

2

3

1

3

85

85

86

86

87

87

EP & VOICE LEAD

SYNTH-VOICE LEAD

FIFTH SAW LEAD

FIFTH SQUARE LEAD

BASS+SAW LEAD

SYNTH-BASS+LEAD

SYNTH-PAD

277

278

279

280

281

282

A

A

A

A

A

A

A

32

16

16

16

32

32

16

A

16

2

88

FANTASY 1

283

A

16

A

16

3

88

FANTASY 2

284

A

32

A

A

16

16

2

8

89

89

WARM PAD

WARM VOX

285

286

A

B

32

16

A

A

16

16

3

2

89

90

SINE PAD

POLYSYNTH 1

287

288

A

A

16

16

A

16

8

90

POLY SAW

289

A

32

A

16

5

90

POLYSYNTH PAD 1

290

A

16

A

16

3

91

SPACE STRINGS PAD

291

A

16

2

92

BOWED PAD

292

A

16

A

16

3

92

GLASS PAD

293

A

16

A

16

2

93

ETHNIC PAD

294

A

16

A

16

2

94

HALO PAD 1

295

A

16

A

A

A

A

16

16

16

16

3

2

2

8

94

96

97

97

HALO PAD 2

RAIN DROP 1

SOUND TRACK 1

RAVE

296

297

298

299

A

A

A

A

16

16

32

32

A

32

2

98

CRYSTAL

300

A

16

3

8

1

9

58

60

61

3456

62

2

TUBA 2

FRENCH HORN SOLO

MELLOW BRASS

ANALOG SYNTH-BRASS 2

1

194

195

196

197

A

A

A

C

16

16

16

32

4

3

2

1

42

45

41

3456

46

2

3

2

63

64

SYNTH-BRASS PAD

REED/PIPE

SOPRANO SAX

198

199

A

A

16

32

8

2

46

48

1

2

65

65

ALTO SAX 1

ALTO SAX 2

200

201

A

A

32

16

2

16

49

48

8

3

6

65

65

65

BREATHY A.SAX

HARD A.SAX

RICH A.SAX

202

203

204

A

A

A

16

16

32

3

8

32

48

48

48

1

2

8

9

2

66

66

66

66

67

TENOR SAX 1

TENOR SAX 2

BREATHY T.SAX

T.SAXYS

BARITONE SAX

205

206

207

208

209

A

A

A

A

A

32

32

16

32

32

2

2

3

2

8

50

51

51

52

52

2

2

8

68

71

64

OBOE

CLARINET

BREATHY S.SAX

211

210

212

A

A

A

32

32

16

2

2

8

53

54

54

5

4

9

7

65

65

65

65

SOFT A.SAX

SOLO A.SAX

SAX SECTION

SAX SECTION SFZ

213

214

215

216

A

A

A

A

16

16

16

16

2

4

4

4

55

50

51

48

3

66

DETUNE T.SAX

217

A

32

3

49

5

66

SOFT T.SAX

218

A

16

4

49

4

66

SOLO T.SAX

219

A

16

1

48

4

68

SOLO OBOE

220

A

32

3

50

4

2

2

1

8

4

71

72

73

73

73

72

VELO.CLARINET

PICCOLO 1

FLUTE 1

FLUTE 2

PURE FLUTE

PIPE SECTION 1

221

222

223

224

225

226

A

A

A

A

A

A

32

16

16

32

32

16

9

3

4

3

1

9

52

52

52

53

54

54

2

2

2

2

74

75

76

77

RECORDER

PAN FLUTE 1

BOTTLE BLOW

SHAKUHACHI

227

228

229

230

A

C

C

32

32

32

2

2

2

56

57

58

2

2

3

4

78

79

72

73

WHISTLE 1

OCARINA

PICCOLO 2

PIPE SECTION 2

231

232

233

234

A

A

C

C

32

16

16

32

2

2

2

16

59

60

60

61

5

3

3

73

78

75

SOFT FLUTE

WHISTLE 2

PAN FLUTE 2

SYNTH-LEAD

235

236

237

A

A

A

A

16

16

16

16

3

8

4

5

61

61

61

61

2

5

5

2

8

8

32

80

80

83

81

81

81

80

SQUARE LEAD 1

SQUARE PULSE LEAD

SEQUENCE LEAD

SAW LEAD 1

MELLOW SAW LEAD

SEQUENCE SAW 1

SINE LEAD

238

239

240

241

242

243

244

A

A

A

A

A

A

A

16

16

32

16

16

32

32

6

8

2

2

1

8

4

61

62

62

63

62

56

56

9

3

80

81

VELO.SINE LEAD

SS LEAD

245

246

C

C

16

32

4

1

57

57

CELLO SECTION

1

141

A-2

OCTAVE PIZZICATO

DOUBLE VIOLA

HARP 2

CHORUS HARP

ENSEMBLE

142

143

144

145

STRINGS

SLOW STRINGS 1

WIDE STRINGS

OCTAVE STRINGS 1

CHAMBER

146

147

148

149

150

STRINGS SFZ

SYNTH-STRINGS 1

SYNTH-STRINGS 2

SYNTH-STRINGS 3

CHOIR AAHS

CHOIRS 1

151

152

153

154

155

156

VOICE DOO

SYNTH-VOICE 1

SYNTH-VOICE PAD

ORCHESTRA HIT

HARP & STRINGS

157

158

159

160

161

FLUTE & STRINGS

ORCHESTRA STRINGS

SLOW STRINGS 2

STRINGS VOICE

OCTAVE STRINGS 2

FAST SYNTH STRINGS

SLOW CHOIR

CHOIR STRINGS

