Roland VS-1680 User Manual

®

APPENDICES

Before using this unit, carefully read the sections entitled: “IMPOR-

TANT SAFETY INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p.

3, 4), and “IMPORTANT NOTES” (p. 5). These sections provide impor-

tant information concerning the proper operation of the unit.

Additionally, in order to feel assured that you have gained a good

grasp of every feature provided by your new unit, Quick Start,

Owner’s Manual, and Appendices should be read in its entirety. The

manual should be saved and kept on hand as a convenient reference.

without the written permission of ROLAND CORPORATION.

About MIDI....................................4

About SCSI...................................5

Troubleshooting...........................6

Q&A...............................................9

Error Messages..........................13

Special Key Operations.............16

Parameter List............................19

MIDI Implementation .................25

MIDI Implementation Chart ...................................58

Mixer Section Block Diagram ...60

Glossary .....................................63

Specifications ............................66

Track Sheet.................................72

VS8F-2 Preset Patch List ..........74

VS8F-2 Algorithm List ...............81

Reverb.........................................................................81

Delay...........................................................................82

StDly-Chorus (Stereo Delay Chorus).....................83

StPS-Delay (Stereo Pitch Shifter Delay).................84

Vocoder ......................................................................85

2ch RSS (2-channel RSS) ..........................................85

Delay RSS...................................................................86

Chorus RSS ................................................................86

GuitarMulti1 (Guitar Multi 1).................................87

GuitarMulti2 (Guitar Multi 2).................................88

GuitarMulti3 (Guitar Multi 3).................................89

Vocal Multi ................................................................90

Rotary .........................................................................91

GuitarAmpSim (Guitar Amp Simulator) ..............92

St Phaser (Stereo Phaser) .........................................93

St Flanger (Stereo Flanger) ......................................94

DualCom/Lim (Dual Compressor/Limiter)........95

Gate Reverb ...............................................................96

MultiTapDly (Multi Tap Delay) .............................97

Stereo Multi ...............................................................98

Reverb 2......................................................................99

Space Chorus...........................................................100

Lo-Fi Proces (Lo-Fi Processor) ..............................100

ParametricEQ (4-Band Parametric Equalizer)....101

GraphicEQ (10-Band Graphic Equalizer)............102

Hum Canceler .........................................................103

Vocal Cancel ............................................................104

Voice Trans (Voice Transformer) .........................105

Vocoder 2 (19) .........................................................106

MicSimulator (Mic Simulator) ..............................107

3BndIsolater (3-band Isolator) ..............................108

TapeEcho201 (Tape Echo 201) ..............................108

AnalogFlnger (Analog Flanger)............................109

AnalogPhaser (Analog Phaser).............................109

Function of Each Effect

Parameter .................................110

Index .........................................129

Contents

3

This section explains the basic concepts of MIDI, and how the VS-1680 handles MIDI messages.

What is MIDI

MIDI stands for Musical Instrument Digital Interface. It is a worldwide standard that allows elec-

tronic musical instruments and personal computer to exchange musical performance data and messages such as sound selections. Any MIDI-compatible device can transmit musical data (as appropriate for the type of device) to any other MIDI-compatible device, regardless of its manufacturer or model type.

MIDI connectors

MIDI messages (the data handled by MIDI) are transmitted and received using the following three types of connectors. On the VS-1680, MIDI OUT and MIDI THRU are handled by a single connector, which can be switched to act as the desired connector. (Owner’s Manual p. 129) MIDI IN: This receives MIDI messages from exter-

nal MIDI devices.

MIDI OUT: This transmits MIDI messages from the

VS-1680.

MIDI THRU: This re-transmits all MIDI messages that

were received at MIDI IN, without modifying them.

MIDI channels

MIDI is able to send information over a single MIDI cable independently to two or more MIDI devices. This is made possible by the concept of MIDI channels. You can think of MIDI channels as being somewhat similar in function to the channels on a television. By changing the channel of a TV set, you can view a variety of programs being transmitted by different broadcast stations. This is because data is received only from the transmitter whose channel is selected on the receiver. In the same way, a MIDI device whose receive channel is set to “1” will receive only the data being transmitted by another MIDI device whose transmit channel is also set to “1.”

MIDI messages

The VS-1680 uses the following types of MIDI message.

Note messages:

These messages are used to play notes. On a keyboard, these message transmit the key (note number) that was pressed, and how strongly it was pressed (velocity). On the VS-1680, these messages are used when you use a MIDI sound source to play the metronome sound.

Program Change messages:

These messages are for the purpose of selecting sounds, and contain a program number of 1–128. The VS-1680 uses these messages to select scenes and effects. (Owner’s Manual p. 138, 139)

Control Change messages:

In general, these messages are used to transmit information such as vibrato, hold, and volume etc., that makes a performance more expressive. The various functions are differentiated by a controller number from 0–127, and the controller number is defined for each function. The functions that can be controlled on any given device will depend on that device.

On the VS-1680, these messages are used in a completely different way than on most instruments;

they are used to control mixer parameters.

Exclusive messages:

Unlike note messages and control change messages, exclusive messages are used to transmit settings that are unique to a particular device. On the VS-1680, exclusive messages can be used to control mixer parameters (in the same way as control change messages). Normally, control change messages are easier to handle, so they should be used rather than exclusive messages. Exclusive messages intended for different units are distinguished by their Device ID, rather than by MIDI channel. When exclusive messages are to be transmitted or received, you must set the Device ID of both units to a matching setting.

MIDI implementation chart

MIDI allows a variety of electronic musical instruments to communicate with each other. However it is not necessarily the case that all devices will be able to communicate using all types of MIDI message. They can only communicate using those types of MIDI message that they have in common. Each owner’s manual for a MIDI device includes a MIDI Implementation Chart. This chart shows you at a glance the types of MIDI message that can be transmitted and received. By comparing the implementation charts of two devices, you will be able to see the types of message with which they will be able to communicate.

About MIDI

4

SCSI stands for Small Computer System Interface. It is a data transfer standard that allows large amounts of data to be sent and received. The VS-1680 comes prepared with a SCSI connectors allowing you to connect external SCSI devices such as hard disks and Zip drives. This section describes the procedures and precautions taken when using these devices.

Disk drives are precision devices. If they are connected or used incorrectly, not only may they fail to operate correctly, but the data on the disk can be lost or, in the worst case, the disk drive itself may be damaged. Please be sure to read the manual for your disk drive.

*A disk drive being used for the first time with the VS-

1680 must be initialized by the VS-1680 (Owner’s Manual p. 111). When a disk drive is initialized, all data on that disk drive is lost. Before using a disk drive that has been used by another device, make sure that it is all right to erase the data.

About Connections

Up to 7 disk drives can be connected to the SCSI connector of the VS-1680. Use SCSI cable to connect the disk drives, connecting as shown below. SCSI connectors are not distinguished by input and output ends, so you may attach either end of the cable to the devices. Devices connected in this fashion are referred to as a SCSI chain or daisy chain.

fig.ap(scsi)-01(chain.eps)

●The VS-1680 features a DB-25 type connector (female). After checking your disk drive to see what kind of SCSI connector it uses, connect it with the appropriate cable.

●Keep SCSI cables as short as possible, and use only cables which have an impedance that is compatible with the SCSI standard (110Ω +/-10%), and that are completely shield.

●Do not allow the total length of all SCSI cables connecting the chain of disk drives to exceed 6.5 meters.

●Do not connect or disconnect SCSI cables when the power of any device is turned on.

About Terminators

To protect against return noise, the device at each end of a SCSI chain must have a terminating resistance. This is referred to as a terminator. Since the VS-1680 is one end of the SCSI chain, its internal terminator is normally in effect. Connect a terminator only to the last external drive in the chain. There are two types of terminators, those that can be switched on and off (internal) and those that are attached using SCSI connections (externally attached). Select the method appropriate for the disk drive you are using.

●Your disk drive may feature a terminator switch that is normally left in the “On” position (i.e., the terminator is usually in effect). Use this type of device as the last piece in a daisy chain.

●Do not use double terminators. For example, don’t attach an external terminator to a disk drive that already has and internal terminator.

Active Terminators

If you are using an external terminator, we recommend that you make it an active terminator. In this case, if you are using a disk drive that allows you to turn the power to the terminator on and off, be sure to turn this power on. For details on attaching an active terminator, refer to the owner’s manual for your disk drive.

Active Terminator (p. 63)

Terminator Power (p. 65)

About SCSI ID Numbers

Each disk drive is distinguished by its SCSI ID number (0–7). This means that when two or more disk drives are connected, you must make settings so that the SCSI ID numbers of the disk drives do not conflict (coincide). If the SCSI ID numbers conflict, the VS-1680 will not be able to correctly recognize the disk drives. With the factory settings, the VS-1680 is set to SCSI ID number 7. Set the disk drives you are connected to ID numbers other than 7.

VS-1680 Disk Drive1

(Zip Drive, etc)

Disk Drive2

(Zip Drive, etc)

Disk Drive7

(CD-R Drive, etc)

About SCSI

5

When the VS-1680 does not perform the way you expect, check the following points before you suspect a malfunction. If this does not resolve the problem, contact servicing by your dealer or qualified Roland Service Center.

Recording and Playback

No Sound

●The power of the VS-1680 and the connected devices is not turned on.

●The audio cables are not connected correctly.

●The audio cables are broken.

●The volume is turned down on the connected mixer

or amp.

●The master fader of the VS-1680 is turned down.

Channel faders Master fader MONITOR knob PHONES knob

●The output jacks which are connected are different than the output jacks selected in the master section of the mixer (Owner’s Manual p. 175).

●Short phrases less than 0.5 seconds cannot be played back.

A specific channels does not sound

●The volume level of the channel is turned down.

→When switching between the input mixer and track

mixer, recalling Scenes, using Auto Mix, or in other such situation, the actual volume levels may not match the position of the faders. In such cases, bring the faders up or down to match the settings.

●The track is off (the STATUS indicator is off).

●The Master Send switch (Owner’s Manual p. 62) is set

to “Off.”

