McIntosh MPI-4 Owners manual

THE MclNTOSH MPI 4 MAXIMUM PERFORMANCE INDICATOR
Reading Time 40 Minutes
Price $1.25
Your MPI 4 Maximum Performance
pleasant and satisfactory performance. If you have any questions concerning the operation or maintenance of this instrument, please contact:
CUSTOMER SERVICE
Mclntosh Laboratory Inc. 2 Chambers Street Binghamton, New York 13903 Phone: 607-723-3512
Take Advantage of 3 years
of FREE Factory Service . . .
Fill in the Application NOW.
contents
GUARANTEE ... 1
GENERAL ... 2
INSTALLATION ... 2, 3
HOW TO CONNECT . . . 3-5
FRONT PANEL INFORMATION ... 6-8
LEVEL SET PANEL INFORMATION ... 8
REAR PANEL INFORMATION ... 9
INITIAL SETUP ... 9, 10
HOW TO USE THE MPI 4 ...
PERFORMANCE LIMITS ... 18, 19
TECHNICAL DESCRIPTION ... 19, 20
BLOCK DIAGRAM ... 21
10-18
Guarantee
Mclntosh Laboratory Incorporated guarantees this instrument to be capable of performance as advertised. We also guarantee the mechanical and electrical workmanship and components to
be free of defects for a period of 90 days from date of purchase.
If such defects occur, Mclntosh Laboratory or one of its authorized
THREE YEAR FACTORY SERVICE CONTRACT
An application for a FREE THREE YEAR FACTORY SERVICE
CONTRACT is included with this manual. The terms of the contract
are:
For Three Years from date of purchase—
1. Mclntosh will provide all parts, materials and labor needed
to return the measured performance of the instrument to the original performance limits free of any charge. The SERVICE CONTRACT does not cover any shipping costs to and from the authorized service agency or the factory.
2. Any Mclntosh authorized service agency will repair all Mc­lntosh instruments at normal service rates. To receive the free service under the terms of the SERVICE CONTRACT, the
SERVICE CONTRACT CERTIFICATE must accompany the in­strument when taken to the service agency.
3. Always have service done by a Mclntosh authorized service agency. If the instrument is modified or damaged, as a result of unauthorized repair the SERVICE CONTRACT will be can­celled. Damage by improper use or mishandling is not covered by the SERVICE CONTRACT.
agencies will repair the defect at no cost to the purchaser. This guarantee does not extend to components damaged by improper use nor does it extend to transportation to and from the factory or service agency.
4. The SERVICE CONTRACT is issued to you as the original purchaser. To protect you from misrepresentation this contract cannot be transferred to a second owner.
5. The SERVICE CONTRACT is given to purchasers who live in the 50 United States or Canada only.
6. For your protection Mclntosh selects its dealers carefully.
Only one dealer in ten qualifies for a Mclntosh franchise, To receive the SERVICE CONTRACT your purchase must be made from a Mclntosh franchised dealer.
7. Your completely filled in application for a SERVICE CON-
TRACT must be postmarked within 30 days of the date of purchase of the instrument.
8. To receive the SERVICE CONTRACT all information on the application must be filled in. The SERVICE CONTRACT will be issued when the completely filled in application is re-
ceived at Mclntosh Laboratory Incorporated in Binghamton, New York, If the application is not received at Mclntosh Laboratory, only the service offered under the 90-day guar­antee will apply.
Copyright © 1973 By Mclntosh Laboratory Inc.
1
General
installation
The MPI 4 is a laboratory-grade instrument. It provides the facility to continuously monitor the quality of the per­formance of a stereo system. The MPI 4 can sample and dis-
play signals from the tuner, preamplifier and power ampli­fier without reconnecting cables. Signals are displayes on an oscilloscope screen calibrated with scales for tuning,
measuring and testing.
As a tuning aid, the instrument is a guide to exact FM station selection and precise tuning. The screen displays FM signal strength, modulation percentage and mulitpath
interference. Audio signals may be viewed for stereo bal­ance, strength, phase and channel separation. Output power of the power amplifier can be seen at any instant during
program performance, or stored to develop a trend over several minutes.
With the addition of test records, the MPI 4 can show compliance and trackability of a phono pickup, frequency response of the preamplifier and power amplifier, audio distortion and stereo speaker balance.
In one of its operational modes, the MPI 4 becomes a "dual trace" oscilloscope. When operated in the dual trace mode the left and right stereo channels appear simul-
taneously and separately on the screen for direct compari­son. The instrument also has "triggered sweep." It permits the viewer to choose a single tone and lock it on the screen for careful inspection.
