Group
1
2Bright Acoustic PianoBritePno166Alto SaxAlto Sax1
3Electric Grand PianoE.Grand267Tenor SaxTenorSax1
4Honky-tonk PianoHnkyTonk268Baritone SaxBari.Sax1
Piano
5Electric Piano 1E.Piano1269OboeOboe1
6Electric Piano 2E.Piano2270English HornEng.Horn1
7HarpsichordHarpsi.171BassoonBassoon1
8ClaviClavi.172ClarinetClarinet1
9
D
28 EOBrush Swirl HReverse Cymbal Reverse Cymbal
29 FOSnare Roll
#
30
F
31 GSnare LSD Power MSnare M SD Power HBrush Slap L
#
32
G
33 ABass Drum LBass Drum MBass Drum HBass Drum M
#
34
A
35 BBass Drum MBass Drum HBD Power BD Analog L
36 C 1Bass Drum HBD Power BD GateBD Analog HGran Casa
#
37
C1
38 D 1Snare M SD RockSD Power LAnalog Snare LBrush Slap
#
39
D1
40 E 1Snare HSD Power RimSD Power HAnalog Snare HBrush Tap
41 F 1Floor T om LRoom Tom 1P ower Tom 1E Tom 1Analog Tom 1Jazz Tom 1Brush Tom 1J azz Tom 1
#
42
F1
43 G 1Floor T om HRoom Tom 2Power Tom 2E T om 2Analog Tom 2Jazz Tom 2Brush Tom 2Jazz Tom 2
#
44
G1
45 A 1Low TomRoom Tom 3Power T om 3E Tom 3Analog Tom 3Jazz Tom 3Brush Tom 3Jazz Tom 3
#
46
A1
47 B 1Mid Tom LRoom T om 4Power T om 4E Tom 4Analog T om 4Jazz Tom 4Brush Tom 4Jazz Tom 4
48 C 2Mid Tom HRoom Tom 5Power Tom 5E T om 5Analog Tom 5Jazz Tom 5Brush Tom 5Jazz Tom 5
#
49
C2
50 D 2High TomRoom Tom 6Power Tom 6E Tom 6Analog T om 6Jazz Tom 6Brush Tom 6Jazz Tom 6
#
51
D2
52 E 2Chinese Cymbal
53 F 2Ride Cymbal Cup
#
54
F2
55 G 2Splash Cymbal
#
56
G2
57 A 2Crash Cymbal 2
#
58
A2
59 B 2Ride Cymbal 2
60 C 3Bongo H
#
61
C3
62 D 3Conga H MuteAnalog Conga H
#
63
D3
64 E 3Conga LAnalog Conga L
65 F 3Timbale H
#
66
F3
67 G 3High Agogo
#
68
G3
69 A 3Cabassa
#
70
A3
71 B 3OSamba Whistle H
72 C 4OSamba Whistle L
#
73
C4
74 D 4OGuiro Long
#
75
D4
76 E 4Wood Block H
77 F 4Wood Block L
#
78
F4
79 G 4Cuica OpenScratch PullScratch Pull
#
80
G4
81 A 42Triangle Open
#
82
A4
83 B 4Jingle Bell
84 C 5Bell Tree
#
85
C5
Brush Tap
Brush Slap
CastanetHi QHi Q
Sticks
Open Rim Shot
Side StickAnalog Side Stick
Hand Clap
1Closed Hi Hat
1Pedal Hi-Hat
1Hi-Hat Open Analog HH Open
Crash Cymbal 1Hand Cym.Open L
Ride Cymbal 1
Tambourine
Cowbell
Vibraslap
Bongo L
Conga H OpenAnalog Conga M
Timbale L
Low Agogo
Maracas
Guiro Short
Claves
Cuica MuteScratch PushScratch Push
2Triangle Mute
Shaker
Hi Q
Analog HH Closed 1
Analog HH Closed 2
Hand Cym.Closed L
Hand Cym.Open H
Hand Cym.Closed H
: Same as Standard Kit
– 3 –
Page 4
Phrase List
Instrument CategoryBeatTypeNum. Sum of each category
Drums (DR)
Percussion (PC)
Bass (BA)
Guitar chord (GC)
8 beatMain83
Fill Loop87
Fill Cross89
Intro42
Ending43
Specific20
General86
16 beatMain50
Fill Loop50
Fill Cross49
Intro23
Ending25
Specific83
General35
3/4 beatMain24
Fill Loop22
Fill Cross23
Intro12
Ending12
Specific–
General7
8 beatMain19
Fill Loop21
Fill Cross22
Intro8
Ending12
Specific7
General17
16 beatMain29
Fill Loop33
Fill Cross29
Intro13
Ending18
Specific42
General12
3/4 beatMain4
Fill Loop2
Fill Cross1
Intro1
Ending–
Specific–
General–
8 beatMain65
Fill Loop67
Fill Cross75