162

163

164

165

166

167

168

169

CHOIRS 2

VOICE UUH

SYNTH-VOICE 2

CHORUS SYNTH-VOICE

BRASS

TRUMPET

170

171

172

173

174

TROMBONE

TUBA 1

MUTE TRUMPET

FRENCH HORN

175

176

177

178

HORN ORCHESTRA

BRASS

BRASS SECTION 1

BRASS SFZ

BRASS & STRINGS

HARD BRASS

BRASS SECTION 2

179

180

181

182

183

184

185

ANALOG SYNTH-BRASS 1

SYNTH-BRASS 1

SYNTH-BRASS 2

TRANCE BRASS

MELLOW TRUMPET

VELO.TRUMPET

VELO.TROMBONE

MELLOW TROMBONE

186

187

188

189

190

191

192

193

A

A

A

32

32

32

0

0

0

36

37

38

3456

2

GM SLAP BASS 1

GM SLAP BASS 2

GM SYNTH-BASS 1

1

411

409

410

A

A

A

32

16

16

A

A

A

A

A

A

A

32

32

32

32

32

32

32

0

0

0

0

0

0

0

39

40

41

42

43

44

45

GM SYNTH-BASS 2

GM VIOLIN

GM VIOLA

GM CELLO

GM CONTRABASS

GM TREMOLO STRINGS

GM PIZZICATO

412

413

414

415

416

417

418

A

A

A

A

A

A

A

32

32

32

16

32

16

32

A

A

A

32

32

32

0

0

0

46

47

48

GM HARP

GM TIMPANI

GM STRINGS 1

419

420

421

A

A

A

16

16

16

A

A

A

A

A

A

A

32

32

32

32

32

16

16

0

0

0

0

0

0

0

49

50

51

52

53

54

55

GM STRINGS 2

GM SYNTH-STRINGS 1

GM SYNTH-STRINGS 2

GM CHOIR AAHS

GM VOICE DOO

GM SYNTH-VOICE

GM ORCHESTRA HIT

422

423

424

425

426

427

428

A

A

A

A

A

A

16

16

16

16

32

32

A

A

A

A

A

32

32

32

32

16

0

0

0

0

0

56

57

58

59

60

GM TRUMPET

GM TROMBONE

GM TUBA

GM MUTE TRUMPET

GM FRENCH HORN

429

430

431

432

433

A

A

A

A

A

16

32

16

32

16

A

A

A

A

A

A

A

32

32

16

32

32

32

32

0

0

0

0

0

0

0

61

62

63

64

65

66

67

GM BRASS

GM SYNTH-BRASS 1

GM SYNTH-BRASS 2

GM SOPRANO SAX

GM ALTO SAX

GM TENOR SAX

GM BARITONE SAX

434

435

436

437

438

439

440

A

A

A

A

A

A

A

32

32

32

32

16

32

32

A

A

A

A

A

A

32

32

32

32

32

32

0

0

0

0

0

0

68

69

70

71

72

73

GM OBOE

GM ENGLISH HORN

GM BASSOON

GM CLARINET

GM PICCOLO

GM FLUTE

441

442

443

444

445

446

A

A

A

A

A

A

32

32

16

16

16

16

Appendix/Apéndice

A

A

A

A

A

A

A

A

A

A

32

32

16

16

32

32

16

16

16

16

0

0

0

0

0

0

0

0

0

0

74

75

76

77

78

79

80

81

82

83

GM RECORDER

GM PAN FLUTE

GM BOTTLE BLOW

GM SHAKUHACHI

GM WHISTLE

GM OCARINA

GM SQUARE LEAD

GM SAW LEAD

GM CALLIOPE

GM CHIFF LEAD

447

448

449

450

451

452

453

454

455

456

A

A

A

A

A

A

A

A

A

A

16

32

16

32

16

32

32

32

32

32

A

A

A

A

A

16

16

16

16

16

0

0

0

0

0

84

85

86

87

88

GM CHARANG

GM VOICE LEAD

GM FIFTH LEAD

GM BASS+LEAD

GM FANTASY

457

458

459

460

461

A

A

A

A

A

32

32

32

32

32

A

A

16

16

0

0

89

90

GM WARM PAD

GM POLYSYNTH

462

463

A

A

32

32

8

1

16

72

3456

111

107

2

DI ZI

YANG QIN & ER HU

ZHENG

1

355

356

357

A

A

A

16

16

16

1

2

2

98

99

3456

100

2

8

32

32

111

105

109

SUO NA

PI PA 1

SHENG

358

359

360

A

A

A

16

16

16

2

2

2

101

102

103

5

107

KOTO PAD

361

A

16

8

103

3

104

SITAR 2

362

A

16

1

88

8

4

104

104

TAMBRA

SITAR PAD

363

364

A

A

16

16

4

5

89

89

8

4

105

105

RABAB

PI PA 2

365

366

A

A

16

16

1

1

89

90

3

4

3

4

106

107

107

106

SHAMISEN 2

DETUNE KOTO

SYNTH-KOTO

SHAMISEN & TAIKO

367

368

369

370

A

A

A

A

16

16

16

16

6

4

2

1

89

90

91

91

32

16

77

15

XIAO

SANTUR

371

372

A

A

16

16

1

3

92

93

0

0

0

1

GM TONES

GM PIANO 1

GM PIANO 2

373

374

A

A

A

16

16

16

4

1

1

93

93

94

0

0

0

0

2

3

4

5

