Owner’s Manual
English
Before using this unit, carefully read the leaet “USING THE UNIT SAFELY.” The leaet provides important information concerning the
proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature of your new
unit, read Owner’s Manual in its entirety. This manual should be saved and kept on hand as a convenient reference.
Copyright © 2014 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND
CORPORATION.
Panel Descriptions
4
1
2
3
1
Knobs
These adjust the following values.
Knob Explanation
VOLUME Volume
CUTOFF
RESONANCE Filter resonance (distinctive character)
ACCENT Strength of accents you’ve input in the pattern
EFFECT
2
Use these pad mode buttons to switch the mode of the touchpad (which we’ll simply refer to as “the pad”).
* Don’t touch the pad in two or more locations simultaneously; the locations cannot be detected
Button Explanation
KEYBOARD
XY PLAY
ENV
MOD
PTN
SELECT
SCATTER
Filter cuto (brightness of the sound)
Eect depth
* The most suitable eect for the sound you’ve selected is applied.
Pad mode buttons / 3 Touchpad
correctly (the pad does not support multi-touch).
Use the pad to play notes.
Play notes
Apply pressure to the pad: modulation
Octave up
• Key pads that can be operated are lit.
• If you press the pad while a pattern is playing, the sound of the pad takes priority (mono
playback).
Use the horizontal (X) and vertical (Y) axes of the pad to perform pitch.
• This controls the most appropriate parameters for the sound that’s selected. In general for most
sounds, the parameters listed above are controlled.
• If you press the pad while a pattern is playing, the sound of the pad takes priority (mono
playback).
• By holding down the [XY PLAY] button and turning the [VALUE] knob you can change the tonic
note (key).
Control envelope modulation (tonal change) and decay (duration of the sound).
• This controls the most appropriate parameters for the sound that’s selected. In general for most
sounds, the parameters listed above are controlled.
• If the pattern is stopped, pressing the pad won’t produce sound.
Select a pattern.
Refer to “Playing, Selecting, and Performing a Pattern” – “Selecting a pattern”
Use the Scatter function to add a digital-feeling groove.
What is Scatter?
“Scatter” adds a digital-feeling groove to the loop playback by exchanging individual steps within
the loop playback and also by changing the playback direction or gate length.
• Scatter will be on while you’re pressing the pad. It turns o when you take your nger o of the
pad.
• Turn the [VALUE] knob to select the scatter type (
* The Scatter eect will not apply to the rst cycle of the loop; the eect will apply to the second
and subsequent cycles of the loop.
Octave down
X-axis: Perform pitch (continuous change)
Y-axis: Volume
Apply pressure to the pad: modulation
X-axis position is lit
X-axis: Envelope modulation (tonal change)
Y-axis: Decay (duration of the sound)
Apply pressure to the pad: modulation
X-axis: Scatter depth (10 steps)
5 6 7
8 9 10
).
SC1–SC8
4
16-step indicators
The step numbers (1–16) light during pattern playback or step recording.
5
[TEMPO] button
When you press the [TEMPO] button, the display shows the tempo. You can use the [VALUE] knob to change
the tempo.
• Tap tempo: To set the tempo, hold down the [TEMPO] button and tap the [SCATTER] button several times
at the desired interval.
• Shue: To specify shue, hold down the [TEMPO] button and turn the [VALUE] knob(-50–0–50; 0=shue
o).
6
Display
Shows the currently selected sound number (e.g.,
1-1), step number, or tempo may be shown.
(e.g.,
What is a “sound”?
The TB-3 provides cutting-edge synth tones powered by four
oscillators and eects, including faithfully reproduced classic tones
from the TB-303 (A01: TB-303 sawtooth wave, A02: TB-303 square
wave). On the TB-3, each of these is called a “sound.” You can use
the [VALUE] knob to easily select sounds.
* You can’t edit the sounds.
7
[VALUE] knob
Modies the value that’s shown in the display.
8
[STEP REC] button
9
[REALTIME REC] button
10
] button
[
Plays/stops the pattern.
Refer to “Step Recording”
Refer to “Realtime Recording”
A01). Depending on the mode, the pattern number
Sound Explanation
–
TB-303 sounds
A 01
–
Bass sounds
b 01
–
Lead sounds
C 01
–
SFX (Sound eects)
d 01
Connecting Your Equipment
* To prevent malfunction and equipment failure, always turn down the volume, and turn o all the units
before making any connections.
A
) port
USB (
Use a commercially available USB 2.0 cable to connect this port to your computer. It can be used to transfer USB
MIDI and USB audio data. You must install the USB driver before connecting the TB-3 to your computer.