In a search for convenient equipment-mounting tech-
nique, Mclntosh developed the PANLOC system. Pressing
the two PANLOC buttons on the front panel of the MPI 4
releases the unit to slide in or out of its mounting. This
allows easy access to cable connections at the rear. It
brings top panel controls into view for easy adjustments,
adjustments.
Ventilation extends the trouble-free life of an instru-
ment by preventing excessive internal temperature and
insulation breakdown. To accomplish this, allow cool air to enter at the bottom of the instrument and warm air to escape at the top. The MPI 4 Maximum Performance In­dicator may be mounted in any position. It requires a
mounting space 15 inches deep (38.1 cm), 17½ inches wide (44.45 cm), and 6 inches high (15.24 cm).
To mount in the Mclntosh cabinet follow the instruc­tions enclosed with the cabinet. For any other installation, remove the instrument, PANLOC brackets, parts bag and mounting template from the carton. Remove the MPI 4 from the plastic bag and place it upside down on the shipping pallet. Then remove the four plastic feet fastened to the bottom of the chassis.
1. POSITION TEMPLATE AND MARK Position the plastic mounting template over the area of
the cabinet panel where the MPI 4 is to be installed. Be sure that the edges of the equipment marked on the template clears any shelves, partitions or existing equipment located behind the panel. With the template in place mark the six "A" and "B" holes and four smalt holes locating the corners of the cutout. Next, join the four corner marks with pencil lines. The edge of the
template is used as a straight edge.
2. DRILL HOLES With the drill perpendicular to the panel, drill the six "A" and "B" holes using a 3/16 inch drill. THE SIX HOLES MUST BE DRILLED BEFORE MAKING THE CUTOUT.
2
3. SAW CUTOUT
Carefully cut the rectangular opening on the inside of the pencilled rectangle.
How to connect
4. SECURE MOUNTING STRIPS Install the mounting strips (supplied in the hardware package) on the inside of the cabinet panel. Insert
two screws (supplied in the hardware package) into the center holes ("B" holes on the template). Use the
¾-inch long screws for panels under ½-inch thick or
1¼-inch screws for panels ½-inch thick or over. Place
a mounting strip on the back of the cabinet panel. Align it with the three holes in the panel and tighten the screw. The screw head should pull slightly into the wood panel. Attach the other mounting strip by repeat­ing the procedure.
5. MOUNT THE PANLOC BRACKETS Attach the PANLOC brackets to the cabinet panel
using four screws of the proper length. Place the tem­plate over the mounting screws. The screws should be centered on the "A" and "B" holes in the template. If necessary, loosen the screws and push the mounting brackets into alignment then retighten.
6. INSTALL THE UNIT Thread the power cord through the opening in the cabinet panel. Carefully slide the instrument into the opening so the rails on the bottom of the instrument engage the track on the mounting brackets. Slide the instrument in until it stops at the ad|ust position latches. Press the latches in and continue to slide the instrument until its front panel is flush with the cabi-
net panel. At the bottom front corners are the PANLOC
buttons. Depressing the PANLOC buttons will lock the instrument firmly in the cabinet panel. Pressing the PANLOC buttons a second time will release the instru-
ment You can then slide the instrument forward to the adjust position. Pressing the adjust position latches will allow the instrument to be removed from the cabinet.
The MPI 4 may be connected to a stereo receiver (Fig.
1) or to a component system with a separate preampli­fier and power amplifier (Fig. 2). Choose which most
closely resembles your system.
AUDIO INPUTS
Low Level Audio Input
Use one of the 6-foot shielded cables supplied, to con­nect the left channel output on your preamplifier to the LEFT AUDIO INPUT on the MPI 4 back panel. Similarly, connect the right channel preamplifier output to the RIGHT AUDIO INPUT.
SPEAKER INPUT
There are four color-coded push connectors on the back
panel of the MPI 4. Connect these with two pairs of speaker
cables to the left and right output on the power ampli­fier.
Black Left speaker common terminal
Green Left speaker high terminal
White Right speaker common terminal
Red Right speaker high terminal
Set the SPEAKER IMPEDANCE switch on the MPI 4 back panel to agree with the speaker system impedance: 4W,
8W, or
16W.
