Lexicon MC-12 REV 1 User Manual

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User Guide

IMPORTANT SAFETY INSTRUCTIONS

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with dry cloth.

7. Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.

8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus, (including amplifiers) that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11. Only use attachments/accessories specified by the manufacturer.

12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13. Unplug this apparatus during lightning storms or when unused for long periods of time.

14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as when a power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

• Refer to the manufacturer's operating instructions for power requirements. Be advised that different operating voltages may require the use of a different line cord and/or attachment plug.

• Do not install the unit in an unventilated rack, or directly above heat producing equipment such as power amplifiers. Observe the maximum ambient operating temperature listed in the product specification.

• Never attach audio power amplifier outputs directly to any of the unit's connectors.

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and radiates radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on. The user is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and the receiver.

• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

• Consult the dealer or an experienced radio/television technician for help.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

This triangle, which appears on your component,

alerts you to important operating and

maintenance instructions in this

accompanying literature.

This triangle, which appears on your component,

alerts you to the presence of uninsulated,

dangerous voltage inside the enclosure -

voltage that may be sufficient to

constitute a risk of shock.

WARNING

A Harman International Company

Manufactured under license from Dolby Laboratories.“Dolby”, “Pro Logic”, and the double-D symbol are trademarks of Dolby laboratories. Manufactured under license from Lucasfilm, Ltd. U.S. patent numbers 5,043,970; 5,189,703; and 5,222,059. Foreign patents pending. “Lucasfilm” and “THX” are

authorization. Manufactured under license from Digital Theater Systems, Inc. U.S. Pat. No. 5,451,942; 5,956,674; 5,974,380; 5,978,762 and other world-wide patents issued and

pending.“DTS”, “DTS-ESExtended Surround” and “Neo:6”are trademarks of Digital Theater Systems, Inc.© 1996, 2000 Digital Theater Systems, Inc.All rights reserved. “LOGIC7” and the LOGIC7 symbol are registered trademarks of Lexicon, Inc., a Harman International Company. © 2001 Lexicon, Inc.All rights reser ved. This document should not be construed as a commitment on the part of Lexicon, Inc. The information it contains is subject to change without notice. Lexicon, Inc.

assumes no responsibility for errors that may appear within this document.

Lexicon, Inc. 3 Oak Park Bedford, MA 01730-1441 USA Tel 781-280-0300 Fax 781-280-0490 www.lexicon.com

Customer Support

Tel 781-280-0300 Fax 781-280-0495 (Sales) Fax 781-280-0499 (Service)

Lexicon Part No. 070-14773 | Rev 1 | 06/01

Introduction

Lexicon

Important Safety Instructions . . . . . . . . . . . . . . . . . . . .vi

Instruções de Segurança Importantes . . . . . . . . . . . . . .vi

Wichtige Sicherheitsanweisungen . . . . . . . . . . . . . . . .vii

Instrucciones Importantes de Seguridad . . . . . . . . . . . .vii

Instructions de Sûreté Importantes . . . . . . . . . . . . . . .viii

Importanti Norme di Sicurezza . . . . . . . . . . . . . . . . . .viii

Vigtig Information om Sikkerhed . . . . . . . . . . . . . . . . .ix

Tärkeitä Turvallisuusohjeita . . . . . . . . . . . . . . . . . . . . . .ix

Viktig Informasjon om Sikkerhet . . . . . . . . . . . . . . . . . .x

Viktiga Säkerhetsföreskrifter . . . . . . . . . . . . . . . . . . . . .x

Unpacking and Inspection . . . . . . . . . . . . . . . . . . . . . .xi

Desempacotando e Inspeção . . . . . . . . . . . . . . . . . . . .xi

Auspackend und Inspektion . . . . . . . . . . . . . . . . . . . . .xi

Desempaquetando e Inspección . . . . . . . . . . . . . . . . . .xi

Déballer et Inspectión . . . . . . . . . . . . . . . . . . . . . . . . .xi

Spacchettando ed Ispezione . . . . . . . . . . . . . . . . . . . . .xi

Section 1: Getting Started

Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1-2

Highlights . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1-3

Using the Documentation . . . . . . . . . . . . . . . . . . . . . . . . . . .1-4

Location Considerations . . . . . . . . . . . . . . . . . . . . . . . . . . . .1-4

Navigating the Menus . . . . . . . . . . . . . . . . . . . . . . . . .1-4 to 1-5

Two-line Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1-5

Restoring Factory-Default Settings . . . . . . . . . . . . . . . . . . . . .1-5

Section 2: Basic Operation

MC-12 Balanced Front Panel . . . . . . . . . . . . . . . . . . . .2-2 to 2-3

MC-12 Balanced Rear Panel . . . . . . . . . . . . . . . . . . . . .2-4 to 2-5

MC-12 Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-6

MC-12 Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-7

Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . .2-8 to 2-15

Understanding the Zones . . . . . . . . . . . . . . . . . . . . . . . . . .2-16

Understanding Listening Mode Selection . . . . . . . . .2-17 to 2-18

Section 3: The SETUP Menu

SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-2

INPUT SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-3 to 3-17

SPEAKER SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-18 to 3-29

REAR PANEL CONFIG . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-30

DISPLAY SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-31 to 3-33

VOLUME CONTROL SETUP . . . . . . . . . . . . . . . . . . . . . . . . .3-34

TRIGGER SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-35

LOCK OPTIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3-36

ES FR

Introduction

MC-12/MC-12 Balanced

Section 4: The AUDIO CONTROLS Menu

AUDIO CONTROLS . . . . . . . . . . . . . . . . . . . . . . . . . . .4-2 to 4-5

Section 5: The MODE ADJUST Menu

MODE ADJUST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5-2

Listening Mode Descriptions . . . . . . . . . . . . . . . . . . .5-2 to 5-16

OUTPUT LEVELS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5-17

CUSTOM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5-17

STATUS Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . .5-18 to 5-20

Mode Parameter Descriptions . . . . . . . . . . . . . . . . .5-20 to 5-24

Section 6: Troubleshooting and Maintenance

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6-2 to 6-3

Restoring Factory-Default Settings . . . . . . . . . . . . . . . . . . . . .6-4

Maintenance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6-4

Appendix

Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .A-2 to A-3

Declaration of Conformity . . . . . . . . . . . . . . . . . . . . . . . . . . .A-4

Menu Tree . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .A-5 to A-11

Installation Worksheet . . . . . . . . . . . . . . . . . . . . . . .A-12 to A-13

Index

ENGLISH

IMPORTANT SAFETY INSTRUCTIONS

Save these instructions for later use.

• Follow all instructions and warnings marked on the unit.

• Always use with the correct line voltage. Refer to the manufacturer’s operating instructions for the power requirements. Be advised that different operating voltages require the use of a different line cord and/or attachment plug.

• Do not install this unit in an unventilated rack, nor directly above items that generate heat, such as power amplifiers. Observe the maximum ambient operating temperature listed in the product specification.

• The openings on the case are provided for ventilation; to ensure reliable operation and prevent it from overheating, these openings must not be blocked or covered. Never push objects of any kind through any of the ventilation slots. Never spill any liquids on the unit.

• Never attach audio power amplifier outputs directly to any of the unit’s connectors.

• To prevent shock or fire hazard, do not expose the unit to rain or moisture, or operate it where it will be exposed to moisture. Do not attempt to operate the unit if it has been dropped, damaged, exposed to liquids, or if it exhibits a distinct change in performance indicating the need for service. This unit should only be opened by qualified service personnel. Removing covers will expose you to hazardous voltages.

This triangle, which appears on your component, alerts you to the presence of uninsulated, dangerous voltage inside the enclosure voltage that may be sufficient to constitute a risk of shock.

This triangle, which appears on your component, alerts you to important operating and maintenance instructions in this accompanying literature.

Introduction

Lexicon

PORTUGUESE

INSTRUÇÕES DE SEGURANÇA IMPORTANTE

Economize estas instruções para uso posterior.

• Siga todas as instruções e advertências marcadas na unidade.

• Sempre use com a voltagem de linha correta. Se refira ao fabricante está operando instruções para as exigências de poder. Seja aconselhado que voltagens operacionais diferentes requeiram para o uso uma corda de linha diferente ou tomada de anexo.

• Não instale esta unidade em uma prateleira de unventilated, nem diretamente sobre artigos que geram calor, como amplificadores de poder. Observe o máximo que temperatura operacional ambiente listou na especificação de produto.

• São providas as aberturas no caso para ventilação; assegurar operação segura e impedir isto de aquecer demais, não devem ser bloqueadas estas aberturas ou devem ser cobertas. Nunca empurre objetos de qualquer amável por quaisquer das aberturas de ventilação. Nunca derrame qualquer líquido na unidade.

• Nunca prenda amplificador de poder auditivo produz diretamente a quaisquer dos conectores da unidade.

• Prevenir choque ou perigo de incêndio, não exponha a unidade para chover ou umidade, ou opera isto onde será exposto a umidade. Não tente operar a unidade se foi derrubado, estragado, exposto a líquidos, ou se exibe uma mudança distinta em desempenho que indica a necessidade por serviço. Esta unidade só deveria ser aberta através de pessoal de serviço qualificado. Removendo coberturas o exporão a voltagens perigosas.

Este triângulo que se aparece em seu componente o alerta à presença de uninsulated, voltagem perigosa dentro do enclosure - voltage que pode ser suficiente para constituir um risco de choque.

Este triângulo que se aparece em seu componente o alerta a operando importantes e instruções de manutenção nesta literatura acompanhante.

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DEUTSCH

WICHTIGE SICHERHEITSANWEISUNGEN

Heben Sie sich diese Sicherheitsanweisungen auch für später auf.

• Befolgen Sie alle auf der Vorrichtung stehenden Anweisungen und Warnungen.

• Immer nur mit der richtigen Spannung verwenden! Die Gebrauchsanweisungen des Herstellers informieren Sie über die elektrischen Anforderungen. Vergessen Sie nicht daß bei verschiedenen Betriebsspannungen ggf. auch verschiedene Leitungskabel und/oder Verbindungsstecker zu verwenden sind.

• Stellen Sie die Vorrichtung nicht in ein unbelüftetes Gestell oder unmittelbar über wärmeerzeugende Geräte wie z.B. Tonverstärker. Halten Sie die in den Produktspezifikationen angegebene maximale Umgebungstemperatur bei Betrieb ein.

• Schlitze und Öffnungen im Gehäuse dienen der Belüfung; um verläßlichen Betrieb sicherzustellen und Überheizen zu vermeiden dürfen diese Öffnungen nich verstopft oder abgedeckt werden. Stecken Sie nie irgend einen Gegenstand durch die Belüftungsschlitze. Vergießen Sie keine Flüssigkeiten auf den Apparat.

• Dieses Produkt is mit einem 3-drahtigen Erdungsstecker ausgerüstet. Diese Sicherheitsmaßnahme darf nicht unwirksam gemacht werden.

• Schließen Sie nie Tonverstärker unmittelbar an einen Anschluß des Apparates an.

• Um elektrischen Schlag oder Feuer zu vermeiden, setzen Sie den Apparat weder Regen noch Feuchtigkeit aus und betreiben Sie ihn nicht dort wo Wasser eindringen könnte.

• Versuchen Sie nicht den Apparat zu betreiben falls er fallen gelassen, beschädigt, oder Flüssigkeiten ausgesetzt wurde, oder falls sich seine Arbeitsweise derart ändert daß daraus ein Bedarf nach Raparatur zu schließen ist.

• Dieser Apparat sollte nur von qualifizierten Fachleuten geöffnet werden. Das Abnehmen von Abdeckungen setzt Sie gefährlichen Spannungen aus.

Dieses Dreieck auf Ihrem Apparat warnt Sie vor nicht-isolierter, gefährlicher Spannung im Gehäuse - stark genug um eine Berührungsgefahr darzustellen.

Dieses Dreieck auf Ihrem Apparat bedeutet daß wichtige Betriebs - und Wartungsanweisungen in der mitgelieferten Dokumentation zu finden sind.

ESPAÑOL

INSTRUCCIONES IMPORTANTES

DE SEGURIDAD

Guarde esta instrucciones para uso posterior.

• Utilice siempre el voltaje correcto. Diríjase a las instrucciones de operación del fabricante para obtener las especificaciones de potencia. Esté al tanto de que voltajes de operación distintos requieren el uso de cables y/o enchufes distintos.

• No instale esta unidad en un estante sin ventilación, ni tampoco directamente encima de equipos que generen calor tales como amplificadores de potencia. Fíjese en las temperaturas ambientales máximas de operación que se mencionan en las especificaciones del producto.

• Las aperturas y ranuras del chasis sirven para proveer la ventilación necesaria para operar la unidad con seguridad y para prevenir sobrecalentamiento, y por lo tanto no pueden ser obstruidas o cubiertas. No introduzca objetos de ningún tipo a través de las ranuras de ventilación, y nunca deje caer ningún líquido sobre la unidad.

• Este producto está equipado con un enchufe de 3 clavijas con conexión a tierra. Éste es un elemento de seguridad que no debe ser eliminado.

• Nunca conecte ningún tipo de salida de amplificadores de sonido directamente a los conectores de la unidad.

• Para prevenir descargas eléctricas o incendios, mantenga la unidad alejada de la lluvia, humedad o cualquier lugar en el que pueda entrar en contacto con agua.

• No trate de hacer funcionar la unidad si se ha caído, está dañada, ha entrado en contacto con líquidos, o si nota cualquier cambio brusco en su funcionamiento que indique la necesidad de hacerle un servicio de mantenimiento.

• Esta unidad deberá ser abierta únicamente por personal calificado. Si usted quita las coberturas se expondrá a voltajes peligrosos.

Este triángulo que aparece en su componente le advierte sobre la existencia dentro del chasis de voltajes peligrosos sin aislantes voltajes que son lo suficientemente grandes como para causar electrocución.

Este triángulo que aparece en su componente lo alerta sobre las instrucciones de operación y mantenimiento importantes que están en los materiales de lectura que se incluyen.

DEDEES

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FRANÇAIS

INSTRUCTIONS DE SÛRETÉ IMPORTANTES

Gardez ces instructions pour réference future.

• Observez toutes les instructions et tous les avertissements marqués sur l’appareil.

• Branchez uniquements sur un réseau de tension indiquée. Consultez le manuel d’instruction du fabriquant pour les spécifications de courant. N’oubliez pas que différentes tensions peuvent nécessiter l’utilisation de cables et/ou de fiches de connexion différents.

• N’installez pas l’appareil en un compartiment non-aéré ou directement au-dessus d’équipements générateurs de chaleur, tels qu’amplificateurs de courants, etc. Ne dépassez pas la température ambiante maximale de fonctionnement indiquée dans les spécifications du produit.

• Des fentes et ouvertures sont prévues dans le boîtier pour l’aération; Pour assurer le bon fonctionnement et pour prévenir l’échauffement, ces ouvertures ne doivent pas être couvertes ou bloquées. N’insérez pas d’objets dans les fentes d’aération. Empêchez tout liquide de se répandre sur l’appareil.

• Ce produit est muni d’une fiche à trois fils pour la mise à terre. Ceci est une mesure de sécurité et ne doit pas être contrariée.

• Ne connectez jamais d’amplificateurs audio directement aux connecteurs de l’appareil.

• Pour empêcher les chocs électriques et le danger d’incendie, évitez d’exposer l’appareil à la pluie ou à l’humidité, et ne le mettez pas en marche en un endroit où il serait exposé aux éclaboussures d’eau.

• N’essayez pas de faire fonctionner l’appareil s’il est tombé à terre, a été endommangé, exposé à un liquide, ou si vous observez des différences nettes dans son fonctionnement, indiquant la nécessité de réparations.

• Cet appareil ne doit être ouvert que par un personnel de service qualifié. En enlevant les couvercles vous vous exposez à des tensions électriques dangereuses.

Ce triangle, sur votre appareil vous avertit de la présence de tension dangereuse, non-isolée à l’intérieur du boîtier - une tension suffisante pour représenter un danger d’électrocution.

Ce triangle sur sur votre appareil vous invite de suivre d’importantes instructions d’utilisation et d’entretien dans la documentation livrée avec le produit.

ITALIANO

IMPORTANTI NORME DI SICUREZZA

Conservare le presenti norme per l’utilizzo futuro.

• Osservare tutte le istruzioni e le avvertenze apposte sull’unità.

• Utilizzare esclusivamente con la tensione di rete corretta. Consultare le istruzioni operative fornite dal fabbricante per i dati riguardanti la tensione e l’assorbimento di corrente. Potrebbe essere necessario l’uso di cavi di rete e/o di spine diverse a seconda della tensione utilizzata.

• Non installare l’unità in uno scaffale privo di ventilazione oppure direttamente sopra una fonte di calore, come, ad esempio, un amplificatore. Non superare la temperatura ambientale massima di funzionamento riportata nei dati tecnici del prodotto.

• Le fessure e le altre aperture nella scatola servono alla ventilazione. Per un funzionamento affidabile, e per evitare un eventuale surriscaldamento, queste aperture non vanno ostruite o coperte in nessun modo. Evitare in tutti i casi di inserire oggetti di qualsiasi genere attraverso le fessure di ventilazione. Non versare mai del liquido di nessun tipo sull’unità.

• Questo prodotto viene fornito con una spina a 3 fili con massa. Tale dispositivo di sicurezza non va eliminato.

• Evitare sempre di collegare le uscite dell’amplificatore audio direttamente ai connettori dell’unità.

• Per prevenire il pericolo di folgorazione e di incendio non esporre l’unità alla pioggia o ad un’umidità eccessiva; evitare di adoperare l’unità dove potrebbe entrare in contatto con acqua.

• Evitare di adoperare l’unità se la stessa è stata urtata violentemente, se ha subito un danno, se è stata esposta ad un liquido o in caso di un evidente cambiamento delle prestazioni che indichi la necessità di un intervento di assistenza tecnica.

• Ogni intervento sull’unità va eseguito esclusivamente da personale qualificato. La rimozione della copertura comporta l’esposizione al pericolo di folgorazione.

Il presente triangolo impresso sul componente avverte della presenza di tensioni pericolose non isolate all’interno della copertura - tali tensioni rappresentano un pericolo di folgorazione.

Il presente triangolo impresso sul componente avverte l’utente della presenza nella documentazione allegata di importanti istruzioni relative al funzionamento ed alla manutenzione.

FRFRIT

Introduction

MC-12/MC-12 Balanced

DANSK

VIGTIG INFORMATION OM SIKKERHED

Gem denne vejledning til senere brug.

• Følg alle anvisninger og advarsler på apparatet.

• Apparatet skal altid tilsluttes den korrekte spænding. Der henvises til brugsanvisningen, der indeholder specifikationer for strømforsyning. Der gøres opmærksom på, at ved varierende driftsspændinger kan det blive nødvendigt at bruge andre lednings- og/eller stiktyper.

• Apparatet må ikke monteres i et kabinet uden ventilation eller lige over andet udstyr, der udvikler varme, f.eks. forstærkere. Den maksimale omgivelsestemperatur ved drift, der står opført i specifikationerne, skal overholdes.

• Der er ventilationsåbninger i kabinettet. For at sikre apparatets drift og hindre overophedning må disse åbninger ikke blokeres eller tildækkes. Stik aldrig noget ind igennem ventilationsåbningerne, og pas på aldrig at spilde nogen form for væske på apparatet.

• Dette apparat er forsynet med et stik med jordforbindelse. Denne sikkerhedsforanstaltning må aldrig omgås.

• Udgangsstik fra audioforstærkere må aldrig sættes direkte i apparatet.

• Apparatet må ikke udsættes for regn eller fugt og må ikke bruges i nærheden af vand for at undgå risiko for elektrisk stød og brand.

• Apparatet må aldrig bruges, hvis det er blevet stødt, beskadiget eller vådt, eller hvis ændringer i ydelsen tyder på, at det trænger til eftersyn.

• Dette apparat må kun åbnes af fagfolk. Hvis dækslet tages af, udsættes man for livsfarlig højspænding.

Denne mærkat på komponenten advarer om uisoleret, farlig spænding i apparatet - høj nok til at give elektrisk stød.

Denne mærkat på komponenten advarer om vigtig driftsog vedligeholdsinformation i den tilhørende litteratur.

SUOMI

TÄRKEITÄ TURVALLISUUSOHJEITA

Säilytä nämä ohjeet tulevaa käyttöä varten.

• Seuraa kaikkia yksikköön merkittyjä ohjeita ja varoituksia.

• Käytä aina oikeaa verkkojännitettä. Tehovaatimukset selviävät valmistajan käyttöohjeista. Huomaa, että eri käyttöjännitteet saattavat vaatia toisenlaisen verkkojohdon ja/tai -pistokkeen käytön.

• Älä asenna yksikköä telineeseen jossa ei ole tuuletusta, tai välittömästi lämpöä tuottavien laitteiden, esim. tehovahvistimien, yläpuolelle. Ympäristön lämpötila käytössä ei saa ylittää tuotespesifikaation maksimilämpötilaa.

• Kotelo on varustettu tuuletusreiillä ja -aukoilla. Luotettavan toiminnan varmistamiseksi ja ylilämpenemisen välttämiseksi näitä aukkoja ei saa sulkea tai peittää. Mitään esineitä ei saa työntää tuuletusaukkoihin. Mitään nesteitä ei saa kaataa yksikköön.

• Tuote on varustettu 3-johtimisella maadoitetulla verkkopistokkeella. Tämä on turvallisuustoiminne eikä sitä saa poistaa.

• Älä kytke audiotehovahvistimen lähtöjä suoraan mihinkään yksikön liittimeen.

• Sähköiskun ja palovaaran välttämiseksi yksikkö ei saa olla sateessa tai kosteassa, eikä sitä saa käyttää märässä ympäristössä.

• Älä käytä yksikköä jos se on pudonnut, vaurioitunut, kostunut, tai jos sen suorituskyky on huomattavasti muuttunut, mikä vaatii huoltoa.

• Yksikön saa avata vain laitteeseen perehtynyt huoltohenkilö. Kansien poisto altistaa sinut vaarallisille jännitteille.

Tämä kolmio, joka esiintyy komponentissasi, varoittaa sinua eristämättömän vaarallisen jännitteen esiintymisestä yksikön sisällä. Tämä jännite saattaa olla riittävän korkea aiheuttamaan sähköiskuvaaran.

Tämä kolmio, joka esiintyy komponentissasi, kertoo sinulle, että tässä tuotedokumentoinnissa esiintyy tärkeitä käyttö- ja ylläpito-ohjeita.

DKDKFI

Introduction

Lexicon

NORSK

VIKTIG INFORMASJON OM SIKKERHET

Ta vare på denne veiledningen for senere bruk.

• Følg alle anvisningene og advarslene som er angitt på apparatet.

