TC Helicon Perform-VK User manual

PERFORM-VK
Ultimate Mic Stand-Mount Vocal Processor for Studio-Quality Sound with Expandable Eects and Keyboard I/O
2 PERFORM-VK User Manual
Table of Contents
Important Safety Instructions ................................................ 3
Legal Disclaimer ....................................................................... 3
Limited warranty ...................................................................... 3
Introduction ......................................................................................4
Read the Quick Start! .......................................................................4
Connection Diagram ........................................................................4
Eects .................................................................................................5
Turning Eects On and O .............................................................6
Editing Eects ...................................................................................6
Preset .................................................................................................6
Importing (Beaming) a preset ........................................................7
HIT ......................................................................................................7
Editing a Beamed preset .................................................................7
Editing HIT .........................................................................................7
Tone ....................................................................................................8
Anti-Feedback ...................................................................................8
Pitch Correction ................................................................................8
Pitch Guide ........................................................................................9
+48V (Phantom Power) ....................................................................9
Mic Control ........................................................................................9
Talk ...................................................................................................10
Lock/Mute ........................................................................................10
Tap (Tempo) .....................................................................................10
RoomSense .....................................................................................10
AUX Input ........................................................................................10
Aux to Main Out ..............................................................................11
Dimming the Buttons ....................................................................11
USB Audio ........................................................................................11
MIDI Implementation ....................................................................12
Factory Reset ...................................................................................14
Support ............................................................................................14
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9. Do not defeat the safety purpose of the polarized
20. Please keep the environmental aspects of battery
Terminals marked with this symbol carry electrical current of su cient magnitude
to constitute risk of electric shock. Use only high-quality professional speaker cables with ¼" TS or twist-locking plugs pre-installed. Allother installation or modi cation should be performed only by quali edpersonnel.
This symbol, wherever it appears,
alertsyou to the presence of uninsulated
dangerous voltage inside the enclosure-voltage that may be su cient to constitute a risk ofshock.
This symbol, wherever it appears,
alertsyou to important operating and
maintenance instructions in the accompanying literature. Please read the manual.
Caution
To reduce the risk of electric shock, donot
remove the top cover (or the rear section). No user serviceable parts inside. Refer servicing to quali ed personnel.
Caution
To reduce the risk of  re or electric shock,
do not expose this appliance to rain and moisture. The apparatus shall not be exposed to dripping or splashing liquids and no objects  lled with liquids, suchas vases, shall be placed on the apparatus.
Caution
These service instructions are for use
by quali ed ser vice personnel only. Toreduce the risk of electric shock do not perform any servicing other than that contained in the operation instructions. Repairs have to be performed by quali ed servicepersonnel.
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with dry cloth.
7. Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including ampli ers) that produce heat.
or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. Ifthe provided plug does not  t into your outlet, consult an electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11. Use only attachments/accessories speci ed by themanufacturer.
12. Use only with the cart, stand, tripod, bracket, or table speci ed by the manufacturer, orsold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid
injury from tip-over.
13. Unplug this apparatus during lightning storms or when unused for long periods of time.
14. Refer all servicing to quali ed service personnel. Servicing is required when the apparatus has been damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has beendropped.
15. The apparatus shall be connected to a MAINS socket outlet with a protective earthing connection.
16. Where the MAINS plug or an appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable.
17. Correct disposal of this product: This symbol indicates that this product must not be disposed of with household waste, according to the WEEE Directive (2012/19/EU) and
your national law. This product should be taken to a collection center licensed for the recycling of waste electrical and electronic equipment (EEE). The mishandling of this type of waste could have a possible negative impact on the environment and human health due to potentially hazardous substances that are generally associated with EEE. At the same time, your cooperation in the correct disposal of this product will contribute to the e cient use of natural resources. For more information about where you can take your waste equipment for recycling, please contact your local city o ce, or your household waste collection service.
18. Do not install in a con ned space, such as a book case or similar unit.
19. Do not place naked  ame sources, such as lighted candles, on the apparatus.
disposal in mind. Batteries must be disposed-of at a battery collection point.
