Roland VM-7100, VM-7000 User Manual

OWNER’S MANUAL

Thank you, and congratulations on your choice of the Roland

Processor

Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3), and “IMPORTANT NOTES” (p. 6). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s Manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

* adat® is a registered trademark of ALESIS Corporation.

* TASCAM® is a registered trademark of TEAC Corporation.

* All product names mentioned in this document are trademarks or registered trademarks of their

respective owners.

fig.0-03

.

VM-7200 (VM-7100) V-Mixing

How to Read this Manual

This Owner’s Manual was prepared so that it could be used for either of the two models below. Consult this manual after confirming which model you are using.

48 Channel V-Mixing Processor: VM-7200 38 Channel V-Mixing Processor: VM-7100

The VM-7200 (VM-7100) is designed to be used together with Roland’s VM-C7200 (VM-C7200) V-Mixing Console. The explanations and descriptions in this Owner’s Manual deal mainly with the initial setup, including connecting the VM-7200 with other devices and powering up. For information on operational procedures, refer to the VM-C7200 (VM-C7200) Owner’s Manual.

Roland International Website

http://www.roland.co.jp/

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.

IMPORTANT SAFETY INSTRUCTIONS

SAVE THESE INSTRUCTIONS

WARNING - When using electric products, basic precautions should always be followed, including the following:

Read all the instructions before using the product.

1. Do not use this product near water — for example, near a

2. bathtub, washbowl, kitchen sink, in a wet basement, or near a swimming pool, or the like. This product should be used only with a cart or stand that is

3. recommended by the manufacturer. This product, either alone or in combination with an amplifier

4. and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. The product should be located so that its location or position

5. does not interfere with its proper ventilation. The product should be located away from heat sources such

6. as radiators, heat registers, or other products that produce heat. The product should be connected to a power supply only of

7. the type described in the operating instructions or as marked on the product.

8.

The power-supply cord of the product should be unplugged from the outlet when left unused for a long period of time.

9.

Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings.

10.

The product should be serviced by qualified service personnel when: A.

The power-supply cord or the plug has been damaged; or

B.

Objects have fallen, or liquid has been spilled into the product; or

C.

The product has been exposed to rain; or

D.

The product does not appear to operate normally or exhibits a marked change in performance; or

E.

The product has been dropped, or the enclosure damaged.

11.

Do not attempt to service the product beyond that described in the user-maintenance instructions. All other servicing should be referred to qualified service personnel.

For the USA

GROUNDING INSTRUCTIONS

This product must be grounded. If it should malfunction or breakdown, grounding provides a path of least resistance for

electric current to reduce the risk of electric shock.

This product is equipped with a cord having an equipment-grounding conductor and a grounding plug. The plug must be

plugged into an appropriate outlet that is properly installed and grounded in accordance with all local codes and ordinances. DANGER: Improper connection of the equipment-grounding conductor can result in a risk of electric shock. Check with a

qualified electrician or serviceman if you are in doubt as to whether the product is properly grounded. Do not modify the plug provided with the product — if it will not fit the outlet, have a proper outlet installed by a qualified electrician.

For the U.K.

WARNING: IMPORTANT:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying

the terminals in your plug, proceed as follows:

The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the

letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

The product which is equipped with a THREE WIRE GROUNDING TYPE LINE PLUG must be grounded.

THIS APPARATUS MUST BE EARTHED THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE

2

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

001

• Before using this unit, make sure to read the instructions below, and the Owner’s Manual.

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002b

• Do not open or perform any internal modifications on the unit. (The only exception would be where this manual provides specific instructions which should be followed in order to put in place userinstallable options; see p. 13, 14, 16, 18, 19, 21.)

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007

• Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.

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009

• Avoid damaging the power cord. Do not bend it excessively, step on it, place heavy objects on it, etc. A damaged cord can easily become a shock or fire hazard. Never use a power cord after it has been damaged.

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013

• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

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014

• Protect the unit from strong impact.

(Do not drop it!)

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The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The ● symbol alerts the user to things that must be

carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

015

• Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/ amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

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016

• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the "Information" page.

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022a

• Always turn the unit off and unplug the power cord before attempting installation of the circuit board (model no. VS8F-2, VM-24E, VM-24C; p. 26).

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U S I N G

T H E

U N I T

S A F E L Y

3

102b

• Always grasp only the plug on the power-supply cord when plugging into, or unplugging from, an outlet or this unit.

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104

• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

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106

• Never climb on top of, nor place heavy objects on the unit.

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107b

• Never handle the power cord or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

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108a

• Before moving the unit, disconnect the power plug from the outlet, and pull out all cords from external devices.

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109a

• Before cleaning the unit, turn off the power and unplug the power cord from the outlet (p. 26).

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110a

• Whenever you suspect the possibility of lightning in your area, pull the plug on the power cord out of the outlet.

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115a

• Install only the specified circuit board(s) (model no. VS8F-2, VM-24E, VM-24C). Remove only the specified screws (p. 13, 14, 16, 18, 19, 21).

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For EU Countries

This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.

For the USA

FEDERAL COMMUNICATIONS COMMISSION

RADIO FREQUENCY INTERFERENCE STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

– Reorient or relocate the receiving antenna. – Increase the separation between the equipment and receiver. – Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. – Consult the dealer or an experienced radio/TV technician for help.

Unauthorized changes or modification to this system can void the users authority to operate this equipment. This equipment requires shielded interface cables in order to meet FCC class B Limit.

For Canada

NOTICE

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.

AVIS

Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.

4

IMPORTANT NOTES

291b

In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2 and 3, please read and observe the following:

Power Supply

301

• Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system).

307

• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

Placement

351

• Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

352

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

355

• To avoid possible breakdown, do not use the unit in a wet area, such as an area exposed to rain or other moisture.

557

• A small amount of heat will radiate from the unit during normal operation.

558a

• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).

559

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

562

• Use a cable from Roland to make the connection. If using some other make of connection cable, please note the following precautions.

• Some connection cables contain resistors. Do not use

cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.

Maintenance

401a

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

402

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Additional Precautions

553

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

556

• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

6

Main Features

Revolutionary Design Concept (Separate Systems)

Roland’s VM-7000 Series V-Mixing System adopts the concept of separate systems in which the input/output section (the processor), and the operating section (the console) are completely separate.

fig.1-01e

Console Processor

VM-LINK

Main Features

The processor and console are connected by two standard AES/EBU digital audio cables (VM-Link). Only data concerned with the console’s operations is sent to the processor. No audio signals are exchanged between the two devices, thus eliminating talkback and other problems. Because of this, you can easily put

together a PA system that is very resistant to noise.

A Full Array of Input and Output Connectors

The processor is equipped with a variety of connectors, including XLR connectors compatible with a range of levels, from mic to line, quarter-inch phone jacks (balanced and unbalanced), and digital interfaces (S/P DIF coaxial and AES/EBU) for connecting numerous kinds of digital devices, from consumer electronics to professional equipment. All provide you with professional-quality processing.

Up to Nine Stereo Effects Groups (With VS8F-2 Installed)

These processors come with two 24-bit stereo digital effects groups (compatible with Roland’s VS8F-2). This allows you to instantly call up algorithms for the reverb and compression effects, mic simulator, speaker modeling, and other effects that are so popular in Roland’s VS-1680 Digital Studio Workstation and VM-3100 V-Mixing Station. Furthermore, there is an additional group of Master-only stereo effects that can be inserted only in the MASTER OUT/MONITOR OUT. And what’s more, since up to three VS8F-2 Effects Expansion Boards can be installed, this lets you use up to an astounding nine stereo effects.

7

Main Features

Routing Freedom

Previous mixers have had a fixed number of buses, a fact which has placed limitations on the applications they could be used for, and the addition of peripheral devices. With the VM-7200’s FlexBus, this limitation is a thing of the past, providing you with complete freedom to set up the routings most suitable for the purpose at hand. In addition, the processor features a virtual patchbay that allows you to freely change input and output channel connections—without having to change any cables.

Equipped With Spectrum Analyzer

The VM-7200 also features a spectrum analyzer that lets you check the acoustic properties at live venues, such as clubs and concert halls. It features a built-in noise generator and oscillator, so you can view the acoustic characteristics in the console display, allowing you to make the perfect adjustments (with the equalizer settings) rapidly and efficiently.

■ Differences Between the VM-7200 and VM-7100

The numbers of input and output jacks provided on the VM-7200 and VM-7100 differ as shown below. Check which model you are using to avoid confusion.

Analog Input Jacks

VM-7200: 20 (ch.1–ch.20) VM-7100: 10 (ch.1–ch.10)

Analog Output Jacks

VM-7200: 22 (MAIN OUT L/R, REC OUT L/R, MONITOR OUT L/R,

VM-7100: 12 (MAIN OUT L/R, REC OUT L/R, ASSIGNABLE OUT 1–8)

FLEX BUS OUT 5–12, ASSIGNABLE OUT 1–8)

8

Front and Rear Panels

Front Panel

fig.2-01

811102

fig.2-02

1 INPUT 1–10

These are connectors for inputting analog audio signals to Channels 1–10. Connect microphones, instruments, or other such equipment to these inputs (p. 27). Microphones or other devices connected to the MIC connectors (XLR type) can be supplied with electrical power at 48 volts DC (phantom power).

LINE: Used for connecting instruments and similar equipment (1/4” phone,

MIC: Used for connecting microphones and instruments with balanced output

INSERT:Used for inserting effects from external effects devices and similar

1 3 4 56 7

balanced or unbalanced)

(XLR type).

equipment into the inputs of Channels 1-6 (1/4” phone, TRS).

9

98

Do not have plugs connected to both the MIC connector and LINE jack inputs for the same channel simultaneously. Select one or the other for use.

Front and Rear Panels

2 INPUT 11–20

These are connectors for inputting analog audio signals to Channels 11–20. Only the VM-7200 is so equipped. Use just as you would INPUT 1–10.

9

Front and Rear Panels

b

3 DIGITAL B (AES/EBU)

These are XLR-type digital audio input/output connectors. Use for connecting professional digital devices and similar equipment (p. 29). These cannot be used

for inputting and outputting analog audio signals. IN: Used for inputting digital audio signals. DIGITAL B IN cannot be used

when DIGITAL A IN is in use.

OUT: Used for outputting digital audio signals. Select the audio signals to be

output in the console’s patch bay (refer to the console Owner’s Manual).

4 VM-LINK

These are connectors used for inputting and outputting the mixing processor’s control signals (VM-LINK). These connect to the mixing console (p. 23).

5 CTRL (Control)

This lights in green when the power is on. When VM-LINK data is being transmitted between the processor and the mixing console, it flashes in green.

6 MUTE ALL OUTPUTS

Sound is prevented from being sent from all output connectors while the button is held down (the sound is muted). Press this to prevent noise while inserting or pulling out plugs (p. 25).

The red CTRL indicator light indicates a problem in transmitting VM-LINK data. Check the connection

etween the processor and

the console.

7 POWER

This turns the power for the mixing console on and off.

8 ASSIGNABLE OUT

These are analog audio output jacks (1/4” phone, balanced/unbalanced). These output the same sounds as those output from MULTI OUT 17–24 (R-BUS (RMDB2)).

9 MAIN OUT

These are connected to power amps and main speakers. These output the same sounds as those output from MAIN OUT on the rear panel.

10 FLEX BUS OUT

These are analog audio output connectors and jacks assigned to the FLEX BUS (1/4” phone, balanced/unbalanced; XLR type, balanced). Connect monitor speakers and similar equipment to these connectors.

11 MONITOR OUT

These are connected to power amps and monitor speakers. Only the VM-7200 is so equipped.

When the Bus mode is set to INT, the signals on FlexBuses 1–8 (5–8) are not output from FLEX BUS OUT (although you can output the signals from MASTER OUT and other outputs). Refer to the console Owner’s Manual.

10

Rear Panel

fig.2-03

1234567

1 AC IN

Connect the power cord included with the processor.

2 MIDI/METER BRIDGE

Use these for connecting Roland’s MB-24 Meter Bridge, external MIDI devices (MIDI controllers) and other devices.

OUT/THRU/METER: Use as a MIDI OUT or MIDI THRU connector. Ordinarily,

IN: MIDI messages are received here. Connect to the MIDI

Front and Rear Panels

8

Front and Rear Panels

Do not connect using any power cord other than the one provided. Using any other power cord may result in damage to the equipment.

the MB-24 is connected.

OUT connector of an external MIDI device.

3 MAIN OUT

These are connected to power amps and main speakers. These output the same sounds as those output from MAIN OUT on the front panel.

4 REC OUT

Usually a master recorder or consumer audio device (such as a radio cassette recorder) is connected here.

5 DIGITAL A

These are coaxial type digital audio input/output connectors. Use for MD recorders or DAT recorders (p. 29). These cannot be used for inputting and outputting

analog audio signals. IN: Used for inputting digital audio signals. DIGITAL A IN cannot be used

OUT: Used for outputting digital audio signals. Select the audio signals to be

6 WORD CLOCK

These are connectors for input and output of the word clock used for synchronizing external digital devices (BNC type) (p. 33).

IN: For inputting word clock. OUT: For outputting word clock.

when DIGITAL B IN is in use.

output in the console’s patch bay (refer to the console Owner’s Manual).

Terminator settings are required when word clock is used. Refer to the console Owner’s Manual.

11

Front and Rear Panels

b

7 CASCADE

These are connectors used for a cascade connection of two mixing consoles (p. 32).

8 Rear Cover

A separately sold I/O expansion board VM-24E can be installed here (p. 14, 19)

In order to use the CASCADE connector, you must obtain the optional Roland Cascade Kit VM-24C.

VM-24C includes two

oards, a MASTER and a

SLAVE. Install the MASTER board in one of

the processors, and the SLAVE board in the other processor (p. 16, 21).

12

Installing Optional Devices

Cautions Concerning Installation of Optional Devices

• Always turn the unit off and unplug the power cord before attempting installation of the circuit board (model no. VS8F-2, VM-24C, VM-24E; p. 26).

• Install only the specified circuit board(s) (model no. VS8F-2, VM-24C, VM24E). Remove only the specified screws (p. 13, 14, 16, 18, 19, 21).

• To avoid the risk of damage to internal components that can be caused by static electricity, please carefully observe the following whenever you handle the board.

• Before you touch the board, always first grasp a metal object (such as a

water pipe), so you are sure that any static electricity you might have been carrying has been discharged.

• When handling the board, grasp it only by its edges. Avoid touching any

of the electronic components or connectors.

• Use a Phillips screwdriver of a size appropriate for the head of the screw (a no.2 screwdriver). If the screwdriver is the wrong size, the screw heads may be stripped, or you may not be able to turn the screws.

• To remove the screws, rotate the screwdriver counterclockwise. To tighten the screws, rotate the screwdriver clockwise.

• Take care not to drop any screws into the interior of the VM-7000 series’ chassis.

• Do not touch any of the printed circuit pathways or connection terminals.

• Never use excessive force when installing a circuit board. If it doesn’t fit

properly on the first attempt, remove the board and try again.

• When circuit board installation is complete, double-check your work.

tightenloosen

Installing Optional Devices

Installing Effects Processors (VS8F-2)

The VM-7000 series comes with two onboard stereo effects processors. If you wish to add more effects, Roland offers the VS8F-2 Effects Expansion Board, available for separate purchase. Up to three of these effects expansion boards can be installed in the VM-7000 series. If VS8F-2 boards are installed, you can use a maximum of nine stereo effects on the VM-7000 series without using any external equipment. Roland recommends that you install one or more VS8F-2 boards.

1 Turn off the power on all equipment, and disconnect all cables from the

VM-7000 series unit.

2 Remove only the screws specified in the following diagram, and detach the

top panel of the VM-7000 series unit.

fig.3-04_65

13

Installing Optional Devices

b

3 There are three connectors and nine plastic pins inside. Insert the VS8F-2

connector into the internal connector, and at the same time, insert the plastic pins into the holes of the VS8F-2 to firmly fix it in place.

fig.3-05_65

If you are installing only one VS8F-2, connect it at EFFECT A. If you are installing two VS8F-2

oards, connect them at

EFFECT A and EFFECT B.

4 Using the (specified) screws you removed in step 2, reattach the top panel. 5 This completes installation of the VS8F-2.

Installing R-BUS (RMDB2) Connectors (VM-24E)

Roland also makes available the VM-24E I/O Expansion Board, which can be purchased separately. When the VM-24E is installed, you can add three R-BUS (RMDB2) connectors. By connecting a Roland DIF-AT, you can exchange 8-in/8-out 24-bit digital audio signals with a digital multitrack recorder, such as the ALESIS adat or the TASCAM DA-88 (maximum of three recorders). Roland recommends that you install the VM-24E.

1 Turn off the power on all equipment, and disconnect all cables from the

VM-7000 series unit.

2 Remove only the screws specified in the following diagram, and remove

the top panel and rear cover of the VM-7000 series unit.

fig.3-06_65

R-BUS, RMDB2 and RMDB II are the same standard of Roland.

14

3 Insert the VM-24E connector into the internal connector, and

simultaneously insert the plastic pins into the holes of the VM-24E to fasten it in place.

fig.3-07_65

Installing Optional Devices

4 Using the (specified) screws that you removed in step 2, attach the VM-24E

to the rear panel. Keep the rear cover in a safe place.

5 Using the (specified) screws you removed in step 2, reattach the top panel. 6 This completes installation of the VM-24E.

Installing Optional Devices

15

Installing Optional Devices

b

Installing the Cascade Kit (VM-24C)

Roland also offers the VM-24C Cascade Kit, available for separate purchase. Once the VM-24C is installed, you will be able to use the CASCADE connector. By cascading two VM-7000 series units, a maximum of 94 input channels can be supported (when the VM-24E and DIF-AT are used). Roland recommends that you install the VM-24C.

1 Turn off the power on all equipment, and disconnect all cables from the

VM-7000 series unit.

2 Remove only the screws specified in the following diagram, and detach the

top panel of the VM-7000 series unit.

fig.3-04_65

The VM-24C includes two

oards, a MASTER and a

SLAVE. Install the MASTER board in one of

the processors and the SLAVE board in the other processor.

The CASCADE connectors cannot be used unless both boards are installed. (p. 32)

3 Insert the VM-24C connector into the internal connector, and

simultaneously insert the plastic pins into the holes of the VM-24C to fasten it in place.

fig.3-09_65

The processor which includes the SLAVE board of the VM-24C cascade kit does not work as a master unit in the single processor configuration. (p. 32) If you wish, please take the SLAVE board off the processor.

4 Using the (specified) screws you removed in step 2, reattach the top panel. 5 This completes installation of the VM-24C.

16

Installing Optional Devices

Changing the Rack-mount Hardware (RO-7000)

The VM-7000 series comes with pre-installed rack-mount brackets that allow the unit to be mounted in a system rack. As a separately sold option, a different set of rack-mount brackets — the RO-7000 — is available for purchase. When the RO-7000 is installed, the VM-7000 series will be positioned slightly backward (away from yourself) in the rack. This way, cable connectors that are plugged into the front panel jacks will not be in the way.

1 Turn off the power on all equipment, and disconnect all cables from the

VM-7000 series unit.

2 Remove only the screws shown in the following diagram, and detach the

rack-mount brackets that came with your VM-7000 series unit.

fig.3-10

3 Using the (specified) screws that you removed in step 2, attach the

RO-7000.

fig.3-11

4 This completes installation of the RO-7000.

Installing Optional Devices

There are two ways to attach the RO-7000. Use the method suitable for your needs.

17

Installation de dispositifs optionnels

Précautions à prendre lors de l’installation de dispositifs optionnels

• Toujours éteindre et débrancher l’appareil avant de commencer l’installation de la carte. (modèle no VS8F-1, VM-24E, VM-24C; p. 26).

•

N’installez que les cartes de circuits imprimes spécifiées (modèle no VS8F-2, VM-24E, VM-24C). Enlevez seulement les vis indiquées (p. 13, 14, 16, 18, 19, 21).

• Veuillez suivre attentivement les instructions suivantes quand vous manipulez la carte afin d’éviter tout risque d’endommagement des pièces internes par l’électricité statique.

•Toujours toucher un objet métallique relié à la terre (comme un tuyau par

exemple) avant de manipuler la carte pour vous décharger de l’électricité statique que vous auriez pu accumuler.

•Lorsque vous manipulez la carte, la tenir par les côtés. Évitez de toucher

aux composants ou aux connecteurs.

• Utiliser un tournevis cruciforme correspondant à la taille de la vis (un tournevis numéro 2). En cas d’utilisation d’un tournevis inapproprié, la tête de la vis pourrait être endommagée.

• Pour enlever les vis, tourner le tournevis dans le sens contraire des aiguilles d’une montre. Pour resserrer, tourner dans le sens des aiguilles d’une montre.

• Veillez à ne pas laisser tomber de vis dans le châssis du VM-7000.

• Ne pas toucher aux circuits imprimés ou aux connecteurs.

• Ne jamais forcer lors de l’installation de la carte de circuits imprimés. Si la

carte s’ajuste mal au premier essai, enlevez la carte et recommencez l’installation.

• Quand l’installation de la carte de circuits imprimés est terminée, revérifiez si tout est bien installé.

resserrerdesserrer

Installation d’un processeur à effet (VS8F-2)

La série VM-7000 possède deux processeurs à effet stéréo. Si vous désirez ajouter plus d’effets, Roland propose séparément la carte d’extension à effet VS8F-2. Jusqu’à trois de ces cartes peuvent être installées dans le VM-7000. Si des cartes VS8F-2 sont installées, vous pouvez utiliser un maximum de huit effets stéréo sur le VM-7000 sans vous servir d’aucun équipement externe. Roland vous recommande d’installer une ou plusieurs cartes VS8F-2.

1 Éteindre l’appareil et déconnecter tous les câbles du VM-7000. 2 N’enlever que les vis spécifiées sur le schéma suivant et détacher la plaque

du dessus du VM-7000.

fig.3-04_65

18

Installation de dispositifs optionnels

3 Il y a trois connecteurs et neuf broches en plastique à l’intérieur. Insérer

simultanément le connecteur du VS8F-2 dans le connecteur interne et les broches en plastique dans les trous du VS8F-2 pour le fixer fermement.

fig.3-05_65

Si vous installez seulement une carte VS8F-2, la connecter à EFFET A. Si vous installez deux cartes VS8F-2, les connecter à EFFET A et EFFET B.

4 Utiliser les vis enlevées à l’étape 2 pour fixer à nouveau la plaque du

dessus.

5 Ceci complète l’installation du VS8F-2.

Installation d’un connecteur (VM-24E) R-BUS (RMDB2)

Roland propose aussi une carte d’extension VM-24E I/O que vous pouvez acheter séparément. Quand le VM-24E est installé, vous pouvez ajouter trois connecteurs RBUS (RMDB2). En connectant le DIF-AT Roland, vous pouvez échanger des signaux audio digitaux 24 bit 8 entrées/8 sorties avec un enregistreur digital multi-pistes comme le ALESIS adat ou le TASCAM DA-88 (maximum de 3 enregistreurs). Roland vous recommande d’installer le VM-24E.

1 Éteindre l’appareil et déconnecter tous les câbles du VM-7000. 2 N’enlever que les vis spécifiées sur le schéma suivant et détacher la plaque

du dessus et la plaque arrière du VM-7000.

fig.3-06_65

Installation de dispositifs optionnels

19

Installation de dispositifs optionnels

3 Insérer simultanément le connecteur du VM-24E dans le connecteur interne

et les broches en plastique dans les trous du VM-24E pour le fixer fermement.

fig.3-07_65

4 Utiliser les vis enlevées à l’étape 2 et fixer le VM-24E à la plaque arrière.

Conserver la plaque arrière dans un endroit sûr.

5 Utiliser les vis enlevées à l’étape 2 pour fixer à nouveau la plaque du

dessus.

6 Ceci complète l’installation du VM-24E.

20

Installation de dispositifs optionnels

Installation d’un kit Cascade (VM-24C)

Roland propose aussi séparément le kit Cascade (VM-24C). Une fois le VM-24C installé, vous serez en mesure d’utiliser le connecteur CASCADE. En connectant en cascade deux unités de la série VM-7000, vous pourrez utiliser un maximum de 94 canaux d’entrée (lorsque le VM-24E et le DIF-AT sont utilisés). Roland vous recommande d’installer un VM-24C.

1 Éteindre l’appareil et déconnecter tous les câbles du VM-7000. 2 N’enlever que les vis spécifiées sur le schéma suivant et détacher la plaque

du dessus du VM-7000.

fig.3-04_65

Il est impossible d’utiliser le connecteur CASCADE si le VM-24C n’est pas installé. (p. 32)

3 Insérer simultanément le connecteur du VM-24C dans le connecteur

interne et les broches en plastique dans les trous du VM-24C pour le fixer fermement.

fig.3-09_65

4 Utiliser les vis enlevées à l’étape 2 pour fixer à nouveau la plaque du

dessus.

Installation de dispositifs optionnels

5 Ceci complète l’installation du VM-24C.

21

Installation de dispositifs optionnels

Changement du matériel de montage en rack (RO-7000)

La série VM-7000 est fournie avec des supports pré-installés en rack qui permettent à l’appareil d’être monté dans un rack. Un différent ensemble de supports

(RO-7000) est vendu en option. Quand le RO-7000 est installé, le VM-7000 sera positionné légèrement vers l’arrière (éloigné de vous) dans le rack. Ainsi, les connecteurs de câbles qui sont branchés dans les fiches de la plaque avant ne gêneront pas.

1 Éteindre l’appareil et déconnecter tous les câbles du VM-7000. 2 N’enlever que les vis spécifiées sur le schéma suivant et détacher les

supports de rack fournis avec votre VM-7000.

fig.3-10

3 Utiliser les vis enlevées à l’étape 2 et fixer le RO-7000.

fig.3-11

4 Ceci complète l’installation du RO-7000.

Il y a deux façons de fixer le RO-7000. Utiliser la méthode qui vous convient le mieux.

22

Basic Connections

Connecting to the Console (VM-LINK)

The VM-7200 (VM-7100) connects to Roland mixing consoles (VM-C7200, VM-C7100). Use the VM-LINK cable (AES/EBU digital audio cable) included with the unit.

■ Connecting to the VM-C7200

fig.4-01e

To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

VM-LINK

to AC Power Outlet

Console (VM-C7200)

to AC Power Outlet

Processor (VM-7200)

Basic Connections

R

L

Power Amp & Speaker Stereo Set, etc.

If using headphones, connect the headphones to the VM-C7200’s PHONES jack.

L

R

23

Basic Connections

■ Connecting to the VM-C7100

fig.4-02e

To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

VM-LINK

to AC Power Outlet

Console (VM-C7100)

to AC Power Outlet

Processor (VM-7200)

24

R

L

Power Amp & Speaker Stereo Set, etc.

If using headphones, connect the headphones to the VM-C7100’s PHONES jack.

L

R

Turning On the Power

b

1 Switch on the POWER switch on the mixing processor (VM-7200,

VM-7100), and confirm that the CTRL indicator is lit.

fig.4-03e

Press "ON" (upper) side of the POWER switch.

2 Switch on the POWER switch on the mixing console (VM-C7200,

VM-C7100).

fig.4-04e

Press "ON" (right) side of the POWER switch.

3 Turn on the power to the audio devices (power amps, monitor speakers,

and other devices) connected to the mixing processor.

Basic Connections

Once the connections have

een completed (p. 23), turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.

Always make sure to have the volume level turned down before switching on power. Even with the volume all the way down, you may still hear some sound when the power is switched on, but this is normal, and does not indicate a malfunction.

4 Raise the volume on the audio equipment to a suitable level.

■ Muting

Ordinarily, to prevent noise when turning the power on and off, or when plugging in or unplugging microphones and instruments from the processor, the volume levels on all devices are lowered. However, when working in situations where it is difficult to lower the volume, such as when the processor and console are separated, you can instead temporarily mute the sound coming from the processor.

1 Press [MUTE ALL OUTPUTS] on the processor’s front panel. No sound is

output from the processor while the button is held down (the sound is muted). At this time, CTRL lights in red.

fig.4-05e

CTRL lights in red.

While the button is held down, the sound is muted.

2 When you have finished connecting the microphone (or whatever it was

you needed to do), release [MUTE ALL OUTPUTS].

During start-up, the processor’s CTRL indicator lights in orange. CTRL changes to green when the processor has completed start-up properly.

Begin the system configuration check only after you’ve confirmed that the processor has started up properly (CTRL is lit in green). Refer to the console Owner’s Manual.

Basic Connections

25

Basic Connections

Turning Off the Power

1 Lower the volume on all devices. 2 Turn off the power to the audio devices. 3 If needed, record the current operating settings internally to the console or

to a memory card.

4 Press the mixing console (VM-C7200, VM-C7100) POWER switch to turn

the power off.

fig.4-06e

Press "OFF" (lower) side of the POWER switch.

5 Press the mixing processor (VM-7200, VM-7100) POWER switch to turn

the power off.

fig.4-07e

Press "OFF" (left) side of the POWER switch.

26

Various Connection Setups

Connecting Microphones and Instruments (Analog Connection)

This section describes examples of connecting microphones and instruments to the processor.

Precautions When Connecting Microphones

• The pin assignment for the each connectors is as shown below. Before making any connections, make sure that this pin assignment is compatible with that of all your other devices.

fig.5-01

• Howling could be produced depending on the location of microphones relative to speakers. This can be remedied by:

1 Changing the orientation of the microphone(s). 2 Relocating microphone(s) at a greater distance from speakers. 3 Lowering volume levels.

• Carefully read the owner’s manual for the microphone you are using, and unless you are connecting a condenser mic requiring phantom power, be sure turn phantom power off (refer to the console Owner’s Manual). Supplying phantom power to dynamic microphones or keyboards may result in damage to the equipment.

• Turn the phantom power on or off only after muting the channels to which condenser microphones are connected. A loud noise or pop is produced when the phantom power is turned on or off without muting first, and this noise can severely damage amps, speakers, or other equipment.

When the console and processor are separated, hold down [MUTE ALL OUTPUTS] on the processor.

1 Completely lower the console’s MASTER fader. 2 Select the channel to which you want to input the sound, and connect the

microphone or instrument to the corresponding INPUT jack.

fig.5-03e

Electronic Instruments, etc.Microphone

Do not have plugs connected to both the MIC connector and LINE jack inputs for the same channel simultaneously. Select one or the other for use.

Various Connection Setups

Processor (VM-7200)

27

Various Connection Setups

3 Raise the MASTER fader and the applicable channel fader.

■ Using External Effects (Insert)

Use the INSERT jacks when you want use an external effects device (Insert) to process the sounds from microphones or instruments that are input to the channels,. A branch cable must be obtained for this. INSERT Jack Block Diagram is as shown below.

fig.5-05e

Phamtom Power (DC+48V)

MIC

Gain AD Converter

to Input Select

LINE

INSERT

1 Mute the channel that you want to process with effects (refer to the console

Owner’s Manual).

