Roland VS-1680 User Manual

®

APPENDICES

Before using this unit, carefully read the sections entitled: “IMPOR-

TANT SAFETY INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p.

3, 4), and “IMPORTANT NOTES” (p. 5). These sections provide impor-

tant information concerning the proper operation of the unit.

Additionally, in order to feel assured that you have gained a good

grasp of every feature provided by your new unit, Quick Start,

Owner’s Manual, and Appendices should be read in its entirety. The

manual should be saved and kept on hand as a convenient reference.

without the written permission of ROLAND CORPORATION.

About MIDI....................................4

About SCSI...................................5

Troubleshooting...........................6

Q&A...............................................9

Error Messages..........................13

Special Key Operations.............16

Parameter List............................19

MIDI Implementation .................25

MIDI Implementation Chart ...................................58

Mixer Section Block Diagram ...60

Glossary .....................................63

Specifications ............................66

Track Sheet.................................72

VS8F-2 Preset Patch List ..........74

VS8F-2 Algorithm List ...............81

Reverb.........................................................................81

Delay...........................................................................82

StDly-Chorus (Stereo Delay Chorus).....................83

StPS-Delay (Stereo Pitch Shifter Delay).................84

Vocoder ......................................................................85

2ch RSS (2-channel RSS) ..........................................85

Delay RSS...................................................................86

Chorus RSS ................................................................86

GuitarMulti1 (Guitar Multi 1).................................87

GuitarMulti2 (Guitar Multi 2).................................88

GuitarMulti3 (Guitar Multi 3).................................89

Vocal Multi ................................................................90

Rotary .........................................................................91

GuitarAmpSim (Guitar Amp Simulator) ..............92

St Phaser (Stereo Phaser) .........................................93

St Flanger (Stereo Flanger) ......................................94

DualCom/Lim (Dual Compressor/Limiter)........95

Gate Reverb ...............................................................96

MultiTapDly (Multi Tap Delay) .............................97

Stereo Multi ...............................................................98

Reverb 2......................................................................99

Space Chorus...........................................................100

Lo-Fi Proces (Lo-Fi Processor) ..............................100

ParametricEQ (4-Band Parametric Equalizer)....101

GraphicEQ (10-Band Graphic Equalizer)............102

Hum Canceler .........................................................103

Vocal Cancel ............................................................104

Voice Trans (Voice Transformer) .........................105

Vocoder 2 (19) .........................................................106

MicSimulator (Mic Simulator) ..............................107

3BndIsolater (3-band Isolator) ..............................108

TapeEcho201 (Tape Echo 201) ..............................108

AnalogFlnger (Analog Flanger)............................109

AnalogPhaser (Analog Phaser).............................109

Function of Each Effect

Parameter .................................110

Index .........................................129

Contents

3

This section explains the basic concepts of MIDI, and how the VS-1680 handles MIDI messages.

What is MIDI

MIDI stands for Musical Instrument Digital Interface. It is a worldwide standard that allows elec-

tronic musical instruments and personal computer to exchange musical performance data and messages such as sound selections. Any MIDI-compatible device can transmit musical data (as appropriate for the type of device) to any other MIDI-compatible device, regardless of its manufacturer or model type.

MIDI connectors

MIDI messages (the data handled by MIDI) are transmitted and received using the following three types of connectors. On the VS-1680, MIDI OUT and MIDI THRU are handled by a single connector, which can be switched to act as the desired connector. (Owner’s Manual p. 129) MIDI IN: This receives MIDI messages from exter-

nal MIDI devices.

MIDI OUT: This transmits MIDI messages from the

VS-1680.

MIDI THRU: This re-transmits all MIDI messages that

were received at MIDI IN, without modifying them.

MIDI channels

MIDI is able to send information over a single MIDI cable independently to two or more MIDI devices. This is made possible by the concept of MIDI channels. You can think of MIDI channels as being somewhat similar in function to the channels on a television. By changing the channel of a TV set, you can view a variety of programs being transmitted by different broadcast stations. This is because data is received only from the transmitter whose channel is selected on the receiver. In the same way, a MIDI device whose receive channel is set to “1” will receive only the data being transmitted by another MIDI device whose transmit channel is also set to “1.”

MIDI messages

The VS-1680 uses the following types of MIDI message.

Note messages:

These messages are used to play notes. On a keyboard, these message transmit the key (note number) that was pressed, and how strongly it was pressed (velocity). On the VS-1680, these messages are used when you use a MIDI sound source to play the metronome sound.

Program Change messages:

These messages are for the purpose of selecting sounds, and contain a program number of 1–128. The VS-1680 uses these messages to select scenes and effects. (Owner’s Manual p. 138, 139)

Control Change messages:

In general, these messages are used to transmit information such as vibrato, hold, and volume etc., that makes a performance more expressive. The various functions are differentiated by a controller number from 0–127, and the controller number is defined for each function. The functions that can be controlled on any given device will depend on that device.

On the VS-1680, these messages are used in a completely different way than on most instruments;

they are used to control mixer parameters.

Exclusive messages:

Unlike note messages and control change messages, exclusive messages are used to transmit settings that are unique to a particular device. On the VS-1680, exclusive messages can be used to control mixer parameters (in the same way as control change messages). Normally, control change messages are easier to handle, so they should be used rather than exclusive messages. Exclusive messages intended for different units are distinguished by their Device ID, rather than by MIDI channel. When exclusive messages are to be transmitted or received, you must set the Device ID of both units to a matching setting.

MIDI implementation chart

MIDI allows a variety of electronic musical instruments to communicate with each other. However it is not necessarily the case that all devices will be able to communicate using all types of MIDI message. They can only communicate using those types of MIDI message that they have in common. Each owner’s manual for a MIDI device includes a MIDI Implementation Chart. This chart shows you at a glance the types of MIDI message that can be transmitted and received. By comparing the implementation charts of two devices, you will be able to see the types of message with which they will be able to communicate.

About MIDI

4

SCSI stands for Small Computer System Interface. It is a data transfer standard that allows large amounts of data to be sent and received. The VS-1680 comes prepared with a SCSI connectors allowing you to connect external SCSI devices such as hard disks and Zip drives. This section describes the procedures and precautions taken when using these devices.

Disk drives are precision devices. If they are connected or used incorrectly, not only may they fail to operate correctly, but the data on the disk can be lost or, in the worst case, the disk drive itself may be damaged. Please be sure to read the manual for your disk drive.

*A disk drive being used for the first time with the VS-

1680 must be initialized by the VS-1680 (Owner’s Manual p. 111). When a disk drive is initialized, all data on that disk drive is lost. Before using a disk drive that has been used by another device, make sure that it is all right to erase the data.

About Connections

Up to 7 disk drives can be connected to the SCSI connector of the VS-1680. Use SCSI cable to connect the disk drives, connecting as shown below. SCSI connectors are not distinguished by input and output ends, so you may attach either end of the cable to the devices. Devices connected in this fashion are referred to as a SCSI chain or daisy chain.

fig.ap(scsi)-01(chain.eps)

●The VS-1680 features a DB-25 type connector (female). After checking your disk drive to see what kind of SCSI connector it uses, connect it with the appropriate cable.

●Keep SCSI cables as short as possible, and use only cables which have an impedance that is compatible with the SCSI standard (110Ω +/-10%), and that are completely shield.

●Do not allow the total length of all SCSI cables connecting the chain of disk drives to exceed 6.5 meters.

●Do not connect or disconnect SCSI cables when the power of any device is turned on.

About Terminators

To protect against return noise, the device at each end of a SCSI chain must have a terminating resistance. This is referred to as a terminator. Since the VS-1680 is one end of the SCSI chain, its internal terminator is normally in effect. Connect a terminator only to the last external drive in the chain. There are two types of terminators, those that can be switched on and off (internal) and those that are attached using SCSI connections (externally attached). Select the method appropriate for the disk drive you are using.

●Your disk drive may feature a terminator switch that is normally left in the “On” position (i.e., the terminator is usually in effect). Use this type of device as the last piece in a daisy chain.

●Do not use double terminators. For example, don’t attach an external terminator to a disk drive that already has and internal terminator.

Active Terminators

If you are using an external terminator, we recommend that you make it an active terminator. In this case, if you are using a disk drive that allows you to turn the power to the terminator on and off, be sure to turn this power on. For details on attaching an active terminator, refer to the owner’s manual for your disk drive.

Active Terminator (p. 63)

Terminator Power (p. 65)

About SCSI ID Numbers

Each disk drive is distinguished by its SCSI ID number (0–7). This means that when two or more disk drives are connected, you must make settings so that the SCSI ID numbers of the disk drives do not conflict (coincide). If the SCSI ID numbers conflict, the VS-1680 will not be able to correctly recognize the disk drives. With the factory settings, the VS-1680 is set to SCSI ID number 7. Set the disk drives you are connected to ID numbers other than 7.

VS-1680 Disk Drive1

(Zip Drive, etc)

Disk Drive2

(Zip Drive, etc)

Disk Drive7

(CD-R Drive, etc)

About SCSI

5

When the VS-1680 does not perform the way you expect, check the following points before you suspect a malfunction. If this does not resolve the problem, contact servicing by your dealer or qualified Roland Service Center.

Recording and Playback

No Sound

●The power of the VS-1680 and the connected devices is not turned on.

●The audio cables are not connected correctly.

●The audio cables are broken.

●The volume is turned down on the connected mixer

or amp.

●The master fader of the VS-1680 is turned down.

Channel faders Master fader MONITOR knob PHONES knob

●The output jacks which are connected are different than the output jacks selected in the master section of the mixer (Owner’s Manual p. 175).

●Short phrases less than 0.5 seconds cannot be played back.

A specific channels does not sound

●The volume level of the channel is turned down.

→When switching between the input mixer and track

mixer, recalling Scenes, using Auto Mix, or in other such situation, the actual volume levels may not match the position of the faders. In such cases, bring the faders up or down to match the settings.

●The track is off (the STATUS indicator is off).

●The Master Send switch (Owner’s Manual p. 62) is set

to “Off.”

●The Solo or Mute function (Owner’s Manual p. 162) is being used.

●“Cntrl Local” is set to “Off.”

→In this case, fader movements have no effect.

Cannot record

●The recording track has not been selected (the STATUS indicator is not blinking red).

●Recording source tracks, playback tracks, or effects have not been assigned.

●The disk drive has insufficient capacity.

●The song has an insufficient number of events.

Cannot record digitally

●The CD player’s digital connection is not accepted.

●The master clock is set to “INT” (Owner’s Manual p.

75).

●The DIGITAL IN connector (optical or coaxial) was not properly selected.

●The sampling rate of the recording destination song is different than the sampling rate of the digital audio device.

→Match the sample rate setting of the digital audio

device to the setting of the song. If it is not possible to change the sample rate of the digital audio device, create a new song with that sample rate.

●The digital signal is not being transmitted from the digital audio device.

→Some digital audio devices do not output a digital

signal unless they are in play mode. If this is the case, put your digital audio device in standby (pause) mode before putting the VS-1680 into record mode.

●The digital signal format is different.

→Some digital audio devices may use a special digital

signal format. Please connect to a digital audio device that is compatible with S/P DIF.

Noise and distortion appear in the recorded sound

●Input sensitivity settings are incorrect.

→If input sensitivity settings are too high, the record-

ed sound will be distorted. Conversely, if they are too low, the recorded sound will be obscured by noise. Adjust the INPUT knobs so that the level meters move at as high a level as possible, within the range of -12 dB to 0 dB.

●The equalizer is being used with the input mixer.

→Some equalizer settings may cause the sound to dis-

tort even if the PEAK indicator does not light. Readjust the equalizer.

●“ATT” (Attenuation) setting is incorrect. (Owner’s Manual p. 174)

→If noise or distortion occurred as a result of track

bouncing, the track output levels were too high.

Troubleshooting

6

The playback pitch is strange

●The Vari-Pitch function is turned on (the VARI PITCH indicator is lit).

●The time compression/expansion function is being used (Owner’s Manual p. 90).

Disk drive problems

The internal hard disk is not being recognized

●The hard disk has not been installed correctly.

●“IDE Drive” is set to “Off” (Owner’s Manual p. 189).

●The “Partition” settings are not right.

→When a high-capacity hard disk is installed in the

VS-1680, we recommend setting the partition size to “2000MB.”

The Zip drive is not recognized

●The Zip drive is not connected correctly.

●The same device ID number is assigned to two or

more SCSI devices (Zip drives , CD-R drives, etc.).

●The Zip drive has not been initialized (Owner’s Manual p. 111).

●No Zip disk is inserted in the drive.

→When switching Zip disks, be sure to select the

newly inserted disk as the current drive.

●An archives copy Zip disk is inserted.

Internal Effects

Effects cannot be used

●The VS8F-2 has not been installed correctly.

●Only one VS8F-2 has been installed (when EFFECT B

cannot be used).

●You are attempting to select the algorithm for Reverb, Gated Reverb, Vocoder 2, or Voice Transformer with EFX2 or EFX4.

●You are attempting to select the algorithm for Vocoder 2 or Voice Transformer with EFX1 or EFX3 (p. 105, 106).

CD-R Drive Problems

The CD-R drive is not being recognized

●The CD-R drive is not connected correctly.

●The same device ID number is assigned to two or

more SCSI devices (Zip drives , CD-R drives, etc.).

●No CD-R disc is inserted in the drive.

●A CD-R drive that is not designated by Roland.

Cannot write to CD-R discs

●The song’s sample rate is set to something other than

44.1 kHz (Owner’s Manual p. 58).

●No IDE hard disk is installed.

●The internal IDE hard disk does not have sufficient

free disk space (Owner’s Manual p. 169).

●The CD-R disc does not have sufficient free space.

●You are trying to write to a commercial CD software

disc.

●You are trying to write to a CD-R disc that has been finalized.

MIDI Devices

With the VS-1680 as master, the sequencer does not respond to commands

●The MIDI cable is not connected correctly.

●The MIDI cable is broken.

●The MIDI Thru switch is not set to “Out” (Owner’s

Manual p. 129).

●“Sync Gen.” (the sync generator) is not set to the appropriate synchronization method (MTC, MIDI Clock, Sync Track) (Owner’s Manual p. 133).

●The EXT indicator is blinking (“Sync Source” is set to “EXT”).

●The two devices are not set to the same type of MTC (during MTC synchronization).

●The MIDI clock data has not been recorded on the sync track (if you are using the sync track for synchronization).

●The settings of the MIDI sequencer are not correct.

●The MIDI sequencer is not ready to playback.

Troubleshooting

7

When synchronizing using a MIDI sequencer as the master, the VS-1680 does not respond to the sequencer messages

●The MIDI cable is not connected correctly.

●The MIDI cable is broken.

●You are trying to synchronize using the MIDI clock.

→The VS-1680 cannot be run in slave mode using a

method other than MTC.

●The EXT indicator is off (“Sync Source” is set to “INT”).

●The two devices are not set to the same type of MTC (during MTC synchronization).

●The settings of the MIDI sequencer are not correct.

●The MIDI sequencer is not in playback standby

mode (with the PLAY indicator blinking).

●MTC reception is in poor condition.

→Setting the Sync Error Level to “5” or higher may

improve conditions.

With a video device as the master, the VS-1680 does not respond

●The cable connected to the L-connector or the MIDI cable is not properly connected.

●The MIDI cable is broken.

●The EXT indicator is off (“Sync Source” is set to

“INT”).

●“SysEX.Rx.” (System Exclusive Receive Switch) is not set to “On.”

●“MMC” (MMC mode) is not set to “SLAVE.”

The MTC frame rate of the video device differs from that of the SI-80S (Roland Video MIDI Sync Interface), or the video and the VS-1680 are not set to the same type of MTC.

●MTC reception is in poor condition.

→Setting the Sync Error Level to “5” or higher may

improve conditions.

Other problems

Data on the disk drive was not saved properly

The VS-1680’s power was turned off without performing the shutdown process.

●The power was turned off while the disk drive was operating.

●A strong shock was applied to the disk drive.

●The disk drive or SCSI cable was connected or dis-

connected while the power was still turned on.

→Reinitialize the disk drive (and also execute physical

formatting) (Owner’s Manual p. 111). Also, we recommend that you execute Surface Scan as well (Owner’s Manual p. 113).

Troubleshooting

8

Basic Information

I just got the VS-1680. Can I use it right away?

The VS-1680 is an audio recording device. Please first prepared the following items.

•Internal hard disk (HDP-88 series)

• Audio device to take the Master output, or stereo headphones

• Instruments and mics, as well as a CD player and other devices for recording

Furthermore, by setting up the following pieces of equipment, you can get even greater performance from the VS-1680.

• Effect expansion board (VS8F-2)

• Zip drive

• CD-R Drive (which is designated by Roland)

• DAT Recorder

Etc.

Can I use my computer’s internal Zip drive to play VS-1680 song data saved on a Zip disk?

The VS-1680 song data format is particular to the VS-

1680. Other than VS-880 data ported (Song Export) to

the VS-1680, the data cannot be handled by other devices.

How long can I record for?

This size (capacity) of the hard disk, sample rate, and recording mode all have an effect. For example, using a 2.1 GB hard disk (HDP88-2100), the following guideline shows the approximate recording time (in track minutes, calculated for one track).

Sample Rate Recording Mode 48.0 kHz 44.1 kHz 32.0 kHz Multi-Track Pro 742 mins. 808 mins. 1114 mins. Mastering 370 mins. 404 mins. 556 mins. Multi-Track 1 742 mins. 808 mins. 1114 mins. Multi-Track 2 990 mins. 1078 mins. 1484 mins. Live 1 1188 mins. 1292 mins. 1782 mins. Live 2 1484 mins. 1616 mins. 2228 mins. (All times approximate)

How many tracks can I record at the same time?

You can record up to 8 tracks simultaneously, regardless of recording mode and sample rate.

How many tracks can I play back at the same time?

You can play back up to 16 tracks simultaneously. One of the 16 V-tracks on each track is selected for playback. However, when “MAS” is designated as the recording mode, the VS-1680 functions as an 8-track recorder (on Tracks 1–8).

What’s the difference between regular scrub and the VS-1680’s scrub function?

Scrub in traditional tape format multi-track recording scrub and the VS-1680’s scrub function are not the same thing. Traditionally, scrub emulates rotating the tape reels by hand. Therefore, it is necessary to slow the tape down to the appropriate speed to allow accuracy in finding the beginning of a sound. This slows the playback speed, resulting in a big pitch drop, making it difficult to determine the actually spot on the tape. Thus, the VS-1680 features “Scrub Preview,” allowing looped playback of very short segments.

I tried to record a commercial audio CD by connecting the player to the DIGITAL IN connector, but “Can’t REC CD” appeared in the display, and I couldn’t continue with the procedure.

When new, the VS-1680 cannot make digital connections with CD players. Please refer to “Recording Digital Signals” (Owner’s Manual p. 74 ).

When I tried to execute Track Copy on a very short segment of a song, nothing sounded, neither the source data nor the sound of the copy.

Phrases shorter than 0.5 seconds cannot be played on the VS-1680. If you happen to create

extremely short Phrases using Track Edit or Phrase Edit, it may seem that the audible sound up to that point sound has been deleted. When you cut and paste this kind of short phrase, it is treated like sampled percussion sounds or a sound effect. As a rule of thumb, make phrases at least one second long.

Q&A

9

After track bouncing I erased the source track using Track Erase, but the free capacity on the hard disk didn’t increase.

When you carry out Track Cut, Track Erase, or Phrase Delete, the apparent performance data disappears. However, due to the Undo function, the erased performance data is not deleted from the hard disk. When you want to increase hard disk free space, use Song Optimize. (Owner’s Manual p. 169)

How long does time compression take?

For each track, it takes about nine times the playback time. For example, if you have a five-minute song that uses eight tracks, then compression takes 8 (tracks) x 5 (minutes) x 9 = 360 minutes.

I tried to start making a new song, but “Song Protected” appeared in the display, and I couldn’t continue with the procedure.

This is because the demo song that is saved on the internal hard disk has Song Protect on it. When “STORE Current?” appears in the display, press [NO]. Alternatively, remove Song Protect (Owner’s Manual p. 82). However, doing this may result in changes to the content of the demo song.

The PLAY indicator just blinks green. I can’t record or play back, even when I press the [PLAY] button.

When the EXT SYNC indicator is on, the VS-1680 is receiving MTC receive standby messages from the external MIDI device. Operate the external MIDI device or press [STOP]. When “PowerOFF/RESTART” appears in the display it means that the shutdown procedure is being performed. Hold down [SHIFT] and press [PLAY (RESTART)]. This restarts the VS-1680.

All of the tracks have something recorded on them. How can I bounce these tracks?

With the VS-1680, you can perform track bouncing on the same track. However, when you do this, each record or playback track is counted as a single track, with a limit of 16 tracks in total. For example, when you set the routing so that Track 1 is bounced to Track 1, then the STATUS indicator for Track 15/16 goes off, indicating the Track 16 is now not being played back.

Effects

I’d like to change the order of an effect algorithm.

The connection orders cannot be altered. They can only be turned on or off. For more detailed information on what goes on with the algorithm orders, please refer to the “Algorithm List” (p. 81).

To use the mic simulator effectively, what kind of mic do you recommend?

We recommend using the Roland DR-20 mic. As input for the mic simulator, with the DR-20, you can select small dynamic mic input, headset type dynamic mic input, ultra-compact condenser mic input, or line input. In addition, as an effect preset Patch, an effective mic emulator is set up assuming that the DR-20 will be used as input.

Can a different mic simulator Patch be assigned to each of the sounds being input to INPUT 1–4?

Yes. For example, assign the main vocal to INPUT 1, electric guitar to INPUT 2, bass to INPUT 3 and so on, and if you want to create the atmosphere available when recording with a studio mic setup, set “LINK” to “Off” (p. 121).

Zip Drives

Can I connect and disconnect SCSI cables while the power is turned on?

Never do this. Terminator power is supplied to SCSI connectors. Connecting and disconnecting SCSI cables while the power is turned on may result in malfunctioning, so when connecting SCSI cables, always be sure to turn off the power to all connected devices.

Q&A

10

How long does it take to copy to Zip disks?

Below is a chart that roughly shows the time it takes (in track minutes) to make a playable or archive copy to one Zip disk (100 MB), calculated for one track. However, with archive copies, you can also back up songs that contain more than 100 MB of memory, dividing the song onto multiple Zip disks.

Sample Rate Recording Mode 48.0 kHz 44.1 kHz 32.0 kHz Multi-Track Pro 34 mins. 37 mins. 52 mins. Mastering 17 mins. 18 mins. 26 mins. Multi-Track 1 34 mins. 37 mins. 52 mins. Multi-Track 2 46 mins. 50 mins. 69 mins. Live 1 55 mins. 60 mins. 83 mins. Live 2 68 mins. 75 mins. 103 mins. (All times approximate)

I can’t initialize the Zip disk.

If initialization is cancelled, with error messages such as “Medium Error,” “Not 512 bytes/sector,” “Function Failed!” or other messages appearing in the display, the cause is likely one of the following.

• The Zip disk may scratched or be otherwise dam-

aged. Try another (new) disk to check whether or not the same condition reappears.

• The Zip drive may be broken. Connect the Zip drive

to a device other than the VS-1680 (e.g., your computer) to see if the drive can initialize disks, read files, and perform other operations normally.

• When there is nothing wrong with either the

Zip disk or the Zip drive, contact your Roland Service Center or your dealer.

I initialized an archive copy Zip disk. Is there any way I can restore the data?

Unfortunately, there is no way to restore this data. Playable copies and archive copies have different disk formats. Take precautions such as sticking labels on disks saved as archive type data disks to distinguish the from other disks.

When I tried to initialize a Zip disk, “WRITE PROTECTED” appeared in the display, and I was unable to continue with the procedure.

That Zip disk may have been write-protected on another device (such as your computer). Insert a different disk. With “Physical Format” set to “On,” you can then initialize the disk on the VS-1680. However, in this case, all data on the disk is lost. Check the disk on another device to be absolutely sure there is no necessary data already deleted. The Tools DISK that is included with the Zip drive is also write protected. This Tools DISK is necessary when you want to use Zip disks on computers and other devices, so we recommend that this disk be left as is. Furthermore, the VS-1680 cannot add or delete the protect on the Tools DISK.

MIDI

When I synchronized the VS-1680 with a MIDI sequencer, the VS-1680 mixer level and pan settings changed by themselves.

The VS-1680 receives Control Change messages as well as System Exclusive messages. When set to receive Control Change messages transmitted by a MIDI sequencer, the VS-1680’s mixer can be controlled by external devices. When this feature is not needed, set the “Control Type” to “Off” (Owner’s Manual p. 195).

DAT

When I connected a DAT recorder to the VS-1680’s DIGITAL IN and DIGITAL OUT, the sound was noisy.

The digital signals are travelling in a loop. When you connect a DAT recorder’s DIGITAL OUT connector to the DIGITAL IN connector on the VS-1680, the VS-1680 is synchronized to the DAT recorder’s digital clock. Then, if while in this condition you connect a the VS1680’s DIGITAL OUT connector to the DIGITAL IN connector on the DAT recorder, the DAT recorder then becomes synchronized to the VS-1680’s digital clock. In other words, having no single reference cock to synchronize everything causes instability and loss of synchronization. When you want to record using the VS1680, set the DAT recorder’s input to analog. Conversely, if you want to use the DAT recorder to record, set the VS-1680’s Master Clock to “Internal.”

Q&A

11

Instead of using DAT, can I back up songs on MDs?

You cannot back up data on MDs. As data on MDs is compressed before being recorded, the VS-1680’s song data would also be compressed before recording, making it unrecoverable. DCC also cannot be used in backing up data for the same reason.

CD-R Drives

Can’t I use a CD-R drive other than the CD-R drive that is designated by Roland?

The VS-1680 can use the CD-R drive that is designated by Roland only. Other CD-R drives cannot be used.

What kind of disks does it use?

Any CD-R disc can be used, regardless of recording length. However, CD-RW discs cannot be used.

Can song data be written to the discs in Macintosh AIFF File format?

No. Only audio CDs and CD-Rs for backup are supported by the VS-1680.

I made an audio CD on the CD-R drive, but it doesn’t play on my consumer CD player.

The finalized process was not carried out. When making audio CDs, set “Finalize” to “On” or “OnlyFin.” (Owner’s Manual p. 122).

Q&A

12

Aborted Command! Illegal Request!

This disk drive cannot be used by the VS-1680.

Already Selected

The currently selected disk drive was selected. If you wish to switch to another disk drive, re-select the disk drive.

Arbitration Failed! Busy Status! Check Condition! Status Error!

Normal communication with the disk drive could not be accomplished. Make sure that the disk drive is connected correctly.

Blank Disc

You have tried to run the CD player function using a disc that has no performance data on it. Insert a commercial CD or CD-R with material already recorded on it.

Can’t Communicate! Drive Time Out! Message Error! Phase Mismatch! Undefined Sense! Drive Unknown Error!

There is a problem with the connections to the disk drive. Make sure that the disk drive is connected correctly.

Can’t REC CD!

With the factory setting, digital connections cannot be made with a CD player. Please read “To Recording Digital Signals” (Owner’s Manual p. 74).

Can’t Recover

The drive check Recover procedure could not be executed because there was insufficient free space on the disk. Delete unneeded songs. Alternatively, perform the Song Optimize procedure.

Can’t Set Marker

No more than two track number mark points can be set within a four-second interval.

Change Int CLK?

No digital signal is being received at the DIGITAL IN connector. Select whether or not to switch the sample rate reference clock to the internal clock. Pressing [YES] switches the VS-1680 to the internal clock. After checking to make sure that all digital devices are properly connected and those sample rates for all devices match, carry out the operation once more.

Digital In Lock

The sample rate reference clock is set to the digital signal coming from the DIGITAL IN connector. You can record using the digital connection.

Digital In Unlock

The digital signal is not being input through the DIGITAL IN connector, or the sample rate set for the song and the sample rate of the digital device connected to the DIGITAL IN connector are different. In this state, you cannot record using the digital connection. The sample rate specified for the song is different than the sample rate of the digital device connected to the DIGITAL IN connector. Press [YES], and set the sample rates of both devices to match.

Disk Memory Full!

There is insufficient free area on the disk. Erase unneeded data. Or, select a different disk drive. The maximum number of songs that can be recorded on one partition (200) has been exceeded. Delete unneeded songs. Or, select a different disk drive.

Drive Busy!

If this message appears when you first begin using a disk drive with the VS-1680, the disk drive is not fast enough. When using this disk, create a new song with a lower sample rate or recording mode, and record using this song. If this message appears after you have been using the disk drive with the VS-1680, the data on the disk drive has become fragmented, causing delays in reading and writing data. Either use the track bouncing operation to re-record playback data to another track, or use the optimize operation. If the same message appears even after these measures have been taken, copy the song data to another disk drive and initialize the disk drive that produced the problem.

Event Memory Full!

The VS-1680 has used up all the events that can be handled by one song. Delete unneeded auto mix data. Alternatively, perform the Song Optimize operation.

Error Messages

13

Finalized CD!

This message appears when an attempt is made to write to a commercial CD or a finalized CD-R disc. Replace the disc with a blank disc or one that has not been finalized.

Hardware Error!

There is a problem with the disk drive. Contact the manufacturer or dealer of the disk drive.

Lack of CD-R Memory!

There is insufficient free space to write the songs to the CD-R disc.

Lack of EVENT!!

You have tried to record AutoMix data in realtime, when the remaining number of EVENT is less than

1000. Or, You have tried to UNDO or REDO when the remaining number of Event is less than 200. You cannot continue the current operation.

Lack of IDE Memory!

There is insufficient free space on the internal IDE hard disk to make the image data file.

MARKER Memory Full!

The VS-1680 has used up all Marker Memory (1000 Markers) that can be handled by one song. Delete unneeded Marker.

Medium Error!

There is a problem with the disk drive media. This disk cannot be used by the VS-1680. In some case’s recovery can be achieved by executing Drive Check (Owner’s Manual p. 178).

No CD-R Drive!

Either no CD-R drive is connected, or the power is not turned on.

No Data to Write

The track that you have selected to write to CD-R disc contains no song data.

No Disc

There is no disc in the CD-R drive. Please insert a disc.

No Drive Ready

No disk drive is connected. Or, an internal hard disk is not installed. Make sure that the disk drive is connected correctly.

No Effect Board A No Effect Board B

A VS8F-2 effect expansion board (sold separately) is not installed. This operation can be performed only if a VS8F-2 is installed.

No IDE Drive!

The unit has no IDE-type disk drive. Install an internal hard disk.

No Target Selected!

The tracks or the phrases are not selected for edit.

Not 44.1k Song!

The sample rate of the song is not 44.1 kHz, so the data cannot be written to the CD-R disc.

Not 512byte/sector

The disk that you are using is not 512 bytes/sector. This disk cannot be used by the VS-1680.

Not Ready!

The disk drive is not ready. Wait a short time.

Obey Condition?

This message asks if you agree to the terms and conditions regarding the reproduction, broadcast, and sale of the software. Please carefully read the License Agreement.

Please Insert CD-R Disc!

Either the CD-R drive loading tray is still open, there is no CD-R disc loaded, or the CD-R drive is otherwise not ready. Insert CD-R disc.

Please Wait...

Operation is in progress. Please wait momentarily.

SCSI ID Error!

The SCSI ID numbers of two or more disk drives are conflicting. Make settings so that the SCSI ID numbers do not conflict.

SPC Not Available!

The SCSI components of the VS-1680 have malfunctioned. Contact servicing by your dealer or qualified Roland service personnel.

Error Messages

14

Song Protected!

Since Song Protect is ON, the operation cannot be executed.

TOC Read Error!

An error occurred in reading from the CD-R disc. There is a problem with the CD-R drive or the CD-R disc.

Too Many Markers!

You have tried to set track number mark points in excess of the maximum (98) you can set for one disc.

Unformatted!

The disk drive has not been initialized by the VS-1680. Initialize the disk drive. If this appears for a disk drive that has been initialized by the VS-1680, there is a problem with the connections to the disk drive. Make sure that the disk drive is connected correctly.

User Aborted!

The procedure has canceled by pressing [EXIT(NO)].

Write Another?

Writing to the disc is complete. Select whether or not you want to write the same data to a new disc. Press [YES] or [NO].

Write Protected!

The disk drive is protected.

Error Messages

15

Here is a list of the functions that can be performed by pressing multiple buttons, or using the TIME/VALUE dial in conjunction with a button.

SELECT/CH EDIT buttons

[SHIFT] + Input Channel [SELECT 1]: To the Pan setting page (Input Mixer, PRM.V)

[SHIFT] + Input Channel [SELECT 2]: To the Attenuation setting page (Input Mixer, PRM.V)

[SHIFT] + Input Channel [SELECT 3]: To the equalizer low setting page (Input Mixer, PRM.V)

[SHIFT] + Input Channel [SELECT 4]: To the equalizer mid setting page (Input Mixer, PRM.V, 3bandEQ)

[SHIFT] + Input Channel [SELECT 5]: To the equalizer high setting page (Input Mixer, PRM.V)

[SHIFT] + Input Channel [SELECT 6]: To the EFX1 setting page (Input Mixer, PRM.V)

[SHIFT] + Input Channel [SELECT 7]: To the link setting page (Input Mixer, PRM.V)

[SHIFT] + Track Channel [SELECT 1]: To the Pan setting page (Track Mixer, PRM.V)

[SHIFT] + Track Channel [SELECT 2]: To the Attenuation setting page (Track Mixer, PRM.V)

[SHIFT] + Track Channel [SELECT 3]: To the equalizer low setting page (Track Mixer, PRM.V)

[SHIFT] + Track Channel [SELECT 4]: To the equalizer mid setting page (Track Mixer, PRM.V, 3bandEQ)

[SHIFT] + Track Channel [SELECT 5]: To the equalizer high setting page (Track Mixer, PRM.V)

[SHIFT] + Track Channel [SELECT 6]: To the EFX1 setting page (Track Mixer, PRM.V)

[SHIFT] + Track Channel [SELECT 7]: To the link setting page (Track Mixer, PRM.V)

[SHIFT] + Track Channel [SELECT 8]: To the v-track setting page (Track Mixer, PRM.V)

[STATUS] + SELECT buttons : Select source to be recorded on the track (1–8, DIGITAL, 1–15/16)

[ST IN] + Input Channel SELECT buttons: Select source to Stereo In function (1–8, DIGITAL)

[EFFECT 1/3 RTN] + SELECT buttons: Select the Send switch setting to EFX1 bus (off/pre/post) (1–8, DIGITAL, 1–15/16)

[EFFECT 2/4 RTN] + SELECT buttons: Select the Send switch setting to EFX2 bus (off/pre/post) (1–8, DIGITAL, 1–15/16)

[SHIFT] + [EFFECT 1/3 RTN] + SELECT buttons: Select the Send switch setting to EFX3 bus (off/pre/post) (1–8, DIGITAL, 1–15/16)

[SHIFT] + [EFFECT 2/4 RTN] + SELECT buttons: Select the Send switch setting to EFX4 bus (off/pre/post) (1–8, DIGITAL, 1–15/16)

[SHIFT] + [SOLO(EDIT)]: Solo mode on/off

[SOLO(EDIT)] + SELECT buttons: Solo function on/off (each channel) (1–8, DIGITAL, 1–15/16)

[CLEAR] + [SOLO(EDIT)]: Solo function off (all channel)

[MUTE(FADER)] + SELECT buttons: Mute function on/off (each channel) (1–8, DIGITAL, 1–15/16)

[CLEAR] + [MUTE(FADER)]: Mute function off (all channel)

[AUTOMIX] + SELECT buttons: Automix setting of each channel (when Automix is “on”) (1–8, DIGITAL, 1–15/16)

Special Key Operations

16

Transport Control buttons

[SHIFT] + [STORE(ZERO)]: Store song data to the disk drive

[SHIFT] + [SONG TOP(REW)]: Move to the time where the first sound of the song is recorded

[SHIFT] + [SONG END(FF)]: Move to the time where the last sound of the song is recorded

[SHIFT] + [SHUT/EJECT(STOP)]: Shut down

[SHIFT] + [RESTART(PLAY)]: Restart (after shut down)

[REC] + STATUS buttons: Switch the status to REC (indicator blinks red)

[STOP] + STATUS buttons: Switch the status to PLAY(indicator lights green)

LOCATOR/SCENE buttons

[CLEAR] + LOCATOR buttons(1–8): Clear the setting of locators

[CLEAR] + [TAP]: Erase a marker

[SHIFT] + [CLEAR] + [TAP]’[YES]: Erase all markers

[BANK] + LOCATOR buttons(1–8): Switch the locator bank

[SCENE] + [TAP]: Execute snapshot (When Automix is “on”)

[SCENE] + [PREVIOUS]: Gradation to mixer setting of previous marker (when Automix is “on”)

[SCENE] + [NEXT]: Gradation to mixer setting of next marker (when Automix is “on”)

[SCENE] + [REC]: Automix Realtime recording (when Automix is “on.”)

[SHIFT] + [SCENE]: Transmit the condition of the digital mixer as MIDI data from MIDI OUT

connector

[SHIFT] + [START(1)]: Enter the current time as track edit start point. If it has been already set,

move to that time (except track condition).

[SHIFT] + [END(2)]: Enter the current time as track edit end point. If it has been already set,

move to that time (except track condition).

[SHIFT] + [FROM(3)]: Enter the current time as track edit from point. If it has been already set,

move to that time (except track condition).

[SHIFT] + [TO(4)]: Enter the current time as track edit to point. If it has been already set,

move to that time (except track condition).

[SHIFT] + [CLEAR] + [START(1)]: Clear the track edit start point (except track condition)

[SHIFT] + [CLEAR] + [END(2)]: Clear the track edit end point (except track condition)

[SHIFT] + [CLEAR] + [FROM(3)]: Clear the track edit from point (except track condition)

[SHIFT] + [CLEAR] + [TO(4)]: Clear the track edit to point (except track condition)

[SHIFT] + [PREVIOUS]: If there is a phrase on current time, move to the beginning of that phrase.

If not, move to the end of the previous phrase (when PREVIOUS/NEXT Sw is “MARKER”). Move to the previous marker (when PREVIOUS/NEXT Sw is “PHRASE”)

Special Key Operations

17

[SHIFT] + [NEXT]: If there is a phrase on current time, move to the end of that phrase. If not,

move to the beginning of the next phrase (when PREVIOUS/NEXT Sw is “MARKER”). Move to the next marker (when PREVIOUS/NEXT Sw is “PHRASE”)

[PLAY (DISPLAY)] + [TAP]: Register a marker for audio CD track number

FUNCTION buttons

[SHIFT] + [F1]: To Song condition

[SHIFT] + [F2]: To Track condition

[SHIFT] + [F3]: To Effect condition (EFFECT A)

[SHIFT] + [F4]: To Effect condition (EFFECT B)

[SHIFT] + [F5]: To System condition

[SHIFT] + [F6]: To Utility condition

Other

[SHIFT] + [PAGE]: Popup the Jump setting page

[SHIFT] + [PLAY]: Switch the Graphic display

[SHIFT] + [SCRUB]: Popup the Scrub length setting page

[SHIFT] + [TO]: Popup the Preview to length setting page

[SHIFT] + [FROM]: Popup the Preview from length setting page

[SHIFT] + [VARI PITCH]: Popup the Vari pitch setting page

[SHIFT] + [UNDO]: Popup the Redo setting page (when the UNDO indicator is lit)

[SHIFT] + [TAP]: To the Tempo map setting page

[SHIFT] + [EXT SYNC]: To the Sync source setting page

[SHIFT] + [LOOP]: To the loop start/end point setting page

[SHIFT] + [AUTO PUNCH]: To the punch in/out point setting page

[SHIFT] + [ ] [ ]: Move the range of display to edit (Pane)

[SHIFT] + TIME/VALUE dial: Modify the value at 10 times the usual speed. In Play condition when the cursor

is displayed at the sub frame of the time code display, move the current time in units of approximately 1/100 frame.

STATUS button + [CLEAR]: Cancel the all routing of mixer section.

Special Key Operations

18

Input Mixer

* If Stereo Link is On, the “Pan” parameter will change to the balance parameter.

* If two VS8F-2 (s) are installed in your VS-1680, the “AUX1” will change to the “EFX1,” the “AUX2” will change to the

“EFX2,” the “AUX3” will change to the “AUX.”

Parameter name Display Value Initial value

Master Send Pan/Balance Pan L63–0–R63 0

Equalizer Switch EQ Sw Off, On Off

Equalizer Select - 2 Band EQ, 3 Band EQ 2 Band EQ

Equalizer Low Gain Low G -12–12 dB 0 dB

Equalizer Low Frequency Low F 40 Hz–1.5 kHz 300 Hz

Equalizer Mid Gain Mid G -12–12 dB 0 dB (*1)

Equalizer Mid Frequency Mid F 200 Hz–8 kHz 1.4 kHz (*1)

Equalizer Mid Q Mid Q 0.5–16 0.5 (*1)

Equalizer High Gain High G -12–12 dB 0 dB

Equalizer High Frequency High F 500 Hz–18 kHz 4 kHz

Effect Switch (1–2) EFX* (1–2) Off, Pre, Pst Off

Effect Send Level - 0–127 100 (*2)

Effect Pan/Balance - L63–0–R63 0 (*2)

AUX Switch AUX* (1–3) Off, Pre, Pst Off

AUX Level - 0–127 100 (*3)

AUX Pan/Balance - L63–0–R63 0 (*3)

Effect Insert Switch (1–4) EFXIns (1–4) Off, Ins, InsL, InsR, InsS Off

Effect Insert Send Level (1–4) Snd -42–6 dB 0 dB (*4)

Effect Insert Return Level (1–4) Rtn -42–6 dB 0 dB (*4)

Stereo Link Link Off, On Off

Attenuation ATT -42–6 dB 0 dB

Phase Phase NRM, INV NRM

Level Meter Meter Pre, Pst Pre

Solo Solo Off, On Off

Mute Mute Off, On Off

Fader Fader 0–127 100

*1 Valid when Equalizer Select is “3 Band EQ.”