GM PIANO 3

GM HONKY-TONK

GM E.PIANO 1

GM E.PIANO 2

375

376

377

378

A

A

A

A

16

16

16

16

4

2

1

1

94

95

95

96

0

0

0

0

0

0

0

6

7

8

9

11

10

12

GM HARPSICHORD

GM CLAVI

GM CELESTA

GM GLOCKENSPIEL

GM MUSIC BOX

GM VIBRAPHONE

GM MARIMBA

379

380

381

382

383

384

385

A

A

A

A

A

A

A

16

16

16

16

16

16

16

3

3

1

5

3

8

16

96

97

97

98

98

98

98

0

0

0

0

0

0

13

14

15

16

17

18

GM XYLOPHONE

GM TUBULAR BELL

GM DULCIMER

GM ORGAN 1

GM ORGAN 2

GM ORGAN 3

386

387

388

389

390

391

A

A

A

A

A

A

16

16

16

16

16

16

5

1

1

3

1

3

99

99

100

100

102

102

0

0

0

0

0

0

19

20

21

22

23

24

GM PIPE ORGAN

GM REED ORGAN

GM ACCORDION

GM HARMONICA

GM BANDONEON

GM NYLON STR.GUITAR

392

393

394

395

396

397

A

A

A

A

A

16

16

16

16

32

4

1

2

1

2

102

103

104

104

105

0

25

GM STEEL STR.GUITAR

398

A

32

1

105

0

0

0

0

26

27

28

29

GM JAZZ GUITAR

GM CLEAN GUITAR

GM MUTE GUITAR

GM OVERDRIVE GT

399

400

401

402

A

A

A

A

32

32

16

32

2

1

2

2

106

106

107

108

0

0

0

0

0

0

30

31

32

33

34

35

GM DISTORTION GT

GM GT HARMONICS

GM ACOUSTIC BASS

GM FINGERED BASS

GM PICKED BASS

GM FRETLESS BASS

403

404

405

406

407

408

A

A

A

A

A

A

32

16

32

32

32

16

2

2

8

9

8

9

15

111

114

15

110

110

SOFT CRYSTAL

1

301

ATMOSPHERE

BRIGHTNESS 1

GOBLIN

ECHO PAD

STAR THEME 1

302

303

304

305

306

SPACE PAD

307

NEW AGE PAD

308

SOFT PAD

309

HORN PAD

310

THICK PAD

311

POLYSYNTH 2

OLD TAPE PAD

POLYSYNTH PAD 2

HEAVEN

312

313

314

315

UTOPIA

316

SQUARE PAD

317

SOFT METAL PAD

318

HARD METAL PAD

319

TINE PAD

320

CHORUS PAD

321

ORGAN CHOIR PAD

322

SWEEP PAD

323

SWEEP CHOIR

CLAVI PAD

RAIN DROP 2

SOUND TRACK 2

SPACE VOICE

324

325

326

327

328

CHORAL BELL

GLOCKENSPIEL CHIME

CHRISTMAS BELL

VIBRAPHONE BELL

NYLON+EP

CELESTA PAD

BRIGHT BELL PAD

BRIGHTNESS 2

329

330

331

332

333

334

335

336

ECHO VOICE

ECHO DROP

POLY DROP

STAR THEME 2

ETHNIC/CHINESE

337

338

339

340

SITAR 1

341

WARM SITAR

342

BANJO

MUTE BANJO

SHAMISEN 1

TSUGARU

343

344

345

346

KOTO

THUMB PIANO

SHANAI

STEEL DRUMS

347

348

349

350

ER HU 1

ER HU 2

YANG QIN 1

351

352

353

YANG QIN 2

354

A-3

Appendix/Apéndice

........Notes in these ranges are produced by playing the notes in range b that are in the

nearest octave as the result of transpose and message receive operations.

........Las notas en estas gamas se producen ejecutando las notas en la gama b que se

encuentre en la octava más cercana como resultado de las operaciones de

transposición y recepción de mensajes.

a

........Keyboard range

........Gama del teclado

b

........Available range (using transpose or message receive)

........Gama disponible (usando la transposición o recepción de mensajes)

c

C-1 C9C8C7

G7

C6C5C4C3

C2C1

C0

E0

E1

E2

G6 G8 G9























A=440Hz

No scale for tones.

Sin escala para los sonidos.

D

(Sound Effect)

(Efecto de sonido)

B

“040 GLOCKENSPIEL”/

“052 CHORUS GLOCKENSPIEL”/

“222 PICCOLO 1”/

“233 PICCOLO 2”

C

Instrumentos de

altura tonal baja

Low pitch

instruments

Range Type/Tipo de gama

A

(Standard type)

(Tipo estándar)

“040 GLOCKENSPIEL”/

“052 CHORUS GLOCKENSPIEL”/

“222 PICCOLO 1”/

“233 PICCOLO 2”

<CTK-810>

<WK-110>

<CTK-810>

<WK-110>

<CTK-810>

<WK-110>

• The meaning of each range type is described below.

NOTE

• El significado de cada tipo de gama se describe debajo.

