Steinberg UR44 User manual

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IT

USB AUDIO INTERFACE

ZH

Contents

Contents

A Message from the UR44 Development

Team.........................................................2

Accessory Disk (TOOLS for UR44 CD-

ROM).........................................................3

Cubase AI Download ..............................3

How to Read the Manual.........................4

Description of the Device .......................5

Front Panel......................................................5

Rear Panel ......................................................7

Software ...................................................9

Yamaha Steinberg USB Driver (Audio driver) 9

dspMixFx UR44 (Mixer) ................................10

Dedicated Windows for Cubase Series
(Windows for Configuring the Device Settings

from Cubase Series) .....................................15

Sweet Spot Morphing Channel Strip

(Compressor and Equalizer).........................18

REV-X (Reverb).............................................20

Guitar Amp Classics .....................................21

Basic Operation.....................................24

Using the UR44 with a Computer .................24

Using the UR44 with an iPad ........................27

Troubleshooting....................................30

A Message from the UR44 Development Team

Thank you for choosing the UR44 USB audio
interface. The UR44 inherits the design philosophy
of the previously released UR22, packing essential
music production functions into a compact, durable
unit that delivers outstanding sound quality on a par
with our high-end models, while adding extra
capacity and expandability.

The UR44 includes four D-PRE microphone
preamplifiers and allows simultaneous recording of
up to six channels. Every aspect of the D-PRE
preamplifiers has been painstakingly engineered for
optimum sound and overall performance, from parts
selection to circuit design. These groundbreaking
preamplifiers were first introduced in the Yamaha
n12 and n8 digital mixing studios and then
implemented in the Steinberg MR816 series and
UR28M/UR824 interfaces, where they gained a
reputation among discerning musicians and
engineers for delivering an exquisite balance of
smoothly extended highs, detailed midrange, and
fat, punchy lows.

Of course there’s more to music production than just
great preamp performance. The same high quality
must be maintained throughout the signal path, right
up to the outputs that feed the monitor speakers.
The UR44 development team has spared no effort in
achieving that goal, with emphasis on realizing
eminently clear, detailed spatial imaging and
dynamic accuracy: left to right, near to far, loud to
soft. The same approach was applied in the UR22,
but the UR44 benefits from even further refinement
overall. The UR44 also includes True Integrated
Monitoring for lag-free monitoring while recording,
plus top-class REV-X reverb effects, matching our
high-end models for recording comfort, efficiency,
and effect capability.

Appendix................................................32

Uninstalling TOOLS for UR44 .......................32

Signal Flows..................................................33

Block Diagrams ............................................35

The UR44 additionally features Class Compliant
mode for iOS support. In Class Compliant mode, the
UR44 works with the iPad. It can be used with iOS
compatible music production applications such as
Steinberg Cubasis for convenient high-quality
recording anywhere, at any time. There is also a
loopback function that facilitates video delivery and
other Internet related activities.

Top-quality recording capability is now available to
just about anyone. It is our sincere hope that the
UR44 will become a valued creative tool for all
artists and engineers who work with sound, from
beginners to seasoned professionals.

The Steinberg Hardware Development Team

UR44 Operation Manual

2

Accessory Disk (TOOLS for UR44 CD-ROM)

Accessory Disk (TOOLS
for UR44 CD-ROM)

The TOOLS for UR44 CD-ROM contains the
following.

Operation Manual

• UR44 Operation Manual (this
document)

• Basic FX Suite Operation Manual

TOOLS for UR44

TOOLS for UR44 is necessary when connecting the
device to a computer. Make sure to install it before
initially using the device. When you install the
TOOLS for UR44, the following three software
programs will be installed.

• Yamaha Steinberg USB Driver

This software allows communication between the
device and a computer.

- Guitar Amp Classics

This processing effect features guitar amp simulations
developed by Yamaha that fully utilize modeling
technology.

NOTE

• TOOLS for UR44 does not support iPad.

• For instructions on using Basic FX Suite, refer to the
Basic FX Suite Operation Manual included in the
TOOLS for UR44 CD-ROM.

Cubase AI Download

We are offering Cubase AI as a free download via
our website, specifically for customers who have
purchased the UR44. In order to download the
software, you’ll need to first create a MySteinberg
account in the Steinberg website. For the latest
information, see the Steinberg web site below.

http://www.steinberg.net/getcubaseai/

• Steinberg UR44 Applications

This software allows setting the parameters of the
device from a computer or using the Link function
between the device and Cubase series software.
The software consists of the following two
components.

- dspMixFx UR44

This software lets you set the device when using it with
a DAW (Digital Audio Workstation) software other than
Cubase series.

- UR44 Extension

This software allows you to link the device with Cubase
series (for versions which supports the link function).
To use this link function, see the Steinberg web site
below.

http://www.steinberg.net/

• Basic FX Suite

Basic FX Suite is software consisting of VST3 Plug-ins
of various effects and sound processing developed
by Yamaha, some of which fully utilize modeling
technology. When you install the Basic FX Suite, the
following three software programs will be installed.

- Sweet Spot Morphing Channel Strip

This processing effect is a multi effect that features a
compressor and equalizer.

- REV-X

This processing effect is a digital reverb platform
developed by Yamaha for professional audio devices.

UR44 Operation Manual 3

How to Read the Manual

How to Read the
Manual

Make sure to read through the following
documentation before using the device.

• Read me first (printed)

This is included with the package. Make sure to
read through this manual carefully to ensure safe
use before initially using the product.

• Getting Started (brochure)

This is included with the package. Read this manual
when setting up the device. After finishing the setup
as indicated in this manual, read the Operation
Manual.

• Operation Manual (PDF)

This is included in the TOOLS for UR44 CD-ROM.
Read through this manual to understand how to use
the features of the product.

Conventions

Keyboard Shortcuts

[Windows modifier key]/[Mac modifier key] + [key]
shows the shortcut keys. For example, [Ctrl]/
[command] + [Z] means “press [Ctrl] under
Windows or [command] under Mac, then press [Z].”

Cubase

The phrase “Cubase” in this manual applies to all
Cubase programs and versions (except
Cubase LE). If the instructions are only for Cubase,
“Cubase only” appears in the manual.

Screens

This manual predominantly uses screenshots of
Windows. However, Mac screenshots are used
when instructions of the function apply only to the
Mac. Also, this manual uses screenshots of
Cubase 7. If you are using another version of
Cubase, the actual screenshots might not be the
same. For details, refer to the Cubase manuals
(PDF) opened from the [Help] menu.

Version Information

The letters “x.x.x” and “x.xx” indicate the version
number.

Windows or Mac

When the procedures or explanations are specific to
only one of the platforms, Windows or Mac, this is
properly indicated in the manual. When the
platforms do not appear, procedures or
explanations are for both Windows and Mac.

Procedures

“” appears on some procedures in the manual.
For example, the string “Devices”  “Device
Setup” “Control Panel” indicates that you should
perform the procedures in the following order.

1. Click the “Devices” menu.

2. Select the “Device Setup” option.

3. Click the “Control Panel” button.

UR44 Operation Manual 4

Description of the Device

XLR-type
(balanced)

Phone-type
(balanced)

Phone-type
(unbalanced)

Front Panel

Description of the Device

1 [MIC/HI-Z 1/2] jack/[PEAK] indicator

For connection to a microphone, digital instrument,
electric guitar, or electric bass. This jack can be
connected to both XLR-type and phone-type
(unbalanced only) plugs
and the phone type is HI-Z only. The [PEAK] indicator
lights in red when the signal is -3 dB or greater.