*2 Valid when Effect Switch is except “Off.”

*3 Valid when AUX Switch is except “Off.”

*4 Valid when Effect Insert Switch is except “Off.”

Parameter List

19

Stereo In/Effect Return

Parameter name Display Value Initial value

Stereo In Select StereoIn Select Off, Input 1/2, Input 3/4, Input 5/6, Input 7/8, Digital Off

Stereo In Level - 0–127 100 (*1)

Stereo In Balance - L63–0–R63 0 (*1)

Effect Return Level - 0–127 100

Effect Return Balance - L63–0–R63 0

Solo Solo Off, On Off

Mute Mute Off, On Off

*1 Valid when Stereo In Select is except “Off.”

Track Mixer

* If Stereo Link is On, the “Pan” parameter will change to the balance parameter.

* If two VS8F-2 (s) are installed in your VS-1680, the “AUX1” will change to the “EFX1,” the “AUX2” will change to the

“EFX2,” the “AUX3” will change to the “AUX.”

Parameter name Display Value Initial value

Master Send Pan/Balance Pan L63–0–R63 0

Equalizer Switch EQ Sw Off, On Off

Equalizer Select - 2 Band EQ, 3 Band EQ 2 Band EQ

Equalizer Low Gain Low G -12–12 dB 0 dB

Equalizer Low Frequency Low F 40 Hz–1.5 kHz 300 Hz

Equalizer Mid Gain Mid G -12–12 dB 0 dB (*1)

Equalizer Mid Frequency Mid F 200 Hz–8 kHz 1.4 kHz (*1)

Equalizer Mid Q Mid Q 0.5–16 0.5 (*1)

Equalizer High Gain High G -12–12 dB 0 dB

Equalizer High Frequency High F 500 Hz–18 kHz 4 kHz

V-track V.Trk 1–16 1

Effect Switch (1–2) EFX* (1–2) Off, Pre, Pst Off

Effect Send Level - 0–127 100 (*2)

Effect Pan/Balance - L63–0–R63 0 (*2)

AUX Switch AUX* (1–3) Off, Pre, Pst Off

AUX Level - 0–127 100 (*3)

AUX Pan/Balance - L63–0–R63 0 (*3)

Effect Insert Switch(1–4) EFXIns (1–4) Off, Ins, InsL, InsR, InsS Off

Effect Insert Send Level (1–4) Snd -42–6 dB 0 dB (*4)

Effect Insert Return Level (1–4) Rtn -42–6 dB 0 dB (*4)

Stereo Link Link Off, On Off

Attenuation ATT -42–6 dB 0 dB

Phase Phase NRM, INV NRM

Level Meter Meter Pre, Pst Pre

Solo Solo Off, On Off

Mute Mute Off, On Off

Fader Fader 0–127 100

Parameter List

20

*1 Valid when Equalizer Select is “3 Band EQ.”

*2 Valid when Effect Switch is except “Off.”

*3 Valid when AUX Switch is except “Off.”

*4 Valid when Effect Insert Switch is except “Off.”

Marterblock

* If two VS8F-2 (s) are installed in your VS-1680, the “AUX1” will change to the “EFX1,” the “AUX2” will change to the

“EFX2,” the “AUX3” will change to the “AUX.”

Parameter name Display Value Initial value

Master Level MASTER 0–127 current Master Fader setting

Master Balance MASTER L63–0–R63 0

Monitor Level MONITOR 0–127 current MONITOR knob setting

Monitor Balance MONITOR L63–0–R63 0

AUX A AUX.A EFX1, EFX2, AUX1, AUX2, AUX1 (*1), AUX (*2)

AUX3

AUX B AUX.B EFX1, EFX2, AUX1, AUX2, EFX1

AUX3

Monitor MON MST, EFX1, EFX2,AUX1, MST

AUX2, AUX3, REC, ST IN

Digital Out 1 DOUT1 MST, MON, EFX1, EFX2, MST

AUX1, AUX2, AUX3

Digital Out 2 DOUT2 MST, MON, EFX1, EFX2, MST

AUX1, AUX2, AUX3

Effect Insert Switch(1–4) EFXIns (1–4) Off, Ins Off

Effect Insert Send Level (1–4) Snd -42–6 dB 0 dB (*3)

Effect Insert Return Level (1–4) Rtn -42–6 dB 0 dB (*3)

Direct Out DIR OUT Off, 1–8, 9–16 Off

Effect Send Level - 0–127 100

Effect Send Balance - L63–0–R63 0

AUX Send Level - 0–127 100

AUX Send Balance - L63–0–R63 0

*1 Valid when any VS8F-2 is not installed, or only one VS8F-2 is installed.

*2 Valid when two VS8F-2 effect expansion boards are installed.

*3 Valid when Effect Insert Switch is “Ins.”

Parameter List

21

System Parameter

Parameter name Display Value Initial value

Master clock Master Clock DIGIN1, INT, DIGIN2 INT

Time Display Format Time Display Format ABS, REL ABS

Offset Offset 00h00m00s00–23h59m59s29 00h00m00s00 (*)

Fader Match Fader Match Null, Jump Jump

Undo Message UNDO Message Off, On On

Peak Hold Switch Peak Hold Sw Off, On Off

Scene Mode Scene Mode All, KeepF All

Remaining Display Remain Display Time, CapaMB, Capa %, Event Time

Foot Switch Assign Foot Sw Play/Stop, Record, TapMarker, Play/Stop

Next, Previous, GPI

Digital Copy Protect Switch Digital Copy Protect Off, On Off

* The settable value for Offset will change slightly depending on the MTC type.

Global Parameter

Parameter name Display Value Initial value

IDE Drive IDE Drive Off, On On

SCSI Self ID SCSI Self ID 0–7 7

Shift Lock Shift Lock Off, On Off

Measure Display Measure Display Always, Auto Always

Numerics Type NUMERICS Type Up, Down Up

Previous/Next Switch PREVIOUS/NEXT Sw PHRASE, MARKER PHRASE

Input Peak Level Input Peak Level CLIP, -3 dB, -6 dB -6 dB

Switching Time Switching Time 0.3–2.0 s 0.5 s

CD Digital Recording Switch CD Digital REC Off, On Off

Fan Control Fan Control Off, Play, Rec&Play Off

Play/Rec Parameter

Parameter name Display Value Initial value

Record Monitor Record Monitor AUTO, SOURCE AUTO

Marker Stop Marker Stop Off, On Off

Vari Pitch Vari Pitch 22.05–50.43 kHz (44.1 kHz) 44.10 kHz

22.05–50.41 kHz (32 kHz) 32.00 kHz

22.00–50.48 kHz (48 kHz) 48.00 kHz

Fade Length Fade Length 2, 10, 20, 30, 40, 50 ms 10 ms

Scrub Length Scrub Length 25–100 ms 70 ms

Preview To Length PREVIEW TO Length 1.0–10.0 s 1.0 s

Preview From Length PREVIEW FROM Length 1.0–10.0 s 1.0 s

Parameter List

22

MIDI Parameter

Parameter name Display Value Initial value

Device ID Device ID 1–32 17

MIDI through Switch MIDI Thru Out, Thru Out

System Exclusive Receive Switch SysEx.Rx Off, On Off

System Exclusive Transmit Switch SysEx.Tx Off, On Off

Control Local Switch Cntrl Local Off, On On

MMC Mode MMC Off, MASTER, SLAVE MASTER

Control Type Cntrol Type Off, C.C., Excl Off

Program Change Scene P.C.Scene Off, On Off

Program Change Effect P.C.Eff Off, On Off

Control Change Effect C.C.Eff Off, On Off

Metronome Parameter

Parameter name Display Value Initial value

Metronome Out Metronome Out Off, INT, MIDI Off

Metronome Mode Metronome Mode Rec Only, Rec&Play Rec Only

Metronome Level Metro Level 0–127 100

Metronome Channel MID:MetroCh 1–16 10 (*)

Accent Note MID:Acc.Note C_0–G_9 C#2 (*)

Accent Velocity MID:Acc.Velo 1–127 100 (*)

Normal Note MID:Nrm.Note C_0–G_9 C#2 (*)

Normal Velocity MID:Nrm.Velo 1–127 60 (*)

* Valid when Metronome Out is “MIDI.”

Sync/tempo Parameter

Parameter name Display Value Initial value

Sync Source Sync Source INT, EXT INT

Sync Generator Sync Gen. Off, MTC, MIDIclk, SyncTr Off

Error Level Sync Error Level 0–10 5

Offset Sync Offset 00h00m00s00–23h59m59s29 00h00m00s00

MTC Type Sync MTC Type 30, 29N, 29D, 25, 24 30

Sync Track Convert

Parameter name Display Value Initial value

Beat Beat 1/1–8/1, 1/2–8/2, 1/4–8/4, 1/8–8/8 4/4

Tap Beat Tap Beat 1–8 4

Sync Track Beat Sync Trk Beat 1/1–8/1, 1/2–8/2, 1/4–8/4, 1/8–8/8 4/4

Start Time Start Time 00h00m00s00–23h59m59s29 00h00m00s00

End Time End Time 00h00m00s00–23h59m59s29 00h00m00s00

Measure Measure 1–999 1

Parameter List

23

Tempo Map

Parameter name Display Value Initial value

Tempo Map Number MAP# 1–50 1

Tempo  = 25.0–250.0 120.0

Measure MEAS 1–999 1

Beat BEAT 1/1–8/1, 1/2–8/2, 1/4–8/4, 1/8–8/8 4/4

Drive Initialize

Parameter name Display Value Initial value

Initialize Drive Init. Drive IDE, SCSI0–SCSI7 -

Partition Partition 500, 1000, 2000 MB 2000 MB

Physical Format Physical Format Off (Quick), On Off (Quick)

Surface Scan Surface Scan Off, On Off

Automix

Parameter name Display Value Initial value

Snap Mode Snap Mode ALL, MaskFader ALL

Erase Mode Erase Mode Event, Marker Event

Erase From Erase From 0–999 -

Erase To Erase To 0–999 -

Parameter List

24

Model VS-1680 Version 1.00 Feb. 12 1998

1. TRANSMITTED DATA AND RECOG-

NIZED RECEIVE DATA

■ Channel Voice Message

● Note On/Off

When “Metronome Out Mode(*1)” in the SYSTEM parameters is “MIDI”, MIDI note num-

ber/velocity of MIDI channel number which is assigned to the Metronome is transmitted.

Received when the effect patch Voice Transformer (algorithm 27) is selected in EFX1 or

EFX3, and MIDI Control SW is On.

Status Second Third

9nH mmH llH

n = MIDI Channel No. : 0H - FH (ch.1-ch.16) (*2)

0H - 3H (ch.1-ch.4) (*3)

mm = Note No. : 00H - 7FH (0 - 127) (*3)

ll = Velocity : 01H - 7FH (1 - 127) / 00H = NOTE OFF

(*1) See ‘2. Address Map for Data Transfer’ section.

(*2) Only when transmitting Metronome.

(*3) Only when receiving with MIDI Control SW of Voice Transformer is On.

n = 0, 2 (ch.1, ch 3) : Voice Transformer : Chromatic Pitch

mm = 24H - 54H (C2 - C6)

ll = ignored

n = 1, 3 (ch.2, ch 4) : Voice Transformer : Chromatic Formant

mm = 24H - 3CH (C2 - C4)

ll = ignored

● Polyphonic Key Pressure

Transmits the level meter value of VS-1680 according to the value of “Level

Meter Tx. via MIDI” (see “2. Data Transfer Address Map”). (MIDI ch. is fixed

to 16.)

Ignored when received.

When VS-1680 is booted up, “Level Meter Tx. via MIDI” is set to Off. Level

meter value is not transmitted until is it set to On with Data Set (DT1).

Status Second Third

AFH mmH llH

mm = Note No. : 00H - 27H (0 - 39) (*1)

ll = Level Meter Value : 00H - 36H (0 - 54) (*2)

Level Meter and Note No. (*1)

Level Meter Ch. Note No. Level Meter Ch. Note No.

TRACK MIX CH. 1 0 EFFECT-1 BUS Lch 26

TRACK MIX CH. 2 1 EFFECT-1 BUS Rch 27

TRACK MIX CH. 3 2

TRACK MIX CH. 4 3 EFFECT-2 BUS Lch 28

TRACK MIX CH. 5 4 EFFECT-2 BUS Rch 29

TRACK MIX CH. 6 5

TRACK MIX CH. 7 6 EFFECT-3 BUS Lch 30

TRACK MIX CH. 8 7 EFFECT-3 BUS Rch 31

TRACK MIX CH. 9 8

TRACK MIX CH.10 9 EFFECT-4 BUS Lch 32

TRACK MIX CH.11 10 EFFECT-4 BUS Rch 33

TRACK MIX CH.12 11

TRACK MIX CH.13 12 AUX BUS Lch 34

TRACK MIX CH.14 13 AUX BUS Rch 35

TRACK MIX CH.15 14

TRACK MIX CH.16 15 MONITOR Lch 36

MONITOR Rch 37

INPUT MIX CH. 1 16

INPUT MIX CH. 2 17 MASTER Lch 38

INPUT MIX CH. 3 18 MASTER Rch 39

INPUT MIX CH. 4 19

INPUT MIX CH. 5 20

INPUT MIX CH. 6 21

INPUT MIX CH. 7 22

INPUT MIX CH. 8 23

INPUT MIX CH. 9 24

INPUT MIX CH.10 25

Level Meter Value and Level (*2)

Val Level Val Level Val Level Val Level Val Level

0 -∞ dB 11 -30.0dB 22 -17.0dB 33 -8.00dB 44 -2.50dB 1 -51.0dB 12 -28.0dB 23 -16.0dB 34 -7.50dB 45 -2.25dB 2 -48.0dB 13 -26.0dB 24 -15.0dB 35 -7.00dB 46 -2.00dB 3 -46.0dB 14 -25.0dB 25 -14.0dB 36 -6.50dB 47 -1.75dB 4 -44.0dB 15 -24.0dB 26 -13.0dB 37 -6.00dB 48 -1.50dB 5 -42.0dB 16 -23.0dB 27 -12.5dB 38 -5.50dB 49 -1.25dB 6 -40.0dB 17 -22.0dB 28 -12.0dB 39 -5.00dB 50 -1.00dB 7 -38.0dB 18 -21.0dB 29 -11.0dB 40 -4.50dB 51 -0.75dB 8 -36.0dB 19 -20.0dB 30 -10.0dB 41 -4.00dB 52 -0.50dB 9 -34.0dB 20 -19.0dB 31 -9.00dB 42 -3.50dB 53 -0.25dB

10 -32.0dB 21 -18.0dB 32 -8.50dB 43 -3.00dB 54 -0.00dB

● Control Change

Parameters on the Mixer section can be received and transmitted by the control

change messages when ‘MIDI Mixer Control Type (*1)’ in the SYSTEM parameter is

set to ‘C.C.’

Status Second Third

BnH mmH llH

n = MIDI Channel No. : 0H - FH (ch.1-ch.16 : see below)

mm = Mixer Parameter No. : (see below)

ll = Mixer Parameter Value : 00H - 7FH (0 - 127) (*1)

Mixer Parameter and MIDI Channel/Control Change No.

TRACK MIX CH. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 MIDI ch. -> 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 TRACK STATUS(*3) 3 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> MST Send Level 7 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> MST Send Pan 10 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ L Freq. 12 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ L Gain 13 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ M Freq. 14 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ M Gain 15 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ M Q 16 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ H Freq. 17 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ H Gain 18 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EFX1 SND Level 19 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EFX1 SND Pan/Bal 20 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EFX2 SND Level 21 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EFX2 SND Pan/Bal 22 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EFX3 SND Level 23 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EFX3 SND Pan/Bal 24 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EFX4 SND Level 25 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EFX4 SND Pan/Bal 26 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> AUX Send Level 27 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> AUX Send Pan/Bal 28 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> MST Offset Level 29 — -> — -> — -> — -> — -> — -> — -> — MST Offset Balance 30 — -> — -> — -> — -> — -> — -> — -> —

INPUT MIX CH. 1 2 3 4 5 6 7 8 9 10 MIDI ch. -> 1 2 3 4 5 6 7 8 9 10 MST Send Level 68 -> -> -> -> -> -> -> -> -> MST Send Pan/Bal 70 -> -> -> -> -> -> -> -> -> EQ L Freq. 71 -> -> -> -> -> -> -> -> -> EQ L Gain 72 -> -> -> -> -> -> -> -> -> EQ M Freq. 73 -> -> -> -> -> -> -> -> -> EQ M Gain 74 -> -> -> -> -> -> -> -> -> EQ M Q 75 -> -> -> -> -> -> -> -> -> EQ H Freq. 76 -> -> -> -> -> -> -> -> -> EQ H Gain 77 -> -> -> -> -> -> -> -> -> EFX1 SND Level 78 -> -> -> -> -> -> -> -> -> EFX1 SND Pan/Bal 79 -> -> -> -> -> -> -> -> -> EFX2 SND Level 80 -> -> -> -> -> -> -> -> -> EFX2 SND Pan/Bal 81 -> -> -> -> -> -> -> -> -> EFX3 SND Level 82 -> -> -> -> -> -> -> -> -> EFX3 SND Pan/Bal 83 -> -> -> -> -> -> -> -> -> EFX4 SND Level 84 -> -> -> -> -> -> -> -> -> EFX4 SND Pan/Bal 85 -> -> -> -> -> -> -> -> -> AUX Send Level 86 -> -> -> -> -> -> -> -> -> AUX Send Pan/Bal 87 -> -> -> -> -> -> -> -> -> MST Offset Level 88 — -> — -> — -> — -> — MST Offset Balance 89 — -> — -> — -> — -> —

stereo in & effect return

ST IN Eff1 Eff2 Eff3 Eff4

MIDI ch. -> 11 12 13 14 15

-> -> -> -> MST Send Level 68 -> -> -> -> MST Send Balance 70 -> -> -> ->

<MASTER Block> MIDI ch.=16

Master Level 68 Master Balance 70 EFX1 SND Level 78 EFX1 SND Balance 79 EFX2 SND Level 80 EFX2 SND Balance 81 EFX3 SND Level 82 EFX3 SND Balance 83 EFX4 SND Level 84 EFX4 SND Balance 85 AUX Level 86 AUX Balance 87

Monitor Level 102 Monitor Balance 103

MIDI Implementation

25

(*1) See ‘2. Address Map for Data Transfer’ section.

(*2) Control Change of the odd number of channel is transmitted and received

when Channel Link is On.

(*3) Value and switching Track status corresponds as follows.

(1) While VS-1680 stops

Value : 0-31 32-63 64-95 96-127 Status: MUTE->MUTE MUTE->PLAY MUTE->REC MUTE->SOURCE

PLAY->MUTE PLAY->PLAY PLAY->REC PLAY->SOURCE REC->MUTE REC->PLAY REC->REC REC->SOURCE SOURCE->MUTE SOURCE->PLAY SOURCE->REC SOURCE->SOURCE

(2) While playback/recording

Value : 0-31 32-63 64-95 96-127 Status: MUTE->X MUTE->PLAY MUTE->X MUTE->X

PLAY->MUTE PLAY->PLAY PLAY->X PLAY->X REC->X REC->X REC->REC REC->SOURCE(*) SOURCE->MUTE SOURCE->X SOURCE->REC(*) SOURCE->SOURCE

(*) Impossible to switch while recording.

(*) X = ignored

❍ Bank select (MSB/LSB)

Switches the effect bank of Preset/User.

VS-1680 never transmits this message.

Status Second Third

BnH 00H mmH

BnH 20H llH

n = MIDI Channel No. : 0H - 3H ( ch.1 = Effect1 ch.2 = Effect2

ch.3 = Effect3 ch.4 = Effect4 )

mm = upper byte of bank number : 00H

ll = lower byte of bank number : 00H - 04H (0 - 4)

Bank Select | Program Change | Patch Number

MSB | LSB | | 00H | 00H | 00H - 63H (0 - 99) | Preset #000 - #099 00H | 01H | 00H - 63H (0 - 99) | Preset #100 - #199 00H | 02H | 00H - 09H (0 - 9) | Preset #200 - #209 00H | 03H | 00H - 63H (0 - 99) | User #000 - #099 00H | 04H | 00H - 63H (0 - 99) | User #100 - #199

❍ NRPN(MSB/LSB)

Selects a parameter of the effect to be controlled.

VS-1680 never transmits this message.

Status Second Third

BnH 62H llH

BnH 63H mmH

n = MIDI Channel No. : 0H - 3H

( ch.1 = Effect1 ch.2 = Effect2 ch.3 = Effect3 ch.4 = Effect4 )

mm = upper byte of the parameter number to be assigned with NRPN : 00H

ll = lower byte of the parameter number to be assigned with NRPN : 00H - 2EH (0 - 46)

❍ Data Entry (MSB/LSB)

Controls effect parameter assigned with NRPN.

VS-1680 never transmits this message.

Status Second Third

BnH 06H mmH

BnH 26H llH

n = MIDI Channel No. : 0H - 3H

( ch.1 = Effect1 ch.2 = Effect2 ch.3 = Effect3 ch.4 = Effect4 )

mm = upper byte corresponding to the parameter assigned with NRPN

ll = lower byte corresponding to the parameter assigned with NRPN

<Ex> mmH llH = 40H 00H = -8192

= 7FH 7FH = -1 = 00H 00H = 0 = 3FH 7FH = +8191

❍ Data Increment

Increments the effect parameter selected with NRPN.

VS-1680 never transmits this message.

Status Second Third

BnH 60H 00H

n = MIDI Channel No. : 0H - 3H

( ch.1 = Effect1 ch.2 = Effect2 ch.3 = Effect3 ch.4 = Effect4 )

Increment the effect parameter selected with NRPN.

❍ Data Decrement

Decrement the effect parameter selected with NRPN.

VS-1680 never transmits this message.

Status Second Third

BnH 61H 00H

n = MIDI Channel No. : 0H - 3H

( ch.1 = Effect1 ch.2 = Effect2 ch.3 = Effect3 ch.4 = Effect4 )

Decrement the effect parameter selected with NRPN.

NRPN and Effect parameters

✧ Algorithm 0 Reverb (EFX1 or EFX3)

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | EQ SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | EQ: Low EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | EQ: Low EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | EQ: Low EQ Frequency 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | EQ: Low EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | EQ: Mid EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | EQ: Mid EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | EQ: High EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | EQ: High EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | EQ: High EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | EQ: Out Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Reverb: Room Size 5,,,40m| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Reverb: Reverb Time 1,,,320 = 0.1,,,32.0s| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Reverb: Pre Delay 0,,,200 = 0,,,200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | Reverb: Diffusion 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | Reverb: Density 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | Reverb: Early Reflection Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | Reverb: LF Damp Frequency | | | | 5,,,400 = 50,,,4000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | Reverb: LF Damp Gain -36,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | Reverb: HF Damp Frequency | | | | 10,,,200 = 1.0,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | Reverb: HF Damp Gain -36,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | Reverb: HI Cut Frequency | | | | 2,,,200 = 0.2,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | Reverb: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | Reverb: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 1 Delay

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Delay SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | EQ SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————|

MIDI Implementation

26

| 00H 02H | mmH llH | Delay: Delay Time 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Delay: Shift | | | | -1200,,,1200 = L1200,,,R1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Delay: Lch Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Delay: Rch Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Delay: Lch Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Delay: Rch Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Delay: LF Damp Frequency | | | | 5,,,400 = 50,,,4000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Delay: LF Damp Gain -36,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Delay: HF Damp Frequency | | | | 10,,,200 = 1.0,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Delay: HF Damp Gain -36,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Delay: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | EQ: Low EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | EQ: Low EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | EQ: Low EQ Frequency 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ: Low EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | EQ: Mid EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ: Mid EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: High EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: High EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | EQ: High EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | EQ: Out Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

* (Delay Time) + (Absolute value of Shift) should be 1200 or less.

✧ Algorithm 2 Stereo Delay Chorus

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Delay SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Chorus SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | EQ SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Delay: Delay Time 0,,,500ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Delay: Shift -500,,,500 = L500,,,R500ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Delay: Lch Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Delay: Rch Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Delay: Lch Cross Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Delay: Rch Cross Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Delay: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Delay: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Chorus: Rate 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Chorus: Depth 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Chorus: Pre Delay 0,,,50ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Chorus: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Chorus: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | Chorus: Lch Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | Chorus: Rch Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | Chorus: Lch Cross Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | Chorus: Rch Cross Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: Low EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: Low EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ: Low EQ Frequency 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | EQ: Low EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | EQ: Mid EQ Gain -12,,,12dB|

|—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | EQ: Mid EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | mmH llH | EQ: High EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 1CH | mmH llH | EQ: High EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 1DH | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 1EH | mmH llH | EQ: High EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 1FH | mmH llH | EQ: Out Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 20H | 00H 00H | (Reserved) | | : | | : | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

* (Delay Time) + (Absolute value of Shift) should be 500 or less.

✧ Algorithm 3 Stereo Pitch Shifter Delay

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | P.ShifterDelay SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | EQ SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | P.ShifterDelay: Lch Chromatic Pitch | | | | -12,,,12| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | P.ShifterDelay: Lch Fine Pitch -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | P.ShifterDelay: Lch Pre Delay 0,,,50ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | P.ShifterDelay: Lch Feedback Delay Time | | | | 0,,,500ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | P.ShifterDelay: Lch Feedback Level | | | | 100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | P.ShifterDelay: Lch Cross Feedback Level | | | | -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | P.ShifterDelay: Rch Chromatic Pitch | | | | -12,,,12| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | P.ShifterDelay: Rch Fine Pitch -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | P.ShifterDelay: Rch Pre Delay 0,,,50ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | P.ShifterDelay: Rch Feedback Delay Time | | | | 0,,,500ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | P.ShifterDelay: Rch Feedback Level | | | | -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | P.ShifterDelay: Rch Cross Feedback Level | | | | -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | P.ShifterDelay: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | P.ShifterDelay: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ: Low EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | EQ: Low EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | EQ: Low EQ Frequency 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ: Low EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: Mid EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ: Mid EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | EQ: High EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | EQ: High EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | EQ: High EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | mmH llH | EQ: Out Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1CH | 00H 00H | (Reserved) | | : | | : | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 4 Vocoder

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Chorus SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Vocoder: Voice Character 1 0,,,100| |—————————+—————————+—————————————————————————————————————————————|

MIDI Implementation

27

| 00H 02H | mmH llH | Vocoder: Voice Character 2 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Vocoder: Voice Character 3 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Vocoder: Voice Character 4 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Vocoder: Voice Character 5 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Vocoder: Voice Character 6 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Vocoder: Voice Character 7 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Vocoder: Voice Character 8 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Vocoder: Voice Character 9 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Vocoder: Voice Character 10 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Chorus: Rate 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Chorus: Depth 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Chorus: Pre Delay 0,,,50ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Chorus: Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Chorus: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | Chorus: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 5 2CH RSS

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | 2CH RSS: Ach Azimuth -30,,,30 = -180,,,180| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | 2CH RSS: Ach Elevation -15,,,15 = -90,,,90| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | 2CH RSS: Bch Azimuth -30,,,30 = -180,,,180| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | 2CH RSS: Bch Elevation -15,,,15 = -90,,,90| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 6 Delay RSS

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Delay RSS: Delay Time 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Delay RSS: Shift | | | | -1200,,,1200 = L1200,,,R1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Delay RSS: Center Delay Time 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Delay RSS: RSS Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Delay RSS: Center Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Delay RSS: Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Delay RSS: LF Damp Frequency | | | | 5,,,400 = 50,,,4000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Delay RSS: LF Damp Gain -36,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Delay RSS: HF Damp Frequency | | | | 10,,,200 = 1.0,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Delay RSS: HF Damp Gain -36,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Delay RSS: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Delay RSS: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 7 Chorus RSS

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Chorus RSS: Chorus Rate | | | | 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Chorus RSS: Chorus Depth 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Chorus RSS: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Chorus RSS: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Common for Algorithm 8,9,10 Guitar Multi 1, 2, 3

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Compressor SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Metal/Distortion/Over Drive SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Noise Suppressor SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Auto Wah SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Guitar Amp Simulator SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Flanger SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Delay SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Compressor: Attack 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Compressor: Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Compressor: Sustain 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Compressor: Tone -50,,,-50| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Noise Suppressor: Threshold 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Noise Suppressor: Release 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Auto Wah: Mode 0,1 = LPF,BPF| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Auto Wah: Polarity 0,1 = Down,Up| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Auto Wah: Frequency 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | Auto Wah: Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | Auto Wah: Peak 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | Auto Wah: Sens 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | Auto Wah: Rate 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | Auto Wah: Depth 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | Guitar Amp Simulator: Mode | | | | 0,,,3 = Small,BultIn,2Stack,3Stack| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | Flanger: Rate 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | Flanger: Depth 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | Flanger: Manual 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | Flanger: Resonance 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | Delay: Delay Time 0,,,1000ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | mmH llH | Delay: Shift | | | | -1000,,,1000 = L1000,,,R1000ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 1CH | mmH llH | Delay: Feedback Time 0,,,1000ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 1DH | mmH llH | Delay: Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1EH | mmH llH | Delay: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1FH | mmH llH | Delay: Direct Level -100,,,100| +—————————+—————————+—————————————————————————————————————————————+

* (Delay Time) + (Absolute value of Shift) should be 1000 or less.

✧ Individual for Algorithm 8 Guitar Multi1

|—————————+—————————+—————————————————————————————————————————————| | 00H 20H | mmH llH | Metal: Gain 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 21H | mmH llH | Metal: Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 22H | mmH llH | Metal: Hi Gain -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 23H | mmH llH | Metal: Mid Gain -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 24H | mmH llH | Metal: Low Gain -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 25H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Individual for Algorithm 9 Guitar Multi 2

|—————————+—————————+—————————————————————————————————————————————| | 00H 20H | mmH llH | Distortion: Gain 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 21H | mmH llH | Distortion: Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 22H | mmH llH | Distortion: Tone 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 23H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

MIDI Implementation

28

✧ Individual for Algorithm 10 Guitar Multi 3

|—————————+—————————+—————————————————————————————————————————————| | 00H 20H | mmH llH | Over Drive: Gain 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 21H | mmH llH | Over Drive: Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 22H | mmH llH | Over Drive: Tone 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 23H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 11 Vocal Multi

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Noise Suppressor SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Limiter/De-esser SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Enhancer SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | EQ SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | P.Shifter SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Delay SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Chorus SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Limiter/De-esser Mode | | | | 0,1 = Limiter,De-esser| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Noise Suppressor: Threshold 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Noise Suppressor: Release 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Limiter: Threshold 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Limiter: Release 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Limiter: Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | De-esser: Sens 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | De-esser: Frequency | | | | 10,,,100 = 1.0,,,10.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Enhancer: Sens 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | Enhancer: Frequency | | | | 10,,,100 = 1.0,,,10.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | Enhancer: MIX Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | Enhancer: Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ: Low EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: Low EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: Low EQ Frequency 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ: Low EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | EQ: Mid EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | EQ: Mid EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | EQ: High EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | mmH llH | EQ: High EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 1CH | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 1DH | mmH llH | EQ: High EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 1EH | mmH llH | EQ: Out Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1FH | mmH llH | P.Shifter: Chromatic Pitch -12,,,12| |—————————+—————————+—————————————————————————————————————————————| | 00H 20H | mmH llH | P.Shifter: Fine Pitch -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 21H | mmH llH | P.Shifter: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 22H | mmH llH | P.Shifter: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 23H | mmH llH | Delay: Delay Time 0,,,1000| |—————————+—————————+—————————————————————————————————————————————| | 00H 24H | mmH llH | Delay: Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 25H | mmH llH | Delay: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 26H | mmH llH | Delay: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 27H | mmH llH | Chorus: Rate 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 28H | mmH llH | Chorus: Depth 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 29H | mmH llH | Chorus: Pre Delay 0,,,50ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 2AH | mmH llH | Chorus: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 2BH | mmH llH | Chorus: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 2CH | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 12 Rotary

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Noise Suppressor SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Over Drive SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Noise Suppressor: Threshold 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Noise Suppressor: Release 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Over Drive: Gain 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Over Drive: Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Rotary: Low Rate 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Rotary: Hi Rate 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 13 Guitar AMP Simulator

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Noise Suppressor SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Pre Amp SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Speaker SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Noise Suppressor: Threshold 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Noise Suppressor: Release 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Pre Amp: Mode | | | | 0,,,13 = JC-120,Clean Twin, | | | | Match Drive,BG Lead, | | | | MS1959(I), MS1959(II), | | | | MS1959(I+II),SLDN Lead, | | | | Metal 5150, Metal Lead, | | | | OD-1, OD-2Turbo, Distortion, | | | | Fuzz | |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Pre Amp: Volume 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Pre Amp: Bass 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Pre Amp: Middle 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Pre Amp: Treble 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Pre Amp: Presence 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Pre Amp: Master 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Pre Amp: Bright 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Pre Amp: Gain 0,1,2 = Low,Middle,High| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Speaker: Type | | | | 0,,,11 = Small. Middle, JC-120, | | | | Built In 1,Built In 2, | | | | Built In 3, Built In 4, | | | | BG Stack 1, BG Stack 2, | | | | MS Stack 1, MS Stack 2, | | | | Metal Stack | |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Speaker: MIC Setting 0,1,2 = 1,2,3| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | Speaker: MIC Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | Speaker: Direct Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

* Pre Amp Middle is invalid when the Mode = Match Drive.

* When the Mode = Match Drive, Pre Amp Presence works counter to the value (-100,,,0).

* Pre Amp Bright is available only when the Mode = JC-120, Clean Twin, or BG Lead.

✧ Algorithm 14 Stereo Phaser

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Phaser SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | EQ SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Phaser: Mode 0,,,3 = 4.8.12.16stage| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Phaser: Rate 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Phaser: Depth 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Phaser: Polarity 0,1 = Inverse,Synchro| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Phaser: Manual 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Phaser: Resonance 0,,,100| |—————————+—————————+—————————————————————————————————————————————|

MIDI Implementation

29

| 00H 08H | mmH llH | Phaser: Cross Feedback 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Phaser: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Phaser: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | EQ: Low EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | EQ: Low EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | EQ: Low EQ Frequency 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | EQ: Low EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | EQ: Mid EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | EQ: Mid EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | EQ: High EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ: High EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: High EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ: Out Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 15 Stereo Flanger

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Flanger SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | EQ SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Flanger: Rate 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Flanger: Depth 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Flanger: Polarity 0,1 = Inverse,Synchro| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Flanger: Manual 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Flanger: Resonance 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Flanger: Cross Feedback Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Flanger: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Flanger: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | EQ: Low EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | EQ: Low EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | EQ: Low EQ Frequency 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | EQ: Low EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | EQ: Mid EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ: Mid EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | EQ: High EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | EQ: High EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: High EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: Out Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 16 Dual Compressor/Limiter

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Comp/Limit A SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Noise Suppressor A SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Comp/Limit B SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Noise Suppressor B SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Comp/Limit A: Detect 0,1,2 = A,B,Link| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Comp/Limit A: Level -60,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Comp/Limit A: Thresh -60,,,0dB| |—————————+—————————+—————————————————————————————————————————————|

| 00H 07H | mmH llH | Comp/Limit A: Attack 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Comp/Limit A: Release 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Comp/Limit A: Ratio | | | | 0,,,3 = 1.5:1,2:1,4:1,100:1| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Noise Suppressor A: Detect | | | | 0,1,2 = A,B,Link| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Noise Suppressor A: Threshold 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Noise Suppressor A: Release 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Comp/Limit B: Detect 0,1,2 = A,B,Link| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Comp/Limit B: Level -60,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Comp/Limit B: Thresh -60,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | Comp/Limit B: Attack 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | Comp/Limit B: Release 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | Comp/Limit B: Ratio | | | | 0,,,3 = 1.5:1,2:1,4:1,100:1| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | Noise Suppressor B: Detect | | | | 0,1,2 = A,B,Link| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | Noise Suppressor B: Threshold 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | Noise Suppressor B: Release 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 17 Gate Reverb (EFX1 or EFX3)

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | G.Reverb SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | EQ SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | G.Reverb: Gate Time 10,,,400ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | G.Reverb: Pre Delay 0,,,300ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | G.Reverb: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | G.Reverb: Mode | | | | 0,,,4 = Normal,L->R,R->L, | | | | Reverse1,Reverse2 | |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | G.Reverb: Thickness 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | G.Reverb: Density 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | G.Reverb: Accent Delay 0,,,200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | G.Reverb: Accent Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | G.Reverb: Accent Pan 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | G.Reverb: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | EQ: Low EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | EQ: Low EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | EQ: Low EQ Frequency 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | EQ: Low EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ: Mid EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | EQ: Mid EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ: High EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: High EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ: High EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | EQ: Out Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 18 Multi Tap Delay

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | EQ SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | M.Tap Delay: Time 1 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | M.Tap Delay: Level 1 0,,,100| |—————————+—————————+—————————————————————————————————————————————|

MIDI Implementation

30

| 00H 03H | mmH llH | M.Tap Delay: Pan 1 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | M.Tap Delay: Time 2 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | M.Tap Delay: Level 2 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | M.Tap Delay: Pan 2 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | M.Tap Delay: Time 3 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | M.Tap Delay: Level 3 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | M.Tap Delay: Pan 3 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | M.Tap Delay: Time 4 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | M.Tap Delay: Level 4 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | M.Tap Delay: Pan 4 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | M.Tap Delay: Time 5 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | M.Tap Delay: Level 5 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | M.Tap Delay: Pan 5 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | M.Tap Delay: Time 6 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | M.Tap Delay: Level 6 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | M.Tap Delay: Pan 6 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | M.Tap Delay: Time 7 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | M.Tap Delay: Level 7 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | M.Tap Delay: Pan 7 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | M.Tap Delay: Time 8 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | M.Tap Delay: Level 8 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | M.Tap Delay: Pan 8 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | M.Tap Delay: Time 9 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | M.Tap Delay: Level 9 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | mmH llH | M.Tap Delay: Pan 9 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 1CH | mmH llH | M.Tap Delay: Time 10 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 1DH | mmH llH | M.Tap Delay: Level 10 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1EH | mmH llH | M.Tap Delay: Pan 10 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 1FH | mmH llH | M.Tap Delay: Feedback Delay Time | | | | 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 20H | mmH llH | M.Tap Delay: Feedback Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 21H | mmH llH | M.Tap Delay: Effect Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 22H | mmH llH | M.Tap Delay: Direct Level -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 23H | mmH llH | EQ: Low EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 24H | mmH llH | EQ: Low EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 25H | mmH llH | EQ: Low EQ Frequency | | | | 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 26H | mmH llH | EQ: Low EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 27H | mmH llH | EQ: Mid EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 28H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 29H | mmH llH | EQ: Mid EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 2AH | mmH llH | EQ: High EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 2BH | mmH llH | EQ: High EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 2CH | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 2DH | mmH llH | EQ: High EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 2EH | mmH llH | EQ: Out Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 2FH | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 19 Stereo Multi

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Noise Suppressor SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Comp/Limit SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Enhancer SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | EQ SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Noise Suppressor: Threshold 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Noise Suppressor: Release 0,,,100| |—————————+—————————+—————————————————————————————————————————————|

| 00H 06H | mmH llH | Comp/Limit: Level -60,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Comp/Limit: Thresh -60,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Comp/Limit: Attack 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Comp/Limit: Release 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Comp/Limit: Ratio | | | | 0,,,3 = 1.5:1,2:1,4:1,100:1| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Enhancer: Sens 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Enhancer: Frequency | | | | 10,,,100 = 1.0,,,10.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Enhancer: MIX Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Enhancer: Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | EQ: Low EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ: Low EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | EQ: Low EQ Frequency | | | | 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | EQ: Low EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ: Mid EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: Mid EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ: High EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | EQ: High EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | EQ: High EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | EQ: Out Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 20 Reverb 2

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Reverb SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | EQ SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Reverb 2: Reverb Type | | | | 0,,,4 = Room1,Room2,Hall1,Hall2,Plate| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Reverb 2: Reverb Time | | | | 1,,,100 = 0.1,,,10.0sec| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Reverb 2: Pre Delay 0,,,200msec| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Reverb 2: Density 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Reverb 2: High Pass Filter | | | | 1,,,200 = Thru,20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Reverb 2: Low Pass Filter | | | | 10,,,201 = 1.0,,,20,0kHz,Thru| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Reverb 2: Effect Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Reverb 2: Direct Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Reverb 2: Gate SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Reverb 2: Gate Mode 0,1 = Gate,Ducking| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Reverb 2: Gate Threshold 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Reverb 2: Gate Attack Time 1,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Reverb 2: Gate Release Time 1,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Reverb 2: Gate Hold Time 1,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ: Low EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | EQ: Low EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | EQ: Low EQ Frequency | | | | 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ: Low EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: Mid EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ: Mid EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | EQ: High EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | EQ: High EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————|

MIDI Implementation

31

| 00H 1AH | mmH llH | EQ: High EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | mmH llH | EQ: Out Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1CH | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 21 Space Chorus

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Chorus SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Chorus: Input Mode 0,1 = Mono,Stereo| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Chorus: Mode 0,,,6 = 1,2,3,4,1+4,2+4,3+4| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Chorus: Mix Balance 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 22 Lo-Fi Processor

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Lo-Fi Processor SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Realtime Modify Filter SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Lo-Fi Processor: Pre Filter SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Lo-Fi Processor: Rate | | | | 0,,,31 = 0ff,1/2,,,1/32| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Lo-Fi Processor: Number of Bit | | | | 0,,,15 = Off,15,,,1bit| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Lo-Fi Processor: Post Filter SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Lo-Fi Processor: Effect Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Lo-Fi Processor: Direct Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Realtime Modify Filter: Filter Type | | | | 0,,,2 = LPF,BPF,HPF| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Realtime Modify Filter: Cut 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Realtime Modify Filter: Resonance 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Realtime Modify Filter: Gain 0,,,24dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Noise Suppressor: Threshold 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Noise Suppressor: Release 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 23 4 Band Parametric EQ

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Parametric EQ Link SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Parametric EQ Ach SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Parametric EQ Bch SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | EQ Ach: Input Gain -60,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | EQ Ach: Low EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | EQ Ach: Low EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | EQ Ach: Low EQ Frequency | | | | 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | EQ Ach: Low EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | EQ Ach: Low Mid EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | EQ Ach: Low Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | EQ Ach: Low Mid EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | EQ Ach: High Mid EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | EQ Ach: High Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | EQ Ach: High Mid EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————|

| 00H 0EH | mmH llH | EQ Ach: High EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | EQ Ach: High EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ Ach: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | EQ Ach: High EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | EQ Ach: Output Level -60,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ Bch: Input Gain -60,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ Bch: Low EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ Bch: Low EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ Bch: Low EQ Frequency | | | | 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | EQ Bch: Low EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | EQ Bch: Low Mid EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | EQ Bch: Low Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | EQ Bch: Low Mid EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | mmH llH | EQ Bch: High Mid EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 1CH | mmH llH | EQ Bch: High Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 1DH | mmH llH | EQ Bch: High Mid EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 1EH | mmH llH | EQ Bch: High EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 1FH | mmH llH | EQ Bch: High EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 20H | mmH llH | EQ Bch: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 21H | mmH llH | EQ Bch: High EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 22H | mmH llH | EQ Bch: Output Level -60,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 23H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

* When Link SW = On, Bch corresponds to Ach.

