Sound Devices 633 User Manual

®
633
Field Production Mixer with
Integrated Recorder
User Guide

Legal Notices

Manual Conventions
Product specications a nd f eatures a re s ubject to change without prior notification.
Copyright © 2018 Sound Devices, LLC. All rights reserved.
This product is subject to the terms and conditions of a software license agreement provided with the product, and may be used in accordance with the license agreement.
This document is protected under copyright law. An authorized licensee of this product may reproduce this publication for the licensee’s own personal use. This document may not be reproduced or distrib­uted, in whole or in part, for commercial purposes, such as selling copies or providing educational ser­vices or support.
This document is supplied as a technical guide. Spe­cial care has been taken in preparing the information for publication; however, since product specications are subject to change, this document might contain omissions and technical or typographical inaccura­cies. Sound Devices, LLC does not accept responsi­bility for any losses due to the user of this guide.
Trademarks
The “wave” logo and USBPre are registered trademarks; FileSafe, PowerSafe, SuperSlot, MixAssist, and QuickBoot are trademarks of Sound Devices, LLC. Mac and OS X are trademarks of Apple Inc., registered in the U.S. and other countries. Win­dows and Microsoft Excel are registered trademarks of Microsoft Corporation in the U.S. and other coun­tries. All other trademarks herein are the property of their respective owners.
Symbol Description
>
+
i
This symbol is used to show the order in which you select menu commands
and sub-options, such as: Main Menu
> Audio indicates you press the Menu button for the Main Menu, then scroll to and select Audio by pushing the Control Knob.
A plus sign is used to show button or
keystroke combinations.
For instance, Ctrl+V means to hold the Control key down and press the V key simultaneously. This also applies to
other controls, such as switches and
encoders. For instance, MIC+HP turn means to slide and hold the MIC/TONE switch left while turning the Headphone (HP) encoder. METERS+SELECT means to hold the METERS button down as you press the SELECT encoder.
A note provides recommendations and important related information. The text for notes also appears italicized in a dif­ferent color.
A cautionary warning about a specic action that could cause harm to you, the device, or cause you to lose data. Follow the guidelines in this document or on the unit itself when handling elec­trical equipment. The text for caution­ary notes also appears italicized and bold in a dierent color.
FCC Notice
This device complies with part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) This device must accept any interference received, including interference that may cause undesired operation.
FCC Part 15.19(a)(3)
www.sounddevices.com
support@sounddevices.com
633 User Guide • Rev 4-DJuly 10, 2018
This document is distributed by Sound Devices, LLC in online electronic (PDF) format only. E-published in the USA.
Sound Devices, LLC
E7556 Road 23 and 33 Reedsburg, Wisconsin 53959 USA
Direct: +1 (608) 524-0625 Toll Free: (800) 505-0625 Fax: +1 (608) 524-0655

