Vega R-27 Instruction Manual

Model R-27
Wireless-Microphone Receiver
Instruction Manual
099-0050A
2 R-27 Portable
Table of contents
A Word to Vega Users When You Receive Your Vega Equipment Introduction Compatibility Controls, Connectors, and Indicators Operating Instructions Antennas Writing Connectors and Plugs Troubleshooting Warranty (Limited) Repair Claims
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A Word to Vega Users
In selecting Vega wireless microphones, you are in the company of audio professionals worldwide. You can be confident that the equipment is the finest of its type.
Vega wireless-microphone systems provide sound quality essentially equal to wired microphones without unsightly and annoying cables. Our many years of experience in the design and manufacture of wireless microphones, our advanced circuit-design techniques, our attention to product quality, and our dedication to professional performance are your assurance of continuing satisfaction for years to come.
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When You Receive Your Vega Equipment
Upon receiving your shipment, verify that the number of boxes shown as shipped on the freight receipt has been received. Also check immediately for damage to boxes which may have occurred during shipment. Notify both the dealer and the freight carrier if damages or losses are found, so that claims may be expedited. Unpack the unit or units carefully. We recommend saving the shipping cartons; they are very useful for reshipping the equipment at a future date.
If, for any reason, you do not find the equipment received to be completely satisfactory, please immediately contact your Vega dealer or the Vega factory. In spite of our rigorous quality-control procedures, mistakes and shipment errors occasionally occur. If you should experience a problem, Vega will promptly correct the discrepancy.
Should service ever be required, remember that your authorized Vega service center knows your equipment best and has the training and test equipment necessary to restore your equipment to its peak performance.
Thank you for selecting Vega products. We assure you of our continuing interest in your satisfaction.
Wireless-Microphone Receiver 3 Introduction
This manual has been prepared to acquaint you with the operation and care of your Vega R-27 wireless-microphone receiver. We urge you to read it carefully and to follow the recommendations. This will help to assure that you realize the full performance potential of the equipment and achieve years of reliable, highly satisfactory operation.
Compatibility
The Vega Model R-27 PRO portable receiver works with Vega's PRO Series bodypack transmitters (such as the Model T-25) and handheld transmitters (such as the T-29). The receiver is available only with DYNEX®III audio-processing circuitry. Therefore, it is not compatible with with non-DYNEX®III transmitters. If you are not certain that the receiver and transmitter are compatible, contact the Vega factory or your Vega sales representative.
The R-27 PRO receiver is designed to work in the 169 to 216 MHz VHF range, and must be precisely matched to the frequency of the associated transmitter. The receiver's frequency is marked on its case. The transmitter's frequency is marked on the data label on its side or in its battery compartment. If the transmitter and receiver frequencies are not precisely the same, the frequency of one of the units must be changed. It is usually easier to change the frequency of the receiver; however, it is advisable to return both units to the factory or authorized service location when changing frequencies, to ensure the best results. Because of the very high performance of these units and the specialized test equipment required to adjust them properly, users should not try to change frequency themselves.
If two or more systems are used at the same location, proper frequency selection and spacing are required to avoid possible interference. Vega offers a free frequency­coordination service for purchasers of its equipment. Frequencies are selected by computer to avoid any possible interference from other wireless systems and broadcast stations. To take advantage of this free service, contact the Vega factory or your local sales representative.
Controls, Connectors, and Indicators
LED Displays: The four LEDs on the front panel indicate the following: receiver squelch condition (TX); low-level audio (–30); audio overload (–4); and acceptable battery power (PWR).
The TX indicator turns on whenever a transmitter is producing enough power, at the same frequency, to operate the receiver. When the TX LED is off, the receiver audio is squelched (shut down).
The audio metering circuitry is a simple two-LED display. Provided the AUDIO LEVEL adjustment is set to maximum, the –4 and –30 LEDs correspond to the same approximate microphone dBu output level. The Audio Level control adjustment does not affect the display, because metering is done prior to the output stage. With normal speech the –30 indicator should be flashing on and off with the audio. The –4 LED is an overload indicator and should not flash except with extremely large audio bursts. The activation of this overload indicator means that the transmitter is reaching soft compression. However, the gain-compression circuitry in the transmitter doesn't respond
4 R-27 Portable
instantaneously to short-duration “spikes” and other transient peaks in voice energy. These peaks can cause the instantaneous peak deviation of the transmitter to reach values of about 3 dB above the normal steady-state maximum. The R-27 will accommodate these brief transients without distortion due to its ability to provide in excess of +6 dBm of output without clipping.
The battery-power indicator stays on, provided that battery life is good. As soon as the battery voltage drops to an unacceptable level, the PWR LED turns off. When this occurs, the battery has less than an hour of life remaining.
Power Switch (PWR): On/off switch for the receiver. The current drain is 45 mA with the headphone monitor control switch set to “off”. In the “on” position the current increases by about 10%. The current can increase even further, depending on the load presented to the monitor jack and the audio level of the receiver.
Monitor Level Adjust (MON): The only adjustment on the front panel; it is used to adjust the audio level to the monitor stereo jack. This control incorporates a monitor on/off switch which can turn off the audio to the jack by turning the control fully counter-clockwise until a click is felt. In this position, the power drain to the battery is reduced.
Audio Level Adjust: Located on the rear panel, it adjusts the audio output of the receiver. This control has approximately 46 dB of operating range and has an audio taper.
Connectors
Antenna (ANT): Front-panel BNC connector for use with the antenna supplied.
XLR Audio Output: Rear-panel-mounted, full-sized, three-pin, male, XLR connector which provides mic-level balanced audio output from the receiver.
Monitor Jack (MON): Front-panel, miniature, stereo, female headphone connector which supplies audio for low-impedance headsets such as the type used on miniature inexpensive portable receivers.
Operating Instructions
(1) Install a 9-volt alkaline battery in the R-27 receiver by sliding the battery door open on the rear panel. Be sure to observe the polarity marking inside of the battery compartment near the compartment door. The receiver is reverse-polarity protected and cannot be damaged by incorrect battery insertion, but the unit may fail to operate and the battery life greatly shortened if the battery is not correctly installed. If the battery is not correctly installed, the battery-compartment door will not close properly. Do not attempt to force the door closed; instead, check and correct the battery polarity.
(2) Connect the receiver antenna (“rubber duckie” supplied). A right-angle adapter is provided for use with the “rubber duckie”, should one be needed.
A vertical orientation is recommended; however, there will be no great difference in performance if horizontal mounting is necessary. In either case, the antenna should be positioned away from the chassis of the receiver (or other metallic objects such as cameras, sound carts, etc.).
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