PXW-FSM/PXW-FSMK Advanced Handheld Super Camcorder
Beyond Definition
FS7 II
Since its introduction in 2014, the
FS7 has become one of the most
popular cameras in the production
world. We listened to our users to
create an advanced version of the
FS7 with technical, mechanical and
ergonomic enhancements to take your
production to even greater heights.
The original FS7 will remain in the
product line-up.
The FS7 II retains all of those features
which have made the FS7 a widely
used camera for documentary, run and
gun, unscripted TV, interview, event,
broadcast, web series and countless
other production applications. We
have just added advancements to
give our users more features and
ergonomic advances.
FS7
FS7 II
How did we improve on our bestselling FS7?
We listened.
Users will benefit from three key features we have added to the FS7 II:
Lever Lock Type E-Mount to secure your lenses
Electronic Variable ND Filter to control exposure
Ergonomic innovations to work faster, with greater confidence
And more...
LEVER LOCK TYPE E-MOUNT
Our users have asked for a lens mounting system that can carry
heavier cine and zoom lenses without additional support. Why can’t
it be more like a PL mount in its security and ease of lens changes?
Well, we developed a unique Lever Lock Type E-Mount.
Operation of the Lever Lock Type E-Mount is similar to PL mounts
commonly used on cine cameras. Simply place the lens into the
mount opening. No twisting of the lens is required. With your free
hand, rotate the locking ring counterclockwise until it clicks, telling
you that a secondary latch has locked the ring securely in order to
prevent any accidental disengagement. To remove a lens, release
the secondary latch, rotate the ring counterclockwise and then
remove the lens.
Our Lever Lock Type E-Mount holds the lens securely as you operate.
Sony’s new mount system securely locks E-Mount lenses to
the camera body and enables the use of larger, heavier
lenses without need for additional support.
This breakthrough is based on a clever combination
of advanced material science and ingenious engineering.
The Lever Lock Type E-Mount securely holds E-Mount
lenses and adapters to the camera body. In fact, it can hold,
unsupported lenses of similar weight as the larger F55
camcorder can.
The Lever Lock Type E-Mount works with native E-Mount
lenses as well as all adapters currently on the market.
FS7 II with B4 ENG zoom lens
ELECTRONIC VARIABLE ND FILTER
Electronic variable ND filtration opens all kinds of new
vistas for shooting creativity. Imagine being able to set a
constant aperture while being able to adjust exposure
through neutral density adjustments.
You can use your iris aperture to determine a consistent
depth of field. Or you can set your aperture for what you
know to be the “sweet spot” of your lens for maximum
sharpness. We’ve given you a whole new way to control
exposure using any of three variable ND operating modes.
can be exactly set to the optimum ND density for three
particular scenes, preventing the usual over-attenuation
when using conventional fixed density optical ND filters
commonly used in cameras.
ELECTRONIC VARIABLE ND FILTER
We’ve designed this mode for run and gun shooting.
In this mode, the operator can seamlessly adjust ND
settings within that 2 to 7 stop ND attenuation range.
Adjust ND settings either by the dial on the operator’s side
of the camera or via the front wheel on the SmartGrip.
AUTO ND
Auto ND replaces an auto iris workflow as an effective
means of adjusting exposure, particularly when shooting
outdoor scenes, nature shots, or changing lighting
conditions. Yes, you can still shoot the camera with manual
or auto iris, but Auto ND can yield better results. Rather
than shooting auto iris, with all of the concerns of
changing depth of field, Auto ND quickly adjusts exposure
through ND attenuation. Here’s a great way to use it.
Assign one of the FS7 II’s 10 assignable buttons to “push
auto ND”. Then let the camera find an exposure setting.
Toggle Auto ND off and manually fine tune the exposure
with the electronic variable ND function.
PRESET ND
Turning the ND turret knob instantly changes ND
attenuation to any of four ND presets: clear + three user
preselected ND densities. ND densities are selectable in
1/3 stop steps within the camera’s 2 to 7 stop range.
Therefore, the attenuation for each of the three ND presets
The viewfinder rod mounting system has been completely redesigned with two
independent clamps and a square rod shape. This allows for easy horizontal
adjustment of the viewfinder without tools. A second independent clamp allows
for vertical adjustment of the VF screen. Both of these operations can be
performed with one hand while the camera is still on operator’s shoulder.
Because this system utilizes standard 15 mm rods, it is possible to replace any of
the standard rods with longer rods to telescope the viewfinder out further.
Left-eye operators will love this feature.
The eyepiece hook has been improved as well to allow easier attachment to the
LCD screen. Simply place the eyepiece attachment on the LCD screen to engage
the buttom latch. It uses an industry-standard interchangeable 52 mm diopter
which can be accessed by removing the rubber eyecup.