●The Solo or Mute function (Owner’s Manual p. 162) is being used.

●“Cntrl Local” is set to “Off.”

→In this case, fader movements have no effect.

Cannot record

●The recording track has not been selected (the STATUS indicator is not blinking red).

●Recording source tracks, playback tracks, or effects have not been assigned.

●The disk drive has insufficient capacity.

●The song has an insufficient number of events.

Cannot record digitally

●The CD player’s digital connection is not accepted.

●The master clock is set to “INT” (Owner’s Manual p.

75).

●The DIGITAL IN connector (optical or coaxial) was not properly selected.

●The sampling rate of the recording destination song is different than the sampling rate of the digital audio device.

→Match the sample rate setting of the digital audio

device to the setting of the song. If it is not possible to change the sample rate of the digital audio device, create a new song with that sample rate.

●The digital signal is not being transmitted from the digital audio device.

→Some digital audio devices do not output a digital

signal unless they are in play mode. If this is the case, put your digital audio device in standby (pause) mode before putting the VS-1680 into record mode.

●The digital signal format is different.

→Some digital audio devices may use a special digital

signal format. Please connect to a digital audio device that is compatible with S/P DIF.

Noise and distortion appear in the recorded sound

●Input sensitivity settings are incorrect.

→If input sensitivity settings are too high, the record-

ed sound will be distorted. Conversely, if they are too low, the recorded sound will be obscured by noise. Adjust the INPUT knobs so that the level meters move at as high a level as possible, within the range of -12 dB to 0 dB.

●The equalizer is being used with the input mixer.

→Some equalizer settings may cause the sound to dis-

tort even if the PEAK indicator does not light. Readjust the equalizer.

●“ATT” (Attenuation) setting is incorrect. (Owner’s Manual p. 174)

→If noise or distortion occurred as a result of track

bouncing, the track output levels were too high.

Troubleshooting

6

The playback pitch is strange

●The Vari-Pitch function is turned on (the VARI PITCH indicator is lit).

●The time compression/expansion function is being used (Owner’s Manual p. 90).

Disk drive problems

The internal hard disk is not being recognized

●The hard disk has not been installed correctly.

●“IDE Drive” is set to “Off” (Owner’s Manual p. 189).

●The “Partition” settings are not right.

→When a high-capacity hard disk is installed in the

VS-1680, we recommend setting the partition size to “2000MB.”

The Zip drive is not recognized

●The Zip drive is not connected correctly.

●The same device ID number is assigned to two or

more SCSI devices (Zip drives , CD-R drives, etc.).

●The Zip drive has not been initialized (Owner’s Manual p. 111).

●No Zip disk is inserted in the drive.

→When switching Zip disks, be sure to select the

newly inserted disk as the current drive.

●An archives copy Zip disk is inserted.

Internal Effects

Effects cannot be used

●The VS8F-2 has not been installed correctly.

●Only one VS8F-2 has been installed (when EFFECT B

cannot be used).

●You are attempting to select the algorithm for Reverb, Gated Reverb, Vocoder 2, or Voice Transformer with EFX2 or EFX4.

●You are attempting to select the algorithm for Vocoder 2 or Voice Transformer with EFX1 or EFX3 (p. 105, 106).

CD-R Drive Problems

The CD-R drive is not being recognized

●The CD-R drive is not connected correctly.

●The same device ID number is assigned to two or

more SCSI devices (Zip drives , CD-R drives, etc.).

●No CD-R disc is inserted in the drive.

●A CD-R drive that is not designated by Roland.

Cannot write to CD-R discs

●The song’s sample rate is set to something other than

44.1 kHz (Owner’s Manual p. 58).

●No IDE hard disk is installed.

●The internal IDE hard disk does not have sufficient

free disk space (Owner’s Manual p. 169).

●The CD-R disc does not have sufficient free space.

●You are trying to write to a commercial CD software

disc.

●You are trying to write to a CD-R disc that has been finalized.

MIDI Devices

With the VS-1680 as master, the sequencer does not respond to commands

●The MIDI cable is not connected correctly.

●The MIDI cable is broken.

●The MIDI Thru switch is not set to “Out” (Owner’s

Manual p. 129).

●“Sync Gen.” (the sync generator) is not set to the appropriate synchronization method (MTC, MIDI Clock, Sync Track) (Owner’s Manual p. 133).

●The EXT indicator is blinking (“Sync Source” is set to “EXT”).

●The two devices are not set to the same type of MTC (during MTC synchronization).

●The MIDI clock data has not been recorded on the sync track (if you are using the sync track for synchronization).

●The settings of the MIDI sequencer are not correct.

●The MIDI sequencer is not ready to playback.

Troubleshooting

7

When synchronizing using a MIDI sequencer as the master, the VS-1680 does not respond to the sequencer messages

●The MIDI cable is not connected correctly.

●The MIDI cable is broken.

●You are trying to synchronize using the MIDI clock.

→The VS-1680 cannot be run in slave mode using a

method other than MTC.

●The EXT indicator is off (“Sync Source” is set to “INT”).

●The two devices are not set to the same type of MTC (during MTC synchronization).

●The settings of the MIDI sequencer are not correct.

●The MIDI sequencer is not in playback standby

mode (with the PLAY indicator blinking).

●MTC reception is in poor condition.

→Setting the Sync Error Level to “5” or higher may

improve conditions.

With a video device as the master, the VS-1680 does not respond

●The cable connected to the L-connector or the MIDI cable is not properly connected.

●The MIDI cable is broken.

●The EXT indicator is off (“Sync Source” is set to

“INT”).

●“SysEX.Rx.” (System Exclusive Receive Switch) is not set to “On.”

●“MMC” (MMC mode) is not set to “SLAVE.”

The MTC frame rate of the video device differs from that of the SI-80S (Roland Video MIDI Sync Interface), or the video and the VS-1680 are not set to the same type of MTC.

●MTC reception is in poor condition.

→Setting the Sync Error Level to “5” or higher may

improve conditions.

Other problems

Data on the disk drive was not saved properly

The VS-1680’s power was turned off without performing the shutdown process.

●The power was turned off while the disk drive was operating.

●A strong shock was applied to the disk drive.

●The disk drive or SCSI cable was connected or dis-

connected while the power was still turned on.

→Reinitialize the disk drive (and also execute physical

formatting) (Owner’s Manual p. 111). Also, we recommend that you execute Surface Scan as well (Owner’s Manual p. 113).

Troubleshooting

8

Basic Information

I just got the VS-1680. Can I use it right away?

The VS-1680 is an audio recording device. Please first prepared the following items.

•Internal hard disk (HDP-88 series)

• Audio device to take the Master output, or stereo headphones

• Instruments and mics, as well as a CD player and other devices for recording

Furthermore, by setting up the following pieces of equipment, you can get even greater performance from the VS-1680.

• Effect expansion board (VS8F-2)

• Zip drive

• CD-R Drive (which is designated by Roland)

• DAT Recorder

Etc.

Can I use my computer’s internal Zip drive to play VS-1680 song data saved on a Zip disk?

The VS-1680 song data format is particular to the VS-

1680. Other than VS-880 data ported (Song Export) to

the VS-1680, the data cannot be handled by other devices.

How long can I record for?

This size (capacity) of the hard disk, sample rate, and recording mode all have an effect. For example, using a 2.1 GB hard disk (HDP88-2100), the following guideline shows the approximate recording time (in track minutes, calculated for one track).

Sample Rate Recording Mode 48.0 kHz 44.1 kHz 32.0 kHz Multi-Track Pro 742 mins. 808 mins. 1114 mins. Mastering 370 mins. 404 mins. 556 mins. Multi-Track 1 742 mins. 808 mins. 1114 mins. Multi-Track 2 990 mins. 1078 mins. 1484 mins. Live 1 1188 mins. 1292 mins. 1782 mins. Live 2 1484 mins. 1616 mins. 2228 mins. (All times approximate)

How many tracks can I record at the same time?

You can record up to 8 tracks simultaneously, regardless of recording mode and sample rate.

How many tracks can I play back at the same time?

You can play back up to 16 tracks simultaneously. One of the 16 V-tracks on each track is selected for playback. However, when “MAS” is designated as the recording mode, the VS-1680 functions as an 8-track recorder (on Tracks 1–8).

What’s the difference between regular scrub and the VS-1680’s scrub function?

Scrub in traditional tape format multi-track recording scrub and the VS-1680’s scrub function are not the same thing. Traditionally, scrub emulates rotating the tape reels by hand. Therefore, it is necessary to slow the tape down to the appropriate speed to allow accuracy in finding the beginning of a sound. This slows the playback speed, resulting in a big pitch drop, making it difficult to determine the actually spot on the tape. Thus, the VS-1680 features “Scrub Preview,” allowing looped playback of very short segments.

I tried to record a commercial audio CD by connecting the player to the DIGITAL IN connector, but “Can’t REC CD” appeared in the display, and I couldn’t continue with the procedure.

When new, the VS-1680 cannot make digital connections with CD players. Please refer to “Recording Digital Signals” (Owner’s Manual p. 74 ).

When I tried to execute Track Copy on a very short segment of a song, nothing sounded, neither the source data nor the sound of the copy.

Phrases shorter than 0.5 seconds cannot be played on the VS-1680. If you happen to create

extremely short Phrases using Track Edit or Phrase Edit, it may seem that the audible sound up to that point sound has been deleted. When you cut and paste this kind of short phrase, it is treated like sampled percussion sounds or a sound effect. As a rule of thumb, make phrases at least one second long.

Q&A

9

After track bouncing I erased the source track using Track Erase, but the free capacity on the hard disk didn’t increase.

When you carry out Track Cut, Track Erase, or Phrase Delete, the apparent performance data disappears. However, due to the Undo function, the erased performance data is not deleted from the hard disk. When you want to increase hard disk free space, use Song Optimize. (Owner’s Manual p. 169)

How long does time compression take?

For each track, it takes about nine times the playback time. For example, if you have a five-minute song that uses eight tracks, then compression takes 8 (tracks) x 5 (minutes) x 9 = 360 minutes.