Revision History

This table provides the revision history and cross-reference links to “what’s new” in this guide.
Rev# Date Firmware
Version
1-A Feb 2016 v2.11 Initial Ocial Release of Redesigned Publication
1-B Apr 2016 v2.11 Minor document edits; x broken cross-ref links.
3-A June 2016 v3.10 Includes Firmware feature updates for:
3-B July 2016 v3.10 Minor document edits: x page-numbering realignment.
4-A Sept 2016 v4.00 Added new chapter “Wingman” covering how to use the
4-B Feb 2017 v4.50 Added new chapter “MixAssist & Dugan Automixing” covering the
4-C Apr 2017 v4.51 Updated Wingman chapter with information on Wingman
Description
Includes Firmware feature updates for:
CL-12 Integration: “CL-12 Linear Fader Controller” on page
151
External TC User Bits: “Setting User Bits” on page 79
QR Codes: “Viewing User Guide via Smart Phone QR Code” on
page 106
Added new chapter on Remote Control of 6-Series mixers.
In CL-12 chapter, added new section “Disabling Output Con-
trols” on page 165.
• In File Storage chapter, added new section “Changing the Take Designator” on page 88.
Wingman iOS-based app that, when paired with the WM-Connect Bluetooth® Smart USB dongle, enables remote control of any 6-Series mixer.
new Auto Mixer feature added to the 633.
Password.
3
User Guide
4
Table of Contents
Overview of Chassis
Front Panel ......................................9
Left Side Panel ..................................12
The LCD and User Interface
Meter Views ....................................15
Using Meter Views ............................16
Customizing Meter Views ......................16
Headphone Monitoring
Connecting Headphones .........................19
Selecting Headphone Source .....................19
Setting Headphone Encoder Mode ................20
Configuring the Headphone Preset List. . . . . . . . . . . . . 20
Power
Powering the 633 ...............................23
Using External Power ..........................23
Using Battery Power ..........................24
Voltage Ranges and Thresholds ...................24
Configuring Power Settings ......................25
Right Side Panel ................................12
Back Panel .....................................13
Accessing the Main Menu ........................17
Customizing the LCD and LEDs ....................18
Using LCD Daylight Mode ......................18
Defining Custom Headphone Presets ............21
Choosing a Favorite Headphone Preset ..........22
Using Headphone Source Shortcuts ................22
Headphone Peak LED ............................22
PowerSafe .....................................26
QuickBoot .....................................27
Forcing Power Off (Optional) .....................27
Power Consumption .............................27
Inputs
Physical Input Controls ...........................29
Activating an Input ..............................30
Accessing the Input Setting Screens ................30
Setting Input Source ...........................32
Setting Input High-Pass Filters ..................33
Setting L, R, X1, and X2 Routing ................33
Using a Track Name Shortcut ...................34
Inverting the Phase ...........................35
Outputs
Output Connections .............................41
Adjusting Output Gain ...........................41
Accessing Output Settings ........................42
Configuring Output Linking ......................43
Setting Output Type and Nominal Level ............43
Output Routing .................................44
MixAssist & Dugan Automixing
Auto Mixer Screen ..............................49
Turning the Auto Mixer On or Off ...............50
Assigning Inputs to the Auto Mixer ..............51
Overview of MixAssist ...........................51
Adjusting Trim and Fader Controls .................35
Adjusting Pan ..................................36
Accessing Input Settings ..........................36
Configuring Linking ...........................37
Configuring Phantom Voltage ..................38
Configuring the PFL Toggle Mode ...............38
Configuring Input to ISO Routing ...............39
Configuring Input Delay .......................40
Accessing AES Output Routing Screen ...........44
Accessing Aux (X1 - X4) Routing Screens ..........45
Configuring Playback to Outputs ..................47
Adjusting Output Delay ..........................47
Sending Tone to Outputs .........................48
Setting MixAssist Off-Attenuation ...............52
LCD Views During MixAssist Automixing .........53
Overview of Dugan Automixing ...................54
LCD Views During Dugan Automixing ...........54
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User Guide
Limiters
Overview ......................................57
Enabling the Limiters ............................58
Recording
Using Media ....................................61
Using the Transport Control ......................62
Arming or Disarming Recording Tracks .............63
Accessing Recorder Settings ......................64
Setting File Type and Media Track Assignment ......65
WAV (Broadcast WAV) .........................65
MP3 ........................................65
Changing the MP3 Bit Rate .......................66
Slate Mic and Return
Disabling the Slate Microphone ...................71
Setting Slate Mic Gain ...........................72
Routing the Slate Mic ............................72
Timecode
Timecode ......................................75
Setting the Timecode Mode ....................76
Setting the Frame Rate ........................77
Setting Timecode Hold Off .....................77
Adjusting the Threshold .........................58
Linking Limiters .................................58
Setting the Sample Rate .........................66
F Sample Modes ..............................67
Setting the Bit Depth ............................67
Setting the Pre-roll ..............................68
Using the Slate Microphone ......................68
Playing Back Active Takes ........................69
Viewing Approved Media List via Smart Phone ......69
Using the Slate for Notation ......................73
RTN Monitoring ................................73
Jamming the Timecode ........................78
Setting the Timecode Generator ................78
Setting User Bits ..............................79
Setting Display Mode ..........................80
File Storage
File Structure ...................................81
Transferring Files to PC ...........................82
Take List and File List ............................82
Accessing the File List ..........................83
Deleting Files or Folders .......................84
File Storage Settings .............................84
Setting Folder Options ...........................86
Generating Sound Reports .......................87
Metadata and Take List
Take List Overview ..............................93
Accessing the Take List .........................94
Playing Takes ...................................94
Editing Metadata on the 633 .....................94
Using the Phrase List for Notes ....................95
System
Setting up Tones and Bells ........................99
Configuring Record/Stop and Warning Bells .....100
Configuring the Meters .........................101
Setting Meter Ballistics and Peak Hold ..........102
Setting Peak Hold ............................103
Setting up Date and Time Parameters .............103
Changing the Take Designator ....................88
Defining File Max Size ...........................88
Setting Scene Increment Mode ....................88
Setting Take Reset Mode .........................89
Setting File Playback Mode .......................89
Selecting a Default Playback Card .................90
Erasing / Formatting Media .......................90
Clearing Scene List ..............................96
Metadata Overview .............................97
Renaming or Deleting Previous Takes ..............98
Editing Metadata in Other Programs ...............98
Calibrating Faders & Pans .......................105
Using a USB Keyboard ..........................106
Viewing Shortcut Information ...................106
Viewing User Guide via Smart Phone QR Code .....106
Viewing Version Information ....................107
Updating Firmware ............................107
6
Quick Setup
Saving Settings ................................109
Copying Quick Setup Files .....................110
Deleting Quick Setup Files ....................110
Loading Previously Saved Settings ................111
Shortcuts
Front Panel Shortcuts ...........................113 USB Keyboard Shortcuts ........................115
Wingman Integration: 6-Series
Starting Wingman .............................117
Setting up Wingman Password ...................117
User Interface .................................118
Transport View ................................120
Connecting to a 6-Series Mixer .................121
Using Transport Controls ......................123
Designating Circle and False Takes ..............123
Using Meter Views ...........................124
Editing Track Names ..........................125
Arming/Disarming Tracks ......................126
Take List View .................................127
Editing a Take’s Metadata .....................128
Reports View ..................................129
Creating Sound Reports .......................131
About View ...................................131
Track View on iPhone or iPod Touch ..............132
Third-Party Remote Control
Control in the Palm of Your Hand ................135
iOS Remote Control Connection Diagrams .......137
iOS Remote Control Examples .................138
Web-based Wireless Remote Control ..............139
Web-based Remote Control Connection Diagrams 140
Web-based Remote Control Examples ..........141
Specifications
Analog Inputs .................................143
Digital Inputs ..................................144
Analog Outputs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
Digital Outputs/Recorder .......................145
Accessories
Electronic Accessories ...........................147
Cables and Connectors ..........................148
CL-12 Linear Fader Controller
Overview of Panels ............................151
Top: EQ & OUTPUTS Sections ..................154
Left: Channel Strip Section ....................155
Right: Buttons and HP Encoder ................157
Altered Functionality ...........................159
Feature Comparison Chart ....................159
CL-12 Sub-menu .............................160
Selecting One or More Input Channels ............161
Activating PFL of an Input .......................162
Setting SEL to follow PFL ......................162
Trim Level Adjustment on 6-Series ................162
Adjusting Trim Levels (688 only) ................163
Adjusting Trim Levels (664 only) ................163
Adjusting Trim Levels (633 only) ................163
Routing Input Channels .........................164
Adjusting Output or Track Levels .................164
Timecode and Sync .............................145
Power ........................................146
Environmental ................................146
Dimensions and Weight ........................146
Cases .........................................149
Software ......................................150
Configuring Output Meters (688 only) ..........165
Disabling Output Controls .......................165
Arming L, R, X1, X2 Tracks .......................165
Using the 3-Band Equalizer (688 only) .............166
Accessing the EQ Submenu ....................167
Bypassing EQ ................................169
Setting the Q-Factor ..........................169
Setting LF and HF Frequency Defaults ...........170
Setting LF and HF Filter Types ..................170
Setting EQ Routing ...........................171
Using High-pass Filters ..........................171
Naming Tracks .................................171
Configuring User Programmable Buttons ..........172
Adjusting CL-12’s LED Brightness .................173
Specifications ..................................173
7
User Guide
CS-633
Features ......................................175 Specifications ..................................175
Software License
8