Download the USB driver from the Roland website. For details, refer to Readme.htm which is included in the
download.
http://www.roland.com/support/
B
DC IN jack
Connect the included AC adaptor here. Use only the included AC adaptor. Using any other adaptor may cause
overheating and malfunction.
* When connected via USB, power is supplied from the USB connection, so the AC adaptor does not need to
be connected.
C
MIDI connectors
For connecting MIDI device.
D
OUT jacks
Connect these jacks to your amp or monitor speakers. If your system is monaural, use only the L/MONO jack.
E
PHONES jack
Connect headphones (sold separately) here.
F
Security slot (
http://www.kensington.com/
A B C D E F
G
)
Turning the Power On/O
G
[POWER] switch
This turns the power on/o.
* After you’ve made connections correctly, be sure to turn on the power in the order of the TB-3 rst, and
then the connected system. Powering-on in the incorrect order may cause malfunctions or damage. When
turning the power o, power-o the connected system rst, and then the TB-3.
* This unit is equipped with a protection circuit. A brief interval (a few seconds) after turning the unit on is
required before it will operate normally.
* Before turning the unit on/o, always be sure to turn the volume down. Even with the volume turned down,
you might hear some sound when switching the unit on/o. However, this is normal and does not indicate
a malfunction.
Playing, Selecting, and Performing a Pattern
What is a “pattern”?
A “pattern” is musical data that you’ve recorded by step recording or realtime recording. There are 64
patterns (8 patterns x 8 banks). In Pattern Select mode, the display shows the current bank and pattern (e.g.,
1-2 = bank 1, pattern 2).
Playing a pattern
1. Press the [ ] button to play a pattern.
Selecting a pattern
1. Press the [PTN SELECT] button.
2. Use the pad to select a pattern.
Select a pattern (1–8)
Bank up
You can also use the [VALUE] knob to select a pattern.
Bank down
Switching sounds
1. Press the [KEY-BOARD], [XY PLAY], or [ENV MOD] button to make the display show the sound number
A01).
(e.g.,
2. Use the [VALUE] knob to switch sounds.
If you hold down the [KEYBOARD] button and turn the [VALUE] knob, the sound number changes in steps
of +/-10.
“Performing” with the TB-3
You perform on the TB-3 by operating the knobs (1), pad mode buttons (2), and touchpad (3) while a
pattern plays.
Advanced Pattern Functions
Functions Explanation
Pattern transpose
Playing patterns
consecutively
Random pattern
Random pattern 2
Copying a pattern
Deleting a
pattern
To transpose the pattern, hold down the [KEY-BOARD] button and press a key pad (default:
C).
When selecting a pattern, you can select multiple patterns by sliding your nger while
continuing to press the pad. The patterns you’ve selected will play consecutively. The
currently-playing pattern lights.
If you hold down the [PTN SELECT] button and press the [SCATTER] button, a random
pattern is generated for the current pattern number.
If you want to save the random pattern, press the [REALTIME REC] button (blinking). If you
want to discard the random pattern, select a dierent pattern.
If you hold down the [KEYBOARD] button and press the [SCATTER] button, the octave
shift, slide, and accent will randomly change from the current pattern, letting you create
variation without changing the character of the pattern.
You can save or discard the variation in the same way as for Random Pattern.
1. Hold down the [PTN SELECT] button and press the pad to select the copy-source
pattern.
The copy-source pattern lights, and the other patterns blink.
2. Select the copy-destination bank and pattern (blinking pad).
1. Select the pattern that you want to delete.
2. Hold down the [PTN SELECT] button and press [CLEAR] in the pad.
The display indicates “
3. Press the [
Clr” and the [ ] button blinks.
] button; the pattern is deleted.
Step Recording
In this method of recording, you enter notes or rests, accents, and slides/ties at each step.
When you record, the current pattern will be overwritten.
What is “step”?
Each pattern is divided into 16 grid locations called “steps.” (You can change the number of steps in the
range of 1–32.) One step is a 16th note long (
1. Press the [STEP REC] button.
2. Use the pad and the [VALUE] knob to enter musical data for each step.
• The display shows the current step number (
• Even during step recording, you can press the [
3. When you’re nished step recording, press the [STEP REC] button to make it go dark.
Enters a rest and proceeds to the next step.
Enters a note and proceeds to the next step.
Advanced Step Functions
Functions Explanation
Changing the
number of steps
in the pattern
Selecting a triplet
grid
Hold down the [STEP REC] button and turn the [VALUE] knob to change the number of
steps in the pattern (1–32, default: 16).