TUNER INPUTS
Signal Strength Input
Mclntosh tuners and receivers provide signal for the SIGNAL STRENGTH INPUT at a connector marked TP 1 on the back of each tuner. Using the 3-foot low-capacity shielded cable supplied, connect the TP 1 output to the SIGNAL STRENGTH INPUT.
TO PREVENT HIGH FREQUENCY LOSSES, THE SPECIAL
3-FOOT CABLES SUPPLIED MUST BE USED. DO NOT SUBSTITUTE ORDINARY AUDIO CABLE.
For other tuners or receivers which do not provide a
signal strength output, consult the manufacturer or their authorized service agency.
Deviation Input
Mclntosh tuners and receivers provide signal for the DEVIATION INPUT at a connector marked TP 2 on the back of each tuner. Using the 3-foot low-capacity shielded cable supplied, connect the TP 2 output to the DEVIA­TION INPUT.
TO PREVENT HIGH FREQUENCY LOSSES, THE SPECIAL 3-FOOT CABLES SUPPLIED MUST BE USED. DO NOT
SUBSTITUTE ORDINARY AUDIO CABLE.
For tuners or receivers which do not provide a devia­tion output, consult the manufacture or their authorized service agency.
3
HOW to Connect
FIG. 1 CONNECTING THE MPI 4 TO STEREO RECEIVER
(TYPICAL CONNECTIONS)
STEREO RECEIVER
AC CORD
ENVIRONMENTAL EQUALIZER. IF USED
BLACK
GREEN
RED
WHITE
4
FIG. 2. CONNECTING MPI 4 TO COMPONENT SYSTEM
(TYPICAL CONNECTIONS)
STEREO FM TUNER
LEFT
SPEAKER
ENVIRON­MENTAL EQUALIZER (OPTIONAL)
RIGHT SPEAKER
5
Front Panel information
FIG. 3 FRONT PANEL
MODE SELECTOR
The MODE SELECTOR pushbuttons select the type of
display seen on the screen of the MPI 4. Each of the five
pushbuttons selects a trace—a glowing line of green light— which shows a variety of information about signals from the tuner, preamplifier or power amplifier. To assist the evaluation of each display, the reticle in front of the screen is marked with calibration points which are used to measure signal characteristics. As MODE SELECTOR buttons are pressed, the screen reticle is illuminated in these colors:
Mode Color
Multipath Blue
Stereo Red
Level Amber
Sweep Green
MULTIPATH
When properly connected to an FM tuner the MPI 4
will detect and display multipart reception. Multipart
reception is the result of a reflected signal arriving at the tuner antenna slightly later than the direct signal. By rotating or repositioning the FM antenna it is possible to reduce multipath reception. The MPI 4 makes it easy to know when the FM antenna is oriented for the best recep­tion of any station.
To show multipart reception the MPI 4 displays in­stantaneous signal strength versus frequency deviation. Signal strength is shown as vertical deflection of the in­dicator display beam. Frequency deviation is shown as
horizontal deflection. Multipath reception appears as a peak or valley in the display.
Multipath reception degrades FM tuner performance in
several ways:
1. Usually there is an increase in background noise level.
2. Distortion is often heard in the program signal
3. Stereo separation may be reduced.
4. The stereo effect may be completely lost.
5. Stereo indicators may fail to function, or function erratically.
To overcome multipart reception it is usually necessary to turn the antenna to receive the FM signal by one pre­dominant path. Rotating a directional antenna is effective at correcting multipath reception. In areas where a simple antenna such as a dipole is used repositioning the antenna can achieve similar results.
In the MULTIPATH mode the MPI 4 is a very effective
tuning indicator:
1. Signal strength is shown by the vertical position of the display trace. The higher the position of the trace the greater the signal strength.
2. Correct tuning occurs when the display trace is
centered horizontally on the screen. Since the dis­play trace effectively follows the tuner IF response curve, centering the trace tunes the detector to the center of the IF curve.
The display of the signal, when there is no multipath reception affecting the program, appears as a smooth curving line, (Fig. 4). The calibration points are the two
100% marks at the bottom of the screen. As the program material grows louder or softer, the trace expands and contracts. The 100% points indicate the highest modula­tion percentage normally transmitted by an FM station.
(A more detailed description appears in the "How to Use Section.")
STEREO
A stereo program causes a complex display which varies between a circular shape and an elliptical shape. A mono program causes the display to be a slanted line.
With an in-phase mono program, the signal falls between
the L + R boundaries; in out-of-phase mono program the trace falls along the L — R boundaries.
6
Loading...
+ 16 hidden pages