I tried to start making a new song, but “Song Protected” appeared in the display, and I couldn’t continue with the procedure.

This is because the demo song that is saved on the internal hard disk has Song Protect on it. When “STORE Current?” appears in the display, press [NO]. Alternatively, remove Song Protect (Owner’s Manual p. 82). However, doing this may result in changes to the content of the demo song.

The PLAY indicator just blinks green. I can’t record or play back, even when I press the [PLAY] button.

When the EXT SYNC indicator is on, the VS-1680 is receiving MTC receive standby messages from the external MIDI device. Operate the external MIDI device or press [STOP]. When “PowerOFF/RESTART” appears in the display it means that the shutdown procedure is being performed. Hold down [SHIFT] and press [PLAY (RESTART)]. This restarts the VS-1680.

All of the tracks have something recorded on them. How can I bounce these tracks?

With the VS-1680, you can perform track bouncing on the same track. However, when you do this, each record or playback track is counted as a single track, with a limit of 16 tracks in total. For example, when you set the routing so that Track 1 is bounced to Track 1, then the STATUS indicator for Track 15/16 goes off, indicating the Track 16 is now not being played back.

Effects

I’d like to change the order of an effect algorithm.

The connection orders cannot be altered. They can only be turned on or off. For more detailed information on what goes on with the algorithm orders, please refer to the “Algorithm List” (p. 81).

To use the mic simulator effectively, what kind of mic do you recommend?

We recommend using the Roland DR-20 mic. As input for the mic simulator, with the DR-20, you can select small dynamic mic input, headset type dynamic mic input, ultra-compact condenser mic input, or line input. In addition, as an effect preset Patch, an effective mic emulator is set up assuming that the DR-20 will be used as input.

Can a different mic simulator Patch be assigned to each of the sounds being input to INPUT 1–4?

Yes. For example, assign the main vocal to INPUT 1, electric guitar to INPUT 2, bass to INPUT 3 and so on, and if you want to create the atmosphere available when recording with a studio mic setup, set “LINK” to “Off” (p. 121).

Zip Drives

Can I connect and disconnect SCSI cables while the power is turned on?

Never do this. Terminator power is supplied to SCSI connectors. Connecting and disconnecting SCSI cables while the power is turned on may result in malfunctioning, so when connecting SCSI cables, always be sure to turn off the power to all connected devices.

Q&A

10

How long does it take to copy to Zip disks?

Below is a chart that roughly shows the time it takes (in track minutes) to make a playable or archive copy to one Zip disk (100 MB), calculated for one track. However, with archive copies, you can also back up songs that contain more than 100 MB of memory, dividing the song onto multiple Zip disks.

Sample Rate Recording Mode 48.0 kHz 44.1 kHz 32.0 kHz Multi-Track Pro 34 mins. 37 mins. 52 mins. Mastering 17 mins. 18 mins. 26 mins. Multi-Track 1 34 mins. 37 mins. 52 mins. Multi-Track 2 46 mins. 50 mins. 69 mins. Live 1 55 mins. 60 mins. 83 mins. Live 2 68 mins. 75 mins. 103 mins. (All times approximate)

I can’t initialize the Zip disk.

If initialization is cancelled, with error messages such as “Medium Error,” “Not 512 bytes/sector,” “Function Failed!” or other messages appearing in the display, the cause is likely one of the following.

• The Zip disk may scratched or be otherwise dam-

aged. Try another (new) disk to check whether or not the same condition reappears.

• The Zip drive may be broken. Connect the Zip drive

to a device other than the VS-1680 (e.g., your computer) to see if the drive can initialize disks, read files, and perform other operations normally.

• When there is nothing wrong with either the

Zip disk or the Zip drive, contact your Roland Service Center or your dealer.

I initialized an archive copy Zip disk. Is there any way I can restore the data?

Unfortunately, there is no way to restore this data. Playable copies and archive copies have different disk formats. Take precautions such as sticking labels on disks saved as archive type data disks to distinguish the from other disks.

When I tried to initialize a Zip disk, “WRITE PROTECTED” appeared in the display, and I was unable to continue with the procedure.

That Zip disk may have been write-protected on another device (such as your computer). Insert a different disk. With “Physical Format” set to “On,” you can then initialize the disk on the VS-1680. However, in this case, all data on the disk is lost. Check the disk on another device to be absolutely sure there is no necessary data already deleted. The Tools DISK that is included with the Zip drive is also write protected. This Tools DISK is necessary when you want to use Zip disks on computers and other devices, so we recommend that this disk be left as is. Furthermore, the VS-1680 cannot add or delete the protect on the Tools DISK.

MIDI

When I synchronized the VS-1680 with a MIDI sequencer, the VS-1680 mixer level and pan settings changed by themselves.

The VS-1680 receives Control Change messages as well as System Exclusive messages. When set to receive Control Change messages transmitted by a MIDI sequencer, the VS-1680’s mixer can be controlled by external devices. When this feature is not needed, set the “Control Type” to “Off” (Owner’s Manual p. 195).

DAT

When I connected a DAT recorder to the VS-1680’s DIGITAL IN and DIGITAL OUT, the sound was noisy.

The digital signals are travelling in a loop. When you connect a DAT recorder’s DIGITAL OUT connector to the DIGITAL IN connector on the VS-1680, the VS-1680 is synchronized to the DAT recorder’s digital clock. Then, if while in this condition you connect a the VS1680’s DIGITAL OUT connector to the DIGITAL IN connector on the DAT recorder, the DAT recorder then becomes synchronized to the VS-1680’s digital clock. In other words, having no single reference cock to synchronize everything causes instability and loss of synchronization. When you want to record using the VS1680, set the DAT recorder’s input to analog. Conversely, if you want to use the DAT recorder to record, set the VS-1680’s Master Clock to “Internal.”

Q&A

11

Instead of using DAT, can I back up songs on MDs?

You cannot back up data on MDs. As data on MDs is compressed before being recorded, the VS-1680’s song data would also be compressed before recording, making it unrecoverable. DCC also cannot be used in backing up data for the same reason.

CD-R Drives

Can’t I use a CD-R drive other than the CD-R drive that is designated by Roland?

The VS-1680 can use the CD-R drive that is designated by Roland only. Other CD-R drives cannot be used.

What kind of disks does it use?

Any CD-R disc can be used, regardless of recording length. However, CD-RW discs cannot be used.

Can song data be written to the discs in Macintosh AIFF File format?

No. Only audio CDs and CD-Rs for backup are supported by the VS-1680.

I made an audio CD on the CD-R drive, but it doesn’t play on my consumer CD player.

The finalized process was not carried out. When making audio CDs, set “Finalize” to “On” or “OnlyFin.” (Owner’s Manual p. 122).

Q&A

12

Aborted Command! Illegal Request!

This disk drive cannot be used by the VS-1680.

Already Selected

The currently selected disk drive was selected. If you wish to switch to another disk drive, re-select the disk drive.

Arbitration Failed! Busy Status! Check Condition! Status Error!

Normal communication with the disk drive could not be accomplished. Make sure that the disk drive is connected correctly.

Blank Disc

You have tried to run the CD player function using a disc that has no performance data on it. Insert a commercial CD or CD-R with material already recorded on it.

Can’t Communicate! Drive Time Out! Message Error! Phase Mismatch! Undefined Sense! Drive Unknown Error!

There is a problem with the connections to the disk drive. Make sure that the disk drive is connected correctly.

Can’t REC CD!

With the factory setting, digital connections cannot be made with a CD player. Please read “To Recording Digital Signals” (Owner’s Manual p. 74).

Can’t Recover

The drive check Recover procedure could not be executed because there was insufficient free space on the disk. Delete unneeded songs. Alternatively, perform the Song Optimize procedure.

Can’t Set Marker

No more than two track number mark points can be set within a four-second interval.

Change Int CLK?

No digital signal is being received at the DIGITAL IN connector. Select whether or not to switch the sample rate reference clock to the internal clock. Pressing [YES] switches the VS-1680 to the internal clock. After checking to make sure that all digital devices are properly connected and those sample rates for all devices match, carry out the operation once more.

Digital In Lock

The sample rate reference clock is set to the digital signal coming from the DIGITAL IN connector. You can record using the digital connection.

Digital In Unlock

The digital signal is not being input through the DIGITAL IN connector, or the sample rate set for the song and the sample rate of the digital device connected to the DIGITAL IN connector are different. In this state, you cannot record using the digital connection. The sample rate specified for the song is different than the sample rate of the digital device connected to the DIGITAL IN connector. Press [YES], and set the sample rates of both devices to match.

Disk Memory Full!

There is insufficient free area on the disk. Erase unneeded data. Or, select a different disk drive. The maximum number of songs that can be recorded on one partition (200) has been exceeded. Delete unneeded songs. Or, select a different disk drive.

Drive Busy!

If this message appears when you first begin using a disk drive with the VS-1680, the disk drive is not fast enough. When using this disk, create a new song with a lower sample rate or recording mode, and record using this song. If this message appears after you have been using the disk drive with the VS-1680, the data on the disk drive has become fragmented, causing delays in reading and writing data. Either use the track bouncing operation to re-record playback data to another track, or use the optimize operation. If the same message appears even after these measures have been taken, copy the song data to another disk drive and initialize the disk drive that produced the problem.

Event Memory Full!

The VS-1680 has used up all the events that can be handled by one song. Delete unneeded auto mix data. Alternatively, perform the Song Optimize operation.

Error Messages

13

Finalized CD!

This message appears when an attempt is made to write to a commercial CD or a finalized CD-R disc. Replace the disc with a blank disc or one that has not been finalized.

Hardware Error!

There is a problem with the disk drive. Contact the manufacturer or dealer of the disk drive.

Lack of CD-R Memory!

There is insufficient free space to write the songs to the CD-R disc.

Lack of EVENT!!

You have tried to record AutoMix data in realtime, when the remaining number of EVENT is less than

1000. Or, You have tried to UNDO or REDO when the remaining number of Event is less than 200. You cannot continue the current operation.

Lack of IDE Memory!

There is insufficient free space on the internal IDE hard disk to make the image data file.