Overview of Chassis

Front panel

The 633 chassis is made of light-weight and durable metal.
The front panel of the chassis features several easy-to-reach controls, switches, LEDs, and a sunlight-visible LCD screen.
Its side panels provide a variety of connection options for ultimate I/O exibility, and the back panel has battery mounts for ultimate portability.
Front Panel
Topics in this section include:
Front Panel
Left Side Panel
Right Side Panel
Back Panel
The front panel provides the LCD as well as several buttons, switches, and controls as dened in the following tables.
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User Guide
Power Switch and LED
Menu Button
Headphone Encoder
Headphone Clipping LED
RTN/FAV SwitchMIC/TONE Switch
Slate/Tone LED
Select Encoder
Meters Button
Transport Control
Timecode LED
Power Switch and LED Powers 633 on and o, and indicates power status.
Timecode LED Flashes blue to indicate whether the internal timecode generator (and
Menu Button Provides access to the Main menu. Also used for various shortcut
Headphone Encoder Adjusts headphone level and monitor source. Also used for various
Headphone Clipping LED
RTN/FAV Switch Toggles monitor source. Also used for various shortcut functions.
MIC/TONE Switch Toggle slate mic and tone generator. Also used for various shortcut
Slate/Tone LED Indicates slate mic is active or tone generator is locked on.
Select Encoder Multiple purpose rotary encoder. Also used for various shortcut
Meters Button Cycles between meter views. Also used for various shortcut functions.
Transport Control Controls playback and recording. Also used for various shortcut
Feature Description
QuickBoot) is active while the mixer is o.
functions.
shortcut functions.
Illuminates red to indicate headphone output is approaching clipping level.
functions.
functions.
functions.
10
Also on the front panel, there are three sets of controls related to inputs, such as pans, faders, and trims.
OVERVIEW OF CHASSIS
Fader (1-3)
Pan (1-3)
PFL (Left: 1-3, Right: 4-6)
Trim (1-3)
PFL status / Activity LED (4-6)
PFL status / Activity LED (1-3)
Mini-Fader (4-6)
Feature Description
PFL Switch By default, this switch has dual-functionality. It activates
Pre-Fade Listen (PFL) and displays Input Settings screen for input 1-3 (slide left) and 4-6 (slide right). Slide again to de­activate. The functionality of this switch may be altered via the Main menu’s Inputs > PFL Toggle Mode.
Fader (1-3) Adjusts fader level for inputs 1-3.
Mini-Fader (4-6) Adjusts fader level for inputs 4-6.
Trim (1-3) Adjusts trim level for inputs 1-3. Trim levels for inputs 4,
Pan (1-3) Adjusts pan between L and R tracks. Inputs 4, 5, and 6 are
PFL status / Activity LED (1-3) Indicates PFL status and input signal activity.
PFL status / Activity LED (4-6) Indicates PFL status and input signal activity.
MIC The slate microphone.
Does not aect Master Output signal. For momentary ac­tion, hold the switch for one second or longer. The input LED ashes yellow when an input’s PFL is active.
5, and 6 are controlled via their respective Input Settings screens.
routed to the L and R mix via their respective Input Settings screens.
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User Guide
Battery Compartment
XLR Inputs
TA3 Inputs Headphone Output
RTN Input
SD Card Slot
CompactFlash SlotUSB B Connector
Timecode I/O
DC Input
Main OutputsHeadphone
X1, X2 Outputs