Hold down the [STEP REC] button and press the [TEMPO] button to switch the triplet grid
on/o.
OFF: 1 step =16th note ( ) (default)
On: 1 step =8th note triplet ( )
). The current step is shown by the 16-step indicators (4).
Enters accent on/o.
Enters a slide (if the preceding step is the same note,
a tie) on/o.
Octave up
Octave down
). You can use the [VALUE] knob to move between steps.
1–32
] button to play the pattern.
Realtime Recording
In this method of recording, the notes you perform are recorded in real time. The current pattern will be
overwritten.
1. Press the [REALTIME REC] button.
The [
] button blinks; the TB-3 is in record-ready mode. To cancel, press the [REALTIME REC] button to
make it go dark.
2. Press the [
3. Perform on the pad; your performance is recorded.
4. When you’re nished realtime recording, press the [REALTIME REC] button to make it go dark.
• The TB-3 will return to pattern playback. To stop pattern playback, press the [
• During playback, you can switch realtime recording on/o by pressing the [REALTIME REC] button.
] button to start recording.
Notes that loop-play while you hold down [CLEAR] are deleted.
Record notes. Hold down the same note pad to enter a tie.
* Use step recording to enter accents or slides.
Octave up
Octave down
] button.
Synchronizing with Other MIDI Devices
The TB-3 can receive MIDI Clock (F8) data to synchronize its tempo. It can also receive MIDI Start (FA) and MIDI
Stop (FC) to start/stop itself.
Synchronizing with a TR-8
You can synchronize the TB-3 with a TR-8 by using a commercially available
MIDI cable to make connections.
Synchronizing with your computer DAW via USB
By using a commercially available USB 2.0 cable to connect the TB-3 to your
computer, you can synchronize the TB-3 with your computer DAW or record
the sound of the TB-3 to a track of your DAW via USB audio.
MIDI OUT MIDI IN
TR-8 (master) TB-3 (slave)
Various Settings
Restoring the Factory Settings (Factory Reset)
Here’s how to return the TB-3 to its factory-set state.
1. While holding down the [REALTIME REC] button, turn on the power.
The display indicates “
If you decide to cancel the factory reset, turn o the power.
2. Press the [
3. When the display indicates “
rSt” and the [ ] button blinks.
] button to execute the factory reset.
CNP,” turn the TB-3’s power o, then on again.
MIDI and Other Settings
1. While holding down the [SCATTER] button, turn on the power.
The display indicates the current MIDI channel (e.g.,
If you decide not to make settings, turn o the power.
2. Use the [VALUE] knob and the pad to change the settings.
Parameter Controller Explanation
MIDI
Channel
MIDI
Clock
Source
MIDI Thru Pad [D]
Pad
Aftertouch
Sensitivity
3. Press the [
The settings are saved, and the TB-3 restarts.
OFF,
C 1
[VALUE]
knob
ONn
(OMNI)
Lit (AUTO)
Pad [C]
Unlit
(INTERNAL)
Lit (ON)
Unlit (OFF)
[KEY-BOARD] button
(hold down)
+ [VALUE] knob
] button to save the settings.
Species the MIDI transmit/receive channel. The display indicates the
–
channel. (default: C 2)
C16
MIDI messages of all channels are received.
The MIDI transmit channel will be 2.
If MIDI clock is being input to the MIDI IN connector or the USB port, the
TB-3’s tempo will automatically synchronize to MIDI clock. (default)
* I f MIDI clock is being simultaneously input from the MIDI IN connector
and from the USB port, the USB port takes priority.
The TB-3 operates at the tempo specied on the unit itself. Choose the
“INTERNAL” setting if you don’t want to synchronize to an external device.
Species whether data received from the MIDI IN connector will be
retransmitted from the MIDI OUT connector (ON: default) or will not be
retransmitted (OFF).
Adjusts the sensitivity of the pad to pressure (aftertouch). With higher
settings, it will be easier to apply an eect even when you apply light
pressure to the pad. (default: 3)
C 2), and the [ ] button blinks.
Main Specications Roland TB-3: TOUCH BASSLINE
Power Supply
Current Draw
Dimensions
Weight
Accessories
* I n the interest of product improvement, the specications and/or appearance of this unit are subject to
change without prior notice.
AC adaptor, or obtained via USB port (USB bus power)
500 mA
240 (W) x 173 (D) x 57 (H) mm 9-1/2 (W) x 6-13/16 (D) x 2-1/4 (H) inches
820 g (excluding AC adaptor) 1 lb 13 oz
AC adaptor, Owner’s manual, Leaet “USING THE UNIT SAFELY”