*1

. The XLR-type is MIC only

2 [MIC/LINE 3/4] jack/[PEAK] indicator

For connection to a microphone or digital instrument.
This jack can be connected to both XLR-type and
phone-type (balanced/unbalanced) plugs
type is MIC only and the phone type is LINE only. The
[PEAK] indicator lights in red when the signal is -3 dB
or greater.

*1 Plug types

*1

. The XLR-

HINT

Proper use of the HI-Z or LINE inputs
HI-Z:

• Guitar and bass with passive pickups (battery-

powered)

LINE:

• Effect device, preamp, direct box

• Guitar and bass with active pickups (not battery-

powered)

• Digital instruments, such as synthesizer

3 [+48V] indicator

The indicator lights when the [+48V] switch (phantom
power) is turned on.

4 [POWER] indicator

The indicator lights when the power is turned on. The
indicator flashes continuously when the computer or
iPad does not recognize the device.

5 [INPUT 1/2 GAIN] knob

Adjusts the input signal level of the [MIC/HI-Z 1/2]
jack.

HINT

Setting optimum recording levels

The [PEAK] indicator lights in response to the level of
input signal. To set optimum recording levels, increase
the input level with the [INPUT GAIN] knob until the
[PEAK] indicator lights in red, then slowly bring the level
down until the indicator lights slightly when the input
level is at maximum.

6 [INPUT 3/4 GAIN] knob

Adjusts the input signal level of the [MIC/LINE 3/4]
jack.

UR44 Operation Manual 5

Description of the Device

CAUTION

7 [+48V] switch

Turns the phantom power on (O) and off (N). When
you turn this switch on, phantom power will be
supplied to the [MIC/HI-Z 1/2] jack. The [+48V]
indicator lights when the switch is turned on. Turn this
switch on when using a phantom powered condenser
microphone.

8 [+48V] switch

Turns the phantom power on (O) and off (N). When
you turn this switch on, phantom power will be
supplied to the [MIC/LINE 3/4] jack. The [+48V]
indicator lights when the switch is turned on. Turn this
switch on when using a phantom powered condenser
microphone.

Phantom Power Precautions

Always turn phantom power OFF when it is not
required.
When using phantom power, observe the
following to prevent noise and possible damage
to UR44 or connected equipment.

• When connecting devices not requiring
phantom power to the [MIC/HI-Z 1/2]
[MIC/LINE 3/4] jacks, make sure to turn
phantom power OFF.

• Do not connect or disconnect any devices
while phantom power is turned ON.

• Set all output level controls to minimum when
turning phantom power ON or OFF.

) [PHONES 1/2 ] jack

For connection to a set of headphones. [PHONES 1]
outputs the MIX 1 signals. [PHONE 2] outputs the
MIX 1 or MIX 2 signals. To select the output signal of
the [PHONES 2], refer to “Headphone Area” (page 17)
in the section “dspMixFx UR44” or the “Headphones
Window” (page 13) in the section “Dedicated
Windows for Cubase Series.”

HINT

What is MIX?

MIX refers to the stereo output signals which flow in the
device. The input signals to the device flow to each MIX.
Refer to the section “Signal Flow” (page 33).

! [OUTPUT] knob

Adjusts the output signal level of the [MAIN OUTPUT]
jacks. This output signal level is not affected by the
[PHONES] knob.

9 [PHONES 1/2] knobs

For adjusting the output signal level of the [PHONES]
jack. The [PHONES 1] knob adjusts the output of the
corresponding [PHONES 1] jack below it, while the
[PHONES 2] knob adjusts the output of the
corresponding [PHONES 2] jack. This output signal
level is not affected by the [OUTPUT] knob.

UR44 Operation Manual 6

Rear Panel

CAUTION

Description of the Device

1 [P] (Standby/On) switch

Sets the power of the device to On (O) or Standby (N).

Even when the [P] switch is in the standby
position, electricity is still flowing to the unit. If you
do not plan to use the unit for a while, be sure to
unplug the AC power adaptor from the outlet.

NOTICE

• Setting the [
succession can cause it to malfunction.

• After setting the [
about six seconds before setting it to on again.

NOTE

When setting the [P] switch to standby, the settings on the
Scene (page 11) and [PHONES 2] output signal are saved to
the device settings. Please note that the settings are not
saved if you turn the power off by disconnecting the power
cable when the [

P] switch to on and standby in rapid

P] switch to standby, wait for

P] switch is on.

2 DC IN [12V]

For connection to the AC power adaptor.

3 [USB 2.0] port

For connection to a computer or iPad. Apple iPad
Camera Connection Kit or Lightning to USB Camera
Adapter are required when connecting the UR44 with
an iPad.

USB Port Precautions

NOTICE

Be sure to observe the following points when
connecting to the computer’s USB interface.
Failing to do so may result in the computer
freezing or shutting down, as well as corruption
or even loss of data. If the device or computer
does freeze, restart the application or computer.

• Be sure to wake the computer from
sleep/suspended/stand by mode before
making a connection to the computer’s USB
port.

• Before turning on the power to the device,
connect the computer to the USB port.

• Before turning on/off the device or
plugging/unplugging the USB cable, quit any
open application software on the computer.

• When connecting or disconnecting the USB
cable, be sure to set all output level controls to
the minimum.

• Wait at least six seconds between connecting
or disconnecting the USB cable.

4 [CC MODE] switch

Turns the Class Compliant mode on and off. Make sure
to turn the [CC MODE] switch on when connecting the
device to an iPad. Also, make sure to turn the
[CC MODE] switch on before turning on the
[

P] switch. The Class Compliant mode will not change

if the [CC MODE] switch is turned on after the
[

P] switch has been turned on.

UR44 Operation Manual 7

Description of the Device

Phone-type
(balanced)

Phone-type
(unbalanced)

5 [MIDI OUT] jack

For connection to the MIDI IN jack of a MIDI device.
This transmits MIDI signals from the computer.

6 [MIDI IN] jack

For connection to the MIDI OUT jack of the MIDI
device. This receives and inputs MIDI signals to the
computer.

Select [Steinberg UR44-1] for the MIDI port when
using a MIDI jack with an iPad application. Please
note that [Steinberg UR44-2] is not available.

7 [MAIN OUTPUT] jacks

For connection to monitor speakers. These jacks can
be connected to phone-type (balanced/unbalanced)

*2

plugs

. This outputs the MIX 1 signals. To adjust the
output signal level, use the [OUTPUT] knob on the
front panel.

8 [LINE OUTPUT 1 to 4] jacks

For connection to external devices with line level
signals. These jacks can be connected to phone-type
(balanced/unbalanced) plugs
1/2] jack outputs the MIX 1 signal and the [LINE
OUTPUT 3/4] jack outputs the MIX 2 signal.

*2

. The [LINE OUTPUT

9 [LINE INPUT 5/6] jacks

For connection to digital instrument. These jacks can
be connected to phone-type (balanced/unbalanced)

*2

plugs

. You can select the input signal level of the
[LINE INPUT 5/6] jacks between “+4 dBu” and
“-10 dBV.” Select “+4 dBu” when connecting a
professional audio device, and select “-10 dBV” when
connecting a consumer device. The default initial
setting is “-10 dBu.” To select the input signal level,
use the “Setup Window” (page 14) in the section
“dspMixFx UR44” or the “Settings Window” (page 17)
in the “Dedicated Windows for Cubase Series.”