A new pop-up LCD monitor hood eases monitoring viewing in bright conditions
when shooting without the detachable eyepiece.
Viewfinder set up has never been faster, more convenient and more precise.
VERSATILE VIEWFINDER SYSTEM
The viewfinder improvements are significant. The new rod
“
system, with the square rod prevents the viewfinder from tilting
sideways. It's easier and stronger. You can adjust the viewfinder
to any position and flip it over to other side of the camera.
”
— Chuck Fishbein, Creative Director
Crazy Duck Productions, Inc.
Top: Upgraded monitor arm. A robust, articulated arm makes it even easier to place the monitor exactly
where you want it.
Middle: Pop-up monitor hood. The FS7 II supplements the detachable eyepiece with a pop-up hood that
maximizes visibility in sunlight.
Bottom: Upgraded eyepiece with more robust attachment to the monitor.
FAST AND SECURE SET UP
The FS7 II is now faster to set up and adjust even while shooting. New,
secure robust mechanical designs of the SmartGrip, VF and microphone
holder allow quick one-hand adjustments for changing shooting
positions without tools. We’ve also created an entirely new operator control
panel layout and increased assignable buttons from six to ten.
Refinements help make the FS7 II an even more intuitive tool, even more
responsive to your needs in the midst of a cinema verité shoot.
Simple things make a difference, especially with run and gun,
“
where you need to do things on the fly. Controls are easier to
find. Adjustments knobs are easy to loosen and tighten. The
Audio door no longer blocks the media cards. The XQD media
cards pop further out, making them easier to grab. The new
mount design is brilliant. It's easy to use and secure – simply
slide and click. We use a lot of different lenses; some are
extremely heavy, so the strength of new mount is critical.
”
— Sarah Fishbein, Senior Producer
Crazy Duck Productions, Inc.
ERGONOMIC DESIGN
MICROPHONE HOLDER
The FS7 II updates the FS7’s mic holder which was permanently attached to a 15 mm rod. The mic holder now fits to a
15 mm rod secured by a hand-adjustable clamp. If desired, you can even replace the supplied rod with a longer standard
15 mm rod. But a big feature here is the ability to swap positions of the mic holder and viewfinder for shooting from
the right side, a boom for left-eye dominant shooters.
AN EVEN BETTER VIEWFINDER EXPERIENCE
Like its predecessor, the FS7 II has a large, bright and detailed
LCD monitor that you can view directly or through the clip-on
eyepiece. While cinematographers appreciated the arrangement,
they had suggestions for making it even better. Sony responded
with the upgraded configuration of the FS7 II.
ERGONOMICS TO WORK FASTER
WITH MORE CONFIDENCE
LEVER LOCK TYPE EMOUNT
A sturdy E-Mount with a locking collar makes for more confident lens
changes. To mount, simply hold the lens steady and turn the collar instead.
When the collar clicks, your lens is positively locked into place. The Locking
E-Mount also supports heavier cine and ENG lenses without additional rigging.
As before, the camera accepts Sony’s E-Mount lenses, along with simple thirdparty adaptors for PL mount cinema lenses, SLR and DSLR glass, and even
classic rangefinder lenses.
RECONFIGURED OPERATOR’S SIDE CONTROLS AND
ADDITIONAL ASSIGNABLE BUTTONS
In order to accommodate the variable and auto ND functions,
operator side controls have been rearranged from the FS7. FS7 II
now has 10 user configurable buttons, 7 on the camera body
and 3 on the handgrip. More user configurable preset buttons
translates to instant recall of more parameters which in turn
speeds up camera operation.
XQD CARD SLOTS
We listened to our users when designing the XQD card slots for
the FS7 II. The cards protrude twice as far from the slot than in
the FS7. That makes insertion and removal of cards much easier,
even when wearing gloves.
POWER LED LIGHT
We’ve added a power LED light. No more forgetting to power down the
camera only to be greeted by a discharged battery.
SMARTGRIP IMPROVEMENTS
The SmartGrip as well now has a new toolless knob design that can adjust the arm length
while the camera is on the operator’s shoulder. The SmartGrip can now be easily configured
to shoot at waist level. You can quickly configure the SmartGrip for the way you shoot.
All of these operations as well can be performed with one hand. Never has handgrip
configuration been so fast.
UPGRADED TELESCOPING ARM
Another key to handheld comfort is the telescoping arm that holds the SmartGrip. With the FS7 II, you
adjust the arm length by simply turning a knob – no tools required. Another knob at the joint adjusts
angle. So you can instantly adapt the arm to suit your physique and your shooting position. You can also
reposition the arm alongside the camera body for waist-level shooting.
