Steinberg Nuendo - 10.0 Plug-in Reference

Plug-in Reference

Cristina Bachmann, Heiko Bischoff, Lillie Harris, Christina Kaboth, Insa Mingers, Matthias Obrecht, Sabine Pfeifer, Benjamin Schütte, Marita Sladek

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Cubase_10.0.20_en-US_2019-04-18

4 Included Effect Plug-ins

4 Ambisonics Plug-ins 4 Delay Plug-ins 11 Distortion Plug-ins 36 Dynamics Plug-ins 62 EQ Plug-ins 70 Filter Plug-ins 78 Mastering Plug-ins 79 Modulation Plug-ins 97 Network Plug-ins 97 Other Plug-ins 101 Pitch Shift Plug-ins 113 Reverb Plug-ins 129 Spatial + Panner Plug-ins 142 Surround Plug-ins 150 Tools Plug-ins

158 MIDI Effects

158 Arpache 5 160 Arpache SX 162 Auto LFO 163 Beat Designer 170 Chorder 174 Compressor 174 Context Gate 176 Density 176 MIDI Control 177 MIDI Echo 179 MIDI Modiers 179 MIDI Monitor 180 Micro Tuner 181 Note to CC 181 Quantizer 182 StepDesigner 186 Track Control 189 Transformer

190 Included VST Instruments

190 Groove Agent SE 190 HALion Sonic SE 190 LoopMash 203 Mystic 215 Padshop 215 Prologue 230 Retrologue 230 Spector 243 Functional Diagrams

245 Index

Included Effect Plug-ins

The included plug-in effects are arranged according to their categories.

Ambisonics Plug-ins

VST AmbiConverter

VST AmbiConverter allows you to convert Ambisonics audio between Furse-Malham (FuMa) and

AmbiX format.

Included with – – – – X X

For a description of VST AmbiConverter, see the Operation Manual.

Delay Plug-ins

ModMachine

ModMachine combines delay modulation and lter modulation. Frequency and resonance of the

lter are modulated by an LFO or can be set manually. An additional Drive parameter allows for distortion effects.

Included with – – – – X X

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Included Effect Plug-ins Delay Plug-ins

Delay

Nudge

Clicking this button once momentarily speeds up the audio coming into the plug-in, simulating the nudge command of analog tape machines.

Rate

If Tempo Sync is activated, this is where you specify the base note value for temposyncing the effect (1/1 to 1/32, straight, triplet, or dotted).

If Tempo Sync is deactivated, the modulation speed can be set freely with the Rate knob.

Tempo Sync (Delay Modulation)

Activates/Deactivates tempo synchronization for the Rate parameter.

Width

Sets the amount of delay modulation. This allows you to create a vibrato or choruslike effect.

Delay

If tempo sync is activated, this sets the base note value for the delay. If tempo sync is deactivated, the delay time can be set freely in milliseconds.

Tempo Sync (Delay)

Activates/Deactivates tempo sync for the Delay parameter.

Feedback

Sets the number of repeats for the delay.

Included Effect Plug-ins Delay Plug-ins

Drive

Mix

Graphical display

Functional diagram

Filter Position

Filter Type

Adds distortion to the feedback loop. The longer the feedback, the more the delay repeats are distorted over time.

Sets the level balance between the dry signal and the wet signal. If the effect is used as a send effect, set this parameter to the maximum value as you can control the dry/effect balance with the send.

Shows the signal path, depending on the settings for Filter Position and Filter Type.

Allows you to select the lter position. Loop places the lter in the feedback loop of the delay. Output places it in the output path of the effect, after the Drive and Feedback parameters.

Allows you to select a lter type. You can choose between a Low-Pass, Band-Pass, and

High-Pass lter.

Filter

LFO/Manual (Frequency)

Toggles between LFO and Manual mode. In LFO mode, you can dene the modulation rate or sync it to the project tempo. In Manual mode, you can set the frequency manually.

Speed (Frequency)

Sets the speed of the lter frequency LFO modulation. If tempo sync is activated, this parameter sets the base note value for synchronizing the modulation to the tempo of the host application.

If tempo sync is deactivated, the speed can be set freely with the Speed knob.

