Roland Fantom-G User Manual

®ÂØÒňÎ

Fantom-G Workstation Keyboard

®

Workshop

Power User Control 2: The Pads

© 2008 Roland Corporation U.S.

All rights reserved. No part of this publication may be reproduced in any form without the

written permission of Roland Corporation U.S.

FGWS03

1

About the Workshop Booklets

Roland’s Fantom G6, G7, and G8—the Fantom-G family—set a new standard
for excellence in workstation keyboards, with spectacular sounds and
incredible built-in effect-processing muscle. A beautiful full-color LCD
display and innovative performance features make getting around a pleasure
and make the G6, G7, and G8 a dream to play. For recording, the Fantom-G
contains a powerful 128 MIDI/audio track sequencer. Each Fantom-G can
also host two Roland ARX SuperNATURAL™ cards whose breakthrough
modeling technology provides sounds with amazing sonic detail, expressive
possibilities, and sound-design opportunities.

Introducing the DYNAMIC PADS

Each Fantom-G Workshop Series booklet focuses on one Fantom-G topic,
and is intended as a companion to the Fantom G6/G7/G8 Owner’s Manual.

This booklet requires Fantom-G Operating System v1.10 or higher. You can
download the latest Fantom-G O.S. for free from www.RolandUS.com.

About This Booklet

The previous Workshop booklet introduced a variety of methods to help you
take control of the Fantom-G. If there’s one area of the Fantom-G panel that’s
absolutely packed with power user controls, though, its the DYNAMIC PADS
area. This booklet is all about the Fantom-G DYNAMIC PADS.

Understanding the Symbols in This Booklet

Throughout this booklet, you’ll come across information that deserves
special attention—that’s the reason it’s labeled with one of the following
symbols.

A note is something that adds information about the topic at hand.

A tip offers suggestions for using the feature being discussed.

The pads in the DYNAMIC PADS area can play drum sounds—which are
called “rhythms” on the Fantom-G—and rhythm patterns, as you might
imagine. Really, though, they can do so much more. In fact, the pads are a
key ingredient in mastering the Fantom-G. Once you get comfortable with
them and the things they can do, you’ll be whipping around the Fantom-G
at blinding speed.

Let’s get started.

The ROLL and HOLD Buttons

The ROLL and HOLD buttons affect the manner in which the 16 pads work
when they’re playing sounds. When

• the pad acts as if you’re continuing to press

HOLD is lit—

the pad even after you remove your finger. This can be
especially useful for playing sampled loops.

• the sound produced by any pad you strike

ROLL is lit—

repeats, creating a drum-roll-type effect until you
release the pad or turn off the HOLD button.

These two buttons also perform some other functions, as we’ll see
later on.

Warnings contain important information that can help you avoid
possible damage to your equipment, your data, or yourself.

2

Pad Modes

Who Controls the Pads’ Mode?

The Fantom-G’s 16 DYNAMIC PADS can work together to
accomplish a variety of tasks quickly and easily. Each of these
tasks, or “modes,” is called a “pad “mode.” There are 16 different pad
modes. The fastest way to get to the Pad Mode window is to press
the PAD MODE button in the DYNAMIC PADS area.

When you press PAD MODE, you display the Pad Mode window.:

When you’re viewing the Pad Mode window, each of the
16 pads acts as a button that selects a behavior for the
entire set of pads—beneath each pad, you can see the
mode it selects. When the Pad Mode window‘s visible,
the currently selected mode’s pad flashes. To select a
new pad mode, hit the corresponding pad.

Each pad mode has its own settings you can display by pressing
the PAD SETTINGS button.

Each live set, studio set, and patch in the Fantom-G has its own Pad Mode
setting for the behavior of the pads, and the Fantom-G can automatically
switch to this new setting when you select a live set, studio set, or patch. This
can be handy when you know you’ll always want to use the pads a particular
way each time you call up a certain live set, studio set, or patch.