*2 Plug types

UR44 Operation Manual 8

Software

1

1
2

3

1

Software

Introduction

This section explains software operations for using
the UR44 with a computer.

NOTE

The software programs below do not apply to iPad.

Yamaha Steinberg USB Driver (Audio driver)

Overview

Yamaha Steinberg USB Driver is a software program
which allows communication between the UR44 and
a computer. Yamaha Steinberg USB Driver has a
control panel from which you can select the general
settings of the audio driver for Windows and view
the information for Mac.

Windows

ASIO window

This window is for selecting the ASIO driver settings.

1 Device

Selects the device that will be using the ASIO driver.
This function is available when connecting to the
computer two or more devices to the computer that
are compatible with the Yamaha Steinberg USB Driver.

2 Buffer Size

Selects the buffer size for the ASIO driver. The range
varies depending on the specified sample rate.

How to Open the Window

• [Control Panel]  [Hardware and Sound] or [Sounds,
Speech, and Audio Devices]  [Yamaha Steinberg
USB Driver]

• From the Cubase series menu, [Devices]  [Device
Setup…]  [Yamaha Steinberg USB ASIO]  [Control
Panel]

How to Switch the Window

Click the upper tabs to select the desired window.

Steinberg UR44 window

This window is for selecting the sample rate of the
device.

Sample Rate Range

44.1 kHz/48 kHz 64 Samples – 2048 Samples

88.2 kHz/96 kHz 128 Samples – 4096 Samples

176.4 kHz/192 kHz 256 Samples – 8192 Samples

3 Input Latency/Output Latency

Indicates the delay time for the audio input and output
in millisecond units.

Audio latency varies depending on the value of the
ASIO buffer size. The lower the value of the ASIO
buffer size, the lower the value of audio latency.

About window

This window indicates information about the audio
driver.

1 Sample Rate

Selects the sample rate of the device.

Options: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz,

176.4 kHz, 192 kHz

NOTE

For Mac, select the sample rate of the device via the Audio
MIDI Setup.

1 About

Indicates the version and copyright of the audio driver.

UR44 Operation Manual 9

Software

1

12 3 4 75 6

Mac

How to Open the Window

• [System Preferences]  [Yamaha Steinberg USB]

• From the Cubase series menu, [Devices]  [Device
Setup…]  [Steinberg UR44]  [Control Panel] 
[Open Config App]

About window

This window indicates information about the audio
driver.

1 About

Indicates the version and copyright of the audio driver.

HINT

How to select the sample rate

Select the sample rate of the device from [Audio MIDI
Setup].

dspMixFx UR44 (Mixer)

Overview

This software is for operating the convenient built-in
DSP mixer and DSP effects. The DSP mixer allows
you to mix up to six input channels down to two
stereo outputs. A number of DSP effects for
processing the input signals are also provided, and
since the processing/mixing is hardware-based,
there is no monitoring latency.

NOTE

You cannot operate dspMixFx UR44 while a Cubase series DAW
is running. When Cubase is running, configure the DSP mixer and
DSP effect from “Dedicated Windows for Cubase Series”
(page 15).

How to Open the Window

Windows

[All Programs] or [All apps]  [Steinberg UR44] 
[dspMixFx UR44]

Mac

[Applications]  [dspMixFx UR44]

Controls and Functions

Tool Area

This is the area for configuring the overall common
settings of dspMixFx UR44.

How to select the buffer size

Select the buffer size in the window for selecting buffer
size, which can be opened from an application, such as
DAW software.

1 Quit

Quits dspMixFx UR44.

2 Minimize

Minimizes the dspMixFx UR44 window.

3 Menu

Provides four different menus for various settings.

Menu Description

Open Opens the settings file of dspMixFx

UR44.

Save Saves the settings file of dspMixFx

UR44 to a computer.

Import Scene Imports a scene from the settings file of

dspMixFx UR44. Select the desired
settings file of dspMixFx UR44 and
import the desired scene on the left
side of the [IMPORT SCENE] window.
The window appears after the file is
selected in the file selection dialog.
Select the destination for importing on
the right side of the window. Click [OK]
to import it.

UR44 Operation Manual 10

Software

1

2
3

4

8

9

)

$

#

7

5
6

!

@

Menu Description

Initialize All
Scenes

4 Scene

Deletes all the saved scenes.

Indicates the scene name. You can change the scene
name by clicking on it.

Clicking the button on the right opens the window for
calling up other scenes. Call up the desired scene by
clicking it. To cancel calling up the scene, click
outside of the window.

5 STORE

Opens the scene store window. Enter the desired
scene name into the STORE NAME field. Select the
destination for storing the scene in the No. NAME field.
Click [OK] to store the scene.

6 Selecting windows

Selects the desired dspMixFx UR44 window. The
selected window icon will light in red.

Menu Description

Main window (page 11)

Channel Area

This is the area for configuring the input channel
settings.

Setup window (page 14)

Information window (page 14)

7 Help

Opens the Operation Manual (this manual).

Main Window

This window is for configuring the entire signal flow.

1 Channel Link

Turns on (lit) and off (dark) the channel link of two
adjacent channels. When you turn this on, two mono
channels will become one stereo channel.

2 Level Meter

Indicates the signal level.

3 High Pass Filter

Turns on (lit) and off (dark) the high pass filter (not
available on [LINE INPUT 5/6] ). To select the cutoff
frequency of the high pass filter, use the “Setup
Window” (page 14) in the section “dspMixFx UR44.”

4 Phase

Turns on (lit) and off (dark) the phase inversion of the
signal.

5 Effect Insertion location

Selects the insertion location of an effect.

Options Description

MON.FX Applies an effect to only the monitor signal

(sent to the device).

INS.FX Applies an effect to both the monitor signal

(sent to the device) and the recording signal
(sent to a DAW software).

UR44 Operation Manual 11

Software

1

2

3

4

5

6 Effect On/Off

Turns the Effect on (lit) and off (dark).

7 Effect Edit

Opens (lit) and closes (dark) the selected effect setup
window.

8 Effect Type

Indicates the effect type.

The maximum number of Channel Strip and Guitar
Amp Classics iterations which can be used
simultaneously has restrictions. Refer to the
“Limitations on the use of effects” (page 34).

9 REV-X Send

Adjusts the signal level which is sent to REV-X.

Range: -∞ dB – +6.00 dB

) Pan

Adjusts the pan.

Range: L16 – C – R16

! Mute

Turns the mute on (lit) and off (dark).

DAW Area

This is the area for configuring the DAW channel
settings.

@ Solo

Turns the solo on (lit) and off (dark).

# +48V

Indicates the on/off status of the phantom power
function of the device.

$ Fader

Adjusts the signal level.

Range: -∞ dB – +6.00 dB

1 Level Meter

Indicates the signal level.

2 Pan

Adjusts the pan.

Range: L16 – C – R16

3 Mute

Turns the mute on (lit) and off (dark).

4 Solo

Turns the solo on (lit) and off (dark).

5 Fader

Adjusts the signal level.

Range: -∞ dB – +6.00 dB

UR44 Operation Manual 12

Software

1

7

3
4

6

8

2

5

9

Function Operation

Set to 0 dB Double-click the fader

Slide all channel faders at
the same time

[Ctrl]/[command] + [Shift] +
drag the fader

1

1

Master Area

This is the area for configuring the master channel
settings.

6 REV-X Return Level

Adjusts the return level of REV-X.