Tempo Sync (Frequency)

Activates/Deactivates tempo sync for the Speed parameter. This parameter is only available in LFO mode.

Low Range/High Range (Frequency)

Set the range of the lter frequency modulation. These parameters are only available in LFO mode.

Frequency

Sets the cutoff frequency for the lter. This parameter is only available in Manual mode.

Spatial (Frequency)

Sets an offset between the channels to create a stereo panorama effect for the lter frequency modulation. Turn clockwise for a more pronounced stereo effect.

LFO/Manual (Q-Factor)

Toggles between LFO and Manual mode. In LFO mode, you can dene the modulation rate or sync it to the project tempo. In Manual mode, you can set the resonance manually.

Included Effect Plug-ins Delay Plug-ins

Speed (Q-Factor)

Tempo Sync (Q-Factor)

Low Range/High Range (Q-Factor)

Q-Factor

Spatial (Q-Factor)

MonoDelay

Sets the speed of the lter resonance LFO modulation. If tempo sync is activated, this parameter sets the base note value for tempo syncing the modulation.

If tempo sync is deactivated, the speed can be set freely with the Speed knob.

Activates/Deactivates tempo sync for the Speed parameter.

Set the range of the lter resonance modulation. These parameters are only available in LFO mode.

Sets the resonance of the lter. This parameter is only available in Manual mode.

Sets an offset between the channels to create a stereo panorama effect for the lter resonance modulation. Turn clockwise for a more pronounced stereo effect.

This is a mono delay effect that can either be tempo-based or use freely specied delay time settings.

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Side-chain support

Lo Filter

Affects the feedback loop of the effect signal and allows you to roll off low frequencies. The button below the knob activates/deactivates the lter.

– – – X X X

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Hi Filter

Affects the feedback loop of the effect signal and allows you to roll off high frequencies. The button below the knob activates/deactivates the lter.

Delay

If tempo sync is activated, this sets the base note value for the delay. If tempo sync is deactivated, the delay time can be set freely in milliseconds.

Sync

Activates/Deactivates tempo sync.

Included Effect Plug-ins Delay Plug-ins

Feedback

Sets the number of repeats for the delay.

Mix

NOTE

If side-chaining is supported, the delay can also be controlled from another signal source via the side-chain input. If the side-chain signal exceeds the threshold, the delay repeats are silenced. If the signal drops below the threshold, the delay repeats reappear. For a description of how to set up side-chain routing, see the

PingPongDelay

This is a stereo delay effect that alternates each delay repeat between the left and right channels. The effect can either be tempo-based or use freely specied delay time settings.

Operation Manual.

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Side-chain support

NOTE

This plug-in works only on stereo tracks.

– – – X X X

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Lo Filter

Affects the feedback loop of the effect signal and allows you to roll off low frequencies. The button below the knob activates/deactivates the lter.

Hi Filter

Affects the feedback loop of the effect signal and allows you to roll off high frequencies. The button below the knob activates/deactivates the lter.

Included Effect Plug-ins Delay Plug-ins

Delay

Sync

Feedback

Mix

Spatial

Start Left/Start Right

If tempo sync is activated, this sets the base note value for the delay. If tempo sync is deactivated, the delay time can be set freely in milliseconds.

Activates/Deactivates tempo sync.

Sets the number of repeats for the delay.

Sets the stereo width for the left/right repeats. Turn clockwise for a more pronounced stereo ping-pong effect.

Determines whether the delay repeat starts on the left or the right channel.

NOTE

StereoDelay

StereoDelay has two independent delay lines which either use tempo-based or freely specied

delay time settings.

Included with – – – X X X

Side-chain support

NOTE

This plug-in works only on stereo tracks.

Operation Manual.

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Included Effect Plug-ins Delay Plug-ins

Feedback

Delay

Set the number of repeats for each delay.

If tempo sync is activated, this sets the base note value for the delay. If tempo sync is deactivated, the delay time can be set freely in milliseconds.

Sync

Activates/Deactivates tempo sync for the corresponding delay.

Mix

Lo Filter

Affects the feedback loop of the effect signal and allows you to roll off low frequencies. The button below the knob activates/deactivates the lter.