• Apparatet skal alltid anvendes med korrekt spenning. Produktbeskrivelsen inneholder spesifikasjoner for strømkrav. Vær oppmerksom på at det ved ulike driftsspenninger kan være nødvendig å bruke en annen ledning- og/eller støpseltype.

• Apparatet skal ikke monteres i skap uten ventilasjon, eller direkte over varmeproduserende utstyr, som for eksempel kraftforsterkere. Den maksimale romtemperaturen som står oppgitt i produktbeskrivelsen, skal overholdes.

• Apparatet er utstyrt med ventilasjonsåpninger. For at apparatet skal være pålitelig i bruk og ikke overopphetes, må disse åpningene ikke blokkeres eller tildekkes. Stikk aldri noe inn i ventilasjonsåpningene, og pass på at det aldri søles noen form for væske på apparatet.

• Dette apparatet er utstyrt med et jordet støpsel. Dette er en sikkerhetsforanstaltning som ikke må forandres.

• Utgangsplugger fra audioforsterkere skal aldri koples direkte til apparatet.

• Unngå brannfare og elektrisk støt ved å sørge for at apparatet ikke utsettes for regn eller fuktighet og ikke anvendes i nærheten av vann.

• Apparatet skal ikke brukes hvis det har blitt utsatt for støt, er skadet eller blitt vått, eller hvis endringer i ytelsen tyder på at det trenger service.

• Dette apparatet skal kun åpnes av fagfolk. Hvis dekselet fjernes, utsettes man for livsfarlig høyspenning.

Komponenten er merket med denne trekanten, som er en advarsel om at det finnes uisolert, farlig spenning inne i kabinettet - høy nok til å utgjøre en fare for elektrisk støt.

Komponenten er merket med denne trekanten, som betyr at den tilhørende litteraturen inneholder viktige opplysninger om drift og ved

SVENSKA

VIKTIGA SÄKERHETSFÖRESKRIFTER

Spara dessa föreskrifter för framtida bruk.

• Följ alla anvisningar och varningar som anges på enheten.

• Använd alltid rätt nätspänning. Se tillverkarens bruksanvisningar för information om effektkrav. Märkväl, att andra matningsspänningar eventuellt kräver att en annan typs nätsladd och/eller kontakt används.

• Installera inte enheten i ett oventilerat stativ, eller direkt ovanför utrustningar som avger värme, t ex effektförstärkare. Se till att omgivningens temperatur vid drift inte överskrider det angivna värdet i produktspecifikationen.

• Behållaren är försedd med hål och öppningar för ventilering. För att garantera tillförlitlig funktion och förhindra överhettning får dessa öppningar inte blockeras eller täckas. Inga föremål får skuffas in genom ventilationshålen. Inga vätskor får spillas på enheten.

• Produkten är försedd med en jordad 3-trådskontakt. Detta är en säkerhetsfunktion som inte får tas ur bruk.

• Anslut aldrig audioeffektförstärkarutgångar direkt till någon av enhetens kontakter.

• För att undvika elstöt eller brandfara får enheten inte utsättas för regn eller fukt, eller användas på ställen där den blir våt.

• Använd inte enheten om den har fallit i golvet, skadats, blivit våt, eller om dess prestanda förändrats märkbart, vilket kräver service.

• Enheten får öppnas endast av behörig servicepersonal. Farliga spänningar blir tillgängliga när locken tas bort.

Denna triangel, som visas på din komponent, varnar dig om en oisolerad farlig spänning inne i enheten. Denna spänning är eventuellt så hög att fara för elstöt föreligger.

Denna triangel, som visas på din komponent, anger att viktiga bruksanvisningar och serviceanvisningar ingår i dokumentationen i fråga.

NONOSE

Introduction

MC-12/MC-12 Balanced

UNPACKING AND INSPECTION

After unpacking the unit, save all packing materials in case the unit ever needs to be shipped. Thoroughly inspect the modules and packing materials for signs of damage. Report any damage to the carrier at once; report equipment malfunction to the dealer.

DESEMPACOTANDO E INSPEÇÃO

Depois de desempacotar a unidade, economiza todos os materiais de embalagem no caso de você já precisa transportar a unidade. Completamente inspecione os módulos e empacotando materiais para sinais de dano. Informe qualquer dano imediatamente ao portador; mau funcionamento de equipamento de relatório para seu negociante.

AUSPACKEND UND INSPEKTION

Nach dem Auspacken der Einheit, außer allen Verpackung Materialien, falls Sie die Einheit je verschicken müssen. Inspizieren Sie die Bauelemente und packende Materialien gründlich für Zeichen von Schaden. Berichten Sie sofort irgendeinen Schaden zum Boten; Bericht-Ausrüstung-Funktionsstörung zu Ihrem Händler.

DESEMPAQUETANDO E INSPECCIÓN

Después de desempaquetar la unidad, ahorra todos los materiales del embalaje en caso de que usted alguna vez necesita enviar la unidad. Completamente inspeccione los módulos y condensando los materiales para las señales de daño. Informe cualquier daño en seguida al portador; el funcionamiento defectuoso de equipo de informe a su distribuidor.

DÉBALLER ET INSPECTIÓN

Après avoir déballé l'unité, sauve toutes les matières de l'emballage au cas où vous avez besoin jamais de transporter l'unité. Entièrement inspectez les modules et emballer des matières pour signes de dégât. Rapportez tout dégât au porteur à la fois; fonctionnement défectueux du matériel du rapport à votre revendeur.

SPACCHETTANDO ED ISPEZIONE

Dopo avere spacchettato l'unità, mai salvi tutti i materiali di imballaggio in caso che Lei ha bisogno di inviare l'unità. Completamente ispezioni i moduli e comprimendo materiali per segnali di danno. Subito riporti alcun danno al corriere; malfunzionamento di attrezzatura di rapporto al Suo rivenditore.

Getting Started

Overview ......................................................................................1-2

Highlights.....................................................................................1-3

Using the Documentation.............................................................1-4

Location Considerations................................................................1-4

Navigating the Menus........................................................1-4 to 1-5

Two-line Status .............................................................................1-5

Restoring Factory-Default Settings ................................................1-5

Four 32-bit DSP engines provide enormous processing power. Custom algorithms process 96kHz/24-bit audio in all listening modes. A fifth processor, the Crystal 49326 Audio DSP, decodes multi-channel compressed audio data sources. Three expansion slots make it possible to more than quadruple available processing power.

Analog sources are processed at 96kHz. Digital sources use a two-stage phase lock loop for extremely low intrinsic jitter with high-jitter rejection. Each MAIN AUDIO OUTPUT incorporates 24-bit/192kHz digital-to-analog converters operating in dual differential mode to ensure the highest quality performance. There are two broadcast-quality video switchers. The ultra-wide bandwidth component video switcher accepts any analog component or RGB video input type. The S- and composite video switcher accommodates high-quality NTSC, PAL, or SECAM video input types.

Input configuration allows any source to be assigned to any input. The unit will automatically switch between digital and analog sources. The intuitive user interface, with color on-screen display, makes it easy to configure the unit. Three subwoofer outputs and sophisticated routing provide intelligent bass management.

With its unique combination of power, flexibility, and expandability, the MC-12/MC-12 Balanced is equipped for the needs of today and the demands of tomorrow.

1-2

Getting Started

Lexicon

Thank you for purchasing the MC-12/MC-12 Balanced Digital Controller – a reference-quality, 12-channel digital control center with built-in digital audio processing, 12 configurable inputs, and 3 independent zones. Beyond the standard 5.1-channel outputs, the unit features stereo rear and stereo subwoofer outputs. Additionally , the MC-12 Balanced provides balanced audio outputs for all Main Zone and Zone 2 outputs.

Inside and out, the unit is designed with an eye toward the future. The rear panel has stereo auxiliary outputs to provide more audio channels, and a removable access plate to accommodate connectors for new technologies. Inside, three expansion slots are available for future upgrades. The system software can be upgraded in the field using the RS-232 port.

The MC-12/MC-12 Balanced features Lexicon’s proprietary LOGIC7™ technology. LOGIC7 creates a 7.1-channel output from any input signals (except mono input signals). Unlike many decoders, LOGIC7 is compatible with most input signals and requires no special encoding. Because the improvement it provides is clearly audible, LOGIC7 is widely recognized as the finest surround decoder available.

Dolby Digital, THX Surround EX, dts, dts-ES, and Dolby Pro Logic II are also included. THX certification guarantees that specifications meet the highest standards set forth by Lucasfilm’s Home THX division.

1-3

Getting Started

MC-12/MC-12 Balanced

HIGHLIGHTS

• 12 channels

• 12 configurable inputs

• 3 zones

• 13 digital audio inputs, including 1 AES/EBU input

• 3 subwoofer outputs

• 2 auxiliary outputs for future expansion

• Dual 24-bit/192kHz digital-to-analog converters for all MAIN AUDIO OUTPUTS

• 5.1-channel analog input

• Analog bypass option (5.1-channel and stereo inputs)

• Auto switching between digital and analog connectors

• 4 component video inputs (one BNC) with full HDTV compatibility

• BNC component video output

• 8 S-video inputs

• 5 composite video inputs

• 4 32-bit DSP engines

• Broadcast quality video switching

• LOGIC7 decoding

• Dolby Digital, Dolby Pro Logic II, and Dolby Pro Logic decoding

• dts and dts-ES (discrete & matrix) decoding

• THX Ultra certification

• THX Surround EX decoding

• Upgradable software using RS-232

• 3 internal slots for future expansion

• Removable access panel for future expansion

• 2 digital audio outputs

• RS-232 control

• Rear panel IR IN connector

• 4 rear panel microphone inputs for future expansion

• 3 trigger outputs

• 19" rack-mount kit option

• Balanced audio outputs (MC-12 Balanced only)

LOCATION CONSIDERATIONS

The unit requires special care during installation to ensure optimal performance. The unit should be installed on a shelf or in a standard 19” equipment rack using an optional rack-mount kit available from Lexicon dealers or www.lexiconstore.com.

Observe the following precautions when installing the unit:

• Select a dry, well-ventilated location out of direct sunlight.

• Do not stack the unit directly above heat-producing equipment, such as power amplifiers.

• Avoid placing the unit near unshielded TV or FM antennas, cable TV decoders, and other RF emitting devices. If placed in close proximity to the unit, these devices may cause interference.

• Do not obstruct the front panel IR Receiver window (see pages 2-2 and 2-6 for illustrations). The remote control must be in line-of-sight with the receiver for proper operation. If line-ofsight is impractical, an infrared remote system can be used with the rear panel IR IN connector. The unit can be placed inside a glass cabinet. However, smoked glass will reduce the range of the remote control as well as the readability of the front panel display.

NAVIGATING THE MENUS

The remote control must be used to navigate through the extensive menu structure (see page 2-8 for more information about the remote control). Pressing the MENU button accesses the MAIN MENU (pictured at the right), which can be used to access the three primary menus: MODE ADJUST, AUDIO CONTROLS, and SETUP. These menus are discussed in Sections 5, 4, and 3. The complete menu structure is illustrated in the Appendix, beginning on page A-5.

CAUTION

USING THE DOCUMENTATION

The MC-12/MC-12 Balanced has many impressive features. It is designed to be customized to individual systems and listening spaces. For these reasons, the information contained in this user guide is extensive.

Refer to this documentation for assistance with installation, calibration, and operation of the unit. Settings that are reached during the calibration process can be recorded on the installation worksheet located in the Appendix (see page A-12).

USER GUIDE SYMBOLS

Following are symbols that appear throughout this user guide:

Calls attention to a procedure, practice, condition, or the like that, if not correctly performed or adhered to, could result in injury or death.

Calls attention to a procedure, practice, condition, or the like that, if not correctly performed or adhered to, could result in damage to or destruction of part or all of the product.

Calls attention to information that is essential to highlight.

Represents a menu path. The steps in grey boxes illustrate a series of selections that must be made to reach the destination in the black box. In the example above, the SETUP, INPUTS, and DVD1 options must be selected to reach the NAME menu.

WARNING

CAUTION

Note:

1-4

Getting Started

Lexicon

SETUP INPUTS

DVD1

NAME

MAIN MENU

MODE ADJUST

AUDIO CONTROLS SETUP

The MENU arrows navigate through all menus when the MAIN command bank is active (see page 2-8 for more information about command banks). Press the up and down MENU arrows to scroll through menu items. A scroll bar will appear on the right side of the screen when these items exceed the on-screen margins. Press the right MENU arrow to select the highlighted item. Press the left MENU arrow to exit the current menu.

TWO-LINE STATUS

The two-line status (pictured at the right) appears on the on-screen display whenever the unit receives a command or whenever the input type changes, unless the STATUS parameter on the ON-SCREEN DISPLAY menu is set to OFF (see page 3-31). Pressing the STAT button on the remote control will also display the two-line status. The two-line status that appears depends on which remote control command bank is active (see page 2-8).

The two-line status shows the current input name (top-left); the current listening mode name (bottom-left); the current input type (top-center); and the current volume level (right).

RESTORING FACTORY-DEFAULT SETTINGS

The procedure below outlines the process to restore factory-default settings. Before performing these steps, record custom settings on the installation worksheet (see page A-12). All parameters will be reset to their factory-default value. This procedure should be performed before setup begins.

To restore factory-default settings:

1. Record user-defined settings on the installation worksheet (see page A-12).

2. If the unit is on, place it into standby by pressing the (standby) button on the remote control. If the unit is in

standby, skip ahead to Step 3.

3. Power the unit on by pressing the@@@((standby) button

on the remote control.

4. Quickly press and hold the MUTE button on the remote

control until the following hidden menu appears:

The MUTE button must be pressed within 3s of powering the unit on. If the message “MUTE ON” appears in the topleft corner of the screen when the MUTE button is pressed, too much time has passed. Begin again with Step 2.

5. Use the up and down MENU arrows to highlight RESTORE

DEFAULTS, then press the right MENU arrow to restore factory-default settings. (Selecting the EXIT option with the right MENU arrow will cancel the restoration of factorydefault settings.)

6. The message “FACTORY SETTINGS HAVE BEEN

RESTORED” will appear on the screen. Press any front panel or remote control button to restart the unit.

FACTORY SETTINGS

EXIT

RESTORE DEFAULTS

DVD1 DD D VOL

5.1 L7 FILM -30dB

1-5

Getting Started

MC-12/MC-12 Balanced

Basic Operation

MC-12 Balanced Front Panel..............................................2-2 to 2-3

MC-12 Balanced Rear Panel................................................2-4 to 2-5

MC-12 Front Panel........................................................................2-6

MC-12 Rear Panel.........................................................................2-7

Remote Control................................................................2-8 to 2-15

Understanding the Zones............................................................2-16

Understanding Listening Mode Selection .......................2-17 to 2-18

2-2

Basic Operation

Lexicon

MC-12 BALANCED FRONT PANEL

2 4 5

The MC-12 Balanced front panel is pictured below. The MC-12 front panel is pictured on page 2-6. Both are identical, except the MC-12 Balanced has a larger chassis.

Red LED

Blue LED

Amber LED

IR RECEIVER

Mute toggles between muting the volume level in the Main

Zone, and restoring the volume to its original level. The first press lowers the volume level in the Main Zone and lights the amber LED on this button. The message “MUTE ON” appears in the top-left corner of the on-screen and front panel displays. The second press restores the volume in the Main Zone to its original level. Mute level can be set in the VOLUME CONTROL SETUP menu (see page 3-34).

Main Input Selection Buttons select the input in the Main Zone, and light a corresponding blue LED. When the unit is in standby, pressing one of these buttons also activates the Main Zone. (Zone 2 and the Record Zone will remain deactivated until one of those inputs is selected.)

Main Off deactivates the Main Zone.

Zone 2 Input Selection Buttons select the input in Zone 2,

and light a corresponding amber LED. When the unit is in standby, pressing one of these buttons also activates Zone 2. (The Main and Record Zones will remain deactivated until one of those inputs is selected.)

Zone 2 Off deactivates Zone 2.

Record Input Selection Buttons select the input in the Record

Zone, and light a corresponding red LED. When the unit is in standby, pressing one of these buttons also activates the Record Zone. (The Main Zone and Zone 2 will remain deactivated until one of those inputs is selected.)

Record Off deactivates the Record Zone.

2-3

Basic Operation

MC-12/MC-12 Balanced

(Standby) toggles the unit between on and standby. When the unit is on, pressing this button places the unit into standby and lights the red LED on this button. Power is still supplied to the unit when it is in standby. When the unit is in standby, pressing this button activates all zones that were active in the previous operating session.

The Front Panel Display indicates the current input name (top-left); the current listening mode name (bottom-left); the current input type (top-center); and the current volume level (right). This 2 by 20 character display can be used to view the menus, one menu item at a time. The up and down MENU arrows can be used to scroll through all menu items, provided the Main remote control command bank is active (see page 2-8)

The IR Receiver receives infrared commands from the remote control. There are three LEDs located in this area: an amber LED blinks when an infrared command is received; a red LED lights when the analog-to-digital converters are overloading; and a blue LED lights when the unit is on (even when the front panel display is deactivated).

The Volume Knob adjusts the volume level in the Main Zone. When adjustments are made, volume level is shown in dB on the on-screen and front panel displays. A horizontal bar graph illustrates adjustments.

The Mode Up and Down Buttons scroll through available listening modes in the Main Zone. Pressing the Mode Up button selects the previous listening mode; pressing the Mode Down button selects the next listening mode. See page 2-17 for more information about mode selection using the Mode up and down buttons.

The Power Switch disconnects power to the AC input connector.

The AC Input Connector provides power to the unit via the supplied power cord (3 wire, 10 amp, IEC 320).

Never make or break connections to the unit unless the power switch and all associated equipment are set to off.

2-4

Basic Operation

Lexicon

MC-12 BALANCED REAR PANEL

AES/EBU

CENTER SIDE REAR

SUBWOOFER

FRONT

IR IN

ZONE 2

VIDEO

RS 232

TRIGGER OUTPUTS

CAUTION

RISK OF ELECTRIC SHOCK DO NOT OPEN

ATTENTION

RISQUE DE CHOC

ELECTRIQUE

NE PAS OUVRIR

S/PDIF

AUDIO

AUX

MAIN AUDIO OUTPUTS

S/PDIF

(C)

Fix Var

1234

OUTPUT

INPUT 3INPUT 2INPUT 1

INPUT 4

Fix Var

2345678

(LS)

(SUB) (RS)

(L)

(R)

Y PR PB Y PR PB Y PR PB

YPRPBYPRPB

MICROPHONE INPUTS

LFE

PWR

OMJ

RECORD OUTPUTS

AUDIO AUDIO

geprufte Sicherheit

PRODUCT SERVICE

LEXICON, INC. DESIGNED AND ASSEMBLED IN U.S.A. E216356

SERIAL NO.

MC-12

LISTED AUDIO

EQUIPMENT

24PB

CUS

AC 100-240V~, 50-60 Hz, 90W

S-VIDEO

VIDEO

12 5

CENTER SIDE REARFRONT

ZONE 2

AUX

L RL RL R

L RLFE

L RLR

INPUTS

COMPONENT VIDEO

MAIN

AUDIO

OUTPUTS

123

654

SUBWOOFER

MAIN OUTPUTS

VIDEO

1 (OSD) 2

The MC-12 Balanced rear panel is pictured below. The MC-12 rear panel is pictured on page 2-7. Both are identical, except the MC-12 Balanced has balanced audio outputs for the Main Zone and Zone 2 (feature 6 below).

3 7 985

10 12 11 13 14

CAUTION

The ZONE 2 AUDIO OUTPUTS provide analog audio output in Zone 2. Two stereo outputs (one fixed, one variable) are available. The variable output includes a built-in volume control; the fixed output does not.

The RECORD AUDIO and VIDEO OUTPUTS provide audio and video output in the Record Zone. Two composite, two S-video, two analog stereo (one fixed, one variable), one S/PDIF coaxial, and one S/PDIF optical outputs are available.

The AES/EBU and S/PDIF INPUTS provide digital audio input. One AES/EBU, six S/PDIF coaxial, and six S/PDIF optical (including one optical mini jack) inputs are available.

The MICROPHONE INPUTS are provided for future expansion. Four 3.5mm T/R/S or balanced inputs are available.

The TRIGGER OUTPUTS provide DC output. These outputs are available on a removable terminal block. The PWR trigger is on when the unit is on, and off when the unit is in standby or off. Triggers 1 and 2 can be configured in the TRIGGER SETUP menu (see page 3-35).

The RS-232 Connector labelled 1 is provided for serial control and software upgrades. The RS-232 connector labelled 2 is provided for future expansion.

The IR IN Connector is provided for input of infrared data from industry-standard infrared distribution equipment. A

3.5mm T/R/S input is available.

A Removable Access Panel is provided for future expansion.

The VIDEO INPUTS provide video input in the Main and Record Zones. Eight S-video, five composite video, and four component video inputs are available in the Main Zone. All can be assigned in the INPUT SETUP menu (see page 3-3). S-video and composite video inputs are available in the Record Zone.

The AUDIO INPUTS provide analog audio input in all zones. Eight stereo analog input pairs labeled 1 to 8 are available. Pairs 6, 7, and 8 can be configured as a 5.1-channel analog input. These pairs function as (L)/(R), (C)/(SUB), and (LS)/(RS) when the 5.1-channel analog input is selected (see page 3-30).

The MAIN AUDIO OUTPUTS provide analog audio output in the Main Zone. T en outputs labeled FRONT L/R, CENTER, LFE, SUBWOOFER L/R, SIDE L/R, and REAR L/R are available. The AUX L/R outputs are reser ved for future expansion.

The balanced MAIN and ZONE 2 AUDIO OUTPUTS provide analog audio output in the Main Zone and Zone 2. Ten outputs labeled FRONT L/R, CENTER, LFE, SUBWOOFER L/R, SIDE L/R, and REAR L/R are available in the Main Zone. The AUX L/R outputs are reserved for future expansion. Two connectors labeled ZONE 2 L/R are available as a variable stereo output for Zone 2.

The MAIN VIDEO OUTPUTS provide video output in the Main Zone. One component (BNC), two composite, and two S-video outputs are available. The component video output is only available when component video inputs are used. Composite video outputs are available when composite or S-video inputs are used. S-video outputs are only available when S-video inputs are used. Output 1 (OSD) incorporates the on-screen display; output 2 does not.

2-5

Basic Operation

MC-12/MC-12 Balanced

2-6

Basic Operation

Lexicon

MC-12 FRONT PANEL

The MC-12 front panel is pictured below. The MC-12 Balanced front panel is pictured on page 2-2. Both are identical, except the MC-12 Balanced has a larger chassis.

Note:

Front panel controls and indicators are described on page 2-3.