2 Connect the external effects device to the INSERT jack for the channel

selected in Step 1.

fig.5-06e

WhiteRed

Out In

External Effects Processor

INSERT jacks are used for Channels 1–6 (Channels 11–16). In addition, the MIC jacks and LINE jacks can also be used for connecting.

Processor (VM-7200)

3 Release the mute on the channel to be processed with effects, then raise the

MASTER fader and the applicable channel fader.

28

Various Connection Setups

Connecting MD Recorders, CD Players, and Other Digital Devices (Digital Connection)

When you want to connect the processor to a professional DAT recorder, a consumer MD or CD player, or other such digital device, use the DIGITAL connectors. First obtain a connector cable compatible with the digital device you are using. Digital audio signals input through the DIGITAL connectors are assigned to Channels 21/22.

1 Mute Channels 21/22 (refer to the console Owner’s Manual). 2 Connect to the output connector of the external digital device you are

using. When connecting to digital devices for professional use (with XLR connectors), connect to DIGITAL B IN. When connecting to MD or CD player, or other such digital device for consumer use (with coaxial connectors), connect to DIGITAL A IN. However, DIGITAL A IN and

DIGITAL B IN cannot be used simultaneously.

fig.5-07e

When connecting digital devices featuring optical type connectors, it will be necessary to obtain a commercially available optical/coaxial converter.

Digital Output Connector

MD Recorder

Processor (VM-7200)

DAT Recorder

Digital Output Connector

Coaxial Cable

AES/EBU Digital Audio Cable

3 Release the mute on Channels 21/22, then raise the MASTER fader and the

Channel 21/22 faders.

Various Connection Setups

29

Various Connection Setups

Connecting the Roland DIF-AT (R-BUS (RMDB2) Connection)

Roland also makes available the VM-24E I/O Expansion Board, which can be purchased separately. When the VM-24E is installed, you can add three R-BUS (RMDB2) connectors (p. 14, 19). By connecting a Roland DIF-AT, you can exchange 8-in/8-out 24-bit digital audio signals with a digital multitrack recorder, such as the ALESIS adat or the TASCAM DA-88 (maximum of three recorders).

■ Connecting the ALESIS adat

fig.5-08e

adat

DIF-AT

To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

SYNC

(IN or OUT)

Processor (VM-7200)

adat Optical

IN/OUT

R-BUS(RMDB2)

1 Use the R-BUS cable included with the DIF-AT to connect the DIF-AT and

the processor.

Connecting to the adat’s SYNC IN connector the adat in Sync Slave mode. This setup enables the transport controls to be operated from the console.

2 Use an optical cable (sold separately) for use with adat to connect the adat

and the DIF-AT. Make the settings for the console (master or slave) according to the connections used. Refer to the console Owner’s Manual and

DIF-AT Owner’s Manual.

3 Press the Mixing Processor (VM-7200, VM-7100) POWER switch to turn on

the power. Confirm that the DIF-AT’s POWER indicator is lit.

30

Connecting to the adat’s SYNC OUT connector the adat in Sync Master mode. In this setup, the transport controls cannot be operated from the console.

■ Connecting the TASCAM DA Series

fig.5-09e

Various Connection Setups

DIGITAL I/O

TDIF-1

TASCAM DA series

REMOTE IN / SYNC IN

DIF-AT

R-BUS(RMDB2)

Processor (VM-7200)

1 Use the R-BUS cable included with the DIF-AT to connect the DIF-AT and

the processor.

2 Use a cable for use with TASCAM devices (sold separately) to connect the

TASCAM DA Series and the DIF-AT.

3 Press the Mixing Processor (VM-7200, VM-7100) POWER switch to turn on

the power. Confirm that the DIF-AT’s POWER indicator is lit.

Various Connection Setups

31

Various Connection Setups

Connecting Two Processors (Cascade Connection)

Roland also offers the VM-24C Cascade Kit, available for separate purchase. Once the VM-24C is installed, you will be able to use the CASCADE connector (p. 16, 21). By cascading two VM-7000 series units, a maximum of 94 input channels can be supported (when the VM-24E and DIF-AT are used). Roland recommends that you install a VM-24C.

The VM-24C includes two boards, a MASTER and a SLAVE. Install the MASTER board in one of the processors and the SLAVE board in the other processor (p. 16,

21). The CASCADE connectors cannot be used unless both boards are

installed.

fig.5-10e

Processor (SLAVE) Processor (MASTER)

To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

R-BUS(RMDB2)

VM-LINK

Console 1 Console 2

32

1 Use the R-BUS cable included with the VM-24C to connect the two

processors.

2 Use the VM-LINK cable included with the console to connect the master

processor and the consoles. Be careful not to connect VM-LINK cable to

the slave processor.

* In console Owner’s Manual, the master processor is called the 1st UNIT and the

slave processor is called the 2nd UNIT.

3 Turn the POWER switch on each processor to ON. 4 Turn the POWER switch on each console to ON. 5 The processor with the MASTER board installed becomes the Cascade

connection master.

Connecting Word Clock

In cases such as when connecting multiple devices in a studio using digital connections, a standardized signal for synchronization is needed so that the digital audio for each device can be exchanged correctly. This synchronizing signal is known as word clock. In general, a digital multitrack recorder or word clock generator is used as the master, and a mixing processor (VM-7200, VM-7100) or other digital device operates as the slave.

fig.5-11e

Processor (VM-7200)

Various Connection Setups

The processor which includes the SLAVE board of the VM-24C cascade kit does not work as a master unit in the single processor configuration. If you wish, please take the SLAVE board off the processor. (p. 16, 21)

To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

TASCAM DA series

WORD CLOCK

OUT

1 Use a word clock cable to connect the word clock master (in this example, a

digital multitrack recorder) and the processor.

2 Turn the POWER switch on the processor to ON. 3 Turn the POWER switch on the console to ON. 4 Set the processor to function as the word clock slave (refer to the console

Owner’s Manual for instructions).

The processors can function as both word clock master and slave (refer to the console Owner’s Manual).

Connection of the word clock is not required when using the Roland DIF-AT to ALESIS adat or TASCAM DA Series recorders (p. 30,

31).

33

Various Connection Setups

Troubleshooting

If it appears that the VM-7200 or VM-7100 is not operating properly, check over the suggested remedies below before assuming that the unit is experiencing a malfunction. If after checking the following you find that the problem persists, call Roland Information or consult your nearby Roland Service Center or Roland dealer.

No Sound

- Power to the processor, console, or other connected device has not been turned on.

- The VM-LINK cable is not properly connected (p. 23).

- An audio cable is not properly connected (p. 23).

- The volume level of a connected amp or speakers is turned down.

- Channel faders or Master faders are lowered.

- Channels are muted (p. 25).

- You are using a power cord other than the original cord provided with the equipment. → Some third-party power cords, while resembling the original, may not make

secure electrical contact, resulting in poor operation. Be sure to use only the power cord included with each device.

- The volume level of the instrument connected to Processor is too low. → Could you be using a connection cable that contains a resistor? Use a

connection cable that does not contain a resistor.

- A device that consumes large amounts of power is being used at the same time. → Other devices can cause a severe reduction in voltage. Use a separate electrical

outlet for any piece of equipment that consumes large amounts of electricity.

No Sound From Specific Channel

- The input sensitivity (pre amp gain) is too low.

- There is a discrepancy between the channel assigned to the channel fader and the channel used for that sound.

- The Solo or Mute function is being used.

Sound is Noisy or Distorted

- The input sensitivity (pre amp gain) is not set properly. → Setting the input sensitivity too high distorts the sound; conversely, when the

input sensitivity is set too low, the sound becomes very noisy. Set the input sensitivity so that the level meter fluctuates at as high a level as possible within the range of -12 to 0 dB (refer to the console Owner’s Manual).

- A device producing noise (such as a computer or monitor) is set up near a connected microphone.

- The equalizer is being used. → Some equalizer settings may cause the sound to become distorted. In such

cases, readjust the equalizer.

- The recording or playback pitch of a connected digital multitrack recorder (such as an ALESIS adat or TASCAM DA) has been changed (the Vari-Pitch function has been used). → The maximum sampling rate for the VM-7000 Series is 48 kHz. Thus, raising

the pitch with the Vari-Pitch function when the digital MTR’s Master Clock is already running at 48 kHz can cause noise to be produced. In such cases, use an analog connection for the audio signals.

34

Effect Not Applied

- The VS8F-2 has not been installed in the processor (p. 13, 18).

- Channel effect send levels are lowered (refer to the console Owner’s Manual).

- The effect is already being inserted into another channel.

- You are trying to select an algorithm that cannot be used in the master effects.

- External effects are being used. → Check the INSERT jack block diagram, and reconnect the Send and Return

properly (p. 28).

Cannot Make Cascade Connection

-

The VM-24C has not been installed on both processors that are being connected (p. 16,

21).

- The R-BUS (RMDB2) cable included with the VM-24C is not being used (p. 32). → Although they look similar, SCSI cables and cables for TASCAM devices are

not compatible and cannot be used. Using other cables may result in damage to the equipment; be sure to use the R-BUS (RMDB2) cable.

- The master and slave are not connected correctly (p. 32). → Sounds from the master processor cannot be output from the slave processor.

Use the processor with the VM24-C MASTER board installed as the master.

Troubleshooting

Cannot Connect Digital MTR (ALESIS adat, TASCAM DA, or Other)

- VM-24E has not been installed in the processor (p. 14, 19).

- The R-BUS (RMDB2) cable included with the DIF-AT is not being used (p. 30). → Although they look similar, SCSI cables and cables for TASCAM devices are

not compatible and cannot be used. Using other cables may result in damage to the equipment; be sure to use the R-BUS (RMDB2) cable.

35

Troubleshooting

MIDI Implementation

Model: VM-7100/VM-7200, Version 1.00, Jun. 25 1999

1. Transmitted Data and Recognized Receive Data

■Channel Voice Message

●Polyphonic Key Pressure

Transmits the level meter value according to the value of “Level Meter Tx. via MIDI.” When the spectrum analyzer was selected as the effect type, sends the level value at each frequency band area. Ignored when received.

Status Second Third AnH mmH llH

n = MIDI Channel No.: 0H - FH (ch.1 - ch.16) mm = Note No.: 00H - 27H (0 - 39) (*1) ll = Level Meter Value: 00H - 36H (0 - 54) (*2)

Level Meter and Note No.

Level Meter Spectrum Target Input MultiIn FlexBus MultiOut Analyzer Effects Note Level Meter Level Meter Level Meter Level Meter Level Meter Level Meter Number Channel Channel Channel Channel Channel Channel 0 Input 1 MultiIn 1 BUS 1 Assign Out 1 Analyzer 20 Hz FX1 Input Lch 1 Input 2 MultiIn 2 BUS 2 Assign Out 2 Analyzer 25 Hz FX1 Input Rch 2 Input 3 MultiIn 3 BUS 3 Assign Out 3 Analyzer 31.5Hz FX1 Output Lch 3 Input 4 MultiIn 4 BUS 4 Assign Out 4 Analyzer 40 Hz FX1 Output Rch 4 Input 5 MultiIn 5 BUS 5 Assign Out 5 Analyzer 50 Hz FX2 Input Lch 5 Input 6 MultiIn 6 BUS 6 Assign Out 6 Analyzer 63 Hz FX2 Input Rch 6 Input 7 MultiIn 7 BUS 7 Assign Out 7 Analyzer 80 Hz FX2 Output Lch 7 Input 8 MultiIn 8 BUS 8 Assign Out 8 Analyzer 100 Hz FX2 Output Rch 8 Input 9 MultiIn 9 BUS 9 Assign Out 9 Analyzer 125 Hz FX3 Input Lch 9 Input 10 MultiIn 10 BUS 10 Assign Out 10 Analyzer 160 Hz FX3 Input Rch 10 Input 11 MultiIn 11 BUS 11 Assign Out 11 Analyzer 200 Hz FX3 Output Lch 11 Input 12 MultiIn 12 BUS 12 Assign Out 12 Analyzer 250 Hz FX3 Output Rch 12 Input 13 MultiIn 13 - Assign Out 13 Analyzer 315 Hz FX4 Input Lch 13 Input 14 MultiIn 14 - Assign Out 14 Analyzer 400 Hz FX4 Input Rch 14 Input 15 MultiIn 15 - Assign Out 15 Analyzer 500 Hz FX4 Output Lch 15 Input 16 MultiIn 16 - Assign Out 16 Analyzer 630 Hz FX4 Output Rch 16 Input 17 MultiIn 17 - Assign Out 17 Analyzer 800 Hz FX5 Input Lch 17 Input 18 MultiIn 18 - Assign Out 18 Analyzer 1.0kHz FX5 Input Rch 18 Input 19 MultiIn 19 - Assign Out 19 Analyzer 1.2kHz FX5 Output Lch 19 Input 20 MultiIn 20 - Assign Out 20 Analyzer 1.6kHz FX5 Output Rch 20 Input 21 MultiIn 21 - Assign Out 21 Analyzer 2.0kHz FX6 Input Lch 21 Input 22 MultiIn 22 - Assign Out 22 Analyzer 2.5kHz FX6 Input Rch 22 Input 23 MultiIn 23 - Assign Out 23 Analyzer 3.2kHz FX6 Output Lch 23 Input 24 MultiIn 24 - Assign Out 24 Analyzer 4.0kHz FX6 Output Rch 24 - - - - Analyzer 5.0kHz FX7 Input Lch 25 - - - - Analyzer 6.3kHz FX7 Input Rch 26 - - - - Analyzer 8.0kHz FX7 Output Lch 27 - - - - Analyzer 10 kHz FX7 Output Rch 28 - - - - Analyzer 12 kHz FX8 Input Lch 29 - - - - Analyzer 16 kHz FX8 Input Rch 30 - - - - Analyzer 20 kHz FX8 Output Lch 31 - - - - Analyzer Input FX8 Output Rch 32 MONITOR Lch MONITOR Lch MONITOR Lch MONITOR Lch MONITOR Lch MONITOR Lch 33 MONITOR Rch MONITOR Rch MONITOR Rch MONITOR Rch MONITOR Rch MONITOR Rch 34 MASTER Lch MASTER Lch MASTER Lch MASTER Lch MASTER Lch MASTER Lch 35 MASTER Rch MASTER Rch MASTER Rch MASTER Rch MASTER Rch MASTER Rch 36 - - - - - MST FX Input Lch 37 - - - - - MST FX Input Rch 38 - - - - - MST FX Output Lch 39 - - - - - MST FX Output Rch 40 - - - - - 41 - - - - - 42 - - - - - 43 - - - - - 44 - - - - - 45 - - - - - 46 - - - - - 47 - - - - - -

Level Meter Value and Level

Level Meter / Spectrum Analyzer Value Level 0 0 dB 1 -1 dB 2 -2 dB

: 127 -∞ dB

●Control Change

Parameters on the Mixer section can be received and transmitted by the control change messages when the VM-Link is connected and moreover “MIDI Control Type (*1)” in the SYSTEM parameter is set to “C.C.” When the VM-Link is not connected and moreover the “MIDI Control Type (*1)” is set to “C.C.” or “NRPN,” the message can be received.

Status Second Third BnH mmH llH

n = MIDI Channel No.: 0H - FH (ch.1 - ch.16; see below) mm = Mixer Parameter No.: (see below) ll = Mixer Parameter Value: 00H - 7FH (0 - 127) (*1)

When “MIDI C.C. Type (*1)” in the SYSTEM parameter is set to “Mono”

When “MIDI Control Type (*1)” in the SYSTEM parameter is set to “C.C.,” Level parameter/Switch parameter/Pan parameter of the MIXER parameter were transmitted and received according to the “MIDI Control Change Type Assign” and “MIDI Control Change Channel Assign” setting in the SYSTEM parameter. The transmitted MIDI channel is set by the “MIDI Control Channel (*1)” in the VM-7200/

7100.

Mixer Parameter and MIDI Channel/Control Change No. default value

C.C.# Control Parameter C.C.# Control Parameter 0 ---------------------------- 64 Input 6 Main Sw 1 Input 1 Main Level 65 Input 7 Main Sw 2 Input 2 Main Level 66 Input 8 Main Sw 3 Input 3 Main Level 67 Input 9 Main Sw 4 Input 4 Main Level 68 Input 10 Main Sw 5 Input 5 Main Level 69 Input 11 Main Sw 6 Input 6 Main Level 70 Input 12 Main Sw 7 Input 7 Main Level 71 Input 13 Main Sw 8 Input 8 Main Level 72 Input 14 Main Sw 9 Input 9 Main Level 73 Input 15 Main Sw 10 Input 10 Main Level 74 Input 16 Main Sw 11 Input 11 Main Level 75 Input 17 Main Sw 12 Input 12 Main Level 76 Input 18 Main Sw 13 Input 13 Main Level 77 Input 19 Main Sw 14 Input 14 Main Level 78 Input 20 Main Sw 15 Input 15 Main Level 79 Input 21 Main Sw 16 Input 16 Main Level 80 Input 22 Main Sw 17 Input 17 Main Level 81 Input 23 Main Sw 18 Input 18 Main Level 82 Input 24 Main Sw 19 Input 19 Main Level 83 MultiIn 1 Main Sw 20 Input 20 Main Level 84 MultiIn 2 Main Sw 21 Input 21 Main Level 85 MultiIn 3 Main Sw 22 Input 22 Main Level 86 MultiIn 4 Main Sw 23 Input 23 Main Level 87 MultiIn 5 Main Sw 24 Input 24 Main Level 88 MultiIn 6 Main Sw 25 MultiIn 1 Main Level 89 MultiIn 7 Main Sw 26 MultiIn 2 Main Level 90 MultiIn 8 Main Sw 27 MultiIn 3 Main Level 91 MultiIn 9 Main Sw 28 MultiIn 4 Main Level 92 MultiIn 10 Main Sw 29 MultiIn 5 Main Level 93 MultiIn 11 Main Sw 30 MultiIn 6 Main Level 94 MultiIn 12 Main Sw 31 MultiIn 7 Main Level 95 MultiIn 13 Main Sw 32 ---------------------------- 96 --------------------------- 33 MultiIn 8 Main Level 97 --------------------------- 34 MultiIn 9 Main Level 98 --------------------------- 35 MultiIn 10 Main Level 99 --------------------------- 36 MultiIn 11 Main Level 100 --------------------------- 37 MultiIn 12 Main Level 101 --------------------------- 38 MultiIn 13 Main Level 102 MultiIn 14 Main Sw 39 MultiIn 14 Main Level 103 MultiIn 15 Main Sw 40 MultiIn 15 Main Level 104 MultiIn 16 Main Sw 41 MultiIn 16 Main Level 105 MultiIn 17 Main Sw 42 MultiIn 17 Main Level 106 MultiIn 18 Main Sw 43 MultiIn 18 Main Level 107 MultiIn 19 Main Sw 44 MultiIn 19 Main Level 108 MultiIn 20 Main Sw 45 MultiIn 20 Main Level 109 MultiIn 21 Main Sw 46 MultiIn 21 Main Level 110 MultiIn 22 Main Sw 47 MultiIn 22 Main Level 111 MultiIn 23 Main Sw 48 MultiIn 23 Main Level 112 MultiIn 24 Main Sw 49 MultiIn 24 Main Level 113 50 Bus 1 Master Level 114 51 Bus 2 Master Level 115 52 Bus 3 Master Level 116 53 Bus 4 Master Level 117 54 Bus 5 Master Level 118 55 Bus 6 Master Level 119 56 Bus 7 Master Level 120 --------------------------- 57 Bus 8 Master Level 121 --------------------------- 58 Main Master Level 122 --------------------------- 59 Input 1 Main Sw 123 --------------------------- 60 Input 2 Main Sw 124 --------------------------- 61 Input 3 Main Sw 125 --------------------------- 62 Input 4 Main Sw 126 --------------------------- 63 Input 5 Main Sw 127 ----------------------------

36

MIDI Implementation

❍ When the “MIDI C.C. Type (*1)” in the SYSTEM parameter is set to

“Multi”

When the “MIDI C.C. Type (*1)” is set to “Multi,” the MIXER parameters in the VM-7200/ 7100 is transmitted and received through the multiple MIDI channels. This function is used for controlling the Mixer section of the VM-7200/7100 or the GM sound module.

Mixer Parameter and MIDI Channel/Control Change No.

Input 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 MIDI channel 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Master Fader Level 7 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> Main Send Pan 10 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ L Freq. 12 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ L Gain 13 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ HM Freq. 14 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ HM Gain 15 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ HM Q 16 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ H Freq. 17 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ H Gain 18 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> Bus1 Send Level 19 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> Bus2 Send Level 20 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> Bus3 Send Level 21 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> Bus4 Send Level 22 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> Bus5 Send Level 23 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> Bus6 Send Level 24 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> Bus7 Send Level 25 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> Bus8 Send Level 26 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> Input Mute Sw 27 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->

Input 17 18 19 20 21 22 23 24 MIDI channel 1 2 3 4 5 6 7 8 MIX Send Level 68 -> -> -> -> -> -> -> MIX Send Pan/Bal 70 -> -> -> -> -> -> -> EQ L Freq. 71 -> -> -> -> -> -> -> EQ L Gain 72 -> -> -> -> -> -> -> EQ HM Freq. 73 -> -> -> -> -> -> -> EQ HM Gain 74 -> -> -> -> -> -> -> EQ HM Q 75 -> -> -> -> -> -> -> EQ H Freq. 76 -> -> -> -> -> -> -> EQ H Gain 77 -> -> -> -> -> -> -> Bus1 Send Level 78 -> -> -> -> -> -> -> Bus2 Send Level 79 -> -> -> -> -> -> -> Bus3 Send Level 80 -> -> -> -> -> -> -> Bus4 Send Level 81 -> -> -> -> -> -> -> Bus5 Send Level 82 -> -> -> -> -> -> -> Bus6 Send Level 83 -> -> -> -> -> -> -> Bus7 Send Level 84 -> -> -> -> -> -> -> Bus8 Send Level 85 -> -> -> -> -> -> -> Input Mute Sw 86 -> -> -> -> -> -> ->

MultiIn 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 MIDI channel 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Main Send Level 39 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> Main Send Pan 42 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ L Freq. 44 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ L Gain 45 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ HM Freq. 46 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ HM Gain 47 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ HM Q 48 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ H Freq. 49 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> EQ H Gain 50 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> Bus1 Send Level 51 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> Bus2 Send Level 52 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> Bus3 Send Level 53 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> Bus4 Send Level 54 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> Bus5 Send Level 55 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> Bus6 Send Level 56 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> Bus7 Send Level 57 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> Bus8 Send Level 58 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> MultiIn Mute Sw 59 -> -> -> -> -> -> -> -> -> -> -> -> -> -> ->

MultiIn 17 18 19 20 21 22 23 24 MIDI channel 1 2 3 4 5 6 7 8 MIX Send Level 102 -> -> -> -> -> -> -> MIX Send Pan/Bal 103 -> -> -> -> -> -> ->

EQ L Freq. 104 -> -> -> -> -> -> -> EQ L Gain 105 -> -> -> -> -> -> -> EQ HM Freq. 106 -> -> -> -> -> -> -> EQ HM Gain 107 -> -> -> -> -> -> -> EQ HM Q 108 -> -> -> -> -> -> -> EQ H Freq. 109 -> -> -> -> -> -> -> EQ H Gain 110 -> -> -> -> -> -> -> Bus1 Send Level 111 -> -> -> -> -> -> -> Bus2 Send Level 112 -> -> -> -> -> -> -> Bus3 Send Level 113 -> -> -> -> -> -> -> Bus4 Send Level 114 -> -> -> -> -> -> -> Bus5 Send Level 115 -> -> -> -> -> -> -> Bus6 Send Level 116 -> -> -> -> -> -> -> Bus7 Send Level 117 -> -> -> -> -> -> -> Bus8 Send Level 118 -> -> -> -> -> -> -> MultiIn Mute Sw 119 -> -> -> -> -> -> ->

<Talk Back Section> MIDI channel = 9

Talk Back Level 68 Talk Back To Main 70 Talk Back To Bus1 78 Talk Back To Bus2 79 Talk Back To Bus3 80 Talk Back To Bus4 81 Talk Back To Bus5 82 Talk Back To Bus6 83 Talk Back To Bus7 84 Talk Back To Bus8 85 Talk Back Sw 86

<Slate Section> MIDI channel = 10

Slate Level 68 Slate To Main 70 Slate To Bus1 78 Slate To Bus2 79 Slate To Bus3 80 Slate To Bus4 81 Slate To Bus5 82 Slate To Bus6 83 Slate To Bus7 84 Slate To Bus8 85 Slate Sw 86

Bus Number Bus1 Bus2 Bus3 Bus4 Bus5 Bus6 Bus7 Bus8 MIDI channel 12 13 14 15 12 13 14 15 Bus Master Level 68 -> -> -> 102 -> -> -> Bus Return Pan 70 -> -> -> 103 -> -> ->

<Main Master Block> MIDI ch.=16

Main Master Level 68 Main Master Balance 70

NRPN (MSB/LSB)

Status Second Third BnH 62H llH BnH 63H mmH

n = MIDI Channel No.: 0H - FH (ch.1 - ch.16) mm = upper byte of the parameter number to be assigned with NRPN: 00H - 7FH (0 - 127) ll = lower byte of the parameter number to be assigned with NRPN: 00H - 7FH (0 - 127)

This message is received at the following case.

When the VM-Link is not connected and moreover the “MIDI Control Type (*1)” is set to “NRPN” and moreover the MIDI channel of this message is same as the “MIDI Control

Channel (*1).” After received this message, it is memorized as the “None Registered Parameter Number.” “None Registered Parameter Number” value is equal to the “Start Address” referred in “2. Address Map for Data Transfer” section.” The address value range of “None Registered Parameter Number” is “00 00 00 - 00 7F 7F.” See “2. Address Map for Data Transfer” section.

This message is transmitted at the following case.

When the VM-Link is connected and moreover the “MIDI Control Type (*1)” is set to “NRPN” and moreover a parameter is modified.

MIDI Implementation

37

MIDI Implementation

This message is transmitted with the MIDI channel set at the “MIDI Control Channel (*1).” “None Registered Parameter Number” value is equal to the “Start Address” referred in “2.

Address Map for Data Transfer” section.” The address value range of “None Registered Parameter Number” is “00 00 00 - 00 7F 7F.”

(*1) See “2. Address Map for Data Transfer” section.

❍Data Entry (MSB/LSB)

Status Second Third BnH 06H mmH BnH 26H llH

n = MIDI Channel No.: 0H - FH (ch.1 - ch.16) mm = upper byte corresponding to the parameter assigned with NRPN ll = lower byte corresponding to the parameter assigned with NRPN

<Ex> mmH llH = 40H 00H = -8192 = 7FH 7FH = -1 = 00H 00H = 0 = 3FH 7FH = +8191

This message is received at the following case.

When the “MIDI Control Type (*1)” parameter is set to “NRPN” and moreover the MIDI channel value with the message is same as the “MIDI Control Channel (*1).” After this message is received, the parameter is modified referring to the “None Registered Parameter Number.” When the “None Registered Parameter Number” is not set, this message was ineffective. The setting value range of each parameter number is different. See “2. Address Map for Data Transfer” section.

This message is transmitted at the following case.

When the VM-Link is not connected and moreover “MIDI Control Type (*1)” is set to “NRPN” and moreover the parameter is modified.

This message is transmitted with the MIDI channel set as “MIDI Control Channel (*1).”

(*1) See “2. Address Map for Data Transfer” section.

❍Data Increment

When the VM-Link is not connected and moreover the “MIDI Control Type (*1)” parameter is set to “NRPN” and moreover the MIDI channel value is same as the “MIDI Control Channel (*1)” value. After this message was received, the parameter is increased referring to the “None Registered Parameter Number.” The VM-7200/7100 doesn’t transmit this message.

Status Second Third BnH 60H 00H

n = MIDI Channel No.: 0H - FH (ch.1 - ch.16)

Increment the effect parameter selected with NRPN.

(*1) See “2. Address Map for Data Transfer” section.

❍Data Decrement

When the VM-Link is not connected and moreover the “MIDI Control Type (*1)” parameter is set to “NRPN” and moreover the MIDI channel value is same as the “MIDI Control Channel (*1)” value. After this message was received, the parameter is decreased referring to the “None Registered Parameter Number.” The VM-7200/7100 doesn’t transmit this message.

Status Second Third BnH 61H 00H

n = MIDI Channel No.: 0H - FH (ch.1 - ch.16)

Decrement the effect parameter selected with NRPN.

(*1) See “2. Address Map for Data Transfer” section.

●Pitch bend Change

Status Second Third EnH llH mmH

n = MIDI Channel No.: 0H - FH (ch.1 - ch.16) mm, ll = Pitch Bend Value: 00 00H – 40 00H – 7F 7FH (-8192 – 0 – +8191)

Set the pitch bend value of third byte to the parameter which is designated with the MIDI channel number and the pitch bend value of the second byte.