Pan

Sets the stereo position.

Hi Filter

Affects the feedback loop of the effect signal and allows you to roll off high frequencies. The button below the knob activates/deactivates the lter.

NOTE

Included Effect Plug-ins Distortion Plug-ins

Distortion Plug-ins

AmpSimulator

AmpSimulator is a distortion effect that emulates the sound of various types of guitar amp and

speaker cabinet combinations. A wide selection of amp and cabinet models is available.

Cubase LE

Included with X X X X X X

Select Amplier Model

This pop-up menu allows you to select an amplier model. You can bypass this section by selecting No Amp.

Drive

Controls the amount of amp overdrive.

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Bass

Tone control for the low frequencies.

Mid

Tone control for the mid frequencies.

Treble

Tone control for the high frequencies.

Presence

Boosts or dampens the higher frequencies.

Volume

Controls the overall output level.

Select Cabinet Model

This pop-up menu allows you to select a speaker cabinet model. You can bypass this section by selecting No Speaker.

Damping Low/High

These tone controls allow you to shape the sound of the selected speaker cabinet.

Included Effect Plug-ins Distortion Plug-ins

BitCrusher

If you are into lo- sound, BitCrusher is the effect for you. It offers the possibility of decimating and truncating the input audio signal by bit reduction, to get a noisy, distorted sound. For example, you can make a 24-bit audio signal sound like an 8 or 4-bit signal, or even render it completely garbled and unrecognizable.

Cubase LE

Included with X X X X X X

Mode

Allows you to select one of the four operating modes. In each mode, the plug-in sounds differently. Modes I and III are nastier and noisier, while modes II and IV are more subtle.

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Mix

Sets the level balance between the dry signal and the wet signal.

Sample Divider

Sets the amount by which the audio samples are decimated. At the highest setting, nearly all of the information describing the original audio signal is eliminated, turning the signal into unrecognizable noise.

Depth (0 to 24 bits)

Denes the bit resolution. A setting of 24 gives the highest audio quality, while a setting of 1 creates mostly noise.

Output

Sets the output level.

Included Effect Plug-ins Distortion Plug-ins

DaTube

DaTube emulates the characteristic warm, lush sound of a tube amplier.

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Mix

Sets the level balance between the dry signal and the wet signal.

Drive

Sets the pre-gain of the amplier. Use high values if you want an overdriven sound just on the verge of distortion.

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Distortion

Output

Sets the output level.

Distortion adds crunch to your tracks.

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Included Effect Plug-ins Distortion Plug-ins

Boost

Increases the distortion amount.

Oversampling

Activates/Deactivates oversampling. Oversampling results in less artifacts for higher distortion.

NOTE

If this parameter is activated, the effect requires more processing power.

Mix

Sets the level balance between the dry signal and the wet signal.

Tone

Changes the tonal characteristic of the output signal.

Feedback

Feeds part of the output signal back to the effect input. Higher settings increase the distortion effect.

Spatial

Changes the distortion characteristics of the left and right channels, thus creating a stereo effect.

Output

Sets the output level.

Included Effect Plug-ins Distortion Plug-ins

Distroyer

Distroyer adds harmonics to the spectrum and allows for distortion effects from smooth

overdrive to extreme clipping.

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The following parameters inuence only the wet signal:

Lo Filter

Changes the cuttoff frequency of the low-pass lter that is applied to the wet signal before it gets distorted.

Hi Filter

Changes the cuttoff frequency of the high-pass lter that is applied to the already distorted wet signal.

Offset

Modies the symmetry of the distortion effect by changing the operation point of the characteristic.

Drive

Changes the characteristic of the distortion effect. Lower values lead to a smooth overdrive-like effect. Higher values change the shape of the signal towards a rectangle, leading to extreme distortion.

Oversampling

Activates/Deactivates oversampling. Oversampling results in less artifacts for higher distortion.

Included Effect Plug-ins Distortion Plug-ins

Spatial

DC Filter

The following parameters inuence both the dry and the wet signal:

Boost

Mix

Shelf Freq

NOTE

If this parameter is activated, the effect requires more processing power.

Changes the distortion characteristics of the left and right channels, thus creating a stereo effect.

Removes DC offset that occurs when using high Offset values.

Increases the distortion amount.

Sets the level balance between the dry signal and the wet signal.

Sets the frequency of the high shelving lter.

Shelf Gain

Tone

Output

Grungelizer

Grungelizer adds noise and static to your recordings – like listening to a radio with bad

reception, or a worn and scratched vinyl record.

Included with X X X X X X

Sets the gain of the high shelving lter.

Sets the frequency of the output low-pass lter.

Sets the output level.

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Included Effect Plug-ins Distortion Plug-ins

Noise

Crackle

Distort

Mix

Magneto II

Sets the amount of added static noise.

Adds crackle to create that old vinyl record sound. The speed switch sets the virtual speed of the record in RPM (revolutions per minute).

Adds distortion.

Cuts the low frequencies, and creates a hollow, lo- sound.

Emulates a constant, low AC hum. The frequency switch sets the virtual frequency of the AC current (50 or 60 Hz), and thus the pitch of the AC hum.

Sets the amount of overall effect.

Magneto II simulates the saturation and compression of recording on analog tape machines.

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Saturation

Determines the amount of saturation and the generation of overtones. This leads to a small increase in input gain.

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Saturation On/Off

Activates/Deactivates the saturation effect.

Dual Mode

Simulates the use of two machines.

Frequency Range Low/High

These parameters set the frequency range of the spectrum band to which the tape effect is applied.

Included Effect Plug-ins Distortion Plug-ins

Solo

HF-Adjust

HF-Adjust On/Off

Quadrafuzz v2

Quadrafuzz v2 is a multi-band distortion and multi-effect plug-in for processing drums and

loops but also for treatment of vocals, for example. You can distort up to 4 bands. 5 different distortion modes with several sub-modes are available.

For example, to avoid the saturation of lower frequencies, set the Low value to 200 Hz or 300 Hz. To avoid the saturation of very high frequencies, set the High parameter to values below 10 kHz.

Allows you to hear only the set frequency range including the tape simulation effect. This helps you to determine the appropriate frequency range.

Sets the amount of high frequency content of the saturated signal.

Activates/Deactivates the HF-Adjust lter.

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Included Effect Plug-ins Distortion Plug-ins

Frequency Band Editor

The frequency band editor in the upper half of the panel is where you set the width of the frequency bands as well as the output level. The vertical value scale to the left shows the gain level of each frequency band. The horizontal scale shows the available frequency range.

● To dene the frequency range of the different frequency bands, use the handles at the sides of each frequency band.

● To attenuate or boost the output level of each frequency band by ±15 dB, use the handles on top of each frequency band.

Global Settings

Switches between multi band and single band mode.

Scenes

You can save up to 8 different settings. If the default setting of a scene is active, the selected scene button lights up yellow.

If you change the default settings, the button lights up green, indicating that this scene has customized settings.

Included Effect Plug-ins Distortion Plug-ins

Mix

Output (-24 to 24 dB)

Band Settings

Mute

Bypassing Frequency Bands

To copy the settings of a scene to another scene, select the scene that you want to copy, click Copy, and click one of the numbered buttons.

You can automate the selection of scenes.

Sets the level balance between the dry signal and the wet signal.

Sets the output level.

To mute each frequency band, activate the M button in each section.

To bypass each frequency band, activate the Bypass Band button in each section.

Soloing Frequency Bands

To solo a frequency band, activate the S button in each section. Only one band can be soloed at a time.

In/Out meter

Display the input and output level.

Gate

Determines the level at which the gate is activated. Signal levels above the set threshold trigger the gate to open, and signal levels below the set threshold close the gate.

Tape

This band mode simulates the saturation and compression of recording on analog tape machines.

Drive

Controls the amount of tape saturation.

Tape Mode Dual

Simulates the use of two machines.

Tube

This band mode simulates the saturation effects using analog tubes.

Drive

Controls the amount of tube saturation.

Tubes

Determine the number of tubes that are simulated.

Dist

This band mode adds distortion to your tracks.

Included Effect Plug-ins Distortion Plug-ins

Drive

FBK

Amp

This band mode simulates the sound of various types of guitar amps.

Drive

Amp Types

Dec

Controls the amount of distortion.

Feeds part of the output signal back to the effect input. Higher settings increase the distortion effect.

Controls the amount of amp overdrive.

You can select the following types of guitar amps:

● Amp Clean

● Amp Crunch

● Amp Lead

This band mode allows you to decimate and truncate the input audio signal to create a noisy, distorted sound.

Decimator

Controls the resulting bit-resolution. The lower the resolution, the higher the distortion effect.

Mode

Allows you to select one of the four operating modes. In each mode, the plug-in sounds differently. Modes I and III are nastier and noisier, while modes II and IV are more subtle.

S&H

Delay

To open the Delay section, click the Delay button.

Time

If tempo sync is activated, this is where you specify the base note value for temposyncing the effect (1/1 to 1/32, straight, triplet, or dotted).

If tempo sync is deactivated, the delay time can be set freely with the Time knob.

Sync

Activates/Deactivates tempo sync for the corresponding delay.

Duck

Determines how much the delay signal ducks when an audio signal is present.

Mix

Sets the level balance between the dry signal and the wet signal.

FBK

Determines the number of repeats for each delay.

Included Effect Plug-ins Distortion Plug-ins

Mode

NOTE

High FBK values and low Duck values in combination with activated Mode can lead to unwanted noise.

Slider

Width

Out

Pan

Mix

If this option is activated, the delay signal is routed back into the distortion unit to create a feedback with distortion.

Sets the stereo width for the corresponding band.

Sets the output gain for the corresponding band.

Sets the stereo position for the corresponding band.

Sets the level balance between the dry signal and the wet signal.

SoftClipper

SoftClipper adds soft overdrive, with independent control over the second and third harmonic.

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Input (-12 to 24 dB)

Sets the pre-gain. Use high values if you want an overdriven sound just on the verge of distortion.

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Mix

Sets the level balance between the dry signal and the wet signal.

Output

Sets the output level.

Second

Controls the second harmonic.

Included Effect Plug-ins Distortion Plug-ins

Third

VST Amp Rack

VST Amp Rack is a powerful guitar amp simulator. It offers a choice of ampliers and speaker

cabinets that can be combined with stomp box effects.

Controls the third harmonic.

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At the top of the plug-in panel, there are six buttons, arranged according to the position of the corresponding elements in the signal chain. These buttons open different pages in the display section of the plug-in panel: Position, Master, and Conguration.

Below the display section, the selected amplier is shown. The color and texture of the area below the amplier indicate the selected cabinet.

Pre-Effects, Ampliers, Cabinets, Post-Effects, Microphone

Pre/Post-Effects

On the Pre-Effects and Post-Effects pages, you can select up to six common guitar effects. On both pages, the same effects are available, the only difference being the position in the signal chain (before and after the amplier). On each page, every effect can be used once.

Each effect features an On/Off button known from stompbox effects, as well as individual parameters.

Wah Wah

Pedal – Controls the lter frequency sweep.

Volume

Pedal – Controls the level of the signal passing through the effect.

Compressor

Intensity – Sets the amount by which an input signal is being compressed.

Included Effect Plug-ins Distortion Plug-ins

Limiter

Maximizer

Chorus

Phaser

Flanger

Threshold – Determines the maximum output level. Signal levels above the set

threshold are cut off.

Release – Sets the time after which the gain returns to the original level.

Amount – Determines the loudness of the signal.

Rate – Allows you to set the sweep rate. This parameter can be synchronized to the

project tempo.

Width – Determines the depth of the chorus effect. Higher settings produce a more pronounced effect.

Rate – Allows you to set the sweep rate. This parameter can be synchronized to the project tempo.

Width – Determines the width of the modulation effect between higher and lower frequencies.

Rate – Allows you to set the sweep rate. This parameter can be synchronized to the project tempo.

Feedback – Determines the character of the anger effect. Higher settings produce a more metallic sounding sweep.

Mix – Sets the level balance between the dry signal and the wet signal.

Tremolo

Rate – Allows you to set the modulation speed. This parameter can be synchronized

to the project tempo.

Depth – Governs the depth of the amplitude modulation.