✧ Algorithm 24 10 Band Graphic EQ

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Graphic EQ Link SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Graphic EQ Ach SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Graphic EQ Bch SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | EQ Ach: Input Level -60,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | EQ Ach: 31.25Hz Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | EQ Ach: 62.5Hz Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | EQ Ach: 125Hz Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | EQ Ach: 250Hz Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | EQ Ach: 500Hz Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | EQ Ach: 1.0kHz Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | EQ Ach: 2.0kHz Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | EQ Ach: 4.0kHz Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | EQ Ach: 8.0kHz Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | EQ Ach: 16.0kHz Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | EQ Ach: Output Level -60,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | EQ Bch: Input Level -60,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ Bch: 31.25Hz Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | EQ Bch: 62.5Hz Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | EQ Bch: 125Hz Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ Bch: 250Hz Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ Bch: 500Hz Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ Bch: 1.0kHz Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ Bch: 2.0kHz Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | EQ Bch: 4.0kHz Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | EQ Bch: 8.0kHz Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————|

MIDI Implementation

32

| 00H 19H | mmH llH | EQ Bch: 16.0kHz Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | EQ Bch: Output Level -60,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

* When Link SW = On, Bch corresponds to Ach.

✧ Algorithm 25 Hum Canceler

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Hum Canceler SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Noise Suppressor SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Hum Canceler: Freq | | | | 200,,,8000 = 20.0,,,800.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Hum Canceler: Width 10,,,40%| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Hum Canceler: Depth 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Hum Canceler: Threshold 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Hum Canceler: Range Low | | | | 1,,,200 = Unlimit,20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Hum Canceler: Range High | | | | 10,,,201 = 1.0,,,20,0kHz,Unlimit| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Noise Suppressor: Threshold 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Noise Suppressor: Release 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 26 Vocal Canceler

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Vocal Canceler SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | EQ SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Vocal Canceler: Balance 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Vocal Canceler: Range Low | | | | 1,,,200 = Unlimit,20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Vocal Canceler: Range High | | | | 10,,,201 = 1.0,,,20,0kHz,Unlimit| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | EQ: Low EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | EQ: Low EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | EQ: Low EQ Frequency | | | | 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | EQ: Low EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | EQ: Mid EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | EQ: Mid EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | EQ: High EQ Type 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | EQ: High EQ Gain -12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | EQ: High EQ Q 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ: Out Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 27 Voice Transformer (EFX1 or EFX3)

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Voice Transformer SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Reverb SW Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Fader Edit SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | MIDI Control SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Voice Transformer: Robot SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————|

| 00H 05H | mmH llH | Voice Transformer: Chromatic Pitch | | | | -12,,,36| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Voice Transformer: Fine Pitch -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Voice Transformer: Chromatic Formant | | | | -12,,,12| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Voice Transformer: Fine Formant -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Voice Transformer: Mix Balance 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Reverb: Reverb Time | | | | 1,,,100 = 0.1,,,10.0sec| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Reverb: Pre Delay 0,,,200msec| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Reverb: Density 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Reverb: Effect Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | MIDI Control: Bend Range | | | | 0,,,12 = 0ff,1,,,12| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | MIDI Control: Portamento | | | | 0...100 = Off,1,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 28 Vocoder 2 (EFX1 or EFX3)

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Chorus SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Vocoder: Envelope Mode | | | | 0,,,2 = Sharp,Soft,Long| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Vocoder: Pan Mode | | | | 0,,,3 = Mono,Stereo,L->R,R->L| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Vocoder: Hold 0,1 = Off,MIDI| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Vocoder: Mic Sens 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Vocoder: Synth Input Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Vocoder: Voice Char Level 1 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Vocoder: Voice Char Level 2 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Vocoder: Voice Char Level 3 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Vocoder: Voice Char Level 4 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Vocoder: Voice Char Level 5 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Vocoder: Voice Char Level 6 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Vocoder: Voice Char Level 7 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Vocoder: Voice Char Level 8 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Vocoder: Voice Char Level 9 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Vocoder: Voice Char Level 10 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | Vocoder: Voice Char Level 11 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | Vocoder: Voice Char Level 12 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | Vocoder: Voice Char Level 13 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | Vocoder: Voice Char Level 14 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | Vocoder: Voice Char Level 15 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | Vocoder: Voice Char Level 16 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | Vocoder: Voice Char Level 17 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | Vocoder: Voice Char Level 18 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | Vocoder: Voice Char Level 19 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | Vocoder: Mic High Pass Filter | | | | 9,,,200 = Thru,1.0,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | Vocoder: Mic High Pass Filter Pan | | | | 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | mmH llH | Vocoder: Mic Mix 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1CH | mmH llH | Vocoder: Noise Suppressor Threshold | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1DH | mmH llH | Chorus: Rate 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 1EH | mmH llH | Chorus: Depth 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1FH | mmH llH | Chorus: Pre Delay 0,,,50ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 20H | mmH llH | Chorus: Mix Balance 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 21H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

MIDI Implementation

33

✧ Algorithm 29 Mic Simulator

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Link SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Mic Converter Ach SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Bass Cut Ach SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Distance Ach SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Limiter Ach SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Mic Converter Bch SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Bass Cut Bch SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Distance Bch SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Limiter Bch SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Mic Converter Ach: Input | | | | 0,,,4 = DR-20,SmlDy,HedDy,MinCn,Flat| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Mic Converter Ach: Output | | | | 0,,,6 = SmlDy,VocDy,LrgDy, | | | | SmlCn,LrgCn,VntCn,Flat | |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Mic Converter Ach: Phase | | | | 0,1 = Normal,Inverse| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Bass Cut Ach: Bass Cut Frequency | | | | 1,,,200 = Thru,20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Distance Ach: Proximity Effect -12,,,+12| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Distance Ach: Timelag | | | | 0,,,1000 = 0,,,3000cm| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Limiter Ach: Detect HPF Frequency | | | | 1,,,200 = Thru,20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | Limiter Ach: Level -60,,,24dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | Limiter Ach: Threshold -60,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | Limiter Ach: Attack 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | Limiter Ach: Release 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | Mic Converter Bch: Input | | | | 0,,,4 = DR-20,SmlDy,HedDy,MinCn,Flat| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | Mic Converter Bch: Output | | | | 0,,,6 = SmlDy,VocDy,LrgDy, | | | | SmlCn,LrgCn,VntCn,Flat | |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | Mic Converter Bch: Phase | | | | 0,1 = Normal,Inverse| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | Bass Cut Bch: Bass Cut Frequency | | | | 1,,,200 = Thru,20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | Distance Bch: Proximity Effect -12,,,+12| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | Distance Bch: Timelag | | | | 0,,,1000 = 0,,,3000cm| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | Limiter Bch: Detect HPF Frequency | | | | 1,,,200 = Thru,20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | mmH llH | Limiter Bch: Level -60,,,24dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 1CH | mmH llH | Limiter Bch: Threshold -60,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 1DH | mmH llH | Limiter Bch: Attack 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1EH | mmH llH | Limiter Bch: Release 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1FH | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

* When Mic Converter Input = MinCn, Output is fixed to SmlDy or LrgCn.

* When Link SW = On, Bch corresponds to Ach.

✧ Algorithm 30 3 Band Isolator

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Isolator SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Isolator High Volume -60,,,+4dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Isolator Middle Volume -60,,,+4dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Isolator Low Volume -60,,,+4dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Isolator Anti Phase Middle Switch | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Isolator Anti Phase Middle Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Isolator Anti Phase Low Switch | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Isolator Anti Phase Low Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————|

| 00H 08H | 00H 00H | (Reserved) | | : : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 31 Tape Echo 201

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Tape Echo SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Tape Echo Mode Select 0,,,6 = 1,,,7| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Tape Echo Repeat Rate 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Tape Echo Intensity 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Tape Echo Effect Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Tape Echo Direct Level 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Tape Echo Tone Bass -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Tape Echo Tone Treble -100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Tape Echo Tape Head S Pan | | | | 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Tape Echo Tape Head M Pan | | | | 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Tape Echo Tape Head L Pan | | | | 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Tape Echo Tape Distortion 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Tape Echo Wah Flutter Rate 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Tape Echo Wah Flutter Depth 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 32 Analog Flanger

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Analog Flanger SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Analog Flanger Mode | | | | 0,,,3 = FL1,FL2,FL3,CHO| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Analog Flanger Feedback 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Analog Flanger Modulation Rate 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Analog Flanger Modulation Depth 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Analog Flanger Modulation Frequency | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Analog Flanger Channel B Modulation | | | | 0,1 = Nor,Inv| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Analog Flanger Channel A Phase | | | | 0,1 = Nor,Inv| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Analog Flanger Channel B Phase | | | | 0,1 = Nor,Inv| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

✧ Algorithm 33 Analog Phaser

+—————————+—————————+—————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Analog Phaser SW 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Analog Phaser Mode 0,1 = 4STAGE,8STAGE| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Analog Phaser Frequency 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Analog Phaser Resonance 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Analog Phaser LFO 1 Rate 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Analog Phaser LFO 1 Depth 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Analog Phaser LFO 1 Channel B Mod | | | | 0,1 = Nor,Inv| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Analog Phaser LFO 2 Rate 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Analog Phaser LFO 2 Depth 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Analog Phaser LFO 2 Channel B Mod | | | | 0,1 = Nor,Inv| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | 00H 00H | (Reserved) | | : | : | | | 00H 7FH | 00H 00H | | +—————————+—————————+—————————————————————————————————————————————+

MIDI Implementation

34

● Program Change

Works as program change for the effects when MIDI channel number is set to

0H, 1H, 2H or 3H.

Works as scene switch when channel number is set to FH.

VS-1680 never transmits this message.

Status Second

CnH ppH

n = MIDI Channel No. : 0H - 3H, FH

( ch.1 = Effect1 ch.2 = Effect2ch.3 = Effect3 ch.4 = Effect4 )

( ch.16 = Scene Memory (*1) )

pp = Program No. : 00H - 63H (0 - 99) n = 0H, 1H

pp = Program No. : 00H - 07H (0 - 7) n = EH

(*1) If received while VS-1680 is playing, playback stops, and then restarts

after the scene switched. Never receives while recording.

● Pitch Bend Range

Receives when effect algorithm 27(Voice Transformer) is selected and MIDI

Control SW is On.

Status Second Third

EnH llH mmH

n = MIDI Channel No. : 0H - 3H (ch.1-ch.4)

n = 0, 2 (ch.1, ch 3) : Voice Transformer : Chromatic Pitch

n = 1, 3 (ch.2, ch 4) : Voice Transformer : Chromatic Formant

mm,ll = value : 00H,00H - 40H,00H - 7FH,7FH(-8192 - 0 - +8191)

■ System Common Messages

● MIDI Time Code Quarter Frame Messages

MIDI Time Code Quarter Frame Messages can be transmitted while the VS-1680 is

running (Playing or Recording) if the SYSTEM parameter “Syn:Source” is “INT”

and “Syn:Gen.” is “MTC” in the SYSTEM parameter. The transmitted time counts

are summed to “SMPTE(MTC) Offset Time” as the song top is “00:00:00:00”.

The VS-1680 synchronizes with the time counts which are summed to “SMPTE (MTC)

Offset Time” as the song top is “00:00:00:00” if the SYSTEM parameter

“Syn:Source” is “EXT”

Status Second

F1H mmH (= 0nnndddd)

nnn = Message type : 0 = Frame count LS nibble

1 = Frame count MS nibble

2 = Seconds count LS nibble

3 = Seconds count MS nibble

4 = Minutes count LS nibble

5 = Minutes count MS nibble

6 = Hours count LS nibble

7 = Hours count MS nibble

dddd = 4 bit nibble data : 0H - FH (0 - 15)

If the upper and lower 4 bits of the count are combined, these bit fields are

assigned as follows.

Frame Count xxxyyyyy

xxx Reserved (000)

yyyyy Frame No. (0-29)

Seconds Count xxyyyyyy

xx Reserved (00)

yyyyyy Seconds Count (0-59)

Minutes Count xxyyyyyy

xx Reserved (00)

yyyyyy Minutes Count (0-59)

Hours Count xyyzzzzz

x Reserved (0)

yy Time Code type

0 = 24 Frames / Sec

1 = 25 Frames / Sec

2 = 30 Frames / Sec (Drop Frame)

3 = 30 Frames / Sec (Non Drop Frame

zzzzz Hours

● Song Position Pointer

The current position is transmitted with the Song Position Pointer Message

before the VS-1680 starts to run or after the locate operation, when

“Syn:Source” is “INT” and “Syn:Gen.” is “MIDIclk” or “SyncTr”.

Status Second Third

F2H mmH nnH

mm,nn = Song Position Point : 00H 00H - 7FH 7FH

■ System Realtime Message

Transmitted when “Syn:Source” is “INT” and “Syn:Gen.” is “MIDIclk” or “SyncTr”.

● Timing Clock

Status

F8H

● Start

Status

FAH

● Continue

Status

FBH

● Stop

Status

FCH

■ System Exclusive Message

Status Data Bytes Status

F0H iiH,ddH, ..., eeH F7H

Byte Description

F0H Status of System Exclusive Message

iiH Manufacturer ID

41H: Roland’s Manufacturer ID

7EH: Universal Non Realtime Message

7FH: Universal Realtime Message

ddH Data : 00H - 7FH (0-127)

::

eeH Data

F7H EOX (End of System Exclusive Message)

The VS-1680 can transfer and receive the internal parameters information

using system exclusive messages, and also can be controlled by the external

devices using system exclusive messages.

The VS-1680 can transmit and receive Universal System Exclusive messages,

Data Request(RQ1) and Data set(DS1) as the System Exclusive message.

❍ About Model ID

For Data Request (RQ1) and Data Set (DT1), VS-1680 uses 00H 0EH as a Model ID.

❍ About Device ID

System Exclusive messages are not assigned to any particular MIDI channel.

Instead, they have their own special control parameter called device ID.

The Roland system exclusive messages use device IDs to specify multiple VS-1680

units.

The VS-1680 sends system exclusive messages using 00H - 1FH, and receives the

system exclusive messages whose device ID is same as its device ID and 7FH.

The value of the device ID is the value set on the SYSTEM parameter

“MID:DeviceID” minus one.

MIDI Implementation

35

● Universal System Exclusive Message

❍ INQUIRY MESSAGE

✧ Identity Request

Status Data Byte Status

F0H 7EH,Dev,06H,01H F7H

Byte Description

F0H Status of System Exclusive Message

7EH Universal System Exclusive Message Non Realtime Header

Dev Device ID (or 7FH)

06H General Information (sub ID #1)

01H Identify Request (sub ID #2)

F7H EOX (End of System Exclusive Message)

The message is used to request the particular information of the VS-1680.

The VS-1680 does not transmit the message.

If the VS-1680 received the message and the device ID of the message is same

as its device ID or 7FH, the VS-1680 transmits the following Identity Reply

message.

✧ Identity Reply

Status Data Bytes Status

F0H 7EH,Dev,06H,02H,41H,7CH,00H,00H,00H,00H,00H,ssH,ssH F7H

Byte Description

F0H Status of System Exclusive Message

7EH Universal System Exclusive Message Non Realtime Header

Dev Device ID

06H General Information (sub ID #1)

02H Identify Request (sub ID #2)

41H Manufacturer ID (Roland)

0EH 01H Device Family Code (VS-1680)

00H 00H Device Family No.

00H

ssH ssH Software Revision Level

F7H EOX (End of System Exclusive Message)

✧ MIDI Machine Control Commands

Status Data Bytes Status

F0H 7FH,Dev,06H,aaH, ..., bbH F7H

Byte Description

F0H Status of System Exclusive Message

7FH Universal System Exclusive Message Realtime Header

Dev Device ID (or 7FH)

06H MMC Command Message

aaH Command

::

bbH Command

F7H EOX (End of System Exclusive Message)

(*) see ‘3. MIDI Machine Control’ section

✧ MIDI Machine Control Responses

Status Data Bytes Status

F0H 7FH,Dev,07H,aaH, ..., bbH F7H

Byte Description

F0H Status of System Exclusive Message

7FH Universal System Exclusive Message Realtime Header

Dev Device ID

07H MMC Response Message

aaH Response

::

bbH Response

F7H EOX (End of System Exclusive Message)

(*) see ‘3. MIDI Machine Control’ section

● Data Transfer (RQ1, DT1)

❍ Data Request (RQ1)

Status Data Bytes Status

F0H 41H,Dev,00H, 0EH,11H,aaH,bbH,ccH,ssH,ssH,ssH,Sum F7H

Byte Description

F0H Status of System Exclusive Message

41H Manufacturer ID (Roland)

Dev Device ID

00H 0EH ModelID (VS-1680)

11H Command ID (RQ1)

aaH Address MSB

bbH Address

ccH Address LSB

ssH Size MSB

ssH Size

ssH Size LSB

Sum Check Sum

F7H EOX (End of System Exclusive Message)

The message is used to request data to the VS-1680.

The VS-1680 does not transmit this message.

The VS-1680 transmits the requested data using Data Set(DT1) under following

condition when it received the message.

1. The requested address correspond to the specified parameter base address

of the VS-1680.

2. The requested size is over 1 byte.

❍ Data Set (DT1)

Status Data Bytes Status

F0H 41H,Dev,00H,0EH,12H,aaH,bbH,ccH,ddH, ..., eeH,Sum F7H

Byte Description

F0H Status of System Exclusive Message

41H Manufacturer ID (Roland)

Dev Device ID

00H 0EH Model ID (VS-1680)

12H Command ID (DT1)

aaH Address MSB

bbH Address

ccH Address LSB

ddH Data

::

eeH Data

Sum Check Sum

F7H EOX (End of System Exclusive Message)

✧ The message is received under the following condition.

If the device ID on the message is same as that of the receive device, and the address on the

message correspond to the specified parameter base address, the received data are stored

from the specified parameter base address. If the interval of received messages is shorter

than 25 msec, the VS-1680 can not work the receive message procedure correctly.

✧ The message is transmitted under the following condition.

When the VS-1680 transmit the data on the requested parameter after receiving the Data

Request message(RQ1).

see ‘2. Data Transfer Address Map’ for more details of the transfer parameters.

✧ The message is transmitted under the following condition.

When the VS-1680 transmit the data on the requested parameter after receiving the Data

Request message(RQ1).

see ‘2. Data Transfer Address Map’ for more details of the transfer parameters.

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36

2. Data Transfer Address Map

Address | MSB | | LSB

Binary | 0aaa aaaa | 0bbb bbbb | 0ccc cccc

7 Bit Hex | AA | BB | CC

■ Parameter Address Block

+——————————+——————————————————————————————————————————————————————+ | Start | | | address | Contents and remarks | |==========+======================================================| | 00 00 00 | System Parameter | |——————————+——————————————————————————————————————————————————————| | 01 00 00 | Song Parameter | |——————————+——————————————————————————————————————————————————————| | 02 00 00 | Mixer Parameter | |——————————+——————————————————————————————————————————————————————| | 03 00 00 | Locate Parameter | |——————————+——————————————————————————————————————————————————————| | 04 00 00 | Effect Parameter | |——————————+——————————————————————————————————————————————————————| | 05 00 00 | | | 06 00 00 | (Reserved) | | 07 00 00 | | |——————————+——————————————————————————————————————————————————————| | 08 00 00 | Sync Track Data | | 09 00 00 | | | 0A 00 00 | | | 0B 00 00 | | | 0C 00 00 | | | 0D 00 00 | | | 0E 00 00 | | | 0F 00 00 | | |——————————+——————————————————————————————————————————————————————| | 10 00 00 | (Reserved) | | : | | | 7F 7F 7F | | +——————————+——————————————————————————————————————————————————————+

● System Parameter

+—————————————————————————————————————————————————————————————————+ | Start | | | | address | Data | Contents and remarks | |==========+=========+============================================| | 00 00 00 | 0aaaaaaa| SMPTE(MTC) Offset Time | | 00 00 01#| 0bbbbbbb| aaaaaaabbbbbbbcccccccddddddd =| | 00 00 02#| 0ccccccc| 0,,,268435455block (1block=16sample) | | 00 00 03#| 0ddddddd| | |——————————+—————————+————————————————————————————————————————————| | 00 00 04 | 0aaaaaaa| Vari Pitch | | 00 00 05#| 0bbbbbbb| | | 00 00 06#| 0ccccccc| | | 00 00 07#| 0ddddddd| | |——————————+—————————+————————————————————————————————————————————| | 00 00 08 | 0aaaaaaa| (Reserved) | | 00 00 09#| 0bbbbbbb| | |——————————+—————————+————————————————————————————————————————————| | 00 00 0A | 00 - 01 | Vari Pitch Switch Off,On | |——————————+—————————+————————————————————————————————————————————| | 00 00 0B | 00 - 01 | Marker Stop Switch Off,On | |——————————+—————————+————————————————————————————————————————————| | 00 00 0C | 00 - 05 | Fade Length 2,10,20,30,40,50mS | |——————————+—————————+————————————————————————————————————————————| | 00 00 0D | 0A - 64 | Preview From Length 1.0,,,10.0S | |——————————+—————————+————————————————————————————————————————————| | 00 00 0E | 0A - 64 | Preview To Length 1.0,,,10.0S | |——————————+—————————+————————————————————————————————————————————| | 00 00 0F | 00 - 05 | Foot Switch Assign Play/Stop,Record, | | | | TapMarker,Next,Previous | |——————————+—————————+————————————————————————————————————————————| | 00 00 10 | 00 - 02 | Metronome Out Mode Off,INT,MIDI | |——————————+—————————+————————————————————————————————————————————| | 00 00 11 | 00 - 01 | Metronome Out Type REConly,AnyTime | |——————————+—————————+————————————————————————————————————————————| | 00 00 12 | 00 - 01 | Master Clock DIGITAL1,INT,DIGITAL2 | |——————————+—————————+————————————————————————————————————————————| | 00 00 13 | 00 - 1F | MIDI System Exclusive Device ID (*1) | | | | 1,,,32| |——————————+—————————+————————————————————————————————————————————| | 00 00 14 | 00 - 01 | MIDI OUT/THRU Switch (*1) Out,Thru | |——————————+—————————+————————————————————————————————————————————| | 00 00 15 | 00 - 01 | MIDI System Exclusive RX Switch (*1) | | | | Off,On | |——————————+—————————+————————————————————————————————————————————| | 00 00 16 | 00 - 01 | MIDI System Exclusive TX Switch (*1) | | | | Off,On | |——————————+—————————+————————————————————————————————————————————| | 00 00 17 | 00 - 0F | MIDI Metronome Channel 1,,,16 | |——————————+—————————+————————————————————————————————————————————| | 00 00 18 | 0C - 7F | MIDI Metronome Accent Note 12,,,127 | |——————————+—————————+————————————————————————————————————————————| | 00 00 19 | 01 - 7F | MIDI Metronome Accent Velocity 1,,,127 | |——————————+—————————+————————————————————————————————————————————| | 00 00 1A | 0C - 7F | MIDI Metronome Normal Note 12,,,127 | |——————————+—————————+————————————————————————————————————————————| | 00 00 1B | 01 - 7F | MIDI Metronome Normal Velocity 1,,,127 | |——————————+—————————+————————————————————————————————————————————| | 00 00 1C | 00 - 01 | MIDI Mixer Control Local Switch Off,On | |——————————+—————————+————————————————————————————————————————————| | 00 00 1D | 00 - 02 | MIDI Mixer Control Type Off,C.C.,Excl | |——————————+—————————+————————————————————————————————————————————| | 00 00 1E | 00 - 0A | Sync. Error Level 0,,,10 | |——————————+—————————+————————————————————————————————————————————| | 00 00 1F | 00 - 01 | Sync. Source INT,EXT | |——————————+—————————+————————————————————————————————————————————|

| 00 00 20 | 00 - 03 | Sync. Generate Off,MTC,MIDIclk,SyncTr | |——————————+—————————+————————————————————————————————————————————| | 00 00 21 | 00 - 03 | Sync. SMPTE Format 24,25,29D,29N,30 | |——————————+—————————+————————————————————————————————————————————| | 00 00 22 | 01 - 1F | (Reserved) | |——————————+—————————+————————————————————————————————————————————| | 00 00 23 | 01 - 1F | (Reserved) | |——————————+—————————+————————————————————————————————————————————| | 00 00 24 | 00 - 01 | Recording Monitor Auto,Source | |——————————+—————————+————————————————————————————————————————————| | 00 00 25 | 00 - 01 | Time Disply ABS,REL | |——————————+—————————+————————————————————————————————————————————| | 00 00 26 | 00 - 7f | Internal Metronome Level 0-127 | |——————————+—————————+————————————————————————————————————————————| | 00 00 27 | 00 - 01 | Undo Message Off,On | |——————————+—————————+————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| Tempo Map-1 Tempo Map Time | | 00 00 29#| 0bbbbbbb| | | 00 00 2A#| 0ccccccc| | | 00 00 2B#| 0ddddddd| | |——————————+—————————+————————————————————————————————————————————| | 00 00 2C | 0aaaaaaa| Tempo Map-1 Sync Track Time | | 00 00 2D#| 0bbbbbbb| | | 00 00 2E#| 0ccccccc| | | 00 00 2F#| 0ddddddd| | |——————————+—————————+————————————————————————————————————————————| | 00 00 30 | 0aaaaaaa| Tempo Map-1 Tempo | | 00 00 31#| 0bbbbbbb| 250 - 2500 = 25.0 - 250.0 | |——————————+—————————+————————————————————————————————————————————| | 00 00 32 | 0aaaaaaa| Tempo Map-1 Meas | | 00 00 33#| 0bbbbbbb| 1 - 999 | |——————————+—————————+————————————————————————————————————————————| | 00 00 34 | 00 | Tempo Map-1 Beat 0 - 31 = | | 00 00 35#| 00 - 1F | 1/1, 1/2, ..., 7/8, 8/8 | |——————————+—————————+————————————————————————————————————————————| | 00 00 36 | 00 | Tempo Map-1 (Reserved) | | 00 00 37#| 00 | | |——————————+—————————+————————————————————————————————————————————| | 00 00 38 | | Tempo Map-2 (See Tempo Map-1, 16bytes each)| | : | | : | | 00 06 47#| | Tempo Map-50 | |——————————+—————————+————————————————————————————————————————————| | 00 06 48 | 01 - 32 | Total Tempo Map Num (*2) 1 - 50 | |——————————+—————————+————————————————————————————————————————————| | 00 06 49 | 00 - 4B | Scrub Loop Length 25 - 100 mS | |——————————+—————————+————————————————————————————————————————————| | 00 06 4A | 00 - 02 | MMC Mode Off, Master, Slave | |——————————+—————————+————————————————————————————————————————————| | 00 06 4B | 00 - 01 | (Reserved) | |——————————+—————————+————————————————————————————————————————————| | 00 06 4C | 00 - 01 | Digital Output Copy Protect Off,On | |——————————+—————————+————————————————————————————————————————————| | 00 06 4D | 00 - 01 | Auto Mix Mode Off,On | |——————————+—————————+————————————————————————————————————————————| | 00 06 4E | 00 - 01 | Auto Mix Snap Shot Mode ALL,MaskF | |——————————+—————————+————————————————————————————————————————————| | 00 06 4F | 00 - 03 | Display Type of Remaining | | | | Time,CapaMB,Capa%,Event| |——————————+—————————+————————————————————————————————————————————| | 00 06 50 | 00 - 01 | Fader Match Mode Null,Jump | |——————————+—————————+————————————————————————————————————————————| | 00 06 51 | 00 - 01 | Peak Hold Off,On | |——————————+—————————+————————————————————————————————————————————| | 00 06 52 | 00 - 01 | Scene Change by PG# Off,On | |——————————+—————————+————————————————————————————————————————————| | 00 06 53 | 00 - 01 | Effect Change by PG# Off,On | |——————————+—————————+————————————————————————————————————————————| | 00 06 54 | 00 - 01 | Effect Ctrl by Control Change Off,On | |——————————+—————————+————————————————————————————————————————————| | 00 06 55 | 00 - 01 | Level Meter Tx. via MIDI | | | | Off,On,Interval | |——————————+—————————+————————————————————————————————————————————| | 00 06 56 | 00 - 01 | Effector Board Available (*3) | | | | Off,On(=01 or 03) | +——————————+—————————+————————————————————————————————————————————+

(*) The address marked by “#” are invalid. Transmit the Data Set(DT1) or Data

Request(RQ1) message with the specified size to the address without “#” mark.

(*1) These parameters are read only. The setting is a panel operation only.

(*2) You must write to the parameter whenever you rewrite the Tempo Map Data. The cal-

culation will be begun when to write the parameter.

(*3) The flag shows that the Effect Board exists or not. It is a read only.

● Song Parameter

+—————————————————————————————————————————————————————————————————+ | Start | | | | address | Data | Contents and remarks | |==========+=========+============================================| | 01 00 00 | 20 - 7E | Current Song Name -1 (ASCII) | | : | | : | | 01 00 0B | 20 - 7E | Current Song Name -12 | |——————————+—————————+————————————————————————————————————————————| | 01 00 0C | 00 - 02 | Current Song Sampling Frequency | | | | 48K,44.1K,32KHz | |——————————+—————————+————————————————————————————————————————————| | 01 00 0D | 00 - 03 | Current Song R-DAC Mode | | | 05 - 06 | MTP(5),MAS(3),MT1(0),MT2(1),LIV1(2),LIV2(6)| |——————————+—————————+————————————————————————————————————————————| | 01 00 0E | 00 - 3B | Current Song Created (second) | | 01 00 0F | 00 - 3B | (minute) | | 01 00 10 | 00 - 17 | (hour) | | 01 00 11 | 00 - 07 | (a day of week) | | 01 00 12 | 00 - 1F | (day) | | 01 00 13 | 00 - 0C | (month) | | 01 00 14 | 0aaaaaaa| | | 01 00 15#| 0bbbbbbb| (year) | |——————————+—————————+————————————————————————————————————————————| | 01 00 16 | 00 - 3B | Current Song Saved (second) |

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| 01 00 17 | 00 - 3B | (minute) | | 01 00 18 | 00 - 17 | (hour) | | 01 00 19 | 00 - 07 | (a day of week) | | 01 00 1A | 00 - 1F | (day) | | 01 00 1B | 00 - 0C | (month) | | 01 00 1C | 0aaaaaaa| | | 01 00 1D#| 0bbbbbbb| (year) | |——————————+—————————+————————————————————————————————————————————| | 01 00 1E | 00 | (Reserved) | |——————————+—————————+————————————————————————————————————————————| | 01 00 1F | 00 | (Reserved) | |——————————+—————————+————————————————————————————————————————————| | 01 00 20 | 00 - xx | Current Song Protect Off, On(=01 or 81) | |——————————+—————————+————————————————————————————————————————————| | 01 00 21 | 00 | (Reserved) | |——————————+—————————+————————————————————————————————————————————| | 01 00 22 | 0000000a| Song List Length abbbbbbb = 1,,,200 | | 01 00 23#| 0bbbbbbb| | |——————————+—————————+————————————————————————————————————————————| | 01 00 24 | 00 | (Reserved) | | : | : | : | | 01 00 7F | 00 | (Reserved) | |——————————+—————————+————————————————————————————————————————————| | 01 01 00 | 20 - 7E | Current Song Comment - 1 (ASCII)| | : : : | | 01 01 63 | 20 - 7E | Current Song Comment -100 (ASCII)| |——————————+—————————+————————————————————————————————————————————| | 01 01 64 | 00 | (Reserved) | | : : : | | 01 01 7D | 00 | (Reserved) | |——————————+—————————+————————————————————————————————————————————| | 01 02 00 | 00 - | Song- 1 (similar to 01 00 00 - 01 00 1F) | | : | : | : | | 01 02 1F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | : | : | : | | 01 33 60 | 00 - | Song-200 (similar to 01 00 00 - 01 00 1F) | | : | : | : | | 01 33 7F | 00 - | | |——————————+—————————+————————————————————————————————————————————|

(*) The address marked by “#” are invalid. Request to Data Request (RQ1) message with

the specified size to the address without “#” mark.

(*) Only the Data Set (DT1) message to the song nameand song comment is acceptable.

● Mixer Parameter

+—————————————————————————————————————————————————————————————————+ | Start | | | | address | Data | Contents and remarks | |==========+=========+============================================| | 02 00 00 | 00 - | Track Status -1 | | | | 00=SOURCE,01=PLAY,02=REC | | | | 40=SOURCE_MUTE,41=PLAY_MUTE, | | | | 22=REC_SOURCE | | : | : | : | | 02 00 0F | 00 - | Track Status -16 | |——————————+—————————+————————————————————————————————————————————| | 02 00 10 | 00 - 0f | V.Track -1 1,,,16 | | : | : | : | | 02 00 1F | 00 - 0f | V.Track -16 | |——————————+—————————+————————————————————————————————————————————| | 02 00 20 | 00 - | (Reserved) 0 | | : | : | | | 02 00 3F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 00 40 | 00 - 08 | Track Channel ATT -1 | | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | | : | : | : | | 02 00 4F | 00 - 08 | Track Channel ATT -16 | |——————————+—————————+————————————————————————————————————————————| | 02 00 50 | 00 - 08 | Input Channel ATT -1 | | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | | : | : | : | | 02 00 59 | 00 - 08 | Input Channel ATT -10 | |——————————+—————————+————————————————————————————————————————————| | 02 00 5A | 00 - | (dummy) | | : | : | | | 02 00 5F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 00 60 | 00 - 01 | Track Channel Phase -1 Nor,Inv | | : | : | : | | 02 00 6F | 00 - 01 | Track Channel Phase -16 | |——————————+—————————+————————————————————————————————————————————| | 02 00 70 | 00 - 01 | Input Channel Phase -1 Nor,Inv | | : | : | : | | 02 00 79 | 00 - 01 | Input Channel Phase -10 | |——————————+—————————+————————————————————————————————————————————| | 02 00 7A | 00 - | (dummy) | | : | : | | | 02 00 7F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 01 00 | 00 - | (Reserved) 0 | | : | : | | | 02 01 1F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 01 20 | 00 - 01 | Track Channel EQ Switch -1 Off,On | | : : : | | 02 01 2F | 00 - 01 | Track Channel EQ Switch -16 | |——————————+—————————+————————————————————————————————————————————| | 02 01 30 | 00 - 01 | Input Channel EQ Switch -1 Off,On | | : : : | | 02 01 39 | 00 - 01 | Input Channel EQ Switch -10 | |——————————+—————————+————————————————————————————————————————————| | 02 01 3A | 00 - | (dummy) | | : : | | 02 01 3F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 01 40 | 00 - 7F | Track Channel EQ L Freq.-1 | | | | 40,50,60,70,80,90,100,120,140, | | | | 160,180,200,300,400,500, | | | | 600,700,800,900,1K,1.1K, |

| | | 1.2K,1.3K,1.4K,1.5KHz | | : | : | : | | 02 01 4F | 00 - 7F | Track Channel EQ L Freq.-16 | |——————————+—————————+————————————————————————————————————————————| | 02 01 50 | 00 - 7F | Input Channel EQ L Freq.-1 | | | | 40,50,60,70,80,90,100,120, | | | | 140,160,180,200,300,400,500, | | | | 600,700,800,900,1K,1.1K, | | | | 1.2K,1.3K,1.4K,1.5KHz | | : | : | : | | 02 01 59 | 00 - 7F | Input Channel EQ L Freq.-10 | |——————————+—————————+————————————————————————————————————————————| | 02 01 5A | 00 - | (dummy) | | : | : | | | 02 01 5F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 01 60 | 00 - 7F | Track Channel EQ L Gain -1 12,,,+12dB | | : : : | | 02 01 6F | 00 - 7F | Track Channel EQ L Gain -16 | |——————————+—————————+————————————————————————————————————————————| | 02 01 70 | 00 - 7F | Input Channel EQ L Gain -1 12,,,+12dB | | : : : | | 02 01 79 | 00 - 7F | Input Channel EQ L Gain -10 | |——————————+—————————+————————————————————————————————————————————| | 02 01 7A | 00 - | (dummy) | | : | : | | | 02 01 7F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 02 00 | 00 - 7F | Track Channel EQ M Freq.-1 | | | | 200,300,400,500,600,700,800, | | | | 900,1K,1.1K,1.2K,1.3K,1.4K, | | | | 1.5K,1.6K,1.7K,1.8K,1.9K,2K, | | | | 3K,4K,5K,6K,7K,8KHz | | : | : | : | | 02 02 0F | 00 - 7F | Track Channel EQ M Freq.-16 | |——————————+—————————+————————————————————————————————————————————| | 02 02 10 | 00 - 7F | Input Channel EQ M Freq.-1 | | | | 200,300,400,500,600,700,800, | | | | 900,1K,1.1K,1.2K,1.3K,1.4K, | | | | 1.5K,1.6K,1.7K,1.8K,1.9K,2K, | | | | 3K,4K,5K,6K,7K,8KHz | | : | : | : | | 02 02 19 | 00 - 7F | Input Channel EQ M Freq.-16 | |——————————+—————————+————————————————————————————————————————————| | 02 02 1A | 00 - | (dummy) | | : | : | | | 02 02 1F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 02 20 | 00 - 7F | Track Channel EQ M Gain -1 12,,,+12dB | | : : : | | 02 02 2F | 00 - 7F | Track Channel EQ M Gain -16 | |——————————+—————————+————————————————————————————————————————————| | 02 02 30 | 00 - 7F | Input Channel EQ M Gain -1 12,,,+12dB | | : : : | | 02 02 39 | 00 - 7F | Input Channel EQ M Gain -10 | |——————————+—————————+————————————————————————————————————————————| | 02 02 3A | 00 - | (dummy) | | : | : | | | 02 02 3F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 02 40 | 00 - 7F | Track Channel EQ M Q -1 0.5,1,2,4,8,16 | | : | : | : | | 02 02 4F | 00 - 7F | Track Channel EQ M Q -16 | |——————————+—————————+————————————————————————————————————————————| | 02 02 50 | 00 - 7F | Input Channel EQ M Q -1 0.5,1,2,4,8,16 | | : : : | | 02 02 59 | 00 - 7F | Input Channel EQ M Q -10 | |——————————+—————————+————————————————————————————————————————————| | 02 02 5A | 00 - | (dummy) | | : | : | | | 02 02 5F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 02 60 | 00 - 7F | Track Channel EQ H Freq.-1 | | | | 500,600,700,800,900,1K,1.2K, | | | | 1.4K,1.6K,1.8K,2K,3K,4K,5K, | | | | 6K,7K,8K,9K,10K,11K,12K, | | | | 13K,14K,16K,18KHz | | : | : | : | | 02 02 6F | 00 - 7F | Track Channel EQ H Freq.-16 | |——————————+—————————+————————————————————————————————————————————| | 02 02 70 | 00 - 7F | Input Channel EQ H Freq.-1 | | | | 500,600,700,800,900,1K,1.2K, | | | | 1.4K,1.6K,1.8K,2K,3K,4K,5K, | | | | 6K,7K,8K,9K,10K,11K,12K, | | | | 13K,14K,16K,18KHz | | : | : | : | | 02 02 79 | 00 - 7F | Input Channel EQ H Freq.-10 | |——————————+—————————+————————————————————————————————————————————| | 02 02 7A | 00 - | (dummy) | | : | : | | | 02 02 7F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 03 00 | 00 - 7F | Track Channel EQ H Gain -1 12,,,+12dB | | : | : | : | | 02 03 0F | 00 - 7F | Track Channel EQ H Gain -16 | |——————————+—————————+————————————————————————————————————————————| | 02 03 10 | 00 - 7F | Input Channel EQ H Gain -1 12,,,+12dB | | : | : | : | | 02 03 19 | 00 - 7F | Input Channel EQ H Gain -10 | |——————————+—————————+————————————————————————————————————————————| | 02 03 1A | 00 - | (dummy) | | : | : | | | 02 03 1F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 03 20 | 00 - 04 | Track Channel Effect 1 Insert Switch -1 | | | | Off,Ins,InsL,InsR,InsS | | : | : | : | | 02 03 2F | 00 - 04 | Track Channel Effect 1 Insert Switch -16 | |——————————+—————————+————————————————————————————————————————————| | 02 03 30 | 00 - 04 | Input Channel Effect 1 Insert Switch -1 | | | | Off,Ins,InsL,InsR,InsS | | : | : | : | | 02 03 39 | 00 - 04 | Input Channel Effect 1 Insert Switch -10 | |——————————+—————————+————————————————————————————————————————————| | 02 03 3A | 00 - | (dummy) | | : | : | | | 02 03 3F | 00 - | |

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|——————————+—————————+————————————————————————————————————————————| | 02 03 40 | 00 - 08 | Track Channel Effect 1 Insert Send Level -1| | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | | : | : | : | | 02 03 4F | 00 - 08 | Track Channel Effect 1 Insert Send Level -1| |——————————+—————————+————————————————————————————————————————————| | 02 03 50 | 00 - 08 | Input Channel Effect 1 Insert Send Level -1| | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | | : | : | : | | 02 03 59 | 00 - 08 |Input Channel Effect 1 Insert Send Level -10| |——————————+—————————+————————————————————————————————————————————| | 02 03 5A | 00 - | (dummy) | | : | : | | | 02 03 5F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 03 60 | 00 - 08 |Track Channel Effect 1 Insert ReturnLevel-1 | | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | | : | : | : | | 02 03 6F | 00 - 08 |Track Channel Effect 1 Insert ReturnLevel-16| |——————————+—————————+————————————————————————————————————————————| | 02 03 70 | 00 - 08 |Input Channel Effect 1 Insert ReturnLevel-1 | | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | | : | : | : | | 02 03 79 | 00 - 08 |Input Channel Effect 1 Insert ReturnLevel-10| |——————————+—————————+————————————————————————————————————————————| | 02 03 7A | 00 - | (dummy) | | : | : | | | 02 03 7F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 04 00 | 00 - 04 | Track Channel Effect 2 Insert Switch -1 | | | | Off,Ins,InsL,InsR,InsS | | : | : | : | | 02 04 0F | 00 - 04 | Track Channel Effect 2 Insert Switch -16 | |——————————+—————————+————————————————————————————————————————————| | 02 04 10 | 00 - 04 | Input Channel Effect 2 Insert Switch -1 | | | | Off,Ins,InsL,InsR,InsS | | : | : | : | | 02 04 19 | 00 - 04 | Input Channel Effect 2 Insert Switch -10 | |——————————+—————————+————————————————————————————————————————————| | 02 04 1A | 00 - | (dummy) | | : | : | | | 02 04 1F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 04 20 | 00 - 08 | Track Channel Effect 2 Insert Send Level-1 | | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | | : | : | : | | 02 04 2F | 00 - 08 | Track Channel Effect 2 Insert Send Level-16| |——————————+—————————+————————————————————————————————————————————| | 02 04 30 | 00 - 08 | Input Channel Effect 2 Insert Send Level-1 | | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | | : | : | : | | 02 04 39 | 00 - 08 | Input Channel Effect 2 Insert Send Level-10| |——————————+—————————+————————————————————————————————————————————| | 02 04 3A | 00 - | (dummy) | | : | : | | | 02 04 3F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 04 40 | 00 - 08 |Track Channel Effect 2 Insert ReturnLevel-1 | | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | | : | : | : | | 02 04 4F | 00 - 08 |Track Channel Effect 2 Insert ReturnLevel-16| |——————————+—————————+————————————————————————————————————————————| | 02 04 50 | 00 - 08 |Input Channel Effect 2 Insert ReturnLevel-1 | | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | | : | : | : | | 02 04 59 | 00 - 08 |Input Channel Effect 2 Insert ReturnLevel-10| |——————————+—————————+————————————————————————————————————————————| | 02 04 5A | 00 - | (dummy) | | : | : | | | 02 04 5F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 04 60 | 00 - 04 | Track Channel Effect 3 Insert Switch -1 | | | | Off,Ins,InsL,InsR,InsS | | : | : | : | | 02 04 6F | 00 - 04 | Track Channel Effect 3 Insert Switch -16 | |——————————+—————————+————————————————————————————————————————————| | 02 04 70 | 00 - 04 | Input Channel Effect 3 Insert Switch -1 | | | | Off,Ins,InsL,InsR,InsS | | : | : | : | | 02 04 79 | 00 - 04 | Input Channel Effect 3 Insert Switch -10 | |——————————+—————————+————————————————————————————————————————————| | 02 04 7A | 00 - | (dummy) | | : | : | | | 02 04 7F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 05 00 | 00 - 08 | Track Channel Effect 3 Insert Send Level -1| | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | | : | : | : | | 02 05 0F | 00 - 08 | Track Channel Effect 3 Insert Send Level-16| |——————————+—————————+————————————————————————————————————————————| | 02 05 10 | 00 - 08 | Input Channel Effect 3 Insert Send Level -1| | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | | : : : | | 02 05 19 | 00 - 08 | Input Channel Effect 3 Insert Send Level-10| |——————————+—————————+————————————————————————————————————————————| | 02 05 1A | 00 - | (dummy) | | : | : | | | 02 05 1F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 05 20 | 00 - 08 | Track Channel Effect3 Insert ReturnLevel-1 | | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | | : | : | : | | 02 05 2F | 00 - 08 | Track Channel Effect3 Insert ReturnLevel-16| |——————————+—————————+————————————————————————————————————————————| | 02 05 30 | 00 - 08 | Input Channel Effect3 Insert ReturnLevel-1 | | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | | : | : | : | | 02 05 39 | 00 - 08 | Input Channel Effect3 Insert ReturnLevel-10| |——————————+—————————+————————————————————————————————————————————| | 02 05 3A | 00 - | (dummy) | | : | : | | | 02 05 3F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 05 40 | 00 - 04 | Track Channel Effect 4 Insert Switch -1 | | | | Off,Ins,InsL,InsR,InsS | | : | : | : | | 02 05 4F | 00 - 04 | Track Channel Effect 4 Insert Switch -16 |

|——————————+—————————+————————————————————————————————————————————| | 02 05 50 | 00 - 04 | Input Channel Effect 4 Insert Switch -1 | | | | Off,Ins,InsL,InsR,InsS | | : | : | : | | 02 05 59 | 00 - 04 | Input Channel Effect 4 Insert Switch -10 | |——————————+—————————+————————————————————————————————————————————| | 02 05 5A | 00 - | (dummy) | | : | : | | | 02 05 5F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 05 60 | 00 - 08 | Track Channel Effect 4 Insert Send Level -1| | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | | : | : | : | | 02 05 6F | 00 - 08 | Track Channel Effect 4 Insert Send Level-16| |——————————+—————————+————————————————————————————————————————————| | 02 05 70 | 00 - 08 | Input Channel Effect 4 Insert Send Level -1| | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | | : | : | : | | 02 05 79 | 00 - 08 | Input Channel Effect 4 Insert Send Level-10| |——————————+—————————+————————————————————————————————————————————| | 02 05 7A | 00 - | (dummy) | | : | : | | | 02 05 7F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 06 00 | 00 - 08 |Track Channel Effect4 Insert Return Level-1 | | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | | : | : | : | | 02 06 0F | 00 - 08 |Track Channel Effect4 Insert Return Level-1 | |——————————+—————————+————————————————————————————————————————————| | 02 06 10 | 00 - 08 |Input Channel Effect4 Insert Return Level-1 | | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | | : | : | : | | 02 06 19 | 00 - 08 |Input Channel Effect4 Insert Return Level-10| |——————————+—————————+————————————————————————————————————————————| | 02 06 1A | 00 - | (dummy) | | : | : | | | 02 06 1F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 06 20 | 00 - 7F | Track Channel Level -1 0,,,127 | | : | : | : | | 02 06 2F | 00 - 7F | Track Channel Level -16 | |——————————+—————————+————————————————————————————————————————————| | 02 06 30 | 00 - 7F | Input Channel Level -1 0,,,127 | | : | : | : | | 02 06 39 | 00 - 7F | Input Channel Level -10 | |——————————+—————————+————————————————————————————————————————————| | 02 06 3A | 00 - | (dummy) | | : | : | | | 02 06 3F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 06 40 | 00 - | (Reserved) 2 | | : | : | : | | 02 06 5F | 00 - | (Reserved) | |——————————+—————————+————————————————————————————————————————————| | 02 06 60 | 01 - 7F | Track Channel MST Send Pan -1 | | | | L63 ,,, R63 | | : | : | : | | 02 06 6F | 01 - 7F | Track Channel MST Send Pan -16 | |——————————+—————————+————————————————————————————————————————————| | 02 06 70 | 01 - 7F | Input Channel MST Send Pan -1 | | | | L63 ,,, R63 | | : | : | : | | 02 06 79 | 01 - 7F | Input Channel MST Send Pan -10 | |——————————+—————————+————————————————————————————————————————————| | 02 06 7A | 00 - | (dummy) | | : | : | | | 02 06 7F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 07 00 | 00 - 02 | Track Channel MST Send Switch -1 Off,On | | : | : | : | | 02 07 0F | 00 - 02 | Track Channel MST Send Switch -16 | |——————————+—————————+————————————————————————————————————————————| | 02 07 10 | 00 - 02 | Input Channel MST Send Switch -1 Off,On | | : | : | : | | 02 07 19 | 00 - 02 | Input Channel MST Send Switch -10 | |——————————+—————————+————————————————————————————————————————————| | 02 07 1A | 00 - | (dummy) | | : | : | | | 02 07 1F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 07 20 | 00 - 01 | Track Channel BUS Send Switch -1 -1 | | | | Off,On | | : | : | : | | 02 07 2F | 00 - 01 | Track Channel BUS Send Switch -1 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 07 30 | 00 - 01 | Track Channel BUS Send Switch -2 -1 | | | | Off,On | | : | : | : | | 02 07 3F | 00 - 01 | Track Channel BUS Send Switch -2 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 07 40 | 00 - 01 | Track Channel BUS Send Switch -3 -1 | | | | Off,On | | : | : | : | | 02 07 4F | 00 - 01 | Track Channel BUS Send Switch -3 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 07 50 | 00 - 01 | Track Channel BUS Send Switch -4 -1 | | | | Off,On | | : | : | : | | 02 07 5F | 00 - 01 | Track Channel BUS Send Switch -4 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 07 60 | 00 - 01 | Track Channel BUS Send Switch -5 -1 | | | | Off,On | | : | : | : | | 02 07 6F | 00 - 01 | Track Channel BUS Send Switch -5 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 07 70 | 00 - 01 | Track Channel BUS Send Switch -6 -1 | | | | Off,On | | : | : | : | | 02 07 7F | 00 - 01 | Track Channel BUS Send Switch -6 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 08 00 | 00 - 01 | Track Channel BUS Send Switch -7 -1 | | | | Off,On | | : | : | : | | 02 08 0F | 00 - 01 | Track Channel BUS Send Switch -7 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 08 10 | 00 - 01 | Track Channel BUS Send Switch -8 -1 | | | | Off,On |

MIDI Implementation

39

| : | : | : | | 02 08 1F | 00 - 01 | Track Channel BUS Send Switch -8 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 08 20 | 00 - 01 | Track Channel BUS Send Switch -9 -1 | | | | Off,On | | : | : | : | | 02 08 2F | 00 - 01 | Track Channel BUS Send Switch -9 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 08 30 | 00 - 01 | Track Channel BUS Send Switch -10 -1 | | | | Off,On | | : | : | : | | 02 08 3F | 00 - 01 | Track Channel BUS Send Switch -10 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 08 40 | 00 - 01 | Track Channel BUS Send Switch -11 -1 | | | | Off,On | | : | : | : | | 02 08 4F | 00 - 01 | Track Channel BUS Send Switch -11 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 08 50 | 00 - 01 | Track Channel BUS Send Switch -12 -1 | | | | Off,On | | : | : | : | | 02 08 5F | 00 - 01 | Track Channel BUS Send Switch -12 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 08 60 | 00 - 01 | Track Channel BUS Send Switch -13 -1 | | | | Off,On | | : | : | : | | 02 08 6F | 00 - 01 | Track Channel BUS Send Switch -13 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 08 70 | 00 - 01 | Track Channel BUS Send Switch -14 -1 | | | | Off,On | | : | : | : | | 02 08 7F | 00 - 01 | Track Channel BUS Send Switch -14 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 09 00 | 00 - 01 | Track Channel BUS Send Switch -15 -1 | | | | Off,On | | : | : | : | | 02 09 0F | 00 - 01 | Track Channel BUS Send Switch -15 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 09 10 | 00 - 01 | Track Channel BUS Send Switch -16 -1 | | | | Off,On | | : | : | : | | 02 09 1F | 00 - 01 | Track Channel BUS Send Switch -16 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 09 20 | 00 - 01 | Input Channel BUS Send Switch -1 -1 | | | | Off,On | | : | : | : | | 02 09 2F | 00 - 01 | Input Channel BUS Send Switch -1 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 09 30 | 00 - 01 | Input Channel BUS Send Switch -2 -1 | | | | Off,On | | : | : | : | | 02 09 3F | 00 - 01 | Input Channel BUS Send Switch -2 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 09 40 | 00 - 01 | Input Channel BUS Send Switch -3 -1 | | | | Off,On | | : | : | : | | 02 09 4F | 00 - 01 | Input Channel BUS Send Switch -3 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 09 50 | 00 - 01 | Input Channel BUS Send Switch -4 -1 | | | | Off,On | | : | : | : | | 02 09 5F | 00 - 01 | Input Channel BUS Send Switch -4 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 09 60 | 00 - 01 | Input Channel BUS Send Switch -5 -1 | | | | Off,On | | : | : | : | | 02 09 6F | 00 - 01 | Input Channel BUS Send Switch -5 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 09 70 | 00 - 01 | Input Channel BUS Send Switch -6 -1 | | | | Off,On | | : | : | : | | 02 09 7F | 00 - 01 | Input Channel BUS Send Switch -6 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 0A 00 | 00 - 01 | Input Channel BUS Send Switch -7 -1 | | | | Off,On | | : | : | : | | 02 0A 0F | 00 - 01 | Input Channel BUS Send Switch -7 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 0A 10 | 00 - 01 | Input Channel BUS Send Switch -8 -1 | | | | Off,On | | : | : | : | | 02 0A 1F | 00 - 01 | Input Channel BUS Send Switch -8 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 0A 20 | 00 - 01 | Input Channel BUS Send Switch -9 -1 | | | | Off,On | | : | : | : | | 02 0A 2F | 00 - 01 | Input Channel BUS Send Switch -9 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 0A 30 | 00 - 01 | Input Channel BUS Send Switch -10 -1 | | | | Off,On | | : | : | : | | 02 0A 3F | 00 - 01 | Input Channel BUS Send Switch -10 -16 | |——————————+—————————+————————————————————————————————————————————| | 02 0A 40 | 00 - | (dummy) | | : | : | | | 02 0B 1F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 0B 20 | 00 - 02 | Track Channel Effect 1 Switch -1 | | | | Off,Pre,Post | | : | : | : | | 02 0B 2F | 00 - 02 | Track Channel Effect 1 Switch -16 | |——————————+—————————+————————————————————————————————————————————| | 02 0B 30 | 00 - 02 | Input Channel Effect 1 Switch -1 | | | | Off,Pre,Post | | : | : | : | | 02 0B 39 | 00 - 02 | Input Channel Effect 1 Switch -10 | |——————————+—————————+————————————————————————————————————————————| | 02 0B 3A | 00 - | (dummy) | | : | : | | | 02 0B 3F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 0B 40 | 00 - 7F | Track Channel Effect 1 Level -1 0,,,127 | | : | : | : | | 02 0B 4F | 00 - 7F | Track Channel Effect 1 Level -16 | |——————————+—————————+————————————————————————————————————————————| | 02 0B 50 | 00 - 7F | Input Channel Effect 1 Level -1 0,,,127 | | : | : | : |

| 02 0B 59 | 00 - 7F | Input Channel Effect 1 Level -10 | |——————————+—————————+————————————————————————————————————————————| | 02 0B 5A | 00 - | (dummy) | | : | : | | | 02 0B 5F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 0B 60 | 01 - 7F | Track Channel Effect 1 Pan -1 L63,,,R63 | | : | : | : | | 02 0B 6F | 01 - 7F | Track Channel Effect 1 Pan -16 | |——————————+—————————+————————————————————————————————————————————| | 02 0B 70 | 01 - 7F | Input Channel Effect 1 Pan -1 L63,,,R63 | | : | : | : | | 02 0B 79 | 01 - 7F | Input Channel Effect 1 Pan -10 | |——————————+—————————+————————————————————————————————————————————| | 02 0B 7A | 00 - | (dummy) | | : | : | | | 02 0B 7F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 0C 00 | 00 - 02 | Track Channel Effect 2 Switch -1 | | | | Off,Pre,Post | | : | : | : | | 02 0C 0F | 00 - 02 | Track Channel Effect 2 Switch -16 | |——————————+—————————+————————————————————————————————————————————| | 02 0C 10 | 00 - 02 | Input Channel Effect 2 Switch -1 | | | | Off,Pre,Post | | : | : | : | | 02 0C 19 | 00 - 02 | Input Channel Effect 2 Switch -10 | |——————————+—————————+————————————————————————————————————————————| | 02 0C 1A | 00 - | (dummy) | | : | : | | | 02 0C 1F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 0C 20 | 00 - 7F | Track Channel Effect 2 Level -1 0,,,127 | | : | : | : | | 02 0C 2F | 00 - 7F | Track Channel Effect 2 Level -16 | |——————————+—————————+————————————————————————————————————————————| | 02 0C 30 | 00 - 7F | Input Channel Effect 2 Level -1 0,,,127 | | : | : | : | | 02 0C 39 | 00 - 7F | Input Channel Effect 2 Level -10 | |——————————+—————————+————————————————————————————————————————————| | 02 0C 3A | 00 - | (dummy) | | : | : | | | 02 0C 3F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 0C 40 | 01 - 7F | Track Channel Effect 2 Pan -1 L63,,,R63 | | : | : | : | | 02 0C 4F | 01 - 7F | Track Channel Effect 2 Pan -16 | |——————————+—————————+————————————————————————————————————————————| | 02 0C 50 | 01 - 7F | Input Channel Effect 2 Pan -1 L63,,,R63 | | : | : | : | | 02 0C 59 | 01 - 7F | Input Channel Effect 2 Pan -10 | |——————————+—————————+————————————————————————————————————————————| | 02 0C 5A | 00 - | (dummy) | | : | : | | | 02 0C 5F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 0C 60 | 00 - 02 | Track Channel AUX 1 Switch -1 | | | | Off,Pre,Post | | : | : | : | | 02 0C 6F | 00 - 02 | Track Channel AUX 1 Switch -16 | |——————————+—————————+————————————————————————————————————————————| | 02 0C 70 | 00 - 02 | Input Channel AUX 1 Switch -1 | | | | Off,Pre,Post | | : | : | : | | 02 0C 79 | 00 - 02 | Input Channel AUX 1 Switch -10 | |——————————+—————————+————————————————————————————————————————————| | 02 0C 7A | 00 - | (dummy) | | : | : | | | 02 0C 7F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 0D 00 | 00 - 7F | Track Channel AUX 1 Level -1 0,,,127 | | : | : | : | | 02 0D 0F | 00 - 7F | Track Channel AUX 1 Level -16 | |——————————+—————————+————————————————————————————————————————————| | 02 0D 10 | 00 - 7F | Input Channel AUX 1 Level -1 0,,,127 | | : | : | : | | 02 0D 19 | 00 - 7F | Input Channel AUX 1 Level -10 | |——————————+—————————+————————————————————————————————————————————| | 02 0D 1A | 00 - | (dummy) | | : | : | | | 02 0D 1F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 0D 20 | 01 - 7F | Track Channel AUX 1 Pan -1 L63,,,R63 | | : | : | : | | 02 0D 2F | 01 - 7F | Track Channel AUX 1 Pan -16 | |——————————+—————————+————————————————————————————————————————————| | 02 0D 30 | 01 - 7F | Input Channel AUX 1 Pan -1 L63,,,R63 | | : | : | : | | 02 0D 39 | 01 - 7F | Input Channel AUX 1 Pan -10 | |——————————+—————————+————————————————————————————————————————————| | 02 0D 3A | 00 - | (dummy) | | : | : | | | 02 0D 3F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 0D 40 | 00 - 02 | Track Channel AUX 2 Switch -1 | | | | Off,Pre,Post | | : | : | : | | 02 0D 4F | 00 - 02 | Track Channel AUX 2 Switch -16 | |——————————+—————————+————————————————————————————————————————————| | 02 0D 50 | 00 - 02 | Input Channel AUX 2 Switch -1 | | | | Off,Pre,Post | | : | : | : | | 02 0D 59 | 00 - 02 | Input Channel AUX 2 Switch -10 | |——————————+—————————+————————————————————————————————————————————| | 02 0D 5A | 00 - | (dummy) | | : | : | | | 02 0D 5F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 0D 60 | 00 - 7F | Track Channel AUX 2 Level -1 0,,,127 | | : | : | : | | 02 0D 6F | 00 - 7F | Track Channel AUX 2 Level -16 | |——————————+—————————+————————————————————————————————————————————| | 02 0D 70 | 00 - 7F | Input Channel AUX 2 Level -1 0,,,127 | | : | : | : | | 02 0D 79 | 00 - 7F | Input Channel AUX 2 Level -10 | |——————————+—————————+————————————————————————————————————————————| | 02 0D 7A | 00 - | (dummy) |

MIDI Implementation

40

| : | : | | | 02 0D 7F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 0E 00 | 01 - 7F | Track Channel AUX 2 Pan -1 L63,,,R63 | | : | : | : | | 02 0E 0F | 01 - 7F | Track Channel AUX 2 Pan -16 | |——————————+—————————+————————————————————————————————————————————| | 02 0E 10 | 01 - 7F | Input Channel AUX 2 Pan -1 L63,,,R63 | | : | : | : | | 02 0E 19 | 01 - 7F | Input Channel AUX 2 Pan -10 | |——————————+—————————+————————————————————————————————————————————| | 02 0E 1A | 00 - | (dummy) | | : | : | | | 02 0E 1F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 0E 20 | 00 - 02 | Track Channel AUX 3 Switch -1 | | | | Off,Pre,Post | | : | : | : | | 02 0E 2F | 00 - 02 | Track Channel AUX 3 Switch -16 | |——————————+—————————+————————————————————————————————————————————| | 02 0E 30 | 00 - 02 | Input Channel AUX 3 Switch -1 | | | | Off,Pre,Post | | : | : | : | | 02 0E 39 | 00 - 02 | Input Channel AUX 3 Switch -10 | |——————————+—————————+————————————————————————————————————————————| | 02 0E 3A | 00 - | (dummy) | | : | : | | | 02 0E 3F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 0E 40 | 00 - 7F | Track Channel AUX 3 Level -1 0,,,127 | | : | : | : | | 02 0E 4F | 00 - 7F | Track Channel AUX 3 Level -16 | |——————————+—————————+————————————————————————————————————————————| | 02 0E 50 | 00 - 7F | Input Channel AUX 3 Level -1 0,,,127 | | : | : | : | | 02 0E 59 | 00 - 7F | Input Channel AUX 3 Level -10 | |——————————+—————————+————————————————————————————————————————————| | 02 0E 5A | 00 - | (dummy) | | : | : | | | 02 0E 5F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 0E 60 | 01 - 7F | Track Channel AUX 3 Pan -1 L63,,,R63 | | : | : | : | | 02 0E 6F | 01 - 7F | Track Channel AUX 3 Pan -16 | |——————————+—————————+————————————————————————————————————————————| | 02 0E 70 | 01 - 7F | Input Channel AUX 3 Pan -1 L63,,,R63 | | : | : | : | | 02 0E 79 | 01 - 7F | Input Channel AUX 3 Pan -10 | |——————————+—————————+————————————————————————————————————————————| | 02 0E 7A | 00 - | (dummy) | | : | : | | | 02 0E 7F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 0F 00 | 00 - | (Reserved) 0 | | : | : | | | 02 0F 1F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 0F 20 | 00 - 01 | Track Channel Solo Switch -1 Off,On | | : | : | : | | 02 0F 2F | 00 - 01 | Track Channel Solo Switch -16 | |——————————+—————————+————————————————————————————————————————————| | 02 0F 30 | 00 - 01 | Input Channel Solo Switch -1 Off,On | | : | : | : | | 02 0F 39 | 00 - 01 | Input Channel Solo Switch -10 | |——————————+—————————+————————————————————————————————————————————| | 02 0F 3A | 00 - | (dummy) | | : | : | | | 02 0F 3F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 0F 40 | 00 - 01 | Track Channel Mute Switch -1 Off,On | | : | : | : | | 02 0F 4F | 00 - 01 | Track Channel Mute Switch -16 | |——————————+—————————+————————————————————————————————————————————| | 02 0F 50 | 00 - 01 | Input Channel Mute Switch -1 Off,On | | : | : | : | | 02 0F 59 | 00 - 01 | Input Channel Mute Switch -10 | |——————————+—————————+————————————————————————————————————————————| | 02 0F 5A | 00 - | (dummy) | | : | : | | | 02 0F 5F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 0F 60 | 00 - 01 | Track Channel Link Switch -1 Off,On | | : | : | : | | 02 0F 6F | 00 - 01 | Track Channel Link Switch -16 | |——————————+—————————+————————————————————————————————————————————| | 02 0F 70 | 00 - 01 | Input Channel Link Switch -1 Off,On | | : | : | : | | 02 0F 79 | 00 - 01 | Input Channel Link Switch -10 | |——————————+—————————+————————————————————————————————————————————| | 02 0F 7A | 00 - | (dummy) | | : | : | | | 02 0F 7F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 10 00 | 00 - 7F | Track Channel Ofset Level -a 0,,,127 | | : | : | : | | 02 10 07 | 00 - 7F | Track Channel Ofset Level -h | |——————————+—————————+————————————————————————————————————————————| | 02 10 08 | 00 - 7F | Input Channel Ofset Level -a 0,,,127 | | : | : | : | | 02 10 0C | 00 - 7F | Input Channel Ofset Level -e | |——————————+—————————+————————————————————————————————————————————| | 02 10 0D | 00 - | (dummy) | | : | : | | | 02 10 0F | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 10 10 | 00 - 7F | Track Channel Ofset Pan -a L63,,,R63 | | : | : | : | | 02 10 17 | 00 - 7F | Track Channel Ofset Pan -h | |——————————+—————————+————————————————————————————————————————————| | 02 10 18 | 00 - 7F | Input Channel Ofset Pan -a L63,,,R63 | | : | : | : | | 02 10 1C | 00 - 7F | Input Channel Ofset Pan -e | |——————————+—————————+————————————————————————————————————————————| | 02 10 1D | 00 - | (dummy) | | : | : | | | 02 10 1F | 00 - | | |——————————+—————————+————————————————————————————————————————————|

| 02 10 20 | 00 - | (Reserved) | | : | : | | | 02 10 27 | 00 - | | |——————————+—————————+————————————————————————————————————————————| | 02 10 28 | 00 - 05 | Stereo In Select Off,Input12,Input34, | | | | Input56,Input78,DigitalIn | |——————————+—————————+————————————————————————————————————————————| | 02 10 29 | 00 - 7F | Stereo In Level 0,,,127 | |——————————+—————————+————————————————————————————————————————————| | 02 10 2A | 01 - 7F | Stereo In Balance L63,,,R63 | |——————————+—————————+————————————————————————————————————————————| | 02 10 2B | 00 - | (Reserved) | |——————————+—————————+————————————————————————————————————————————| | 02 10 2C | 00 - 01 | Stereo In Bus Send Switch -1 Off,On | | : | : | : | | 02 10 3B | 00 - 01 | Stereo In Bus Send Switch -16 | |——————————+—————————+————————————————————————————————————————————| | 02 10 3C | 00 - 01 | Stereo In Solo Switch Off,On | |——————————+—————————+————————————————————————————————————————————| | 02 10 3D | 00 - 01 | Stereo In Mute Switch Off,On | |——————————+—————————+————————————————————————————————————————————| | 02 10 3E | 00 - 02 | Effect 1 Return Switch Off,On | |——————————+—————————+————————————————————————————————————————————| | 02 10 3F | 00 - 7F | Effect 1 Return Level 0,,,127 | |——————————+—————————+————————————————————————————————————————————| | 02 10 40 | 01 - 7F | Effect 1 Return Balance L63,,,R63 | |——————————+—————————+————————————————————————————————————————————| | 02 10 41 | 00 - | (Reserved) | |——————————+—————————+————————————————————————————————————————————| | 02 10 42 | 00 - 01 | Effect 1 Return Bus Send Switch -1 | | | | Off,On | | : | : | : | | 02 10 51 | 00 - 01 | Effect 1 Return Bus Send Switch -16 | |——————————+—————————+————————————————————————————————————————————| | 02 10 52 | 00 - 01 | Effect 1 Return Solo Switch Off,On | |——————————+—————————+————————————————————————————————————————————| | 02 10 53 | 00 - 01 | Effect 1 Return Mute Switch Off,On | |——————————+—————————+————————————————————————————————————————————| | 02 10 54 | 00 - 02 | Effect 2 Return Switch Off,On | |——————————+—————————+————————————————————————————————————————————| | 02 10 55 | 00 - 7F | Effect 2 Return Level 0,,,127 | |——————————+—————————+————————————————————————————————————————————| | 02 10 56 | 01 - 7F | Effect 2 Return Balance L63,,,R63 | |——————————+—————————+————————————————————————————————————————————| | 02 10 57 | 00 - | (Reserved) | |——————————+—————————+————————————————————————————————————————————| | 02 10 58 | 00 - 01 | Effect 2 Return Bus Send Switch -1 | | | | Off,On | | : | : | : | | 02 10 67 | 00 - 01 | Effect 2 Return Bus Send Switch -16 | |——————————+—————————+————————————————————————————————————————————| | 02 10 68 | 00 - 01 | Effect 2 Return Solo Switch Off,On | |——————————+—————————+————————————————————————————————————————————| | 02 10 69 | 00 - 01 | Effect 2 Return Mute Switch Off,On | |——————————+—————————+————————————————————————————————————————————| | 02 10 6A | 00 - 02 | Effect 3 Return Switch Off,On | |——————————+—————————+————————————————————————————————————————————| | 02 10 6B | 00 - 7F | Effect 3 Return Level 0,,,127 | |——————————+—————————+————————————————————————————————————————————| | 02 10 6C | 01 - 7F | Effect 3 Return Balance L63,,,R63 | |——————————+—————————+————————————————————————————————————————————| | 02 10 6D | 00 - | (Reserved) | |——————————+—————————+————————————————————————————————————————————| | 02 10 6E | 00 - 01 | Effect 3 Return Bus Send Switch -1 | | | | Off,On | | : | : | : | | 02 10 7D | 00 - 01 | Effect 3 Return Bus Send Switch -16 | |——————————+—————————+————————————————————————————————————————————| | 02 10 7E | 00 - 01 | Effect 3 Return Solo Switch Off,On | |——————————+—————————+————————————————————————————————————————————| | 02 10 7F | 00 - 01 | Effect 3 Return Mute Switch Off,On | |——————————+—————————+————————————————————————————————————————————| | 02 11 00 | 00 - 02 | Effect 4 Return Switch Off,On | |——————————+—————————+————————————————————————————————————————————| | 02 11 01 | 00 - 7F | Effect 4 Return Level 0,,,127 | |——————————+—————————+————————————————————————————————————————————| | 02 11 02 | 01 - 7F | Effect 4 Return Balance L63,,,R63 | |——————————+—————————+————————————————————————————————————————————| | 02 11 03 | 00 - | (Reserved) | |——————————+—————————+————————————————————————————————————————————| | 02 11 04 | 00 - 01 | Effect 4 Return Bus Send Switch -1 | | | | Off,On | | : | : | : | | 02 11 13 | 00 - 01 | Effect 4 Return Bus Send Switch -16 | |——————————+—————————+————————————————————————————————————————————| | 02 11 14 | 00 - 01 | Effect 4 Return Solo Switch Off,On | |——————————+—————————+————————————————————————————————————————————| | 02 11 15 | 00 - 01 | Effect 4 Return Mute Switch Off,On | |——————————+—————————+————————————————————————————————————————————| | 02 11 16 | 00 - 01 | Effect 1 Master Insert Sw Off,Ins | |——————————+—————————+————————————————————————————————————————————| | 02 11 17 | 00 - 08 | Effect 1 Master Send Level | | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | |——————————+—————————+————————————————————————————————————————————| | 02 11 18 | 00 - 08 | Effect 1 Master Return Level | | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | |——————————+—————————+————————————————————————————————————————————| | 02 11 19 | 00 - 01 | Effect 2 Master Insert Sw Off,Ins | |——————————+—————————+————————————————————————————————————————————| | 02 11 1A | 00 - 08 | Effect 2 Master Send Level | | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | |——————————+—————————+————————————————————————————————————————————| | 02 11 1B | 00 - 08 | Effect 2 Master Return Level | | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | |——————————+—————————+————————————————————————————————————————————| | 02 11 1C | 00 - 01 | Effect 3 Master Insert Sw Off,Ins | |——————————+—————————+————————————————————————————————————————————| | 02 11 1D | 00 - 08 | Effect 3 Master Send Level | | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | |——————————+—————————+————————————————————————————————————————————| | 02 11 1E | 00 - 08 | Effect 3 Master Return Level | | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | |——————————+—————————+————————————————————————————————————————————| | 02 11 1F | 00 - 01 | Effect 4 Master Insert Sw Off,Ins | |——————————+—————————+————————————————————————————————————————————| | 02 11 20 | 00 - 08 | Effect 4 Master Send Level | | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB |

MIDI Implementation

41

|——————————+—————————+————————————————————————————————————————————| | 02 11 21 | 00 - 08 | Effect 4 Master Return Level | | | | -42,-36,-30,-24,-18,-12,-6,0,+6dB | |——————————+—————————+————————————————————————————————————————————| | 02 11 22 | 00 - 7F | Master Out Level 0,,,127 | |——————————+—————————+————————————————————————————————————————————| | 02 11 23 | 01 - 7F | Master Out Balance L63,,,R63 | |——————————+—————————+————————————————————————————————————————————| | 02 11 24 | 00 - 7F | Master Effect 1 Send Level 0,,,127 | |——————————+—————————+————————————————————————————————————————————| | 02 11 25 | 01 - 7F | Master Effect 1 Send Balance L63,,,R63 | |——————————+—————————+————————————————————————————————————————————| | 02 11 26 | 00 - 7F | Master Effect 2 Send Level 0,,,127 | |——————————+—————————+————————————————————————————————————————————| | 02 11 27 | 01 - 7F | Master Effect 2 Send Balance L63,,,R63 | |——————————+—————————+————————————————————————————————————————————| | 02 11 28 | 00 - 7F | Master AUX 1 Send Level 0,,,127 | |——————————+—————————+————————————————————————————————————————————| | 02 11 29 | 01 - 7F | Master AUX 1 Send Balance L63,,,R63 | |——————————+—————————+————————————————————————————————————————————| | 02 11 2A | 00 - 7F | Master AUX 2 Send Level 0,,,127 | |——————————+—————————+————————————————————————————————————————————| | 02 11 2B | 01 - 7F | Master AUX 2 Send Balance L63,,,R63 | |——————————+—————————+————————————————————————————————————————————| | 02 11 2C | 00 - 7F | Master AUX 3 Send Level 0,,,127 | |——————————+—————————+————————————————————————————————————————————| | 02 11 2D | 01 - 7F | Master AUX 3 Send Balance L63,,,R63 | |——————————+—————————+————————————————————————————————————————————| | 02 11 2E | 00 - 07 | Monitor Mode Master,RecBus,Effect1, | | | | Effect2,Aux1,Aux2,Aux3,StereoIn | |——————————+—————————+————————————————————————————————————————————| | 02 11 2F | 00 - 7F | Monitor Out Level 0,,,127 | |——————————+—————————+————————————————————————————————————————————| | 02 11 30 | 01 - 7F | Monitor Out Balance L63,,,R63 | |——————————+—————————+————————————————————————————————————————————| | 02 11 31 | 00 - | (Reserved) | |——————————+—————————+————————————————————————————————————————————| | 02 11 32 | 00 - 04 | AUX A Output Select Effect1,Effect2, | | | | Aux1,Aux2,Aux3 | |——————————+—————————+————————————————————————————————————————————| | 02 11 33 | 00 - 04 | AUX B Output Select Effect1,Effect2, | | | | Aux1,Aux2,Aux3 | |——————————+—————————+————————————————————————————————————————————| | 02 11 34 | 00 - 06 | Digital 1 Output Select | | | | Master,Effect1,Effect2, | | | | Aux1,Aux2,Aux3,Monitor | |——————————+—————————+————————————————————————————————————————————| | 02 11 35 | 00 - 06 | Digital 2 Output Select | | | | Master,Effect1,Effect2, | | | | Aux1,Aux2,Aux3,Monitor | |——————————+—————————+————————————————————————————————————————————| | 02 11 36 | 00 - 01 | EQ Mode 2Band,3Band | |——————————+—————————+————————————————————————————————————————————| | 02 11 37 | 00 - | (Reserved) | |——————————+—————————+————————————————————————————————————————————| | 02 11 38 | 00 - | (Reserved) | |——————————+—————————+————————————————————————————————————————————| | 02 11 39 | 00 - 01 | Digital Input Select 0,1 | |——————————+—————————+————————————————————————————————————————————| | 02 11 3A | 00 - 01 | Direct Output Switch Off,On | +——————————+—————————+————————————————————————————————————————————+

● Locate Parameter

+—————————————————————————————————————————————————————————————————+ | Start | | | | address | Data | Contents and remarks | |==========+=========+============================================| | 03 00 00 | 0aaaaaaa| LOCATE-1 (*1) | | 03 00 01#| 0bbbbbbb| aaaaaaabbbbbbbcccccccddddddd = | | 03 00 02#| 0ccccccc| 0,,,268435455block (1block=16sample) | | 03 00 03#| 0ddddddd| | |——————————+—————————+————————————————————————————————————————————| | 03 00 04 | 0aaaaaaa| LOCATE-2 (*1) | | 03 00 05#| 0bbbbbbb| aaaaaaabbbbbbbcccccccddddddd = | | 03 00 06#| 0ccccccc| 0,,,268435455block (1block=16sample) | | 03 00 07#| 0ddddddd| | |——————————+—————————+————————————————————————————————————————————| | 03 00 08 | 0aaaaaaa| LOCATE-3 (*1) | | 03 00 09#| 0bbbbbbb| aaaaaaabbbbbbbcccccccddddddd = | | 03 00 0A#| 0ccccccc| 0,,,268435455block (1block=16sample) | | 03 00 0B#| 0ddddddd| | |——————————+—————————+————————————————————————————————————————————| | 03 00 0C | 0aaaaaaa| LOCATE-4 (*1) | | 03 00 0D#| 0bbbbbbb| aaaaaaabbbbbbbcccccccddddddd = | | 03 00 0E#| 0ccccccc| 0,,,268435455block (1block=16sample) | | 03 00 0F#| 0ddddddd| | |——————————+—————————+————————————————————————————————————————————| | 03 00 10 | 0aaaaaaa| LOCATE-5 (*1) | | 03 00 11#| 0bbbbbbb| aaaaaaabbbbbbbcccccccddddddd = | | 03 00 12#| 0ccccccc| 0,,,268435455block (1block=16sample) | | 03 00 13#| 0ddddddd| | |——————————+—————————+————————————————————————————————————————————| | 03 00 14 | 0aaaaaaa| LOCATE-6 (*1) | | 03 00 15#| 0bbbbbbb| aaaaaaabbbbbbbcccccccddddddd = | | 03 00 16#| 0ccccccc| 0,,,268435455block (1block=16sample) | | 03 00 17#| 0ddddddd| | |——————————+—————————+————————————————————————————————————————————| | 03 00 18 | 0aaaaaaa| LOCATE-7 (*1) | | 03 00 19#| 0bbbbbbb| aaaaaaabbbbbbbcccccccddddddd = | | 03 00 1A#| 0ccccccc| 0,,,268435455block (1block=16sample) | | 03 00 1B#| 0ddddddd| | |——————————+—————————+————————————————————————————————————————————| | 03 00 1C | 0aaaaaaa| LOCATE-8 (*1) | | 03 00 1D#| 0bbbbbbb| aaaaaaabbbbbbbcccccccddddddd = | | 03 00 1E#| 0ccccccc| 0,,,268435455block (1block=16sample) | | 03 00 1F#| 0ddddddd| | |——————————+—————————+————————————————————————————————————————————| | 03 00 20 | 0aaaaaaa| Loop Start Point (*1,2) | | 03 00 21#| 0bbbbbbb| aaaaaaabbbbbbbcccccccddddddd = | | 03 00 22#| 0ccccccc| 0,,,268435455block (1block=16sample) | | 03 00 23#| 0ddddddd| | |——————————+—————————+————————————————————————————————————————————| | 03 00 24 | 0aaaaaaa| Loop End Point (*1,2) | | 03 00 25#| 0bbbbbbb| aaaaaaabbbbbbbcccccccddddddd = |

| 03 00 26#| 0ccccccc| 0,,,268435455block (1block=16sample) | | 03 00 27#| 0ddddddd| | |——————————+—————————+————————————————————————————————————————————| | 03 00 28 | 0aaaaaaa| Punch In Point (*1,2) | | 03 00 29#| 0bbbbbbb| aaaaaaabbbbbbbcccccccddddddd = | | 03 00 2A#| 0ccccccc| 0,,,268435455block (1block=16sample) | | 03 00 2B#| 0ddddddd| | |——————————+—————————+————————————————————————————————————————————| | 03 00 2C | 0aaaaaaa| Punch Out Point (*1,2) | | 03 00 2D#| 0bbbbbbb| aaaaaaabbbbbbbcccccccddddddd = | | 03 00 2E#| 0ccccccc| 0,,,268435455block (1block=16sample) | | 03 00 2F#| 0ddddddd| | +——————————+—————————+————————————————————————————————————————————+ +——————————+—————————+————————————————————————————————————————————+ | 03 01 00 | 0aaaaaaa| Marker Time or Marker Number (*1,3) | | 03 01 01#| 0bbbbbbb| aaaaaaabbbbbbbcccccccddddddd = | | 03 01 02#| 0ccccccc| 0,,,268435455block (1block=16sample) | | 03 01 03#| 0ddddddd| or 0,,,999 Marker Number, >=1000 All | |——————————+—————————+————————————————————————————————————————————| | 03 01 04 | 00 - 04 | Marker/Locator Command | | | | 00=Marker Read (*3) | | | | 01=Marker Write (*3) | | | | 02=Marker Clear (*3) | | | | 03 = Get Locate Bank (*4) | | | | 04 = Set Locate Bank (*4) | +——————————+—————————+————————————————————————————————————————————+

(*) The address marked by “#” are invalid. Transmit the Data Set(DT1) or Data

Request(RQ1) message with the specified size to the address without “#” mark.

(*) Time parameters are set to the relocated time(REL) that the time of song top is

“00:00:00:00”

(*1) The VS-1680 treats the 16 samples as 1 block for managing internal time. Pay attention

to the expression of the internal time changes respond to the sampling frequency of each

song. And time parameter can not be set to over 24 hours.

Example 1) Set the time 00:01:00:00 (30 Non-Drop)

Sampling Frequency is 48 kHz :

2880000 sample = 180000 block = 00 0A 7E 20 (7bit Hex)

Sampling Frequency is 44.1 kHz :

2646000 sample = 165375 block = 00 0A 0B 7F (7bit Hex)

Sampling Frequency is 32 kHz :

1920000 sample = 120000 block = 00 07 29 40 (7bit Hex)

Example 2) Set the time 23:59:59:29 (30 Non-Drop)

Sampling Frequency is 48 kHz :

4147198400 sample = 259199900 block = 7B 4C 27 1C (7bit Hex)

Sampling Frequency is 44.1 kHz :

3810238530 sample = 238139908 block = 71 46 74 04 (7bit Hex)

Sampling Frequency is 32 kHz :

2764798933 sample = 172799933 block = 52 32 6F 3D (7bit Hex)

(*2) The Loop Start point must be before the Loop Stop point. The Auto Punch In point

must be before the Auto Punch Out point. If the interval of each point is shorter than 1 sec,

the VS-1680 does not work correctly.

(*3) Read/Write/Erase of the Mark points are done by writing operation mode to the

Marker command. Set the value of the Marker Time and Marker Number, before setting

the value of the Marker command.

Example 1) Delete all mark points ( DeviceID = 10 )

(HOST) => F0 41 10 00 0E 12 03 01 00 7F 7F 7F 7F 7A F7 => (VS-1680)

(HOST) => F0 41 10 00 0E 12 03 01 04 02 74 F7 => (VS-1680)

(HOST) <= F0 41 10 00 0E 12 03 01 00 00 00 00 00 ss F7 <= (VS-1680)

The return value “00000000” is a sum of mark points.

Example 2) Write the mark point ( DeviceID = 10 )

(HOST) => F0 41 10 00 0E 12 03 01 00 aa aa aa aa ss F7 => (VS-1680)

aaaaaaaa = time of Marker

(HOST) => F0 41 10 00 0E 12 03 01 04 01 75 F7 => (VS-1680)

(HOST) <= F0 41 10 00 0E 12 03 01 00 nn nn nn nn ss F7 <= (VS-1680)

nnnn = total marker number, ss = check sum

If the total of mark point is over 1000, the VS-1680 ignores the writing and returns the

total numbers of the mark points. If the mark point already exists 0.1 msec near the

new mark point, the VS-1680 ignores the writing and returns the total numbers of the

mark points.

Example 3) Read the mark point #3 ( DeviceID = 10 )

(HOST) => F0 41 10 00 0E 12 03 01 00 00 00 00 03 75 F7 => (VS-1680)

(HOST) => F0 41 10 00 0E 12 03 01 04 00 76 F7 => (VS-1680)

(HOST) <= F0 41 10 00 0E 12 03 01 00 nn nn nn nn ss F7 <= (VS-1680)

nnnnnnnn = total marker number, ss = check sum

MIDI Implementation

42

(HOST) <= F0 41 10 00 0E 12 03 01 00 aa aa aa aa ss F7 <= (VS-1680)

aaaaaaaa = time of Marker #3

If the mark point is less than 3, the VS-1680 does not return the block of “aaaaaaaa”.

Example 4) Read all mark points ( DeviceID = 10 )

(HOST) => F0 41 10 00 0E 12 03 01 00 7F 7F 7F 7F 7A F7 => (VS-1680)

7F7F7F7F(>= 1000) means All marker

(HOST) => F0 41 10 00 0E 12 03 01 04 00 76 F7 => (VS-1680)

(HOST) <= F0 41 10 00 0E 12 03 01 00 nn nn nn nn ss F7 <= (VS-1680)

nnnnnnnn = total marker number, ss = check sum

(HOST) <= F0 41 10 00 0E 12 03 01 00 aa aa aa aa ss F7 <= (VS-1680)

aaaaaaaa = time of Marker #1

(HOST) <= F0 41 10 00 0E 12 03 01 00 bb bb bb bb ss F7 <= (VS-1680)

bbbbbbbb = time of Marker #2

:

(HOST) <= F0 41 10 00 0E 12 03 01 00 xx xx xx xx ss F7 <= (VS-1680)

xxxxxxxx = time of the last Marker#

If the mark point does not exist, the VS-1680 does not return blocks under “aaaaaaaa”.

Example 5) Delete the mark point ( DeviceID = 10 )

(HOST) => F0 41 10 00 0E 12 03 01 00 aa aa aa aa ss F7 => (VS-1680)

aaaaaaaa = time of Marker

(HOST) => F0 41 10 00 0E 12 03 01 04 02 74 F7 => (VS-1680)

(HOST) <= F0 41 10 00 0E 12 03 01 00 nn nn nn nn ss F7 <= (VS-1680)

nnnn = total marker number, ss = check sum

The VS-1680 deletes the mark point which includes specified time, and returns the

total numbers of the mark points.

(*4) Write Locate data into a bank memory (Set Locate Bank), and read from a bank memo-

ry (Get Locate Bank), according to the Locate Bank number (0-3) set in Marker Number.

● Effect parameters

✧ Basic Address

MIDI Implementation

43

|——————————+—————————+————————————————————————————————————————————| | 04 03 0E | 20 - 7E | Effector - 4 Parameter Area (See Below) | | : | : | : | | 04 03 7F | 20 - 7E | | +——————————+—————————+————————————————————————————————————————————+

(*1) can not select “0:Reverb”, “17:Gate Reverb”, “27:Voice Transformer” or “28:Vocoder2”

on EFX2 or EFX4.

(*2) If “27:Voice Transformer” or “28:Vocoder2” is selected at EFX1, EFX2 is invalid. If

“27:Voice Transformer” or “28:Vocoder2” is selected at EFX3, EFX4 is invalid.

(*) Two same parameters exist with two system Effects.

(*) A meaning of the parameter area changes correspond with the top of parameter of

Effect Algorithm. See the following tables. The address shows at Effect-1.

(*) If select the different Algorithm type from current one, all parameters will be copied

from the preset patch data which selected Algorithm.

✧ Algorithm 0 Reverb (EFX1 or EFX3)

|——————————+—————————+————————————————————————————————————————————| | 04 00 0E | 0aaaaaaa| EQ SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| +——————————+—————————+————————————————————————————————————————————+ | 04 00 10 | 0aaaaaaa| EQ: Low EQ Type | | 04 00 11#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| EQ: Low EQ Gain | | 04 00 13#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| EQ: Low EQ Frequency | | 04 00 15#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| EQ: Low EQ Q | | 04 00 17#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| EQ: Mid EQ Gain | | 04 00 19#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| EQ: Mid EQ Frequency | | 04 00 1B#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| EQ: Mid EQ Q | | 04 00 1D#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| EQ: High EQ Type | | 04 00 1F#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| EQ: High EQ Gain | | 04 00 21#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 0aaaaaaa| EQ: High EQ Frequency | | 04 00 23#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+————————————————————————————————————————————| | 04 00 24 | 0aaaaaaa| EQ: High EQ Q | | 04 00 25#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 26 | 0aaaaaaa| EQ: Out Level | | 04 00 27#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 28 | 0aaaaaaa| Reverb: Room Size | | 04 00 29#| 0bbbbbbb| 5,,,40m| |——————————+—————————+————————————————————————————————————————————| | 04 00 2A | 0aaaaaaa| Reverb: Reverb Time | | 04 00 2B#| 0bbbbbbb| 1,,,320 = 0.1,,,32.0s| |——————————+—————————+————————————————————————————————————————————| | 04 00 2C | 0aaaaaaa| Reverb: Pre Delay | | 04 00 2D#| 0bbbbbbb| 0,,,200 = 0,,,200ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 2E | 0aaaaaaa| Reverb: Diffusion | | 04 00 2F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 30 | 0aaaaaaa| Reverb: Density | | 04 00 31#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 32 | 0aaaaaaa| Reverb: Early Reflection Level | | 04 00 33#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 34 | 0aaaaaaa| Reverb: LF Damp Frequency | | 04 00 35#| 0bbbbbbb| 5,,,400 = 50,,,4000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 36 | 0aaaaaaa| Reverb: LF Damp Gain | | 04 00 37#| 0bbbbbbb| -36,,,0dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 38 | 0aaaaaaa| Reverb: HF Damp Frequency | | 04 00 39#| 0bbbbbbb| 10,,,200 = 1.0,,,20.0kHz| |——————————+—————————+————————————————————————————————————————————| | 04 00 3A | 0aaaaaaa| Reverb: HF Damp Gain | | 04 00 3B#| 0bbbbbbb| -36,,,0dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 3C | 0aaaaaaa| Reverb: HI Cut Frequency | | 04 00 3D#| 0bbbbbbb| 2,,,200 = 0.2,,,20.0kHz| |——————————+—————————+————————————————————————————————————————————| | 04 00 3E | 0aaaaaaa| Reverb: Effect Level | | 04 00 3F#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 40 | 0aaaaaaa| Reverb: Direct Level | | 04 00 41#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 42 | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

✧ Algorithm 1 Delay

|——————————+—————————+————————————————————————————————————————————| | 04 00 0E | 0aaaaaaa| Delay SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| EQ SW | | 04 00 11#| 0bbbbbbb| 0,1 = Off,On| +——————————+—————————+————————————————————————————————————————————+ | 04 00 12 | 0aaaaaaa| Delay: Delay Time | | 04 00 13#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| Delay: Shift | | 04 00 15#| 0bbbbbbb| -1200,,,1200 = L1200,,,R1200ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| Delay: Lch Feedback Level | | 04 00 17#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| Delay: Rch Feedback Level | | 04 00 19#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| Delay: Lch Level | | 04 00 1B#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| Delay: Rch Level | | 04 00 1D#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| Delay: LF Damp Frequency | | 04 00 1F#| 0bbbbbbb| 5,,,400 = 50,,,4000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| Delay: LF Damp Gain | | 04 00 21#| 0bbbbbbb| -36,,,0dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 0aaaaaaa| Delay: HF Damp Frequency | | 04 00 23#| 0bbbbbbb| 10,,,200 = 1.0,,,20.0kHz| |——————————+—————————+————————————————————————————————————————————| | 04 00 24 | 0aaaaaaa| Delay: HF Damp Gain | | 04 00 25#| 0bbbbbbb| -36,,,0dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 26 | 0aaaaaaa| Delay: Direct Level | | 04 00 27#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 28 | 0aaaaaaa| EQ: Low EQ Type | | 04 00 29#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 2A | 0aaaaaaa| EQ: Low EQ Gain | | 04 00 2B#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 2C | 0aaaaaaa| EQ: Low EQ Frequency | | 04 00 2D#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 2E | 0aaaaaaa| EQ: Low EQ Q | | 04 00 2F#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 30 | 0aaaaaaa| EQ: Mid EQ Gain | | 04 00 31#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 32 | 0aaaaaaa| EQ: Mid EQ Frequency | | 04 00 33#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 34 | 0aaaaaaa| EQ: Mid EQ Q | | 04 00 35#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 36 | 0aaaaaaa| EQ: High EQ Type | | 04 00 37#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 38 | 0aaaaaaa| EQ: High EQ Gain | | 04 00 39#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 3A | 0aaaaaaa| EQ: High EQ Frequency | | 04 00 3B#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+————————————————————————————————————————————| | 04 00 3C | 0aaaaaaa| EQ: High EQ Q | | 04 00 3D#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 3E | 0aaaaaaa| EQ: Out Level | | 04 00 3F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 40 | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

* (Delay Time) + (Absolute Shift) should be 1200 or less.

✧ Algorithm 2 Stereo Delay Chorus

|——————————+—————————+————————————————————————————————————————————| | 04 00 0E | 0aaaaaaa| Delay SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| Chorus SW | | 04 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| EQ SW | | 04 00 13#| 0bbbbbbb| 0,1 = Off,On| +——————————+—————————+————————————————————————————————————————————+ | 04 00 14 | 0aaaaaaa| Delay: Delay Time | | 04 00 15#| 0bbbbbbb| 0,,,500ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| Delay: Shift | | 04 00 17#| 0bbbbbbb| -500,,,500 = L500,,,R500ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| Delay: Lch Feedback Level | | 04 00 19#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| Delay: Rch Feedback Level | | 04 00 1B#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| Delay: Lch Cross Feedback Level | | 04 00 1D#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| Delay: Rch Cross Feedback Level | | 04 00 1F#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————|

MIDI Implementation

44

| 04 00 20 | 0aaaaaaa| Delay: Effect Level | | 04 00 21#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 0aaaaaaa| Delay: Direct Level | | 04 00 23#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 24 | 0aaaaaaa| Chorus: Rate | | 04 00 25#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 26 | 0aaaaaaa| Chorus: Depth | | 04 00 27#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 28 | 0aaaaaaa| Chorus: Pre Delay | | 04 00 29#| 0bbbbbbb| 0,,,50ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 2A | 0aaaaaaa| Chorus: Effect Level | | 04 00 2B#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 2C | 0aaaaaaa| Chorus: Direct Level | | 04 00 2D#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 2E | 0aaaaaaa| Chorus: Lch Feedback Level | | 04 00 2F#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 30 | 0aaaaaaa| Chorus: Rch Feedback Level | | 04 00 31#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 32 | 0aaaaaaa| Chorus: Lch Cross Feedback Level | | 04 00 33#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 34 | 0aaaaaaa| Chorus: Rch Cross Feedback Level | | 04 00 35#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 36 | 0aaaaaaa| EQ: Low EQ Type | | 04 00 37#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 38 | 0aaaaaaa| EQ: Low EQ Gain | | 04 00 39#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 3A | 0aaaaaaa| EQ: Low EQ Frequency | | 04 00 3B#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 3C | 0aaaaaaa| EQ: Low EQ Q | | 04 00 3D#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 3E | 0aaaaaaa| EQ: Mid EQ Gain | | 04 00 3F#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 40 | 0aaaaaaa| EQ: Mid EQ Frequency | | 04 00 41#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 42 | 0aaaaaaa| EQ: Mid EQ Q | | 04 00 43#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 44 | 0aaaaaaa| EQ: High EQ Type | | 04 00 45#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 46 | 0aaaaaaa| EQ: High EQ Gain | | 04 00 47#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 48 | 0aaaaaaa| EQ: High EQ Frequency | | 04 00 49#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+————————————————————————————————————————————| | 04 00 4A | 0aaaaaaa| EQ: High EQ Q | | 04 00 4B#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 4C | 0aaaaaaa| EQ: Out Level | | 04 00 4D#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 4E | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

* (Delay Time) + (Absolute Shift) should be 500 or less.

✧ Algorithm 3 Stereo Pitch Shifter Delay

|——————————+—————————+————————————————————————————————————————————| | 04 00 0E | 0aaaaaaa| P.ShifterDelay SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| EQ SW | | 04 00 11#| 0bbbbbbb| 0,1 = Off,On| +——————————+—————————+————————————————————————————————————————————+ | 04 00 12 | 0aaaaaaa| P.ShifterDelay: Lch Chromatic Pitch | | 04 00 13#| 0bbbbbbb| -12,,,12| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| P.ShifterDelay: Lch Fine Pitch | | 04 00 15#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| P.ShifterDelay: Lch Pre Delay | | 04 00 17#| 0bbbbbbb| 0,,,50ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| P.ShifterDelay: Lch Feedback Delay Time | | 04 00 19#| 0bbbbbbb| 0,,,500ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| P.ShifterDelay: Lch Feedback Level | | 04 00 1B#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| P.ShifterDelay: Lch Cross Feedback Level | | 04 00 1D#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| P.ShifterDelay: Rch Chromatic Pitch | | 04 00 1F#| 0bbbbbbb| 12,,,12| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| P.ShifterDelay: Rch Fine Pitch | | 04 00 21#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 0aaaaaaa| P.ShifterDelay: Rch Pre Delay | | 04 00 23#| 0bbbbbbb| 0,,,50ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 24 | 0aaaaaaa| P.ShifterDelay: Rch Feedback Delay Time | | 04 00 25#| 0bbbbbbb| 0,,,500ms| |——————————+—————————+————————————————————————————————————————————|

| 04 00 26 | 0aaaaaaa| P.ShifterDelay: Rch Feedback Level | | 04 00 27#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 28 | 0aaaaaaa| P.ShifterDelay: Rch Cross Feedback Level | | 04 00 29#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 2A | 0aaaaaaa| P.ShifterDelay: Effect Level | | 04 00 2B#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 2C | 0aaaaaaa| P.ShifterDelay: Direct Level | | 04 00 2D#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 2E | 0aaaaaaa| EQ: Low EQ Type | | 04 00 2F#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 30 | 0aaaaaaa| EQ: Low EQ Gain | | 04 00 31#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 32 | 0aaaaaaa| EQ: Low EQ Frequency | | 04 00 33#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 34 | 0aaaaaaa| EQ: Low EQ Q | | 04 00 35#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 36 | 0aaaaaaa| EQ: Mid EQ Gain | | 04 00 37#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 38 | 0aaaaaaa| EQ: Mid EQ Frequency | | 04 00 39#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 3A | 0aaaaaaa| EQ: Mid EQ Q | | 04 00 3B#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 3C | 0aaaaaaa| EQ: High EQ Type | | 04 00 3D#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 3E | 0aaaaaaa| EQ: High EQ Gain | | 04 00 3F#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 40 | 0aaaaaaa| EQ: High EQ Frequency | | 04 00 41#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+————————————————————————————————————————————| | 04 00 42 | 0aaaaaaa| EQ: High EQ Q | | 04 00 43#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 44 | 0aaaaaaa| EQ: Out Level | | 04 00 45#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 46 | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

✧ Algorithm 4 Vocoder

|——————————+—————————+————————————————————————————————————————————| | 04 00 0E | 0aaaaaaa| Chorus SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| +——————————+—————————+————————————————————————————————————————————+ | 04 00 10 | 0aaaaaaa| Vocoder: Voice Character 1 | | 04 00 11#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| Vocoder: Voice Character 2 | | 04 00 13#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| Vocoder: Voice Character 3 | | 04 00 15#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| Vocoder: Voice Character 4 | | 04 00 17#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| Vocoder: Voice Character 5 | | 04 00 19#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| Vocoder: Voice Character 6 | | 04 00 1B#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| Vocoder: Voice Character 7 | | 04 00 1D#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| Vocoder: Voice Character 8 | | 04 00 1F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| Vocoder: Voice Character 9 | | 04 00 21#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 0aaaaaaa| Vocoder: Voice Character 10 | | 04 00 23#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 24 | 0aaaaaaa| Chorus: Rate | | 04 00 25#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 26 | 0aaaaaaa| Chorus: Depth | | 04 00 27#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 28 | 0aaaaaaa| Chorus: Pre Delay | | 04 00 29#| 0bbbbbbb| 0,,,50ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 2A | 0aaaaaaa| Chorus: Feedback Level | | 04 00 2B#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 2C | 0aaaaaaa| Chorus: Effect Level | | 04 00 2D#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 2E | 0aaaaaaa| Chorus: Direct Level | | 04 00 2F#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 30 | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

MIDI Implementation

45

✧ Algorithm 5 2CH RSS

+——————————+—————————+————————————————————————————————————————————+ | 04 00 0E | 0aaaaaaa| 2CH RSS: Ach Azimuth | | 04 00 0F#| 0bbbbbbb| -30,,,30 = -180,,,180| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| 2CH RSS: Ach Elevation | | 04 00 11#| 0bbbbbbb| -15,,,15 = -90,,,90| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| 2CH RSS: Bch Azimuth | | 04 00 13#| 0bbbbbbb| -30,,,30 = -180,,,180| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| 2CH RSS: Bch Elevation | | 04 00 15#| 0bbbbbbb| -15,,,15 = -90,,,90| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

✧ Algorithm 6 Delay RSS

+——————————+—————————+————————————————————————————————————————————+ | 04 00 0E | 0aaaaaaa| Delay RSS: Delay Time | | 04 00 0F#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| Delay RSS: Shift | | 04 00 11#| 0bbbbbbb| -1200,,,1200 = L1200,,,R1200ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| Delay RSS: Center Delay Time | | 04 00 13#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| Delay RSS: RSS Level | | 04 00 15#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| Delay RSS: Center Level | | 04 00 17#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| Delay RSS: Feedback Level | | 04 00 19#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| Delay RSS: LF Damp Frequency | | 04 00 1B#| 0bbbbbbb| 5,,,400 = 50,,,4000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| Delay RSS: LF Damp Gain | | 04 00 1D#| 0bbbbbbb| -36,,,0dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| Delay RSS: HF Damp Frequency | | 04 00 1F#| 0bbbbbbb| 10,,,200 = 1.0,,,20.0kHz| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| Delay RSS: HF Damp Gain | | 04 00 21#| 0bbbbbbb| -36,,,0dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 0aaaaaaa| Delay RSS: Effect Level | | 04 00 23#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 24 | 0aaaaaaa| Delay RSS: Direct Level | | 04 00 25#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 26 | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

✧ Algorithm 7 Chorus RSS

+——————————+—————————+————————————————————————————————————————————+ | 04 00 0E | 0aaaaaaa| Chorus RSS: Chorus Rate | | 04 00 0F#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| Chorus RSS: Chorus Depth | | 04 00 11#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| Chorus RSS: Effect Level | | 04 00 13#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| Chorus RSS: Direct Level | | 04 00 15#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

✧ Common for Algorithm 8,9,10 Guitar Multi 1, 2, 3

+——————————+—————————+————————————————————————————————————————————+ | 04 00 0E | 0aaaaaaa| Compressor SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| Metal/Distortion/Over Drive SW | | 04 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| Noise Suppressor SW | | 04 00 13#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| Auto Wah SW | | 04 00 15#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| Guitar Amp Simulator SW | | 04 00 17#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| Flanger SW | | 04 00 19#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| Delay SW | | 04 00 1B#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| Compressor: Attack | | 04 00 1D#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| Compressor: Level | | 04 00 1F#| 0bbbbbbb| 0,,,100|

|——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| Compressor: Sustain | | 04 00 21#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 0aaaaaaa| Compressor: Tone | | 04 00 23#| 0bbbbbbb| -50,,,-50| |——————————+—————————+————————————————————————————————————————————| | 04 00 24 | 0aaaaaaa| Noise Suppressor: Threshold | | 04 00 25#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 26 | 0aaaaaaa| Noise Suppressor: Release | | 04 00 27#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 28 | 0aaaaaaa| Auto Wah: Mode | | 04 00 29#| 0bbbbbbb| 0,1 = LPF,BPF| |——————————+—————————+————————————————————————————————————————————| | 04 00 2A | 0aaaaaaa| Auto Wah: Polarity | | 04 00 2B#| 0bbbbbbb| 0,1 = Down,Up| |——————————+—————————+————————————————————————————————————————————| | 04 00 2C | 0aaaaaaa| Auto Wah: Frequency | | 04 00 2D#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 2E | 0aaaaaaa| Auto Wah: Level | | 04 00 2F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 30 | 0aaaaaaa| Auto Wah: Peak | | 04 00 31#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 32 | 0aaaaaaa| Auto Wah: Sens | | 04 00 33#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 34 | 0aaaaaaa| Auto Wah: Rate | | 04 00 35#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 36 | 0aaaaaaa| Auto Wah: Depth | | 04 00 37#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 38 | 0aaaaaaa| Guitar Amp Simulator: Mode | | 04 00 39#| 0bbbbbbb| 0,,,3 = Small,BultIn,2Stack,3Stack| |——————————+—————————+————————————————————————————————————————————| | 04 00 3A | 0aaaaaaa| Flanger: Rate | | 04 00 3B#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 3C | 0aaaaaaa| Flanger: Depth | | 04 00 3D#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 3E | 0aaaaaaa| Flanger: Manual | | 04 00 3F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 40 | 0aaaaaaa| Flanger: Resonance | | 04 00 41#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 42 | 0aaaaaaa| Delay: Delay Time | | 04 00 43#| 0bbbbbbb| 0,,,1000ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 44 | 0aaaaaaa| Delay: Shift | | 04 00 45#| 0bbbbbbb| -1000,,,1000 = L1000,,,R1000ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 46 | 0aaaaaaa| Delay: Feedback Time | | 04 00 47#| 0bbbbbbb| 0,,,1000ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 48 | 0aaaaaaa| Delay: Feedback Level | | 04 00 49#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 4A | 0aaaaaaa| Delay: Effect Level | | 04 00 4B#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 4C | 0aaaaaaa| Delay: Direct Level | | 04 00 4D#| 0bbbbbbb| -100,,,100| +——————————+—————————+————————————————————————————————————————————+

* (Delay Time) + (Absolute Shift) should be 1000 or less.

✧ Individual : Algorithm 8 Guitar Multi 1

+——————————+—————————+————————————————————————————————————————————+ | 04 00 4E | 0aaaaaaa| Metal: Gain | | 04 00 4F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 50 | 0aaaaaaa| Metal: Level | | 04 00 51#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 52 | 0aaaaaaa| Metal: Hi Gain | | 04 00 53#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 54 | 0aaaaaaa| Metal: Mid Gain | | 04 00 55#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 56 | 0aaaaaaa| Metal: Low Gain | | 04 00 57#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 58 | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

✧ Individual : Algorithm 9 Guitar Multi 2

+——————————+—————————+————————————————————————————————————————————+ | 04 00 4E | 0aaaaaaa| Distortion: Gain | | 04 00 4F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 50 | 0aaaaaaa| Distortion: Level | | 04 00 51#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 52 | 0aaaaaaa| Distortion: Tone | | 04 00 53#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 54 | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

MIDI Implementation

46

✧ Individual : Algorithm 10 Guitar Multi 3

+——————————+—————————+————————————————————————————————————————————+ | 04 00 4E | 0aaaaaaa| Over Drive: Gain | | 04 00 4F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 50 | 0aaaaaaa| Over Drive: Level | | 04 00 51#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 52 | 0aaaaaaa| Over Drive: Tone | | 04 00 53#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 54 | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

✧ Algorithm 11 Vocal Multi

+——————————+—————————+————————————————————————————————————————————+ | 04 00 0E | 0aaaaaaa| Noise Suppressor SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| Limitter/De-esser SW | | 04 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| Enhancer SW | | 04 00 13#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| EQ SW | | 04 00 15#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| P.Shifter SW | | 04 00 17#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| Delay SW | | 04 00 19#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| Chorus SW | | 04 00 1B#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| Limiter/De-esser Mode | | 04 00 1D#| 0bbbbbbb| 0,1 = Limiter,De-esser| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| Noise Suppressor: Threshold | | 04 00 1F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| Noise Suppressor: Release | | 04 00 21#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 0aaaaaaa| Limiter: Threshold | | 04 00 23#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 24 | 0aaaaaaa| Limiter: Release | | 04 00 25#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 26 | 0aaaaaaa| Limiter: Level | | 04 00 27#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 28 | 0aaaaaaa| De-esser: Sens | | 04 00 29#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 2A | 0aaaaaaa| De-esser: Frequency | | 04 00 2B#| 0bbbbbbb| 10,,,100 = 1.0,,,10.0kHz| |——————————+—————————+————————————————————————————————————————————| | 04 00 2C | 0aaaaaaa| Enhancer: Sens | | 04 00 2D#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 2E | 0aaaaaaa| Enhancer: Frequency | | 04 00 2F#| 0bbbbbbb| 10,,,100 = 1.0,,,10.0kHz| |——————————+—————————+————————————————————————————————————————————| | 04 00 30 | 0aaaaaaa| Enhancer: MIX Level | | 04 00 31#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 32 | 0aaaaaaa| Enhancer: Level | | 04 00 33#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 34 | 0aaaaaaa| EQ: Low EQ Type | | 04 00 35#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 36 | 0aaaaaaa| EQ: Low EQ Gain | | 04 00 37#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 38 | 0aaaaaaa| EQ: Low EQ Frequency | | 04 00 39#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 3A | 0aaaaaaa| EQ: Low EQ Q | | 04 00 3B#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 3C | 0aaaaaaa| EQ: Mid EQ Gain | | 04 00 3D#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 3E | 0aaaaaaa| EQ: Mid EQ Frequency | | 04 00 3F#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 40 | 0aaaaaaa| EQ: Mid EQ Q | | 04 00 41#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 42 | 0aaaaaaa| EQ: High EQ Type | | 04 00 43#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 44 | 0aaaaaaa| EQ: High EQ Gain | | 04 00 45#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 46 | 0aaaaaaa| EQ: High EQ Frequency | | 04 00 47#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+————————————————————————————————————————————| | 04 00 48 | 0aaaaaaa| EQ: High EQ Q | | 04 00 49#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 4A | 0aaaaaaa| EQ: Out Level | | 04 00 4B#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 4C | 0aaaaaaa| P.Shifter: Chromatic Pitch | | 04 00 4D#| 0bbbbbbb| -12,,,12| |——————————+—————————+————————————————————————————————————————————|

| 04 00 4E | 0aaaaaaa| P.Shifter: Fine Pitch | | 04 00 4F#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 50 | 0aaaaaaa| P.Shifter: Effect Level | | 04 00 51#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 52 | 0aaaaaaa| P.Shifter: Direct Level | | 04 00 53#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 54 | 0aaaaaaa| Delay: Delay Time | | 04 00 55#| 0bbbbbbb| 0,,,1000| |——————————+—————————+————————————————————————————————————————————| | 04 00 56 | 0aaaaaaa| Delay: Feedback Level | | 04 00 57#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 58 | 0aaaaaaa| Delay: Effect Level | | 04 00 59#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 5A | 0aaaaaaa| Delay: Direct Level | | 04 00 5B#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 5C | 0aaaaaaa| Chorus: Rate | | 04 00 5D#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 5E | 0aaaaaaa| Chorus: Depth | | 04 00 5F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 60 | 0aaaaaaa| Chorus: Pre Delay | | 04 00 61#| 0bbbbbbb| 0,,,50ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 62 | 0aaaaaaa| Chorus: Effect Level | | 04 00 63#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 64 | 0aaaaaaa| Chorus: Direct Level | | 04 00 65#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 66 | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

✧ Algorithm 12 Rotary

+——————————+—————————+————————————————————————————————————————————+ | 04 00 0E | 0aaaaaaa| Noise Suppressor SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| Over Drive SW | | 04 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| Noise Suppressor: Threshold | | 04 00 13#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| Noise Suppressor: Release | | 04 00 15#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| Over Drive: Gain | | 04 00 17#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| Over Drive: Level | | 04 00 19#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| Rotary: Low Rate | | 04 00 1B#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| Rotary: Hi Rate | | 04 00 1D#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

✧ Algorithm 13 Guitar AMP Simulator

|——————————+—————————+————————————————————————————————————————————| | 04 00 0E | 0aaaaaaa| Noise Suppressor SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| Pre Amp SW | | 04 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| Speaker SW | | 04 00 13#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| Noise Suppressor: Threshold | | 04 00 15#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| Noise Suppressor: Release | | 04 00 17#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| Pre Amp: Mode | | 04 00 19#| 0bbbbbbb| 0,,,13 = JC-120,Clean Twin,Match | | | | Drive,BG Lead,MS1959(I), | | | | MS1959(II), MS1959(I+II), | | | | SLDN Lead, Metal 5150, | | | | Metal Lead,OD-1, OD-2Turbo, | | | | Distortion, Fuzz | |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| Pre Amp: Volume | | 04 00 1B#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| Pre Amp: Bass | | 04 00 1D#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| Pre Amp: Middle | | 04 00 1F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| Pre Amp: Treble | | 04 00 21#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 0aaaaaaa| Pre Amp: Presence | | 04 00 23#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————|

MIDI Implementation

47

| 04 00 24 | 0aaaaaaa| Pre Amp: Master | | 04 00 25#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 26 | 0aaaaaaa| Pre Amp: Bright | | 04 00 27#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 28 | 0aaaaaaa| Pre Amp: Gain | | 04 00 29#| 0bbbbbbb| 0,1,2 = Low,Middle,High| |——————————+—————————+————————————————————————————————————————————| | 04 00 2A | 0aaaaaaa| Speaker: Type | | 04 00 2B#| 0bbbbbbb| 0,,,11 = Small. Middle, JC-120, | | | | Built In 1,Built In 2, | | | | Built In 3, Built In 4, | | | | BG Stack 1, BG Stack 2, | | | | MS Stack 1, MS Stack 2, | | | | Metal Stack | |——————————+—————————+————————————————————————————————————————————| | 04 00 2C | 0aaaaaaa| Speaker: MIC Setting | | 04 00 2D#| 0bbbbbbb| 0,1,2 = 1,2,3| |——————————+—————————+————————————————————————————————————————————| | 04 00 2E | 0aaaaaaa| Speaker: MIC Level | | 04 00 2F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 30 | 0aaaaaaa| Speaker: Direct Level | | 04 00 31#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 32 | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

(*) The “Pre Amp Middle” is invalid when “Mode” is “Match Drive”.

(*) The “Pre Amp Presence” works counter to the Value(-100,,,0) when “Mode” is “Match

Drive”.

(*) The “Pre Amp Bright” is valid when “Mode” is “JC-120”, “Clean Twin” or “BG Lead”.

✧ Algorithm 14 Stereo Phaser

|——————————+—————————+————————————————————————————————————————————| | 04 00 0E | 0aaaaaaa| Phaser SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| EQ SW | | 04 00 11#| 0bbbbbbb| 0,1 = Off,On| +——————————+—————————+————————————————————————————————————————————+ | 04 00 12 | 0aaaaaaa| Phaser: Mode | | 04 00 13#| 0bbbbbbb| 0,,,3 = 4.8.12.16stage| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| Phaser: Rate | | 04 00 15#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| Phaser: Depth | | 04 00 17#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| Phaser: Polarity | | 04 00 19#| 0bbbbbbb| 0,1 = Inverse,Synchro| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| Phaser: Manual | | 04 00 1B#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| Phaser: Resonance | | 04 00 1D#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| Phaser: Cross Feedback | | 04 00 1F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| Phaser: Effect Level | | 04 00 21#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 0aaaaaaa| Phaser: Direct Level | | 04 00 23#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 24 | 0aaaaaaa| EQ: Low EQ Type | | 04 00 25#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 26 | 0aaaaaaa| EQ: Low EQ Gain | | 04 00 27#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 28 | 0aaaaaaa| EQ: Low EQ Frequency | | 04 00 29#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 2A | 0aaaaaaa| EQ: Low EQ Q | | 04 00 2B#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 2C | 0aaaaaaa| EQ: Mid EQ Gain | | 04 00 2D#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 2E | 0aaaaaaa| EQ: Mid EQ Frequency | | 04 00 2F#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 30 | 0aaaaaaa| EQ: Mid EQ Q | | 04 00 31#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 32 | 0aaaaaaa| EQ: High EQ Type | | 04 00 33#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 34 | 0aaaaaaa| EQ: High EQ Gain | | 04 00 35#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 36 | 0aaaaaaa| EQ: High EQ Frequency | | 04 00 37#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+————————————————————————————————————————————| | 04 00 38 | 0aaaaaaa| EQ: High EQ Q | | 04 00 39#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 3A | 0aaaaaaa| EQ: Out Level | | 04 00 3B#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 3C | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

✧ Algorithm 15 Stereo Flanger

|——————————+—————————+————————————————————————————————————————————| | 04 00 0E | 0aaaaaaa| Flanger SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| EQ SW | | 04 00 11#| 0bbbbbbb| 0,1 = Off,On| +——————————+—————————+————————————————————————————————————————————+ | 04 00 12 | 0aaaaaaa| Flanger: Rate | | 04 00 13#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| Flanger: Depth | | 04 00 15#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| Flanger: Polarity | | 04 00 17#| 0bbbbbbb| 0,1 = Inverse,Synchro| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| Flanger: Manual | | 04 00 19#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| Flanger: Resonance | | 04 00 1B#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| Flanger: Cross Feedback Level | | 04 00 1D#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| Flanger: Effect Level | | 04 00 1F#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| Flanger: Direct Level | | 04 00 21#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 0aaaaaaa| EQ: Low EQ Type | | 04 00 23#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 24 | 0aaaaaaa| EQ: Low EQ Gain | | 04 00 25#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 26 | 0aaaaaaa| EQ: Low EQ Frequency | | 04 00 27#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 28 | 0aaaaaaa| EQ: Low EQ Q | | 04 00 29#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 2A | 0aaaaaaa| EQ: Mid EQ Gain | | 04 00 2B#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 2C | 0aaaaaaa| EQ: Mid EQ Frequency | | 04 00 2D#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 2E | 0aaaaaaa| EQ: Mid EQ Q | | 04 00 2F#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 30 | 0aaaaaaa| EQ: High EQ Type | | 04 00 31#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 32 | 0aaaaaaa| EQ: High EQ Gain | | 04 00 33#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 34 | 0aaaaaaa| EQ: High EQ Frequency | | 04 00 35#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+————————————————————————————————————————————| | 04 00 36 | 0aaaaaaa| EQ: High EQ Q | | 04 00 37#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 38 | 0aaaaaaa| EQ: Out Level | | 04 00 39#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 3A | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

✧ Algorithm 16 Dual Compressor/Limiter

+——————————+—————————+————————————————————————————————————————————+ | 04 00 0E | 0aaaaaaa| Comp/Limit A SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| Noise Suppressor A SW | | 04 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| Comp/Limit B SW | | 04 00 13#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| Noise Suppressor B SW | | 04 00 15#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| Comp/Limit A: Detect | | 04 00 17#| 0bbbbbbb| 0,1,2 = A,B,Link| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| Comp/Limit A: Level | | 04 00 19#| 0bbbbbbb| -60,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| Comp/Limit A: Thresh | | 04 00 1B#| 0bbbbbbb| -60,,,0dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| Comp/Limit A: Attack | | 04 00 1D#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| Comp/Limit A: Release | | 04 00 1F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| Comp/Limit A: Ratio | | 04 00 21#| 0bbbbbbb| 0,,,3 = 1.5:1,2:1,4:1,100:1| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 0aaaaaaa| Noise Suppressor A: Detect | | 04 00 23#| 0bbbbbbb| 0,1,2 = A,B,Link| |——————————+—————————+————————————————————————————————————————————| | 04 00 24 | 0aaaaaaa| Noise Suppressor A: Threshold | | 04 00 25#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 26 | 0aaaaaaa| Noise Suppressor A: Release | | 04 00 27#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————|

MIDI Implementation

48

| 04 00 28 | 0aaaaaaa| Comp/Limit B: Detect | | 04 00 29#| 0bbbbbbb| 0,1,2 = A,B,Link| |——————————+—————————+————————————————————————————————————————————| | 04 00 2A | 0aaaaaaa| Comp/Limit B: Level | | 04 00 2B#| 0bbbbbbb| -60,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 2C | 0aaaaaaa| Comp/Limit B: Thresh | | 04 00 2D#| 0bbbbbbb| -60,,,0dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 2E | 0aaaaaaa| Comp/Limit B: Attack | | 04 00 2F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 30 | 0aaaaaaa| Comp/Limit B: Release | | 04 00 31#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 32 | 0aaaaaaa| Comp/Limit B: Ratio | | 04 00 33#| 0bbbbbbb| 0,,,3 = 1.5:1,2:1,4:1,100:1| |——————————+—————————+————————————————————————————————————————————| | 04 00 34 | 0aaaaaaa| Noise Suppressor B: Detect | | 04 00 35#| 0bbbbbbb| 0,1,2 = A,B,Link| |——————————+—————————+————————————————————————————————————————————| | 04 00 36 | 0aaaaaaa| Noise Suppressor B: Threshold | | 04 00 37#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 38 | 0aaaaaaa| Noise Suppressor B: Release | | 04 00 39#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 3A | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

✧ Algorithm 17 Gate Reverb (EFX1 or EFX3)

+——————————+—————————+————————————————————————————————————————————+ | 04 00 0E | 0aaaaaaa| G.Reverb SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| +——————————+—————————+————————————————————————————————————————————+ | 04 00 10 | 0aaaaaaa| EQ SW | | 04 00 11#| 0bbbbbbb| 0,1 = Off,On| +——————————+—————————+————————————————————————————————————————————+ | 04 00 12 | 0aaaaaaa| G.Reverb: Gate Time | | 04 00 13#| 0bbbbbbb| 10,,,400ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| G.Reverb: Pre Delay | | 04 00 15#| 0bbbbbbb| 0,,,300ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| G.Reverb: Effect Level | | 04 00 17#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| G.Reverb: Mode | | 04 00 19#| 0bbbbbbb| 0,,,4 = Normal,L->R,R->L,Reverse1,Reverse2| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| G.Reverb: Thickness | | 04 00 1B#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| G.Reverb: Density | | 04 00 1D#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| G.Reverb: Accent Delay | | 04 00 1F#| 0bbbbbbb| 0,,,200ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| G.Reverb: Accent Level | | 04 00 21#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 0aaaaaaa| G.Reverb: Accent Pan | | 04 00 23#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+————————————————————————————————————————————| | 04 00 24 | 0aaaaaaa| G.Reverb: Direct Level | | 04 00 25#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 26 | 0aaaaaaa| EQ: Low EQ Type | | 04 00 27#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 28 | 0aaaaaaa| EQ: Low EQ Gain | | 04 00 29#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 2A | 0aaaaaaa| EQ: Low EQ Frequency | | 04 00 2B#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 2C | 0aaaaaaa| EQ: Low EQ Q | | 04 00 2D#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 2E | 0aaaaaaa| EQ: Mid EQ Gain | | 04 00 2F#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 30 | 0aaaaaaa| EQ: Mid EQ Frequency | | 04 00 31#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 32 | 0aaaaaaa| EQ: Mid EQ Q | | 04 00 33#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 34 | 0aaaaaaa| EQ: High EQ Type | | 04 00 35#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 36 | 0aaaaaaa| EQ: High EQ Gain | | 04 00 37#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 38 | 0aaaaaaa| EQ: High EQ Frequency | | 04 00 39#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+————————————————————————————————————————————| | 04 00 3A | 0aaaaaaa| EQ: High EQ Q | | 04 00 3B#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 3C | 0aaaaaaa| EQ: Out Level | | 04 00 3D#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 3E | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

✧ Algorithm 18 Multi Tap Delay

+——————————+—————————+————————————————————————————————————————————+ | 04 00 0E | 0aaaaaaa| EQ SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| +——————————+—————————+————————————————————————————————————————————+ | 04 00 10 | 0aaaaaaa| M.Tap Delay: Time 1 | | 04 00 11#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| M.Tap Delay: Level 1 | | 04 00 13#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| M.Tap Delay: Pan 1 | | 04 00 15#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| M.Tap Delay: Time 2 | | 04 00 17#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| M.Tap Delay: Level 2 | | 04 00 19#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| M.Tap Delay: Pan 2 | | 04 00 1B#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| M.Tap Delay: Time 3 | | 04 00 1D#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| M.Tap Delay: Level 3 | | 04 00 1F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| M.Tap Delay: Pan 3 | | 04 00 21#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 0aaaaaaa| M.Tap Delay: Time 4 | | 04 00 23#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 24 | 0aaaaaaa| M.Tap Delay: Level 4 | | 04 00 25#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 26 | 0aaaaaaa| M.Tap Delay: Pan 4 | | 04 00 27#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+————————————————————————————————————————————| | 04 00 28 | 0aaaaaaa| M.Tap Delay: Time 5 | | 04 00 29#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 2A | 0aaaaaaa| M.Tap Delay: Level 5 | | 04 00 2B#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 2C | 0aaaaaaa| M.Tap Delay: Pan 5 | | 04 00 2D#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+————————————————————————————————————————————| | 04 00 2E | 0aaaaaaa| M.Tap Delay: Time 6 | | 04 00 2F#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 30 | 0aaaaaaa| M.Tap Delay: Level 6 | | 04 00 31#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 32 | 0aaaaaaa| M.Tap Delay: Pan 6 | | 04 00 33#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+————————————————————————————————————————————| | 04 00 34 | 0aaaaaaa| M.Tap Delay: Time 7 | | 04 00 35#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 36 | 0aaaaaaa| M.Tap Delay: Level 7 | | 04 00 37#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 38 | 0aaaaaaa| M.Tap Delay: Pan 7 | | 04 00 39#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+————————————————————————————————————————————| | 04 00 3A | 0aaaaaaa| M.Tap Delay: Time 8 | | 04 00 3B#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 3C | 0aaaaaaa| M.Tap Delay: Level 8 | | 04 00 3D#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 3E | 0aaaaaaa| M.Tap Delay: Pan 8 | | 04 00 3F#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+————————————————————————————————————————————| | 04 00 40 | 0aaaaaaa| M.Tap Delay: Time 9 | | 04 00 41#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 42 | 0aaaaaaa| M.Tap Delay: Level 9 | | 04 00 43#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 44 | 0aaaaaaa| M.Tap Delay: Pan 9 | | 04 00 45#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+————————————————————————————————————————————| | 04 00 46 | 0aaaaaaa| M.Tap Delay: Time 10 | | 04 00 47#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 48 | 0aaaaaaa| M.Tap Delay: Level 10 | | 04 00 49#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 4A | 0aaaaaaa| M.Tap Delay: Pan 10 | | 04 00 4B#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+————————————————————————————————————————————| | 04 00 4C | 0aaaaaaa| M.Tap Delay: Feedback Delay Time | | 04 00 4D#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 4E | 0aaaaaaa| M.Tap Delay: Feedback Level | | 04 00 4F#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 50 | 0aaaaaaa| M.Tap Delay: Effect Level | | 04 00 51#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 52 | 0aaaaaaa| M.Tap Delay: Direct Level | | 04 00 53#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 54 | 0aaaaaaa| EQ: Low EQ Type | | 04 00 55#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 56 | 0aaaaaaa| EQ: Low EQ Gain | | 04 00 57#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 58 | 0aaaaaaa| EQ: Low EQ Frequency | | 04 00 59#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+————————————————————————————————————————————|

MIDI Implementation

49

| 04 00 5A | 0aaaaaaa| EQ: Low EQ Q | | 04 00 5B#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 5C | 0aaaaaaa| EQ: Mid EQ Gain | | 04 00 5D#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 5E | 0aaaaaaa| EQ: Mid EQ Frequency | | 04 00 5F#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 60 | 0aaaaaaa| EQ: Mid EQ Q | | 04 00 61#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 62 | 0aaaaaaa| EQ: High EQ Type | | 04 00 63#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 64 | 0aaaaaaa| EQ: High EQ Gain | | 04 00 65#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 66 | 0aaaaaaa| EQ: High EQ Frequency | | 04 00 67#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+————————————————————————————————————————————| | 04 00 68 | 0aaaaaaa| EQ: High EQ Q | | 04 00 69#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 6A | 0aaaaaaa| EQ: Out Level | | 04 00 6B#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 6C | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

✧ Algorithm 19 Stereo Multi

+——————————+—————————+————————————————————————————————————————————+ | 04 00 0E | 0aaaaaaa| Noise Suppressor SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| Comp/Limit SW | | 04 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| Enhancer SW | | 04 00 13#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| EQ SW | | 04 00 15#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| Noise Suppressor: Threshold | | 04 00 17#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| Noise Suppressor: Release | | 04 00 19#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| Comp/Limit: Level | | 04 00 1B#| 0bbbbbbb| -60,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| Comp/Limit: Thresh | | 04 00 1D#| 0bbbbbbb| -60,,,0dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| Comp/Limit: Attack | | 04 00 1F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| Comp/Limit: Release | | 04 00 21#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 0aaaaaaa| Comp/Limit: Ratio | | 04 00 23#| 0bbbbbbb| 0,,,3 = 1.5:1,2:1,4:1,100:1| |——————————+—————————+————————————————————————————————————————————| | 04 00 24 | 0aaaaaaa| Enhancer: Sens | | 04 00 25#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 26 | 0aaaaaaa| Enhancer: Frequency | | 04 00 27#| 0bbbbbbb| 10,,,100 = 1.0,,,10.0kHz| |——————————+—————————+————————————————————————————————————————————| | 04 00 28 | 0aaaaaaa| Enhancer: MIX Level | | 04 00 29#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 2A | 0aaaaaaa| Enhancer: Level | | 04 00 2B#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 2C | 0aaaaaaa| EQ: Low EQ Type | | 04 00 2D#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 2E | 0aaaaaaa| EQ: Low EQ Gain | | 04 00 2F#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 30 | 0aaaaaaa| EQ: Low EQ Frequency | | 04 00 31#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 32 | 0aaaaaaa| EQ: Low EQ Q | | 04 00 33#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 34 | 0aaaaaaa| EQ: Mid EQ Gain | | 04 00 35#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 36 | 0aaaaaaa| EQ: Mid EQ Frequency | | 04 00 37#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 38 | 0aaaaaaa| EQ: Mid EQ Q | | 04 00 39#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 3A | 0aaaaaaa| EQ: High EQ Type | | 04 00 3B#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 3C | 0aaaaaaa| EQ: High EQ Gain | | 04 00 3D#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 3E | 0aaaaaaa| EQ: High EQ Frequency | | 04 00 3F#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+————————————————————————————————————————————| | 04 00 40 | 0aaaaaaa| EQ: High EQ Q | | 04 00 41#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 42 | 0aaaaaaa| EQ: Out Level | | 04 00 43#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————|

| 04 00 44 | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

✧ Algorithm 20 Reverb 2

+——————————+—————————+————————————————————————————————————————————+ | 04 00 0E | 0aaaaaaa| Reverb SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| EQ SW | | 04 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| Reverb 2: Reverb Type | | 04 00 13#| 0bbbbbbb| 0,,,4 = Room1,Room2,Hall1,Hall2,Plate| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| Reverb 2: Reverb Time | | 04 00 15#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0sec| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| Reverb 2: Pre Delay | | 04 00 17#| 0bbbbbbb| 0,,,200msec| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| Reverb 2: Density | | 04 00 19#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| Reverb 2: High Pass Filter | | 04 00 1B#| 0bbbbbbb| 1,,,200 = Thru,20,,,2000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| Reverb 2: Low Pass Filter | | 04 00 1D#| 0bbbbbbb| 10,,,201 = 1.0,,,20,0kHz,Thru| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| Reverb 2: Effect Level | | 04 00 1F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| Reverb 2: Direct Level | | 04 00 21#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 0aaaaaaa| Reverb 2: Gate SW | | 04 00 23#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 24 | 0aaaaaaa| Reverb 2: Gate Mode | | 04 00 25#| 0bbbbbbb| 0,1 = Gate,Ducking| |——————————+—————————+————————————————————————————————————————————| | 04 00 26 | 0aaaaaaa| Reverb 2: Gate Threshold | | 04 00 27#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 28 | 0aaaaaaa| Reverb 2: Gate Attack Time | | 04 00 29#| 0bbbbbbb| 1,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 2A | 0aaaaaaa| Reverb 2: Gate Release Time | | 04 00 2B#| 0bbbbbbb| 1,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 2C | 0aaaaaaa| Reverb 2: Gate Hold Time | | 04 00 2D#| 0bbbbbbb| 1,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 2E | 0aaaaaaa| EQ: Low EQ Type | | 04 00 2F#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 30 | 0aaaaaaa| EQ: Low EQ Gain | | 04 00 31#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 32 | 0aaaaaaa| EQ: Low EQ Frequency | | 04 00 33#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 34 | 0aaaaaaa| EQ: Low EQ Q | | 04 00 35#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 36 | 0aaaaaaa| EQ: Mid EQ Gain | | 04 00 37#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 38 | 0aaaaaaa| EQ: Mid EQ Frequency | | 04 00 39#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 3A | 0aaaaaaa| EQ: Mid EQ Q | | 04 00 3B#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 3C | 0aaaaaaa| EQ: High EQ Type | | 04 00 3D#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 3E | 0aaaaaaa| EQ: High EQ Gain | | 04 00 3F#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 40 | 0aaaaaaa| EQ: High EQ Frequency | | 04 00 41#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+————————————————————————————————————————————| | 04 00 42 | 0aaaaaaa| EQ: High EQ Q | | 04 00 43#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 44 | 0aaaaaaa| EQ: Out Level | | 04 00 45#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 46 | 00 | (Reserved) | | : | : | : | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

✧ Algorithm 21 Space Chorus

+——————————+—————————+————————————————————————————————————————————+ | 04 00 0E | 0aaaaaaa| Chorus SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| Chorus: Input Mode | | 04 00 11#| 0bbbbbbb| 0,1 = Mono,Stereo| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| Chorus: Mode | | 04 00 13#| 0bbbbbbb| 0,,,6 = 1,2,3,4,1+4,2+4,3+4| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| Chorus: Mix Balance | | 04 00 15#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 00 | (Reserved) | | : | : | : | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

MIDI Implementation

50

✧ Algorithm 22 Lo-Fi Processor

+——————————+—————————+————————————————————————————————————————————+ | 04 00 0E | 0aaaaaaa| Lo-Fi Processor SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| Realtime Modify Filter SW | | 04 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| Lo-Fi Processor: Pre Filter SW | | 04 00 13#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| Lo-Fi Processor: Rate | | 04 00 15#| 0bbbbbbb| 0,,,31 = 0ff,1/2,,,1/32| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| Lo-Fi Processor: Number of Bit | | 04 00 17#| 0bbbbbbb| 0,,,15 = Off,15,,,1bit| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| Lo-Fi Processor: Post Filter SW | | 04 00 19#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| Lo-Fi Processor: Effect Level | | 04 00 1B#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| Lo-Fi Processor: Direct Level | | 04 00 1D#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| Realtime Modify Filter: Filter Type | | 04 00 1F#| 0bbbbbbb| 0,,,2 = LPF,BPF,HPF| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| Realtime Modify Filter: Cut Off | | 04 00 21#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 0aaaaaaa| Realtime Modify Filter: Resonance | | 04 00 23#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 24 | 0aaaaaaa| Realtime Modify Filter: Gain | | 04 00 25#| 0bbbbbbb| 0,,,24dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 26 | 0aaaaaaa| Noise Suppressor: Threshold | | 04 00 27#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 28 | 0aaaaaaa| Noise Suppressor: Release | | 04 00 29#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 2A | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

✧ Algorithm 23 4 Band Parametric EQ

+——————————+—————————+————————————————————————————————————————————+ | 04 00 0E | 0aaaaaaa| Parametric EQ Link SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| Parametric EQ Ach SW | | 04 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| Parametric EQ Bch SW | | 04 00 13#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| EQ Ach: Input Gain | | 04 00 15#| 0bbbbbbb| -60,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| EQ Ach: Low EQ Type | | 04 00 17#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| EQ Ach: Low EQ Gain | | 04 00 19#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| EQ Ach: Low EQ Frequency | | 04 00 1B#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| EQ Ach: Low EQ Q | | 04 00 1D#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| EQ Ach: Low Mid EQ Gain | | 04 00 1F#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| EQ Ach: Low Mid EQ Frequency | | 04 00 21#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 0aaaaaaa| EQ Ach: Low Mid EQ Q | | 04 00 23#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 24 | 0aaaaaaa| EQ Ach: High Mid EQ Gain | | 04 00 25#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 26 | 0aaaaaaa| EQ Ach: High Mid EQ Frequency | | 04 00 27#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 28 | 0aaaaaaa| EQ Ach: High Mid EQ Q | | 04 00 29#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 2A | 0aaaaaaa| EQ Ach: High EQ Type | | 04 00 2B#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 2C | 0aaaaaaa| EQ Ach: High EQ Gain | | 04 00 2D#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 2E | 0aaaaaaa| EQ Ach: High EQ Frequency | | 04 00 2F#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+————————————————————————————————————————————| | 04 00 30 | 0aaaaaaa| EQ Ach: High EQ Q | | 04 00 31#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 32 | 0aaaaaaa| EQ Ach: Output Level | | 04 00 33#| 0bbbbbbb| -60,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 34 | 0aaaaaaa| EQ Bch: Input Gain | | 04 00 35#| 0bbbbbbb| -60,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 36 | 0aaaaaaa| EQ Bch: Low EQ Type | | 04 00 37#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————|

| 04 00 38 | 0aaaaaaa| EQ Bch: Low EQ Gain | | 04 00 39#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 3A | 0aaaaaaa| EQ Bch: Low EQ Frequency | | 04 00 3B#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 3C | 0aaaaaaa| EQ Bch: Low EQ Q | | 04 00 3D#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 3E | 0aaaaaaa| EQ Bch: Low Mid EQ Gain | | 04 00 3F#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 40 | 0aaaaaaa| EQ Bch: Low Mid EQ Frequency | | 04 00 41#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 42 | 0aaaaaaa| EQ Bch: Low Mid EQ Q | | 04 00 43#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 44 | 0aaaaaaa| EQ Bch: High Mid EQ Gain | | 04 00 45#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 46 | 0aaaaaaa| EQ Bch: High Mid EQ Frequency | | 04 00 47#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 48 | 0aaaaaaa| EQ Bch: High Mid EQ Q | | 04 00 49#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 4A | 0aaaaaaa| EQ Bch: High EQ Type | | 04 00 4B#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 4C | 0aaaaaaa| EQ Bch: High EQ Gain | | 04 00 4D#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 4E | 0aaaaaaa| EQ Bch: High EQ Frequency | | 04 00 4F#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+————————————————————————————————————————————| | 04 00 50 | 0aaaaaaa| EQ Bch: High EQ Q | | 04 00 51#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 52 | 0aaaaaaa| EQ Bch: Output Level | | 04 00 53#| 0bbbbbbb| -60,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 54 | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

* When Link SW = On, Bch corresponds to Ach.

✧ Algorithm 24 10 Band Graphic EQ

+——————————+—————————+————————————————————————————————————————————+ | 04 00 0E | 0aaaaaaa| Graphic EQ Link SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| Graphic EQ Ach SW | | 04 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| Graphic EQ Bch SW | | 04 00 13#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| EQ Ach: Input Level | | 04 00 15#| 0bbbbbbb| -60,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| EQ Ach: 31.25Hz Gain | | 04 00 17#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| EQ Ach: 62.5Hz Gain | | 04 00 19#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| EQ Ach: 125Hz Gain | | 04 00 1B#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| EQ Ach: 250Hz Gain | | 04 00 1D#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| EQ Ach: 500Hz Gain | | 04 00 1F#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| EQ Ach: 1.0kHz Gain | | 04 00 21#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 0aaaaaaa| EQ Ach: 2.0kHz Gain | | 04 00 23#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 24 | 0aaaaaaa| EQ Ach: 4.0kHz Gain | | 04 00 25#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 26 | 0aaaaaaa| EQ Ach: 8.0kHz Gain | | 04 00 27#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 28 | 0aaaaaaa| EQ Ach: 16.0kHz Gain | | 04 00 29#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 2A | 0aaaaaaa| EQ Ach: Output Level | | 04 00 2B#| 0bbbbbbb| -60,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 2C | 0aaaaaaa| EQ Bch: Input Level | | 04 00 2D#| 0bbbbbbb| -60,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 2E | 0aaaaaaa| EQ Bch: 31.25Hz Gain | | 04 00 2F#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 30 | 0aaaaaaa| EQ Bch: 62.5Hz Gain | | 04 00 31#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 32 | 0aaaaaaa| EQ Bch: 125Hz Gain | | 04 00 33#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 34 | 0aaaaaaa| EQ Bch: 250Hz Gain | | 04 00 35#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 36 | 0aaaaaaa| EQ Bch: 500Hz Gain | | 04 00 37#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————|

MIDI Implementation

51

| 04 00 38 | 0aaaaaaa| EQ Bch: 1.0kHz Gain | | 04 00 39#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 3A | 0aaaaaaa| EQ Bch: 2.0kHz Gain | | 04 00 3B#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 3C | 0aaaaaaa| EQ Bch: 4.0kHz Gain | | 04 00 3D#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 3E | 0aaaaaaa| EQ Bch: 8.0kHz Gain | | 04 00 3F#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 40 | 0aaaaaaa| EQ Bch: 16.0kHz Gain | | 04 00 41#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 42 | 0aaaaaaa| EQ Bch: Output Level | | 04 00 43#| 0bbbbbbb| -60,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 44 | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

* When Link SW = On, Bch corresponds to Ach.

✧ Algorithm 25 Hum Canceler

+——————————+—————————+————————————————————————————————————————————+ | 04 00 0E | 0aaaaaaa| Hum Canceler SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| Noise Suppressor SW | | 04 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| Hum Canceler: Freq | | 04 00 13#| 0bbbbbbb| 200,,,8000 = 20.0,,,800.0Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| Hum Canceler: Width | | 04 00 15#| 0bbbbbbb| 10,,,40%| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| Hum Canceler: Depth | | 04 00 17#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| Hum Canceler: Threshold | | 04 00 19#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| Hum Canceler: Range Low | | 04 00 1B#| 0bbbbbbb| 1,,,200 = Unlimit,20,,,2000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| Hum Canceler: Range High | | 04 00 1D#| 0bbbbbbb| 10,,,201 = 1.0,,,20,0kHz,Unlimit| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| Noise Suppressor: Threshold | | 04 00 1F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| Noise Suppressor: Release | | 04 00 21#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

✧ Algorithm 26 Vocal Canceler

+——————————+—————————+————————————————————————————————————————————+ | 04 00 0E | 0aaaaaaa| Vocal Canceler SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| EQ SW | | 04 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| Vocal Canseler: Balance | | 04 00 13#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| Vocal Canceler: Range Low | | 04 00 15#| 0bbbbbbb| 1,,,200 = Unlimit,20,,,2000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| Vocal Canseler: Range High | | 04 00 17#| 0bbbbbbb| 10,,,201 = 1.0,,,20,0kHz,Unlimit| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| EQ: Low EQ Type | | 04 00 19#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| EQ: Low EQ Gain | | 04 00 1B#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| EQ: Low EQ Frequency | | 04 00 1D#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| EQ: Low EQ Q | | 04 00 1F#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| EQ: Mid EQ Gain | | 04 00 21#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 0aaaaaaa| EQ: Mid EQ Frequency | | 04 00 23#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 24 | 0aaaaaaa| EQ: Mid EQ Q | | 04 00 25#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+————————————————————————————————————————————| | 04 00 26 | 0aaaaaaa| EQ: High EQ Type | | 04 00 27#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+————————————————————————————————————————————| | 04 00 28 | 0aaaaaaa| EQ: High EQ Gain | | 04 00 29#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 2A | 0aaaaaaa| EQ: High EQ Frequency | | 04 00 2B#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+————————————————————————————————————————————| | 04 00 2C | 0aaaaaaa| EQ: High EQ Q | | 04 00 2D#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0|

|——————————+—————————+————————————————————————————————————————————| | 04 00 2E | 0aaaaaaa| EQ: Out Level | | 04 00 2F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 30 | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

✧ Algorithm 27 Voice Transfomer (EFX1 or EFX3)

+——————————+—————————+————————————————————————————————————————————+ | 04 00 0E | 0aaaaaaa| Voice Transfomer SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| Reverb SW | | 04 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| Fader Edit SW | | 04 00 13#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| MIDI Control SW | | 04 00 15#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| Voice Transfomer: Robot SW | | 04 00 17#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| Voice Transfomer: Chromatic Pitch | | 04 00 19#| 0bbbbbbb| -12,,,36| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| Voice Transfomer: Fine Pitch | | 04 00 1B#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| Voice Transfomer: Chromatic Formant | | 04 00 1D#| 0bbbbbbb| -12,,,12| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| Voice Transfomer: Fine Formant | | 04 00 1F#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| Voice Transfomer: Mix Balance | | 04 00 21#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 0aaaaaaa| Reverb: Reverb Time | | 04 00 23#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0sec| |——————————+—————————+————————————————————————————————————————————| | 04 00 24 | 0aaaaaaa| Reverb: Pre Delay | | 04 00 25#| 0bbbbbbb| 0,,,200msec| |——————————+—————————+————————————————————————————————————————————| | 04 00 26 | 0aaaaaaa| Reverb: Density | | 04 00 27#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 28 | 0aaaaaaa| Reverb: Effect Level | | 04 00 29#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 2A | 0aaaaaaa| MIDI Control: Bend Range | | 04 00 2B#| 0bbbbbbb| 0,,,12 = 0ff,1,,,12| |——————————+—————————+————————————————————————————————————————————| | 04 00 2C | 0aaaaaaa| MIDI Control: Portamento | | 04 00 2D#| 0bbbbbbb| 0...100 = Off,1,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 2E | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

✧ Algorithm 28 Vocoder 2 (EFX1 or EFX3)

+——————————+—————————+————————————————————————————————————————————+ | 04 00 0E | 0aaaaaaa| Chorus SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| Vocoder: Envelope Mode | | 04 00 11#| 0bbbbbbb| 0,,,2 = Sharp,Soft,Long| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| Vocoder: Pan Mode | | 04 00 13#| 0bbbbbbb| 0,,,3 = Mono,Stereo,L->R,R->L| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| Vocoder: Hold | | 04 00 15#| 0bbbbbbb| 0,1 = Off,MIDI| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| Vocoder: Mic Sens | | 04 00 17#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| Vocoder: Synth Input Level | | 04 00 19#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| Vocoder: Voice Char Level 1 | | 04 00 1B#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| Vocoder: Voice Char Level 2 | | 04 00 1D#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| Vocoder: Voice Char Level 3 | | 04 00 1F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| Vocoder: Voice Char Level 4 | | 04 00 21#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 0aaaaaaa| Vocoder: Voice Char Level 5 | | 04 00 23#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 24 | 0aaaaaaa| Vocoder: Voice Char Level 6 | | 04 00 25#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 26 | 0aaaaaaa| Vocoder: Voice Char Level 7 | | 04 00 27#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 28 | 0aaaaaaa| Vocoder: Voice Char Level 8 | | 04 00 29#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 2A | 0aaaaaaa| Vocoder: Voice Char Level 9 | | 04 00 2B#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————|

MIDI Implementation

52

| 04 00 2C | 0aaaaaaa| Vocoder: Voice Char Level 10 | | 04 00 2D#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 2E | 0aaaaaaa| Vocoder: Voice Char Level 11 | | 04 00 2F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 30 | 0aaaaaaa| Vocoder: Voice Char Level 12 | | 04 00 31#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 32 | 0aaaaaaa| Vocoder: Voice Char Level 13 | | 04 00 33#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 34 | 0aaaaaaa| Vocoder: Voice Char Level 14 | | 04 00 35#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 36 | 0aaaaaaa| Vocoder: Voice Char Level 15 | | 04 00 37#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 38 | 0aaaaaaa| Vocoder: Voice Char Level 16 | | 04 00 39#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 3A | 0aaaaaaa| Vocoder: Voice Char Level 17 | | 04 00 3B#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 3C | 0aaaaaaa| Vocoder: Voice Char Level 18 | | 04 00 3D#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 3E | 0aaaaaaa| Vocoder: Voice Char Level 19 | | 04 00 3F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 40 | 0aaaaaaa| Vocoder: Mic High Pass Filter | | 04 00 41#| 0bbbbbbb| 9,,,200 = Thru,1.0,,,20.0kHz| |——————————+—————————+————————————————————————————————————————————| | 04 00 42 | 0aaaaaaa| Vocoder: Mic High Pass Filter Pan | | 04 00 43#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+————————————————————————————————————————————| | 04 00 44 | 0aaaaaaa| Vocoder: Mic Mix | | 04 00 45#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 46 | 0aaaaaaa| Vocoder: Noise Suppressor Threshold | | 04 00 47#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 48 | 0aaaaaaa| Chorus: Rate | | 04 00 49#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 4A | 0aaaaaaa| Chorus: Depth | | 04 00 4B#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 4C | 0aaaaaaa| Chorus: Pre Delay | | 04 00 4D#| 0bbbbbbb| 0,,,50ms| |——————————+—————————+————————————————————————————————————————————| | 04 00 4E | 0aaaaaaa| Chorus: Mix Balance | | 04 00 4F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 50 | 00 | (Reserved) | | : | : | : | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

✧ Algorithm 29 Mic Simulator

+——————————+—————————+————————————————————————————————————————————+ | 04 00 0E | 0aaaaaaa| Link SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| Mic Converter Ach SW | | 04 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| Bass Cut Ach SW | | 04 00 13#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| Distance Ach SW | | 04 00 15#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| Limiter Ach SW | | 04 00 17#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| Mic Converter Bch SW | | 04 00 19#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| Bass Cut Bch SW | | 04 00 1B#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| Distance Bch SW | | 04 00 1D#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| Limiter Bch SW | | 04 00 1F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| Mic Converter Ach: Input | | 04 00 21#| 0bbbbbbb| 0,,,4 = DR-20,SmlDy,HedDy,MinCn,Flat| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 0aaaaaaa| Mic Converter Ach: Output | | 04 00 23#| 0bbbbbbb| 0,,,6 = SmlDy,VocDy,LrgDy,SmlCn, | | | | LrgCn,VntCn,Flat | |——————————+—————————+————————————————————————————————————————————| | 04 00 24 | 0aaaaaaa| Mic Converter Ach: Phase | | 04 00 25#| 0bbbbbbb| 0,1 = Normal,Inverse| |——————————+—————————+————————————————————————————————————————————| | 04 00 26 | 0aaaaaaa| Bass Cut Ach: Bass Cut Frequency | | 04 00 27#| 0bbbbbbb| 1,,,200 = Thru,20,,,2000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 28 | 0aaaaaaa| Distance Ach: Proximity Effect | | 04 00 29#| 0bbbbbbb| -12,,,+12| |——————————+—————————+————————————————————————————————————————————| | 04 00 2A | 0aaaaaaa| Distance Ach: Timelag | | 04 00 2B#| 0bbbbbbb| 0,,,1000 = 0,,,3000cm| |——————————+—————————+————————————————————————————————————————————| | 04 00 2C | 0aaaaaaa| Limiter Ach: Detect HPF Frequency | | 04 00 2D#| 0bbbbbbb| 1,,,200 = Thru,20,,,2000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 2E | 0aaaaaaa| Limiter Ach: Level | | 04 00 2F#| 0bbbbbbb| -60,,,24dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 30 | 0aaaaaaa| Limiter Ach: Threshold | | 04 00 31#| 0bbbbbbb| -60,,,0dB|

|——————————+—————————+————————————————————————————————————————————| | 04 00 32 | 0aaaaaaa| Limiter Ach: Attack | | 04 00 33#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 34 | 0aaaaaaa| Limiter Ach: Release | | 04 00 35#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 36 | 0aaaaaaa| Mic Converter Bch: Input | | 04 00 37#| 0bbbbbbb| 0,,,4 = DR-20,SmlDy,HedDy,MinCn,Flat| |——————————+—————————+————————————————————————————————————————————| | 04 00 38 | 0aaaaaaa| Mic Converter Bch: Output | | 04 00 39#| 0bbbbbbb| 0,,,6 = SmlDy,VocDy,LrgDy,SmlCn, | | | | LrgCn,VntCn,Flat | |——————————+—————————+————————————————————————————————————————————| | 04 00 3A | 0aaaaaaa| Mic Converter Bch: Phase | | 04 00 3B#| 0bbbbbbb| 0,1 = Normal,Inverse| |——————————+—————————+————————————————————————————————————————————| | 04 00 3C | 0aaaaaaa| Bass Cut Bch: Bass Cut Frequency | | 04 00 3D#| 0bbbbbbb| 1,,,200 = Thru,20,,,2000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 3E | 0aaaaaaa| Distance Bch: Proximity Effect | | 04 00 3F#| 0bbbbbbb| -12,,,+12| |——————————+—————————+————————————————————————————————————————————| | 04 00 40 | 0aaaaaaa| Distance Bch: Timelag | | 04 00 41#| 0bbbbbbb| 0,,,1000 = 0,,,3000cm| |——————————+—————————+————————————————————————————————————————————| | 04 00 42 | 0aaaaaaa| Limiter Bch: Detect HPF Frequency | | 04 00 43#| 0bbbbbbb| 1,,,200 = Thru,20,,,2000Hz| |——————————+—————————+————————————————————————————————————————————| | 04 00 44 | 0aaaaaaa| Limiter Bch: Level | | 04 00 45#| 0bbbbbbb| -60,,,24dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 46 | 0aaaaaaa| Limiter Bch: Threshold | | 04 00 47#| 0bbbbbbb| -60,,,0dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 48 | 0aaaaaaa| Limiter Bch: Attack | | 04 00 49#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 4A | 0aaaaaaa| Limiter Bch: Release | | 04 00 4B#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 4C | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

* When Mic Converter Input = MinCn, Output is fixed to SmlDy or LrgCn.

* When Link SW = On, Bch corresponds to Ach.

✧ Algorithm 30 3 Band Isolator

+——————————+—————————+————————————————————————————————————————————+ | 04 00 0E | 0aaaaaaa| Isolator SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| Isolator High Volume | | 04 00 11#| 0bbbbbbb| -60,,,+4dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| Isolator Middle Volume | | 04 00 13#| 0bbbbbbb| -60,,,+4dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| Isolator Low Volume | | 04 00 15#| 0bbbbbbb| -60,,,+4dB| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| Isolator Anti Phase Middle Switch | | 04 00 17#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| Isolator Anti Phase Middle Level | | 04 00 19#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| Isolator Anti Phase Low Switch | | 04 00 1B#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| Isolator Anti Phase Low Level | | 04 00 1D#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

✧ Algorithm 31 Tape Echo 201

+——————————+—————————+————————————————————————————————————————————+ | 04 00 0E | 0aaaaaaa| Tape Echo SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| Tape Echo Mode Select | | 04 00 11#| 0bbbbbbb| 0,,,6 = 1,,,7| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| Tape Echo Repeat Rate | | 04 00 13#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| Tape Echo Intensity | | 04 00 15#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| Tape Echo Effect Level | | 04 00 17#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| Tape Echo Direct Level | | 04 00 19#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| Tape Echo Tone Bass | | 04 00 1B#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| Tape Echo Tone Treble | | 04 00 1D#| 0bbbbbbb| -100,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| Tape Echo Tape Head S Pan | | 04 00 1F#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| Tape Echo Tape Head M Pan | | 04 00 21#| 0bbbbbbb| 1,,,127 = L63,,,R63|

MIDI Implementation

53

|——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 0aaaaaaa| Tape Echo Tape Head L Pan | | 04 00 23#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+————————————————————————————————————————————| | 04 00 24 | 0aaaaaaa| Tape Echo Tape Distortion | | 04 00 25#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 26 | 0aaaaaaa| Tape Echo Wah Flutter Rate | | 04 00 27#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 28 | 0aaaaaaa| Tape Echo Wah Flutter Depth | | 04 00 29#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 2A | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

✧ Algorithm 32 Analog Flanger

+——————————+—————————+————————————————————————————————————————————+ | 04 00 0E | 0aaaaaaa| Analog Flanger SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| Analog Flanger Mode | | 04 00 11#| 0bbbbbbb| 0,,,3 = FL1,FL2,FL3,CHO| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| Analog Flanger Feedback | | 04 00 13#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| Analog Flanger Modulation Rate | | 04 00 15#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| Analog Flanger Modulation Depth | | 04 00 17#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| Analog Flanger Modulation Frequency | | 04 00 19#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| Analog Flanger Channel B Modulation | | 04 00 1B#| 0bbbbbbb| 0,1 = Nor,Inv| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| Analog Flanger Channel A Phase | | 04 00 1D#| 0bbbbbbb| 0,1 = Nor,Inv| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| Analog Flanger Channel B Phase | | 04 00 1F#| 0bbbbbbb| 0,1 = Nor,Inv| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

✧ Algorithm 33 Analog Phaser

+——————————+—————————+————————————————————————————————————————————+ | 04 00 0E | 0aaaaaaa| Analog Phaser SW | | 04 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+————————————————————————————————————————————| | 04 00 10 | 0aaaaaaa| Analog Phaser Mode | | 04 00 11#| 0bbbbbbb| 0,1 = 4STAGE,8STAGE| |——————————+—————————+————————————————————————————————————————————| | 04 00 12 | 0aaaaaaa| Analog Phaser Frequency | | 04 00 13#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 14 | 0aaaaaaa| Analog Phaser Resonance | | 04 00 15#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 16 | 0aaaaaaa| Analog Phaser LFO 1 Rate | | 04 00 17#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 18 | 0aaaaaaa| Analog Phaser LFO 1 Depth | | 04 00 19#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1A | 0aaaaaaa| Analog Phaser LFO 1 Channel B Mod | | 04 00 1B#| 0bbbbbbb| 0,1 = Nor,Inv| |——————————+—————————+————————————————————————————————————————————| | 04 00 1C | 0aaaaaaa| Analog Phaser LFO 2 Rate | | 04 00 1D#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 1E | 0aaaaaaa| Analog Phaser LFO 2 Depth | | 04 00 1F#| 0bbbbbbb| 0,,,100| |——————————+—————————+————————————————————————————————————————————| | 04 00 20 | 0aaaaaaa| Analog Phaser LFO 2 Channel B Mod | | 04 00 21#| 0bbbbbbb| 0,1 = Nor,Inv| |——————————+—————————+————————————————————————————————————————————| | 04 00 22 | 00 | (Reserved) | | : | : | | | 04 00 7F | 00 | | +——————————+—————————+————————————————————————————————————————————+

● Sync Track Data

+—————————————————————————————————————————————————————————————————+ | Start | | | | address | Data | Contents and remarks | |==========+=========+============================================| | 08 00 00 | 0000aaaa| Sync Track Data 1 | | 08 00 01 | 0000bbbb| aaaabbbbccccdddd | | 08 00 02 | 0000cccc| | | 08 00 03 | 0000dddd| | |——————————+—————————+————————————————————————————————————————————| | 08 00 04 | 0000aaaa| Sync Track Data 2 | | 08 00 05 | 0000bbbb| aaaabbbbccccdddd | | 08 00 06 | 0000cccc| | | 08 00 07 | 0000dddd| | |——————————+—————————+————————————————————————————————————————————| | 08 00 08 | 0000aaaa| Sync Track Data 3 | | : | : | : | | 0F 7f 7B | 0000dddd| Sync Track Data 32767 | |——————————+—————————+————————————————————————————————————————————|

| 0F 7F 7C | 0000aaaa| Sync Track Data 32768 | | 0F 7F 7D | 0000bbbb| aaaabbbbccccdddd | | 0F 7F 7E | 0000cccc| | | 0F 7F 7F | 0000dddd| | +——————————+—————————+————————————————————————————————————————————+

3. MIDI Machine Control

■ MIDI Machine Control Details

● STOP(MCS)

Status Data Byte Status

F0H 7FH,Dev,06H,01H F7H

Byte Description

F0H Status of System Exclusive Message

7FH Universal System Exclusive Message Realtime Header

Dev Device ID (or 7FH)

06H MMC Command Message

01H STOP (MCS)

F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VS-

1680 stops immediately. If the transport switch [STOP] was pressed, the VS-1680 transmits

as the device ID 7FH.

● PLAY(MCS)

Status Data Byte Status

F0H 7FH,Dev,06H,02H F7H

Byte Description

F0H Status of System Exclusive Message

7FH Universal System Exclusive Message Realtime Header

Dev Device ID (or 7FH)

06H MMC Command Message

02H PLAY (MCS)

F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VS-

1680 goes into the playback condition. The VS-1680 does not transmit this message.

● DEFERRED PLAY(MCS)

Status Data Bytes

Status

F0H 7FH,Dev,06H,03H F7H

Byte Description

F0H Status of System Exclusive Message

7FH Universal System Exclusive Message Realtime Header

Dev Device ID (or 7FH)

06H MMC Command Message

03H DEFERRED PLAY (MCS)

F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VS-

1680 goes into the playback condition after the locate operation. If the transport switch

[PLAY] was pressed, the VS-1680 transmits as the device ID 7FH.

● FAST FORWARD(MCS)

Status Data Bytes Status

F0H 7FH,Dev,06H,03H F7H

Byte Description

F0H Status of System Exclusive Message

7FH Universal System Exclusive Message Realtime Header

Dev Device ID (or 7FH)

06H MMC Command Message

03H DEFERRED PLAY (MCS)

F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VS-

1680 goes into the fast forward condition. The VS-1680 does not transmit the message.

MIDI Implementation

54

● REWIND (MCS)

Status Data Bytes Status

F0H 7FH,Dev,06H,05H F7H

Byte Description

F0H Status of System Exclusive Message

7FH Universal System Exclusive Message Realtime Header

Dev Device ID (or 7FH)

06H MMC Command Message

05H REWIND (MCS)

F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VS-

1680 goes into the rewind condition. The VS-1680 does not transmit the message.

● RECORD STROBE

Status Data Bytes Status

F0H 7FH,Dev,06H,06H F7H

Byte Description

F0H Status of System Exclusive Message

7FH Universal System Exclusive Message Realtime Header

Dev Device ID (or 7FH)

06H MMC Command Message

06H RECORD STROBE

F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VS-

1680 goes into the following condition.

1. The VS-1680 is in the playback condition.

Start Recording the tracks that status are the record standby mode.

2. The VS-1680 is in the stop condition.

Start Playing back, and Start Recording the track that status are the record

standby mode.

If the transport switch [REC] was pressed out of the recording condition, the VS-1680 trans-

mits as the device ID 7FH.

● RECORD EXIT

Status Data Bytes Status

F0H 7FH,Dev,06H,07H F7H

Byte Description

F0H Status of System Exclusive Message

7FH Universal System Exclusive Message Realtime Header

Dev Device ID (or 7FH)

06H MMC Command Message

07H RECORD EXIT

F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VS-

1680 exits from the record condition. If the transport switch [REC] was pressed while

recording, the VS-1680 transmits as the device ID 7FH.

● MMC RESET

Statu Data Bytes Status

F0H 7FH,Dev,06H,0DH F7H

Byte Description

F0H Status of System Exclusive Message

7FH Universal System Exclusive Message Realtime Header

Dev Device ID (or 7FH)

06H MMC Command Message

0DH MMC RESET

F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VS-

1680 resets all communication channels related with MMC. When powered on the VS-1680

transmits as the device ID 7FH.

● WRITE

Status Data Bytes Status

F0H 7FH,Dev,06H,40H,ccH,ddH,eeH,,,ffH,,, F7H

Byte Description

F0H Status of System Exclusive Message

7FH Universal System Exclusive Message Realtime Header

Dev Device ID (or 7FH)

06H MMC Command Message

40H WRITE

ccH Information Bytes follows the command

ddH The name of the writable Information Field

eeH Information Field Format

::

ffH Field names and data

::

F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VS-

1680 writes the data to the specified information field. The VS-1680 does not transmit the

message.

● MASKED WRITE

Status Data Bytes Status

F0H 7FH,Dev,06H,41H,04H,ddH,eeH,ffH,ggH F7H

Byte Description

F0H Status of System Exclusive Message

7FH Universal System Exclusive Message Realtime Header

Dev Device ID (or 7FH)

06H MMC Command Message

41H MASKED WRITE

04H Number of Bytes follows the command

ddH The name of the masked type writable Information Field

eeH Byte number to write in the Bit Map

ffH Bit location of the bit map byte to change

ggH New data to write to the specified bit map byte

F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VS-

1680 writes the data to the specified bit map byte. The VS-1680 does not transmit the mes-

sage.

● LOCATE(MCP)

❍ Format 1 - LOCATE[I/F]

Status Data Bytes Status

F0H 7FH,Dev,06H,44H,02H,00H,nnH F7H

Byte Description

F0H Status of System Exclusive Message

7FH Universal System Exclusive Message Realtime Header

Dev Device ID (or 7FH)

06H MMC Command Message

44H LOCATE(MCP)

02H Number of Bytes

00H “I/F” sub command

nnH Information Field (08H, 09H, 0AH, 0BH, 0CH, 0DH, 0EH, 0FH)

F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VS-

1680 locates the selected time location stored to the specified information field. The VS-1680

does not transmit the message.

MIDI Implementation

55

❍ Format 2 - LOCATE[TARGET]

Status Data Bytes Status

F0H 7FH,Dev,06H,44H,06H,01H,hrH,mnH,scH,frH,ffH F7H

Byte Description

F0H Status of System Exclusive Message

7FH Universal System Exclusive Message Realtime Header

Dev Device ID (or 7FH)

06H MMC Command Message

44H LOCATE(MCP)

06H Number of Bytes

01H “TARGET” sub command

hrH, mnH, scH, frH, ffH Standard Time with Sub Frame

F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VS-

1680 locates the specified time location received from the command.

If the efficient locate switch [LOC?] or Marker switch [PREVIOUS][NEXT] is pressed, the

VS-1680 transmits as the device ID 7FH.

● MOVE

Status Data Bytes Status

F0H 7FH,Dev,06H,4CH,02H,ddH,ssH F7H

Byte Description

F0H Status of System Exclusive Message

7FH Universal System Exclusive Message Realtime Header

Dev Device ID (or 7FH)

06H MMC Command Message

4CH MOVE

02H Number of Bytes

ddH Name of the Efficient Destination Information Field

(08H,09H,0AH,0BH,0CH,0DH,0EH,0FH)

ssH Name of the Efficient Source Information Field (01H)

F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VS-

1680 transfers the data on the selected source information field to the destination

Information Field, if the name of both information fields is efficient. The VS-1680 does not

transmit the message.

● The efficient Information Field

The followings are the efficient Information Field on the VS-1680.

The name of the efficient destination Information Field :

01H SELECTED TIME CODE

08H GP0 / LOCATE POINT

09H GP1

0AH GP2

0BH GP3

0CH GP4

0DH GP5

0EH GP6

0FH GP7

4FH TRACK RECORD READY

4. Appendices

● Decimal and Hexadecimal table

(Hexadecimal number is shown with H.)

In MIDI documentation, data values and addresses/sizes of system exclusive messages etc.

are expressed as hexadecimal values for each 7 bits. The following table shows how these

correspond to decimal numbers.

+——————+——————++——————+——————++——————+——————++——————+——————+ | dec | hex || dec | hex || dec | hex || dec | hex | +——————+——————++——————+——————++——————+——————++——————+——————+ | 0 | 00H || 32 | 20H || 64 | 40H || 96 | 60H | | 1 | 01H || 33 | 21H || 65 | 41H || 97 | 61H | | 2 | 02H || 34 | 22H || 66 | 42H || 98 | 62H | | 3 | 03H || 35 | 23H || 67 | 43H || 99 | 63H | | 4 | 04H || 36 | 24H || 68 | 44H || 100 | 64H | | 5 | 05H || 37 | 25H || 69 | 45H || 101 | 65H | | 6 | 06H || 38 | 26H || 70 | 46H || 102 | 66H | | 7 | 07H || 39 | 27H || 71 | 47H || 103 | 67H | | 8 | 08H || 40 | 28H || 72 | 48H || 104 | 68H | | 9 | 09H || 41 | 29H || 73 | 49H || 105 | 69H | | 10 | 0AH || 42 | 2AH || 74 | 4AH || 106 | 6AH | | 11 | 0BH || 43 | 2BH || 75 | 4BH || 107 | 6BH | | 12 | 0CH || 44 | 2CH || 76 | 4CH || 108 | 6CH | | 13 | 0DH || 45 | 2DH || 77 | 4DH || 109 | 6DH | | 14 | 0EH || 46 | 2EH || 78 | 4EH || 110 | 6EH | | 15 | 0FH || 47 | 2FH || 79 | 4FH || 111 | 6FH |

| 16 | 10H || 48 | 30H || 80 | 50H || 112 | 70H | | 17 | 11H || 49 | 31H || 81 | 51H || 113 | 71H | | 18 | 12H || 50 | 32H || 82 | 52H || 114 | 72H | | 19 | 13H || 51 | 33H || 83 | 53H || 115 | 73H | | 20 | 14H || 52 | 34H || 84 | 54H || 116 | 74H | | 21 | 15H || 53 | 35H || 85 | 55H || 117 | 75H | | 22 | 16H || 54 | 36H || 86 | 56H || 118 | 76H | | 23 | 17H || 55 | 37H || 87 | 57H || 119 | 77H | | 24 | 18H || 56 | 38H || 88 | 58H || 120 | 78H | | 25 | 19H || 57 | 39H || 89 | 59H || 121 | 79H | | 26 | 1AH || 58 | 3AH || 90 | 5AH || 122 | 7AH | | 27 | 1BH || 59 | 3BH || 91 | 5BH || 123 | 7BH | | 28 | 1CH || 60 | 3CH || 92 | 5CH || 124 | 7CH | | 29 | 1DH || 61 | 3DH || 93 | 5DH || 125 | 7DH | | 30 | 1EH || 62 | 3EH || 94 | 5EH || 126 | 7EH | | 31 | 1FH || 63 | 3FH || 95 | 5FH || 127 | 7FH | +——————+——————++——————+——————++——————+——————++——————+——————+

* Decimal values such as MIDI channel, bank select, and program change are listed as one

(1) greater than the values given in the above table.

*A 7-bit byte can express data in the range of 128 steps. For data where greater precision

is required, we must use two or more bytes. For example, two hexadecimal numbers aa

bbH expressing two 7-bit bytes would indicate a value of aa x 128 + bb.

* In the case of values which have a ± sign, 00H = -64, 40H = ± 0, and 7FH = +63, so that

the decimal expression would be 64 less than the value given in the above chart. In the

case of two types, 00 00H = -8192, 40 00H = ±0, and 7F 7FH = +8191.

* Data marked “nibbled” is expressed in hexadecimal in 4-bit units. A value expressed as

a 2-byte nibble 0a 0bH has the value of a x 16 + b.

<Ex.1> What is 5AH in decimal system?

5AH = 90 according to the above table.

<Ex.2>What in decimal system is 12034H in hexadecimal of every 7 bit?

12H = 18, 34H = 52 according to the above table. So 18 x 128 + 52 = 2356.

<Ex.3> What in decimal system is 0A 03 09 0D in nibble system?

0AH = 10, 03H = 3, 09H = 9, 0DH = 13 according to the table.

So ((10 x 16 + 3) x 16 + 9) x 16 + 13 = 41885.

<Ex. 4> What in nibble system is 1258 in decimal system?

_____

16)1258

16) 78 ... 10

16) 4 ... 14 0 ... 4

0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH according to the table. So it is 00 04 0E 0AH.

● Example of system exclusive message and Checksum calculation

On Roland system exclusive message (DT1), checksum is added at the end of transmitted

data (in front of F7) to check the message is received correctly. Value of checksum is

defined by address and data (or size) of the system exclusive message to be transmitted.

✧ How to calculate checksum (Hexadecimal number is shown with H.)

Checksum is a value which lower 7 bit of the sum of address, size and checksum itself

turns to be 0. If the address of the system exclusive message to be transmitted is aa bb ccH

and data or size is dd ee ffH,

aa + bb + cc + dd + ee + ff = sum

sum / 128 = quotient and odd

When odd is 0, 0 = checksum

When odd is other than 0, 128 - odd = checksum

MIDI Implementation

56

MIDI Machine Control (MMC) Command, Information Field / Response Reference

● Commands Recognized

Command

Action

01H STOP STOP

02H PLAY PLAY

03H DEFERRED PLAY PLAY

04H FAST FORWARD FF

05H REWIND REW

06H RECORD STROBE REC / PUNCH IN

07H RECORD EXIT PUNCH OUT

0DH MMC RESET RESET

40H WRITE Write to Information Fields

41H MASKED WRITE Set Track Status Information Fields

44H 00H LOCATE I/F LOCATE (Read Locator)

44H 01H LOCATE TARGET LOCATE (Designated Time)

4CH MOVE Move between Information fields

● Commands Transmitted

Command Action

01H STOP STOP

03H DEFERRED PLAY PLAY

06H RECORD STROBE REC / PUNCH IN

07H RECORD EXIT PUNCH OUT

0DH MMC RESET RESET

44H 01H LOCATE TARGET LOCATE

● Valid Information Fields / Response

Information Field Interpret

Valid Commands

01H SELECTED TIME CODE Current Time MOVE(FROM)

08H GP0 / LOCATE POINT Locator 1 MOVE(FROM), MOVE(TO), WRITE

09H GP1 Locator 2 MOVE(FROM), MOVE(TO), WRITE

0AH GP2 Locator 3 MOVE(FROM), MOVE(TO), WRITE

0BH GP3 Locator 4 MOVE(FROM), MOVE(TO), WRITE

0CH GP4 Locator 5 MOVE(FROM), MOVE(TO), WRITE

0DH GP5 Locator 6 MOVE(FROM), MOVE(TO), WRITE

0EH GP6 Locator 7 MOVE(FROM), MOVE(TO), WRITE

0FH GP7 Locator 8 MOVE(FROM), MOVE(TO), WRITE

4FH TRACK RECORD READY Track Status MASKED WRITE, WRITE

MIDI Implementation

57

MIDI Implementation Chart

58

Control

Change

Digital Studio Workstation

Model VS-1680

Date : Jan. 27 1998

Version : 1.00

MIDI Implementation Chart

Remarks

RecognizedTransmitted

Function ...

Basic

Channel

Default

Changed

Note

Number :

After

Touch

Mode

Velocity

Pitch Bender x

True Voice

Key's

Ch's

Default

Messages

Altered

Note On

Note Off

1 - 16

0 - 127

****************

o

x

Mode 3x****************

1 - 127

x 9n, v = 0

0, 3236, 38

7, 68

10, 70

12, 71

13, 72

14, 73

15, 74

16, 75

17, 76

18, 77

19, 78

20, 79

21, 80

22, 81

23, 82

24, 83

xoxoooooooooooooo

o

1 - 16

****************

o

36 - 84, 36 - 60

x

o

Mode 3xx

x

ooooooooooooooooo

o

Bank Select

Track Status

Data Entry LSB, MSB

Mix Send/Master Level

Mix Send/Master Pan

EQ L Freq.

EQ L Gain

EQ M Freq.

EQ M Gain

EQ M Q

EQ H Freq.

EQ H Gain

EFX1 Send Level

EFX1 Send Pan

EFX2 Send Level

EFX2 Send Pan

EFX3 Send Level

EFX3 Send Pan

*10

*12

*1

*2*2*2*2*2*2*2*2*2*2*2*2*2*2*2*2*2

MIDI Implementation Chart

59

Mode 1 : OMNI ON, POLY

Mode 3 : OMNI OFF, POLY

Mode 2 : OMNI ON, MONO

Mode 4 : OMNI OFF, MONO

o : Yes

x : No

Program

Change :

True #

x

****************

Common

Real

Time

Aux

Notes

*1 MIDI Metronome Only

*2 MID:CtrType=C.C. Only

*3 Effect when MIDI CH=1, 2, 3, 4, Scene when MIDI CH=16.

*4 MID:SysEx.Tx=On Only

*5 MID:SysEx.Rx=On Only

*6 When MID:CtrlType=Excl, MIXER Set and MMC.

*7 Syn:Gen.=MTC Only

*8 Syn:Gen.=MIDIclk or SyncTr Only

*9 When Recording Sync Track Only

*10 When Algorithm27 (Voice Transfomer) is selected, and MIDI Control Sw=ON

*11 When Algorithm28 (Vocoder2) is selected, and HOLD=MIDI

*12 Transmits Level Meter Value according to the value of Level Meter Tx. via MIDI. MIDI CH=16

(fixed)

System Exclusive o

:Quarter Frame

:Song Position

:Song Select

:Tune

o

x

: Clock

: Commands

: All Sound Off

: Reset All Controllers

: Local ON/OFF

: All Note Off

: Active Sense

: System Reset

o

xxxxx

x

25, 84

26, 85

27, 86

28, 87

29, 88

30, 893096, 97

98, 99

102

103

ooooooxxxoo

o

0 - 99

0 - 7

o

x

o

x

ooooooooooo

Effect #0 - #99

Scene #1- #8

*6

EFX4 Send Level

EFX4 Send Pan

AUX Send Level

AUX Send Pan

Mix Offset Level

Mix Offset Bal

Hold

Data Inc, Dec

NRPN LSB, MSB

Monitor Level

Monitor Bal

*3

*4 *5

*7

*9*8

The mixer operation is transmitted and received through the MIDI Control Change. Therefore, general MIDI Sequencers can

record or play the mixer operation simply. The VS-1680 uses some Control Change Number in order to original parameter

controls which is different from the MIDI standard.

*7

*8

*2*2*2*2*2*2*2 *11*2*2*2*2

Input Mixer

Level

(Fader)

ATT

(-42–+6 dB)

Phase

(NRM, INV)

EQ

(2band, 3band)

EQ

Sw

Solo/Mute

SW

EFX

Ins

MIX

Sw

EFX1

Sw

Send

Level

Pan

EFX2

Sw

Send

Level

Pan

AUX1

Sw

Send

Level

Pan

AUX2

Sw

Send

Level

Pan

AUX3

Sw

Send

Level

Pan

EFX Insert Return

EFX Insert Send

12345 768LRLRLRLRLRLR

REC BUS MIX EFX1 EFX2 AUX1 AUX2 AUX3

INPUT 1

Level

(Fader)

ATT

(-42–+6 dB)

Phase

(NRM, INV)

EQ

(2band, 3band)

EQ

Sw

Solo/Mute

SW

EFX

Ins

MIX

Sw

EFX1

Sw

Send

Level

Pan

EFX2

Sw

Send

Level

Pan

AUX1

Sw

Send

Level

Pan

AUX2

Sw

Send

Level

Pan

AUX3

Sw

Send

Level

Pan

EFX Insert Return

EFX Insert Send

DIGITAL IN

Digital Input L/R

Input Channel 1–8

Internal BUS

Pre level Post level

Mixer Section Block Diagram

60

Mixer Section Block Diagram

61

Track Mixer

REC BUS (1–8)

Level

(Fader)

ATT

(-42–+6 dB)

Phase

(NRM, INV)

TRACK

1-1

1-2

1-3

1-4

1-5

1-6

1-7

1-8

1-9

1-10

1-11

1-12

1-13

1-14

1-15

1-16

STATUS

EQ

(2band, 3band)

EQ

Sw

Solo/Mute

SW

EFX

Ins

MIX

Sw

EFX1

Sw

Send

Level

Pan

EFX2

Sw

Send

Level

Pan

AUX1

Sw

Send

Level

Pan

AUX2

Sw

Send

Level

Pan

AUX3

Sw

Send

Level

Pan

DIR OUT

EFX Return

EFX Send

Level

(Fader)

ATT

(-42–+6 dB)

Phase

(NRM, INV)

TRACK

9-1

9-2

9-3

9-4

9-5

9-6

9-7

9-8

9-9

9-10

9-11

9-12

9-13

9-14

9-15

9-16

STATUS

EQ

(2band, 3band)

EQ

Sw

Solo/Mute

SW

MIX

Sw

EFX1

Sw

Send

Level

Pan

EFX2

Sw

Send

Level

Pan

AUX1

Sw

Send

Level

Pan

AUX2

Sw

Send

Level

Pan

AUX3

Sw

Send

Level

Pan

EFX Return

EFX Send

Track Channel 1–8

Track Channel 9–16

EFX

Ins

12345 768LRLRLRLRLRLR

REC BUS MIX EFX1 EFX2 AUX1 AUX2 AUX3

Internal BUS

DIR OUT

Pre level Post level

Mixer Section Block Diagram

62

Master Block

Level

(Knob)

Balance

REC BUS

MIX

DIR OUT 7

DIR OUT 8

Level

(Knob)

PHONES

MONITOR

MONITOR Out

MONOTOR

Select

D.OUT1

Select

D.OUT2

Select

DIRECT

Out

12345 768LRLRLRLRLRLR

REC BUS MIX EFX1 EFX2 AUX1 AUX2 AUX3

Internal BUS

Level

Solo/Mute

Sw

Balance

EFX1

Return

Level

Solo/Mute

Sw

Balance

EFX2

Return

Level

Solo/Mute

Sw

Balance

EFX3

Return

Level

Solo/Mute

Sw

Balance

EFX4

Return

AUX A

Level

(Fader)

Balance

EFX1 Send

EFX1

EFX2

Level

(Fader)

Balance

EFX2 Send

EFX Insert Send

DIGITAL OUT2

DIGITAL OUT1

DIR OUT 6

DIR OUT 5

AUX B

Level

(Fader)

Balance

EFX4

AUX2(EFX4) Send

Level

(Fader)

Solo/Mute

Sw

Balance

Stereo In

(INPUT 1/2)

(INPUT 3/4)

(INPUT 5/6)

(INPUT 7/8)

(DIGITAL)

STEREO IN

Level

(Fader)

Balance

AUX3(AUX) Send

AUX A

Select

DIR OUT 4

DIR OUT 3

EFX3

Level

(Fader)

Balance

AUX1(EFX3) Send

AUX B

Select

EFX

Ins

EFX Insert Return

Level

(Fader)

Balance

DIR OUT 2

DIR OUT 1

MASTER

MASTER Out

Active Terminator

A type of terminator (a terminating resistance) place at each end of a SCSI chain. A new addition to SCSI-2 specifications, compared with ordinary terminators, it provides greater operating stability for SCSI devices, thus improving signal transmission performance.

CD-R

Short for Compact Disc Recordable. This is a system for reading and writing discs in the same format as that used for CDs (CD-ROMs and music CDs). A specialized CD-R drive allows one-time only writing of discs. However, as long as the data has not been finalized and there is sufficient capacity remaining on the disc, the CD-R drive can be used for multiple additions to, and changes in the material. Sometimes they are referred to as “Write Once CD,” “CD-Write Once,” or something similar.

CD-RW

Short for Compact Disc ReWritable. This is a system allowing creation of discs that can be read using the same format as regular CDs (CD-ROMs and Music CDs). While resembling the CD-R system in that it uses a special CD-RW drive, these discs can be rewritten any number of times. However, CD-RW discs cannot be used with the CDR-88.

COSM

Stands for Composite Object Sound Modeling. This is "a technology which combines multiple sound models to create new sounds," which was first used on the Roland's VG-8 V-Guitar System. For example, sounds created on the VG-8 are the result of a variety of sound models (elements) such as the pickup, the body of the guitar, the guitar amp, mic, and speaker etc.

Current Song

The song currently being recorded, played back, or edited is referred to as the current song.

DAT

Short for Digital Audio Tape. This refers both to the system of recording digitized sound to magnetic tape, as well as to the tapes themselves. Besides digital audio signals, all song information is recorded on the tape, including starts and track data, information to allow or prevent copying, etc.

Finalize

This is the operation that writes the TOC to a prepared audio disc. Whereas additions and changes can be made to discs that have not yet been finalized, such discs are not playable on regular CD players.

Formants

A formant is an important element which determine the character of a vocal sound. It is a fixed overtone whose location is determined by the size of the vocal chords. Conventional pitch shifters modify the pitch in a way that changes even the location of the formants (which by nature do not change). For example when a conventional pitch shifter raises the pitch, a “duck voice” is produced as if the vocal chords had shrunk, and when the pitch is lowered a “giant voice” is produced as if the vocal chords had expanded. The Voice Transformer modifies the basic pitch and the formant separately, allowing a variety of voice characters to be created.

Frame

Similar to the individual frames in a roll of movie film, the numerous still pictures that are displayed in rapid succession to create a moving video image are also known as “frames.” About thirty of these frames are shown each second. When hard disk recorders, sequencers, and other such equipment are synchronized with video, it is generally assumed that there should be one frame every 1/30th of a second.

GPI

GPI stands for General Purpose Interface. This is a contorol jack provided on professional and consumer video devices such as video editors and title superimpoters. By connecting this contorol jack to the foot switch jack of the VS-1680 and setting the Foot Switch Assign to “GPI,” the connected device will be able to playback/stop the VS-1680.

GUITAR (Hi-Z)

A high-impedance input jack for directly connecting electric guitars.

Glossary

63

IDE

IDE stands for Integrated Device and Electronics. This is the standard data transmission method used by the hard disk drives of recent personal computers. The HDP88 series hard disk drives (sold separately) that can be installed in the VS-1680 are IDE compatible.

MMC

MMC is an acronym for MIDI Machine Contorol. This is rule that defines how MIDI system exclusive message can be used to contorol multiple recording devices from a single device. The VS-1680 supports MMC. In addition to song playback, stop and fast-dorward, you can also select the tracks for recording, etc.

MTC

MTC stands for MIDI Time Code. This is a group of messages which are transmitted and received between MIDI devices to synchronize their operation. Unlike MIDI Clock messages, MTC specifies an absolute time. Like SMPTE time code, MTC also supports a variety of frame rates. If you wish to use MTC to synchronize the operation of two devices, both devices must be set to the same frame rate.

NTSC Format

Color television format used in Japan, the United States, and other countries. Tapes recorded in the NTSC format cannot be played back on video decks utilizing the SECAM/PAL formats.

Phantom Power

This is a method of providing electric power to condenser mics via the mic cables. Generally, a mixer’s internal phantom power source supplies 6–48 volts (DC). Supplying phantom power to dynamic mics, audio playback devices, or other such equipment may result in damage to the equipment. Turn the phantom power switch on only when connecting condenser mics which need phantom power; otherwise, leave it switched off.

Removable Disk Drives

Disk drives that have been able to remove the disk, such as a Zip drive, are referred to as the "removable disk drives."

RSS

RSS stands for Roland Sound System. This is an effect which allows a sound source to be placed in three-dimensional space when played back on a conventional stereo system. The sound can be placed not only in front of the listener, but also directly to the side, above, below, and behind the listener.

S/P DIF

S/P DIF stands for Sony/Philips Digital Interface Format. This is a specifications for transmitting and

receiving stereo digital audio signals between digital audio devices. The VS-1680 provides coaxial connectors which support S/P DIF.

SCMS

SCMS stands for Serial Copy Management System. This is a function that protects the rights of copyright holders by prohibiting recording via a digital connection for more than two generations. When digital connections are made between digital recorders that implement this function, SCMS data will be recorded along with the audio data. Digital audio data which contains this SCMS data cannot again be recorded via a digital connection.

SCSI

SCSI stands for Small Computer System Interface. This is a data transmission method that can transmit large amounts of data in a short time. Since the VS1680 has a SCSI connector, external SCSI devices such as hard disks or removable disk drive etc. can be connected.

SECAM/PAL Formats

Color television formats used in Europe and other areas. Tapes recorded in the SECAM or PAL formats cannot be played back on video decks designed for the NTSC format.

Shutdown

In order to turn the power off safely, you must first make sure that the performance has been saved to hard disk, and that the hard disk heads are parked. This procedure is referred to as Shutdown.

Glossary

64

SMPTE time code

This is a signal format defined by the American organization SMPTE (Society of Motion Picture and Television Engineers) which is used to synchronize the operation of video or audio devices. SMPTE specifies “hours:minutes:seconds:frames” to indicate the address of each frame of a video image. For this reason, there are a variety of frame rates.

Terminator Power

This refers to the power supplied to external type active terminators.

TOC

Short for Table of Contents. This is the region on the CD-R disc that handles information such as song times, end times, sequence, and so on. Although the songs on a disc and their playing time can be displayed when an audio CD is placed in a CD player, this is because they can be read automatically from the TOC. The TOC is recorded differently than music data, with its main characteristic being disc access, such as the ability to go to the start of any song instantly.

Track Minutes

The amount of available recording time that is called for a standard unit corresponding to the time of one continuous monaural signal recorded to one track.

Zip Drive

A magnetic disk drive format standardized by Iomega Corporation. Disks that can be used for reading and writing data with Zip drives are call Zip disks. Similar to 3.5-inch floppy disks in size and usage, one Zip disk can store 100 MB of data.

Glossary

65

VS-1680 24 bit Digital Studio Workstation

Tracks

Tracks: 16 V-Tracks: 256 (16 V-Tracks per each Track)

* Up to 8 tracks can be recorded simultaneously, and up to

16 tracks can be played back simultaneously.

Maximum Useful Capacity

128 G bytes: 2 G bytes (capacity)x 8 (Partition) x 8 (Disk Drive)

Internal Memory

Songs: 200 (each partition)

Equalizer

HI, MID, LOW (16 channels) HI, LOW (26 channels)

Recording Mode

Multitrack Pro (MTP) Mastering (MAS) Multitrack 1 (MT1) Multitrack 2 (MT2) Live 1 (LIV1) Live 2 (LIV2)

Signal Processing

AD Conversion: 20 bits, 64 times oversampling DA Conversion: 20 bits, 128 times oversampling Internal Processing: 24 bits (mixer section)

Sample Rate

48.0 kHz, 44.1 kHz, 32.0 kHz

* Sample rate can be adjusted around 22.00–50.48 kHz

(maximum) by using vari-pitch function.

Frequency Response

Sample Rate

48.0 kHz: 20 Hz–22 kHz (+0.2 dB/-0.2 dB)

44.1 kHz: 20 Hz–20 kHz (+0.2 dB/-0.2 dB)

32.0 kHz: 20 Hz–14 kHz (+0.2 dB/-0.2 dB)

Total Harmonic Distortion (INPUT SENS: 0 dBu, 1 kHz at nominal output level)

0.005 % or less (recording mode: MTP)

Recording Time (at 2 G bytes, 1 track)

Recording Sample Rate Mode 48.0 kHz 44.1 kHz 32.0 kHz

MTP 742 min. 808 min. 1114 min. MAS 370 min. 404 min. 556 min. MT1 742 min. 808 min. 1114 min. MT2 990 min. 1078 min. 1484 min. LIV1 1188 min. 1292 min. 1782 min. LIV2 1484 min. 1616 min. 2228 min.

* The above-listed recording times are approximate. Times

may be slightly depending on the specifications of the disk drive and on the number of songs that were created.

Nominal Input Level (variable)

Input1–2: -50– +4 dBu

maximum +26 dBu:Balanced, maximum +20 dBu:Unbalanced

Input3–8: -50– +4 dBu

maximum +26 dBu:Balanced, maximum +20 dBu:Unbalanced

Guitar (Hi-Z): -50– +4 dBu

maximum +26 dBu:Balanced, maximum +20 dBu:Unbalanced

Input Impedance

Input1–2: 30 k ohms Input3–8: 30 k ohms Guitar (Hi-Z): 500 k ohms

Nominal Output Level

Master Out: 0 dBu AUX A (L, R): 0 dBu AUX B (L, R): 0 dBu Monitor Out: 0 dBu

Output Impedance

Master Out: 1 k ohm AUX A (L, R): 1 k ohm AUX B (L, R): 1 k ohm Monitor Out: 1 k ohm Headphones: 22 ohms

Specifications

66

Recommended load Impedance

Master Out: 10 k ohms or greater AUX A (L, R): 10 k ohms or greater AUX B (L, R): 10 k ohms or greater Monitor Out: 10 k ohms or greater Headphones: 8–50 ohms

Residual Noise Level ( input terminated with 1 k ohm, INPUT SENS = LINE, IHF-A, typ.)

Master Out: -82 dBu or less AUX A (L, R): -82 dBu or less AUX B (L, R): -82 dBu or less Monitor Out: -82 dBu or less

Interface Connectors

SCSI: DB-25 type Digital I/O: Coaxial, Optical (conforms to S/P DIF)

Display

320 x 240 dots, Graphic LCD (with backlit)

Connectors

SCSI Connector (DB-25 type) MIDI Connectors (IN, OUT/THRU) Input Jack 1–2 (XLR type, balanced, phantom power) Input Jack 3–8 (1/4 inch phone type, TRS balanced) Guitar (Hi-Z) Jack (1/4 inch phone type) Digital In Connectors (Coaxial type, Optical type) Digital Out Connectors (Coaxial type, Optical type) Foot Switch Jack (1/4 inch phone type) Headphones Jack (Stereo 1/4 inch phone type) AUX A Send Jack L/R (RCA phono type) AUX B Send Jack L/R (RCA phono type) Master Out Jack L/R (RCA phono type) Monitor Out Jack L/R (RCA phono type)

Power Supply

AC 117 V, AC 230 V or AC 240 V

Power Consumption

33 W (Including internal hard disk)

Dimension

554 (W) x 336 (D) x 109 (H) mm 21-13/16 (W) x 13-1/4 (D) x 4-5/16 (H) inches

Weight

6.3 kg (Excluding internal hard disk) 13 lbs 15 oz

Accessories

AC Cord Quick Start Owner’s Manual Appendices

Options

Internal Hard Disk Drive Unit: HDP88 Series Effect Expansion Board: VS8F-2

(0 dBu = 0.775 V rms)

* In the interest of product improvement, the specifications

and/or appearance of this unit are subject to change without prior notice.

Specifications

67

MEMO...

68

MEMO...

69

MEMO...

70

MEMO...

71

Track Sheets

72

Tracks

V-Tracks

12345678

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

SCENELOCATOR

Project Artist Client

DateSong Name

Internal Removable Backing up to

Track Sheet (1)

Track Sheets

73

Tracks

910111213141516

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

NOTES

Track Sheet (2)

V-Tracks

By installing VS8F-2(s) on the VS-1680, you can access the range of effects listed below.

* TYPE

Snd/Rtn: Direct Level is set to “0.” Connect this Patch to the effects bus. Insert: This Patch mixes the direct sound and effected sound. Insert it into a channel.

* You cannot select preset Patches P000 through P021, P080 and P097 for EFX2 and EFX4. These Patches must be used for

EFX1 or EFX3.

Reverb (18 presets)

No. Patch Name Algorithm Type Input Comment

P000 RV:LargeHall Reverb Snd/Rtn Mono Large concert hall reverberation. P001 RV:SmallHall Reverb Snd/Rtn Mono Small hall reverberation. P002 RV:Strings Reverb Snd/Rtn Mono Reverberation optimized for delicate highs of strings. P003 RV:PianoHall Reverb Snd/Rtn Mono Rich and warm reverberation optimized for pianos. P004 RV:Orch Room Reverb Snd/Rtn Mono Reverberation of large-capacity rooms such as big banquet halls. P005 RV:VocalRoom Reverb Snd/Rtn Mono Room reverb suitable for vocals and chorus. P006 RV:MediumRm Reverb Snd/Rtn Mono Warm and naturally spacious room reverb. P007 RV:LargeRoom Reverb Snd/Rtn Mono Simulated acoustics of wide rooms with lots of reverberation. P008 RV:CoolPlate Reverb Snd/Rtn Mono Distinctive bright plate reverb. P009 RV:Short Plt Reverb Snd/Rtn Mono Shorter plate reverb. P010 RV:Vocal Plt Reverb Snd/Rtn Mono Crystal-clear reverb optimized for vocals. P011 RV:Soft Amb. Reverb Snd/Rtn Mono Simulated reverberation of a room with minimal wall reflections. P012 RV:Room Amb. Reverb Snd/Rtn Mono Natural reverberation of rooms with good acoustics, suit-

able for drums and guitars. P013 RV:Cathedral Reverb Snd/Rtn Mono Acoustics of a very large, high-ceilinged church. P014 RV:Long Cave Reverb Snd/Rtn Mono Simulated reverberation of deep caves. P015 RV:GarageDr. Reverb Snd/Rtn Mono Natural reverb that enhances unique drum sounds. P016 RV:Rock Kick Reverb Snd/Rtn Mono Reverb with many low-frequency components, suitable for rock kicks. P017 RV:RockSnare Reverb Snd/Rtn Mono Rich and thick sounding reverb suitable for rock snares.

Gate Reverb (4 presets)

No. Patch Name Algorithm Type Input Comment

P018 RV:BriteGate Gate Reverb Snd/Rtn Mono Slightly brighter gate reverb. P019 RV:Fat Gate Gate Reverb Snd/Rtn Mono Dynamic reverb sound with powerful mids and lows. P020 RV:ReverseGt Gate Reverb Snd/Rtn Mono A reverse gate commonly used as a special effect. P021 RV:PanningGt Gate Reverb Snd/Rtn Mono A special effect with gate reverb shifting from left to right.

Delay (9 presets)

No. Patch Name Algorithm Type Input Comment

P022 DL:Short Dly Delay Snd/Rtn Mono An ambience effect that adds depth to the sound by doubling. P023 DL:MediumDly Delay Snd/Rtn Mono Natural echo optimized for vocals. P024 DL:LongDelay Delay Snd/Rtn Mono Long delay suited for brass and analog synth solos. P025 DL:AnalogDly Delay Snd/Rtn Mono Analog sound with gradually diminishing feedbacking highs. P026 DL:Tape Echo

Stereo Delay Chorus

Snd/Rtn Stereo Simulated tape echo with distinctive wow flutter.

P027 DL:Karaoke

Stereo Delay Chorus

Snd/Rtn Stereo Intense reverberation that effectively enhances karaoke vocals.

P028 DL:Multi-Tap

Stereo Delay Chorus

Snd/Rtn Stereo Spacious reflections using positioning delay at any point

along the stereo soundfield. P029 DL:MltTapAmb Multi Tap Delay Snd/Rtn Mono An ambience effect using 10 short delay units. P030 DL:Ping Pong Multi Tap Delay Snd/Rtn Mono A special effect using tap delay.

VS8F-2 Preset Patch List

74

Vocal (10 presets)

No. Patch Name Algorithm Type Input Comment

P031 VO:Vocal Efx Vocal Multi Insert Mono Basic setup for recording/mixdown of vocals. P032 VO:JazzVocal Vocal Multi Insert Mono A natural sounding jazz club-like ambience for warm reverb

well-suited for vocals.

P033 VO:RockVocal Vocal Multi Insert Mono Sound featuring limiter/enhancer processing as well as a

unison effect. P034 VO:Narration Vocal Multi Insert Mono An effect with heavy compression, used for narration. P035 VO:BigChorus Vocal Multi Insert Mono A spacious-sounding stereo effect similar to increasing the

number of vocalists. P036 VO:Club DJ Vocal Multi Insert Mono A club DJ-tailored effect that uses a pitch shifter to make

voices lower. P037 VO:AM-Radio Vocal Multi Insert Mono Sound featuring hard compression and narrower frequency

range. P038 VO:PlusTwo Stereo Pitch Insert Stereo A special effect that adds two more voices using a pitch shifter.

Shifter Delay

P039 VO:Robot Efx Stereo Pitch Insert Stereo SF movie-like effect using a pitch shifter.

Shifter Delay

P040 VO:Bull Horn Guitar Multi 3 Insert Mono Simulated effect of sound produced from a Bull Horn or old

radio.

Guitar (11 presets)

No. Patch Name Algorithm Type Input Comment

P041 GT:Rock Lead Guitar Multi 2 Insert Mono Straight distortion sound with delay. P042 GT:LA Lead Guitar Multi 2 Insert Mono Lead guitar sound with tasty compression and chorus applied. P043 GT:MetalLead Guitar Multi 1 Insert Mono Metal sound with dynamic, ultrahigh gain distortion. P044 GT:Metal Jet Guitar Multi 1 Insert Mono Distortion together with a metallic effect achieved by flanging. P045 GT:CleanRthm Guitar Multi 1 Insert Mono Clean sound with compression and chorus applied. P046 GT:DIedClean Vocal Multi Insert Mono Superclean sound like line recording directly into the console. P047 GT:Delay Rif Guitar Multi 2 Insert Mono Delay sounds at dotted eighth note intervals when a 120

BPM riff is played. P048 GT:Acoustic Vocal Multi Insert Mono Optimized for electroacoustic guitars. P049 GT:BluesDrv. Guitar Multi 3 Insert Mono Crunchy overdrive sound suited to blues and R&R. P050 GT:Liverpool Guitar Multi 3 Insert Mono Crunchy sound often heard on ‘60s British rock. P051 GT:Country Guitar Multi 3 Insert Mono Clean sound featuring distinctive compression and delay.

Guitar Amp Simulator (9 presets)

No. Patch Name Algorithm Type Input Comment

P052 GA:JazChorus Guitar Amp Insert Mono Roland JC-120 amp. Sounds more authentic when used with

Simulator chorus for mixdown.

P053 GA:CleanTwin Guitar Amp Insert Mono U.S. tube combo amp circa “black panel.”

Simulator

P054 GA:Vin.Tweed Guitar Amp Insert Mono ’50s U.S. tube amp overdrive.

Simulator

P055 GA:BluesDrv. Guitar Amp Insert Mono Old British amp crunchy overdrive.

Simulator

P056 GA:MatchLead Guitar Amp Insert Mono Hot-rodded British combo amp.

Simulator

P057 GA:StudioCmb Guitar Amp Insert Mono Favourite late ‘70s amp of studio musicians.

Simulator

P058 GA:JMP-Stack Guitar Amp Insert Mono Late ‘60s British stacks.

Simulator

VS8F-2 Preset Patch List

75

No. Patch Name Algorithm Type Input Comment

P059 GA:SLDN Lead Guitar Amp Insert Mono An ‘80s amp known for versatile distortion.

Simulator

P060 GA:5150 Lead Guitar Amp Insert Mono Big tube amp standard for American heavy metal.

Simulator

Bass (5 presets)

No. Patch Name Algorithm Type Input Comment

P061 BS:DI’edBass Vocal Multi Insert Mono Slight limiting and equalization optimized, ideal for line

recording applications.

P062 BS:MikedBass Guitar Amp Insert Mono A miked speaker box with four 12”s.

Simulator P063 BS:CompBass Stereo Multi Insert Stereo Hard-compressed sound optimized for slaps. P064 BS:Auto Wah Guitar Multi 2 Insert Mono Synth bass like sound added with auto wah essential for ‘70s funk. P065 BS:EFX Bass Stereo Delay Insert Stereo Solo-optimized sound with depth and spaciousness added

Chorus through delay and chorus.

Stereo Multi (5 presets)

No. Patch Name Algorithm Type Input Comment

P066 CL:Comp Stereo Multi Insert Stereo Stereo type compression optimized for broadcast mixing. P067 CL:Limiter Stereo Multi Insert Stereo A convenient effect for analog mastering because it can limit

peak signals. P068 EQ:Loudness Stereo Multi Insert Stereo Applies EQ curve with slightly boosted lows and highs. P069 EQ:Fat Dance Stereo Multi Insert Stereo Hard compression plus equalizing for dance music. P070 EQ:ThinJingl Stereo Multi Insert Stereo Limiter and EQ processing for FM radio and TV broadcasting.

Chorus/Flanger/Phaser/Pitch Shifter (9 presets)

No. Patch Name Algorithm Type Input Comment

P071 CH:Lt Chorus Stereo Delay Insert Stereo Natural stereo chorus with shallow depth for spacious,

Chorus crystal-clear sound.

P072 CH:Deep Cho Stereo Delay Insert Stereo Intense stereo chorus that adds depth and spaciousness to

Chorus the sound.

P073 CH:DetuneCho Stereo Pitch Insert Stereo Chorus with left and right channels separately pitch

Shifter Delay shift-detuned up and down. P074 FL:LtFlanger Stereo Flanger Insert Stereo Stereo flanger with slight modulation. P075 FL:Deep Fl Stereo Flanger Insert Stereo Deeper stereo flanger for metallic jet swooshing sound. P076 PH:Lt Phaser Stereo Phaser Insert Stereo Lighter 4-stage stereo phaser suitable for synth strings. P077 PH:DeepPhase Stereo Phaser Insert Stereo Deep phaser effective for electronic piano and clavinet sounds. P078 PS:-4thVoice Vocal Multi Insert Mono Adds sound down a fourth to the direct sound. P079 PS:ShimmerUD Stereo Pitch Insert Stereo A special effect with left channel pitch rising and right

Shifter Delay channel pitch dropping over time.

Same as Algorithm (20 presets)

No. Patch Name Algorithm Type Input Comment

P080 Reverb Reverb Snd/Rtn Mono (p. 81) P081 Delay Delay Snd/Rtn Mono (p. 82) P082 StDly-Chorus Stereo Delay Chorus Insert Stereo (p. 83) P083 StPS-Delay Pitch Shifter Delay Insert Stereo (p. 84) P084 Vocoder Vocoder Insert Mono (p. 85) P085 2ch RSS 2ch RSS Insert 2ch (p. 85) P086 Delay RSS Delay RSS Insert Mono (p. 86) P087 Chorus RSS Chorus RSS Insert Mono (p. 86)

VS8F-2 Preset Patch List

76

No. Patch Name Algorithm Type Input Comment

P088 GuitarMulti1 Guitar Multi 1 Insert Mono (p. 87) P089 GuitarMulti2 Guitar Multi 2 Insert Mono (p. 88) P090 GuitarMulti3 Guitar Multi 3 Insert Mono (p. 89) P091 Vocal Multi Vocal Multi Insert Mono (p. 90) P092 Rotary Rotary Insert Mono (p. 91) P093 GuitarAmpSim Guitar Amp Simulator Insert Mono (p. 92) P094 St Phaser Stereo Phaser Insert Stereo (p. 93) P095 St Flanger Stereo Flanger Insert Stereo (p. 94) P096 DualComp/Lim Dual Compressor/Limiter Insert 2ch (p. 95) P097 Gate Reverb Gate Reverb Snd/Rtn Mono (p. 96) P098 MultiTapDly Multi Tap Delay Insert Mono (p. 97) P099 Stereo Multi Stereo Multi Insert Stereo (p. 98)

Reverv2 (20 presets)

No. Patch Name AlgorithmType Input Comment

P100 R2:LargeHall Reverb2 Snd/Rtn Mono Large concert hall reverberation. P101 R2:SmallHall Reverb2 Snd/Rtn Mono Small hall reverberation. P102 R2:Strings Reverb2 Snd/Rtn Mono Reverberation optimized for delicate highs of strings. P103 R2:PianoHall Reverb2 Snd/Rtn Mono Rich and warm reverberation optimized for pianos. P104 R2:Orch Room Reverb2 Snd/Rtn Mono Reverberation of large-capacity rooms such as big banquet halls. P105 R2:VocalRoom Reverb2 Snd/Rtn Mono Room reverb suitable for vocals and chorus. P106 R2:MediumRm Reverb2 Snd/Rtn Mono Warm and naturally spacious room reverb. P107 R2:LargeRoom Reverb2 Snd/Rtn Mono Simulated acoustics of wide rooms with lots of reverberation. P108 R2:CoolPlate Reverb2 Snd/Rtn Mono Distinctive bright plate reverb. P109 R2:Short Plt Reverb2 Snd/Rtn Mono Shorter plate reverb. P110 R2:Vocal Plt Reverb2 Snd/Rtn Mono Crystal-clear reverb optimized for vocals. P111 R2:Soft Amb. Reverb2 Snd/Rtn Mono Simulated reverberation of a room with minimal wall reflections. P112 R2:Room Amb. Reverb2 Snd/Rtn Mono Natural reverberation of rooms with good acoustics, suitable

for drums and guitars. P113 R2:Cathedral Reverb2 Snd/Rtn Mono Acoustics of a very large, high-ceilinged church. P114 R2:Long Cave Reverb2 Snd/Rtn Mono Simulated reverberation of deep caves. P115 R2:GarageDr. Reverb2 Snd/Rtn Mono Natural reverb that enhances unique drum sounds. P116 R2:Rock Kick Reverb2 Snd/Rtn Mono Reverb with many low-frequency components, suitable for rock kicks. P117 R2:RockSnare Reverb2 Snd/Rtn Mono Rich and thick sounding reverb suitable for rock snares. P118 R2:BriteGte2 Reverb2 Snd/Rtn Mono A high-density and bright sounding gated reverb. Adjust Threshold. P119 R2:Fat Gate2 Reverb2 Snd/Rtn Mono A high-density and warm sounding gated reverb. Adjust Threshold.

Mic Simulator (22 presets)

No. Patch Name Algorithm Type Input Comment

P120 MS:57→58 Mic Simulator Insert 2ch Converts a general-purpose D. mic to a vocal D. mic. Rich

mid/low range.

P121 MS:57→421 Mic Simulator Insert 2ch Converts a general-purpose D. mic to a large D. mic. For

drums and guitar amp.

P122 MS:57→451 Mic Simulator Insert 2ch Converts a general-purpose D. mic to a small C. mic. For

acoustic guitar and cymbals.

P123 MS:57→87 Mic Simulator Insert 2ch Converts a general-purpose D. mic to a large C. mic. For

vocals and acoustic inst.

P124 MS:57→47 Mic Simulator Insert 2ch Converts a general-purpose D. mic to a vintage C. mic. For

vocals and acoustic inst.

VS8F-2 Preset Patch List

77

No. Patch Name Algorithm Type Input Comment

P125 MS:57→Line Mic Simulator Insert 2ch Cancels the characteristics of D.mic, giving the sound a flat

frequency response.

P126 MS:DR20→421 Mic Simulator Insert 2ch Converts a Roland DR-20 to an instrumental D. mic. For

drums and guitar amp.

P127 MS:DR20→451 Mic Simulator Insert 2ch Converts a Roland DR-20 to a small C. mic. For acoustic

guitar and cymbals.

P128 MS:DR20→87 Mic Simulator Insert 2ch Converts a Roland DR-20 to a large C. mic. For vocals and

acoustic inst. P129 MS:10→58 Mic Simulator Insert 2ch Converts a headset mic to a vocal D. mic. P130 MS:10→87 Mic Simulator Insert 2ch Converts a headset mic to a large C. mic. P131 MS:Mini→57 Mic Simulator Insert 2ch Converts a miniature C. mic to a general-purpose D. mic. P132 MS:Mini→87 Mic Simulator Insert 2ch Converts a miniature C. mic to a large C. mic. P133 MS:Kick&Snr1 Mic Simulator Insert 2ch For the bass drum (L channel) and snare drum (R channel)

of a drum set (1). P134 MS:Kick&Snr2 Mic Simulator Insert 2ch For the bass drum (L channel) and snare drum (R channel)

of a drum set (2). P135 MS:H.Hat&Tom Mic Simulator Insert 2ch For the hi-hat (L channel) and tom (R channel) of a drum

set. P136 MS:Dr.OvrTop Mic Simulator Insert 2ch A patch for placing mics above the drums mainly to mic the

cymbals. P137 MS:Dr.OvrAll Mic Simulator Insert 2ch A patch for placing mics above the front of the drums to mic

the entire set. P138 MS:Ac.Guitar Mic Simulator Insert 2ch For acoustic guitar. InsertL: brighter, InsertR: warmer. P139 MS:StudioVcl Mic Simulator Insert 2ch For vocals. InsertL: natural, InsertR: Rock. P140 MS:StereoMic Mic Simulator Insert 2ch Gives time-lag to a sound miked in stereo, emphasizing spa-

ciousness. P141 MS:Ambience Mic Simulator Insert 2ch Simulates ambience mics. Add reverb and mix with original source.

* D. mic: dynamic microphone * C. mic: condenser microphone

Parametric Equalizer (26 presets)

No. Patch Name Algorithm Type Input Comment

P142 PEQ:BassDrum Parametric Insert Stereo For bass drum. Adjust LowQ and HiG.

Equalizer

P143 PEQ:RockBD Parametric Insert Stereo For bass drum. A sound suitable for rock with mid-lows

Equalizer emphasized.

P144 PEQ:RockSD Parametric Insert Stereo For snare drum. Drops the mid-lows and emphasizes the

Equalizer attack and snares.

P145 PEQ:RimShot Parametric Insert Stereo For rim shot. Emphasizes the feeling of attack unique to a

Equalizer rim shot.

P146 PEQ:Toms Parametric Insert Stereo For toms. Adjust LowF and LowMidF.

Equalizer

P147 PEQ:Hi Hat Parametric Insert Stereo For the crisper hi-hat. Adjust bell sound with HiMidG.

Equalizer

P148 PEQ:Cymbals Parametric Insert Stereo For cymbals. Emphasizes the difference in tone between

Equalizer cymbals and their clarity.

P149 PEQ:Overhead Parametric Insert Stereo For drum kit. Use when miking the sound of the entire kit.

Equalizer

P150 PEQ:Bass 1 Parametric Insert Stereo For electric bass. Wide-range and tight bass sound.

Equalizer

P151 PEQ:Bass 2 Parametric Insert Stereo For electric bass. Fatter and with more punch than B50.

Equalizer For rock.

P152 PEQ:SlapBass Parametric Insert Stereo For electric bass. Settings that emphasize the accent of

Equalizer pulled notes with slap technique.

VS8F-2 Preset Patch List

78

No. Patch Name Algorithm Type Input Comment

P153 PEQ:Sax Parametric Insert Stereo For alto/soprano sax. Lower HiG for mellow sound.

Equalizer

P154 PEQ:Bari.Sax Parametric Insert Stereo For baritone sax. Adjust LoMidF.

Equalizer

P155 PEQ:ElecGtr Parametric Insert Stereo Settings that keep the lead guitar from being buried in the

Equalizer mix.

P156 PEQ:NylonGtr Parametric Insert Stereo Emphasize the tone of nylon strings. Adjust fret sound with

Equalizer HiG.

P157 PEQ:BluesGtr Parametric Insert Stereo Adds a delicate nuance suitable when playing blues on an

Equalizer acoustic guitar.

P158 PEQ:SlideGtr Parametric Insert Stereo Adds a rich feel to acoustic slide guitar. Adjust HiF.

Equalizer

P159 PEQ:LineGtr Parametric Insert Stereo For piezo pickups. Adjust brightness with HiG.

Equalizer

P160 PEQ:Male Parametric Insert Stereo Improves the tone quality of a male vocal. Adjust HiG.

Equalizer

P161 PEQ:RockMale Parametric Insert Stereo Equalizer that adds energy to a male vocal. Best for rock.

Equalizer Try with Comp.

P162 PEQ:Female Parametric Insert Stereo Improves the tone quality of a female vocal. Adjust

Equalizer LoMidG.

P163 PEQ:RockFeml Parametric Insert Stereo Equalizer that adds energy to a female vocal. Best for rock.

Equalizer Try with Comp.

P164 PEQ:Narrator Parametric Insert Stereo Standard equalizer for male narration. Brings out the

Equalizer character of the voice.

P165 PEQ:Organ Parametric Insert Stereo Settings to bring out the character of a church

Equalizer organ.

P166 PEQ:St.Piano Parametric Insert Stereo For miking piano in stereo. Left: low range, right: high

Equalizer range.

P167 PEQ:SmallCho Parametric Insert Stereo Settings that bring out the chorus without letting it conflict

Equalizer with the main vocal.

Graphic Equalizer (3 presets)

No. Patch Name Algorithm Type Input Comment

P168 GEQ:TotalEQ1 Graphic Equalizer Insert Stereo Boosts the low and high ranges. P169 GEQ:TotalEQ2 Graphic Equalizer Insert Stereo Attenuates the lows and highs to narrow the range,

tightening up the sound.

P170 GEQ:Space EQ Graphic Equalizer Insert Stereo Special settings that turn a monaural source into

stereo.

Space Chorus (3 presets)

No. Patch Name Algorithm Type Input Comment

P171 SPCHO:MODE 1 Space Chorus Insert Stereo Simulates MODE1 of the classic SDD-320 ambience processor. P172 SPCHO:MODE 2 Space Chorus Insert Stereo Simulates MODE2 of the classic SDD-320 ambience processor. P173 SPCHO:MODE 3 Space Chorus Insert Stereo Simulates MODE3 of the classic SDD-320 ambience processor.

Special Effects(16 presets)

No. Patch Name Algorithm Type Input Comment

P174 LFP:BreakBts Lo-Fi Processor Insert Stereo Reproduces the tonal change produced by lower-

ing the bit/rate of a sampled sound.

P175 LFP:1bitDist Lo-Fi Processor Insert Stereo Extreme distortion sound produced by lowering

the number of bits.

P176 LFP:TeknoFlt Lo-Fi Processor Insert Stereo Emphasizes the out-of-band noise that occurs

with low sampling rates.

VS8F-2 Preset Patch List

79

No. Patch Name Algorithm Type Input Comment

P177 LFP:Reso Flt Lo-Fi Processor Insert Stereo Filter with resonance as found on synthesizers.

Adjust CutOff.

P178 LFP:FatBotom Lo-Fi Processor Snd/Rtn Stereo Add heavy low-range for the groove. Mix with

original source. P179 VT:M to Fm Voice Transformer Insert Mono Converts a male voice into a female voice. P180 VT:Fm to M Voice Transformer Insert Mono Converts a female voice into a male voice. P181 VT:Male Duo Voice Transformer Insert Mono Turns a single male voice into a duet (by adding

a female voice). P182 VT:FemaleDuo Voice Transformer Insert Mono Turns a single female voice into a duet (by

adding a male voice). P183 VT:Robot Voice Transformer Insert Mono Special effect like a robot speaking. P184 VOC2:M19Band Vocoder2 Insert Mono Clear and crisp vocoder. P185 VOC2:S19Band Vocoder2 Insert Mono Special stereo vocoder with long decay. P186 HC:Quiet60Hz Hum Canceler Insert Stereo Cancels 60 Hz hum noise. P187 HC:Quiet50Hz Hum Canceler Insert Stereo Cancels 50 Hz hum noise. P188 VC:Vocal Cnl Vocal Canceler Insert Stereo Cancels a vocal located in the center. P189 VC:CenterCnl Vocal Canceler Insert Stereo Cancel all sound located in the center.

Same as Algorithm (14 presets)

No. Patch Name Algorithm Type Input Comment

P190 Reverb2 Reverb2 Snd/Rtn Mono (p. 99) P191 Space Chorus Space Chorus Insert Stereo (p. 100) P192 Lo-Fi Proces Lo-Fi Processor Insert Stereo (p. 100) P193 ParametricEQ Parametric Equalizer Insert 2ch (p. 101) P194 Graphic EQ Graphic Equalizer Insert 2ch (p. 102) P195 Hum Canceler Hum Canceler Insert Stereo (p. 103) P196 Vocal Cancel Vocal Canceler Insert Stereo (p. 104) P197 Voice Trans Voice Transformer Insert Mono (p. 105) P198 Vocoder2 (19) Vocoder2 Insert Mono (p. 106) P199 MicSimulator Mic Simulator Insert 2ch (p. 107) P200 3BndIsolator 3BandIsolator Insert Stereo (p. 108) P201 TapeEcho201 Tape Echo 201 Snd/Rtn Mono (p. 108) P202 AnalogFlnger Analog Flanger Insert Stereo (p. 109) P203 AnalogPhaser Analog Phaser Insert Stereo (p. 109)

Tape Echo 201 (4 presets)

No. Patch Name Algorithm Type Input Comment

P204 TE:ShortEcho Tape Echo 201 Snd/Rtn Mono Simulates short type tape echo. P205 TE:LongEcho Tape Echo 201 Snd/Rtn Mono Simulates long type tape echo. P206 TE:OldTape Tape Echo 201 Snd/Rtn Mono Simulates tape echo using an old tape. P207 TE:PanEcho Tape Echo 201 Snd/Rtn Mono Simulates tape echo in stereo.

Analog Flanger (1 preset)

No. Patch Name Algorithm Type Input Comment

P208 AF:SBF-325 Analog Flanger Insert Stereo Simulates Roland SBF-325 analog flanger.

Analog Phaser (1 preset)

No. Patch Name Algorithm Type Input Comment

P209 AP:FB-Phaser Analog Phaser Insert Stereo Simulates analog phaser with oscillation on purpose.

VS8F-2 Preset Patch List

80

This section contains explanations of each algorithm. In the “Preset Patch list sheet,” check the algorithm used by the Patch that you are starting with, and refer to this section for an explanation of the algorithm. For details on the function of each parameter, refer to the section “Function of Each Effect Parameter” (p. 110).

fig.ap(efx)-01(blk.eps)

Reverb

This algorithm adds reverberation to simulate an acoustic space such as a hall or room. A

three-band equalizer is provided on the input.

fig.ap(efx)-03(rev_blk.eps)

Effect block

Parameters within the same effect (left / right channels linked)

Audio signal

Control signal

Input L

Input R

Output L

Output R

Direct Level

ReverbEqualizer

VS8F-2 Algorithm List

81

EQ (Equalizer) (p. 110)

Sw Off, On Low Gain -12–12 dB Low Freq 20–2000 Hz Low Q 0.3–10.0 Low Type Shlv, Peak Mid Gain -12–12 dB Mid Freq 200–8000 Hz Mid Q 0.3–10.0 High Gain -12–12 dB High Freq 1.4–20.0 kHz High Q 0.3–10.0 Hi Type Shlv, Peak Level 0–100

Reverb (p. 110)

Room Size 5–40 m Time 0.1–32.0 sec PreDLY 0–200 ms Difusi 0–100 Densty 0–100 ERLvl 0–100 LF Damp Gain -36–0 dB LF Damp Freq 50–4000 Hz HF Damp Gain -36–0 dB HF Damp Freq 1.0–20.0 kHz HiCF 0.2–20.0 kHz EfxLvl -100–100 DirLvl -100–100

Delay (p. 111)

Sw Off, On Time 0–1200 ms Shift L1200–0–R1200 ms Lch FeedbackLvl -100–100 Rch FeedbackLvl -100–100 LF Damp Gain -36–0 dB LF Damp Freq 50–4000 Hz HF Damp Gain -36–0 dB HF Damp Freq 1.0–20.0 kHz Lch EfxLvl -100–100 Rch EfxLvl -100–100 DirLvl -100–100

EQ (Equalizer) (p. 110)

Sw Off, On Low Gain -12–12 dB Low Freq 20–2000 Hz Low Q 0.3–10.0 Low Type Shlv, Peak Mid Gain -12–12 dB Mid Freq 200–8000 Hz Mid Q 0.3–10.0 High Gain -12–12 dB High Freq 1.4–20.0 kHz High Q 0.3–10.0 Hi Type Shlv, Peak Level 0–100

VS8F-2 Algorithm List

82

Delay

This algorithm is a mono-input stereo-output delay. A three-band equalizer is provided on the output.

fig.ap(efx)-05(dly_blk.eps)

Input L

Feedback

Input R

Delay

Output L

Output R

Direct Level

Equalizer

Feedback

Delay (p. 111)

Sw Off, On Time 0–500 ms Shift L500–0–R500 ms Lch FeedBackLvl -100–100 Rch FeedBackLvl -100–100 Lch CrossFeedbackLvl -100–100 Rch CrossFeedback Lvl -100–100 EfxLvl -100–100 DirLvl -100–100

Chorus (p. 112)

Sw Off, On Rate 0.1–10.0 Hz Depth 0–100 PreDLY 0–50 ms Lch FeedbackLvl -100–100 Rch FeedbackLvl -100–100 Lch CrossFeedbackLvl -100–100 Rch CrossFeedbackLvl -100–100 EfxLvl -100–100 DirLvl -100–100

EQ (Equalizer) (p. 110)

Sw Off, On Low Gain -12–12 dB Low Freq 20–2000 Hz Low Q 0.3–10.0 Low Type Shlv, Peak Mid Gain -12–12 dB Mid Freq 200–8000 Hz Mid Q 0.3–10.0 High Gain -12–12 dB High Freq 1.4–20.0 kHz High Q 0.3–10.0 Hi Type Shlv, Peak Level 0–100

VS8F-2 Algorithm List

83

StDly-Chorus (Stereo Delay Chorus)

This algorithm connects a stereo delay and a stereo chorus in series. A three-band equaliz-

er is provided on the output.

fig.ap(efx)-07(sddly_blk.eps)

Chorus L

Output L

Output R

Equalizer

Chorus R

Delay L

Delay R

Cross Feedback

Input R

Input L

PShift (Pitch Shifter Delay) (p. 113)

Sw Off, On Lch Croma Pitch -12–12 Lch Fine Pitch -100–100 Rch Croma Pitch -12–12 Rch Fine Pitch -100–100 Lch PreDly 0–50 ms Rch PreDly 0–50 ms Lch FBDly 0–500 ms Rch FBDly 0–500 ms Lch FeedBackLvl -100–100 Rch FeedBackLvl -100–100 Lch CrossFeedBackLvl -100–100 Rch CrossFeedBackLvl -100–100 EfxLvl -100–100 DirLvl -100–100

EQ (Equalizer) (p. 110)

Sw Off, On Low Gain -12–12 dB Low Freq 20–2000 Hz Low Q 0.3–10.0 Low Type Shlv, Peak Mid Gain -12–12 dB Mid Freq 200–8000 Hz Mid Q 0.3–10.0 High Gain -12–12 dB High Freq 1.4–20.0 kHz High Q 0.3–10.0 Hi Type Shlv, Peak Level 0–100

VS8F-2 Algorithm List

84

StPS-Delay (Stereo Pitch Shifter Delay)

This algorithm is a stereo pitch shifter with feedback delay. A three-band equalizer is provided on the output.

fig.ap(efx)-09(pshift_blk.eps)

Output L

Output R

Equalizer

Pitch Shifter L

Delay L

Direct Level

Input L

Input R

Pitch Shifter R

Delay R

Voc (Vocoder) (p. 113)

Char 1 0–100 Char 2 0–100 Char 3 0–100 Char 4 0–100 Char 5 0–100 Char 6 0–100 Char 7 0–100 Char 8 0–100 Char 9 0–100 Char 10 0–100

Cho (Chorus) (p. 112)

Sw Off, On Rate 0.1–10.0 Hz Depth 0–100 PreDLY 0–50 ms FBLvl -100–100 EfxLvl -100–100 DirLvl -100–100

VS8F-2 Algorithm List

85

Vocoder

This algorithm is a ten-band vocoder. The instrumental sound will be split into ten frequency bands, and processed according to the frequency characteristics of the audio signal. To use the vocoder, Effect Pan for the instrument channel should be set to “L63” (send/return) or select “insL” (insert) so that input an instrumental sound into the left channel. Similarly, Effect Pan for the vocal channel should be set to “R63” (send/return) or select “insR” (insert) so that input a vocal sound into the right channel.

fig.ap(efx)-11(voc_blk.eps)

Input L (Instrument)

Input R (Mic)

Output L

Output R

ChorusVocoder

2ch RSS (2-channel RSS)

This algorithm lets you specify the spatial placement of each of the input channels. When using this algorithm, do not allow the direct sound to be output. To use INPUT A for the input, Effect Pan for the channel should be set to “L63” (send/return) or select “InsL” (insert). To use INPUT B for the input, Effect Pan for the channel should be set to “R63” (send/return) or select “InsR” (insert).

RSS (p. 64)

fig.ap(efx)-13(2rss_blk.eps)

Input A

Input B

Output L

Output R

RSS

RSS A/RSS B (p. 113)

Azimuth -180–180° Elevation -90–90°

DlyRSS (Delay RSS) (p. 113)

Time 0–1200 ms Shift L1200–0–R1200 ms C.Time 0–1200 ms RSSLvl 0–100 C-Lvl 0–100

LF Damp Gain -36–0 dB LF Damp Freq 50–4000 Hz HF Damp Gain -36–0 dB HF Damp Freq 1.0–20.0 kHz FBLvl -100–100 EfxLvl -100–100 DirLvl -100–100

VS8F-2 Algorithm List

86

Delay RSS

This algorithm is a delay with three independent delay sounds. RSS is connected to each output, left and right, and the sound of the left channel is placed 90 degrees left, and the sound of the right channel is placed 90 degrees right. Feedback can be applied to the output of the center delay.

fig.ap(efx)-15(dlyrss_blk.eps)

Output L

Output R

3 Tap Delay

Feedback

R ch Delay

L ch Delay

Center Delay

Direct Level

Input L

Input R

RSS

Chorus RSS

This algorithm is a chorus with RSS connected to the output. The sound of the left channel

is placed 90 degrees left, and the sound of the right channel is placed 90 degrees right.

fig.ap(efx)-17(chorss_blk.eps)

Input L

Input R

Chorus

Output L

Output R

Direct Level

RSS

ChoRSS (Chorus RSS) (p. 113)

Rate 0.1–10.0 Hz Depth 0–100 EfxLvl -100–100 DirLvl -100–100

Comp (Compressor) (p. 114)

Sw Off, On Sustain 0–100 Attack 0–100 Tone -50–50 Level 0–100

Metal (p. 114)

Sw Off, On Low Gain -100–100 Mid Gain -100–100 Hi Gain -100–100 Level 0–100

NS (Noise Suppressor) (p. 115)

Sw Off, On Thresh 0–100 Release 0–100

Wah (Auto Wah) (p. 115)

Sw Off, On Mode LPF, BPF Pol Down, Up Sens 0–100 Freq 0–100 Peak 0–100 Rate 0.1–10.0 Hz Depth 0–100 Level 0–100

Sim (Guitar Amp Simulator) (p. 115)

Sw Off, On Mode Small, BuiltIn, 2Stack, 3Stack

Flg (Flanger) (p. 115)

Sw Off, On Rate 0.1–10.0 Hz Depth 0–100 Manual 0–100 Reso 0–100

Dly (Delay) (p. 111)

Sw Off, On Time 0–1000 ms Shift L1000–0–R1000 ms FBTime 0–1000 ms FBLvl -100–100 EfxLvl -100–100 DirLvl -100–100

VS8F-2 Algorithm List

87

GuitarMulti1 (Guitar Multi 1)

This algorithm is a multi-effect for guitar.

fig.ap(efx)-19(gtm1_blk.eps)

Input L

Input R

Output L

Output R

Compressor

Metal

Noise

Suppressor

Guitar Amp

Simulator

DelayAuto Wah Flanger

Comp (Compressor) (p. 114)

Sw Off, On Sustain 0–100 Attack 0–100 Tone -50–50 Level 0–100

Dstr (Distortion) (p. 114)

Sw Off, On Gain 0–100 Tone 0–100 Level 0–100

NS (Noise Suppressor) (p. 115)

Sw Off, On Thresh 0–100 Release 0–100

Wah (Auto Wah) (p. 115)

Sw Off, On Mode LPF, BPF Pol Down, Up Sens 0–100 Freq 0–100 Peak 0–100 Rate 0.1–10.0 Hz Depth 0–100 Level 0–100

Sim (Guitar Amp Simulator) (p. 115)

Sw Off, On Mode Small, BuiltIn, 2Stack, 3Stack

Flg (Flanger) (p. 115)

Sw Off, On Rate 0.1–10.0 Hz Depth 0–100 Manual 0–100 Reso 0–100

Dly (Delay) (p. 111)

Sw Off, On Time 0–1000 ms Shift L1000–0–R1000 ms FBTime 0–1000 ms FBLvl -100–100 EfxLvl -100–100 DirLvl -100–100

VS8F-2 Algorithm List

88

GuitarMulti2 (Guitar Multi 2)

This algorithm is a multi-effect for guitar.

fig.ap(efx)-21(gtm2_blk.eps)

Input L

Input R

Output L

Output R

Compressor

Distortion

Noise

Suppressor

Guitar Amp

Simulator

DelayAuto Wah Flanger

Comp (Compressor) (p. 114)

Sw Off, On Sustain 0–100 Attack 0–100 Tone -50–50 Level 0–100

Ovd (OverDrive) (p. 114)

Sw Off, On Gain 0–100 Tone 0–100 Level 0–100

NS (Noise Suppressor) (p. 115)

Sw Off, On Thresh 0–100 Release 0–100

Wah (Auto Wah) (p. 115)

Sw Off, On Mode LPF, BPF Pol Down, Up Sens 0–100 Freq 0–100 Peak 0–100 Rate 0.1–10.0 Hz Depth 0–100 Level 0–100

Sim (Guitar Amp Simulator) (p. 115)

Sw Off, On Mode Small, BuiltIn, 2Stack, 3Stack

Flg (Flanger) (p. 115)

Sw Off, On Rate 0.1–10.0 Hz Depth 0–100 Manual 0–100 Reso 0–100

Dly (Delay) (p. 111)

Sw Off, On Time 0–1000 ms Shift L1000–0–R1000 ms FBTime 0–1000 ms FBLvl -100–100 EfxLvl -100–100 DirLvl -100–100

VS8F-2 Algorithm List

89

GuitarMulti3 (Guitar Multi 3)

This algorithm is a multi-effect for guitar.

fig.ap(efx)-23(gtm3_blk.eps)

Input L

Input R

Output L

Output R

Compressor

OverDrive

Noise

Suppressor

Guitar Amp

Simulator

DelayAuto Wah Flanger

NS (Noise Suppressor) (p. 115)

Sw Off, On Thresh 0–100 Release 0–100

Lmt (Limiter/De-esser) (p. 116)

Sw Off, On Mode Limiter, De-esser Thresh 0–100 Release 0–100 Sens 0–100 Freq 1.0–10.0 kHz Level 0–100

Enh (Enhancer) (p. 117)

Sw Off, On Sens 0–100 Freq 1.0–10.0 kHz MixLvl 0–100 Level 0–100

EQ (Equalizer) (p. 110)

Sw Off, On Low Gain -12–12 dB Low Freq 20–2000 Hz Low Q 0.3–10.0 Low Type Shlv, Peak Mid Gain -12–12 dB Mid Freq 200–8000 Hz Mid Q 0.3–10.0 High Gain -12–12 dB High Freq 1.4–20.0 kHz High Q 0.3–10.0 Hi Type Shlv, Peak Level 0–100

PShift (Pitch Shifter) (p. 113)

Sw Off, On Cromatic Pitch -12–12 Fine Pitch -100–100 EfxLvl -100–100 DirLvl -100–100

Dly (Delay) (p. 111)

Sw Off, On Time 0–1000 ms FBLvl -100–100 EfxLvl -100–100 DirLvl -100–100

Cho (Chorus) (p. 112)

Sw Off, On Rate 0.1–10.0 Hz Depth 0–100 PreDLY 0–50 ms EfxLvl -100–100 DirLvl -100–100

VS8F-2 Algorithm List

90

Vocal Multi

This algorithm is a multi-effect for vocals.

fig.ap(efx)-25(vm_blk.eps)

Input L

Input R

Output L

Output R

Noise

Suppressor

Limiter/

De-esser

Enhancer

Equalizer

Delay

ChorusPitch Shifter

NS (Noise Suppressor) (p. 115)

Sw Off, On Thresh 0–100 Release 0–100

Ovd (OverDrive) (p. 114)

Sw Off, On Gain 0–100 Level 0–100

Rot (Rotary) (p. 117)

LRate 0.1–10.0 Hz HRate 0.1–10.0 Hz

VS8F-2 Algorithm List

91

Rotary

This algorithm simulates a rotary speaker.

fig.ap(efx)-27(rot_blk.eps)

OverDrive Rotary

Output L

Output R

Noise Suppressor

Input L

Input R

NS (Noise Suppressor) (p. 115)

Sw Off, On Thresh 0–100 Release 0–100

Amp (Pre Amp) (p. 118)

Sw Off, On Amp Type JC-120, Clean Twin, Match Drive, BG

Lead, MS1959 I, MS1959 II, MS1959 I+II, SLDN Lead, Metal 5150, Metal Lead, OD-

1, OD-2 Turbo, Distortion, Fuzz Gain Low, Middle, High Bright Off, On Volume 0–100 Bass 0–100 Middle 0–100 Treble 0–100 Presence 0–100(-100–0) Master 0–100

Sp (Speaker Simulator) (p. 118)

Sw Off, On Sp Type Small, Middle, JC-120, Built In 1, Built In

2, Built In 3, Built In 4, BG Stack 1, BG Stack 2, MS Stack 1, MS Stack 2, Metal

Stack MicSetting 1, 2, 3 MicLevel 0–100 DirLvl 0–100

VS8F-2 Algorithm List

92

GuitarAmpSim (Guitar Amp Simulator)

This algorithm simulates a guitar amp.

fig.ap(efx)-29(sim_blk.eps)

Noise Suppressor

Pre Amp

Speaker Simulator

Output L

Output R

Input L

Input R

Phs (Phaser) (p. 116)

Sw Off, On Mode 4, 8, 12, 16 Pol Inv, Sync Rate 0.1–10.0 Hz Depth 0–100 Manual 0–100 Reso 0–100 CrossFBLvl 0–100 EfxLvl -100–100 DirLvl -100–100

EQ (Equalizer) (p. 110)

Sw Off, On Low Gain -12–12 dB Low Freq 20–2000 Hz Low Q 0.3–10.0 Low Type Shlv, Peak Mid Gain -12–12 dB Mid Freq 200–8000 Hz Mid Q 0.3–10.0 High Gain -12–12 dB High Freq 1.4–20.0 kHz High Q 0.3–10.0 Hi Type Shlv, Peak Level 0–100

VS8F-2 Algorithm List

93

St Phaser (Stereo Phaser)

This algorithm is a stereo phaser. A three-band equalizer is provided on the output.

fig.ap(efx)-31(stph_blk.eps)

Input L

Input R

Output L

Output R

Phaser L

Phaser R

Equalizer

Flg (Flanger) (p. 115)

Sw Off, On Pol Inv, Sync Rate 0.1–10.0 Hz Depth 0–100 Manual 0–100 Reso 0–100 CrossFBLvl 0–100 EfxLvl -100–100 DirLvl -100–100

EQ (Equalizer) (p. 110)

Sw Off, On Low Gain -12–12 dB Low Freq 20–2000 Hz Low Q 0.3–10.0 Low Type Shlv, Peak Mid Gain -12–12 dB Mid Freq 200–8000 Hz Mid Q 0.3–10.0 High Gain -12–12 dB High Freq 1.4–20.0 kHz High Q 0.3–10.0 Hi Type Shlv, Peak Level 0–100

VS8F-2 Algorithm List

94

St Flanger (Stereo Flanger)

This algorithm is a stereo flanger. A three-band equalizer is provided on the output.

fig.ap(efx)-33(stfl_blk.eps)

Input L

Input R

Output L

Output R

Flanger L

Flanger R

Equalizer

CmpA/CmpB (Compressor/Limiter) (p. 117)

Sw Off, On Thresh -60–0 dB Ratio 1.5:1, 2:1, 4:1, 100:1 Attack 0–100 Release 0–100 Level -60–12 dB Detect A, B, Link

NS (Noise Suppressor) (p. 115)

Sw Off, On Thresh 0–100 Release 0–100 Detect A, B, Link

VS8F-2 Algorithm List

95

DualCom/Lim (Dual Compressor/Limiter)

Two independent processors (A, B) for compressor/limiter and noise suppressor are con-

nected in series in this algorithm.

To use INPUT A for the input, Effect Pan for the channel should be set to “L63” (send/return) or select “InsL” (insert). To use INPUT B for the input, Effect Pan for the channel should be set to “R63” (send/return) or select “InsR” (insert).

fig.ap(efx)-35(cmp_blk.eps)

Input A

Input B

Compressor/Limiter A

Output L

Output R

Noise Suppressor A

Noise Suppressor B

Compressor/Limiter B

Detector in

GRev (Gate Reverb) (p. 119)

Sw Off, On Mode Normal, L→R, R→L, Revers1, Revers2 Time 10–400 ms PreDLY 0–300 ms Thick 0–100 Densty 0–100 AcDLY 0–200 ms AcLvl 0–100 AcPan L63–R63 EfxLvl -100–100 DirLvl -100–100

EQ (Equalizer) (p. 110)

Sw Off, On Low Gain -12–12 dB Low Freq 20–2000 Hz Low Q 0.3–10.0 Low Type Shlv, Peak Mid Gain -12–12 dB Mid Freq 200–8000 Hz Mid Q 0.3–10.0 High Gain -12–12 dB High Freq 1.4–20.0 kHz High Q 0.3–10.0 Hi Type Shlv, Peak Level 0–100

VS8F-2 Algorithm List

96

Gate Reverb

This algorithm is a gated reverb. A three-band equalizer is provided on the output.

fig.ap(efx)-37(grev_blk.eps)

Input L

Input R

Gate Reverb

Output L

Output R

Direct Level

Equalizer

MTD (Multi Tap Delay) (p. 111)

Time Ch1–Ch10 0–1200 ms Level Ch1–Ch10 0–100 Pan Ch1–Ch10 L63–R63 FBTim 0–1200 ms FBLvl -100–100 EfxLvl -100–100 DirLvl -100–100

EQ (Equalizer) (p. 110)

Sw Off, On Low Gain -12–12 dB Low Freq 20–2000 Hz Low Q 0.3–10.0 Low Type Shlv, Peak Mid Gain -12–12 dB Mid Freq 200–8000 Hz Mid Q 0.3–10.0 High Gain -12–12 dB High Freq 1.4–20.0 kHz High Q 0.3–10.0 Hi Type Shlv, Peak Level 0–100

VS8F-2 Algorithm List

97

MultiTapDly (Multi Tap Delay)

This algorithm is a delay in which ten delays can be set independently. A three-band

equalizer is provided on the output.

fig.ap(efx)-39(mtd_blk.eps)

Input R

Output R

Multi Tap Delay

Equalizer

Pan 1

Pan 2

Pan 10

Feedback

Diret Level

Input L

Output L

NS (Noise Suppressor) (p. 115)

Sw Off, On Thresh 0–100 Release 0–100

Cmp (Compressor/Limiter) (p. 114)

Sw Off, On Thresh -60–0 dB Ratio 1.5:1, 2:1, 4:1, 100:1, Attack 0–100 Release 0–100 Level -60–12 dB

Enh (Enhancer) (p. 117)

Sw Off, On Sens 0–100 Freq 1.0–10.0 kHz MixLvl 0–100 Level 0–100

EQ (Equalizer) (p. 110)

Sw Off, On Low Gain -12–12 dB Low Freq 20–2000 Hz Low Q 0.3–10.0 Low Type Shlv, Peak Mid Gain -12–12 dB Mid Freq 200–8000 Hz Mid Q 0.3–10.0 High Gain -12–12 dB High Freq 1.4–20.0 kHz High Q 0.3–10.0 Hi Type Shlv, Peak Level 0–100

VS8F-2 Algorithm List

98

Stereo Multi

This algorithm connects a stereo noise suppressor, stereo compressor/limiter, stereo enhancer, and a stereo equalizer in series.

fig.ap(efx)-41(stm_blk.eps)

Input L

Input R

Output L

Output R

Noise

Suppressor

Noise

Suppressor

Equalizer

Enhancer

Compressor/

Limiter

Compressor/

Limiter

Rev (Reverb) (p. 120)

Sw On, Off Type Room1, Room2, Hall1, Hall2, Plate Gate Off, On Mode Gate, Ducking Time 0.1–10.0 sec PreDLY 0–200 msec Densty 0–100 HPF Thru, 20–2000 Hz LPF 1.0–20.0 kHz, Thru Thresh 0–100 Attack 1–100 Releas 1–100 HoldT 1–100 EfxLvl 0–100 DirLvl 0–100

EQ (Equalizer) (p. 110)

Sw Off, On Low Gain -12–12 dB Low Freq 20–2000 Hz Low Q 0.3–10.0 Low Type Shlv, Peak Mid Gain -12–12 dB Mid Freq 200–8000 Hz Mid Q 0.3–10.0 High Gain -12–12 dB High Freq 1.4–20.0 kHz High Q 0.3–10.0 Hi Type Shlv, Peak Level 0–100

VS8F-2 Algorithm List

99

Reverb 2

This is a reverb that provides a gating function and a ducking function. It can be used in whichever EFX1 to EFX4. You can use two reverbs with different settings, or use it in combination with a previous reverb.

fig.ap(efx)-43(rev2_blk.eps)

Reverb

Equalizer

Input L

Input R

Direct Level

Output L

Output R

Spcho (Space Chorus) (p. 120)

Sw Off, On InModeMono, Stereo Mode 1, 2, 3, 4, 1+4, 2+4, 3+4 MixBal 0–100

VS8F-2 Algorithm List

100

Space Chorus

This is a chorus which simulates the Roland SDD-320.

fig.ap(efx)-45(spcho_blk.eps)

Space Chorus

Input L

Input R

Output L

Output R

Lo-Fi Proces (Lo-Fi Processor)

This allows you to create a “lo-fi” sound by lowering the sample rate and/or decreasing

the number of bits. Realtime modify filters connected in series allow you to reshape the

sound freely.

fig.ap(efx)-47(lofi_blk.eps)

Lo-Fi

Processor

Lo-Fi

Processor

Realtime

Modify Filter

Realtime

Modify Filter

Noise

Suppressor

Noise

Suppressor

Input L

Input R

Output L

Output R

Lo-Fi (Lo-fi Processor) (p. 121)

Sw Off, On Pre Filter Off, On Rate Off, 1/2–1/32 Bit Off, 15–1 bit Post Filter Off, On EfxLvl 0–100 DirLvl 0–100

RMF (Realtime Modify Filter) (p. 121)

Sw Off, On Type LPF, BPF, HPF CutOff 0–100 Reso 0–100 Gain 0–24 dB

NS (Noise Suppressor) (p. 115)

Thresh 0–100 Release 0–100