Yamaha MOTIF XS8, MOTIF XS7, MOTIF XS6 User Manual

SPECIAL MESSAGE SECTION

PRODUCT SAFETY MARKINGS: Yamaha electronic products

may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

Battery Notice: This product MAY contain a small non-

rechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately ﬁve years. When replacement becomes necessary, contact a qualiﬁed service representative to perform the replacement.

Warning: Do not attempt to recharge, disassemble, or incinerate

this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.

Disposal Notice: Should this product become damaged beyond

repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc.

NOTICE: Service charges incurred due to lack of knowledge

relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.

NAME PLATE LOCATION: The graphic below indicates the

location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

The lightning ﬂash with arrowhead symbol, within the equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufﬁcient magnitude to constitute a risk of electrical shock.

IMPORTANT NOTICE: All Yamaha electronic products are tested

and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless speciﬁcally authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims ﬁled under the expressed warranty may be denied if the unit is/has been modiﬁed. Implied warranties may also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The information

contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the speciﬁcations without notice or obligation to update existing units.

ENVIRONMENTAL ISSUES: Yamaha strives to produce products

that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

MOTIF XS6

POWER ON/ OFF

MOTIF XS7

MOTIF XS8

Model

Serial No.

Purchase Date

USB

LCD CONTRASTETHERNET

AC IN

POWER ON/ OFF

TO DEVICETO HOST

USB

LCD CONTRASTETHERNET

TO DEVICETO HOST

AC IN

POWER ON/ OFF

92-469- ➀ (rear)

MOTIF XS Owner’s Manual

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

The above warning is located on the rear of the unit.

IMPORTANT SAFETY INSTRUCTIONS

Explanation of Graphical Symbols

The lightning ﬂash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufﬁcient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

1 Read these instructions. 2Keep these instructions. 3 Heed all warnings. 4 Follow all instructions. 5 Do not use this apparatus near water. 6 Clean only with dry cloth. 7 Do not block any ventilation openings. Install in

accordance with the manufacturer’s instructions.

8 Do not install near any heat sources such as radiators,

heat registers, stoves, or other apparatus (including ampliﬁers) that produce heat.

9 Do not defeat the safety purpose of the polarized or

grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not ﬁt into your outlet, consult an electrician for replacement of the obsolete outlet.

10 Protect the power cord from being walked on or pinched

particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11 Only use attachments/accessories speciﬁed by the

manufacturer.

12 Use only with the cart, stand,

tripod, bracket, or table speciﬁed by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13 Unplug this apparatus during

lightning storms or when unused for long periods of time.

14 Refer all servicing to qualiﬁed service personnel.

Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.

(98-6500)

MOTIF XS Owner’s Manual

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to, the following:

Power supply/Power cord

• Only use the voltage speciﬁed as correct for the instrument. The required voltage is printed on the name plate of the instrument.

• Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.

• Use only the supplied power cord/plug.

• Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.

• Be sure to connect to an appropriate outlet with a protective grounding connection. Improper grounding can result in electrical shock.

Do not open

• This instrument contains no user-serviceable parts. Do not attempt to disassemble or modify the internal components in any way.

Water warning

• Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings.

• Never insert or remove an electric plug with wet hands.

Fire warning

• Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a ﬁre.

If you notice any abnormality

• If the power cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the instrument inspected by qualiﬁed Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:

Power supply/Power cord Location

• Always connect the three-pin attachment plug to a properly grounded power source. (For more information about the main power supply, see page 19.)

• When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it.

• Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms.

• Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.

(2)-11 1/2

MOTIF XS Owner’s Manual

• Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disﬁguration or damage to the internal components.

• Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise.

• Do not place the instrument in an unstable position where it might accidentally fall over.

• Before moving the instrument, remove all connected cables.

• When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still ﬂowing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet.

Connections

• Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.

Maintenance

• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning ﬂuids, or chemical-impregnated wiping cloths.

Handling caution

• Do not insert a ﬁnger or hand in any gaps on the instrument.

• Never insert or drop paper, metallic, or other objects into the gaps on the panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualiﬁed Yamaha service personnel.

• Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.

• Do not use the instrument/device or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.

Saving data

Saving and backing up your data

• DRAM data (see page 79) is lost when you turn off the power to the instrument. Save the data to the ﬂash ROM/a USB storage device/external device such as a computer.

Data stored to the ﬂash ROM may be lost due to malfunction or incorrect operation. Save important data to a USB storage device/external device such as a computer.

• Never attempt to turn off the power while data is being written to Flash ROM (while an “Executing...” or “Please keep power on” message is shown). Turning the power off in this state results in loss of all user data and may cause the system to freeze (due to corruption of data in the Flash ROM). This means that this synthesizer may not be able to start up properly, even when turning the power on next time.

Backing up the USB storage device/external media

•To protect against data loss through media damage, we recommend that you save your important data onto two USB storage devices/external media.

Yamaha cannot be held responsible for damage caused by improper use or modiﬁcations to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use.

About the latest Firmware Version

Yamaha may from time to time update ﬁrmware of the product and the accessory application software without notice for improvement. We recommend that you check our web site for later releases and upgrade your ﬁrmware of the MOTIF XS or the accessory application software.

http://www.yamahasynth.com/

Note that the explanations in this Owner’s Manual apply to the version of ﬁrmware when this Owner’s Manual was produced. For details about the additional functions due to later releases, refer to the above website.

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MOTIF XS Owner’s Manual

Introduction

Congratulations and thank you for your purchase of the Yamaha MOTIF XS6/MOTIF XS7/MOTIF XS8 Music Production Synthesizer! You now own what is perhaps the best-sounding, most versatile, and cer tainly most powerful synthesizer and total music production instrument on the planet. We strove to put virtually all our synthesizer technology and music making know-how into one instrument—and we succeeded. The new MOTIF XS not only gives you the latest and greatest sounds and rhythms (as well as the ability to create and sample your own), it gives you powerful, easy-to-use tools for playing, combining and controlling these dynamic sounds/rhythms—in real time, as you perform! Take time to look through this manual carefully. It’s packed with important information on how to get the most from this amazing instrument. Dive in now and enjoy!

How to use the manual

The documentation for MOTIF XS consists of the following booklets.

■ Owner’s Manual (this book)

Start Guide (page 19)

This tutorial section gives you a guided tour through the various functions of this instrument, and provides important hands-on experience in playing and using it.

Using a Computer (page 43)

In this section, we’ll show you how set up the instrument with a computer (via USB and mLAN) and how to use it with software programs such as the MOTIF XS Editor and Cubase.

Basic Section

• Basic Structure (page 54)

This section provides a detailed overview of all of the main functions and features of this instrument, and shows how they ﬁt together.

• Basic Operation (page 81)

This section introduces you to the basic operating conventions of this instrument, such as editing values and changing settings.

• Connections (page 83)

This section covers how to connect the MOTIF XS to various external devices such as MIDI instruments, computers and USB storage devices.

Reference (page 88)

This is the MOTIF XS encyclopedia. Here, all parameters, settings, functions, features, modes and operations are explained in full detail.

Appendix (page 286)

This section contains detailed information about this instrument, including Speciﬁcations and Alert Messages, as well as instructions for installing optional equipment (e.g., DIMM modules and the mLAN16E2 interface).

•Troubleshooting (page 288)

If this instrument does not function as expected or you have some problem with the sound or operation, refer to this section before calling your Yamaha dealer or service center. Most common problems and their solutions are covered here in a very simple and easy-to-understand way.

■ Data List (separate booklet)

This contains various important lists such as the Voice List, Waveform List, Effect List, MIDI Data Format, and MIDI Implementation Chart.

■

Data List 2 (separate online documentation)

This contains various lists such as the Performance List, Master Program List, Mixing Template List, Arpeggio Type List and Remote Control Function List. This special online documentation can be downloaded from the Manual Library site.

http://www.yamaha.co.jp/manual/

Accessories

AC Power cord Owner's manual (this book)

SPECIAL NOTICE

• The contents of this Owner’s Manual and the copyrights thereof are under exclusive ownership by Yamaha Corporation.

• The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may appear somewhat different from those on your instrument.

• This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others' copyrights. Such copyrighted materials include, without limitation, all computer software, style ﬁles, MIDI ﬁles, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON'T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.

• This device is capable of using various types/formats of music data by optimizing them to the proper format music data for use with the device in

MOTIF XS Owner’s Manual

Data List Disc x 1 (containing DAW software)*

* For details, see page 305.

advance. As a result, this device may not play them back precisely as their producers or composers originally intended.

• Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use.

• Windows is the registered trademark of Microsoft

• Apple and Macintosh are trademarks of Apple Computer, Inc., registered in the U.S. and other countries.

• Steinberg and Cubase are the registered trademarks of Steinberg Media Technologies GmbH.

• ETHERNET is the registered trademark of Xerox Corporation.

• The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of their respective companies.

Corporation.

Main Features

■

Responsive, expressive keyboard (page 12)

The MOTIF XS6 features a 61-key keyboard, while the MOTIF XS7 has 76 keys with the high-quality FSX keyboard and the MOTIF XS8 has 88 keys with the high-quality BH (Balanced Hammer) keyboard. All are equipped with a touch response feature (both initial touch and aftertouch). These allow you to expressively change the sound in various ways—initial touch by the strength with which you play the keys, and aftertouch by how strongly you press the keys when holding them down.

■

Wide Variety of Voices and Category Search Function (page 24)

The MOTIF XS features a huge number and wide range of dynamic, authentic Voices. Use the Category Search function to quickly call up the Voices you want, based on their instrument type.

■

Eight Elements for each Voice (page 56)

Each Normal Voice can contain up to eight separate sound Elements, enabling Voices of great complexity and rich texture. These Elements can also be controlled in real time—by using the panel sliders, the [ASSIGNABLE FUNCTION] buttons, or by the way you play the keyboard. Special “Mega Voices” are also available, letting you recreate the unique performance sounds of acoustic instruments.

■

Powerful Arpeggio feature with four different types (pages 24 and 62)

Arpeggio automatically plays a variety of sequenced phrases in response to the keys you play. This function is especially powerful with Drum Voices—letting you easily call up various rhythm patterns at the touch of a key, and providing instant inspiration for song creation and performance. With Normal Voices, Arpeggio changes harmonically according to the chords you play, helping you as you compose or perform. Up to four Arpeggios can be running simultaneously, and of course, in perfect sync. Velocity control, Accent Phrase and Random SFX features—as well as the eight panel Knobs—give you even greater expressive, realtime control over Arpeggio playback.

■

Performance consisting of up to four Voices (page 28)

Performance mode lets you use four different Voices together—in layers or in a keyboard split. Moreover, the MOTIF XS gives you comprehensive control over the Performance in real time, as you play—letting quickly select Parts, turn Parts on/off, turn Arpeggio playback on/off, and more. You can also record your Performance in this mode directly to the Song or Pattern tracks by pressing the [REC] button.

■

Integrated Sampling Sequencer—seamlessly combines audio and MIDI recording (pages 39, 161 and 242)

The MOTIF XS provides full Sample recording and editing features, plus sample memory (with optional DIMM modules). Wide data compatibility lets you load AIFF and WAV ﬁles, as well as samples and program/voice data from other popular samplers, such as the Yamaha A-series. Adding to the ﬂexibility is a powerful Slice feature that automatically chops up your rhythms and riffs into their individual beats and notes. This lets you manipulate the component parts of your sample loops as MIDI data, and gives you the power to easily change tempo and even the rhythmic feel, without disturbing the pitch or sound quality.

■

Loop Remix (page 175)

This feature divides the data (Audio sample as well as MIDI sequence data) in a speciﬁed track to a variety of note lengths, and randomly rearranges a portion of the data to create totally new variations.

■

Extensive Effect Processing (page 68)

The MOTIF XS gives you a wide array of signal processing options, including separate Reverb and Chorus, an overall Master Effect, including multi-band compression, ﬁve-band master EQ, and a total of eight independent Insertion Effects. The latter include a huge variety of effects, plus a special Vocoder feature.

■

Eight Knobs and Sliders (pages 26, 34, 90 and 136)

Comprehensive real-time control with eight knobs and eight sliders let you change the Voice in real time, adjust Mixing of the Song/ Pattern, and control DAW software (such as Cubase) on your computer.

■

Pattern mode—for creating a Song (page 208)

Pattern mode functions let you craft different rhythmic sections and riffs as individual elements—which you can easily and intuitively combine in real time to create full rhythm tracks. The Sections you create can be combined together in Pattern Chains, and these Chains can be conveniently converted to Song data.

■

Song Scene and Mixing Voice—for creating a Song (pages 179 and 230)

Song Scene is another powerful tool that lets you take “snapshots” of the sequencer track settings (such as pan, volume, track mute and so on). Then, during playback or recording, simply switch among the Scenes for instant, dynamic changes. In addition to being able to create User Voices in the Voice mode, you can create special Mixing Voices for Songs and Patterns, letting you customize Voices speciﬁcally for your Song/Pattern recordings.

■

Master mode—for live performance (page 251)

The Master mode lets you use the MOTIF XS as a master keyboard controller (with independent Zones), and easily reconﬁgure the instrument between Voice/Performance play and Song/Pattern play in live applications.

■

Equipped with a variety of connectors (pages 16, 17 and 18)

A full rear panel of input/output connections provides maximum interfacing ﬂexibility. These include Assignable Outputs, A/D Inputs, Digital Output, MIDI, Ethernet, mLAN (standard on the MOTIF XS8 and optionally available for the MOTIF XS6/7) and two USB connectors.

■

Computer connectivity (page 43)

The comprehensive set of connectors—Ethernet, mLAN and USB TO HOST—make interfacing with computers and your favorite software exceptionally easy. In particular, the new Ethernet connection gives you fast transfer of your MOTIF XS ﬁles to and from a computer on the same network.

■

Quick Setup for using a computer (page 270)

This function lets you instantly reconﬁgure the MOTIF XS for different computer/sequencer related applications by calling up specially programmed presets.

■

Editor software for the MOTIF XS (page 50)

The instrument is also compatible with the MOTIF XS Editor—a comprehensive, easy-to-use editing software program that lets you edit (via USB connection) the Mixing setups and Mixing Voices to be used for Song/Pattern playback. The MOTIF XS Editor is free and can be downloaded from the Yamaha website.

■

Integration with Cubase (page 49)

The MOTIF XS is specially designed to work seamlessly with Cubase, Steinberg’s full-featured DAW software—giving you a comprehensive, all-in-one music production system, in which hardware and software are fully integrated.

MOTIF XS Owner’s Manual

Introduction ......................................................................................................................................................6

How to use the manual.....................................................................................................................................6

Accessories......................................................................................................................................................6

Main Features...................................................................................................................................................7

The Controls & Connectors ............................................................................................................................ 10

Front Panel .....................................................................................................................................................10

Rear Panel......................................................................................................................................................16

Start Guide 19

Step 1: Setting Up............................................................................................................................................19

Power Supply .................................................................................................................................................19

Connecting speakers or headphones............................................................................................................19

Turning the power on .....................................................................................................................................19

Adjusting the sound and the display contrast ...............................................................................................20

Playing the sounds.........................................................................................................................................20

Selecting and playing the sounds..................................................................................................................20

Modes ............................................................................................................................................................20

Listening to the Demo Song...........................................................................................................................21

Resetting the User Memory to the Initial Factory Settings..........................................................................22

Step 2: Selecting and Playing a Voice ........................................................................................................... 23

Selecting a Voice ...........................................................................................................................................23

Voice Play mode indications ..........................................................................................................................23

Selecting a Drum Voice..................................................................................................................................23

Using the Category Search function ..............................................................................................................24

Playing the Arpeggio......................................................................................................................................24

Changing the Arpeggio type..........................................................................................................................25

Using the Controllers......................................................................................................................................25

Using the Knobs.............................................................................................................................................26

Adjusting the tuning to other instruments ......................................................................................................27

Transpose ......................................................................................................................................................27

Step 3: Selecting and Playing a Performance............................................................................................... 28

Selecting a Performance................................................................................................................................28

Performance Play mode indications ..............................................................................................................28

How Voices are assigned to Parts of a Performance.....................................................................................28

Creating a Performance by combining Voices ..............................................................................................29

Changing the Arpeggio settings for each Part ..............................................................................................30

Using the Controllers and Knobs ...................................................................................................................31

Recording your Performance .........................................................................................................................31

Step 4: Creating Your Original Song .............................................................................................................33

Terminology....................................................................................................................................................33

Song Playback ...............................................................................................................................................33

Preparing for Realtime Recording..................................................................................................................34

Start Recording! .............................................................................................................................................35

Correcting wrong notes..................................................................................................................................35

Creating a swing feel—Play Effect.................................................................................................................36

Storing the created Song ...............................................................................................................................36

Saving Song data to a USB storage device...................................................................................................36

Step 5: Creating a Pattern...............................................................................................................................37

Pattern Structure ............................................................................................................................................37

Listening to the Demo Patterns ......................................................................................................................37

Viewing the Demo Pattern’s Patch display ....................................................................................................38

Viewing the Demo Pattern’s Mixing display ...................................................................................................38

Creating a Pattern by using Arpeggio ...........................................................................................................39

Creating a Pattern with audio—Sampling ......................................................................................................39

Storing the Pattern and Saving the Sample ...................................................................................................42

MOTIF XS Owner’s Manual

Using a Computer 43

Connecting to a Computer ..............................................................................................................................43

Creating a Song by Using a Computer ..........................................................................................................47

Integration Between Yamaha Editors and Cubase .......................................................................................49

Controlling a DAW on Your Computer from the MOTIF XS .........................................................................51

Basic Section 54

Basic Structure.................................................................................................................................................54

Mode Structure ..............................................................................................................................................54

The Seven Functional Blocks......................................................................................................................... 55

Tone Generator Block....................................................................................................................................56

Sampling Block..............................................................................................................................................59

Audio Input block........................................................................................................................................... 59

Sequencer Block ...........................................................................................................................................59

Arpeggio Block .............................................................................................................................................. 62

Controller Block .............................................................................................................................................67

Effect Block....................................................................................................................................................68

About MIDI.....................................................................................................................................................76

Internal Memory ............................................................................................................................................. 79

Basic Operation................................................................................................................................................81

Connections .....................................................................................................................................................83

Connecting External MIDI Instruments .......................................................................................................... 83

Connecting to an MTR (Multi-track Recorder)...............................................................................................84

Using USB storage devices........................................................................................................................... 85

Network connection ....................................................................................................................................... 86

Reference 88

Playing the Keyboard in the Voice Play Mode ..............................................................................................88

Editing a Normal Voice ....................................................................................................................................96

Editing a Drum Voice .....................................................................................................................................127

Voice Job—Convenient Functions...............................................................................................................133

Playing in the Performance Mode ................................................................................................................135

Editing a Performance ...................................................................................................................................141

Performance Job—Convenient Functions ..................................................................................................159

Creating a Voice/Performance by Using the Sampling Function ..............................................................161

Song Playback................................................................................................................................................178

Song Recording .............................................................................................................................................186

Editing MIDI Events (Song Edit) ...................................................................................................................192

Song Job.........................................................................................................................................................195

Pattern Playback ............................................................................................................................................208

Pattern Recording ..........................................................................................................................................218

Editing MIDI Events (Pattern Edit) ................................................................................................................220

Pattern Jobs ...................................................................................................................................................222

Multi-timbral Tone Generator Settings

for Song/Pattern Playback (Mixing mode) ...................................................................................................229

Audio Recording to Song/Pattern (Sampling mode) ..................................................................................242

Using as a Master Keyboard (Master mode) ...............................................................................................251

System Settings (Utility mode, etc.) .............................................................................................................259

File Management (File mode)........................................................................................................................272

Appendix 286

Display Messages ..........................................................................................................................................286

Troubleshooting.............................................................................................................................................288

Installing Optional Hardware ........................................................................................................................293

Specifications.................................................................................................................................................297

Index................................................................................................................................................................299

About the accessory disk..............................................................................................................................305

MOTIF XS Owner’s Manual

Front Panel

MOTIF XS6

The Controls & Connectors

MOTIF XS7

SELECTED PART

CONTROL

MULTI PART

CONTROL

ASSIGNABLE

FUNCTION

‡

TONE 1

TONE 2

ARP FX

REVERB

CHORUS

PAN

CUTOFF RESONANCE

EQ LOW EQ MID F

SWING

QUANTIZE

VALUE

ATTA CK DECAY

EQ MID EQ MID Q

QUANTIZE STRENGTH

MASTER

VOLUME 1 VOLUME 2 VOLUME 3 VOLUME 4 VOLUME 5 VOLUME 6 VOLUME 7 VOLUME 8

VOLUME

SUSTAIN RELEASE

EQ HIGH PAN

VELOCITY OCT RANGE

GATE TIME

C1 D1 E1 F1 G1 A1 B1 C2 C3

ASSIGN 1 ASSIGN 2

REVERB CHORUS

UNITMULTIPLY

TEMPO

REMOTE ARPEGGIO

ON/OFF ON/OFF

EFFECT BYPASS

INSERTION SYSTEM

OCTAVE

SEQ TRANSPORT

LOCATE 1 2

MASTER EFFECT

UPDOWN

SF1

SF2 SF3 SF4 SF5 SF6

12345

F1 F2 F3 F4 F5 F6

67890

‡

7 9

SELECTED PART

MULTI PART

ASSIGNABLE

FUNCTION

CONTROL

TONE 1

TONE 2

ARP FX

REVERB

CHORUS

PAN

CUTOFF RESONANCE

EQ LOW EQ MID F

SWING

QUANTIZE

VALUE

ATTACK DECAY

EQ MID EQ MID Q

QUANTIZE

STRENGTH GATE TIME

MASTER

VOLUME 1 VOLUME 2 VOLUME 3 VOLUME 4 VOLUME 5 VOLUME 6 VOLUME 7 VOLUME 8

VOLUME

SUSTAIN RELEASE

EQ HIGH PAN

VELOCITY OCT RANGE

C1 D1 E1 F1 G1 A1 B1E0 F0 G0 A0 B0 C2

ASSIGN 1 ASSIGN 2

REVERB CHORUS

UNITMULTIPLY

TEMPO

REMOTE ARPEGGIO

ON/OFF

EFFECT BYPASS

INSERTION SYSTEM

OCTAVE

SEQ TRANSPORT

LOCATE 1 2

ON/OFF

MASTER EFFECT

UPDOWN

SF1

F1 F2

MOTIF XS Owner’s Manual

º™¡§ ¶•

The Controls & Connectors

DEC/NO

MODE

VOICE PERFORM MASTER

SEQUENCER

SEQ

SETUP

PATTERN

SONG

MULTI PART

INTEGRATED

MIXING

SAMPLING

INC/YES

FILE UTILITY

EXIT

EXECUTE

ENTER

EDIT JOB STORE

COMPARE

SCENE STORE

SET LOCATE

PRE 1 PRE 2 PRE 3 PRE 4 PRE 5 PRE 6 PRE 7 PRE 8

ORGAN

PIANO KEYBOARD

SECTION

USER 1

I-P

SYN LEAD

SECTION

A-H

ABCDEFGH

123456 87

COMMON EDIT

910111213141516

GUITAR

USER 2

USER 3

CHROMATIC

PADS/

SYN COMP

PERCUSSION

CHOIRS

SUB CATEGORY

PART SELECT ARP ON/OFF

PART MUTE ARP HOLD

BASS

GM DRGM

DRUM/

PERCUSSION

PRE DR

BRASSSTRINGS

USER DR

SOUND

MUSICAL

EFX

¢‚ªﬁ£∞

C4 C5 C6

WOODWIND

ETHNIC

SAX/

PROGRAM

CATEGORY SEARCH

PERFORMANCE

CONTROL

MUTE SOLO

TRACK

⁄

‹ ›

ﬂ

º™¡§ ¶•

SF2 SF3 SF4 SF5 SF6

2345

F2 F3 F4 F5 F6

7890

MODE

PERFORM

VOICE

MASTER

SEQUENCER

SEQ

SETUP

PATTERN

SONG

MULTI PART

INTEGRATED

MIXING

SAMPLING

DEC/NO

EXIT

INC/YES

ENTER

EXECUTE

FILE UTILITY

EDIT JOB STORE

COMPARE

SCENE STORE

SET LOCATE

PRE 1 PRE 2 PRE 3 PRE 4 PRE 5 PRE 6 PRE 7 PRE 8

PIANO KEYBOARD ORGAN

SECTION

USER 1

I-P

SYN LEAD

SECTION

ABCDEFGH

A-H

123456 87

COMMON EDIT

910111213141516

GUITAR

USER 2

USER 3 GM DRGM PRE DR USER DR

PADS/

CHROMATIC

SYN COMP

PERCUSSION

CHOIRS

SUB CATEGORY

PART SELECT ARP ON/OFF

PART MUTE ARP HOLD

BASS BRASSSTRINGS

DRUM/

PERCUSSION

PROGRAM

SAX/

WOODWIND

MUSICAL

SOUND

ETHNIC

CATEGORY SEARCH

EFX

PERFORMANCE

CONTROL

MUTE SOLO

*(¢ ‚ ª ﬁ£∞

C3 C4 C5 C6

TRACK

⁄

‹ ›

ﬂ

MOTIF XS Owner’s Manual

The Controls & Connectors

MOTIF XS8

7 9

SELECTED PART

MULTI PART

ASSIGNABLE

FUNCTION

CONTROL

CHORUS

REVERB

TONE 1

TONE 2

ARP FX

PAN

CUTOFF RESONANCE

EQ LOW EQ MID F

QUANTIZE

SWING

VALUE

ATTACK DECAY

EQ MID EQ MID Q

QUANTIZE STRENGTH GATE TIME

SUSTAIN RELEASE

EQ HIGH PAN

VELOCITY OCT RANGE

ASSIGN 1 ASSIGN 2

REVERB CHORUS

UNITMULTIPLY

TEMPO

REMOTE ARPEGGIO

ON/OFF

MASTER

EFFECT BYPASS

EFFECT

INSERTION SYSTEM

OCTAVE

UPDOWN

SEQ TRANSPORT

LOCATE 12

SF1

F1 F2

‡

1 Keyboard

The MOTIF XS6 features a 61-key keyboard, while the MOTIF XS7 has 76 keys and the MOTIF XS8 has 88 keys. All are equipped with a touch response feature (both initial touch and aftertouch). With initial touch, the instrument senses how strongly or softly you play the keys, and uses that playing strength to affect the sound in various ways, depending on the selected Voice. With aftertouch, the instrument senses how much pressure you apply to the keys while playing, and uses that pressure to affect the sound in various ways, depending on the selected Voice. Moreover, any of a variety of functions can be assigned to aftertouch for each Voice (page 104).

2 Pitch Bend wheel (page 67)

Controls the pitch bend effect. You can also assign other functions to this controller.

3 Modulation wheel (page 67)

Controls the modulation effect. You can also assign other functions to this controller.

4 Ribbon Controller (page 67)

This controller is touch sensitive, and is controlled by running your ﬁnger lightly across its surface laterally. You can also assign other functions to this controller.

5 ASSIGNABLE FUNCTION buttons (page 67)

According to the XA Mode (Expanded Articulation Mode) settings in the Voice Element Edit mode, you can call up

MASTER

VOLUME

1 VOLUME 2 VOLUME 3 VOLUME 4 VOLUME 5 VOLUME 6 VOLUME 7 VOLUME 8

VOLUME

C1E0 F0 G0 A0 B0C0 D0A-1 B-1 C2

the speciﬁc Element of the selected Voice by pressing each of these buttons during your keyboard performance. In addition, you can assign other functions to these buttons.

6 MASTER VOLUME (page 20)

Move the slider upwards to raise the output level from the OUTPUT L/R jacks and the PHONES jack.

7 Knobs (pages 26, 31, 89, 136, 181 and 252)

These eight highly versatile knobs let you adjust various aspects or parameters of the current Voice. Use the [SELECTED PART CONTROL] button or [MULTI PART CONTROL] button to change the functions assigned to the knobs.

8 [SELECTED PART CONTROL] button (pages

26, 64, 89, 136, 181 and 252)

Pressing this button changes the functions assigned to the eight knobs. The lamp next to the currently active parameters will light. A function of each knob is applied to the current Voice in the Voice mode while a function of each knob is applied only to the currently selected Part (or to all Parts depending on the setting) in the Performance/ Song/Pattern mode.

n Note that the functions assigned to the Knobs printed

“ASSIGN1” and “ASSIGN2” with the TONE 1 lamp turned on are always applied to all Parts in the Performance mode and the speciﬁed Part in the Song/Pattern mode.

MOTIF XS Owner’s Manual

º™¡§ ¶•

The Controls & Connectors

SF1

SF2 SF3 SF4 SF5 SF6

12345

F2 F3 F4 F5 F6

7890

MODE

VOICE PERFORM MASTER

SEQUENCER

SEQ

SETUP

PATTERN

SONG

MULTI PART

INTEGRATED

MIXING

SAMPLING

DEC/NO

EXIT

INC/YES

ENTER

EXECUTE

FILE UTILITY

EDIT JOB STORE

COMPARE

SCENE STORE

SET LOCATE

PRE 1 PRE 2 PRE 3 PRE 4 PRE 5 PRE 6 PRE 7 PRE 8

PIANO KEYBOARD ORGAN

SECTION

USER 1

I-P

SYN LEAD

SECTION

ABCDEFGH

A-H

123456 87

COMMON EDIT

910111213141516

GUITAR

USER 2

USER 3 GM DRGM PRE DR USER DR

PADS/

CHROMATIC

SYN COMP

CHOIRS

PERCUSSION

SUB CATEGORY

PART SELECT ARP ON/OFF

PART MUTE ARP HOLD

BASS BRASSSTRINGS

DRUM/

PERCUSSION

SOUND

EFX

PROGRAM

SAX/

WOODWIND

MUSICAL

ETHNIC

CATEGORY SEARCH

EFX

TRACK

PERFORMANCE

CONTROL

MUTE SOLO

⁄

‹ ›

ﬂ

*(¢ ‚ ª ﬁ£∞

C3 C4 C5 C6 C7

9 [MULTI PART CONTROL] button (pages 136

and 180)

Pressing this button changes the functions assigned to the eight knobs in the Performance /Song/Pattern mode. The

! [REMOTE ON/OFF] button (page 52)

The Remote mode lets you control sequencer software on your computer from the panel controls of the instrument. Turn the [ON/OFF] button on to enter the Remote mode.

lamp next to the currently active parameters will light. In the Performance mode, the four knobs at the left end correspond to Parts 1 – 4. In the Song/Pattern mode, all knobs correspond to Parts 1 – 8 or 9 –16 (depending on the currently selected Part).

@ [ARPEGGIO ON/OFF] button (pages 65, 101

and 135)

Press this button to enable or disable playback of the Arpeggio for each Voice, Performance, Song, or Pattern. If the Arpeggio Switch of the selected Part is set to off in the

) Control Sliders

These sliders control the volume of the sound in different

Performance/Song/Pattern mode, however, pressing this

button has no effect. ways depending on the mode selected: Voice mode—volume of the eight Elements (page 91) Performance mode—volume of the four Parts (page 137) Song/Pattern modes—volume of the eight Parts, including the current Part (page 180) Master mode—volume (page 252) or speciﬁed Control Change number (page 257) of the eight Zones

n If all of the Control Sliders are set to the minimum, you may not

hear any sound from the instrument, even when playing the keyboard or a Song/Pattern. If this is the case, raise all the sliders to a suitable level.

n The MASTER VOLUME slider adjusts the audio output level

from this instrument. On the other hand, the Control Slider adjusts the volume for the Element of the Voice or the Part of the Performance/Song/Pattern as a parameter. Accordingly, the values set via the Control Sliders can be stored as the Voice, Performance, Song, or Pattern data.

# EFFECT BYPASS buttons (page 260)

The extensive effect block of the instrument provides

Insertion effects (eight sets, with two effect units per set),

System Effects (Reverb and Chorus), and Master Effects.

The effects can be applied to the keyboard-played Voices

and to Song/Pattern playback. When the lamp of the

[INSERTION] or [SYSTEM] button is turned on, the

corresponding Effect is off (or bypassed).

n When the checkbox of the Reverb/Chorus is set to off in the

[UTILITY] → [F1] General → [SF2] FXBypass display, the Reverb/Chorus is maintained (not bypassed) even if you turn the [SYSTEM] button on.

$ [MASTER EFFECT] button (pages 146 and 264)

When this button is pressed (the lamp lights), the Master

Effect is applied to the overall sound of this instrument.

Also, to access the Master Effect setting display, press and

hold the [MASTER EFFECT] button for a second or two.

MOTIF XS Owner’s Manual

The Controls & Connectors

% OCTAVE [UP] and [DOWN] buttons (pages 91,

92, 138, 251 and 260)

Use these buttons to change the note range of the keyboard. To restore the normal octave setting, press both buttons simultaneously.

^ SEQ TRANSPORT buttons (pages 21, 178 and

208)

These buttons control recording and playback of the Song/ Pattern sequence data.

[P] (Top) button

Instantly returns to the beginning of the current Song or Pattern (i.e., the ﬁrst beat of the ﬁrst measure).

[G] (Reverse) button

Press brieﬂy to move back one measure at a time, or hold to continuously rewind.

[H] (Forward) button

Press brieﬂy to move forward one measure at a time, or hold to continuously fast-forward.

[I] (Record) button

Press this to enable recording (Song or Pattern phrase). (The indicator lights.)

[J] (Stop) button

Press to stop recording or playback.

[F] (Play) button

Press to start playback from the current point in the Song or Pattern. During recording and playback, the indicator ﬂashes at the current tempo.

& LCD Display

The large backlit LCD displays the parameters and values related to the currently selected operation or mode.

* [F1] – [F6] (Function) buttons (page 81)

These buttons located directly below the LCD display call up the corresponding functions indicated in the display.

( [SF1] – [SF5] (Sub Function) buttons (page 81)

These buttons located directly below the LCD display call up the corresponding sub functions indicated in the display. These buttons can be also used to call the Arpeggio type in some displays of the Play mode, Edit mode and Record mode. These buttons can be also used as Scene buttons (pages 179, 182, 209 and 211) in the Song Play/Song Record/Pattern Play/Pattern Record modes.

º Data dial (page 81)

For editing the currently selected parameter. To increase the value, turn the dial right (clockwise); to decrease the value, turn the dial left (counter-clockwise). If a parameter with a wide value range is selected, you can change the value in broader strokes by quickly turning the dial.

¡ [INC/YES] button (page 81)

For increasing the value of the currently selected parameter. Also use it to actually execute a Job or a Store operation.

™ [DEC/NO] button (page 81)

For decreasing the value of the currently selected parameter. Also use it to cancel a Job or a Store operation.

n You can also use the [INC/YES] and [DEC/NO] buttons to

quickly move through parameter values in 10-unit jumps, especially those with large ranges. Simply hold down one of the buttons (of the direction you want to jump), and simultaneously press the other. For example, to jump in the positive direction, hold down the [INC/YES] button and press [DEC/NO].

£ Cursor buttons (page 81)

The cursor buttons move the “cursor” around the LCD display screen, highlighting and selecting the various parameters.

¢ [EXIT] button (page 55)

The menus and displays of the MOTIF XS are organized according to a hierarchical structure. Press this button to exit from the current display and return to the previous level in the hierarchy.

∞ [ENTER] button

Use this button to actually enter a number when selecting a Memory or Bank for Voice or Performance. Also use this button to execute a Job or a Store operation.

§ MODE buttons (page 55)

These buttons select the MOTIF XS operating modes (e.g., Voice mode).

¶ Bank buttons (pages 23 and 88)

Each button selects a Voice or Performance Bank. When the [CATEGORY SEARCH] button is turned on, these buttons can be used to select the Main category (printed below each button). When the [TRACK] button is turned on in the Pattern mode, these lower buttons are used to select the desired Section from I – P.

• Group [A] – [H] buttons (pages 23 and 88)

Each button selects a Voice or Performance Group. When the [CATEGORY SEARCH] button is turned on, these buttons can be used to select the Sub category. When the [TRACK] button is turned on in the Pattern mode, these buttons are used to select the desired Section from A – H.

ª Number [1] – [16] buttons (pages 23 and 88)

Use of these buttons differs depending on the on/off status of the [TRACK], [MUTE], [SOLO] and [PERFORMANCE CONTROL] buttons.

MOTIF XS Owner’s Manual

The Controls & Connectors

Functions of the Number [1] – [16] buttons

Mode

Voice Play — Keyboard transmit channel setting — —

Normal Voice Edit — Changes the Edit mode from Common

Drum Voice Edit — Changes the Edit mode from Common

Performance Play Performance Control (‹) Keyboard transmit channel setting Part Mute setting (1 – 4) Solo Part selection (1 – 4) Performance Edit Performance Control (‹) Part selection (1 – 4) Part Mute setting (1 – 4) Solo Part selection (1 – 4)

Master Play — Keyboard transmit channel setting

Master Edit — Changes the Edit mode from Common

Song Play/ Pattern Play

Song Mixing/ Pattern Mixing

Mixing Voice Edit Element selection (1 – 8) Element selection (1 – 8) Element Mute setting (1 – 8)

[PERFORMANCE

CONTROL] button

Edit to Element Edit and Element selection (1 – 8)

Edit to Drum Key Edit

(when memorizing the Voice mode or Performance mode to the current Master) or Song/Pattern track selection (when memorizing the Song mode or Pattern mode to the current Master)

Edit to Zone Edit and Zone selection (1 – 8)

— Song/Pattern track selection Song/Pattern track Mute

— Song/Pattern Part selection Song/Pattern Part Mute

[TRACK] button [MUTE] button [SOLO] button

Element Mute setting (1 – 8)

setting

Solo Element selection (1 – 8)

——

Solo track selection

Solo Part selection

Solo Element selection (1 – 8)

‚ [COMMON EDIT] button

Turning this button on enters the Common Edit mode, which lets you edit the parameters commonly applied to all Elements, Parts or Zones in the Voice Edit mode, Performance Edit mode, Song Mixing Edit mode, Pattern Mixing Edit mode, and Mixing Voice Edit mode.

⁄ [PROGRAM] button

When this button is turned on, using the Bank/Group/ Number buttons selects a Voice, Performance, Song, Pattern, and Master in the corresponding mode.

¤ [CATEGORY SEARCH] button (page 24)

When this button is turned on in the Voice Play mode/Song Mixing mode/Pattern Mixing mode, the Bank buttons can be used to select a main category and the Group buttons [A] – [E] can be used to select a sub category of the Voice. When this button is turned on in the Performance mode, the Bank buttons can be used to select the Performance category and the Group buttons [A] – [E] can be used to select the Performance sub category.

‹ [PERFORMANCE CONTROL] button (page 135)

This button is available only in the Performance Mode. When this button is turned on, the following functions are assigned to the Number buttons [1] – [16].

Pattern mode, the Group buttons [A] – [H] can be used to

select the desired Section from A – H and the lower buttons

of the Bank buttons can be used to select the desired

Section from I – P.

The on/off status of this button affects the Number [1] – [16]

buttons in different ways, depending on the currently

selected mode. (Refer to “Number [1] – [16] buttons”

above.)

ﬁ [MUTE] button (pages 33 and 179)

Turning this button on in the Normal Voice Edit mode and

Mixing Voice Edit mode enables the Number buttons [1] –

[8] for muting Voice Elements (1 – 8). Turning this button on

in the other modes enables the Number buttons [1] – [16]

for muting Performance Parts (1 – 4), Song Tracks/Parts (1

– 16), and Pattern Tracks/Parts (1 – 16). Refer to “Number

[1] – [16] buttons” above.

ﬂ [SOLO] button (pages 33 and 179)

Turning this button on in the Normal Voice Edit mode and

Mixing Voice Edit mode enables the Number buttons [1] –

[8] for soloing a Voice Element (1 – 8). Turning this button

on in the other modes enables the Number buttons [1] –

[16] for soloing a Performance Part (1 – 4), a Song Track/

Part (1 – 16), and a Pattern Track/Part (1 – 16). Refer to

“Number [1] – [16] buttons” above.

Number

buttons

[1] – [4] Selecting Parts 1 – 4.

[5] – [8]

[9] – [12]

[13] – [16] Setting the Arpeggio Hold for Parts 1 – 4.

Setting the Arpeggio Switch to on/off for

Setting the mute status for

Function

Parts

1 – 4.

Parts

1 – 4.

› [TRACK] button (page 34)

Turning this button on in the Song/Pattern mode enables the Number [1] – [16] buttons for selecting corresponding Song/Pattern tracks. When this button is turned on in the

‡ Studio Connections logo

Studio Connections is a joint

project begun by Steinberg and

Yamaha. Music production

systems now increasingly rely on both software and

hardware, and there is a pressing need for closer

integration between the two. Studio Connections provides

a comprehensive and seamless music production

environment—making the use of hardware and software

both easier and much more efﬁcient.

MOTIF XS Owner’s Manual

The Controls & Connectors

Rear Panel

MOTIF XS6

MOTIF XS7

MOTIF XS8

POWER ON/ OFF

354

USB

TO DEVICETO HOST

LCD CONTRASTETHERNET

AC IN

354

USB

TO DEVICETO HOST

LCD CONTRASTETHERNET

AC IN

354

1 POWER switch (page 19)

Press to turn power ON or OFF.

2 AC IN (AC Power Cord Socket) (page 19)

Be sure to plug the AC power cord into this socket before plugging the power cord into an AC outlet. Use only the AC power cord supplied with this instrument. If the supplied cord is lost or damaged and needs to be replaced, contact your Yamaha dealer. The use of an inappropriate replacement can pose a ﬁre and shock hazard!

3 ETHERNET connector (page 86)

You can connect the MOTIF XS to a LAN network by using this connector and a LAN cable. When connected to a network, the MOTIF XS is capable of mounting and accessing drives of computers on the same network.

4 USB connectors (pages 43 and 85)

There are two different types of USB connectors, and the rear panel of the instrument features both. The USB TO HOST connector is used to connect this instrument to the computer via the USB cable and allows you to transfer MIDI data between the devices. Unlike MIDI, USB can handle multiple ports via a single cable.

USB

TO DEVICETO HOST

LCD CONTRASTETHERNET

AC IN

POWER ON/ OFF

The USB connection between the instrument and the computer can only be used for transfer of MIDI data. No audio data can be transferred via USB. The USB TO DEVICE connector is used to connect this instrument to a USB storage device (hard disk drive, CDROM drive, ﬂash disk, etc.) via the USB cable. This lets you save data created on this instrument to an external USB storage device and load data from a USB device to the instrument. Save/Load operations can be performed in the File mode.

n For details about USB, see pages 43 and 85.

USB

USB is an abbreviation for Universal Serial Bus. It is a serial interface for connecting a computer with peripheral devices, and enables much faster data transfer compared to conventional serial port connections.

5 LCD Contrast Control (page 20)

Use this control to set the LCD display for optimum legibility.

MOTIF XS Owner’s Manual

The Controls & Connectors

DIGITAL OUT

FOOT SWITCH FOOT CONTROLLER

SUSTAIN

ASSIGNABLE

MIDI

OUT

THRU

ASSIGNABLE OUTPUT OUTPUT

RRL L/MONO

A/D INPUT

GAIN

PHONESPHONES

8$^9)!@# %

DIGITAL OUT

FOOT SWITCH FOOT CONTROLLER

SUSTAIN

ASSIGNABLE

MIDI

OUT

THRU

ASSIGNABLE OUTPUT OUTPUT

RRL L/MONO

A/D INPUT

GAIN

PHONESPHONES

8$^9)!@# %

DIGITAL OUT

ASSIGNABLE

FOOT SWITCH FOOT CONTROLLER

SUSTAIN

MIDI

OUT

THRU

ASSIGNABLE OUTPUT OUTPUT

R RL L/MONO

A/D INPUT

PHONES

GAIN

8$^9)!@# %

6 mLAN (IEEE1394) connector 1, 2 (only MOTIF

XS8) (page 44)

The MOTIF XS is equipped with two mLAN connectors to which a IEEE1394 (6-pin) cable can be plugged in. These connectors enable you to connect the MOTIF XS to IEEE1394-compatible (FireWire/i.LINK) computers. If the connecting device features a 6-pin IEEE1394 jack, use a standard 6-pin to 6-pin IEEE1394 cable. If it features a 4pin IEEE1394 jack, use a standard 6-pin to 4-pin IEEE1394 cable.

7 mLAN expansion board (mLAN16E2) cover

(MOTIF XS6, MOTIF XS7) (page 294)

The optional mLAN16E2 can be installed by removing this cover of the MOTIF XS6/MOTIF XS7. By installing an mLAN16E2 board, you can upgrade your MOTIF XS6 or MOTIF XS7 for convenient and easy connection to an IEEE1394-compatible computer.

n Yamaha recommends that you use an IEEE1394 cable with a

length of 4.5 meters or less.

n The digital audio output via the mLAN connector is ﬁxed to a

resolution of 24 bit/44.1 kHz.

About mLAN

“mLAN” is a digital network designed for musical applications. It uses and extends the industry standard IEEE1394 high performance serial bus. By connecting an mLANequipped MOTIF XS (a MOTIF XS6/7 to which the optional mLAN16E2 is installed or a MOTIF XS8) to a computer in a peer-to-peer connection via an IEEE1394 cable, you can transfer audio data for all channels and MIDI data for all ports simultaneously between the MOTIF XS and the computer. This kind of connection, its capabilities and uses are referred to as “mLAN” in this Owner’s Manual and the MOTIF XS instrument.

For details and the latest information on mLAN, refer to the following URL:

http://www.yamahasynth.com/

*The name “mLAN” and its logo (above) are trademarks.

MOTIF XS Owner’s Manual

The Controls & Connectors

8 DIGITAL OUT connector

Use this connector to output digital signals over coaxial (RCA-pin) cable. The digital signal format is CD/DAT (S/P DIF). This connector outputs a digital signal of 44.1 kHz/24 bit. By using this jack, you can record the keyboard performance or Song/Pattern playback of this synthesizer to external media (e.g., a CD recorder) with exceptionally high-quality sound—thanks to the direct digital connection.

9 MIDI IN/OUT/THRU connectors (page 83)

MIDI IN is for receiving control or performance data from another MIDI device, such as an external sequencer. MIDI THRU is simply for redirecting any received MIDI data (via MIDI IN) to connected devices, allowing convenient chaining of additional MIDI instruments. MIDI OUT is for transmitting all control, performance and playback data from the MOTIF XS to another MIDI device, such as an external sequencer.

) FOOT SWITCH jacks (pages 104, 123, 147 and

260)

For connection of an optional FC3/FC4/FC5 Footswitch to the SUSTAIN jack and a FC4/FC5 Footswitch to the ASSIGNABLE jack. When connected to the SUSTAIN jack, the Footswitch controls sustain. When connected to ASSIGNABLE, it can control one of various different assignable functions.

% A/D INPUT jacks (pages 40, 147, 232 and 265)

External audio signals can be input via these phone jacks (1/4" mono phone plug). Various devices such as microphone, guitar, bass, CD player, synthesizer can be connected to these jacks and their audio input signal can be sounded as the Audio Part of the Voice, Performance, Song, or Pattern. In the Sampling mode (page 242), these jacks are used for capturing audio data as samples. In addition, you can use the special Vocoder feature by connecting a microphone to this L jack and inputting your Voice to the microphone. Use 1/4" mono phone plugs. For stereo signals (such as from audio equipment), use both jacks. For mono signals (such as from a microphone or guitar), use only the L jack.

^ GAIN knob (page 40)

For adjusting the input gain of the audio at the A/D INPUT jacks (above). Depending on the connected device (microphone, CD player, etc.), you may need to adjust this for optimum level.

FOOT CONTROLLER jacks (pages 104 and 147)

For connection of optional foot controllers (FC7 and FC9). Each jack lets you continuously control one of various different assignable functions—such as volume, tone, pitch, or other aspects of the sound.

@ ASSIGNABLE OUT L and R jacks

Line level audio signals are output from this instrument via these phone jacks (1/4" mono phone plug). These outputs are independent of the main output (at the L/MONO and R jacks below), and can be freely assigned to any of the Drum Voice keys or the Parts. This lets you route speciﬁc Voices or sounds for processing with a favorite outboard effect unit. The Parts which can be assigned to these jacks are as follows:

• Audio Part in the Voice mode (page 265)

• Drum Voice key to which the drum/percussion instrument is assigned (page 130)

• Any Part of a Performance* (pages 148 and 153)

• Any Part of a Song* (pages 234 and 235)

• Any Part of a Pattern* (pages 234 and 235)

* Including the Audio Input Part

# OUTPUT L/MONO and R jacks (page 19)

Line level audio signals are output via these phone jacks. For monophonic output, use just the L/MONO jack.

$ PHONES (Headphone) jack (page 19)

This standard stereo phones jack is for connection to a set of stereo headphones.

MOTIF XS Owner’s Manual

Start Guide

MOTIF XS

Powered speaker (Left) Powered speaker (Right)

Headphones

OUTPUT L/MONO OUTPUT R

PHONES

MOTIF XS

AC IN

POWER switch

Step 1: Setting Up

Power Supply

Rear panel

AC IN

Power cord (included)

1 Make sure the POWER switch on the MOTIF XS

is set to OFF.

2 Connect the supplied power cord to the AC IN

on the instrument’s rear panel.

3 Connect the other end of the power cord to an

AC outlet.

Make sure your MOTIF XS meets the voltage requirement for the country or region in which it is being used.

WARNIN

Make sure your MOTIF XS is rated for the AC voltage supplied in the area in which it is to be used (as listed on the rear panel). Connecting the unit to the wrong AC supply can cause serious damage to the internal circuitry and may even pose a shock hazard!

WARNIN

Use only the AC power cord supplied with the MOTIF XS. If the supplied cord is lost or damaged and needs to be replaced, contact your Yamaha dealer. The use of an inappropriate replacement can pose a ﬁre and shock hazard!

Connecting speakers or headphones

Since the MOTIF XS has no built-in speakers, you will need to monitor the sound of the instrument by using external equipment. Connect a set of headphones, powered speakers, or other playback equipment as required.

Turning the power on

Make sure the volume settings of the MOTIF XS and external devices such as powered speakers are turned down to the minimum before turning the power on.

When connecting the MOTIF XS to the powered speakers, turn on the power switch of each device in the following order.

• When turning the power on: First, the MOTIF XS, then the connected powered speakers.

• When turning the power off: First, the connected powered speakers, then the MOTIF XS.

Please keep in mind that the POWER switch is located at the right side (from the view of the keyboard) of the AC IN socket on the rear panel of the MOTIF XS.

Start Guide

WARNIN

The type of AC power cord provided with the MOTIF XS may be different depending on the country in which it is purchased (a third prong may be provided for grounding purposes). Improper connection of the grounding conductor can create the risk of electrical shock. Do NOT modify the plug provided with the MOTIF XS. If the plug will not ﬁt the outlet, have a proper outlet installed by a qualiﬁed electrician. Do not use a plug adapter which defeats the grounding conductor.

CAUTION

Even when the POWER switch is turned off, electricity is still ﬂowing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the power cord from the wall AC outlet.

MOTIF XS Owner’s Manual

Step 1: Setting Up

Start Guide

Adjusting the sound and the display contrast

Adjust the volume levels of the MOTIF XS and the connected ampliﬁer/speaker system. If the display is not easily visible, use the Contrast control to adjust for optimum visibility.

Adjust the volume with the MASTER VOLUME slider.

Max.

Min.

CAUTION

Do not listen with the headphones at high volume for long periods of time. Doing so may cause hearing loss.

n Keep in mind that the LCD display is not a touch screen type.

Do not touch and press the display directly or forcefully.

Adjust the display contrast with the Contrast control.

DarkLight

MOTIF XS

name) registered to the current Master program. Let’s try playing the keyboard.

n For details about Banks, see pages 88 and 135.

Selecting and playing the sounds

In the default setting, the Master mode provides a total of 128 programs each of which includes the mode (Voice, Performance, Song and Pattern) and its program number. Try out the different Master programs to play various Voices and Performances. You can change the Master program number by using the [INC/YES] button, [DEC/NO] button, or the data dial.

Decreases

number

DEC/NO

INC/YES

Increases number

Playing the sounds

Try playing some of the realistic and dynamic MOTIF XS sounds from the keyboard now. When you turn the power on, the display below appears.

Indicates that the

Master mode is

selected.

n In the default settings, the Master mode is selected. For

details about the modes, refer to the section “Modes.”

n Keep in mind that the example displays shown in this manual

are for instruction purposes only, and the contents (for example, the Demo Song/Pattern names) may differ slightly from those on your instrument.

Indicates the

type of selected

program.

In this condition you can play the keyboard and hear the sounds of the selected program. The top of the Master Play display (page 251) indicates the Master program number and the status (Mode, Bank, Program Number and its

Indicates the name

and number of

selected program.

Modes

In order to make operation of the MOTIF XS as comprehensive and as smooth as possible, all functions and operations have been grouped in “modes,” many of which also have a number of “sub modes.” The MOTIF XS provides the nine main modes which are divided into several sub modes. You can master the MOTIF XS by understanding the mode structure. To enter the desired mode, press the corresponding Mode button. For more details about modes and sub modes, see page 54.

MODE

VOICE PERFORM MASTER

SEQUENCER

PATTERN

SONG

MULTI PART

INTEGRATED

SAMPLING

COMPARE

MIXING

FILE UTILITY

EDIT JOB STORE

SEQ

SETUP

SCENE STORE

SET LOCATE

MOTIF XS Owner’s Manual

Listening to the Demo Song

••••••••••••••••••••••••••••••••••••

DEC/NO

INC/YES

EXIT

EXECUTE

ENTER

DEC/NO

INC/YES

Decreases

number

Increases number

Decreases

number

Try listening to the preset Demo Songs, enjoy the highquality sound, and get a taste for how you can use the MOTIF XS to create your own music.

Step 1: Setting Up

Playing the Demo Song

••••••••••••••••••••••••••••••••••••

Press the [SONG] button to enter the Song

Play mode.

The Track View display of the Song Play mode appears.

2 Press the SEQ TRANSPORT [F] (Play) button

to start the Demo Song.

The Song currently shown on the display starts.

SEQ TRANSPORT

LOCATE 1 2

Stop button Play button

n To adjust the volume level of the Demo Songs, use the

MASTER VOLUME slider.

3 Press the SEQ TRANSPORT [J] (Stop) button

to stop the Demo Song.

n Keep in mind that the example displays shown in this

manual are for instruction purposes only, and may appear somewhat different from those on your instrument.

2 Press the [INC/YES] and [DEC/NO] buttons or

rotate the data dial to change the Demo Song number.

n You can change the value of various parameters as well

as the Song number by using the [DEC/NO]/[INC/YES] button or data dial after moving the cursor to the desired location. This basic operation is used for all of the selection and adjustment operations on the instrument.

Start Guide

Selecting another Song

••••••••••••••••••••••••••••••••••••

Make sure that the cursor is located on the

Song Number in the Track View display.

The highlighted frame within the display is called the “cursor.” You can move the cursor up, down, left and right by using the Cursor buttons. If the cursor is located on another parameter, move the cursor to the Song Number.

Song number Song name

Loading the Demo data

In the default settings (when shipped from the factory), several Demo Songs and Patterns are stored to the instrument, starting at Song 01 and Pattern 01. However, you may delete them by recording your original data or loading a different Song/Pattern from an external USB storage device. To restore the original Demo data, follow the instructions below.

CAUTION

Loading the Demo data overwrites all the Songs or Patterns. Before loading the Demo data, please check whether or not there is important data in the Songs or Patterns. If there is important data in the Songs or Patterns, save it to the external USB storage device or a computer on the network before loading the Demo data. For information about how to save, see page 278.

MOTIF XS Owner’s Manual

Resetting the User Memory to the Initial Factory Settings

1 Press the [FILE] button and [UTILITY] button

simultaneously.

The Demo Load display appears.

FILE UTILITY

Start Guide

Resetting the User Memory to the Initial Factory Settings

The original factory settings of this synthesizer’s User Memory can be restored as follows.

n When connecting a computer to the MOTIF-RACK XS

via a IEEE1394 cable, disable the driver used for this connection beforehand, and follow the procedure below to execute Factory Set.

CAUTION

When the factory settings are restored, all the Voice, Performance, Song, Pattern, and system settings in the Utility mode you created will be erased. Make sure you are not overwriting any important data. Be sure to save all important data to your USB storage device or a computer on the network before executing this procedure (page 278).

2 Make sure that the Load Type is set to “all,”

then press the [ENTER] button to load the Demo data.

A display prompt appears to conﬁrm whether or not the destination data (Song/Pattern) should be deleted.

DEC/NO

EXIT

n If you want to load only the Demo Song data, set the Load

Type to “song.” If you want to load only the Demo Pattern data, set the Load Type to “pattern.”

INC/YES

ENTER

EXECUTE

1 Press the [UTILITY] button then the [JOB]

button to call up the Factory Set display (page 269).

2 Press the [ENTER] button.

The display prompts you for conﬁrmation. Press the [DEC/NO] button to cancel the Load operation.

3 Press the [INC/YES] button to execute the

Factory Set.

After the Factory Set has been completed, a “Completed” message appears and operation returns to the original display.

CAUTION

For Factory Set operations that take longer to process, you will see the message “Now executing Factory Set…” during processing. While such a message is shown on the display, never attempt to turn off the power while data is being written to Flash ROM. Turning the power off in this state results in loss of all user data and may cause the system to freeze (due to corruption of data in the Flash ROM). This means that this synthesizer may not be able to start up properly, even when turning the power on next time.

3 Press the [INC/YES] button to execute the

Demo Load operation.

The Demo data is loaded to the Song and Pattern memory location, then the Song Play Track View display appears.

n If you set the Load Type to “pattern” in step 2 above, the

Pattern Play display (page 210) appears after loading.

n For more information about the Track View display of the Song,

see page 181. For more information about the Pattern Play display, see page 210.

MOTIF XS Owner’s Manual

CAUTION

When entering the checkmark to the box of the Power On Auto Factory Set and executing the Factory Set, the Factory Set will automatically be executed each time turning the power on. Keep in mind that this also means that your original data in Flash ROM will be erased each time you turn on the power. Therefore, the checkmark of this box should normally be removed. If you remove the checkmark of this box and execute the Factory Set, the Factory Set will not be executed when turning the power on next time.

Step 2: Selecting and Playing a Voice

PART SELECT ARP ON/OFF

PART MUTE ARP HOLD

PERFORMANCE

CONTROL

SUB CATEGORY

PRE 1 PRE 2 PRE 3 PRE 4 PRE 5 PRE 6 PRE 7 PRE 8

PROGRAM

ABCDEFGH

123456 87

910111213141516

MUTE

USER 1

USER 2

USER 3

GM DRGM

PRE DR

USER DR

CATEGORY SEARCH

PIANO KEYBOARD

ORGAN

GUITAR

BASS

BRASSSTRINGS

SAX/

WOODWIND

SYN LEAD

PADS/

CHOIRS

SYN COMP

CHROMATIC

PERCUSSION

DRUM/

PERCUSSION

SOUND

EFX

MUSICAL

EFX

ETHNIC

Bank

Voice number

Group

Number

Category 1

Category 2

Voice name

Try playing some of the realistic and dynamic Voices from the keyboard now. Press the [VOICE] button to enter the Voice Play mode, then enjoy the powerful, authentic sounds of the MOTIF XS Voices, as well as the enormous range and wealth of sounds available.

Selecting a Voice

Here, try selecting the Grand Piano for example. Press the [PROGRAM] button (1) so that its lamp lights, press the Bank button [PRE 1] (2) to select the Preset Bank 1, press the Group button [A] (3) then Number button [1] (4) to select a Voice “PRE: 001 (A01).”

Bank

Number

Group

Voice Play mode indications

The top of the display in the Voice Play mode indicates the Voice related information, such as Bank, Voice number (Group and Number), Category 1, Category 2, and Voice name. See below.

Below is a list of the Categories and their panel abbreviations.

Abbreviation Category

Piano Piano

Keys Keyboard instruments (Harpsichord, Clav, etc.)

Organ Organ

Guitr Guitar

Bass Bass

Strng Strings

Brass Brass

SaxWW Saxophone and other woodwind instruments

SynLd Synth Lead

Pads Synth Pad

SyCmp Synth Comp

CPerc Chromatic Percussion (Marimba, Glockenspiel, etc.)

Dr/Pc Drum/Percussion

S.EFX Sound Effect

M.EFX Musical Effect

Ethnc Ethnic

Start Guide

Next, press the Number button [2] to select the Voice “PRE: 002 (A02),” the 2nd Voice within the same Bank and Group. Select other Voices (003, 004, etc.) in the same way by pressing the appropriate Number button ([3], [4], etc.). To select a speciﬁc Voice from the 128 Voices available in Preset Bank 1, ﬁrst press the appropriate Bank button [A] – [H], then press the desired Number button [1] – [16]. You can also use the [DEC/NO] button, [INC/YES] button, and data dial to select a Voice within a certain Bank. You can scroll through the Voices within the same Bank across the different Groups by rotating the data dial or pressing the [DEC/NO]/[INC/YES] button.

Now, enjoy various Voices by following the above operations. 128 Voices are available for each Bank. Press the [PRE 2] to [PRE 8] and [GM] buttons to select Voices in other Banks.

Selecting a Drum Voice

Next, try out the Drum Voice. For example, select the Drum Voice of the Preset Drum Bank. Press the [PROGRAM] button so that its lamp lights, press the Bank button [PRE DR] to select the Preset Drum Bank, press the Group button [A], and ﬁnally press Number button [1] to select the Voice “PDR: 001 (A01).” Now the Drum Voice has been selected.

Now play the Drum Voice. You’ll notice that with the Drum Voice, unlike the Normal Voice you tried in the previous page, each key of the keyboard has a different drum instrument assigned to it. This allows you to easily create and play rhythm patterns made up of various drum/ percussion instruments.

MOTIF XS Owner’s Manual

Step 2: Selecting and Playing a Voice

Start Guide

Using the Category Search function

Since the MOTIF XS has such a huge variety of Voices and so many to choose from, it may be difﬁcult or time consuming to ﬁnd the Voice you want. This is where the convenient Category Search function comes in handy. It lets you select desired Voices easily, based on general instrument categories. Here for example, we’ll try selecting a Guitar Voice.

In the Voice Play mode, press the [CATEGORY SEARCH] button so that its indicator lights. The Category Search window appears on the display, indicating that you can use the Cursor buttons and data dial to select the desired Category, Sub Category and Voice. In this state, you can also use the Bank/Group/Number buttons on the panel to select a Voice. Browse the Category names printed below the Bank buttons as illustrated below then press the desired button. In this example, press the [GUITAR] button.

Playing the Arpeggio

This function lets you trigger rhythm patterns, riffs and phrases using the current Voice by simply playing notes on the keyboard. Since the preset Voices already have their own Arpeggio types pre-assigned, all you need to do is select the desired Voice and turn on the Arpeggio function. For certain Voices, simply selecting the Voice will turn Arpeggio on. Try selecting different Voices and check out the various Arpeggio types.

REMOTE ARPEGGIO

ON/OFF ON/OFF

For example, select the Voice numbered “A01” of the Preset Drum Bank, turn the [ARPEGGIO ON/OFF] button on, then hold down a key (any key) on the keyboard, and listen as a rhythm is played automatically. The rhythm stops when you release the key. Other preset Voices also have their own appropriate Arpeggio types for automatic playing of arpeggio/rhythm patterns.

Up to ﬁve Arpeggio types can be assigned to the [SF1] – [SF5] buttons for each Voice.

When a certain Voice is selected, the same sequence is played back both regardless of the pressed note or notes. When a certain Voice is selected, on the other hand, the different sequence is played back depending on which notes are played or how they are played. Check out how Arpeggios are played back for different Voices by selecting various Voices and playing notes in various ways.

Main Category Sub Category

Sub Category

Voice list

At the bottom of the display, the Sub Categories are shown at the tabs corresponding to the [SF1] – [SF5] buttons respectively. When the Guitar Category is selected, guitar types such as Acoustic Guitar, Electric Guitar, and Electric Distortion Guitar are shown as Sub Categories. From this display for example, you can instantly call up the Clean Guitar Sub Category by pressing [SF2], which corresponds to “E.Cln” in the display. This feature lets you quickly and easily get at the speciﬁc kinds of Voices you want to use. Press any of the [CATEGORY SEARCH], [EXIT] and [ENTER] buttons to return to the original display.

n From this display, you can register your favorite Voices to the

Favorite Category. For details, see page 88.

MOTIF XS Owner’s Manual

Step 2: Selecting and Playing a Voice

ASSIGNABLE FUNCTION [1]/[2] buttons

Knobs

Sliders

Ribbon Controller

Pitch Bend wheel

Modulation wheel

Indicates the controller assignment

Changing the Arpeggio type

The Arpeggio type assigned to each of the [SF1] – [SF5] buttons can be changed as desired.

1 From the Voice Play display, press the [F4]

button to call up the Arpeggio display.

These global parameters apply to all the [SF1] – [SF5] buttons as a group.

These parameters can be set for each of the [SF1] – [SF5] buttons.

Using the Controllers

The MOTIF XS gives you an amazing amount of control options. Not only is it equipped with conventional Pitch Bend and Modulation Wheels, it also features special Knobs, Sliders, Ribbon Controller, and Assignable Function buttons.

CUTOFF RESONANCE

ATTACK DECAY

SUSTAIN RELEASE

SELECTED PART

MULTI PART

CONTROL

ASSIGNABLE FUNCTION

TONE 1

EQ LOW EQ MID F

TONE 2

ARP FX

REVERB

CHORUS

PAN

MASTER VOLUME

EQ MID EQ MID Q

QUANTIZE

SWING

VALUE

STRENGTH GATE TIME

VOLUME 1 VOLUME 2 VOLUME 3 VOLUME 4 VOLUME 5 VOLUME 6 VOLUME 7 VOLUME 8

EQ HIGH PAN

VELOCITY OCT RANGE

ASSIGN 1 ASSIGN 2

REVERB CHORUS

UNITMULTIPLY

REMOTE ARPEGGIO

ON/OFF ON/OFF

TEMPO

EFFECT BYPASS

INSERTION SYSTEM

OCTAVE

SEQ TRANSPORT

LOCATE 1

MASTER EFFECT

UPDOWN

Start Guide

2 Press one of the [SF1] – [SF5] buttons.

The lower half of the display will be changed for the pressed button. The upper half of the display is common to all the [SF1] – [SF5] buttons.

3 In the lower half of the display, select the

Category, Sub Category and Type of the Arpeggio.

The Category determines the instrument type, the Sub Category determines the rhythm type, and the Type determines the Arpeggio type itself. Press any note to trigger the Arpeggio playback to ﬁnd your favorite one.

Go on and assign Arpeggio types in the same way to the other [SF] buttons as desired.

n For details about the Arpeggio, see page 62.

The Voice Play display indicates the functions assigned to the controllers. Keep in mind that the name of the Voice may include an abbreviation of the controller most suitable for use when playing the Voice. Using the controllers such as Knobs, Sliders, and the ASSIGNABLE FUNCTION buttons change various aspects of the Voice’s sound in real time—while you play.

Display Functions

AS1, AS2 Indicates the functions assigned to the respective

Knobs (printed “ASSIGN 1” and “ASSIGN 2”) with the TONE1 lamp turned on.

AF1, AF2 Indicates the functions assigned to the two

ASSIGNABLE FUNCTION buttons.

Indicates the functions assigned to the Modulation Wheel.

Indicates the functions assigned to the Ribbon Controller.

n For more information about controllers, see page 67.

MOTIF XS Owner’s Manual

Step 2: Selecting and Playing a Voice

Using the Knobs

Try using the Knobs with your left hand while playing the keyboard with your right with the Voice A01 “Full Concert Grand.”

[SELECTED PART

Start Guide

CONTROL] button

SELECTED PART

CONTROL

TONE 1

TONE 2

ARP FX

CUTOFF RESONANCE

EQ LOW EQ MID F

QUANTIZE

SWING

VALUE

ATTA CK DECAY

EQ MID EQ MID Q

QUANTIZE

STRENGTH

GATE TIME

SUSTAIN RELEASE

EQ HIGH PAN

VELOCITY OCT RANGE

ASSIGN 1 ASSIGN 2

REVERB CHORUS

UNITMULTIPLY

TEMPO

3 6

MULTI PART

CONTROL

REVERB

CHORUS

PAN

Knob 1 Knob 2 Knob 3 Knob 4 Knob 5 Knob 6 Knob 7 Knob 8

1 Press the [SELECTED PART CONTROL] button

a few times so that the TONE 1 lamp lights.

The Control Function window appears when a display other than the Voice Play display is shown. Holding the [SELECTED PART CONTROL] button for a while will light the lamp of the TONE1 lamp.

2 Rotate the Knob 1 (at the far left) while playing

keyboard.

Turning the knob clockwise results in a brighter sound, while turning it counterclockwise results in a softer, mufﬂed sound. The sound changes in this way because Knob 1 is assigned to the Cutoff Frequency parameter (labeled CUTOFF in the matrix above Knob 1 and next to TONE 1).

n The functions assigned to each of Knobs and current

values are shown in the display.

Functions assigned to Knobs

3 Press the [SELECTED PART CONTROL] button

a few times so that the TONE 2 lamp lights, then rotate the Knob (at the far right).

The CHORUS (as printed above the Knob) is applied to the current Voice.

4 Turn Knob 1, Knob 3, and Knob 5 with the

TONE 2 lamp turned on.

You can change the sound by boosting or attenuating the LOW, MID and HIGH band (as printed above the Knobs respectively) of the EQ (equalizer).

5 Press the [SELECTED PART CONTROL] button

a few times so that the ARP FX lamp lights, turn [ARPEGGIO ON/OFF] on, then turn the Knobs with your left hand while playing the notes with your right hand.

In this status, all the Knobs can be used to change how the Arpeggio is played back.

6 Rotate Knob 8 (at the far left) while playing

keyboard to change the tempo of the Arpeggio.

7 Rotate Knob 4 to change the gate time of the

Arpeggio notes, for example, from staccato to legato playback.

Try out other Knobs as well.

n For more information about the functions assigned to the

Knobs in the Voice mode, see page 90.

By using the Knobs in this way, you can change the sound of the Preset Voice to create your original Voice.

n Controlling the knobs does not affect some voices.

n A red point on the Knob or Slider graphic indicates the

current value to which the Knob or Slider is set. Moving the Knob or Slider has no effect on the sound until this point is reached. Once you move the Knob or Slider past this point, the red point disappears and moving the Knob or Control Slider affects the sound.

MOTIF XS Owner’s Manual

Storing the Voice

The MOTIF XS has space for three Banks of your own User Voices. Store the Voice by pressing the [STORE] button. For details, see page 97.

Step 2: Selecting and Playing a Voice

Adjusting the tuning to other instruments

When you play the MOTIF XS with other instruments, you may need to tune the overall sound of the MOTIF XS to match that of the other instruments in the group.

1 Press the [UTILITY] button to enter the Utility

mode, press the [F1] button, then press the [SF1] button to call up the Play display as below.

Transpose

This function allows the overall pitch of the MOTIF XS to be transposed up or down in semitone increments/ decrements. You can play the same notes on the keyboard even when the pitch of the song is shifted up or down in semitones.

1 Press the [UTILITY] button to enter the Utility

mode, press the [F1] button, then press the [SF1] button to call up the Play display as shown.

Start Guide

2 Move the cursor to Tune, then set the value.

In this example, we’ll change the value from “440 Hz” to “442 Hz.” Since the Tune parameter is actually adjusted in cents (1 cent = 1/100th of a semitone), the corresponding value in Hertz is shown at right. Since 1 Hz is roughly equivalent to 4 cents, set this value to “+8.0.”

3 Press the [STORE] button to store the Utility

setting.

2 Move the cursor to Transpose, then set the

value.

Set the value to “+1” to transpose the pitch up by a semitone, or set it to “-1” to transpose it down by a semitone. To transpose it up or down by a whole tone, set this to “+/-2”; to transpose by an octave, set it to “+/

-12.”

CAUTION

To transpose by octaves, use the Octave parameter (above Transpose).

3 Press the [STORE] button to store the Utility

setting.

n Make sure to press the [STORE] button to store the Utility

settings. Please keep in mind that the Utility settings will be lost if you turn off the power without executing the Store operation.

MOTIF XS Owner’s Manual

Start Guide

Step 3: Selecting and Playing a Performance

As in the Voice Play mode, the Performance Play mode is where you select and play the instrument sounds of this synthesizer. However, in the Performance mode, you can mix several different Voices together in a layer, or split them across the keyboard, or even set up a combination layer/split. Each Performance can contain up to four different Parts.

Press the [PERFORM] button to enter the Performance Play mode.

Selecting a Performance

Selecting a Performance is done in basically the same way as selecting a Voice. The Category Search function is available also in the Performance Play mode. Note that the MOTIF XS has no Preset Performances and provides only three User Banks. Consequently, press any of the [USR1] – [USR3] buttons to select a Performance after pressing the [PROGRAM] button.

Performance Play mode indications

The Performance Play display indicates the Voice names for each of four parts making up the Performance at the bottom right corner. Except for this, the display is almost same as in the Voice Play mode.

Bank

Performance number

How Voices are assigned to Parts of a Performance

By default (when shipped from the factory), various types of Performances are provided in the User Banks. For some of these Performances, it may not be immediately obvious how to play them or use them, since they are more complicated than normal Voices. In this section, you’ll learn the typical ways in which Performances are created, and thus better understand how to play and use them. Each Performance can contain up to four different Parts. Here covers the typical four types of the Voice assignment to these four parts.

C1 C2 C3 C4 C5 C6

Performance Structure Split by Velocity range

This method lets you trigger different Voices depending on your playing strength (velocity). In this example below, playing the note with low velocities triggers the Strings having the slow attack speed. Playing the note with middle velocities triggers the Strings having the fast attack speed. Playing the note with high velocities triggers the Orchestra Hit.

Orchestra Hit

Strings having the fast attack speed

Strings having the slow attack speed

Velocity

C1 C2 C3 C4 C5 C6

Par t 3

Par t 2

Par t 1

MOTIF XS Owner’s Manual

Step 3: Selecting and Playing a Performance

••••••••••••••••••••••••••••••••••••

CAUTION

Voice settings

for Part 1

Voice settings

for Part 2

Performance Structure Using the Arpeggio

With this method, you can play all the parts of a band by yourself. This type of Performance also uses different Arpeggio types assigned to the individual Parts, making it even easier to sound like a full band. In the example below, the Drum pattern (by Arpeggio) will be played back indeﬁnitely even when you release the notes, the Bass line (by Arpeggio) will be played back by your left hand performance, and the Guitar backing (by Arpeggio) or Piano Arpeggio will be played back by your right hand performance. In addition, you can change the Arpeggio Type assignment for each Part by pressing any of the [SF1] – [SF5] buttons.

Bass with the Arpeggio

Par t 2

Drum with the Arpeggio Hold = ON

C1 C2 C3 C4 C5 C6

Using or combining the four methods described above gives you the ability to create a rich variety of Performances. By default, many Performances stored in the User Banks may be created via the above methods. Try out various Performances and see which method is used for each.

Guitar with the Arpeggio

Piano with the Arpeggio

Par t 4

Par t 3

Par t 1

Creating a Performance by combining Voices

After checking out the pre-programmed Performances in the User Banks, try creating your own original Performance. In this section, we’ll create a Performance by combining two Voices.

Preparing to create a Performance (Initializing the Performance)

••••••••••••••••••••••••••••••••••••

4 Press the [PERFORM] button.

The current Performance name will change to “Initialized Perform” in the display.

n When you initialize a Performance, the Voice at Preset

Bank 1, Voice number 1 is assigned to each of all Parts and all the Parts are turned on by default.

Playing several Voices together (Layer)

Try combining two Voices by assigning your favorite Voice to Part2.

1 In the Performance Play display, press the [F2]

button to call up the Voice display.

From this display, you can conﬁrm what Voices are assigned to the Parts. You can also conﬁrm that all the Parts are turned on after executing the Initialize function above.

2 Move the cursor to the Part 2, then select the

desired Voice by setting a Bank and Voice number.

n From this display, you can use the Category Search

function to select a Voice. Like in the Voice mode (page 24), use the [CATEGORY SEARCH] button. Please note that the category names printed below the Bank buttons correspond not to the Performance Category but to the Voice Category.

3 Move the cursor to the PART SW check box for

Parts 3 and 4, then remove the checkmark by pressing the [DEC/NO] button.

When the check mark is removed from the check box, the corresponding part is turned off. Here, turn the Part 1 and 2 on.

Start Guide

In the Performance Play mode, press the [JOB] button, and then the [F1] button.

The Initialize display is shown. Make sure that the check box of “All Parameters” is checked. For details about the Initialize function, refer to page 159.

2 Press the [ENTER] button. (The display

prompts you for conﬁrmation.)

3 Press the [INC/YES] button to initialize the

Performance.

Keep in mind that when you execute the Store operation by pressing the [STORE] button here, the Performance at the destination will be replaced with the Initialized Performance above.

n For details about the Store operation, refer to page 142.

4 Play the keyboard.

The Part 1 (Piano Voice) and Part 2 (the Voice you have selected above) are sounded simultaneously in a layer.

Next, let’s play different Voices with the left and right hands.

MOTIF XS Owner’s Manual

Step 3: Selecting and Playing a Performance

Start Guide

Split

••••••••••••••••••••••••••••••••••••

You can play different Voices with the left and right hands by assigning one Voice to Part 1, with a note range in the lower section of the keyboard, and a different Voice to Part 2, with a note range in the higher section of the keyboard.

1 Move the cursor to the NOTE LIMIT HI of the

Part 1.

2 Set the highest note of the Part 1 by pressing

the corresponding key while holding the [SF6] KBD button.

The illustration of the keyboard indicates the speciﬁed note range in color.

3 Move the cursor to the NOTE LIMIT LO of the

Part 2.

4 Set the lowest note of the Part 2 by pressing

the corresponding key while holding the [SF6] KBD button.

The illustration of the keyboard indicates the speciﬁed note range in color.

5 Play the keyboard.

The notes you play with your left hand sound the Piano Voice (Part 1), while the notes you play with your right hand sound the different Voice (Part 2) you have selected.

Part 1: Piano Voice Part 2: Other Voice

CAUTION

The preset data of the Performances is stored in the User Bank memory. Storing the Performance data you created erases the preset Performance data. If you wish to restore the preset data of the Performance, execute the Factory Set Job in the Utility mode, resulting that your original data will be erased. Consequently, make sure to save any important data to an external USB storage device to avoid losing your important data.

Changing the Arpeggio settings for each Part

Try changing the Arpeggio settings for each Part. You can assign the rhythm or backing pattern that best matches the desired style of music to the Performance.

1 From the Voice Play display, press the [F4]

button to call up the Arpeggio display.

2 Press the desired one from the [SF1] – [SF5]

buttons.

The lower half of the display will be changed depending on the pressed button. The top of the display (Common Switch, Sync Quantize Value and Tempo) is common to all the Sub Function buttons.

Settings common to the [SF1] – [SF5] buttons

Settings for

Par t 1

Settings for

Par t 2

Settings for

Par t 3

Settings for

Par t 4

Adjusting the Part levels and storing the Performance

••••••••••••••••••••••••••••••••••••

Adjust the Volume settings of Parts 1 and 2 by

using the Control sliders.

2 Store the settings as a User Performance by

pressing the [STORE] button.

For details, see page 142.

CAUTION

If you are editing a Performance and you select a different Performance without storing your edited one, all the edits you’ve made will be erased.

MOTIF XS Owner’s Manual

Step 2

3 Select the Category, Sub Category and Type of

the Arpeggio for each of the Parts 1 – 4.

The Category determines the instrument type, the Sub Category determines the rhythm type, and the Type determines the Arpeggio type itself. Set the BANK to “PRE” when using a Preset Arpeggio type.

Arpeggio Hold parameter

Note that the Arpeggio Hold parameter is useful as well as the Arpeggio type selection. When this parameter is set to “on,” the Arpeggio playback continues even if the note is released. This parameter should be set to “on” when the Drum Voice is assigned to the Part and you

+ 290 hidden pages

Yamaha MOTIF XS8, MOTIF XS7, MOTIF XS6 User Manual

Introduction

How to use the manual

Accessories

Main Features

Contents

Front Panel

The Controls & Connectors

Rear Panel

Start Guide

Step 1: Setting Up

Power Supply

Connecting speakers or headphones

Turning the power on

Adjusting the sound and the display contrast

Selecting and playing the sounds

Playing the sounds

Modes

Listening to the Demo Song

Playing the Demo Song

Selecting another Song

Loading the Demo data

Resetting the User Memory to the Initial Factory Settings

Step 2: Selecting and Playing a Voice

Selecting a Voice

Voice Play mode indications

Selecting a Drum Voice

Using the Category Search function

Playing the Arpeggio

Changing the Arpeggio type

Using the Controllers

Using the Knobs

Adjusting the tuning to other instruments

Transpose

Step 3: Selecting and Playing a Performance

Selecting a Performance

Performance Play mode indications

How Voices are assigned to Parts of a Performance

Creating a Performance by combining Voices

Preparing to create a Performance (Initializing the Performance)

Playing several Voices together (Layer)

Split

Changing the Arpeggio settings for each Part

Adjusting the Part levels and storing the Performance