Intro26
Ending36
Specific3
General8
16 beatMain45
Fill Loop40
Fill Cross45
Intro19
Ending27
Specific47
General2
3/4 beatMain19
Fill Loop19
Fill Cross16
Intro11
Ending12
Specific–
General–
8 beatMain62
Fill Loop54
Fill Cross61
Intro22
Ending36
Specific5
General7
16 beatMain30
Fill Loop30
Fill Cross29
Intro10
865
290
582
Instrument CategoryBeatTypeNum. Sum of each category
3/4 beatMain11
Guitar chord (GC)
8 beatMain21
16 beatMain9
Guitar riff (GR)
3/4 beatMain1
8 beatMain82
16 beatMain49
Kbd chord (KC)
3/4 beatMain28
8 beatMain12
16 beatMain19
Kbd Riff (KR)
3/4 beatMain3
Ending19
Specific15
General–
Fill Loop7
Fill Cross7
Intro3
Ending4
Specific–
General–
Fill Loop14
Fill Cross16
Intro6
Ending10
Specific11
General–
Fill Loop6
Fill Cross4
Intro2
Ending2
Specific14
General–
Fill Loop–
Fill Cross–
Intro1
Ending–
Specific–
General–
Fill Loop75
Fill Cross76
Intro22
Ending39
Specific5
General68
Fill Loop47
Fill Cross35
Intro11
Ending26
Specific25
General–
Fill Loop21
Fill Cross22
Intro10
Ending14
Specific–
General–
Fill Loop12
Fill Cross16
Intro2
Ending9
Specific6
General–
Fill Loop17
Fill Cross18
Intro5
Ending7
Specific31
General–
Fill Loop3
Fill Cross5
Intro4
Ending3
Specific–
General–
Total Phrase3093
412
117
655
172
– 4 –
Page 5
ABC Fingering Chart
Chord Type3-note Chord4-note Chord5-note ChordComments (for C chords)
##
7( 5)3+ 5+ 7
bbb
7( 5)1+3+ 5+ 7
#
7( 9)3+ 7+ 9
bbb
7( 9)1+3+ 7+ 9
bbb
7( 13)3+5+ 7+ 13
7(13)1+3+ 7+13
7sus41+4+ 7Fsus4 when lowest note is not C.
sus41+4+5G7sus4 when G is the lowest note.
m7(11)1+ 3+ 7+11F7sus4 when F or B is the lowest note.
#
7( 11)1+3+ 7+ 11F 7( 11) when F or E is the lowest note.
add91+3+5+9
M1+3+5
M7(9)1+3+5+7+9
M71+3+7Amadd9 when E is the lowest note.
6(9)1+3+5+6+9
63+5+6
7(9)1+3+5+ 7+9
71+3+ 7
madd91+ 3+5+9
m1+ 3+5
m7(9)1+ 3+5+ 7+9
m71+ 3+ 7A add9 when E or B is the lowest note.
mM71+ 3+7
m61+ 3+5+6F9 when E is the lowest note, Am7( 5) when G or A is the lowest note.
dim1+ 3+ 5+6Only C (root) accepted as lowest note.
bbbbbbbb
m7( 5)1+ 3+ 5+ 7E m6 when E is the lowest note. A 9 when B is the lowest note.
---through
aug
b
#
b
b
1+5+7
3+5+9Em7 when E is the lowest note.
b
bbb
3+5+9E Maj7 when E
b
bbbb b
b
b
1+ 3+6
#
1+3+ 5
#
1+3+ 5+ 7
1+3+ 7+ 9
3+5+ 7+ 9
3+5+ 7+13
3+ 7+9+13
1+4+5+ 7Gm7(11) when G or B is the lowest note.
1+3+5+ 7
1+ 3+5+ 7E 6 when E is the lowest note.
1+ 3+5+7
b
#
b
#
b
#
b
1+3+5+ 7+ 9
bb
1+3+5+ 7+ 9
bb
1+3+5+ 7+ 13
bbb
1+3+ 7+ 9+ 13
bb
1+3+ 7+9+ 13
#
b
b
b
b
bb
bbb
####
b
1+3+5+7
1+3+5+6Am7 when lowest note is not C.
b
b
bbbb
b
bbb
bb
1+3+ 7+ 9+ 13
1+3+5+ 7+13
1+3+ 7+ 9+13
1+3+ 7+9+13
bb
1+ 3+5+ 7+11
1+3+5+ 7+ 11
b
b
bb
b
#
b
b
bb
or D is the lowest note.
Only C (root) accepted as lowest note.
For example: 1:root of the chord
rd
3:3
5:5
note above the root
th
note above the root
– 5 –
Page 6
MIDI Data Format
Tone Generator
(1) TRANSMIT FLOW
NOTE ON/OFF 9nH
ACTIVE SENSING FEH
SW1 MIDI Transmit Channel
Output MIDI CH selects the MIDI Transmit Channel.
(2) RECEIVE FLOW
NOTE OFF 8nH
NOTE ON/OFF9nH
BANK SEL MSBBnH, 00H
BANK SEL LSBBnH, 20H
MODULATIONBnH, 01H
DATA ENTRY MSBBnH, 06H
DATA ENTRY LSBBnH, 26H
MASTER VOLUMEBnH, 07H
PANPOTBnH, 0AH
EXPRESSIONBnH, 0BH
HOLD 1BnH, 40H
SOSTENUTOBnH, 42H
PORTAMENT CONTROL BnH, 54H
EFFECT SEND LEVEL 1 BnH, 5BH
DATA ENTRY INCBnH, 60H
DATA ENTRY DECBnH, 61H
PITCH BEND SENSITIVITY
BnH, 64H, 00H, 65H, 00H, 06H, mmH
FINE TUNING
BnH, 64H, 01H, 65H, 00H, 06H, mmH, 26H, llH
COARSE TUNING
BnH, 64H, 02H, 65H, 00H, 06H, mmH
RPN RESET
BnH, 64H, 7FH, 65H, 7FH
ALL SOUND OFF BnH, 78H, 00H
RESET ALL CONTROLLERS
BnH, 79H, 00H
ALL NOTE OFFBnH, 7BH
OMNI MODE OFFBnH, 7CH
OMNI MODE ONBnH, 7DH
PROGRAM CHANGECnH
PITCH BEND CHANGEEnH
F0H 7EH 7FH 09H 01H F7H
(GM MODE ON)
F0H 7FH 7FH 04H 01H llH mmH F7H
(MIDI MASTER VOLUME)
F0H 43H 1nH 27H 30H 00H 00H mmH llH ccH F7H
(MIDI MASTER TUNING)
ACTIVE SENSINGFEH
SW1
MIDI
OUT
MIDI
IN
(3) TRANSMIT/RECEIVE DATA
(3-1) CHANNEL VOICE MESSAGES
(3-1-1) NOTE OFF
ST ATUS1000nnnn (8nH) n = 0 ~ 1 5 VOICE CHANNEL NUMBER
NOTE NUMBER0kkkkkkkk = 0 (C-2) ~ 127 (G8)
VELOCITY0vvvvvvvv: ignored
Receive-only
(3-1-2) NOTE ON/OFF
ST ATUS1001nnnn (9nH) n = 0 ~ 1 5 VOICE CHANNEL NUMBER
NOTE NUMBER0kkkkkkkk = 0 (C-2) ~ 127 (G8)
VELOCITY0vvvvvvv(v 0) NOTE ON
00000000(v=0) NOTE OFF
(3-1-3) CONTROL CHANGE
ST ATUS1011nnnn (BnH)n = 0 ~ 1 5 VOICE CHANNEL NUMBER
CONTROL NUMBER 0ccccccc
CONTROL VALUE0vvvvvvv
* CONTROL NUMBER’s are not transmitted.
* Received CONTROL NUMBER’s are as follows.
c = 0 BANK SEL MSB:v = 0:GM select, 127:RHYTHM select *2
c = 32 BANK SEL LSB:Always ignored
c = 1 MODULATION:v = 0 - 127*2
c = 6 DATA ENTRY MSB:v = 0 - 127*1
c = 38 DATA ENTRY LSB:v = 0 - 127*1
c = 7 MASTER VOLUME:v = 0 - 127
c = 10 PANPOT:v = 0 - 127
c = 11 EXPRESSION:v = 0 - 127
c = 64 SUSTAIN SWITCH:v = 0 ~ 63 : OFF, 64 ~ 127 : ON *2
c = 66 SOSTENUTO:v = 0 ~ 63 : OFF, 64 ~ 127 : ON *2
c = 84 PORTAMENT CONTROL:v = 0 - 127*2
c = 91 EFFECT SEND LEVEL 1: v = 0 - 127
c = 96 DATA ENTRY INC:v = 127*1
c = 97 DATA ENTRY DEC:v = 127*1
*1 Used only when setting parameter designated by RPN.
*2 Not effective for rhythm voice.
MODULATION controls vibrato depth.
For both melody and rhythm voices, PANPOT change is relative to the voice’s pre-
set value.
PORTAMENT CONTROL portamento time is fixed at 0.
BANK SELECT MSB v=0 selects GM melody voice, v=127 selects GM rhythm
voice. All other bank selections set the voice OFF.
BANK SELECT LSB is always ignored.
Channel 10 is fixed for rhythm voice; bank select is ineffective.
EFFECT SEND LEVEL 1 controls reverb depth.
(3-1-4) PROGRAM CHANGE
ST ATUS1100nnnn (CnH)n = 0 ~ 15 VOICE CHANNEL NUMBER
PROGRAM NUMBER 0pppppppp = 0 ~ 127
(Receive)
If receive channel is other than 10, and BANK SELECT MSB = 00, then
GM melody voice is selected.
If receive channel is channel 10 and BANK SELECT MSB = 127, then
GM rhythm voice is selected.