2 4 5

IR RECEIVER

Red LED

Blue LED

Amber LED

2-7

Basic Operation

MC-12/MC-12 Balanced

Never make or break connections to the unit unless the power switch and all associated equipment are set to off.

MC-12 REAR PANEL

The MC-12 rear panel is pictured below. The MC-12 Balanced rear panel is pictured on page 2-4. Both are identical, except the MC-12 Balanced has balanced audio outputs for the Main Zone and Zone 2 (feature 6 on page 2-4).

AES/EBU

CENTER SIDE REAR

SUBWOOFER

FRONT

IR IN

ZONE 2

VIDEO

RS 232

TRIGGER OUTPUTS

CAUTION

RISK OF ELECTRIC SHOCK DO NOT OPEN

ATTENTION

RISQUE DE CHOC

ELECTRIQUE

NE PAS OUVRIR

S/PDIF

AUDIO

AUX

MAIN AUDIO OUTPUTS

S/PDIF

(C)

Fix Var

1234

OUTPUT

INPUT 3INPUT 2INPUT 1

INPUT 4

Fix Var

2345678

(LS)

(SUB) (RS)

(L)

(R)

Y PR PB Y PR PB Y PR PB

YPRPBYPRPB

MICROPHONE INPUTS

LFE

PWR

OMJ

RECORD OUTPUTS

AUDIO AUDIO

geprufte Sicherheit

PRODUCT SERVICE

LEXICON, INC. DESIGNED AND ASSEMBLED IN U.S.A. E216356

SERIAL NO.

MC-12

LISTED AUDIO

EQUIPMENT

24PB

CUS

AC 100-240V~, 50-60 Hz, 90W

S-VIDEO

VIDEO

12 5

INPUTS

COMPONENT VIDEO

123

654

MAIN OUTPUTS

VIDEO

1 (OSD) 2

3 7 985

10 12 11 13 14

Note:

Rear panel connectors are described on page 2-5.

CAUTION

2-8

Basic Operation

Lexicon

REMOTE CONTROL

The MC-12/MC-12 Balanced remote control (pictured at the left) provides full operation of the unit, executing functions such as on-screen menu navigation that are not available from the front panel. For best results, make sure the front panel IR Receiver window is not obstructed (see pages 2-2 and 2-6 for illustrations). The remote control must be in line-of-sight with this receiver for proper operation. If the unit is placed inside a glass cabinet, smoked glass will reduce the range of the remote control.

The remote control requires two AA batteries that must be changed on a regular basis. When the batteries are low on power, the remote control will enter a low-voltage condition that prevents it from operating the unit. Operation will be restored when new batteries are installed.

COMMAND BANK SELECTION

The four remote control command banks can be accessed by pressing the MAIN, ZONE, REC, or SHIFT buttons. Each button accesses a separate bank of commands until another bank is selected. Pressing a bank selection button instructs the unit to engage the selected command bank. Command bank selection buttons themselves do not send commands to the unit.

The unit indicates the last remote control command bank from which it received a command in the top-right corner of the on-screen display, provided the REMOTE STATE parameter on the ONSCREEN DISPLAY menu is set to ON (see page 3-32). A yellow “Z” will appear when a command from the ZONE bank was received last. A red “R” will appear when a command from the REC bank was received last. A blue “S” will appear when a command from the SHIFT bank was received last. Nothing will appear when a command from the MAIN bank was received last.

The chart that begins on the next page explains the functions performed by remote control buttons when each command bank is active.

Note:

The MAIN, ZONE, REC, or SHIFT buttons should be pressed and released to access their corresponding command banks. Do not hold them down.

DVD-1

DVD-2 L D

TAPE TUNER

PVR

SAT

BLUE

OSD

VCR

AUX

GAME

MAIN

SHIFT

STAT

7 / 5 2 CH

MUTE

MUSIC

ZONE REC

MODE VOL

10 11 12 13 14 15

2-9

Basic Operation

MC-12/MC-12 Balanced

DVD-1

DVD-2 L D

TAPE TUNER

PVR

SAT

BLUE

OSD

VCR

AUX

GAME

MAIN

SHIFT

STAT

7 / 5 2 CH

MUTE

MUSIC

ZONE REC

MODE VOL

Toggles the unit between on and standby. When the unit is on, pressing this button places the unit into standby and lights the red LED on the front panel standby button. When the unit is in standby, pressing this button activates all zones that were active in the previous operating session.

Activates the remote control backlight, making buttons more visible in the dark. The backlight also activates whenever any button is pressed, and deactivates automatically.

Accesses a bank of commands that control the Main Zone.

Accesses a bank of commands that control Zone 2 and the Main Zone.

Accesses a bank of commands that control the Record and Main Zones.

Accesses a bank of commands that control the Main Zone.

MAIN

BANK:

MAIN

Standby

Bank Selection Buttons

LIGHT

Note:

The buttons included on the chart above perform the same function regardless of which command bank is active.

ZONE

REC

SHIFT

ZONE

REC

SHIFT

*See Section 4 for more information about these AUDIO CONTROLS menu parameters.

2-10

Basic Operation

Lexicon

DVD-1

DVD-2 L D

TAPE TUNER

PVR

SAT

BLUE

OSD

VCR

AUX

GAME

MAIN

SHIFT

STAT

7 / 5 2 CH

MUTE

MUSIC

ZONE REC

MODE VOL

Deactivates the Main Zone.

Deactivates Zone 2.

Deactivates the Record Zone.

Sets LOUDNESS to ON.*

Sets LOUDNESS to OFF.*

Reserved for future expansion.

Increases BASS in 0.5dB increments.*

Increases TREBLE in 0.5dB increments.*

Increases TILT EQ in 0.2dB increments.*

Decreases BASS in 0.5dB increments.*

Decreases TREBLE in 0.5dB increments.*

Decreases TILT EQ in 0.2dB increments.*

Selects the input for the zone.

MAIN

BANK:

Input Selection Buttons

DVD-1

ZONE

REC

SHIFT

DVD-2

L D

SAT

VC R

PVR

GAME

TAPE

TUN ER

AUX

2-11

Basic Operation

MC-12/MC-12 Balanced

DVD-1

DVD-2 L D

TAPE TUNER

PVR

SAT

BLUE

OSD

VCR

AUX

GAME

MAIN

SHIFT

STAT

7 / 5 2 CH

MUTE

MUSIC

ZONE REC

MODE VOL

Sets Main Zone volume to -15dB.

@@@ @@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@ @@@@

Sets Main Zone volume to -30dB.

@@@@@ @@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@ @@@

Sets BASS, TREBLE, and TILT EQ to +0.0dB.*

Sets Record Zone volume to -15dB.

@@@@ @@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@ @

Sets Record Zone volume to -30dB.

@@@@@@ @@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@ @@@

Reserved for future expansion.

Sets Zone 2 volume to -15dB.

@@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@ @@@@@@

Sets Zone 2 volume to -30dB.

@@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@ @@@

Reserved for future expansion.

Toggles the FRONT PANEL DISPLAY menu STATUS parameter between ALWAYS OFF and its current setting (see page 3-32).

Toggles the ON-SCREEN DISPLAY menu BACKGROUND parameter between ON and OFF (see page 3-32).

Toggles the ON-SCREEN DISPLAY menu STATUS parameter between ALWAYS OFF and its current setting (see page 3-31).

MAIN

BANK:

BLUE

OSD

*See Section 4 for more information about these AUDIO CONTROLS menu parameters.

BLUE

OSD

ZONE

REC

SHIFT

Scroll through available listening modes in the Main Zone. Pressing the Mode + button selects the previous listening mode; pressing the Mode button selects the next listening mode. See page 2-17 for more information about mode selection using the Mode + and buttons.

@@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@ @@@@@@@@

Adjusts Main Zone volume in 1dB increments.

MODE +

Activates Trigger 1 when TRIGGER 1 is set to REMOTE in the TRIGGER SETUP menu.

MODE -

Deactivates Trigger 1 when TRIGGER 1 is set to REMOTE in the TRIGGER SETUP menu.

(See page 3-35 for more information about the TRIGGER SETUP menu.)

Adjusts Zone 2 volume in 1dB increments.

2-12

Basic Operation

Lexicon

MODE +/-

MODE +

Powers the unit on.

MODE -

Places the unit into standby.

(See page 3-39 for more information about the TRIGGER SETUP menu.)

@@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@ @@@@@@@@@@ @@@@

Adjusts Main Zone volume in 3dB increments.

MODE +

Activates Trigger 2 when TRIGGER 2 is set to REMOTE in the TRIGGER SETUP menu.

MODE -

Deactivates Trigger 2 when TRIGGER 2 is set to REMOTE in the TRIGGER SETUP menu.

(See page 3-35 for more information about the TRIGGER SETUP menu.)

Adjusts Record Zone volume in 1dB increments.

MAIN

BANK:

DVD-1

DVD-2 L D

TAPE TUNER

PVR

SAT

BLUE

OSD

VCR

AUX

GAME

MAIN

SHIFT

STAT

7 / 5 2 CH

MUTE

MUSIC

ZONE REC

MODE VOL

VOL +/-

MODE

ZONE

REC

SHIFT

VOL

Toggles between accessing and exiting the STATUS menu.*

Toggles between fully muting the volume level in the Main Zone, and restoring the volume to its original level.

Centers Main Zone BALANCE and FADER.**

Displays the twoline status of the Record Zone for two seconds.

Toggles between fully muting the volume level in the Record Zone, and restoring the volume to its original level.

Centers RECORD BALANCE.**

Displays the twoline status of Zone 2 for two seconds.

Toggles between fully muting the volume level in Zone 2, and restoring the volume to its original level.

Centers ZONE 2 BALANCE.**

Displays the twoline status of the Main Zone for two seconds.

Toggles between lowering the volume level in the Main Zone, and restoring the volume to its original level.

Toggles between accessing and exiting the MAIN MENU.

MAIN

BANK:

STAT

MUTE

*See Section 5 for more information about STATUS menus. **See Section 4 for more information about these AUDIO CONTROLS menu parameters.

2-13

Basic Operation

MC-12/MC-12 Balanced

DVD-1

DVD-2 L D

TAPE TUNER

PVR

SAT

BLUE

OSD

VCR

AUX

GAME

MAIN

SHIFT

STAT

7 / 5 2 CH

MUTE

MUSIC

ZONE REC

MODE VOL

10 11 12

STAT

MUTE

ZONE

REC

SHIFT

2-14

Basic Operation

Lexicon

Adjusts Main Zone FADER forward.*

@@@@@@@

Adjusts Main Zone FADER backward.*

@@@@

Adjusts Main Zone BALANCE left.*

Adjusts Main Zone BALANCE right.*

Reserved for future expansion.

******** @@

Reserved for future expansion.

@@@@@@

Reserved for future expansion.

@@@@

Adjusts RECORD BALANCE left.*

Adjusts RECORD BALANCE right.*

@@@@@

Reserved for future expansion.

@@@@

Reserved for future expansion.

@@@@

Reserved for future expansion.

@@@@

Adjusts ZONE2 BALANCE left.*

Adjusts ZONE2 BALANCE right.*

@@@@@

Reserved for future expansion.

@@@@

Reserved for future expansion.

Scrolls upward through menu items.

Scrolls downward through menu items.

Exits the current menu.

Selects the highlighted menu item.

Toggles between 7 and 5-channel playback.

Toggles between the selected listening mode and the 2-CHANNEL listening mode.**

MENU Arrows

MAIN

BANK:

DVD-1

DVD-2 L D

TAPE TUNER

PVR

SAT

BLUE

OSD

VCR

AUX

GAME

MAIN

SHIFT

STAT

7 / 5 2 CH

MUTE

MUSIC

ZONE REC

MODE VOL

7/5

2CH

14 15

*See Section 4 for more information about these AUDIO CONTROLS menu parameters. **See Section 5 for more information about listening modes.

ZONE

REC

SHIFT

7 / 5

2 CH

Toggles the SURROUND EX parameter ON and OFF.*

Reserved for future expansion.

@@@

Reserved for future expansion.

@@@@

Reserved for future expansion.

@@@@@@@@@@ @@@@

Reserved for future expansion.

@@@@@@@@@@ @@@@@@@@@@ @@@@

Reserved for future expansion.

@@@

Reserved for future expansion.

@@@@

Reserved for future expansion.

@@@@@@@@@@ @@@@

Reserved for future expansion.

@@@@@@@@@@ @@@@@@@@@@ @@@@

Reserved for future expansion.

@@@

Reserved for future expansion.

@@@@

Reserved for future expansion.

@@@@@@@@@@ @@@@

Reserved for future expansion.

Selects the THX mode family.

@@@@@@@@@@ @@@@@@@@@@ @@@@

Selects the Dolby mode family.

Selects the LOGIC7 film mode family.

Selects the LOGIC7 TV mode family.

Selects the dts(-ES) mode family.

Selects the LOGIC7 music mode family.

MAIN

BANK:

Mode Family Selection Buttons

2-15

Basic Operation

MC-12/MC-12 Balanced

DVD-1

DVD-2 L D

TAPE TUNER

PVR

SAT

BLUE

OSD

VCR

AUX

GAME

MAIN

SHIFT

STAT

7 / 5 2 CH

MUTE

MUSIC

ZONE REC

MODE VOL

*See page 5-24 for more information about the SURROUND EX parameter. See page 2-18 for more information about mode selection using Mode Family Selection Buttons.

ZONE

REC

SHIFT

MUSIC

2-16

Basic Operation

Lexicon

UNDERSTANDING THE ZONES

The MC-12/MC-12 Balanced features three zones: the Main Zone, Zone 2, and the Record Zone. The Main Zone is designed to control audio and video signals in the primary listening space, Zone 2 is designed to control audio signals in the secondary listening space, and the Record Zone is designed to control audio and video signals for recording devices. The Record Zone can also function as a third zone, controlling audio and video signals in a third listening space.

All three zones utilitize separate digital audio receivers, analog-todigital converters, and digital-to-analog converters. This allows independent input selection in each zone with most input types. For instance, the unit can play a DVD in the Main Zone, play a CD in Zone 2, and send signals from a satellite receiver to a VCR through the Record Zone - all at the same time.

The following exceptions apply to independent zone function:

• The same Dolby Digital or dts(-ES) input type can be selected in all zones simultaneously. However, when a Dolby Digital or dts(-ES) input type is active in the Main Zone, a different Dolby Digital or dts(-ES) input type cannot be active in Zone 2 or the Record Zone.

• Use caution when switching from a Dolby Digital input type to a dts(-ES) input type in the Record Zone. A loud, brief noise may occur.

• When the 5.1 BYPASS listening mode is selected for the Main Zone, the same input can be utilized by Zone 2 or the Record Zone. However, only the FRONT L/R input signals will be available.

2-17

Basic Operation

MC-12/MC-12 Balanced

MODE BUTTONS

This type of listening mode selection occurs each time the Mode Up and Down buttons are pressed on the front panel, or the MODE +/- buttons are pressed on the remote control. This type of mode scrolling allows auditioning of all listening modes available for the current input type.

Pressing the Mode Up/MODE + button selects the previous listening mode on the list. Pressing the Mode Down/MODE button selects the next listening mode on the list. 2-channel listening modes are listed on page 3-10. Dolby Digital and dts(-ES) listening modes are listed on page 3-11. These lists are not visible on the on-screen and front panel displays during scrolling.

Note:

When the input type changes, the unit will automatically revert to the default listening modes selected in the INPUT SETUP menu. If USE LAST is selected in the INPUT SETUP menu when the input format changes, the unit will revert to the listening mode that was last used for the input type.

UNDERSTANDING LISTENING MODE SELECTION

There are three different methods of selecting listening modes in the Main Zone:

• The INPUT SETUP Menu

• The Mode up and down buttons on the front panel or the MODE +/- buttons on the remote control

• The Mode Family Selection Buttons on the remote control:

Listening mode selection only applies to the Main Zone.

INPUT SETUP MENU

This type of listening mode selection occurs each time a listening mode is changed in the INPUT SETUP menu, and each time an input is selected using the input selection buttons on the front panel or the remote control.

The INPUT SETUP menu can be used to select a preferred 2-channel, Dolby Digital, and dts(-ES) listening mode for each input. When an input type is recognized, the unit automatically defaults to the appropriate listening mode. (See page 3-3 for more information about the INPUT SETUP menu. See Section 5 for more information about listening modes.)

For example, the 2-CH parameter on the INPUT SETUP menu is set to LOGIC7 FILM and the DOLBY D parameter is set to 5.1 LOGIC7 MUSIC. When the input type changes from 2-channel to Dolby Digital, the listening mode will automatically change from LOGIC7 FILM to 5.1 LOGIC7 MUSIC.

MUSIC

2-18

Basic Operation

Lexicon

MODE FAMILY SELECTION BUTTONS

This type of mode selection occurs each time one of the Mode Family Selection buttons is pressed on the remote control. The matrix below shows how this type of mode selection determines the listening mode:

Input DOLBY Type: 2-CHANNEL DIGITAL dts(-ES)

DOLBY PRO 5.1 THX dts(-ES) THX LOGIC II THX SURROUND EX

DOLBY PRO DOLBY *INPUT SETUP LOGIC II DIGITAL Menu

LOGIC7 5.1 LOGIC7 dts(-ES) LOGIC7 FILM FILM FILM

LOGIC7 TV 5.1 LOGIC7 *INPUT SETUP

TV Menu

*INPUT SETUP *INPUT SETUP dts(-ES) Menu Menu

LOGIC7 5.1 LOGIC7 dts(-ES) LOGIC7 MUSIC MUSIC MUSIC

*Reverts to the mode selected in the designated parameter on the INPUT SETUP menu.

Note:

Mode Family Selection will be overridden under the following conditions:

• An input is selected using the input selection buttons on the front panel or remote control.

• The Mode Up and Down buttons on the front panel or the MODE +/- buttons on the remote control are pressed.

• The listening mode for the current input type is changed in the INPUT SETUP menu.

MUSIC

The SETUP Menu

SETUP...........................................................................................3-2

INPUT SETUP....................................................................3-3 to 3-17

SPEAKER SETUP ..............................................................3-18 to 3-29

REAR PANEL CONFIG..................................................................3-30

DISPLAY SETUP...............................................................3-31 to 3-33

VOLUME CONTROL SETUP.........................................................3-34

TRIGGER SETUP ..........................................................................3-35

LOCK OPTIONS..........................................................................3-36

3-2

The SETUP Menu

Lexicon

SETUP

Selecting SETUP on the MAIN MENU accesses the SETUP menu, which contains options that access available setup submenus. Use the up and down MENU arrows to scroll through the complete list of options. Press the right MENU arrow to select the highlighted option. Press the left MENU arrow to return to the MAIN MENU.

INPUTS

Selecting INPUTS prompts the selection of the desired input for configuration. Selecting a specific input accesses the INPUT SETUP menu, which contains options and parameters for configuring the selected input. (See page 3-3 for more information.)

SPEAKERS

Selecting SPEAKERS accesses the SPEAKER SETUP menu, which contains options to configure the MAIN AUDIO OUTPUTS. (See page 3-18 for more information.)

REAR PANEL CONFIG

Selecting REAR PANEL CONFIG accesses the REAR PANEL CONFIG menu, which contains options that configure the function of analog input pairs 6, 7, and 8 on the rear panel. (See page 3-30 for more information.)

DISPLAYS

Selecting DISPLAYS accesses the DISPLAY SETUP menu, which contains options and parameters to adjust the on-screen and front panel displays, as well as audio-video synchronization and the customized unit name. (See page 3-31 for more information.)

VOLUME CONTROLS

Selecting VOLUME CONTROLS accesses the VOLUME CONTROL SETUP menu, which contains parameters for adjusting volume setup in the Main Zone, Zone 2, and the Record Zone. (See page 3-34 for more information.)

TRIGGERS

Selecting TRIGGERS accesses the TRIGGER SETUP menu, which contains parameters for configuring TRIGGERS 1 and 2. (See page 3-35 for more information.)

LOCK OPTIONS

Selecting LOCK OPTIONS accesses the LOCK OPTIONS menu, which contains parameters for locking and unlocking the MODE ADJUST, AUDIO CONTROLS, and SETUP menus. (See page 3-36 for more information.)

SETUP INPUTS

SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS

SETUP REAR PANEL CONFIG

SETUP

INPUTS

SETUP LOCK OPTIONS

SETUP TRIGGERS

SETUP VOLUME CONTROLS

SETUP DISPLAYS

SETUP

SPEAKERS

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

INPUT SETUP

DVD1

DVD2 LD TV SAT VCR CD PVR GAME TAPE TUNER AUX

SETUP

INPUTS

SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS

3-3

The SETUP Menu

MC-12/MC-12 Balanced

DVD1 INPUT SETUP NAME DVD1

DIGITAL IN COAX-1 ANALOG IN NONE ANLG IN LVL AUTO VIDEO IN S-VIDEO-1 COMPONENT IN 1 2-CH L7 FILM

D 5.1 L7 FILM

dts L7 FILM MAIN ADVANCED ZONE2 ADVANCED RECORD ADVANCED

INPUT SETUP

The unit has 12 inputs, each of which can be associated with any of its 13 digital audio, 8 analog audio, and 17 video input connectors. Selecting the INPUTS option on the SETUP menu prompts the selection of the desired input for configuration. Selecting an input accesses the INPUT SETUP menu.

The DVD1 INPUT SETUP menu is used as an example above, and will continue to be used as an example throughout this section. The parameters on the left side of the INPUT SETUP menu are identical regardless of which input is selected. The values on the right side of the menu are adjustable. (See page A-6 for an illustration of all INPUT SETUP menus.)

DVD1 is used as an example in this illustration, and will continue to be used as an example throughout this section. Whenever “DVD1” appears as a step in a menu path, any other input may be substituted.

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

DVD1 INPUT NAME EDIT INPUT NAME

RESTORE DEFAULT NAME

DVD1 INPUT SETUP

NAME DVD1

DIGITAL IN COAX-1 ANALOG IN NONE ANLG IN LVL AUTO VIDEO IN S-VIDEO-1 COMPONENT IN 1 2-CH L7 FILM

D 5.1 L7 FILM

dts L7 FILM MAIN ADVANCED ZONE2 ADVANCED RECORD ADVANCED

INPUT SETUP

DVD1

DVD2 LD TV SAT VCR CD PVR GAME TAPE TUNER AUX

NAME

Selecting NAME accesses the INPUT NAME menu, which can be used to customize and restore input names.

EDIT INPUT NAME

EDIT INPUT NAME allows the customization of input names. Selecting this option accesses the pulldown menu pictured at the right.

Use the up and down MENU arrows to change the character above the ^. Up to eight characters (including blank spaces) can be entered. Use the right MENU arrow to advance to the next character. The ^ will automatically wrap to the first character space after the eighth character space is passed. When finished, press the left MENU arrow to close the pulldown menu.