MARKER Memory Full!

The VS-1680 has used up all Marker Memory (1000 Markers) that can be handled by one song. Delete unneeded Marker.

Medium Error!

There is a problem with the disk drive media. This disk cannot be used by the VS-1680. In some case’s recovery can be achieved by executing Drive Check (Owner’s Manual p. 178).

No CD-R Drive!

Either no CD-R drive is connected, or the power is not turned on.

No Data to Write

The track that you have selected to write to CD-R disc contains no song data.

No Disc

There is no disc in the CD-R drive. Please insert a disc.

No Drive Ready

No disk drive is connected. Or, an internal hard disk is not installed. Make sure that the disk drive is connected correctly.

No Effect Board A No Effect Board B

A VS8F-2 effect expansion board (sold separately) is not installed. This operation can be performed only if a VS8F-2 is installed.

No IDE Drive!

The unit has no IDE-type disk drive. Install an internal hard disk.

No Target Selected!

The tracks or the phrases are not selected for edit.

Not 44.1k Song!

The sample rate of the song is not 44.1 kHz, so the data cannot be written to the CD-R disc.

Not 512byte/sector

The disk that you are using is not 512 bytes/sector. This disk cannot be used by the VS-1680.

Not Ready!

The disk drive is not ready. Wait a short time.

Obey Condition?

This message asks if you agree to the terms and conditions regarding the reproduction, broadcast, and sale of the software. Please carefully read the License Agreement.

Please Insert CD-R Disc!

Either the CD-R drive loading tray is still open, there is no CD-R disc loaded, or the CD-R drive is otherwise not ready. Insert CD-R disc.

Please Wait...

Operation is in progress. Please wait momentarily.

SCSI ID Error!

The SCSI ID numbers of two or more disk drives are conflicting. Make settings so that the SCSI ID numbers do not conflict.

SPC Not Available!

The SCSI components of the VS-1680 have malfunctioned. Contact servicing by your dealer or qualified Roland service personnel.

Error Messages

14

Song Protected!

Since Song Protect is ON, the operation cannot be executed.

TOC Read Error!

An error occurred in reading from the CD-R disc. There is a problem with the CD-R drive or the CD-R disc.

Too Many Markers!

You have tried to set track number mark points in excess of the maximum (98) you can set for one disc.

Unformatted!

The disk drive has not been initialized by the VS-1680. Initialize the disk drive. If this appears for a disk drive that has been initialized by the VS-1680, there is a problem with the connections to the disk drive. Make sure that the disk drive is connected correctly.

User Aborted!

The procedure has canceled by pressing [EXIT(NO)].

Write Another?

Writing to the disc is complete. Select whether or not you want to write the same data to a new disc. Press [YES] or [NO].

Write Protected!

The disk drive is protected.

Error Messages

15

Here is a list of the functions that can be performed by pressing multiple buttons, or using the TIME/VALUE dial in conjunction with a button.

SELECT/CH EDIT buttons

[SHIFT] + Input Channel [SELECT 1]: To the Pan setting page (Input Mixer, PRM.V)

[SHIFT] + Input Channel [SELECT 2]: To the Attenuation setting page (Input Mixer, PRM.V)

[SHIFT] + Input Channel [SELECT 3]: To the equalizer low setting page (Input Mixer, PRM.V)

[SHIFT] + Input Channel [SELECT 4]: To the equalizer mid setting page (Input Mixer, PRM.V, 3bandEQ)

[SHIFT] + Input Channel [SELECT 5]: To the equalizer high setting page (Input Mixer, PRM.V)

[SHIFT] + Input Channel [SELECT 6]: To the EFX1 setting page (Input Mixer, PRM.V)

[SHIFT] + Input Channel [SELECT 7]: To the link setting page (Input Mixer, PRM.V)

[SHIFT] + Track Channel [SELECT 1]: To the Pan setting page (Track Mixer, PRM.V)

[SHIFT] + Track Channel [SELECT 2]: To the Attenuation setting page (Track Mixer, PRM.V)

[SHIFT] + Track Channel [SELECT 3]: To the equalizer low setting page (Track Mixer, PRM.V)

[SHIFT] + Track Channel [SELECT 4]: To the equalizer mid setting page (Track Mixer, PRM.V, 3bandEQ)

[SHIFT] + Track Channel [SELECT 5]: To the equalizer high setting page (Track Mixer, PRM.V)

[SHIFT] + Track Channel [SELECT 6]: To the EFX1 setting page (Track Mixer, PRM.V)

[SHIFT] + Track Channel [SELECT 7]: To the link setting page (Track Mixer, PRM.V)

[SHIFT] + Track Channel [SELECT 8]: To the v-track setting page (Track Mixer, PRM.V)

[STATUS] + SELECT buttons : Select source to be recorded on the track (1–8, DIGITAL, 1–15/16)

[ST IN] + Input Channel SELECT buttons: Select source to Stereo In function (1–8, DIGITAL)

[EFFECT 1/3 RTN] + SELECT buttons: Select the Send switch setting to EFX1 bus (off/pre/post) (1–8, DIGITAL, 1–15/16)

[EFFECT 2/4 RTN] + SELECT buttons: Select the Send switch setting to EFX2 bus (off/pre/post) (1–8, DIGITAL, 1–15/16)

[SHIFT] + [EFFECT 1/3 RTN] + SELECT buttons: Select the Send switch setting to EFX3 bus (off/pre/post) (1–8, DIGITAL, 1–15/16)

[SHIFT] + [EFFECT 2/4 RTN] + SELECT buttons: Select the Send switch setting to EFX4 bus (off/pre/post) (1–8, DIGITAL, 1–15/16)

[SHIFT] + [SOLO(EDIT)]: Solo mode on/off

[SOLO(EDIT)] + SELECT buttons: Solo function on/off (each channel) (1–8, DIGITAL, 1–15/16)

[CLEAR] + [SOLO(EDIT)]: Solo function off (all channel)

[MUTE(FADER)] + SELECT buttons: Mute function on/off (each channel) (1–8, DIGITAL, 1–15/16)

[CLEAR] + [MUTE(FADER)]: Mute function off (all channel)

[AUTOMIX] + SELECT buttons: Automix setting of each channel (when Automix is “on”) (1–8, DIGITAL, 1–15/16)

Special Key Operations

16

Transport Control buttons

[SHIFT] + [STORE(ZERO)]: Store song data to the disk drive

[SHIFT] + [SONG TOP(REW)]: Move to the time where the first sound of the song is recorded

[SHIFT] + [SONG END(FF)]: Move to the time where the last sound of the song is recorded

[SHIFT] + [SHUT/EJECT(STOP)]: Shut down

[SHIFT] + [RESTART(PLAY)]: Restart (after shut down)

[REC] + STATUS buttons: Switch the status to REC (indicator blinks red)

[STOP] + STATUS buttons: Switch the status to PLAY(indicator lights green)

LOCATOR/SCENE buttons

[CLEAR] + LOCATOR buttons(1–8): Clear the setting of locators

[CLEAR] + [TAP]: Erase a marker

[SHIFT] + [CLEAR] + [TAP]’[YES]: Erase all markers

[BANK] + LOCATOR buttons(1–8): Switch the locator bank

[SCENE] + [TAP]: Execute snapshot (When Automix is “on”)

[SCENE] + [PREVIOUS]: Gradation to mixer setting of previous marker (when Automix is “on”)

[SCENE] + [NEXT]: Gradation to mixer setting of next marker (when Automix is “on”)

[SCENE] + [REC]: Automix Realtime recording (when Automix is “on.”)

[SHIFT] + [SCENE]: Transmit the condition of the digital mixer as MIDI data from MIDI OUT

connector

[SHIFT] + [START(1)]: Enter the current time as track edit start point. If it has been already set,

move to that time (except track condition).

[SHIFT] + [END(2)]: Enter the current time as track edit end point. If it has been already set,

move to that time (except track condition).

[SHIFT] + [FROM(3)]: Enter the current time as track edit from point. If it has been already set,

move to that time (except track condition).

[SHIFT] + [TO(4)]: Enter the current time as track edit to point. If it has been already set,

move to that time (except track condition).

[SHIFT] + [CLEAR] + [START(1)]: Clear the track edit start point (except track condition)

[SHIFT] + [CLEAR] + [END(2)]: Clear the track edit end point (except track condition)

[SHIFT] + [CLEAR] + [FROM(3)]: Clear the track edit from point (except track condition)

[SHIFT] + [CLEAR] + [TO(4)]: Clear the track edit to point (except track condition)

[SHIFT] + [PREVIOUS]: If there is a phrase on current time, move to the beginning of that phrase.

If not, move to the end of the previous phrase (when PREVIOUS/NEXT Sw is “MARKER”). Move to the previous marker (when PREVIOUS/NEXT Sw is “PHRASE”)

Special Key Operations

17

[SHIFT] + [NEXT]: If there is a phrase on current time, move to the end of that phrase. If not,

move to the beginning of the next phrase (when PREVIOUS/NEXT Sw is “MARKER”). Move to the next marker (when PREVIOUS/NEXT Sw is “PHRASE”)

[PLAY (DISPLAY)] + [TAP]: Register a marker for audio CD track number

FUNCTION buttons

[SHIFT] + [F1]: To Song condition

[SHIFT] + [F2]: To Track condition

[SHIFT] + [F3]: To Effect condition (EFFECT A)

[SHIFT] + [F4]: To Effect condition (EFFECT B)

[SHIFT] + [F5]: To System condition

[SHIFT] + [F6]: To Utility condition

Other

[SHIFT] + [PAGE]: Popup the Jump setting page

[SHIFT] + [PLAY]: Switch the Graphic display

[SHIFT] + [SCRUB]: Popup the Scrub length setting page

[SHIFT] + [TO]: Popup the Preview to length setting page

[SHIFT] + [FROM]: Popup the Preview from length setting page

[SHIFT] + [VARI PITCH]: Popup the Vari pitch setting page

[SHIFT] + [UNDO]: Popup the Redo setting page (when the UNDO indicator is lit)

[SHIFT] + [TAP]: To the Tempo map setting page

[SHIFT] + [EXT SYNC]: To the Sync source setting page

[SHIFT] + [LOOP]: To the loop start/end point setting page

[SHIFT] + [AUTO PUNCH]: To the punch in/out point setting page

[SHIFT] + [ ] [ ]: Move the range of display to edit (Pane)

[SHIFT] + TIME/VALUE dial: Modify the value at 10 times the usual speed. In Play condition when the cursor

is displayed at the sub frame of the time code display, move the current time in units of approximately 1/100 frame.

STATUS button + [CLEAR]: Cancel the all routing of mixer section.

Special Key Operations

18

Input Mixer

* If Stereo Link is On, the “Pan” parameter will change to the balance parameter.

* If two VS8F-2 (s) are installed in your VS-1680, the “AUX1” will change to the “EFX1,” the “AUX2” will change to the

“EFX2,” the “AUX3” will change to the “AUX.”

Parameter name Display Value Initial value

Master Send Pan/Balance Pan L63–0–R63 0

Equalizer Switch EQ Sw Off, On Off

Equalizer Select - 2 Band EQ, 3 Band EQ 2 Band EQ

Equalizer Low Gain Low G -12–12 dB 0 dB

Equalizer Low Frequency Low F 40 Hz–1.5 kHz 300 Hz

Equalizer Mid Gain Mid G -12–12 dB 0 dB (*1)

Equalizer Mid Frequency Mid F 200 Hz–8 kHz 1.4 kHz (*1)

Equalizer Mid Q Mid Q 0.5–16 0.5 (*1)

Equalizer High Gain High G -12–12 dB 0 dB

Equalizer High Frequency High F 500 Hz–18 kHz 4 kHz

Effect Switch (1–2) EFX* (1–2) Off, Pre, Pst Off

Effect Send Level - 0–127 100 (*2)

Effect Pan/Balance - L63–0–R63 0 (*2)

AUX Switch AUX* (1–3) Off, Pre, Pst Off

AUX Level - 0–127 100 (*3)

AUX Pan/Balance - L63–0–R63 0 (*3)

Effect Insert Switch (1–4) EFXIns (1–4) Off, Ins, InsL, InsR, InsS Off

Effect Insert Send Level (1–4) Snd -42–6 dB 0 dB (*4)

Effect Insert Return Level (1–4) Rtn -42–6 dB 0 dB (*4)

Stereo Link Link Off, On Off

Attenuation ATT -42–6 dB 0 dB

Phase Phase NRM, INV NRM

Level Meter Meter Pre, Pst Pre

Solo Solo Off, On Off

Mute Mute Off, On Off

Fader Fader 0–127 100

*1 Valid when Equalizer Select is “3 Band EQ.”

*2 Valid when Effect Switch is except “Off.”

*3 Valid when AUX Switch is except “Off.”

*4 Valid when Effect Insert Switch is except “Off.”

Parameter List

19

Stereo In/Effect Return

Parameter name Display Value Initial value

Stereo In Select StereoIn Select Off, Input 1/2, Input 3/4, Input 5/6, Input 7/8, Digital Off

Stereo In Level - 0–127 100 (*1)

Stereo In Balance - L63–0–R63 0 (*1)

Effect Return Level - 0–127 100

Effect Return Balance - L63–0–R63 0

Solo Solo Off, On Off

Mute Mute Off, On Off

*1 Valid when Stereo In Select is except “Off.”

Track Mixer

* If Stereo Link is On, the “Pan” parameter will change to the balance parameter.

* If two VS8F-2 (s) are installed in your VS-1680, the “AUX1” will change to the “EFX1,” the “AUX2” will change to the

“EFX2,” the “AUX3” will change to the “AUX.”

Parameter name Display Value Initial value

Master Send Pan/Balance Pan L63–0–R63 0

Equalizer Switch EQ Sw Off, On Off

Equalizer Select - 2 Band EQ, 3 Band EQ 2 Band EQ

Equalizer Low Gain Low G -12–12 dB 0 dB

Equalizer Low Frequency Low F 40 Hz–1.5 kHz 300 Hz

Equalizer Mid Gain Mid G -12–12 dB 0 dB (*1)

Equalizer Mid Frequency Mid F 200 Hz–8 kHz 1.4 kHz (*1)

Equalizer Mid Q Mid Q 0.5–16 0.5 (*1)

Equalizer High Gain High G -12–12 dB 0 dB

Equalizer High Frequency High F 500 Hz–18 kHz 4 kHz

V-track V.Trk 1–16 1

Effect Switch (1–2) EFX* (1–2) Off, Pre, Pst Off

Effect Send Level - 0–127 100 (*2)

Effect Pan/Balance - L63–0–R63 0 (*2)

AUX Switch AUX* (1–3) Off, Pre, Pst Off

AUX Level - 0–127 100 (*3)

AUX Pan/Balance - L63–0–R63 0 (*3)

Effect Insert Switch(1–4) EFXIns (1–4) Off, Ins, InsL, InsR, InsS Off

Effect Insert Send Level (1–4) Snd -42–6 dB 0 dB (*4)

Effect Insert Return Level (1–4) Rtn -42–6 dB 0 dB (*4)

Stereo Link Link Off, On Off

Attenuation ATT -42–6 dB 0 dB

Phase Phase NRM, INV NRM

Level Meter Meter Pre, Pst Pre

Solo Solo Off, On Off

Mute Mute Off, On Off

Fader Fader 0–127 100

Parameter List

20

*1 Valid when Equalizer Select is “3 Band EQ.”

*2 Valid when Effect Switch is except “Off.”

*3 Valid when AUX Switch is except “Off.”

*4 Valid when Effect Insert Switch is except “Off.”

Marterblock

* If two VS8F-2 (s) are installed in your VS-1680, the “AUX1” will change to the “EFX1,” the “AUX2” will change to the

“EFX2,” the “AUX3” will change to the “AUX.”

Parameter name Display Value Initial value

Master Level MASTER 0–127 current Master Fader setting

Master Balance MASTER L63–0–R63 0

Monitor Level MONITOR 0–127 current MONITOR knob setting

Monitor Balance MONITOR L63–0–R63 0

AUX A AUX.A EFX1, EFX2, AUX1, AUX2, AUX1 (*1), AUX (*2)

AUX3

AUX B AUX.B EFX1, EFX2, AUX1, AUX2, EFX1

AUX3

Monitor MON MST, EFX1, EFX2,AUX1, MST

AUX2, AUX3, REC, ST IN

Digital Out 1 DOUT1 MST, MON, EFX1, EFX2, MST

AUX1, AUX2, AUX3

Digital Out 2 DOUT2 MST, MON, EFX1, EFX2, MST

AUX1, AUX2, AUX3

Effect Insert Switch(1–4) EFXIns (1–4) Off, Ins Off

Effect Insert Send Level (1–4) Snd -42–6 dB 0 dB (*3)

Effect Insert Return Level (1–4) Rtn -42–6 dB 0 dB (*3)

Direct Out DIR OUT Off, 1–8, 9–16 Off

Effect Send Level - 0–127 100

Effect Send Balance - L63–0–R63 0

AUX Send Level - 0–127 100

AUX Send Balance - L63–0–R63 0

*1 Valid when any VS8F-2 is not installed, or only one VS8F-2 is installed.

*2 Valid when two VS8F-2 effect expansion boards are installed.

*3 Valid when Effect Insert Switch is “Ins.”

Parameter List

21

System Parameter

Parameter name Display Value Initial value

Master clock Master Clock DIGIN1, INT, DIGIN2 INT

Time Display Format Time Display Format ABS, REL ABS

Offset Offset 00h00m00s00–23h59m59s29 00h00m00s00 (*)

Fader Match Fader Match Null, Jump Jump

Undo Message UNDO Message Off, On On

Peak Hold Switch Peak Hold Sw Off, On Off

Scene Mode Scene Mode All, KeepF All

Remaining Display Remain Display Time, CapaMB, Capa %, Event Time

Foot Switch Assign Foot Sw Play/Stop, Record, TapMarker, Play/Stop

Next, Previous, GPI

Digital Copy Protect Switch Digital Copy Protect Off, On Off

* The settable value for Offset will change slightly depending on the MTC type.

Global Parameter

Parameter name Display Value Initial value

IDE Drive IDE Drive Off, On On

SCSI Self ID SCSI Self ID 0–7 7

Shift Lock Shift Lock Off, On Off

Measure Display Measure Display Always, Auto Always

Numerics Type NUMERICS Type Up, Down Up

Previous/Next Switch PREVIOUS/NEXT Sw PHRASE, MARKER PHRASE

Input Peak Level Input Peak Level CLIP, -3 dB, -6 dB -6 dB

Switching Time Switching Time 0.3–2.0 s 0.5 s

CD Digital Recording Switch CD Digital REC Off, On Off

Fan Control Fan Control Off, Play, Rec&Play Off

Play/Rec Parameter

Parameter name Display Value Initial value

Record Monitor Record Monitor AUTO, SOURCE AUTO

Marker Stop Marker Stop Off, On Off

Vari Pitch Vari Pitch 22.05–50.43 kHz (44.1 kHz) 44.10 kHz

22.05–50.41 kHz (32 kHz) 32.00 kHz

22.00–50.48 kHz (48 kHz) 48.00 kHz

Fade Length Fade Length 2, 10, 20, 30, 40, 50 ms 10 ms

Scrub Length Scrub Length 25–100 ms 70 ms

Preview To Length PREVIEW TO Length 1.0–10.0 s 1.0 s

Preview From Length PREVIEW FROM Length 1.0–10.0 s 1.0 s

Parameter List

22

MIDI Parameter

Parameter name Display Value Initial value

Device ID Device ID 1–32 17

MIDI through Switch MIDI Thru Out, Thru Out

System Exclusive Receive Switch SysEx.Rx Off, On Off

System Exclusive Transmit Switch SysEx.Tx Off, On Off

Control Local Switch Cntrl Local Off, On On

MMC Mode MMC Off, MASTER, SLAVE MASTER

Control Type Cntrol Type Off, C.C., Excl Off

Program Change Scene P.C.Scene Off, On Off

Program Change Effect P.C.Eff Off, On Off

Control Change Effect C.C.Eff Off, On Off

Metronome Parameter

Parameter name Display Value Initial value

Metronome Out Metronome Out Off, INT, MIDI Off

Metronome Mode Metronome Mode Rec Only, Rec&Play Rec Only

Metronome Level Metro Level 0–127 100

Metronome Channel MID:MetroCh 1–16 10 (*)

Accent Note MID:Acc.Note C_0–G_9 C#2 (*)

Accent Velocity MID:Acc.Velo 1–127 100 (*)

Normal Note MID:Nrm.Note C_0–G_9 C#2 (*)

Normal Velocity MID:Nrm.Velo 1–127 60 (*)

* Valid when Metronome Out is “MIDI.”

Sync/tempo Parameter

Parameter name Display Value Initial value

Sync Source Sync Source INT, EXT INT

Sync Generator Sync Gen. Off, MTC, MIDIclk, SyncTr Off

Error Level Sync Error Level 0–10 5

Offset Sync Offset 00h00m00s00–23h59m59s29 00h00m00s00

MTC Type Sync MTC Type 30, 29N, 29D, 25, 24 30

Sync Track Convert

Parameter name Display Value Initial value

Beat Beat 1/1–8/1, 1/2–8/2, 1/4–8/4, 1/8–8/8 4/4

Tap Beat Tap Beat 1–8 4

Sync Track Beat Sync Trk Beat 1/1–8/1, 1/2–8/2, 1/4–8/4, 1/8–8/8 4/4

Start Time Start Time 00h00m00s00–23h59m59s29 00h00m00s00

End Time End Time 00h00m00s00–23h59m59s29 00h00m00s00

Measure Measure 1–999 1

Parameter List

23

Tempo Map

Parameter name Display Value Initial value

Tempo Map Number MAP# 1–50 1

Tempo  = 25.0–250.0 120.0

Measure MEAS 1–999 1

Beat BEAT 1/1–8/1, 1/2–8/2, 1/4–8/4, 1/8–8/8 4/4

Drive Initialize

Parameter name Display Value Initial value

Initialize Drive Init. Drive IDE, SCSI0–SCSI7 -

Partition Partition 500, 1000, 2000 MB 2000 MB

Physical Format Physical Format Off (Quick), On Off (Quick)

Surface Scan Surface Scan Off, On Off

Automix

Parameter name Display Value Initial value

Snap Mode Snap Mode ALL, MaskFader ALL

Erase Mode Erase Mode Event, Marker Event

Erase From Erase From 0–999 -

Erase To Erase To 0–999 -

Parameter List

24

Model VS-1680 Version 1.00 Feb. 12 1998

1. TRANSMITTED DATA AND RECOG-

NIZED RECEIVE DATA

■ Channel Voice Message

● Note On/Off

When “Metronome Out Mode(*1)” in the SYSTEM parameters is “MIDI”, MIDI note num-

ber/velocity of MIDI channel number which is assigned to the Metronome is transmitted.

Received when the effect patch Voice Transformer (algorithm 27) is selected in EFX1 or

EFX3, and MIDI Control SW is On.

Status Second Third

9nH mmH llH

n = MIDI Channel No. : 0H - FH (ch.1-ch.16) (*2)

0H - 3H (ch.1-ch.4) (*3)

mm = Note No. : 00H - 7FH (0 - 127) (*3)

ll = Velocity : 01H - 7FH (1 - 127) / 00H = NOTE OFF

(*1) See ‘2. Address Map for Data Transfer’ section.

(*2) Only when transmitting Metronome.

(*3) Only when receiving with MIDI Control SW of Voice Transformer is On.

n = 0, 2 (ch.1, ch 3) : Voice Transformer : Chromatic Pitch

mm = 24H - 54H (C2 - C6)

ll = ignored

n = 1, 3 (ch.2, ch 4) : Voice Transformer : Chromatic Formant

mm = 24H - 3CH (C2 - C4)

ll = ignored

● Polyphonic Key Pressure

Transmits the level meter value of VS-1680 according to the value of “Level

Meter Tx. via MIDI” (see “2. Data Transfer Address Map”). (MIDI ch. is fixed

to 16.)

Ignored when received.

When VS-1680 is booted up, “Level Meter Tx. via MIDI” is set to Off. Level

meter value is not transmitted until is it set to On with Data Set (DT1).

Status Second Third

AFH mmH llH

mm = Note No. : 00H - 27H (0 - 39) (*1)

ll = Level Meter Value : 00H - 36H (0 - 54) (*2)

Level Meter and Note No. (*1)

Level Meter Ch. Note No. Level Meter Ch. Note No.

TRACK MIX CH. 1 0 EFFECT-1 BUS Lch 26

TRACK MIX CH. 2 1 EFFECT-1 BUS Rch 27

TRACK MIX CH. 3 2

TRACK MIX CH. 4 3 EFFECT-2 BUS Lch 28

TRACK MIX CH. 5 4 EFFECT-2 BUS Rch 29

TRACK MIX CH. 6 5

TRACK MIX CH. 7 6 EFFECT-3 BUS Lch 30

TRACK MIX CH. 8 7 EFFECT-3 BUS Rch 31

TRACK MIX CH. 9 8

TRACK MIX CH.10 9 EFFECT-4 BUS Lch 32

TRACK MIX CH.11 10 EFFECT-4 BUS Rch 33

TRACK MIX CH.12 11

TRACK MIX CH.13 12 AUX BUS Lch 34

TRACK MIX CH.14 13 AUX BUS Rch 35

TRACK MIX CH.15 14

TRACK MIX CH.16 15 MONITOR Lch 36

MONITOR Rch 37

INPUT MIX CH. 1 16

INPUT MIX CH. 2 17 MASTER Lch 38

INPUT MIX CH. 3 18 MASTER Rch 39

INPUT MIX CH. 4 19

INPUT MIX CH. 5 20

INPUT MIX CH. 6 21

INPUT MIX CH. 7 22

INPUT MIX CH. 8 23

INPUT MIX CH. 9 24

INPUT MIX CH.10 25

Level Meter Value and Level (*2)

Val Level Val Level Val Level Val Level Val Level

0 -∞ dB 11 -30.0dB 22 -17.0dB 33 -8.00dB 44 -2.50dB 1 -51.0dB 12 -28.0dB 23 -16.0dB 34 -7.50dB 45 -2.25dB 2 -48.0dB 13 -26.0dB 24 -15.0dB 35 -7.00dB 46 -2.00dB 3 -46.0dB 14 -25.0dB 25 -14.0dB 36 -6.50dB 47 -1.75dB 4 -44.0dB 15 -24.0dB 26 -13.0dB 37 -6.00dB 48 -1.50dB 5 -42.0dB 16 -23.0dB 27 -12.5dB 38 -5.50dB 49 -1.25dB 6 -40.0dB 17 -22.0dB 28 -12.0dB 39 -5.00dB 50 -1.00dB 7 -38.0dB 18 -21.0dB 29 -11.0dB 40 -4.50dB 51 -0.75dB 8 -36.0dB 19 -20.0dB 30 -10.0dB 41 -4.00dB 52 -0.50dB 9 -34.0dB 20 -19.0dB 31 -9.00dB 42 -3.50dB 53 -0.25dB

10 -32.0dB 21 -18.0dB 32 -8.50dB 43 -3.00dB 54 -0.00dB

● Control Change

Parameters on the Mixer section can be received and transmitted by the control

change messages when ‘MIDI Mixer Control Type (*1)’ in the SYSTEM parameter is

set to ‘C.C.’

Status Second Third

BnH mmH llH

n = MIDI Channel No. : 0H - FH (ch.1-ch.16 : see below)

mm = Mixer Parameter No. : (see below)

ll = Mixer Parameter Value : 00H - 7FH (0 - 127) (*1)

Mixer Parameter and MIDI Channel/Control Change No.

TRACK MIX CH. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 MIDI ch. -> 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 TRACK STATUS(*3) 3 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> MST Send Level 7 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> MST Send Pan 10 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ L Freq. 12 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ L Gain 13 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ M Freq. 14 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ M Gain 15 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ M Q 16 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ H Freq. 17 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ H Gain 18 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EFX1 SND Level 19 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EFX1 SND Pan/Bal 20 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EFX2 SND Level 21 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EFX2 SND Pan/Bal 22 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EFX3 SND Level 23 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EFX3 SND Pan/Bal 24 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EFX4 SND Level 25 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EFX4 SND Pan/Bal 26 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> AUX Send Level 27 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> AUX Send Pan/Bal 28 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> MST Offset Level 29 — -> — -> — -> — -> — -> — -> — -> — MST Offset Balance 30 — -> — -> — -> — -> — -> — -> — -> —

INPUT MIX CH. 1 2 3 4 5 6 7 8 9 10 MIDI ch. -> 1 2 3 4 5 6 7 8 9 10 MST Send Level 68 -> -> -> -> -> -> -> -> -> MST Send Pan/Bal 70 -> -> -> -> -> -> -> -> -> EQ L Freq. 71 -> -> -> -> -> -> -> -> -> EQ L Gain 72 -> -> -> -> -> -> -> -> -> EQ M Freq. 73 -> -> -> -> -> -> -> -> -> EQ M Gain 74 -> -> -> -> -> -> -> -> -> EQ M Q 75 -> -> -> -> -> -> -> -> -> EQ H Freq. 76 -> -> -> -> -> -> -> -> -> EQ H Gain 77 -> -> -> -> -> -> -> -> -> EFX1 SND Level 78 -> -> -> -> -> -> -> -> -> EFX1 SND Pan/Bal 79 -> -> -> -> -> -> -> -> -> EFX2 SND Level 80 -> -> -> -> -> -> -> -> -> EFX2 SND Pan/Bal 81 -> -> -> -> -> -> -> -> -> EFX3 SND Level 82 -> -> -> -> -> -> -> -> -> EFX3 SND Pan/Bal 83 -> -> -> -> -> -> -> -> -> EFX4 SND Level 84 -> -> -> -> -> -> -> -> -> EFX4 SND Pan/Bal 85 -> -> -> -> -> -> -> -> -> AUX Send Level 86 -> -> -> -> -> -> -> -> -> AUX Send Pan/Bal 87 -> -> -> -> -> -> -> -> -> MST Offset Level 88 — -> — -> — -> — -> — MST Offset Balance 89 — -> — -> — -> — -> —

stereo in & effect return

ST IN Eff1 Eff2 Eff3 Eff4

MIDI ch. -> 11 12 13 14 15

-> -> -> -> MST Send Level 68 -> -> -> -> MST Send Balance 70 -> -> -> ->

<MASTER Block> MIDI ch.=16

Master Level 68 Master Balance 70 EFX1 SND Level 78 EFX1 SND Balance 79 EFX2 SND Level 80 EFX2 SND Balance 81 EFX3 SND Level 82 EFX3 SND Balance 83 EFX4 SND Level 84 EFX4 SND Balance 85 AUX Level 86 AUX Balance 87

Monitor Level 102 Monitor Balance 103

MIDI Implementation

25

(*1) See ‘2. Address Map for Data Transfer’ section.