Range: -∞ dB – +6.00 dB

7 Pan

Adjusts the pan.

Range: L16 – C – R16

8 Mute

Turns the mute on (lit) and off (dark).

9 Fader

Adjusts the signal level.

Range: -∞ dB – +6.00 dB

HINT

Fader operations

1 Level Meter

Indicates the signal level.

2 REV-X Send On/Off

Turns REV-X on (lit) and off (dark).

You can turn this on for either MIX 1 or MIX 2.

3 REV-X Edit

Opens (lit) and closes (dark) the “REV-X” (page 20)
setup window.

4 REV-X Type

Selects the REV-X type.

Options: Hall, Room, Plate

5 REV-X Time

Adjusts the reverb time of REV-X. This parameter links
to Room Size. The adjustable range varies depending
on REV-X type.

REV-X type Range

Hall 0.103 sec – 31.0 sec

Room 0.152 sec – 45.3 sec

Plate 0.176 sec – 52.0 sec

MIX Area

This is the area for selecting the MIX you want to
configure.

1 MIX

Selects the MIX you want to configure.

You can copy the Main window settings of the MIX by
dragging and dropping.

Headphone Area

This is the area for selecting the output signal of the
headphone.

1 PHONES On/Off

Turns on (lit) and off (dark) the headphones output.
You can output the MIX selected in the MIX area to the
PHONES by turning this on.

NOTE

With [PHONES 2], either MIX 1 or MIX 2 can be selected;
[PHONES 1] is fixed to MIX 1 and cannot be changed.

UR44 Operation Manual 13

Software

1

2

3

4

5

6

1

2

Setup Window

This windows is for configuring the common settings
of the device.

1 CONTROL PANEL

For Windows, this opens the “Control Panel of the
Audio Driver” (page 9). For Mac, this opens Audio
MIDI Setup.

2 INPUT 5/6 LEVEL

Selects the input signal level of [LINE INPUT 5/6].

Options: +4 dBu, -10 dBV

Options Description

Circular Drag in a circular motion to increase and

decrease the parameter. Drag in a dial
clockwise to increase, and counterclockwise
to decrease. If you click any point on the
knob, the parameter will jump there instantly.

Linear Drag in a linear motion to increase and

decrease the parameter. Drag upward or
rightward to increase, and downward or
leftward to decrease. Even if you click any
point on the knob, the parameter will not
jump there.

6 SLIDER MOUSE CONTROL

Selects the method of operating the sliders and faders
on dspMixFx UR44.

Options Description

Jump Click any point on the slider and fader to

increase and decrease the parameter. If you
click any point on the slider and fader, the
parameter will jump there instantly.

Touch Drag the handle of the slider and fader to

increase and decrease the parameter. Even
if you click any point on the slider and fader,
the parameter will not jump there.

Information Window

This window indicates information about dspMixFx
UR44 and the device.

3 HPF

Selects the cutoff frequency of the high pass filter (not
available on [LINE INPUT 5/6] ).

Options: 120 Hz, 100 Hz, 80 Hz, 60 Hz, 40 Hz

4 LOOPBACK

Turns the Loopback function on (lit) and off (dark).

HINT
What is Loopback?

Loopback is a function that mixes the input audio
signals (LINE, Guitar, MIC etc) and the audio signals
playing back in the software into two channels in the
UR44, and back to the computer for live broadcasting
via the Internet.

When the Loopback function is set to ON, the audio
signals output from MIX 1 in the DSP mixer (dspMix FX)
in the device are returned to the computer for actual
broadcasting. Refer to the section “Signal Flow”
(page 33). When using multi-track recording in audio
recording software, set the Loopback function to OFF.

5 KNOB MOUSE CONTROL

Selects the method of operating the knobs on
dspMixFx UR44.

1 Version Information

Indicates the version of the firmware and software.

2 Check for update

Checks whether or not you have the latest software
and firmware version, via the Internet. If a new version
is found, follow the on-screen instructions for
updating.

UR44 Operation Manual 14

Software

Dedicated Windows for Cubase Series (Windows for Configuring the Device Settings from Cubase Series)

Overview

These are the windows for configuring the device
settings from Cubase series. The dedicated
windows for Cubase series allow you to configure
the parameters which are configured by dspMixFx
UR44. Two types of windows are available: Input
Settings and Hardware Setup.

Input Settings Window

This window is for configuring the input settings of
the device. The signal flow is from top to bottom.

The settings on this window (except for the +48V
indicator) are saved to the Cubase project file.

How to Open the Window

The Input Settings window appears in the Mixer
window

1. [Devices]  [MixConsole] to open the Mixer

window.

2. Click [Racks] to open the rack selector.

The rack selector appears.

3. Click  next to the [Hardware] to show

[HARDWARE] in the Mixer window.



Hidden  Visible



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4. Click [HARDWARE].

The Input Settings window appears in the Mixer
window as shown below.

3 High Pass Filter

Turns on (lit) and off (dark) the high pass filter (not
available on [LINE INPUT 5/6] ). To select the cutoff
frequency of the high pass filter, use the “Settings
Window” (page 17) in the section “Dedicated
Windows for Cubase Series.”

4 Effect Edit

Opens the selected effect setup window.

5 Effect type

Selects the effect.
The maximum number of Channel Strip and Guitar
Amp Classics iterations which can be used
simultaneously has restrictions. Refer to the
“Limitations on the use of effects” (page 34).

6 DRIVE / Output Level

When Channel Strip is selected, this adjusts the
degree to which the compressor is applied. The higher
the value, the greater the effect.
Range: 0.00 – 10.00

When Guitar Amp Classics is selected, this adjusts the
output level.

Range: 0.00 – 1.00

Controls and Functions

7 MORPH

Adjusts the Channel Strip Sweet Spot Data. (Refer to
the “MORPH” in the section “Channel Strip” on

page 18). When Guitar Amp Classics is selected,

MORPH is not displayed.

8 Effect Insertion location

Selects the insertion location of an effect.

Insertion
location

Upper (OFF) Turns the effect off.

Middle
(MON.FX)

Lower (INS.FX) Applies an effect Strip to both the monitor

9 Output Position of the Direct Monitoring

Description

Applies an effect Strip to only the monitor
signal (sent to the device).

signal (sent to the device) and the
recording signal (sent to the DAW
software).

Signal

Indicates the position from which the audio signals for
monitoring will be output when turning on Direct
Monitoring in the device settings on Cubase.

1 +48V

Indicates the phantom power on/off status.

2 Phase

Turns on (lit) and off (dark) the phase inversion of the
signal.

) REV-X Edit

Opens the “REV-X” (page 20) setup window.

! REV-X Send

Adjusts the signal level which is sent to the REV-X.

Range: -∞ dB – +6.00 dB

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@ Headphones Edit

Opens the “Headphones Window” (page 17) in the
section “Dedicated Windows for Cubase Series.”

# Reverb Routing Edit

Opens the “Reverb Routing Window” (page 17) in the
section “Dedicated Windows for Cubase Series.”

Hardware Setup Window

This window is for configuring the general settings
of the device. Click the upper tabs to select the
window. Only the settings on the Reverb Routing
window are saved to the Cubase project file.

How to Open the Window

Follow the steps below to open the window.

[Devices]  [Audio Hardware Setup]

1 REV-X Edit

Opens the “REV-X” (page 20) setup window.