21. Use this apparatus in tropical and/or moderate climates.

LEGAL DISCLAIMER

MUSIC Group accepts no liability for any loss which may be su ered by any person who relies either wholly or in part upon any description, photograph, or statement contained herein. Technical speci cations, appearances and other information are subject to change without notice. All trademarks are the property of their respective owners. MIDAS, KLARK TEKNIK, LAB GRUPPEN, LAKE, TANNOY, TURBOSOUND, TC ELECTRONIC, TC HELICON, BEHRINGER, BUGERA and DDA are trademarks or registered trademarks of MUSIC Group IP Ltd. © MUSIC Group IP Ltd. 2017 All rights reserved.

LIMITED WARRANTY

For the applicable warranty terms and conditions and additional information regarding MUSIC Group’s Limited Warranty, please see complete details online at music-group.com/warranty.
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Introduction

Thank you for purchasing PERFORM-VK!
Your new mic stand-mounted vocal processor opens up a world of new performance opportunities.
Starting with our Adaptive Tone (automatic EQ, De-Essing, Gating and Compression), your voice will punch through the mix and sound great in any environment.
Add studio-quality Reverb, Harmony and Echo to the party and you’ll easily craft eardrum pleasing vocal eects that are perfec tly suited to your song.
With the addition of “beamable” presets you can expand the sonic capabilities of PERFORM-VK and include up to four more vocal eects!
Anti-Feedback tames the annoying high pitched squeals we’ve all experienced at live shows and keeps your performance sounding its very best.
Our global Pitch Correction gently guides your voice to the nearest note, ensuring that your pitches are spot on.
The Guide feature lets you see your vocal pitches in real time, letting you know when you’re accurate and when you might be sharp or at. It’s a great tool for both live and rehearsal.
Audio and MIDI inputs for your keyboard give you a choice of methods to guide key and scale for harmony voices and HardTune.

Read the Quick Start!

We’ll assume that you read the Quick Start Guide that came in the box, hooked everything up, and that you’re able to sing and play through the product. If you
haven’t made it that far, please read the Quick Start Guide now and come back to this manual when you’re set up. Don’t worry, we’ll wait.
Update Your Device!
It is HIGHLY recommended that you update the rmware on your PERFORM-VK before rst use. ”Beaming“ presets from the app will not function without the update.
To update your rmware, you'll need both a USB driver (PC only) and our VoiceSupport 2 program. Both can be found at tc-helicon.com/products/
perform-vk/support/
PC Users
1. Download both the USB driver and VoiceSupport 2
2. Install the USB driver (restart if prompted)
3. Install VoiceSupport 2 (restart if prompted)
4. Connect your Perform-VK to your computer with the supplied USB cable
5. Power up Perform-VK
6. Star t VoiceSupport 2
7. Follow the prompts to update your rmware
Mac Users
You will not need the USB driver. Download VoiceSupport 2 and follow steps 3-7 above.
Connection Diagram
MP-75
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Eects
There are three eects available to you in PERFORM-VK and up to four more which are accessed via beamed presets.
Harmony (onboard)
Additional voices, created from copies of your own voice, provide harmony as your own personal backup singers. Chord information is captured via the instrument input(s), MIDI or Aux and used to pick the correct key and scale for your song.
We can also use a combination of the built-in RoomSense microphone and music coming into the AUX input to automatically pick the right key/scale for the harmony voices. You’ll need to have a chorded instrument near the RoomSense mic and/or music with chord information coming into the AUX input for this to work.
Reverb (onboard)
Echo (onboard)
Otherwise known as “Delay”, echo eects repeat your voice back to you in various ways and amounts, simulating the eect shouting into a mountain range or very large space. Some Echoes can have eects applied to the “taps” or repeats of the echo, like Megaphone or Radio.
Double (Beamable)
Simulates the classic “double tracked” studio sound that’s common on recordings of all genres. Double can include Octave Up and Octave Down voices too.
Megaphone (beamable)
Anything that lters or distorts your voice falls into the Megaphone category. You can sound like you’re on an old radio or distort your voice for an edgy attack. Be careful with Megaphone eec ts when you’ve got a loud PA. We need to adjust EQ a lot to create these sounds, so they’re a bit more prone to feedback than other eects.
Reverb creates a simulated physical space for your voice. It can be a small space, like a shower (where everyone’s best singing takes place), or something as big as a concert hall. It’s common to use a smaller (shorter) Reverb for faster songs and a larger (longer) Reverb for slower ones.
HardTune (beamable)
The name of this eect can be a bit misleading, because it covers both subtle and T-Pain™ style tuning. There are several styles to help you hit the pitch perfec tly, but some sound much more natural than others. Conveniently enough, our natural style is called…well… natural. The Pop style covers the other end of the spectrum. HardTune requires key information to work correctly, so just like Harmony, you’ll need a chorded instrument, MIDI or AUX input.
µMod (beamable)
Here’s where you’ll nd eects like Flanger, Chorus and other similar eects. These eects are typically used sparingly, but can add a great point of interest to your performance.
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Turning Eects On and O
To activate or deactivate an eect, simply tap the Reverb, Harmony or Echo button. The button will glow GREEN when active and WHITE when inactive.
Editing Eects
Don’t like the Reverb, Harmony or Echo that you hear? You can adjust both the Level (volume) and Style (sound of the eect) to dial in just the right combination for your music.
To edit an eect, simply PRESS & HOLD the eect button. You’ll know you’re in EDIT mode because the LED ring surrounding the Control Knob will illuminate and the eect button will pulse.
The LED ring serves as both a Level and Style control. As you turn the knob, the LED segments will ll up, indicating that you’re turning up the Level of the current style. When you completely ll the LED ring, the color will change, letting you know that you’ve now changed the Style of the eect. Continuing to turn the Control Knob will increase the Level of that Style.
Each eect has four dierent styles to choose from. Three of the styles are available “out of the box” and one is reser ved for a Beamed preset Style (described next).
Reverb
• Room
• Club
• Hall
• Beamed preset Style
Harmony
• 1 Voice Above
• 1 Voice Below
• 2 Voices (1 above and 1 below)
• Beamed preset Style
Echo
• ¼ Note
• ⁄ Note
• Slap
• Beamed preset Style
Saving Changes
Any changes you make to an eect are stored in real time. There are no extra steps to take.
Preset
A preset is a “complete sound” created by a combination of eects.
You’ll notice that the active eects change between Preset 1 and Preset 2 in the images above. Presets can be congured however you like. The state (on/o), style and level for each eect in a preset can also be dierent from preset to preset.
With 3 available presets, you might want to set up something like:
1. Fast songs
2. Slow songs
3. Death Metal Englebert Humperdinck Covers
Try shorter reverb for fast songs.
Choose longer reverb and add a bit of echo for slower songs and/or ballads.
Crank up the levels and choose the craziest styles for a special eect preset.
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Importing (Beaming) a preset
PERFORM-VK also has the ability to “beam” or import a preset sound to each of the 1, 2, 3 buttons.
The imported sound can contain up to 7 eects:
• Harmony
• HardTune (pitch correction)
• Megaphone
• Modulation (chorus, ange etc.)
• Reverb
• Double
• Echo
Here’s how to import a preset:
Use your smartphone and our preset app to “beam” a preset into PERFORM-VK. Simply press once on the preset location where you’d like your preset to live (1, 2 or 3). Then, follow the instructions in the app to send the preset data to your PERFORM-VK.
You can download the preset app here:
tc-helicon.com/products/Perform-VK/support/
HIT
Here’s a little chart to show you what you can control, depending on which eects are contained in the preset:
Harmony HardTune Megaphone µMod Modier
1 X Harmony Level
2 X HardTune Gender
3 X EQ Filter
4 X µMod Level
5 X X X X Harmony Level
6 X X HardTune Gender
7 X X µMod Level
8 X X µMod Level
If you nd the chart confusing as heck, here’s an example:
If the preset contains both Harmony and HardTune (number 5) the “Modier” is Harmony Level. If the preset contains Megaphone and µMod (number 8) the modier is for µMod level.
Make sense? Good. Moving on…
Editing HIT
HIT is controlled dynamically, which means you can make changes to each HIT “state” whenever you choose. Taking the previous example as a starting point, if you have Reverb on while HIT is o:
Beamed presets can turn on one or more eects with a single button press. We call the additional eects “HIT”. A common example of HIT is a preset that starts out with a simple Reverb, then adds Harmony via HIT.
The beamed preset ’s green light changes to blue to indicate that HIT is on. When a preset is beamed in, HIT is turned on by default.
Editing a Beamed preset
The process to change the sound of Reverb, Harmony and Echo within a beamed preset is exactly the same as the one you did without a beamed preset, with one small exception…
When you press/hold to edit the Reverb, Harmony, or Echo in a beamed preset, you’ll notice that the LED ring is now white. That ’s the new Style imported by the preset. You can control the level of that Style, or change back to one of the “factory” Styles you’ve used before.