(*2) Control Change of the odd number of channel is transmitted and received

when Channel Link is On.

(*3) Value and switching Track status corresponds as follows.

(1) While VS-1680 stops

Value : 0-31 32-63 64-95 96-127 Status: MUTE->MUTE MUTE->PLAY MUTE->REC MUTE->SOURCE

PLAY->MUTE PLAY->PLAY PLAY->REC PLAY->SOURCE REC->MUTE REC->PLAY REC->REC REC->SOURCE SOURCE->MUTE SOURCE->PLAY SOURCE->REC SOURCE->SOURCE

(2) While playback/recording

Value : 0-31 32-63 64-95 96-127 Status: MUTE->X MUTE->PLAY MUTE->X MUTE->X

PLAY->MUTE PLAY->PLAY PLAY->X PLAY->X REC->X REC->X REC->REC REC->SOURCE(*) SOURCE->MUTE SOURCE->X SOURCE->REC(*) SOURCE->SOURCE

(*) Impossible to switch while recording.

(*) X = ignored

❍ Bank select (MSB/LSB)

Switches the effect bank of Preset/User.

VS-1680 never transmits this message.

Status Second Third

BnH 00H mmH

BnH 20H llH

n = MIDI Channel No. : 0H - 3H ( ch.1 = Effect1 ch.2 = Effect2

ch.3 = Effect3 ch.4 = Effect4 )

mm = upper byte of bank number : 00H

ll = lower byte of bank number : 00H - 04H (0 - 4)

Bank Select | Program Change | Patch Number

MSB | LSB | | 00H | 00H | 00H - 63H (0 - 99) | Preset #000 - #099 00H | 01H | 00H - 63H (0 - 99) | Preset #100 - #199 00H | 02H | 00H - 09H (0 - 9) | Preset #200 - #209 00H | 03H | 00H - 63H (0 - 99) | User #000 - #099 00H | 04H | 00H - 63H (0 - 99) | User #100 - #199

❍ NRPN(MSB/LSB)

Selects a parameter of the effect to be controlled.

VS-1680 never transmits this message.

Status Second Third

BnH 62H llH

BnH 63H mmH

n = MIDI Channel No. : 0H - 3H

( ch.1 = Effect1 ch.2 = Effect2 ch.3 = Effect3 ch.4 = Effect4 )

mm = upper byte of the parameter number to be assigned with NRPN : 00H

ll = lower byte of the parameter number to be assigned with NRPN : 00H - 2EH (0 - 46)

❍ Data Entry (MSB/LSB)

Controls effect parameter assigned with NRPN.

VS-1680 never transmits this message.

Status Second Third

BnH 06H mmH

BnH 26H llH

n = MIDI Channel No. : 0H - 3H

( ch.1 = Effect1 ch.2 = Effect2 ch.3 = Effect3 ch.4 = Effect4 )

mm = upper byte corresponding to the parameter assigned with NRPN

ll = lower byte corresponding to the parameter assigned with NRPN

<Ex> mmH llH = 40H 00H = -8192

= 7FH 7FH = -1 = 00H 00H = 0 = 3FH 7FH = +8191

❍ Data Increment

Increments the effect parameter selected with NRPN.

VS-1680 never transmits this message.

Status Second Third

BnH 60H 00H

n = MIDI Channel No. : 0H - 3H

( ch.1 = Effect1 ch.2 = Effect2 ch.3 = Effect3 ch.4 = Effect4 )

Increment the effect parameter selected with NRPN.

❍ Data Decrement

Decrement the effect parameter selected with NRPN.

VS-1680 never transmits this message.

Status Second Third

BnH 61H 00H

n = MIDI Channel No. : 0H - 3H

( ch.1 = Effect1 ch.2 = Effect2 ch.3 = Effect3 ch.4 = Effect4 )

Decrement the effect parameter selected with NRPN.

NRPN and Effect parameters

✧ Algorithm 0 Reverb (EFX1 or EFX3)

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | EQ SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | EQ: Low EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | EQ: Low EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | EQ: Low EQ Frequency 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | EQ: Low EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | EQ: Mid EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | EQ: Mid EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | EQ: High EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | EQ: High EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | EQ: High EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | EQ: Out Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Reverb: Room Size 5,,,40m| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Reverb: Reverb Time 1,,,320 = 0.1,,,32.0s| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Reverb: Pre Delay 0,,,200 = 0,,,200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | Reverb: Diffusion 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | Reverb: Density 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | Reverb: Early Reflection Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | Reverb: LF Damp Frequency | | | | 5,,,400 = 50,,,4000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | Reverb: LF Damp Gain -36,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | Reverb: HF Damp Frequency | | | | 10,,,200 = 1.0,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | Reverb: HF Damp Gain -36,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | Reverb: HI Cut Frequency | | | | 2,,,200 = 0.2,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | Reverb: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | Reverb: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 1 Delay

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Delay SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | EQ SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————|

MIDI Implementation

26

| 00H 02H | mmH llH | Delay: Delay Time 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Delay: Shift | | | | -1200,,,1200 = L1200,,,R1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Delay: Lch Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Delay: Rch Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Delay: Lch Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Delay: Rch Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Delay: LF Damp Frequency | | | | 5,,,400 = 50,,,4000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Delay: LF Damp Gain -36,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Delay: HF Damp Frequency | | | | 10,,,200 = 1.0,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Delay: HF Damp Gain -36,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Delay: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | EQ: Low EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | EQ: Low EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | EQ: Low EQ Frequency 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ: Low EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | EQ: Mid EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ: Mid EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: High EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: High EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | EQ: High EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | EQ: Out Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

* (Delay Time) + (Absolute value of Shift) should be 1200 or less.

✧ Algorithm 2 Stereo Delay Chorus

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Delay SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Chorus SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | EQ SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Delay: Delay Time 0,,,500ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Delay: Shift -500,,,500 = L500,,,R500ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Delay: Lch Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Delay: Rch Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Delay: Lch Cross Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Delay: Rch Cross Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Delay: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Delay: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Chorus: Rate 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Chorus: Depth 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Chorus: Pre Delay 0,,,50ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Chorus: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Chorus: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | Chorus: Lch Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | Chorus: Rch Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | Chorus: Lch Cross Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | Chorus: Rch Cross Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: Low EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: Low EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ: Low EQ Frequency 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | EQ: Low EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | EQ: Mid EQ Gain -12,,,12dB|

|—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | EQ: Mid EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | mmH llH | EQ: High EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 1CH | mmH llH | EQ: High EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 1DH | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 1EH | mmH llH | EQ: High EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 1FH | mmH llH | EQ: Out Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 20H | 00H 00H | (Reserved) | | : | | : | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

* (Delay Time) + (Absolute value of Shift) should be 500 or less.

✧ Algorithm 3 Stereo Pitch Shifter Delay

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | P.ShifterDelay SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | EQ SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | P.ShifterDelay: Lch Chromatic Pitch | | | | -12,,,12| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | P.ShifterDelay: Lch Fine Pitch -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | P.ShifterDelay: Lch Pre Delay 0,,,50ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | P.ShifterDelay: Lch Feedback Delay Time | | | | 0,,,500ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | P.ShifterDelay: Lch Feedback Level | | | | 100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | P.ShifterDelay: Lch Cross Feedback Level | | | | -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | P.ShifterDelay: Rch Chromatic Pitch | | | | -12,,,12| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | P.ShifterDelay: Rch Fine Pitch -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | P.ShifterDelay: Rch Pre Delay 0,,,50ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | P.ShifterDelay: Rch Feedback Delay Time | | | | 0,,,500ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | P.ShifterDelay: Rch Feedback Level | | | | -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | P.ShifterDelay: Rch Cross Feedback Level | | | | -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | P.ShifterDelay: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | P.ShifterDelay: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ: Low EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | EQ: Low EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | EQ: Low EQ Frequency 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ: Low EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: Mid EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ: Mid EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | EQ: High EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | EQ: High EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | EQ: High EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | mmH llH | EQ: Out Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1CH | 00H 00H | (Reserved) | | : | | : | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 4 Vocoder

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Chorus SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Vocoder: Voice Character 1 0,,,100| |—————————+—————————+—————————————————————————————————————————————|

MIDI Implementation

27

| 00H 02H | mmH llH | Vocoder: Voice Character 2 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Vocoder: Voice Character 3 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Vocoder: Voice Character 4 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Vocoder: Voice Character 5 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Vocoder: Voice Character 6 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Vocoder: Voice Character 7 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Vocoder: Voice Character 8 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Vocoder: Voice Character 9 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Vocoder: Voice Character 10 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Chorus: Rate 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Chorus: Depth 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Chorus: Pre Delay 0,,,50ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Chorus: Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Chorus: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | Chorus: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 5 2CH RSS

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | 2CH RSS: Ach Azimuth -30,,,30 = -180,,,180| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | 2CH RSS: Ach Elevation -15,,,15 = -90,,,90| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | 2CH RSS: Bch Azimuth -30,,,30 = -180,,,180| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | 2CH RSS: Bch Elevation -15,,,15 = -90,,,90| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 6 Delay RSS

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Delay RSS: Delay Time 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Delay RSS: Shift | | | | -1200,,,1200 = L1200,,,R1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Delay RSS: Center Delay Time 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Delay RSS: RSS Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Delay RSS: Center Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Delay RSS: Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Delay RSS: LF Damp Frequency | | | | 5,,,400 = 50,,,4000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Delay RSS: LF Damp Gain -36,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Delay RSS: HF Damp Frequency | | | | 10,,,200 = 1.0,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Delay RSS: HF Damp Gain -36,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Delay RSS: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Delay RSS: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 7 Chorus RSS

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Chorus RSS: Chorus Rate | | | | 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Chorus RSS: Chorus Depth 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Chorus RSS: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Chorus RSS: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Common for Algorithm 8,9,10 Guitar Multi 1, 2, 3

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Compressor SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Metal/Distortion/Over Drive SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Noise Suppressor SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Auto Wah SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Guitar Amp Simulator SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Flanger SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Delay SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Compressor: Attack 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Compressor: Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Compressor: Sustain 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Compressor: Tone -50,,,-50| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Noise Suppressor: Threshold 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Noise Suppressor: Release 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Auto Wah: Mode 0,1 = LPF,BPF| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Auto Wah: Polarity 0,1 = Down,Up| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Auto Wah: Frequency 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | Auto Wah: Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | Auto Wah: Peak 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | Auto Wah: Sens 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | Auto Wah: Rate 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | Auto Wah: Depth 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | Guitar Amp Simulator: Mode | | | | 0,,,3 = Small,BultIn,2Stack,3Stack| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | Flanger: Rate 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | Flanger: Depth 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | Flanger: Manual 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | Flanger: Resonance 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | Delay: Delay Time 0,,,1000ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | mmH llH | Delay: Shift | | | | -1000,,,1000 = L1000,,,R1000ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 1CH | mmH llH | Delay: Feedback Time 0,,,1000ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 1DH | mmH llH | Delay: Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1EH | mmH llH | Delay: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1FH | mmH llH | Delay: Direct Level -100,,,100| +—————————+—————————+—————————————————————————————————————————————+

* (Delay Time) + (Absolute value of Shift) should be 1000 or less.

✧ Individual for Algorithm 8 Guitar Multi1

|—————————+—————————+—————————————————————————————————————————————| | 00H 20H | mmH llH | Metal: Gain 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 21H | mmH llH | Metal: Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 22H | mmH llH | Metal: Hi Gain -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 23H | mmH llH | Metal: Mid Gain -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 24H | mmH llH | Metal: Low Gain -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 25H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Individual for Algorithm 9 Guitar Multi 2

|—————————+—————————+—————————————————————————————————————————————| | 00H 20H | mmH llH | Distortion: Gain 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 21H | mmH llH | Distortion: Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 22H | mmH llH | Distortion: Tone 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 23H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

MIDI Implementation

28

✧ Individual for Algorithm 10 Guitar Multi 3

|—————————+—————————+—————————————————————————————————————————————| | 00H 20H | mmH llH | Over Drive: Gain 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 21H | mmH llH | Over Drive: Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 22H | mmH llH | Over Drive: Tone 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 23H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 11 Vocal Multi

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Noise Suppressor SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Limiter/De-esser SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Enhancer SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | EQ SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | P.Shifter SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Delay SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Chorus SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Limiter/De-esser Mode | | | | 0,1 = Limiter,De-esser| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Noise Suppressor: Threshold 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Noise Suppressor: Release 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Limiter: Threshold 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Limiter: Release 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Limiter: Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | De-esser: Sens 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | De-esser: Frequency | | | | 10,,,100 = 1.0,,,10.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Enhancer: Sens 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | Enhancer: Frequency | | | | 10,,,100 = 1.0,,,10.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | Enhancer: MIX Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | Enhancer: Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ: Low EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: Low EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: Low EQ Frequency 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ: Low EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | EQ: Mid EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | EQ: Mid EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | EQ: High EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | mmH llH | EQ: High EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 1CH | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 1DH | mmH llH | EQ: High EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 1EH | mmH llH | EQ: Out Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1FH | mmH llH | P.Shifter: Chromatic Pitch -12,,,12| |—————————+—————————+—————————————————————————————————————————————| | 00H 20H | mmH llH | P.Shifter: Fine Pitch -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 21H | mmH llH | P.Shifter: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 22H | mmH llH | P.Shifter: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 23H | mmH llH | Delay: Delay Time 0,,,1000| |—————————+—————————+—————————————————————————————————————————————| | 00H 24H | mmH llH | Delay: Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 25H | mmH llH | Delay: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 26H | mmH llH | Delay: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 27H | mmH llH | Chorus: Rate 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 28H | mmH llH | Chorus: Depth 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 29H | mmH llH | Chorus: Pre Delay 0,,,50ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 2AH | mmH llH | Chorus: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 2BH | mmH llH | Chorus: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 2CH | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 12 Rotary

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Noise Suppressor SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Over Drive SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Noise Suppressor: Threshold 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Noise Suppressor: Release 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Over Drive: Gain 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Over Drive: Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Rotary: Low Rate 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Rotary: Hi Rate 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 13 Guitar AMP Simulator

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Noise Suppressor SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Pre Amp SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Speaker SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Noise Suppressor: Threshold 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Noise Suppressor: Release 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Pre Amp: Mode | | | | 0,,,13 = JC-120,Clean Twin, | | | | Match Drive,BG Lead, | | | | MS1959(I), MS1959(II), | | | | MS1959(I+II),SLDN Lead, | | | | Metal 5150, Metal Lead, | | | | OD-1, OD-2Turbo, Distortion, | | | | Fuzz | |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Pre Amp: Volume 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Pre Amp: Bass 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Pre Amp: Middle 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Pre Amp: Treble 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Pre Amp: Presence 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Pre Amp: Master 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Pre Amp: Bright 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Pre Amp: Gain 0,1,2 = Low,Middle,High| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Speaker: Type | | | | 0,,,11 = Small. Middle, JC-120, | | | | Built In 1,Built In 2, | | | | Built In 3, Built In 4, | | | | BG Stack 1, BG Stack 2, | | | | MS Stack 1, MS Stack 2, | | | | Metal Stack | |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Speaker: MIC Setting 0,1,2 = 1,2,3| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | Speaker: MIC Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | Speaker: Direct Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

* Pre Amp Middle is invalid when the Mode = Match Drive.

* When the Mode = Match Drive, Pre Amp Presence works counter to the value (-100,,,0).

* Pre Amp Bright is available only when the Mode = JC-120, Clean Twin, or BG Lead.

✧ Algorithm 14 Stereo Phaser

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Phaser SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | EQ SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Phaser: Mode 0,,,3 = 4.8.12.16stage| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Phaser: Rate 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Phaser: Depth 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Phaser: Polarity 0,1 = Inverse,Synchro| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Phaser: Manual 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Phaser: Resonance 0,,,100| |—————————+—————————+—————————————————————————————————————————————|

MIDI Implementation

29

| 00H 08H | mmH llH | Phaser: Cross Feedback 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Phaser: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Phaser: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | EQ: Low EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | EQ: Low EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | EQ: Low EQ Frequency 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | EQ: Low EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | EQ: Mid EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | EQ: Mid EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | EQ: High EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ: High EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: High EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ: Out Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 15 Stereo Flanger

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Flanger SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | EQ SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Flanger: Rate 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Flanger: Depth 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Flanger: Polarity 0,1 = Inverse,Synchro| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Flanger: Manual 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Flanger: Resonance 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Flanger: Cross Feedback Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Flanger: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Flanger: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | EQ: Low EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | EQ: Low EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | EQ: Low EQ Frequency 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | EQ: Low EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | EQ: Mid EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ: Mid EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | EQ: High EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | EQ: High EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: High EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: Out Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 16 Dual Compressor/Limiter

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Comp/Limit A SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Noise Suppressor A SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Comp/Limit B SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Noise Suppressor B SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Comp/Limit A: Detect 0,1,2 = A,B,Link| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Comp/Limit A: Level -60,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Comp/Limit A: Thresh -60,,,0dB| |—————————+—————————+—————————————————————————————————————————————|

| 00H 07H | mmH llH | Comp/Limit A: Attack 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Comp/Limit A: Release 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Comp/Limit A: Ratio | | | | 0,,,3 = 1.5:1,2:1,4:1,100:1| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Noise Suppressor A: Detect | | | | 0,1,2 = A,B,Link| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Noise Suppressor A: Threshold 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Noise Suppressor A: Release 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Comp/Limit B: Detect 0,1,2 = A,B,Link| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Comp/Limit B: Level -60,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Comp/Limit B: Thresh -60,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | Comp/Limit B: Attack 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | Comp/Limit B: Release 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | Comp/Limit B: Ratio | | | | 0,,,3 = 1.5:1,2:1,4:1,100:1| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | Noise Suppressor B: Detect | | | | 0,1,2 = A,B,Link| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | Noise Suppressor B: Threshold 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | Noise Suppressor B: Release 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 17 Gate Reverb (EFX1 or EFX3)

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | G.Reverb SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | EQ SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | G.Reverb: Gate Time 10,,,400ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | G.Reverb: Pre Delay 0,,,300ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | G.Reverb: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | G.Reverb: Mode | | | | 0,,,4 = Normal,L->R,R->L, | | | | Reverse1,Reverse2 | |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | G.Reverb: Thickness 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | G.Reverb: Density 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | G.Reverb: Accent Delay 0,,,200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | G.Reverb: Accent Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | G.Reverb: Accent Pan 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | G.Reverb: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | EQ: Low EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | EQ: Low EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | EQ: Low EQ Frequency 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | EQ: Low EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ: Mid EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | EQ: Mid EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ: High EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: High EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ: High EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | EQ: Out Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 18 Multi Tap Delay

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | EQ SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | M.Tap Delay: Time 1 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | M.Tap Delay: Level 1 0,,,100| |—————————+—————————+—————————————————————————————————————————————|

MIDI Implementation

30

Roland VS-1680 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual