Roland VR-09 Implementation

MIDI Implementation

Model: V-Combo VR-09 Date: Feb. 1, 2013 Version: 1.00

1. Receive Channel

 Performance Parts and Transmission Channels

This instrument contains two sound generators: one for accompaniment (GM2) and one for keyboard performance.

Normally, data received at the MIDI IN connector will control only the sound generator for keyboard performance. However by changing the “MIDI IN Mode” setting, you can control the GM2 sound generator from MIDI In. For instructions on changing the “MIDI IN Mode,” refer to the Owner’s Manual.

For instructions on controlling each sound generator, refer to the “Received data” section.

 MIDI IN Mode

Mode Explanation MODE 1 Control the instrument as a GM2 sound generator. MODE 2 Channels 5 through 10 and Channels 12,14,15 are transmitted to the GM2 sound generator, and all other channels are transmitted to the keyboard sound generator. KEYBOARD

The correspondence between channels and parts in each mode is described below.

ch MODE1 MODE2 KEYBOARD 1 GM2 PIANO DUAL2* LOWER 2 GM2 PEDAL LOWER 3 GM2 LOWER LOWER 4 GM2 UPPER LOWER 5-10 GM2 GM2 LOWER 11 GM2 DRUM LOWER 12 GM2 GM2 LOWER 13 GM2 (Reserve) LOWER 14-15 GM2 GM2 LOWER 16 GM2 CONTROL LOWER

* Valid in dual mode if a piano sound is assigned to part 2.

All channels are sent to the lower part for keyboard performance.

2. Transmit Channel

 Keyboard and Transmit Channel

You can control external MIDI devices using the VR-09’s MIDI OUT connector. Data describing what is played on the upper part, the lower part, and the pedal part is transmitted over MIDI channels for the respective parts. Messages from the expression pedal and PC Numbers set in the Registrations are transmitted on the Control channel. The channels used for transmission can be changed individually for each Registration. For instructions on how to change the transmission channels, refer to the Owner’s Manual.

3. Receive Data

[GM2] This indicates that the message will be received if the MIDI IN Mode is MODE 1 and the unit is in GM2 mode. Use GM2 System On (p. 5) to select GM2 mode. [GM1] This indicates that the message will be received if the MIDI IN Mode is MODE 1 and the unit is in GM1 mode. Use GM1 System On (p. 5) to select GM1 mode. [VR-09] This indicates that the message will be received on the keyboard part if the MIDI IN Mode is MODE 2. For details on the keyboard part, refer to “1. Receive Channel” (p. 1).

 Channel Voice Messages

Note o [GM2] [GM1] [VR-09]

Status 2nd byte 3rd byte 8nH kkH vvH 9nH kkH 00H

n = MIDI channel number: 0H-FH (ch.1-ch.16) kk = note number: 00H-7FH (0-127) vv = note o velocity: 00H-7FH (0-127)

* The velocity values of Note O messages are ignored.

Note on [GM2] [GM1] [VR-09]

Status 2nd bytes 3rd byte 9nH kkH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16) kk = note number: 00H-7FH (0-127) vv = note on velocity: 01H-7FH (1-127)

Control Change

* The value specied by a Control Change message will not be reset even by a

Program Change, etc.

 Bank Select (Controller number 0, 32) [GM2]

Status 2nd bytes 3rd byte BnH 00H mmH BnH 20H llH

n = MIDI channel number: 0H-FH (ch.1-ch.16) mm, ll = Bank number: 00 00H-7F 7FH (bank.1-bank.16384), Initial Value = 00 00H (bank.1)

* After receiving “GM1 System On,” Bank Select messages will be ignored. After

receiving “GM2 System On,” Bank Select messages will be recognized.

* Bank Select processing will be suspended until a Program Change message is

received.

* Not Received in keyboard part. Specication of the tones used by keyboard parts is

accomplished using System Exclusive messages (p. 11).

Channel (default) Content Transmitted UPPER (4) Key information from the upper part is transmitted. LOWER (3) Key information from the lower part is transmitted. PEDAL (2) Performance information from the pedal part is transmitted. (when using a pedalboard) PIANO DUAL2 (1) Key information is transmitted if a piano sound is assigned to part 2 in dual mode. CONTROL (16) Expression pedal information and PC Numbers set in the Registrations are transmitted.

* The PC Number is transmitted when Send PC Switch is set to ON. * For more details regarding the data that is transmitted, refer to “4. Transmit Data”

(p. 7).

1PS

 Modulation (Controller number 1) [GM2] [GM1] [VR-09]

Status 2nd bytes 3rd byte BnH 01H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Modulation depth: 00H-7FH (0-127)

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MIDI Implementation

 Portamento Time (Controller number 5) [GM2] [VR-09]

Status 2nd bytes 3rd byte BnH 05H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Portamento Time: 00H-7FH (0-127), Initial value = 00H (0)

* This adjusts the rate of pitch change when Portamento is ON or when using the

Portamento Control. A value of 0 results in the fastest change.

 Data Entry (Controller number 6, 38) [GM2] [GM1]

[VR-09]

Status 2nd bytes 3rd byte BnH 06H mmH BnH 26H llH

n = MIDI channel number: 0H-FH (ch.1-ch.16) mm, ll = the value of the parameter specied by RPN/NRPN mm = MSB, ll = LSB

 Volume (Controller number 7) [GM2] [GM1] [VR-09]

Status 2nd bytes 3rd byte BnH 07H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Volume: 00H-7FH (0-127), Initial Value = 64H (100)

* Volume messages are used to adjust the volume balance of each Part. * Volume messages cannot independently control the layered parts of the keyboard

part. If you need to independently control the parts that are layered on the keyboard part, you must use system exclusive messages for the keyboard part (p.

11) [VR-09].

 Sostenuto (Controller number 66) [GM2] [VR-09]

Status 2nd bytes 3rd byte BnH 42H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Control value: 00H-7FH (0-127) 0-63 = OFF, 64-127 = ON

 Soft (Controller number 67) [GM2] [VR-09]

Status 2nd bytes 3rd byte BnH 43H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Control value: 00H-7FH (0-127) 0-63 = OFF, 64-127 = ON

* Eects may vary depending on the tone used.

 Resonance (Controller number 71) [GM2] [VR-09]

Status 2nd bytes 3rd byte BnH 47H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Control value: 00H-40H-7FH (-64-0-+63)

* With certain tones, there may be no eect at all.

 Release Time (Controller number 72) [GM2] [VR-09]

Status 2nd bytes 3rd byte BnH 48H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Control value: 00H-40H-7FH (-64-0-+63)

 Panpot (Controller number 10) [GM2] [GM1] [VR-09]

Status 2nd bytes 3rd byte BnH 0AH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = pan: 00H-40H-7FH (Left-Center-Right), Initial Value = 40H (Center)

* This does not aect eects such as reverb or rotary sound.

 Expression (Controller number 11) [GM2] [GM1]

[VR-09]

Status 2nd bytes 3rd byte BnH 0BH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Expression: 00H-7FH (0-127), Initial Value = 7FH (127)

* This adjusts the volume of a part. It can be used independently from Volume

messages. Expression messages are used for musical expression within a performance; e.g., expression pedal movements, crescendo and decrescendo.

* If received on the Control Channel while MIDI IN Mode 2 is in eect, this changes

the VR-09’s overall volume in the same manner as the expression pedal. The volume of individual keyboard parts cannot be controlled independently [VR-09].

 Hold 1 (Controller number 64) [GM2] [GM1] [VR-09]

Status 2nd bytes 3rd byte BnH 40H vvH

* With certain tones, there may be no eect at all.

 Attack Time (Controller number 73) [GM2] [VR-09]

Status 2nd bytes 3rd byte BnH 49H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Control value: 00H-40H-7FH (-64-0-+63)

* With certain tones, there may be no eect at all.

 Eect 3 (Chorus Send Level) (Controller number 93)

[GM2]

Status 2nd bytes 3rd byte BnH 5DH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Control value: 00H-7FH (0-127), Initial Value = 00H (0)

* This message adjusts the Chorus Send Level of each Part.

n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Control value: 00H-7FH (0-127)

 Portamento (Controller number 65) [GM2] [VR-09]

Status 2nd bytes 3rd byte BnH 41H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Control value: 00H-7FH (0-127) 0-63 = OFF, 64-127 = ON

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MIDI Implementation

 RPN MSB/LSB (Controller number 100, 101)

Status 2nd bytes 3rd byte BnH 65H mmH BnH 64H llH

n = MIDI channel number: 0H-FH (ch.1-ch.16) mm = upper byte of parameter number specied by RPN (MSB) ll = lower byte of parameter number specied by RPN (LSB)

* Not received when Rx.RPN = OFF. (Initial value is ON) * The value specied by RPN will not be reset even by messages such as Program

Change or Reset All Controller.

**RPN** The RPN (Registered Parameter Number) messages are expanded control changes, and each function of an RPN is described by the MIDI Standard. To use these messages, you must rst use RPN MSB and RPN LSB messages to specify the parameter to be controlled, and then use Data Entry messages to specify the value of the specied parameter. Once an RPN parameter has been specied, all Data Entry messages received on that channel will modify the value of that parameter. To prevent accidents, it is recommended that you set RPN Null (RPN Number = 7FH/7FH) when you have nished setting the value of the desired parameter.Refer to Section 6. “Examples of actual MIDI messages” <Example 4> (p. 14). On the VR-09, RPN can be used to modify the following parameters.

RPN Data entry MSB LSB MSB LSB Explanation 00H 00H mmH --- Pitch Bend Sensitivity [GM2] [GM1] [VR-09] mm: 00H-18H (0-24 semitones), Initial Value = 02H (2 semitones) ll: ignored (processed as 00H) specify up to 2 octaves in semitone steps 00H 01H mmH llH Master Fine Tuning [GM2] [GM1] [VR-09] mm, ll: 20 00H - 40 00H - 60 00H (-50 - 0 +50 cents), Initial Value = 40 00H (0 cent) ll: ignored (processed as 00h) Refer to 6. Supplementary material, “About tuning” (p. 15) 00H 02H mmH --- Master Coarse Tuning [GM2] [GM1] [VR-09] mm: 10H - 40H - 70H (-48 - 0 - +48 semitones), Initial Value = 40H (0 cent) ll: ignored (processed as 00h) 00H 05H mmH llH Modulation Depth Range [GM2] mm, ll: 00 00H - 06 00H (0 - 16384 * 600 / 16384 cent) 7FH 7FH --- --- RPN null Set condition where RPN and NRPN are unspecied. The data entry messages after set RPN null will be ignored. (No Data entry messages are required after RPN null). Settings already made will not change. mm, ll: ignored

Program Change [GM2] [GM1]

Status 2nd bytes CnH ppH

n = MIDI channel number: 0H-FH (ch.1-ch.16) pp = Program number: 00H-7FH (prog.1-prog.128)

* After a Program Change message is received, the sound will change beginning with

the next Note-on. Voices already sounding when the Program Change message

was received will not be aected. * Not Received in keyboard part. * Specication of the tones used by keyboard parts is accomplished using System

Exclusive messages (p. 11).

Channel Pressure [GM2] [GM1]

Status 2nd bytes DnH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Channel Pressure: 00H-7FH (0-127)

Pitch Bend Change [GM2] [GM1] [VR-09]

Status 2nd byte 3rd bytes EnH llH mmH

n = MIDI channel number: 0H-FH (ch.1-ch.16) mm, ll = Pitch Bend value: 00 00H - 40 00H - 7F 7FH

(-8192 - 0 - +8191)

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MIDI Implementation

 Channel Mode Messages

All Sounds O (Controller number 120) [GM2] [VR-09]

Status 2nd byte 3rd bytes BnH 78H 00H

n = MIDI channel number: 0H-FH (ch.1-ch.16)

* When this message is received, all notes currently sounding on the corresponding

channel will be turned o.

Reset All Controllers (Controller number 121) [GM2]

Status 2nd byte 3rd byte BnH 79H 00H

n = MIDI channel number: 0H - FH (Ch.1 - 16)

* When this message is received, the following controllers will be set to their reset

values.

Controller Reset value Pitch Bend Change ±0 (center) Polyphonic Key Pressure 0 (o) Channel Pressure 0 (o) Modulation 0 (o) Expression 127 (max) However, the controller will be at minimum. Hold 1 0 (o ) Sostenuto 0 (o ) Soft 0 (o ) RPN unset; previously set data will not change NRPN unset; previously set data will not change

MONO (Controller number 126) [GM2] [VR-09]

Status 2nd byte 3rd bytes BnH 7EH mmH

n = MIDI channel number: 0H-FH (ch.1-ch.16) mm = mono number: 00H-10H (0-16)

* The same processing will be carried out as when All Sounds O and All Notes O is

received, and the corresponding channel will be set to Mode 4 (M = 1) regardless of the value of “mono number.”

POLY (Controller number 127) [GM2] [VR-09]

Status 2nd byte 3rd bytes BnH 7FH 00H

n = MIDI channel number: 0H-FH (ch.1-ch.16)

* The same processing will be carried out as when All Sounds O and All Notes O is

received, and the corresponding channel will be set to Mode 3.

Active Sensing

Status FEH

* Once an Active Sensing message is received, the unit will begin monitoring the

interval between all subsequent messages. If there is an interval of 420 ms or longer between messages while monitoring is active, the same processing as when All Sound O, All Notes O, and Reset All Controllers messages are received will be carried out. The unit will then stop monitoring the message interval.

All Notes O (Controller number 123) [GM2] [GM1]

[VR-09]

Status 2nd byte 3rd bytes BnH 7BH 00H

n = MIDI channel number: 0H-FH (ch.1-ch.16)

* When All Notes O is received, all notes on the corresponding channel will be

turned o. However if Hold 1 or Sostenuto is ON, the sound will be continued until these are turned o.

OMNI OFF (Controller number 124) [GM2] [VR-09]

Status 2nd byte 3rd bytes BnH 7CH 00H

n = MIDI channel number: 0H-FH (ch.1-ch.16)

* The same processing will be carried out as when All Notes O is received.

OMNI ON (Controller number 125) [GM2] [VR-09]

Status 2nd byte 3rd bytes BnH 7DH 00H

n = MIDI channel number: 0H-FH (ch.1-ch.16)

* OMNI ON is only recognized as “All notes o”; the Mode doesn’t change (OMNI OFF

remains).

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MIDI Implementation

 System Exclusive Messages

Status Data byte Status

F0H iiH, ddH, ......, eeH F7H

F0H: System Exclusive Message status ii = ID number: ID number (manufacturer ID) to indicate the manufacturer whose Exclusive message this is. Roland’s manufacturer ID is 41H. ID numbers 7EH and 7FH are extensions of the MIDI standard; Universal Non-realtime Messages (7EH) and Universal Realtime Messages (7FH). dd,...,ee = data: 00H-7FH (0-127) F7H: EOX (End of Exclusive)

The System Exclusive Messages received by the VR-09 are; messages related to mode settings, Universal Realtime System Exclusive messages, Universal Non-realtime System Exclusive messages and Data Set (DT1).

System exclusive messages related to mode settings

These messages are used to initialize a device to General MIDI mode or change the operating mode. When creating performance data, a “GM2 System On” or “GM1 System On” message should be inserted at the beginning of a General MIDI score. Each song should contain only one mode message as appropriate for the type of data. (Do not insert two or more mode setting messages in a single song.)

 GM1 System On

Status Data byte Status F0H 7EH, 7FH, 09H, 01H F7H

Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) 7FH Device ID (Broadcast) 09H Sub ID#1 (General MIDI Message) 01H Sub ID#2 (General MIDI 1 On) F7H EOX (End of Exclusive)

* When this messages is received, this instrument will turn to the GM mode. * Not received in keyboard part.

 GM2 System On

Status Data byte Status F0H 7EH, 7FH, 09H, 03H F7H

Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) 7FH Device ID (Broadcast) 09H Sub ID#1 (General MIDI Message) 03H Sub ID#2 (General MIDI 2 On) F7H EOX (End of Exclusive)

Universal Non-realtime System Exclusive Messages

 Identity Reply Message

Status Data byte Status F0H 7EH, dev, 06H, 01H F7H

Byte Explanation F0H Exclusive status 7EH ID number (universal non-realtime message) dev Device ID (10H, 7FH) 06H Sub ID#1 (General Information) 01H Sub ID#2 (Identity Request) F7H EOX (End of Exclusive)

* When this message is received, this unit will transmit the appropriate Identity Reply

message (p. 8).

Universal Realtime System Exclusive Messages

 Master volume [GM2]

Status Data byte Status F0H 7FH, 7FH, 04H, 01H, llH, mmH F7H

Byte Explanation F0H Exclusive status 7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control messages) 01H Sub ID#2 (Master Volume) llH Master volume lower byte mmH Master volume upper byte F7H EOX (End of Exclusive)

* The lower byte (llH) of Master Volume will be handled as 00H.

 Master Fine Tuning [GM2]

Status Data byte Status F0H 7FH, 7FH, 04H, 03H, llH, mmH F7H

Byte Explanation F0H Exclusive status 7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control) 03H Sub ID#2 (Master Fine Tuning) llH Master Fine Tuning LSB mmH Master Fine Tuning MSB F7H EOX (End of Exclusive)

mm, ll: 00 00H - 40 00H - 7F 7FH (-100 - 0 - +99.9 [cents])

 Master Coarse Tuning [GM2]

Status Data byte Status F0H 7FH, 7FH, 04H, 04H, llH, mmH F7H

* When this messages is received, this instrument will turn to the GM mode. * Not received in keyboard part.

 GM System O

Status Data byte Status F0H 7EH, 7F, 09H, 02H F7H

Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) 7FH Device ID (Broadcast) 09H Sub ID#1 (General MIDI Message) 02H Sub ID#2 (General MIDI O ) F7H EOX (End of Exclusive)

* Not Received in keyboard part. * This message has no meaning for this unit.

Byte Explanation F0H Exclusive status 7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control messages) 04H Sub ID#2 (Master Coarse Tuning) llH Master Coarse Tuning LSB mmH Master Coarse Tuning MSB F7H EOX (End of Exclusive)

llH: ignored (processed as 00H) mmH: 28H - 40H - 58H (-24 - 0 - +24 [semitones])

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MIDI Implementation

Global Parameter Control

 Channel Pressure [GM2]

Status Data byte Status F0H 7FH, 7FH, 09H, 01H, 0nH, ppH, rrH F7H

Byte Explanation F0H Exclusive status 7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 09H Sub ID#1 (Controller Destination Setting) 01H Sub ID#2 (Channel Pressure) 0nH MIDI Channel (00 - 0F) ppH Controlled parameter rrH Controlled range pp=0 (Pitch Control) rr = 28H - 58H (-24 - +24 [semitones]) pp=1 (Filter Cuto Control) rr = 00H - 7FH (-9600 - +9450 [cents]) pp=2 (Amplitude Control) rr = 00H - 7FH (0 - 200%) pp=3 (LFO Pitch Depth) rr = 00H - 7FH (0 - 600 [cents]) pp=4 (LFO Filter Depth) rr = 00H - 7FH (0 - 2400 [cents]) pp=5 (LFO Amplitude Depth) rr = 00H - 7FH (0 - 100%) F7H EOX (End of Exclusive)

 Controller [GM2]

Status Data byte Status F0H 7FH, 7FH, 09H, 03H, 0nH, ccH, ppH, rrH F7H

Byte Explanation F0H Exclusive status 7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 09H Sub ID#1 (Controller Destination Setting) 03H Sub ID#2 (Control Change) 0nH MIDI Channel (00 - 0F) ccH Controller number (01 - 1F, 40 - 5F) ppH Controlled parameter rrH Controlled range pp=0 (Pitch Control) rr = 28H - 58H (-24 - +24 [semitones]) pp=1 (Filter Cuto Control) rr = 00H - 7FH (-9600 - +9450 [cents]) pp=2 (Amplitude Control) rr = 00H - 7FH (0 - 200%) pp=3 (LFO Pitch Depth) rr = 00H - 7FH (0 - 600 [cents]) pp=4 (LFO Filter Depth) rr = 00H - 7FH (0 - 2400 [cents]) pp=5 (LFO Amplitude Depth) rr = 00H - 7FH (0 - 100%) F7H EOX (End of Exclusive)

 Scale/Octave Tuning Adjust [GM2]

Status Data byte Status F0H 7EH, 7FH, 08H, 08H, H, ggH, hhH, ssH... F7H

Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) 7FH Device ID (Broadcast) 08H Sub ID#1 (MIDI Tuning Standard) 08H Sub ID#2 (scale/octave tuning 1-byte form) H Channel/Option byte 1 bits 0 to 1 = channel 15 to 16 bit 2 to 6 = Undened ggH Channel byte 2 bits 0 to 6 = channel 8 to 14 hhH Channel byte 3 bits 0 to 6 = channel 1 to 7 ssH 12 byte tuning oset of 12 semitones from C to B 00H = -64 [cents] 40H = 0 [cents] (equal temperament) 7FH = +63 [cents] F7H EOX (End of Exclusive)

 Key-based Instrument Controllers [GM2]

Status Data byte Status F0H 7FH, 7FH, 0AH, 01H, 0nH, kkH, nnH, vvH F7H

Byte Explanation F0H Exclusive status 7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 0AH Sub ID#1 (Key-Based Instrument Control) 01H Sub ID#2 (Controller) 0nH MIDI Channel (00 - 0F) kkH Key Number nnH Control Number vvH Value nn=07H (Level) vv = 00H - 7FH (0 - 200% (Relative)) nn=0AH (Pan) vv = 00H - 7FH (Left - Right (Absolute)) nn=5BH (Reverb Send) vv = 00H - 7FH (0 - 127 (Absolute)) nn=5D (Chorus Send) vv = 00H - 7FH (0 - 127 (Absolute)) : : F7 EOX (End of Exclusive)

* This parameter aects drum instruments only.

6

MIDI Implementation

Data transmission

VR-09 can receive the various parameters using System Exclusive messages. When keyboard part in MIDI IN Mode: Mode 2, the exclusive message has a model ID of 62H and a device ID of 10H (17).

 Data set 1 DT1

This is the message that actually performs data transmission, and is used when you wish to transmit the data.

Status Data byte Status F0H 41H, 10H, iiH, 12H, aaH, bbH, ccH, F7H ddH, ... eeH, sum F0H 41H, 10H, nnH, nnH, nnH, 12H, aaH, F7H (VR-09 Synth bbH, ccH, ddH, ... eeH, sum Section)

Byte Explanation F0H Exclusive status 41H ID number (Roland) 10H Device ID iiH Model ID (Keyboard part: 62H) nnH VR-09 Synth Section Model ID (00H 00H 71H) 12H Command ID (DT1) aaH Address MSB: upper byte of the starting address of the transmitted data bbH Address: middle byte of the starting address of the transmitted data ccH Address LSB: lower byte of the starting address of the transmitted data ddH Data: the actual data to be transmitted. Multiple bytes of data are transmitted starting from the address. : : : : eeH Data sum Checksum F7H EOX (End of Exclusive)

* The amount of data that can be transmitted at one time depends on the type of

data, and data can be received only from the specied starting address and size. Refer to the Address and Size given in “5. Parameter Address Map” (p. 11).

* Data larger than 128 bytes must be divided into packets of 128 bytes or less. If

“Data Set 1” is transmitted successively, there must be an interval of at least 40 ms between packets.

* Regarding the checksum please refer to “Example of an Exclusive Message and

Calculating a Checksum” (p. 14).

4. Transmit Data

 Channel Voice Messages

Note o

Status 2nd byte 3rd byte 8nH kkH 40H

n = MIDI channel number: 0H-FH (ch.1-ch.16) kk = note number: 24H-60H (36-96) * When the transpose is set to 0.

* Note o message is sent out with the velocity of 40H.

Note on

Status 2nd bytes 3rd byte 9nH kkH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16) kk = note number: 24H-60H (36-96) * When the transpose is set to 0. vv = note on velocity: 0AH-7FH (10-127)

Control Change

 Bank Select (Controller number 0, 32)

Status 2nd bytes 3rd byte BnH 00H mmH BnH 20H llH

n = MIDI channel number: 0H-FH (ch.1-ch.16) Initial Value = FH (ch.16) mm, ll = Bank number: 00 00H - 7F 7FH (bank.1-bank.16384)

* The bank number stored in the registration will be transmitted on the control

channel.

 Expression (Controller number 11)

Status 2nd bytes 3rd byte BnH 0BH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Expression: 00H-7FH (0-127)

* These are transmitted via the Control Channel.

 Hold 1 (Controller number 64)

Status 2nd bytes 3rd byte BnH 40H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Control value: 00H-7FH (0-127)

Program Change

Status 2nd bytes CnH ppH

n = MIDI channel number: 0H-FH (ch.1-ch.16) pp = Program number: 00H-7FH (prog.1-prog.128)

* Program numbers stored in the Registrations are transmitted via the Control

Channel.

7

MIDI Implementation

Pitch Bend Range

Status 2nd bytes 3rd bytes EnH IIH mmH

n = MIDI channel number: 0H-FH (ch.1-ch.16) pp = Program number: 00 00H-40 00H-7F 7FH (-8192 -0- +8192)

 System Realtime Message

Realtime Clock

Status F8H

Start

Status FAH

* Transmitted when a song is started in Composer.

Continue

Status FBH

* Transmitted when a song is started in Composer from a point other than the

beginning of the song.

 System Exclusive Messages

Universal Non-realtime System Exclusive Message

 Identity Reply Message

Reply messages vary according to the MIDI IN mode.

(When MIDI In Mode is set to Mode 1)

Status Data byte Status F0H 7EH, 10H, 06H, 02H, 41H, 42H, 00H, F7H 00H, 1CH, 00H, 01H, 00H, 00H

Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) 10H Device ID 06H Sub ID#1 (General Information) 02H Sub ID#2 (Identity Reply) 41H ID number (Roland) 42H Device family code (LSB) 00H Device family code (MSB) 00H Device family number code (LSB) 1CH Device family number code (MSB) 00H Software revision level 01H Software revision level 00H Software revision level 00H Software revision level F7H EOX (End of Exclusive)

Stop

Status FCH

* Transmitted when Composer is stopped.

Active Sensing

Status FEH

* This will be transmitted constantly at intervals of approximately 250 ms.

(When MIDI In Mode is set to Mode 2 or KEYBOARD)

Status Data byte Status F0H 7EH, 10H, 06H, 02H, 41H, 62H, 00H, F7H 00H, 06H, 00H, 01H, 00H, 00H

Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) 10H Device ID 06H Sub ID#1 (General Information) 02H Sub ID#2 (Identity Reply) 41H ID number (Roland) 62H Device family code (LSB) 00H Device family code (MSB) 00H Device family number code (LSB) 06H Device family number code (MSB) 00H Software revision level 01H Software revision level 00H Software revision level 00H Software revision level F7H EOX (End of Exclusive)

8

MIDI Implementation

System exclusive messages associated with MIDI Visual

Control

 MIDI Visual Control ON

Status Data byte Status F0H 7EH, dev, 0CH, 01H, 10H, 00H, 00H, F7H 01H, 0FH, 0FH, sum

Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) dev Device ID (xed at 00H) 0CH Sub ID#1 01H Sub ID#2 10H Address MSB 00H Address 00H Address LSB 01H Data (MIDI Visual Control ON) 0FH Data (Clip Ctrl Rx MIDI ch: 16) 0FH Data (ColorCtrl Rx MIDI ch: 16) sum Checksum F7H EOX (End of Exclusive)

 MIDI Visual Control OFF

Status Data byte Status F0H 7EH, dev, 0CH, 01H, 10H, 00H, 00H, F7H 00H, sum

Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) dev Device ID (xed at 00H) 0CH Sub ID#1 01H Sub ID#2 10H Address MSB 00H Address 00H Address LSB 00H Data (MIDI Visual Control OFF) sum Checksum F7H EOX (End of Exclusive)

 KEYBOARD RANGE

Status Data byte Status F0H 7EH, dev, 0CH, 01H, 10H, 30H, 02H, F7H 55H, 60H, sum

Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) dev Device ID (xed at 00H) 0CH Sub ID#1 01H Sub ID#2 10H Address MSB 30H Address 02H Address LSB 55H Data (Keyboard Range Lower) 60H Data (Keyboard Range Upper) sum Checksum F7H EOX (End of Exclusive)

 NOTE MESSAGE ENABLED ASSIGNABLE

Status Data byte Status F0H 7EH, dev, 0CH, 01H, 10H, 00H, 03H, F7H 01H, sum

Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) dev Device ID (xed at 00H) 0CH Sub ID#1 01H Sub ID#2 10H Address MSB 00H Address 03H Address LSB 01H Data (Assignable) sum Checksum F7H EOX (End of Exclusive)

 NOTE MESSAGE ENABLED OFF

Status Data byte Status F0H 7EH, dev, 0CH, 01H, 10H, 00H, 03H, F7H 00H, sum

Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) dev Device ID (xed at 00H) 0CH Sub ID#1 01H Sub ID#2 10H Address MSB 00H Address 03H Address LSB 00H Data (OFF) sum Checksum F7H EOX (End of Exclusive)

System exclusive messages related to V-LINK settings

 V-LINK ON

Status Data byte Status F0H 41H, dev, 00H, 51H, 12H, 10H, 00H, 00H, F7H 01H, 0FH, 0FH, sum

Byte Explanation F0H Exclusive status 41H ID number dev Device ID (xed at 10H) 00H Model ID#1 (DV-7PR) 51H Model ID#2 (DV-7PR) 12H Command ID (DT1) 10H Address MSB 00H Address 00H Address LSB 01H Data (V-LINK ON) 0FH Data (Clip Ctrl Rx MIDI ch:16) 0FH Data (ColorCtrl Rx MIDI ch:16) sum Checksum F7H EOX (End of Exclusive)

9

MIDI Implementation

 V-LINK OFF

Status Data byte Status F0H 41H, dev, 00H, 51H, 12H, 10H, 00H, 00H, F7H 00H, sum

Byte Explanation F0H Exclusive status 41H ID number dev Device ID (xed at 10H) 00H Model ID#1 (DV-7PR) 51H Model ID#2 (DV-7PR) 12H Command ID (DT1) 10H Address MSB 00H Address 00H Address LSB 00H Data (V-LINK OFF) sum Checksum F7H EOX (End of Exclusive)

 KEYBOARD RANGE

Status Data byte Status F0H 41H, dev, 00H, 51H, 12H, 10H, 30H, 02H, F7H 55H, 60H, sum

Byte Explanation F0H Exclusive status 41H ID number dev Device ID (xed at 10H) 00H Model ID#1 (DV-7PR) 51H Model ID#2 (DV-7PR) 12H Command ID (DT1) 10H Address MSB 30H Address 02H Address LSB 55H Data (Keyboard Range Lower) 60H Data (Keyboard Range Upper) sum Checksum F7H EOX (End of Exclusive)

 NOTE MESSAGE ENABLED OFF

Status Data byte Status F0H 41H, dev, 00H, 51H, 12H, 10H, 00H, 03H, F7H 00H, sum

Byte Explanation F0H Exclusive status 41H ID number dev Device ID (xed at 10H) 00H Model ID#1 (DV-7PR) 51H Model ID#2 (DV-7PR) 12H Command ID (DT1) 10H Address MSB 00H Address 03H Address LSB 00H Data (OFF) sum Checksum F7H EOX (End of Exclusive)

 NOTE MESSAGE ENABLED ASSIGNABLE

Status Data byte Status F0H 41H, dev, 00H, 51H, 12H, 10H, 00H, 03H, F7H 02H, sum

Byte Explanation F0H Exclusive status 41H ID number dev Device ID (xed at 10H) 00H Model ID#1 (DV-7PR) 51H Model ID#2 (DV-7PR) 12H Command ID (DT1) 10H Address MSB 00H Address 03H Address LSB 02H Data (assignable) sum Checksum F7H EOX (End of Exclusive)

10

MIDI Implementation

5. Parameter Address Map

This map indicates address, size, Data (range), Parameter, Description, and Default Value of parameters which can be transferred using and “Data set 1 (DT1).” All the numbers of address, size, Data, and Default Value are indicated in 7-bit Hexadecimal-form.

VR-09 [Keyboard part: ModelID = 62H]

* Addresses marked at “#” cannot be used as starting addresses.

+------------------------------------------------------------------------------+ | Start | | | Address | Description | |-------------+----------------------------------------------------------------| | 00 00 00 | System | |-------------+----------------------------------------------------------------| | 01 01 00 | Upper Part Information (PIANO) | | 01 02 00 | Upper Part Information (SYNTH DUAL2) | | 01 03 00 | Upper Part Information (SYNTH) | |-------------+----------------------------------------------------------------| | 01 11 00 | Lower Part Information (PIANO LOWER) | | 01 13 00 | Lower Part Information (SYNTH LOWER) | |-------------+----------------------------------------------------------------| | 01 31 00 | Upper Part Information (PIANO DUAL2) | |-------------+----------------------------------------------------------------| | 01 41 00 | DRUM Part Information | |-------------+----------------------------------------------------------------| | 02 00 00 | ORGAN Information (UPPER) | | 02 01 00 | ORGAN Information (LOWER) | | 02 02 00 | ORGAN Information (PEDAL) | +------------------------------------------------------------------------------+

* System +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | 00 00 | 0000 0aaa | REVERB TYPE (2, 3, 4, 5, 7) | | | | [REVERB VARIATION = 00h] | | | | 2:ROOM, 3:HALL, 5:PLATE, 7:SPRING | | | | [REVERB VARIATION = 01h] | | | | 3:CATHEDRAL, 4:STAGE | |# 00 01 | 0aaa aaaa | REVERB LEVEL (0 - 127) | | 00 02 | 0000 000a | ROTARY ON/OFF (0 - 1) | | | | OFF, ON | | 00 03 | 0000 000a | ROTARY FAST/SLOW (0 - 1) | | | | SLOW, FAST | | 00 23 | 0aaa aaaa | SONG LEVEL (0 - 127) | | 00 25 | 0aaa aaaa | RHYTHM LEVEL (0 - 127) | | 00 29 | 0000 0aaa | WALL TYPE (0 - 7) | | | | DRAPERY, CARPET, ACOUSTIC TILE,| | | | WOOD, BRICK, PLASTER,| | | | CONCRETE BLOCK, MARBLE | | 00 2A | 0000 000a | REVERB VARIATION (0 - 1) | | 00 2B | 0000 aaaa | TRANSPOSE (0 - 11) | | | | Ab, A, Bb, B, C, C#, D, Eb, E, F, F#, G | | 00 2E | 0000 aaaa | INITIAL TOUCH (1 - 11) | | | | OFF, 1 - 10 | | 00 36 | 0000 00aa | N.CONTROL (0 - 3) | | | | N.CONTROL 1 OFF, ON | | | | N.CONTROL 2 OFF, ON | | 00 38 | 0000 0aaa | VIBRATO / CHORUS TYPE (0 - 5) | | | | V-1, V-2, V-3, C-1, C-2, C-3 | | 00 3C | 0aaa aaaa | ORGAN LEVEL (0 - 127) | | 00 3D | 0000 00aa | EXPRESSION CURVE (0 - 3) | | 00 3E | 00aa aaaa | D-BEAM TYPE (0, 1, 7, 9, 12, 13, 14, 18, 19,| | | | 21 - 34) | | | | OFF, PITCH, ROTARY FAST/SLOW,| | | | MODULATION, N.CONTROL 1, N.CONTROL 2,| | | | CRASH CYMBAL, BIG GONG, WIND CHIME DOWN,| | | | VIBRASLAP, WIND WHISTLE, BIG SHOT,| | | | SMASH GLASS, WHEEL BRAKE, SCRATCH 1,| | | | SPRING SHOCK, SCRATCH 2, REVERSE CYM,| | | | TR KICK, TR CYMBAL, EXPLOSION,| | | | SCI-FI BEAM, LASER SHOT | | 00 3F | 0aaa aaaa | OVERDRIVE (0 - 127) | | 00 40 | 0aaa aaaa | ORGAN EQ HIGH (52 - 76) | | | | -12 - +12 | | 00 41 | 0aaa aaaa | ORGAN EQ LOW (52 - 76) | | | | -12 - +12 | | 00 42 | 0000 00aa | ORGAN TYPE (0 - 2) | | | | JAZZ, ROCK, TRANSISTOR | | 00 43 | 0000 000a | ROTARY TYPE (0 - 1) | | | | TYPE 1, TYPE 2 | | 00 44 | 0aaa aaaa | ROTARY WOOFER SLOW SPEED (0 - 127) | | 00 45 | 0aaa aaaa | ROTARY WOOFER FAST SPEED (0 - 127) | | 00 46 | 0000 aaaa | ROTARY WOOFER ACCEL (0 - 15) | | 00 47 | 0aaa aaaa | ROTARY TWEETER SLOW SPEED (0 - 127) | | 00 48 | 0aaa aaaa | ROTARY TWEETER FAST SPEED (0 - 127) | | 00 49 | 0000 aaaa | ROTARY TWEETER ACCEL (0 - 15) | | 00 4A | 0aaa aaaa | LEAKAGE LEVEL (0 - 127) | | 00 4B | 000a aaaa | ON CLICK (0 - 31) | | 00 4C | 000a aaaa | OFF CLICK (0 - 31) | | 00 4E | 000a aaaa | PERCUSSION SOFT NORMAL (0 - 15, 18) | | | | SOFT: 0 - 15 | | | | NORMAL: 18 | | 00 4F | 0000 aaaa | L FOOT SWITCH (0, 3, 4, 9 , 10, 12, 13, 14) | | | | ROTARY FAST/SLOW, RHYTHM START/STOP,| | | | SONG START/STOP, DAMPER OF UPPER,| | | | DAMPER OF LOWER, N.CONTROL 1,| | | | N.CONTROL 2, OFF | | 00 50 | 0000 aaaa | R FOOT SWITCH (0, 3, 4, 9 , 10, 12, 13, 14) | | | | ROTARY FAST/SLOW, RHYTHM START/STOP,| | | | SONG START/STOP, DAMPER OF UPPER,| | | | DAMPER OF LOWER, N.CONTROL 1,|

* Upper Part Information +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | 00 00 | 0000 000a | MUTE (0 - 1) | | | | OFF, MUTE | | 00 01 | 0aaa aaaa | TONE NUMBER (0 - 127) | |# 00 02 | 0bbb bbbb | BANK SELECT MSB (0 - 127) | |# 00 03 | 0ccc cccc | BANK SELECT LSB (0 - 127) | | | | * Refer to the Tone List (p. 15) | | 00 04 | 0aaa aaaa | VOLUME (0 - 127) | | 00 07 | 0aaa aaaa | OCTAVE SHIFT (28, 40, 52, 64, 76, 88, 100) | | | | -3 - +3 | | 00 3A | 0aaa aaaa | CUTOFF (0 - 127) | | 00 59 | 0aaa aaaa | RESONANCE (0 - 127) | | 00 5A | 0aaa aaaa | ATTACK (0 - 127) | | 00 5B | 0aaa aaaa | DECAY (0 - 127) | | 00 5C | 0aaa aaaa | RELEASE (0 - 127) | | 00 63 | 0000 00aa | PORTAMENTO SWITCH (0 - 2) | | | | OFF, ON, DEFAULT | | 00 64 | 0aaa aaaa | PORTAMENTO TIME (0 - 127) | +------------------------------------------------------------------------------+

* Lower Part Information +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | 00 00 | 0000 000a | MUTE (0 - 1) | | | | OFF, MUTE | | 00 01 | 0aaa aaaa | TONE NUMBER (0 - 127) | |# 00 02 | 0bbb bbbb | BANK SELECT MSB (0 - 127) | |# 00 03 | 0ccc cccc | BANK SELECT LSB (0 - 127) | | | | * Refer to the Tone List (p. 15) | | 00 04 | 0aaa aaaa | VOLUME (0 - 127) | | 00 07 | 0aaa aaaa | OCTAVE SHIFT (28, 40, 52, 64, 76, 88, 100) | | | | -3 - +3 | | 00 3A | 0aaa aaaa | CUTOFF (0 - 127) | | 00 59 | 0aaa aaaa | RESONANCE (0 - 127) | | 00 5A | 0aaa aaaa | ATTACK (0 - 127) | | 00 5B | 0aaa aaaa | DECAY (0 - 127) | | 00 5C | 0aaa aaaa | RELEASE (0 - 127) | | 00 63 | 0000 00aa | PORTAMENTO SWITCH (0 - 2) | | | | OFF, ON, DEFAULT | | 00 64 | 0aaa aaaa | PORTAMENTO TIME (0 - 127) | +------------------------------------------------------------------------------+

* DRUM Part Information +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | 00 00 | 0000 000a | MUTE (0 - 1) | | | | OFF, MUTE | | 00 01 | 0aaa aaaa | TONE NUMBER (0 - 127) | |# 00 02 | 0bbb bbbb | BANK SELECT MSB (0 - 127) | |# 00 03 | 0ccc cccc | BANK SELECT LSB (0 - 127) | | | | * Refer to the Tone List (p. 15) | | 00 04 | 0aaa aaaa | VOLUME (0 - 127) | +------------------------------------------------------------------------------+

* ORGAN Information +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | 00 00 | 0000 000a | MUTE (0 - 1) | | | | OFF, MUTE | | | | * This affects all Organ regardless of | | | | the organ part number.| | 00 03 | 0000 aaaa | LEVEL 16’ (0 - 8) | | 00 04 | 0000 aaaa | LEVEL 5 1/3’ (0 - 8) | | 00 05 | 0000 aaaa | LEVEL 8’ (0 - 8) | | 00 06 | 0000 aaaa | LEVEL 4’ (0 - 8) |

11

MIDI Implementation

VR-09 [Keyboard part (synth section): ModelID = 00H

00H 71H]

* In the case of addresses marked by #, the data is divided into multiple pieces for

transmission. For example, hexadecimal data ABH would be divided into 0AH and 0BH, and transmitted and received in that order.

* Addresses and parameters marked by <*> will be ignored even if received by the

VR-09.

+------------------------------------------------------------------------------+ | Start | | | Address | Description | |-------------+----------------------------------------------------------------| | 18 00 00 00 | Temporary Synth Set | | 19 21 00 00 | Temporary Synth Tone (Upper 2) | | 19 41 00 00 | Temporary Synth Tone (Upper 1) | | 1A 21 00 00 | Temporary Synth Tone (Lower) | +------------------------------------------------------------------------------+

* Synth Set +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | 00 21 00 | Synth Set Part (Upper 2) | | 00 22 00 | Synth Set Part (Upper 1) | | 00 25 00 | Synth Set Part (Lower) | +------------------------------------------------------------------------------+

* Synth Tone +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | 00 00 00 | Synth Tone Common | | 00 01 00 | Synth Tone Partial (1) | | 00 02 00 | Synth Tone Partial (2) | | 00 03 00 | Synth Tone Partial (3) | +------------------------------------------------------------------------------+

* Synth Set Part +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | 00 00 | 0000 000a | (reserve) <*> | | 00 01 | 0000 000a | (reserve) <*> | | 00 02 | 0000 000a | (reserve) <*> | | 00 03 | 0000 000a | (reserve) <*> | | 00 04 | 0000 000a | (reserve) <*> | | 00 05 | 0000 000a | (reserve) <*> | | 00 06 | 0aaa aaaa | Tone Bank Select MSB (CC# 0) (0 - 127) | | 00 07 | 0aaa aaaa | Tone Bank Select LSB (CC# 32) (0 - 127) | | 00 08 | 0aaa aaaa | Tone Program Number (PC) (0 - 127) | |-------------+-----------+----------------------------------------------------| | 00 00 00 09 | Total Size | +------------------------------------------------------------------------------+

* Synth Tone Common +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | 00 00 | 0aaa aaaa | Tone Name 1 (32 - 127) | | | | 32 - 127 [ASCII] | | 00 01 | 0aaa aaaa | Tone Name 2 (32 - 127) | | | | 32 - 127 [ASCII] | | 00 02 | 0aaa aaaa | Tone Name 3 (32 - 127) | | | | 32 - 127 [ASCII] | | 00 03 | 0aaa aaaa | Tone Name 4 (32 - 127) | | | | 32 - 127 [ASCII] | | 00 04 | 0aaa aaaa | Tone Name 5 (32 - 127) | | | | 32 - 127 [ASCII] | | 00 05 | 0aaa aaaa | Tone Name 6 (32 - 127) | | | | 32 - 127 [ASCII] | | 00 06 | 0aaa aaaa | Tone Name 7 (32 - 127) | | | | 32 - 127 [ASCII] | | 00 07 | 0aaa aaaa | Tone Name 8 (32 - 127) | | | | 32 - 127 [ASCII] | | 00 08 | 0aaa aaaa | Tone Name 9 (32 - 127) | | | | 32 - 127 [ASCII] | | 00 09 | 0aaa aaaa | Tone Name 10 (32 - 127) | | | | 32 - 127 [ASCII] | | 00 0A | 0aaa aaaa | Tone Name 11 (32 - 127) | | | | 32 - 127 [ASCII] | | 00 0B | 0aaa aaaa | Tone Name 12 (32 - 127) | | | | 32 - 127 [ASCII] | |-------------+-----------+----------------------------------------------------| | 00 0C | 0aaa aaaa | Tone Level (0 - 127) | |-------------+-----------+----------------------------------------------------|

12

|# 00 0D | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | (reserve) <*> | |-------------+-----------+----------------------------------------------------| | 00 10 | 0000 000a | (reserve) <*> | | 00 11 | 0000 000a | (reserve) <*> | |-------------+-----------+----------------------------------------------------| | 00 12 | 0000 000a | Portamento Switch (0 - 1) | | | | OFF, ON | | 00 13 | 0aaa aaaa | Portamento Time (0 - 127) | | 00 14 | 0000 00aa | Mono/Poly (0 - 1) | | | | POLY, MONO | | 00 15 | 0000 0aaa | (reserve) <*> | | 00 16 | 000a aaaa | (reserve) <*> | | 00 17 | 000a aaaa | (reserve) <*> | | 00 18 | 0000 0aaa | (reserve) <*> | |-------------+-----------+----------------------------------------------------| | 00 19 | 0000 000a | Partial1 Switch (0 - 1) | | | | OFF, ON | | 00 1A | 0000 000a | Partial1 Select (0 - 1) | | | | OFF, ON | | 00 1B | 0000 000a | Partial2 Switch (0 - 1) | | | | OFF, ON | | 00 1C | 0000 000a | Partial2 Select (0 - 1) | | | | OFF, ON | | 00 1D | 0000 000a | Partial3 Switch (0 - 1) | | | | OFF, ON | | 00 1E | 0000 000a | Partial3 Select (0 - 1) | | | | OFF, ON | |-------------+-----------+----------------------------------------------------| | 00 1F | 0000 00aa | RING Switch (0 - 2) | | | | OFF, ---, ON | |-------------+-----------+----------------------------------------------------| | 00 20 | 0000 000a | (reserve) <*> | | 00 21 | 0000 00aa | (reserve) <*> | | 00 22 | 0000 000a | (reserve) <*> | | 00 23 | 0000 000a | (reserve) <*> | |-------------+-----------+----------------------------------------------------| | 00 24 | 00aa aaaa | (reserve) <*> | | 00 25 | 0000 000a | (reserve) <*> | | 00 26 | 0000 000a | (reserve) <*> | | 00 27 | 0000 000a | (reserve) <*> | | 00 28 | 0000 000a | (reserve) <*> | | 00 29 | 0000 000a | (reserve) <*> | |-------------+-----------+----------------------------------------------------| | 00 2A | 0000 000a | (reserve) <*> | | 00 2B | 0000 000a | (reserve) <*> | | 00 2C | 0000 000a | (reserve) <*> | | 00 2D | 0000 000a | (reserve) <*> | |-------------+-----------+----------------------------------------------------| | 00 2E | 0000 000a | Unison Switch (0 - 1) | | | | OFF, ON | | 00 2F | 0000 000a | (reserve) <*> | | 00 30 | 0000 000a | (reserve) <*> | | 00 31 | 0000 000a | (reserve) <*> | | 00 32 | 0000 000a | (reserve) <*> | | | | OFF, ON | | 00 33 | 0000 000a | (reserve) <*> | | 00 34 | 0aaa aaaa | (reserve) <*> | | 00 35 | 0aaa aaaa | Wave Shape (0 - 127) | | 00 36 | 0aaa aaaa | Tone Category (0 - 127) | |# 00 37 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | (reserve) <*> | | 00 3B | 0000 0aaa | (reserve) <*> | | 00 3C | 0000 00aa | Unison Size (0 - 3) | | | | 2, 4, 6, 8 | | 00 3D | 0aaa aaaa | (reserve) <*> | | 00 3E | 0aaa aaaa | (reserve) <*> | | 00 3F | 0aaa aaaa | (reserve) <*> | |-------------+----------------------------------------------------------------| | 00 00 00 40 | Total Size | +------------------------------------------------------------------------------+

* Synth Tone Partial +------------------------------------------------------------------------------+ | Offset | | | Address | Description | |-------------+----------------------------------------------------------------| | 00 00 | 0000 0aaa | OSC Wave (0 - 7) | | | | SAW, SQR, PW-SQR, TRI, SINE, | | | | NOISE, SUPER-SAW, PCM | | 00 01 | 00aa aaaa | OSC Wave Variation (0 - 2) | | | | A, B, C | | 00 02 | 0000 00aa | (reserve) <*> | | | | | | 00 03 | 00aa aaaa | OSC Pitch (40 - 88) | | | | -24 - +24 | | 00 04 | 0aaa aaaa | OSC Detune (14 - 114) | | | | -50 - +50 | | 00 05 | 0aaa aaaa | OSC Pulse Width Mod Depth (0 - 127) | | 00 06 | 0aaa aaaa | OSC Pulse Width (0 - 127) | | 00 07 | 0aaa aaaa | OSC Pitch Env Attack Time (0 - 127) | | 00 08 | 0aaa aaaa | OSC Pitch Env Decay (0 - 127) | | 00 09 | 0aaa aaaa | OSC Pitch Env Depth (1 - 127) | | | | -63 - +63 | |-------------+-----------+----------------------------------------------------| | 00 0A | 0000 0aaa | FILTER Mode (0 - 4) | | | | BYPASS, LPF, HPF, BPF, PKG | | 00 0B | 0000 000a | FILTER Slope (0 - 1) | | | | -12, -24 [dB] | | 00 0C | 0aaa aaaa | FILTER Cutoff (0 - 127) | | 00 0D | 00aa aaaa | FILTER Cutoff Keyfollow (54 - 74) | | | | -100 - +100 | | 00 0E | 0aaa aaaa | (reserve) <*> | | 00 0F | 0aaa aaaa | FILTER Resonance (0 - 127) |

| 00 10 | 0aaa aaaa | FILTER Env Attack Time (0 - 127) | | 00 11 | 0aaa aaaa | FILTER Env Decay Time (0 - 127) | | 00 12 | 0aaa aaaa | FILTER Env Sustain Level (0 - 127) | | 00 13 | 0aaa aaaa | FILTER Env Release Time (0 - 127) | | 00 14 | 0aaa aaaa | FILTER Env Depth (1 - 127) | | | | -63 - +63 | |-------------+-----------+----------------------------------------------------| | 00 15 | 0aaa aaaa | AMP Level (0 - 127) | | 00 16 | 0aaa aaaa | AMP Level Velocity Sens (1 - 127) | | | | -63 - +63 | | 00 17 | 0aaa aaaa | AMP Env Attack Time (0 - 127) | | 00 18 | 0aaa aaaa | AMP Env Decay Time (0 - 127) | | 00 19 | 0aaa aaaa | AMP Env Sustain Level (0 - 127) | | 00 1A | 0aaa aaaa | AMP Env Release Time (0 - 127) | | 00 1B | 0aaa aaaa | AMP Pan (0 - 127) | | | | L64 - 63R | |-------------+-----------+----------------------------------------------------| | 00 1C | 0000 0aaa | LFO Shape (0 - 5) | | | | TRI, SIN, SAW, SQR, S&H, RND | | 00 1D | 0aaa aaaa | LFO Rate (0 - 127) | | 00 1E | 0000 000a | LFO Tempo Sync Switch (0 - 1) | | | | OFF, ON | | 00 1F | 000a aaaa | LFO Tempo Sync Note (0 - 19) | | | | 16, 12, 8, 4, 2, 1, 3/4, 2/3, 1/2,| | | | 3/8, 1/3, 1/4, 3/16, 1/6, 1/8, 3/32,| | | | 1/12, 1/16, 1/24, 1/32 | | 00 20 | 0aaa aaaa | LFO Fade Time (0 - 127) | | 00 21 | 0000 000a | (reserve) <*> | | 00 22 | 0aaa aaaa | LFO Pitch Depth (1 - 127) | | | | -63 - +63 | | 00 23 | 0aaa aaaa | LFO FILTER Depth (1 - 127) | | | | -63 - +63 | | 00 24 | 0aaa aaaa | LFO AMP Depth (1 - 127) | | | | -63 - +63 | | 00 25 | 0aaa aaaa | (reserve) <*> | |-------------+-----------+----------------------------------------------------| | 00 26 | 0000 0aaa | Modulation LFO Shape (0 - 5) | | | | TRI, SIN, SAW, SQR, S&H, RND | | 00 27 | 0aaa aaaa | Modulation LFO Rate (0 - 127) | | 00 28 | 0000 000a | Modulation LFO Tempo Sync Switch (0 - 1) | | | | OFF, ON | | 00 29 | 000a aaaa | Modulation LFO Tempo Sync Note (0 - 19) | | | | 16, 12, 8, 4, 2, 1, 3/4, 2/3, 1/2,| | | | 3/8, 1/3, 1/4, 3/16, 1/6, 1/8, 3/32,| | | | 1/12, 1/16, 1/24, 1/32 | | 00 2A | 0aaa aaaa | (reserve) <*> | | 00 2B | 0000 000a | (reserve) <*> | | | | | | 00 2C | 0aaa aaaa | Modulation LFO Pitch Depth (1 - 127) | | | | -63 - +63 | | 00 2D | 0aaa aaaa | Modulation LFO FILTER Depth (1 - 127) | | | | -63 - +63 | | 00 2E | 0aaa aaaa | Modulation LFO AMP Depth (1 - 127) | | | | -63 - +63 | | 00 2F | 0aaa aaaa | (reserve) <*> | |-------------+-----------+----------------------------------------------------| | 00 30 | 0aaa aaaa | (reserve) <*> | | 00 31 | 0aaa aaaa | (reserve) <*> | | 00 32 | 0aaa aaaa | (reserve) <*> | | 00 33 | 0aaa aaaa | (reserve) <*> | |-------------+-----------+----------------------------------------------------| | 00 34 | 0000 00aa | (reserve) <*> | |# 00 35 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Wave Number (0 - 16384) | | | | OFF, 1 - 16384 | | 00 39 | 0aaa aaaa | (reserve) <*> | | 00 3A | 0aaa aaaa | Super Saw Detune (0 - 127) | | 00 3B | 0aaa aaaa | Modulation LFO Rate Control (1 - 127) | | | | -63 - +63 | | 00 3C | 000a aaaa | (reserve) <*> | |-------------+----------------------------------------------------------------| | 00 00 00 3D | Total Size | +------------------------------------------------------------------------------+

MIDI Implementation

6. Supplementary Material

Decimal and Hexadecimal Table

In MIDI documentation, data values and addresses/sizes of exclusive messages etc. are expressed as hexadecimal values for each 7 bits. The following table shows how these correspond to decimal numbers.

+------+------++------+------++------+------++------+------+ | D | H || D | H || D | H || D | H | +------+------++------+------++------+------++------+------+ | 0 | 00H || 32 | 20H || 64 | 40H || 96 | 60H | | 1 | 01H || 33 | 21H || 65 | 41H || 97 | 61H | | 2 | 02H || 34 | 22H || 66 | 42H || 98 | 62H | | 3 | 03H || 35 | 23H || 67 | 43H || 99 | 63H | | 4 | 04H || 36 | 24H || 68 | 44H || 100 | 64H | | 5 | 05H || 37 | 25H || 69 | 45H || 101 | 65H | | 6 | 06H || 38 | 26H || 70 | 46H || 102 | 66H | | 7 | 07H || 39 | 27H || 71 | 47H || 103 | 67H | | 8 | 08H || 40 | 28H || 72 | 48H || 104 | 68H | | 9 | 09H || 41 | 29H || 73 | 49H || 105 | 69H | | 10 | 0AH || 42 | 2AH || 74 | 4AH || 106 | 6AH | | 11 | 0BH || 43 | 2BH || 75 | 4BH || 107 | 6BH | | 12 | 0CH || 44 | 2CH || 76 | 4CH || 108 | 6CH | | 13 | 0DH || 45 | 2DH || 77 | 4DH || 109 | 6DH | | 14 | 0EH || 46 | 2EH || 78 | 4EH || 110 | 6EH | | 15 | 0FH || 47 | 2FH || 79 | 4FH || 111 | 6FH | | 16 | 10H || 48 | 30H || 80 | 50H || 112 | 70H | | 17 | 11H || 49 | 31H || 81 | 51H || 113 | 71H | | 18 | 12H || 50 | 32H || 82 | 52H || 114 | 72H | | 19 | 13H || 51 | 33H || 83 | 53H || 115 | 73H | | 20 | 14H || 52 | 34H || 84 | 54H || 116 | 74H | | 21 | 15H || 53 | 35H || 85 | 55H || 117 | 75H | | 22 | 16H || 54 | 36H || 86 | 56H || 118 | 76H | | 23 | 17H || 55 | 37H || 87 | 57H || 119 | 77H | | 24 | 18H || 56 | 38H || 88 | 58H || 120 | 78H | | 25 | 19H || 57 | 39H || 89 | 59H || 121 | 79H | | 26 | 1AH || 58 | 3AH || 90 | 5AH || 122 | 7AH | | 27 | 1BH || 59 | 3BH || 91 | 5BH || 123 | 7BH | | 28 | 1CH || 60 | 3CH || 92 | 5CH || 124 | 7CH | | 29 | 1DH || 61 | 3DH || 93 | 5DH || 125 | 7DH | | 30 | 1EH || 62 | 3EH || 94 | 5EH || 126 | 7EH | | 31 | 1FH || 63 | 3FH || 95 | 5FH || 127 | 7FH | +------+------++------+------++------+------++------+------+

D: decimal H: hexadecimal

* Decimal values such as MIDI channel, bank select, and program change are listed as

one (1) greater than the values given in the above table. * A 7-bits byte can express data in the range of 128 steps. For data where

greater precision is required, we must use two or more bytes. For example, two

hexadecimal numbers aa bbH expressing two 7-bits bytes would indicate a value

of aa x 128 + bb. * In the case of values which have a ± sign, 00H = -64, 40H = ±0, and 7FH = +63, so

that the decimal expression would be 64 less than the value given in the above

chart. In the case of two types, 00 00H = -8192, 40 00H = ±0, and 7F 7FH = +8191.

For example if aa bbH were expressed as decimal, this would be aa bbH - 40 00H =

aa x 128 + bb - 64 x 128. * Data marked “nibbled” is expressed in hexadecimal in 4-bits units. A value

expressed as a 2-byte nibble 0a 0bH has the value of a x 16 + b.

<Example 1> What is the decimal expression of 5AH? From the preceding table, 5AH = 90

<Example 2> What is the decimal expression of the value 12 34H given as hexadecimal for each 7 bits? From the preceding table, since 12H = 18 and 34H = 52 18 x 128 + 52 = 2356

<Example 3> What is the decimal expression of the nibbled value 0A 03 09 0D? From the preceding table, since 0AH = 10, 03H = 3, 09H = 9, 0DH = 13 ((10 x 16 + 3) x 16 + 9) x 16 + 13 = 41885

<Example 4> What is the nibbled expression of the decimal value 1258?

16) 1258

16) 78... 10

16) 4... 14

0... 4

Since from the preceding table, 0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH, the answer is 00 04 0E 0AH.

13

MIDI Implementation

Examples of Actual MIDI Messages

<Example 1> 92 3E 5F 9n is the Note-on status, and n is the MIDI channel number. Since 2H = 2, 3EH = 62, and 5FH = 95, this is a Note-on message with MIDI CH = 3, note number 62 (note name is D4), and velocity 95.

<Example 2> CE 49 CnH is the Program Change status, and n is the MIDI channel number. Since EH = 14 and 49H = 73, this is a Program Change message with MIDI CH = 15, program number

74.

<Example 3> EA 00 28 EnH is the Pitch Bend Change status, and n is the MIDI channel number. The 2nd byte (00H = 0) is the LSB and the 3rd byte (28H = 40) is the MSB, but Pitch Bend Value is a signed number in which 40 00H (= 64 x 128 + 0 = 8192) is 0, so this Pitch Bend Value is 28 00H - 40 00H = 40 x 128 + 0 - (64 x 128 + 0) = 5120 - 8192 = -3072

If the Pitch Bend Sensitivity is set to 2 semitones, -8192 (00 00H) will cause the pitch to change 200 cents, so in this case -200 x (-3072) / (-8192) = -75 cents of Pitch Bend is being applied to MIDI channel 11.

<Example 4> B3 64 00 65 00 06 0C 26 00 64 7F 65 7F BnH is the Control Change status, and n is the MIDI channel number. For Control Changes, the 2nd byte is the controller number, and the 3rd byte is the value. In a case in which two or more messages consecutive messages have the same status, MIDI has a provision called “running status” which allows the status byte of the second and following messages to be omitted. Thus, the above messages have the following meaning.

B3 64 00 MIDI ch.4, lower byte of RPN parameter number: 00H (B3) 65 00 (MIDI ch.4) upper byte of RPN parameter number: 00H (B3) 06 0C (MIDI ch.4) upper byte of parameter value: 0CH (B3) 26 00 (MIDI ch.4) lower byte of parameter value: 00H (B3) 64 7F (MIDI ch.4) lower byte of RPN parameter number: 7FH (B3) 65 7F (MIDI ch.4) upper byte of RPN parameter number: 7FH

Example of an Exclusive Message and Calculating a

Checksum

Roland Exclusive messages are transmitted with a checksum at the end (before F7) to make sure that the message was correctly received. The value of the checksum is determined by the address and data (or size) of the transmitted exclusive message.

 How to Calculate the Checksum (Hexadecimal Num-

bers are Indicated by ‘H’)

The checksum is a value derived by adding the address, size and checksum itself and inverting the lower 7 bits. Here’s an example of how the checksum is calculated. We will assume that in the exclusive message we are transmitting, the address is aa bb ccH and the data or size is dd ee H.

aa + bb + cc + dd + ee +  = sum sum / 128 = quotient ... remainder 128 - remainder = checksum (However, the checksum will be 0 if the remainder is 0.)

<Example> With “JP8 Brass” set as the SYNTH tone

* Keyboard part tone settings are enabled when MIDI IN Mode is set to MODE 2.

According to the “Parameter Address Map,” since the address for the tone number in the upper part information for the VR-09 [Keyboard part] is 01 0p 01H and the SYNTH Part Oset Value is p = 3, the address is then 01 03 01H. Since the tone map (Keyboard part) gives TONE NUMBER = 59H, BANK SELECT MSB = 01H, BANK SELECT LSB = 00H for the “JP8 Brass” tone number, (we get the following):

F0 41 10 62 12 01 03 01 59 01 00 ?? F7 (1) (2) (3) (4) (5) Address data Checksum (6)

(1) Exclusive Status, (2) ID (Roland), (3) Device ID (17), (4) Model ID, (5) Command ID (DT1), (6) End of Exclusive

In other words, the above messages specify a value of 0C 00H for RPN parameter number 00 00H on MIDI channel 4, and then set the RPN parameter number to 7F 7FH.

RPN parameter number 00 00H is Pitch Bend Sensitivity, and the MSB of the value indicates semitone units, so a value of 0CH = 12 sets the maximum pitch bend range to +/- 12 semitones (1 octave).

Once the parameter number has been specied for RPN or NRPN, all Data Entry messages transmitted on that same channel will be valid, so after the desired value has been transmitted, it is a good idea to set the parameter number to 7F 7FH to prevent accidents. This is the reason for the (B3) 64 7F (B3) 65 7F at the end.

It is not desirable for performance data (such as Standard MIDI File data) to contain many events with running status as given in <Example 4>. This is because if playback is halted during the song and then rewound or fast-forwarded, the sequencer may not be able to transmit the correct status, and the sound source will then misinterpret the data. Take care to give each event its own status.

It is also necessary that the RPN or NRPN parameter number setting and the value setting be done in the proper order. On some sequencers, events occurring in the same (or consecutive) clock may be transmitted in an order dierent than the order in which they were received. For this reason it is a good idea to slightly skew the time of each event (about 1 tick for TPQN = 96, and about 5 ticks for TPQN = 480).

* TPQN: Ticks Per Quarter Note

Next we calculate the checksum.

01H + 03H + 01H + 59H + 01H + 00H = 1 + 3 + 1 + 89 + 1 + 0 = 95 (sum) 95 (sum) / 128 = 0 (quotient) ... 95 (remainder) checksum = 128 - 95 (remainder) = 33 = 21H

This means that F0 41 10 62 12 01 03 01 59 01 00 21 F7 is the message we transmit.

14

MIDI Implementation

About Tuning

In MIDI, individual Parts are tuned by sending RPN #1 (Master Fine Tuning) to the appropriate MIDI channel. In MIDI, an entire device is tuned by either sending RPN #1 to all MIDI channels being used, or by sending a System Exclusive MASTER TUNE (address 40 00 00H). RPN #1 allows tuning to be specied in steps of approximately 0.012 cents (to be precise, 100/8192 cent), and System Exclusive MASTER TUNE allows tuning in steps of

0.1 cent. One cent is 1/100th of a semitone. The values of RPN #1 (Master Fine Tuning) and System Exclusive MASTER TUNE are added together to determine the actual pitch sounded by each Part.

Frequently used tuning values are given in the following table for your reference. Values are in hexadecimal (decimal in parentheses).

+----------+--------+---------------+--------------------+ | Hz in A4 | cent | RPN #1 | Sys.Ex. 40 00 00 | +----------+--------+---------------+--------------------+ | 445.0 | +19.56 | 4C 43 (+1603) | 00 04 0C 04 (+196) | | 444.0 | +15.67 | 4A 03 (+1283) | 00 04 09 0D (+157) | | 443.0 | +11.76 | 47 44 (+ 964) | 00 04 07 06 (+118) | | 442.0 | +7.85 | 45 03 (+ 643) | 00 04 04 0F (+ 79) | | 441.0 | +3.93 | 42 42 (+ 322) | 00 04 02 07 (+ 39) | | 440.0 | 0.00 | 40 00 ( 0) | 00 04 00 00 ( 0) | | 439.0 | -3.94 | 3D 3D (- 323) | 00 03 0D 09 (- 39) | | 438.0 | -7.89 | 3A 7A (- 646) | 00 03 0B 01 (- 79) | +----------+--------+---------------+--------------------+

<Example> Set the tuning of MIDI channel 3 to A4 = 442.0 Hz Send RPN#1 to MIDI channel 3. From the above table, the value is 45 03H.

B2 64 00 MIDI ch.3, lower byte of RPN parameter number: 00H (B2) 65 01 (MIDI ch.3) upper byte of RPN parameter number: 01H (B2) 06 45 (MIDI ch.3) upper byte of parameter value: 45H (B2) 26 03 (MIDI ch.3) lower byte of parameter value: 03H (B2) 64 7F (MIDI ch.3) lower byte of RPN parameter number: 7FH (B2) 65 7F (MIDI ch.3) upper byte of RPN parameter number: 7FH

7. Tone List

Piano Section

Tone Name Tone Number Bank Select MSB Bank Select LSB

[PIANO]

GrandPianoV 38h 06h 00h

Grand Piano 38h 02h 00h

GrandPianoV2 38h 07h 00h

Rock Piano 4Fh 01h 00h

Mono Piano 4Fh 03h 00h

JD Piano 4Fh 02h 00h

SA Piano 4Fh 04h 00h

Honky-tonk 39h 00h 00h

Echo Piano 38h 0Ah 00h

European Pno 38h 09h 00h

Classic Pno 38h 08h 00h

[E.PIANO]

Vintage EP 3Ah 06h 00h

Stone EP 3Ah 0Dh 00h

Tremolo EP 3Ah 0Eh 00h

Dyno E.Piano 3Ah 03h 00h

'60s E.Piano 3Ah 05h 00h

'60s TremEP 3Ah 0Ch 00h

FM EP 1 3Bh 02h 00h

FM EP 2 3Bh 03h 00h

80’s EP 3Bh 04h 00h

[CLAV]

Clav 1 50h 03h 00h

Clav 2 50h 04h 00h

Phase Clav 1 50h 06h 00h

T-Wah Clav 50h 09h 00h

Comp Clav 50h 0Ah 00h

BrillClav DB 50h 01h 00h

Pulse Clav 50h 08h 00h

Phase Clav 2 50h 07h 00h

Clav 3 50h 02h 00h

Velo Clav 50h 05h 00h

[OTHERS]

Harmonderca 49h 04h 00h

BluesHarp 49h 05h 00h

Accordion 48h 05h 00h

Fr Musset 48h 01h 00h

La Seine 48h 08h 00h

Bandoneon 55h 00h 00h

OrganBell 2Fh 0Eh 00h

Fantasy 2Fh 09h 00h

HarpsiSingle 42h 01h 00h

HarpsiDouble 42h 02h 00h

Celesta 51h 00h 00h

Harp 43h 00h 00h

Hard Organ 0Ch 00h 00h

Mad Organ 0Dh 00h 00h

Pipe Organ1 14h 00h 00h

Pipe Organ2 15h 00h 00h

Pipe Organ3 19h 00h 00h

Gospel Or.1 1Ah 00h 00h

Gospel Or.2 1Bh 00h 00h

Gospel Or.3 1Fh 00h 00h

15

MIDI Implementation

Synthesizer Section

Tone Name Tone Number Bank Select MSB Bank Select LSB

[BRASS]

JP8 Brass 59h 01h 00h

80s Brs 1 59h 04h 00h

Hybrid Brass 59h 08h 00h

JUNO Brs 59h 02h 00h

Soft Syn Brs 59h 06h 00h

ResoSweepBrs 59h 05h 00h

Jmp Brass 59h 09h 00h

80s Brs 2 59h 03h 00h

Analog Brs 59h 07h 00h

FS Brass 41h 05h 00h

StackTp Sect 40h 0Fh 00h

Tp/TbSecStac 41h 06h 00h

N.Trumpet 5Eh 09h 00h

Classical Tp 5Eh 0Ah 00h

Mute Tp 5Fh 05h 00h

Harmon Mute 5Fh 06h 00h

Cup Mute Tp 5Fh 02h 00h

Solo Tb 68h 06h 00h

Soft Tb 68h 05h 00h

N.Alto Sax 60h 06h 00h

Blow Sax 60h 02h 00h

Soprano Sax 69h 00h 00h

F.Horns Sect 58h 0Ah 00h

[STRINGS]

JP8 Strings1 2Ch 02h 00h

JP8 Strings2 2Ch 03h 00h

Syn Strings1 2Ch 0Dh 00h

Syn Strings2 2Ch 0Eh 00h

JUNO Str 1 2Ch 04h 00h

JUNO Str 2 2Ch 05h 00h

OB Strings 2Ch 06h 00h

Vintage 2Ch 07h 00h

Oct Str 2Ch 08h 00h

Brite Str 2Ch 09h 00h

Digi Str 2Ch 0Ah 00h

Hybrid Str 2Ch 0Bh 00h

Phase Str 2Ch 0Ch 00h

Full Strings 29h 05h 00h

Dyn Strings 29h 04h 00h

Slow Strings 2Ah 04h 00h

Mood Strings 2Ah 03h 00h

Pizzicato 37h 00h 00h

Violin 5Ch 06h 00h

Cello 5Dh 00h 00h

[CHOIR]

Vox Pad 1 34h 07h 00h

HyperVentChr 34h 0Bh 00h

JD80 SoftVox 34h 06h 00h

Vox Pad 2 34h 08h 00h

Vox Pad 3 34h 0Ah 00h

Syn Vox 1 34h 05h 00h

Vox Pad 4 34h 09h 00h

VP-330 Chr 32h 03h 00h

Jazz Scat 31h 01h 00h

16

Tone Name Tone Number Bank Select MSB Bank Select LSB

Jazz Doo 31h 02h 00h

Classical 30h 02h 00h

Gregorian 30h 01h 00h

Choir 30h 00h 00h

[SYNTH LEAD]

Saw Lead 1 6Fh 0Bh 00h

Super Saw Ld 6Fh 0Dh 00h

Pure Lead 6Eh 06h 00h

Sine Lead 1 6Eh 0Fh 00h

Sky Bit 6Fh 06h 00h

Punker 3Fh 0Ah 00h

Fat GR Lead 6Eh 0Eh 00h

OSC-SyncLd1 6Fh 03h 00h

OSC-SyncLd2 6Fh 02h 00h

Saw Lead 2 6Eh 08h 00h

Saw Lead 3 6Fh 0Ah 00h

Square Lead1 6Eh 0Ch 00h

Square Lead2 6Eh 0Dh 00h

Pulse Lead 6Eh 0Bh 00h

LP Dist 3Fh 08h 00h

FS Plugged 3Fh 09h 00h

Pure Square 6Fh 0Ch 00h

Trance Key 6Dh 0Eh 00h

Bit Poly 1 6Fh 09h 00h

Bit Poly 2 6Fh 05h 00h

Tekno Lead 6Fh 04h 00h

Saws Key 6Dh 05h 00h

Super Saws 6Eh 0Ah 00h

Poly Slice 6Fh 08h 00h

Poly Syn 1 6Dh 06h 00h

Poly Syn 2 6Dh 07h 00h

Poly Syn 3 6Dh 08h 00h

Wire String 6Dh 09h 00h

Cutter Key 6Dh 0Ah 00h

Digi Key 1 6Dh 0Bh 00h

Digi Key 2 6Dh 0Ch 00h

J-Pop Kira 6Dh 0Dh 00h

Sqr Key 6Dh 0Fh 00h

JP80 SynHarp 2Fh 0Dh 00h

Bell Key 2Fh 0Fh 00h

AnalogBell 1 2Fh 0Bh 00h

AnalogBell 2 2Fh 0Ch 00h

Pipe Key 34h 0Ch 00h

SEQ 1 6Eh 07h 00h

SEQ 2 6Eh 05h 00h

Crossre 6Eh 09h 00h

Bodyart 6Fh 07h 00h

[SYNTH PAD]

Soft Pad 1 2Eh 08h 00h

Str Pad 2Dh 0Ah 00h

Atk Pad 2Dh 0Bh 00h

Heaven Pad 2Eh 0Ah 00h

Sweep Pad 2Fh 05h 00h

Dreaming 2Fh 0Ah 00h

Stone Pad 2Fh 03h 00h

Syn Pad 1 2Eh 0Eh 00h

JP8 Hollow 2Eh 0Bh 00h

MIDI Implementation

Tone Name Tone Number Bank Select MSB Bank Select LSB

Soft Pad 2 2Eh 07h 00h

Soft Pad 3 2Eh 06h 00h

JP8 Stone 2Fh 04h 00h

Organ Pad 2Eh 09h 00h

Glass Pad 2Eh 0Ch 00h

Slow Pad 2Eh 0Fh 00h

Syn Pad 2 2Eh 0Dh 00h

Trance Pad 2Fh 06h 00h

5th Pad 2Fh 07h 00h

LFO Hollow 2Fh 08h 00h

[BASS]

Syn Bass 7Bh 03h 00h

MG Bass 7Bh 02h 00h

Fat Analog 7Bh 0Bh 00h

Detune Bs 1 7Bh 05h 00h

PWM Bass 7Ch 02h 00h

Unison Bs 7Bh 07h 00h

Monster Bs 7Bh 0Ch 00h

Finger Bs 76h 05h 00h

RichFretless 76h 07h 00h

N.AcousticBs 75h 06h 00h

Detune Bs 2 7Bh 0Eh 00h

Detune Bs 3 7Bh 0Fh 00h

Low Bass 7Bh 0Ah 00h

FM Bass 7Bh 04h 00h

P5 Bass 7Bh 06h 00h

Camblast 7Bh 08h 00h

Reso Bs 7Bh 09h 00h

Carmelcorn 7Bh 0Dh 00h

Fretless Bs 76h 06h 00h

Picked Bs 77h 02h 00h

Slap Bass 77h 03h 00h

Chicken Bass 77h 04h 00h

[SFX]

FX 1 57h 08h 00h

FX 2 57h 09h 00h

FX 3 57h 03h 00h

FX 4 57h 07h 00h

FX 5 57h 0Ch 00h

FX 6 57h 01h 00h

FX 7 57h 02h 00h

FX 8 57h 04h 00h

FX 9 57h 05h 00h

FX 10 57h 06h 00h

FX 11 57h 0Ah 00h

Sci-Fi Sweep 57h 0Bh 00h

Hover Dive 57h 0Dh 00h

Orch Hit 7Fh 06h 00h

Philly Hit 7Fh 07h 00h

House Hit 7Fh 08h 00h

[OTHERS]

Vibraphone 44h 00h 00h

Marimba 45h 00h 00h

Glockenspiel 52h 00h 00h

Xylophone 53h 00h 00h

Steel Drums 5Bh 00h 00h

JC E.Guitar 3Eh 02h 00h

Tone Name Tone Number Bank Select MSB Bank Select LSB

Muted Guitar 3Fh 04h 00h

Steel-str.Gt 3Dh 00h 00h

Jazz Guitar 3Eh 00h 00h

Nylon-str.Gt 3Ch 00h 00h

Ac.Gtr Sld 3Dh 03h 00h

N.Flute 62h 08h 00h

Andes Mood 63h 05h 00h

Clarinet 65h 01h 00h

Oboe 64h 00h 00h

Drum Section

Tone Name Tone Number Bank Select MSB Bank Select LSB

Pop Kit 03h 01h 00h

Rock Kit 11h 01h 00h

Jazz Brush 2Bh 01h 00h

TR-808 17h 00h 00h

CR-78 1Bh 00h 00h

TR-606 1Ch 00h 00h

TR-707 1Dh 00h 00h

TR-909 1Eh 00h 00h

Hip Hop 09h 00h 00h

House 0Dh 00h 00h

Dance 1Ah 00h 00h

Vox Drum 3Fh 01h 00h

StandardKit2 00h 01h 00h

Room Kit 08h 00h 00h

Power Kit 10h 00h 00h

Jazz Kit 20h 00h 00h

Sound Eect 38h 00h 00h

Tone List (GM2 Part)

Tone Name CC0 CC32 PC#

Grand Piano1 121 0 1

Grand Piano1 121 1 1

Piano1 121 2 1

Piano 2 121 0 2

Grand Piano2 121 1 2

Piano 3 121 0 3

Rock Piano 121 1 3

GS Honkytonk 121 0 4

Honky-tonk 1 121 1 4

E.Piano 1 121 0 5

Soft E.Piano 121 1 5

FM+SA EP 121 2 5

Wurly 121 3 5

E.Piano 2 121 0 6

Detuned EP 2 121 1 6

St.FM EP 121 2 6

EP Legend 121 3 6

EP Phase 121 4 6

Harpsi.Singl 121 0 7

Harpsi.Doubl 121 1 7

Harpsichord 121 2 7

Harpsi.o 121 3 7

Soft Clav. 121 0 8

17

MIDI Implementation

Tone Name CC0 CC32 PC#

Pulse Clav 121 1 8

Celesta 121 0 9

GS Glocken 121 0 10

GS Music Box 121 0 11

GS Vibe 121 0 12

Vibraphone 121 1 12

GS Marimba 121 0 13

Marimba 121 1 13

Xylophone 121 0 14

Tubular-bell 121 0 15

Church Bell 121 1 15

Carillon 121 2 15

Santur 121 0 16

Full Organ 4 121 0 17

Detuned Or.1 121 1 17

Pop Organ 1 121 2 17

Full Organ 2 121 3 17

Jazz Organ1 121 0 18

Detuned Or.2 121 1 18

Jazz Organ2 121 2 18

Rock Organ2 121 0 19

Church Org.1 121 0 20

Church Org.2 121 1 20

Church Org.3 121 2 20

Reed Organ 121 0 21

Pu Organ 121 1 21

Accordion 121 0 22

Accordion It 121 1 22

Harmonica 121 0 23

Bandoneon 121 0 24

Nylon Guitar 121 0 25

Ukulele 121 1 25

Nylon Gt.o 121 2 25

Nylon Guitar 121 3 25

Steel Guitar 121 0 26

12str Guitar 121 1 26

GS Mandolin 121 2 26

Steel+Body 121 3 26

Jazz Guitar 121 0 27

Hawaiian Gt. 121 1 27

Clean Gt. 121 0 28

Chorus Gt. 121 1 28

Mid Tone GTR 121 2 28

Muted Gt. 121 0 29

Funk Gt. 121 1 29

Funk Gt.2 121 2 29

Jazz Man 121 3 29

Overdrive Gt 121 0 30

Guitar Pinch 121 1 30

DistortionGt 121 0 31

Feedback Gt. 121 1 31

Dist Rtm GTR 121 2 31

Gt.Harmonics 121 0 32

Gt. Feedback 121 1 32

Acoustic Bs. 121 0 33

Fingered Bs. 121 0 34

Finger Slap 121 1 34

18

Tone Name CC0 CC32 PC#

Picked Bs. 121 0 35

Fretless Bs. 121 0 36

Slap Bass 121 0 37

Slap Bass 2 121 0 38

Synth Bass 1 121 0 39

SynthBass101 121 1 39

Synth Bass 3 121 2 39

Clavi Bass 121 3 39

Hammer 121 4 39

Synth Bass 2 121 0 40

Synth Bass 4 121 1 40

Rubber Bass 121 2 40

Attack Pulse 121 3 40

GS Violin 121 0 41

Slow Violin 121 1 41

Viola 121 0 42

GS Cello 121 0 43

Contrabass 121 0 44

GS Trem.Str 121 0 45

PizzicatoStr 121 0 46

Harp 121 0 47

Yang Qin 121 1 47

Timpani 121 0 48

Strings 121 0 49

Orchestra 121 1 49

60’s Strings 121 2 49

Slow Strings 121 0 50

Syn.Strings1 121 0 51

Syn.Strings3 121 1 51

Syn.Strings2 121 0 52

Choir Aahs 121 0 53

Choir 121 1 53

Doos Voice 121 0 54

Humming 121 1 54

SynVox 121 0 55

Analog Voice 121 1 55

OrchestraHit 121 0 56

Euro Hit 121 1 56

6th Hit 121 2 56

Euro Hit 121 3 56

Trumpet 121 0 57

Dark Trumpet 121 1 57

TromboneSoft 121 0 58

GS Trombone 121 1 58

Bright Tb 121 2 58

Tuba 121 0 59

MutedTrumpet 121 0 60

MuteTrumpet2 121 1 60

French Horn 121 0 61

Fr.Horn Solo 121 1 61

Brass 1 121 0 62

Brass 2 121 1 62

Synth Brass1 121 0 63

Synth Brass3 121 1 63

AnalogBrass1 121 2 63

Jump Brass 121 3 63

Synth Brass2 121 0 64

MIDI Implementation

Tone Name CC0 CC32 PC#

Synth Brass4 121 1 64

AnalogBrass2 121 2 64

Soprano Sax 121 0 65

Blow Sax 121 0 66

Tenor Sax 121 0 67

Baritone Sax 121 0 68

Oboe 121 0 69

GS Eng.Horn 121 0 70

Bassoon 121 0 71

Clarinet 121 0 72

Piccolo 121 0 73

Flute 121 0 74

Recorder 121 0 75

Pan Flute 121 0 76

Bottle Blow 121 0 77

Shakuhachi 121 0 78

Whistle 121 0 79

Ocarina 121 0 80

Square Wave 121 0 81

Square 121 1 81

Sine Wave 121 2 81

Saw Wave 121 0 82

Saw 121 1 82

Doctor Solo 121 2 82

Natural Lead 121 3 82

SequencedSaw 121 4 82

Syn.Calliope 121 0 83

Chier Lead 121 0 84

Charang 121 0 85

Wire Lead 121 1 85

Solo Vox 121 0 86

5th Saw Wave 121 0 87

Bass & Lead 121 0 88

Delayed Lead 121 1 88

Fantasia 121 0 89

Warm Pad 121 0 90

Sine Pad 121 1 90

Polysynth 121 0 91

Space Voice 121 0 92

Itopia 121 1 92

Bowed Glass 121 0 93

Metal Pad 121 0 94

Halo Pad 121 0 95

Sweep Pad 121 0 96

Ice Rain 121 0 97

Soundtrack 121 0 98

Crystal 121 0 99

Syn Mallet 121 1 99

Atmosphere 121 0 100

Brightness 121 0 101

Goblin 121 0 102

Echo Drops 121 0 103

Echo Bell 121 1 103

Echo Pan 121 2 103

Star Theme 121 0 104

Sitar 121 0 105

Sitar 2 121 1 105

Tone Name CC0 CC32 PC#

Banjo 121 0 106

Shamisen 121 0 107

Koto 121 0 108

Taisho Koto 121 1 108

Kalimba 121 0 109

Bagpipe 121 0 110

Fiddle 121 0 111

Shanai 121 0 112

Tinkle Bell 121 0 113

Agogo 121 0 114

Steel Drums 121 0 115

Woodblock 121 0 116

Castanets 121 1 116

Taiko 121 0 117

Concert BD 121 1 117

Melo. Tom 1 121 0 118

Melo. Tom 2 121 1 118

Synth Drum 121 0 119

808 Tom 121 1 119

Elec Perc. 121 2 119

Reverse Cym. 121 0 120

Gt.FretNoise 121 0 121

Gt.Cut Noise 121 1 121

String Slap 121 2 121

Breath Noise 121 0 122

Fl.Key Click 121 1 122

Seashore 121 0 123

Rain 121 1 123

Thunder 121 2 123

Wind 121 3 123

Stream 121 4 123

Bubble 121 5 123

Bird 121 0 124

Dog 121 1 124

Horse-Gallop 121 2 124

Bird 2 121 3 124

Telephone 1 121 0 125

Telephone 2 121 1 125

DoorCreaking 121 2 125

Door 121 3 125

Scratch 121 4 125

Windchime 121 5 125

Helicopter 121 0 126

Car-Engine 121 1 126

Car-Stop 121 2 126

Car-Pass 121 3 126

Car-Crash 121 4 126

Siren 121 5 126

Train 121 6 126

Jetplane 121 7 126

Starship 121 8 126

Burst Noise 121 9 126

Applause 121 0 127

Laughing 121 1 127

Screaming 121 2 127

Punch 121 3 127

Heart Beat 121 4 127

19

MIDI Implementation

Tone Name CC0 CC32 PC#

Footsteps 121 5 127

Gun Shot 121 0 128

Machine Gun 121 1 128

Lasergun 121 2 128

Explosion 121 3 128

Drum Set

Set Name CC0 CC32 PC#

STANDARD 2 0 120 1

ROOM 2 0 120 9

POWER 0 120 17

ELECTRONIC 0 120 25

TR-808 0 120 26

JAZZ 0 120 33

BRUSH 2 0 120 41

ORCHESTRA 0 120 49

SOUND EFFECTS 0 120 57

20

Keyboard

Model: V-Combo VR-09

Function... Transmitted Recognized Remarks

Basic Channel

Mode

Note Number

Velocity

After Touch

Pitch Bend O O

Control Change

Program Change : True Number

System Exclusive O O

System Common

System Real Time

Aux Messages

Notes

Default Changed

Default Messages Altered

:True Voice

Note On Note O

Key’s Channel’s

: Song Position : Song Select : Tune Request

: Clock : Commands

: All Sound O : Reset All Controllers : Local On/O : All Notes O : Active Sensing : System Reset

MIDI Implementation Chart

1 (Piano Dual 2) 2 (Pedal) 3 (Lower) 4 (Upper) 11 (Drum) 16 (Expression, PC)

1–16

X X **************

36–96 *************

O *1 X 8n V = 0–64

X X

O *1

0, 32

X

1

X

5

X

6, 38

X

10

O

11

O

64

X

65

X

66

X

67

X

71

X

72

X

73

X

74

X

75

X

76

X

77

X

91

X

93

X

100, 101

0–127 *1 **************

X X X

O O

X X X X O X

* 1 O X is selectable. * 2 Not received in the keyboard part * 3 With MIDI IN Mode 2 * 4 With MIDI IN Mode 1 * 5 Received in GM2 mode * 6 Received in General MIDI mode * 7 Recognized as M≠1 even if M=1.

1 (Piano Dual 2) *3 2 (Pedal) *3 3 (Lower) *3 4 (Upper) *3 11 (Drum) *3 16 (Expression) *3 1–16 (GM2) *4 ×

Mode 3 Mode 3, 4 (M = 1) *7

0–127 0–127

O X

O O *5, 6

O O O O O O O O O O O O O O O O O O O O

O *2, 5, 6 0–127 Program No. 1–128

X X X

X X

O (120, 126, 127) *5 O *5 X O (123–125) *5, 6 O X

*2, 5 *5, 6 *5 *5, 6 *2, 5, 6 *2, 5, 6 *2, 5, 6 *2, 5 *5 *5 *5 *5 *5 *5 *5 *5 *5 *2, 5 *2, 5 *5, 6

Bank select Modulation Portamento time Data entry Panpot Expression Hold 1 Portamento Sostenuto Soft Resonance Release time Attack time Cuto Decay time Vibrato rate Vibrato depth Eect 1 depth Eect 3 depth RPN LSB, MSB

Date: Feb 1, 2013

Version: 1.00

Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO

O : Yes X : No

21