DVD1 INPUT NAME

EDIT INPUT NAME DVD1

WYBUTTONS TO EDIT

UP TO 8 CHARACTERS

V BUTTON TO ADVANCE

3-4

The input name will change on the on-screen and front panel displays. However, the input name will not change on the INPUT SETUP menu that prompts the selection of the desired input for configuration (pictured above, third menu from the left).

RESTORE DEFAULT NAME

RESTORE DEFAULT NAME restores the factory-default name of the selected input. Factory-default names correspond to the labels on the front panel and remote control. Selecting this option accesses a pulldown menu that reads “PRESS MENU V TO RESTORE INPUT NAME.” Press the right MENU arrow to restore the factory-default name of the selected input. Press the left MENU arrow to exit the pulldown menu without restoring the factory-default name of the selected input.

The SETUP Menu

Lexicon

SETUP INPUTS

DVD1

NAME

SETUP

INPUTS

SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS

DVD1 INPUT SETUP NAME DVD1

DIGITAL IN COAX-1

ANALOG IN NONE ANLG IN LVL AUTO VIDEO IN S-VIDEO-1 COMPONENT IN 1 2-CH L7 FILM

D 5.1 L7 FILM

dts L7 FILM MAIN ADVANCED ZONE2 ADVANCED RECORD ADVANCED

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

3-5

The SETUP Menu

MC-12/MC-12 Balanced

DIGITAL IN

Selecting DIGITAL IN accesses the DIGITAL IN menu, which can be used to assign the digital connector for the selected input. Digital input selection will take precedence over analog input selection unless:

• No valid digital input signal is present.

• The DIGITAL IN parameter is set to NONE.

• The INPUT SELECT parameter on the MAIN ADV menu is set to ANALOG (see page 3-13).

SETUP INPUTS

DVD1

DIGITAL IN

DVD1 DIGITAL IN COAX-1

COAX-2 COAX-3 COAX-4 COAX-5 COAX-6 OPTICAL-1 OPTICAL-2 OPTICAL-3 OPTICAL-4 OPTICAL-5 OPTICAL-6 AES/EBU NONE

INPUT SETUP

DVD1

DVD2 LD TV SAT VCR CD PVR GAME TAPE TUNER AUX

SETUP

INPUTS

SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS

Note:

When DIGITAL IN is set to NONE, the INPUT SELECT parameter on the MAIN ADV menu is automatically set to ANALOG (see page 3-13).

DVD1 INPUT SETUP NAME DVD1

DIGITAL IN COAX-1

ANALOG IN NONE

ANLG IN LVL AUTO VIDEO IN S-VIDEO-1 COMPONENT IN 1 2-CH L7 FILM

D 5.1 L7 FILM

dts L7 FILM MAIN ADVANCED ZONE2 ADVANCED RECORD ADVANCED

3-6

The SETUP Menu

Lexicon

ANALOG IN

Selecting ANALOG IN accesses the ANALOG IN menu, which can be used to assign the analog input connector for the selected input. The appearance of the ANALOG IN menu depends on the REAR PANEL CONFIG setting (see page 3-30). When 8 STEREO INPUTS is selected on the REAR PANEL CONFIG menu, the ANALOG IN menu will appear as it does in the illustration above. When 5 STEREO & 5.1 ANLG is selected on the REAR PANEL CONFIG menu, ANALOG-6, 7, and 8 on the ANALOG IN menu will be replaced with 5.1 ANALOG.

Note:

When ANALOG IN is set to NONE, the INPUT SELECT parameter on the MAIN ADV menu is automatically set to DIGITAL (see page 3-13).

ANLG IN LVL

Selecting ANLG IN LVL accesses the ANLG IN L VL menu, which can be used to adjust analog input levels. Despite industry attempts at standardization, analog sources have a wide range of output levels. To compensate for this, each of the eight analog inputs on the unit can be assigned a different analog input level. This assures optimum performance regardless of source.

Default

Parameter Value Values

AUTO ON ON, OFF MANUAL +0dB -18 to +12dB

SETUP

INPUTS

DVD1

ANLG IN LVL

SETUP INPUTS

DVD1

ANALOG IN

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

DVD1 ANALOG IN ANALOG-1

ANALOG-2 ANALOG-3 ANALOG-4 ANALOG-5 ANALOG-6 * ANALOG-7 * ANALOG-8 * NONE

INPUT SETUP

DVD1

DVD2 LD TV SAT VCR CD PVR GAME TAPE TUNER AUX

SETUP

INPUTS

SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS

When REAR PANEL CONFIG is set to 5 STEREO & 5.1 ANLG (see page 3-30), 5.1 ANALOG will appear in place of these menu items.

DVD1 ANLG IN LVL AUTO ON

MANUAL +0dB AUTO GAIN +0.0dB

dB L C R SL SR LFE

-6

-15 XX X XX X

-30

-45

DVD1 INPUT SETUP NAME DVD1

DIGITAL IN COAX-1 ANALOG IN NONE

ANLG IN LVL AUTO

VIDEO IN S-VIDEO-1 COMPONENT IN 1 2-CH L7 FILM

D 5.1 L7 FILM

dts L7 FILM MAIN ADVANCED ZONE2 ADVANCED RECORD ADVANCED

3-7

The SETUP Menu

MC-12/MC-12 Balanced

AUTO (ON, OFF) AUTO provides automatic control of analog input levels. When set

to ON, the unit monitors and automatically optimizes analog input levels. When the signal is too high, ANLG IN LVL is quickly decreased to avoid overload. When the signal is too low, ANLG IN LVL is slowly increased to maximize the signal-to-noise ratio and dynamic range. The AUTO parameter setting will never exceed the current MANUAL parameter setting. The current AUTO parameter setting is shown in the INPUT GAIN parameter. When the AUTO parameter is set to OFF, the ANLG IN LVL parameter can be adjusted manually.

MANUAL (-18 to +12dB) MANUAL provides manual adjustment of analog input levels in the

Main Zone when the AUTO parameter is set to OFF. When MANUAL is selected, a white horizontal bar graph will appear on the screen below the parameter. This graph illustrates the position at which the current setting falls within the -18 to +12dB parameter range. Press the up and down MENU arrows to increase

and decrease the setting in 1dB increments. Press the left MENU arrow to close the graph and return to the ANLG IN LVL menu.

The current setting is shown in the MANUAL and INPUT GAIN parameters. When switching from AUTO to MANUAL adjustment, the INPUT GAIN parameter will continue to reflect the last AUTO setting until the MANUAL setting is adjusted.

The level meters in the lower-left corner indicate fluctuating input levels in the left (L) and right (R) channels. These meters appear in combinations of green, yellow, and red on the blue-screen background. Green indicates normal input levels; yellow indicates the onset of overload; and red indicates overload. The yellow arrow to the right of each bar indicates the current input peak level. The INPUT GAIN parameter also shows the current input level, whether AUTO or MANUAL is selected.

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

INPUT SETUP

DVD1

DVD2 LD TV SAT VCR CD PVR GAME TAPE TUNER AUX

SETUP

INPUTS

SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS

DVD1 INPUT SETUP NAME DVD1

DIGITAL IN COAX-1 ANALOG IN NONE ANLG IN LVL AUTO

VIDEO IN S-VIDEO-1

COMPONENT IN 1 2-CH L7 FILM

D 5.1 L7 FILM

dts L7 FILM MAIN ADVANCED ZONE2 ADVANCED RECORD ADVANCED

3-8

The SETUP Menu

Lexicon

VIDEO IN

Selecting VIDEO IN accesses the VIDEO IN menu, which can be used to select the composite video or S-video connector associated with the selected input.

Note:

Composite video outputs are available when composite or S-video inputs are used. S-video outputs are only available when S-video inputs are used. Output 1 (OSD) incorporates the on-screen display; output 2 does not.

SETUP INPUTS

DVD1

VIDEO IN

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

DVD1 VIDEO IN COMPOSITE-1

COMPOSITE-2 COMPOSITE-3 COMPOSITE-4 COMPOSITE-5 S-VIDEO-1 S-VIDEO-2 S-VIDEO-3 S-VIDEO-4 S-VIDEO-5 S-VIDEO-6 S-VIDEO-7 S-VIDEO-8 NONE

INPUT SETUP

DVD1

DVD2 LD TV SAT VCR CD PVR GAME TAPE TUNER AUX

SETUP

INPUTS

SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS

DVD1 INPUT SETUP NAME DVD1

DIGITAL IN COAX-1 ANALOG IN NONE ANLG IN LVL AUTO VIDEO IN S-VIDEO-1

COMPONENT IN 1

2-CH L7 FILM

D 5.1 L7 FILM

dts L7 FILM MAIN ADVANCED ZONE2 ADVANCED RECORD ADVANCED

3-9

The SETUP Menu

MC-12/MC-12 Balanced

COMPONENT IN

Selecting COMPONENT IN accesses the COMPONENT IN menu, which can be used to select the component video connectors associated with the selected input.

Note:

The component video output is only available when component video inputs are used.

SETUP INPUTS

DVD1

COMPONENT IN

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

DVD1 COMPONENT COMPONENT 1

COMPONENT 2 COMPONENT 3 COMPONENT 4

INPUT SETUP

DVD1

DVD2 LD TV SAT VCR CD PVR GAME TAPE TUNER AUX

SETUP

INPUTS

SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS

DVD1 INPUT SETUP NAME DVD1

DIGITAL IN COAX-1 ANALOG IN NONE ANLG IN LVL AUTO VIDEO IN S-VIDEO-1 COMPONENT IN 1

2-CH L7 FILM

D 5.1 L7 FILM

dts L7 FILM MAIN ADVANCED ZONE2 ADVANCED RECORD ADVANCED

2-CH

Selecting 2-CH accesses the 2-CH MODE menu (pictured above), which can be used to select the listening mode for 2-channel input types. Listening modes are explained in further detail in Section 5.

DOLBY D

Selecting DOLBY D accesses the DOLBY D MODE menu (pictured on the top of the next page), which can be used to select the listening mode for Dolby Digital input types. Listening modes are explained in further detail in Section 5.

dts(-ES)

Selecting dts(-ES) accesses the dts(-ES) MODE menu (pictured on the bottom of the next page), which can be used to select the listening mode for dts(-ES) input types. Listening modes are explained in further detail in Section 5.

3-10

The SETUP Menu

Lexicon

SETUP INPUTS

DVD1

2-CH

SETUP

INPUTS

DVD1

SETUP

INPUTS

DVD1

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

DVD1 2-CH MODE

FILM TV MUSIC PL II PRO LOGIC II PL II MUSIC

PRO LOGIC 2-CHANNEL 2-CH SURROUND MONO MONO LOGIC MONO SURROUND USE LAST

INPUT SETUP

DVD1

DVD2 LD TV SAT VCR CD PVR GAME TAPE TUNER AUX

SETUP

INPUTS

SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS

DVD1 INPUT SETUP NAME DVD1

DIGITAL IN COAX-1 ANALOG IN NONE ANLG IN LVL AUTO VIDEO IN S-VIDEO-1 COMPONENT IN 1 2-CH L7 FILM

D 5.1 L7 FILM

dts L7 FILM

MAIN ADVANCED ZONE2 ADVANCED RECORD ADVANCED

DVD1 INPUT SETUP NAME DVD1

DIGITAL IN COAX-1 ANALOG IN NONE ANLG IN LVL AUTO VIDEO IN S-VIDEO-1 COMPONENT IN 1 2-CH L7 FILM

D 5.1 L7 FILM

dts L7 FILM MAIN ADVANCED ZONE2 ADVANCED RECORD ADVANCED

3-11

The SETUP Menu

MC-12/MC-12 Balanced

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

DVD1 D MODE

5.1 FILM

5.1 TV

5.1 MUSIC

5.1 SUR EX DIGITAL

5.1 2-CHANNEL

5.1 MONO

5.1 MONO LOGIC

5.1 MONO SURR

USE LAST

INPUT SETUP

DVD1

DVD2 LD TV SAT VCR CD PVR GAME TAPE TUNER AUX

SETUP

INPUTS

SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

DVD1 MODE

FILM MUSIC

2-CHAN

USE LAST

INPUT SETUP

DVD1

DVD2 LD TV SAT VCR CD PVR GAME TAPE TUNER AUX

SETUP

INPUTS

SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS

DVD1 INPUT SETUP NAME DVD1

DIGITAL IN COAX-1 ANALOG IN NONE ANLG IN LVL AUTO VIDEO IN S-VIDEO-1 COMPONENT IN 1 2-CH L7 FILM

D 5.1 L7 FILM

dts L7 FILM

MAIN ADVANCED

ZONE2 ADVANCED RECORD ADVANCED

3-12

The SETUP Menu

Lexicon

MAIN ADVANCED

Selecting MAIN ADVANCED accesses the MAIN ADV menu, which can be used to configure advanced settings in the Main Zone.

Default

Parameter Value Values

INPUT SELECT DIGITAL AUTO, ANALOG, DIGITAL ANALOG BYPASS OFF ON, OFF S-VIDEO 16:9 AUTO AUTO, OFF S-VIDEO 4:3 OSD ON ON, OFF COMPONENT OSD ON ON, OFF

SETUP INPUTS

DVD1

MAIN ADVANCED

Note:

The unit will automatically select the 5.1 BYPASS listening mode when all of the following conditions are met:

• 5 STEREO & 5.1 ANLG is selected on the REAR PANEL CONFIG menu (see page 3-30).

• The ANALOG IN parameter on the INPUT SETUP menu is set to 5.1 ANALOG (see page 3-6).

• The INPUT SELECT parameter on the MAIN ADV menu is set to either AUTO or ANALOG. When set to AUTO, no digital input types can be present.

• The ANALOG BYPASS parameter on the MAIN ADV menu is set to ON.

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

DVD1 MAIN ADV INPUT SELECT DIGITAL

ANALOG BYPASS OFF S-VIDEO 16:9 AUTO S-VIDEO OSD 4:3 ON COMPONENT OSD ON

INPUT SETUP

DVD1

DVD2 LD TV SAT VCR CD PVR GAME TAPE TUNER AUX

SETUP

INPUTS

SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS

3-13

The SETUP Menu

MC-12/MC-12 Balanced

INPUT SELECT (AUTO, ANALOG, DIGITAL) The INPUT SETUP menu allows the selection of two audio

connector types - one analog, one digital. INPUT SELECT specifies how these connectors interact. The following settings are available:

• The DIGITAL setting forces the unit to utilize the DIGITAL IN connector for the Main Zone. If an ANALOG IN connector is also selected, it will be ignored. The unit will mute when an invalid digital audio input type is received. Valid digital audio input types include PCM, Dolby Digital, and dts(-ES). The DIGITAL setting will automatically be selected when the ANALOG IN parameter on the INPUT SETUP menu is set to NONE (see page 3-6).

• The ANALOG setting forces the unit to utilize the selected ANALOG IN connector for the Main Zone. If a DIGITAL IN connector is also selected, it will be ignored. The ANALOG setting will automatically be selected when the DIGITAL IN parameter on the INPUT SETUP menu is set to NONE (see page 3-5).

• The AUTO setting allows the unit to switch between the selected DIGITAL IN and ANALOG IN connectors. The DIGITAL IN connector is utilized when a valid digital audio input type is present. When invalid digital audio input types are received, the unit automatically switches to the ANALOG IN connector. This setting is recommended for input sources that utilize both digital and analog audio input types, such as a laser disc player.

Note:

Some sources supply valid digital audio input types that remain active even when no audio is present in the signal. Because the unit recognizes these as valid digital audio input types, it will not switch to the ANALOG IN connector. For these sources, it is recommended to configure two different inputs - one for digital audio input types, and a second for analog audio input types.

ANALOG BYPASS (ON, OFF) ANALOG BYPASS allows analog input types to bypass analog-to-

digital conversion and internal processing. When set to ON, the unit passes the analog input signal to the corresponding analog outputs.

For stereo analog sources, the input is sent to the FRONT L/R outputs. For a 5.1-channel analog source, the (L) input is sent to the FRONT L output. The (R) input is sent to the FRONT R output. The (C) input is sent to the CENTER output. The (SUB) input is sent to the SUBWOOFER L/R and LFE outputs. The (LS) input is sent to the SIDE and REAR L outputs. The (RS) input is sent to the SIDE and REAR R outputs.

Note:

It is not possible to record from an analog input source on the S/PDIF outputs when the Main Zone is utilizing the 5.1-channel analog input.

. . . continued on page 3-14

MAIN ADVANCED (continued)

ANALOG BYPASS

(continued) (ON, OFF)

When ANALOG BYPASS is set to OFF, the unit routes the analog input signal through analog-to-digital conversion, internal processing, and digital-to-analog conversion. This makes it possible to utilize internal processing, including listening modes, crossovers, and equalization.

Neither Zone 2 nor the Record Zone provide multi-channel outputs. If the 5.1-channel analog input is selected for Zone 2 or the Record Zone, only the front left and right (L)/(R) inputs will be available.

S-VIDEO 16:9 (AUTO, OFF) S-VIDEO 16:9 controls the passage of anamorphic video trigger

signals. When set to AUTO, the unit allows anamorphic trigger signals to pass through the S-video switcher. This enables compatible display devices to automatically switch between anamorphic and non-anamorphic display modes. When set to OFF, the unit prevents anamorphic trigger signals from passing through the S-video switcher. This disables compatible display devices from switching between anamorphic and non-anamorphic display modes.

S-VIDEO OSD 4:3 (ON, OFF) S-VIDEO OSD 4:3 controls the appearance of the on-screen

display. When set to ON, the on-screen display utilizing the S-video output is displayed in a 4:3 aspect ratio regardless of the aspect ratio of the incoming signal. When set to OFF, the on-screen display utilizing the S-video output is displayed in the same aspect ratio as the incoming signal.

3-14

The SETUP Menu

Lexicon

Note:

The menu will appear horizontally stretched across the entire screen if the following conditions are met:

• The S-VIDEO OSD 4:3 parameter is set to OFF.

• An anamorphic trigger signal is present.

• The on-screen display is shown on a 16:9 display device.

COMPONENT OSD (ON, OFF) COMPONENT OSD activates and deactivates the on-screen display ,

provided the display device is utilizing the COMPONENT VIDEO OUTPUT. When set to ON, the COMPONENT VIDEO OUTPUT displays the on-screen menus as a 480i video signal. The component on-screen display does not include the two-line status. When set to OFF, the component on-screen display is deactivated. The component on-screen display will be automatically deactivated when the BACKGROUND parameter on the ON-SCREEN DISPLAY menu is set to OFF (see page 3-32).

ZONE2 ADVANCED

Selecting ZONE2 ADVANCED accesses the ZONE 2 ADV menu, which can be used to configure advanced settings in Zone 2.

Default

Parameter Value Values

INPUT SELECT DIGITAL AUTO, ANALOG, DIGITAL

SETUP INPUTS

DVD1

ZONE2 ADVANCED

SETUP

INPUTS

DVD1

MAIN ADVANCED

3-15

The SETUP Menu

MC-12/MC-12 Balanced

INPUT SELECT (AUTO, ANALOG, DIGITAL) The INPUT SETUP menu allows the selection of two audio

connector types - one analog, one digital. INPUT SELECT specifies how these connectors interact. The following settings are available:

• The DIGITAL setting forces the unit to utilize the DIGITAL IN connector for Zone 2. If an ANALOG IN connector is also selected, it will be ignored. The unit will mute when an invalid digital audio input type is received. Valid digital audio input types include PCM, Dolby Digital, and dts(-ES). See page 2-16 for more information about using the DIGITAL setting in multiple zones.

• The ANALOG setting forces the unit to utilize the selected ANALOG IN connector for Zone 2. If a DIGITAL IN connector is also selected, it will be ignored.

Note:

DVD1 INPUT SETUP NAME DVD1

DIGITAL IN COAX-1 ANALOG IN NONE ANLG IN LVL AUTO VIDEO IN S-VIDEO-1 COMPONENT IN 1 2-CH L7 FILM

D 5.1 L7 FILM

dts L7 FILM MAIN ADVANCED

ZONE2 ADVANCED

RECORD ADVANCED

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

DVD1 ZONE 2 ADV INPUT SELECT DIGITAL

INPUT SETUP

DVD1

DVD2 LD TV SAT VCR CD PVR GAME TAPE TUNER AUX

SETUP

INPUTS

SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS

RECORD ADVANCED

Selecting RECORD ADVANCED accesses the RECORD ADV menu, which can be used to configure advanced settings in the Record Zone.

Default

Parameter Value Values

INPUT SELECT DIGITAL AUTO, ANALOG, DIGITAL ANLG IN LVL +0dB -18 to +12dB DIGITAL BYPASS OFF ON, OFF DIG OUT RATE 44.1kHz 44.1kHz, 48kHz, 88.2kHz,

96kHz, INPUT

RECORD ENABLED ENABLED, BLOCKED

3-16

The SETUP Menu

Lexicon

INPUT SELECT (AUTO, ANALOG, DIGITAL) The INPUT SETUP menu allows the selection of two audio

connector types - one analog, one digital. INPUT SELECT specifies how these connectors interact. The following settings are available:

• The DIGITAL setting forces the unit to utilize the DIGITAL IN connector for the Record Zone. If an ANALOG IN connector is also selected, it will be ignored. The unit will mute when an invalid digital audio input type is received. Valid digital audio input types include PCM, Dolby Digital, and dts(-ES). See page 2-16 for more information about using the DIGITAL setting in multiple zones.

• The ANALOG setting forces the unit to utilize the selected ANALOG IN connector for the Record Zone. If a DIGITAL IN connector is also selected, it will be ignored.

DVD1 INPUT SETUP NAME DVD1

DIGITAL IN COAX-1 ANALOG IN NONE ANLG IN LVL AUTO VIDEO IN S-VIDEO-1 COMPONENT IN 1 2-CH L7 FILM

D 5.1 L7 FILM

dts L7 FILM MAIN ADVANCED ZONE2 ADVANCED

RECORD ADVANCED

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

DVD1 RECORD ADV INPUT SELECT DIGITAL

ANLG IN LVL +0dB DIGITAL BYPASS OFF DIG OUT RATE 44.1kHz RECORD ENABLED

INPUT SETUP

DVD1

DVD2 LD TV SAT VCR CD PVR GAME TAPE TUNER AUX

SETUP

INPUTS

SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS

SETUP

INPUTS

DVD1

RECORD ADVANCED

DIGITAL BYPASS (ON, OFF)

DIGITAL BYPASS allows direct digital recording. When set to ON, the unit passes the digital input signal - unaltered - to the S/PDIF outputs. When set to OFF, the unit sends digital audio output through a sample rate converter before passing it to the S/PDIF outputs. This allows the digital output signal to match the input of a digital recording device.