Parameters and Pitch bend Messages

Message Parameter Contents and remarks

------------------------------------------------------------------------- E0H 00H mmH Input Master Fader Level - CH 1 : : (Cascade Master Unit) : : E0H 2FH mmH MultiIn Master Fader Level - CH 24

------------------------------------------------------------------------- E0H 30H mmH Main Master Level : : (Cascade Master Unit)

------------------------------------------------------------------------- E0H 31H mmH Input Main Send Pan - CH 1 : : (Cascade Master Unit) : : E0H 60H mmH MultiIn Main Send Pan - CH 24

------------------------------------------------------------------------- E0H 61H mmH Main Master Balance : : (Cascade Master Unit)

------------------------------------------------------------------------- E0H 62H mmH Pre Amp Input Gain - CH1 : : (Cascade Master Unit) E0H 79H mmH Pre Amp Input Gain - CH24

------------------------------------------------------------------------- E0H 7AH mmH (Reserved)

------------------------------------------------------------------------- E1H 00H mmH Input Bus 1 Send Level - CH1 : : (Cascade Master Unit) : : E1H 2FH mmH MultiIn Bus 1 Send Level - CH24

------------------------------------------------------------------------- E1H 30H mmH Input Bus 2 Send Level - CH1 : : (Cascade Master Unit) : : E1H 5FH mmH MultiIn Bus 2 Send Level - CH24

------------------------------------------------------------------------- E1H 60H mmH Input Bus 3 Send Level - CH1 : : (Cascade Master Unit) : : E2H 0FH mmH MultiIn Bus 3 Send Level - CH24

------------------------------------------------------------------------- E2H 10H mmH Input Bus 4 Send Level - CH1 : : (Cascade Master Unit) : : E2H 3FH mmH MultiIn Bus 4 Send Level - CH24

------------------------------------------------------------------------- E2H 40H mmH Input Bus 5 Send Level - CH1 : : (Cascade Master Unit) : : E2H 6FH mmH MultiIn Bus 5 Send Level - CH24

------------------------------------------------------------------------- E2H 70H mmH Input Bus 6 Send Level - CH1 : : (Cascade Master Unit) : : E3H 1FH mmH MultiIn Bus 6 Send Level - CH24

------------------------------------------------------------------------- E3H 20H mmH Input Bus 7 Send Level - CH1 : : (Cascade Master Unit) : : E3H 4FH mmH MultiIn Bus 7 Send Level - CH24

------------------------------------------------------------------------- E3H 50H mmH Input Bus 8 Send Level - CH1 : : (Cascade Master Unit) : : E3H 7FH mmH MultiIn Bus 8 Send Level - CH24

------------------------------------------------------------------------- E4H 00H mmH Input Bus 9 Send Level - CH1 : : (Cascade Master Unit) : : E4H 2FH mmH MultiIn Bus 9 Send Level - CH24

------------------------------------------------------------------------- E4H 30H mmH Input Bus 10 Send Level - CH1 : : (Cascade Master Unit)

38

MIDI Implementation

: : E4H 5FH mmH MultiIn Bus 10 Send Level - CH24

--------------------------------------------------------------------------

E4H 60H mmH Input Bus 11 Send Level - CH1 : : (Cascade Master Unit) : : E5H 0FH mmH MultiIn Bus 11 Send Level - CH24

--------------------------------------------------------------------------

E5H 10H mmH Input Bus 12 Send Level - CH1 : : (Cascade Master Unit) : : E5H 3FH mmH MultiIn Bus 12 Send Level - CH24

--------------------------------------------------------------------------

E5H 40H mmH Bus Master Fader Level - BUS1 : : (Cascade Master Unit) E5H 4BH mmH Bus Master Fader Level - BUS12

--------------------------------------------------------------------------

E5H 4CH mmH (Reserved) : :

--------------------------------------------------------------------------

E8H 00H mmH Input Master Fader Level - CH 1 : : (Cascade Slave Unit) : : E8H 2FH mmH MultiIn Master Fader Level - CH 24

--------------------------------------------------------------------------

E8H 30H mmH Main Master Level : : (Cascade Slave Unit)

--------------------------------------------------------------------------

E8H 31H mmH Input Main Send Pan - CH 1 : : (Cascade Slave Unit) : : E8H 60H mmH MultiIn Main Send Pan - CH 24

--------------------------------------------------------------------------

E8H 61H mmH Main Master Balance : : (Cascade Slave Unit)

--------------------------------------------------------------------------

E8H 62H mmH Pre Amp Input Gain - CH1 : : (Cascade Slave Unit) E8H 79H mmH Pre Amp Input Gain - CH24

--------------------------------------------------------------------------

E8H 7AH mmH (Reserved)

--------------------------------------------------------------------------

E9H 00H mmH Input Bus 1 Send Level - CH1 : : (Cascade Slave Unit) : : E9H 2FH mmH MultiIn Bus 1 Send Level - CH24

--------------------------------------------------------------------------

E9H 30H mmH Input Bus 2 Send Level - CH1 : : (Cascade Slave Unit) : : E9H 5FH mmH MultiIn Bus 2 Send Level - CH24

--------------------------------------------------------------------------

E9H 60H mmH Input Bus 3 Send Level - CH1 : : (Cascade Slave Unit) : : EAH 0FH mmH MultiIn Bus 3 Send Level - CH24

--------------------------------------------------------------------------

EAH 10H mmH Input Bus 4 Send Level - CH1 : : (Cascade Slave Unit) : : EAH 3FH mmH MultiIn Bus 4 Send Level - CH24

--------------------------------------------------------------------------

EAH 40H mmH Input Bus 5 Send Level - CH1 : : (Cascade Slave Unit) : : EAH 6FH mmH MultiIn Bus 5 Send Level - CH24

--------------------------------------------------------------------------

EAH 70H mmH Input Bus 6 Send Level - CH1 : : (Cascade Slave Unit) : : EBH 1FH mmH MultiIn Bus 6 Send Level - CH24

--------------------------------------------------------------------------

EBH 20H mmH Input Bus 7 Send Level - CH1 : : (Cascade Slave Unit) : : EBH 4FH mmH MultiIn Bus 7 Send Level - CH24

--------------------------------------------------------------------------

EBH 50H mmH Input Bus 8 Send Level - CH1 : : (Cascade Slave Unit)

: : EBH 7FH mmH MultiIn Bus 8 Send Level - CH24

------------------------------------------------------------------------- ECH 00H mmH Input Bus 9 Send Level - CH1 : : (Cascade Slave Unit) : : ECH 2FH mmH MultiIn Bus 9 Send Level - CH24

------------------------------------------------------------------------- ECH 30H mmH Input Bus 10 Send Level - CH1 : : (Cascade Slave Unit) : : ECH 5FH mmH MultiIn Bus 10 Send Level - CH24

------------------------------------------------------------------------- ECH 60H mmH Input Bus 11 Send Level - CH1 : : (Cascade Slave Unit) : : EDH 0FH mmH MultiIn Bus 11 Send Level - CH24

------------------------------------------------------------------------- EDH 10H mmH Input Bus 12 Send Level - CH1 : : (Cascade Slave Unit) : : EDH 3FH mmH MultiIn Bus 12 Send Level - CH24

------------------------------------------------------------------------- EDH 40H mmH Bus Master Fader Level - BUS1 : : (Cascade Slave Unit) EDH 4BH mmH Bus Master Fader Level - BUS12

------------------------------------------------------------------------- EDH 4CH mmH (Reserved) : :

--------------------------------------------------------------------------

■System Exclusive Message

Status Data Bytes Status F0H iiH, ddH, ..., eeH F7H

Byte Description F0H Status of System Exclusive Message iiH Manufacturer ID

41H Roland’s Manufacturer ID 7EH Universal Non Realtime Message

7FH Universal Realtime Message ddH Data : 00H - 7FH (0-127) :: eeH Data F7H EOX (End of System Exclusive Message)

The VM-7200/7100 can transfer and receive the internal parameters information using system exclusive messages, and also can be controlled by the external devices using system exclusive messages. The VM-7200/7100 can transmit and receive the System Exclusive messages such as Universal System Exclusive messages, Data Request (RQ1) and Data set (DT1).

❍About Model ID

For Data Request (RQ1) and Data Set (DT1), the VM-7200/7100 uses 00H 1EH as a Model ID.

❍About Device ID

System Exclusive messages are not assigned to any particular MIDI channel. Instead, they have their own special control parameter called device ID. The Roland system exclusive messages use device IDs to specify multiple VM-7200/7100 units. The VM-7200/7100 sends system exclusive messages using the value set at “MIDI System Exclusive Device ID (*1),” and receives the system exclusive messages whose device ID is same as its device ID and 7FH.

●Universal System Exclusive Message

❍INQUIRY MESSAGE

Identity Request

Status Data Byte Status F0H 7EH, Dev, 06H, 01H F7H

Byte Description F0H Status of System Exclusive Message 7EH Universal System Exclusive Message Non Realtime Header Dev Device ID (or 7FH)

MIDI Implementation

39

MIDI Implementation

06H General Information (sub ID #1) 01H Identify Request (sub ID #2) F7H EOX (End of System Exclusive Message)

The message is used to request the particular information of the VM-7200/7100. If this message is received right after the power is on, Device ID of the received message is set to the Device ID of the VM-7200/7100. If the first received message’s Device ID is 7FH, the VM-7200/7100’s Device ID is set to the 10H (cascade slave processor = 11H), default value. The VM-7200/7100 does not transmit this message. If the VM-7200/7100 received the message and the device ID of the received message is same as its device ID or 7FH, the VM-7200/7100 transmits the following Identity Reply message.

Status Data Bytes Status F0H 7EH, Dev, 06H, 02H, 41H, 1EH, 01H, F7H

nnH, 00H, vvH, 00H, ssH, ssH

Byte Description F0H Status of System Exclusive Message 7EH Universal System Exclusive Message Non Realtime Header Dev Device ID 06H General Information (sub ID #1) 02H Identify Request (sub ID #2) 41H Manufacturer ID (Roland) 1EH 01H Device Family Code (VM-7200/7100) nnH 00H Device Family No. (VM-xxxxx)

0:Reserved, 1:VM-7100, 2:VM-C7100, 3:VM-7200, 4:VM-C7200

vvH 00H Option Available No.

ssH ssH Software Revision Level F7H EOX (End of System Exclusive Message)

MIDI Machine Control Commands

Status Data Bytes Status F0H 7FH, Dev, 06H, aaH, ..., bbH F7H

Byte Description F0H Status of System Exclusive Message 7FH Universal System Exclusive Message Realtime Header Dev Device ID (or 7FH) 06H MMC Command Message aaH Command :: bbH Command F7H EOX (End of System Exclusive Message)

(*) see “3. MIDI Machine Control” section

MIDI Machine Control Responses

Status Data Bytes Status F0H 7FH, Dev, 07H, aaH, ..., bbH F7H

Byte Description F0H Status of System Exclusive Message 7FH Universal System Exclusive Message Realtime Header Dev Device ID 07H MMC Response Message aaH Response :: bbH Response F7H EOX (End of System Exclusive Message)

●Data Transfer (RQ1, DT1)

❍Data Request (RQ1)

Status Data Bytes Status F0H 41H, Dev, 00H, 1EH, 11H, F7H

aaH, bbH, ccH, ssH, ssH, Sum

Byte Description F0H Status of System Exclusive Message 41H Manufacturer ID (Roland) Dev Device ID 00H 1EH Model ID (V-Mixer) 11H Command ID (RQ1) aaH Address MSB bbH Address MID ccH Address LSB ssH Size MSB ssH Size MID ssH Size LSB Sum Check Sum F7H EOX (End of System Exclusive Message)

The message is used to request data to the VM-7200/7100. The VM-7200/7100 does not transmit this message. The VM-7200/7100 transmits the requested data using Data Set (DT1) under following condition when it received the message.

1 The requested address correspond to the specified parameter base address of the

VM-7200/7100.

2 The requested size is over 1 byte.

❍Data Set (DT1)

Status Data Bytes Status F0H 41H, Dev, 00H, 0EH, 12H, F7H

aaH, bbH, ccH, ddH, ..., eeH, Sum

Byte Description F0H Status of System Exclusive Message 41H Manufacturer ID (Roland) Dev Device ID 00H 1EH Model ID (V-Mixer) 12H Command ID (DT1) aaH Address MSB bbH Address MID ccH Address LSB ddH Data :: eeH Data Sum Check Sum F7H EOX (End of System Exclusive Message)

The message is received under the following condition.

If VM-Link is not connected, and the device ID on the message is same as that of the receive device, and the address on the message correspond to the specified parameter base address, the received data are stored from the specified parameter base address. If the interval of received messages is shorter than 20 msec, the VM-7200/7100 can not work the receive message procedure correctly.

The message is transmitted under the following condition.

When the VM-7200/7100 transmit the data on the requested parameter after receiving the Data Request message (RQ1). See “2. Data Transfer Address Map” for more details of the transfer parameters.

(*) see “3. MIDI Machine Control” section

40

MIDI Implementation

2. Data Transfer Address Map

The each address value is expressed as a 7bit hex number.

+——————————————————————————————————————————————————————————————————+ | Address | MSB | MID | LSB | |—————————————————————+——————————————+——————————————+——————————————+ | None Registered | 0000 0000 | 0mmm mmmm | 0lll llll | | Parameter Number | 00 | MM | LL | |—————————————————————+——————————————+——————————————+——————————————+ | Binary | 0aaa aaaa | 0bbb bbbb | 0ccc cccc | | 7 Bit Hex | AA | BB | CC | +——————————————————————————————————————————————————————————————————+

■MIDI Data - Mixer EQ Freq Table

+——————+————————++——————+————————++——————+————————++——————+————————+ | Data |Freq(Hz)|| Data |Freq(Hz)|| Data |Freq(Hz)|| Date |Freq(Hz)| +——————+————————++——————+————————++——————+————————++——————+————————+ | 00H | 16.0 || 20H | 100 || 40H | 630 || 60H | 4.00k | | 01H | 17.0 || 21H | 106 || 41H | 670 || 61H | 4.22k | | 02H | 18.0 || 22H | 112 || 42H | 710 || 62H | 4.50k | | 03H | 19.0 || 23H | 120 || 43H | 750 || 63H | 4.73k | | 04H | 20.0 || 24H | 125 || 44H | 800 || 64H | 5.00k | | 05H | 21.0 || 25H | 133 || 45H | 840 || 65H | 5.30k | | 06H | 22.4 || 26H | 140 || 46H | 900 || 66H | 5.60k | | 07H | 23.7 || 27H | 150 || 47H | 944 || 67H | 6.00k | | 08H | 25.0 || 28H | 160 || 48H | 1.00k || 68H | 6.30k | | 09H | 26.6 || 29H | 170 || 49H | 1.06k || 69H | 6.70k | | 0AH | 28.0 || 2AH | 180 || 4AH | 1.12k || 6AH | 7.10k | | 0BH | 30.0 || 2BH | 190 || 4BH | 1.20k || 6BH | 7.50k | | 0CH | 31.5 || 2CH | 200 || 4CH | 1.25k || 6CH | 8.00k | | 0DH | 33.5 || 2DH | 210 || 4DH | 1.33k || 6DH | 8.40k | | 0EH | 35.5 || 2EH | 224 || 4EH | 1.40k || 6EH | 9.00k | | 0FH | 37.6 || 2FH | 237 || 4FH | 1.50k || 6FH | 9.44k | | 10H | 40.0 || 30H | 250 || 50H | 1.60k || 70H | 10.0k | | 11H | 42.2 || 31H | 266 || 51H | 1.70k || 71H | 10.6k | | 12H | 45.0 || 32H | 280 || 52H | 1.80k || 72H | 11.2k | | 13H | 47.3 || 33H | 300 || 53H | 1.90k || 73H | 12.0k | | 14H | 50.0 || 34H | 315 || 54H | 2.00k || 74H | 12.5k | | 15H | 53.0 || 35H | 335 || 55H | 2.10k || 75H | 13.3k | | 16H | 56.0 || 36H | 355 || 56H | 2.24k || 76H | 14.0k | | 17H | 60.0 || 37H | 376 || 57H | 2.37k || 77H | 15.0k | | 18H | 63.0 || 38H | 400 || 58H | 2.50k || 78H | 16.0k | | 19H | 67.0 || 39H | 422 || 59H | 2.66k || 79H | 17.0k | | 1AH | 71.0 || 3AH | 450 || 5AH | 2.80k || 7AH | 18.0k | | 1BH | 75.0 || 3BH | 473 || 5BH | 3.00k || 7BH | 19.0k | | 1CH | 80.0 || 3CH | 500 || 5CH | 3.15k || 7CH | 20.0k | | 1DH | 84.0 || 3DH | 530 || 5DH | 3.35k || 7DH | 21.0k | | 1EH | 90.0 || 3EH | 560 || 5EH | 3.55k || 7EH | 22.4k | | 1FH | 94.4 || 3FH | 600 || 5FH | 3.76k || 7FH | 23.7k | +——————+————————++——————+————————++——————+————————++——————+————————+

■MIDI Data - Mixer EQ Quality Table

+——————+————————++——————+————————++——————+————————+ | Data | Q || Data | Q || Data | Q | +——————+————————++——————+————————++——————+————————+ | 00H | 0.355 || 10H | 2.24 || 20H | 14.0 | | 01H | 0.400 || 11H | 2.50 || 21H | 16.0 | | 02H | 0.450 || 12H | 2.80 || | | | 03H | 0.500 || 13H | 3.15 || | | | 04H | 0.560 || 14H | 3.55 || | | | 05H | 0.630 || 15H | 4.00 || | | | 06H | 0.710 || 16H | 4.50 || | | | 07H | 0.800 || 17H | 5.00 || | | | 08H | 0.900 || 18H | 5.60 || | | | 09H | 1.00 || 19H | 6.30 || | | | 0AH | 1.12 || 1AH | 7.10 || | | | 0BH | 1.25 || 1BH | 8.00 || | | | 0CH | 1.40 || 1CH | 9.00 || | | | 0DH | 1.60 || 1DH | 10.0 || | | | 0EH | 1.80 || 1EH | 11.2 || | | | 0FH | 2.00 || 1FH | 12.5 || | | +——————+————————++——————+————————++——————+————————+

■MIDI Data - Mixer EQ Gain Table

+——————+—————————+ | Data | Gain | +——————+—————————+ | 00H | -32.0dB | | 01H | -31.5dB | | 02H | -31.0dB | : : : : | 3EH | -1.0dB | | 3FH | -0.5dB | | 40H | 0.0dB | | 41H | +0.5dB | | 42H | +1.0dB | : : : : | 7EH | +31.0dB | | 7FH | +31.5dB | +——————+—————————+

HFD GAIN: 04H (-30.0 dB) – 40H (0.0 dB) – 4CH (+6.0 dB) LFD GAIN: 04H (-30.0 dB) – 40H (0.0 dB) – 4CH (+6.0 dB) EQ GAIN: 22H (-15.0 dB) – 40H (0.0 dB) – 5EH (+15.0 dB)

■MIDI Data - EXP/CMP Ratio Table

+——————+—————————+ | Data | RATIO | +——————+—————————+ | 00H | 1:1.0 |(OFF) | 01H | 1:1.1 | | 02H | 1:1.2 | | 03H | 1:1.4 | | 04H | 1:1.6 | | 05H | 1:1.8 | | 06H | 1:2.0 | | 07H | 1:2.5 | | 08H | 1:3.1 | | 09H | 1:4.0 | | 0AH | 1:5.6 | | 0BH | 1:8.0 | | 0CH | 1:16 | | 0DH | 1:INF | +——————+—————————+

■Parameter Address Block

+——————————+————————————————————————————————————————————————————————————+ | Start | | | adrs | Block | |==========+============================================================| | 00 00 00 | System Block 1-1 | |——————————+————————————————————————————————————————————————————————————| | 00 10 00 | Mixer Block 1-2 | | : | | | : | | | : | | |——————————+————————————————————————————————————————————————————————————| | 00 50 00 | Effect Block 1-3 | |——————————+————————————————————————————————————————————————————————————| | 00 60 00 | (Reserved) | : : | 7F 7F 7F | | +——————————+————————————————————————————————————————————————————————————+

●1-1. System Block

MIDI Implementation

41

MIDI Implementation

| | | | | | +—————— Effect Board C | | | | | | +———————— R-BUS Board | | | | | +———————————— Cascade Board | | | | +—————————————— 7100/7200 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 03 | 00 - 7F | Error Message (*3) | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 04 | 00 - 02 | Sampling Frequency 48,44.1,32kHz | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 05 | 00 | (Reserved) | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 06 | 00 - 06 | Word Clock Source Int,R-BUS1,,,3,| | | | Cascade,WordClkIn,DigIn | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 07 | 00 - 01 | Word Clock Terminator Switch Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 08 | 00 - 01 | Digital Audio Input Coaxial,XLR-bal | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 09 | 00 - 01 | R-BUS I/F type -1 (*1) Off,DIF-AT | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0A | 00 - 01 | R-BUS I/F type -2 (*1) Off,DIF-AT | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0B | 00 - 01 | R-BUS I/F type -3 (*1) Off,DIF-AT | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0C | 00 - 01 | MIDI OUT/THRU Sw Out,THRU | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0D | 00 - 01 | MIDI Level Meter Tx Sw Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0E | 00 - 0F | MIDI Level Meter Channel 1,,,16 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0F | 00 - 02 | MIDI Control Type (*2) Off,C.C.,NRPN | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 00 - 0F | MIDI Control Channel (*2) 1,,,16 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 11 | 00 - 01 | MIDI C.C. Type Off,Mono,Multi | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 00 - 1F | MIDI System Exclusive Device ID 1,,,32 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 13 | 00 - 03 | MIDI Control Change Type Assign C.C.# -0 | | | | Off,Level,Sw,Pan | : : : | 00 01 12 | 00 - 03 | MIDI Control Change Type Assign C.C.# -127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 01 13 | 00 - 39 | MIDI Control Change Channel Assign C.C.# -0 | | | | Input1,,,24,MultiIn1,,,24,Bus1,,8,Master | : : : | 00 02 12 | 00 - 39 | MIDI Control Change Channel Assign C.C.# -127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 02 13 | 00 - 3F | Meter Unit Select Unit0,Unit1... | | | | 7F=Off | |——————————+—————————+———————————————————————————————————————————————————| | 00 02 14 | 00 - 3F | MTC Unit Select Unit0,Unit1... | | | | 7F=Off | |——————————+—————————+———————————————————————————————————————————————————| | 00 02 15 | 00 - 02 | Cascade Mode (*1) Off,Master,Slave | |——————————+—————————+———————————————————————————————————————————————————| | 00 02 16 | 00 - 01 | Digital Audio Output - Channel Status Type | | | | Type1, Type2-Form1 | |——————————+—————————+———————————————————————————————————————————————————| | 00 02 17 | 00 - 01 | Digital Audio Copy Protect Off, On | |——————————+—————————+———————————————————————————————————————————————————| | 00 02 18 | 00 | (Reserved) | : : +————————————————————————————————————————————————————————————————————————+

(*1) These parameters are read only. (*2) These parameters are set by only Exclusive message (DT1). (*3) These parameters are read only. If errata are occurred, the VM-7200Å^7100 transmit

the message.

●1-2. Mixer Block

+——————————+—————————————————————————————————————————————————————————————+ |Offset | | | adrs | Mixer Sub Block | |==========|=============================================================| | 00 00 00 | Pre Amp Param. -1 (Ch 1) 2-1 | | 00 00 02 | Pre Amp Param. -2 (Ch 2) | | : : |

| 00 00 2E | Pre Amp Param. -24 (Ch 24) | |——————————+—————————————————————————————————————————————————————————————| | 00 00 30 | Input Param. -1 (Ch 1) 2-2 | | 00 01 20 | Input Param. -2 (Ch 2) | | : : | | 00 14 40 | Input Param. -24 (Ch 24) | |——————————+—————————————————————————————————————————————————————————————| | 00 15 30 | MultiIn Param. -1 (Ch 1) 2-3 | | 00 16 20 | MultiIn Param. -2 (Ch 2) | | : : | | 00 29 40 | MultiIn Param. -24 (Ch 24) | |——————————+—————————————————————————————————————————————————————————————| | 00 2A 30 | Talk Back Param. 2-4 | |——————————+—————————————————————————————————————————————————————————————| | 00 2B 10 | Bus 1-12 Param. -1 (BUS 1) 2-5 | | 00 2B 20 | Bus 1-12 Param. -2 (BUS 2) | | : : | | 00 2C 40 | Bus 1-12 Param. -12 (BUS 12) | |——————————+—————————————————————————————————————————————————————————————| | 00 2C 50 | Bus 1-8 Param. -1 (BUS 1) 2-6 | | 00 2D 08 | Bus 1-8 Param. -2 (BUS 2) | | : : | | 00 2F 58 | Bus 1-8 Param. -8 (BUS 8) | |——————————+—————————————————————————————————————————————————————————————| | 00 30 10 | Output Param. 2-7 | |——————————+—————————————————————————————————————————————————————————————| | 00 30 60 | Solo Param. 2-8 | |——————————+—————————————————————————————————————————————————————————————| | 00 31 20 | Fader Group Master Param. 2-9 | |——————————+—————————————————————————————————————————————————————————————| | 00 31 40 | Effect Section Param. -1 (FX1) 2-10 | | 00 31 4A | Effect Section Param. -2 (FX2) | | : : | | 00 32 06 | Effect Section Param. -8 (FX8) | |——————————+—————————————————————————————————————————————————————————————| | 00 32 30 | Master Effect Section Param 2-11 | |——————————+—————————————————————————————————————————————————————————————| | 00 32 40 | Cascade Param. 2-12 | |——————————+—————————————————————————————————————————————————————————————| | 00 32 60 | Dither Param. 2-13 | |——————————+—————————————————————————————————————————————————————————————| | 00 33 00 | GEN/OSC Param. 2-14 | |——————————+—————————————————————————————————————————————————————————————| | 00 33 20 | Level Meter/Analyzer Param. 2-15 | |——————————+—————————————————————————————————————————————————————————————| | 00 33 30 | Misc. Param. 2-16 | |——————————+—————————————————————————————————————————————————————————————| | 00 33 40 | (Reserved) | | : | : | +————————————————————————————————————————————————————————————————————————+

❍2-1. Pre Amp Parameter

+————————————————————————————————————————————————————————————————————————+ | Offset | | | | adrs | Data | Contents and remarks | |==========+=========+===================================================| | 00 00 00 | 00 - 01 | Pre Amp Phantom Power Sw Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 01 | 00 - 44 | Pre Amp Input Gain +4dB(00) to -64dB(44) | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 02 | 00 | (Reserved) | : : +————————————————————————————————————————————————————————————————————————+

❍2-2. Input Parameter

+————————————————————————————————————————————————————————————————————————+ |Offset | | | | adrs | Data | Contents and remarks | |==========+=========+===================================================| | 00 00 00 | 00 - 01 | Input Channel Link Sw Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 01 | 00 - 17 | Input Group Fader Assign Ch1,,,Ch24 | | |(40 - 57)| bit6 : 0:Off,1:On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 02 | 00 - 17 | Input Select Ch1,,,Ch20, | | |(40 - 57)| DigitalInL,DigitalInR,ConsoleInL,ConsoleInR | | | | bit6 : 0:Off,1:On | |——————————+—————————+———————————————————————————————————————————————————|

42

MIDI Implementation

| 00 00 03 | 28 - 46 | Input ATT (0dB:64[40H]) -24dB,,,+6dB | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 04 | 00 - 01 | Input Phase Sw Norm,Inv | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 05 | 00 - 01 | Input Phase Delay Sw Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 06 | 0aaaaaaa| Input Phase Delay Time (*4) | | 00 00 07#| 0bbbbbbb| 0,,,14400sample | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 08 | 0aaaaaaa| Input Feedback Delay Time (*4) | | 00 00 09#| 0bbbbbbb| 2,,,14400sample | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0A | 00 - 01 | Input Feedback Delay Sw Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0B | 00 - 7F | Input Feedback Delay Fb Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0C | 00 - 01 | Input Feedback Delay Fb Phase Norm,Inv | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0D | 00 - 7F | Input Feedback Delay Eff Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0E | 00 - 01 | Input Feedback Delay Eff Phase Norm,Inv | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0F | 00 - 7F | Input Feedback Delay Dir Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 04 - 4C | Input Feedback Delay HFD Gain (*2) | | | | -30.0dB,,,+6.0dB | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 11 | 2C - 7C | Input Feedback Delay HFD Freq (*1) 200,,,20kHz | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 04 - 4C | Input Feedback Delay LFD Gain (*2) | | | | -30.0dB,,,+6.0dB | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 13 | 04 - 54 | Input Feedback Delay LFD Freq (*1) 20,,,2kHz | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 00 - 01 | Input HPF Sw Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 15 | 04 - 54 | Input HPF Cut Off Freq (*1) 20,,,2kHz | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 00 - 01 | Input EQ Sw Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 17 | 22 - 5E | Input EQ Hi Gain (*2) -15.0dB,,,+15.0dB | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 48 - 7C | Input EQ Hi Freq (*1) 1k,,,20kHz | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 19 | 22 - 5E | Input EQ HiMid Gain (*2) -15.0dB,,,+15.0dB | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 38 - 7C | Input EQ HiMid Freq (*1) 400,,,20kHz | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1B | 00 - 21 | Input EQ HiMid Q (*3) 0.355,,,16.0 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 00 - 05 | Input EQ LoMid Type Off,LPF,BPF,HPF, | | | | Notch,Peak | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1D | 22 - 5E | Input EQ LoMid Gain (*2) -15.0dB,,,+15.0dB | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 04 - 6C | Input EQ LoMid Freq (*1) 20,,,8kHz | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1F | 00 - 21 | Input EQ LoMid Q (*3) 0.355,,,16.0 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 00 - 7F | Input EQ LoMid Resonance 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 21 | 22 - 5E | Input EQ Lo Gain (*2) -15.0dB,,,+15.0dB | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 04 - 54 | Input EQ Lo Freq (*1) 20,,,2kHz | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 23 | 00 - 01 | Input Mute Sw Norm,Mute | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 00 - 7F | Input Master Fader Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 25 | 00 - 01 | Input Main Send Sw Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 01 - 7F | Input Main Send Pan L63,,,R63 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 27 | 00 - 02 | Input Cue Send Sw PreEQ,PreFader,PostFader | | |(40 - 42)| bit6 : 0:Off,1:On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 00 - 7F | Input Cue Send Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 29 | 01 - 7F | Input Cue Send Pan L63,,,R63 |

|——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 00 - 01 | Input Cue Send Pan Slave Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2B | 00 - 02 | Input Bus 1 Send Sw PreEQ,PreFader,PostFader | | |(40 - 42)| bit6 : 0:Off,1:On | : : : | 00 00 36 | 00 - 02 | Input Bus 12 Send Sw PreEQ,PreFader,PostFader | | |(40 - 42)| bit6 : 0:Off,1:On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 37 | 00 - 7F | Input Bus 1 Send Level 0,,,127 | : : : | 00 00 42 | 00 - 7F | Input Bus 12 Send Level | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 43 | 01 - 7F | Input Bus 1 Send Pan L63,,,R63 | : : : | 00 00 4E | 01 - 7F | Input Bus 12 Send Pan | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4F | 00 - 01 | Input Bus 1 Send Pan Slave Off,On | : : : | 00 00 5A | 00 - 01 | Input Bus 12 Send Pan Slave | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 5B | 00 - 02 | Patch Bay Send Sw PreEQ,PreFader,PostFader | | |(40 - 42)| bit6 : 0:Off,1:On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 5C | 00 | (Reserved) | : : +————————————————————————————————————————————————————————————————————————+

(*1) See “MIDI Data - Mixer EQ Freq Table.” (*2) See “MIDI Data - Mixer EQ Gain Table.” (*3) See “MIDI Data - Mixer EQ Quality Table.” (*4) (Phase Delay Time) + (Feedback Delay Time) should be15000 or less.