The upgraded FS7 II telescoping arm is also available for purchase to owners of the original FS7.
A REVOLUTIONARY
NEW CINE ZOOM LENS
SEL18110G f/4 LENS
An advanced camera deserves an advanced lens. We built our new
18-110 f/4 G lens from the ground up specifically for motion picture
applications. This Super35/APS-C lens is available as a bundle, or sold
separately. It is the perfect complement to the new FS7 II or any other
Sony E-mount still or video camera. Another powerful alternative is the
existing powered zoom lens SEL-P28135G with a constant f/4 aperture
(sold separately).
Like the 28-135 predecessor, this new lens has a push pull focus ring to
switch between automatic and manual mode. When the 18-110 lens
servo zoom is switched to manual, it's fully mechanical, allowing snap
zooms and eliminating servo lag.
The focus ring incorporates a cine-style gear for use with external follow
focus or motor drives. As an added feature, the zoom ring direction
is reversible. This truly manual focus system, with a full 240 degree
rotation, offers precise and repeatable focus pulls as needed. Autofocus
and auto iris changes are virtually silent and will not be picked up by the
camera microphone.
This lens is completely parafocal, with an f/4 aperture which remains
constant throughout its entire zoom range (no ramping), giving the
creative freedom of zooming while shooting. This lens simply doesn’t
breathe, hence there is no appearance of zooming or change of image
size while focusing.
Most unique for a lens in this range is there is no shift of optical axis. The
image does not move in the frame when zooming.
The lens’ sunshade is now equipped with a built-in louver-style lens
cap; no more worries about losing, that big rectangular lens cap! The
lens shade is also engineered to be dust and moisture resistant.
Lens metadata is transferred to the camera to be visible in the VF as well
as recorded into the file (for Sony formats only).
Optical SteadyShot™ can easily be toggled on or off via a switch on
the lens.
Sony G series class ensures high contrast images which are sharp from
edge to edge. Its 6 aspherical and 3 Extra-low Dispersion (ED) glass
elements reduce the chances of flare. Sony’s years of lens design and
experience have led to this line, with rich color rendition.
The support shoe is detachable to expose a standard 3/8" support point
if shooting with rails and support.
FS7 II
ACCESSORIES
Lens Adapter
LA-EA4 35 mm Full-Frame A-Mount Adapter
accepts A-Mount lenses and provides phase
detection AF
Remote Control
RM-30BP Wired LANC Remote Control
Batteries
BP-U30/U60/U60T/U90
Battery Packs
Battery Charger
Mics & Wireless
ECM-VG1 Compact Shotgun Mic ECM-MS2 Stereo Mic
Mid-Side configuration for one-point stereo
Media
QD-G32A/G64A/G128A/256GB XQD™ G Series memory cards for
PXW-FS7M2/PXW-FS7M2K, which come with a USB 3.0 Adapter.
QD-M32/M64/M128 XQD™ M Series memory cards for
PXW-FS7M2/PXW-FS7M2K. Requires FS7 II free firmware
upgrade V3.10. USB 3.0 adapter not included.
Adapter/Card Reader
Extension Unit
XDCA-FS7 Extension Unit
Software
Catalyst Browse
Free, simple
viewing and
logging tool
Catalyst Prepare
Fast, simple,
reliable path from
camera to post
Catalyst Production Suite
Focused, fast production
for 4K, RAW, and HD video
BC-U1/U2 Battery Charger
Video Light
HVL-LBPC LED Video Light
Achieves 2100 lux at 1 meter in booster
mode; variable color temperature;
works with MI Shoe
UWP-D11/D12/16*
Wireless Mic Package
(Works with SMAD-P3 MI Shoe)
Supports & Adapters
VCT-FS7 Shoulder Pad
With 15 mm rods, adjustable shoulder
pad and industry standard rosettes
for PXW-FS7M2/PXW-FS7M2K
URX-P03D** Dual Channel
Wireless Audio Receiver
(Optional SMAD-P3D
adapter is required)
SMAD-P3 MI Shoe
for UWP-D11/12/16
*(Required for cable-free
operation of URX-P03 receiver)
CBK-WA100 Wireless Adapter
Adds smartphone content
browsing, wireless streaming
and wireless proxy transfer to
PXW-FS7M2/PXW-FS7M2K
SMAD-P3D MI Shoe
for URX-P03D Wireless Receiver
**(Required for cable-free
operation of URX-P03D receiver)
QDA-SB1/J XQD USB Adapter
Supports both XQD Series G and
XQD Series M memory cards
MRWE90BC/2 Card Reader
Transfers data from your XQD
and SD cards via the USB 3.0 port
Long Term Storage
Sony's Generation 2 Optical Disc Archive system
includes ODS-D280U Standalone Drive and
ODC3300R Cartridge
General
Weight Approx. 4 lbs 7oz (2.0 kg) (body only)
Dimensions (W x H x D)* 6.26 x 9.66 x 9.65 in. (158.9 x 245.2 x 247 mm) (body without protrusions)
Power Requirements DC 12 V
Power Consumption
Operating Temperature 32°F to 104°F (0°C to 40°C)
Storage Temperature -4°F to +140°F (-20°C to +60°C)
Battery Operating Time Approx. 1 hrs with BP-U30 battery (while recording XAVC-I QFHD 59.94P, SELP18110G Lens, Viewfinder ON, not using external device)
Lens
Lens Mount E-mount (Lever Lock Type)
Camera Section
Imaging Device (Type) Super35 type Single-chip Exmor CMOS
Effective Picture Elements 17:9 4096 (H) x 2160 (V)
Built-in Optical Filters Electronic Variable ND: Linear Variable ND from 1/4-ND (2 Stops) to 1/128-ND (7 Stops) attenuation
Sensitivity (2000 lx, 89.9% reflectance) Video Gamma: T14 (3840 x 2160/23.98P mode 3200K)
ISO Sensitivity ISO 2000 (S-Log3 Gamma D55 Light source)
Minimum Illumination 0.7 lx (+18dB, 23.98P, Shutter OFF, ND Clear, F1.4)
S/N Ratio 57 dB (Y) (typical)
Shutter Speed 1/3 sec to 1/9,000 sec
Slow & Quick Motion Function XAVC-I mode 3840x2160: 1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
White Balance Preset, Memory A, Memory B (1500K-50000K)/ATW
Gain -3, 0, 3, 6, 9, 12, 18 dB , AG C
Gamma Curve STD, HG, User, S-Log3
Input/Output
Audio Input XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable, Mic Reference: -40, -50, -60dBu
SDI Output BNC (x2), switchable with 3G-SDI/HD-SDI
USB USB device, mini-B (x1)
Headphone Output Stereo mini jack (x1), -16dBu 16Ω
Speaker Output Monaural
DC Input DC jack
Remote Stereo mini-minijack (ø2.5 mm)
HDMI Output Type A (x1)
Option 4-pin, Type A for W-LAN (x1)
Monitoring
Built-in LCD Monitor (3.46 in) 8.8 cm (3.5 type), Approx. 1.56M dots
Built-in Microphone
Media
Type XQD Card slot (x2)
Supplied Accessories
* The values for dimensions are approximate.
PXW-FS7M2/PXW-FS7M2K
Approx. 10 lbs (4.5 kg) (with Viewfinder, Eyepiece, Grip Remote Control, BP-U30 battery, SEL-18110G LENS, an XQD memory card)
Approx. 19 W (while recording XAVC™-I QFHD 59.94P, SELP18110G Lens, Viewfinder ON, not using external device)
Approx. 2 hrs with BP-U60 battery (while recording XAVC-I QFHD 59.94P, SELP18110G Lens, Viewfinder ON, not using external device)
Approx. 3 hrs with BP-U90 battery (while recording XAVC-I QFHD 59.94P, SELP18110G Lens, Viewfinder ON, not using external device)
16:9 3840 (H) x 2160 (V)
XAVC-I mode 1920x1080: 1 to 180 frames (59.94P, 29.97P, 23.98P), 1 to 150 frames (50P, 25P)
XAVC-L mode 3840x2160: 1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
XAVC-L mode 1920x1080: 1 to 120 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
SMTPE292M/424M/425M
Omni-directional monaural electret condenser microphone
SD Card slot (x1) for saving configuration data
Body Cap (1)
Viewfinder (1)
Eyepiece (1)
Viewfinder Hood
Grip Remote Control (1)
USB wireless LAN module IFU-WLM3 (1)
Wireless remote commander (1) (RMT-845)
WA Adaptor Bracket (1)
MPA-AC1 AC Adapter (1)
BC-U1 battery charger (1)
BP-U30 battery pack (1)
Power cord (2)
USB cable (1)
Operating Guide (2)
CD-ROM “Manuals for Solid-State Memory Camcorder” (1)
sony.com/35mm
Sony Electronics Inc.
1 Sony Drive
Park Ridge, NJ 07656
Photography
Chuck and Sarah Fishbein,
Crazy Duck Productions, Inc.
© 2016 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Weights and measures are approximate.
Features and specifications are subject to change without notice. Sony, Exmor, SteadyShot, XAVC, XQD and the Sony logo are trademarks or registered trademarks
of Sony Corporation. HDMI is a trademark of HDMI Licensing LLC. All other trademarks are property of their respective owners.
V-2650
Printed in USA (11/16)
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