Octaver

Direct – Adjusts the mix of the original signal and the generated voices. A value of 0

means only the generated and transposed signal is heard. By raising this value, more of the original signal is heard.

Octave 1 – Adjusts the level of the signal that is generated one octave below the original pitch. A setting of 0 means that the voice is muted.

Octave 2 – Adjusts the level of the signal that is generated two octaves below the original pitch. A setting of 0 means that the voice is muted.

Delay

Delay – Sets the delay time in milliseconds. This parameter can be synchronized to

the project tempo.

Feedback – Sets the number of repeats for the delay.

Mix – Sets the level balance between the dry signal and the wet signal.

Tape Delay

Delay – Tape Delay creates a delay effect known from tape machines. The Delay

parameter sets the delay time in milliseconds. This parameter can be synchronized to the project tempo.

Feedback – Sets the number of repeats for the delay.

Mix – Sets the level balance between the dry signal and the wet signal.

Included Effect Plug-ins Distortion Plug-ins

Tape Ducking Delay

Overdrive

Fuzz

Delay – Tape Ducking Delay creates a delay effect known from tape machines with a

ducking parameter. The Delay parameter sets the delay time in milliseconds. This parameter can be synchronized to the project tempo.

Feedback – Sets the number of repeats for the delay.

Duck – Works like an automatic mix parameter. If the level of the input signal is high,

the portion of the effect signal is lowered, or ducked (low internal mix value). If the level of the input signal is low, the portion of the effect signal is raised (high internal mix value). This way the delayed signal stays rather dry during loud or intensely played passages.

Drive – Overdrive creates a tube-like overdrive effect. The higher this value, the more harmonics are added to the output signal of this effect.

Tone – Works as a lter effect on the added harmonics.

Level – Adjusts the output level.

Boost – Fuzz creates a rather harsh distortion effect. The higher this value, the more

distortion is created.

Tone – Works as a lter effect on the added harmonics.

Level – Adjusts the output level.

Gate

Threshold – Determines the level at which the gate is activated. Signal levels above

the set threshold trigger the gate to open, and signal levels below the set threshold close the gate.

Release – Sets the time after which the gate closes.

Equalizer

Low – Changes the level of the low-frequency portion of the incoming signal.

Middle – Changes the level of the mid-frequency portion of the incoming signal.

High – Changes the level of the high-frequency portion of the incoming signal.

Reverb

Type – A convolution-based reverb effect. This parameter allows you to switch between different reverb types (Studio, Hall, Plate, and Room).

Mix – Sets the level balance between the dry signal and the wet signal.

Sync Mode

Some parameters can be synchronized to the tempo of the host application.

The names of these parameters are underlined. Click a knob to activate or deactivate tempo sync. An LED at the top right of the knob indicates that sync mode is active. You can then select a base note value for tempo syncing from the pop-up menu above the control.

Included Effect Plug-ins Distortion Plug-ins

Using Effects

● To insert a new effect, click the + button that appears if you point the mouse at an empty

● To remove an effect from an effect slot, click the effect name and select None from the

● To change the order of the effects in the chain, click on an effect and drag it to another

● To activate or deactivate an effect, click the pedal-like button below the effect name. If an

NOTE

● Pre-effects and post-effects can be mono or stereo, depending on the track conguration.

● Using quick controls you can set up an external MIDI device, such as a foot controller, to

Ampliers

The amps available on the Ampliers page are modeled on real-life ampliers. Each amp features settings typical for guitar recording, such as gain, equalizers, and master volume. The sound-related parameters Bass, Middle, Treble, and Presence have a overall character and sound of the corresponding amp.

plug-in slot or at one of the arrows before or after a used effect slot.

pop-up menu.

position.

effect is active, the LED next to the button is lit.

control the VST Amp Rack effects. For more information about quick controls, see the Operation Manual.

signicant impact on the

Plexi

Classic British rock tone; extremely transparent sound, very responsive.

Plexi Lead

British rock tone of the 70s and 80s.

Diamond

The cutting edge hard rock and metal sounds of the 90s.

Blackface

Classic American clean tone.

Tweed

Clean and crunchy tones; originally developed as a bass amp.

Deluxe

American crunch sound coming from a rather small amp with a big tone.

British Custom

Produces the sparkling clean or harmonically distorted rhythm sounds of the 60s.

The different amps keep their settings if you switch models. However, if you want to use the same settings after reloading the plug-in, you need to set up a preset.

Selecting and Deactivating Ampliers

To switch amps on the Ampliers page, click the model that you want to use. Select No Amplier if you only want to use the cabinets and effects.

Cabinets

The cabinets available on the Cabinets page simulate real-life combo boxes or speakers. For each amp, a corresponding cabinet type is available, but you can also combine different amps and cabinets.

Selecting and Deactivating Cabinets

Included Effect Plug-ins Distortion Plug-ins

● To switch cabinets on the Cabinets page, click the model that you want to use. Select No

● If you select Link Amplier & Cabinet Choice, the plug-in automatically selects the

Microphones

On the Microphones page, you can choose between different microphone positions. These positions result from two different angles (center and edge) and three different distances from the speaker, as well as an additional center position at an even greater distance from the speaker.

You can choose between two microphone types: a large-diaphragm condenser microphone and a dynamic microphone. You can crossfade between the characteristics of the two microphones.

● To select one of the microphone types or blend between the two types, turn the Mix

Placing the Microphone

● To select a microphone position, click the corresponding ball in the graphic. The selected

Cabinet if you only want to use the amps and effects.

cabinet corresponding to the selected amp model.

control between the two microphones.

position is marked in red.

Master

Use the Master page to ne-tune the sound.

Input/Output Level Meters

The input and output level meters on the left and the right of the Master section show the signal level of your audio. The rectangle on the input meter indicates the optimum incoming level range. In compact view, the input and output levels are indicated by two LEDs at the top left and right.

Using the Master Controls

● To activate/deactivate the equalizer, click the pedal-like On/Off button. If the equalizer is active, the LED next to the button is lit.

● To activate/deactivate an equalizer band, click the corresponding Gain knob. If a band is active, the LED to the left of the Gain knob is lit.

● To tune your guitar strings, click the pedal-like On/Off button to activate the Tuner and play a string. If the correct pitch is displayed and the row of LEDs below the digital display is green, the string is tuned correctly.

If the pitch is too low, red LEDs are lit on the left. If the pitch is too high, red LEDs are lit on the right. The more LEDs are lit, the lower/higher is the pitch.

● To mute the output signal of the plug-in, click the pedal-like Master button. If the output is muted, the LED is not lit. Use this to tune your guitar in silence, for example.

● To change the volume of the output signal, use the Level control on the Master page.

Conguration

On the Conguration page, you can specify whether you want to use VST Amp Rack in stereo or in mono mode.

● To process the pre-effects, the amplier, and the cabinets in full stereo mode, make sure that the plug-in is inserted on a stereo track, and activate the Stereo button.

● To use the effect in mono-mode, make sure that the plug-in is inserted on a mono track, and activate the Mono button.

Included Effect Plug-ins Distortion Plug-ins

NOTE

In stereo mode, the effect requires more processing power.

View Settings

You can choose between 2 views: the default view and a compact view, which takes up less screen space.

In the default view, you can use the buttons at the top of the plug-in panel to open the corresponding page in the display section above the amp controls. You can horizontally resize the plug-in panel by clicking and dragging the edges or corners.

In the compact view, the display section is hidden from view. You can change the amp settings and switch amps or cabinets using the mouse wheel.

Using the Smart Controls

Smart controls become visible on the plug-in frame when you move the mouse pointer over on the plug-in panel.

Switching between Default and Compact View

● To toggle between the different views, click the down/up arrow button (Show/Hide Extended Display) at the top center of the plug-in frame.

Changing the Amplier and Cabinet Selection in the Compact View

In the compact view, a smart control on the lower border of the plug-in frame allows you to select different amplier and cabinet models.

● To select a different amplier or cabinet, click the name and select a different model from the pop-up menu.

● To lock the amplier and cabinet combination, activate the Link/Unlink Amplier & Cabinet Choice button. If you now select another amp model, the cabinet selection follows. However, if you select a different cabinet model, the lock is deactivated.

Previewing Effect Settings

In both views, you can show a preview of the pre- and post-effects that you selected on the corresponding pages:

● Click and hold the Show Pre-Effects or Show Post-Effects button at the bottom left or right of the plug-in frame.

Included Effect Plug-ins Distortion Plug-ins

VST Bass Amp

VST Bass Amp is a bass amp simulator. It offers a choice of ampliers and speaker cabinets that

can be combined with stomp box effects.

Cubase LE Cubase AI Cubase

Elements

Included with – – – X X X

Cubase

Artist

Cubase

Pro

Nuendo

At the top of the plug-in panel, the following buttons open different pages in the display section of the plug-in panel: Conguration, and Master.

These buttons are arranged according to the position of the corresponding elements in the signal chain.

Below the display section, the selected bass amplier is displayed. The color and texture of the area below the bass amp indicate the selected cabinet.

Pre-Effects, Ampliers, Cabinets, Post-Effects, Microphones,

Pre/Post-Effects

On the Pre-Effects and Post-Effects pages, you can select up to six common bass effects. On both pages, the same effects are available, the only difference being the position in the signal chain (before or after the bass amplier). On each page, every effect can be used once.

Each effect features an On/Off button known from stompbox effects, as well as individual parameters.

Wah Wah

Pedal – Controls the lter frequency sweep.

Envelope Filter

Range – Determines the frequency range.

Q-Factor – Sets the intensity of the envelope lter effect.

Sensitivity – Determines how sensitive the effect reacts to the instrument level.

Attack – Determines how quickly an effect reacts to the input signal.

Included Effect Plug-ins Distortion Plug-ins

Volume

Compressor

Compressor MB

Limiter

Mix – Sets the level balance between the dry signal and the wet signal.

Type – Sets the lter type.

Release – Determines how quickly the effect fades after the input signal stops.

Pedal – Controls the level of the signal passing through the effect.

Intensity – Sets the amount by which an input signal is being compressed.

Lo Intensity – Sets the compressor effect in the low frequency band. Activate/

deactivate

Hi Intensity – Sets the compressor effect in the high frequency band. Activate/ deactivate Auto Makeup Mode by clicking the LED at the top right of the knob.

Crossover – Determines the crossover frequency between the low frequency band and the high frequency band.

Output – Sets the output level.

Threshold – Determines the maximum output level. Signal levels above the set

threshold are cut off.

Release – Sets the time after which the gain returns to the original level.

Auto Makeup Mode by clicking the LED at the top right of the knob.

Maximizer

Amount – Determines the loudness of the signal.

Chorus

Rate – Allows you to set the sweep rate. This parameter can be synchronized to the

project tempo.

Width – Determines the depth of the chorus effect. Higher settings produce a more pronounced effect.

Tone – Allows you to attenuate low frequencies.

Mix – Sets the level balance between the dry signal and the wet signal.

Phaser

Rate – Allows you to set the sweep rate. This parameter can be synchronized to the

project tempo.

Width – Determines the width of the modulation effect between higher and lower frequencies.

Tone – Allows you to attenuate the low frequencies.

Mix – Sets the level balance between the dry signal and the wet signal.

Flanger

Rate – Allows you to set the sweep rate. This parameter can be synchronized to the

project tempo.

Feedback – Determines the character of the anger effect. Higher settings produce a more metallic sounding sweep.

Tone – Allows you to attenuate the low frequencies.

Mix – Sets the level balance between the dry signal and the wet signal.

DI Driver

Level – Sets the output level.

Blend – Blends between normal and tube emulation circuitry. With Blend at 0, Drive

and Presence are not active.

+ 216 hidden pages

Steinberg Nuendo - 10.0 Plug-in Reference

Table of Contents

Included Effect Plug-ins

Ambisonics Plug-ins

VST AmbiConverter

Delay Plug-ins

ModMachine

MonoDelay

PingPongDelay

StereoDelay

Distortion Plug-ins

AmpSimulator

BitCrusher

DaTube

Distortion

Distroyer

Grungelizer

Magneto II

Quadrafuzz v2

SoftClipper

VST Amp Rack

VST Bass Amp