There may be other occasions, though, when you’ll want to set up the pads
a particular way and have them retain that behavior even as you select
different live sets, studio sets, or patches.

The System Pad Assign Source parameter determines whether or not the
pads use a global setup or the settings belonging to individual live sets,
studio sets, and patches. Here’s how to set this parameter:

1 If you’re:

• press F1 (System).

on the Pad Settings screen—

• press MENU, press F2 (System), and

somewhere else—

then press F2 (Group/Down) to select the Dynamic
Pad parameter group.

Select the Pad Assign Source parameter if it’s not already selected 2
and set it as desired. For the pads’ mode to:

•

change to the Pad Mode setting of each live set, studio set, or patch
you select—set the parameter to TEMP.

• set

remain at the global Pad Mode setting you set on this screen—

the parameter to SYS.

3

If you’ve selected SYS, set the Pad Mode and Pad Roll Resolution
parameters as desired.

This is the Pad Setting window for Sample Pad mode.

Pad Roll Resolution sets the speed of the roll created when you strike
a rhythm- or sample-mode pad with the ROLL button lit.

3

The Other Dynamic Pad System Settings

Pad Exchange

The other parameters on this screen are always globally set, and don’t
change with different live sets, studio sets, or patches. They are:

• This parameter turns the pads’ velocity sensitivity on or

Pad Velocity—

off. When it’s set to REAL, the pads respond according to the force with
which you strike them. To have them act as if you’re always hitting them
with the same force, select that amount of force with this parameter.

On a synth like the Fantom-G, the force with which you strike a pad or
key is measured in MIDI “velocity” values from 1-127. Sounds are often
programmed to respond to different velocity values, in the same way
that physical instruments respond to soft or hard playing.

Pad Sens—• This parameter select the average force you want to use

when you’re playing the pads. Technically, it sets how hard you have to
whack the pads to reach a velocity value of 127. You can set it to:

• —If you’d like to use a generally softer touch on the pads.

LIGHT

• —if the pads work for you easily as they are (this is the

MEDIUM

default setting).

• —if you don’t want sounds to respond with too much

HEAVY

sensitivity in response to your forceful playing style.

• The Fantom-G pads can produce “aftertouch”

Pad Aftertouch Sens—

data that’s produced by pressing down on a pad after striking it. Some
sounds respond to this type of MIDI message. The Pad Aftertouch Sens
parameter sets the amount of force with which you’ve got to hold down
the pads to reach the maximum aftertouch value of 127.

Saving Your System Settings

To store your current Dynamic Pad System settings in your project, press F7
(Sys Write) to write your new System setting into the Fantom-G’s memory.

In the Pad Setting window for a number of
pad modes, you’ll find F2 (Pad Exchg), a handy
little organizational tool. When you press F2
(Pad Exchg), the Pad Exchange window opens,
where you can dial in any pair of pads and swap
whatever it is they’re assigned to do. Press F8
(Execute) to perform the swap.

Pad Mode 1—Sample Pad

You can play your own samples—or samples you’ve
imported into the Fantom-G—from the pads in Sample Pad
mode. In this mode, each pad plays one of the 16 samples
in a sample set. (A sample set is a collection of 16 samples,
as we’ll discuss further in the Sampling Workshop booklet.)

To play samples from the pads in Live or Studio modes, a sample set
has to first be assigned to the live or studio set’s sample pad part.

As a pad plays its sample, the pad flashes.

Once you’re in Sample Pad mode, here’s what the parameters in the Pad
Settings window do.

Global Sample Pad Settings

With this parameter: You can:

Number/Name select a sample set from the current

project.

Pad Roll Resolution set the speed of the roll created when

you strike a pad with the ROLL button lit.

When you select a new sample set in Live or Studio mode using the Pad
Settings window’s Number/Name parameter, the sample pad part also
switches to the newly selected sample set.

4