Yamaha VL User Manual

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class ”B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit ”OFF” and ”ON”, please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

Dette apparat overholder det gaeldende EF-direktiv vedrørende radiostøj.

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Cet appareil est conforme aux prescriptions de la directive communautaire 87/308/CEE.

Diese Geräte entsprechen der EG-Richtlinie 82/ 499/EWG und/oder 87/308/EWG.

This product complies with the radio frequency interference requirements of the Council Directive 82/499/EEC and/or 87/308/EEC.

Questo apparecchio è conforme al D.M.13 aprile 1989 (Direttiva CEE/87/308) sulla soppressione dei radiodisturbi.

Este producto está de acuerdo con los requisitos sobre interferencias de radio frequencia fijados por el Consejo Directivo 87/308/CEE.

YAMAHA CORPORATION

Litiumbatteri! Bör endast bytas av servicepersonal. Explosionsfara vid felaktig hantering.

VAROITUS! Lithiumparisto, Räjähdysvaara. Pariston saa vaihtaa ainoastaan alan ammattimies.

Connecting the Plug and Cord

IMPORTANT: The wires in this mains lead are coloured in accordance with the following code:

GREEN-AND-YELLOW : EARTH BLUE : NEUTRAL BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:

The wire which is coloured GREEN and YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or coloured GREEN and YELLOW.

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

* This applies only to products distributed by YAMAHA - KEMBLE MUSIC (U.K.) LTD.

ADVARSEL! Lithiumbatteri! Eksplosionsfare. Udskiftning må kun foretages af en sagkyndig, – og som beskrevet i servicemanualen.

SPECIAL MESSAGE SECTION

AC INLET

PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL

● Explanation of Graphical Symbols

The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

The lightning flash with arrowhead symbol within the equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical shock.

methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

Battery Notice: This product MAY contain a small nonrechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes neccessary, contact a qualified service representative to perform the replacement.

Warning: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.

Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc.

NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.

NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial nunber, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

IMPORTANT NOTICE: All Yamaha electronic products are tested and approvend by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected.

SPECFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.

ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production

92-469 q

YAMAHA

MODEL VL1 AC INLET

POWER ON / OFF

YAMAHA

MODEL VL7 AC INLET

POWER ON / OFF

Model Serial No. Purchase Date

VL1

VL1-m

VL7

IMPORTANT SAFETY INSTRUCTIONS

Please refer to the IMPORTANT SAFETY INSTRUCTIONS listed below rather than those in the original Feature Reference manual. The safety instructions given here are complete and correct.

INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,

AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.

WARNING- When using any electrical or electronic product,

basic precautions should always be followed. These precautions include, but are not limited to, the following:

1. Read all Safety Instructions, Installation Instructions, Special

Message Section items, and any Assembly Instructions found in this manual BEFORE making any connections, including connection to the main supply.

2. Do not attempt to service this product beyond that

described in the user-maintenance instructions. All other servicing should be referred to qualified service personnel.

3. Main Power Supply Verification: Yamaha products are

manufactured specifically for the supply voltage in the area where they are to be sold. If you should move, or if any doubt exists about the supply voltage in your area, please contact your dealer for supply voltage verification and (if applicable) instructions.The required supply voltage is printed on the name plate. For name plate location, please refer to the graphic found in the Special Message Section of this manual.

4. DANGER-Grounding Instructions: This product must be

grounded and therefore has been equipped with a three pin attachment plug. If this product should malfunction, the ground pin provides a path of low resistance for electrical current, reducing the risk of electrical shock. If your wall socket will not accommodate this type plug, contact an electrician to have the outlet replaced in accordance with local electrical codes. Do NOT modify the plug or change the plug to a different type!

5. WARNING: Do not place this product or any other objects

on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25' cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician.

6. Ventilation: Electronic products, unless specifically designed

for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installation are not provided, it must be assumed that unobstructed ventilation is required.

7. Temperature considerations: Electronic products should be

installed in locations that do not seriously contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers etc., should be avoided.

8. This product was NOT designed for use in wet/damp

locations and should not be used near water or exposed to rain. Examples of wet /damp locations are; near a swimming pool, spa, tub, sink, or wet basement.

9. This product should be used only with the components

supplied or; a cart ,rack, or stand that is recommended by the manufacturer . If a cart, rack, or stand is used, please observe all safety markings and instructions that accompany the accessory product.

10. The power supply cord (plug) should be disconnected

from the outlet when electronic products are to be left unused for extended periods of time. Cords should also be disconnected when there is a high probability of lightning and/or electrical storm activity.

11. Care should be taken that objects do not fall on and

liquids are not spilled into the enclosure through any openings that may exist.

12. Electrical/electronic products should be serviced by a

qualified service person when:

a. The power supply cord has been damaged; or b. Objects have fallen, been inserted, or liquids have been

spilled into the enclosure through openings; or c. The product has been exposed to rain; or d. The product does not operate, exhibits a marked change

in performance; or e. The product has been dropped, or the enclosure of the

product has been damaged.

13. This product, either alone or in combination with an

amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. Do NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.

14. Some Yamaha products may have benches and / or

accessory mounting fixtures that are either supplied as a part of the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended.

92-469-3

PLEASE KEEP THIS MANUAL

Welcome to Version 2

Whether you have purchased a VL1 Version 2, VL1-m Version 2, or VL7 Version 2 or upgraded from an original version, you are now in possession of what is currently the most advanced computer-based “physical modelling” musical synthesis system in the world.

VL Version 2 is a software upgrade which significantly enhances the sound and playability of the original VL system in the same sense that operating system upgrades for personal computers can provide major improvements in operating ease and functionality. To employ a more musical example, upgrading from the original VL version to Version 2 takes you from the sound and response of a baby grand piano to that of a full concert grand.

VL future

Copland

III

VL Version 2

System 6

MS-DOS

System 7

Windows 95

'93 '95

Specifically, Version 2 applies to two main areas: 1) the physical modelling algorithm has been improved for greater simulation precision and resolution; and 2) improved effects. Please note that the changes have not been made merely in the interest of greater programming “elegance” or to fix bugs in the original system. Version 2 is a very meaningful upgrade, offering advanced sound and playability that can make a major difference in the quality of the music you create.

* The company names and product names in this manual are trademarks or registered trademarks

of their respective companies.

VL Version 2

Contents

About This Manual . . . . . . . . . . . . . . . . . . . . . . . . . 4

■

Model Name Abbreviations . . . . . . . . . . . . . . . . . . 4

1: Initial Setup

■

Power Supply . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

■

Audio Connections . . . . . . . . . . . . . . . . . . . . . . . . . 5

■

Power-on Procedure . . . . . . . . . . . . . . . . . . . . . . . . 6

■

VL1-m Ver.2 MIDI Connections. . . . . . . . . . . . . . 6

■

Load the Pre-programmed Voice Data . . . . . . . . . 7

2: Test Driving Version 2

■

Set the Breath Mode to “Touch EG”. . . . . . . . . 10

■

Try Some Version 2 Voices . . . . . . . . . . . . . . . . 11

■

Controller Connection & Calibration. . . . . . . . . 15

■

Experiment With the Controllers . . . . . . . . . . . . 18

3: Load-converting the Original VL Voices

■

To VL1 Version 2 . . . . . . . . . . . . . . . . . . . . . . . 19

■

To VL1-m Version 2 . . . . . . . . . . . . . . . . . . . . . 20

■

To VL7 Version 2 . . . . . . . . . . . . . . . . . . . . . . . 20

■

To Original VL . . . . . . . . . . . . . . . . . . . . . . . . . . 21

Appendix

■

VL1 Version 2 Specifications . . . . . . . . . . . . . 72

■

VL1-m Version 2 Specifications . . . . . . . . . . . 74

■

VL7 Version 2 Specifications . . . . . . . . . . . . . 76

■

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

VL Version 2

4. New Features & Parameters

PLAY Mode

■

Play Mode Display . . . . . . . . . . . . . . . . . . . . . . . 24

■

Continuous Sliders . . . . . . . . . . . . . . . . . . . . . . . 24

EDIT Mode

Initial Edit Page

■

Edit Mode Display . . . . . . . . . . . . . . . . . . . . . . . 25

■

Voice Name & Element Name . . . . . . . . . . . . . 25

■

Key Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Common Miscellaneous

■

EDIT/COM/MISC/SETTING . . . . . . . . . . . . . . 26

■

EDIT/COM/MISC/CONTROLLER. . . . . . . . . . 27

■

EDIT/COM/MISC/MICROTUNING. . . . . . . . . 27

■

EDIT/COM/MISC/CONTINUOUS SLIDER . . 28

■

EDIT/COM/MISC/PART SETTING . . . . . . . . . 28

Common Effect

■

New Modulation Effect Types. . . . . . . . . . . . . . 30

■

Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

■

Phaser . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

■

Symphonic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

■

Celeste . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

■

Dist+Flanger . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

■

Dist+Wah . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Element Controller

■

Controller Parameter Displays . . . . . . . . . . . . . . 42

Element Miscellaneous

■

EDIT/E1/MISC/BREATH NOISE. . . . . . . . . . . 43

■

EDIT/E1/MISC/THROAT FORMANT/KSC . . 44

■

EDIT/E1/MISC/MIXING . . . . . . . . . . . . . . . . . . 44

■

EDIT/E1/MISC/EXCITATION . . . . . . . . . . . . . 44

■

Excitation Level to Pipe/String Key Scaling. . . 46

■

Excitation Level to Driver Key Scaling . . . . . . 47

■

Excitation LPF Cutoff Key Scaling . . . . . . . . . . 48

■

Excitation Pulse Width Key Scaling . . . . . . . . . 49

Element Modifier

■

EDIT/E1/MODIFIER/HARMONIC ENHANCER

■

EDIT/E1/MODIFIER/EQUALIZER AUXILIARY

■

EDIT/E1/MODIFIER/RESONATOR . . . . . . . . 51

Element Envelope

■

EDIT/E1/ENV/EMBOUCHURE&PITCH. . . . . 52

■

EDIT/E1/ENV/VIBRATO . . . . . . . . . . . . . . . . . 52

■

EDIT/E1/ENV/GROWL . . . . . . . . . . . . . . . . . . . 52

UTILITY Mode

Utility System

■

UTIL/SYSTEM/KBD SETTING . . . . . . . . . . . . 53

■

UTIL/SYSTEM/TG SETTING . . . . . . . . . . . . . 53

■

UTIL/SYSTEM/ASSIGNABLE CONTROLLER

■

UTIL/SYSTEM/CURVE . . . . . . . . . . . . . . . . . . 54

■

UTIL/SYSTEM/BREATH MODE . . . . . . . . . . 54

■

UTIL/SYSTEM/MISCELLANEOUS . . . . . . . . 56

■

UTIL/DISK/LOAD FROM DISK . . . . . . . . . . . 56

CONTROL & SIGNAL FLOW . . . . . . . . . . . . . . . . 57

. . 50

. 50

. . . 54

5: Experiments

■

Preparation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

■

Changing Controller Functions . . . . . . . . . . . . . 59

■

Multiple Functions to One Controller . . . . . . . . 60

■

Try Out The Controller Functions . . . . . . . . . . . 62

• VL1 Ver.2/VL7 Ver.2 Preparations . . . . . 62

• VL1-m Ver.2 Preparation . . . . . . . . . . . . . 63

01 : Pressure . . . . . . . . . . . . . . . . . . . . . . . . . 63

02 : Embouchure. . . . . . . . . . . . . . . . . . . . . . 63

03 : Pitch . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

04 : Vibrato . . . . . . . . . . . . . . . . . . . . . . . . . . 64

05 : Tonguing . . . . . . . . . . . . . . . . . . . . . . . . 65

06 : Amplitude . . . . . . . . . . . . . . . . . . . . . . . 65

07 : Scream . . . . . . . . . . . . . . . . . . . . . . . . . . 65

08 : Breath Noise . . . . . . . . . . . . . . . . . . . . . 65

09 : Growl . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

10 : Throat Formant . . . . . . . . . . . . . . . . . . . 66

11 : Dynamic Filter . . . . . . . . . . . . . . . . . . . 67

12 : Harmonic Enhancer. . . . . . . . . . . . . . . . 67

13 : Damping . . . . . . . . . . . . . . . . . . . . . . . . 68

14 : Absorption . . . . . . . . . . . . . . . . . . . . . . . 68

■

Editing the Pressure Envelope . . . . . . . . . . . . . . 69

■

The Resonance-enhancing Modifiers . . . . . . . . . 70

■

Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

VL Version 2

About This Manual

This manual supplements the original VL manuals with information about the improvements and changes in Version 2. The information provided in the original VL manuals is essential for a full understanding of Version 2, and those manuals — particularly the Getting Started manual — should be read before attempting any serious work with Version 2.

This manual is made up of 5 chapters, as follows:

1. Initial Setup [˘ Page 5]

Setting up the instrument without external controllers and loading the Version 2 voices.

2. Test Driving Version 2 [˘ Page 10]

Simple procedures to help you become familiar with some of the capabilities and features of Version 2.

3. Load-converting Original VL Voices [˘ Page 19]

Loading and automatically converting original VL voices for use with Version 2.

4. New Features & Parameters [˘ Page 22]

This section lists the new features and parameters provided by Version 2.

5. Experiments [˘ Page 58]

Some experiments to help you become familiar with the way controllers and other features function in the VL instruments.

Model Name Abbreviations

Although the official names of the models described in this manual are VL1 Version 2, VL7 Version 2, and VL1-m Version 2, “Version 2” will be abbreviated to “Ver.2” in the text for easier, more efficient reading. The term “Version 2” or simply “the instrument” will be used when referring to all three models.

1: Initial Setup

VL Version 2

The best way to appreciate the outstanding sound and playability of Version 2 is to set up and try out some of the voices. Although controllers such as a foot controller, breath controller, and footswitch are essential for maximum musical expression with Version 2, you can initially set up without them and still appreciate the extraordinary sound and playability it offers. This section will guide you through the basic setup and voice loading procedures.

NOTES ■ If you’ve upgraded from an original VL model and are already familiar with setup and voice selection procedures, you can skip ahead to “Test Driving Version 2”, on page 10.

Power Supply

Before making any other connections the “female” end of the AC power cord supplied with the instrument should be firmly plugged into the rear-panel AC cord socket. Ideally the power cord should then be plugged into a convenient AC outlet after you’ve made all other necessary connections and placed the instrument in the position in which it will be used. Always make sure that the POWER switch is in the OFF (extended) position before plugging the power cord in an AC outlet.

1: Initial Setup

CAUTION!

the rear panel). Connecting the instrument to the wrong AC supply can cause serious damage to the internal circuitry and may even pose a shock hazard!

Audio Connections

●

Headphones

Headphones are ideal for a fast, easy checkout. Any standard pair of stereo headphones with a 1/4" stereo phone plug and an impedance of between about 8 and 150 ohms can be used.

●

Stereo Sound System

The original VL and Version 2 voices are designed to sound their best in stereo. A stereo sound system is recommended to deliver the full impact of the voices and expressive features. The OUTPUT L and R jacks can be connected directly to musical instrument amplifiers designed for keyboard use, or to the line inputs of a mixing console.

NOTES ■ If you need to drive a mono amp or other device, the output can be switched to mono (the same signal appears at the L and R outputs) by using the Output parameter described in the Feature Reference manual:

VL1. . . . . . . page 154

VL1-m . . . . page 153

VL7. . . . . . . page 152

■ Make sure your VL model is rated for the AC voltage supplied in the area in which it is to be used (as listed on

■ Make sure that both the instrument and your sound system are turned OFF when making connections.

VL Version 2

Power-on Procedure

Always follow proper procedure when powering-up a sound system to minimize the possibility of damage to the equipment (and your ears!).

1. Make sure your sound system’s main level/volume control(s) and the instrument’s

volume control are turned all the way down prior to turning power on.

2. Turn on the instrument. If you are using a VL1-m Ver.2, turn on your MIDI key-

board or other controller after turning on the VL1-m Ver.2.

3. Turn on the sound system.

4. Raise the sound system volume to a reasonable level.

5. Gradually raise the instrument’s VOLUME control while playing the keyboard to

set the desired listening level.

NOTES ■ VL1 Ver.2 and VL7 Ver.2: these models automatically transmit MIDI control change data corresponding to their control status when their power switches are turned ON. This can interfere with operation of other MIDI equipment connected to the MIDI OUT connector. If the instrument is connected to other MIDI equipment, its power switch should be turned ON or OFF

last.

■ VL1-m Ver.2: Most keyboards and other MIDI controllers automatically transmit MIDI control change data data corresponding to their control status when the power switch is turned ON or OFF. The VL1-m Ver.2 is programmed to receive this data and respond accordingly, so it is preferable to turn the VL1-m ON

before turning the controlling device ON.

VL1-m Ver.2 MIDI Connections

The VL1-m Ver.2 can be used with just about any type of MIDI controller: keyboard, wind controller, sequencer, computer-based MIDI software, etc. Use a MIDI cable to connect the MIDI OUT terminal of the controller to the MIDI IN terminal of the VL1m. To ensure reliable error-free transfer of MIDI data always use high-quality MIDI cables obtained from your Yamaha dealer or music equipment store. Also avoid MIDI cables that are longer than about 15 meters, since cables longer than this can pick up noise which can cause data errors.

The VL1-m Ver.2 MIDI transmit channel, receive channel, local on/off, and device number parameters are available in the utility mode “MIDI Setting” page described on page 154 of the VL1-m Feature Reference manual. Make sure these parameters are set to match the corresponding settings of the MIDI controller used with the VL1-m Ver.2.

● The VL1-m Ver.2 receives the following MIDI data:

Note

Control Change

Aftertouch Pitch Bend Program Change Bulk

The played note(s) and velocity value. Modulation wheel, breath controller, foot controller, main volume, and

other controller data. Keyboard aftertouch pressure. Pitch bend wheel position. Voice numbers from 1 to 128. Voice and system data transmitted in the form of “bulk dumps.”

VL Version 2

NOTES ■ For detailed MIDI specifications refer to the “MIDI Data Format” section in the “Voice Lists & MIDI Data for Version 2” document.

■ When using the VL1-m Ver.2 with other MIDI equipment, it is a good idea to refer to the MIDI specifications (implementation chart, MIDI data format) of the equipment used to ensure compatibility.

Load the Pre-programmed Voice Data

Although the factory pre-programmed voices are stored in the instrument’s internal memory when it is initially shipped, there is always a possibility that all or part of the memory has been erased or modified by the time the instrument gets to you. It’s a good idea to re-load all the pre-programmed data from the supplied “FACTORY SET” voice disk, as follows.

NOTES ■ Loading the pre-programmed voices overwrites any other data that is in the internal memory, so if you have any important voices in memory make sure they are safely saved to disk before loading the data, as described in the Feature Reference manual:

VL1. . . . . . . page 166

VL1-m . . . . page 166

VL7. . . . . . . page 166

1: Initial Setup

1. Insert the Voice Disk

Insert the Version 2 voice disk into the disk drive. The sliding disk shutter should go in first, and the label side of the disk should face upward.

2. Select the Utility Mode System Page

Press the U button to select the utility mode. Then, if it is not already selected when the utility mode display appears, press the ¡ button to select the “Sys- tem” function page.

NOTES ■ If the Memory Protect function has been turned on (the default setting is “off”), it must be turned off before loading the data.

Use the cursor buttons to move the cursor to “Miscellaneous”, then press

[

to call the “Miscellaneous” function page. Use the cursor buttons to

select the “Memory Protect” parameter, then press protect “off”.

to turn memory

VL Version 2

3. Select the Disk Function Directory

Press the £ function button (“Disk”) to select the utility mode disk function directory.

4. Select “Load From Disk”

Use the cursor buttons to move the cursor to “Load From Disk” and then press [.

5. Select “All” and Select the “VL1_VER2.ALL” or “VL7_VER2.ALL” File

Make sure the cursor is positioned at “All” and press [.

When the list of files appears use the cursor > and < buttons to select the

“VL1_VER2.ALL” file if you have a VL1 Ver.2 or VL1-m Ver.2, or the “VL7_VER2.ALL” file if you have a VL7 Ver.2, then press [ again.

6. Load the File

Loading will begin when you press the - button in response to the “Are You Sure?” prompt. A bar graph on the display will indicate the progress of the load opera- tion, and when all the data has been loaded “Completed!” will appear.

VL Version 2

7. Return to the Play Mode, Eject the Disk, & Select a Voice

When the “Completed!” display appears, press the P button to return to the play mode, then press the eject button below the disk drive slot to eject the disk. Store the disk in a safe place. You must now select a voice in order for the loaded data to be properly activated — see the following section.

About the Version 2 Data Disk

The Version 2 floppy disk contains the following files:

NOTES ■ These voice files cannot be used with the original VL models.

● VL1_VER2.ALL

This file contains the voices initially loaded into the VL1 Version 2 when it is first shipped from the factory. The UTILITY/SYSTEM/BREATH MODE parameter is set to “Touch EG”, so until this is changed to “BC/ WX” the breath controller or a WX wind controller cannot be used.

Many of these voices can also be used on the VL7 Version 2.

1: Initial Setup

● VL1V2_WX.ALL

The 32 voices included in this file have been programmed specifically for optimum playability on the VL1 Ver.2 or VL1-m Ver.2 using a Yamaha WX-series wind controller (WX7/WX11).

This selection also includes many voices which can be effectively played via a keyboard with breath control. Many voices are suitable for the rock and pop genres, so don’t overlook them for keyboard control.

● VL7_VER2.ALL

This file contains the voices initially loaded into the VL7 Version 2 when it is first shipped from the factory. The UTILITY/SYSTEM/BREATH MODE parameter is set to “Touch EG”, so until this is changed to “BC/ WX” the breath controller or a WX wind controller cannot be used.

● VL7V2_WX.ALL

The 32 voices included in this file have been programmed specifically for optimum playability on the VL7 Ver.2 using a Yamaha WX-series wind controller (WX7/WX11).

● ADDITION.ALL

This file includes some excellent voices that are not in the VL1_VER2.ALL or VL7_VER2.ALL files. Most are single-element voices, so the VL1 voices can be used effectively on the VL7.

2: Test Driving Version 2

VL Version 2

Set the Breath Mode to “Touch EG”

Once the Version 2 voices are loaded you’re almost ready to try them out —

“almost” because there’s one more step necessary to play the voices without a breath

controller:

NOTES ■ The procedure below sets the breath mode to “Touch EG” so

“breath” control can be applied via keyboard touch response. This setting is

automatically selected when the VL1-VER2.ALL or VL7_VER2.ALL file is loaded,

so you may not need to bother with these steps if you’ve just loaded one of

these files. It is a good idea to check, anyway.

1. Select the Utility Mode System Page

Press the U button to select the utility mode. Then, if it is not already selected when the utility mode display appears, press the ¡ button to select the “Sys- tem” function page.

2. Set the Breath Mode to “Touch EG”

Use the cursor keys to move the cursor to “Breath Mode”, and press [ to call the “Breath Mode” function page. Make sure the cursor is located at the “Mode” parameter and use the = and - buttons to select “Touch EG”.

It might be a good idea to increase the value of the “VelGain” parameter a bit for easier response. The default values can be instantly recalled by pressing the • (Init) function button.

3. Return to the Play Mode

Press the P button to return to the PLAY mode.

VL Version 2

Try Some Version 2 Voices

Voice selection is described in detail in the Getting Started manual. In case you’re not already familiar with the procedures, here’s a summary to get you started.

1. Select the Play Mode

Press the P button so that its indicator lights and the word “PLAY”

appears in the upper left corner of the LCD panel.

2. Select a Voice

On the VL1 Ver.2 or VL7 Ver.2 any voice can be selected by specifying its bank using the bank keys (a, b, c, etc.), and its number using the voice number keys (1 through ^).

To select voice “D7”, for example, first press the bank d key and then the voice number 7 key. The bank d key indicator will flash until the voice number 7 key is pressed and the D7 voice is actually engaged.

To select a different voice within the same bank it is only necessary to press the appropriate voice number key. To select a different bank, however, you’ll always have to press both a bank key and a voice number key (or the [ key). This prevents unwanted voices from being selected until you’ve actually specified both the bank and number of the voice you want to use.

The = and - buttons can also be used to select voices: press the = or - button briefly to decrement or increment the voice number by one, or hold either button for continuous decrementing or incrementing in the corresponding direction. The bank will switch automatically if you cross a bank voice-number boundary.

The data dial provides a convenient way to rapidly cover a large range of voices: rotate the data dial clockwise for higher voice numbers or counter-clockwise for lower voice numbers while watching the display. The banks are automatically switched when necessary as the voice numbers are changed.

2: Test Driving Version 2

3. Set the Modulation Wheels To Their Home Positions

Roll MODULATION WHEEL 1 all the way towards you, and set MODULATION WHEEL 2 to its center position.

●

A02 Jazz Sax

Although this voice is exactly the same as the Alto Sax voice provided with the

original VL models — i.e. it has not been programmed to take advantage of the advanced simulation capabilities of Version 2 — the improved playability of Version 2 makes it play like a totally new voice. Use keyboard velocity, aftertouch, the pitch bend wheel, and modulation wheel 1 to play a sax phrase, and you’ll see what we mean. An important contributing factor to this improved playability is the ability to assign Touch EG to pressure control.

●

D02 BaritonSax

This voice provides a good example of the extraordinary simulation precision

provided by Version 2. As with the previous voice, play a sax phrase using keyboard velocity, aftertouch, the pitch bend wheel, and modulation wheel 1. You should be able to replicate the sound of a top-level sax player with refined embouchure and technique. Later, you might want to convert-load the original A02 Tenor Sax voice (convert-loading

VL Version 2

is described in the next section of this manual), and compare it with the D02 BaritonSax voice. The difference should be obvious.

●

A04 Jazz Trumpt

Use this voice to play a trumpet phrase. Like the previous voice, you should fairly

easily be able to produce the sound of a trumpet played by a highly accomplished artist. Version 2 allows a much more accurate simulation of the trumpet tubing, resulting in a highly responsive, realistic trumpet voice. This voice is ideal for jazzy phrases.

Also try the following: press the £ (Cnt3) button to call the corresponding con-

troller assignment display, and note that the dynamic filter (“D.Filter”) is off. While most PCM synthesizers — and even the original VL — employ a dynamic filter to simulate timbral variations across the voice’s dynamic range, the Version 2 simulation is so realistic that the dynamic filter is not needed. Note how the trumpet tone varies from soft to hard in response to keyboard velocity.

●

B11 C Flute

Let’s use this voice to try a simple experiment which illustrates one of the new

features of the Version 2 physical modelling section:

1. Press the E button to select the edit mode. If the entry-level edit display

shown below does not appear when the E button is pressed, press the

] button a few times until it does.

2. Press the ™ (E1) button.

3. Press the ™ (Misc) button.

VL Version 2

4. Move the cursor to “Breath Noise” and press the [ button.

5. Move the cursor to the “Noise” parameter (currently set to “Dark

Woody”), and use the = and - buttons to select different noise types

while playing the voice (there are 23 different noise types to choose from).

6. Press the P button to return to the play mode when done.

2: Test Driving Version 2

The noise parameter you just edited changes the noise components at the flute

mouthpiece. The ability to choose from a range of noise types provides considerable voice-shaping flexibility.

●

B05 FingrBass

Here’s a simple experiment which demonstrates the improved flexibility of the

Version 2 effects using the B05 FingrBass voice:

1. Press the E button to select the edit mode. If the entry-level edit display

shown below does not appear when the E button is pressed, press the

] button a few times until it does.

2. Press the ¡ (Com) button.

VL Version 2

3. Press the ™ (Efct) button.

4. Move the cursor to “Modulation Effect” and press the [ button.

5. Move the cursor to the “Modulation Effect Type” parameter (cur-

rently set to “Flanger”). Play the voice to hear the sound of the bass voice

with a subtle touch of flanger, then press the - button a few times to select

the Dist+Flanger effect type. Play the voice again to hear the difference.

6. Press the P button to return to the play mode when done.

Unlike the original VL models, Version 2 allows modulation effects to be applied in

series for an impressive variety of new sounds.

VL Version 2

Controller Connection & Calibration

If you followed the procedures in the previous section you are already at least partly

familiar with the extraordinary expressive capabilities of the VL1 Ver.2, VL7 Ver.2, or VL1-m Ver.2 — without using external controllers. The next step is to connect a foot controller and breath controller and experiment with the unprecedented expressive power at your disposal when Version 2 is used with external controllers. The BC2 Breath Controller is perhaps the most natural way to apply expressive control to the VL voices, but a foot controller can be used instead if you’re more comfortable with foot control. Of course, the breath and foot controllers can also be used to simultaneously control different parameters.

●

Breath Controller

The Breath Controller provides realistic expres-

sion with wind-instrument voices (volume and timbre as well as tonguing attack variations) and unprecedented control with string voices (bowed and plucked). Plug the BC2 Breath Controller supplied with the VL1 Ver.2 or VL7 Ver.2 (or an optional BC1 breath controller) into the front-panel breath controller jack.

If you will be using the VL1-m Ver.2 with a

wind controller a breath controller is not necessary. If you will be using the VL1-m with a keyboard, however, you should purchase an optional BC2 or BC1 Breath Controller and plug it into the front-panel breath controller jack.

Before you actually begin using the breath controller, it should be calibrated as

described in the following section.

2: Test Driving Version 2

NOTES ■ For more information on Breath Controller setup and operation, see the instructions packed with the supplied BC2 Breath Controller.

●

Breath Controller Calibration

Proper operation of the breath controller is vital to achieving the best possible sound

and response. Although the controller is factory-calibrated to match most requirements, we recommend that you carefully calibrate the breath controller for optimum performance with your own playing style.

1. Make Sure the Breath Controller Is Connected

Make sure the breath controller is properly connected: turn the power OFF, plug in the breath controller, then turn the power ON.

VL Version 2

2. Select the Utility Mode System Page

Press the U button to select the utility mode. Then, if it is not already selected when the utility mode display appears, press the ¡ button to select the “System” function page.

NOTES ■ On the VL1 Ver.2 and VL7 Ver.2 you can move the cursor to “Assign- able Ctrl” and press various controllers. Press page.

■ On the VL1-m press the from the controllers. Press

[

to see the current control assignments for the

]

when you’re ready to go back to the previous

(Moni) button to monitor the MIDI data received

]

to return.

3. Set the Breath Mode to “BC/WX”

Use the cursor keys to move the cursor to “Breath Mode”, and press [ to call the “Breath Mode” function page. If the “Mode” parameter is not set to “BC/WX”, make sure the cursor is located at the “Mode” parameter and use the = and - buttons to select “BC/WX”. Press ] to return to the previous page.

4. Go To the Curve Page and Select “Brth”

Use the cursor keys to move the cursor to “Curve”, then press [ to call the “Curve” function page. On the VL1 Ver.2 and VL7 Ver.2 press the • function button (“Brth”) to call the breath controller curve page when the curve display appears. On the VL1-m Ver.2 it is only necessary to select “BC Curve”.

5. Adjust the Breath Controller Offset

The following adjustment must be performed while not blowing into the breath controller mouthpiece. Do not hold the breath controller in your mouth.

VL Version 2

Rotate the breath controller OFFSET trimmer slowly clockwise, using the supplied screwdriver, until the vertical cursors above and below the curve graph move slightly to the right and the number below the graph is greater that “0”. Then slowly rotate the trimmer carefully counter-clockwise until the number below the graph just reaches “0” (the cursors will be lined up with the left end of the graph), then stop.

6. Adjust the Breath Controller Gain

Place the breath controller mouthpiece in your mouth and blow — notice that the cursors move to right and the number below the graph increases according to how hard you blow. Adjust the breath controller GAIN trimmer so that you can comfortably vary your breath pressure between 0 and 127 on the graph. This completes the gain adjustment.

7. Readjust the Offset If Necessary

If adjusting the gain causes the offset setting to shift, readjust the offset as described in step 5.

At this point you can use the “Curve Type” parameter to select the curve type that best suits your playing style.

2: Test Driving Version 2

8. Return to the Play Mode

Press the P button to return to the PLAY mode.

●

Foot Controllers

Although the VL1 Ver.2 and VL7 Ver.2 have

jacks for two foot controllers, it is not necessary to use both. To begin with plug the supplied FC7 Foot Controller into the rear-panel FOOT CONTROLLER 2 jack.

The VL1-m Ver.2 will responsd to MIDI foot

controller control change data received from the controlling device.

NOTES ■ For more information on Foot Controller setup and operation, see the instructions packed with the supplied FC7 Foot Controller.

VL Version 2

Experiment With the Controllers

Once your breath controller has been connected and calibrated, you’re ready to get a

feel for the type of expressive control it provides. Try selecting different voices and playing them using the keyboard, breath controller, pitch wheel, and modulation wheel 1.

To try out the foot controller as an alternative to the breath controller for breath

control, unplug the breath controller and try playing different voices using the foot controller (the foot controller must be plugged into the FOOT CONTROLLER 2 jack).

Up to this point we’ve described a few simple experiments that should help you to

become familiar with the VL Version 2 system. More detailed controller experiments are described in section 5 — “Experiments With the Controllers”. We recommend that you try those experiments for a more in-depth appreciation of the instrument’s unmatched musical and expressive potential.

3: Load-converting the Original VL Voices

VL Version 2

Version 2 is compatible with all original VL voices, so if you are upgrading from an original VL model you will still be able to use the voices you are, no doubt, by now familiar with.

To be used on a Version 2 system the original voices must be converted, but this is done automatically when they are loaded: the “Now Converting and Loading!” message will appear on the display. The converted voices can then be saved to a separate disk for later re-loading and use. Don’t save the converted

3: Load-converting Original VL Voices

voices back to the original voice disk, since that would overwrite the original voices which can still be used on an original VL instrument.

The new and modified parameters described in section 4 of this manual are initially set automatically. Also, the following system parameter settings are added to the original voices files:

To VL1 Version 2

●

VL1 Voice to VL1 Ver.2

When an “

changed. The following new system parameters are added:

UTIL/SYSTEM/TG SETTING/WX Lip. . . . . . . . . . . . . . . . Normal

UTIL/SYSTEM/ASSIGNABLE CONTROLLER/BC . . . . . . 002 Breath Cont.

UTIL/SYSTEM/ASSIGNABLE CONTROLLER/FC1 . . . . . 004 Foot Cont.

UTIL/SYSTEM/BREATH MODE/Mode . . . . . . . . . . . . . . . BC/WX

●

VL1-m Voice to VL1 Ver.2

When an “

changed. The following new system parameters are added:

UTIL/SYSTEM/ASSIGNABLE CONTROLLER/BC . . . . . . 002 Breath Cont.

UTIL/SYSTEM/ASSIGNABLE CONTROLLER/FC1 . . . . . 004 Foot Cont.

UTIL/SYSTEM/BREATH MODE/Mode . . . . . . . . . . . . . . . BC/WX

Parameters not existing in Version 2 are ignored (e.g. UTIL/SYSTEM/PROGRAM CHANGE TABLE)

●

VL7 Voice to VL1 Ver.2

All VL7 voices are 1-element voices. When an “

original system data is left unchanged. The following new system parameters are added:

********

.ALL” file is loaded all original system data is left un-

********

.ALL” file is loaded all

UTIL/SYSTEM/TG SETTING/WX Lip. . . . . . . . . . . . . . . . Normal

UTIL/SYSTEM/ASSIGNABLE CONTROLLER/BC . . . . . . 002 Breath Cont.

UTIL/SYSTEM/ASSIGNABLE CONTROLLER/FC1 . . . . . 004 Foot Cont.

UTIL/SYSTEM/BREATH MODE/Mode . . . . . . . . . . . . . . . BC/WX

VL Version 2

To VL1-m Version 2

●

VL1 Voice to VL1-m Ver.2

When an “

changed. The following new system parameters are added:

UTIL/SYSTEM/TG SETTING/WX Lip. . . . . . . . . . . . . . . . Normal

UTIL/SYSTEM/PGM CHANGE TABLE . . . . . . . . . . . . . . initialized

UTIL/SYSTEM/BREATH MODE/Mode . . . . . . . . . . . . . . . BC/WX

●

VL1-m Voice to VL1-m Ver.2

When an “

changed. The following new system parameters are added:

UTIL/SYSTEM/BREATH MODE/Mode . . . . . . . . . . . . . . . BC/WX

●

VL7 Voice to VL1-m Ver.2

All VL7 voices are 1-element voices. When an “

original system data is left unchanged. The following new system parameters are added:

********

.ALL” file is loaded all original system data is left un-

********

.ALL” file is loaded all

UTIL/SYSTEM/TG SETTING/WX Lip. . . . . . . . . . . . . . . . Normal

UTIL/SYSTEM/PGM CHANGE TABLE . . . . . . . . . . . . . . initialized

UTIL/SYSTEM/BREATH MODE/Mode . . . . . . . . . . . . . . . BC/WX

To VL7 Version 2

●

VL1 Voice to VL7 Ver.2

Element 2 data is ignored. Voices 65 through 128 are ignored. When an

“

********

ing new system parameters are added:

UTIL/SYSTEM/TG SETTING/WX Lip. . . . . . . . . . . . . . . . Normal

UTIL/SYSTEM/ASSIGNABLE CONTROLLER/BC . . . . . . 002 Breath Cont.

UTIL/SYSTEM/ASSIGNABLE CONTROLLER/FC1 . . . . . 004 Foot Cont.

UTIL/SYSTEM/BREATH MODE/Mode = BC/WX

●

VL1-m Voice to VL7 Ver.2

Element 2 data is ignored. Voices 65 through 128 are ignored. When an

“

********

ing new system parameters are added:

.ALL” file is loaded all original system data is left unchanged. The follow-

UTIL/SYSTEM/ASSIGNABLE CONTROLLER/BC . . . . . . 002 Breath Cont.

UTIL/SYSTEM/ASSIGNABLE CONTROLLER/FC1 . . . . . 004 Foot Cont.

UTIL/SYSTEM/BREATH MODE/Mode . . . . . . . . . . . . . . . BC/WX

Parameters not existing in Version 2 are ignored (e.g. UTIL/SYSTEM/PROGRAM CHANGE TABLE)

●

VL7 Voice to VL7 Ver.2

When an “

changed. The following new system parameters are added:

UTIL/SYSTEM/TG SETTING/WX Lip. . . . . . . . . . . . . . . . Normal

UTIL/SYSTEM/ASSIGNABLE CONTROLLER/BC . . . . . . 002 Breath Cont.

UTIL/SYSTEM/ASSIGNABLE CONTROLLER/FC1 . . . . . 004 Foot Cont.

UTIL/SYSTEM/BREATH MODE/Mode . . . . . . . . . . . . . . . BC/WX

********

To Original VL

●

Version 2 Voice to Original VL

Version 2 voices cannot be used on the original VL instruments. An “Illegal file!”

error message will appear on the display and the files cannot be loaded or converted.

VL Version 2

.ALL” file is loaded all original system data is left un-

3: Load-converting Original VL Voices

●

Hardware System Exclusive Data Transfer

System Exclusive data can be hardware-transferred between two original VL models, or between two Version 2 VL models, but not between an original and Version 2 model.

4. New Features & Parameters

VL Version 2

This section describes the actual improvements and new features provided in Version 2. In many cases the changes involve modifications of procedures or parameters found in the original VL models. In such cases the appropriate page numbes in the corresponding Feature Reference manuals will be listed — please refer to the original Feature Reference manuals for complete details. New features are described in full.

The block diagram below represents the overall Version 2 system. Shaded blocks are either totally new or feature significant improvements.

Controllers & Envelope

Instrument Section

Driver Pipe/String Mixer

= New or Improved

NOTES ■ Please note that although most of the information provided in this manual applies equally to the VL1 Ver.2, VL1-m Ver.2, and VL7 Ver.2, any references to multiple elements — e.g. separate parameters for the E1 and E2 elements — do not apply to the VL7 Ver.2 since it employs a single element.

Modifiers

Harmonic Enhancer

Dynamic Filter

Frequency Equalizer

Impulse Expander

Resonator

Effects

Modulation

Feedback Delay

Reverb

VL Version 2

Changes and additions to the functions listed below are described on the corre-

sponding pages.

■

PLAY MODE

Play Mode Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Continuous Sliders . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 4

■

EDIT MODE

●

INITIAL EDIT PAGE

Voice Name & Element Name . . . . . . . . . . . . . . . . . . . . . 25

Key Mode Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

●

COMMON MISCELLANEOUS

EDIT/COM/MISC/SETTING . . . . . . . . . . . . . . . . . . . . 26

EDIT/COM/MISC/CONTROLLER . . . . . . . . . . . . . . . . 27

EDIT/COM/MISC/MICROTUNING . . . . . . . . . . . . . . . . 27

EDIT/COM/MISC/CONTINUOUS SLIDER . . . . . . . . . . 28

EDIT/COM/MISC/PART SETTING . . . . . . . . . . . . . . . 28

●

COMMON EFFECT

New Modulation Effect Types . . . . . . . . . . . . . . . . . . . . 30

Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Phaser . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Symphonic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 4

Celeste . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Dist+Flanger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Dist+Wah . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

●

ELEMENT CONTROLLER

Controller Parameter Displays . . . . . . . . . . . . . . . . . . . 42

●

ELEMENT MISCELLANEOUS

EDIT/E1/MISC/BREATH NOISE . . . . . . . . . . . . . . . . . 4 3

EDIT/E1/MISC/THROAT FORMANT/KSC (PITCH) . . 4 4

EDIT/E1/MISC/MIXING . . . . . . . . . . . . . . . . . . . . . . . . 4 4

EDIT/E1/MISC/EXCITATION . . . . . . . . . . . . . . . . . . . 4 4

●

ELEMENT MODIFIER

EDIT/E1/MODIFIER/HARMONIC ENHANCER . . . . . . . 50

EDIT/E1/MODIFIER/EQUALIZER AUXILIARY . . . . . . . 50

EDIT/E1/MODIFIER/RESONATOR . . . . . . . . . . . . . . . 51

●

ELEMENT ENVELOPE

EDIT/E1/ENV/EMBOUCHURE&PITCH . . . . . . . . . . . . 52

EDIT/E1/ENV/VIBRATO. . . . . . . . . . . . . . . . . . . . . . . 52

EDIT/E1/ENV/GROWL . . . . . . . . . . . . . . . . . . . . . . . . 52

■

UTILITY MODE

●

UTILITY SYSTEM

UTIL/SYSTEM/KBD SETTING . . . . . . . . . . . . . . . . . . 53

UTIL/SYSTEM/TG SETTING . . . . . . . . . . . . . . . . . . . 53

UTIL/SYSTEM/ASSIGNABLE CONTROLLER . . . . . . . 54

UTIL/SYSTEM/CURVE. . . . . . . . . . . . . . . . . . . . . . . . 54

UTIL/SYSTEM/BREATH MODE . . . . . . . . . . . . . . . . . 54

UTIL/SYSTEM/MISCELLANEOUS . . . . . . . . . . . . . . . 56

UTIL/DISK/LOAD FROM DISK . . . . . . . . . . . . . . . . . . 56

■

CONTROL & SIGNAL FLOW . . . . . . . . . . . . . . . . . . . . . 57

4. New Features & Parameters

PLAY

EDIT

UTILITY

+ 60 hidden pages