❍2-3. MultiIn Parameter

+————————————————————————————————————————————————————————————————————————+ |Offset | | | | adrs | Data | Contents and remarks | |==========+=========+===================================================| | 00 00 00 | 00 - 01 | MultiIn Channel Link Sw Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 01 | 00 - 17 | MultiIn Group Fader Assign Ch1,,,Ch24 | | |(40 - 57)| bit6 : 0:Off,1:On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 02 | 00 - 17 | MultiIn Select Tr1,,,Tr24 | | |(40 - 57)| bit6 : 0:Off,1:On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 03 | 28 - 46 | MultiIn ATT (0dB:64[40H]) -24dB,,,+6dB | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 04 | 00 - 01 | MultiIn Phase Sw Norm,Inv | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 05 | 00 - 01 | MultiIn Phase Delay Sw Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 06 | 0aaaaaaa| MultiIn Phase Delay Time (*4) | | 00 00 07#| 0bbbbbbb| 0,,,14400sample | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 08 | 0aaaaaaa| MultiIn Feedback Delay Time (*4) | | 00 00 09#| 0bbbbbbb| 2,,,14400sample | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0A | 00 - 01 | MultiIn Feedback Delay Sw Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0B | 00 - 7F | MultiIn Feedback Delay Fb Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0C | 00 - 01 | MultiIn Feedback Delay Fb Phase Norm,Inv | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0D | 00 - 7F | MultiIn Feedback Delay Eff Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0E | 00 - 01 | MultiIn Feedback Delay Eff Phase Norm,Inv | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0F | 00 - 7F | MultiIn Feedback Delay Dir Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 04 - 4C | MultiIn Feedback Delay HFD Gain (*2) | | | | -30.0dB,,,+6.0dB | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 11 | 2C - 7C | MultiIn Feedback Delay HFD Freq (*1) 200,,,20kHz | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 04 - 4C | MultiIn Feedback Delay LFD Gain (*2) | | | | -30.0dB,,,+6.0dB | |——————————+—————————+———————————————————————————————————————————————————|

MIDI Implementation

43

MIDI Implementation

| 00 00 13 | 04 - 54 | MultiIn Feedback Delay LFD Freq (*1) 20,,,2kHz | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 00 - 01 | MultiIn HPF Sw Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 15 | 04 - 54 | MultiIn HPF Cut Off Freq (*1) 20,,,2kHz | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 00 - 01 | MultiIn EQ Sw Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 17 | 22 - 5E | MultiIn EQ Hi Gain (*2) -15.0dB,,,+15.0dB | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 48 - 7C | MultiIn EQ Hi Freq (*1) 1k,,,20kHz | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 19 | 22 - 5E | MultiIn EQ HiMid Gain (*2) -15.0dB,,,+15.0dB | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 38 - 7C | MultiIn EQ HiMid Freq (*1) 400,,,20kHz | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1B | 00 - 21 | MultiIn EQ HiMid Q (*3) 0.355,,,16.0 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 00 - 05 | MultiIn EQ LoMid Type Off,LPF,BPF,HPF, | | | | Notch,Peak | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1D | 22 - 5E | MultiIn EQ LoMid Gain (*2) -15.0dB,,,+15.0dB | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 04 - 6C | MultiIn EQ LoMid Freq (*1) 20,,,8kHz | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1F | 00 - 21 | MultiIn EQ LoMid Q (*3) 0.355,,,16.0 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 00 - 7F | MultiIn EQ LoMid Resonance 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 21 | 22 - 5E | MultiIn EQ Lo Gain (*2) -15.0dB,,,+15.0dB | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 04 - 54 | MultiIn EQ Lo Freq (*1) 20,,,2kHz | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 23 | 00 - 01 | MultiIn Mute Sw Norm,Mute | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 00 - 7F | MultiIn Master Fader Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 25 | 00 - 01 | MultiIn Main Send Sw Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 01 - 7F | MultiIn Main Send Pan L63,,,R63 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 27 | 00 - 02 | MultiIn Cue Send Sw PreEQ,PreFader,PostFader | | |(40 - 42)| bit6 : 0:Off,1:On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 00 - 7F | MultiIn Cue Send Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 29 | 01 - 7F | MultiIn Cue Send Pan L63,,,R63 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 00 - 01 | MultiIn Cue Send Pan Slave Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2B | 00 - 02 | MultiIn Bus 1 Send Sw PreEQ,PreFader,PostFader | | |(40 - 42)| bit6 : 0:Off,1:On | : : : | 00 00 36 | 00 - 02 | MultiIn Bus 12 Send Sw PreEQ,PreFader,PostFader | | |(40 - 42)| bit6 : 0:Off,1:On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 37 | 00 - 7F | MultiIn Bus 1 Send Level 0,,,127 | : : : | 00 00 42 | 00 - 7F | MultiIn Bus 12 Send Level | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 43 | 01 - 7F | MultiIn Bus 1 Send Pan L63,,,R63 | : : : | 00 00 4E | 01 - 7F | MultiIn Bus 12 Send Pan | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4F | 00 - 01 | MultiIn Bus 1 Send Pan Slave Off,On | : : : | 00 00 5A | 00 - 01 | MultiIn Bus 12 Send Pan Slave | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 5B | 00 | (Reserved) | : : +————————————————————————————————————————————————————————————————————————+

(*1) See “MIDI Data - Mixer EQ Freq Table.” (*2) See “MIDI Data - Mixer EQ Gain Table.” (*3) See “MIDI Data - Mixer EQ Quality Table.” (*4) (Phase Delay Time) + (Feedback Delay Time) should be 15000 or less.

❍2-4. Talk Back Parameter

+————————————————————————————————————————————————————————————————————————+ |Offset | | | | adrs | Data | Contents and remarks | |==========+=========+===================================================| | 00 00 00 | 00 - 01 | (Reserved) | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 01 | 00 - 01 | Talk Back Function Select Talkback,Slate | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 02 | 00 - 7F | Talk Back Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 03 | 00 - 01 | Talk Back To Main Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 04 | 00 - 01 | Talk Back To Cue Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 05 | 00 - 01 | Talk Back To Bus 1 Off,On | : : : | 00 00 10 | 00 - 01 | Talk Back To Bus 12 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 11 | 00 - 01 | Talk Back To Multi 1 Off,On | : : : | 00 00 28 | 00 - 01 | Talk Back To Multi 24 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 29 | 00 - 7F | Slate Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 00 - 01 | Slate To Main Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2B | 00 - 01 | Slate To Cue Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 00 - 01 | Slate To Bus 1 Off,On | : : : | 00 00 37 | 00 - 01 | Slate To Bus 12 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 38 | 00 - 01 | Slate To Multi 1 Off,On | : : : | 00 00 4F | 00 - 01 | Slate To Multi 24 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 50 | 00 | (Reserved) | : : +————————————————————————————————————————————————————————————————————————+

❍2-5. BUS 1–12 Parameter

+————————————————————————————————————————————————————————————————————————+ |Offset | | | | adrs | Data | Contents and remarks | |==========+=========+===================================================| | 00 00 00 | 00 - 01 | Bus Link Sw Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 01 | 00 - 17 | Bus Group Fader Assign Ch1,,,Ch24 | | |(40 - 57)| bit6 : 0:Off,1:On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 02 | 00 - 01 | Bus Mode (*1) Int,Ext | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 03 | 28 - 40 | Bus ATT -24dB,,,0dB | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 04 | 00 - 01 | Bus Mute Sw Norm,Mute | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 05 | 00 - 7F | Bus Master Fader Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 06 | 01 - 7F | Bus Master Fader Balance L63,,,R63 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 07 | 00 - 01 | Bus Main Send Sw Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 08 | 01 - 7F | Bus Main Send Pan L63,,,R63 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 09 | 00 - 01 | Bus Cue Send Sw Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0A | 00 - 7F | Bus Cue Send Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0B | 01 - 7F | Bus Cue Send Pan L63,,,R63 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0C | 00 - 01 | Bus Cue Send Pan Slave Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0D | 00 | (Reserved) | : : +————————————————————————————————————————————————————————————————————————+

44

(*1) Settings to the buses 9–12 are invalid.

MIDI Implementation

(*1) If you set it to “Int,” no audio is output from the Flex Bus Out. Even if you select

“MultiOut / Assignable Out” for the Flex Bus Out, which is set to “Int.”

❍2-6. BUS 1-8 Parameter

+————————————————————————————————————————————————————————————————————————+ |Offset | | | | adrs | Data | Contents and remarks | |==========+=========+===================================================| | 00 00 00 | 00 - 01 | Bus to Bus 1 Send Sw Off,On | : : : | 00 00 0B | 00 - 01 | Bus to Bus 12 Send Sw | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0C | 00 - 7F | Bus to Bus 1 Send Level 0,,,127 | : : : | 00 00 17 | 00 - 7F | Bus to Bus 12 Send Level | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 01 - 7F | Bus to Bus 1 Send Pan L63,,,R63 | : : : | 00 00 23 | 01 - 7F | Bus to Bus 12 Send Pan | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 00 - 01 | Bus to Bus 1 Send Pan Slave Off,On | : : : | 00 00 2F | 00 - 01 | Bus to Bus 12 Send Pan Slave | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 00 | (Reserved) | : : +————————————————————————————————————————————————————————————————————————+

❍2-7. Output Parameter

+————————————————————————————————————————————————————————————————————————+ |Offset | | | | adrs | Data | Contents and remarks | |==========+=========+===================================================| | 00 00 00 | 00 | (Reserved) | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 01 | 00 | (Reserved) | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 02 | 00 | (Reserved) | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 03 | 00 - 7F | Control Room Master Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 04 | 01 - 7F | Control Room Master Balance L63,,,R63 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 05 | 00 - 25 | Control Room Source CH1,,,24,Bus1,,,12,Main,Cue | | |(40 - 65)| bit6 : 0:Off,1:On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 06 | 00 - 01 | Control Room Mono Sw Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 07 | 00 - 01 | Control Room Dim Sw Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 08 | 00 - 7F | Control Room Dim Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 09 | 28 - 40 | Main Bus ATT -24dB,,,0dB | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0A | 00 - 01 | Main Master Mute Norm,Mute | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0B | 00 - 7F | Main Master Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0C | 01 - 7F | Main Master Balance L63,,,R63 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0D | 28 - 40 | Cue Bus ATT -24dB,,,0dB | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0E | 00 - 01 | Cue Master Mute Norm,Mute | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0F | 00 - 7F | Cue Master Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 01 - 7F | Cue Master Balance L63,,,R63 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 11 | 00 - 7F | Multi Output Level 1 0,,,127 | : : : | 00 00 28 | 00 - 7F | Multi Output Level 24 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 29 | 00 - 29 | Multi Output Assign 1 CH1,,,24,Bus1,,,12 | | |(40 - 69)| MainL,MainR,CueL,CueR,MonL,MonR | | | | bit6 : 0:Off,1:On | : : : | 00 00 40 | 00 - 29 | Multi Output Assign 24 | | |(40 - 69)| bit6 : 0:Off,1:On |

|——————————+—————————+———————————————————————————————————————————————————| | 00 00 41 | 00 - 01 | All Mute Switch Norm,Mute | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 42 | 00 - 01 | Monitor Out Line Switch Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 43 | 00 | (Reserved) | : : +————————————————————————————————————————————————————————————————————————+

❍2-8. Solo Parameter

+————————————————————————————————————————————————————————————————————————+ |Offset | | | | adrs | Data | Contents and remarks | |==========+=========+===================================================| | 00 00 00 | 00 - 7F | Solo Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 01 | 00 - 03 | Solo Sw Source PreEQ,PFL,AFL,INPLACE | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 02 | 00 - 01 | Solo Sw Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 03 | 00 - 01 | Solo Sw Input Channel -1 Off,On | : : : | 00 00 1A | 00 - 01 | Solo Sw Input Channel -24 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1B | 00 - 01 | Solo Sw MultiIn Channel -1 Off,On | : : : | 00 00 32 | 00 - 01 | Solo Sw MultiIn Channel -24 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 33 | 00 - 01 | Solo Sw Bus -1 (*1) Off,On | : : : | 00 00 3E | 00 - 01 | Solo Sw Bus -12 (*1) | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3F | 00 | (Reserved) | : : +————————————————————————————————————————————————————————————————————————+

(*1) When the Bus Mode 1-8 of “2-5.Bus 1-12 Parameter” is set to “Ext,” Solo bus 1-8 is

invalid if the Solo Switch Source is not set to “INPLACE.”

❍2-9. Fader Group Master Parameter

+————————————————————————————————————————————————————————————————————————+ |Offset | | | | adrs | Data | Contents and remarks | |==========+=========+===================================================| | 00 00 00 | 00 - 7F | Fader Group Master -1 0,,,127 | : : : | 00 00 17 | 00 - 7F | Fader Group Master -24 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 00 | (Reserved) | : : +————————————————————————————————————————————————————————————————————————+

❍2-10. Effect Section Parameter

+————————————————————————————————————————————————————————————————————————+ |Offset | | | | adrs | Data | Contents and remarks | |==========+=========+===================================================| | 00 00 00 | 00 - 00 | (Reserved) | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 01 | 00 - 7F | FX Lch Send Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 02 | 00 - 7F | FX Lch Return Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 03 | 00 - 09 | FX Lch Insert Location (MSB) Off, | | | | Input PreEQ, Input PostEQ, | | | | MultiIn PreEQ, MultiIn PostEQ, | | | | SndRtn, IntBus, ExtBus, Main, Mon | | 00 00 04#| 00 - 17 | FX Lch Insert Location (LSB) Ch1--Ch24, | | | | (Bus1-12, Lch, Rch) | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 05 | 00 - 7F | FX Rch Send Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 06 | 00 - 7F | FX Rch Return Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 07 | 00 - 09 | FX Rch Insert Location (MSB) Off, | | | | Input PreEQ, Input PostEQ, | | | | MultiIn PreEQ, MultiIn PostEQ, | | | | SndRtn, IntBus, ExtBus, Main, Mon |

MIDI Implementation

45

MIDI Implementation

| 00 00 08#| 00 - 17 | FX Rch Insert Location (LSB) Ch1--ch24 | | | | (Bus1-12, Lch, Rch) | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 09 | 00 | (Reserved) | : : +————————————————————————————————————————————————————————————————————————+

Limitation condition of insert location is difference depending on the FX number and the Effect Board Select of “2-16.Misc. Parameter.” Please assign the effective MSB and LSB as follows. It is impossible to insert more than two FX to the same insert location. Please check if the insert location you wish to set is not used for other FX. If you select SndRtn for MSB, it is automatically set to the bus of the same FX number, no matter how the LSB is set. Please set both the L and R channels of MSB with the same FX number to SndRtn.

* When you use the spectrum analyzer (when you use the algorithm 34:FFT on FX1, 3, 5 or

7)., it is impossible to use FX1 L ch as the channel insert (Input PreEQ, Input PostEQ, MultiIn PreEQ or MultiIn Post EQ).

[FX1, FX2] Location MSB (val) : Location LSB (val)

-------------------------------------------------- Off (0) : ---- ( --- ) *Input PreEQ (1) : Ch1--Ch24 ( 0-23 ) *Input PostEQ (2) : Ch1--Ch24 ( 0-23 ) *MultiIn PreEQ (3) : Ch1--Ch24 ( 0-23 ) *MultiIn PostEQ (4) : Ch1--Ch24 ( 0-23 ) SndRtn (5) : ---- ( --- ) IntBus (6) : Bus1, Bus2 ( 0-1 ) ExtBus (7) : Bus1--Bus12 ( 0-11 ) Main (8) : Lch, Rch ( 0-1 ) Mon (9) : Lch, Rch ( 0-1 )

[FX3, FX4] < Effect Board A Select : Input > Location MSB (val) : Location LSB (val)

-------------------------------------------------- Off (0) : ---- ( --- ) Input PreEQ (1) : Ch1--Ch4, Ch13--Ch16 ( 0-3, 12-15 ) Input PostEQ (2) : Ch1--Ch4, Ch13--Ch16 ( 0-3, 12-15 ) SndRtn (5) : ---- ( --- ) IntBus (6) : Bus3, Bus4 ( 2,3 )

< Effect Board A Select : MultiIn > Location MSB (val) : Location LSB (val)

-------------------------------------------------- Off (0) : --- ( --- ) MultiIn PreEQ (3) : Ch1--Ch4, Ch13--Ch16 ( 0-3, 12-15 ) MultiIn PostEQ (4) : Ch1--Ch4, Ch13--Ch16 ( 0-3, 12-15 )

[FX5, FX6] < Effect Board B Select : Input > Location MSB (val) : Location LSB (val)

-------------------------------------------------- Off (0) : --- ( --- ) Input PreEQ (1) : Ch5--Ch8, Ch17--Ch20 ( 4-7, 16-19 ) Input PostEQ (2) : Ch5--Ch8, Ch17--Ch20 ( 4-7, 16-19 ) SndRtn (5) : --- ( --- ) IntBus (6) : Bus5, Bus6 ( 4,5 )

< Effect Board B Select : MultiIn > Location MSB (val) : Location LSB (val)

-------------------------------------------------- Off (0) : --- ( --- ) MultiIn PreEQ (3) : Ch5--Ch8, Ch17--Ch20 ( 4-7, 16-19 ) MultiIn PostEQ (4) : Ch5--Ch8, Ch17--Ch20 ( 4-7, 16-19 )

[FX7, FX8] < Effect Board C Select : Input > Location MSB (val) : Location LSB (val)

-------------------------------------------------- Off (0) : --- ( --- ) Input PreEQ (1) : Ch9--Ch12, Ch21--Ch24 ( 8-11, 20-23 ) Input PostEQ (2) : Ch9--Ch12, Ch21--Ch24 ( 8-11, 20-23 ) SndRtn (5) : --- ( --- ) IntBus (6) : Bus7, Bus8 ( 6,7 )

< Effect Board C Select : MultiIn >

Location MSB (val) : Location LSB (val)

-------------------------------------------------- Off (0) : --- ( --- ) MultiIn PreEQ (3) : Ch9--Ch12, Ch21--Ch24 ( 8-11, 20-23 ) MultiIn PostEQ (4) : Ch9--Ch12, Ch21--Ch24 ( 8-11, 20-23 )

❍2-11. Master Effect Section Parameter

+————————————————————————————————————————————————————————————————————————+ |Offset | | | | adrs | Data | Contents and remarks | |==========+=========+===================================================| | 00 00 00 | 00 - 7F | Master FX Send Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 01 | 00 - 7F | Master FX Return Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 02 | 00 - 02 | Master FX Insert Location Off, Main, Mon | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 03 | 00 | (Reserved) | : : +————————————————————————————————————————————————————————————————————————+

❍2-12. Cascade Parameter

+————————————————————————————————————————————————————————————————————————+ |Offset | | | | adrs | Data | Contents and remarks | |==========+=========+===================================================| | 00 00 00 | 00 - 01 | Cascade Sw Bus 1 Off,On | | : : : | | 00 00 0B | 00 - 01 | Cascade Sw Bus 12 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0C | 00 - 01 | Cascade Sw Cue Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0D | 00 - 01 | Cascade Sw Main Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0E | 28 - 40 | Cascade ATT Bus 1 -24dB,,,0dB | | : | : | : | | 00 00 19 | 28 - 40 | Cascade ATT Bus 12 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 28 - 40 | Cascade ATT Cue -24dB,,,0dB | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1B | 28 - 40 | Cascade ATT Main -24dB,,,0dB | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 00 | (Reserved) | : : +————————————————————————————————————————————————————————————————————————+

❍2-13. Dither Parameter

+————————————————————————————————————————————————————————————————————————+ |Offset | | | | adrs | Data | Contents and remarks | |==========+=========+===================================================| | 00 00 00 | 00 - 09 | Dither Sw MultiOut 1 Off, | : : : 16,17,18,19,20,21,22,23,24 | | 00 00 17 | 00 - 09 | Dither Sw MultiOut 24 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 00 | (Reserved) | : : +————————————————————————————————————————————————————————————————————————+

❍2-14. GEN/OSC Parameter

+————————————————————————————————————————————————————————————————————————+ |Offset | | | | adrs | Data | Contents and remarks | |==========+=========+===================================================| | 00 00 00 | 00 - 01 | Gen/Osc Sw Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 01 | 00 - 7F | Gen/Osc Level 0,,,127 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 02 | 00 - 02 | Gen/Osc Waveform | | | | Pink Noise, White Noise, Sin Wave | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 03 | 0aaaaaaa| Gen/Osc Frequency 20.0Hz,,,20.0000kHz | | 00 00 04#| 0bbbbbbb| (200-200000) | | 00 00 05#| 0ccccccc| (200-200000) | | 00 00 06#| 0ddddddd| (200-200000) | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 07 | 00 - 01 | Gen/Osc Send Bus 1 Off,On | : : :

46

MIDI Implementation

| 00 00 12 | 00 - 01 | Gen/Osc Send Bus 12 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 13 | 00 - 01 | Gen/Osc Send Main Lch Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 00 - 01 | Gen/Osc Send Main Rch Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 15 | 00 - 01 | Gen/Osc Send Cue Lch Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 00 - 01 | Gen/Osc Send Cue Rch Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 17 | 00 | (Reserved) |

: :

+————————————————————————————————————————————————————————————————————————+

❍2-15. Level Meter / Analyzer Parameter

+————————————————————————————————————————————————————————————————————————+ |Offset | | | | adrs | Data | Contents and remarks | |==========+=========+===================================================| | 00 00 00 | 00 - 04 | Level Meter Target Select Input, MultiIn | | | | FlexBus, MultiOut, Analyzer | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 01 | 00 - 02 | Level Meter Detect Point PreEQ,PFL,PostFader | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 02 | 00 - 29 | Spectrum Analyzer Source Ch1,,,Ch24,Bus1,,,12 | | |(40 - 69)| MainL,MainR,CueL,CueR,MonL,MonR | | | | bit6 : 0:Off,1:On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 03 | 00 - 01 | Spectrum Analyzer Averaging Sw Norm,Exp | | |(40 - 41)| bit6 : 0:Off,1:On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 04 | 00 - 7F | Spectrum Analyzer Averaging Num 1,,,128 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 05 | 00 | (Reserved) | : : +————————————————————————————————————————————————————————————————————————+

❍2-16. Misc. Parameter

+————————————————————————————————————————————————————————————————————————+ |Offset | | | | adrs | Data | Contents and remarks | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 00 | 00 - 01 | Cascade Delay Correct Off,On | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 01 | 00 - 01 | Effect Board A Select Input, MultiIn | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 02 | 00 - 01 | Effect Board B Select Input, MultiIn | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 03 | 00 - 01 | Effect Board C Select Input, MultiIn | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 04 | 00 - 01 | Pan Curve Type Center:-3dB(0), Center:0dB(1) | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 05 | 00 - 01 | Pre Amp Gain Mode Noise Less(0),Continuous(1) | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 06 | 00 | (Reserved) | : : +————————————————————————————————————————————————————————————————————————+

●1-3. Effect Block

❍Basic Address

MIDI Implementation

47

MIDI Implementation

48

MIDI Implementation

MIDI Implementation

49

MIDI Implementation

| 00 08 0E | 20 - 7E | Master Effector Parameter Area (See Below) | : : : | 00 08 7F | 20 - 7E | | +——————————+—————————+———————————————————————————————————————————————————+

(*1) cannot select “27:Voice Transformer,” “28:Vocoder2,” “34:FFT,” “36:Mstering Tool

Kit” or “37:31Band Graphic Equalizer” on FX2, 4, 6 or 8.

(*2) cannot use FX2, 4, 6 or 8 if “27:Voice Transformer,” “28:Vocoder2,” “34:FFT,”

“36:Mstering Tool Kit” or “37:31Band Graphic Equalizer” is selected on FX1, 3, 5 or 7.

(*) A meaning of the parameter area varies with the top of parameter of Effect Algorithm.

See the following tables.

(*) If select the different Algorithm type from current one, all parameters will be copied

from the preset patch data which uses the same algorithm.

❍Algorithm 0 Reverb

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| EQ SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| EQ: Low EQ Type | | 00 00 11#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| EQ: Low EQ Gain | | 00 00 13#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| EQ: Low EQ Frequency | | 00 00 15#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| EQ: Low EQ Q | | 00 00 17#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| EQ: Mid EQ Gain | | 00 00 19#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| EQ: Mid EQ Frequency | | 00 00 1B#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| EQ: Mid EQ Q | | 00 00 1D#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| EQ: High EQ Type | | 00 00 1F#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 0aaaaaaa| EQ: High EQ Gain | | 00 00 21#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 0aaaaaaa| EQ: High EQ Frequency | | 00 00 23#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| EQ: High EQ Q | | 00 00 25#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 0aaaaaaa| EQ: Out Level | | 00 00 27#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| Reverb: Room Size | | 00 00 29#| 0bbbbbbb| 5,,,40m| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 0aaaaaaa| Reverb: Reverb Time | | 00 00 2B#| 0bbbbbbb| 1,,,320 = 0.1,,,32.0s| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 0aaaaaaa| Reverb: Pre Delay | | 00 00 2D#| 0bbbbbbb| 0,,,200 = 0,,,200ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 0aaaaaaa| Reverb: Diffusion | | 00 00 2F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 0aaaaaaa| Reverb: Density | | 00 00 31#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 32 | 0aaaaaaa| Reverb: Early Reflection Level | | 00 00 33#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 34 | 0aaaaaaa| Reverb: LF Damp Frequency | | 00 00 35#| 0bbbbbbb| 5,,,400 = 50,,,4000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 36 | 0aaaaaaa| Reverb: LF Damp Gain | | 00 00 37#| 0bbbbbbb| -36,,,0dB|

|——————————+—————————+———————————————————————————————————————————————————| | 00 00 38 | 0aaaaaaa| Reverb: HF Damp Frequency | | 00 00 39#| 0bbbbbbb| 10,,,200 = 1.0,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3A | 0aaaaaaa| Reverb: HF Damp Gain | | 00 00 3B#| 0bbbbbbb| -36,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3C | 0aaaaaaa| Reverb: HI Cut Frequency | | 00 00 3D#| 0bbbbbbb| 2,,,200 = 0.2,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3E | 0aaaaaaa| Reverb: Effect Level | | 00 00 3F#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 40 | 0aaaaaaa| Reverb: Direct Level | | 00 00 41#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 42 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 1 Delay

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Delay SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| EQ SW | | 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Delay: Delay Time | | 00 00 13#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| Delay: Shift | | 00 00 15#| 0bbbbbbb| -1200,,,1200 = L1200,,,R1200ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| Delay: Lch Feedback Level | | 00 00 17#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| Delay: Rch Feedback Level | | 00 00 19#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| Delay: Lch Level | | 00 00 1B#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| Delay: Rch Level | | 00 00 1D#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| Delay: LF Damp Frequency | | 00 00 1F#| 0bbbbbbb| 5,,,400 = 50,,,4000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 0aaaaaaa| Delay: LF Damp Gain | | 00 00 21#| 0bbbbbbb| -36,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 0aaaaaaa| Delay: HF Damp Frequency | | 00 00 23#| 0bbbbbbb| 10,,,200 = 1.0,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| Delay: HF Damp Gain | | 00 00 25#| 0bbbbbbb| -36,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 0aaaaaaa| Delay: Direct Level | | 00 00 27#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| EQ: Low EQ Type | | 00 00 29#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 0aaaaaaa| EQ: Low EQ Gain | | 00 00 2B#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 0aaaaaaa| EQ: Low EQ Frequency | | 00 00 2D#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 0aaaaaaa| EQ: Low EQ Q | | 00 00 2F#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 0aaaaaaa| EQ: Mid EQ Gain | | 00 00 31#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 32 | 0aaaaaaa| EQ: Mid EQ Frequency |

50

MIDI Implementation

| 00 00 33#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 34 | 0aaaaaaa| EQ: Mid EQ Q | | 00 00 35#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 36 | 0aaaaaaa| EQ: High EQ Type | | 00 00 37#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 38 | 0aaaaaaa| EQ: High EQ Gain | | 00 00 39#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3A | 0aaaaaaa| EQ: High EQ Frequency | | 00 00 3B#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3C | 0aaaaaaa| EQ: High EQ Q | | 00 00 3D#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3E | 0aaaaaaa| EQ: Out Level | | 00 00 3F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 40 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

* (Delay Time) + (Absolute Shift) should be 1200 or less.

❍Algorithm 2 Stereo Delay Chorus

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Delay SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| Chorus SW | | 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| EQ SW | | 00 00 13#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| Delay: Delay Time | | 00 00 15#| 0bbbbbbb| 0,,,500ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| Delay: Shift | | 00 00 17#| 0bbbbbbb| -500,,,500 = L500,,,R500ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| Delay: Lch Feedback Level | | 00 00 19#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| Delay: Rch Feedback Level | | 00 00 1B#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| Delay: Lch Cross Feedback Level | | 00 00 1D#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| Delay: Rch Cross Feedback Level | | 00 00 1F#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 0aaaaaaa| Delay: Effect Level | | 00 00 21#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 0aaaaaaa| Delay: Direct Level | | 00 00 23#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| Chorus: Rate | | 00 00 25#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 0aaaaaaa| Chorus: Depth | | 00 00 27#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| Chorus: Pre Delay | | 00 00 29#| 0bbbbbbb| 0,,,50ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 0aaaaaaa| Chorus: Effect Level | | 00 00 2B#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 0aaaaaaa| Chorus: Direct Level | | 00 00 2D#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 0aaaaaaa| Chorus: Lch Feedback Level |

| 00 00 2F#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 0aaaaaaa| Chorus: Rch Feedback Level | | 00 00 31#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 32 | 0aaaaaaa| Chorus: Lch Cross Feedback Level | | 00 00 33#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 34 | 0aaaaaaa| Chorus: Rch Cross Feedback Level | | 00 00 35#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 36 | 0aaaaaaa| EQ: Low EQ Type | | 00 00 37#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 38 | 0aaaaaaa| EQ: Low EQ Gain | | 00 00 39#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3A | 0aaaaaaa| EQ: Low EQ Frequency | | 00 00 3B#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3C | 0aaaaaaa| EQ: Low EQ Q | | 00 00 3D#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3E | 0aaaaaaa| EQ: Mid EQ Gain | | 00 00 3F#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 40 | 0aaaaaaa| EQ: Mid EQ Frequency | | 00 00 41#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 42 | 0aaaaaaa| EQ: Mid EQ Q | | 00 00 43#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 44 | 0aaaaaaa| EQ: High EQ Type | | 00 00 45#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 46 | 0aaaaaaa| EQ: High EQ Gain | | 00 00 47#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 48 | 0aaaaaaa| EQ: High EQ Frequency | | 00 00 49#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4A | 0aaaaaaa| EQ: High EQ Q | | 00 00 4B#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4C | 0aaaaaaa| EQ: Out Level | | 00 00 4D#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4E | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

* (Delay Time) + (Absolute Shift) should be 500 or less.