2 REV-X Type

Selects the REV-X type.
Options: Hall, Room, Plate

3 REV-X Time

Adjusts the reverb time of REV-X. This parameter links
to Room Size. The adjustable range varies depending
on the REV-X type.

REV-X type Range

Hall 0.103 sec – 31.0 sec

Room 0.152 sec – 45.3 sec

Plate 0.176 sec – 52.0 sec

4 REV-X Send Source Select

Selects the send source signal which is sent to REV-X.
You can select one signal at a time. The checkmark
indicates the selected signal.

5 REV-X Send Source

Indicates the signal which is sent to REV-X.

Controls and Functions

Headphones Window

This window is for selecting the output signal of the
PHONES on the device. (PHONES 2 only)

1 PHONES 1

Indicates the output signal of [PHONES 1].

2 PHONES 2

Selects the output signal of [PHONES 2].

Reverb Routing Window

This window is for configuring the “REV-X” (page 20)
settings.

6 REV-X Return Level

Indicates the return level of REV-X.

7 REV-X Return Level Knob

Adjusts the return level of the selected (highlighted)
signal.

Range: -∞ dB – +6.00 dB

Settings Window

This window is for configuring the device settings.

312

1 INPUT 5/6 LEVEL

Selects the input signal of [LINE INPUT 5/6].
Options: +4 dBu – 10 dBV

2 HPF

Selects the cutoff frequency of the high pass filter (not
available on [LINE INPUT 5/6] ).
Options: 120 Hz,100 Hz, 80 Hz, 60 Hz, 40 Hz

3 LOOPBACK

Turns the Loopback function on (lit) and off (dark).
Refer to the “LOOPBACK” in the section “dspMixFx
UR44” (page 14).

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Sweet Spot Morphing Channel Strip (Compressor and Equalizer)

Overview

The Sweet Spot Morphing Channel Strip (“Channel
Strip” for short) is a multi-effect that combines
compression and EQ. Advanced sound engineering
know-how is condensed into a number of
convenient presets that can be simply and instantly
recalled, for professional results.

Four channel strips are provided, and each can be
assigned to the monitor sound only, or to both the
monitor and recorded sound.

The Channel Strip equipped with the device and the
Channel Strip of the VST Plug-in version have the
same parameters. When using the Channel Strip on
Cubase series programs, you can share the settings
between the built-in Channel Strip and the Channel
Strip of the VST Plug-in version as a preset file.
When using the built-in Channel Strip on Cubase
series programs, turn on the “Direct Monitoring”
setting in the program. Also, when assigning the
Channel Strip of the VST Plug-in version to the effect
slot on Cubase series programs, select it from the
“Dynamics” category (in the case of the default
settings). Please note that you cannot use the built­in Channel Strip when the sample rate is set to

176.4 kHz or 192 kHz.

Controls and Functions

Common to Compressor and Equalizer

1 MORPH

Adjusts the parameter of the Sweet Spot Data. You can
simultaneously adjust the compressor and equalizer
settings which are set to five points around this knob
by turning this knob. When you set the knob to the
middle of adjacent two points, the compressor and
equalizer settings will be set to an intermediate value.

2 Sweet Spot Data

Selects the Sweet Spot Data.

3 TOTAL GAIN

Adjusts the total gain of the Channel Strip.

Range: -18.0 dB – +18.0 dB

4 Level Meter

Indicates the output level of the Channel Strip.

How to Open the Window

From Dedicated Windows for Cubase Series

Select the “Channel Strip” from the “Effect Type”,
then click “Channel Strip Edit” in the section “Input
Settings Window” (page 16).

From dspMixFx UR44

Select the “Channel Strip” from the “Effect Type”,
then click “Channel Strip Edit” in the section
“Channel Area” (page 12).

Compressor

5 ATTAC K

Adjusts the attack time of the compressor.

Range: 0.092 msec – 80.00 msec

6 RELEASE

Adjusts the release time of the compressor.

Range: 9.3 msec – 999.0 msec

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7 RATIO

Adjusts the ratio of the compressor.

Range: 1.00 – ∞

8 KNEE

Selects the knee type of the compressor.

Options Description

SOFT Produces the most gradual change.

MEDIUM Results in a setting midway between

SOFT and HARD.

HARD Produces the sharpest change.

9 SIDE CHAIN Q

Adjusts the band width of the side chain filter.

Range: 0.50 – 16.00

) SIDE CHAIN F

Adjusts the center frequency of the side chain filter.

Range: 20.0 Hz – 20.0 kHz

! SIDE CHAIN G

Adjusts the gain of the side chain filter.

Range: -18.0 dB – +18.0 dB

@ COMPRESSOR On/Off

Turns the compressor on (lit) and off (dark).

# Compressor Curve

This graph indicates the approximate compressor
response. The vertical axis indicates the output signal
level, and the horizontal axis indicates the input signal
level.

$ Gain Reduction Meter

Indicates the gain reduction.

% DRIVE

Adjusts the degree to which the compressor is
applied. The higher the value, the greater the effect.

Range: 0.00 – 10.00

Equalizer

^

(
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A
B

^ Equalizer Curve

This graph indicates the characteristics of the 3-band
equalizer. The vertical axis indicates the gain, and the
horizontal axis indicates the frequency. You can adjust
LOW, MID, and HIGH by dragging each handle in the
graph.

& LOW F

Adjusts the center frequency of the low band.

Range: 20.0 Hz – 1.00 kHz

* LOW G

Adjusts the gain of the low band.

Range: -18.0 dB – +18.0 dB

( MID Q

Adjusts the band width of the middle band.

Range: 0.50 – 16.00

A MID F

Adjusts the center frequency of the middle band.

Range: 20.0 Hz – 20.0 kHz

B MID G

Adjusts the gain of the middle band.

Range: -18.0 dB – +18.0 dB

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D

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C HIGH F

Adjusts the center frequency of the high band.

Range: 500.0 Hz – 20.0 kHz

D HIGH G

Adjusts the gain of the high band.

Range: -18.0 dB – +18.0 dB

E EQUALIZER On/Off

Turns the equalizer on (lit) and off (dark).

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REV-X (Reverb)

Overview

REV-X is a digital reverb platform developed by
Yamaha for pro audio applications.

One REV-X effect is included in this unit. Input
signals can be sent to the REV-X effect, and the
REV-X effect is applied only to the monitor outputs.
Three types of REV-X are available: Hall, Room, and
Plate.

The hardware REV-X equipped with the device and
REV-X of the VST Plug-in version have essentially
the same parameters. However, the [OUTPUT] and
[MIX] parameters are only available in the VST Plug­in version. When using REV-X on Cubase series
programs, you can share the settings between the
built-in REV-X and REV-X of the VST Plug-in version
as a preset file. When using the built-in REV-X on
Cubase series programs, turn on the “Direct
Monitoring” setting in the program. Also, when
assigning REV-X of the VST Plug-in version to the
effect slot on Cubase series programs, select it from
the “Reverb” category (in the case of the default
settings).

The built-in REV-X is equipped with an “FX Bus”
which is used for sending the signal from DAW
software to REV-X. For example, to send the
recorded audio data to REV-X, you can check the
sound with REV-X, which is used for monitoring
during the recording.

How to Open the Window

From Dedicated Windows for Cubase Series

• Click “REV-X Edit” (page 16) in the section “Input
Settings Window.”

• Click “REV-X Edit” (page 17) in the section “Reverb
Routing Window.”

From dspMixFx UR44

Click “REV-X Edit” (page 13) in the section “Master
Area.”

Controls and Functions

NOTE

This section uses the Hall type of REV-X as an example.

1 Reverb Time

Adjusts the reverb time. This parameter links to Room
Size. The adjustable range varies depending on the
REV-X type.

REV-X type Range

Hall 0.103 sec – 31.0 sec

Room 0.152 sec – 45.3 sec

Plate 0.176 sec – 52.0 sec

2 Initial Delay

Adjusts the time that elapses between the direct,
original sound and the initial reflections that follow it.

Range: 0.1 msec – 200.0 msec

3 Decay

Adjusts the characteristic of the envelope from the
moment the reverberation starts to the moment it
attenuates and stops.

Range: 0 – 63

4 Room Size

Adjusts the size of the simulated room. This parameter
links to Reverb Time.

Range: 0 – 31

5 Diffusion

Adjusts the spread of the reverberation.

Range: 0 – 10

6 HPF

Adjusts the cutoff frequency of the high pass filter.

Range: 20 Hz – 8.0 kHz

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7 LPF

Adjusts the cutoff frequency of the low pass filter.

Range: 1.0 kHz – 20.0 kHz

8 Hi Ratio

Adjusts the duration of reverberation in the high
frequency range by using a ratio relative to the Reverb
Time. When you set this parameter to 1, the actual
specified Reverb Time is fully applied to the sound.
The lower the value, the shorter the duration of
reverberation in the high frequency range.

Range: 0.1 – 1.0

9 Low Ratio

Adjusts the duration of reverberation in the low
frequency range by using a ratio relative to the Reverb
Time. When you set this parameter to 1, the actual
specified Reverb Time is fully applied to the sound.
The lower the value, the shorter the duration of
reverberation in the low frequency range.

Range: 0.1 – 1.4

) Low Freq

Adjusts the frequency of the Low Ratio.

Range: 22.0 Hz – 18.0 kHz

! OPEN/CLOSE

Opens and closes the window for adjusting the reverb
settings.

@ Graph

Indicates the characteristics of reverberation. The
vertical axis indicates the signal level, the horizontal
axis indicates the time, and the Z-axis indicates the
frequency. You can adjust the characteristics of
reverberation by dragging the handles in the graph.

Guitar Amp Classics

Overview

Guitar Amp Classics are guitar amp effects that
make extensive use of advanced Yamaha modeling
technology. Four amp types with different sonic
characteristics are provided.

Please note that you cannot use the Guitar Amp
Classics when the sample rate is set to 176.4 kHz or
192 kHz. The maximum number of Channel Strip
and Guitar Amp Classics iterations which can be
used simultaneously has restrictions. Refer to the
“Limitations on the use of effects” (page 34).

How to Open the Window

From Dedicated Windows for Cubase Series

Select the “Guitar Amp Classics” from the “Effect
Type”, then click “Channel Strip Edit” in the section
“Input Settings Window” (page 15).

From the dspMixFx UR44

Select the “Guitar Amp Classics” from the “Effect
Type”, then click “Channel Strip Edit” in the section
“Channel Area” (page 11).

Controls and Functions

CLEAN

# Time Axis Setting

Select the display range of the time (horizontal axis) on
the graph.

Display range: 500 msec – 50 sec

$ Zoom Out

Zooms out the display range of the time (horizontal
axis) on the graph.

% Zoom In

Zooms in the display range of the time (horizontal axis)
on the graph.

HINT

• You can reset some parameters to the default value

by holding the [Ctrl]/[command] key while you click
on the knobs, sliders, and faders.

• You can adjust the parameters more finely by holding

the [SHIFT] key while you drag on the knobs, sliders,
and faders.

This amp type is optimized for clean tones, effectively
simulating the tight brilliance of transistor amplifiers.
The tonal character of this amp model provides an
ideal platform for recording with multi-effects. It also
features built-in chorus and vibrato effects.

1 VOLUME

Adjusts the amplifier’s input level.

2 DISTORTION

Adjusts the depth of distortion produced.

3 TREBLE/MIDDLE/BASS

These three controls adjusts the amplifier’s tonal
response in the high, middle, and low frequency ranges.

4 PRESENCE

Can be adjusted to emphasize the high frequencies
and overtones.

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5 Cho/OFF/Vib

Turns the Chorus or Vibrato effect on or off. Set to
[Cho] to turn the Chorus effect on, or to [Vib] to turn
the Vibrato effect on.

6 SPEED/DEPTH

These controls adjust the speed and depth of the
Vibrato effect when it is on.

The SPEED and DEPTH controls only work with the
Vibrato effect, and are disengaged when the Cho/OFF/
Vib control, above, is set to “Cho” or “OFF.”

7 BLEND

Adjusts the balance between the direct and effect
sound.

8 OUTPUT

Adjusts the final output level.

CRUNCH

DRIVE

The DRIVE amp type provides a selection of
distortion sounds that simulate the tonal character
or several high-gain tube amplifiers. From mildly
overdriven crunch to heavy distortion suitable for
hard rock, heavy metal, or hardcore styles, this
model offers a wide range of sonic capabilities.

1 AMP TYPE

Six amplifier types are provided. Types 1 and 2 feature
relatively mild distortion that allows picking nuances to
come through naturally. Types 3 and 4 have more
pronounced overtones, resulting in a fat, soft tone.
Types 5 and 6 deliver wild, aggressive distortion with a
tight attack. The even-numbered amp types have
greater presence and range than the odd-numbered
types.

This is the amp type to use when you want lightly
overdriven crunch tones. The CRUNCH model
simulates the type of vintage tube amplifiers that are
favored for blues, rock, soul, R&B, and similar
styles.

1 Normal/Bright

Selects a normal or bright tonal character. The [Bright]
setting emphasizes the high-frequency overtones.

2 GAIN

Adjusts the input level applied to the preamp stage.
Rotate clockwise to increase the amount of overdrive
produced.

3 TREBLE/MIDDLE/BASS

These three controls adjusts the amplifier’s tonal
response in the high, middle, and low frequency
ranges.

4 PRESENCE

Can be adjusted to emphasize the high frequencies
and overtones.

2 GAIN

Adjusts the input level applied to the preamp stage.
Rotate clockwise to increase the amount of distortion
produced.

3 MASTER

Adjusts the output level from the preamp stage.

4 TREBLE/MIDDLE/BASS

These three controls adjusts the amplifier’s tonal
response in the high, middle, and low frequency
ranges.

5 PRESENCE

Can be adjusted to emphasize the high frequencies
and overtones.

6 OUTPUT

Adjusts the final output level.

5 OUTPUT

Adjusts the final output level.

UR44 Operation Manual 22

LEAD

123 4 5

6

The LEAD amp type simulates a high-gain tube amp
that is rich in overtones. It is ideally suited to playing
lead guitar lines that will project well in an ensemble,
but it can also be set up for crisp accompaniment
tones as well.

1 High/Low

Selects the amp output type. The [High] setting
simulates a high-output amp, and allows the creation
of more distorted tones.

2 GAIN

Adjusts the input level applied to the preamp stage.
Rotate clockwise to increase the amount of distortion
produced.

Software

3 MASTER

Adjusts the output level from the preamp stage.

4 TREBLE/MIDDLE/BASS

These three controls adjusts the amplifier’s tonal
response in the high, middle, and low frequency
ranges.

5 PRESENCE

Can be adjusted to emphasize the high frequencies
and overtones.

6 OUTPUT

Adjusts the final output level.

HINT

Using the GAIN, MASTER, and OUTPUT
Controls

The tonal character of the DRIVE and LEAD amp types
can be adjusted over a wide range via the GAIN,
MASTER, and OUTPUT controls. GAIN adjusts the level
of the signal applied to the preamp stage, affecting the
amount of distortion produced. MASTER adjusts the
output level from the preamp stage that is then fed to
power amp stage. The GAIN and MASTER control
settings have a large effect on the final sound, and the
MASTER control may need to be turned up fairly high in
order to drive the power stage sufficiently for optimum
tone. The OUTPUT control adjusts the final output level
from the amp model without affecting the distortion or
tone, and is useful for adjusting the guitar’s volume
without changing any other aspects of the sound.

UR44 Operation Manual 23

Basic Operation

CAUTION

Microphone Guitar Digital instrument Headphones

Computer

Synthesizer/MIDI keyboard

Monitor speakers

Basic Operation

Using the UR44 with a Computer

Introduction

This section covers basic operation instructions. The explanations in this section assume that the TOOLS for
UR44 has been properly configured according to the “Getting Started” instructions included with the package.

Connection Example

Make sure to set all volume levels to minimum before connecting or disconnecting the external device. Otherwise,
high-volume output may damage your hearing or the equipment.

UR44 Operation Manual 24

Basic Operation

Configuring Audio Driver Settings on the
DAW Software

Cubase Series Programs

1. Make sure that all applications have been

closed.

2. Make sure that the [P] switch has been

turned on (O).

3. Double-click the shortcut of Cubase series

on the desktop to start Cubase.

4. When the [ASIO Driver Setup] window

appears while the Cubase series program is
launching, confirm that the device is
selected, then click [OK].

The audio driver settings are now complete.

Programs other than Cubase Series

Recording/Playback

Cubase Series Programs

1. Launch the Cubase series DAW.

The [steinberg hub] window appears.

2. Select the project template [Steinberg UR44

Vocal-Inst Recording 1-C7] in [Recording] on
the [steinberg hub] window, then click
[Create].

3. Turn on Direct Monitoring as follows.

[Devices]  [Device Setup]  [Yamaha Steinberg
USB ASIO] (Windows) or [Steinberg UR44] (Mac) 
enter checkmark to [Direct Monitoring]  [OK]

1. Make sure that all applications have been

closed.

2. Make sure that the [P] switch has been

turned on (O).

3. Launch the DAW software.

4. Open the audio interface settings window.

5. (Windows only) Select the ASIO Driver for

the audio driver settings.

6. Set the ASIO Driver for Windows and audio

interface for Mac as follows.

Windows

Set the [Yamaha Steinberg USB ASIO] to the ASIO
Driver settings.

Mac

Set the UR44 to the audio interface settings.

The audio driver settings are now complete.

4. Confirm that the [Record Enable] and

[Monitor] indicators are turned on (lit) for the
audio track.

5.

While singing into the microphone, adjust
the input signal level of the microphone with
the [INPUT GAIN] knob on the device.

To achieve optimum recording levels, increase the
input level with the [INPUT GAIN] knob until the
[PEAK] indicator lights in red, then slowly bring the
level down until the indicator lights slightly when the
input level is maximum.

6.

Continue singing into the microphone and
adjust the output signal level of the
headphones with the [PHONES] knob on the
device.

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Basic Operation

7. Set the Channel Strip settings and REV-X

settings on the Input Settings window.

Select the Channel Strip Insertion location
depending on the desired insert point. The default
setting is “Lower” (applied to both the monitor signal
and the recording signal). For details on the Insertion
location, refer to the “Effect Insertion location”
(

page 16

Cubase Series.”

) in the section “Dedicated Windows for

For more detailed instructions on using Cubase
series programs, refer to the PDF manual, available
from [Help] in the Cubase series menu.

Programs Other Than Cubase Series

1. Launch your DAW software.

2. Open dspMixFx UR44.

For instructions on how to open dspMixFx UR44,
refer to the section “How to Open the Window”
(page 10).

3. Adjust the input signal level of the

microphone with the [INPUT GAIN] knob on
the device.

To achieve optimum recording levels, increase the
input level with the [INPUT GAIN] knob until the
[PEAK] indicator lights in red, then slowly bring the
level down until the indicator lights slightly when the
input level is maximum.

4. Adjust the output signal level of the

headphone with the [PHONES] knob on the
device.

8. Click [I] to start the recording.

9.

After finishing the recording, click [J] to stop
it.

10. Turn [Monitor] off (dark) for the just-

recorded audio track.

11. Click the Ruler to move the project cursor to

the desired point for starting playback.

5. Set the Channel Strip settings and REV-X

settings on dspMixFx UR44.

6. Start recording on your DAW software.

7. After finishing recording, stop it.

8. Playback the newly recorded sound to

check it.

For more detailed instructions on using the DAW
software, refer to your particular DAW’s software
manual.

12.

Click [R] to check the recorded sound.

When listening to the sound over monitor speakers,
adjust the output signal level by the [OUTPUT
LEVEL] knob on the device.

UR44 Operation Manual 26

Basic Operation

CAUTION

Microphone Guitar Digital instrument Headphones

Apple iPad Camera

Connection Kit/

Lightning to USB

Camera Adapter

Synthesizer/MIDI keyboard

Monitor speakersiPad

Using the UR44 with an iPad

Introduction

This section covers basic instructions for operating with Cubasis (an iPad app sold by Apple). The explanations
here assume that the settings for using the UR44 with iPad have been properly configured according to the
“Getting Started” instructions included with the package.

For the latest Cubasis information, see the Steinberg web site below.

http://www.steinberg.net/

NOTE

iOS applications may not be supported in your area. Please check with your Yamaha dealer.

Connection Example

Make sure to set all volume levels to minimum before connecting or disconnecting the external device. Otherwise,
high-volume output may damage your hearing or the equipment.

UR44 Operation Manual 27

Basic Operation

Recording/Playback

1. After turning the [CC MODE] switch on, turn

on the [P] switch on (O).

2. Open Cubasis.

3. Double-tap the Project [Template].

4. Enter a project name and tap [OK] in the

[New project] window.

5. Tap [+AUDIO] to add an AUDIO track.

6. Tap on the far left of your screen to show

the track menu, with [Audio input] at the top.

7. Tap to show the details window and set

the input bus for the track by tapping a
number.

8. Tap to turn monitoring on (lit).

9. Adjust the input signal level of the

microphone with the [INPUT GAIN] knob on
the device.

To achieve optimum recording levels, increase the
input level with the [INPUT GAIN] knob until the
[PEAK] indicator lights in red, then slowly bring the
level down until the indicator lights slightly when the
input level is maximum.

10. While singing into the microphone, adjust

the output signal level of the headphones by
the [PHONES] knob on the device.

UR44 Operation Manual 28

11. Tap [I] to start the recording.

12. Tap [] to stop the recording.

13. Tap and slide on the ruler to move the

playback position.

You can also tap to return to the beginning of the
recording.

Basic Operation

14. Tap [>] to playback the recorded sound.

dspMixFx for iPad

From your iPad, you conveniently control built-in
DSP mixer functions and DSP effects by using
dspMixFx for iPad.

For details on dspMixFx for iPad, see the
Steinberg web site below.

http://www.steinberg.net/

UR44 Operation Manual 29

Troubleshooting

Troubleshooting

[POWER] does not light.

• Is the AC adaptor connected correctly?

The UR44 is not a bus-powered type device. Refer
to the Getting Started instructions to turn on the
[P]switch.

Power indicator does not switch
from flashing to being
continuously lit.

• Is the [CC MODE] switch set properly?

Refer to the section “Rear Panel” (page 7) to confirm
the [CC MODE] switch settings.

• (Computer only) Has TOOLS for UR44
been installed properly?

Refer to the Getting Started instructions to complete
TOOLS for UR44 installation.

• Has the power of your computer or
iPad been turned on?

Refer to the Getting Started instructions to turn on
the power of a computer or iPad.

No sound

• Are the volume controls of the device
set to appropriate levels?

Confirm the levels of the [OUTPUT] knob and
[PHONES] knob.

• Are the microphones and monitor
speakers connected to the device
properly?

Refer to the section “Connection Examples” (pages

24, 27) to confirm the connection.

• Is the [CC MODE] switch set properly?

Refer to the section “Rear Panel” (page 7) to confirm
the [CC MODE] switch settings.

• Are the audio driver settings on DAW
software set properly?

Refer to the section “Configuring the Audio Driver
Settings on DAW Software” (page 25) to set it.

• Is the [ASIO Driver] setting on the
Cubase series program set properly?

From the Cubase series menu, open the [Devices]
 [Device Setup…]  [VST Audio System], then
confirm that the [Yamaha Steinberg USB ASIO]
(Windows) or [Steinberg UR44] (Mac) is selected on
the [ASIO Driver].

• Confirm whether or not a proper USB
cable is used.

If the USB cable is broken or damaged, replace the
USB cable with a new one. Make sure to use a USB
cable no longer than 3 meters.

• Was the power of the device turned on
before starting the DAW software?

Before starting the DAW software, connect the
device to a computer and turn on the power of the
device.

• (Computer only) Has TOOLS for UR44
been installed properly?

Refer to the Getting started instructions to complete
TOOLS for UR44 installation.

• Are any USB devices you are not using
connected to the computer?

Remove them, and then check the sound again.

• Are any other applications running at
the same time?

Quit all applications you are not using and check the
sound again.

UR44 Operation Manual 30

Unusual sound (noise,
interruption, or distortion)

• Is the buffer size set too low?

Increase the buffer size compared to the current
settings; refer to the section “Yamaha Steinberg
USB Driver” (page 9) for instructions.

• Does your computer satisfy the system
requirements?

Confirm the system requirements. For the latest
information, see the Steinberg web site below.

http://www.steinberg.net/

• Are you recording or playing long
continuous sections of audio?

The audio data processing capabilities of your
computer will depend on a number of factors
including CPU speed and access to external
devices. Reduce the audio tracks and check the
sound again.

Troubleshooting

• Is a network adaptor for wired/wireless
LAN running?

Disable the suspected network adaptor. Some
network adaptors can cause noise.

For the latest support information, refer to the
Steinberg Website below.

http://www.steinberg.net/

UR44 Operation Manual 31

Appendix

Appendix

Uninstalling TOOLS for UR44

To uninstall the software, you must remove the
following software one by one.

• Yamaha Steinberg USB Driver

• Steinberg UR44 Applications

• Basic FX Suite

Follow the steps below to uninstall TOOLS for UR44.

Windows

1. Disconnect all USB devices other than the

mouse and keyboard from the computer.

2. Start the computer and log on to the

Administrator account.

Exit any open applications and close all open
windows.

Mac

1. Disconnect all USB devices other than the

mouse and keyboard from the computer.

2. Start the computer and log in to the

Administrator account.

Exit any open applications and close all open
windows.

3. Insert the TOOLS for UR44 CD-ROM into the

CD-ROM drive.

4. Open the CD-ROM then double-click the

following files.

• Uninstall Yamaha Steinberg USB Driver

• Uninstall Steinberg UR44 Application

• Uninstall Basic FX Suite

5. Click [Run] when the “Welcome to the ***

uninstaller.” message appears.

*** represents the software name.

After that, follow the onscreen instructions to
uninstall the software.

3. Open the window for the uninstall operation

as follows.

Select [Control Panel]  [Uninstall a Program] to
call up the [Uninstall or change a program] panel.

4. Select the software to be uninstalled from

the list.

• Yamaha Steinberg USB Driver

• Steinberg UR44 Application

• Basic FX Suite

5. Uninstall them as follows.

Click the [Uninstall] / [Uninstall / Change]. If the
[User Account Control] window appears, click
[Continue] or [Yes].

Follow the on-screen instructions to remove the
software.

Uninstalling TOOLS for UR44 is now complete.

6. After completing the uninstallation, an

“Uninstallation completed.” window
appears. Click [Restart].

7. When the message prompting you to restart

your computer appears, click [Restart].

Uninstalling TOOLS for UR44 is now complete.

UR44 Operation Manual 32

Appendix

*1

MIX 2

MIX 1

-X

LOOPBACK OFF/ON

To

[MIDI OUT]

Ch. Strip

Ch. Strip

From

[MIC/HI-Z 1]

REV-X

Send
Level

From

[MIC/HI-Z 2]

Ch. Strip

Ch. Strip

REV-X

Send
Level

Ch. Strip

Ch. Strip

REV-X

Send

Level

REV-X select

*2

REV-X

Return

Level

REV-X

Return

Level

From

[MIDI IN]

To DAW input

From
DAW output

To [MAIN OUTPUT]
To [LINE OUTPUT 1/2]

To [LINE OUTPUT 3/4]

To [PHONES 2]

To [PHONES 1]

REV-X

From

[LINE INPUT 6]

OUTPUT SELECT

USB

Lower (MON.FX)

To DAW
input

Ch. Strip

From input on the device

To output on the device

To DAW
input

From input on the device

To output on the device

Upper (INS.FX)

From input on the device

To output on the device

To DAW
input

Ch. Strip

Not applied (OFF)

*1 The following chart indicates an effect insertion location.

*2 You can turn this on for either MIX 1 or MIX 2.

Signal Flows

The following chart indicates the signal flow in the device.

NOTE

• The controllers on the device, such as the [INPUT GAIN] knob, [OUTPUT] knob are not included in this chart.

• To configure each parameter, use the “dspMixFx UR44” (page 10) or “Dedicated Windows for Cubase Series” (page 15).

• Please note that you cannot use the built-in Channel Strip (Ch. Strip) and Guitar Amp Classics when the sample rate is set to 176.4 kHz
or 192 kHz.

UR44 Operation Manual 33

Appendix

Limitations on the use of effects

The maximum number of Channel Strip and Guitar Amp Classics iterations which can be used simultaneously
are limited to the following. For example, Channel Strip can be used for two mono channels, while Guitar Amp
Classics can be used for one mono channel simultaneously.

Channel Strip Guitar Amp Classics

Mono Stereo Mono Stereo

400-

210-

201-

020-

011-

UR44 Operation Manual 34

Block Diagrams

UR44 – 44.1/48/88.2/96 kHz

Appendix

UR44 Operation Manual 35

UR44 – 176.4/192 kHz

Appendix

UR44 Operation Manual 36

UR44 – 44.1/48/88.2/96 kHz – iPad

Appendix

UR44 Operation Manual 37

UR44 – 176.4/192 kHz – iPad

Appendix

UR44 Operation Manual 38

Steinberg Web Site
http://www.steinberg.net/

C.S.G., PA Development Division

© 2013-2014 Yamaha Corporation

403MW-C0