Soundcraft, Harman International Industries Ltd., Cranborne House, Cranborne Road, Potters Bar, Hertfordshire EN6 3JN, UK
T: +44 (0)1707 665000 F: +44 (0)1707 660742 E: soundcraft.marketing@harman.com
Soundcraft USA, 8500 Balboa Boulevard, Northridge, CA 91329, USA
T: +1-818-920-3212 F: +1-818-920-3208 E: soundcraft-usa@harman.com
www.soundcraft.com
Part No: BD10.947301
Issue 0310
The world’s best-loved
digital live sound
console is now more
accessible than ever.
Soundcraft Vi Series consoles have
revolutionised the process of live
sound digital mixing through the
combination of exceptional sound
quality and a refreshingly intuitive
operating interface. With the advent of
Vistonics™, engineers were finally
freed from the complex ‘mental
mapping’ that had been demanded of
them up until then and could now,
quite literally, see the full power and
versatility of digital mixing open up
before them. Not surprisingly, Vi Series
consoles have gone on to provide the
mixing solution on major tours and big
festivals the world over. And now
comes the Soundcraft Vi1™ – a new
mixer that makes the world’s best-
loved digital live sound console more
accessible than ever.
PAGE 3
Mixes the show
without maxing the budget.
The affordable new Vi1 may be the
baby of Soundcraft’s Vi Series digital
live sound console range, but it’s fully
grown up when it comes to features.
The 16 input fader control surface
delivers simultaneous mixing of 64
mono inputs (channels may be paired
for stereo) into 24 mono busses plus
LRC – enough capacity to handle all
but the very largest shows. And,
thanks to the widescreen Vistonics™
touchscreen, all the parameters of 16
channels are simultaneously displayed
and instantly accessible, with the
other channels just a click away.
All 24 busses can be switched Group or
Aux, and Mono/Stereo (maximum of
12 if stereo), and up to 8 busses can
be put into matrix mode. The Vi1
features 8 output/VCA faders with LR
and C master faders, 4 fixed and 5
user-configurable input layers, 8 VCA
groups and 4 Mute groups.
Legendary Vi audio quality is ensured by
the same 40-bit floating point DSP
running the same algorithms as the
larger consoles in the Vi family – indeed
anyone who has used another Vi console
will find the Vi1 instantly familiar.
Effects come courtesy of our
colleagues at Lexicon, with graphic EQs
from industry leaders BSS Audio.
Factor in powerful automation,
copy/paste and offline editing
facilities, a comprehensive range of
I/O and stagebox options and a
redundant power supply option, and
it’s easy to see that while the Vi1
won’t max out your budget, it’s more
than capable of mixing your show.
PAGE 4/5