Left Side Panel

Feature Description
XLR Inputs (1-3) Active-balanced analog microphone- or line-level inputs. Input 1 can
TA3 Inputs (4-6) Active-balanced analog line-level inputs.
also accept AES3 or AES42 (Mode 1) signal.
Pin-1 = ground, pin-2 = hot (+), and pin-3 = cold (-).
X3/X4 Output Multi-purpose auxiliary analog output. Two channels on unbalanced
Battery Compartment Holds six AA (LR6) batteries for backup powering. NiMH rechargeable

Right Side Panel

Pin-1 = ground, pin-2 = hot (+), and pin-3 = cold (-). Float pin 3 to unbalance.
3.5mm TRS connection. Level can be adjusted from -30 dB (mic lev­el) up to 0 dB (sucient for driving headphones).
Tip = left, ring = right, and sleeve = ground.
cells advised. Top row inserted with negative (-) end facing out; Bot­tom row inserted with positive (+) end facing out.
12
OVERVIEW OF CHASSIS
Battery Mounts
Feature Description
USB B Connector Factory use and keyboard connection (with adapter).
CompactFlash Slot Accepts approved CompactFlash cards with the label-side toward the
rear of the mixer. Compatible with Type I and Type II cards. High­speed UDMA cards are recommended for higher track count recording.
RTN Input Unbalanced stereo 3.5 mm female connector for Return audio input.
Sleeve = ground, tip = left, ring = right.
X1, X2 Outputs Line, -10, or Mic level selected in Main menu OUTPUTS section.
(Pin 1 = Ground, pin 2 = Hot (+), pin 3 = Cold (-)) Float pin 3 to unbalance.
DC Input Accepts DC voltages from 10–18 V for powering.
(Pin 1 = Negative (–), pin 4 = Positive (+))
SD Card Slot Accepts SD/SDHC/SDXC cards with the notched corner oriented to-
ward the top of the 633. High speed class 10 cards are recommended. Insert until it clicks securely in the slot. The card should glide smoothly into the slot. Press to eject.
Timecode I/O Timecode input and output on 5-pin LEMO® connector.
Headphone Output A 1/4” TRS headphone output. Can drive headphones from 8 to 1000
ohm impedances to very high levels.
Main Outputs Transformer-balanced analog outputs on standard 3-pin XLR-3M con-

Back Panel

The back panel provides additional powering options for the 633 with two L-type mounts for Lithium Ion batteries (not included):
Tip = left, ring = right, and sleeve = ground.
nectors. Can be set to send AES3 digital signals (1,2 and 3,4 on L and R respectively) in Main menu OUTPUTS section.
(Pin 1 = Ground; pin 2 = Hot (+); pin 3 = Cold (-)) Unbalance by grounding pin 3 to pin 1.
Feature Description
Battery Mounts Battery mounts (B1 and B2) on the 633’s back panel are compatible
with Sony® L-Series batteries. Any capacity supported.
13
User Guide
14

The LCD and User Interface

Current Take
Active playback media
Media time remaining and audio le format
Power source and level
Unarmed track
Monitor (Headphone) information.
RTN levelSample rate information
Absolute recording time
SMPTE timecode
Powered off input
Armed track
Input limiting activity
Meter View
The LCD display is the primary source of information when operating the 633. All settings are congured via the LCD display. All signal level meters can be displayed on the LCD display.
This chapter describes meter views,
including the Main screen which is
displayed when no other screens are active, the Main menu, and LCD Daylight mode.
Other screens, such as the Input
Settings screen, are described where
applicable throughout the guide.

Meter Views

The 633 displays important metering information at a glance on its LCD. All meter views provide various combinations of input, track, and return meters. By default, the rst of three predened meter views is shown. This view is known as the Main screen.
Topics in this section include:
Meter Views
Using Meter Views Customizing Meter Views
Accessing the Main Menu
Customizing the LCD and LEDs
Using LCD Daylight Mode
The three predened meter views are:
LR, X1, X2, 1-6 — This meter view (shown above) shows left, right, X1, and X2 bus tracks as well as all 6 input tracks.
LR, X1-X4, RTN — This meter view shows left, right, X1, and X2 bus tracks, plus signal from X3, X4, and return.
LR, 1-3 — This meter view shows left and right bus tracks as well as signal from inputs 1-3.
15
User Guide
The following images show all three predened meter views.
i The time and date is displayed in place of the small RTN meter on the LR, X1-X4,
RTN meter view. Also, a fourth conguration (not shown) with only LR and inputs
1-6 is available as a display option for meter views.