Note:

DIG OUT RATE parameter settings will be ineffective when the DIGITAL BYPASS parameter is set to ON.

DIG OUT RATE (44.1kHz, 48kHz, 88.2kHz, 96kHz, INPUT) DIG OUT RATE sets the S/PDIF output sampling rate for analog or

digital inputs. When set to INPUT, the unit varies the S/PDIF audio output rate to match the sampling rate of the input signal. When set to a numerical value, the output sampling rate remains at the selected value. This is useful for recording devices that operate on a single sampling rate, such as CD-R (44.1kHz).

RECORD (ENABLED, BLOCKED) RECORD prevents feedback loops with recording devices. When set

to ENABLED, the unit allows record signals from the selected input to pass to the RECORD AUDIO and VIDEO OUTPUTS. When set to BLOCKED, the RECORD AUDIO OUTPUTS are blocked, preventing feedback loops. However, the unit will still pass video signals to the RECORD VIDEO OUTPUTS.

3-17

The SETUP Menu

MC-12/MC-12 Balanced

Note:

ANLG IN LVL (-18 to +12dB) ANLG IN LVL allows manual adjustment of the analog input levels

of the Record Zone. When ANLG IN LVL is selected, a white horizontal bar graph will appear on the screen below the ANLG IN LVL parameter. This graph illustrates the position at which the current setting falls within the -18 to +12dB parameter range. Press the up and down MENU arrows to increase and decrease the setting in 1dB increments. Press the left MENU arrow to close the graph and return to the RECORD ADV menu.

SPEAKER SETUP

CUSTOM SETUP

The CUSTOM SETUP menu can be used to configure the MAIN AUDIO OUTPUTS for a custom speaker system. For a THX-certified speaker system, use the THX SETUP menu (see page 3-24).

Default

Parameter Value Values

FRONT L/R 40Hz FULL, 30Hz to 120Hz,

THX 80Hz

CENTER 60Hz FULL, 30Hz to 120Hz,

THX 80Hz, NONE

SIDE L/R 60Hz FULL, 30Hz to 120Hz,

THX 80Hz, NONE

REAR L/R 60Hz FULL, 30Hz to 120Hz,

THX 80Hz, NONE SUB L/R MONO MONO, STEREO, NONE SUB XOVER 40Hz FULL, 30Hz to 120Hz,

THX 80Hz LFE OFF ON, OFF

Determining Crossover Settings

The CUSTOM SETUP menu allows different crossover points to be set for the following MAIN AUDIO OUTPUTS: FRONT L/R, CENTER, SIDE L/R, REAR L/R, and SUBWOOFER L/R. Crossover points can be set in 10Hz increments within a 30 to 120Hz range. All crossover settings activate a 24dB per octave filter, with the exception of THX 80Hz, which activates a 12dB per octave filter. The graphs on the next page illustrate the frequency response of the crossover settings.

For each output, select the crossover setting closest to the lowfrequency rating of the corresponding speaker. For the SUBWOOFER L/R outputs, select the crossover setting that matches the lowest setting of the other speakers in the system. Crossover settings determine how the unit redirects low-frequency signals.

In general, low frequencies will be redirected from the outputs with the highest crossover setting to the outputs with the lowest crossover setting. Remaining low frequencies below the lowest crossover setting will be redirected to the SUBWOOFER L/R outputs. If the lowest crossover setting is FULL, no low frequencies will be redirected to the SUBWOOFER L/R outputs.

For example, the factory-default crossover setting for the CENTER, SIDE L/R, and REAR L/R outputs is 60Hz. The factory-default crossover setting for the FRONT L/R and SUBWOOFER L/R outputs is 40Hz. In this example, low-frequencies from the CENTER, SIDE L/R, and REAR L/R outputs that are below 60Hz, but above 40Hz, will be redirected to the FRONT L/R outputs. Frequencies below 40Hz will be redirected to the SUBWOOFER L/R outputs.

SETUP

SPEAKERS CUSTOM SETUP

3-18

The SETUP Menu

Lexicon

3-19

The SETUP Menu

MC-12/MC-12 Balanced

Highpass Filter

The highpass filter attenuates low frequencies at 24dB per octave. The curves show the frequency response of each crossover setting. From left to right, the curves represent crossover settings from 30Hz to 120Hz. This graph does not illustrate the THX 80Hz setting, which is 12dB per octave.

Lowpass Filter

The lowpass filter attenuates high frequencies at 24dB per octave. The curves show the frequency response of each crossover setting. From left to right, the curves represent crossover settings from 30Hz to 120Hz. This graph does not illustrate the THX 80Hz setting, which is 12dB per octave.

FREQUENCY RESPONSE CURVES

-12

-24

-36

-48

0 0

-60 10 20 50 100 200 500 1k

-12

-24

-36

-48

0 0

-60 10 20 50 100 200 500 1k

CUSTOM SETUP

FRONT L/R 40Hz CENTER 60Hz

SIDE L/R 60Hz REAR L/R 60Hz SUB L/R MONO SUB XOVER 40Hz LFE OFF

3-20

The SETUP Menu

Lexicon

CUSTOM SETUP (continued)

FRONT L/R (FULL, 30Hz to 120Hz, THX 80Hz)

The FRONT L/R parameter sets the crossover setting for the MAIN AUDIO OUTPUTS labelled FRONT L/R. When set to FULL, the unit sends a full-range audio signal to the FRONT L/R outputs. When set to a numerical crossover setting, the unit activates a crossover at the selected frequency. Choose the setting closest to the lowfrequency rating of the front left and right speakers. See pages 3-18 and 3-19 for more information about crossover settings.

CENTER (FULL, 30Hz to 120Hz, THX 80Hz, NONE) The CENTER parameter sets the crossover setting for the MAIN

AUDIO OUTPUT labelled CENTER. When set to FULL, the unit sends a full-range audio signal to the CENTER output. When set to a numerical crossover setting, the unit activates a crossover at the selected frequency. Choose the setting closest to the lowfrequency rating of the center speaker . See pages 3-18 and 3-19 for more information about crossover settings. When set to NONE, the unit redirects center channel signals to the FRONT L/R outputs.

SETUP

SPEAKERS CUSTOM SETUP

SETUP INPUTS

SPEAKERS

REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

FRONT L/R SPEAKERS FULL

30Hz 40Hz 50Hz 60Hz 70Hz 80Hz THX 80Hz 90Hz 100Hz 110Hz 120Hz

SPEAKER SETUP

CUSTOM SETUP

THX SETUP SPEAKER DISTANCES LEVELS CALIBRATION

CENTER SPEAKER FULL

30Hz 40Hz 50Hz 60Hz 70Hz 80Hz THX 80Hz 90Hz 100Hz 110Hz 120Hz NONE

80Hz

M SUB

80Hz

CUSTOM SETUP FRONT L/R 40Hz

CENTER 60Hz

SIDE L/R 60Hz REAR L/R 60Hz

SUB L/R MONO SUB XOVER 40Hz LFE OFF

3-21

The SETUP Menu

MC-12/MC-12 Balanced

SIDE L/R SPEAKERS FULL

30Hz 40Hz 50Hz 60Hz 70Hz 80Hz THX 80Hz 90Hz 100Hz 110Hz 120Hz NONE

REAR L/R (FULL, 30Hz to 120Hz, THX 80Hz, NONE) The REAR L/R parameter sets the crossover setting for the MAIN

AUDIO OUTPUTS labelled REAR L/R. When set to FULL, the unit sends a full-range audio signal to the REAR L/R outputs. When set to a numerical crossover setting, the unit activates a crossover at the selected frequency. Choose the setting closest to the lowfrequency rating of the rear left and right speakers. See pages 3-18 and 3-19 for more information about crossover settings.

When set to NONE, the unit redirects side channel signals to the SIDE L/R outputs. When both the SIDE L/R and REAR L/R parameters are set to NONE, the unit redirects surround channel signals to the FRONT L/R outputs.

SIDE L/R (FULL, 30Hz to120Hz, THX 80Hz, NONE) The SIDE L/R parameter sets the crossover setting for the MAIN

AUDIO OUTPUTS labelled SIDE L/R. When set to FULL, the unit sends a full-range audio signal to the SIDE L/R outputs. When set to a numerical crossover setting, the unit activates a crossover at the selected frequency. Choose the setting closest to the lowfrequency rating of the side left and right speakers. See pages 3-18 and 3-19 for more information about crossover settings.

When set to NONE, the unit redirects side channel signals to the REAR L/R outputs. When both the SIDE L/R and REAR L/R parameters are set to NONE, the unit redirects surround channel signals to the FRONT L/R outputs.

SETUP INPUTS

SPEAKERS

REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

REAR L/R SPEAKERS FULL

30Hz 40Hz 50Hz 60Hz 70Hz 80Hz THX 80Hz 90Hz 100Hz 110Hz 120Hz NONE

SPEAKER SETUP

CUSTOM SETUP

THX SETUP SPEAKER DISTANCES LEVELS CALIBRATION

80Hz

M SUB

80Hz

CUSTOM SETUP FRONT L/R 40Hz

CENTER 60Hz SIDE L/R 60Hz REAR L/R 60Hz

SUB L/R MONO SUB XOVER 40Hz

LFE OFF

3-22

The SETUP Menu

Lexicon

SETUP INPUTS

SPEAKERS

REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

SUBWOOFERS L/R MONO

STEREO NONE

SPEAKER SETUP

CUSTOM SETUP

THX SETUP SPEAKER DISTANCES LEVELS CALIBRATION

CUSTOM SETUP (continued)

SUB L/R (MONO, STEREO, NONE)

The SUB L/R parameter determines the configuration of the MAIN AUDIO OUTPUTS labelled SUBWOOFER L/R. When set to MONO, the front left and right, center, side left and right, and rear left and right channels are combined and sent to the SUBWOOFER L/R outputs. This setting is recommended if one subwoofer is being utilized.

When set to STEREO, low frequencies from the front left, center, side left, and rear left channels are combined and sent to the SUBWOOFER L output. Low frequencies from the front right, center, side right, and rear right are combined and set to the SUBWOOFER R output. This setting is recommended if two identical subwoofers are being utilized.

When set to NONE, low frequencies from the FRONT L/R, CENTER, SIDE L/R, and REAR L/R outputs will not be passed to the SUBWOOFER L/R ouputs and will be filtered at the lowest crossover setting selected.

SUB XOVER (FULL, 30Hz to 120Hz, THX 80Hz) The SUB XOVER parameter sets the crossover setting for the MAIN

AUDIO OUTPUTS labelled SUB L/R. When set to FULL, the unit sends a full-range audio signal to the SUB L/R outputs. When set to a numerical crossover setting, the unit activates a crossover at the selected frequency. Choose the setting that matches the lowest crossover setting in the system. See pages 3-18 and 3-19 for more information about crossover settings.

SETUP

SPEAKERS CUSTOM SETUP

SUB XOVER FULL

30Hz 40Hz 50Hz 60Hz 70Hz 80Hz THX 80Hz 90Hz 100Hz 110Hz 120Hz

80Hz

M SUB

80Hz

LFE (ON, OFF) LFE (Low Frequency Enhancement) activates and deactivates the

MAIN AUDIO OUTPUT labelled LFE. Selecting this parameter accesses the pulldown menu pictured above. Use the up and down MENU arrows to switch between the ON and OFF settings. Press the right MENU arrow to select the desired setting. Press the left MENU arrow to close the pulldown menu and return to the CUSTOM SETUP menu.

When the LFE parameter is set to ON, the unit sends the LFE channel to the LFE output. When set to OFF, the unit deactivates the LFE output and sends the LFE channel to the SUBWOOFER L/R outputs. If the SUBWOOFER L/R outputs are set to NONE, the LFE channel is sent to the MAIN AUDIO OUTPUTS with the lowest crossover setting.

3-23

The SETUP Menu

MC-12/MC-12 Balanced

For example, LFE is set to OFF, SUBWOOFER L/R is set to NONE, FRONT L/R is set to 40Hz, and the rest of the MAIN AUDIO OUTPUTS are set to 60Hz. The LFE channel will be sent to the FRONT L/R outputs, utilizing the 40Hz crossover point.

SETUP INPUTS

SPEAKERS

REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

CUSTOM SETUP FRONT L/R 40Hz

CENTER 60Hz SIDE L/R 60Hz REAR L/R 60Hz SUB L/R MONO SUB XOVER 40Hz

LFE

OFF

SPEAKER SETUP

CUSTOM SETUP

THX SETUP SPEAKER DISTANCES LEVELS CALIBRATION

80Hz

M SUB

80Hz

3-24

The SETUP Menu

Lexicon

THX SETUP

Default

Parameter Value Values

FRONT L/R THX 80Hz THX 80Hz CENTER THX 80Hz THX 80Hz SIDE L/R THX 80Hz THX 80Hz REAR L/R THX 80Hz THX 80Hz, NONE SUB L/R MONO MONO SUB XOVER THX 80Hz THX 80Hz LFE OFF OFF

The THX SETUP menu can be used to configure the MAIN AUDIO OUTPUTS for a THX-certified speaker system. For a non-THXcertified speaker system, use the CUSTOM SETUP menu (see page 3-18). When THX SETUP is selected, a message will appear cautioning that, if the right MENU arrow is pressed again, the MAIN AUDIO OUTPUTS will automatically change to a THX speaker configuration. This will override custom speaker settings that have been chosen. Press the right MENU arrow to activate a THX speaker configuration. Press the left MENU arrow to cancel THX speaker configuration and return to the SPEAKER SETUP menu.

If a THX speaker configuration is activated, the THX SETUP menu will display the THX configuration settings. The unit will automatically set all outputs to THX 80Hz with a 12dB per octave filter. The only exceptions are SUB L/R and LFE. SUB L/R will be set to MONO (see page 3-22) and LFE will be set to OFF (see page 3-23). THX speaker configuration applies to all inputs and listening modes.

SETUP SPEAKERS THX SETUP

THX SPEAKER SETUP

!CAUTION!

PRESSING THE RIGHT V

BUTTON WILL

AUTOMATICALLY CHANGE

THE OUTPUTS TO A THX

SPEAKER

CONFIGURATION

SPEAKER SETUP CUSTOM SETUP

THX SETUP

SPEAKER DISTANCES LEVELS CALIBRATION

SETUP INPUTS

SPEAKERS

REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

THX SETUP FRONT L/R THX 80Hz

CENTER THX 80Hz SIDE L/R THX 80Hz REAR L/R THX 80Hz SUB L/R MONO SUB XOVER THX 80Hz LFE OFF

80Hz

SUB

80Hz

3-25

The SETUP Menu

MC-12/MC-12 Balanced

The parameters on the THX SETUP menu are not adjustable, with the exception of REAR L/R. The default value of REAR L/R is THX 80Hz, which activates the rear speakers for use in a THX Surround EX setup. This setup requires rear speakers to be operational. When set to OFF, the REAR L/R outputs are deactivated and the Surround EX parameter (see page 5-24) cannot be set to ON.

Note:

The THX SETUP menu is not adjustable, with the exception of the REAR L/R parameter. To customize settings, use the CUSTOM SETUP menu (see page 3-18).

SPEAKER DISTANCES

Selecting SPEAKER DISTANCES accesses the SPEAKER DISTANCES menu, which can be used to set the listener position relative to the

speakers. The unit features a speaker distance control, used for entering distances for all speakers. This feature is not a substitute for proper speaker placement, though it does help to ensure accurate signal arrival times at the primary listening position.

Speaker distances can be set within a range of 0 to 30ft or 0 to 12m. The UNITS parameter selects the desired unit of measurement. The unit will automatically convert feet to meters or meters to feet when the parameter setting is changed. To determine the appropriate setting, measure the distance between the primary listening position and the front baffle of each speaker. Enter the closest available value in the corresponding parameter.

Press the right MENU arrow to select the desired speaker for adjustment. Press the up and down MENU arrows to increase and decrease the distance in 0.5ft or 0.2m increments. Press the left MENU arrow once to exit the selected parameter, and twice to exit the SPEAKER DISTANCES menu.

SPEAKER DISTANCES FRONT LEFT 0.0ft

CENTER 0.0ft FRONT RIGHT 0.0ft SIDE RIGHT 0.0ft REAR RIGHT 0.0ft REAR LEFT 0.0ft SIDE LEFT 0.0ft SUB (MONO) * 0.0ft SUB RIGHT 0.0ft LFE SUB 0.0ft UNITS FEET

SPEAKER SETUP CUSTOM SETUP

THX SETUP

SPEAKER DISTANCES

LEVELS CALIBRATION

SETUP INPUTS

SPEAKERS

REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

SETUP SPEAKERS SPEAKER DISTANCES

When SUB L/R is set to STERE0 or NONE (see page 3-22), the SUB MONO parameter will appear as SUB LEFT.

1.5ft

M SUB

1.5ft

3-26

The SETUP Menu

Lexicon

LEVELS CALIBRATION

Properly calibrated output levels are critical. Setting output levels is a simple procedure using a Sound Pressure Level (SPL) meter. This device measures the relative loudness of the speakers so that output levels can be calibrated accurately. An SPL meter can be purchased at Radio Shack (catalog no. 33-2050).

To ensure the most accurate calibration levels:

• Eliminate extraneous noises in the listening space, such as conversation, air conditioners, and sounds that filter in from open doors and windows.

• Remove objects (including people) that obstruct the line-of-sight path between the SPL meter and the speaker being measured.

• Measure output levels from the primary listening position, placing the SPL meter at the approximate spot where the listener’s head will be during listening.

INTERNAL NOISE TEST

Selecting either INTERNAL NOISE TEST or EXTERNAL NOISE TEST accesses the SPEAKER LEVEL ADJUST menu (pictured above). When INTERNAL NOISE TEST is selected, a cautionary message (pictured at the right) will appear on the screen. This serves as a reminder that the INTERNAL NOISE TEST generates loud calibration noises. When the message appears, press the right MENU arrow to proceed to the SPEAKER LEVEL ADJUST menu. Press the left MENU arrow to return to the LEVELS CALIBRATION menu.

INTERNAL NOISE

!CAUTION!

HIGH AUDIO LEVELS

LEVELS CALIBRATION

INTERNAL NOISE TEST EXTERNAL NOISE TEST

SUB LIMITERS

SPEAKER SETUP CUSTOM SETUP

THX SETUP SPEAKER DISTANCES

LEVELS CALIBRATION

SPEAKER LEVEL ADJUST FRONT LEFT +0.0dB

CENTER +0.0dB FRONT RIGHT +0.0dB SIDE RIGHT +0.0dB REAR RIGHT +0.0dB REAR LEFT +0.0dB SIDE LEFT +0.0dB SUB (MONO) * +0.0dB SUB RIGHT +0.0dB LFE SUB +0.0dB

SETUP INPUTS

SPEAKERS

REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

Note:

Front panel and remote control buttons - except the MENU button and MENU arrows - will not function while the SPEAKER LEVEL ADJUST menu is selected. All buttons will regain functionality when the menu is exited.

SETUP SPEAKERS LEVELS CALIBRATION

When SUB L/R is set to STERE0 or NONE (see page 3-22), the SUB MONO parameter will appear as SUB LEFT.

0.0dB

M SUB

0.0dB

3-27

The SETUP Menu

MC-12/MC-12 Balanced

As the INTERNAL NOISE TEST is conducted, a noise signal will move from output to output following the order on the SPEAKER LEVEL ADJUST menu. The cursor will automatically scroll through the menu highlighting each output as it is tested. Each output is tested for approximately 4s.

Before making adjustments, set the SPL meter to “C” weighting and “SLOW” response. Use the up and down MENU arrows to temporarily interrupt automatic scrolling and manually select an output. Press the right MENU arrow to select an output for adjustment, then use the up and down MENU arrows to increase and decrease the level of the selected output in 0.5dB increments within a range of -18 to +12dB. Adjust all output levels to achieve a 75dB reading on the SPL meter from the primary listening position. Press the left MENU arrow to exit the selected output and resume automatic scrolling.

EXTERNAL NOISE TEST

Selecting either INTERNAL NOISE TEST or EXTERNAL NOISE TEST accesses the SPEAKER LEVEL ADJUST menu (pictured on the previous page).

The EXTERNAL NOISE TEST requires a noise signal source, such as an audio calibration disc. As the EXTERNAL NOISE TEST is conducted, the unit loads the DOLBY PRO LOGIC II, DOLBY DIGITAL, or dts(-ES) listening mode utilizing the signal from the audio calibration disc.

For example, if a PCM input type is coming into the unit when the EXTERNAL NOISE TEST is conducted, the unit will activate the DOLBY PRO LOGIC II listening mode. If a Dolby Digital input type is coming in, the unit will activate the DOLBY DIGITAL listening mode. And if a dts(-ES) input type is coming in, the unit will acti-

vate the dts(-ES) listening mode. During the EXTERNAL NOISE TEST , these listening modes will retain their factory-default settings. The unit will temporarily disregard customized listening mode settings.

Before making adjustments, set the SPL meter according to the audio calibration disc instructions. If no setting is recommended, set the SPL meter to “C” weighting and “SLOW” response. Use the up and down MENU arrows to manually scroll through menu items. Press the right MENU arrow to select an output for adjustment, then use the up and down MENU arrows to increase and decrease the level of the selected output in 0.5dB increments within a range of -18 to +12dB. Adjust all output levels to achieve the appropriate reading on the SPL meter from the primary listening position. Refer to the disc calibration instructions to determine the appropriate reading. Press the left MENU arrow to exit the selected output and return to the SPEAKER LEVEL ADJUST menu.

Note:

MC-12 Balanced output levels must be recalibrated when output connections are changed from unbalanced to balanced or vice versa. The balanced outputs are approximately 6dB louder than the unbalanced outputs.

3-28

The SETUP Menu

Lexicon

LEVELS CALIBRATION (continued)

SUB LIMITERS

Dolby Digital and dts(-ES) input types can produce low-frequency peaks at much higher levels than 2-channel input types. In home listening spaces, the subwoofer and its associated amplifier are sometimes unable to reproduce these levels without overloading. For this reason, the unit is equipped with internal sub limiters that help prevent subwoofer signals from exceeding a designated value. This parameter can be adjusted within a 75 to 115dB range. Separate limiters are provided for the SUBWOOFER L/R and the LFE outputs.

Default

Parameter Value Values

CAL NOISE ON ON, OFF L/R LIMITER ON ON, OFF L/R LIMIT ADJ 100dB 75 to 115dB LFE LIMITER ON ON, OFF LFE LIMIT ADJ 100dB 75 to 115dB

Note:

In cases where the left and right subwoofers have built-in limiter protection, the L/R LIMITER parameter should be set to OFF. In cases where the LFE subwoofer has built-in limiter protection, the LFE LIMITER parameter should be set to OFF.