❍Algorithm 3 Stereo Pitch Shifter Delay

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| P.ShifterDelay SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| EQ SW | | 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| P.ShifterDelay: Lch Chromatic Pitch | | 00 00 13#| 0bbbbbbb| -12,,,12| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| P.ShifterDelay: Lch Fine Pitch | | 00 00 15#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| P.ShifterDelay: Lch Pre Delay | | 00 00 17#| 0bbbbbbb| 0,,,50ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| P.ShifterDelay: Lch Feedback Delay Time | | 00 00 19#| 0bbbbbbb| 0,,,500ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| P.ShifterDelay: Lch Feedback Level | | 00 00 1B#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| P.ShifterDelay: Lch Cross Feedback Level |

MIDI Implementation

51

MIDI Implementation

| 00 00 1D#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| P.ShifterDelay: Rch Chromatic Pitch | | 00 00 1F#| 0bbbbbbb| -12,,,12| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 0aaaaaaa| P.ShifterDelay: Rch Fine Pitch | | 00 00 21#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 0aaaaaaa| P.ShifterDelay: Rch Pre Delay | | 00 00 23#| 0bbbbbbb| 0,,,50ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| P.ShifterDelay: Rch Feedback Delay Time | | 00 00 25#| 0bbbbbbb| 0,,,500ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 0aaaaaaa| P.ShifterDelay: Rch Feedback Level | | 00 00 27#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| P.ShifterDelay: Rch Cross Feedback Level | | 00 00 29#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 0aaaaaaa| P.ShifterDelay: Effect Level | | 00 00 2B#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 0aaaaaaa| P.ShifterDelay: Direct Level | | 00 00 2D#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 0aaaaaaa| EQ: Low EQ Type | | 00 00 2F#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 0aaaaaaa| EQ: Low EQ Gain | | 00 00 31#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 32 | 0aaaaaaa| EQ: Low EQ Frequency | | 00 00 33#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 34 | 0aaaaaaa| EQ: Low EQ Q | | 00 00 35#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 36 | 0aaaaaaa| EQ: Mid EQ Gain | | 00 00 37#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 38 | 0aaaaaaa| EQ: Mid EQ Frequency | | 00 00 39#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3A | 0aaaaaaa| EQ: Mid EQ Q | | 00 00 3B#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3C | 0aaaaaaa| EQ: High EQ Type | | 00 00 3D#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3E | 0aaaaaaa| EQ: High EQ Gain | | 00 00 3F#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 40 | 0aaaaaaa| EQ: High EQ Frequency | | 00 00 41#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 42 | 0aaaaaaa| EQ: High EQ Q | | 00 00 43#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 44 | 0aaaaaaa| EQ: Out Level | | 00 00 45#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 46 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 4 Vocoder

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Chorus SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| Vocoder: Voice Character 1 | | 00 00 11#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Vocoder: Voice Character 2 | | 00 00 13#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————|

| 00 00 14 | 0aaaaaaa| Vocoder: Voice Character 3 | | 00 00 15#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| Vocoder: Voice Character 4 | | 00 00 17#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| Vocoder: Voice Character 5 | | 00 00 19#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| Vocoder: Voice Character 6 | | 00 00 1B#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| Vocoder: Voice Character 7 | | 00 00 1D#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| Vocoder: Voice Character 8 | | 00 00 1F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 0aaaaaaa| Vocoder: Voice Character 9 | | 00 00 21#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 0aaaaaaa| Vocoder: Voice Character 10 | | 00 00 23#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| Chorus: Rate | | 00 00 25#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 0aaaaaaa| Chorus: Depth | | 00 00 27#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| Chorus: Pre Delay | | 00 00 29#| 0bbbbbbb| 0,,,50ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 0aaaaaaa| Chorus: Feedback Level | | 00 00 2B#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 0aaaaaaa| Chorus: Effect Level | | 00 00 2D#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 0aaaaaaa| Chorus: Direct Level | | 00 00 2F#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 5 2CH RSS

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| 2CH RSS: Ach Azimuth | | 00 00 0F#| 0bbbbbbb| -30,,,30 = -180,,,180| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| 2CH RSS: Ach Elevation | | 00 00 11#| 0bbbbbbb| -15,,,15 = -90,,,90| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| 2CH RSS: Bch Azimuth | | 00 00 13#| 0bbbbbbb| -30,,,30 = -180,,,180| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| 2CH RSS: Bch Elevation | | 00 00 15#| 0bbbbbbb| -15,,,15 = -90,,,90| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 6 Delay RSS

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Delay RSS: Delay Time | | 00 00 0F#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| Delay RSS: Shift | | 00 00 11#| 0bbbbbbb| -1200,,,1200 = L1200,,,R1200ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Delay RSS: Center Delay Time | | 00 00 13#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| Delay RSS: RSS Level |

52

MIDI Implementation

| 00 00 15#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| Delay RSS: Center Level | | 00 00 17#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| Delay RSS: Feedback Level | | 00 00 19#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| Delay RSS: LF Damp Frequency | | 00 00 1B#| 0bbbbbbb| 5,,,400 = 50,,,4000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| Delay RSS: LF Damp Gain | | 00 00 1D#| 0bbbbbbb| -36,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| Delay RSS: HF Damp Frequency | | 00 00 1F#| 0bbbbbbb| 10,,,200 = 1.0,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 0aaaaaaa| Delay RSS: HF Damp Gain | | 00 00 21#| 0bbbbbbb| -36,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 0aaaaaaa| Delay RSS: Effect Level | | 00 00 23#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| Delay RSS: Direct Level | | 00 00 25#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 7 Chorus RSS

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Chorus RSS: Chorus Rate | | 00 00 0F#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| Chorus RSS: Chorus Depth | | 00 00 11#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Chorus RSS: Effect Level | | 00 00 13#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| Chorus RSS: Direct Level | | 00 00 15#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Common for Algorithm 8, 9, 10 Guitar Multi 1, 2, 3

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Compressor SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| Metal/Distortion/Over Drive SW | | 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Noise Suppressor SW | | 00 00 13#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| Auto Wah SW | | 00 00 15#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| Guitar Amp Simulator SW | | 00 00 17#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| Flanger SW | | 00 00 19#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| Delay SW | | 00 00 1B#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| Compressor: Attack | | 00 00 1D#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| Compressor: Level | | 00 00 1F#| 0bbbbbbb| 0,,,100|

|——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 0aaaaaaa| Compressor: Sustain | | 00 00 21#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 0aaaaaaa| Compressor: Tone | | 00 00 23#| 0bbbbbbb| -50,,,-50| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| Noise Suppressor: Threshold | | 00 00 25#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 0aaaaaaa| Noise Suppressor: Release | | 00 00 27#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| Auto Wah: Mode | | 00 00 29#| 0bbbbbbb| 0,1 = LPF,BPF| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 0aaaaaaa| Auto Wah: Polarity | | 00 00 2B#| 0bbbbbbb| 0,1 = Down,Up| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 0aaaaaaa| Auto Wah: Frequency | | 00 00 2D#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 0aaaaaaa| Auto Wah: Level | | 00 00 2F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 0aaaaaaa| Auto Wah: Peak | | 00 00 31#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 32 | 0aaaaaaa| Auto Wah: Sens | | 00 00 33#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 34 | 0aaaaaaa| Auto Wah: Rate | | 00 00 35#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 36 | 0aaaaaaa| Auto Wah: Depth | | 00 00 37#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 38 | 0aaaaaaa| Guitar Amp Simulator: Mode | | 00 00 39#| 0bbbbbbb| 0,,,3 = Small,BultIn,2Stack,3Stack| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3A | 0aaaaaaa| Flanger: Rate | | 00 00 3B#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3C | 0aaaaaaa| Flanger: Depth | | 00 00 3D#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3E | 0aaaaaaa| Flanger: Manual | | 00 00 3F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 40 | 0aaaaaaa| Flanger: Resonance | | 00 00 41#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 42 | 0aaaaaaa| Delay: Delay Time | | 00 00 43#| 0bbbbbbb| 0,,,1000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 44 | 0aaaaaaa| Delay: Shift | | 00 00 45#| 0bbbbbbb| -1000,,,1000 = L1000,,,R1000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 46 | 0aaaaaaa| Delay: Feedback Time | | 00 00 47#| 0bbbbbbb| 0,,,1000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 48 | 0aaaaaaa| Delay: Feedback Level | | 00 00 49#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4A | 0aaaaaaa| Delay: Effect Level | | 00 00 4B#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4C | 0aaaaaaa| Delay: Direct Level | | 00 00 4D#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————|

* (Delay Time) + (Absolute Shift) should be 1000 or less.

❍Individual : Algorithm 8 Guitar Multi 1

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 4E | 0aaaaaaa| Metal: Gain | | 00 00 4F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————|

MIDI Implementation

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| 00 00 50 | 0aaaaaaa| Metal: Level | | 00 00 51#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 52 | 0aaaaaaa| Metal: Hi Gain | | 00 00 53#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 54 | 0aaaaaaa| Metal: Mid Gain | | 00 00 55#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 56 | 0aaaaaaa| Metal: Low Gain | | 00 00 57#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 58 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Individual : Algorithm 9 Guitar Multi 2

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 4E | 0aaaaaaa| Distortion: Gain | | 00 00 4F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 50 | 0aaaaaaa| Distortion: Level | | 00 00 51#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 52 | 0aaaaaaa| Distortion: Tone | | 00 00 53#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 54 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Individual : Algorithm 10 Guitar Multi 3

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 4E | 0aaaaaaa| Over Drive: Gain | | 00 00 4F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 50 | 0aaaaaaa| Over Drive: Level | | 00 00 51#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 52 | 0aaaaaaa| Over Drive: Tone | | 00 00 53#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 54 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 11 Vocal Multi

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Noise Suppressor SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| Limiter/De-esser SW | | 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Enhancer SW | | 00 00 13#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| EQ SW | | 00 00 15#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| P.Shifter SW | | 00 00 17#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| Delay SW | | 00 00 19#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| Chorus SW | | 00 00 1B#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| Limiter/De-esser Mode | | 00 00 1D#| 0bbbbbbb| 0,1 = Limiter,De-esser| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| Noise Suppressor: Threshold | | 00 00 1F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————|

| 00 00 20 | 0aaaaaaa| Noise Suppressor: Release | | 00 00 21#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 0aaaaaaa| Limiter: Threshold | | 00 00 23#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| Limiter: Release | | 00 00 25#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 0aaaaaaa| Limiter: Level | | 00 00 27#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| De-esser: Sens | | 00 00 29#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 0aaaaaaa| De-esser: Frequency | | 00 00 2B#| 0bbbbbbb| 10,,,100 = 1.0,,,10.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 0aaaaaaa| Enhancer: Sens | | 00 00 2D#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 0aaaaaaa| Enhancer: Frequency | | 00 00 2F#| 0bbbbbbb| 10,,,100 = 1.0,,,10.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 0aaaaaaa| Enhancer: MIX Level | | 00 00 31#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 32 | 0aaaaaaa| Enhancer: Level | | 00 00 33#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 34 | 0aaaaaaa| EQ: Low EQ Type | | 00 00 35#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 36 | 0aaaaaaa| EQ: Low EQ Gain | | 00 00 37#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 38 | 0aaaaaaa| EQ: Low EQ Frequency | | 00 00 39#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3A | 0aaaaaaa| EQ: Low EQ Q | | 00 00 3B#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3C | 0aaaaaaa| EQ: Mid EQ Gain | | 00 00 3D#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3E | 0aaaaaaa| EQ: Mid EQ Frequency | | 00 00 3F#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 40 | 0aaaaaaa| EQ: Mid EQ Q | | 00 00 41#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 42 | 0aaaaaaa| EQ: High EQ Type | | 00 00 43#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 44 | 0aaaaaaa| EQ: High EQ Gain | | 00 00 45#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 46 | 0aaaaaaa| EQ: High EQ Frequency | | 00 00 47#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 48 | 0aaaaaaa| EQ: High EQ Q | | 00 00 49#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4A | 0aaaaaaa| EQ: Out Level | | 00 00 4B#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4C | 0aaaaaaa| P.Shifter: Chromatic Pitch | | 00 00 4D#| 0bbbbbbb| -12,,,12| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4E | 0aaaaaaa| P.Shifter: Fine Pitch | | 00 00 4F#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 50 | 0aaaaaaa| P.Shifter: Effect Level | | 00 00 51#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 52 | 0aaaaaaa| P.Shifter: Direct Level | | 00 00 53#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 54 | 0aaaaaaa| Delay: Delay Time |

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| 00 00 55#| 0bbbbbbb| 0,,,1000| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 56 | 0aaaaaaa| Delay: Feedback Level | | 00 00 57#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 58 | 0aaaaaaa| Delay: Effect Level | | 00 00 59#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 5A | 0aaaaaaa| Delay: Direct Level | | 00 00 5B#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 5C | 0aaaaaaa| Chorus: Rate | | 00 00 5D#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 5E | 0aaaaaaa| Chorus: Depth | | 00 00 5F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 60 | 0aaaaaaa| Chorus: Pre Delay | | 00 00 61#| 0bbbbbbb| 0,,,50ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 62 | 0aaaaaaa| Chorus: Effect Level | | 00 00 63#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 64 | 0aaaaaaa| Chorus: Direct Level | | 00 00 65#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 66 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 12 Rotary

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Noise Suppressor SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| Over Drive SW | | 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Noise Suppressor: Threshold | | 00 00 13#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| Noise Suppressor: Release | | 00 00 15#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| Over Drive: Gain | | 00 00 17#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| Over Drive: Level | | 00 00 19#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| Rotary: Low Rate | | 00 00 1B#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| Rotary: Hi Rate | | 00 00 1D#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 13 Guitar AMP Simulator

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Noise Suppressor SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| Pre Amp SW | | 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Speaker SW | | 00 00 13#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| Noise Suppressor: Threshold | | 00 00 15#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| Noise Suppressor: Release | | 00 00 17#| 0bbbbbbb| 0,,,100|

|——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| Pre Amp: Mode | | 00 00 19#| 0bbbbbbb| 0,,,13 = JC-120,Clean Twin,Match Drive,BG Lead,| | | | MS1959(I), MS1959(II), MS1959(I+II), | | | | SLDN Lead, Metal 5150, Metal Lead, | | | | OD-1, OD-2Turbo, Distortion, Fuzz | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| Pre Amp: Volume | | 00 00 1B#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| Pre Amp: Bass | | 00 00 1D#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| Pre Amp: Middle | | 00 00 1F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 0aaaaaaa| Pre Amp: Treble | | 00 00 21#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 0aaaaaaa| Pre Amp: Presence | | 00 00 23#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| Pre Amp: Master | | 00 00 25#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 0aaaaaaa| Pre Amp: Bright | | 00 00 27#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| Pre Amp: Gain | | 00 00 29#| 0bbbbbbb| 0,1,2 = Low,Middle,High| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 0aaaaaaa| Speaker: Type | | 00 00 2B#| 0bbbbbbb| 0,,,11 = Small. Middle, JC-120, Built In 1, | | | | Built In 2,Built In 3, Built In 4, | | | | BG Stack 1, BG Stack 2, | | | | MS Stack 1, MS Stack 2, Metal Stack| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 0aaaaaaa| Speaker: MIC Setting | | 00 00 2D#| 0bbbbbbb| 0,1,2 = 1,2,3| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 0aaaaaaa| Speaker: MIC Level | | 00 00 2F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 0aaaaaaa| Speaker: Direct Level | | 00 00 31#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 32 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

(*) The “Pre Amp Middle” is invalid when “Mode” is “Match Drive.” (*) The “Pre Amp Presence” works counter to the Value(-100,,,0) when “Mode” is “Match

Drive.”

(*) The “Pre Amp Bright” is valid when “Mode” is “JC-120,” “Clean Twin” or “BG Lead.”

❍Algorithm 14 Stereo Phaser

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Phaser SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| EQ SW | | 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Phaser: Mode | | 00 00 13#| 0bbbbbbb| 0,,,3 = 4.8.12.16stage| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| Phaser: Rate | | 00 00 15#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| Phaser: Depth | | 00 00 17#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| Phaser: Polarity | | 00 00 19#| 0bbbbbbb| 0,1 = Inverse,Synchro| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| Phaser: Manual | | 00 00 1B#| 0bbbbbbb| 0,,,100|

MIDI Implementation

55

MIDI Implementation

|——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| Phaser: Resonance | | 00 00 1D#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| Phaser: Cross Feedback | | 00 00 1F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 0aaaaaaa| Phaser: Effect Level | | 00 00 21#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 0aaaaaaa| Phaser: Direct Level | | 00 00 23#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| EQ: Low EQ Type | | 00 00 25#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 0aaaaaaa| EQ: Low EQ Gain | | 00 00 27#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| EQ: Low EQ Frequency | | 00 00 29#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 0aaaaaaa| EQ: Low EQ Q | | 00 00 2B#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 0aaaaaaa| EQ: Mid EQ Gain | | 00 00 2D#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 0aaaaaaa| EQ: Mid EQ Frequency | | 00 00 2F#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 0aaaaaaa| EQ: Mid EQ Q | | 00 00 31#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 32 | 0aaaaaaa| EQ: High EQ Type | | 00 00 33#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 34 | 0aaaaaaa| EQ: High EQ Gain | | 00 00 35#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 36 | 0aaaaaaa| EQ: High EQ Frequency | | 00 00 37#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 38 | 0aaaaaaa| EQ: High EQ Q | | 00 00 39#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3A | 0aaaaaaa| EQ: Out Level | | 00 00 3B#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3C | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 15 Stereo Flanger

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Flanger SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| EQ SW | | 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Flanger: Rate | | 00 00 13#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| Flanger: Depth | | 00 00 15#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| Flanger: Polarity | | 00 00 17#| 0bbbbbbb| 0,1 = Inverse,Synchro| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| Flanger: Manual | | 00 00 19#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| Flanger: Resonance | | 00 00 1B#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| Flanger: Cross Feedback Level |

| 00 00 1D#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| Flanger: Effect Level | | 00 00 1F#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 0aaaaaaa| Flanger: Direct Level | | 00 00 21#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 0aaaaaaa| EQ: Low EQ Type | | 00 00 23#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| EQ: Low EQ Gain | | 00 00 25#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 0aaaaaaa| EQ: Low EQ Frequency | | 00 00 27#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| EQ: Low EQ Q | | 00 00 29#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 0aaaaaaa| EQ: Mid EQ Gain | | 00 00 2B#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 0aaaaaaa| EQ: Mid EQ Frequency | | 00 00 2D#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 0aaaaaaa| EQ: Mid EQ Q | | 00 00 2F#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 0aaaaaaa| EQ: High EQ Type | | 00 00 31#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 32 | 0aaaaaaa| EQ: High EQ Gain | | 00 00 33#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 34 | 0aaaaaaa| EQ: High EQ Frequency | | 00 00 35#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 36 | 0aaaaaaa| EQ: High EQ Q | | 00 00 37#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 38 | 0aaaaaaa| EQ: Out Level | | 00 00 39#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3A | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 16 Dual Compressor/Limiter

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Comp/Limit A SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| Noise Suppressor A SW | | 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Comp/Limit B SW | | 00 00 13#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| Noise Suppressor B SW | | 00 00 15#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| Comp/Limit A: Detect | | 00 00 17#| 0bbbbbbb| 0,1,2 = A,B,Link| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| Comp/Limit A: Level | | 00 00 19#| 0bbbbbbb| -60,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| Comp/Limit A: Thresh | | 00 00 1B#| 0bbbbbbb| -60,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| Comp/Limit A: Attack | | 00 00 1D#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| Comp/Limit A: Release | | 00 00 1F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————|

56

MIDI Implementation

| 00 00 20 | 0aaaaaaa| Comp/Limit A: Ratio | | 00 00 21#| 0bbbbbbb| 0,,,3 = 1.5:1,2:1,4:1,100:1| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 0aaaaaaa| Noise Suppressor A: Detect | | 00 00 23#| 0bbbbbbb| 0,1,2 = A,B,Link| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| Noise Suppressor A: Threshold | | 00 00 25#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 0aaaaaaa| Noise Suppressor A: Release | | 00 00 27#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| Comp/Limit B: Detect | | 00 00 29#| 0bbbbbbb| 0,1,2 = A,B,Link| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 0aaaaaaa| Comp/Limit B: Level | | 00 00 2B#| 0bbbbbbb| -60,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 0aaaaaaa| Comp/Limit B: Thresh | | 00 00 2D#| 0bbbbbbb| -60,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 0aaaaaaa| Comp/Limit B: Attack | | 00 00 2F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 0aaaaaaa| Comp/Limit B: Release | | 00 00 31#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 32 | 0aaaaaaa| Comp/Limit B: Ratio | | 00 00 33#| 0bbbbbbb| 0,,,3 = 1.5:1,2:1,4:1,100:1| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 34 | 0aaaaaaa| Noise Suppressor B: Detect | | 00 00 35#| 0bbbbbbb| 0,1,2 = A,B,Link| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 36 | 0aaaaaaa| Noise Suppressor B: Threshold | | 00 00 37#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 38 | 0aaaaaaa| Noise Suppressor B: Release | | 00 00 39#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3A | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 17 Gate Reverb

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| G.Reverb SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| EQ SW | | 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| G.Reverb: Gate Time | | 00 00 13#| 0bbbbbbb| 10,,,400ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| G.Reverb: Pre Delay | | 00 00 15#| 0bbbbbbb| 0,,,300ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| G.Reverb: Effect Level | | 00 00 17#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| G.Reverb: Mode | | 00 00 19#| 0bbbbbbb| 0,,,4 = Normal,L->R,R->L,Reverse1,Reverse2| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| G.Reverb: Thickness | | 00 00 1B#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| G.Reverb: Density | | 00 00 1D#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| G.Reverb: Accent Delay | | 00 00 1F#| 0bbbbbbb| 0,,,200ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 0aaaaaaa| G.Reverb: Accent Level | | 00 00 21#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 0aaaaaaa| G.Reverb: Accent Pan | | 00 00 23#| 0bbbbbbb| 1,,,127 = L63,,,R63|

|——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| G.Reverb: Direct Level | | 00 00 25#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 0aaaaaaa| EQ: Low EQ Type | | 00 00 27#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| EQ: Low EQ Gain | | 00 00 29#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 0aaaaaaa| EQ: Low EQ Frequency | | 00 00 2B#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 0aaaaaaa| EQ: Low EQ Q | | 00 00 2D#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 0aaaaaaa| EQ: Mid EQ Gain | | 00 00 2F#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 0aaaaaaa| EQ: Mid EQ Frequency | | 00 00 31#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 32 | 0aaaaaaa| EQ: Mid EQ Q | | 00 00 33#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 34 | 0aaaaaaa| EQ: High EQ Type | | 00 00 35#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 36 | 0aaaaaaa| EQ: High EQ Gain | | 00 00 37#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 38 | 0aaaaaaa| EQ: High EQ Frequency | | 00 00 39#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3A | 0aaaaaaa| EQ: High EQ Q | | 00 00 3B#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3C | 0aaaaaaa| EQ: Out Level | | 00 00 3D#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3E | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 18 Multi Tap Delay

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| EQ SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| M.Tap Delay: Time 1 | | 00 00 11#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| M.Tap Delay: Level 1 | | 00 00 13#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| M.Tap Delay: Pan 1 | | 00 00 15#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| M.Tap Delay: Time 2 | | 00 00 17#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| M.Tap Delay: Level 2 | | 00 00 19#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| M.Tap Delay: Pan 2 | | 00 00 1B#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| M.Tap Delay: Time 3 | | 00 00 1D#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| M.Tap Delay: Level 3 | | 00 00 1F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 0aaaaaaa| M.Tap Delay: Pan 3 | | 00 00 21#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 0aaaaaaa| M.Tap Delay: Time 4 |

MIDI Implementation

57

MIDI Implementation

| 00 00 23#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| M.Tap Delay: Level 4 | | 00 00 25#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 0aaaaaaa| M.Tap Delay: Pan 4 | | 00 00 27#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| M.Tap Delay: Time 5 | | 00 00 29#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 0aaaaaaa| M.Tap Delay: Level 5 | | 00 00 2B#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 0aaaaaaa| M.Tap Delay: Pan 5 | | 00 00 2D#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 0aaaaaaa| M.Tap Delay: Time 6 | | 00 00 2F#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 0aaaaaaa| M.Tap Delay: Level 6 | | 00 00 31#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 32 | 0aaaaaaa| M.Tap Delay: Pan 6 | | 00 00 33#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 34 | 0aaaaaaa| M.Tap Delay: Time 7 | | 00 00 35#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 36 | 0aaaaaaa| M.Tap Delay: Level 7 | | 00 00 37#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 38 | 0aaaaaaa| M.Tap Delay: Pan 7 | | 00 00 39#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3A | 0aaaaaaa| M.Tap Delay: Time 8 | | 00 00 3B#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3C | 0aaaaaaa| M.Tap Delay: Level 8 | | 00 00 3D#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3E | 0aaaaaaa| M.Tap Delay: Pan 8 | | 00 00 3F#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 40 | 0aaaaaaa| M.Tap Delay: Time 9 | | 00 00 41#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 42 | 0aaaaaaa| M.Tap Delay: Level 9 | | 00 00 43#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 44 | 0aaaaaaa| M.Tap Delay: Pan 9 | | 00 00 45#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 46 | 0aaaaaaa| M.Tap Delay: Time 10 | | 00 00 47#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 48 | 0aaaaaaa| M.Tap Delay: Level 10 | | 00 00 49#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4A | 0aaaaaaa| M.Tap Delay: Pan 10 | | 00 00 4B#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4C | 0aaaaaaa| M.Tap Delay: Feedback Delay Time | | 00 00 4D#| 0bbbbbbb| 0,,,1200ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4E | 0aaaaaaa| M.Tap Delay: Feedback Level | | 00 00 4F#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 50 | 0aaaaaaa| M.Tap Delay: Effect Level | | 00 00 51#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 52 | 0aaaaaaa| M.Tap Delay: Direct Level | | 00 00 53#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 54 | 0aaaaaaa| EQ: Low EQ Type | | 00 00 55#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 56 | 0aaaaaaa| EQ: Low EQ Gain | | 00 00 57#| 0bbbbbbb| -12,,,12dB|

|——————————+—————————+———————————————————————————————————————————————————| | 00 00 58 | 0aaaaaaa| EQ: Low EQ Frequency | | 00 00 59#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 5A | 0aaaaaaa| EQ: Low EQ Q | | 00 00 5B#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 5C | 0aaaaaaa| EQ: Mid EQ Gain | | 00 00 5D#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 5E | 0aaaaaaa| EQ: Mid EQ Frequency | | 00 00 5F#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 60 | 0aaaaaaa| EQ: Mid EQ Q | | 00 00 61#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 62 | 0aaaaaaa| EQ: High EQ Type | | 00 00 63#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 64 | 0aaaaaaa| EQ: High EQ Gain | | 00 00 65#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 66 | 0aaaaaaa| EQ: High EQ Frequency | | 00 00 67#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 68 | 0aaaaaaa| EQ: High EQ Q | | 00 00 69#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 6A | 0aaaaaaa| EQ: Out Level | | 00 00 6B#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 6C | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 19 Stereo Multi

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Noise Suppressor SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| Comp/Limit SW | | 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Enhancer SW | | 00 00 13#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| EQ SW | | 00 00 15#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| Noise Suppressor: Threshold | | 00 00 17#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| Noise Suppressor: Release | | 00 00 19#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| Comp/Limit: Level | | 00 00 1B#| 0bbbbbbb| -60,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| Comp/Limit: Thresh | | 00 00 1D#| 0bbbbbbb| -60,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| Comp/Limit: Attack | | 00 00 1F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 0aaaaaaa| Comp/Limit: Release | | 00 00 21#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 0aaaaaaa| Comp/Limit: Ratio | | 00 00 23#| 0bbbbbbb| 0,,,3 = 1.5:1,2:1,4:1,100:1| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| Enhancer: Sens | | 00 00 25#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 0aaaaaaa| Enhancer: Frequency | | 00 00 27#| 0bbbbbbb| 10,,,100 = 1.0,,,10.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| Enhancer: MIX Level |

58

MIDI Implementation

| 00 00 29#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 0aaaaaaa| Enhancer: Level | | 00 00 2B#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 0aaaaaaa| EQ: Low EQ Type | | 00 00 2D#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 0aaaaaaa| EQ: Low EQ Gain | | 00 00 2F#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 0aaaaaaa| EQ: Low EQ Frequency | | 00 00 31#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 32 | 0aaaaaaa| EQ: Low EQ Q | | 00 00 33#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 34 | 0aaaaaaa| EQ: Mid EQ Gain | | 00 00 35#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 36 | 0aaaaaaa| EQ: Mid EQ Frequency | | 00 00 37#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 38 | 0aaaaaaa| EQ: Mid EQ Q | | 00 00 39#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3A | 0aaaaaaa| EQ: High EQ Type | | 00 00 3B#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3C | 0aaaaaaa| EQ: High EQ Gain | | 00 00 3D#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3E | 0aaaaaaa| EQ: High EQ Frequency | | 00 00 3F#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 40 | 0aaaaaaa| EQ: High EQ Q | | 00 00 41#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 42 | 0aaaaaaa| EQ: Out Level | | 00 00 43#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 44 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 20 Reverb 2

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Reverb SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| EQ SW | | 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Reverb 2: Reverb Type | | 00 00 13#| 0bbbbbbb| 0,,,4 = Room1,Room2,Hall1,Hall2,Plate| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| Reverb 2: Reverb Time | | 00 00 15#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0sec| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| Reverb 2: Pre Delay | | 00 00 17#| 0bbbbbbb| 0,,,200msec| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| Reverb 2: Density | | 00 00 19#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| Reverb 2: High Pass Filter | | 00 00 1B#| 0bbbbbbb| 1,,,200 = Thru,20,,,2000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| Reverb 2: Low Pass Filter | | 00 00 1D#| 0bbbbbbb| 10,,,201 = 1.0,,,20,0kHz,Thru| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| Reverb 2: Effect Level | | 00 00 1F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 0aaaaaaa| Reverb 2: Direct Level | | 00 00 21#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————|

| 00 00 22 | 0aaaaaaa| Reverb 2: Gate SW | | 00 00 23#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| Reverb 2: Gate Mode | | 00 00 25#| 0bbbbbbb| 0,1 = Gate,Ducking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 0aaaaaaa| Reverb 2: Gate Threshold | | 00 00 27#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| Reverb 2: Gate Attack Time | | 00 00 29#| 0bbbbbbb| 1,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 0aaaaaaa| Reverb 2: Gate Release Time | | 00 00 2B#| 0bbbbbbb| 1,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 0aaaaaaa| Reverb 2: Gate Hold Time | | 00 00 2D#| 0bbbbbbb| 1,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 0aaaaaaa| EQ: Low EQ Type | | 00 00 2F#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 0aaaaaaa| EQ: Low EQ Gain | | 00 00 31#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 32 | 0aaaaaaa| EQ: Low EQ Frequency | | 00 00 33#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 34 | 0aaaaaaa| EQ: Low EQ Q | | 00 00 35#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 36 | 0aaaaaaa| EQ: Mid EQ Gain | | 00 00 37#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 38 | 0aaaaaaa| EQ: Mid EQ Frequency | | 00 00 39#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3A | 0aaaaaaa| EQ: Mid EQ Q | | 00 00 3B#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3C | 0aaaaaaa| EQ: High EQ Type | | 00 00 3D#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3E | 0aaaaaaa| EQ: High EQ Gain | | 00 00 3F#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 40 | 0aaaaaaa| EQ: High EQ Frequency | | 00 00 41#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 42 | 0aaaaaaa| EQ: High EQ Q | | 00 00 43#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 44 | 0aaaaaaa| EQ: Out Level | | 00 00 45#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 46 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 21 Space Chorus

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Chorus SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| Chorus: Input Mode | | 00 00 11#| 0bbbbbbb| 0,1 = Mono,Stereo| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Chorus: Mode | | 00 00 13#| 0bbbbbbb| 0,,,6 = 1,2,3,4,1+4,2+4,3+4| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| Chorus: Mix Balance | | 00 00 15#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

MIDI Implementation

59

MIDI Implementation

❍Algorithm 22 Lo-Fi Processor

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Lo-Fi Processor SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| Realtime Modify Filter SW | | 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Lo-Fi Processor: Pre Filter SW | | 00 00 13#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| Lo-Fi Processor: Rate | | 00 00 15#| 0bbbbbbb| 0,,,31 = 0ff,1/2,,,1/32| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| Lo-Fi Processor: Number of Bit | | 00 00 17#| 0bbbbbbb| 0,,,15 = Off,15,,,1bit| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| Lo-Fi Processor: Post Filter SW | | 00 00 19#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| Lo-Fi Processor: Effect Level | | 00 00 1B#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| Lo-Fi Processor: Direct Level | | 00 00 1D#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| Realtime Modify Filter: Filter Type | | 00 00 1F#| 0bbbbbbb| 0,,,2 = LPF,BPF,HPF| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 0aaaaaaa| Realtime Modify Filter: Cut Off | | 00 00 21#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 0aaaaaaa| Realtime Modify Filter: Resonance | | 00 00 23#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| Realtime Modify Filter: Gain | | 00 00 25#| 0bbbbbbb| 0,,,24dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 0aaaaaaa| Noise Suppressor: Threshold | | 00 00 27#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| Noise Suppressor: Release | | 00 00 29#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 23 4 Band Parametric EQ

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Parametric EQ Link SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| Parametric EQ Ach SW | | 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Parametric EQ Bch SW | | 00 00 13#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| EQ Ach: Input Level | | 00 00 15#| 0bbbbbbb| -60,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| EQ Ach: Low EQ Type | | 00 00 17#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| EQ Ach: Low EQ Gain | | 00 00 19#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| EQ Ach: Low EQ Frequency | | 00 00 1B#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| EQ Ach: Low EQ Q | | 00 00 1D#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| EQ Ach: Low Mid EQ Gain | | 00 00 1F#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————|

| 00 00 20 | 0aaaaaaa| EQ Ach: Low Mid EQ Frequency | | 00 00 21#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 0aaaaaaa| EQ Ach: Low Mid EQ Q | | 00 00 23#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| EQ Ach: High Mid EQ Gain | | 00 00 25#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 0aaaaaaa| EQ Ach: High Mid EQ Frequency | | 00 00 27#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| EQ Ach: High Mid EQ Q | | 00 00 29#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 0aaaaaaa| EQ Ach: High EQ Type | | 00 00 2B#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 0aaaaaaa| EQ Ach: High EQ Gain | | 00 00 2D#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 0aaaaaaa| EQ Ach: High EQ Frequency | | 00 00 2F#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 0aaaaaaa| EQ Ach: High EQ Q | | 00 00 31#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 32 | 0aaaaaaa| EQ Ach: Output Level | | 00 00 33#| 0bbbbbbb| -60,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 34 | 0aaaaaaa| EQ Bch: Input Level | | 00 00 35#| 0bbbbbbb| -60,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 36 | 0aaaaaaa| EQ Bch: Low EQ Type | | 00 00 37#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 38 | 0aaaaaaa| EQ Bch: Low EQ Gain | | 00 00 39#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3A | 0aaaaaaa| EQ Bch: Low EQ Frequency | | 00 00 3B#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3C | 0aaaaaaa| EQ Bch: Low EQ Q | | 00 00 3D#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3E | 0aaaaaaa| EQ Bch: Low Mid EQ Gain | | 00 00 3F#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 40 | 0aaaaaaa| EQ Bch: Low Mid EQ Frequency | | 00 00 41#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 42 | 0aaaaaaa| EQ Bch: Low Mid EQ Q | | 00 00 43#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 44 | 0aaaaaaa| EQ Bch: High Mid EQ Gain | | 00 00 45#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 46 | 0aaaaaaa| EQ Bch: High Mid EQ Frequency | | 00 00 47#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 48 | 0aaaaaaa| EQ Bch: High Mid EQ Q | | 00 00 49#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4A | 0aaaaaaa| EQ Bch: High EQ Type | | 00 00 4B#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4C | 0aaaaaaa| EQ Bch: High EQ Gain | | 00 00 4D#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4E | 0aaaaaaa| EQ Bch: High EQ Frequency | | 00 00 4F#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 50 | 0aaaaaaa| EQ Bch: High EQ Q | | 00 00 51#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 52 | 0aaaaaaa| EQ Bch: Output Level | | 00 00 53#| 0bbbbbbb| -60,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 54 | 00 | (Reserved) |

60

MIDI Implementation

: : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

* When Link SW = On, Bch corresponds to Ach.

❍Algorithm 24 10 Band Graphic EQ

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Graphic EQ Link SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| Graphic EQ Ach SW | | 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Graphic EQ Bch SW | | 00 00 13#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| EQ Ach: Input Gain | | 00 00 15#| 0bbbbbbb| -60,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| EQ Ach: 31.25Hz Gain | | 00 00 17#| 0bbbbbbb| -15,,,15dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| EQ Ach: 62.5Hz Gain | | 00 00 19#| 0bbbbbbb| -15,,,15dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| EQ Ach: 125Hz Gain | | 00 00 1B#| 0bbbbbbb| -15,,,15dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| EQ Ach: 250Hz Gain | | 00 00 1D#| 0bbbbbbb| -15,,,15dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| EQ Ach: 500Hz Gain | | 00 00 1F#| 0bbbbbbb| -15,,,15dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 0aaaaaaa| EQ Ach: 1.0kHz Gain | | 00 00 21#| 0bbbbbbb| -15,,,15dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 0aaaaaaa| EQ Ach: 2.0kHz Gain | | 00 00 23#| 0bbbbbbb| -15,,,15dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| EQ Ach: 4.0kHz Gain | | 00 00 25#| 0bbbbbbb| -15,,,15dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 0aaaaaaa| EQ Ach: 8.0kHz Gain | | 00 00 27#| 0bbbbbbb| -15,,,15dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| EQ Ach: 16.0kHz Gain | | 00 00 29#| 0bbbbbbb| -15,,,15dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 0aaaaaaa| EQ Ach: Output Level | | 00 00 2B#| 0bbbbbbb| -60,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 0aaaaaaa| EQ Bch: Input Gain | | 00 00 2D#| 0bbbbbbb| -60,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 0aaaaaaa| EQ Bch: 31.25Hz Gain | | 00 00 2F#| 0bbbbbbb| -15,,,15dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 0aaaaaaa| EQ Bch: 62.5Hz Gain | | 00 00 31#| 0bbbbbbb| -15,,,15dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 32 | 0aaaaaaa| EQ Bch: 125Hz Gain | | 00 00 33#| 0bbbbbbb| -15,,,15dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 34 | 0aaaaaaa| EQ Bch: 250Hz Gain | | 00 00 35#| 0bbbbbbb| -15,,,15dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 36 | 0aaaaaaa| EQ Bch: 500Hz Gain | | 00 00 37#| 0bbbbbbb| -15,,,15dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 38 | 0aaaaaaa| EQ Bch: 1.0kHz Gain | | 00 00 39#| 0bbbbbbb| -15,,,15dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3A | 0aaaaaaa| EQ Bch: 2.0kHz Gain | | 00 00 3B#| 0bbbbbbb| -15,,,15dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3C | 0aaaaaaa| EQ Bch: 4.0kHz Gain |

| 00 00 3D#| 0bbbbbbb| -15,,,15dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3E | 0aaaaaaa| EQ Bch: 8.0kHz Gain | | 00 00 3F#| 0bbbbbbb| -15,,,15dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 40 | 0aaaaaaa| EQ Bch: 16.0kHz Gain | | 00 00 41#| 0bbbbbbb| -15,,,15dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 42 | 0aaaaaaa| EQ Bch: Output Level | | 00 00 43#| 0bbbbbbb| -60,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 44 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

* When Link SW = On, Bch corresponds to Ach.

❍Algorithm 25 Hum Canceler

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Hum Canceler SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| Noise Suppressor SW | | 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Hum Canceler: Freq | | 00 00 13#| 0bbbbbbb| 200,,,8000 = 20.0,,,800.0Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| Hum Canceler: Width | | 00 00 15#| 0bbbbbbb| 10,,,40%| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| Hum Canceler: Depth | | 00 00 17#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| Hum Canceler: Threshold | | 00 00 19#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| Hum Canceler: Range Low | | 00 00 1B#| 0bbbbbbb| 1,,,200 = Unlimit,20,,,2000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| Hum Canceler: Range High | | 00 00 1D#| 0bbbbbbb| 10,,,201 = 1.0,,,20,0kHz,Unlimit| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| Noise Suppressor: Threshold | | 00 00 1F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 0aaaaaaa| Noise Suppressor: Release | | 00 00 21#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 26 Vocal Canceler

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Vocal Canceler SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| EQ SW | | 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Vocal Canceler: Balance | | 00 00 13#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| Vocal Canceler: Range Low | | 00 00 15#| 0bbbbbbb| 1,,,200 = Unlimit,20,,,2000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| Vocal Canceler: Range High | | 00 00 17#| 0bbbbbbb| 10,,,201 = 1.0,,,20,0kHz,Unlimit| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| EQ: Low EQ Type | | 00 00 19#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| EQ: Low EQ Gain | | 00 00 1B#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————|

MIDI Implementation

61

MIDI Implementation

| 00 00 1C | 0aaaaaaa| EQ: Low EQ Frequency | | 00 00 1D#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| EQ: Low EQ Q | | 00 00 1F#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 0aaaaaaa| EQ: Mid EQ Gain | | 00 00 21#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 0aaaaaaa| EQ: Mid EQ Frequency | | 00 00 23#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| EQ: Mid EQ Q | | 00 00 25#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 0aaaaaaa| EQ: High EQ Type | | 00 00 27#| 0bbbbbbb| 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| EQ: High EQ Gain | | 00 00 29#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 0aaaaaaa| EQ: High EQ Frequency | | 00 00 2B#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 0aaaaaaa| EQ: High EQ Q | | 00 00 2D#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 0aaaaaaa| EQ: Out Level | | 00 00 2F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 27 Voice Transformer (FX1, FX3, FX5 or FX7)

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Voice Transformer SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| Reverb SW | | 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 00 | (Reserved) | | 00 00 13#| 00 | | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 00 | (Reserved) | | 00 00 15#| 00 | | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| Voice Transformer: Robot SW | | 00 00 17#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| Voice Transformer: Chromatic Pitch | | 00 00 19#| 0bbbbbbb| -12,,,36| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| Voice Transformer: Fine Pitch | | 00 00 1B#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| Voice Transformer: Chromatic Formant | | 00 00 1D#| 0bbbbbbb| -12,,,12| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| Voice Transformer: Fine Formant | | 00 00 1F#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 0aaaaaaa| Voice Transformer: Mix Balance | | 00 00 21#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 0aaaaaaa| Reverb: Reverb Time | | 00 00 23#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0sec| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| Reverb: Pre Delay | | 00 00 25#| 0bbbbbbb| 0,,,200msec| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 0aaaaaaa| Reverb: Density | | 00 00 27#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| Reverb: Effect Level | | 00 00 29#| 0bbbbbbb| 0,,,100|

|——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 28 Vocoder 2 (FX1, FX3, FX5 or FX7)

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Chorus SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| Vocoder: Envelope Mode | | 00 00 11#| 0bbbbbbb| 0,,,2 = Sharp,Soft,Long| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Vocoder: Pan Mode | | 00 00 13#| 0bbbbbbb| 0,,,3 = Mono,Stereo,L->R,R->L| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| Vocoder: Hold | | 00 00 15#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| Vocoder: Mic Sens | | 00 00 17#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| Vocoder: Synth Input Level | | 00 00 19#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| Vocoder: Voice Char Level 1 | | 00 00 1B#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| Vocoder: Voice Char Level 2 | | 00 00 1D#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| Vocoder: Voice Char Level 3 | | 00 00 1F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 0aaaaaaa| Vocoder: Voice Char Level 4 | | 00 00 21#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 0aaaaaaa| Vocoder: Voice Char Level 5 | | 00 00 23#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| Vocoder: Voice Char Level 6 | | 00 00 25#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 0aaaaaaa| Vocoder: Voice Char Level 7 | | 00 00 27#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| Vocoder: Voice Char Level 8 | | 00 00 29#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 0aaaaaaa| Vocoder: Voice Char Level 9 | | 00 00 2B#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 0aaaaaaa| Vocoder: Voice Char Level 10 | | 00 00 2D#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 0aaaaaaa| Vocoder: Voice Char Level 11 | | 00 00 2F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 0aaaaaaa| Vocoder: Voice Char Level 12 | | 00 00 31#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 32 | 0aaaaaaa| Vocoder: Voice Char Level 13 | | 00 00 33#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 34 | 0aaaaaaa| Vocoder: Voice Char Level 14 | | 00 00 35#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 36 | 0aaaaaaa| Vocoder: Voice Char Level 15 | | 00 00 37#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 38 | 0aaaaaaa| Vocoder: Voice Char Level 16 | | 00 00 39#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3A | 0aaaaaaa| Vocoder: Voice Char Level 17 | | 00 00 3B#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3C | 0aaaaaaa| Vocoder: Voice Char Level 18 |

62

MIDI Implementation

| 00 00 3D#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3E | 0aaaaaaa| Vocoder: Voice Char Level 19 | | 00 00 3F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 40 | 0aaaaaaa| Vocoder: Mic High Pass Filter | | 00 00 41#| 0bbbbbbb| 9,,,200 = Thru,1.0,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 42 | 0aaaaaaa| Vocoder: Mic High Pass Filter Pan | | 00 00 43#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 44 | 0aaaaaaa| Vocoder: Mic Mix | | 00 00 45#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 46 | 0aaaaaaa| Vocoder: Noise Suppressor Threshold | | 00 00 47#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 48 | 0aaaaaaa| Chorus: Rate | | 00 00 49#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4A | 0aaaaaaa| Chorus: Depth | | 00 00 4B#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4C | 0aaaaaaa| Chorus: Pre Delay | | 00 00 4D#| 0bbbbbbb| 0,,,50ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4E | 0aaaaaaa| Chorus: Mix Balance | | 00 00 4F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 50 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 29 Mic Simulator

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Link SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| Mic Converter Ach SW | | 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Bass Cut Ach SW | | 00 00 13#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| Distance Ach SW | | 00 00 15#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| Limiter Ach SW | | 00 00 17#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| Mic Converter Bch SW | | 00 00 19#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| Bass Cut Bch SW | | 00 00 1B#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| Distance Bch SW | | 00 00 1D#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| Limiter Bch SW | | 00 00 1F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 0aaaaaaa| Mic Converter Ach: Input | | 00 00 21#| 0bbbbbbb| 0,,,4 = DR-20,SmlDy,HedDy,MinCn,Flat| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 0aaaaaaa| Mic Converter Ach: Output | | 00 00 23#| 0bbbbbbb| 0,,,6 = SmlDy,VocDy,LrgDy,SmlCn,LrgCn,VntCn,Flat| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| Mic Converter Ach: Phase | | 00 00 25#| 0bbbbbbb| 0,1 = Normal,Inverse| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 0aaaaaaa| Bass Cut Ach: Bass Cut Frequency | | 00 00 27#| 0bbbbbbb| 1,,,200 = Thru,20,,,2000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| Distance Ach: Proximity Effect | | 00 00 29#| 0bbbbbbb| -12,,,+12| |——————————+—————————+———————————————————————————————————————————————————|

| 00 00 2A | 0aaaaaaa| Distance Ach: Timelag | | 00 00 2B#| 0bbbbbbb| 0,,,1000 = 0,,,3000cm| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 0aaaaaaa| Limiter Ach: Detect HPF Frequency | | 00 00 2D#| 0bbbbbbb| 1,,,200 = Thru,20,,,2000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 0aaaaaaa| Limiter Ach: Level | | 00 00 2F#| 0bbbbbbb| -60,,,24dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 0aaaaaaa| Limiter Ach: Threshold | | 00 00 31#| 0bbbbbbb| -60,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 32 | 0aaaaaaa| Limiter Ach: Attack | | 00 00 33#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 34 | 0aaaaaaa| Limiter Ach: Release | | 00 00 35#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 36 | 0aaaaaaa| Mic Converter Bch: Input | | 00 00 37#| 0bbbbbbb| 0,,,4 = DR-20,SmlDy,HedDy,MinCn,Flat| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 38 | 0aaaaaaa| Mic Converter Bch: Output | | 00 00 39#| 0bbbbbbb| 0,,,6 = SmlDy,VocDy,LrgDy,SmlCn,LrgCn,VntCn,Flat| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3A | 0aaaaaaa| Mic Converter Bch: Phase | | 00 00 3B#| 0bbbbbbb| 0,1 = Normal,Inverse| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3C | 0aaaaaaa| Bass Cut Bch: Bass Cut Frequency | | 00 00 3D#| 0bbbbbbb| 1,,,200 = Thru,20,,,2000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3E | 0aaaaaaa| Distance Bch: Proximity Effect | | 00 00 3F#| 0bbbbbbb| -12,,,+12| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 40 | 0aaaaaaa| Distance Bch: Timelag | | 00 00 41#| 0bbbbbbb| 0,,,1000 = 0,,,3000cm| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 42 | 0aaaaaaa| Limiter Bch: Detect HPF Frequency | | 00 00 43#| 0bbbbbbb| 1,,,200 = Thru,20,,,2000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 44 | 0aaaaaaa| Limiter Bch: Level | | 00 00 45#| 0bbbbbbb| -60,,,24dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 46 | 0aaaaaaa| Limiter Bch: Threshold | | 00 00 47#| 0bbbbbbb| -60,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 48 | 0aaaaaaa| Limiter Bch: Attack | | 00 00 49#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4A | 0aaaaaaa| Limiter Bch: Release | | 00 00 4B#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4C | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

* When Mic Converter Input = MinCn, Output is fixed to SmlDy or LrgCn. * When Link SW = On, Bch corresponds to Ach.

❍Algorithm 30 3 Band Isolator

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Isolator SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| Isolator High Volume | | 00 00 11#| 0bbbbbbb| -60,,,+4dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Isolator Middle Volume | | 00 00 13#| 0bbbbbbb| -60,,,+4dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| Isolator Low Volume | | 00 00 15#| 0bbbbbbb| -60,,,+4dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| Isolator Anti Phase Middle Switch | | 00 00 17#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| Isolator Anti Phase Middle Level | | 00 00 19#| 0bbbbbbb| 0,,,100|

MIDI Implementation

63

MIDI Implementation

|——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| Isolator Anti Phase Low Switch | | 00 00 1B#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| Isolator Anti Phase Low Level | | 00 00 1D#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 31 Tape Echo 201

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Tape Echo SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| Tape Echo Mode Select | | 00 00 11#| 0bbbbbbb| 0,,,6 = 1,,,7| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Tape Echo Repeat Rate | | 00 00 13#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| Tape Echo Intensity | | 00 00 15#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| Tape Echo Effect Level | | 00 00 17#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| Tape Echo Direct Level | | 00 00 19#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| Tape Echo Tone Bass | | 00 00 1B#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| Tape Echo Tone Treble | | 00 00 1D#| 0bbbbbbb| -100,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| Tape Echo Tape Head S Pan | | 00 00 1F#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 0aaaaaaa| Tape Echo Tape Head M Pan | | 00 00 21#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 0aaaaaaa| Tape Echo Tape Head L Pan | | 00 00 23#| 0bbbbbbb| 1,,,127 = L63,,,R63| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| Tape Echo Tape Distortion | | 00 00 25#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 0aaaaaaa| Tape Echo Wah Flutter Rate | | 00 00 27#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| Tape Echo Wah Flutter Depth | | 00 00 29#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 32 Analog Flanger

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Analog Flanger SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| Analog Flanger Mode | | 00 00 11#| 0bbbbbbb| 0,,,3 = FL1,FL2,FL3,CHO| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Analog Flanger Feedback | | 00 00 13#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| Analog Flanger Modulation Rate | | 00 00 15#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| Analog Flanger Modulation Depth | | 00 00 17#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————|

| 00 00 18 | 0aaaaaaa| Analog Flanger Modulation Frequency | | 00 00 19#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| Analog Flanger Channel B Modulation | | 00 00 1B#| 0bbbbbbb| 0,1 = Nor,Inv| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| Analog Flanger Channel A Phase | | 00 00 1D#| 0bbbbbbb| 0,1 = Nor,Inv| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| Analog Flanger Channel B Phase | | 00 00 1F#| 0bbbbbbb| 0,1 = Nor,Inv| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 33 Analog Phaser

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Analog Phaser SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| Analog Phaser Mode | | 00 00 11#| 0bbbbbbb| 0,1 = 4STAGE,8STAGE| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Analog Phaser Frequency | | 00 00 13#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| Analog Phaser Resonance | | 00 00 15#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| Analog Phaser LFO 1 Rate | | 00 00 17#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| Analog Phaser LFO 1 Depth | | 00 00 19#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| Analog Phaser LFO 1 Channel B Mod | | 00 00 1B#| 0bbbbbbb| 0,1 = Nor,Inv| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| Analog Phaser LFO 2 Rate | | 00 00 1D#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| Analog Phaser LFO 2 Depth | | 00 00 1F#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 0aaaaaaa| Analog Phaser LFO 2 Channel B Mod | | 00 00 21#| 0bbbbbbb| 0,1 = Nor,Inv| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 34 FFT (FX1, FX3, FX5 or FX7)

+——————————+—————————+———————————————————————————————————————————————————+ | 00 00 0E | 00 | (Reserved) | : : | 00 00 7F | 00 | | +——————————+—————————+———————————————————————————————————————————————————+

❍Algorithm 35 Speaker Modeling / Master Effect Algorithm 0

+————————————————————————————————————————————————————————————————————————+ | 00 00 0E | 0aaaaaaa| Speaker Modeling SW | | 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 0aaaaaaa| Bass Cut SW | | 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 0aaaaaaa| Low Frequency Trimmer SW | | 00 00 13#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 0aaaaaaa| High Frequency Trimmer SW | | 00 00 15#| 0bbbbbbb| 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 0aaaaaaa| Limiter SW | | 00 00 17#| 0bbbbbbb| 0,1 = Off,On|

64

MIDI Implementation

|——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 0aaaaaaa| Output Speaker | | 00 00 19#| 0bbbbbbb| 0,,,5 = DS-90,MS-50,SST-151,SST-251, | | | | SST151+351,SST251+351 | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 0aaaaaaa| Modeling Speaker | | 00 00 1B#| 0bbbbbbb| 0,,,13 = THRU,Super Flat,Powered GenBlk, | | | | Powered E-Bas,Powered Mack,Small Cube,White Cone,| | | | White C +tissue,Small Radio,Small TV,Boom Box, | | | | BoomBox LoBoost,Powerd SR,Powerd SR Stack | |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 0aaaaaaa| Speaker Modeling Phase | | 00 00 1D#| 0bbbbbbb| 0,1 = NRM,INV| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 0aaaaaaa| Bass Cut Frequency | | 00 00 1F#| 0bbbbbbb| 1,,,200 = Thru,20,,,2000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 0aaaaaaa| Low Frequency Trimmer Gain | | 00 00 21#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 0aaaaaaa| Low Frequency Trimmer Frequency | | 00 00 23#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 0aaaaaaa| High Frequency Trimmer Gain | | 00 00 25#| 0bbbbbbb| -12,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 0aaaaaaa| High Frequency Trimmer Frequency | | 00 00 27#| 0bbbbbbb| 10,,,200 = 1.0,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 0aaaaaaa| Limiter Threshold | | 00 00 29#| 0bbbbbbb| -60,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 0aaaaaaa| Limiter Release | | 00 00 2B#| 0bbbbbbb| 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 0aaaaaaa| Limiter Level | | 00 00 2D#| 0bbbbbbb| -60,,,24dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 00 | (Reserved) | : : | 00 00 7F | 00 | | +————————————————————————————————————————————————————————————————————————+

* When Output Speaker = 0 (DS-90), Modeling Speaker is fixed to 0 - 11. * When Output Speaker = 1 (MS-50), Modeling Speaker is fixed to 0, 1. * When Output Speaker = 2 (SST-151), Modeling Speaker is fixed to 0, 1, 12. * When Output Speaker = 3 (SST-251), Modeling Speaker is fixed to 0, 1, 12. * When Output Speaker = 4 (SST-151+351), Modeling Speaker is fixed to 0, 1, 13. * When Output Speaker = 5 (SST-251+351), Modeling Speaker is fixed to 0, 1, 13.

❍Algorithm 36 Mastering Tool Kit (FX1, FX3, FX5 or FX7)

+————————————————————————————————————————————————————————————————————————+ | 00 00 0E | 00 - 01 | EQ SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0F | 00 - 01 | Bass Cut SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 00 - 01 | Enhancer SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 11 | 00 - 01 | Expander SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 00 - 01 | Compressor SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 13 | 00 - 01 | Limiter SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 04 - 5E | EQ: Input Gain (*2) -30.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 15 | 00 - 01 | EQ: Low EQ Type 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 22 - 5E | EQ: Low EQ Gain (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 17 | 04 - 54 | EQ: Low EQ Frequency (*1) 20.0,,,2.00kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 00 - 21 | EQ: Low EQ Q (*3) 0.355,,,16.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 19 | 22 - 5E | EQ: Low Mid EQ Gain (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 04 - 7C | EQ: Low Mid EQ Frequency (*1) 20.0,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————|

| 00 00 1B | 00 - 21 | EQ: Low Mid EQ Q (*3) 0.355,,,16.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 22 - 5E | EQ: High Mid EQ Gain (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1D | 04 - 7C | EQ: High Mid EQ Frequency (*1) 20.0,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 00 - 21 | EQ: High Mid EQ Q (*3) 0.355,,,16.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1F | 00 - 01 | EQ: High EQ Type 0,1 = Shelving, Peaking| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 22 - 5E | EQ: High EQ Gain (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 21 | 48 - 7C | EQ: High EQ Frequency (*1) 1.00k,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 00 - 21 | EQ: High EQ Q (*3) 0.355,,,16.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 23 | 04 - 5E | EQ: Level (*2) -30.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 03 - 54 | Bass Cut Frequency (*1) Thru/20.0,,,2.00kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 25 | 00 - 64 | Enhancer Sens 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 48 - 70 | Enhancer Frequency (*1) 1.0k,,,10.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 27 | 38 - 5C | Enhancer Mix Level (0dB:80[50H]) -24,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 38 - 5C | Input Gain (0dB:80[50H]) -24,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 29 | 00 - 0A | Input Detect Time 0,,,10ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 04 - 44 | Input Low Split Point (*1) 20.0,,,800Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2B | 50 - 78 | Input High Split Point (*1) 1.6k,,,16.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 00 - 50 | Expander Low Threshold (0dB:80[50H]) -80,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2D | 00 - 50 | Expander Mid Threshold (0dB:80[50H]) -80,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 00 - 50 | Expander High Threshold (0dB:80[50H]) -80,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2F | 00 - 0D | Expander Low Ratio (*4) 1:1.0,,,1:INF| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 00 - 0D | Expander Mid Ratio (*4) 1:1.0,,,1:INF| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 31 | 00 - 0D | Expander High Ratio (*4) 1:1.0,,,1:INF| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 32 | 00 - 64 | Expander Low Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 33 | 00 - 64 | Expander Mid Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 34 | 00 - 64 | Expander High Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 35 | 00 - 64 | Expander Low Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 36 | 00 - 64 | Expander Mid Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 37 | 00 - 64 | Expander High Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 38 | 38 - 50 | Compressor Low Threshold (0dB:80[50H]) -24,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 39 | 38 - 50 | Compressor Mid Threshold (0dB:80[50H]) -24,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3A | 38 - 50 | Compressor High Threshold (0dB:80[50H]) -24,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3B | 00 - 0D | Compressor Low Ratio (*4) 1:1.0,,,1:INF| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3C | 00 - 0D | Compressor Mid Ratio (*4) 1:1.0,,,1:INF| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3D | 00 - 0D | Compressor High Ratio (*4) 1:1.0,,,1:INF| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3E | 00 - 64 | Compressor Low Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3F | 00 - 64 | Compressor Mid Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 40 | 00 - 64 | Compressor High Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 41 | 00 - 64 | Compressor Low Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 42 | 00 - 64 | Compressor Mid Release (*5) 50,,,5000ms|

MIDI Implementation

65

MIDI Implementation

|——————————+—————————+———————————————————————————————————————————————————| | 00 00 43 | 00 - 64 | Compressor High Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 44 | 00 - 56 | Mixer Low Level (0dB:80[50H]) -80,,,6dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 45 | 00 - 56 | Mixer Mid Level (0dB:80[50H]) -80,,,6dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 46 | 00 - 56 | Mixer High Level (0dB:80[50H]) -80,,,6dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 47 | 38 - 50 | Limiter Threshold (0dB:80[50H]) -24,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 48 | 00 - 64 | Limiter Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 49 | 00 - 64 | Limiter Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4A | 00 - 56 | Output Level (0dB:80[50H]) -80,,,6dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4B | 00 - 01 | Output Soft Clip 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4C | 00 | (Reserved) | : : | 00 00 7F | 00 | | +————————————————————————————————————————————————————————————————————————+

(*1) See “MIDI Data - Mixer EQ Freq Table.” (*2) See “MIDI Data - Mixer EQ Gain Table.” (*3) See “MIDI Data - Mixer EQ Quality Table.” (*4) See “MIDI Data - EXP/CMP Ratio Table.” (*5) Time (ms) = 50.0 x pow (100.0, Data/100.0)

❍Algorithm 37 31Band Graphic Equalizer (FX1, FX3, FX5 or FX7)

+————————————————————————————————————————————————————————————————————————+ | 00 00 0E | 00 - 01 | Link SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0F | 00 - 01 | Ach Bass Cut SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 00 - 01 | Ach EQ SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 11 | 00 - 01 | Bch Bass Cut SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 00 - 01 | Bch EQ SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 13 | 03 - 54 | Ach Bass Cut Frequency (*1) Thru/20.0,,,2.00kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 04 - 5E | Ach EQ Input Level (*2) -30.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 15 | 22 - 5E | Ach EQ Band1 Gain (20.0Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 22 - 5E | Ach EQ Band2 Gain (25.0Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 17 | 22 - 5E | Ach EQ Band3 Gain (31.5Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 22 - 5E | Ach EQ Band4 Gain (40.0Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 19 | 22 - 5E | Ach EQ Band5 Gain (50.0Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 22 - 5E | Ach EQ Band6 Gain (63.0Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1B | 22 - 5E | Ach EQ Band7 Gain (80.0Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 22 - 5E | Ach EQ Band8 Gain (100Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1D | 22 - 5E | Ach EQ Band9 Gain (125Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 22 - 5E | Ach EQ Band10 Gain (160Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1F | 22 - 5E | Ach EQ Band11 Gain (200Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 22 - 5E | Ach EQ Band12 Gain (250Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 21 | 22 - 5E | Ach EQ Band13 Gain (315Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 22 - 5E | Ach EQ Band14 Gain (400Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 23 | 22 - 5E | Ach EQ Band15 Gain (500Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 22 - 5E | Ach EQ Band16 Gain (630Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————|

| 00 00 25 | 22 - 5E | Ach EQ Band17 Gain (800Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 22 - 5E | Ach EQ Band18 Gain (1.00kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 27 | 22 - 5E | Ach EQ Band19 Gain (1.25kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 22 - 5E | Ach EQ Band20 Gain (1.60kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 29 | 22 - 5E | Ach EQ Band21 Gain (2.00kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 22 - 5E | Ach EQ Band22 Gain (2.50kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2B | 22 - 5E | Ach EQ Band23 Gain (3.15kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 22 - 5E | Ach EQ Band24 Gain (4.00kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2D | 22 - 5E | Ach EQ Band25 Gain (5.00kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 22 - 5E | Ach EQ Band26 Gain (6.30kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2F | 22 - 5E | Ach EQ Band27 Gain (8.00kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 22 - 5E | Ach EQ Band28 Gain (10.0kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 31 | 22 - 5E | Ach EQ Band29 Gain (12.5kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 32 | 22 - 5E | Ach EQ Band30 Gain (16.0kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 33 | 22 - 5E | Ach EQ Band31 Gain (20.0kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 34 | 04 - 5E | Ach EQ Output Level (*2) -30.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 35 | 03 - 54 | Bch Bass Cut Frequency (*1) Thru/20.0,,,2.00kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 36 | 04 - 5E | Bch EQ Input Level (*2) -30.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 37 | 22 - 5E | Bch EQ Band1 Gain (20.0Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 38 | 22 - 5E | Bch EQ Band2 Gain (25.0Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 39 | 22 - 5E | Bch EQ Band3 Gain (31.5Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3A | 22 - 5E | Bch EQ Band4 Gain (40.0Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3B | 22 - 5E | Bch EQ Band5 Gain (50.0Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3C | 22 - 5E | Bch EQ Band6 Gain (63.0Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3D | 22 - 5E | Bch EQ Band7 Gain (80.0Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3E | 22 - 5E | Bch EQ Band8 Gain (100Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3F | 22 - 5E | Bch EQ Band9 Gain (125Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 40 | 22 - 5E | Bch EQ Band10 Gain (160Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 41 | 22 - 5E | Bch EQ Band11 Gain (200Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 42 | 22 - 5E | Bch EQ Band12 Gain (250Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 43 | 22 - 5E | Bch EQ Band13 Gain (315Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 44 | 22 - 5E | Bch EQ Band14 Gain (400Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 45 | 22 - 5E | Bch EQ Band15 Gain (500Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 46 | 22 - 5E | Bch EQ Band16 Gain (630Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 47 | 22 - 5E | Bch EQ Band17 Gain (800Hz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 48 | 22 - 5E | Bch EQ Band18 Gain (1.00kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 49 | 22 - 5E | Bch EQ Band19 Gain (1.25kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4A | 22 - 5E | Bch EQ Band20 Gain (1.60kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4B | 22 - 5E | Bch EQ Band21 Gain (2.00kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4C | 22 - 5E | Bch EQ Band22 Gain (2.50kHz) (*2) -15.0,,,15.0dB|

66

MIDI Implementation

|——————————+—————————+———————————————————————————————————————————————————| | 00 00 4D | 22 - 5E | Bch EQ Band23 Gain (3.15kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4E | 22 - 5E | Bch EQ Band24 Gain (4.00kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 4F | 22 - 5E | Bch EQ Band25 Gain (5.00kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 50 | 22 - 5E | Bch EQ Band26 Gain (6.30kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 51 | 22 - 5E | Bch EQ Band27 Gain (8.00kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 52 | 22 - 5E | Bch EQ Band28 Gain (10.0kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 53 | 22 - 5E | Bch EQ Band29 Gain (12.5kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 54 | 22 - 5E | Bch EQ Band30 Gain (16.0kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 55 | 22 - 5E | Bch EQ Band31 Gain (20.0kHz) (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 56 | 04 - 5E | Bch EQ Output Level (*2) -30.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 57 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +————————————————————————————————————————————————————————————————————————+

* When Link SW = On, Bch corresponds to Ach. (*1) See “MIDI Data - Mixer EQ Freq Table.” (*2) See “MIDI Data - Mixer EQ Gain Table.”

❍Algorithm 38 Stereo 2Band Dynamics

+————————————————————————————————————————————————————————————————————————+ | 00 00 0E | 00 - 01 | Bass Cut SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0F | 00 - 01 | Enhancer SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 00 - 01 | Expander SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 11 | 00 - 01 | Compressor SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 00 - 01 | Limiter SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 13 | 03 - 54 | Bass Cut Frequency (*1) Thru/20.0,,,2.00kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 00 - 64 | Enhancer Sens 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 15 | 48 - 70 | Enhancer Frequency (*1) 1.0k,,,10.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 38 - 5C | Enhancer Mix Level (0dB:80[50H]) -24,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 17 | 38 - 5C | Input Gain (0dB:80[50H]) -24,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 00 - 0A | Input Detect Time 0,,,10ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 19 | 04 - 78 | Input Split Point (*1) 20.0,,,16.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 00 - 50 | Expander Low Threshold (0dB:80[50H]) -80,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1B | 00 - 50 | Expander High Threshold (0dB:80[50H]) -80,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 00 - 0D | Expander Low Ratio (*4) 1:1.0,,,1:INF| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1D | 00 - 0D | Expander High Ratio (*4) 1:1.0,,,1:INF| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 00 - 64 | Expander Low Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1F | 00 - 64 | Expander High Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 00 - 64 | Expander Low Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 21 | 00 - 64 | Expander High Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 38 - 50 | Compressor Low Threshold (0dB:80[50H]) -24,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 23 | 38 - 50 | Compressor High Threshold (0dB:80[50H]) -24,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 00 - 0D | Compressor Low Ratio (*4) 1:1.0,,,1:INF| |——————————+—————————+———————————————————————————————————————————————————|

| 00 00 25 | 00 - 0D | Compressor High Ratio (*4) 1:1.0,,,1:INF| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 00 - 64 | Compressor Low Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 27 | 00 - 64 | Compressor High Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 00 - 64 | Compressor Low Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 29 | 00 - 64 | Compressor High Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 00 - 56 | Mixer Low Level (0dB:80[50H]) -80,,,6dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2B | 00 - 56 | Mixer High Level (0dB:80[50H]) -80,,,6dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 38 - 50 | Limiter Threshold (0dB:80[50H]) -24,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2D | 00 - 64 | Limiter Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 00 - 64 | Limiter Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2F | 00 - 56 | Output Level (0dB:80[50H]) -80,,,6dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 00 - 01 | Output Soft Clip 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 31 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +————————————————————————————————————————————————————————————————————————+

(*1) See “MIDI Data - Mixer EQ Freq Table.” (*4) See “MIDI Data - EXP/CMP Ratio Table.” (*5) Time (ms) = 50.0 x pow (100.0, Data/100.0)

❍Algorithm 39 Dual Mono Dynamics

+————————————————————————————————————————————————————————————————————————+ | 00 00 0E | 00 - 01 | Link SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0F | 00 - 01 | Ach Bass Cut SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 00 - 01 | Ach Enhancer SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 11 | 00 - 01 | Ach Expander SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 00 - 01 | Ach Compressor SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 13 | 00 - 01 | Ach Limiter SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 00 - 01 | Bch Bass Cut SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 15 | 00 - 01 | Bch Enhancer SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 00 - 01 | Bch Expander SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 17 | 00 - 01 | Bch Compressor SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 00 - 01 | Bch Limiter SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 19 | 03 - 54 | Ach Bass Cut Frequency (*1) Thru/20.0,,,2.00kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 00 - 64 | Ach Enhancer Sens 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1B | 48 - 70 | Ach Enhancer Frequency (*1) 1.0k,,,10.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 38 - 5C | Ach Enhancer Mix Level (0dB:80[50H]) -24,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1D | 38 - 5C | Ach Input Gain (0dB:80[50H]) -24,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 00 - 0A | Ach Input Detect Time 0,,,10ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1F | 00 - 02 | Ach Input Detect Point Ach,Bch,A+B| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 00 - 50 | Ach Expander Threshold (0dB:80[50H]) -80,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 21 | 00 - 0D | Ach Expander Ratio (*4) 1:1.0,,,1:INF| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 00 - 64 | Ach Expander Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 23 | 00 - 64 | Ach Expander Release (*5) 50,,,5000ms|

MIDI Implementation

67

MIDI Implementation

|——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 38 - 50 | Ach Compressor Threshold (0dB:80[50H]) -24,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 25 | 00 - 0D | Ach Compressor Ratio (*4) 1:1.0,,,1:INF| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 00 - 64 | Ach Compressor Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 27 | 00 - 64 | Ach Compressor Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 00 - 56 | Ach Compressor Level (0dB:80[50H]) -80,,,6dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 29 | 38 - 50 | Ach Limiter Threshold (0dB:80[50H]) -24,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 00 - 64 | Ach Limiter Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2B | 00 - 64 | Ach Limiter Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 00 - 56 | Ach Output Level (0dB:80[50H]) -80,,,6dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2D | 00 - 01 | Ach Output Soft Clip 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 03 - 54 | Bch Bass Cut Frequency (*1) Thru/20.0,,,2.00kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2F | 00 - 64 | Bch Enhancer Sens 0,,,100| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 48 - 70 | Bch Enhancer Frequency (*1) 1.0k,,,10.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 31 | 38 - 5C | Bch Enhancer Mix Level (0dB:80[50H]) -24,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 32 | 38 - 5C | Bch Input Gain (0dB:80[50H]) -24,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 33 | 00 - 0A | Bch Input Detect Time 0,,,10ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 34 | 00 - 02 | Bch Input Detect Point Ach,Bch,A+B| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 35 | 00 - 50 | Bch Expander Threshold (0dB:80[50H]) -80,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 36 | 00 - 0D | Bch Expander Ratio (*4) 1:1.0,,,1:INF| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 37 | 00 - 64 | Bch Expander Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 38 | 00 - 64 | Bch Expander Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 39 | 38 - 50 | Bch Compressor Threshold (0dB:80[50H]) -24,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3A | 00 - 0D | Bch Compressor Ratio (*4) 1:1.0,,,1:INF| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3B | 00 - 64 | Bch Compressor Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3C | 00 - 64 | Bch Compressor Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3D | 00 - 56 | Bch Compressor Level (0dB:80[50H]) -80,,,6dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3E | 38 - 50 | Bch Limiter Threshold (0dB:80[50H]) -24,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3F | 00 - 64 | Bch Limiter Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 40 | 00 - 64 | Bch Limiter Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 41 | 00 - 56 | Bch Output Level (0dB:80[50H]) -80,,,6dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 42 | 00 - 01 | Bch Output Soft Clip 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 43 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +————————————————————————————————————————————————————————————————————————+

* When Link SW = On, Bch corresponds to Ach. (*1) See “MIDI Data - Mixer EQ Freq Table.” (*4) See “MIDI Data - EXP/CMP Ratio Table.” (*5) Time (ms) = 50.0 X pow (100.0, Data/100.0)

❍Master Effect Algorithm 0 Speaker Modeling

(See “Algorithm 35 Speaker Modeling.”)

❍Master Effect Algorithm 1 10Band Parametric Equalizer

+————————————————————————————————————————————————————————————————————————+ | 00 00 0E | 00 - 01 | Bass Cut SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0F | 00 - 01 | EQ SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 00 - 01 | Expander SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 11 | 00 - 01 | Compressor SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 03 - 54 | Bass Cut Frequency (*1) Thru/20.0,,,2.00kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 13 | 04 - 5E | EQ Input Level (*2) -30.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 22 - 5E | EQ Band1 Gain (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 15 | 04 - 7C | EQ Band1 Frequency (*1) 20.0,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 00 - 21 | EQ Band1 Q (*3) 0.355,,,16.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 17 | 22 - 5E | EQ Band2 Gain (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 04 - 7C | EQ Band2 Frequency (*1) 20.0,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 19 | 00 - 21 | EQ Band2 Q (*3) 0.355,,,16.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 22 - 5E | EQ Band3 Gain (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1B | 04 - 7C | EQ Band3 Frequency (*1) 20.0,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 00 - 21 | EQ Band3 Q (*3) 0.355,,,16.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1D | 22 - 5E | EQ Band4 Gain (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 04 - 7C | EQ Band4 Frequency (*1) 20.0,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1F | 00 - 21 | EQ Band4 Q (*3) 0.355,,,16.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 22 - 5E | EQ Band5 Gain (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 21 | 04 - 7C | EQ Band5 Frequency (*1) 20.0,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 00 - 21 | EQ Band5 Q (*3) 0.355,,,16.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 23 | 22 - 5E | EQ Band6 Gain (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 04 - 7C | EQ Band6 Frequency (*1) 20.0,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 25 | 00 - 21 | EQ Band6 Q (*3) 0.355,,,16.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 22 - 5E | EQ Band7 Gain (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 27 | 04 - 7C | EQ Band7 Frequency (*1) 20.0,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 00 - 21 | EQ Band7 Q (*3) 0.355,,,16.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 29 | 22 - 5E | EQ Band8 Gain (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 04 - 7C | EQ Band8 Frequency (*1) 20.0,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2B | 00 - 21 | EQ Band8 Q (*3) 0.355,,,16.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 22 - 5E | EQ Band9 Gain (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2D | 04 - 7C | EQ Band9 Frequency (*1) 20.0,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 00 - 21 | EQ Band9 Q (*3) 0.355,,,16.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2F | 22 - 5E | EQ Band10 Gain (*2) -15.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 04 - 7C | EQ Band10 Frequency (*1) 20.0,,,20.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 31 | 00 - 21 | EQ Band10 Q (*3) 0.355,,,16.0| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 32 | 04 - 5E | EQ Output Level (*2) -30.0,,,15.0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 33 | 00 - 50 | Expander Threshold (0dB:80[50H]) -80,,,0dB| |——————————+—————————+———————————————————————————————————————————————————|

68

MIDI Implementation

| 00 00 34 | 00 - 0D | Expander Ratio (*4) 1:1.0,,,1:INF| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 35 | 00 - 64 | Expander Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 36 | 00 - 64 | Expander Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 37 | 38 - 50 | Compressor Threshold (0dB:80[50H]) -24,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 38 | 00 - 0D | Compressor Ratio (*4) 1:1.0,,,1:INF| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 39 | 00 - 64 | Compressor Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3A | 00 - 64 | Compressor Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3B | 00 - 56 | Compressor Level (0dB:80[50H]) -80,,,6dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 3C | 00 | (Reserved) | : : | 00 00 7F | 00 | | +————————————————————————————————————————————————————————————————————————+

(*1) See “MIDI Data - Mixer EQ Freq Table.” (*2) See “MIDI Data - Mixer EQ Gain Table.” (*3) See “MIDI Data - Mixer EQ Quality Table.” (*4) See “MIDI Data - EXP/CMP Ratio Table.” (*5) Time (ms) = 50.0 X pow (100.0, Data/100.0)

❍Master Effect Algorithm 2 3Band Dynamics

+————————————————————————————————————————————————————————————————————————+ | 00 00 0E | 00 - 01 | Expander SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 0F | 00 - 01 | Compressor SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 10 | 00 - 01 | Limiter SW 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 11 | 38 - 5C | Input Gain (0dB:80[50H]) -24,,,12dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 12 | 00 - 0A | Input Detect Time 0,,,10ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 13 | 04 - 44 | Input Low Split Point (*1) 20.0,,,800Hz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 14 | 50 - 78 | Input High Split Point (*1) 1.6k,,,16.0kHz| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 15 | 00 - 50 | Expander Low Threshold (0dB:80[50H]) -80,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 16 | 00 - 50 | Expander Mid Threshold (0dB:80[50H]) -80,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 17 | 00 - 50 | Expander High Threshold (0dB:80[50H]) -80,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 18 | 00 - 0D | Expander Low Ratio (*4) 1:1.0,,,1:INF| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 19 | 00 - 0D | Expander Mid Ratio (*4) 1:1.0,,,1:INF| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1A | 00 - 0D | Expander High Ratio (*4) 1:1.0,,,1:INF| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1B | 00 - 64 | Expander Low Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1C | 00 - 64 | Expander Mid Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1D | 00 - 64 | Expander High Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1E | 00 - 64 | Expander Low Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 1F | 00 - 64 | Expander Mid Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 20 | 00 - 64 | Expander High Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 21 | 38 - 50 | Compressor Low Threshold (0dB:80[50H]) -24,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 22 | 38 - 50 | Compressor Mid Threshold (0dB:80[50H]) -24,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 23 | 38 - 50 | Compressor High Threshold (0dB:80[50H]) -24,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 24 | 00 - 0D | Compressor Low Ratio (*4) 1:1.0,,,1:INF| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 25 | 00 - 0D | Compressor Mid Ratio (*4) 1:1.0,,,1:INF| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 26 | 00 - 0D | Compressor High Ratio (*4) 1:1.0,,,1:INF|

|——————————+—————————+———————————————————————————————————————————————————| | 00 00 27 | 00 - 64 | Compressor Low Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 28 | 00 - 64 | Compressor Mid Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 29 | 00 - 64 | Compressor High Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2A | 00 - 64 | Compressor Low Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2B | 00 - 64 | Compressor Mid Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2C | 00 - 64 | Compressor High Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2D | 00 - 56 | Mixer Low Level (0dB:80[50H]) -80,,,6dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2E | 00 - 56 | Mixer Mid Level (0dB:80[50H]) -80,,,6dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 2F | 00 - 56 | Mixer High Level (0dB:80[50H]) -80,,,6dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 30 | 38 - 50 | Limiter Threshold (0dB:80[50H]) -24,,,0dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 31 | 00 - 64 | Limiter Attack 0,,,100ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 32 | 00 - 64 | Limiter Release (*5) 50,,,5000ms| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 33 | 00 - 56 | Output Level (0dB:80[50H]) -80,,,6dB| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 34 | 00 - 01 | Output Soft Clip 0,1 = Off,On| |——————————+—————————+———————————————————————————————————————————————————| | 00 00 35 | 00 | (Reserved) | : : | 00 00 7F | 00 | | +————————————————————————————————————————————————————————————————————————+

(*1) See “MIDI Data - Mixer EQ Freq Table.” (*4) See “MIDI Data - EXP/CMP Ratio Table.” (*5) Time (ms) = 50.0 X pow (100.0, Data/100.0)

(*) The address with “#” is invalid. Data Request (RQ1) or Data Set (DT1) must be

transmitted the valid size to the valid address without #.

3. MIDI Machine Control

■MIDI Machine Control Details

●STOP (MCS)

Status Data Byte Status F0H 7FH, Dev, 06H, 01H F7H

Byte Description F0H Exclusive Status 7FH Universal System Exclusive Message Realtime Header Dev Device ID (or 7FH) 06H MMC Command Message 01H STOP (MCS) F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VMC7200/C7100 stops immediately. When “MIDI MMC Tx Switch”of VM-C7200/C7100 is set to “On,” if the transport switch [STOP] was pressed, the VM-C7200/C7100 transmits as the device ID 7FH.

●PLAY (MCS)

Status Data Byte Status F0H 7FH, Dev, 06H, 02H F7H

Byte Description F0H Exclusive Status 7FH Universal System Exclusive Message Realtime Header Dev Device ID (or 7FH) 06H MMC Command Message 02H PLAY (MCS) F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VM7200/7100 goes into the playback condition. The VM-C7200/C7100 does not transmit this message.

MIDI Implementation

69

MIDI Implementation

●DEFERRED PLAY (MCS)

Status Data Byte Status F0H 7FH, Dev, 06H, 03H F7H

Byte Description F0H Exclusive Status 7FH Universal System Exclusive Message Realtime Header Dev Device ID (or 7FH) 06H MMC Command Message 03H DEFERRED PLAY(MCS) F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VMC7200/C7100 goes into the playback condition after the locate operation. When “MIDI MMC Tx Switch” of VM-C7200/C7100 is set to “On,” if the transport switch [PLAY] was pressed, the VM-C7200/C7100 transmits as the device ID 7FH.

●FAST FORWARD (MCS)

Status Data Byte Status F0H 7FH, Dev, 06H, 04H F7H

Byte Description F0H Exclusive Status 7FH Universal System Exclusive Message Realtime Header Dev Device ID (or 7FH) 06H MMC Command Message 04H FAST FORWARD (MCS) F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VMC7200/C7100 goes into the fast forward condition. When “MIDI MMC Tx Switch” of the VM-C7200/C7100 is set to “On,” if the transport switch [FF] was pressed, the VM-7200/7100 transmits as the device ID 7FH.

●REWIND(MCS)

Status Data Byte Status F0H 7FH, Dev, 06H, 05H F7H

Byte Description F0H Exclusive Status 7FH Universal System Exclusive Message Realtime Header Dev Device ID (or 7FH) 06H MMC Command Message 05H REWIND (MCS) F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VMC7200/C7100 goes into the rewind condition. When “MIDI MMC Tx Switch” of the VM-C7200/C7100 is set to “On,” if the transport switch [REW] was pressed, the VM-C7200/C7100 transmits as the device ID 7FH.

●RECORD STROBE

Status Data Byte Status F0H 7FH, Dev, 06H, 06H F7H

Byte Description F0H Exclusive Status 7FH Universal System Exclusive Message Realtime Header Dev Device ID (or 7FH) 06H MMC Command Message 06H RECORD STROBE F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VMC7200/C7100 goes into the recording condition. When “MIDI MMC Tx Switch” of the VM-C7200/C7100 is set to “On,” if the transport switch [REC] was pressed out of the recording condition, the VM-C7200/C7100 transmits as the device ID 7FH.

●RECORD EXIT

Status Data Byte Status F0H 7FH, Dev, 06H, 07H F7H

Byte Description F0H Exclusive Status 7FH Universal System Exclusive Message Realtime Header Dev Device ID (or 7FH) 06H MMC Command Message 07H RECORD EXIT F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VMC7200/C7100 exits from the record condition. When “MIDI MMC Tx Switch” of the VM-C7200/C7100 is set to “On,” if the transport switch [REC] was pressed while recording, the VM-C7200/C7100 transmits as the device ID 7FH.

●MMC RESET

Status Data Byte Status F0H 7FH, Dev, 06H, 0DH F7H

Byte Description F0H Exclusive Status 7FH Universal System Exclusive Message Realtime Header Dev Device ID (or 7FH) 06H MMC Command Message 0DH MMC RESET F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VMC7200/C7100 resets all communication channels related with MMC. When “MIDI MMC Tx Switch” of the VM-C7200/C7100 is set to “On,” if powered on the VM-C7200/C7100 transmits as the device ID 7FH.

●WRITE

Status Data Byte Status F0H 7FH, Dev, 06H, 40H, ccH, ddH, eeH,,,ffH,,, F7H

Byte Description F0H Exclusive Status 7FH Universal System Exclusive Message Realtime Header Dev Device ID (or 7FH) 06H MMC Command Message 40H WRITE ccH Information Bytes follows the command ddH The name of the writable Information Field eeH Information Field Format :: ffH Field names and data :: F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VMC7200/C7100 writes the data to the specified information field. The VM-C7200/C7100 does not transmit the message.

●MASKED WRITE

Status Data Byte Status F0H 7FH, Dev, 06H, 41H, 04H, ddH, eeH, ffH, ggH F7H

Byte Description F0H Exclusive Status 7FH Universal System Exclusive Message Realtime Header Dev Device ID (or 7FH) 06H MMC Command Message 41H MASKED WRITE 04H Number of Bytes follows the command ddH The name of the masked type writable Information Field eeH Byte number to write in the Bit Map ffH Bit location of the bit map byte to change ggH New data to write to the specified bit map byte F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VMC7200/C7100 writes the data to the specified bit map byte. The VM-C7200/C7100 does not transmit the message.

70

MIDI Implementation

●LOCATE (MCP)

Format 1 - LOCATE [I/F]

Status Data Byte Status F0H 7FH, Dev, 06H, 44H, 02H, 00H, nnH F7H

Byte Description F0H Exclusive Status 7FH Universal System Exclusive Message Realtime Header Dev Device ID (or 7FH) 06H MMC Command Message 44H LOCATE(MCP) 02H Number of Bytes 00H “I/F” sub command nnH Information Field (08H, 09H, 0AH, 0BH, 0CH, 0DH, 0EH, 0FH) F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VMC7200/C7100 locates the selected time location stored to the specified information field. The VM-C7200/C7100 does not transmit the message.

Format 2 - LOCATE [TARGET]

Status Data Byte Status F0H 7FH, Dev, 06H, 44H, 06H, 01H, F7H

hrH, mnH, scH, frH, ffH

Byte Description F0H Exclusive Status 7FH Universal System Exclusive Message Realtime Header Dev Device ID (or 7FH) 06H MMC Command Message 44H LOCATE(MCP) 06H Number of Bytes 01H “TARGET” sub command hrH, mnH, scH, frH, ffH Standard Time with Sub Frame F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VMC7200/C7100 locates the specified time location received from the command. When “MIDI MMC Tx Switch” of the VM-C7200/C7100 is set to “On,” if the efficient locate switch [LOC?] or Marker switch [PREVIOUS] or [NEXT] is pressed, the VM-C7200/C7100 transmits as the device ID 7FH.

●MOVE

Status Data Byte Status F0H 7FH, Dev, 06H, 4CH, 02H, ddH, ssH F7H

Byte Description F0H Exclusive Status 7FH Universal System Exclusive Message Realtime Header Dev Device ID (or 7FH) 06H MMC Command Message 4CH MOVE 02H Number of Bytes ddH Name of the Efficient Destination Information Field

(08H, 09H, 0AH, 0BH, 0CH, 0DH, 0EH, 0FH) ssH Name of the Efficient Source Information Field(01H) F7H EOX (End of System Exclusive Message)

If the device ID on the message was as same as that of the receiving device or 7FH, the VMC7200/C7100 transfers the data on the selected source information field to the destination Information Field, if the name of both information fields is efficient. The VM-C7200/C7100 does not transmit the message.

4. Appendices

●Decimal and Hexadecimal table

(Hexadecimal number is shown with H.) In MIDI documentation, data values and addresses/sizes of system exclusive messages etc. are expressed as hexadecimal values for each 7 bits. The following table shows how these correspond to decimal numbers.

+——————+——————++——————+——————++——————+——————++——————+——————+ | dec | hex || dec | hex || dec | hex || dec | hex | +——————+——————++——————+——————++——————+——————++——————+——————+ | 0 | 00H || 32 | 20H || 64 | 40H || 96 | 60H | | 1 | 01H || 33 | 21H || 65 | 41H || 97 | 61H | | 2 | 02H || 34 | 22H || 66 | 42H || 98 | 62H | | 3 | 03H || 35 | 23H || 67 | 43H || 99 | 63H | | 4 | 04H || 36 | 24H || 68 | 44H || 100 | 64H | | 5 | 05H || 37 | 25H || 69 | 45H || 101 | 65H | | 6 | 06H || 38 | 26H || 70 | 46H || 102 | 66H | | 7 | 07H || 39 | 27H || 71 | 47H || 103 | 67H | | 8 | 08H || 40 | 28H || 72 | 48H || 104 | 68H | | 9 | 09H || 41 | 29H || 73 | 49H || 105 | 69H | | 10 | 0AH || 42 | 2AH || 74 | 4AH || 106 | 6AH | | 11 | 0BH || 43 | 2BH || 75 | 4BH || 107 | 6BH | | 12 | 0CH || 44 | 2CH || 76 | 4CH || 108 | 6CH | | 13 | 0DH || 45 | 2DH || 77 | 4DH || 109 | 6DH | | 14 | 0EH || 46 | 2EH || 78 | 4EH || 110 | 6EH | | 15 | 0FH || 47 | 2FH || 79 | 4FH || 111 | 6FH | | 16 | 10H || 48 | 30H || 80 | 50H || 112 | 70H | | 17 | 11H || 49 | 31H || 81 | 51H || 113 | 71H | | 18 | 12H || 50 | 32H || 82 | 52H || 114 | 72H | | 19 | 13H || 51 | 33H || 83 | 53H || 115 | 73H | | 20 | 14H || 52 | 34H || 84 | 54H || 116 | 74H | | 21 | 15H || 53 | 35H || 85 | 55H || 117 | 75H | | 22 | 16H || 54 | 36H || 86 | 56H || 118 | 76H | | 23 | 17H || 55 | 37H || 87 | 57H || 119 | 77H | | 24 | 18H || 56 | 38H || 88 | 58H || 120 | 78H | | 25 | 19H || 57 | 39H || 89 | 59H || 121 | 79H | | 26 | 1AH || 58 | 3AH || 90 | 5AH || 122 | 7AH | | 27 | 1BH || 59 | 3BH || 91 | 5BH || 123 | 7BH | | 28 | 1CH || 60 | 3CH || 92 | 5CH || 124 | 7CH | | 29 | 1DH || 61 | 3DH || 93 | 5DH || 125 | 7DH | | 30 | 1EH || 62 | 3EH || 94 | 5EH || 126 | 7EH | | 31 | 1FH || 63 | 3FH || 95 | 5FH || 127 | 7FH | +——————+——————++——————+——————++——————+——————++——————+——————+

* Decimal values such as MIDI channel, bank select, and program change are listed as one

(1) greater than the values given in the above table.

* A 7-bit byte can express data in the range of 128 steps. For data where greater precision

is required, we must use two or more bytes. For example, two hexadecimal numbers aa bbH expressing two 7-bit bytes would indicate a value of aa x 128 + bb.

* In the case of values which have a +/- sign, 00H = -64, 40H = +/-0, and 7FH = +63, so

that the decimal expression would be 64 less than the value given in the above chart. In the case of two types, 00 00H = -8192, 40 00H = +/-0, and 7F 7FH = +8191.

* Data marked “nibbled” is expressed in hexadecimal in 4-bit units. A value expressed as a

2-byte nibble 0a 0bH has the value of a x 16 + b.

<Ex.1> What is 5AH in decimal system? 5AH = 90 according to the above table.

<Ex.2>What in decimal system is 12034H in hexadecimal of every 7 bit? 12H = 18, 34H = 52 according to the above table. So 18 x 128 + 52 = 2356.

<Ex.3> What in decimal system is 0A 03 09 0D in nibble system? 0AH = 10, 03H = 3, 09H = 9, 0DH = 13 according to the table. So ((10 x 16 + 3) x 16 + 9) x 16 + 13 = 41885.

<Ex. 4> What in nibble system is 1258 in decimal system?

____

16)1258

16) 78 ... 10

16) 4 ... 14 0 ... 4

MIDI Implementation

0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH According to the table. So it is 00 04 0E 0AH.

71

MIDI Implementation

●Example of system exclusive message and Checksum

calculation

On Roland system exclusive message (DT1), checksum is added at the end of transmitted data (in front of F7) to check the message is received correctly. Value of checksum is defined by address and data (or size) of the system exclusive message to be transmitted.

How to calculate checksum (Hexadecimal number is shown with H.)

Checksum is a value which lower 7 bit of the sum of address, size and checksum itself turns to be 0. If the address of the system exclusive message to be transmitted is aa bb ccH and data or size is dd ee ffH,

aa + bb + cc + dd + ee + ff = sum sum / 128 = quotient and odd When odd is 0, 0 = checksum When odd is other than 0, 128 - odd = checksum

■MIDI Machine Control (MMC) Command,

Information field / Response Reference

●Command Recognized

Command Action 01H STOP STOP 02H PLAY PLAY 03H DEFERRED PLAY PLAY 04H FAST FORWARD FF 05H REWIND REW 06H RECORD STROBE REC / PUNCH IN 07H RECORD EXIT PUNCH OUT 0DH MMC RESET RESET 40H WRITE Write Information Fields 41H MASKED WRITE Set Track Status Information Fields 44H 00H LOCATE I/F LOCATE (Read locator) 44H 01H LOCATE TARGET LOCATE (Designated Time) 4CH MOVE Move between Information Fields

●Commands Transmitted

Command Action 01H STOP STOP 03H DEFERRED PLAY PLAY 04H FAST FORWARD FF 05H REWIND REW 06H RECORD STROBE REC / PUNCH IN 07H RECORD EXIT PUNCH OUT 0DH MMC RESET RESET 44H 01H LOCATE TARGET LOCATE

●Valid Information Fields / Response

Information Field Interpret Valid Commands 01H SELECTED TIME CODE Current Time MOVE(FROM) 08H GP0 / LOCATE POINT Locator 1 MOVE(FROM), MOVE(TO), WRITE 09H GP1 Locator 2 MOVE (FROM), MOVE (TO), WRITE 0AH GP2 Locator 3 MOVE (FROM), MOVE (TO), WRITE 0BH GP3 Locator 4 MOVE (FROM), MOVE (TO), WRITE 0CH GP4 Locator 5 MOVE (FROM), MOVE (TO), WRITE 0DH GP5 Locator 6 MOVE (FROM), MOVE (TO), WRITE 0EH GP6 Locator 7 MOVE (FROM), MOVE (TO), WRITE 0FH GP7 Locator 8 MOVE (FROM), MOVE (TO), WRITE

72

MIDI Implementation

V-MIXING PROCESSOR Model VM-7200, VM-7100

Function...

Basic Channel

Mode

Note Number :

Velocity

After Touch

Pitch Bend

Control Change

Default Changed

Default Messages Altered

True Voice Note On

Note Off Key's

Channel's

1–31

33–95

6, 38 96, 97 98, 99

102–119

MIDI Implementation Chart

Transmitted Recognized

1–16 1–16

Mode 3 X

**************

X X

O X

X

O O O X O O

*1

*2 *2 *3

*3 *2

1–16

**************

Mode 3 X X

X X

X

O O O O O O

*2 *2 *3 *3 *3 *2

Date : Jun. 25, 1999

Version : 1.00

Remarks

MIDI Implementation

Data Entry LSB, MSB Dat Inc, Dec NRPN LSB, MSB

Program Change

: True Number

System Exclusive

: Quarter Frame System Common

: Song Position

: Song Select

: Tune Request

System Real Time

Aux Messages

: Clock

: Commands

: All Sound Off

: Reset All Controllers

: Local On/Off

: All Notes Off

: Active Sensing

: System Reset

Notes

Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY

X

**************

O

*4

X X X X

X X

X X X X X X

*1

The leve lmeter value is transmitted according to the VM-7200/VM-7100's

X X

O

*5

X X X X

X X

X X X X X X

level meter value.

*2

MIDI Control Type = C.C. only

*3

MIDI Control TYpe = NRPN only

*4

MIDI MMC Tx Switch (VM-C7200/C7100) = On only (MMC) MMC is transmitted to the VM-Link when a VM-Link is used for the connection.

*5

When a DIF-AT is used for the connection, MMC is transmitted to the DIF-AT.

Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO

O : Yes X : No

73

Specifications

VM-7200:48 Channel V-Mixing processor VM-7100:38 Channel V-Mixing processor

Channels

48 *VM-7200 38 *VM-7100

Signal processing

AD Conversion: 24 bits, 64 times oversampling DA Conversion: 24 bits, 128 times oversampling Internal Processing: 32 bits

Sample Rate

48 kHz, 44.1 kHz, 32 kHz

Frequency Response

48 kHz: 20 Hz – 20 kHz (-0.1 dB/+0.1 dB)

44.1 kHz: 20 Hz – 20 kHz (-0.1 dB/+0.1 dB) 32 kHz: 20 Hz – 15 kHz (-0.1 dB/+0.1 dB)

Total Harmonic Distortion (INPUT SENS:0dBu, 1 kHz at nominal Output level)

0.05 % or less

Nominal Input Level (variable)

Input 1 – 10, 23 – 24: -60 – +4 dBu Input 11 – 20: -60 – +4 dBu *VM-7200

In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.

Input Impedance

Input 1 – 10, 23 – 24: 10 k ohms Input 11 – 20: 10 k ohms *VM-7200

Nominal Output Level

Main Out: +4 dBu Rec Out: -10 dBV Assignable Out: +4 dBu Monitor Out: +4 dBu *VM-7200 Flex Bus Out: +4 dBu *VM-7200

Output Impedance

Main Out: 600 ohms Rec Out: 600 ohms Assignable Out: 600 ohms Monitor Out: 600 ohms *VM-7200 Flex Bus Out: 600 ohms *VM-7200

Recommended Load Impedance

Main Out: 1 k ohm or greater Rec Out: 1 k ohm or greater Assignable Out: 1 k ohm or greater Monitor Out: 1 k ohm or greater *VM-7200 Flex Bus Out: 1 k ohm or greater *VM-7200

Residual Noise Level (IHF-A, Typ.)

Main Out: -80 dBu or less Rec Out: -80 dBu or less Assignable Out: -80 dBu or less Monitor Out: -80 dBu or less *VM-7200 Flex Bus Out: -80 dBu or less *VM-7200

74

Connectors and Jacks

Input Jacks 1 – 10 (XLR-type, balanced, phantom power) Input Jacks 1 – 10 (1/4 inch phone type, TRS balanced) Input Jacks 11 – 20 (XLR-type, balanced, phantom power) *VM-7200 Input Jacks 11 – 20 (1/4 inch phone type, TRS balanced) *VM-7200 Insert Jacks 1 – 6 (1/4 inch phone type, TRS) Insert Jacks 11 – 16 (1/4 inch phone type, TRS) *VM-7200 Main Out Jacks L, R (XLR-type, balanced) Main Out Jacks L, R (1/4 inch phone type, TRS balanced) Rec Out Jacks L, R (RCA phono type) Assignable Out Jacks 1 – 8 (1/4 inch phone type, TRS balanced) Monitor Out Jacks L, R (1/4 inch phone type, TRS balanced) *VM-7200 Flex Bus Out Connectors 7 – 12 (XLR-type, balanced) *VM-7200 Flex Bus Out Jacks 5 – 12 (1/4 inch phone type, TRS balanced) *VM-7200 Digital In Connectors (AES/EBU, Coaxial) Digital Out Connectors (AES/EBU, Coaxial) MIDI Connectors (In, Out/Thru/Meter) VM-LINK Connectors (In, Out) (XLR type) Word Clock Connectors (In, Out) (BNC type)

• Added (enabled) when the VM-24C or VM-24E is installed.

Cascade Connector (DB-25 type) Digital Multi In/Out Connector 1 – 8 (R-BUS, DB-25 type) Digital Multi In/Out Connector 9 – 16 (R-BUS, DB-25 type) Digital Multi In/Out Connector 17 – 24 (R-BUS, DB-25 type)

Specifications

Power Supply

AC 117 V, AC 230 V or AV 240 V

Power Consumption

65 W *VM-7200 55 W *VM-7100

Dimensions

482 (W) X 423 (D) X 137 (H) mm 19 (W) X 16-11/16 (D) X 5-7/16 (H) inches

Weight

9.4 kg *VM-7200 20 lbs 12 oz. *VM-7200

8.7 kg *VM-7100 19 lbs 3 oz. *VM-7100

Accessories

AC Cord Block Diagram Owner’s Manual

Options

V-Mixing Console VM-C7200/VM-C7100 Effect Expansion Board: VS8F-2 Cascade Kit: VM-24C I/O Expansion Board: VM-24E Interface Box for adat/TASCAM: DIF-AT Rackmount Angle: RO-7000

(0 dBu = 0.775 Vrms)

75

DIF-AT Update Function

DIF-AT

R-BUS (RMDB2)

Processor (VM-7200/7100)

POWER

flash alternatively

DIF-AT Auto-update function

Roland DIF-AT is an interface box to connect Alesis ADAT or TASCAM DA series and the VM-7200/7100 Processors.

If you connect the DIF-AT and the Processor with the R-BUS (RMDB2) cable and turn on the power of the Processor, it detects the version of DIF-AT software, and depending on the version, Processor may update the DIF-AT software to the latest version. (Auto-update function)

While updating, ADAT indicator and TASCAM indicator flash alternatively. And CTRL indicator on the Processor flashes.

* Be sure not to turn off the power of the Processor, or disconnect

the R-BUS (RMDB2) cable.

fig.1e

POWER

flash alternatively

Update takes certain time, so please wait. When the update is completed, both ADAT and TASCAM indicators on the DIF-AT are lit.

fig.2e

3. Turn on the power of the Processor. Please wait until the

flashing CTRL indicator stops and is lit.

4. While holding the [PROJECT] and the [F2] buttons on the

Console, turn on the power of the Console. If the V-Mixer title appears in the display, release the buttons.

5. When “Press [F1] to Update” appears in the display,

press the [F1] button. Re-update of the DIF-AT starts. While updating, ADAT indicator and TASCAM indicator flash alternatively.

* Be sure not to turn off the power of the Processor, or disconnect

the R-BUS (RMDB2) cable.

fig.1e

After the update is completed, turn off the power of the Processor and on again. DIF-AT works on latest version software.

If update failed

If the power of the Processor turns off or R-BUS (RMDB2) cable is disconnected accidentally while auto-updating the DIF-AT, the software is destroyed and the DIF-AT cannot be operated. Please contact Roland service center or authorized Roland distributors. But if you use the VM-C7200/VM-C7100 Console, you can recover the DIF-AT software by the Console operation.

(Re-update)

1. Connect the Console and the Processor with the

VM-LINK cable.

2. Connect the Processor (DIGITAL MULTI IN/OUT 1-8

connector) and the DIF-AT with the R-BUS (RMDB2) cable.

6. Update takes certain time, so please wait. When the

update is completed, both ADAT and TASCAM indicators on the DIF-AT are lit. “DIF-AT Updated. Reboot Please.” appears in the display.

7. After the update is completed, turn off the power of the

Processor and on again. DIF-AT works on latest version software.

76

Index

A

AC IN ...............................................................................11

adat .......................................................................14, 19, 30

optical cable ...............................................................30

AES/EBU ...............................................................7, 10, 23

digital audio cable ................................................7, 23

DIGITAL B .................................................................10

ALESIS .................................................................14, 19, 30

adat .................................................................14, 19, 30

Analog Connection ........................................................27

analyzer .............................................................................8

ASSIGNABLE OUT .......................................................10

B

balanced .........................................................................7, 9

BNC type .........................................................................11

bus

FlexBus .........................................................................8

Bus mode .........................................................................10

C

CASCADE ...........................................................12, 16, 32

MASTER ........................................................12, 16, 32

SLAVE ............................................................12, 16, 32

Cascade Connection .......................................................32

cascade connection .........................................................12

Cascade Kit ................................................................16, 32

CD Player ........................................................................29

coaxial ..............................................................................29

compression effects ..........................................................7

console .........................................................................7, 23

Control .............................................................................10

CTRL ..........................................................................10, 25

CTRL indicator ..........................................................25

D

DA-88 ...................................................................14, 19, 30

DIF-AT .......................................................................14, 30

DIGITAL A ................................................................11, 29

IN ................................................................................11

OUT ............................................................................11

DIGITAL B ................................................................10, 29

IN ................................................................................10

OUT ............................................................................10

Digital Connection .........................................................29

DIGITAL connector .......................................................29

digital interfaces ...............................................................7

digital multitrack recorder ......................................14, 33

E

effect

compression effects ....................................................7

external effects device ..........................................9, 28

Master-only .................................................................7

mic simulator ..............................................................7

reverb ...........................................................................7

speaker modeling .......................................................7

EFFECT A ........................................................................14

EFFECT B .........................................................................14

Effects Expansion Board ................................................13

EFFET A ...........................................................................19

EFFET B ............................................................................19

external effects device ................................................9, 28

F

FLEX BUS OUT ...............................................................10

FlexBus ...............................................................................8

H

headphones ...............................................................23–24

I

I/O Expansion Board ...............................................14, 30

INPUT ................................................................................9

1–10 ...............................................................................9

11–20 .............................................................................9

INSERT .........................................................................9

LINE ..............................................................................9

MIC ...............................................................................9

INPUT jack ......................................................................27

Insert .................................................................................28

INSERT jack ...............................................................28

INSERT jacks ...................................................................28

instrument ...................................................................9, 27

L

LINE jack .........................................................................27

M

MAIN OUT ................................................................10–11

Master-only stereo effects ...............................................7

MB-24 ...............................................................................11

MD Recorder ...................................................................29

memory card ...................................................................26

MIC connector ............................................................9, 27

mic simulator ....................................................................7

microphone .................................................................9, 27

MIDI/METER BRIDGE .................................................11

IN ................................................................................11

OUT/THRU/METER ..............................................11

mixing console ................................................................23

MONITOR OUT .............................................................10

monitor speakers ............................................................25

MULTI OUT ....................................................................10

MUTE ALL OUTPUTS ............................................10, 25

Muting ..............................................................................25

N

noise generator .................................................................8

O

optical ...............................................................................29

oscillator .............................................................................8

P

patchbay .............................................................................8

phantom power ..........................................................9, 27

phone jacks ........................................................................7

quarter-inch .................................................................7

Index

77

POWER ......................................................................10, 25

POWER switch ..........................................................25

power amps .....................................................................25

processor ............................................................................7

R

rack-mount brackets ......................................................17

radio cassette recorder ...................................................11

R-BUS ...................................................................14, 19, 30

(RMDB2) ........................................................14, 19, 30

R-BUS (RMDB2) Connection ..................................30

R-BUS cable ...................................................30–31, 33

Rear Cover .......................................................................12

rear cover .........................................................................14

REC OUT .........................................................................11

reverb .................................................................................7

RO-7000 .....................................................................17, 22

routings ..............................................................................8

S

S/P DIF ..............................................................................7

Separate Systems ..............................................................7

speaker modeling .............................................................7

speakers

main speakers ............................................................10

monitor speakers ......................................................10

spectrum analyzer ............................................................8

SYNC ................................................................................30

IN ................................................................................30

OUT ............................................................................30

Sync ..................................................................................30

Master .........................................................................30

Slave ............................................................................30

W

WORD CLOCK ...............................................................11

IN ................................................................................11

OUT ............................................................................11

word clock .......................................................................33

master .........................................................................33

slave ............................................................................33

X

XLR .....................................................................................7

connectors ....................................................................7

type ...............................................................................9

T

TASCAM .............................................................14, 19, 30

DA-88 .............................................................14, 19, 30

Terminator .......................................................................11

TRS .....................................................................................9

U

unbalanced ....................................................................7, 9

V

virtual patchbay ................................................................8

VM-24C ................................................................16, 21, 32

MASTER board ...................................................16, 32

SLAVE board .......................................................16, 32

VM-24E ................................................................14, 19, 30

VM-3100 .............................................................................7

VM-C7100 ........................................................................24

PHONES jack ............................................................24

VM-C7200 ........................................................................23

PHONES jack ............................................................23

VM-LINK ...................................................................10, 23

VM-LINK cable ...................................................23, 33

VM-Link ............................................................................7

VS-1680 ..............................................................................7

VS8F-2 ....................................................................7, 13, 18

78

About the Digital Connectors

The VM-7000 series are equipped with the digital input/output connectors (S/P DIF). When you use the digital connectors, please note the following.

Concerning Copyright

The law prohibits the unauthorized recording, public performance, broadcast, sale, or distribution etc. of a work (CD recording, video recording, broadcast, etc.) whose copyright is owned by a third party. Roland will take no responsibility for any infringement of copyright that you may commit in using the VM-7000 series.

About SCMS

The VM-7000 series does not implement SCMS. This design decision was made with the intent that SCMS should not restrict the creation of original compositions which do not violate copyright law. Do not use this device in a way which would infringe on copyrights held by another.

Disclaimer of liability

Roland will take no responsibility for any “direct damages,” “consequential damages,” or “any other damages” which may result from your use of the VM-7000 series. These damages may include but are not limited to the following events which can occur when using the VM-7000 series.

• Any loss of profit that may occur to you

• Permanent loss of your music or data

• Inability to continue using the VM-7000 series itself or a connected device

About the License Agreement

The VM-7000 series are designed to allow you to reproduce material to which you have copyright, or material which the copyright owner has granted you permission to copy. Accordingly, reproduction of music CDs or other copyrighted material without the permission of the copyright owner, other than for your own personal use and enjoyment (private use) constitutes copyright infringement, which may incur penalties. Consult a copyright specialist or special publications for more detailed information on obtaining such permission from copyright holders.

Information

When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below.

AFRICA

EGYPT

Al Fanny Trading Office

P.O. Box 2904, El Horrieh Heliopolos, Cairo, EGYPT TEL: (02) 4185531

REUNION

Maison FO - YAM Marcel

25 Rue Jules MermanZL Chaudron - BP79 97491 Ste Clotilde REUNION TEL: 28 29 16

SOUTH AFRICA

That Other Music Shop (PTY) Ltd.

11 Melle Street (Cnr Melle and Juta Street) Braamfontein 2001 Republic of SOUTH AFRICA TEL: (011) 403 4105

Paul Bothner (PTY) Ltd.

17 Werdmuller Centre Claremont 7700 Republic of SOUTH AFRICA

P.O. Box 23032 Claremont, Cape Town SOUTH AFRICA, 7735 TEL: (021) 64 4030

ASIA

CHINA

Beijing Xinghai Musical Instruments Co., Ltd.

6 Huangmuchang Chao Yang District, Beijing, CHINA TEL: (010) 6774 7491

HONG KONG

Tom Lee Music Co., Ltd. Service Division

22-32 Pun Shan Street, Tsuen Wan, New Territories, HONG KONG TEL: 2415 0911

INDIA

Rivera Digitec (India) Pvt. Ltd.

409, Nirman Kendra Mahalaxmi Flats Compound Off. Dr. Edwin Moses Road, Mumbai-400011, INDIA TEL: (022) 498 3079

INDONESIA

PT Citra Inti Rama

J1. Cideng Timur No. 15J-150 Jakarta Pusat INDONESIA TEL: (021) 6324170

KOREA

Cosmos Corporation Service Station

261 2nd Floor Nak-Won Arcade Jong-Ro ku, Seoul, KOREA TEL: (02) 742 8844

MALAYSIA

Bentley Music SDN BHD

140 & 142, Jalan Bukit Bintang 55100 Kuala Lumpur,MALAYSIA TEL: (03) 2443333

PHILIPPINES

G.A. Yupangco & Co. Inc.

339 Gil J. Puyat Avenue Makati, Metro Manila 1200, PHILIPPINES TEL: (02) 899 9801

SINGAPORE

Swee Lee Company

150 Sims Drive, SINGAPORE 387381 TEL: 748-1669

CRISTOFORI MUSIC PTE LTD

Blk 3014, Bedok Industrial Park E, #02-2148, SINGAPORE 489980 TEL: 243 9555

TAIWAN

ROLAND TAIWAN ENTERPRISE CO., LTD.

Room 5, 9fl. No. 112 Chung Shan N.Road Sec.2, Taipei, TAIWAN, R.O.C. TEL: (02) 2561 3339

THAILAND

Theera Music Co. , Ltd.

330 Verng NakornKasem, Soi 2, Bangkok 10100, THAILAND TEL: (02) 2248821

VIETNAM

Saigon Music

138 Tran Quang Khai St., District 1 Ho Chi Minh City VIETNAM TEL: (08) 844-4068

AUSTRALIA/ NEW ZEALAND

AUSTRALIA

Roland Corporation Australia Pty., Ltd.

38 Campbell Avenue Dee Why West. NSW 2099 AUSTRALIA TEL: (02) 9982 8266

NEW ZEALAND

Roland Corporation (NZ) Ltd.

97 Mt. Eden Road, Mt. Eden, Auckland 3, NEW ZEALAND TEL: (09) 3098 715

CENTRAL/LATIN AMERICA

ARGENTINA

Instrumentos Musicales S.A.

Florida 656 2nd Floor Office Number 206A Buenos Aires ARGENTINA, CP1005 TEL: (54-11) 4- 393-6057

BRAZIL

Roland Brasil Ltda.

R. Coronel Octaviano da Silveira 203 05522-010 Sao Paulo BRAZIL TEL: (011) 3743 9377

CHILE

Comercial Fancy S.A.

Avenida Rancagua #0330 Providencia Santiago, CHILE TEL: 56-2-373-9100

EL SALVADOR

OMNI MUSIC

75 Avenida Notre y Alameda Juan Pablo 2 No. 4010 San Salvador, EL SALVADOR TEL: (503) 262-0788

MEXICO

Casa Veerkamp, s.a. de c.v.

Av. Toluca No. 323 Col. Olivar de los Padres 01780 Mexico D.F. MEXICO TEL: (525) 668 04 80

La Casa Wagner de Guadalajara s.a. de c.v.

Av. Corona No. 202 S.J. Guadalajara, Jalisco Mexico C.P.44100 MEXICO TEL: (3) 613 1414

PANAMA

Productos Superiores, S.A.

Apartado 655 - Panama 1 REP. DE PANAMA TEL: (507) 270-2200

URUGUAY

Todo Musica

Cuareim 1488, Montevideo, URUGUAY TEL: 5982-924-2335

VENEZUELA

Musicland Digital C.A.

Av. Francisco de Miranda, Centro Parque de Cristal, Nivel C2 Local 20 Caracas VENEZUELA TEL: (02) 285 9218

EUROPE

AUSTRIA

Roland Austria GES.M.B.H.

Siemensstrasse 4, P.O. Box 74, A-6063 RUM, AUSTRIA TEL: (0512) 26 44 260

BELGIUM/HOLLAND/ LUXEMBOURG

Roland Benelux N. V.

Houtstraat 3 B-2260 Oevel (Westerlo) BELGIUM TEL: (014) 575811

DENMARK

Roland Scandinavia A/S

Nordhavnsvej 7, Postbox 880 DK-2100 Copenhagen DENMARK TEL: (039)16 6200

FRANCE

Roland France SA

4, Rue Paul Henri SPAAK Parc de l'Esplanade F 77 462 St. Thibault Lagny Cedex FRANCE TEL: 01 600 73 500

FINLAND

Roland Scandinavia As, Filial Finland

Lauttasaarentie 54 B Fin-00201 Helsinki, FINLAND TEL: (9) 682 4020

GERMANY

Roland Elektronische Musikinstrumente Handelsgesellschaft mbH.

Oststrasse 96, 22844 Norderstedt, GERMANY TEL: (040) 52 60090

GREECE

STOLLAS S.A. Music Sound Light

155, New National Road 26422 Patras, GREECE TEL: 061-435400

HUNGARY

Intermusica Ltd.

Warehouse Area ‘DEPO’ Pf.83 H-2046 Torokbalint, HUNGARY TEL: (23) 511011

IRELAND

Roland Ireland

Audio House, Belmont Court, Donnybrook, Dublin 4. Republic of IRELAND TEL: (01) 2603501

ITALY

Roland Italy S. p. A.

Viale delle Industrie, 8 20020 Arese Milano, ITALY TEL: (02) 937-78300

NORWAY

Roland Scandinavia Avd. Kontor Norge

Lilleakerveien 2 Postboks 95 Lilleaker N-0216 Oslo NORWAY TEL: 273 0074

POLAND

P. P. H. Brzostowicz

UL. Gibraltarska 4. PL-03664 Warszawa POLAND TEL: (022) 679 44 19

PORTUGAL

Tecnologias Musica e Audio, Roland Portugal, S.A.

RUA SANTA CATARINA 131 - 4000 Porto -PORTUGAL TEL: (02) 208 44 56

ROMANIA

FBS LINES

Plata Libertatii 1. RO-4200 Cheorgheni TEL: (066) 164-609

RUSSIA

Slami Music Company

Sadojava-Triumfalnaja st., 16 103006 Moscow, RUSSIA TEL: 095 209 2193

SPAIN

Roland Electronics de España, S. A.

Calle Bolivia 239 08020 Barcelona, SPAIN TEL: (93) 308 1000

SWEDEN

Roland Scandinavia A/S SWEDISH SALES OFFICE

Danvik Center 28, 2 tr. S-131 30 Nacka SWEDEN TEL: (08) 702 0020

SWITZERLAND

Roland (Switzerland) AG Musitronic AG

Gerberstrasse 5, CH-4410 Liestal, SWITZERLAND TEL: (061) 921 1615

UKRAINE

TIC-TAC

Mira Str. 19/108 P.O. Box 180 295400 Munkachevo, UKRAINE TEL: (03131) 414-40

UNITED KINGDOM

Roland (U.K.) Ltd.

Atlantic Close, Swansea Enterprise Park SWANSEA SA7 9FJ, UNITED KINGDOM TEL: (01792) 700139

MIDDLE EAST

BAHRAIN

Moon Stores

Bab Al Bahrain Road, P.O. Box 20077 State of BAHRAIN TEL: 211 005

CYPRUS

Radex Sound Equipment Ltd.

17 Diagorou St., P.O. Box 2046, Nicosia CYPRUS TEL: (02) 453 426

ISRAEL

Halilit P. Greenspoon & Sons Ltd.

8 Retzif Fa'aliya Hashnya St. Tel-Aviv-Yaho ISRAEL TEL: (03) 6823666

JORDAN

AMMAN Trading Agency

Prince Mohammed St. P.O. Box 825 Amman 11118 JORDAN TEL: (06) 4641200

KUWAIT

Easa Husain Al-Yousifi

P.O. Box 126 Safat 13002 KUWAIT TEL: 5719499

LEBANON

A. Chahine & Fils

P.O. Box 16-5857 Gergi Zeidan St. Chahine Building, Achrafieh Beirut, LEBANON TEL: (01) 335799

OMAN

OHI Electronics & Trading Co. LLC

P.O. Box 889 Muscat Sultanate of OMAN TEL: 959085

QATAR

Badie Studio & Stores

P.O. Box 62, DOHA QATAR TEL: 423554

SAUDI ARABIA

aDawliah Universal Electronics APL

P.O. Box 2154 ALKHOBAR 31952, SAUDI ARABIA TEL: (03) 898 2081

SYRIA

Technical Light & Sound Center

Khaled Ibn Al Walid St. P.O. Box 13520 Damascus - SYRIA TEL: (011) 2235 384

TURKEY

Barkat Muzik aletleri ithalat ve ihracat limited ireketi

Siraselviler Cad. Billurcu Sok. Mucadelle Cikmeze No. 11-13 Taksim. Istanbul. TURKEY TEL: (0212) 2499324

U.A.E.

Zak Electronics & Musical Instruments Co.

Zabeel Road, Al Sherooq Bldg., No. 14, Grand Floor DUBAI U.A.E. P.O. Box 8050 DUBAI, U.A.E. TEL: (04) 360715

NORTH AMERICA

CANADA

Roland Canada Music Ltd. (Head Office)

5480 Parkwood Way Richmond B. C., V6V 2M4 CANADA TEL: (0604) 270 6626

Roland Canada Music Ltd. (Toronto Office)

Unit 2, 109 Woodbine Downs Blvd, Etobicoke, ON M9W 6Y1 CANADA TEL: (0416) 213 9707

U. S. A.

Roland Corporation U.S.

5100 S. Eastern Avenue Los Angeles, CA 90040-2938, U. S. A. TEL: (323) 890 3700

As of June 11, 1999

01569045 '99-11-AE2-31N

Roland VM-7100, VM-7000 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

Contents

IMPORTANT NOTES

Main Features

■ Differences Between the VM-7200 and VM-7100

Front and Rear Panels

Front Panel

Rear Panel

Installing Optional Devices

Cautions Concerning Installation of Optional Devices

Installing Effects Processors (VS8F-2)

Installing R-BUS (RMDB2) Connectors (VM-24E)

Installing the Cascade Kit (VM-24C)

Changing the Rack-mount Hardware (RO-7000)

Installation de dispositifs optionnels

Précautions à prendre lors de l’installation de dispositifs optionnels

Installation d’un processeur à effet (VS8F-2)

Installation d’un connecteur (VM-24E) R-BUS (RMDB2)

Installation d’un kit Cascade (VM-24C)

Changement du matériel de montage en rack (RO-7000)

Basic Connections

Connecting to the Console (VM-LINK)

■ Connecting to the VM-C7200

■ Connecting to the VM-C7100

Turning On the Power

■ Muting

Turning Off the Power

Various Connection Setups

Connecting Microphones and Instruments (Analog Connection)

■ Using External Effects (Insert)

Connecting MD Recorders, CD Players, and Other Digital Devices (Digital Connection)

Connecting the Roland DIF-AT (R-BUS (RMDB2) Connection)

■ Connecting the ALESIS adat

■ Connecting the TASCAM DA Series

Connecting Two Processors (Cascade Connection)

Connecting Word Clock

Troubleshooting

MIDI Implementation

Specifications

DIF-AT Update Function

Index