NOTA

3456

2

1

A-4

A

A

16

16

0

0

91

92

GM SPACE CHOIR

GM BOWED GLASS

464

465

A

16

0

93

GM METAL PAD

466

A

A

16

16

0

0

94

95

GM HALO PAD

GM SWEEP PAD

467

468

A

A

A

A

A

A

16

16

16

16

16

16

0

0

0

0

0

0

96

97

98

99

100

101

GM RAIN DROP

GM SOUND TRACK

GM CRYSTAL

GM ATMOSPHERE

GM BRIGHTNESS

GM GOBLINS

469

470

471

472

473

474

A

A

A

16

16

16

0

0

0

102

103

104

GM ECHOES

GM SF

GM SITAR

475

476

477

A

A

A

32

32

32

0

0

0

105

106

107

GM BANJO

GM SHAMISEN

GM KOTO

478

479

480

A

A

A

A

32

16

32

32

0

0

0

0

111

110

108

109

GM THUMB PIANO

GM BAGPIPE

GM FIDDLE

GM SHANAI

481

482

483

484

A

A

A

D

32

32

16

32

0

0

0

0

112

113

114

115

GM TINKLE BELL

GM AGOGO

GM STEEL DRUMS

GM WOOD BLOCK

485

486

487

488

D

32

0

116

GM TAIKO

489

A

D

D

D

32

32

32

32

0

0

0

0

117

118

119

120

GM MELODIC TOM

GM SYNTH-DRUM

GM REVERSE CYMBAL

GM GT FRET NOISE

490

491

492

493

A

D

D

D

D

32

16

16

32

32

0

0

0

0

0

121

122

123

124

125

GM BREATH NOISE

GM SEASHORE

GM BIRD

GM TELEPHONE

GM HELICOPTER

494

495

496

497

498

D

D

D

D

D

D

16

32

0

0

120

120

120

120

0

1

2

126

127

GM APPLAUSE

GM GUNSHOT

DRUM SET

499

500

4

STANDARD SET 1

STANDARD SET 2

STANDARD SET 3

STANDARD SET 4

501

502

503

504

D

D

D

D

120

120

120

120

8

16

65

64

ROOM SET

POWER SET

ROCK SET

HIPHOP SET

505

506

507

508

D

D

D

D

D

D

120

120

120

120

120

120

24

25

30

31

32

40

ELECTRONIC SET

SYNTH SET 1

SYNTH SET 2

TRANCE SET

JAZZ SET

BRUSH SET

511

509

510

512

513

514

D

120

48

ORCHESTRA SET

515

C-1

D-1

E-1

F-1

G-1

A-1

B-1

C0

D0

E0

F0

G0

A0

B0

C1

D1

E1

F1

G1

A1

B1

C2

D2

E2

F2

G2

A2

B2

C3

D3

E3

F3

G3

A3

B3

C4

D4

E4

F4

G4

A4

B4

C5

D5

E5

F5

G5

A5

B5

C6

D6

E6

F6

G6

A6

B6

C7

D7

E7

1

3

5

6

8

10

12

13

15

17

18

20

22

24

25

27

29

30

32

34

36

37

39

41

42

44

46

48

49

51

53

54

56

58

60

61

63

65

66

68

70

72

73

75

77

78

80

82

84

85

87

89

90

92

94

96

97

99

101



















































Key/

Note number

DRUMS SET LIST

2

4

7

9

11

14

16

19

21

23

26

28

31

33

35

38

40

43

45

47

50

52

55

57

59

62

64

67

69

71

74

76

79

81

83

86

88

91

93

95

98

100

C#-1

E

-1
F#-1

A

-1
B

-1

C#0

E

0

F#0

A

0

B

0

C#1

E

1

F#1

A

1

B

1

C#2

E

2

F#2

A

2

B

2

C#3

E

3

F#3

A

3

B

3

C#4

E

4

F#4

A

4

B

4

C#5

E

5

F#5

A

5

B

5

C#6

E

6

F#6

A

6

B

6

C#7

E

7

SYNTH SET 2

TRANCE SET JAZZ SET BRUSH SET

ORCHESTRA SET

———————————————————————————씯씯씯씯씯씯씯씯

Synth2 Kick 2

Synth2 Kick 1씯Synth2 Snare 1씯Synth2 Snare 2씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯Synth1 Cowbell씯씯씯씯씯씯씯씯씯씯씯씯씯Synth1 Maracas씯씯씯씯

Synth1 Claves씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯—————————

—

——————————————————————————Trance Open Hi-Hat 3

씯씯씯씯씯씯씯씯Synth2 Kick 2

Trance Kick

Side Stick 2

Trance Snare 1

Hand Clap 3

Trance Snare 2씯Trance Closed Hi-Hat

씯

Trance Open Hi-Hat 1

씯

Trance Open Hi-Hat 2

씯씯씯씯씯씯씯

Trance Tambourine씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯——————————

———————————————————————————씯씯씯씯씯씯씯씯

Jazz Kick 2

Jazz Kick 1씯Brush Snare 1

Brush Slap

Brush Snare 2씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯——————————

———————————————————————————

Closed Hi-Hat

Pedal Hi-Hat

Open Hi-Hat

Ride Cymbal 1씯씯씯씯

Jazz Kick 1

Concert BD 1씯Concert SD

Castanets

Concert SD

Timpani F

Timpani F#

Timpani G

Timpani G#

Timpani A

Timpani A#

Timpani B

Timpani c

Timpani c#

Timpani d

Timpani d#

Timpani e

Timpani f씯씯씯Concert Cymbal 2씯Concert Cymbal 1씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯—————————

—

———————————————————————————씯씯씯씯씯씯씯씯

Jazz Kick 2

Jazz Kick 1씯Jazz Snare 1씯Jazz Snare 2씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯——————————

STANDARD SET 1 STANDARD SET 2 STANDARD SET 3

ROOM SET

POWER SET

ROCK SET HIP-HOP SET

ELECTRONIC SET

SYNTH SET 1

STANDARD SET 4

———————————————————————————

High Q

Slap

Scratch Push

Scratch Pull

Sticks

Square Click

Metronome Click

Metronome Bell

Standard1 Kick 2

Standard1 Kick 1

Side Stick 1

Standard1 Snare 1

Hand Clap 1

Standard1 Snare 2

Low Tom 2

Closed Hi-Hat

Low Tom 1

Pedal Hi-Hat

Mid Tom 2

Open Hi-Hat

Mid Tom 1

High Tom 2

Crash Cymbal 1

High Tom 1

Ride Cymbal 1

Chinese Cymbal

Ride Bell

Tambourine

Splash Cymbal

Cowbell

Crash Cymbal 2

Vibraslap

Ride Cymbal 2

High Bongo

Low Bongo

Mute High Conga

Open High Conga

Open Low Conga

High Timbale

Low Timbale

High Agogo

Low Agogo

Cabasa

Maracas

Short High Whistle

Long Low Whistle

Short Guiro

Long Guiro

Claves

High Wood Block

Low Wood Block

Mute Cuica

Open Cuica

Mute Triangle

Open Triangle

Shaker

Jingle Bell

Bell Tree

Castanets

Mute Surdo

Open Surdo

Applause 1

Applause 2

Fanfare——————————

———————————————————————————씯씯씯씯씯씯씯씯

Standard2 Kick 2

Standard2 Kick 1씯Standard2 Snare 1

Hand Clap 2

Standard2 Snare 2씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯——————————

———————————————————————————씯씯씯씯씯씯씯씯

Standard3 Kick 2

Standard3 Kick 1씯Standard3 Snare 1씯Standard3 Snare 2

Low Tom 4

Standard3 Closed Hi-Hat

Low Tom 3

Standard3 Pedal Hi-Hat

Mid Tom 4

Standard3 Open Hi-Hat

Mid Tom 3

High Tom 4

Crash Cymbal 3

High Tom 3

Ride Cymbal 3씯씯씯씯씯Crash Cymbal 4씯Ride Cymbal 4씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯—————————

—

Standard4 Kick 1

Standard4 Kick 2

Standard4 Kick 3

Standard4 Snare 1

Standard4 Snare 2

Standard4 Snare 3

Standard4 Closed Hi-Hat 1

Standard4 Closed Hi-Hat 2

Standard4 Open Hi-Hat 1

Standard4 Open Hi-Hat 2

—————————————————씯씯씯씯씯씯씯씯

Standard4 Kick 2

Standard3 Kick 1

Side Stick 3

Standard4 Snare 2씯Standard4 Snare 4

씯

Standard4 Closed Hi-Hat 2

씯

Rock Pedal Hi-Hat

씯

Standard4 Open Hi-Hat 2

씯씯Rock Crash Cymbal씯씯씯씯씯씯씯Crash Cymbal 4씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯—————————

—

———————————————————————————씯씯씯씯씯씯씯씯

Power K ick 2

Power K ick 1씯Power Snare 1씯Power Snare 2

Power Low Tom 2씯Power Low Tom 1씯Power Mid Tom 2씯Power Mid Tom 1

Power High Tom 2씯Power High Tom 1씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯——————————

———————————————————————————씯씯씯씯씯씯씯씯

Rock Kick 2

Rock Kick 1씯Rock Snare 1씯Rock Snare 2

Low Tom 4

Rock Closed Hi-Hat

Low Tom 3

Rock Pedal Hi-Hat

Mid Tom 4

Rock Open Hi-Hat

Mid Tom 3

High Tom 4

Rock Crash Cymbal

High Tom 3

Ride Cymbal 3씯씯씯Rock Splash Cymbal씯Crash Cymbal 4씯Ride Cymbal 4씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯—————————

—

———————————————————————————씯씯씯씯씯씯씯씯

Room Kick 2

Room Kick 1씯Room Snare 1씯Room Snare 2

Room Low Tom 2씯Room Low Tom 1씯Room Mid Tom 2씯Room Mid Tom 1

Room High Tom 2씯Room High Tom 1씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯——————————

———————————————————————————씯씯씯씯씯씯씯씯

Elec. Kick 2

Elec. Kick 1씯Elec. Snare 1씯Elec. Snare 2

Elec. Low Tom 2씯Elec. Low Tom 1씯Elec. Mid Tom 2씯Elec. Mid Tom 1

Elec. High Tom 2씯Elec. High Tom 1씯Reverse Cymbal씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯——————————

———————————————————————————씯씯씯씯씯씯씯씯

Synth1 Kick 2

Synth1 Kick 1

Synth1 Rim Shot

Synth1 Snare 1

Hand Clap 2

Synth1 Snare 2

Synth1 Low Tom 2

Synth1 Closed HH 1

Synth1 Low Tom 1

Synth1 Closed HH 2

Synth1 Mid Tom 2

Synth1 Open HH

Synth1 Mid Tom 1

Synth1 High Tom 2

Synth1 Crash Cymbal

Synth1 High Tom 1

Synth1 Ride Cymbal

씯씯Synth1 Tambourine씯Synth1 Cowbell씯씯씯Synth1 High Bongo

Synth1 Low Bongo

Synth1 Mute Hi Conga

Synth1 Open Hi Conga

Synth1 Open Low Conga씯씯씯씯씯Synth1 Maracas씯씯씯씯

Synth1 Claves씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯—————————

—

———————————————————————————씯씯씯씯씯씯씯씯

HipHop Kick 2

HipHop Kick 1

Side Stick 2

HipHop Snare 1

Hand Clap 3

HipHop Snare 2

Low Tom 4

HipHop Closed Hi-Hat

Low Tom 3

HipHop Pedal Hi-Hat

Mid Tom 4

HipHop Open Hi-Hat

Mid Tom 3

High Tom 4

Crash Cymbal 3

High Tom 3

Ride Cymbal 3씯씯씯Rock Splash Cymbal씯Crash Cymbal 4씯Ride Cymbal 4씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯씯—————————

—

Appendix/Apéndice

ón de batería

Drum Assignment List/Lista de asignaci

A-5

➝

➝

F7

G7

A7

B7

C8

D8

E8

F8

G8

A8

B8

C9

D9

E9

F9

G9

102

104

106

108

109

111

113

114

116

118

120

121

123

125

126

128

F#7

A 7

B 7

C#8

E 8

F#8

A 8

B 8

C#9

E 9

F#9













Key/

Note number

DRUMS SET LIST

103

105

107

110

112

115

117

119

122

124

127

SYNTH SET 2

TRANCE SET JAZZ SET BRUSH SET

ORCHESTRA SET

———————씯씯씯씯씯—————씯—————————

———————씯씯씯씯씯—————씯—————————

———————씯씯씯씯씯—————씯—————————

———————씯씯씯씯씯—————씯—————————

———————씯씯씯씯씯—————씯—————————

STANDARD SET 1 STANDARD SET 2 STANDARD SET 3

ROOM SET

POWER SET

ROCK SET HIP-HOP SET

ELECTRONIC SET

SYNTH SET 1

STANDARD SET 4

———————

One

Two

Three

Four

Five—————Piko Piko————————

—

———————씯씯씯씯씯—————씯—————————

———————씯씯씯씯씯—————씯—————————

———————씯씯씯씯씯—————씯—————————

———————씯씯씯씯씯—————씯—————————

———————씯씯씯씯씯—————씯—————————

———————씯씯씯씯씯—————씯—————————

———————씯씯씯씯씯—————씯—————————

———————씯씯씯씯씯—————씯—————————

———————씯씯씯씯씯—————씯—————————

Appendix/Apéndice

” Indicates the same sound as STANDARD SET 1.

” Indica el mismo sonido que STANDARD SET 1.

A-6

•“

NOTE

•“

NOTA

FINGERED Chord Chart
Cuadro de acordes digitados

Chord

Type

Root

C

C/(D)

D

(D)/E

E

F

F/(G)

G

(G)/A

A

(A)/B

B







mM

Appendix/Apéndice

M77 m7 dim7

*

*

*

dim m7

-5

Chord

Type

Root

C

C/(D)

D

(D)/E

E

F

F/(G)

G

(G)/A

A

(A)/B

B

sus4aug add97

7sus4 m add9 mM7

-5

<CTK-810 only>

* These chords can be

fingered if you expand the
accompaniment area of the
keyboard by changing the
split point. For details, see
“Using Split” on page E-45.



<Sólo CTK-810>

* Estos acordes se pueden

digitar si expande el área
de acompañamiento del
teclado cambiando el punto
de división. Para más
información, vea “Usando
la división” en la página
S-45.





*

*

A-7

Appendix/Apéndice

Rhythm List
Lista de ritmos

8 BEAT / 16 BEAT

001 STRAIGHT 8 BEAT
002 MELLOW 8 BEAT
003 MODERN 8 BEAT
004 GUITAR 8 BEAT
005 8 BEAT POP
006 8 BEAT
007 60’S 8 BEAT
008 16 BEAT 1
009 16 BEAT 2
010 16 BEAT SHUFFLE 1
011 16 BEAT SHUFFLE 2

BALLAD

012 MODERN BALLAD
013 SLOW BALLAD
014 16 BEAT BALLAD
015 SOUL BALLAD
016 POP BALLAD 1
017 POP BALLAD 2
018 6/8 BALLAD
019 ROCK BALLAD 1
020 ROCK BALLAD 2

DANCE

021 HIP-HOP
022 RAP POP
023 DANCE POP
024 DISCO POP
025 TECHNO POP
026 TRANCE
027 MODERN R&B 1
028 MODERN R&B 2
029 MODERN DANCE
030 DISCO SOUL

POPS

031 POP 1
032 POP 2
033 POP ROCK
034 GUITAR POP
035 FAST SOUL
036 SLOW SOUL
037 60’S SOUL

ROCK

038 SHUFFLE ROCK 1
039 SHUFFLE ROCK 2
040 BLUES
041 SOFT ROCK
042 LATIN ROCK
043 MODERN ROCK
044 SLOW ROCK
045 NEW ORLNS R&R
046 ROCK WALTZ

JAZZ

047 SLOW BIG BAND
048 MIDDLE BIG BAND
049 FAST BIG BAND
050 SWING 1
051 SWING 2
052 SLOW SWING
053 JAZZ WALTZ 1
054 JAZZ WALTZ 2
055 FOX TROT
056 QUICKSTEP
057 JAZZ COMBO 1

EUROPEAN

058 SCHLAGER
059 POLKA
060 POP POLKA
061 WALTZ 1
062 SLOW WALTZ
063 VIENNESE WALTZ
064 FRENCH WALTZ
065 SERENADE
066 TANGO
067 MARCH 1
068 MARCH 2

LATIN

069 BOSSA NOVA 1
070 BOSSA NOVA 2
071 BEGUINE
072 SAMBA 1
073 SAMBA 2
074 MAMBO
075 RHUMBA
076 CHA-CHA-CHA
077 MERENGUE
078 BOLERO
079 SALSA
080 REGGAE
081 POP REGGAE
082 PUNTA
083 SKA

VARIOUS

084 COUNTRY 8 BEAT
085 COUNTRY BALLAD
086 COUNTRY SHUFFLE
087 BLUEGRASS
088 DIXIE
089 TEX-MEX
090 FAST GOSPEL
091 SLOW GOSPEL
092 PASODOBLE
093 FOLKLORE

094 SIRTAKI
095 HAWAIIAN
096 ADANI
097 BALADI
098 ENKA
099 SYMPHONY
100 STR QUARTET

FOR PIANO

101 PIANO 8 BEAT
102 PIANO BALLAD 1
103 PIANO BALLAD 2
104 EP BALLAD 1
105 EP BALLAD 2
106 BLUES BALLAD
107 JAZZ COMBO 2
108 JAZZ COMBO 3
109 RAGTIME
110 PIANO ROCK & ROLL
111 BOOGIE-WOOGIE
112 ARPEGGIO 1
113 ARPEGGIO 2
114 ARPEGGIO 3
115 6/8 MARCH
116 MARCH 3
117 STRIDE PIANO
118 WALTZ 2
119 WALTZ 3
120 WALTZ 4

NOTE

• Some rhythms (No. 110, 112 to 120)
consist of chord accompaniments
only, without any drums or other
percussion instruments. Such
rhythms do not sound unless CASIO
CHORD, FINGERED, or FULL
RANGE CHORD is selected as the
accompaniment mode.

NOTA

• Algunos ritmos (NO 110, 112 a 120)
consisten solamente de los
acompañamientos de acordes, sin
ninguna batería ni otros instrumentos
de percusión. Tales ritmos no suenan
a menos que CASIO CHORD,
FINGERED o FULL RANGE CHORD
se seleccione como el modo de
acompañamiento.

A-8

Song List/Lista de canciones

SONG BANK List
Lista SONG BANK

Appendix/Apéndice

DEMO TUNES

CTK-810

001 GROOVEE!
002 WHATEVER WILL BE WILL BE (QUE SERA SERA)

003 ARIANFOR

WK-110

001 ARIANFOR
002 WHATEVER WILL BE WILL BE (QUE SERA SERA)
003 GROOVEE!

EVENT

004 WE WISH YOU A MERRY CHRISTMAS
005 JINGLE BELLS

006 SILENT NIGHT
007 JOY TO THE WORLD

008 O CHRISTMAS TREE

WORLD

009 WHEN THE SAINTS GO MARCHING IN
010 GREENSLEEVES

011 SWING LOW, SWEET CHARIOT
012 AMAZING GRACE

013 AULD LANG SYNE
014 TWINKLE TWINKLE LITTLE STAR
015 LIGHTLY ROW
016 UNDER THE SPREADING CHESTNUT TREE
017 COME BIRDS
018 THE MUFFIN MAN

019 LONG LONG AGO
020 DID YOU EVER SEE A LASSIE?

021 LONDON BRIDGE
022 THE FARMER IN THE DELL

023 ON THE BRIDGE OF AVIGNON
024 SIPPIN’ CIDER THROUGH A STRAW

025 GRANDFATHER’S CLOCK
026 MICHAEL ROW THE BOAT ASHORE
027 ANNIE LAURIE
028 MY BONNIE
029 MY DARLING CLEMENTINE
030 HOME SWEET HOME

031 ON TOP OF OLD SMOKEY
032 I’VE BEEN WORKING ON THE RAILROAD

033 LITTLE BROWN JUG
034 AURA LEE

035 OH! SUSANNA
036 HOUSE OF THE RISING SUN

037 SHE WORE A YELLOW RIBBON
038 CAMPTOWN RACES
039 SWANEE RIVER (OLD FOLKS AT HOME)
040 JEANNIE WITH THE LIGHT BROWN HAIR
041 YANKEE DOODLE
042 RED RIVER VALLEY

043 TURKEY IN THE STRAW
044 MY OLD KENTUCKY HOME

045 HOME ON THE RANGE
046 JAMAICA FAREWELL

047 ALOHA OE
048 SAKURA SAKURA

049 SANTA LUCIA
050 WALTZING MATILDA

CONCERT PIECES

051 FÜR ELISE
052 TURKISH MARCH (MOZART)

053 PIANO SONATA op.27-2 “MOONLIGHT” 1st Mov.
054 ETUDE op.10-3 “CHANSON DE L’ADIEU”

055 GYMNOPÉDIES no.1
056 THE ENTERTAINER
057 MAPLE LEAF RAG
058 HUNGARIAN DANCES no.5
059 TRÄUMEREI
060 LA FILLE AUX CHEVEUX DE LIN

061 HUMORESKE (DVO
062 PROMENADE FROM “TABLEAUX D’UNE EXPOSITION”

063 MOMENTS MUSICAUX op.94-3
064 LE CYGNE FROM “LE CARNAVAL DES ANIMAUX”

065 VALSE op.64-1 “PETIT CHIEN”
066 CHANSON DU TOREADOR FROM “CARMEN”

067 LARGO (HÄNDEL)
068

WEDDING MARCH FROM “MIDSUMMER NIGHT’S DREAM”
069 AMERICAN PATROL
070 CSIKOS POST
071 DOLLY’S DREAMING AND AWAKENING

072 LA CHEVALERESQUE
073 PIANO SONATA K.545 1st Mov.

074 LA PRIÈRE D’UNE VIERGE
075 MARCIA ALLA TURCA

076 NOCTURNE op.9-2 (CHOPIN)
077 LIEBESTRÄUME no.3

078 MARCHE MILITAIRE no.1
079 BLUMENLIED
080 GRANDE VALSE BRILLANTE op.18-1

ETUDES

081 MINUET IN G MAJOR
082 GAVOTTE (GOSSEC)
083 ARABESQUE (BURGMÜLLER)
084 CHOPSTICKS

085 FRÖHLICHER LANDMANN
086 INVENTIONEN no.1

087 AVE MARIA (GOUNOD)
088 JESUS BLEIBET MEINE FREUDE

089 CANON (PACHELBEL)
090 SONATINA op.36-1 1st Mov.

091 PIANO SONATA op.13 “PAT HÉTIQUE” 2nd Mov.
092 PRELUDE op.28-7 (CHOPIN)
093 JE TE VEUX
094 RÊVERIE
095 ODE TO JOY
096 SERENADE FROM “EINE KLEINE NACHTMUSIK”

097 MARCH FROM “THE NUTCRACKER”
098 GOING HOME FROM “FROM THE NEW WORLD”

099 BEAUTIFUL DREAMER
100 DANNY BOY

101 - 105

User Songs/Canciones del usuario

ÁK)

A-9

Version: 1.0

Remarks

= no relation

página A-1.

*1: See Tone List on page A-1.

*1: Vea la lista de sonidos en la

= sin relación

XX

XX

XX

v =

Bank select

Modulation

Data entry

Volume

Pan

Expression

Hold1

Sostenuto

CTK-810/WK-110

1-16

1-16

Recognized

1

1-16

Transmitted

Function ...

X

Mode 3

0-127

0 - 127 *1

❊❊❊❊❊❊❊❊❊❊❊❊❊❊

X

Mode 3

28 -103 (WK-110)

36 - 96 (CTK-810)

❊❊❊❊❊❊❊❊❊❊❊❊❊❊

Default

Altered

❊❊❊❊❊❊❊❊❊❊❊❊❊❊

X

v = 1-127

v = 0, 8nH

9nH

O*2

O

9nH
X

X

X

8nH v = 64

9nH v = 1-127

X

O

Note OFF

O

O

O

O

O

O*2

X

O

1

0, 32

O*3

X

X

6, 38

O

X

O

X

X

O*4

O*4

11

64

66

MIDI messages that can be sent and received using the USB port

Models

Los mensajes MIDI pueden enviarse y recibirse usando el puerto USB

Basic Default

Channel Changed

Mode Messages

Note

Number: True voice

Velocity Note ON

After Key's

Touch Ch's

Pitch Bender

Control 7

Change 10

Soft pedal

Reverb send

Chorus send

RPN LSB, MSB

O

O

O

O*3

X

X

O

O*4

All sound off

Reset all controller

O

O

0-127
O

❊❊❊❊❊❊❊❊❊❊❊❊❊❊

X

O

0-127
O

: Yes

: No

O

X

GM DESACTIVADO: [F0] [7E] [7F] [09] [02] [F7]

vv=00: Room1, 01: Room2, 04: Hall1, 03: Hall2

vv=00: Chorus1, 01: Chorus2, 02: Chorus3, 03: Chorus4

La modulación y después del toque para cada canal tienen el mismo efecto.

FINE TUNE, recepción COARSE TUNE, y PITCH BEND SENSE, recepción RPN Null

De acuerdo con el ajuste de la toma asignable

• Tipo de reverberación [F0] [7F] [7F] [04] [05] [01] [01] [01] [01] [01] [00] [vv] [F7]

• Tipo de Chorus [F0] [7F] [7F] [04] [05] [01] [01] [01] [01] [02] [00] [vv] [F7]

2

3

X

X

X

X

X

O*5 *6

X

X

O*5

X

O

X

O

X

O

O

*

X

O

X

X

• Afinación fina maestro [F0] [7F] [7F] [04] [03] [ll] [mm] [F7]

4

5

*

*

*

Los bytes de orden inferior [II] se suponen que son 00H.

• Activación/desactivación GM GM ACTIVADO: [F0] [7E] [7F] [09] [01] [F7]

• Afinación aproximada maestro [F0] [7F] [7F] [04] [04] [ll] [mm] [F7]

• [II] indica bytes de orden inferior, y [mm] indica bytes de orden superior.

• Volumen maestro [F0] [7F] [7F] [04] [01] [ll] [mm] [F7]

6

*

67

91

93

120

121

100, 101

❊❊❊❊❊❊❊❊❊❊❊❊❊❊

Program

Change: True #

System Exclusive

System : Song Pos

Common : Song Sel

: Tune

System : Clock

Commands

: Local ON/OFF

: All notes OFF

Aux

Real Time :

vv=00: Room1, 01: Room2, 04: Hall1, 03: Hall2

Modulation and after touch for each channel are the same effect.

2

*

vv=00: Chorus1, 01: Chorus2, 02: Chorus3, 03: Chorus4

FINE TUNE, COARSE TUNE receive, and PITCH BEND SENSE, RPN Null receive

In accordance with sustain/assignable jack setting

• Reverb Type [F0] [7F] [7F] [04] [05] [01] [01] [01] [01] [01] [00] [vv] [F7]

• Chorus Type [F0] [7F] [7F] [04] [05] [01] [01] [01] [01] [02] [00] [vv] [F7]

3

4

5

*

*

*

Low-order bytes [ll] are assumed to be 00H.

GM on/off GM ON : [F0] [7E] [7F] [09] [01] [F7] GM OFF : [F0] [7E] [7F] [09] [02] [F7]

• Master Fine Tune [F0] [7F] [7F] [04] [03] [ll] [mm] [F7]

•

• Master Coarse Tune [F0] [7F] [7F] [04] [04] [ll] [mm] [F7]

• Master Volume [F0] [7F] [7F] [04] [01] [ll] [mm] [F7]

• [ll] indicates low-order bytes, [mm] indicates high order bytes.

6

*

: Reset

Messages : Active Sense

Remarks

Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO

This recycle mark indicates that the packaging conforms to
the environmental protection legislation in Germany.

Esta marca de reciclaje indica que el empaquetado se
ajusta a la legislación de protección ambiental en Alemania.

CASIO COMPUTER CO.,LTD.

6-2, Hon-machi 1-chome

Shibuya-ku, Tokyo 151-8543, Japan

C

MA0702-A Printed in China

CTK810/WK110ES1A