Boss BR1200CD User Manual

Operation

Basic

Owner’s Manual

Thank you, and congratulations on your choice of the BOSS BR-1200CD
Digital Recording Studio.

Before using this unit, carefully read the sections entitled:

“USING THE UNIT SAFELY”(page 2–3)
“IMPORTANT NOTES” (page 4–5)

These sections provide important information concerning the proper
operation of the unit. Additionally, in order to feel assured that you have
gained a good grasp of every feature provided by your new unit, Owner’s
manual should be read in its entirety.

The manual should be saved and kept on hand as a convenient reference.

■

Printing conventions in this manual

• Text or numerals enclosed in square brackets [ ] indicate buttons.

[PLAY]

[CURSOR]

PLAY button

CURSOR button

and Playback

Section 1

Recording

Section 2

Editing

Section 3

Effects

Using

Section 4

Rhythm

Using

CD-R/RW Drive

Section 5

Using the

•

Reference such as (p. **) indicate pages in this manual to which you can

refer.

Copyright © 2004 BOSS CORPORATION

All rights reserved. No part of this publication may be reproduced in any form without the
written permission of BOSS CORPORATION.

Section 6

Using

MIDI

Section 7

Using

USB

Convenient

Functions

Section 8

Other

Appendices

Section 9

USING THE UNIT SAFELY

Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.

Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.

* Material damage refers to damage or

other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.

001

• Before using this unit, make sure to read the
instructions below, and the Owner’s Manual.

..........................................................................................................

001-50

• Connect mains plug of this model to a mains
socket outlet with a protective earthing
connection.

..........................................................................................................

002c

• Do not open (or modify in any way) the unit or its
AC adaptor.

..........................................................................................................

003

• Do not attempt to repair the unit, or replace parts
within it (except when this manual provides
specific instructions directing you to do so). Refer
all servicing to your retailer, the nearest Roland
Service Center, or an authorized Roland
distributor, as listed on the “Information” sheet.

..........................................................................................................

004

• Never use or store the unit in places that are:

• Subject to temperature extremes (e.g., direct

sunlight in an enclosed vehicle, near a heating
duct, on top of heat-generating equipment); or
are

• Damp (e.g., baths, washrooms, on wet floors);

or are

• Humid; or are

• Exposed to rain; or are

• Dusty; or are

• Subject to high levels of vibration.

..........................................................................................................

007

• Make sure you always have the unit placed so it is
level and sure to remain stable. Never place it on
stands that could wobble, or on inclined surfaces.

..........................................................................................................

The symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.

The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the power­cord plug must be unplugged from the outlet.

008c

• Be sure to use only the AC adaptor supplied with
the unit. Also, make sure the line voltage at the
installation matches the input voltage specified on
the AC adaptor’s body. Other AC adaptors may
use a different polarity, or be designed for a
different voltage, so their use could result in
damage, malfunction, or electric shock.

..........................................................................................................

008e

• Use only the attached power-supply cord. Also,
the supplied power cord must not be used with
any other device.

..........................................................................................................

009

• Do not excessively twist or bend the power cord,
nor place heavy objects on it. Doing so can
damage the cord, producing severed elements
and short circuits. Damaged cords are fire and
shock hazards!

..........................................................................................................

010

• This unit, either alone or in combination with an
amplifier and headphones or speakers, may be
capable of producing sound levels that could
cause permanent hearing loss. Do not operate for
a long period of time at a high volume level, or at
a level that is uncomfortable. If you experience
any hearing loss or ringing in the ears, you should
immediately stop using the unit, and consult an
audiologist.

..........................................................................................................

011

• Do not allow any objects (e.g., flammable
material, coins, pins); or liquids of any kind
(water, soft drinks, etc.) to penetrate the unit.

..........................................................................................................

2

012b

• Immediately turn the power off, remove the AC
adaptor from the outlet, and request servicing by
your retailer, the nearest Roland Service Center,
or an authorized Roland distributor, as listed on
the “Information” sheet when:

• The AC adaptor, the power-supply cord, or the

plug has been damaged; or

• If smoke or unusual odor occurs

• Objects have fallen into, or liquid has been

spilled onto the unit; or

• The unit has been exposed to rain (or otherwise

has become wet); or

• The unit does not appear to operate normally

or exhibits a marked change in performance.

..........................................................................................................

013

• In households with small children, an adult
should provide supervision until the child is
capable of following all the rules essential for the
safe operation of the unit.

..........................................................................................................

014

• Protect the unit from strong impact.
(Do not drop it!)

..........................................................................................................

015

• Do not force the unit’s power-supply cord to
share an outlet with an unreasonable number of
other devices. Be especially careful when using
extension cords—the total power used by all
devices you have connected to the extension
cord’s outlet must never exceed the power rating
(watts/amperes) for the extension cord. Excessive
loads can cause the insulation on the cord to heat
up and eventually melt through.

..........................................................................................................

016

• Before using the unit in a foreign country, consult
with your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page.

..........................................................................................................

023

• DO NOT play a CD-ROM disc on a conventional
audio CD player. The resulting sound may be of a
level that could cause permanent hearing loss.
Damage to speakers or other system components
may result.

..........................................................................................................

101b

• The unit and the AC adaptor should be located so
their location or position does not interfere with
their proper ventilation.

..........................................................................................................

102c

• Always grasp only the plug on the AC adaptor
cord when plugging into, or unplugging from, an
outlet or this unit.

..........................................................................................................

103b

• At regular intervals, you should unplug the AC
adaptor and clean it by using a dry cloth to wipe
all dust and other accumulations away from its
prongs. Also, disconnect the power plug from the
power outlet whenever the unit is to remain
unused for an extended period of time. Any
accumulation of dust between the power plug
and the power outlet can result in poor insulation
and lead to fire.

..........................................................................................................

104

• Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be
placed so they are out of the reach of children.

..........................................................................................................

106

• Never climb on top of, nor place heavy objects on
the unit.

..........................................................................................................

107c

• Never handle the AC adaptor or its plugs with
wet hands when plugging into, or unplugging
from, an outlet or this unit.

..........................................................................................................

108b

• Before moving the unit, disconnect the AC
adaptor and all cords coming from external
devices.

..........................................................................................................

109b

• Before cleaning the unit, turn off the power and
unplug the AC adaptor from the outlet.

..........................................................................................................

110b

• Whenever you suspect the possibility of lightning
in your area, disconnect the AC adaptor from the
outlet.

..........................................................................................................

118a

• Should you remove the grand terminal, keep
them in a safe place out of children’s reach, so
there is no chance of them being swallowed
accidentally.

..........................................................................................................

120

• Always turn the phantom power off when
connecting any device other than condenser
microphones that require phantom power. You
risk causing damage if you mistakenly supply
phantom power to dynamic microphones, audio
playback devices, or other devices that don’t
require such power.
Be sure to check the specifications of any microphone you
intend to use by referring to the manual that came with it.
(This instrument’s phantom power: +48 V DC, 7 mA Max)

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3

IMPORTANT NOTES

291a

In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the following:

Power Supply

301

• Do not connect this unit to same electrical outlet that is
being used by an electrical appliance that is controlled by
an inverter (such as a refrigerator, washing machine,
microwave oven, or air conditioner), or that contains a
motor. Depending on the way in which the electrical
appliance is used, power supply noise may cause this unit
to malfunction or may produce audible noise. If it is not
practical to use a separate electrical outlet, connect a
power supply noise filter between this unit and the
electrical outlet.

302

• The AC adaptor will begin to generate heat after long
hours of consecutive use. This is normal, and is not a
cause for concern.

307

• Before connecting this unit to other devices, turn off the
power to all units. This will help prevent malfunctions
and/or damage to speakers or other devices.

Placement

351

• Using the unit near power amplifiers (or other equipment
containing large power transformers) may induce hum.
To alleviate the problem, change the orientation of this
unit; or move it farther away from the source of inter­ference.

352a

• This device may interfere with radio and television
reception. Do not use this device in the vicinity of such
receivers.

352b

• Noise may be produced if wireless communications
devices, such as cell phones, are operated in the vicinity of
this unit. Such noise could occur when receiving or initi­ating a call, or while conversing. Should you experience
such problems, you should relocate such wireless devices
so they are at a greater distance from this unit, or switch
them off.

354a

• Do not expose the unit to direct sunlight, place it near
devices that radiate heat, leave it inside an enclosed
vehicle, or otherwise subject it to temperature extremes.
Excessive heat can deform or discolor the unit.

355b

• When moved from one location to another where the
temperature and/or humidity is very different, water
droplets (condensation) may form inside the unit. Damage
or malfunction may result if you attempt to use the unit in
this condition. Therefore, before using the unit, you must
allow it to stand for several hours, until the condensation
has completely evaporated.

Maintenance

401a

• For everyday cleaning wipe the unit with a soft, dry cloth
or one that has been slightly dampened with water. To
remove stubborn dirt, use a cloth impregnated with a
mild, non-abrasive detergent. Afterwards, be sure to wipe
the unit thoroughly with a soft, dry cloth.

402

• Never use benzine, thinners, alcohol or solvents of any
kind, to avoid the possibility of discoloration and/or
deformation.

Repairs and Data

452

• Please be aware that all data contained in the unit’s
memory may be lost when the unit is sent for repairs.
Important data should always be backed up on a storage
device (e.g., CD-R/RW or external computer connected
via USB), or written down on paper (when possible).
During repairs, due care is taken to avoid the loss of data.
However, in certain cases (such as when circuitry related
to memory itself is out of order), we regret that it may not
be possible to restore the data, and Roland assumes no
liability concerning such loss of data.

Additional Precautions

551

• Please be aware that the contents of memory can be
irretrievably lost as a result of a malfunction, or the
improper operation of the unit. To protect yourself against
the risk of loosing important data, we recommend that
you periodically save a backup copy of important data
you have stored in the unit’s memory on a storage device
(e.g., CD-R/RW or external computer connected via USB).

552

• Unfortunately, it may be impossible to restore the contents
of data that was stored in the unit’s hard disk once it has
been lost. Roland Corporation assumes no liability
concerning such loss of data.

553

• Use a reasonable amount of care when using the unit’s
buttons, sliders, or other controls; and when using its jacks
and connectors. Rough handling can lead to malfunctions.

554

• Never strike or apply strong pressure to the display.

556

• When connecting / disconnecting all cables, grasp the
connector itself—never pull on the cable. This way you
will avoid causing shorts, or damage to the cable’s
internal elements.

558a

• To avoid disturbing your neighbors, try to keep the unit’s
volume at reasonable levels. You may prefer to use
headphones, so you do not need to be concerned about
those around you (especially when it is late at night).

559a

• When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise,
you will need to use equivalent packaging materials.

561

• Use only the specified expression pedal (EV-5; sold
separately). By connecting any other expression pedals,
you risk causing malfunction and/or damage to the unit.

4

IMPORTANT NOTES

562

• Use a cable from Roland to make the connection. If using
some other make of connection cable, please note the
following precautions.

• Some connection cables contain resistors. Do not use
cables that incorporate resistors for connecting to this
unit. The use of such cables can cause the sound level
to be extremely low, or impossible to hear. For infor­mation on cable specifications, contact the manufac­turer of the cable.

Handling CD-ROMs

801

• Avoid touching or scratching the shiny underside
(encoded surface) of the disc. Damaged or dirty CD-ROM
discs may not be read properly. Keep your discs clean
using a commercially available CD cleaner.

Copyright

851

• Unauthorized recording, distribution, sale, lending, public
performance, broadcasting, or the like, in whole or in part,
of a work (musical composition, video, broadcast, public
performance, or the like) whose copyright is held by a
third party is prohibited by law.

853

• Do not use this unit for purposes that could infringe on a
copyright held by a third party. We assume no responsi­bility whatsoever with regard to any infringements of
third-party copyrights arising through your use of this
unit.

About the License Agreement

• The BR-1200CD and its CD-R/RW capability are designed
to allow you to reproduce material to which you have
copyright, or material which the copyright owner has
granted you permission to copy.
Accordingly, reproduction of Music CD or other
copyrighted material without permission of the copyright
owner avoiding technical prohibiting features of second­generation and later copying like SCMS or others consti­tutes copyright infringement and may incur penalties
even in case such reproduction is for your own personal
use and enjoyment (private use). Consult a copyright
specialist or special publications for more detailed infor­mation on obtaining such permission from copyright
holders.

Disclaimer of liability

• BOSS/Roland will take no responsibility for any “direct
damages,” “consequential damages,” or “any other
damages” which may result from your use of the BR­1200CD. These damages may include but are not limited
to the following events which can occur when using the
BR-1200CD.

• Any loss of profit that may occur to you

• Permanent loss of your music or data

• Inability to continue using the BR-1200CD itself or a
connected device

204

The explanations in this manual include illustrations
that depict what should typically be shown by the
display. Note, however, that your unit may incor­porate a newer, enhanced version of the system (e.g.,
includes newer sounds), so what you actually see in
the display may not always match what appears in
the manual.

....................................................................................................................................................................................................................................

204

* Microsoft and Windows are registered trademarks of Microsoft Corporation.

206e

* The screen shots in this document are used in compliance with the guidelines of the Microsoft Corporation.

206j

* Windows® is known officially as: “Microsoft® Windows® operating system.”

207

* Apple and Macintosh are registered trademark of Apple Computer, Inc.

209

* MacOS is a trademark of Apple Computer, Inc.

220

* All product names mentioned in this document are trademarks or registered trademarks of their respective owners.

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5

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Precautions Regarding the Hard Disk

The BR-1200CD contains an internal hard disk. This device is of an extremely high-precision design, and it can be easily damaged

if not used and handled correctly. To ensure that the hard disk is being handled properly, you must adhere to the following:

Important Performance and Image Data

Once a hard disk fails to function normally, all data that has been stored on it could be destroyed.

All hard disks eventually wear out. Individual differences among hard disks and the conditions under which they are used
have a considerable effect on a hard disk's lifespan. Some devices can be used continuously for many years, while in rare
cases, others break down after a period of several months. We recommend that you consider the hard disk not as a permanent
storage site, but as a place to store data temporarily. We also recommend that you back up important performance and image
data onto the external media that is supported by your device.

For instructions on how to make such backups, refer to “Saving Data on the Hard Disk to CD-R/RW Discs” (p. 228).

Note that Roland assumes no liability whatsoever, including monetary compensation, for the loss of any recorded content in
the event of the malfunction of, or physical damage to the hard disk, or for any direct or incidental damages resulting from
the loss of such data.

Precautions Regarding Setup and Use

Certain hard disk setup procedures and usage conditions may result in the corruption of recorded data, malfunctioning, or

physical damage to the disk, so be sure to observe the following precautions.

Do not subject the hard disk to vibration or shock, especially while the unit is in operation. Failure to observe this precaution
can result in the hard disk being permanently damaged.

Conditions to be avoided:

• Lifting or moving the BR-1200CD while the power is turned on.

• Transporting the BR-1200CD unprotected in an automobile trunk.

• Knocking the BR-1200CD against table edges when it is being moved.

• Positioning the BR-1200CD close to drums during performances.

• Positioning the BR-1200CD close to amplifiers for guitars and other musical instruments during performances.

Do not set up the unit in any location where it may be affected by vibration from external sources, or on any surface that is
not stable and level.

If the device includes a cooling fan, ensure that the fan and the side panel air vents remain unobstructed.

Do not block the ventilation holes provided in the case as this can result in the temperature inside the BR-1200CD rising, and
this will drastically reduce the hard disk's lifespan.

Do not use the unit in conditions of high temperature and humidity or in any location subject to rapid temperature changes.

Do not unplug the power cord or switch off any circuit breakers in the circuit to which the unit is connected while the power is turned on.

Do not move the unit while the power is turned on or immediately after turning off the power. When transporting the unit,
first turn off the power and confirm that the display screen has gone off, disconnect the power plug, then wait at least two
minutes before moving the device.

●

When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will
need to use equivalent packaging materials.

Emergency Procedures

* The following procedures are to be used as emergency measures only, and are not recommended for normal operation.

If the device fails to respond to operational commands or does not complete operations, turn off the power. If the power does not

shut off following normal shutdown procedures (p. 37), disconnect the power plug.

If the unit does not operate normally when the power is turned on again, it may mean that the hard disk has been damaged. In

such instances, consult your dealer or the nearest Roland Service Center. Note, however, that it may not be possible to recover any

data from the hard disk once it has been lost.

In addition, even if the hard disk appears to be operating correctly, carry out a Surface Scan (p. 285) to confirm that it has not been damaged.

6

Rev0.02

7

Notes When Using Mics

Always be sure to switch the phantom power off except when connecting condenser mics requiring a phantom power supply.

Supplying phantom power to dynamic mics, audio playback equipment, and other devices that do not use phantom power may

cause damage to your equipment.

For mic specifications, please refer to the owner's manual for whatever model of mic you are using.

(BR-1200CD Phantom Power: +48 V DC, 7 mA Max.)

Phantom power is supplied to the eight XLR connectors for INPUT 1/MIC 1 and INPUT2/MIC 2 simultaneously. The phantom

power cannot be switched on or off for each connector individually.

If simultaneously using mics that require phantom power with those that don't, then connect any mic that does not need phantom

power to one of the standard

1/4” phone jacks. Phantom power is supplied only to the XLR connectors, not to the standard jacks.

To connect mics to the standard jacks, use a commercially available XLR-to-phone adapter cable or other form of adapter.

About the CD-ROM “Discrete Drums”

A CD-ROM is supplied with the BR-1200CD.

The CD-ROM includes a variety of drum phrases created by Discrete Drums.

These professionally recorded drum parts are saved as Loop Phrases that can easily be imported directly into the BR-1200CD and

used in your songs.

Drum phrases are categorized and sorted under each folder in .WAV format files.

The BR-1200CD allows you to easily use these phrases by using the Loop Phrase Import function.

This CD-ROM is not an Audio CD. This CD-ROM should not be played with a consumer audio CD player. If it is, very loud

noises can be generated and audio equipment such as CD players, amplifiers or speakers can be damaged!!

Since all the data included in this CD-ROM has already been factory-installed in the User bank of the Loop Phrase area of the BR-

1200CD, you can easily use the Loop Phrase functions and add the audio to your tracks without using this CD-ROM.

However, in case you initialize your hard disk drive in the BR-1200CD, or accidentally erase the User Loop Phrases, you can

recover all of the factory-installed Loop Phrases by importing them from this CD-ROM.

To import Loop Phrases from this CD-ROM, refer to “Create Loop Phrase” in “Section 4 Using Rhythm.” (“Using wave

data on a CD-ROM/R/RW disc (Loop Phrase Import)” (p. 190))

For more information about the factory-installed Loop Phrases in the User Bank, which are the original WAV files on this CD-

ROM, please refer to “User Loop Phrase List” (p. 334).

Rev0.02

Before Using CD-R/RW Discs

●

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●

●

●

●

●

●

●

❍

❍

❍

●

Two different types of recordable disc can be used with the

BR-1200CD—namely, CD-R discs and CD-RW discs.

What is a CD-R disc?

CD-R (Compact Disc Recordable) is a CD to which data can

be written. It is not possible to erase or move the data that

has been written.

This type of disc should be used to create audio CDs that will

be played on standard CD players. Playback of CD-RW discs

will not be possible on this type of equipment. In addition,

even if you have created an audio CD using a CD-R disc,

playback will only be possible on players that support the

playback of recordable discs.

What is a CD-RW disc?

CD-RW (Compact Disc ReWritable) is a CD that can be

written and erased. As a result, this type of recordable disc

can be used again and again.

While you can create audio CDs using CD-RW discs, it will

not be possible to play these CDs on a standard CD player.

(You will, however, be able to play these discs using the BR-

1200CD's CD-R/RW drive.)

To avoid the risk of malfunction and/or damage, insert

only CD-R/RW discs into the disc drive. Never insert

any other type of disc. Avoid getting paper clips, coins,

or any other foreign objects inside the drive.

Do not touch the lens.

When the lens is dirty, clean the lens with a commercial

lens blower.

If a write error occurs, carry out cleaning using a

commercially available CD-RW drive lens cleaner.

* Note that some commercially available cleaners are intended

for CD-R drives, while others are intended for CD-RW drives.

Be sure to select a cleaner for CD-RW drives.

* Never use commercially available cleaner intended for

standard CD players. This type of cleaner cannot be used to

clean the BR-1200CD's write lens.

* Even if the recommended type of CD-R/RW disc is used in a

perfectly normal CD-R/RW drive, the possibility of write

errors cannot be completely eliminated. Please be aware that

this type of problem can still occur as a result of variations in

CD-R/RW drives and CD-R/RW disc manufacturing

differences.

Handling the CD-R/RW Disc Drive

Before being shipped, a cardboard insert was placed in

the disk drive to protect it from vibration during

transport. When you turn on the unit, press the EJECT

button to remove this material before you use the CD-R/

RW drive. This material should be saved, and reinserted

whenever the unit is transported.

Install the unit on a solid, level surface in an area free from

vibration. If the unit must be installed at an angle, be sure

the installation does not exceed the permissible range.

Avoid using the unit immediately after it has been

moved to a location with a level of humidity that is

greatly different than its former location. Rapid changes

in the environment can cause condensation to form

inside the drive, which will adversely affect the

operation of the drive and/or damage CD-R/RW discs.

When the unit has been moved, allow it to become

accustomed to the new environment (allow a few hours)

before operating it.

Avoid using the CD-R/RW drive in locations with high

temperatures. Failure to observe this precaution can

result in the drive becoming unable to operate correctly

or in write errors. In addition, this type of environment

can also reduce the lifespan of the CD-R/RW drive.

Handling CD-R/RW Discs

* In addition to the following precautions, please also read the

instructions provided with the CD-R/RW discs.

DO NOT play a CD-R/RW disc (CD-R/RW disc on

which song data has been backed up) on a conventional

audio CD player. The resulting sound may be of a level

that could cause permanent hearing loss. Damage to

speakers or other system components may result.

Upon handling the discs, please observe the following.

Do not touch the recorded surface of the disc.

Do not use in dusty areas.

Do not leave the disc in direct sunlight or an enclosed

vehicle.

Keep the disc in the case.

Remove any disk from the drive before powering up or down.

8

●

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Before Using CD-R/RW Discs

1.

2.

3.

4.

5.

Compatibility of CD-R/RW
discs and drives

Ensure that the recommended type of CD-R/RW discs
are always used. Failure to observe this precaution can
lead to an increase in the frequency of write errors.

Even when the recommended type of disc is used, there
is still a possibility that write errors can occur. Please be
aware that this type of problem can still result from
variations in CD-R/RW drives and CD-R/RW disc
manufacturing differences.

●

The usage of discs with printable labels is not
recommended, even if these discs are of the
recommended type. Certain storage conditions can cause
discs with printable labels to warp, and write errors can
occur as a result.

When you insert a CD-R/RW disc to
built in CD-R/RW drive...

When you insert a CD-R/RW disc to built in CD-R/RW
drive, lock the CD-R/RW disc at correct position according
to “Insert a CD-R/RW disc” below. Please be careful to lock a
CD-R/RW disc correctly. Unless, it is possible that the disc
tray is stuck and unable to remove a CD-R/RW disc.

Inserting a CD-R/RW disc

Press the eject button and open a disc tray.

Pull out a disc tray.

Locate the position of center hole of CD-R/RW disc at
stopper of CD-R/RW drive.

Press the CD-R/RW disc downward. The CD-R/RW
disc will be locked by 3 clips of the stopper.

fig.CD set

Removing a CD-R/RW disc

1. Hold the stopper downward and remove a CD-R/RW

disc from outer rim.

fig.CD eject

If a disc tray does not open

If the power is turned off with the disc still in the drive (such

as due to a power failure), the disc tray cannot be opened by

pressing the eject button. In this case, you can insert a piece

of wire to force the tray open.

fig.Hole

Make sure the BR-1200CD’s power has been turned OFF

before attempting to use the emergency eject hole. If you

insert something while the power is on, the disc could get

damaged, or unexpected problems may occur.

Emergency Eject Hole

* As a certain amount of force must be applied for insertion,

always confirm that the CD-R/RW disc has been correctly
inserted. Failure to properly and fully insert a disc can result
in an inability to carry out writing correctly.

Press disc tray until it is locked in the BR-1200CD.

9

Contents

USING THE UNIT SAFELY ............................... 2

IMPORTANT NOTES....................................... 4

Precautions Regarding the Hard Disk ........... 6

Notes When Using Mics ................................ 7

About the CD-ROM “Discrete Drums” ............ 7

Before Using CD-R/RW Discs......................... 8

Introduction to the BR-1200CD.................... 18

Main Features..............................................................18

Panel Descriptions ...................................... 20

Top Panel......................................................................20

Front Panel ...................................................................26

CD-R/RW drive ...........................................................26

Display..........................................................................27

Rear Panel ....................................................................28

Common operations and display items ....... 30

Top screen ....................................................................30

Current position..........................................................30

FUNCTION buttons ([F1] through [F3]).................30

Page Scroll.................................................................... 31

Scroll Bar ......................................................................31

Cursor............................................................................31

TIME/VALUE dial......................................................32

VALUE 1/PAN, VALUE 2,

and VALUE 3 knobs...................................................32

Basic Operation................33

Connecting other devices.............................34

Precautions When Making Connections................35

Turning on/off the BR-1200CD ....................36

Turning on the BR-1200CD.......................................36

Turning off the BR-1200CD......................................37

Listening to the demo songs

and selecting songs (Song Select) ................38

Basic operation of the recorder ...................39

Playing and stopping .................................................39

Using a foot switch..................................................39

Adjusting the volume ................................................40

Changing the current position .................................41

Using the transport buttons...................................41

Using TIME/VALUE dial......................................42

Using markers..........................................................43

Changing V-Tracks.....................................................44

Turning tracks off temporarily

(Track Mute) ................................................................46

Preparing a song

for recording (Song New)............................48

Selecting an input source

for recording (Input Select) ......................... 50

Recording guitar or bass guitar................................50

Recording a solo vocal microphone ........................50

Recording guitar + Vocal...........................................50

When recording stereo inputs

to a stereo track............................................................50

10

Adjusting the

input source volume (Input Sensitivity) ....... 51

Recording with effects (Insert Effects).......... 52

When you Want to Record the

Input Sounds As Is .....................................................53

Selecting drums

to act as a guide for recording ................... 54

Setting up a drum track (Track Type Select).........54

Playing drum sounds .................................................55

Selecting drum patterns ............................................56

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Contents

Changing the drum pattern tempo..........................58

Set the new tempo

using the TIME/VALUE dial................................58

Setting the tempo using [TAP]..............................59

Changing the drum sounds ......................................60

Adjusting the recording level ...................... 62

Setting an audio input’s

left-right position (Input Pan) ...................... 63

Applying reverb for a warmer sound

during recording (Reverb)........................... 64

Recording................................................... 66

Recording a new track while listening to

an earlier recording (Overdubbing) ............ 68

Saving your song (Song Save) .................... 70

Saving your song from the Utility screen ..............71

Demo Song List........................................... 72

Changing the Final Mastering Track ......................80

Rectifying recording mistakes

(Undo/Redo) ...............................................81

Undo ..............................................................................81

Redo...............................................................................81

Mixing audio from various tracks

onto a stereo track (Bounce)........................82

Setting the left-right position

of each track (Pan).......................................................82

Suppressing variations

in volume (Compressor) ............................................82

Adjusting the sound

of each track (Equalizer)............................................83

Enhancing the sound (Loop Effects) .......................84

Applying reverb ......................................................84

Applying chorus, delay or doubling ....................85

Mixing the playback tracks

to a single stereo track (Bounce) ..............................86

Bouncing directly to a CD-R/RW disc ....................87

Section 1

Recording and Playback

Playing back

repeatedly (Repeat Function) ...................... 74

Re-recording only the portion

that is mistaken (Punch In/Out) .................. 75

Manual punch in and punch out .............................75

Performing manual punch in

and punch out using [REC] ...................................75

Performing manual punch in and

punch out using a foot switch...............................76

Auto punch in and punch out ..................................76

Specifying the section to be re-recorded.............. 76

Recording procedure .............................................. 77

Repeating recording

in a specific section (Loop Recording)....................78

Specifying the section to be repeated...................78

Specifying the section to be recorded...................78

Performing loop recording ....................................78

Using V-Tracks ........................................... 79

Switching V-Tracks....................................................79

Assigning names

to V-Tracks (Track Name).........................................80

...... 73

Section 2 Editing...............89

Placing markers in your song (Marker) .......90

Positioning a marker ..................................................90

Clearing markers.........................................................90

Moving to markers .....................................................90

Editing markers...........................................................91

Moving markers ......................................................91

Naming a marker ....................................................91

Assigning an audio-CD song division

to a marker ...............................................................91

Changing scenes assigned to markers .................92

Stopping automatically

at a marker (Marker Stop)......................................92

Registering and recalling

mixer settings (Scene) .................................93

Registering, recalling, and deleting scenes ...........93

Recalling a scene

without changing track volumes .............................93

Recalling scenes automatically

during recording or playback (Auto Scene) ..........94

Setting an Auto Scene.............................................94

Clearing an Auto Scene ..........................................95

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Contents

Disabling Auto Scene .............................................95

Setting Auto Scene control

of effects and track EQ............................................95

Finding the start or end of a section

of audio (Scrub/Preview)............................ 97

Using Scrub to find the

start of a section of audio ..........................................97

Changing the scrubbing direction ..........................98

Using Scrub and Preview

to find the end of a section of audio .......................98

Enabling Preview ....................................................98

Using Scrub and Preview.......................................98

Editing a recorded

performance (Track Edit)............................. 99

Copying audio data (Track Copy) ...........................99

Moving audio data (Track Move)..........................101

Exchanging audio data (Track Exchange) ............103

Inserting a blank space

between audio data (Track Insert).........................104

Maximizing the volume levels

of data recorded to the tracks (Normalize) ..........105

Deleting audio data and closing

the resulting gap (Track Cut) .................................107

Erasing audio data (Track Erase) ...........................108

Organizing your songs ............................. 110

Displaying

song details (Song Information) ............................110

Copying songs (Song Copy) ...................................110

Erasing songs (Song Erase) .....................................111

Making the most of

hard disk capacity (Song Optimize) .....................112

Protecting a song (Song Protect) ............................113

Protecting a song (Song Protect).........................113

Removing song protection...................................113

Naming a song (Song Name)..................................114

Saving your song (Song Save)................................114

Section 3 Using Effects....115

Makeup of BR-1200CD effects ...................116

Using insert effects....................................118

Effect patches and banks.........................................118

Modifying insert effect settings.............................119

Changing the sound

of insert effects using the VALUE knobs...........120

Changing parameters

assigned to VALUE knobs ...................................120

Changing effect block connections .....................121

Saving insert effect settings....................................122

Copying insert effect settings.................................123

Changing insert effect

connections (Insert Effect Location)......................123

Using an expression pedal ......................................124

Using loop effects .................................... 125

Changing the Loop Effect Settings........................125

Chorus/Delay/Doubling.....................................125

Reverb .....................................................................126

Using track-specific compressors (Track

Compressor) .............................................128

Switching track compressors

between stereo and mono (Stereo Link) ............129

Using track-specific equalizers

(Track EQ) .................................................130

Setting the Track EQ ................................................130

Switching equalizers

between stereo and mono (Stereo Link) ............130

Fixing the pitch of vocals/Adding a
backing chorus to vocals (Vocal Tool Box)

The Vocal Tool Box ..................................................131

Makeup of the Vocal Tool Box...............................131

Vocal Tool Box patches............................................132

Fixing the pitch of vocals (Pitch Correction) .......132

Setting the correction method

for vocal pitch (Pitch Correction Edit) ..................133

Making Detailed Settings for

Pitch Correction (Correction Event Map).............134

Applying a backing chorus

to vocals (Harmony Sequence)...............................136

Inserting rests in a backing chorus .......................137

.......131

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Contents

Setting the application method for
backing choruses (Harmony Sequence Edit)

Making More Detailed Backing Chorus

Settings (Harmony Event Map) .............................138

Saving Vocal Tool Box settings

(Patch Write) ..............................................................140

Copying Vocal Tool Box settings

(Patch Copy)...............................................................141

Recreating the characteristics of different
monitor speakers (Speaker Modeling)

Speaker Modeling patches .....................................143

Using Speaker Modeling ........................................143

Turning off Speaker Modeling............................143

Modifying Speaker Modeling settings ................143

Saving Speaker Modeling settings .......................144

Copying Speaker Modeling settings ....................145

Mastering................................................. 146

Before using the

Mastering Tool Kit ...................................................146

Selecting the Mastering Tool Kit...........................146

Adjusting the

Mastering Tool Kit Effects and Volume ..............147

Mastering ...................................................................148

Modifying

Mastering Tool Kit settings (Edit).........................149

Editing patch settings ........................................... 149

Saving Mastering Tool Kit settings ......................150

Copying Mastering Tool Kit settings ...................151

Using Auto Fade In/Out ..........................................151

Performing

automatic fade-in (Auto Fade In) .......................151

Performing

automatic fade-out (Auto Fade Out)..................152

..........137

............ 142

Section 4

Makeup of Drum/Bass/Loop Phrase......... 154

Drums..........................................................................154

Bass ..............................................................................154

Loop Phrases..............................................................155

Rhythm arrangements ............................. 156

Pattern mode and Arrangement mode..................156

Using drums ............................................ 157

Setting the track type ...............................................157

Playing drum sounds ...............................................157

Selecting a drum kit .................................................158

Selecting drum patterns ..........................................158

Changing the drum pattern tempo........................159

Setting the tempo using [TAP] ............................159

Creating drum patterns .............................160

Preparing for recording ...........................................160

Creating drum patterns

using real-time recording ........................................161

Practicing before recording (Rehearsal).............162

Recording in perfect time (Quantize).................162

Creating drum patterns

using step recording.................................................163

Correcting drum patterns (Microscope) ...............165

Changing the

drum pattern’s groove (Swing) ..............................167

Changing a drum pattern’s name ..........................168

Copying drum patterns............................................168

Deleting drum patterns ...........................................169

Loading drum patterns

from the CD-R/RW drive (SMF Import)...............169

Using bass ................................................171

Setting the track type ...............................................171

Playing bass ...............................................................171

Selecting bass sounds ..............................................172

Selecting bass patterns ............................................172

Specifying bass pattern chords ..............................173

Changing the bass pattern’s tempo.......................173

Using Rhythm

...153

Creating bass patterns ..............................174

Preparing for recording ...........................................174

13

Rev0.02

Contents

Creating bass patterns

using real-time recording........................................175

Practicing before recording (Rehearsal).............176

Recording in perfect time (Quantize).................176

Creating bass patterns

using step recording.................................................177

Correcting bass patterns (Microscope) .................179

Changing the

bass pattern’s groove (Swing) ................................180

Changing a bass pattern’s name ............................181

Copying bass patterns .............................................182

Deleting bass patterns .............................................182

Loading bass patterns

from the CD-R/RW drive (SMF Import) ..............183

Using Loop Phrases .................................. 185

Setting the track type ...............................................185

Playing Loop Phrases...............................................185

Selecting a Loop Phrase...........................................186

Adjusting the Loop Phrase

and Drum Volume Balance ....................................186

Changing the Loop Phrase tempo .........................187

Setting the tempo using [TAP]............................187

Creating Loop Phrases.............................. 188

Using a portion of an audio track..........................188

Using wave data on a

CD-ROM/R/RW disc (Loop Phrase Import)........190

Reading all files at once........................................191

Specifying and modifying the

source loop phrase (Time Modify)........................192

Modifying Loop Phrase settings............................193

Assigning Loop Phrases to track buttons ............194

Copying Loop Phrases.............................................194

Erasing Loop Phrases...............................................195

Setting the Universal Beat

for Drums, Bass, and Loop Phrases........... 196

Using rhythm arrangements ..................... 197

Selecting a rhythm arrangement............................197

Changing the rhythm arrangement tempo ..........197

Setting the tempo using [TAP]............................198

Erasing All Pattern Assignments

at One Time................................................................200

Inserting patterns......................................................200

Inputting chords .......................................................200

Changing and moving chords ................................201

Deleting chords .........................................................201

Inserting chords ........................................................202

Assembling Loop Phrases.......................................202

Canceling Loop Phrase allocations .......................204

Inserting Loop Phrases ............................................204

Copying a Loop Phrase from a

rhythm arrangement to an audio track .................204

Modifying all of the loop phrases in the current
rhythm arrangement (Arrangement Modify)

Naming and saving rhythm arrangements ..........207

Copying a rhythm arrangement.............................208

Deleting a rhythm arrangement.............................208

Setting tempos and beats for
individual measures (Tempo Map/Beat Map)

Setting tempos for

individual measures (Tempo Map).......................209

Setting beats for

individual measures (Beat Map)............................210

Using a metronome...................................211

Setting the track type ...............................................211

Playing a metronome ...............................................211

Selecting metronome sounds .................................212

Adjusting the Metronome

and Loop Phrase Volume Balance.........................212

Creating Drum and Bass Patterns

Simply and Easily (EZ Compose)................213

What is EZ Compose? ..............................................213

Using EZ Compose ...................................................213

Creating a pattern..................................................213

Adding a chord progression................................214

Adding a fill-in ......................................................214

Pasting In Rhythm Arrangements ......................215

..............206

...209

Creating rhythm arrangements................. 199

Assembling drum and bass patterns ....................199

14

Rev0.02

Contents

Section 5

Using the CD-R/RW Drive

Creating Audio CD .................................... 218

Precautions.................................................................218

Setting the time between songs (Pre-Gap) ..........218

Writing Songs to Discs ............................................219

Writing songs individually

(Track At Once) .....................................................219

Writing several songs at once

(Disc At Once By Song) ........................................220

Creating Audio CDs with Audio Tracks
Separated by Markers (Disc At Once by Marker)

Playing Back Audio CDs.........................................224

Enabling playback on CD players (Finalize) ......225

Using the CD-R/RW drive

to exchange data ..................................... 226

Saving Recorded Songs to CD-R/RW Discs........226

Backing up a song (Song Backup) ......................226

Reading backup songs

back into the hard disk (Song Recover) .............227

Saving Data on the Hard Disk

to CD-R/RW Discs .................................................... 228

Saving Data

to CD-R/RW Discs (User Backup) .....................228

Reading backup user data

back into the hard disk (User Recover)..............229

Saving the Entire Contents

of the Hard Disk to a CD-R/RW Disc ................... 230

Saving the Hard Disk Contents

to a CD-R/RW Disc (HDD Backup)...................230

Reading backed-up hard disk contents

back into the hard disk (HDD Recover) ............231

Copying and writing waveform data....................232

Copying waveform data from a computer

to the audio tracks (WAV/AIFF Import) ..........232

Copying audio track waveform data

to computers (WAV/AIFF Export) ....................233

... 217

.....222

Setting the time until the

CD-R/RW drive stops (CD Hold Time)................238

Importing songs

from CDs to audio tracks...........................239

Section 6 Using MIDI ......241

MIDI fundamentals....................................242

What is MIDI? ...........................................................242

MIDI connectors .......................................................242

MIDI channels...........................................................242

MIDI Implementation Charts ................................242

Playing drum and bass patterns

on external MIDI sound module ................243

Drum sounds and note numbers ...........................244

Synchronizing external
MIDI sequencers and rhythm machines .... 245

Synchronizing a MIDI device to the rhythm’s
tempo using the MIDI timing clock

Synchronizing a MIDI sequencer

to the playback time using MTC ...........................246

Changing the TIME field display........................248

Synchronizing a MIDI device by recording its
tempo changes on the BR-1200CD (Sync Track)

Setting the starting time

of synchronization (Sync Offset)...........................250

Controlling MMC-compatible devices

from the BR-1200CD ................................ 251

Controlling track volumes

via MIDI (MIDI Fader) ............................... 252

Turning MIDI Fader on and off.............................252

Setting the MIDI channel for MIDI Fader ..........253

Confirming the current fader positions ...............253

I

nputting drum and bass patterns

from a MIDI keyboard (MIDI Recording)

Using MIDI to Control the Switching of the
Insert Effects (Effects Program Change)

............................245

.........248

...... 254

........... 255

Playing SMFs using external

MIDI instruments (SMF Player)............................236

Erasing data from a

CD-RW disc (CD-RW Erase) ..................................237

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15

Contents

Section 7 Using USB ....... 257

Before Using USB (Overview) ................... 258

Operations that can be performed via USB.........258

Compatible OS..........................................................258

Connecting a computer............................................259

Structure of data

on the BR-1200CD’s hard disk ...............................259

With Windows ......................................... 260

Backing up the BR-1200CD’s data.........................260

Reading backup data back into the

BR-1200CD from the PC (Recover)........................261

Saving BR-1200CD track data in

WAV/AIFF format (WAV/AIFF Export) ...............263

Loading WAV/AIFF files in

BR-1200CD tracks (WAV/AIFF Import) ...............265

With Macintosh ........................................ 267

Backing up the BR-1200CD’s data.........................267

Reading backup data back into the

BR-1200CD from the PC (Recover)........................268

Saving BR-1200CD track data in

WAV/AIFF format (WAV/AIFF Export) ...............270

Loading WAV/AIFF files in

BR-1200CD tracks (WAV/AIFF Import) ...............271

Performing hard disk operations...............284

Viewing information about the

hard disk (Hard Disk Information).......................284

Initializing the hard disk (Disk Initialize) ..........285

Initializing only one of multiple partitions ........286

Section 9 Appendices .....287

Insert effect algorithm list..........................288

BANK: GUITAR .......................................................288

1. COSM OD GUITAR AMP................................288

2. ACOUSTIC SIM.................................................288

3. BASS SIM............................................................288

4. COSM COMP GUITAR AMP..........................289

5. ACOUSTIC GUITAR ........................................289

6. BASS MULTI......................................................289

7. COSM BASS AMP.............................................289

8. COSM OD BASS AMP......................................290

9. COSM COMP BASS AMP................................290

BANK: MIC................................................................290

10. VOCAL MULTI ...............................................290

11. VOICE TRANSFORMER ...............................291

12. COSM VOCAL COMP ...................................291

13. MIC MODELING ............................................291

Section 8

Other Convenient Functions

Adjusting the display’s contrast................ 274

Tuning instruments (Tuner) ....................... 275

Setting the reference pitch ......................................275

Tuning.........................................................................275

Mixing audio-device output with the

BR-1200CD’s output (Audio Sub Mix)........ 277

Using condenser microphones

(Phantom Power) ..................................... 278

Creating a MD protected

from digital copying ................................. 280

Changing the content of the

level meter display (Pre/Post Fader) ......... 281

Initializing

all BR-1200CD settings (Initialize) ............. 282

.... 273

BANK: STEREO........................................................291

14. STEREO MULTI ..............................................291

15. LO-FI BOX........................................................291

BANK: SIMUL ..........................................................292

16. VO+GT.AMP ...................................................292

17. VO+AC.SIM .....................................................292

18. VO+ACOUSTIC ..............................................292

Insert effect parameter functions ...............293

Acoustic Guitar Simulator ......................................293

Acoustic Processor ....................................................293

3 Band Equalizer .......................................................294

4 Band Equalizer .......................................................294

Bass Simulator...........................................................294

Bass Cut Filter............................................................294

Chorus.........................................................................295

2x2 Chorus..................................................................295

Compressor ................................................................296

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16

Contents

COSM Comp/Limiter

(COSM Compressor/Limiter) ................................. 296

COSM Overdrive/Distortion..................................297

COSM PreAmp&Speaker .......................................297

De-esser ......................................................................299

Defretter .....................................................................300

Delay ...........................................................................300

Distance ......................................................................301

Doubling ....................................................................301

Enhancer.....................................................................301

Flanger ........................................................................302

Foot Volume ..............................................................302

Humanizer .................................................................302

Limiter.........................................................................302

Low Cut Filter............................................................303

Lo-Fi Box.....................................................................303

Mic Converter............................................................ 304

Noise Suppressor......................................................304

Octave .........................................................................304

Pan ...............................................................................304

Phaser..........................................................................305

Pickup Simulator ......................................................305

Pitch Shifter ...............................................................306

Preamp ........................................................................307

Mastering Tool Kit parameter functions .... 315

Equalizer.....................................................................315

Bass Cut Filter............................................................316

Enhancer .....................................................................316

Input ............................................................................316

Expander.....................................................................316

Compressor ................................................................317

Mixer ...........................................................................317

Limiter.........................................................................317

Output.........................................................................317

Effect parameters

assigned to VALUE knobs..........................318

Insert Effect Patch List................................327

Vocal Tool Box Patch List...........................330

Speaker Modeling Patch List .....................330

Mastering Tool Kit Patch List......................330

Preset Rhythm Arrangement List ...............331

Preset Drum Pattern List ............................332

Preset Bass Pattern List .............................333

User Loop Phrase List ................................334

Harmony Sequence Chord Note List...........336

Ring Modulator.........................................................308

Short Delay ................................................................308

Slow Gear...................................................................308

Speaker Simulator....................................................308

Sub Equalizer ............................................................309

Tremolo.......................................................................309

Tremolo/Pan ..............................................................309

Uni-V........................................................................... 309

Vibrato ........................................................................310

Voice Transformer.................................................... 310

Wah..............................................................................310

Speaker Modeling parameter functions .... 313

SP Modeling (speaker modeling)..........................313

Bass Cut Filter ...........................................................314

Low Freq Trimmer....................................................314

High Freq Trimmer ..................................................314

Limiter.........................................................................314

Troubleshooting ........................................337

Error Messages .........................................340

MIDI Implementation.................................343

Specifications ............................................349

Index....................................................... 351

Rev0.02

17

Introduction to the BR-1200CD

Main Features

■ Ease of use

The BR-1200CD has been designed so that even

beginners will be able to use it in the same way as a

standard tape recorder.

Regardless of whether you want to record put together a

demo, or create a finished audio CD, you will be able to

put the BR-1200CD to use as soon as you take it out of

the box. Novices and experts alike can fully enjoy the

thrilling world of digital recording using this advanced

digital audio workstation.

■ Digital processing of audio

In addition to a digital mixer and a digital hard-disk

recorder, the BR-1200CD also features a programmable

drum and bass sequencer and comes with a full

complement of digital effects. All the steps needed for

professional-level music recording, such as the editing of

recorded performances, track bouncing, the application

of effects, and mix-down can be carried out completely

within the digital domain, thus ensuring that there will

be no degradation in the quality of your audio.

■ CD-quality digital sound

The BR-1200CD records and plays back digital audio at a

sampling rate of 44.1 kHz and with an uncompressed

linear bit depth of 16 bits—exactly the same as

commercially available music CDs. Thanks to this, you

can record musical performances with no loss of audio

quality whatsoever.

■ 12-track simultaneous playback

The BR-1200CD digital audio workstation features 8

tracks for mono recording and playback in addition to 4

tracks for recording and playback in stereo; furthermore,

all 12 of these tracks can be played back at the same time.

■ V-Tracks

Each of the BR-1200CD’s audio tracks provides 16 V-

Tracks (or virtual tracks), allowing you to record as

many as 192 (12 x 16) different performances. If, for

example, you want to record multiple takes of a guitar

solo so that the best can be chosen later on, this feature

allows you to do so with ease.

■ A host of digital effects

The BR-1200CD provides you with a full range of

powerful effects for many different situations. In specific

terms, Insert Effects are used during recording, Loop

Effects work like standard send/return effects, the

Mastering Tool Kit allows you to master finished songs,

the Vocal Tool Box cleans up vocal tracks, and Speaker

Modeling allows you to hear how your songs would

sound on different speaker systems. With this arsenal at

your disposal, you will be able to make professional-

sounding recordings using just the BR-1200CD—without

having to rely on external effects processors. In addition

to COSM amplifier modelings inherited straight from

the BOSS GT-6/GT-6B, the Insert Effects feature a wealth

of other modelings and effects algorithms. And rather

than being restricted to use with guitars alone, the Insert

Effects also provide wide-ranging support for 8-track

simultaneous recording, microphone modeling, and

many other applications. What’s more, the Loop Effects

include spatial effects such as chorus, delay and reverb,

which are vital for proper stereo mixdown.

■ Vocal Tool Box for better-sounding

vocals

The BR-1200CD’s Vocal Tool Box empowers you with

the ability to fix incorrect pitches in recorded vocal

performances and to automatically apply vocal

harmonies to your vocal tracks.

■ Creation of audio and backup CDs

The BR-1200CD comes with its own CD-R/RW drive

already installed, and you can use this to easily create

audio CDs by burning your finished songs onto CD-R

discs. In addition, the CD-R/RW drive also allows you

to use CD-R/RW discs to conveniently back up songs

and song data.

Before you use the CD-R/RW drive, it is important that

you first of all read “Before Using CD-R/RW Discs” (p. 8).

■ Mastering Tool Kit for professional-

sounding CDs

The Mastering Tool Kit integrated into the BR-1200CD

allows you to make final adjustments to the volume and

other characteristics of mixed songs. Featuring an

equalizer and limiter in addition to a 3-band compressor,

this tool kit makes it easy to balance the volume and

power of songs before they are written to an audio CD.

Rev0.02

18

Introduction to the BR-1200CD

■ Powerful editing functions

With the BR-1200CD, you can copy, move, and erase

audio, and perform many other editing operations that

are only possible with full digital recorders. For example,

you could repeat a certain four-measure drum pattern

over and over to create a break-beats sound;

alternatively, you could easily position the exact same

chorus section at the beginning and end of a song.

What’s more, the BR-1200CD uses a process known as

Non-Destructive Editing to store the data from before a

edit, and as a result, you can use functions known as

Undo and Redo to cancel and restore edits.

“Rectifying recording mistakes (Undo/Redo)” (p. 81)

■ Saving of mixer settings

The term Scene is used to describe a batch of BR-1200CD

mixer and effect settings, and up to 100 scenes can be set

up and stored for each song. Accordingly, these settings

can be conveniently recalled whenever you are

balancing volumes during mix-down, comparing the

sound of different effects, or performing other similar

operations. In addition, another BR-1200CD function

known as Auto Scene allows registered scenes to be

recalled automatically during playback.

“Registering and recalling mixer settings (Scene)” (p. 93)

■ PCM Drum/Bass

A PCM Drum/Bass (p. 154) capable of sequencing drum

and bass patterns has been integrated into the BR-

1200CD, and you will find this extremely useful

whenever you need to put together songs based on

phrases or other ideas that can come to you at any time.

Once you have chosen the drum and bass patterns that

best suit your idea, you can easily set the tempo to the

right speed. What’s more, you can also combine different

drum and bass patterns to create a rhythm-section

performance with interesting variations at appropriate

points during your song, and the PCM Drum/Bass also

allows you to set up chord progressions for the bass part.

Once you have played and recorded tracks along with

the BR-1200CD’s PCM Drum/Bass, it will then be very

easy to perform edits at measure positions.

“Section 4 Using Rhythm” (p. 153)

■ Loop phrase functionality

The BR-1200CD lets you import commercially available

loop phrase data using the CD- R/RW drive and then

save this data on the internal hard disk. The tempo for

these loop phrases can then be freely set to the required

speed so that they can be played in sync with your

recorded tracks. Using this function, you can easily

create songs by layering performances over break beats

or other rhythm patterns.

■

Rapid relocation of the current position

The BR-1200CD’s Marker function allows you to position

as many as 100 different markers at various points

within your song. For example, if you position markers

at the end of the intro, the beginning of the guitar solo,

and other similar points, you will be able to jump to

these points in an instant whenever you want to listen to

the corresponding sections again. You can also assign

names to any or all of these markers, and this proves

extremely helpful during involved editing sessions.

“Placing markers in your song (Marker)” (p. 90)

■ Chromatic tuner

Featuring a chromatic tuner covering the range from C1

to B6, the BR-1200CD allows you to quickly tune any

guitar or bass guitar connected to it (p. 275).

Rev0.02

19

Panel Descriptions

Top Panel

fig.0005-01

2

1

3

4

6

5

88

7

9

10

1. INPUT SENS knobs

These knobs are used to adjust the sensitivity of the
corresponding input jacks. Note that the INPUT SENS 1
knob also adjusts the sensitivity of the GUITAR/BASS jack.

2. PEAK indicators

These indicators allow you to confirm whether or not the
audio being input via the corresponding input jack is
distorting, and they do this by lighting up when the volume
reaches the distortion level of -6 dB. Use the INPUT SENS
knobs to adjust the input sensitivity in such a way that each
PEAK indicator only lights up occasionally when the
corresponding instrument is being played hard.

3. INPUT SELECT buttons

What is AF method (Adaptive Focus method)?

Adaptive Focus is a unique Roland/BOSS technology
that allows the signal noise (S/N) ratios of AD and DA
converters to be vastly improved.

VOCAL:

This button is used to select the MIC 2 jack for recording
from a line-in or a microphone.

SIMUL:

SIMUL mode is activated by holding down [GUITAR/BASS]
and pressing [VOCAL]. In this condition, either the
GUITAR/BASS or the MIC 1 jack will be selected together
with the MIC 2 jack. In other words, two inputs will be
simultaneously selected. Note that the GUITAR/BASS jack
will be selected automatically when an instrument is
connected to it.

Use these buttons to select the input source (input jack) that
you wish to record. The indicater of the selected button will
light. If a lit INPUT SELECT button is pressed, it will turn off
and the corresponding input source(s) will be muted.

GUITAR/BASS:

This button is used to select either the GUITAR/BASS jack
for recording guitar or bass or the MIC 1 jack for recording
from a line-in or a microphone. Note that the GUITAR/BASS
jack will be selected automatically when an instrument is
connected to it.

* When either [GUITAR/BASS] or [VOCAL] is alone selected,

Adaptive Focus (AF) will be activated for recording.

20

LINE:

This button is used to select the LINE jack. In this case, the
audio from the input source recorded on the track selected
for recording.

4. EFFECTS button

Use this button to select an insert effects’ patch (p. 118) and
to call up the screen for editing effects settings and the like.

Rev0.02

Panel Descriptions

5. INPUT LEVEL knob

Adjusts the volume of all input sources, and the volumes
determined using this knob are the actual volumes that will
be recorded on tracks.

6. TUNER ON/OFF button

Use this button to turn the tuner (p. 275) on and off.

7. REC MODE (recording mode) button

This is used to prepare the BR-1200CD for recording. In
addition, it also allows you to select one of the following
three recording modes:

INPUT:

Allows you to record the instruments and microphones
connected to the input jacks. The units is normally used in
this mode.

BOUNCE:

Allows you to mix the audio from several tracks and to
record it on one or two different tracks.

MASTERING:

Allows you to master your finished songs using the BR­1200CD’s Mastering Tool Kit.

8.

REC MODE (recording mode) indicators

Allow you to confirm which recording mode is currently
selected. Whenever you change the recording mode using
the REC MODE button, the INPUT, BOUNCE, or
MASTERING indicator will light up accordingly.

9. MARKER

The MARKER section is used to make settings for the marker
function.

MARK button:

Use this button to position a marker at any point within your
song. Each time this button is pressed, the BR-1200CD will
place a marker at the current position.

Markers are numbered in sequence from the beginning of the
song. In addition, you can also assign names to individual
markers. If a marker has been placed at the current position,
the corresponding number will appear in the display’s
Marker box; if no marker has been placed here, the Marker
box will show the number of the last marker before the
current position. Appropriately placed markers allow you to
quickly confirm which section of the song is being played.

SEARCH button:

Use this button to jump back to the previous marker before
the current position.

SEARCH button:

Use this button to jump forward to the next marker after the
current position.

CLEAR button:

Use this button to delete markers. Specifically, the marker
currently being shown in the display’s Marker box will be
deleted when this button is pressed.

10. AUTO PUNCH IN/OUT

The AUTO PUNCH IN/OUT section is used to make settings
for the auto punch in/out function.

ON/OFF button:

This button is used to turn the auto punch function on and
off. The button’s indicator will light up when auto punch is
on.

IN button:

Sets the punch-in position. When pressed, the current
position is registered as the punch-in position and the
button’s indicator lights up. Once a punch-in position has
been registered, you can jump to this position at any time by
pressing [IN].

OUT button:

Sets the punch-out position. When pressed, the current
position is registered as the punch-out position and the
button’s indicator lights up. Once a punch-out position has
been registered, you can jump to this position at any time by
pressing [OUT].

DELETE button:

Deletes the current punch-in or punch-out position. To do
this, hold down [DELETE] and then press either [IN] or
[OUT] to delete the corresponding auto punch position.
When the [IN] or [OUT] setting is cleared in this way, its
indicator will be turned off.

Rev0.02

“Placing markers in your song (Marker)” (p. 90)

21

Panel Descriptions

fig.0005-02

20

19

18
21

22

14

13

12

11

15 16 17

11. ZERO button

Press to jump to the very beginning of the song.

12. REW button

The song will rewind while you hold down this button.

13. FF button

The song will fast-forward while you hold down this button.

14. REPEAT button

Selects a section of your song to listen to repeatedly (“Playing
back repeatedly (Repeat Function)” (p. 74)).
This function is useful when you want to record several
times using punch-in and punch-out (p. 75) before saving the
best performance.

15. STOP button

This button stops song playback or recording.

16. PLAY button

Starts playback of your song. Alternatively, if [REC] has been
pressed and its indicator is flashing, you can also start
recording by pressing [PLAY]. During playback or recording,
this button’s indicator will light up in green.

28

29
30

27

23

26
25

24

17. REC (record) button

This is the BR-1200CD’s record button, and in addition to
normal recording, it is also used to perform manual punch-in
and punch-out. This button’s indicator will turn red and
begin to flash when the BR-1200CD is standing by to start
recording, and this will change to a steady red when
recording is actually started.

18. PAN button

This calls up a screen that allows settings to be made for the
pan (i.e., the left-right position) of each playback track and
input source (p. 82).

19. COMP (compressor) button

This calls up a screen for setting of each track’s compressor
parameters so that variations in volume may be suppressed
(p. 82).

20. EQ (equalizer) button

This calls up a screen that allows setting of each track’s
equalizer parameters so that the sound of the corresponding
track can be adjusted (p. 83).

21. CHORUS/DELAY button

This calls up either a screen for setting of the send level from
each track to the loop effects chorus/delay, or a screen that
allows selection of chorus or delay effects and the setting of
parameters for these effects (p. 125).

Rev0.02

22

Panel Descriptions

22. REVERB button

This calls up either a screen for setting of the send level from
each track to the loop effect reverb, or a screen that allows
reverb parameters to be set (p. 126).

23. AUDIO TRACK MIXER faders 1–8,
9/10, 11/12

These faders are used to control the volumes of the
corresponding tracks during playback.

Since tracks 9/10 and 11/12 are fixed as stereo tracks, a
single fader controls the volume of both tracks in the stereo
pair simultaneously. In addition, the faders for tracks 8 and
9/10 are also used to control the volume of rhythm
arrangement components such as loop phrases, bass, and
drums.

In this manual, the term “track faders” is used to refer to

the AUDIO TRACK MIXER faders.

24. Track buttons 1–8, 9/10, 11/12

Flashing orange and green:

The track contains recorded audio data and is currently
selected for recording.

Flashing orange:

The track contains recorded audio data, is selected for
recording, but is currently muted.

25. VOCAL TOOL BOX button

Use this button to turn the Vocal Tool Box on and off, and
also to call up a screen for setting of its parameters.

“Fixing the pitch of vocals/Adding a backing chorus to

vocals (Vocal Tool Box)” (p. 131)

26. MASTERING TOOL KIT button

Use this button to turn the Mastering Tool Box on and off,
and also to call up a screen for setting of its parameters.

“Mastering” (p. 146)

Track buttons 1 through 8, 9/10, and 11/12 are used to select
tracks for recording or for the setting of parameters.
Furthermore, they can also be used to select drum and/or bass­guitar sounds when you are creating a drum pattern or a bass
pattern. Since tracks 9/10 and 11/12 are fixed as stereo tracks, a
single button simultaneously selects both tracks in the stereo
pair. When a track has been selected for recording, its track
button will turn red and start to flash, and when recording is
started, this will change to a steady red lighting pattern. Then,
when recording has ended, the track button will flash in orange
and green. The relationship between the type of illumination
and the track status is as follows:

Off:

The track contains no audio data (i.e., it has not been
recorded on).

Steady green:

The track contains (recorded) audio data.

Flashing green:

The track contains (recorded) audio data but is currently
muted.

Flashing red:

The track has been selected for recording and the BR-1200CD
is in standby mode for recording.

Steady red:

The track is being recorded to.

27. SPEAKER MODELING button

Use this button to turn the Speaker Modeling on and off, and
also to call up a screen for setting of its parameters.

“Recreating the characteristics of different monitor

speakers (Speaker Modeling)” (p. 142)

28. ARRANGEMENT/PATTERN button

Use this button to switch between Arrangement mode and
Pattern mode for rhythm arrangements. For more detailed
information regarding these modes, refer to p. 156.

29. EDIT button

Used to input and set parameters for Drum, Bass, Loop
Phrase and rhythm arrangements (p. 153).

When ARRANGEMENT indicator is lit up:

Press [EDIT] to call up a screen for creating rhythm
arrangements and editing the relevant parameters.

When PATTERN indicator is lit up:

Press [EDIT] to call up a screen for creating drum and/or
bass patterns and editing the relevant parameters.

30. EZ COMPOSE button

This enables the “Easy Compose function,” a handy feature
that makes creating rhythm patterns and arrangements a
snap (p. 213).

Rev0.02

23

Panel Descriptions

fig.0005-03

46

34

37
38

47

39

44

32

31. TAP button

By tapping this button along with your song, you can set the
tempo for the Drum, Bass and Loop Phrases (p. 159, p. 173, p.

187).

32. V-TRACK button

Calls up a screen for selecting V-Tracks (p. 44).

33. TRACK MUTE button

40

41
42

43

45

31

36

3335

34. TRACK TYPE SELECT button

Calls up a screen for selecting track types. Tracks 8 and 9/10
can each be set to one of two track types—namely, tracks used
for recording audio or tracks used for rhythm arrangement
components such as Loop Phrases, Bass, and Drums. Possible
settings for these tracks are as follows:

Track 8 Audio track or Bass track

Track 9/10

Audio track or Drum (metronome) & Loop
Phrase track

If you hold down [TRACK MUTE] and press a track button
that is currently lit in green, the corresponding track will be
muted (or silenced) during playback. You can then perform
the same procedure once again to cancel muting. While a
track is muted, its track button will flash in green (p. 46).

• If a track being recorded is muted, the BR-1200CD will
automatically cancel muting when recording has ended.

• Track Mute is not enabled for tracks other than those
whose Track Type is set to AUDIO (p. 157, p. 171, p. 185).
The Track Mute is also cancelled with the track type is
changed.

24

“Section 4 Using Rhythm” (p. 153)

35. TRACK TYPE indicators

These indicators allow you to confirm the current track types
for Tracks 8 and 9/10.

Lit Unlit

Track 8 Bass Audio track

Track 9/10

Drum (metronome)
& Loop Phrase track

Audio track

Rev0.02

Panel Descriptions

36. VALUE knobs

When the icons for these knobs are displayed on-screen, use
these knobs to change setting values.

37. UTILITY button

Calls up a wide range of functions such as track editing,
organization of songs, and the like.

38. UNDO/REDO button

Use this button to restore your song’s previous condition by
canceling the last audio recording or editing operation. In
addition, pressing [UNDO/REDO] a second time restores
the canceled audio or edit (“Rectifying recording mistakes
(Undo/Redo)” (p. 81)).

39. TIME/VALUE dial

This dial is normally used to move the current position
within the song (i.e., to perform fast forward or rewind).
However, it is also used to modify values of the various
function settings.

45. CD-R/RW

AUDIO CD WRITE/PLAY button

This button is used when you want to create or play an audio
CD.

DATA SAVE/LOAD button

Use this button whenever you want to save recorded songs
to a CD-R/RW disc or to reload the saved songs to the BR­1200CD.

LOOP PHRASE IMPORT button

Use this button to import break-beats and various other
types of Loop Phrase.

46. MIDI indicator

This indicator will light up whenever the BR-1200CD
receives MIDI data via the MIDI IN connector.

47. HD ACCESS indicator

This indicator will light up whenever the BR-1200CD is
reading or writing on the hard disk.

40. CURSOR buttons

Press these buttons to move the cursor in the corresponding
direction.

41. ENTER/YES button

Press this button to confirm a selection or a value being
entered.

42. EXIT/NO button

Press this to return to the previous screen or to reject an
operation.

43. MASTER fader

Controls the overall volume of your song.

44. F1–F3 buttons

Pressing these buttons while the functions are indicated in
the bottom part of the screen executes the corresponding
function.

You should never turn off the power while this indicator

is lit. Failure to observe this precaution can result in any

or all of the data on the hard disk being permanently

damaged or lost completely.

25

Rev0.02

Panel Descriptions

Front Panel

fig.0005-04

123

1. GUITAR/BASS jack

This high-impedance input jack is used to directly connect
guitar or bass.

The MIC 1 jack (or XLR connector) and the GUITAR/

BASS jack share the same internal circuitry, and when a

connection has been made to both of these input jacks,

the GUITAR/BASS jack will be selected automatically.

2. PHONES jack

Use this jack to connect separately sold headphones.

3. PHONES VOLUME knob

Adjusts the volume for headphones connected to the
PHONES jack.

4

5

6

7

CD-R/RW drive

fig.05-02

The BR-1200CD uses this drive unit to read from, write to,
and play CD-R/RW discs.

Before you use the CD-R/RW drive, it is important that

you first of all read “Before Using CD-R/RW Discs” (p. 8).

4. Disc tray

Place the CD-R/RW discs on this tray.

5. Access indicator

This indicator will light up whenever data is being read from
or written to a CD-R/RW disc.

6. EJECT button

26

Press this button to eject a CD-R/RW disc from the drive
unit. Note that it will only be possible to eject the CD-R/RW
disc while the BR-1200CD is powered up.

If you need to eject the disc after the power has been turned
off, turn the BR-1200CD back on and then press the EJECT
button. If excessive force is used to extract a disc, you risk
causing damage to the drive.

7. Emergency eject hole

This hole is used when the disc tray must be opened in an
emergency.

It must not, therefore, be used on a regular basis and should
be treated as a last resort only when the disc cannot be
ejected in any other way (p. 9).

Rev0.02

Panel Descriptions

Display

fig.05-03

Displays the menu screen, parameter setting screen, or other
information, depending on the type of settings being made.

If the screen content is difficult to see, refer to “Adjusting the
display’s contrast” (p. 274).

fig.0005-05

1 2 3 4

5 6 7

1. Marker

This box displays the number of the marker at the current
position. If no marker has been placed at this position, the
number of the last marker before the current position is
shown. If, however, the current position is in front of Marker
No. 001 or if no markers have been registered, “- - -” will be
displayed here.

5. Information

The Information box displays various items of song data
(such as effect patch, marker names, tempo, chord, and the
remaining time available for recording).

6. Input/Track level meters

This area provides a graphic display of the volume levels,
both of instruments connected to input jacks and of recorded
tracks. At the time of purchase, these level meters will be set
to show the volume levels after the corresponding audio has
passed through the INPUT LEVEL knob or the track faders
(i.e., the post-fader volume levels).

If you would like the level meters to show the volumes
before passing through the faders (i.e., the pre-fader volume
levels), refer to “Changing the content of the level meter
display (Pre/Post Fader)” (p. 281).

7. Master level meter

This level meter provides a graphic display of the overall
stereo volume after audio has passed through the MASTER
fader.

2. Measure

This box displays the current position in the song in terms of
measures and beats. The measures are shown on the left; the
beats, on the right.

3. Time

This box displays the current position in terms of hours,
minutes, and seconds.

4. Frames

This box displays the current position in terms of the number
of frames. At the time of purchase, the number of frames per
second will initially be set to 30 (non-drop). This represents
one type of MIDI Time Code (MTC) specification, and if you
want to operate the BR-1200CD and other MIDI devices in
synchrony with each other, all must be set to the exact same
MTC specification.

“Synchronizing external MIDI sequencers and rhythm

machines” (p. 245)

27

Rev0.02

Panel Descriptions

Rear Panel

fig.0005-06

1 54 6 7

13

14

1. POWER switch

Use this switch to turn the BR-1200CD on and off (p. 36).

2. DC IN (AC adaptor) jack

Connect the BR-1200CD’s AC adaptor to this jack.

In order to prevent accidents, avoid using any AC adaptor
other than the PSB-3U, which was included with this
product.

3. Cord hook

Loop the AC adaptor’s cord around this hook in order to
prevent its plug from being pulled out accidentally. If the AC
adaptor should be disconnected while you are using the BR­1200CD, there is a danger of important audio data being
permanently lost.

8 923

10 11 12

6. MIDI IN connector

The BR-1200CD receives MIDI data via this connector.
Connect the MIDI OUT connector of external MIDI devices
such as sequencers to this connector using a MIDI cable.

“Section 6 Using MIDI” (p. 241)

7. DIGITAL OUT connector

This optical-type connector is used to output digital audio
signals from the BR-1200CD, and its output is identical to
that of the LINE OUT jack. You can use the DIGITAL OUT
connector to record the BR-1200CD’s output on CD-R or MD
recorders. In addition, it can also be used to make
connections with amplifiers, speakers, and other devices
with digital inputs.

4. USB connector

Plug a USB cable into this connector when you want to
exchange data between the BR-1200CD and a PC.

“Section 7 Using USB” (p. 257)

5. MIDI OUT connector

The BR-1200CD transmits MIDI data via this connector.
Connect the MIDI IN connector of external MIDI devices
such as rhythm machines, sequencers, and sound modules to
this connector using a MIDI cable.

“Section 6 Using MIDI” (p. 241)

8. FOOT SW jack

Use this jack to connect a separately sold foot switch (such as
the Roland DP-2 or BOSS FS-5U). With a foot switch
connected, you can use it to carry out remote-control
operations such as the start and stop of playback or punch­in/out.

“Using a foot switch” (p. 39)

9. EXP (Expression) PEDAL jack

Use this jack to connect a separately sold expression pedal
(such as the Roland EV-5). When connected, an expression
pedal allows you to use the internal effects processor’s pedal
wah and other similar effects.

“Using an expression pedal” (p. 124)

Rev0.02

28

10. LINE OUT jacks

Panel Descriptions

The LINE OUT jacks are used to output an analog audio
signal. Connect these jacks to a device such as a CD-R, MD,
or tape recorder to make an analog recording of the BR­1200CD’s output.

If necessary, you can make a setting that mixes the

signals being input via LINE IN jacks with the signal

being output via the LINE OUT jacks. (Audio Sub Mix:

p. 277)

11. LINE IN jacks

The LINE IN jacks for analog audio signals. These jacks are
used to connect CD/MD players and other audio devices
and keyboards and other external sound sources, or tape
recorder to make an analog recording of the BR-1200CD’s
output.

12. MIC 1–2 jacks

These input jacks and connectors are used with line sources
and microphones. Each input can accept two different types
of connections—namely, a balanced connection using the
TRS 1/4” phone jack, and a balanced connection using the
XLR connector.

In addition, phantom power at +48 V can be supplied via the
XLR connectors.

Depending on the circumstances of a particular setup,

you may experience a discomforting sensation, or

perceive that the surface feels gritty to the touch when

you touch this device, microphones connected to it, or

the metal portions of other objects, such as guitars.

This is due to an infinitesimal electrical charge, which is

absolutely harmless. However, if you are concerned

about this, connect the ground terminal (rear panel: see

14

figure ) with an external ground. When the unit is

grounded, a slight hum may occur, depending on the

particulars of your installation.

If you are unsure of the connection method, contact the

nearest Roland Service Center, or an authorized Roland

distributor, as listed on the “Information” sheet.

Unsuitable places for connection

• Water pipes (may result in shock or electrocution)

• Gas pipes (may result in fire or explosion)

• Telephone-line ground or lightning rod (may be

dangerous in the event of lightning)

“Using condenser microphones (Phantom Power)” (p. 278)

• If a connection is made to both the TRS 1/4” phone jack

and the XLR connector, priority will be given to the TRS

1/4” phone jack.

• The MIC 1 jack (or XLR connector) and the GUITAR/

BASS jack share the same internal circuitry, and when a

connection has been made to both of these input jacks,

the GUITAR/BASS jack will be selected automatically.

13. Security Slot ( SECURITY LOCK)

http://www.kensington.com/

Rev0.02

29

Common operations and display items

Top screen

foggy-01d

Tempo

Name of Mark at Current Position

Current Position

Level Meters

Remaining Recording Time

Mastering Mode Top Screen

Displayed shortly after the power is turned on, this is the

main BR-1200CD screen. Among other important

information, the top screen presents the current position

within the song, the level meters, and remaining recording

time on the hard disk.

Regardless of the screen that you are currently in, you will

always be able to return to this screen by pressing [EXIT/

NO] several times (although you may sometimes have to

wait until the BR-1200CD completes the current process).

Unless otherwise specified, all procedures described in this

manual will require you to return first of all to the top screen.

In Mastering mode (p. 146) only, the top screen changes to

the screen like that shown to the left.

Current position

fig.06-02d

Marker Number

Measure

Beat

Minute

Hour Sub Frame

Frame

Second

Cursor

The current position within the song is indicated in terms of

time at the top right of the display. In addition, this position

is also indicated in terms of bars and beats to the left of this

time value.

The displayed time is based on MIDI Time Code (MTC), and

as such, it is presented in terms of hours, minutes, seconds,

frames, and sub-frames. Note that different devices use

different MTC specifications.

If you want to synchronize the BR-1200CD with another

MIDI device using MTC, you will first of all need to set both

to the same MTC specification. At the time of purchase, the

number of frames per second will initially be set to 30 (non-

drop) on the BR-1200CD (p. 247).

FUNCTION buttons ([F1] through [F3])

fig.06-04

[F1] through [F3] are called the FUNCTION buttons.

At the bottom of the display, you will find the names of the

functions that are assigned within the current screen to each

of these buttons.

If an explanation from this manual were to refer to “[F1]

(EDIT)”, you would know that pressing [F1] would select the

“EDIT” function as displayed immediately above the button.

30

FUNCTION buttons

Rev0.02