Using Meter Views

Although the rst meter view is known as the Main screen, there are other screens, which may appear on the LCD, such as the Main menu or the Input Settings screen. Regardless of what screen is visible, returning to the Main screen and its meter view is easy.
To return to the main screen at any time:
X Press the METERS button.
You can also easily switch to any of three dierent meter views.
To toggle between the three meter views:
X Press the METERS button. Each press of the button switches the display to
the next view.

Customizing Meter Views

While the 633 provides three meter views by default, all three may be custom­ized to display the information you deem most important. The second and third meter views may also be turned o so that only one meter view is shown as the Main screen at all times.
To customize the meter views:
1. Press MENU.
16
2. Turn and press the Headphone encoder to select SYSTEM > Meter Views.
3. Select the meter view you would like to change.
4. Select the display option for that meter view.
For more information on conguring the meters displayed in Meter Views, see
Conguring the Meters.

Accessing the Main Menu

MENU Button
Headphone Encoder
The majority of the 633’s settings are congured with the Main menu.
To access the Main menu:
X Press the MENU button.
The Main menu is made up of categories, each with its own set of sub-menu options. Turn the Headphone encoder to navigate the Main menu and press it in to select any category or sub-menu option.
THE LCD AND USER INTERFACE
While sub-menu options are covered in more detail throughout this guide in sections related to those options, the Main menu’s categories are provided with brief descriptions in the following table.
category Description
POWER Settings related to external power sources. Also displays voltage level of
External DC, Internal DC (AA), and Li-Ion batteries (labeled B1 and B2). See Conguring Power Settings for details.
INPUTS Settings related to channel linking, phantom power, PFL modes, input to
ISO routing, and input delays. See Accessing Input Settings for details.
OUTPUTS Settings related to linking, output types or levels, output sources, output
routing, and output delays. See Accessing Output Settings for details.
AUTO MIXER Settings related to automatic mixing. See MixAssist & Dugan Automixing
for details.
LIMITERS Settings related to input and output limiters. See Limiters for details.
RECORDER Settings to target recording media, WAV sample rate / bit depth, MP3 bit
rate, and recording pre-roll time. See Accessing Recorder Settings for details.
TIMECODE Settings related to timecode synchronization. See Timecode for details.
FILE STORAGE Settings related to le storage and metadata. See File Storage Settings
for details.
SYSTEM Various system settings. See System for details.
CL-12 Settings related to the CL-12 linear fader controller. This sub-menu is
disabled (grayed out) unless the CL-12 accessory is connected to the mixer.
QUICK SETUP Allows user to save and recall user settings to and from SD, CF, and
internal memory. Also allows resetting all settings to factory default. See
Quick Setup for details.
17
User Guide

Customizing the LCD and LEDs

Because the 633 is a portable eld mixer, it may be used in a variety of environ­ments, including some where lighting is an issue that requires adjustments to the mixer. With some System settings, you can modify the brightness levels of the LCD, the brightness levels of the LEDs, and even enable or disable the LCD Daylight mode.
To set the LCD brightness level:
1. Press the MENU button.
2. Turn and press the Headphone encoder to select SYSTEM > LCD Brightness.
3. Turn the Headphone encoder to change the value from 10 to 100%. Then press the encoder to make your selection.
By default, the LCD brightness level is set to 100%.
To set the LED brightness level:
1. Press the MENU button.
2. Turn and press the Headphone encoder to select SYSTEM > LED Brightness.
3. Turn the Headphone encoder to change the value from 5 to 100%. Then press the encoder to make your selection.
By default, the LED brightness level is set to 60%.

Using LCD Daylight Mode

The default appearance of the LCD screen is a dark theme—white text on black background. However, a lighter theme—black text on white background—is available as an alternative mode, which can make viewing in bright conditions easier. When enabled, the LCD Daylight mode may be toggled between dark and light themes.
To enable or disable LCD Daylight mode:
1. Press the MENU button.
2. Turn and press the Headphone encoder to select SYSTEM > LCD Daylight Mode.
18
3. Do one of the following:
X Select On to enable. X Select O to disable.
To toggle LCD Daylight mode:
X SELECT + HP: simultaneously press the SELECT and Headphone encoders.

Headphone Monitoring

1/4”
The 633 provides a headphone output on its right panel, several options for
headphone sources including up to 10
custom presets, plus a variety of other customizable features related to audio monitoring.
i An unbalanced 3.5 mm TRS connection
on the 633’s left panel, which is
primarily a multi-purpose auxiliary analog output, may also be used for
headphones.

Connecting Headphones

Topics in this section include:
Connecting Headphones
Selecting Headphone Source
Setting Headphone Encoder Mode
Configuring the Headphone Preset List
Defining Custom Headphone Presets Choosing a Favorite Headphone Preset
Using Headphone Source Shortcuts
Headphone Peak LED
Connect headphones to the 1/4-inch headphone output, located on the right panel of the 633.
The 633 can drive headphones to dangerously high vol-
umes. Turn down the headphone gain before attaching headphones or selecting a headphone source to prevent accidental high levels. The range for headphone levels may be set from OFF, -42 dB to +20 dB.
To adjust Headphone gain:
X Turn the Headphone encoder. The gain value will be dis-
played in the lower-right corner of the Main screen next to the Headphone Source icon.

Selecting Headphone Source

The default list of headphone presets consists of six predened headphone sources and 10 customizable presets. The predened headphone sources are:
Hp source Description
LR ST Master bus in stereo.
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User Guide
LR Mono Master bus summed mono to both ears.
L Mono Left channel of master bus sent to both ears.
R Mono Right channel of master bus sent to both ears.
LR MS ST Mid-side stereo - master bus decoded MS stereo to headphones. This
X1X2 Aux bus in stereo.
To select a headphone source:
1. Press the Headphone encoder to display the list of available sources.
2. Turn the encoder to change the headphone source. Options include: LR ST,
3. Press the encoder to close the list, or wait two seconds and it will close on
Hp source Description
is not to be used if the inputs are already linked as an MS pair.
LR Mono, L Mono, R Mono, LR MS ST, X1X2, and HP Preset (1) through HP Preset (10).
The headphone source changes immediately as it is highlighted in the list.
its own. The chosen headphone source is displayed in the lower-right corner of the Main screen next to the Headphone Source icon.

Setting Headphone Encoder Mode

The default functionality of the Headphone encoder can be reversed so that the Headphone encoder must be pressed before turning to adjust the headphone volume, and headphone source can be selected by simply turning the Head­phone encoder.
To set Headphone Encoder mode:
1. Press the MENU button.
2. Turn and press the Headphone encoder to select SYSTEM > Headphone En­coder Mode > Preset/Vol. By default, this mode is set to Vol/Preset.
Configuring the Headphone Preset List
Presets can be excluded from this list to make preset selection simpler.
To edit the Headphone Preset list:
1. Press the MENU button.
20
2. Turn and press the Headphone encoder to select SYSTEM > Headphone Pre­set List.
The Headphone Preset List will be displayed; presets with a blue back­ground are visible, and presets with a black background are hidden.
3. Turn and press the Headphone encoder to toggle visibility of each preset.
HEADPHONE MONITORING
Assigned source
Favorite Preset
Unassigned source
Right HP
Left HP
Defining Custom Headphone Presets
In addition to the six predened headphone sources, 10 options are available as custom headphone presets.
To customize a headphone preset:
1. Press the Headphone encoder to display the list of available sources.
2. Turn the encoder to choose one of the 10 customizable preset options, such as HP Preset(1).
3. Slide the MIC/TONE switch left or right.
The Headphone Preset Editing screen appears.
4. Turn the Headphone encoder to move the orange highlight to routing op­tions.
5. Press the Headphone or Select encoder to change the selected source be­tween O (black) and Assigned (blue).
i ISO sources will follow pre- or post-fade based on Input to ISO Routing settings.
6. (Optional) Do any of the following:
X Slide the MIC/TONE switch left to toggle MS decoding for this head-
phone preset.
X Slide the MIC/TONE switch right to toggle mono summing for this head-
phone preset (All active sources will be summed into both headphone channels). This should not be used if inputs are already linked MS.
X Slide the RTN/FAV switch left to name the headphone preset. X Slide the RTN/FAV switch right to toggle the favorite status of this head-
phone preset.
7. Press MENU or METERS to save the preset and exit the Headphone Preset Editing screen.
i Only one preset at a time can be set as a favorite. Marking a preset as favorite will
remove the favorite status of all other presets.
21
User Guide

Choosing a Favorite Headphone Preset

A single headphone preset can be designated as a favorite. This favorite headphone preset can be quickly accessed via the front panel. The following procedure assumes the Headphone Encoder Mode is set to Preset/Vol. For more information, see Setting Headphone Encoder Mode.
To choose a predened Headphone preset as favorite:
1. Press the Headphone encoder to display the list of available sources.
2. Turn the Headphone encoder to highlight the predened preset you want. Options include: LR ST, LR Mono, L Mono, R Mono, LR MS ST, and X1X2.
3. Slide the RTN/FAV switch right to set the highlighted Headphone preset as your new favorite.

Using Headphone Source Shortcuts

There are two headphone monitor shortcuts on the 633: RTN and the head­phone source set as favorite.
To monitor the favorite headphone source:
X Slide the RTN/FAV switch to the right.
To monitor RTN:
X Slide the RTN/FAV switch to the left.
RTN will be be displayed in the lower-right corner of the Main screen next to the Headphone Source icon. For meter views that do include a large RTN meter, the date and time is displayed under For meter views that do not include a large RTN meter, a smaller RTN meter is displayed under the Headphone Source icon.

Headphone Peak LED

The Headphone Peak LED, located just left of the Headphone encoder, illumi­nates red to indicate headphone output is approaching clipping level. Monitoring without a visual indication of headphone clipping can mislead a sound mixer into thinking the output or return feeds are distorted.
22

Power

The 633 features a quad-powering
guration, which utilizes dierent
con powering options, such as external DC power, or it may be powered by six AA batteries. Two rear mounts enable the 633 to be powered by Sony L-Series batteries.
The 633 also incorporates exclusive PowerSafe™ technology with smart sensing of available power sources, front panel power warning indication,
and an integrated 10-second power
reserve that safely stops recording and shuts down in the event of a power loss.

Powering the 633

The 633 operates on either external DC power or battery power.
Topics in this section include:
Powering the 633
Using External Power Using Battery Power
Voltage Ranges and Thresholds
Configuring Power Settings
PowerSafe
QuickBoot
Forcing Power Off (Optional)
Power Consumption
To turn on the 633:
X Flip the Power switch to the ON position.
The Power LED illuminates yellow then green. The Sound Devices splash screen appears briey on the LCD, and then the Main screen is displayed.
As part of the Main screen, the LCD displays a DC voltage indi­cator in the form of a battery icon that indicates the level and type of the power source currently in use.
Normal Voltage
(Green)
Warning Voltage
(Yellow)
Low Voltage
(Orange)
Critical Voltage
(Red)

Using External Power

The 633 uses only one power source at a time, with external DC power taking precedence over battery power. The order of precedence for power sources is:
Power LED
DC power (EX) > L-Series battery (B1) > L-Series battery (B2) > AA batteries (INT)
23
User Guide
Following after these power sources is PowerSafe circuitry and its 10-second power reserve, before shutdown.
To connect an external power source:
X Plug a DC power source (not included) into the 10-18 VDC input on the
right panel.
i Pin-4 of the locking, Hirose connector is positive (+) and pin-1 is negative (-).

Using Battery Power

The 633 uses up to two L-Series (Li-Ion) batteries and/or six AA batteries as a backup to external power. Several power capacities are available in the L-Series battery type, ranging from 1000 mAh to 7000 mAh. Larger amp-hour batteries provide more run time. Alkaline AA batteries may be used with the 633; however, NiMH (or 1.5V Lithium) batteries are the preferred type because they provide for longer run times compared to Alkaline batteries.
To mount L-Series batteries:
1. Place the 633 on a stable surface.
2. Position the battery so the two terminals on the battery line up with the tips of the two pins on the rear panel of the 633.
3. Press the battery against the unit and slide the battery onto the pins. The battery retainer clip will spring up with a satisfying click to let you know the battery is secure.
To insert AA batteries:
1. Unscrew the battery cap (counter-clockwise).
2. Insert six AA NiMH batteries (not included) into the battery tubes. Orient
the batteries with the positive (+) end facing in and the negative (-) end facing out.
i With external power connected, depleted AA batteries may be removed from the
633 and replaced with new ones without aecting operations.

Voltage Ranges and Thresholds

Li-Ion battery
Pin
Pin
24
The DC voltage indicator provides power status information based on the External DC Reference parameter, which denes the voltage range and warning threshold for external DC power sources. Setting the External DC Reference to a value appropriate for the type of external power being used maximizes runtime with that source.
For instance, the indicator appears solid green when the active power source is
POWER
full or operating within the dened high voltage range. As the voltage depletes, the indicator’s color changes from green to yellow (warning) to orange (low) and to red (critical), based on the external power source’s range and threshold, as shown in the following table:
If the active power source is removed or its voltage drops to the critical thresh­old, the 633 switches to alternative battery power or shuts down, according to how its External DC Loss parameter is congured in the Power settings.
The DC voltage indicator ashes red when there are no other connected
backup power sources remaining with adequate voltage. When all power sources are depleted, PowerSafe shutdown occurs automatically.
Configuring Power Settings
The 633 allows you to congure the type of external power source and what the mixer should do in the event of an unintentional power loss.
To congure Power settings:
1. Press the MENU button.
2. Turn and press the Headphone encoder to select POWER.
The Power screen appears, from which numeric voltage levels of all con­nected power sources may be monitored. Disconnected power sources have a black background and no voltage level. The power source currently in use has a thick white border.
25
User Guide
3. Adjust the settings based on the following table:
Ext DC Ref Calibrates the power level indicator accord-
Ext DC Loss Choose what action the 633 should take
parameter Description options
12V Ext DC ing to the type of external DC source. By default, this is set to 12V Ext DC.
Select the appropriate option for the external DC power.
when external power is removed or voltage drops below the set threshold. By default, this is set to Switch Power Source.
i If the Ext DC Loss setting is congured to Switch Power Source when
external power is lost, but there are no internal batteries with ade­quate voltage in the 633, then automatic PowerSafe shutdown will
occur.
NiMH
Expanded NiMH
12V Lead Acid
14V Li-ion
• Full Range
• Switch Power
Source
• Shut down

PowerSafe

When all connected power sources are depleted or power is lost unexpectedly, the PowerSafe™ circuitry activates. The 633 displays a warning, stops any ac­tive recordings, nishes writing les, and shuts down. The PowerSafe battery powers the 633 during this time. This feature ensures that les are protected even in the event of unexpected power loss.
i The PowerSafe battery recharges from the active power source only when the 633
is powered on.
26

QuickBoot

QuickBoot™ circuitry is enabled for two hours after the 633 is powered down. During this time, the 633 can turn on and start recording in less than two seconds. Each time the 633 is turned on and o, the two-hour timer is reset. Beyond the two-hour mark, QuickBoot is deactivated, so powering up results in a normal, slightly longer boot-up process.
Within the two-hour time frame, while QuickBoot is enabled, the internal Timecode (TC) generator continues to be active and the TC LED on the front panel of the 633 blinks every two seconds.

Forcing Power Off (Optional)

In the unlikely event you need to manually force a complete shutdown of the 633, by-passing the PowerSafe and QuickBoot features, do the following:
To force power o:
POWER
1. Slide the Power button to the left.
2. Press and hold the MENU button for 5 seconds.
After the 633 is manually powered o, the QuickBoot is reset and the TC LED no longer ashes.
i Manual shutdown will turn o the timecode backup battery, requiring timecode to
be rejammed and user bits to be reset upon next power up.

Power Consumption

Many factors inuence the rate at which the 633 uses battery power (current draw). The following list highlights the larger current drawing functions.
Microphone powering — The main source of extra 633 current draw. 48 V Phantom can draw a large amount of current depending on what model microphone is used. Two identical phantom powered microphones draw twice as much current as one.
Audio Recorder — The recorder, whether in record or playback, draws extra current. Higher sample rate WAV recordings draw more current during re­cording.
Digital Outputs — Disable digital outputs in the Main menu when they are not needed since they draw additional current.
Output level — Higher output levels into multiple, low-impedance inputs increases current draw.
Headphone Output circuit - High headphone output levels and low imped­ance headphones increase current draw.
LED and LCD Brightness — Decrease LED and LCD brightness to reduce current draw.
27
User Guide
28

Inputs

Fader (1-3)
Pan
PFL (Left: 1-3, Right: 4-6)
Trim
PFL status / Activity LED (4-6)
PFL status / Activity LED (1-3)
Mini-fader (4-6)
The 633 has three full-featured audio inputs on XLR-3F connectors, and three additional line-level inputs on TA3 connectors.
Inputs may be used as either balanced or unbalanced connections. There is no
change in gain between unbalanced and
balanced connections into the 633.
i For unbalanced connections, tie pin-3
to pin-1 of the XLR-3M connector of the
cable.

Physical Input Controls

Topics in this section include:
Physical Input Controls
Activating an Input
Accessing the Input Setting Screens
Setting Input Source Setting Input High-Pass Filters Setting L, R, X1, and X2 Routing Using a Track Name Shortcut Inverting the Phase
Adjusting Trim and Fader Controls
Adjusting Pan
Accessing Input Settings
Configuring Linking Configuring Phantom Voltage Configuring the PFL Toggle Mode Configuring Input to ISO Routing Configuring Input Delay
On the front panel, there are sets of controls related to inputs, such as pans, faders, and trims.
The Trim, Pan, and Mini-fader controls may be pressed to retract the controls into the front panel when not in use.
29
User Guide
Trim control
control Description
PFL Pre-Fade Listen (PFL) switch. Solos input signal in headphone moni-
Fader 1-3 Adjusts fader level for inputs 1-3.
Trim 1-3 Activates inputs 1-3 and adjusts trim level for inputs 1-3. Trim level
Mini-fader 4-6 Activates inputs 4-6 and adjusts fader level for inputs 4-6.
Pan Controls the Left/Right balance of the input signal to the stereo
PFL Status / Activity LED Green: Signal present on input (pre-fade).

Activating an Input

tor and displays Input Settings screen.
i PFL monitoring only aects the headphone monitor. It does not aect
audio sent to the outputs or internal recorder.
for inputs 4-6 are controlled from their respective Input Settings screens.
master bus. Inputs 4-6 are routed to the L/R mix via their respec­tive Input Settings screens.
Red: Signal clipping on input (pre- and post-fade).
Amber: Limiter engaged on input (pre- and post-fade).
Blinking Yellow: Input soloed (PFL) in headphone monitors.
The 633 has three dedicated Trim controls on the front panel.
To activate inputs 1-3:
1. If the Trim control for an Input is recessed, push it in and it will pop out.
2. Turn the Trim control clockwise until it clicks to activate the input.
i The input is deactivated whenever the Trim control for that input is fully rotated
counter-clockwise.
To activate inputs 4-6:
1. If the Mini-fader control for an Input is recessed, push it in and it will pop out.
2. Turn the Mini-fader control clockwise until it clicks to activate the input.
i The input is deactivated whenever the Mini-fader control for that input is fully ro-
tated counter-clockwise.

Accessing the Input Setting Screens

Each input has its own Input Settings screen. This screen provides access to the input’s settings, such as input source, high-pass lter, and track routing, and also displays information about the input’s gain and meter levels.
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