If you press and hold the 1, 2 or 3 buttons (whichever preset you’re already using) you can make an adjustment to the sound of one of the other eects within the preset too.
Then you turn Echo on:
Now, Echo and Reverb will be active when HIT is OFF. You can make similar changes to the HIT ON state.
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Tone
Tone automatically adds EQ (equalization), Compression, De-Ess and Gate to your overall vocal sound.
To activate Tone, press the button. White is OFF, Green is ON.
EQ helps to shape the tone of your voice to t into a musical mix. We remove some of the low “mud” frequencies and boost the highs for “sparkle” or “air”. Every recording you hear has some manner of EQ on the lead vocal (and pretty much everything else too).
Compression reduces the dierence in volume between the loudest and quietest notes. This gives you a more even sound that can blend into the music better. It’s almost unheard of for vocals to go uncompressed in modern music, both recorded and live.
De-Ess gets rid of harsh “S” sounds and makes them sound more pleasing to the human ear. De-Ess goes hand in hand with Compression, since Compression can make “S” sounds a bit more pronounced in the mix.
Gate “shuts o” an audio input when it falls below a certain volume.
This works great on things like drums where you want the drum hit to come through, but then have the mic silent in between hits.
You’ll see the LED light blue when it’s working to get rid of oending frequencies. If the LED is ashing constantly, it’s done all it can do and you’ll have to look at the rest of your audio setup to reduce things fur ther.
Here’s a Craig’s Corner video about feedback: youtube.com/watch?v=VlN1RJ4gcAo
Pitch Correction
Nobody is perfect, so we give you the option to add a little bit of transparent pitch correction to your voice. It gently guides you to the nearest semi-tone when you sing.
To activate Pitch Correction, press the Pitch but ton. White is OFF, Green is ON.
An important note about Pitch Correction: it’s normal to hear “phasing” bet ween your head voice (not to be confused with “the voices” in your head) and the corrected voice coming from speakers or headphones. The collision of the two signals creates the phased eect. Your audience (or a recording) doesn’t experience the sound.
You can actually use the phased sound to improve your pitch over time. The less of the phased sound you hear, the closer you are to perfect pitch.
Here’s a Craig’s Corner video about Pitch Correction Phasing:
youtube.com/watch?v=KWrEIuiDXsA
Anti-Feedback
Everyone loves that amazing squealing sound coming out of the speakers, right? Yeah, not so much.
Anti-Feedback automatically adapts to your environment and removes frequencies that can cause feedback. It’s not a silver bullet, you still have to set up your gear with reasonable volume levels and avoid pointing the mic at the speakers, but Anti-Feedback can help when you’re “on the edge” and getting some squealing here and there.
To activate Anti-Feedback, simply press the button. White is OFF, Blue is ON.
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Pitch Guide
Sometimes it’s nice to get some about your singing. With the Pitch Guide, you can see how close to the “true” note you are when you sing. It’s great to know that you typically sing sharp or at, or simply struggle with a particular note or two.
To activate the Pitch Guide, press and hold the Pitch button. To deactivate the Guide, press and hold again. When the pitch meter turns on, you’ll see the LED ring light from red (at the bottom) to green (at the top). When the pitch meter turns o, the LED’s will change from green to red.
The pitch guide shows whether you’re “on the note” (green LED’s), “at” (yellow/ red LED’s on the left hand side of the ring) or “sharp” (yellow/red LED’s on the right hand side of the ring).
+48V (Phantom Power)
If you have a condenser mic, it’ll need power to function. You’ll need to press and hold the 48V button for two seconds to turn phantom power on.
If you’re not sure what kind of mic you have, but you don’t hear any sound, it’s ok to try 48V. It won’t damage a dynamic microphone.
Mic Control
To enable Mic Control, activate +48V.
Then, you’ll need to select your Mic Control Mode. This is done by holding the +48V button and then pressing the 1, 2 or 3 button.
Button 1 sets Mic Control OFF. Use this when you have a condenser mic. If you have another Mic Control mode set, you may inadvertently activate buttons on the box as you sing.
Button 2 sets MP-75 mode. The Mic Control button cycles presets by default. You can change Mic Control behavior by holding the Mic Control button and then pressing the button on PERFORM-VK that you’d like to control. For example, if you hold the Mic Control then press the Reverb button, the MP-75 will now control on/o for Reverb. If you have an MP-76 connected but choose MP-75 mode, the “top” button on the MP-76 will function just like the MP-75 button. The other buttons will not do anything.
Button 3 sets MP-76 Mode. In this mode, the “Top” button controls Harmony. The “Left” button controls Preset 1. The “Right” button controls Preset 2. The “Bottom” button controls Preset 3.
MP-75 and MP-76 modes can control the following:
• Harmony
• Reverb
• Echo
• Tap Temp o
• Talk
• Preset 1
• Preset 2
• Preset 3
• Tone
• Anti-Feedback
• Pitch
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Talk
During a performance, especially between songs, you might want to speak with the audience. It’s unlikely that you’ll want all the eects on your voice while doing so. That’s where the TALK button comes in. When active, Talk bypasses all of the eects in the box (except Tone) so that you can speak with the crowd and be heard clearly.
AUX signals are still passed to the XLR out in TALK mode.
To activate Talk, press the button. White is OFF, Red is ON.
Lock/Mute
Press and HOLD the TALK button to enter Lock/Mute mode. All outputs, including XLR and Headphone, are muted and the front panel is disabled. This stops people from messing with your gear if you’ve stepped away.
The TALK button will ash when in Lock/Mute mode.
RoomSense
Did you notice that little hole on the front of the unit? It’s a microphone!
It’s there for two reasons:
1. If you beam in a preset that contains Harmony or HardTune eects and you’re not using MIDI, keyboard audio or an Aux music source to guide key/ scale, the mic will listen for chords in the room (like a nearby guitar) and try to gure out key and scale from that! Pretty cool.
a. RoomSense is the most unpredictable of the key/scale trackers, since
the room dynamics and chord information is most easily obscured using this mode. That said, it can be quite eective in specic situations, like placing the unit on top of an acoustic piano.
2. If you don’t plug in a microphone and have headphones connected, you can sing into the onboard mic. It’s a great way to practice with virtually no other equipment.
To re-activate PERFORM-VK, press and HOLD the TALK button again.
Tap (Tempo)
When pressed, this light ashes in time with your echo eects. You can re-tap the tempo at any time to sync up with your current song. Keep in mind that you can tap at half-time or double-time to make your echo sounds more exible.
If you have an Echo selected but the Tap button is dark, the Echo style is a “slap” style that doesn’t use tap tempo.
a. If you’re singing into the RoomSense mic, the Main Outputs *there isn’t
a Mic Out on VK* will be muted to prevent feedback.
AUX Input
When you have a music player connected to the AUX jack, and nothing is connected to the MIDI or INST jacks, any incoming chord information from the AUX input will be used to determine key/scale for Harmony or HardTune. (When both the AUX and MIDI/INST jacks are used, the MIDI and INST connections take priority for detection of key/scale)
You will hear the AUX input mixed with your Mic input (vocals). If the AUX is too loud or too quiet, use the volume control on the music player to create the appropriate mix with your vocals.
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1
Audio from the AUX input is slightly delayed from input to output so that we can better detect chords. This won’t have any eect on music you’re singing or playing along with, but it does mean this input isn’t intended to support instruments that you’d play live. They’d feel strangely “laggy”. Use the INST IN for live instruments.
If you do have a keyboard connected to the MIDI or INST IN jacks, they will be used for the key detection, and the AUX jack will not be delayed. This way the AUX input can still be used for a click track, drum machine, etc.
Aux to Main Out
Sometimes, you’d like to have a signal from the Aux input guide key/scale, but you don’t want that Aux signal mixed into your main outputs. If you’d like to remove audio from Aux to the main out, simply press/hold the Headphone button while connecting your Aux (⁄") cable.
This parameter resets each time you unplug and re-plug the Aux cable or if you power cycle the unit. We don’t save this parameter because it ’s not immediately obvious how you’d “toggle” things and we don’t want to trap unsuspecting users in a mode they can’t nd a way out of.
Dimming the Buttons
The buttons on your PERFORM-VK are designed to be pretty darned bright so you can see them clearly in an outdoor environment. If you’re playing inside, you may not want to tan yourself with their brilliance.
SWITCH-6
HIT PLAY/REC STOP/CLR LOOP INC
To dim/brighten the buttons, tap (do not hold) the SET button, then turn the Control Knob. Turning the knob to the right increases brightness and turning to the left decreases brightness.
Switch3/Switch6 (Pedal) In
When a Switch3 or Switch6 is connected (using the TRS cable that came in the S3/S6 box) you can control various aspects of PERFORM-VK remotely.
The default behavior for Switch3 is to change presets according to the numbers on Switch3.
Switch1 = Preset 1
Switch2 = Preset 2
Switch3 = Preset 3
You can reassign any of the PERFORM-VK buttons to be activated by a footswitch, with the exception of TRIM, +48V, Headphone Level, and Lock/Mute (TALK is assignable).
Press and hold the desired footswitch, then press the button on PERFORM-VK that you’d like the switch to control. Release both buttons.
Switch6 acts in the same manner as Switch3 but adds buttons 4, 5, and 6. The default controls for the extra buttons are:
Switch4 = Harmony
Switch5 = Reverb
USB Audio
There are 4 input and 8 output channels for USB audio in PERFORM-VK. A driver is required for both USB audio AND MIDI use. It can be found at tc-helicon.com/
products/perform-vk/support/
USB IN
CH 1 Backing Track L
CH 2 Backing Track R
CH 3 Dry vocal in
CH 4 NaturalPlay IN
If no signal is transmitted to the product on USB audio channel 3, the product will use analog in for the voice input. So, you could use channels 1&2 to input stereo tracks from your DAW but sing into the product via your mic. Note that channel 1&2 input is NOT passed to the USB outputs, but IS passed to the Main analog outs. If you use a computer for backing tracks, they will get sent analog to the PA. Volume control for those tracks happens at the computer.
NaturalPlay IN is not connected to the audio output. It is used only for NaturalPlay chord input. This is intended to allow you to use a “guide track” for NatualPlay that you may not want heard in the mix. It could be dry guitar chords or piano chords, with dierent voicings or placement in order to create your desired harmony output.
Switch6 = Echo
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USB OUT
CH 1 L processed vocal, Keyboard/ Aux in (same as what is on main outputs,
less the audio received on USB in
CH 2 R processed vocal, Keyboard/ Aux in (same as what is on main outputs,
less the audio received on USB in 2
CH 3 Dry Voice input
CH 4 Not used
CH 5 Dry INST IN R / Aux L
CH 6 Dry INST IN R / Aux R
CH 7 Harmony Voices L
MIDI Implementation
PERFORM-VK responds to Control Change (CC), Program Change (PC) and MIDI Tempo (not MIDI Clock) information.
For convenience, we have mapped many PERFORM-VK CC’s to the Behringer UMA25s controller keyboard. The “UMA25s Mapping” column shows the button or control on the UMA25s related to each control.
MIDI PC Messages
The products 3 presets correspond to Program Change Bank 0: 125, 126, 127
MIDI CC List
Implemented CCs
CH 8 Harmony Voices R
Function Controlled CC# MIDI Sta ndard Values UMA25s Mapping N otes Bug Notes
Buttons
Harmony HitControl 21 undened 0-63 o ; 64-127 on e1 preset UI Harmony button
Delay HitControl 22 undened 0-63 o; 6 4-127 on e2 preset UI Echo but ton
Reverb HitControl 23 undened 0-63 o; 64 -127 on e3 preset UI Reverb butt on
Double HitControl 24 undened 0-63 o ; 64-127 on e4 preset
Hardtune HitControl 25 undened 0-63 o; 6 4-127 on e5 preset
Transducer HitControl 26 undened 0-63 o; 64 -127 on e6 preset
uMod HitControl 27 undened 0-63 o; 64 -127 on e7 preset
Hit On/O 28 undened 0-63 o; 64 -127 on e8 preset
Rotary Knobs
Harmony Mix 74 brightness e9 preset
Delay Level 71 timbre e10 preset
Reverb Level 73 attack e11 preset
Doubling Level 75 de cay e1 2 preset
Reverb Decay 91 reverb send e14 preset
uMod Level 93 chorus send e15 preset
Delay Feedback 10 pan e16 preset
Wheels, Slider,
Pedals
Harmony PitchBen d PB pitch bend e17 Pitch Bend Whee l volatile a ected by pitch be nd
Harmony Vibrato_Boost 1 mo d wheel e18 Mod Wheel volatile
Notes Sus tain 64 sustain pedal e20 Su stain Pedal volatile
Harmony Level 11 expression e21 Expres sion Pedal volatile
Not Default
Mapped to UMA25S
Harmony Notes_Smoothing 16 general purpose 1 volatile
Harmony Notes_Gender 17 general purpose 2 volatile
Harmony Notes _Porta 18 general purpose 3 volatile
Harmony Attac k 29 undened volatile
Harmony Release 31 undened volatile
Harmony HumanAmount 76 v ibrato rate volatile
Harmony VibratoAmount 77 vibrato depth volatile
Harmony Hold_Release 78 vibr ato delay volatile
Harmony Hold 80 general purpose 5 0-63 o ; 64-127 on volatile
Utility Talk/Bypass 81 general purpose 6 0-6 3 o; 64-127 on volatile UI Talk But ton
Hardtune Shift 85 undened preset
range, set b y RPN 0
13 PERFORM-VK User Manual
Function Controlled CC# MIDI Sta ndard Values UMA25s Mapping N otes Bug Notes
Transducer Filter 86 undened preset
Double HumanAmount 87 undened volatile
Mixer OverallOutputAnalog 102 undened volatile
Special CCs
bank selec t LSB 32 b ank select LSB
— data entry MSB 6 data entr y MSB RPN/NRPN data entry
— dat a entry LSB 38 data en try LSB
data increment 96 data increment
data decrement 97 dat a decrement
NRPN LSB 98 NRPN LSB
NRPN MSB 99 NRPN MSB
RPN LSB 100 RPN LSB
RPN MSB 101 RPN MSB
All Sound O 120 all soun d o
All N otes O 123 all n otes o
bank sele ct MSB 0 bank se lect MSB
programs use bank
0 only
RPN/NRPN Implementation
RPN 0: Pitch Bend Sensitivity. This is a standard way to change pitch bend range.
MIDI Tempo
Perform-VK responds to incoming MIDI tempo and will adjust system Tap Tempo accordingly.
Split Point and Transpose
When controlling harmony via MIDI, in either Notes mode or NaturalPlay, it is sometimes desirable to have one section of the keyboard designated to sending that control information. It could be the area that your lef t hand is, to play chords of harmonies.
In order to designate an area of the keyboard to respond to, a Split Point is set. Any notes, either above or below the split point, are deemed useable by the system. Notes outside the range are rejected.
To set the Split Point, hold the SET button and press the note on your keyboard that you want to act as the split note. Then, to choose a split ABOVE that note, release the split note and press a note ONE SEMITONE ABOVE your split note. To choose a split BELOW, release the split note and press a note ONE SEMITONE BELOW your split note.
This creates a split, above or below, with no transposition. In order to set a split point AND transpose the incoming MIDI notes, you will choose a dierent note in place of the ABOVE/BELOW notes mentioned above.
It will seem a bit confusing, but does allow you to make both a split above/below point AND transpose either up or down. So, here’s a chart and some explanation.
Second Note Split Transpo se X To
X+6 Above X5
Above
X+2 Above X1
X+1 Above X (no transpose)
X+0
X-1 Below X (no transpose)
X-2 Below X6
Below
X-6 Below X2
In the chart above, “X” is the split note, the point at which you want to split the keyboard, as explained previously.
To facilitate things like “split above, but transpose down” we need to have settings both above and below your split point. That ’s where the chart comes in.
For example, if you want to split ABOVE middle C, t ypically known as C4, but transpose DOWN so that C4 is actually C2, you’d do the following:
1. Hold SET
2. Press middle C (C4)
3. Press the note 6 SEMITONES DOWN from middle C (F#)
If you want to split BELOW middle C (C4) and transpose up so that C4 is C6, you’d:
1. Hold SET
2. Press middle C (C4)
3. Press the note 2 SEMITONES DOWN from middle C (A#)
You may need to experiment a bit to gure this out, but it does give you the ability to set your split point, split direction and transposition very quickly.
14 PERFORM-VK User Manual
Factory Reset
To reset the unit back to factory settings, press and hold the Echo and Harmony buttons while powering up.
Support
If you’ve read through this manual and still need a little help, you can contact us via our support portal and forums http://support.tc-helicon.com
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