LEVELS CALIBRATION INTERNAL NOISE TEST

EXTERNAL NOISE TEST

SUB LIMITERS

SPEAKER SETUP CUSTOM SETUP

THX SETUP SPEAKER DISTANCES

LEVELS CALIBRATION

SUB LIMITERS CAL NOISE ON

L/R LIMITER ON L/R LIMIT ADJ 100dB LFE LIMITER ON LFE LIMIT ADJ 100dB

!CAUTION!

HIGH AUDIO LEVELS

SETUP INPUTS

SPEAKERS

REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

SETUP SPEAKERS LEVELS CALIBRATION

0.0dB

M SUB

0.0dB

3-29

The SETUP Menu

MC-12/MC-12 Balanced

CAL NOISE (ON, OFF) CAL NOISE determines whether limiters will be set using an

internal or external noise signal. When set to ON, the unit activates the internal calibration noise to set the limiters. When set to OFF, the unit deactivates the internal calibration noise, requiring the use of an audio calibration disc to set the limiters.

L/R LIMITER (ON, OFF) L/R LIMITER affects the SUBWOOFER L/R outputs, as well as any

low-frequency signals redirected to other MAIN AUDIO OUTPUTS. When set to ON, these outputs will be restricted to the limit specified in the L/R LIMIT ADJ parameter. When set to OFF, the output level of these outputs will not be restricted. The L/R LIMITER should be set to OFF when the left and right subwoofers have builtin limiter protection.

L/R LIMIT ADJ (75 to 115dB) L/R LIMIT ADJ specifies the output level restriction placed on the

SUBWOOFER L/R outputs, as well as any low-frequency signals redirected to other MAIN AUDIO OUTPUTS, when the L/R LIMITER parameter is set to ON. Press the right MENU arrow to select this parameter for adjustment. Its setting will automatically change to 75dB. Use the up and down MENU arrows to increase and decrease the setting in 1dB increments. Gradually increase the setting until the subwoofer begins to overload, then reduce the setting until the subwoofer stops overloading. Press the left MENU arrow to accept the setting and exit the parameter.

LFE LIMITER (ON, OFF) LFE LIMITER affects the LFE output. When set to ON, the output

level of the LFE output will be restricted to the limit specified in the LFE LIMIT ADJ parameter. When set to OFF, the output level of the LFE output will not be restricted. The LFE LIMITER should be set to OFF when the LFE subwoofer has built-in limiter protection.

LFE LIMIT ADJ (75 to 115dB) LFE LIMIT ADJ specifies the output level restriction placed on the

LFE output when the LFE LIMITER parameter is set to ON. Press the right MENU arrow to select this parameter for adjustment. Its setting will automatically change to 75dB. Use the up and down MENU arrows to increase and decrease the setting in 1dB increments. Gradually increase the setting until the subwoofer begins to overload, then reduce the setting until the subwoofer stops overloading. Press the left MENU arrow to accept the setting and exit the parameter.

3-30

The SETUP Menu

Lexicon

REAR PANEL CONFIG 8 STEREO INPUTS

5 STEREO & 5.1 ANLG

SETUP INPUTS

SPEAKERS

REAR PANEL CONFIG

DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS

REAR PANEL CONFIG

The REAR PANEL CONFIG menu can be used to configure AUDIO INPUT pairs 1 to 8 on the rear panel. These inputs can be set up to function as eight stereo analog input pairs, or as five stereo analog input pairs and one 5.1-channel analog input.

8 STEREO INPUTS

8 STEREO INPUTS is the default setting for REAR PANEL CONFIG. When set to 8 STEREO INPUTS, the AUDIO INPUTS are configured as eight stereo analog input pairs. Pairs 6, 7, and 8 are not available as a 5.1-channel analog input. Input types that are assigned to the 5.1-channel analog input will be reassigned to stereo input Pair 6.

5 STEREO & 5.1 ANLG

When set to 5 STEREO & 5.1 ANLG, the AUDIO INPUTS are configured as five stereo analog input pairs and one 5.1-channel analog input. The 5.1-channel analog input consists of AUDIO INPUT pairs 6, 7, and 8. Pair 6 becomes the front left and right (L)/(R) inputs. Pair 7 becomes the center (C) and subwoofer (SUB) inputs. And Pair 8 becomes the surround left and right (LS)/(RS) inputs. Input types that are assigned to stereo analog input pairs 6, 7, and 8 will be reassigned to the 5.1-channel analog input.

When selected for the Main Zone, these input signals are sent to the corresponding outputs. However, neither Zone 2 nor the Record Zone provide multi-channel outputs. If the 5.1-channel analog input is selected for Zone 2 or the Record Zone, only the front left and right (L)/(R) inputs will be available.

SETUP

REAR PANEL CONFIG

5 STEREO & 5.1 ANLG

SETUP REAR PANEL CONFIG

8 STEREO INPUTS

Note:

If 5 STEREO & 5.1 ANLG is selected on the REAR P ANEL CONFIG menu, the unit will automatically select the 5.1 BYP ASS listening mode if the following conditions are also met:

• The ANALOG IN parameter on the INPUT SETUP menu is set to 5.1 ANALOG (see page 3-6).

• The INPUT SELECT parameter on the MAIN ADV menu is set to either AUTO or ANALOG (see page 3-13). When set to AUTO, no digital input types can be present.

• The ANALOG BYPASS parameter on the MAIN ADV menu is set to ON (see page 3-13).

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

3-31

The SETUP Menu

MC-12/MC-12 Balanced

DISPLAY SETUP

ON-SCREEN DISPLAY

FRONT PANEL DISPLAY A/V SYNC DELAY OFF CUSTOM NAME OFF EDIT CUSTOM NAME

SETUP INPUTS

SPEAKERS REAR PANEL CONFIG

DISPLAYS

VOLUME CONTROLS TRIGGERS LOCK OPTIONS

DISPLAY SETUP

ON-SCREEN DISPLAY

Default

Parameter Value Values

STA TUS 2 SECONDS ALWAYS ON, 2 SECONDS,

ALWAYS OFF POSITION TOP TOP, CENTER, BOTTOM FORMAT NTSC NTSC, PAL, SECAM BACKGROUND ON ON, OFF REMOTE STATE ON ON, OFF

SETUP DISPLAYS ON-SCREEN DISPLAY

STATUS (ALWAYS ON, 2 SECONDS, ALWAYS OFF)

STATUS activates and deactivates the on-screen display, provided the display device is utilizing the MAIN VIDEO OUTPUT labelled 1 (OSD). When set to ALWAYS ON, the on-screen display remains on at all times. When set to 2 SECONDS, the on-screen display will appear for two seconds when the unit receives a command or the input type changes. When set to ALWAYS OFF, the on-screen display remains off at all times.

POSITION (TOP, CENTER, BOTTOM) POSITION controls the vertical position of the two-line status (see

page 1-5) on the display device. When set to TOP, the two-line status appears near the top of the display device screen. When set to CENTER, the two-line status is centered on the display device screen. This setting is recommended when the top and bottom of the on-screen display appears cropped (not visible). When set to BOTTOM, the two-line status appears near the bottom of the display device screen.

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

ON-SCREEN DISPLAY STATUS 2 SECONDS

POSITION TOP FORMAT NTSC BACKGROUND ON REMOTE STATE ON

FRONT PANEL DISPLAY

Default

Parameter Value Values

STA TUS ALWAYS ON ALWA YS ON, 2 SECONDS,

ALWAYS OFF

BRIGHTNESS 100% 100%, 75%, 50%, 25%

STATUS (ALWAYS ON, 2 SECONDS, ALWAYS OFF) STATUS activates and deactivates the front panel display. When set

to ALWAYS ON, the front panel display remains on at all times. When set to 2 SECONDS, the front panel display will appear for two seconds when the unit receives a command or the input type changes. When set to ALWAYS OFF, the front panel display remains off at all times.

BRIGHTNESS (100%, 75%, 50%, 25%) BRIGHTNESS adjusts the brightness of the front panel display. The

front panel display will adjust accordingly when a setting is selected.

A/V SYNC DELAY

A/V SYNC DELAY synchronizes the delay time between audio and video signals. This parameter is useful when using a video processor or line scaler. These products introduce a delay in the video signal, which causes the audio and video signals to

DISPLAY SETUP ON-SCREEN DISPLAY

FRONT PANEL DISPLAY

A/V SYNC DELAY OFF

EDIT CUSTOM NAME

3-32

The SETUP Menu

Lexicon

SETUP

DISPLAYS A/V SYNC DELAY

ON-SCREEN DISPLAY (continued)

FORMAT (NTSC, PAL, SECAM)

The FORMAT parameter has three settings: NTSC, PAL, and SECAM. These settings make the video switcher and on-screen display compatible with NTSC, PAL, or SECAM formats. The appropriate setting varies from country to country. Consult the display device user guide to determine the correct setting.

BACKGROUND (ON, OFF) BACKGROUND activates and deactivates the menu background.

When set to ON, the menu appears over a solid blue or grey background. When set to OFF, the menu appears over the incoming video signal. Setting this parameter to OFF will automatically deactivate the on-screen display if the display device is utilizing the COMPONENT VIDEO OUTPUT.

REMOTE STATE (ON, OFF) The REMOTE STATE parameter controls whether or not the active

remote control command bank will be indicated on the on-screen display. When set to ON, the active command bank is indicated in the top-right corner of the on-screen display. A yellow “Z” will appear when the ZONE command bank is active. A red “R” will appear when the REC command bank is active. A blue “S” will appear when the SHIFT command bank is active. Nothing will appear when the MAIN command bank is active. When set to OFF, the active command bank is not indicated on the on-screen display .

SETUP

DISPLAYS FRONT PANEL DISPLAY

become unsynchronized in a system. Setting a corresponding audio delay with A/V SYNC DELAY restores synchronization.

A/V SYNC DELAY can be set in 1ms increments within its 1 to 60ms parameter range. When setting the A/V SYNC DELAY parameter, it is recommended to use a news broadcast or another source that does not utilize Automated Dialog Replacement. When set to OFF, the parameter is deactivated.

CUSTOM NAME

CUSTOM NAME displays the text entered in the EDIT CUSTOM NAME parameter. When set to ON, the custom name will scroll across the on-screen and front panel displays when the unit is powered on. When set to OFF, the custom name will not appear when the unit is powered on.

DISPLAY SETUP ON-SCREEN DISPLAY

FRONT PANEL DISPLAY A/V SYNC DELAY OFF

CUSTOM NAME

OFF

3-33

The SETUP Menu

MC-12/MC-12 Balanced

EDIT CUSTOM NAME

EDIT CUSTOM NAME allows the creation of a customized name that scrolls across the on-screen and front panel displays when the unit is powered on, provided the CUSTOM parameter is set to ON. Selecting EDIT CUSTOM NAME accesses the pulldown menu pictured at the right.

Use the up and down MENU arrows to change the character above the ^. Up to 13 characters (including blank spaces) can be entered. Use the right MENU arrow to advance to the next character. The ^ will automatically wrap to the first character space after the thirteenth character space is passed. When finished, press the left MENU arrow to close the pulldown menu.

DISPLAY SETUP ON-SCREEN DISPLAY

FRONT PANEL DISPLAY

A/V SYNC DELAY OFF CUSTOM NAME OFF EDIT CUSTOM NAME

SETUP INPUTS

SPEAKERS REAR PANEL CONFIG

DISPLAYS

VOLUME CONTROLS TRIGGERS LOCK OPTIONS

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

FRONT PANEL DISPLAY STATUS ALWAYS ON

BRIGHTNESS 100%

DISPLAY SETUP ON-SCREEN DISPLAY

FRONT PANEL DISPLAY A/V SYNC DELAY OFF CUSTOM NAME OFF

EDIT CUSTOM NAME MC-12

WYBUTTONS TO EDIT UP TO 13 CHARACTERS

V BUTTON TO ADVANCE

SETUP

DISPLAYS

EDIT CUSTOM NAME

SETUP

DISPLAYS CUSTOM NAME

3-34

The SETUP Menu

Lexicon

VOLUME CONTROL SETUP MAIN PWR ON -30dB

MUTE LEVEL -30dB ZONE PWR ON -30dB REC PWR ON -30dB

SETUP INPUTS

SPEAKERS REAR PANEL CONFIG DISPLAYS

VOLUME CONTROLS

TRIGGERS LOCK OPTIONS

VOLUME CONTROL SETUP

Default

Parameter Value Values

MAIN PWR ON -30dB LAST LVL, -80 to +12dB MUTE LEVEL -30dB FULL, -40dB, -30dB,

-20dB, -10dB ZONE PWR ON -30dB LAST LVL, -80 to +12dB REC PWR ON -30dB LAST LVL, -80 to +12dB

MAIN PWR ON (LAST LVL, -80 to +12dB) MAIN PWR ON establishes the volume level that will be active in

the Main Zone whenever the unit is powered on. When set to LAST LVL, the Main Zone will power on at the last volume level that was active in that zone during the previous operating session.

MUTE LEVEL (FULL, -40dB, -30dB, -20dB, -10dB) MUTE LEVEL establishes the amount of attenuation that occurs in

the Main Zone whenever the Mute button is pressed. When set to FULL, the Main Zone volume level will be fully attenuated.

ZONE PWR ON (LAST LVL, -80 to +12dB) ZONE PWR ON establishes the volume level that will be active in

Zone 2 whenever the unit is powered on. When set to LAST LVL, Zone 2 will power on at the last volume level that was active in that zone during the previous operating session.

REC PWR ON (LAST LVL, -80 to +12dB) REC PWR ON establishes the volume level that will be active in the

Record Zone whenever the unit is powered on. When set to LAST LVL, the Record Zone will power on at the last volume level that was active in that zone during the previous operating session.

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

TRIGGER SETUP

TRIGGER 1 REMOTE

TRIGGER 2 REMOTE

3-35

The SETUP Menu

MC-12/MC-12 Balanced

SETUP INPUTS

SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS

TRIGGERS

LOCK OPTIONS

TRIGGER SETUP

There are three 12V DC TRIGGER OUTPUTS on the rear panel that can be used to control other devices with compatible trigger inputs. The trigger labelled PWR is not configurable, and is always on when the unit is on and always off when the unit is in standby or off. The TRIGGER OUTPUTS labelled 1 and 2 represent the two configurable triggers on the unit, and can be programmed for REMOTE or PROGRAM operation in the TRIGGER SETUP menu. Selecting the TRIGGERS option on the SETUP menu prompts the selection of the desired TRIGGER for configuration. Selecting either TRIGGER 1 or TRIGGER 2 accesses the TRIGGER SETUP menu (pictured at the right). Use the up and down MENU arrows to scroll through the menu items. Press the right MENU arrow to select the highlighted MENU arrow, then use the up and down MENU arrows to toggle between the ON and OFF settings. Press the left MENU arrow to select the desired setting.

REMOTE OPERATION

When the REMOTE parameter is set to ON, the selected trigger will be configured for REMOTE operation. The unit will ignore all other parameter settings on the TRIGGER SETUP menu. Use the remote control commands described on page 2-12 to activate and deactivate the selected trigger. When the REMOTE parameter is set to OFF, the selected trigger will automatically be configured for PROGRAM operation.

PROGRAM OPERATION

When the REMOTE parameter is set to OFF, the selected trigger will automatically be configured for PROGRAM operation. Triggers can be activated upon the selection of associated Main Zone inputs, Zone 2 input selection, Record Zone input selection, and Main Zone listening modes. (Triggers cannot be associated with individual inputs in Zone 2 or the Record Zone.)

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

TRIGGER 1 SETUP REMOTE CONTROL ON

DVD1 OFF DVD2 OFF LD OFF TV OFF SAT OFF VCR OFF CD OFF PVR OFF GAME OFF TAPE OFF TUNER OFF AUX OFF ZONE2 INPUTS OFF RECORD INPUTS OFF

FILM OFF TV OFF MUSIC OFF PL II OFF PRO LOGIC II OFF PL II MUSIC OFF

PRO LOGIC OFF 2-CHANNEL OFF 2-CH SURROUND OFF MONO OFF MONO LOGIC OFF MONO SURROUND OFF

5.1 FILM OFF

5.1 TV OFF

5.1 MUSIC OFF

5.1 SUR EX OFF

DIGITAL OFF

5.1 2-CHANNEL OFF

5.1 MONO OFF

5.1 MONO LOGIC OFF

5.1 MONO SURR OFF

FILM OFF MUSIC OFF

OFF OFF

2-CHAN OFF

Selecting either TRIGGER 1 or TRIGGER 2 accesses an identical TRIGGER SETUP menu.

3-36

The SETUP Menu

Lexicon

SETUP INPUTS

SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS

LOCK OPTIONS

The LOCK OPTIONS menu can be used to lock and unlock settings in the three primary menus: MODE ADJUST, AUDIO CONTROLS, and SETUP.

Default

Parameter Value Values

MODES UNLOCKED LOCKED, UNLOCKED AUDIO CNTRL UNLOCKED LOCKED, UNLOCKED SETUP UNLOCKED LOCKED, UNLOCKED

MODES (LOCKED, UNLOCKED) MODES controls MODE ADJUST menu settings. When set to

LOCKED, these settings cannot be adjusted. When set to UNLOCKED, these settings can be adjusted.

AUDIO CNTRL (LOCKED, UNLOCKED) AUDIO CNTRL controls AUDIO CONTROLS menu settings. When

set to LOCKED, these settings cannot be adjusted. When set to UNLOCKED, these settings can be adjusted.

SETUP (LOCKED, UNLOCKED) SETUP controls SETUP menu settings. When set to LOCKED, these

settings cannot be adjusted. When set to UNLOCKED, these settings can be adjusted.

LOCK OPTIONS MODES UNLOCKED

AUDIO CNTRL UNLOCKED SETUP UNLOCKED

MAIN MENU MODE ADJUST

AUDIO CONTROLS

SETUP

Note:

Locking settings in the MODE ADJUST, AUDIO CONTROLS, and SETUP menus will prevent accidental changes. These menus can be unlocked at any time to adjust settings.

The AUDIO CONTROLS Menu

AUDIO CONTROLS ............................................................4-2 to 4-5

AUDIO CONTROLS

Selecting AUDIO CONTROLS on the MAIN MENU accesses the AUDIO CONTROLS menu, which contains adjustable parameters. Use the up and down MENU arrows to scroll through the complete list. Press the right MENU arrow to select the highlighted parameter for adjustment. Press the left MENU arrow to return to the MAIN MENU.

Default

Parameter Value Values

BASS +0.0dB -6.0 to +6.0dB TREBLE +0.0dB -6.0 to +6.0dB TILT EQ +0.0dB -3.0 to +3.0dB LOUDNESS OFF ON, OFF BALANCE <|> L<, <|>, >R * FADER <|> B<, <|>, >F * ZONE2 BALANCE <|> L<, <|>, >R * RECORD BALANCE <|> L<, <|>, >R *

*Scale shown below. When FADER is selected, the L will be replaced by a B and the R will be replaced by an F.

4-2

The AUDIO CONTROLS Menu

Lexicon

BASS (-6.0 to +6.0dB)

BASS controls the amount of low-frequency boost or cut applied to the FRONT L/R, CENTER, SUBWOOFER L/R, and LFE outputs. When BASS is selected, a horizontal graph will appear on the screen below the parameter. This graph illustrates the position at which the current setting falls within the -6.0 to +6.0dB parameter range. Press the up and down MENU arrows to increase and decrease the setting in 0.5dB increments. Press the left MENU arrow to close the graph and return to the AUDIO CONTROLS menu.

The graph pictured below shows the frequency response of all BASS settings.

BASS

AUDIO CONTROLS

AUDIO CONTROLS BASS +0.0dB

TREBLE +0.0dB TILT EQ +0.0dB LOUDNESS OFF BALANCE <|> FADER <|> ZONE2 BALANCE <|> RECORD BALANCE <|>

L R

+6.0 +5.5 +5.0 +4.5 +4.0 +3.5 +3.0 +2.5 +2.0 +1.5 +1.0 +0.5 +0.0

-0.5

-1.0

-1.5

-2.0

-2.5

-3.0

-3.5

-4.0

-4.5

-5.0

-5.5

-6.0

+0.0

10 20 50 100 200 500 1k 2k 5k 10k 20k

TREBLE (-6.0 to +6.0dB)

TREBLE controls the amount of boost or cut applied to the FRONT L/R and CENTER outputs. When TREBLE is selected, a horizontal graph will appear on the screen below the parameter. This graph illustrates the position at which the current setting falls within the

-6.0 to +6.0dB parameter range. Press the up and down MENU arrows to increase and decrease the setting in 0.5dB increments. Press the left MENU arrow to close the graph and return to the AUDIO CONTROLS menu.

The graph pictured below shows the frequency response of all TREBLE settings.

4-3

The AUDIO CONTROLS Menu

MC-12/MC-12 Balanced

TILT EQ (-3.0 to +3.0dB)

TILT EQ controls the amount of tilt equalization applied to the FRONT L/R, CENTER, SUBWOOFER L/R, and LFE outputs. When TILT EQ is selected, a horizontal graph will appear on the screen below the parameter. This graph illustrates the position at which the current setting falls within the -3.0 to +3.0dB parameter range. Press the up and down MENU arrows to increase and decrease the setting in 0.5dB increments. Press the left MENU arrow to close the graph and return to the AUDIO CONTROLS menu.

TILT EQ affects the entire frequency spectrum with a hinge point at 1kHz. As it is increased, frequencies above 1kHz are boosted, while frequencies below 1kHz are simultaneously cut. As it is decreased, frequencies above 1kHz are cut, while frequencies below 1kHz are simultaneously boosted. The graph pictured below shows the frequency response of all TILT EQ settings.

TREBLE

AUDIO CONTROLS

TILT EQ

AUDIO CONTROLS

+6.0 +5.5 +5.0 +4.5 +4.0 +3.5 +3.0 +2.5 +2.0 +1.5 +1.0 +0.5

+0.0

10 20 50 100 200 500 1k 2k 5k 10k 20k

+0.0

-0.5

-1.0

-1.5

-2.0

-2.5

-3.0

-3.5

-4.0

-4.5

-5.0

-5.5

-6.0

-3.0

-2.8

-2.6

-2.4

-2.2

-2.0

-1.8

-1.6

-1.4

-1.2

-1.0

-0.8

-0.6

-0.4

-0.2 +0.0 +0.2 +0.4 +0.6 +0.8 +1.0 +1.2 +1.4 +1.6 +1.8 +2.0 +2.2 +2.4 +2.6 +2.8 +3.0

10 20 50 100 200 500 1k 2k 5k 10k 20k

+3.0 +2.8 +2.6 +2.4 +2.2 +2.0 +1.8 +1.6 +1.4 +1.2 +1.0 +0.8 +0.6 +0.4 +0.2 +0.0

-0.2

-0.4

-0.6

-0.8

-1.0

-1.2

-1.4

-1.6

-1.8

-2.0

-2.2

-2.4

-2.6

-2.8

-3.0

4-4

The AUDIO CONTROLS Menu

Lexicon

BALANCE

BALANCE controls the left-to-right balance of the Main Zone. When BALANCE is selected, a horizontal graph (pictured on page 4-2) will appear on the screen below the parameter. This graph illustrates the position at which the current setting falls within the entire parameter range. Press the up MENU arrow to move the setting toward the right, and the down MENU arrow to move the setting toward the left. Press the left MENU arrow to close the graph and return to the AUDIO CONTROLS menu.

FADER

FADER controls the front-to-back balance of the Main Zone. When FADER is selected, a horizontal graph (pictured on page 4-2) will appear on the screen below the parameter. This graph illustrates the position at which the current setting falls within the entire parameter range. Press the up MENU arrow to move the setting forward, and the down MENU arrow to move the setting backward. Press the left MENU arrow to close the graph and return to the AUDIO CONTROLS menu.

ZONE2 BALANCE

ZONE2 BALANCE controls the left-to-right balance of the ZONE2 AUDIO OUTPUTS. When ZONE2 BALANCE is selected, a horizontal graph (pictured on page 4-2) will appear on the screen below the parameter. This graph illustrates the position at which the current setting falls within the entire parameter range. Press the up MENU arrow to move the setting toward the right, and the down MENU arrow to move the setting toward the left. Press the left MENU arrow to close the graph and return to the AUDIO CONTROLS menu.

ZONE2 BALANCE

AUDIO CONTROLS

FADER

AUDIO CONTROLS

LOUDNESS (ON, OFF)

LOUDNESS controls the amount of low-frequency boost that is automatically applied to the FRONT L/R, CENTER, SUBWOOFER L/R, and LFE outputs. When set to ON, loudness compensation is automatically applied based on the current volume level. As volume is decreased, the amount of boost is automatically increased. The loudness contour is optimized for sources calibrated to Dolby reference levels. When set to OFF, loudness compensation is not applied.

The graph pictured below shows the frequency response that is automatically applied when Main Zone volume is adjusted.

LOUDNESS

AUDIO CONTROLS

BALANCE

AUDIO CONTROLS

0 0

+12

0 0

10 20 50 100 200 500 1k 2k 5k 10k 20k

4-5

The AUDIO CONTROLS Menu

MC-12/MC-12 Balanced

RECORD BALANCE

RECORD BALANCE controls the left-to-right balance of the RECORD AUDIO OUTPUTS. When RECORD BALANCE is selected, a horizontal graph (pictured on page 4-2) will appear on the screen below the parameter. This graph illustrates the position at which the current setting falls within the entire parameter range. Press the up MENU arrow to move the setting toward the right, and the down MENU arrow to move the setting toward the left. Press the left MENU arrow to close the graph and return to the AUDIO CONTROLS menu.

RECORD BALANCE

AUDIO CONTROLS

The MODE ADJUST Menu

MODE ADJUST ..............................................................................5-2

Listening Mode Descriptions ............................................5-2 to 5-16

OUTPUT LEVELS..........................................................................5-17

CUSTOM ....................................................................................5-17

STATUS Menus ...............................................................5-18 to 5-20

Mode Parameter Descriptions.........................................5-20 to 5-24

MODE ADJUST

Selecting MODE ADJUST on the MAIN MENU accesses the MODE ADJUST menu, which appears highlighting the name of the active listening mode. Use the up and down MENU arrows to scroll through the complete list of listening modes. Press the right MENU arrow to select the highlighted listening mode for configuration. Press the left MENU arrow to return to the MAIN MENU.

All listening modes can be selected from the MODE ADJUST menu. Selecting the desired listening mode accesses a menu containing specific options and parameters that can be adjusted to customize the selected mode. These menus are pictured on pages A-10 and A-11. Other methods of listening mode selection are reviewed on pages 2-17 and

2-18.

LISTENING MODE DESCRIPTIONS

LOGIC7 FILM

• A proprietary Lexicon listening mode.

• Designed for playback of 2-channel stereo or matrix encoded stereo film sources.

L7 FILM

• Derives seven channels from 2-channel input types.

• Derives full-frequency stereo surrounds, realistically increasing the perceived width of the listening space. With side and rear speakers selected, LOGIC7 FILM also increases the perceived length and sense of envelopment of the listening space.

• Provides remarkable improvement compared to other decoders.

• Recommended for 2-channel film sources, even when only one pair of surround speakers is selected.

Default

Parameter Value Values

AUTO AZIMUTH ON ON, OFF VOCAL ENHANCE +0.0dB +0.0dB, +3.0dB, +6.0dB RE-EQUALIZER ON ON, OFF SOUND STAGE REAR FRONT, NEUTRAL, REAR 5 SPKR ENHANCE ON ON, OFF BASS ENHANCE OFF ON, OFF SURR ROLLOFF 7.0kHz 500Hz to 20.0kHz, OFF REAR DLY OFFSET 15ms 0 to 30ms OUTPUT LEVELS See page 5-17 for more information CUSTOM See page 5-17 for more information

An alphabetical listing of parameter descriptions begins on page 5-20.

5-2

The MODE ADJUST Menu

Lexicon

MODE ADJUST

FILM TV MUSIC

PL II PRO LOGIC II PL II MUSIC

PRO LOGIC 2-CHANNEL 2-CH SURROUND MONO MONO LOGIC MONO SURROUND

5.1 FILM

5.1 TV

5.1 MUSIC

5.1 SUR EX

DIGITAL

5.1 2-CHANNEL

5.1 MONO

5.1 MONO LOGIC

5.1 MONO SURR

FILM MUSIC

2-CHAN

5.1 BYPASS 2CH BYPASS

5-3

The MODE ADJUST Menu

MC-12/MC-12 Balanced

LOGIC7 TV

• A proprietary Lexicon listening mode.

• Designed for playback of 2-channel stereo or matrix encoded stereo TV sources.

• Based on LOGIC7 FILM, but specifically tailored for TV sources.

• Recommended for 2-channel TV sources, even when only one pair of surround speakers is selected.

Default

Parameter Value Values

AUTO AZIMUTH ON ON, OFF VOCAL ENHANCE +0.0dB +0.0dB, +3.0dB, +6.0dB FRONT STEERING MUSIC OFF, MUSIC, FILM RE-EQUALIZER OFF ON, OFF SOUND STAGE REAR FRONT, NEUTRAL, REAR 5 SPKR ENHANCE ON ON, OFF BASS ENHANCE OFF ON, OFF SURR ROLLOFF 7.0kHz 500Hz to 20.0kHz, OFF REAR DLY OFFSET 15ms 0 to 30ms OUTPUT LEVELS See page 5-17 for more information CUSTOM See page 5-17 for more information

An alphabetical listing of parameter descriptions begins on page 5-20.

L7 TV

MODE ADJUST

LOGIC7 MUSIC

• A proprietary Lexicon listening mode.

• Designed for playback of 2-channel stereo or matrix encoded stereo music sources.

• Based on LOGIC7 FILM, but specifically tailored for music sources.

• Recommended for 2-channel music sources, even when only one pair of surround speakers is selected.

Default

Parameter Value Values

VOCAL ENHANCE +0.0dB +0.0dB, +3.0dB, +6.0dB FRONT STEERING MUSIC OFF, MUSIC, FILM SOUND STAGE NEUTRAL FRONT, NEUTRAL, REAR 5 SPKR ENHANCE ON ON, OFF BASS ENHANCE OFF ON, OFF SURR ROLLOFF 7.0kHz 500Hz to 20.0kHz REAR DLY OFFSET 15ms 0 to 30ms OUTPUT LEVELS See page 5-17 for more information CUSTOM See page 5-17 for more information

An alphabetical listing of parameter descriptions begins on page 5-20.

MUSIC

MODE ADJUST

5-4

The MODE ADJUST Menu

Lexicon

DOLBY PRO LOGIC II

• Designed for playback of Dolby Surround encoded sources.

• Decodes five channels from Dolby Surround encoded input types.

• Similar to DOLBY PRO LOGIC, except it utilizes full-frequency stereo surround channels to realistically increase the perceived width of the listening space.

• Provides impressive enhancement compared to DOLBY PRO LOGIC.

• Appropriate for Dolby Surround encoded film sources.

Default

Parameter Value Values

OUTPUT LEVELS See page 5-17 for more information CUSTOM See page 5-17 for more information

An alphabetical listing of parameter descriptions begins on page 5-20.

DOLBY PRO LOGIC II THX

• Designed for playback of Dolby Surround encoded sources.

• Utilizes Dolby Pro Logic II to decode five channels from Dolby Surround encoded input types.

• Applies re-equalization and timbre matching. Re-equalization simulates the high-frequency rolloff that occurs in a movie theater as sound travels from the front speakers to the listeners. Most films are mixed for movie theaters, and may sound too bright when played back in a home theater without re-equalization. Timbre matching helps minimize the timbre differences between the front and side channels, which results in smoother sound movements between these channels.

• Recommended for home theaters with a THX-certified speaker system.

Default

Parameter Value Values

RE-EQUALIZER ON ON, OFF OUTPUT LEVELS See page 5-17 for more information CUSTOM See page 5-17 for more information

An alphabetical listing of parameter descriptions begins on page 5-20.

PL II

MODE ADJUST

L7 PRO LOGIC II

MODE ADJUST

5-5

The MODE ADJUST Menu

MC-12/MC-12 Balanced

DOLBY PRO LOGIC II MUSIC

• Designed for playback of stereo music sources.

• Identical to DOLBY PRO LOGIC II, except specifically tailored

for stereo music sources.

Default

Parameter Values Default Value

PANORAMA OFF ON, OFF CTR WIDTH 3 MIN, 1 to 6, MAX DIMENSION NEUTRAL FRONT, NEUTRAL, REAR SURROUND DLY 5ms 0 to 15ms OUTPUT LEVELS See page 5-17 for more information CUSTOM See page 5-17 for more information

An alphabetical listing of parameter descriptions begins on page 5-20.

DOLBY PRO LOGIC

• Designed for playback of Dolby Surround encoded sources.

• Decodes four channels from Dolby Surround encoded input types.

• Utilizes a mono surround channel with a high-frequency rolloff above 7kHz.

• Available for comparison purposes, particularly with the LOGIC7 FILM and DOLBY PRO LOGIC II listening modes.

Default

Parameter Value Values

OUTPUT LEVELS See page 5-17 for more information CUSTOM See page 5-17 for more information

An alphabetical listing of parameter descriptions begins on page 5-20.

L7 PL II MUSIC

MODE ADJUST

L7 PRO LOGIC

MODE ADJUST

2-CHANNEL

• Designed for playback of stereo sources.

• Sends stereo sources to the FRONT L/R outputs only.

• Available for audio purists and for comparison purposes.

Default

Parameter Values Default Value

SUB L/R LVL +0dB OFF, -30 to +12dB CUSTOM See page 5-17 for more information

An alphabetical listing of parameter descriptions begins on page 5-20.

2-CHANNEL SURROUND

• Designed for playback of stereo sources.

• Sends stereo sources to all channels.

• Recommended for background music.

Default

Parameter Values Default Value

OUTPUT LEVELS See page 5-17 for more information CUSTOM See page 5-17 for more information

An alphabetical listing of parameter descriptions begins on page 5-20.

5-6

The MODE ADJUST Menu

Lexicon

2-CHANNEL

MODE ADJUST

2-CH SURROUND

MODE ADJUST

5-7

The MODE ADJUST Menu

MC-12/MC-12 Balanced

MONO

• Designed for playback of mono sources.

• Sends mono sources to the center channel only.

No parameters are available for the MONO listening mode.

MONO LOGIC

• Designed for playback of mono sources.

• Utilizes proprietary Lexicon reverb technology to realistically expand mono input types to utilize all channels, dramatically increasing the perceived length and sense of envelopment of the listening space.

Default

Parameter Value Values

EFFECT LVL -9dB -12 to +6dB ACADEMY FILTER ON ON, OFF SURR ROLLOFF 3.1kHz 500Hz to 20.0kHz, OFF OUTPUT LEVELS See page 5-17 for more information CUSTOM See page 5-17 for more information

An alphabetical listing of parameter descriptions begins on page 5-20.

MONO

MODE ADJUST

MONO LOGIC

MODE ADJUST

5-8

The MODE ADJUST Menu

Lexicon

MONO SURROUND

• Designed for playback of mono sources.

• Sends mono sources to all channels.

Default

Parameter Values Default Value

OUTPUT LEVELS See page 5-17 for more information CUSTOM See page 5-17 for more information

An alphabetical listing of parameter descriptions begins on page 5-20.

5.1 LOGIC7 FILM

• A proprietary Lexicon listening mode.

• Designed for playback of 5.1-channel Dolby Digital film sources.

• Utilizes several techniques to derive seven channels from

5.1-channel input types. With side and rear speakers selected,

5.1 LOGIC7 FILM also increases the perceived length and sense of envelopment of the listening space.

• Provides remarkable improvement compared to other decoders.

• Recommended for 5.1-channel Dolby Digital film sources, even when only one pair of surround speakers is selected.

Default

Parameter Value Values

VOCAL ENHANCE +0.0dB +0.0dB, +3.0dB, +6.0dB 5 SPKR ENHANCE ON ON, OFF BASS ENHANCE OFF ON, OFF RE-EQUALIZER ON ON, OFF REAR DLY OFFSET 15ms 0 to 30ms COMPRESSION OFF AUTO, ON, OFF LFE MIX +0.0dB -10.0 to +0.0dB OUTPUT LEVELS See page 5-17 for more information CUSTOM See page 5-17 for more information

An alphabetical listing of parameter descriptions begins on page 5-20.

MONO SURROUND

MODE ADJUST

5.1L7 FILM

MODE ADJUST

5-9

The MODE ADJUST Menu

MC-12/MC-12 Balanced

5.1 LOGIC7 TV

• A proprietary Lexicon listening mode.

• Designed for playback of 5.1-channel Dolby Digital TV sources.

• Based on 5.1 LOGIC7 FILM, but specifically tailored for TV sources.

• Recommended for 5.1-channel Dolby Digital TV sources, even when only one pair of surround speakers is selected.

Default

Parameter Value Values

VOCAL ENHANCE +0.0dB +0.0dB, +3.0dB, +6.0dB 5 SPKR ENHANCE ON ON, OFF BASS ENHANCE OFF ON, OFF RE-EQUALIZER OFF ON, OFF REAR DLY OFFSET 15ms 0 to 30ms COMPRESSION OFF AUTO, ON, OFF LFE MIX +0.0dB -10.0 to +0.0dB OUTPUT LEVELS See page 5-17 for more information CUSTOM See page 5-17 for more information

An alphabetical listing of parameter descriptions begins on page 5-20.

5.1 LOGIC7 MUSIC

• A proprietary Lexicon listening mode.

• Designed for playback of 5.1-channel Dolby Digital music sources.

• Based on 5.1 LOGIC7 FILM, but specifically tailored for music sources.

• Recommended for 5.1-channel Dolby Digital music sources, even when only one pair of surround speakers is selected.

Default

Parameter Value Values

An alphabetical listing of parameter descriptions begins on page 5-20.

5.1L7 TV

MODE ADJUST

5.1L7 MUSIC

MODE ADJUST

5-10

The MODE ADJUST Menu

Lexicon

5.1 THX SURROUND EX or 5.1 THX

The SURROUND EX parameter activates and deactivates the 5.1 THX SURROUND EX listening mode, provided both side and rear speakers are selected (see page 3-18). The default value of this parameter is ON, which activates the 5.1 THX SURROUND EX listening mode. When set to OFF, the 5.1 THX SURROUND EX listening mode becomes 5.1 THX.

5.1 THX SURROUND EX

• Designed for playback of Dolby Digital Surround EX encoded sources.

• Similar to 5.1 THX, but utilizes Dolby Pro Logic to decode three surround channels from Dolby Digital Surround EX-encoded input types.

• Applies re-equalization and timbre matching. Re-equalization simulates the high-frequency rolloff that occurs in a movie theater as sound travels from the speakers to the listeners. Most films are mixed for movie theaters, and may sound too bright when played back in a home theater without re-equalization. Timbre matching helps minimize the timbre differences between the front and side channels, which results in smoother sound movements between these channels.

• Recommended for Dolby Digital Surround EX encoded sources.

5.1 THX

• Designed for playback of 5.1-channel Dolby Digital encoded sources.

• Utilizes Dolby Digital to decode 5.1 discrete channels from 5.1 Dolby Digital encoded input types.

• Applies re-equalization, timbre matching, and adaptive decorrelation. Re-equalization simulates the high-frequency rolloff that occurs in a movie theater as sound travels from the front speakers to the listeners. Most films are mixed for movie theaters, and may sound too bright when played back in a home theater without re-equalization. Timbre matching helps minimize the timbre differences between the front and side channels, which results in smoother sound movements between these channels.

Adaptive decorrelation increases the perceived width of the listening space. Since movie theaters utilize surround speaker arrays and most home theaters do not, decorrelation of the mono surround channel increases the perceived width of the surround field in a home theater.

• Recommended for Dolby Digital encoded sources.

Default

Parameter Value Values

RE-EQUALIZER ON ON, OFF SURROUND EX ON ON, OFF COMPRESSION OFF AUTO, ON, OFF LFE MIX +0.0dB -10.0 to +0.0dB OUTPUT LEVELS See page 5-17 for more information CUSTOM See page 5-17 for more information

An alphabetical listing of parameter descriptions begins on page 5-20.

5.1 SUR EX

MODE ADJUST

5-11

The MODE ADJUST Menu

MC-12/MC-12 Balanced

DOLBY DIGITAL

• Designed for playback of 5.1 Dolby Digital encoded sources.

• Decodes 5.1 discrete channels from 5.1 Dolby Digital encoded input types. The five main channels are fullfrequency. The .1 channel, often referred to as the LFE or subwoofer channel, has a limited frequency range of 120Hz.

• Appropriate for Dolby Digital encoded film sources.

Default

Parameter Value Values

COMPRESSION OFF AUTO, ON, OFF LFE MIX +0.0dB -10.0 to +0.0dB OUTPUT LEVELS See page 5-17 for more information CUSTOM See page 5-17 for more information

An alphabetical listing of parameter descriptions begins on page 5-20.

5.1 2-CHANNEL

• Designed for conversion of 5.1-channel Dolby Digital input types to LOGIC7 encoded 2-channel output types.

• Allows 5.1-channel Dolby Digital sources to be listened to through the front left and right channels.

• Reproduces the original 5.1 performance through playback of LOGIC7 listening modes.

• Recommended for recording purposes.

Default

Parameter Value Values

CENTER MIX +0dB -25 to +5dB SURROUND MIX +0dB -5 to +5dB CNTR DLY SAMPLES +0 -127 to +127 MASTER LEVEL +0dB -5 to +5dB COMPRESSION OFF AUTO, ON, OFF LFE MIX +0.0dB -20.0 to +0.0dB SUB L/R LVL +0dB OFF, -30 to +12dB CUSTOM See page 5-17 for more information

An alphabetical listing of parameter descriptions begins on page 5-20.

L7 DIGITAL

MODE ADJUST

5.1 2-CHANNEL

MODE ADJUST

5-12

The MODE ADJUST Menu

Lexicon

5.1 MONO

• Designed for playback of Dolby Digital mono sources.

• Sends mono sources to the center channel only.

No parameters are available for the MONO listening mode.

5.1 MONO LOGIC

• Designed for playback of Dolby Digital mono sources.

• Utilizes proprietary Lexicon reverb technology to realistically expand Dolby Digital mono sources to utilize all channels, dramatically increasing the perceived length and sense of envelopment of the listening space.

Default

Parameter Value Values

EFFECT LVL -9dB -12 to +6dB ACADEMY FILTER ON ON, OFF SURR ROLLOFF 3.1kHz 500Hz to 20.0kHz, OFF OUTPUT LEVELS See page 5-17 for more information CUSTOM See page 5-17 for more information

An alphabetical listing of parameter descriptions begins on page 5-20.

5.1 MONO

MODE ADJUST

5.1 MONO LOGIC

MODE ADJUST

5-13

The MODE ADJUST Menu

MC-12/MC-12 Balanced

5.1 MONO SURROUND

• Designed for playback of Dolby Digital mono sources.

• Sends mono signals to all channels.

Default

Parameter Value Values

OUTPUT LEVELS See page 5-17 for more information CUSTOM See page 5-17 for more information

An alphabetical listing of parameter descriptions begins on page 5-20.

dts(-ES) LOGIC7 FILM

• A proprietary Lexicon listening mode.

• Designed for playback of 5.1 and 6.1-channel dts(-ES) film

sources.

• Utilizes an advanced matrix to derive seven channels from 5.1

or 6.1-channel input types. With side and rear speakers selected, dts(-ES) LOGIC7 FILM increases the perceived length and sense of envelopment of the listening space.

• Provides remarkable improvement compared to other

decoders.

• Recommended for 5.1 and 6.1-channel dts(-ES) film sources,

even when only one pair of surround speakers is selected.

• The unit will automatically activate ES decoding when a dts-ES

input type is identified.

Default

Parameter Value Values

VOCAL ENHANCE +0.0dB +0.0dB, +3.0dB, +6.0dB 5 SPKR ENHANCE ON ON, OFF BASS ENHANCE OFF ON, OFF RE-EQUALIZER ON ON, OFF REAR DLY OFFSET 15ms 0 to 30ms LFE MIX +0.0dB -10.0 to +0.0dB OUTPUT LEVELS See page 5-17 for more information CUSTOM See page 5-17 for more information

An alphabetical listing of parameter descriptions begins on page 5-20.

5.1 MONO SURR

MODE ADJUST

dts(ES) FILM

MODE ADJUST

5-14

The MODE ADJUST Menu

Lexicon

dts(-ES) LOGIC7 MUSIC

• A proprietary Lexicon listening mode.

• Designed for playback of 5.1 and 6.1-channel dts(-ES) music sources.

• Based on dts(-ES) LOGIC7 FILM, but specifically tailored for music sources.

• Recommended for 5.1 and 6.1-channel dts(-ES) music sources, even when only one pair of surround speakers is selected.

• The unit will automatically activate ES decoding when a dts-ES input type is identified.

Default

Parameter Value Values

VOCAL ENHANCE +0.0dB +0.0dB, +3.0dB, +6.0dB 5 SPKR ENHANCE ON ON, OFF BASS ENHANCE OFF ON, OFF REAR DLY OFFSET 15ms 0 to 30ms LFE MIX +0.0dB -10.0 to +0.0dB OUTPUT LEVELS See page 5-17 for more information CUSTOM See page 5-17 for more information

An alphabetical listing of parameter descriptions begins on page 5-20.

dts(-ES) THX

• Designed for playback of 5.1 and 6.1-channel dts(-ES)encoded sources.

• Utilizes dts(-ES) to decode 5.1 or 6.1 discrete channels from dts(-ES) encoded input types.

• Recommended for home theaters with a THX-certified speaker system.

• The unit will automatically activate ES decoding when a dts-ES input type is identified.

Default

Parameter Value Values

RE-EQUALIZER ON ON, OFF LFE MIX +0.0dB -10.0 to +0.0dB OUTPUT LEVELS See page 5-17 for more information CUSTOM See page 5-17 for more information

An alphabetical listing of parameter descriptions begins on page 5-20.

dts(ES) MUSIC

MODE ADJUST

5-15

The MODE ADJUST Menu

MC-12/MC-12 Balanced

dts and dts-ES

• The unit will automatically switch between the dts and dts-ES listening modes, activating ES decoding when a dts-ES input type is identified.

dts

• Designed for playback of 5.1-channel dts encoded sources.

• Decodes 5.1 discrete channels from dts encoded input types. The five main channels are full-frequency . The .1 channel, often referred to as the LFE or subwoofer channel, has a limited frequency range of 120Hz.

• Appropriate for dts encoded film sources.

dts-ES

• Designed for playback of 6.1-channel dts-ES encoded sources.

• Decodes 6.1 channels from dts-ES encoded input types. The six main channels are full-frequency. The surround back channel can be either discrete or matrix encoded. The .1 channel, often referred to as the LFE or subwoofer channel, is filtered above 120Hz.

• Appropriate for dts-ES encoded film sources.

Default

Parameter Value Values

LFE MIX +0.0dB -10.0 to +0.0dB OUTPUT LEVELS See page 5-17 for more information CUSTOM See page 5-17 for more information

An alphabetical listing of parameter descriptions begins on page 5-20.

dts(-ES) 2-CHANNEL

• Designed for conversion of 5.1 or 6.1-channel dts(-ES) input types to LOGIC7 encoded 2-channel input types.

• Allows 5.1 or 6.1-channel dts(-ES) sources to be listened to through the front left and right channels.

• Reproduces the original 5.1 performance through playback of LOGIC7 listening modes.

• Recommended for recording purposes.

• The unit will automatically activate ES decoding when a dts-ES input type is identified.

Default

Parameter Value Values

CENTER MIX +0dB -25 to +25dB SURROUND MIX +0dB -5 to +5dB CNTR DLY SAMPLES +0 -127 to +127 MASTER LEVEL +0dB -5 to +5db LFE MIX +0.0dB -10.0 to +0.0dB SUB L/R LVL +0dB OFF, -30 to +12dB CUSTOM See page 5-17 for more information

An alphabetical listing of parameter descriptions begins on page 5-20.

2-CHAN

MODE ADJUST

2-CHANNEL BYPASS

• Designed for playback of 2-channel analog input sources.

• When selected, the input signal bypasses internal processing and bypasses to the FRONT L/R outputs.

The 2CH BYPASS listening mode is not available unless, and will be automatically selected when, all of the following conditions are met:

• The ANALOG IN parameter on the INPUT SETUP menu is set to the connector utilized by the input source (see page 3-6).

• The INPUT SELECT parameter on the MAIN ADV menu is set to either AUTO or ANALOG (see page 3-13). When set to AUTO, no digital input types can be present.

• The ANALOG BYP ASS parameter on the MAIN ADV menu is set to ON (see page 3-13).

No parameters are available for the 2CH BYPASS listening mode.

5-16

The MODE ADJUST Menu

Lexicon

5.1 BYPASS

• Designed for playback of 5.1-channel analog input sources, such as DVD-A or SACD players.

• When selected, the (L) input is sent to the FRONT L output. The (R) input is sent to the FRONT R output. The (C) input is sent to the CENTER output. The (SUB) input is sent to the SUBWOOFER L/R and LFE outputs. The (LS) input is sent to the SIDE and REAR L outputs. The (RS) input is sent to the SIDE and REAR R outputs.

The 5.1 BYPASS listening mode is not available unless, and will be automatically selected when, all of the following conditions are met:

• 5 STEREO & 5.1 ANLG is selected on the REAR PANEL CONFIG menu (see page 3-30).

• The ANALOG IN parameter on the INPUT SETUP menu is set to

5.1 ANALOG (see page 3-6).

• The INPUT SELECT parameter on the MAIN ADV menu is set to either AUTO or ANALOG (see page 3-13). When set to AUTO, no digital input types can be present.

• The ANALOG BYP ASS parameter on the MAIN ADV menu is set to ON (see page 3-13).

Default

Parameter Value Values

OUTPUT LEVELS See page 5-17 for more information CUSTOM See page 5-17 for more information

An alphabetical listing of parameter descriptions begins on page 5-20.

2CH BYPASS

MODE ADJUST

5.1 BYPASS

MODE ADJUST

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The MODE ADJUST Menu

MC-12/MC-12 Balanced

CUSTOM VS PRESET

CUSTOM VS PRESET allows comparison listening of the modified and factory-default versions of the selected listening mode. This option is available even when no modifications have been made to the selected listening mode. But the custom and preset versions of the listening mode will sound the same until modifications are made.

Selecting CUSTOM VS PRESET accesses the pulldown menu pictured at the right. Pressing the up and down MENU arrows toggles between the modified and factorydefault versions of the selected listening mode. The message “CUSTOM” appears when the modified version of the listening mode is selected, and the message “PRESET” appears when the factory-default version of the listening mode is selected. Press the left MENU arrow to close the CUSTOM VS PRESET pulldown menu.

RESET MODE

RESET MODE restores the selected listening mode to its factorydefault condition. Selecting this option accesses the pulldown menu pictured at the right. Press the right MENU arrow to restore the factory-default version of the selected listening mode. Press the left MENU arrow to exit the RESET MODE pulldown menu without restoring the selected listening mode to its factory-default settings.

OUTPUT LEVELS

The OUTPUT LEVELS menu contains parameters for adjusting CENTER, SIDE L/R, REAR L/R, SUBWOOFER L/R, and LFE output levels on a per-mode basis.

The OUTPUT LEVELS menu is not available for listening modes that do not accommodate multi-channel outputs, such as MONO. For these listening modes, the OUTPUT LEVELS menu option appears as an output-specific parameter, such as CENTER LVL.

Default

Parameter Value Values

CENTER +0dB OFF, -30 to +12dB SIDE L/R +0dB OFF, -30 to +12dB REAR L/R +0dB OFF, -30 to +12dB SUB L/R +0dB OFF, -30 to +12dB *LFE +0dB OFF, -30 to +12dB

*The LFE parameter is only available for 5.1-channel listening modes. An alphabetical listing of parameter descriptions begins on page 5-20.

CUSTOM

The CUSTOM menu (pictured at the right) can be used to compare modified listening mode versions to their original, factorydefault versions.

(LISTENING MODE)

CUSTOM

MODE ADJUST

(LISTENING MODE)

OUTPUT LEVELS

MODE ADJUST

CUSTOM CUSTOM VS PRESET

PRESS RIGHT V TO RESTORE MODE

CUSTOM

CUSTOM VS PRESET

CUSTOM

CUST

CUSTOM VS PRESET RESET MODE

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The MODE ADJUST Menu

Lexicon

2CH STATUS MENU

The 2CH STATUS menu will appear when a 2-channel listening mode is selected. It features L and R level meters (see previous column for more information).

Parameter Values

INPUT The name of the selected input MODE The name of the selected listening mode INPUT TYPE ANLG, DOLBY D, PCM SAMPLE RATE 44.1kHz, 48kHz, 88.2kHz, 96kHz

An alphabetical listing of parameter descriptions begins on page 5-20.

2CH BYPASS STATUS MENU

The 2CH BYPASS STATUS menu will appear when the 2CH BYPASS listening mode is selected. It features L and R level meters (see previous column for more information).

Parameter Values

INPUT The name of the selected input MODE 2CH BYPASS INPUT TYPE BYP

An alphabetical listing of parameter descriptions begins on page 5-20.

STATUS MENUS

Unlike other menus, the listening mode STATUS menu can only be accessed with the above remote control command sequence. Press the SHIFT button, then the STAT button to check the STATUS of the active listening mode at any time. Press the STAT button again to exit the menu.

STATUS menu parameters provide current information about the active input and the unit, and cannot be adjusted. These parameters will vary depending on whether a 2-channel, Dolby Digital, or dts(-ES) input type is present. 5.1 BYPASS and 2CH BYPASS input types have individual STATUS menus. Additionally, the 5.1 ANALOG STATUS menu will appear when certain conditions are met.

Level Meters

All listening mode STATUS menus feature level meters, which indicate fluctuating input levels in the left (L), center (C), right (R), surround left (SL), surround right (SR), surround back (SB), and LFE channels. Different combinations of level meters appear on each STATUS menu. Only the L and right R level meters appear on the 2CH STATUS menu. The SB level meter will not appear unless a

6.1-channel input type is present.

All level meters appear in combinations of green, yellow , and red on the blue-screen background. Green indicates normal input levels; yellow indicates the onset of overload; and red indicates overload. The yellow arrow to the right of each bar indicates the current input peak level.

then

SHIFT

STAT

DOLBY DIGITAL STATUS MENU

The DOLBY DIGITAL STATUS menu will appear when a Dolby Digital listening mode is selected. It features L, C, R, SL, SR, and LFE level meters (see page 5-18 for more information).

Parameter Values

CHANNELS 3/2.1, 3/2, 3/1, 2/2, 2/1, 2/0, 1/0 ENCODING MATRIX, NONE SAMPLE RATE 48kHz REF OFFSET -4dB

An alphabetical listing of parameter descriptions begins on page 5-20.

5.1 BYPASS STATUS MENU

The 5.1 BYPASS STATUS menu will appear when the 5.1 BYPASS listening mode is selected. It features L, C, R, SL, SR, and LFE level meters (see page 5-18 for more information).

Parameter Values

INPUT The name of the selected input MODE 5.1 BYPASS INPUT TYPE BYP

An alphabetical listing of parameter descriptions begins on page 5-20.

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The MODE ADJUST Menu

MC-12/MC-12 Balanced

5.1 ANALOG STATUS MENU

The 5.1 ANALOG STATUS menu features L, C, R, SL, SR, and LFE level meters (see page 5-18 for more information). It will appear when all of the following conditions are met:

• 5 STEREO & 5.1 ANLG is selected on the REAR PANEL CONFIG menu (see page 3-30).

• The ANALOG IN parameter on the INPUT SETUP menu is set to

5.1 ANALOG (see page 3-6).

• The INPUT SELECT parameter on the MAIN ADV menu is set to either AUTO or ANALOG (see page 3-13). When set to AUTO, no digital input types can be present.

• The ANALOG BYP ASS parameter on the MAIN ADV menu is set to OFF (see page 3-13).

Parameter Values

INPUT The name of the selected input MODE The name of the selected listening mode INPUT TYPE ANLG SAMPLE RATE 96kHz

An alphabetical listing of parameter descriptions begins on page 5-20.

MODE PARAMETER DESCRIPTIONS

5 SPKR ENHANCE (ON, OFF) 5 SPKR ENHANCE (Five Speaker Enhance) simulates seven speaker

playback through a five speaker system. When set to ON, the unit provides an increased sense of spaciousness and envelopment through two surround speakers. This enhancement is most noticeable when these surround speakers are positioned to the side of the listening position, or when the listening position is located against the rear wall. The effectiveness of this parameter varies within the listening space. For optimum results, position the side speakers to the left and right of the primary listening position.

ACADEMY FILTER (ON, OFF) When set to ON, ACADEMY FILTER restores the proper tonal

balance of older mono film sources, which generally have much narrower frequency responses than current mono film sources.

AUTO AZIMUTH (ON, OFF) AUTO AZIMUTH maximizes the output accuracy of the listening

mode. When set to ON, the unit continually monitors the 2-channel input signal. It automatically adjusts the relative level and time offset of the input channels to ensure that signals are sent to the appropriate channels with maximum separation. When set to OFF, the accuracy of the listening mode varies depending on the input source. This parameter should be set to ON for film and TV sources, and OFF for music sources.

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The MODE ADJUST Menu

Lexicon

dts STATUS MENU

The dts STATUS menu will appear when a dts(-ES) listening mode is selected. It features L, C, R, SL, SR, SB, and LFE level meters (see page 5-18 for more information). The SB level meter will not appear unless a 6.1-channel input type is selected.

Parameter Values

INPUT The name of the selected input MODE The name of the selected listening mode CHANNELS 3/3.1, 3/2.1 ES DECODE MATRIX, DISCRETE, OFF SAMPLE RATE 44.1kHz, 48kHz

An alphabetical listing of parameter descriptions begins on page 5-20.

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MC-12/MC-12 Balanced

BASS ENHANCE (ON, OFF) BASS ENHANCE creates stereo bass, which results in low-frequency

reproduction that is less localizable and more realistic in the listening space. When set to ON, the unit processes the low frequencies sent to the FRONT L/R, SIDE L/R, and REAR L/R outputs to create stereo low frequencies. This also includes the SUBWOOFER L/R outputs when the SUB L/R parameter on the CUSTOM SETUP menu is set to STEREO.

The crossover setting of the CENTER parameter on the CUSTOM SETUP menu is critical to the effectiveness of BASS ENHANCE . It is recommended to set the CENTER parameter to 120Hz and the SUB L/R parameter to STEREO (if utilizing two subwoofers) to maximize the effectiveness of BASS ENHANCE. If SUB L/R is set to MONO, it is recommended to use FRONT L/R, SIDE L/R, or REAR L/R speakers that are capable of reproducing frequencies at 40Hz or lower. See page 3-18 for more information about CUSTOM SETUP menu parameters.

Note:

BASS ENHANCE results will vary depending on room acoustics. Most listening spaces will have a 2-3dB reduction in low frequency energy when BASS ENHANCE is set to ON. Use the BASS control to compensate for this reduction.

CENTER (OFF, -30 to +12dB) CENTER adjusts the output level of the center channel.

CENTER MIX (-25 to +5dB) CENTER MIX adjusts the relative level of the center channel that is

encoded into the front left and right channels. The recommended settings are +0dB for film sources and -5dB for music sources.

CHANNELS (3/3.1, 3/2.1, 3/2, 3/1, 2/2, 2/1, 2/0, 1/0) CHANNELS indicates the number of channels present in the input

type. On the DOLBY DIGITAL STATUS menu, the value of the CHANNELS parameter will be 3/2.1, 3/2, 3/1, 2/2, 2/1, 2/0, or 1/0. On the dts STATUS menu, the value of the CHANNELS parameter will be 3/3.1 or 3/2.1. The first digit indicates the number of front channels, the digit after the / represents the number of surround channels, and the .1 indicates the presence of the LFE channel.

CNTR DLY SAMPLES (-127 to +127) CNTR DLY SAMPLES (Center Delay Samples) adjusts the relative

time offset of the CENTER output that is encoded into the FRONT L/R outputs. The recommended setting for the CNTR DLY SAMPLES parameter is +0, unless the CENTER channel is not properly timed and the value of the error is known.

COMPRESSION (AUTO, ON, OFF) COMPRESSION increases dialog intelligibility at lower volume

levels. When set to AUTO, Dolby Digital input types are automatically compressed based on volume level. When set to ON, full compression is applied regardless of volume level. When set to OFF, compression is not applied. This parameter should be set to AUTO or ON for Dolby Digital sources that are listened to at lower volume levels.

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The MODE ADJUST Menu

Lexicon

CTR WIDTH (MIN, 1 to 6, MAX) CTR WIDTH (Center Width) adjusts the center image. When set to

MIN, the center image is heard from only the center speaker . When set to MAX, the center image is heard from only the front left and right speakers as a “phantom” center image. When set on the 1 to 6 scale, the center image is heard in various combinations of all three front speakers.

CUSTOM

See page 5-17 for information about CUSTOM.

DIMENSION (FRONT, NEUTRAL ,REAR) DIMENSION adjusts the relative balance of the soundfield, which

can be useful to achieve a more suitable balance from all speakers with certain recordings. When set to FRONT, the soundfield is balanced toward the front of the listening space. When set to NEUTRAL, the soundfield is balanced at the center of the listening space. When set to REAR, the soundfield is balanced toward the rear of the listening space.

EFFECT LVL (-12 to +6dB) EFFECT LVL (Effect Level) adjusts the amount of ambience applied

to the listening mode.

ENCODING (MATRIX, NONE) ENCODING indicates the presence (MATRIX) or absence (NONE)

of Dolby Surround encoding.

ES DECODE (DISCRETE, MATRIX, OFF) ES DECODE indicates the presence or absence of dts-ES decoding.

When the parameter value is DISCRETE, the unit is decoding a

6.1-channel discrete input type. When the parameter value is MATRIX, the unit is decoding a 5.1-channel input type with a matrix encoded sixth channel. When the parameter value is OFF, the unit is decoding a standard dts (non-ES) input type.

FRONT STEERING (OFF, MUSIC, FILM) FRONT STEERING adjusts front steering to match the input source.

When set to FILM, maximum front steering is applied. When set to MUSIC, minimal front steering is applied. When set to OFF, no front steering is applied. This parameter should be set to FILM for film sources and to MUSIC or OFF for music sources.

INPUT (INPUT) INPUT indicates the name of the selected input.

INPUT TYPE (ANLG, DOLBY D, PCM) INPUT TYPE indicates the current input type. When the parameter

value is ANLG, a 2-channel analog audio input source is present. When the parameter value is PCM, a 2-channel digital audio input source is present. When the parameter value is DOLBY D, a Dolby Digital audio input source is present.

LFE (OFF, -30 to +12dB) LFE (Low-frequency Enhancement) adjusts the output level of the

LFE output.

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The MODE ADJUST Menu

MC-12/MC-12 Balanced

LFE MIX (-20.0 or -10.0 to +0.0dB) LFE MIX adjusts the level of the LFE channel (the .1 channel in a 5.1

or 6.1-channel source) that is sent to the SUBWOOFER L/R outputs. Low frequencies from as many as five other channels may be combined with the LFE channel to create the SUBWOOFER L/R output signal, significantly raising subwoofer output levels. Careful adjustment of this parameter allows achievement of proper tonal balance and reduces the risk of subwoofer overload.

MASTER LEVEL (-5 to +5dB) MASTER LEVEL adjusts the output level of LOGIC7 encoded

2-channel signals.

MODE (MODE) MODE indicates the name of the selected listening mode.

OUTPUT LEVELS

See page 5-17 for information about OUTPUT LEVELS.

PANORAMA (ON, OFF) When set to ON, PANORAMA extends the front stereo image to

include the surround speakers for a “wraparound” effect with side wall imaging.

RE-EQUALIZER (ON, OFF) RE-EQUALIZER simulates the high-frequency rolloff that occurs in a

movie theater as sound travels from speakers to the listeners. When set to ON, the unit applies a high-frequency rolloff. When set to OFF, the unit does not apply a high-frequency rolloff. Most films are mixed for movie theaters, and may sound too bright when played back in home theaters without re-equalization. RE-EQUALIZER should be set to ON for such film sources.

REAR DLY OFFSET (0 to 30ms) REAR DLY OFFSET (Rear Delay Offset) increases the perceived depth

of the listening space by delaying the arrival time of signals from the rear speakers. This time delay can be set within a range of 0 to 30ms. Increasing this time is recommended when using SIDE L/R and REAR L/R speakers that are located close together, or when a greater sense of depth is desired in the listening space.

REAR L/R (OFF, -30 to +12dB) REAR L/R (Rear Left/Right) adjusts the output level of the REAR L/R

outputs.

REF OFFSET (-4dB) REF OFFSET (Reference Offset) indicates the dialog normalization

value that is present in Dolby Digital input types.

SAMPLE RATE (44.1kHz, 48kHz, 88.2kHz, 96kHz) SAMPLE RATE indicates the sample rate of the input type.

SIDE L/R (OFF, -30 to +12dB) SIDE L/R (Side Left/Right) can be used to adjust the output level of

the SIDE L/R outputs.

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The MODE ADJUST Menu

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SOUND STAGE (FRONT, NEUTRAL, REAR) SOUND STAGE dynamically adjusts the relative balance of the

outputs when no surround signals are present. When set to FRONT , the SIDE L/R and REAR L/R outputs are attenuated, shifting the perceived balance of the sound field to the front of the listening space. When set to NEUTRAL, the SIDE L/R and REAR L/R outputs are attenuated slightly, shifting the perceived balance of the sound field to the center of the listening space. When set to REAR, the SIDE L/R and REAR L/R outputs are not attenuated, preserving the intended balance of the sound field.

SUB L/R and SUB L/R LVL (OFF, -30 to +12dB) SUB L/R (Subwoofer Left/Right) and SUB L/R LVL (Subwoofer

Left/Right Level) adjust the output level of the SUBWOOFER L/R outputs.

SURR ROLLOFF (500Hz to 20.0kHz, OFF) SURR ROLLOFF (Surround Rolloff) simulates the high frequency

rolloff that occurs in real spaces. When set within its 500Hz to 20kHz range, the unit applies a high-frequency rolloff to the SIDE L/R and REAR L/R outputs. When set to OFF, the unit does not apply this high-frequency rolloff.

SURROUND DLY (0 to 15ms) SURROUND DLY (Surround Delay) increases the perceived depth of

the listening space by delaying the arrival time of the SIDE L/R and REAR L/R outputs. This time delay can be set within a range of 0 to 15ms. Increasing this time is recommended when a greater sense of depth is desired in the listening space.

SURROUND EX (ON, OFF) SURROUND EX activates and deactivates the 5.1 THX SURROUND

EX listening mode, provided both side and rear speakers are selected (see page 3-18). The default value of the SURROUND EX parameter is ON, which activates 5.1 THX SURROUND EX. When set to OFF, the 5.1 THX SURROUND EX listening mode becomes

5.1 THX. (See page 5-10 for more information.)

SURROUND MIX (-5 to +5dB) SURROUND MIX adjusts the relative level of the surround channels

that are encoded into the FRONT L/R outputs. The recommended setting is +2 to +3dB for all input types.

VOCAL ENHANCE (+0.0dB, +3.0dB, +6.0dB) VOCAL ENHANCE adjusts the level of dialog boost in the CENTER

output. Increasing this level is recommended for listening at lower volume levels or for increasing dialog intelligibility.

Troubleshooting and Maintenance

Troubleshooting ................................................................6-2 to 6-3

Restoring Factory-Default Settings ................................................6-4

Routine Maintenance....................................................................6-4

Lexicon MC-12 REV 1 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual