Lexicon MC-12 User Manual 2

Download

MC-12 Digital Controller

User Guide

IMPORTANT SAFETY INSTRUCTIONS

1.Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

7. Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.

8. Do not install near any heat sources such as radiators, heat registers, stoves, or another apparatus (including amplifiers) that produces heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A groundingtype plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11. Only use attachments/accessories specified by the manufacturer.

12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/appartus combination to avoid injury from tip-over.

13. Unplug this apparatus during lightning storms or when unused for long periods of time.

14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as when a power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

• Refer to the manufacturer’s operating instruc-

tions for power requirements. Be advised that different operating voltages may require the use of different line cord and/or attachment plug.

• Do not install the unit in an unventilated rack,

or directly above heat-producing equipment such as power amplifiers. Observe the maxi-

mum ambient operating temperature listed in the product specification.

• Never attach audio power amplifier outputs directly to any of the unit’s connectors.

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and radiates radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on. The user is encouraged to try to correct the interference by one or more of the following measures:

• Re-orient or relocate the receiving antenna.

• Increase the separation between the equipment and the receiver.

• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

• Consult the dealer or an experienced radio/television technician for help.

WARNING

To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. Do not place objects containing liquid, such as vases, on this apparatus.

Lexicon Inc. 3 Oak Park Bedford, MA 01730-1413 USA Tel 781-280-0300 Fax 781-280-0490 www.harmanspecialtygroup.com

Manufactured under license from Dolby Laboratories. “Dolby, Pro Logic’” and the double-D symbol are trademarks of Dolby Laboratories. Surround EX is a jointly developed technology of THX and Dolby, Laboratories, Inc., and is a registered trademark of Dolby. Used under authorization.

Manufactured under license from Lucasfilm Ltd. U.S. Patent Nos. 5,043,970; 5,189,703; and/or 5,222,056. European Patent No.

0323830. Other U.S. and foreign patents pending. Lucasfilm is a trademark of Lucasfilm Ltd.

DTS, DTS-ES, Neo:6, and DTS 96/24 are trademarks of Digital Theater Systems, Inc.

SACD is a trademark of Sony Electronics, Inc.

Customer Service Telephone: 781-280-0300 Sales Fax: 781-280-0495 Service Fax: 781-280-0499

Part No. 070-14773 | Rev 4 | 05/05

SHARC is a Trademark of Analog Devices, Inc.

Lexicon, Logic 7 and the L7 logo are registered trademarks of Harman International Industries, Inc. U.S. Patent Nos. D454,553; D454,860; 5,796,844; 5,870,480 and other worldwide patents issued and pending.

This document should not be construed as a commitment on the part of Harman Specialty Group. The information it contains is subject to change without notice. Harman Specialty Group assumes no responsibility for errors that may appear within this document.

Introduction Lexicon

DOCUMENTATION CONVENTIONS

This document contains general safety, installation and operation instructions for the MC-12 and MC-12 Balanced Digital Controllers. It is important to read this user guide before attempting to use the product. Pay particular attention to safety instructions.

The following symbols are used in the document:

WARNING

CAUTION!

Note:

Appears on the component to indicate the presence of uninsulated, dangerous voltage inside the enclosu constitute a risk of shock.

Appears on the component to indicate important operating and maintenance instructions in the accompanying literature.

Calls attention to a procedure, practice, condition or the like that, if not correctly performed or adhered to, could result in injury or death.

Calls attention to a procedure, practice, condition or the like that, if not correctly performed or adhered to, could result in damage or destruction to part or all of the product.

Calls attention to information that is essential to highlight.

re – voltage that may be sufficient to

INPUTSSETUP

Represents a menu path. The menu items in gray boxes must be selected with the remote control Menu  arrow to access the menu or menu item in the black box. For example, the SETUP, INPUTS, and DVD1 menu items must be selected to open the DVD1 INPUT SETUP menu.

The DVD1 INPUT SETUP menu is used here as an example and will continue to be used as an example throughout this document. Whenever it appears, any other INPUT SETUP menu may be substituted. Likewise, whenever the DVD1 input appears as a step in a menu path, any other input may be substituted.

DVD1

NAME

EDIT INPUT NAME

This document uses the term MC-12 to refer to both the MC-12 and MC-12 Balanced Digital Controllers unless otherwise specified. This document uses the term DTS-(ES) to indicate that DTS-ES encoding may or may not be present in the input source.

MC-12 Introduction

Table of Contents

Documentation Conventions........................................................ ii

Important Safety Instructions........................................................ v

Wichtige Sicherheitshinweise........................................................ v

Instrucciones De Seguridad Importantes.......................................vi

Instructions Importantes Relatives À La Sécurité............................vi

Importanti Norme Di Sicurezza ...................................................vii

Instruções Importantes De Segurança..........................................vii

Vigtig Information Om Sikkerhed ............................................... viii

Tärkeitä Turvallisuusohjeita.........................................................viii

Viktig Informasjon Om Sikkerhet ..................................................ix

Viktiga Säkerhetsföreskrifter..........................................................ix

Unpacking and Inspection.............................................................x

Auspacken und Überprüfung.........................................................x

Desembalaje e Inspección .............................................................x

Contenu de L’emballage et Inspection ..........................................x

Disimballaggio ed Ispezione ..........................................................x

Retirando a Embalagem e Inspecionando ......................................x

Getting Started

About The MC-12 ..................................................................... 1-2

Highlights ............................................................................. 1-4

Product Registration..................................................................1-5

Installation Considerations.........................................................1-5

Remote Control Battery Installation ........................................... 1-6

Basic Operation

Front-Panel Overview ................................................................ 2-2

Rear-Panel Overview..................................................................2-6

Remote Control Overview ....................................................... 2-10

Operation Considerations .................................................... 2-10

Main Menu ......................................................................... 2-11

Menu Navigation ................................................................ 2-11

Menu Item Selection ........................................................... 2-11

Command Bank Activation .................................................. 2-13

Command Matrix ............................................................... 2-14

About the Zones ..................................................................... 2-19

Two-line Status ....................................................................... 2-19

Status Menus .......................................................................... 2-20

Status Menu Descriptions .................................................... 2-21

Status Menu Parameter Descriptions ................................... 2-25

Status Menu Level Meters ....................................................... 2-26

Setup

Setup ........................................................................................ 3-2

Input Setup...............................................................................3-4

Changing Input Names ......................................................... 3-5

Assigning Audio & Video Input Connectors ........................... 3-7

Selecting Preferred Listening Modes .................................... 3-12

Configuring Advanced Input Settings .................................. 3-15

INPUT SELECT Parameter Settings ....................................... 3-17

ZONE2 & RECORD IN Parameter Settings ........................... 3-19

Speaker Setup .........................................................................3-22

Setting Crossover Points ...................................................... 3-22

Calibrating Speaker Distances & Output Levels ....................... 3-33

Speaker Calibration Parameters ........................................... 3-33

Automatic Calibration ......................................................... 3-35

Manual Calibration ............................................................. 3-52

Rear-Panel Configuration.........................................................3-59

Display Setup.......................................................................... 3-61

On-Screen Display ............................................................... 3-63

Front-Panel Display ............................................................. 3-65

Volume-Control Setup.............................................................3-66

Trigger Setup ..........................................................................3-68

Lock Options........................................................................... 3-70

LIVE! Calibration...................................................................... 3-71

iii

Introduction Lexicon

Audio Controls

Audio Controls ..........................................................................4-2

Mode Adjust

Mode Adjust..............................................................................5-2

Listening Mode Activation .........................................................5-2

Preferred Listening Mode Selection Parameters ......................5-3

Mode Buttons .......................................................................5-4

Mode Family Selection Buttons ..............................................5-4

Listening Mode Descriptions......................................................5-5

Listening Mode Menu Option & Parameter Descriptions .........5-37

Mode – Parameter Relationships..............................................5-45

Troubleshooting & Maintenance

Troubleshooting........................................................................6-2

Routine Maintenance ................................................................6-3

Restoring Factory-default Settings..............................................6-4

Appendix

Specifications ............................................................................A-2

Declaration of Conformity .........................................................A-4

Menu Tree.................................................................................A-5

Installation Worksheet .............................................................A-20

MC-12 Introduction

ENGLISH

IMPORTANT SAFETY INSTRUCTIONS

1 Save these instructions for later use.

2 Follow all instructions and warnings marked on the unit.

3 Follow all instructions and warnings marked on the unit.

4 Always use with the correct line voltage. Refer to the manufacturer’s operating

instructions for power requirements. Be advised that different operating voltages may require the use of a different line cord and/or attachment plug.

5 Do not install the unit in an unventilated rack, or directly above heat producing

equipment such as power amplifiers. Observe the maximum ambient operating temperature listed in the product specification.

6 Slots and openings on the case are provided for ventilation; to ensure reliable oper-

ation and prevent it from overheating, these openings must not be blocked or covered. Never push objects of any kind through any of the ventilation slots. Never spill liquid of any kind on the unit.

7 Never attach audio power amplifier outputs directly to any of the unit’s connectors.

8 To prevent shock or fire hazard, do not expose the unit to rain or moisture, or oper-

ate it where it will be exposed to water.

9 Do not attempt to operate the unit if it has been dropped, damaged, exposed to liq-

uids, or if it exhibits a distinct change in performance indicating the need for service.

10 This unit should only be opened by qualified service personnel. Removing covers

will expose you to hazardous voltages.

This triangle, which appears on your component, alerts you to the presence of uninsulated, dangerous voltage inside the enclosure…voltage that may be sufficient to constitute a risk of shock.

This triangle, which appears on your component, alerts you to important operating and maintenance instructions in this accompanying literature.

DEUTSCH

WICHTIGE SICHERHEITSHINWEISE

1 Bewahren Sie diese Anleitungen zur späteren Benutzung auf.

2 Befolgen Sie alle Anleitungen und alle Warnhinweise auf dem Gerät

3 Betreiben Sie das Gerät immer mit der korrekten Netzspannung. Angaben über den

Strombedarf entnehmen Sie bitte den Betriebsanweisungen des Herstellers. Bei unterschiedlichen Betriebsspannungen kann die Verwendung anderer Netzkabel und/ oder Anschlußstecker erforderlich werden.

4 Bauen Sie das Gerät nie in ein unbelüftetes Rack oder direkt über Wärme erzeu-

genden Geräten wie Verstärkern ein. Beachten Sie die in der Produktspezifikation aufgeführte maximale Umgebungstemperatur für den Betrieb.

5 Schlitze und Öffnungen in der Box dienen der Belüftung, damit das Gerät zuverläs-

sig läuft und sich nicht überhitzt. Diese Öffnungen dürfen nicht abgedeckt oder blockiert werden. Auch dürfen keine Gegenstände in sie hineingesteckt werden. Verschütten Sie niemals Flüssigkeiten, gleich welcher Art, auf das Gerät.

6 Schließen Sie niemals Stromausgänge des Audioverstärkers direkt an das Gerät

an.

7 Zur Vermeidung von elektrischen Schlägen oder Brandgefahr darf das Gerät weder

Regen noch Feuchtigkeit ausgesetzt oder an Orten betrieben werden, wo es mit Wasser in Berührung kommen kann.

8 Versuchen Sie nie, das Gerät zu betreiben, wenn es fallen gelassen, beschädigt

oder Flüssigkeiten ausgesetzt wurde oder wenn ein deutlicher Leistungsunterschied zu verzeichnen ist, der darauf hinweist, dass es gewartet werden muss.

9 Dieser Apparat sollte nur von qualifizierten Fachleuten geöffnet werden. Das Abne-

hmen von Abdeckungen setzt Sie gefährlichen Spannungen aus.

Dieses Dreieck, welches auf Ihrem Bauteil angebracht ist, warnt Sie vor dem Vorhandensein nicht isolierter gef hrlicher Spannung im Gerät. Diese Spannung kann so hoch sein, dass das Risiko eines Stromschlags besteht.

Dieses Dreieck, welches auf Ihrem Bauteil angebracht ist, macht Sie auf wichtige Betriebs- und Wartungshinweise in diesen Hinweisen aufmerksam.

Introduction Lexicon

ESPAÑOL

INSTRUCCIONES DE SEGURIDAD IMPORTANTES

1 Guarde estas instrucciones para futuras referencias.

2 Siga todas las instrucciones y tenga en cuenta las advertencias que aparecen en la

unidad y en las instrucciones de funcionamiento.

3 Utilice siempre la tensión de línea correcta. Consulte las instrucciones del fabri-

cante, donde se especifican los requisitos de alimentación. Tenga en cuenta que unas tensiones operativas diferentes pueden precisar de la utilización de diferentes cables de alimentación y/o enchufes.

4 No instale la unidad en un rack sin ventilación, o directamente sobre equipos que

generen calor, como amplificadores de potencia. Tenga en cuenta la temperatura operativa ambiental máxima que se detalla en las especificaciones del producto.

5 Las ranuras y aberturas del equipo son para su ventilación - para garantizar un fun-

cionamiento fiable y evitar que la unidad se sobrecaliente, no bloquee, cubra o inserte objetos en las aberturas. No derrame nunca líquidos de ningún tipo sobre la unidad.

6 Nunca conecte directamente salidas de amplificadores de potencia de audio a nin-

guno de los conectores de la unidad.

7 Para evitar descargas eléctricas o incendios, no exponga la unidad a la humedad o

la lluvia, ni la utilice donde pueda estar expuesta al agua.

8 No intente utilizar la unidad si ésta ha caído, se ha dañado, ha estado expuesta a

líquidos, o si muestra un cambio importante en sus prestaciones, lo cual indicaría la necesidad de una reparación.

9 Das Esta unidad deberá ser abierta únicamente por personal calificado. Si usted

quita las coberturas se expondrá a voltajes peligrosos.

Este triangulo, que aparece en su componente, alerta de la presencia de una tensi n peligrosa no aislada en el interior del equipo - una tensi n que puede ser suficiente como para constituir un riesgo de descarga el ctrica.

Este triangulo, que aparece en su equipo, le alerta de instrucciones operativas y de mantenimiento importantes en los documentos que acompa an el producto.

FRANÇAIS

INSTRUCTIONS IMPORTANTES RELATIVES À LA

SÉCURITÉ

1 Conservez ces instructions pour pouvoir vous y référer ultérieurement.

2 Suivez toutes ces instructions et tenez compte de tous les avertissements indiqués

sur l’appareil et dans la documentation fournie avec l’appareil.

3 Utilisez toujours la tension secteur correcte. Consultez les instructions du fabri-

cant précisant les caractéristiques d’alimentation à respecter. Attention, le type de cordon secteur et/ou de prise secteur peut varier selon des tensions en vigueur dans l’installation.

4 N’installez pas l’appareil dans un Rack mal ventilé ou directement au-dessus d’un

appareil dégageant de la chaleur comme un amplificateur de puissance. Respectez la température maximale de fonctionnement précisée dans les caractéristiques techniques.

5 Les ouvertures dans le boîtier assurent la bonne ventilation de l’appareil, évitent

toute surchauffe et assurent le bon fonctionnement du système. Veillez à ne pas obstruer, couvrir ou insérer d’objets dans ces ouvertures. Veillez à ne pas renverser de liquide sur l’appareil.

6 Ne reliez jamais directement les sorties audio des amplificateurs de puissance aux

connecteurs de l’appareil.

7 Afin d’éviter tout risque d’électrocution ou d’incendie, n’exposez pas l’appareil à la

pluie ou à l’humidité ; ne l’utilisez pas dans des endroits exposés aux projections de liquides.

8 N’essayez pas d’utiliser l’appareil si celui-ci est tombé, a été endommagé, exposé à

des projections de liquides ou si vous constatez des dysfonctionnements nécessitant l’intervention d’un technicien spécialisé.

9 Cet appareil ne doit être ouvert que par un personnel de service qualifié. En enle-

vant les couvercles vous vous exposez à des tensions électriques dangereuses.

Le symbole de l’ clair fl ch dans un triangle quilat ral sert alerter l’utilisateur sur la pr sence l’int rieur de l’appareil de tensions non isol es susceptibles de constituer un risque d’ lectrocution.

Le point d’exclamation dans un triangle quilat ral sert alerter l’utilisateur sur la pr sence de nombreuses instructions de maintenance dans le manuel fourni avec l’appareil.

MC-12 Introduction

ITALIANO

IMPORTANTI NORME DI SICUREZZA

1 Conservare le presenti norme per l’utilizzo futuro.

2 Seguire sempre tutte le istruzioni e gli avvertimenti segnati sull’unità e nelle istruz-

ioni operative.

3 Utilizzare sempre la corretta tensione di alimentazione. Fare riferimento al manuale

del costruttore per le caratteristiche di alimentazione. Tensioni di rete diverse necessitano anche di un diverso cavo con spine differenti.

4 Non installare l’unità in un rack poco ventilato, o direttamente sopra apparecchia-

ture che producono calore, come amplificatori di potenza. Controllare la massima temperatura ambientale di esercizio sulle specifiche tecniche del prodotto.

5 Fori ed aperture nei pannelli sono necessari per garantire un corretta ventilazione e

prevenire surriscaldamenti. Queste aperture non devono essere coperte o ostruite. Non inserire oggetti di alcun tipo nei fori di ventilazione. Evitare il contatto con liquidi di qualsiasi genere.

6 Evitare di collegare le uscite di un amplificatore di potenza direttamente a qualsiasi

connettore dell’unità.

7 Per evitare il rischio di scosse elettriche non esporre il prodotto a pioggia o umid-

ità. Evitare l’uso dove possa essere esposto all’acqua.

8 Non tentare di utilizzare il prodotto se è caduto, se è stato a contatto con liquidi, o

mostra chiari segni di danneggiamento o cambio di prestazioni che indicano la necessità di assistenza tecnica.

9 Ogni intervento sull’unità va eseguito esclusivamente da personale qualificato. La

rimozione della copertura comporta l’esposizione al pericolo di folgorazione.

PORTUGUESE

INSTRUÇÕES IMPORTANTES DE SEGURANÇA

1 Guarde essas instruções para uso posterior.

2 Siga todas as instruções e fique atento aos avisos marcados na unidade e nas

instruções de operação.

3 Sempre use com a voltagem correta. Veja no manual de instruções do fabricante

qual a alimentação necessária. Lembre-se que voltagens de operação diferentes podem precisar de um cabo ou plug diferentes.

4 Não instale a unidade em um suporte sem ventilação ou diretamente acima de

equipamentos que produzam calor, como transformadores. Observe a temperatura ambiente máxima de operação indicada na especificação do produto.

5 O revestimento da unidade é provido de fendas e aberturas para ventilação – para

assegurar uma operação confiável e evitar que a unidade se superaqueça. Não bloqueie, cubra ou insira objetos nas aberturas. Nunca derrube líquido de qualquer espécie na unidade.

6 Nunca ligue saídas de amplificadores de áudio diretamente a qualquer dos conec-

tores da unidade.

7 Para evitar danos de choque ou fogo, não exponha a unidade à chuva ou umidade,

ou opere-a onde haja exposição à água.

8 Não tente operar a unidade se ela for derrubada, danificada, exposta à líquidos ou

apresente uma mudança de performance notável, indicando a necessidade de manutenção.

9 Esta unidade só deveria ser aberta através de pessoal de serviço qualificado.

Removendo coberturas o exporão a voltagens perigosas.

Il presente triangolo impresso sul componente avverte la presenza di tensioni pericolose non isolate all interno della copertura – tali tensioni rappresentano un pericolo di folgorazione.

Il presente triangolo impresso sul componente avverte l utente della presenza nella documentazione allegata di importanti istruzioni relative al funzionamento ed alla manutenzione.

Esse triângulo que aparece no seu console, alerta para a presença de voltagem perigosa e não isolada no recinto – voltagem que pode ser suficiente para constituir um risco de choque.

Esse triângulo ques aparece no seu console alerta para instruções importantes de operação e manutenção neste manual.

vii

Introduction Lexicon

DANSK

VIGTIG INFORMATION OM SIKKERHED

1 Gem denne vejledning til senere brug.

2 Følg alle anvisninger og advarsler på apparatet.

3 Apparatet skal altid tilsluttes den korrekte spænding. Der henvises til brugsanvis-

ningen, der indeholder specifikationer for strømforsyning. Der gøres opmærksom på, at ved varierende driftsspændinger kan det blive nødvendigt at bruge andre lednings- og/eller stiktyper.

4 Apparatet må ikke monteres i et kabinet uden ventilation eller lige over andet

udstyr, der udvikler varme, f.eks. forstærkere. Den maksimale omgivelsestemperatur ved drift, der står opført i specifikationerne, skal overholdes.

5 Der er ventilationsåbninger i kabinettet. For at sikre apparatets drift og hindre over

phedning må disse åbninger ikke blokeres eller tildækkes. Stik aldrig noget ind igennem ventilationsåbningerne, og pas på aldrig at spilde nogen form for væske på apparatet.

6 Udgangsstik fra audioforstærkere må aldrig sættes direkte i apparatet.

7 Apparatet må ikke udsættes for regn eller fugt og må ikke bruges i nærheden af

vand for at undgå risiko for elektrisk stød og brand.

8 Apparatet må aldrig bruges, hvis det er blevet stødt, beskadiget eller vådt, eller hvis

ændringer i ydelsen tyder på, at det trænger til eftersyn.

9 Dette apparat må kun åbnes af fagfolk. Hvis dækslet tages af, udsættes man for

livsfarlig højspænding.

Denne mærkat på komponenten advarer om uisoleret, farlig spænding i apparatet - høj nok til at give elektrisk stød.

SUOMI

TÄRKEITÄ TURVALLISUUSOHJEITA

1 Säilytä nämä ohjeet tulevaa käyttöä varten.

2 Seuraa kaikkia yksikköön merkittyjä ohjeita ja varoituksia.

3 Käytä aina oikeaa verkkojännitettä. Tehovaatimukset selviävät valmistajan käyttöo-

hjeista. Huomaa, että eri käyttöjännitteet saattavat vaatia toisenlaisen verkkojohdon ja/tai-pistokkeen käytön.

4 Älä asenna yksikköä telineeseen jossa ei ole tuuletusta, tai välittömästi lämpöä tuo-

tavien laitteiden, esim. tehovahvistimien, yläpuolelle.Ympäristön lämpötila käytössä ei saa ylittää tuotespesifikaation maksimilämpötilaa.

5 Kotelo on varustettu tuuletusreiillä ja -aukoilla. Luotettavan toiminnan varmista-

miseksi ja ylilämpenemisen välttämiseksi näitä aukkoja ei saa sulkea tai peittää. Mitään esineitä ei saa työntää tuuletusaukkoihin. Mitään nesteitä ei saa kaataa yksikköön.

6 Älä kytke audiotehovahvistimen lähtöjä suoraan mihinkään yksikön liittimeen.

7 Sähköiskun ja palovaaran välttämiseksi yksikkö ei saa olla sateessa tai kosteassa,

eikä sitä saa käyttää märässä ympäristössä.

8 Älä käytä yksikköä jos se on pudonnut, vaurioitunut, kostunut, tai jos sen suori-

tuskyky on huomattavasti muuttunut, mikä vaatii huoltoa.

9 Yksikön saa avata vain laitteeseen perehtynyt huoltohenkilö. Kansien poisto

altistaa sinut vaarallisille jännitteille.

Tämä kolmio, joka esiintyy komponentissasi, varoittaa sinua eristämättömän vaarallisen jännitteen esiintymisestä yksikön sisällä. Tämä jännite saattaa olla riittävän korkea aiheuttamaan sähköiskuvaaran.

viii

Denne mærkat på komponenten advarer om vigtig driftsog vedligeholdsinformation i den tilhørende litteratur.

Tämä kolmio, joka esiintyy komponentissasi, kertoo sinulle, että tässä tuotedokumentoinnissa esiintyy tärkeitä käyttö- ja ylläpito-ohjeita.

MC-12 Introduction

NORSK

VIKTIG INFORMASJON OM SIKKERHET

1 Ta vare på denne veiledningen for senere bruk.

2 Følg alle anvisningene og advarslene som er angitt på apparatet.

3 Apparatet skal alltid anvendes med korrekt spenning. Produktbeskrivelsen inne-

holder spesifikasjoner for strømkrav. Vær oppmerksom på at det ved ulike driftsspenninger kan være nødvendig å bruke en annen ledning- og/eller støpseltype.

4 Apparatet skal ikke monteres i skap uten ventilasjon, eller direkte over varmepro-

duserende utstyr, som for eksempel kraftforsterkere. Den maksimale romtemperaturen som står oppgitt i produktbeskrivelsen, skal overholdes.

5 Apparatet er utstyrt med ventilasjonsåpninger. For at apparatet skal være pålitelig i

bruk\ og ikke veropphetes, må disse åpningene ikke blokkeres eller tildekkes. Stikk aldri noe inn i ventilasjonsåpningene, og pass på at det aldri søles noen form for væske på apparatet.

6 Utgangsplugger fra audioforsterkere skal aldri koples direkte til apparatet.

7 Unngå brannfare og elektrisk støt ved å sørge for at apparatet ikke utsettes for regn

eller fuktighet og ikke anvendes i nærheten av vann.

8 Apparatet skal ikke brukes hvis det har blitt utsatt for støt, er skadet eller blitt vått,

eller hvis endringer i ytelsen tyder på at det trenger service.

9 Dette apparatet skal kun åpnes av fagfolk. Hvis dekselet fjernes, utsettes man for

livsfarlig høyspenning.

Komponenten er merket med denne trekanten, som er en advarsel om at det finnes uisolert, farlig spenning inne i kabinettet - høy nok til å utgjøre en fare for elektrisk støt.

SVENSKA

VIKTIGA SÄKERHETSFÖRESKRIFTER

1 Spara dessa föreskrifter för framtida bruk.

2 Följ alla anvisningar och varningar som anges på enheten.

3 Använd alltid rätt nätspänning. Se tillverkarens bruksanvisningar för information

om effektkrav. Märkväl, att andra matningsspänningar eventuellt kräver att en annan typs nätsladd och/eller kontakt används.

4 Installera inte enheten i ett oventilerat stativ, eller direkt ovanför utrustningar som

avger värme, t ex effektförstärkare. Se till att omgivningens temperatur vid drift inte överskrider det angivna värdet i produktspecifikationen.

5 Behållaren är försedd med hål och öppningar för ventilering. För att garantera

tillförlitlig funktion och förhindra överhettning får dessa öppningar inte blockeras eller täckas. Inga föremål får skuffas in genom ventilationshålen. Inga vätskor får spillas på enheten.

6 Anslut aldrig audioeffektförstärkarutgångar direkt till någon av enhetens kontakter.

7 För att undvika elstöt eller brandfara får enheten inte utsättas för regn eller fukt,

eller användas på ställen där den blir våt.

8 Använd inte enheten om den har fallit i golvet, skadats, blivit våt, eller om dess pre-

standa förändrats märkbart, vilket kräver service.

9 Enheten får öppnas endast av behörig servicepersonal. Farliga spänningar blir

tillgängliga när locken tas bort.

Denna triangel, som visas på din komponent, varnar dig om en oisolerad farlig spänning inne i enheten. Denna spänning är eventuellt så hög att fara för elstöt föreligger.

Komponenten er merket med denne trekanten, som betyr at den tilhørende litteraturen inneholder viktige opplysninger om drift og ved.

Denna triangel, som visas på din komponent, anger att viktiga bruksanvisningar och serviceanvisningar ingår i dokumentationen i fråga.

Introduction Lexicon

Unpacking and Inspection

After unpacking the unit, save all packing materials in case the unit ever needs to be shipped. Thoroughly inspect the modules and packing materials for signs of damage. Report any damage to the carrier at once; report equipment malfunction to the dealer.

Auspacken und Überprüfung

Bewahren Sie nach dem Auspacken des Geräts das Verpackungsmaterial für den Fall auf, dass Sie das Gerät wieder versenden müssen. Überprüfen Sie die Module und die Verpackung sorgfältig auf Anzeichen von Beschädigung. Etwaige Schäden sind dem Transporteur unverzüglich anzuzeigen; Funktionsstörungen sind dem zuständigen Händler zu melden.

Desembalaje e Inspección

Después de desembalar la unidad, guarde todos los materiales de embalaje por si alguna vez transportar la unidad. Inspeccione con atención los módulos y los materiales de embalaje para comprobar que no muestren desperfectos. Informe inmediatamente de cualquier desperfecto al transportista; informe de cualquier problema de funcionamiento del equipo a su distribuidor.

Contenu de L’emballage et Inspection

Après avoir ouvert l’emballage, conservez-le pour tout retour. Inspectez avec soin les modules et les matériaux d’emballage pour tout signe de dommage. Veuillez rapporter immédiatement les dommages auprès du transporteur. Les dysfonctionnements du matériel doivent être signalés à votre revendeur.

Disimballaggio ed Ispezione

Dopo aver disimballato l’unità, salvi tutto il materiale d’imballaggio, in caso Lei abbia bisogno di spedire l’unità. Ispezioni attentamente i moduli ed il materiale d’imballaggio per vedere se riportano segni di danno. Riporti subito ogni segno di danno al corriere; riferisca il malfunzionamento dell’attrezzatura al suo rivenditore.

Retirando a Embalagem e Inspecionando

Depois de desembalar a unidade, guarde a embalagem caso precise enviar a unidade para manutenção. Inspecione cuidadosamente o módulo e a embalagem procurando sinais de dano. Avise à loja qualquer tipo de dano ou mal funcionamento do equipamento.

Getting Started

About The MC-12 ...................................................................... 1-2

Highlights ................................................................................................ 1-4

Product Registration................................................................... 1-5

Installation Considerations.......................................................... 1-5

Remote Control Battery Installation ............................................ 1-6

Getting Started Lexicon

ABOUT THE MC-12

Thank you for purchasing the MC-12 Digital Controller, a reference-quality, 12-channel audio and video control center with independent zone monitoring to provide control of input source selection in three zones at the same time. As flexible as it is powerful, the MC-12 includes 12 configurable inputs, each of which can be assigned to its 13 digital audio, 8 analog audio, 5 composite video, 8 S-video, or 4 component video input connectors. The analog audio input connectors can be configured for stereo or 5.1-channel sources.

Beyond the standard 5.1-channel audio output connectors, the rear panel includes stereo rear and stereo subwoofer connectors, as well as stereo auxiliary connectors to provide even more audio channels. All Main Zone audio output connectors include 24-bit/96kHz D/A converters operating in dual differential mode. In addition, the MC-12 Balanced includes balanced audio output connectors for all Main Zone and Zone 2 channels.

Inside and out, the MC-12 is designed to remain viable in a future of emerging technologies. Two RS-232 connectors are provided for serial control, one to perform flash-memory software upgrades and backup and restore configuration files, and another to support future expansion. Inside, two expansion slots are available for hardware upgrades, making it possible to more than quadruple the MC-12’s processing power.

More than just an audio and video control center, the MC-12 features the latest version of Lexicon’s critically acclaimed Logic 7 decoding, which derives 7.1-channel output from stereo, 5.1-, and

6.1-channel sources. Unlike other decoders, Logic 7 is compatible with all input sources and requires no special encoding. Because the improvement it provides is clearly audible, Logic 7 decoding is widely regarded as the finest available.

The MC-12 also offers LIVE! (Lexicon Intelligent Variable Environment), designed to transform the way your listening room sounds with the live sound that is created within the room by the occupants of the room. LIVE! does not (nor is it meant to) work with pre-recorded material. LIVE! provides a realistic illusion of a larger, more reverberant listening space – ideal for musicians wishing to practice or perform with the sound of a larger venue.

LIVE! is a unique, sophisticated reverberation system that uses a combination of microphones and digital signal processing (DSP) to enhance a room’s acoustics and create the illusion of a much larger space. When you engage in normal conversation, it seems as if you are in a large room. When you practice or perform with a musical instrument, it seems as if you are in a concert hall. Choose from one of three customizable presets to create an ambiance to liven up a party or amaze your friends.

In addition to Logic 7 and LIVE!, the MC-12 is also equipped with Dolby Digital Surround EX, Dolby Pro Logic, Dolby Pro Logic II, Dolby Pro Logic IIx, DTS 96/24, DTS NEO:6, DTS-ES, THX Ultra2, and THX Surround EX decoding. THX Ultra2 Certification guarantees that the MC-12 meets the highest THX performance specifications.

With four 32-bit floating-point SHARC™ digital signal processing (DSP) engines, the MC-12 offers unparalleled processing power. These DSP engines perform custom Lexicon processing such as Logic 7 decoding, bass enhancement, dialog enhancement, auto azimuth, 5-speaker enhancement, bass management, highprecision digital crossovers, and tone controls. This processing is available at sample rates up to 96kHz, with 24-bit resolution to retain top performance from all input sources and listening modes. A fifth DSP engine is dedicated to decoding multi-channel compressed audio sources.

1-2

MC-12 Getting Started

High-precision 24-bit/96kHz A/D converters can be used to convert stereo and 5.1 analog audio input signals to digital signals, allowing the MC-12 to provide the benefits of precise digital signal processing without sacrificing signal integrity. Alternatively, stereo and 5.1 analog signals can bypass A/D conversion and internal processing to remain in the analog domain straight to the output connectors.

Digital audio input signals are processed through a two-stage phase lock loop for extremely low intrinsic jitter and high rejection. Lexicon’s proprietary auto azimuth technology corrects timing and level imbalances in stereo sources, ensuring exceptionally accurate playback of surround-encoded sources. A digital audio passthrough option is available for recording digital signals with a CD recorder or a similar component.

Complementing its audio performance, the MC-12 features two broadcast-quality video switchers. An ultra-wide bandwidth component video switcher accepts analog component or RGB video signals, while a composite and S-video switcher accepts highquality NTSC, PAL or SECAM video signals. The component video switcher can pass High-Definition TV (HDTV) signals, and StandardDefinition TV signals. Both switchers are designed to pass video signals without alteration or degradation.

An unparalleled processor, the MC-12 conveys the best in music and cinema with awesome power and leading-edge technological sophistication. Even the most demanding enthusiasts will be impressed with its exceptional performance. The MC-12 is a musthave addition for any high-quality home theater.

1-3

Getting Started Lexicon

HIGHLIGHTS

• 12 channels

• 12 configurable inputs

• 3 independent zones

• 13 digital audio input connectors, including 6 S/PDIF coaxial, 6 S/PDIF optical, and 1 AES/EBU

• 5.1-channel analog audio input connector

• Analog bypass option for stereo and

5.1-channel analog audio input connectors

• Auto switching between digital and analog audio input connectors

• 24-bit/192kHz D/A converters for all Main Zone audio channels

• Stereo subwoofer and LFE output connectors

• Automatic and manual calibration of speaker distances and output levels

• 4 component video input connectors with full HDTV compatibility

• BNC component video input and output connectors

• 8 S-video input connectors

• 5 composite video input connectors

• Broadcast-quality video switching

• Four 32-bit DSP engines

• Separate DSP engine for decoding compressed audio sources

•Logic 7 decoding

• LIVE! (Lexicon Intelligent Variable Environment)

• Dolby Digital Surround EX, Dolby Pro Logic, Dolby Pro Logic II, and Dolby Pro Logic IIx decoding

• DTS 96/24, DTS NEO:6, and DTS-ES (discrete and matrix) decoding

• THX Ultra2 and THX Surround EX decoding

• THX Ultra2 Certification

• RS-232 connector for flash memory software upgrades and configuration backups

• 2 digital audio output connectors

• 3 trigger output connectors

• Rear panel IR input connector

• 4 microphone input connectors

• 2 internal expansion slots

• Removable access panel

• Balanced audio output connectors for all Main Zone and Zone 2 channels (MC-12 Balanced only)

• EQ option available

1-4

MC-12 Getting Started

PRODUCT REGISTRATION

Please register the MC-12 Digital Controller within 15 days of purchase. Register online at www.lexicon.com or complete and return the product registration card attached to the back cover of this user guide. Retain the sales receipt as proof of warranty coverage.

INSTALLATION CONSIDERATIONS

The MC-12 requires special care during installation to ensure optimal performance. Pay particular attention to instructions below and to other precautions that appear throughout this user guide.

DO install the MC-12 on a solid, flat, level surface such as a table or

shelf. The MC-12 can also be installed in a standard 19-inch equipment rack using an optional rack-mount kit available from an authorized Lexicon dealer.

DO select a dry, well-ventilated location out of direct sunlight.

DO NOT expose the MC-12 to high temperatures, humidity,

steam, smoke, dampness or excessive dust. Avoid installing the MC-12 near radiators and other heat-producing appliances.

DO NOT place the MC-12 on a windowsill or any location exposed

to direct sunlight.

DO NOT obstruct the front-panel IR receiver window. The remote

control must be in line of sight with the IR receiver for proper operation.

DO NOT install the MC-12 on a surface that is unstable or unable

to support all four feet, unless it is installed in an equipment rack.

DO NOT stack the MC-12 directly above heat-producing

equipment such as a power amplifier.

CAUTION!

Before moving the MC-12, power the unit off using the rear-panel power switch and unplug the power cord from the wall outlet.

DO NOT install the MC-12 near unshielded TV or FM antennas,

cable TV decoders, or other RF-emitting devices that might cause interference.

DO NOT place the MC-12 on a thick rug or carpet, or cover the

MC-12 with a cloth, as this might prevent proper cooling.

1-5

Getting Started Lexicon

REMOTE CONTROL BATTERY INSTALLATION

The remote control requires two AA batteries. The batteries should be replaced as needed. Alkaline batteries, which last longer without leaking, are recommended. When battery power is low, the remote control enters a low-voltage condition, preventing it from operating the MC-12. When this occurs, replace the batteries. Normal operation will resume when new batteries are installed.

To replace the remote control batteries:

1. Locate the battery compartment on the back of the remote control. Press the tab and lift the cover away from the remote control.

2. Remove old batteries (if applicable).

3. Observing the proper polarity, insert two AA batteries.

4. Align the cover over the battery compartment and gently press down until it snaps back into place.

5. Dispose of the old batteries (if applicable).

1-6

Basic Operation

Front-Panel Overview ................................................................ 2-2

Rear-Panel Overview .................................................................. 2-6

Remote Control Overview ....................................................... 2-10

Operation Considerations .......................................................................2-10

Main Menu ............................................................................................ 2-11

Menu Navigation ................................................................................... 2-11

Menu Item Selection .............................................................................. 2-11

Command Bank Activation .....................................................................2-13

Command Matrix .................................................................................. 2-14

About the Zones ..................................................................... 2-19

Two-line Status ........................................................................ 2-19

Status Menus .......................................................................... 2-20

Status Menu Descriptions ....................................................................... 2-21

Status Menu Parameter Descriptions ......................................................2-25

Status Menu Level Meters ........................................................ 2-26

Basic Operation Lexicon

FRONT-PANEL OVERVIEW

The MC-12 is shown below. The MC-12 Balanced is shown on page 2-4. The front panels are identical, but the MC-12 Balanced has a larger chassis.

1 5 8

1. Standby Button

2. Front Panel Display

3. IR Receiver

2 4 6 7 9

7. Main Zone Input Selection Buttons

8. Main Zone Off Button

9. Zone 2 Input Selection Buttons

10 12

4. Volume Knob

5. Mute Button

6. Mode  and  Buttons

2-2

10. Zone 2 Off Button

11. Record Zone Input Selection Buttons

12. Record Zone Off Button

MC-12 Basic Operation

1 STANDBY BUTTON

Use the Standby button to activate or deactivate standby mode. The Standby button performs no function when the MC-12 rear panel power switch is powered off. When standby mode is activated, all MC-12 zones that were active during the last session are reactivated. The red LED in the standby button lights to indicate that standby mode is activated. Power is still supplied to the MC-12 when it is put into standby mode.

2 FRONT-PANEL DISPLAY

Use the Front-Panel display to view the current input, listening mode, input source, and volume level. The 2 x 20 character display also functions as a display for messages and menus.

3 IR RECEIVER

The IR Receiver receives infrared commands from the MC-12 remote control. There are three associated LEDs.

• The amber LED blinks when a remote control command is received.

• The red LED lights when the A/D converters are overloading.

• The blue LED lights when the MC-12 is powered on and activated – even if the FRONT PANEL DISPLAY menu STATUS parameter is set to ALWAYS OFF.

Amber LEDRed LED

Blue LED

4 VOLUME KNOB

Use the Volume knob to adjust volume level in all zones.

Note:

When MC-12 output levels are properly calibrated, the +0dB volume level setting corresponds to the THX reference level (75dB).

To adjust the Main Zone volume level:

Rotate the volume knob clockwise or counterclockwise to increase or decrease the volume level in 1dB increments. A horizontal bar graph indicating the current Main Zone volume level appears in the on-screen and front-panel displays. The Main Zone volume range is –80 to +12dB.

To adjust the Zone 2 or Record Zone volume level:

1. Press and hold the front panel Zone 2 or Record Zone input selection button that corresponds with the current input source. For example, if the current input source is DVD1, press and hold the DVD1 input selection button.

2. Push and hold a Zone 2 or Record Zone input selection button while rotating the volume knob clockwise or counterclockwise to increase or decrease volume level in 1dB increments. A horizontal bar graph appears on the on-screen and front panel displays. The Zone 2 or Record Zone volume range is –80 to +12dB.

3. When the Zone 2 or Record Zone volume level has been set, release the input selection button.

Remote control input selection buttons cannot be used to select Zone 2 or Record Zone volume level adjustment, even if the Zone 2 or Record Zone command bank is activated.

VOLUME -34db

ZONE 2 VOLUME -34db

RECORD VOLUME -34db

2-3

Basic Operation Lexicon

FRONT-PANEL OVERVIEW (continued)

The MC-12 Balanced, shown below, has a larger chassis than the MC-12, shown on page 2-2. Otherwise, they are identical.

2 4 6 7 9

1 5 8

10 12

5 MUTE BUTTON

Press the Mute button to mute the MC-12 Main Zone volume; "MUTE ON" appears in the on-screen and front-panel displays. Press the Mute button again to restore the MC-12 volume to its original

2-4

level. The VOLUME CONTROL SETUP and MUTE LEVEL parameter can be used to set mute levels.

MC-12 Basic Operation

Mute can be activated automatically or manually. For example, the MC-12 briefly activates mute when changing input sources or listening modes. The amber LED in the Mute button lights whenever mute is activated.

6 MODE  AND  BUTTONS

Use the Mode buttons to scroll to the previous and next available listening mode. Scrolling occurs in the order shown in the MODE ADJUST menu. Press the Mode  button to scroll upward through available listening modes. Press the Mode  button to scroll downward through available listening modes.

7 MAIN ZONE INPUT SELECTION BUTTONS

Selects the input in the Main Zone. When an input is selected, a blue LED lights on the corresponding input selection button. When the Main Zone is deactivated, pressing a Main Zone input selection button activates the Main Zone and selects the corresponding input. Zone 2 and the Record Zone remain deactivated until a Zone 2 or Record Zone input is selected.

Zones remain deactivated until a Main or Record Zone input is selected.

10 ZONE 2 OFF BUTTON

Deactivates Zone 2.

11 RECORD ZONE INPUT SELECTION BUTTONS

Selects the input in the Record Zone. When an input is selected, a red LED lights on the corresponding input selection button. When the Record Zone is deactivated, pressing a Record Zone input selection button activates the Record Zone and selects the corresponding input. The Main Zone and Zone 2 remain deactivated until a Main Zone or Zone 2 input is selected.

12 RECORD ZONE OFF BUTTON

Deactivates the Record Zone.

8 MAIN ZONE OFF BUTTON

Deactivates the Main Zone.

9 ZONE 2 INPUT SELECTION BUTTONS

Selects the input in Zone 2. When an input is selected, an amber LED lights on the corresponding input selection button. When Zone 2 is deactivated, pressing a Zone 2 input selection button activates Zone 2 and selects the corresponding input. The Main and Record

2-5

Basic Operation Lexicon

REAR-PANEL OVERVIEW

The MC-12 is shown below. The MC-12 Balanced, shown on page 2-8, includes balanced audio connectors for the Main Zone and Zone 2. Otherwise both models are identical. The numbers in the rear-panel illustrations correspond with the numbered items.

12 53

VIDEO

S-VIDEO

123456 7 8

AUDIO

AES/EBU

INPUTS

123

S/PDIF

1. Power Switch

2. AC Input Adaptor

3. Digital Audio Input Connectors

4. Analog Audio Input Connectors

5. Main Zone Audio Output Connectors

6. Zone 2 Audio Output Connectors

7. Record Zone Audio Output Connectors

8. Balanced Audio Output Connectors (MC-12 Balanced)

INPUT 1 INPUT 2

PR PB PR

(C)

(L)

(R)

(LS)

(SUB) (RS)

OMJ

FRONT

MICROPHONE INPUTS

1234

TRIGGER OUTPUTS

++––

PWR

COMPONENT VIDEO

INPUT 4

PB Y

CENTER SIDE REAR

SUBWOOFER

LFE

+–

INPUT 3

PR PB

OUTPUT

PB Y

MAIN OUTPUTS

1 (OSD) 2

Fix

AUX

ZONE 2

RS 232

RECORD OUTPUTS

VIDEO

Var

AUDIO AUDIO

VIDEO

Fix Var

S/PDIF

9. Video Input Connectors

10. Main Video Output Connectors

11. Record Zone Video Output Connectors

12. RS-232 Connectors

13. Trigger Output Connectors

14. IR In Connector

15. Microphone Input Connectors

16. Removable Access Panel

IR IN

MC-12

LEXICON, INC. DESIGNED AND ASSEMBLED IN U.S.A.

CUS

SERIAL NO.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

ATTENTION

RISQUE DE CHOC

ELECTRIQUE

NE PAS OUVRIR

AC 100-240V~, 50-60 Hz, 90W

LISTED AUDIO

EQUIPMENT

24PB

E216356

2-6

MC-12 Basic Operation

Caution!

Never make or break connections to the MC-12 unless the MC-12 and all associated components are powered off.

1 POWER SWITCH

Use the Power switch to power the MC-12 on or off. The I and O positions represent "on" and "off" status respectively. When the MC-12 is powered on, the front-panel Standby button or remote control On button can be used to activate and deactivate standby mode. When the MC-12 is powered off, standby mode is not available.

2 AC INPUT CONNECTOR

Provides power to the MC-12 through the supplied power cord (3 wire, 10 amp, IEC 320).

3 DIGITAL AUDIO INPUT CONNECTORS

(S/PDIF & AES/EBU)

Provide digital audio input in all zones. Six S/PDIF coaxial, six S/PDIF optical (5 TosLink /1 OMJ), and one AES/EBU (XLR) input connectors are available. These connectors are compatible with PCM (44.1, 48, 88.2, and 96kHz), Dolby Digital, and DTS-ES sources. These connectors are not compatible with MPEG or MP3 sources.

When a 5.1-channel analog audio source is present in the Main Zone, input signals are sent to the Main Zone audio output connectors as indicated in the table below. When a 5.1-channel analog source is present in the Main Zone and the INPUT SETUP menu ZONE2 IN or RECORD IN parameter is set to DMIX, only the (L) and (R) input signals are sent to the Zone 2 or Record Zone audio output connectors.

Input Connector Output Connector

(L) & (R) Front L/ R (C) Center (SUB) Subwoofer L/R & LFE (LS) & (RS) Side L/R and Rear L/R

5 MAIN ZONE AUDIO OUTPUT CONNECTORS

Provide analog audio output in the Main Zone. Ten connectors labeled Front L/R, Center, LFE, Subwoofer L/R, Side L/R, and Rear L/R are available. Two connectors labeled Aux L/R are provided for future expansion.

6 ZONE 2 AUDIO OUTPUT CONNECTORS

Provide analog audio output in Zone 2. Two stereo connectors labeled Audio L/R are available. The connector labeled Fix passes audio at fixed output levels. The connector labeled Var passes audio at variable output levels and includes a built-in volume control.

4 ANALOG AUDIO INPUT CONNECTORS

Provide analog audio input. Eight stereo analog audio input connectors labeled 1 to 8 are available. Connectors labeled 6, 7 and 8 can be configured as 5.1-channel connectors.

2-7

Basic Operation Lexicon

REAR-PANEL OVERVIEW (continued)

The MC-12 is shown on page 2-4. The MC-12 Balanced, shown below, includes balanced audio connectors for the Main Zone and Zone 2. Otherwise both models are identical.

12 53

VIDEO

S-VIDEO

123456 7 8

AUDIO

AES/EBU

MAIN

AUDIO

OUTPUTS

INPUTS

(L)

S/PDIF

(R)

123

654

CENTER SIDE REARFRONT ZONE 2AUX

INPUT 1

PR PB PR

(C)

(LS)

(SUB) (RS)

PB Y

FRONT

OMJ

SUBWOOFER

MICROPHONE INPUTS

1234

TRIGGER OUTPUTS

++––

PWR

INPUT 2 INPUT 3

INPUT 4

CENTER SIDE REAR

LFE

+–

COMPONENT VIDEO

PR PB

OUTPUT

PB Y

SUBWOOFER

MAIN AUDIO OUTPUTS

AUX

MAIN OUTPUTS

1 (OSD) 2

Fix

RS 232

1213

ZONE 2

RECORD OUTPUTS

VIDEO

Var

AUDIO AUDIO

L RL RL RL R LFE L RLR

VIDEO

Fix Var

S/PDIF

MC-12

LEXICON, INC. DESIGNED AND ASSEMBLED IN U.S.A.

IR IN

SERIAL NO.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

ATTENTION

RISQUE DE CHOC

ELECTRIQUE

NE PAS OUVRIR

AC 100-240V~, 50-60 Hz, 90W

LISTED AUDIO

EQUIPMENT

CUS

E216356

24PB

Caution!

Never make or break connections to the MC-12 unless the MC-12 and all associated components are powered off.

2-8

MC-12 Basic Operation

7 RECORD ZONE AUDIO OUTPUT CONNECTORS

Provide analog and digital audio output in the Record Zone. Two stereo connectors labeled Audio L/R are available for analog audio output. The connector labeled Fix passes audio at fixed output levels. The connector labeled Var passes audio at variable output levels and includes a built-in volume control. Two S/PDIF connectors (one coaxial and one optical) are available for digital audio output.

Alternatively, these connectors can be used to connect a recording device. When the Record Zone audio output connector labeled Var is sent to a recording device, you should set the VOLUME CONTROL SETUP menu REC PWR ON parameter to +0dB to achieve appropriate recording levels. The Record Zone audio output connector labeled Var passes audio at variable output levels. Adjusting Record Zone volume level will affect the recording.

8 BALANCED AUDIO OUTPUT CONNECTORS

(MC-12 BALANCED)

Provide balanced analog audio output in the Main Zone and Zone

2. Ten connectors labeled Front L/R, Center, LFE, Subwoofer L/R, Side L/R, and Rear L/R are available in the Main Zone. The connectors labeled Aux L/R are provided for future expansion. Two connectors labeled Zone 2 L/R are available in Zone 2.

9 VIDEO INPUT CONNECTORS

10 MAIN VIDEO OUTPUT CONNECTORS

Provide video output in the Main Zone. Two composite video connectors, two S-video connectors, and one component video connector (BNC) are available. The composite and S-video connectors labeled 1 (OSD) incorporate the on-screen display.

Note:

• Composite video output connectors are available when a composite or S-

video source is present.

• S-video output connectors are available when an S-video source is

present.

• Component video output connectors are available when a component

video source is present.

11 RECORD ZONE VIDEO OUTPUT CONNECTORS

Provide video output in the Record Zone. Two composite video connectors and two S-video connectors are available. Alternatively, these connectors can be used to connect a video recording device.

12 RS-232 CONNECTORS

The RS-232 serial connector (1) is used to perform backup and restoration of configuration files and flash memory software upgrades. The RS-232 connector (2) is capable of supporting future developments.

Provide video input in the Main and Record Zones. Five composite video connectors labeled Video 1 to 5, eight S-video connectors labeled S-Video 1 to 8, and four component video connectors (three RCA and one BNC) labeled INPUT 1 to 4 are available. The component video connectors are not available for the Record Zone.

2-9

Basic Operation Lexicon

REAR-PANEL OVERVIEW (continued)

13 TRIGGER OUTPUT CONNECTORS

Provide 12V DC output to control connected components. Three trigger output connectors are available on a removable terminal block. The PWR connector – the power trigger output connector – is not configurable. It is activated when the MC-12 is activated, and deactivated when the MC-12 is deactivated. The trigger output connectors (1) and (2) can be configured for remote or program operation.

14 IR IN CONNECTOR

Accepts input of IR signals from infrared distribution equipment. One 3.5mm jack that accepts a stereo plug (Tip/Ring/Sleeve connection) or mono plug (Tip/Sleeve connection) is available.

15 MICROPHONE INPUT CONNECTORS

Provide microphone input for speaker distance and output level calibration. Additionally, inputs 1 (left) and 2 (right) are used when LIVE! is active. Four 3.5mm Tip/Ring/Sleeve connectors are available.

16 REMOVABLE ACCESS PANEL

Accommodates connectors for emerging technologies.

REMOTE CONTROL OVERVIEW

The MC-12 remote control provides full operation of the MC-12, including commands such as menu navigation that are not available from the front-panel. The command matrix, beginning on page 2-14, indicates the commands remote control buttons perform when each command bank is active. The numbered items in the matrix correspond with the remote control illustrations.

OPERATION CONSIDERATIONS

The following factors can improve or impede remote control operation.

Note the following before operating the MC-12 remote control:

• The remote control must be in line-of-sight with the frontpanel IR receiver. Eliminate obstructions between the remote control and the IR receiver. The remote control may become unreliable if strong sunlight or fluorescent light shines on the IR receiver.

• For optimal performance, position the remote control at a 30 degree angle no more than 17 feet (5m) from the MC-12. Placing the MC-12 inside a smoked glass cabinet will reduce the remote control range.

• Remote controls for different components can interfere with one another. Avoid using remote controls for different components at the same time.

2-10

• Remote control batteries should be replaced as needed.

MC-12 Basic Operation

MAIN MENU

The MAIN MENU represents the beginning of the menu structure. Use the MAIN MENU to open the three main menu branches: MODE ADJUST, AUDIO CONTROLS, and SETUP.

Button Navigation Function(s)

• When no menus are displayed, press the MENU button to open the MAIN MENU.

• When a menu is open, press the MENU button to close the menu structure.

• When no menus are displayed, press the  arrow button to open the MAIN MENU.

• When a menu is open, press the  arrow button to select the highlighted menu item.

• When a menu is open, press the  arrow button to close the menu and, in most cases, open the previous menu. Subsequent presses continue to close the current menu and open the previous menu until the MAIN MENU is closed. When the MAIN MENU is closed, the menu structure is also closed.

• When no menus are displayed, pressing the  arrow button performs no function.

• When a drop-down menu is open, press the  arrow button to select the current setting and close the drop-down menu.

When a menu is open, press the  or  arrow buttons to scroll upward or downward through the complete list of menu items. All menu items are displayed on-screen. A scroll bar appears on the right side of the menu when menu items exceed the top and bottom margins of the display, and the cursor automatically advances to the next menu item when the first or last menu item is passed. The highlighted menu item is displayed on the MC-12 front-panel.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

MENU NAVIGATION

Use the remote control Menu and arrow buttons to navigate the extensive menu structure shown in the Appendix. The table below indicates the navigation commands remote control buttons perform when the Main Zone command bank is activated.

MENU ITEM SELECTION

Use the remote control Menu arrows to select menu items.

To select a menu item:

1. Press the remote control  or  arrow buttons to highlight the desired menu item.

2. When the desired menu item is highlighted, press the  arrow button to select the highlighted item. If you select an option, another menu displays. If you select a parameter, a parameter menu or horizontal graph opens.

2-11

Basic Operation Lexicon

MENU OPTIONS

Selecting a menu option opens another menu within the menu structure. For example, selecting SETUP from the MAIN MENU opens the SETUP menu.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGER LOCK OPTIONS LIVE! CALIBRATION

MENU PARAMETERS

Selecting a menu parameter opens a drop-down menu or horizontal bar graph that is used to select the desired setting.

PARAMETER DROP-DOWN MENUS

Selecting a menu parameter opens a drop-down menu that contains a list of available parameter settings. For example, selecting the DISPLAY SETUP menu CUSTOM NAME parameter opens a drop-down menu which is used to select the ON or OFF setting.

DISPLAY SETUP

ON-SCREEN DISPLAY FRONT PANEL DISPLAY A/V SYNC DELAY OFF CUSTOM NAME OFF

EDIT CUSTOM NAME

OFF

displayed beneath the parameter name in the on-screen and front-panel displays.

2. When the desired setting appears beneath the parameter name, press the  arrow button to accept the setting and close the drop-down menu.

HORIZONTAL BAR GRAPHS

Selecting some menu parameters opens a horizontal bar graph. The bar graph indicates the position the current parameter setting falls within the entire parameter range. The setting appears to the right of the parameter name in the on-screen and front-panel displays.

For example, selecting the DISPLAY SETUP menu A/V SYNC DELAY parameter opens the horizontal bar graph shown below, which is used to adjust the amount of audio delay.

DISPLAY SETUP

ON-SCREEN DISPLAY FRONT PANEL DISPLAY

A/V SYNC DELAY OFF

CUSTOM NAME OFF

EDIT CUSTOM NAME

To adjust a parameter setting with a horizontal bar graph:

1. When the horizontal bar graph appears, press the remote control  or  arrow button to increase or decrease the setting in designated increments.

The setting appears to the right of the parameter name in the on-screen and front-panel displays.

OFF, 1 to 60ms

To select a setting in a parameter drop-down menu:

1. When the drop-down menu opens, press the remote control  or  arrow button to scroll up or down through the complete list of available settings. The current setting is

2-12

2. When you have finished adjusting the settings, press the  arrow button to select the setting and close the horizontal bar graph.

MC-12 Basic Operation

COMMAND BANK ACTIVATION

Remote control buttons perform different commands depending on whether the Main Zone, Zone 2, Record Zone, or Shift command bank is activated. Pressing and releasing a remote control command bank selection button – MAIN, ZONE, REC, or SHIFT – activates the corresponding command bank. The selected command bank remains activated until another command bank is activated.

The command bank selection buttons themselves do not send commands to the MC-12. When pressed and released, these buttons activate the corresponding command bank. For example, pressing and releasing the SHIFT button activates the Shift command bank. When the Shift command bank is activated, pressing and releasing the DVD-1 button turns off the DVD1 input for the Main Zone.

To activate a command bank:

1. Press and release a command bank selection button to activate the desired command bank.

The command matrix that begins on the next page indicates the commands remote control buttons perform when each command bank is activated.

2. Press a remote control button to send a command to the MC-12.

The MAIN MENUSETUP DISPLAYSON-SCREEN DISPLAY menu REMOTE STATE parameter controls the remote control command bank indicator that appears on the on-screen display. When the REMOTE STATE parameter is set to ON, a command bank indicator appears in the top-right corner of the on-screen display to indicate the last command bank from which the MC-12 received a command. A "Z" appears when the Zone 2 command bank is active. An "R" appears when Record Zone command bank is active. An "S" appears when the Shift command bank is active. No letter appears when the Main Zone command bank is active. When the REMOTE STATE parameter is set to OFF, no command bank indicator appears on the on-screen display.

Note:

Remote control command bank selection buttons should not be pressed and held.

2-13

Basic Operation Lexicon

The command matrix describes the commands remote control buttons perform when each command bank is active.

Button Main Zone Zone 2 Record Zone Shift

Activates and deactivates standby mode when the MC-12 rear panel power switch is in the on position. When standby mode is activated, pressing the standby button deactivates standby mode and activates the MC-12, including all zones that were activated during the previous operating session. When standby mode is deactivated, pressing the standby button activates standby mode and deactivates the MC-12. The red front panel standby button LED lights to indicate that standby mode is activated.

Note: Power is still supplied to the MC-12 when standby mode is activated.

Activates the remote control back-light, illuminating remote control buttons making them more visible in the dark. The back-light also illuminates whenever a remote control button is pressed. Once illuminated, the back-light remains on for about 5 seconds before extinguishing.

Activates the Main Zone command bank, which includes commands that control the Main Zone.

Activates the Zone 2 command bank, which includes commands that control the Zone 2.

Activates the Record Zone command bank, which includes commands that control the Record and Main Zones.

Activates the Shift command bank, which includes commands that control the Main Zone.

COMMAND MATRIX

2-14

Selects the DVD1 input for the Main Zone.

Selects the DVD2 input for the Main Zone.

Selects the LD input for the Main Zone.

Selects the TV input for the Main Zone.

Selects the DVD1 input for Zone 2.

Selects the DVD2 input for Zone 2.

Selects the LD input for Zone 2.

Selects the TV input for Zone 2.

Selects the DVD1 input for the Record Zone.

Selects the DVD2 input for the Record Zone.

Selects the LD input for the Record Zone.

Selects the TV input for the Record Zone.

Deactivates the Main Zone.

Deactivates Zone 2.

Deactivates the Record Zone.

Sets the AUDIO CONTROLS menu LOUDNESS parameter to ON.

MC-12 Basic Operation

Button Main Zone Zone 2 Record Zone Shift

Selects the SAT input for the Main Zone.

Selects the VCR input for the Main Zone.

Selects the SAT input for Zone 2.

Selects the VCR input for Zone 2.

Selects the SAT input for the Record Zone.

Selects the VCR input for the Record Zone.

Sets the AUDIO CONTROLS menu LOUDNESS parameter to OFF.

Reserved for possible future expansion.

Selects the CD input for the Main Zone.

Selects the PVR input for the Main Zone.

Selects the GAME input for the Main Zone.

Selects the TAPE input for the Main Zone.

Selects the TUNER input for the Main Zone.

Selects the AUX input for the Main Zone.

Selects the CD input for for Zone 2.

Selects the PVR input for Zone 2.

Selects the GAME input for Zone 2.

Selects the TAPE input for Zone2.

Selects the TUNER input for Zone 2.

Selects the AUX input for Zone 2.

Selects the CD input for the Record Zone.

Selects the PVR input for the Record Zone.

Selects the GAME input for the Record Zone.

Selects the TAPE input for the Record Zone.

Selects the TUNER input for the Record Zone.

Selects the AUX input for the Record Zone.

Increases the AUDIO CONTROLS menu BASS parameter in 0.5dB increments.

Increases the AUDIO CONTROLS menu TREBLE parameter in

0.5dB increments. Increases the AUDIO

CONTROLS menu TILT EQ parameter in 0.2dB increments.

Decreases the AUDIO CONTROLS menu BASS parameter in 0.5dB increments.

Decreases the AUDIO CONTROLS menu TREBLE parameter in

0.5dB increments. Decreases the AUDIO

CONTROLS menu TILT EQ parameter in 0.2dB increments.

2-15

Basic Operation Lexicon

Button Main Zone Zone 2 Record Zone Shift

Toggles the FRONT PANEL DISPLAY menu STATUS parameter between ALWAYS OFF and the current setting.

Toggles the ON SCREEN DISPLAY menu BACKGROUND parameter between ON and OFF.

Toggles the ON SCREEN DISPLAY menu STATUS parameter between ALWAYS OFF and the current setting.

Scroll to the previous or next available listening mode, with the current Main Zone input source. Scrolling occurs in the order shown on the MODE ADJUST menu.

Increases and decreases Main Zone volume level in 1dB increments.

Sets Zone 2 volume level to -15dB

Sets Zone 2 volume level to -30dB

Reserved for possible future expansion.

Activates (+) and deactivates (-) the trigger output connector labeled 1 when the connector is configured for remote operation.

Increases and decreases Zone 2 volume level in 1dB increments.

Sets Record Zone volume level to -15dB

Sets Record Zone volume level to -30dB

Reserved for possible future expansion.

Activates (+) and deactivates (-) the trigger output connector labeled 2 when the connector is configured for remote operation.

Increases and decreases Record Zone volume level in 1dB increments.

Sets Main Zone volume level to -15dB.

Sets Main Zone volume level to -30dB.

Sets the AUDIO CONTROL menu BASS, TREBLE, and TILT EQ parameters to +0.0dB. However, the screen displays: EQ BALANCE EQ OFF

Activates (+) and deactivates (-) standby mode when the MC-12 is powered on with the rear panel power switch.

Increases and decreases Main Zone volume level in 1dB increments.

2-16

Toggles between lowering Main Zone volume level and restoring Main Zone volume to the original level.

Toggles between full Zone 2 muting and unmuting Zone 2 volume to the original level.

Toggles between full Record Zone muting and unmuting Record Zone volume to the original level.

Toggles between full Main Zone muting and unmuting Main Zone volume to the original level.

MC-12 Basic Operation

Button Main Zone Zone 1 Record Zone Shift

Displays the Main Zone two

-line status for 2

seconds.

When a menu is open, pressing the MENU button closes the structure. When no menus are open, pressing the MENU button opens the MAIN MENU.

Closes the current () menu or opens the menu structure and selects the highlighted menu item (

Scroll upward and downward through menu items.

Toggles between 7- and 5-channel playback.

NOTE:

Use of this button during LIVE! voids the LIVE! calibration.

Toggles between the current listening mode and the 2-CHANNEL listening mode.

).

Displays the Zone 2 two-line status for 2 seconds.

Centers the AUDIO CONTROLS menu ZONE2 BALANCE parameter.

Adjusts the AUDIO CONTROLS menu ZONE2 BALANCE parameter left and right.

Increase and decrease subwoofer output levels applied to the current listening mode.

Reserved for possible future expansion.

Displays the Record Zone two-line status for 2 seconds.

Centers the AUDIO CONTROLS menu RECORD BALANCE parameter.

Adjusts the AUDIO CONTROLS menu RECORD BALANCE parameter left and right.

Reserved for possible future expansion.

Opens and closes the status menu for the current input source.

Centers the AUDIO CONTROLS menu Main Zone BALANCE and FADER parameters.

Adjusts the AUDIO CONTROLS menu Main Zone BALANCE parameters left and right.

Adjusts the AUDIO CONTROLS menu Main Zone FADER

parameters forward ( and backward (

Adjusts the MAIN ADV menu INPUT SELECT parameter, cycling through the ANALOG, DIGITAL, and AUTO settings.

Toggles the MAIN ADV menu ANALOG BYPASS parameter between ON and OFF.

)

).

2-17

Basic Operation Lexicon

Button Main Zone Zone 1 Record Zone Shift

Selects the THX mode family for the current input source.

Selects the Dolby mode family for the current input source.

Selects the LOGIC 7 FILM mode family for the current input source.

Selects the LOGIC 7 TV mode family for the current input source.

Selects the DTS mode family for the current input source.

Selects the LOGIC 7 MUSIC mode family for the current input source.

Reserved for possible future expansion.

Activates the 5.1 THX ULTRA2, 5.1 THX SurEX, or 5.1 THX listening mode when a

-channel Dolby

5.1 Digital source is present.

Activates the Dolby Digital EX or Dolby Digital listening mode

when a 5.1 Dolby Digital source is present.

Activates the PANORAMA listening mode.

Activates the MONO LOGIC listening mode

for 2 and the 5.1 MONO LOGIC listening mode for 5.1 channel sources.

When a DTS is present, pressing the dts button toggles the ES DECODING parameter, cycling through the AUTO, ON, and OFF settings.

Activates the L7 MUSIC SURR listening mode.

-channel

-channel sources

-ES source

2-18

MC-12 Basic Operation

ABOUT THE ZONES

The MC-12 features three zones of operation: the Main Zone, Zone 2, and the Record Zone. The Main Zone controls audio and video sources in the primary listening space. Zone 2 controls audio sources in the secondary listening space. The Record Zone controls audio and video sources sent to recording devices or to a third listening space.

These zones have separate digital audio receivers and dedicated analog source selectors that allow for independent input selection in each zone. The MC-12 can process input sources in three zones at the same time. For example, the MC-12 can play a DVD in the Main Zone, while playing a CD in Zone 2, while sending satellite receiver signals to a VCR in the Record Zone.

The following are exceptions to independent zone operation:

1. When a Dolby Digital or DTS-ES source is present in the Main Zone, the same Dolby Digital or DTS-ES source can also be present in Zone 2 or the Record Zone. However, a different Dolby Digital or DTS-ES source cannot be present in Zone 2 or the Record Zone.

2. Main Zone multi-channel audio can be down-mixed in Zone 2 or the Record Zone when all of the following conditions are met:

• A Dolby Digital or DTS-ES source is present in the Main Zone.

• The Main Zone input is also selected in Zone 2 or the

Record Zone. For example, if the DVD1 input is selected in the Main Zone, the DVD1 input must also be selected in Zone 2 or the Record Zone.

•The MAIN MENUSETUPINPUTSINPUT SETUP menu

ZONE2 IN or RECORD IN parameter is set to DMIX.

3. When the MAIN MENUSETUPINPUTSINPUT SETUP menu ZONE2 IN or RECORD IN parameter is set to ANLG, the Zone 2 or Record Zone audio output connectors are not available during

5.1a BYPASS listening mode. However, it is possible to have a

5.1-channel analog audio source present in the Main Zone and a digital audio source present in Zone 2 or the Record Zone.

TWO-LINE STATUS

The two-line status opens on the on-screen and front panel displays whenever the MC-12 detects a status change such as a new input source or listening mode. The information included on the two-line status differs depending on the zone in which the MC-12 last detected a status change. For example, the Main Zone two-line status opens when a Main Zone status change is detected.

MAIN ZONE TWO-LINE STATUS

Opens on the on-screen and front panel displays whenever the MC-12 detects a Main Zone status change. The Main Zone two-line status indicates the current input, listening mode, input source, and volume level selected in the Main Zone.

ZONE 2 TWO-LINE STATUS

Opens on the on-screen and front panel displays whenever the MC-12 detects a Zone 2 status change. The Zone 2 two-line status indicates the current input, input source, and volume level selected in Zone 2.

DVD1 D VOL

FILM

DVD 1 D VOL ZONE 2

-34dB

2-19

Basic Operation Lexicon

RECORD ZONE TWO-LINE STATUS

Opens on the on-screen and front panel displays whenever the MC-12 detects a Record Zone status change. The Record Zone two-line status indicates the current input, input source, and volume level selected in the Record Zone.

The ON-SCREEN DISPLAY menu STATUS parameter can control the length of time for which the two-line status appears on the on-screen and front panel displays. The ON-SCREEN DISPLAY menu POSITION parameter can control the vertical alignment of the two-line status on the display device screen.

Note:

When the display device is connected to a component video output connector and the ADVANCED menu COMPONENT OSD parameter is set to OFF, the display device does not show the on-screen display, including the two-line status.

DVD 1 D VOL ZONE 2

-34dB

STATUS MENUS

The STATUS menu contains parameters that provide information about the current input source and listening mode. STATUS menus are available for 2-channel, Dolby Digital, DTS-ES analog, digital, and LIVE! input sources.

To open and navigate the STATUS menu for the current input source:

1. Press and release the remote control SHIFT button.

2. Press and release the remote control STAT button. The first page of the STATUS menu for the current input source

appears in the on-screen and front-panel displays. If the STATUS menu includes a second page, the PG1 indicator

appears in the top-right corner of the menu. Press and release the STAT button again to open the second page. If the STATUS menu does not include a second page, pressing and releasing the STAT button again closes the menu.

3. When the desired STATUS menu page opens, press the remote control MAIN button, then press the  or  arrow button to scroll up or down through the list of available parameters.

4. Press the STAT button to close the STATUS menu. In some cases, you must press STAT twice in succession to close the STATUS menu.

Note:

STATUS menu parameters provide information about the current input source and listening mode. These parameters cannot be adjusted.

STATUS menu parameters provide information about the current input source and listening mode. Some STATUS menus also include level meters that indicate fluctuating audio input levels. Unlike most other menus, STATUS menus cannot be opened by selecting menu options. The remote control command sequence outlined below must be executed.

2-20

MC-12 Basic Operation

STATUS MENU DESCRIPTIONS

The table beneath each description lists the default and possible settings for each parameter.

2CH STATUS

Provides information about 2-channel input sources. Features L and R level meters.

Parameter Possible Settings

INPUT The current input MODE The current listening mode INPUT TYPE ANLG, PCM SAMPLE RATE 44.1kHz, 48kHz, 88.2kHz, 96kHz

See “Status Menu Parameter Descriptions” on page 2-25 for detailed information.

2CH STATUS

INPUT MODE INPUT TYPE

SAMPLE RATE

-6

-15

-30

-45

D STATUS

Provides information about Dolby Digital input sources. Features L, C, R, SL, SR and SUB level meters.

Parameter Possible Settings

INPUT The current input MODE The current listening mode

CHANNELS 3/2.1, 3/2, 3/1, 2/2, 2/1, 2/0, 1/0 BIT RATE 32 to 640kbps EX ENCODING MATRIX, NO SAMPLE RATE 48kHz

2.0 ENCODING MATRIX, NONE DIALOG OFFSET -27 to +4dB MIX ROOM SMALL, LARGE CENTER MIX LVL -3.0dB, -4.5dB, -6.0dB SURR MIX LVL +0.0dB, -3.0dB, -6.0dB

See “Status Menu Parameter Descriptions” on page 2-25 for detailed information.

D STATUS

INPUT MODE CHANNELS

BIT RATE EX ENCODING

CSLSRLFE

-6

-15

-30

-45

PG1

D STATUS

SAMPLE RATE

2.0 ENCODING DIALOG OFFSET MIX ROOM CENTER MIX LVL SURR MIX LVL

PG2

2-21

Basic Operation Lexicon

STATUS

Provides information about DTS-ES input sources. Includes L, C, R, SL, SR, SB and LFE level meters.

Parameter Possible Settings

INPUT The current input MODE The current listening mode CHANNELS 3/3.1, 3/2.1 BIT RATE 754.5 to 1509.7kbps ES ENCODING DISCRETE, MATRIX, OFF WORD LENGTH 16 bits, 20 bits, 24 bits SAMPLE RATE 44.1kHz, 48kHz, 88.2kHz, 96kHz

See “Status Menu Parameter Descriptions” on page 2-25 for detailed information.

STATUS

INPUT MODE CHANNELS

BIT RATE ENCODING

CSLSRLFE

-6

-15

-30

-45

PG1

STATUS

WORD LENGTH

SAMPLE RATE

PG1

5.1 ANALOG STATUS

Provides information about 5.1-channel analog sources. Includes L, C, R, SL, and LFE level meters.

Parameter Possible Settings

INPUT The current input MODE The current listening mode INPUT TYPE ANLG SAMPLE RATE 44.1kHz, 48kHz, 88.2kHz, 96kHz

Note:

The only possible sample rate for 5.1 analog sources is 96kHz, as they are converted to 96kHz PCM at the MC-12 input (when MAIN ADVANCED ANALOG BYPASS is set to OFF).

See “Status Menu Parameter Descriptions” on page 2-25 for detailed information.

5.1 ANALOG STATUS

INPUT MODE INPUT TYPE

SAMPLE RATE

RL CSLSRLFE

-6

-15

-30

-45

STATUS

WORD LENGTH SAMPLE RATE

PG1

2-22

MC-12 Basic Operation

5.1a BYPASS STATUS

Provides information about 5.1-channel analog input sources when the MAIN ADV menu ANALOG BYPASS parameter is set to ON.

Parameter Possible Settings

INPUT The current input MODE 5.1a BYPASS INPUT TYPE BYPASS

See “Status Menu Parameter Descriptions” on page 2-25 for detailed information.

5.1a BYPASS STATUS

INPUT MODE INPUT TYPE

2CH BYPASS STATUS

Provides information about 2-channel analog input sources when the MAIN ADV menu ANALOG BYPASS parameter is set to ON.

Parameter Possible Settings

INPUT The current input MODE 2CH BYPASS INPUT TYPE BYPASS

See “Status Menu Parameter Descriptions” on page 2-25 for detailed information.

2CH BYPASS STATUS

INPUT MODE INPUT TYPE

2-23

Basic Operation Lexicon

DIGITAL STATUS

Provides information about digital input sources for which a sample rate is detected, but no audio is present in the input signal.

Parameter Possible Settings

INPUT The current input MODE The current listening mode INPUT TYPE --SAMPLE RATE 44.1kHz, 48kHz, 88.2kHz, 96kHz

See “Status Menu Parameter Descriptions” on page 2-25 for detailed information.

DIGITAL STATUS

INPUT MODE INPUT TYPE SAMPLE RATE

LIVE! STATUS

Provides information about LIVE! input sources.

Parameter Possible Settings

INPUT The current input MODE The current listening mode INPUT TYPE MIC SAMPLE RATE 48kHz

See “Status Menu Parameter Descriptions” on page 2-25 for detailed information.

2CH STATUS

INPUT MODE INPUT TYPE SAMPLE RATE

-6

-15

-30

-45

2-24

MC-12 Basic Operation

STATUS MENU PARAMETER DESCRIPTIONS

2.0 ENCODING MATRIX, NONE

Indicates whether or not a matrix-encoded source is detected. When the parameter setting is MATRIX, a matrix-encoded source is detected. When the parameter setting is NONE, a matrix-encoded source is not detected. The MC-12 cannot automatically detect matrix encoding in non-flagged input sources.

BIT RATE 32 to 640 kbps or 754 to 1509.7kbps

Indicates the rate at which the input signal is encoded. A higher bit rate indicates that less compression was used during the encoding process. Possible settings for Dolby Digital sources range from 32 to 640 kbps. Possible settings for DTS-ES sources range from 754 to 1509.7kbps.

CENTER MIX LVL -3.0dB, -4.5dB, -6.0dB

Indicates the relative level of the center channel that was used during the mixing process.

CHANNELS 3/3.1, 3/2.1, 3/2, 3/1, 2/2, 2/1, 2/0, 1/0

Indicates the number of channels present in the input source. The first digit indicates the number of front channels present. The digit after the slash indicates the number of surround channels present. The digit after the decimal point indicates the presence of LFE (low frequency effects) information. For example, if the CHANNELS parameter is set to 3/2.1 and LFE=ON, LFE information (the .1 channel) is sent to the LFE output. If the CHANNELS parameter is set to 3/2.1 and LFE=OFF, LFE information is sent to the subwoofer output(s) and/or speakers, depending on crossover settings.

Possible settings for Dolby Digital input sources include 3/2.1, 3/2, 3/1, 2/2, 2/1, 2/0 and 1/0. Current settings for DTS-ES input sources include 3/3.1 and 3/2.1.

DIALOG OFFSET -27 to +4dB

Indicates the dialog normalization value applied to the input signal. Dolby Digital input sources reproduce dialog at 27 decibels below full-scale (-27dBFS). When the dialog normalization value of the incoming signal is higher or lower, the DIALOG OFFSET parameter indicates the amount of adjustment the MC-12 makes to normalize dialog to -27dBFS.

ES ENCODING DISCRETE, MATRIX, OFF

Indicates whether or not a DTS-ES-encoded source is detected. When the parameter setting is DISCRETE, a discrete 6.1-channel DTS-ES source is detected. When the parameter setting is MATRIX, a 5.1-channel DTS-ES source with a surround-encoded back channel is detected. When the parameter setting is OFF, a standard DTS source with no DTS-ES encoding is detected.

EX ENCODING MATRIX, NONE

Indicates whether or not a Dolby Digital Surround EX-encoded source is detected. When the parameter setting is MATRIX, a

5.1-channel Dolby Digital source recorded with Dolby Digital Surround EX is detected. When the parameter setting is NONE, a standard 5.1-channel Dolby Digital source recorded without Dolby Digital Surround EX-encoding is detected. The MC-12 cannot automatically detect Dolby Digital Surround EX encoding in non-flagged input sources.

2-25

Basic Operation Lexicon

INPUT

Indicates the selected input (for example, DVD1).

INPUT TYPE ANLG, BYP, PCM, MIC, ---

Indicates the input source that is present. When the parameter setting is ANLG, a 2-channel analog audio source is present and the ADVANCED menu 2-CH ANLG BYP parameter is set to OFF. When the parameter setting is BYP (Bypass), a 2-channel analog audio source is present and the 2-CH ANLG BYP parameter is set to ON. When the parameter setting is PCM, a 2-channel digital audio source is present. When the parameter setting is MIC, a microphone source is present. When the parameter setting is ---, an unknown digital audio source is present.

MIX ROOM SMALL, LARGE

Indicates the size of the mixing room that was used during the mixing process. When the parameter setting is LARGE, you should set the RE-EQUALIZATION parameter to ON for THX listening modes.

MODE

Indicates the activated listening mode (e.g., L7 FILM).

STATUS MENU LEVEL METERS

Most STATUS menus contain level meters that indicate fluctuating input levels in the front left (L), center (C), front right (R), surround left (SL), surround right (SR), surround back (SB) and subwoofer (SUB) channels. These level meters indicate input levels for both analog and digital input sources. For example, the level meters indicate digital audio input levels when a digital audio source is present.

Different combinations of level meters appear on each STATUS menu, depending on the source that is present. The SB level meter appears when a 6.1-channel source is present, or when a 5.1-channel source is present and the ES DECODING parameter is set to ON.

Level meters appear in combinations of green, yellow and red when the on-screen display is configured for a blue-screen background. Green indicates low levels, yellow indicates normal levels, and red indicates high levels and the onset of overload. Level meters appear in white when the on-screen display is not configured for a blue screen background.

SAMPLE RATE 44.1kHz, 48kHz, 88.2kHz, 96kHz

Indicates the sample rate of the input source that is present.

SURR MIX LVL +0.0dB, -3.0dB, -6.0dB

Indicates the relative surround channel level that was used during the mixing process.

WORD LENGTH 16 bits, 20 bits, 24 bits

Indicates the word length of the audio data present in the input signal.

2-26

Setup

Setup .........................................................................................3-2

Input Setup ................................................................................3-4

Changing Input Names ............................................................................ 3-5

Assigning Audio & Video Input Connectors .............................................. 3-7

Selecting Preferred Listening Modes ....................................................... 3-12

Configuring Advanced Input Settings ..................................................... 3-15

INPUT SELECT Parameter Settings .......................................................... 3-17

ZONE2 & RECORD IN Parameter Settings .............................................. 3-19

Speaker Setup ..........................................................................3-22

Setting Crossover Points ......................................................................... 3-22

Calibrating Speaker Distances & Output Levels ........................3-33

Speaker Calibration Parameters .............................................................. 3-33

Automatic Calibration ............................................................................ 3-35

Manual Calibration ................................................................................ 3-52

Rear-Panel Configuration .........................................................3-59

Display Setup ...........................................................................3-61

On-Screen Display ................................................................................. 3-63

Front-Panel Display ................................................................................ 3-65

Volume-Control Setup .............................................................3-66

Trigger Setup ...........................................................................3-68

Lock Options ............................................................................3-70

LIVE! Calibration .......................................................................3-71

Setup Lexicon

SETUP

Selecting SETUP from the MAIN MENU opens the SETUP menu.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

INPUTS

SETUP INPUTS

Prompts for an input selection (e.g., DVD1), and opens the corresponding INPUT SETUP menu. When the menu is open, you can change input names, assign audio and video input connectors, select preferred listening modes, and configure Main Zone, Zone 2 and Record Zone settings. See “INPUT SETUP” on page 3-4 for more information.

SPEAKERS

SPEAKERSSETUP

Opens the SPEAKER SETUP menu, to configure the Main Zone audio output connectors for the desired speaker setup. See “SPEAKER SETUP” on page 3-22 for more information.

REAR PANEL CONFIG

REAR PANEL CONFIGSETUP

Opens the REAR PANEL CONFIG menu, to configure the analog audio input connectors as eight stereo connectors or as five stereo and one 5.1-channel connectors. See “REAR PANEL CONFIG” on page 3-59 for more information.

DISPLAYS

DISPLAYSSETUP

Opens the DISPLAY SETUP menu, to customize the on-screen and front-panel displays, restore audio/video synchronization, and create and activate a custom unit name. See “DISPLAY SETUP” on page 3-61 for more information.

VOLUME CONTROLS

VOLUME CONTROLSSETUP

Opens the VOLUME CONTROL SETUP menu, to configure Main Zone, Zone 2, and Record Zone volume levels. See “VOLUME CONTROL SETUP” on page 3-66 for more information.

TRIGGERS

TRIGGERSSETUP

Prompts the selection of a desired trigger output connector (1 or 2) and opens the corresponding TRIGGER SETUP menu for configuration of remote or program operation. See “TRIGGER SETUP” on page 3-68 for more information.

3-2

MC-12 Setup

LOCK OPTIONS

LOCK OPTIONSSETUP LIVE! CALIBRATIONSETUP

Opens the LOCK OPTIONS menu, to protect MODE ADJUST, AUDIO CONTROLS and SETUP menu branch settings from accidental changes. See “LOCK OPTIONS” on page 3-70 for more information.

LIVE! CALIBRATION

Opens the LIVE! CALIBRATION menu, to perform the necessary calibration before using the LIVE! modes. See “LIVE! Calibration” on page 3-71 for more information.

3-3

Setup Lexicon

INPUT SETUP

INPUTSSETUP (INPUT) INPUT SETUP

Selecting the SETUP menu INPUTS option prompts the selection of a desired input (e.g., DVD1). Selecting an input opens the corresponding INPUT SETUP menu, which changes input names, assigns audio and video input connectors, selects preferred listening modes, and configures advanced Main Zone, Zone 2, and Record Zone settings.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

INPUT SETUP

DVD1 DVD2 LD TV SAT VCR CD PVR GAME TAPE TUNER AUX

DVD1 INPUT SETUP

NAME DIGITAL IN ANALOG IN ANLG IN LVL VIDEO IN COMPONENT IN 2-CH D

5.1a MIC LIVE! MED MAIN ADVANCED

ZONE2 IN DIGITAL RECORD IN RECORD ADVANCED

DVD1

COAX-1

NONE AUTO

S-VIDEO-1

FILM

5.1 FILM FILM

5.1a FILM

DIGITAL

The DVD1 INPUT SETUP menu is shown here as an example, and will continue to be shown as an example throughout this section. Whenever it appears, any other INPUT SETUP menu can be substituted. Likewise, whenever the DVD1 input appears as a step in a menu path, any other input can be substituted.

All INPUT SETUP menus are shown in the Appendix on page A-6. The parameters on the left side of the INPUT SETUP menus are identical regardless of which input is selected. The parameter settings on the right side are adjustable. The INPUT SETUP menus shown in the Appendix indicate factory-default parameter settings for each input.

3-4

MC-12 Setup

CHANGING INPUT NAMES

Selecting the INPUT SETUP menu NAME parameter opens the INPUT NAME menu, to customize or restore the factory-default name of the selected input. Factory-default input names correspond to front-panel and remote control input selection button labels.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

INPUT SETUP

DVD1 DVD2 LD TV SAT VCR CD PVR GAME TAPE TUNER AUX

EDIT INPUT NAME

INPUTSSETUP DVD1 NAME EDIT INPUT NAME

Opens the EDIT INPUT NAME editing menu, to customize the name of the selected input. Custom input names can include up to eight characters.

To customize the name of the selected input:

1. Follow the EDIT INPUT NAME menu path to open the EDIT INPUT NAME editing menu.

DVD1 INPUT SETUP

NAME DIGITAL IN ANALOG IN ANLG IN LVL VIDEO IN COMPONENT IN 2-CH D

5.1a MIC LIVE! MED MAIN ADVANCED

ZONE2 IN DIGITAL RECORD IN RECORD ADVANCED

DVD1

COAX-1

NONE AUTO

S-VIDEO-1

FILM

5.1 FILM FILM

5.1a FILM

DIGITAL

DVD1 INPUT NAME

EDIT INPUT NAME RESTORE DEFAULT NAME

EDIT INPUT NAME DVD1

BUTTONS TO EDIT UP TO 8 CHARACTERS BUTTON TO ADVANCE

DVD1

INPUT SETUP

DVD2

RT-20 (DVD1)

SAT

DVD2

VCR

SAT

TUNER

VCR CD PVR GAME TAPE TUNER AUX

2. When the editing menu opens, the current input name appears on the second line. Use the remote control  and  arrow buttons to change the character above the cursor (^).

3. When the character you want is displayed, press the  arrow button to advance to the next character space. The cursor will automatically wrap to the first character space when the last character space is passed.

3-5

Setup Lexicon

CHANGING INPUT NAMES (continued)

Note:

Pressing the arrow button closes the menu and returns to the INPUT NAME menu.

4. Repeat step 3 to enter all characters in the new name. When the input name you want is displayed, press the arrow button to close the menu and return to the INPUT NAME menu.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

DVD1

INPUT SETUP

DVD2

DVD1

SAT

DVD2

VCR

SAT

TUNER

VCR CD PVR GAME TAPE TUNER AUX

RESTORE DEFAULT NAME

INPUTSSETUP

DVD1

NAME

RESTORE DEFAULT NAME

The custom input name appears in the on-screen and front-panel displays. Both the custom and factory-default input names appear in the INPUT SETUP menu. The custom input name appears against the left margin of the on-screen display, and the factory-default

input name appears in parentheses against the right margin.

DVD1 INPUT SETUP

NAME DIGITAL IN ANALOG IN ANLG IN LVL VIDEO IN COMPONENT IN 2-CH D

5.1a MIC LIVE! MED MAIN ADVANCED

ZONE2 IN DIGITAL RECORD IN RECORD ADVANCED

DVD1

COAX-1

NONE AUTO

S-VIDEO-1

FILM

5.1 FILM FILM

5.1a FILM

DIGITAL

DVD1 INPUT NAME

EDIT INPUT NAME RESTORE DEFAULT NAME

PRESS MENU V TO RESTORE INPUT NAME

To restore the factory-default name of the selected input:

1. Follow the RESTORE DEFAULT NAME menu path to open the INPUT NAME menu.

Restores the factory-default name of the selected input. Factorydefault input names correspond to front-panel and remote control input selection button labels.

3-6

2. When the INPUT NAME menu opens, press the remote control  or  buttons to highlight the RESTORE DEFAULT NAME option.

3. Press thearrow button to select this option. The message: “PRESS MENU V TO RESTORE INPUT NAME” appears in the onscreen and front-panel displays.

4. Press thebutton to restore the factory-default name and close the message. (Press thebutton to close the message without restoring the factory-default name of the selected input.)

MC-12 Setup

ASSIGNING AUDIO & VIDEO INPUT CONNECTORS

The MC-12 has 12 inputs, each of which can be assigned to any (depending on compatibility) of its 13 digital audio, 8 analog audio, 5 composite video, 8 S-video, or 4 component video input connectors.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

INPUT SETUP

DVD1 DVD2 LD TV SAT VCR CD PVR GAME TAPE TUNER AUX

The table below indicates the INPUT SETUP menu parameters that can be used to assign audio and video input connectors. The ANLG IN LVL parameter can be used to adjust 2-channel and 5.1 analog audio input levels for the selected input.

Parameter Possible Settings

DIGITAL IN COAX-1 to 6, OPTICAL-1 to 6, AES/EBU, NONE ANALOG IN ANALOG-1 to 8, 5.1 ANLG (6-8), LIVE!, NONE ANLG IN LVL AUTO, -18dB to +12dB VIDEO IN COMPOSITE-1 to 5, S-VIDEO-1 to 8, NONE COMPONENT IN COMPONENT-1 to 4

DVD1 DIGITAL IN

COAX-1 COAX-2 COAX-3 COAX-4 COAX-5 COAX-6 OPTICAL-1 OPTICAL-2 OPTICAL-3 OPTICAL-4 OPTICAL-5 OPTICAL-6 AES/EBU NONE

DVD1 INPUT SETUP

NAME DIGITAL IN ANALOG IN ANLG IN LVL VIDEO IN COMPONENT IN 2-CH D

5.1a MIC LIVE! MED MAIN ADVANCED

ZONE2 IN DIGITAL RECORD IN RECORD ADVANCED

DVD1

COAX-1

NONE AUTO

S-VIDEO-1

FILM

5.1 FILM FILM

5.1a FILM

DIGITAL

Note:

The digital audio input connectors are compatible with PCM (44.1, 48,

88.2, and 96kHz), Dolby Digital and DTS(-ES) sources. The digital audio input connectors are not compatible with MPEG or MP3 sources.

DIGITAL IN COAX-1 TO 6, OPTICAL-1 TO 6, AES/EBU, NONE

INPUTSSETUP

DVD1

Opens the DIGITAL IN menu, to assign a digital audio input connector for the selected input. A digital audio input connector must be assigned if no analog audio input connector is assigned.

When no analog audio input connector is assigned, the MC-12 automatically sets the:

• MAIN ADV menu INPUT SELECT parameter to DIGITAL

• INPUT SELECT menu ZONE2 IN parameter to DIGITAL

• INPUT SELECT menu RECORD IN parameter to DIGITAL

DIGITAL IN

3-7

Setup Lexicon

ASSIGNING AUDIO & VIDEO INPUT CONNECTORS (continued)

ANALOG IN ANALOG-1 TO 8, 5.1 ANLG (6-8), LIVE!, NONE

SETUP

INPUTS

DVD1 ANALOG IN

Opens the ANALOG IN menu, to assign an analog audio input connector for the selected input. An analog audio input connector must be assigned if no digital audio input connector is assigned.

The appearance of the ANALOG IN menu depends on the configuration of the analog audio input connectors.

• The ANALOG IN menu (A below) appears when the REAR PANEL CONFIG menu 8 STEREO INPUTS option is selected.

• The ANALOG IN menu (B below) appears when the REAR PANEL CONFIG menu 5 STEREO & 5.1 ANLG option is selected.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

INPUT SETUP

DVD1 DVD2 LD TV SAT VCR CD PVR GAME TAP E TUNER AUX

When no digital audio input connector is assigned, the MC-12 automatically sets the:

• MAIN ADV menu INPUT SELECT parameter to ANALOG

• INPUT SELECT menu ZONE2 IN parameter to ANLG

• INPUT SELECT menu RECORD IN parameter to ANLG

Note:

LIVE! cannot be selected until LIVE! CALIBRATION is run. When the ANALOG IN selection is LIVE!, no other analog inputs (1-8) or digital inputs can be selected for that input.

DVD1 INPUT SETUP

NAME DIGITAL IN ANALOG IN ANLG IN LVL VIDEO IN COMPONENT IN 2-CH D

5.1a MIC LIVE! MED MAIN ADVANCED

ZONE2 IN DIGITAL RECORD IN RECORD ADVANCED

DVD1

COAX-1

NONE AUTO

S-VIDEO-1

FILM

5.1 FILM FILM

5.1a FILM

DIGITAL

DVD1 ANALOG IN

ANALOG-1 ANALOG-2 ANALOG-3 ANALOG-4 ANALOG-5 ANALOG-6 ANALOG-7 ANALOG-8 NONE LIVE!

DVD1 ANALOG IN

ANALOG-1 ANALOG-2 ANALOG-3 ANALOG-4 ANALOG-5

5.1 ANLG (6-8) NONE LIVE!

3-8

MC-12 Setup

ANLG IN LVL AUTO, -18 to +12 dB

INPUTSSETUP DVD1 ANGL IN LVL

Opens the ANLG IN LVL menu, to adjust the 2-channel (and

5.1-channel when the MAIN ADVANCED ANALOG BYPASS parameter is set to OFF) analog audio input levels for the selected input. Analog audio sources have a wide range of levels. To compensate, the MC-12 allows independent input level adjustment of each stereo analog audio input connector. The input level of the

5.1-channel analog audio input connector is only adjustable when the ANALOG BYPASS parameter is set to OFF.

Parameter Possible Settings

AUTO ON, OFF MANUAL -18 to +12dB AUTO GAIN* -18 to +12dB

* This parameter cannot be adjusted.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

INPUT SETUP

DVD1 DVD2 LD TV SAT VCR CD PVR GAME TAP E TUNER AUX

Note:

Adjustments made on the ANLG IN LVL menu are applied to the stereo analog audio input connector assigned for the selected input. When another stereo analog audio input connector is assigned, these adjustments are automatically applied to the new connector.

AUTO ON, OFF

INPUTSSETUP DVD1 ANGL IN LVL AUTO

Provides automatic adjustment of 2-channel (and 5.1-channel when the MAIN ADVANCEDANALOG BYPASS parameter is set to OFF) analog audio input levels. When set to ON, the input levels are automatically monitored and optimized. When the input signal is too high, the input levels are quickly decreased to avoid overload. When the input signal is too low, the input levels are slowly increased to maximize the signal-to-noise ratio and dynamic range.

When set to OFF, the 2-channel and 5.1 analog audio input levels are not automatically monitored and optimized. Instead, input levels must be adjusted with the ANLG IN LVL MANUAL parameter.

DVD1 INPUT SETUP

NAME DIGITAL IN ANALOG IN ANLG IN LVL VIDEO IN COMPONENT IN 2-CH

5.1a MIC LIVE! MED MAIN ADVANCED

ZONE2 IN DIGITAL RECORD IN RECORD ADVANCED

DVD1

COAX-1

NONE AUTO

S-VIDEO-1

FILM

5.1 FILM FILM

5.1a FILM

DIGITAL

DVD1 ANLG IN LVL

AUTO MANUAL

AUTO GAIN

-6

-15

-30

-45

+0dB

+0.0dB

ON OFF

-18 to +12dB

3-9

Setup Lexicon

ASSIGNING AUDIO & VIDEO INPUT CONNECTORS (continued)

MANUAL -18 to +12 dB

INPUTSSETUP

DVD1

ANGL IN LVL

Provides manual adjustment of 2-channel (and 5.1-channel when the MAIN ADVANCED ANALOG BYPASS parameter is set to OFF) analog audio input levels. Lower levels cause more noise, while higher levels pose a risk of overload distortion. When manual adjustments are made, the MC-12 automatically sets the ANLG IN LVL menu AUTO parameter to OFF, deactivating automatic input level adjustment. Manual input level adjustments are retained when the AUTO parameter is ON.

Note:

When the AUTO parameter is ON, the MC-12 will not make adjustments that exceed the ANLG IN LVL menu MANUAL parameter setting.

MANUAL

AUTO GAIN

INPUTSSETUP

DVD1

ANGL IN LVL

Indicates the current amount of input level adjustment for the selected 2-channel (and 5.1-channel when the MAIN ADVANCED ANALOG BYPASS parameter is set to OFF) analog audio input connector. This parameter cannot be directly adjusted. When the ANLG IN LVL menu AUTO parameter is ON, the AUTO GAIN parameter indicates the amount of automatic input level adjustment.

AUTO GAIN

When the AUTO parameter is OFF, the AUTO GAIN parameter indicates the amount of input level adjustment as set by the MANUAL parameter.

When AUTO GAIN is set to OFF

DVD1 ANLG IN LVL

AUTO

AUTO GAIN

OFF

+3dBMANUAL

+3.0dB

The MANUAL parameter...

is reflected by the AUTOGAIN value

When the AUTO parameter is ON, the AUTO GAIN parameter continues to indicate the amount of manual input level adjustment until automatic adjustments have been made.

LEVEL METERS

Indicate fluctuating input levels in the front left (L) and front right (R) channels for the selected input. Meters are also present for center (C), side left (SL), side right (SR), and sub (LFE) when the input is set up for 5.1-analog. Like the STATUS menu level meters, ANLG IN LVL menu level meters indicate input levels for both analog and digital audio sources. However, ANLG IN LVL menu input level adjustments only affect 2-channel (or 5.1-channel sources when the MAIN ADVANCEDANALOG BYPASS parameter is set to OFF) analog audio sources.

When AUTO GAIN is set to ON

DVD1 ANLG IN LVL

AUTO MANUAL

AUTO GAIN

+0dB

+0.0dB

The AUTO parameter...

3-10

is reflected by the AUTOGAIN value

Level meters appear in combinations of green, yellow and red when the on-screen display is configured for a blue-screen background. Green indicates low levels; yellow indicates normal levels; and red indicates the onset of overload. Occasional flashes from yellow into red are normal peak indicators. Level meters appear in white when the on-screen display is not configured for a blue-screen background.

MC-12 Setup

VIDEO IN COMPOSITE-1 TO 5, S-VIDEO-1 TO 8, NONE

INPUTSSETUP

DVD1

Opens the VIDEO IN menu, to assign a composite or S-video input connector for the selected input.

Note:

• Composite video output connectors are available only when a composite video source is present.

• S-video output connectors are available when an S-video or Composite source is present.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

VIDEO IN

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

INPUT SETUP

DVD1 DVD2 LD TV SAT VCR CD PVR GAME TAP E TUNER AUX

COMPONENT IN COMPONENT 1 to 4

INPUTSSETUP

DVD1

Opens the COMPONENT IN menu, to assign a component video input connector for the selected input.

Note:

Component video output connectors are only available when a component video source is present.

DVD1 INPUT SETUP

NAME DIGITAL IN ANALOG IN ANLG IN LVL VIDEO IN COMPONENT IN 2-CH

5.1a MIC LIVE! MED MAIN ADVANCED

ZONE2 IN DIGITAL RECORD IN RECORD ADVANCED

DVD1

COAX-1

NONE AUTO

S-VIDEO-1

FILM

5.1 FILM FILM

5.1a FILM

DIGITAL

COMPONENT IN

DVD1 VIDEO IN

COMPOSITE-1 COMPOSITE-2 COMPOSITE-3 COMPOSITE-4 COMPOSITE-5 S-VIDEO-1 S-VIDEO-2 S-VIDEO-3 S-VIDEO-4 S-VIDEO-5 S-VIDEO-6 S-VIDEO-7 S-VIDEO-8 NONE

DVD1 COMPONENT IN

COMPONENT-1 COMPONENT-2 COMPONENT-3 COMPONENT-4

3-11

Setup Lexicon

SELECTING PREFERRED LISTENING MODES

The MC-12 allows the selection of five preferred listening modes for each Main Zone input: one listening mode each for 2-channel, Dolby Digital, DTS(-ES), 5.1-channel analog, and MIC (LIVE!) sources. The table below indicates the INPUT SETUP menu parameters that can be used to select preferred listening modes.

Preferred Listening Mode Selection Parameters

2-CH Selects a preferred listening mode for 2-channel sources

Selects a preferred listening mode for Dolby Digital sources

Selects a preferred listening mode for DTS(-ES) sources

5.1a Selects a preferred listening mode for 5.1-channel analog sources MIC Selects a preferred listening mode for microphone source (LIVE!)

Menus showing DVD1 parameters selected as preferred listening modes.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

DVD1 MODE

FILM

MUSIC

2-CHAN

USE LAST

INPUT SETUP

DVD1 DVD2 LD TV SAT VCR CD PVR GAME TAP E TUNER AUX

DVD1 5.1a MODE

FILM

5.1a

MUSIC

5.1a

5.1a STANDARD

5.1a 2-CHANNEL USE LAST

When a preferred listening mode is selected, it is activated whenever a new input is selected or an appropriate input source is present. (In the menus at the bottom of the page, the INPUT SETUP menu has been modified for the following examples.)

The following example describes when a preferred listening mode is activated:

If the DVD1 input is selected and a 2-channel source is present, the L7 FILM listening mode is activated. If a 5.1-channel analog source is present, the 5.1a L7 FILM listening mode is activated. If a DTS(-ES) source is present, the DTS(-ES) L7 FILM listening mode is activated.

DVD1 INPUT SETUP

NAME DVD1 DIGITAL IN ANALOG IN ANLG IN LVL VIDEO IN COMPONENT IN 2-CH

FILM

5.1a 5.1a FILM MIC LIVE! MED MAIN ADVANCED ZONE2 IN DIGITAL RECORD IN DIGITAL RECORD ADVANCED

DVD1 MIC MODE

LIVE! SMALL LIVE! MED LIVE! LARGE USE LAST

COAX1

NONE AUTO

S-VIDEO-1

FILM

5.1 FILM

DVD1 2-CH MODE

FILM

DVD1 D MODE

FILM

5.1

MUSIC

DIGITAL

5.1 2-CHANNEL

5.1 MONO LOGIC

5.1 MONO SURR

5.1 MONO USE LAST

TV MUSIC MUSIC SURR PLII + PLII MOVIE PLII MUSIC

PL +

PRO LOGIC NIGHTCLUB CONCERT HALL CHURCH CATHEDRAL PANORAMA 2-CH SURROUND 2-CHANNEL MONO LOGIC MONO SURROUND MONO USE LAST

3-12

MC-12 Setup

2-CH

INPUTSSETUP

DVD1

Opens the 2-CH MODE menu, which selects a preferred listening mode for 2-channel input sources. The MC-12 activates the preferred listening mode whenever a new input is selected or a new 2-channel source is present. When set to USE LAST, the MC-12 automatically uses the listening mode that was activated the last time a 2-channel source was present.

Note:

The remote control 2 CH button toggles between the 2-CHANNEL listening mode and the previous listening mode, and ignores the USE LAST setting. Instead, it uses the listening mode (for example, L7 FILM) that was activated before the 2-CHANNEL listening mode.

When the 2-CH parameter is set to USE LAST:

• A DTS Neo:6 listening mode is used if a DTS Neo:6 listening mode was activated the last time a 2-channel source was present. However, DTS Neo:6 listening modes cannot be selected as the preferred listening mode for 2-channel sources.

• The MC-12 requires the presence of a 44.1kHz or 48kHz PCM digital source to activate a DTS Neo:6 listening mode. The DTS Neo:6 listening modes are not available with 88.2kHz or 96kHz, Dolby Digital or analog sources.

• A Dolby PLIIx listening mode is used if a Dolby PLIIx listening mode was activated the last time a 2-channel source was present. However, the Dolby PLIIx listening modes cannot be selected as the preferred listening mode for 2-channel sources.

2-CH

INPUTSSETUP

DVD1

Opens the Dolby DIGITAL MODE menu, to select a preferred listening mode for Dolby Digital input sources. The MC-12 automatically activates the preferred listening mode whenever a new input is selected or a new Dolby Digital source is present.

When the D parameter is set to USE LAST:

• The MC-12 automatically uses the Dolby Digital listening mode that was activated the last time a Dolby Digital source was present.

• If the 5.1 THX MUSIC listening mode was activated the last time a Dolby Digital source was present, then the 5.1 THX MUSIC listening mode is used. Normally, the 5.1 THX MUSIC listening mode cannot be selected as the preferred listening mode for Dolby Digital sources.

3-13

Setup Lexicon

SELECTING PREFERRED LISTENING MODES (continued)

5.1a

INPUTSSETUP

DVD1

Opens the DTS(-ES) MODE menu, which selects a preferred listening mode for DTS(-ES) input sources. The MC-12 automatically activates the preferred listening mode whenever a new input is selected or a new DTS(-ES) source is present.

When the DTS(-ES) parameter is set to USE LAST:

• The MC-12 uses the listening mode that was activated the last time a DTS(-ES) source was present.

• The DTS THX MUSIC listening mode is used if this listening mode was activated the last time a DTS(-ES) source was present. Normally, the DTS THX MUSIC listening mode cannot be selected as the preferred listening mode for DTS(-ES) sources.

INPUTSSETUP

DVD1

5.1a

Opens the 5.1a MODE menu, which selects a preferred listening mode for 5.1-channel analog input sources. The MC-12 automatically activates the preferred listening mode whenever a new input is selected or a new 5.1-channel analog source is present.

When the 5.1a parameter is set to USE LAST:

• The MC-12 uses the listening mode that was activated the last time a 5.1-channel analog source was present.

•The 5.1a THX MUSIC listening mode is used if this listening mode was activated the last time a 5.1-channel analog source was present. Normally, the 5.1a THX MUSIC listening mode cannot be selected as the preferred listening mode for 5.1channel analog sources.

MIC

INPUTSSETUP

DVD1

Opens the MIC MODE menu, which selects a preferred listening mode for the LIVE! source. The MC-12 automatically activates the preferred listening mode when the ANALOG IN selection is LIVE!

When the MIC parameter is set to USE LAST:

MIC

3-14

• The MC-12 uses the listening mode that was activated the last time a MIC source was present.

MC-12 Setup

CONFIGURING ADVANCED INPUT SETTINGS

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

INPUT SETUP

DVD1 DVD2 LD TV SAT VCR CD PVR GAME TAPE TUNER AUX

The MC-12 allows the assignment of one digital and one analog audio input connector for each input. The table below indicates the INPUT SETUP menu parameters that can be used to control the interaction of these connectors, as well as other advanced Main Zone, Zone 2, and Record Zone input settings.

Parameter Possible Settings

MAIN ADVANCED Refer to the next column ZONE2 IN DIGITAL, ANLG, DMIX RECORD IN DIGITAL, ANLG, DMIX RECORD ADVANCED Refer to 3-20

DVD1 INPUT SETUP

NAME DIGITAL IN ANALOG IN ANLG IN LVL VIDEO IN COMPONENT IN 2-CH D

5.1a MIC LIVE! MED MAIN ADVANCED

ZONE2 IN DIGITAL RECORD IN RECORD ADVANCED

DVD1

COAX-1

NONE AUTO

S-VIDEO-1

FILM

5.1 FILM FILM

5.1a FILM

DIGITAL

DVD1 MAIN ADV

INPUT SELECT ANALOG BYPASS S-VIDEO 16:9 S-VIDEO OSD 4:3 COMPONENT OSD

DIGITAL

ANLG DMIX

DIGITAL

OFF

AUTO

OFF

DIGITAL ANALOG

AUTO

OFF

The parameters on the left side of the MAIN ADV menu are identical regardless of which input is selected. The parameter settings on the right side are adjustable. The MAIN ADV menu shown in the

Appendix indicates factory-default parameter settings for each input.

Parameter Possible Settings

INPUT SELECT DIGITAL, ANALOG, AUTO ANALOG BYPASS ON, OFF S-VIDEO 16:9 AUTO, OFF S-VIDEO OSD 4:3 ON, OFF COMPONENT OSD ON, OFF

MAIN ADVANCED

INPUTSSETUP

The MAIN ADV menu controls the interaction of the digital and analog audio input connectors assigned to the current Main Zone input, and other advanced Main Zone input settings.

DVD1 MAIN ADVANCED

3-15

Setup Lexicon

CONFIGURING ADVANCED ZONE SETTINGS (continued)

INPUT SELECT DIGITAL, ANALOG, AUTO

INPUTSSETUP DVD1 MAIN ADVANCED INPUT SELECT

Controls the interaction of the digital and analog audio input connectors assigned to the current Main Zone input. The table on the next page describes INPUT SELECT parameter settings.

Note:

When the Shift button activates the shift command bank, the 7/5 button adjusts the INPUT SELECT parameter by cycling through the DIGITAL, ANALOG, and AUTO settings.

ANALOG BYPASS ON, OFF

INPUTSSETUP DVD1 MAIN ADVANCED ANALOG BYPASS

Forces analog sources to bypass A/D conversion and internal processing. When ON, analog input signals pass directly to the Main Zone audio output connectors.

• When a 2-channel analog source is present, analog input signals pass directly to the Front L/R output connectors.

• When a 5.1-channel analog source is present, analog input signals pass to the Main Zone audio output connectors as indicated in the tables on pages 2-7 and 3-59.

• When LIVE! is the selected analog input, the MAIN ADVANCED  INPUT SELECT parameter is forced to ANALOG and ANALOG BYPASS is disabled.

• When OFF, the MC-12 passes analog input signals through A/D conversion and internal processing before passing them to the Main Zone audio output connectors. This allows analog sources to use bass management, speaker crossovers, speaker distance calibration, and tone controls.

Note:

When the Shift command bank is activated, pressing the 2CH button toggles ANALOG BYPASS between ON and OFF.

S-VIDEO 16:9 AUTO, OFF

INPUTSSETUP DVD1 MAIN ADVANCED S-VIDEO 16:9

Controls the passage of anamorphic trigger signals present in some video sources. When set to AUTO, the MC-12 allows anamorphic video input signals to pass through the S-video switcher, enabling compatible display devices to automatically switch between anamorphic and non-anamorphic display modes.

When OFF, the MC-12 prevents anamorphic video input signals from passing through the S-video switcher, preventing compatible display devices from automatically switching between anamorphic and non-anamorphic display modes.

3-16

MC-12 Setup

INPUT SELECT PARAMETER SETTINGS

DIGITAL ANALOG AUTO

The MC-12 sends the digital audio from the assigned input to the Main Zone audio output connectors. The assigned analog audio input connector is ignored.

The digital audio input connectors are compatible with PCM (44.1, 48, 88.2, and 96kHz), Dolby Digital, and DTS(-ES) sources. The digital audio input connectors are not compatible with MPEG or MP3 sources.

Note the following:

• The MC-12 automatically sets the INPUT SELECT parameter to DIGITAL when no analog audio input connector is assigned.

•The INPUT SETUP DIGITAL IN parameter can assign a digital audio input connector for the selected input.

The MC-12 sends the analog audio from the assigned input to the Main Zone audio output connectors. The assigned digital audio input connector is ignored.

Note the following:

• The MC-12 automatically sets the INPUT SELECT parameter to ANALOG when no digital audio input connector is assigned.

• The INPUT SETUP  ANALOG IN parameter can assign an analog audio input connector for the selected input.

• When LIVE! is the selected analog input, the MAIN ADVANCED  INPUT SELECT parameter is forced to ANALOG and ANALOG BYPASS is disabled.

The MC-12 toggles between sending digital or analog audio input to the Main Zone audio output connectors based on the input source that is present.

Example:

• The MC-12 selects the assigned digital audio input when a compatible digital source is present. The MC-12 does not select the assigned analog audio input when a compatible digital source is present.

• The MC-12 selects the assigned analog audio input connector when no compatible digital source is present.

• The MC-12 selects the assigned analog connector if no digital source is present.

• The MC-12 selects the assigned analog audio input connector when an analog source, such as an SACD, is present.

Note the following:

• The MC-12 automatically sets the MAIN ADVANCED  INPUT SELECT parameter to AUTO when both digital and analog audio input connectors are assigned.

• Use the AUTO setting for components, such as DVD/SACD players, that generate both digital and analog output signals.

3-17

Setup Lexicon

CONFIGURING ADVANCED ZONE SETTINGS (continued)

S-VIDEO OSD 4:3 ON, OFF

INPUTSSETUP

DVD1

MAIN ADVANCED

Controls the on-screen display aspect ratio when the display device is connected to a Main Zone S-Video output connector. Aspect ratio refers to the size of the picture or the display device screen. A 4:3 aspect ratio is almost square. A 16:9 aspect ratio, often referred to as widescreen, is almost twice as wide as it is high.

When ON, the on-screen display appears in a 4:3 aspect ratio regardless of the incoming video input signal. When OFF, the onscreen display appears in the same aspect ratio as the incoming video input signal.

The on-screen display appears horizontally stretched across the display device screen when all of the following conditions are present:

• The S-VIDEO OSD (4:3) parameter is OFF.

• An anamorphic video input signal is present.

• A 16:9 display device (widescreen) is connected to an S-video output connector.

S-VIDEO OSD 4:3

COMPONENT OSD ON, OFF

INPUTSSETUP

DVD1

MAIN ADVANCED

Controls the appearance of the on-screen display when the display device is connected to the component video output connector. When ON, the display device shows the on-screen display as a 480i video signal on a full blue screen background. To minimize viewing distractions, the two-line status does not appear in the on-screen display. When OFF, the display device does not show the on-screen display, including the two-line status.

Note:

When the ON-SCREEN DISPLAY menu BACKGROUND parameter is OFF, the display device using the component video output connector will not show the on-screen display.

COMPONENT OSD

ZONE2 IN & RECORD IN DIGITAL, ANLG, DMIX

INPUTSSETUP DVD1 ZONE2 IN RECORD IN

Controls the interaction of the digital and analog audio input connectors assigned to the current Zone 2 and Record Zone inputs. The table of the next page describes ZONE2 and RECORD IN parameter settings.

3-18

CAUTION!

When the ZONE2 or RECORD IN parameter is set to DIGITAL or ANLG, the MC-12 recognizes some DTSencoded sources as audio signals (not data signals) and outputs loud digital noise from the Zone 2 or Record Zone audio output connectors.

MC-12 Setup

ZONE2 & RECORD IN PARAMETER SETTINGS

DIGITAL ANLG (Analog) DMIX (Downmix)

The MC-12 passes digital audio from the the assigned input to the Zone 2 or Record Zone audio output connectors. The assigned analog audio input is ignored. Zones can be independently monitored.

Note the following:

• The MC-12 passes digital sources to all Zone 2 or Record Zone audio output connectors.

• The MC-12 passes digital input signals directly to the Record Zone digital audio output connectors. The MC-12 sends digital input signals through D/A conversion before passing them to the Zone 2 or Record Zone analog audio output connectors.

• When no analog audio input is assigned, ZONE2 IN and RECORD IN are set to DIGITAL.

• The INPUT SETUP menu DIGITAL IN parameter can be used to assign a digital audio input connector for the selected input.

The MC-12 passes analog audio from the the assigned input to the Zone 2 or Record Zone audio output connectors. The assigned digital audio input is ignored. Zones can be independently monitored.

Note the following:

• The MC-12 passes analog sources to all Zone 2 or Record Zone audio output connectors.

• The MC-12 passes analog input signals directly to the Zone 2 or Record Zone analog audio output connectors. The MC-12 converts analog input signals to digital (A/D conversion) before passing them to the Record Zone digital audio output connectors.

• When no digital audio input is assigned, ZONE2 IN and RECORD IN are set to ANALOG.

• The INPUT SETUP menu ANALOG IN parameter can be used to assign an analog audio input connector for the selected input.

The MC-12 passes a downmixed version of Main Zone audio to the Zone 2 or Record Zone audio output connectors. Zones cannot be independently monitored. Downmixing is possible when all of the following conditions are met:

• The same input is selected in both Main Zone and Zone 2 or in both Main Zone and Record Zone. Otherwise, the Zone 2 or Record Zone audio output connectors will mute.

• The 5.1a BYPASS listening mode is not activated.

Note the following:

• A downmix of all channels is sent to Zone 2.

• Main Zone listening mode activation affects the Zone 2 and Record Zone audio output connectors. For example, when the MONO listening mode is activated, the Zone 2 and Record Zone audio output connectors will generate mono output signals.

• Set the ZONE2 IN and RECORD IN parameters to DMIX when using a playback device (DVD player) that does not have built-in Dolby Digital or DTS(-ES) decoding, and the recording device is a VCR or Personal Video Recorder (PVR).

• The MC-12 automatically downmixes multi-channel sources (except LOGIC 7 FILM and MUSIC sources) to stereo output signals for listening and recording. Also, 5.1-channel analog sources can be downmixed when the MAIN ADVANCED  ANALOG BYPASS parameter is set to OFF. Upon playback, these downmixes are compatible with matrix decoders, but sound best through a Logic 7 listening mode.

3-19

Setup Lexicon

CONFIGURING ADVANCED ZONE SETTINGS (continued)

RECORD ADVANCED

INPUTSSETUP DVD1 RECORD ADVANCED INPUTSSETUP DVD1 RECORD ADVANCED ANLG IN LVL

Opens the RECORD ADV menu, which configures advanced Record Zone input settings.

The parameters on the left side of the RECORD ADV menu are identical regardless of the selected input. The parameter settings on the right side are adjustable. The RECORD ADV menu shown in the Appendix indicates factory-default parameter settings.

Parameter Possible Settings

ANLG IN LVL -18 to +12dB DIGITAL BYPASS ON, OFF DIG OUT RATE INPUT, 96kHz, 88.2kHz, 48kHz, 44.1kHz RECORD BLOCKED, ENABLED

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

INPUT SETUP

DVD1 DVD2 LD TV SAT VCR CD PVR GAME TAPE TUNER AUX

ANLG IN LVL -18 to +12dB

Allows adjustment of analog audio input levels for input signals sent to the Record Zone digital audio output connectors. Adjustments are applied to input signals before passing them to the Record Zone digital audio output connectors. This parameter can be adjusted when an input source is present to prevent the internal A/D converter from overloading.

DIGITAL BYPASS ON, OFF

INPUTSSETUP DVD1 RECORD ADVANCED DIGITAL BYPASS

Allows direct digital recording (digital sources bypass sample rate conversion). When ON, digital input signals pass directly to the Record Zone digital audio output connectors, preserving the original input signal sample rate. When OFF, the sample rate of the digital signals is converted, then passed to the Record Zone digital audio output connectors. The sample rate of the output signal then matches the sample rate of the recording device. DIG OUT RATE parameter settings have no effect when the DIGITAL BYPASS parameter is set to ON.

DVD1 INPUT SETUP

NAME DIGITAL IN ANALOG IN ANLG IN LVL VIDEO IN COMPONENT IN 2-CH D

5.1a MIC LIVE! MED MAIN ADVANCED

ZONE2 IN DIGITAL RECORD IN RECORD ADVANCED

DVD1

COAX-1

NONE AUTO

S-VIDEO-1

FILM

5.1 FILM

FILM

5.1a FILM

DIGITAL

DVD1 RECORD ADV

ANLG IN LVL DIGITAL BYPASS DIG OUT RATE RECORD

ENABLED

+0dB

OFF

44.1kHz

-18 to +12dB

OFF

INPUT 96kHz

88.2 kHz 48kHz

44.1kHz

BLOCKED ENABLED

3-20

MC-12 Setup

DIG OUT RATE INPUT, 44.1kHz, 48kHz, 88.2kHz, 96kHz

INPUTSSETUP DVD1 RECORD ADVANCED DIG OUT RATE

Controls the sample rate of digital and analog input signals sent to the Record Zone digital audio output connectors. When INPUT is selected, the sample rate of input signals is not converted. Therefore, the original sample rate is maintained from the input connectors through to the Record Zone digital audio output connectors.

When a value is selected, input signals pass through the selected value of sample rate conversion, then pass to the Record Zone digital audio output connectors. Set the DIG OUT RATE parameter to the appropriate value when using a recording format that operates on a single sample rate, such as CD-R format (44.1kHz).

RECORD BLOCKED, ENABLED

INPUTSSETUP DVD1 RECORD ADVANCED RECORD

Prevents recording device feedback loops. When BLOCKED is selected, the MC-12 blocks the Record Zone audio output connectors to prevent feedback loops. However, video input signals are still passed to the Record Zone video output connectors. When ENABLED is selected, audio and video input signals are passed to the Record Zone audio and video output connectors.

3-21

Setup Lexicon

SPEAKER SETUP

SPEAKERSSETUP

Selecting the SETUP menu SPEAKERS option opens the SPEAKER SETUP menu, which configures the Main Zone audio output connectors for the desired speaker setup. The Main Zone includes 10 unbalanced audio output connectors labeled Front L/R, Center, LFE, Subwoofer L/R, Side L/R, and Rear L/R. Two additional audio output connectors labeled Aux L/R are provided for future expansion.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

Note:

The MC-12 Balanced also includes 10 balanced Main Zone audio output connectors labeled Front L/R, Center, LFE, Subwoofer L/R, Side L/R, and Rear L/R. Two additional audio output connectors labeled Aux L/R are provided for future expansion.

CUSTOM SETUP

SPEAKER SETUP

SET CROSSOVERS CHECK MICROPHONES AUTOMATIC MANUAL

SET CROSSOVERS

BEFORE CALIBRATING

CROSSOVER SETUP

CUSTOM SETUP THX SETUP

R SR RR

80Hz

L SL RL

80Hz

SUB

80Hz

40 Hz 60 Hz 60 Hz 60 Hz 40 Hz

OFF

N/A

APART

80Hz

SETTING CROSSOVER POINTS

SPEAKERSSETUP

Selecting the SPEAKER SETUP menu SET CROSSOVERS option opens the CROSSOVER SETUP menu, which configures a custom or THX speaker setup.

3-22

SET CROSSOVERS

Note:

It is important to set crossover points before calibrating output levels or LIVE! Otherwise, setting crossover points afterwards could invalidate calibrated output levels and will invalidate the LIVE! calibration.

MC-12 Setup

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS

SPEAKERS

REAR PANEL CONFIG

DISPLAYS

VOLUME CONTROLS

TRIGGER

TRIGGERS

LOCK OPTIONS

LOCK OPTIONS LIVE! CALIBRATION

SPEAKER SETUP

SET CROSSOVERS CHECK MICROPHONES AUTOMATIC MANUAL

SET CROSSOVERS

BEFORE CALIBRATING

CUSTOM SPEAKER SETUPS

SPEAKERSSETUP SET CROSSOVERS CUSTOM SETUP

Selecting the CROSSOVER SETUP menu CUSTOM SETUP option opens the CUSTOM SETUP menu, which assigns independent crossover points for each Main Zone audio output connector. Crossover points can be selected in 10Hz increments within a 30 to 120Hz range. The graphs shown on the next page indicate the frequency response of each crossover point.

To configure a custom speaker setup:

• Select the crossover point closest to the low frequency rating of the associated speakers. For example, set the FRONT L/R parameter to the crossover point closest to the low frequency rating of the front speakers.

CUSTOM SETUP

CROSSOVER SETUP

CUSTOM SETUP THX SETUP

R SR RR

80Hz

L SL RL

SUB

80Hz

40 Hz 60 Hz 60 Hz 60 Hz 40 Hz

OFF

N/A

APART

80Hz

CUSTOM SETUP

FRONT L/R CENTER SIDE L/R REAR L/R SUB L/R SUB XOVER LFE ULTRA2 SUB BGC ASA

80 Hz 80 Hz 80 Hz 80 Hz

MONO

80 Hz

OFF OFF

N/A

APART

• Select the subwoofer crossover point equal to the lowest crossover point of any of the other speakers. For example, if CUSTOM SETUP menu parameters are set as shown above, set the SUB XOVER parameter to 80Hz – the lowest crossover point of the other speakers.

In a custom setup, low frequencies are generally redirected from speakers with the highest crossover points to speakers with the lowest crossover points. Signals lower than the lowest crossover point are redirected to the subwoofer. If the lowest crossover point is FULL, low frequency signals, excluding LFE information, are not redirected to the subwoofer.

Low frequencies between the Subwoofer L/R and any or all of the other speaker channels can be duplicated. To do this, select the FULL + SUB crossover setting for the front, center, side or rear speakers. Making this selection can result in excessive bass.

3-23

Setup Lexicon

SETTING CROSSOVER POINTS (continued)

High-pass Filter

Low-pass Filter

High-pass filters attenuate low frequencies at 24dB per octave. The curves in the graph above indicate the frequency response of each crossover setting. From left to right, the curves represent crossover settings from 30Hz to 120Hz. The graph above does not show the THX 80Hz crossover point, which is 12dB per octave.

3-24

Low-pass filters attenuate high frequencies at 24dB per octave. The curves in the graph above indicate the frequency response of each crossover setting. From left to right, the curves represent crossover settings from 30Hz to 120Hz.

MC-12 Setup

CUSTOM SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

SPEAKER SETUP

SET CROSSOVERS CHECK MICROPHONES AUTOMATIC MANUAL

SET CROSSOVERS

BEFORE CALIBRATING

CUSTOM SETUP

CROSSOVER SETUP

CUSTOM SETUP THX SETUP

R SR RR

80Hz

L SL RL

SUB

80Hz

40 Hz 60 Hz 60 Hz 60 Hz 40 Hz

OFF

N/A

APART

THX SPEAKER SETUP

!CAUTION!

PRESSING THE

BUTTON WILL

AUTOMATICALLY CHANGE

THE OUTPUTS TO A THX

80Hz

SPEAKER

CONFIGURATION

THX SETUP

FRONT L/R CENTER SIDE L/R REAR L/R SUB L/R SUB XOVER LFE ULTRA2 SUB BGC ASA

THX 80Hz THX 80Hz THX 80Hz THX 80Hz

MONO

THX 80Hz

OFF OFF

N/A

APART

CROSSOVER SETUP

CUSTOM SETUP THX SETUP

R SR RR

80Hz

L SL RL

SUB

80Hz

40 Hz 60 Hz 60 Hz 60 Hz 40 Hz

OFF

N/A

APART

80Hz

THX SPEAKER SETUPS

SPEAKERSSETUP

SET CROSSOVERS THX SETUP

Selecting CROSSOVER SETUPTHX SETUP opens the THX SPEAKER SETUP screen, which indicates that pressing the arrow button will automatically configure the Main Zone audio output connectors for a THX speaker setup. You should use THX-certified speakers in a THX speaker setup.

When the THX SPEAKER SETUP screen opens:

•Press thearrow button to configure the Main Zone audio output connectors for a THX speaker setup. The THX SETUP menu will open on the on-screen display.

•Press thearrow button to close the message without config- uring the Main Zone audio output connectors for a THX speaker setup.

When a THX speaker setup is selected, the MC-12 applies a THX 80Hz crossover point with a 12dB-per-octave filter to the Front L/R, Center, Side L/R, and Rear L/R output connectors. The MC-12 applies a THX 80Hz crossover point with a 24dB-per-octave filter to the Subwoofer L/R output connectors.

Notes:

• A THX speaker setup is not required to activate THX listening modes.

• In the THX SETUP menu, only the REAR L/R, THX ULTRA2 SUB, BGC, and ASA parameters can be changed.

3-25

Setup Lexicon

SPEAKER SETUP PARAMETERS

SPEAKERSSETUP SET CROSSOVERS CUSTOM SETUP

The table below indicates the speaker setup parameters for configuring the Main Zone audio output connectors for the desired speaker setup. These parameters are available on the CUSTOM SETUP and THX SETUP menus.

SPEAKERSSETUP

SET CROSSOVERS

Speaker setup parameters perform the same function regardless of the selected speaker setup. When a parameter setting is adjusted on one menu, the corresponding parameter setting is automatically adjusted on the other menu. For example, when a THX speaker

THX SETUP

setup is selected, the speaker setup parameters on the CUSTOM SETUP menu are set to THX 80Hz.

CUSTOM SETUP Menu THX SETUP Menu

Parameter

Default Setting Possible Setting Default Setting Possible Settings

FRONT L/R* 80Hz FULL, FULL + SUB, 30Hz to 120Hz, THX 80Hz THX 80Hz THX 80Hz CENTER* 80Hz FULL, FULL + SUB, 30Hz to 120Hz, THX 80Hz, NONE THX 80Hz THX 80Hz SIDE L/R* 80Hz FULL, FULL + SUB, 30Hz to 120Hz, THX 80Hz, NONE THX 80Hz THX 80Hz REAR L/R 80Hz FULL, FULL + SUB, 30Hz to 120Hz, THX 80Hz, NONE THX 80Hz THX 80Hz, NONE SUB L/R* MONO MONO, STEREO, NONE MONO MONO SUB XOVER* 80Hz FULL, 30Hz to 120Hz, THX 80Hz THX 80Hz THX 80Hz LFE* OFF ON, OFF ON ON THX ULTRA2 SUB OFF ON, OFF OFF ON, OFF BGC N/A† ON, OFF N/A† ON, OFF ASA APART APART, CLOSE, TOGETHER APART APART, CLOSE, TOGETHER

* These parameters cannot be adjusted on the THX SETUP menu. † When the THX ULTRA2 SUB parameter is set to OFF, the BGC parameter is not available (N/A).

3-26

MC-12 Setup

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SUB XOVER

FULL 30Hz 40Hz 50Hz 60Hz 70Hz 80Hz THX 80 Hz 90Hz 100Hz 110Hz 120Hz

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

SUBWOOFERS L/R

MONO STEREO NONE

SPEAKER SETUP

SET CROSSOVERS CHECK MICROPHONES AUTOMATIC MANUAL

SET CROSSOVERS

BEFORE CALIBRATING

REAR L/R SPEAKERS

FULL FULL + SUB 30Hz 40Hz 50Hz 60Hz 70Hz 80Hz THX 80 Hz 90Hz 100Hz 110Hz 120Hz NONE

CUSTOM SETUP

CROSSOVER SETUP

CUSTOM SETUP THX SETUP

80Hz

SUB

80Hz

SIDE L/R SPEAKERS FRONT L/R SPEAKERS

FULL FULL + SUB 30Hz 40Hz 50Hz 60Hz 70Hz 80Hz THX 80 Hz 90Hz 100Hz 110Hz 120Hz NONE

40 Hz 60 Hz 60 Hz 60 Hz

R SR RR

40 Hz

80Hz

OFF

N/A

APART

L SL RL

80Hz

CENTER SPEAKER

FULL FULL + SUB 30Hz 40Hz 50Hz 60Hz 70Hz 80Hz THX 80 Hz 90Hz 100Hz 110Hz 120Hz NONE

CUSTOM SETUP FRONT L/R

CENTER SIDE L/R REAR L/R SUB L/R SUB XOVER LFE ULTRA2 SUB BGC ASA

40Hz 60Hz 60Hz 60Hz

MONO

40Hz

OFF OFF

N/A

APART

FULL FULL + SUB 30Hz 40Hz 50Hz 60Hz 70Hz 80Hz THX 80Hz 90Hz 100Hz 110Hz 120Hz

FRONT L/R FULL, FULL + SUB, 30Hz to 120Hz, THX 80Hz

SPEAKERSSETUP CUSTOM SETUP FRONT L/RSET CROSSOVERS

Assigns a crossover point for the Main Zone audio output connectors labeled FRONT L/R when a custom speaker setup is selected. Opens the FRONT L/R SPEAKERS menu to select a crossover point for the FRONT L/R output connectors.

• Select FULL to send a full-range signal to the front speakers. Otherwise, select the crossover point closest to the low frequency rating of the front speakers.

• Select FULL + SUB to send a full-range signal to the front speakers and duplicate bass frequencies to the SUB L/R outputs. (The set crossover point of the SUB L/R parameter determines the upper range of duplicate bass.) Selecting the FULL + SUB option can result in excessive bass.

3-27

Setup Lexicon

SETTING CROSSOVER POINTS (continued)

SPEAKERSSETUP

When a THX speaker setup is selected, a THX 80Hz crossover point is applied to the FRONT L/R output connectors, and the FRONT L/R parameter cannot be adjusted.

SET CROSSOVERS THX SETUP

CENTER FULL, FULL + SUB, 30Hz to 120Hz, THX 80Hz, NONE

SPEAKERSSETUP CUSTOM SETUP CENTERSET CROSSOVERS

Assigns a crossover point for the Main Zone audio output connector labeled CENTER when a custom speaker setup is selected. Opens the CENTER SPEAKER menu to select a crossover point for the CENTER output connector.

•Select FULL to send a full-range signal to the center speaker. Otherwise, select the crossover point closest to the low frequency rating of the center speaker.

•Select FULL + SUB to send a full-range signal to the center speaker and duplicate bass frequencies to the SUB L/R outputs. (The set crossover point of the SUB L/R parameter determines the upper range of duplicate bass.) Selecting the FULL + SUB option can result in excessive bass.

•Select NONE when the speaker setup does not include a center speaker. The MC-12 then redirects center channel signals to the Front L/R output connectors – unless the 5.1a BYPASS listening mode is activated. In this case, configure the speaker setup with the associated DVD-A/SACD player to redirect center channel signals.

SIDE L/R FULL, FULL + SUB, 30Hz to 120Hz, THX 80Hz, NONE

SPEAKERSSETUP CUSTOM SETUP SIDE L/RSET CROSSOVERS

Assigns a crossover point for the Main Zone audio output connector labeled SIDE L/R when a custom speaker setup is selected. Opens the SIDE L/R SPEAKERS menu to select a crossover point for the SIDE L/R output connectors.

• Select FULL to send a full-range signal to the side speakers. Otherwise, select the crossover point closest to the low frequency rating of the side speakers.

• Select FULL + SUB to send a full-range signal to the side speakers and duplicate bass frequencies to the SUB L/R outputs. (The set crossover point of the SUB L/R parameter determines the upper range of duplicate bass.) Selecting the FULL + SUB option can result in excessive bass.

• Select NONE when the speaker setup does not include side speakers. The MC-12 will redirect side channel signals to the Rear L/R output connectors. If the REAR L/R parameter is also set to NONE, the MC-12 will redirect surround channel signals to the Front L/R output connectors.

Note:

When the SIDE L/R parameter is set to NONE, Dolby Digital Surround EX, THX Ultra2, THX Surround EX, DTS(-ES) decoding, the ASA parameter, and PLIIx modes are not available.

SPEAKERSSETUP

SET CROSSOVERS THX SETUP

SPEAKERSSETUP

SET CROSSOVERS THX SETUP

When a THX speaker setup is selected, a THX 80Hz crossover point is applied to the Center output connector, and the CENTER parameter cannot be adjusted.

3-28

When a THX speaker setup is selected, a THX 80Hz crossover point is applied to the SIDE L/R output connectors, and the SIDE L/R parameter cannot be adjusted.

MC-12 Setup

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

SPEAKER SETUP

SET CROSSOVERS CHECK MICROPHONES AUTOMATIC MANUAL

SET CROSSOVERS

BEFORE CALIBRATING

REAR L/R FULL, FULL + SUB, 30Hz to 120Hz, THX 80Hz, NONE

SPEAKERSSETUP CUSTOM SETUP REAR L/RSET CROSSOVERS

Assigns a crossover point for the Main Zone audio output connector labeled REAR L/R when a custom speaker setup is selected. Opens the REAR L/R SPEAKERS menu to select a crossover point for the REAR L/R output connectors.

•Select FULL to send a full-range signal to the rear speakers. Otherwise, select the crossover point closest to the low frequency rating of the rear speakers.

•Select FULL + SUB to send a full-range signal to the rear speakers and duplicate bass frequencies to the SUB L/R outputs. (The set crossover point of the SUB L/R parameter determines the upper range of duplicate bass.) Selecting the FULL + SUB option can result in excessive bass.

•Select

NONE

when the speaker setup does not include rear speakers. The MC-12 then redirects rear channel signals to the Side L/R output connectors. If the SIDE L/R parameter is also set to NONE, surround channel signals are sent to the Front L/R output connectors.

CUSTOM SETUP

CROSSOVER SETUP

CUSTOM SETUP THX SETUP

R SR RR

80Hz

L SL RL

SUB

80Hz

40 Hz 60 Hz 60 Hz 60 Hz 40 Hz

OFF

N/A

APART

THX SPEAKER SETUP

!CAUTION!

PRESSING THE

BUTTON WILL

AUTOMATICALLY CHANGE

THE OUTPUTS TO A THX

80Hz

SPEAKERSSETUP

SPEAKER

CONFIGURATION

SET CROSSOVERS REAR L/RTHX SETUP

THX SETUP

FRONT L/R CENTER SIDE L/R REAR L/R SUB L/R SUB XOVER LFE ULTRA2 SUB BGC ASA

THX REAR SPEAKERS

THX 80Hz NONE

THX 80Hz THX 80Hz THX 80Hz THX 80Hz

THX 80Hz

MONO

APART

When a THX speaker setup is selected, the REAR L/R parameter opens the THX REAR SPEAKERS menu shown above, to activate and deactivate the REAR L/R output connectors.

• Select THX 80Hz to activate and configure the Rear L/R output connectors for a 7.1-channel THX speaker setup.

• Select NONE to deactivate the Rear L/R output connectors, configuring the Main Zone audio output connectors for a

5.1-channel THX speaker setup.

Note:

When the REAR L/R parameter is set to NONE, Dolby Digital Surround EX, THX Ultra2, THX Surround EX, and PLIIx modes, DTS(-ES) decoding, and the ASA parameter are not available.

OFF OFF

N/A

3-29

Setup Lexicon

SETTING CROSSOVER POINTS (continued)

SUB L/R MONO, STEREO, NONE

SPEAKERSSETUP CUSTOM SETUP SUB L/RSET CROSSOVERS

Configures the Main Zone audio output connectors labeled SUBWOOFER L/R for a speaker setup that includes one, two, or no subwoofer(s).

When a custom speaker setup is selected, the SUB L/R parameter opens the SUBWOOFERS L/R menu, to select a configuration for the SUBWOOFER L/R output connectors.

•Select MONO if the speaker setup includes one subwoofer. The MC-12 sends low frequency front, center, and surround channel signals to the SUBWOOFER L/R output connectors.

•Select STEREO if the speaker setup includes two subwoofers. The MC-12 sends low frequency front left, center, and surround left channel signals to the SUBWOOFER L output connector and low frequency front right, center, and surround right channel signals to the SUBWOOFER R output connector.

•Select NONE if the speaker setup does not include a subwoofer. The MC-12 redirects low frequency signals to the speakers with the lowest crossover points – unless the 5.1a BYPASS listening mode is activated. In this instance, configure the speaker setup with the associated DVD-A/SACD player to redirect low frequency signals.

SUB XOVER FULL, 30 to 120Hz, THX 80Hz, NONE

SPEAKERSSETUP CUSTOM SETUP SUB XOVERSET CROSSOVERS

Assigns a crossover point for the Main Zone audio output connectors labeled SUBWOOFER L/R when a custom speaker setup is selected. Opens the SUB XOVER menu to select a crossover point for the SUBWOOFER L/R output connectors.

Select FULL to send a full-range signal to the subwoofer(s). Otherwise, select the crossover point equal to the lowest crossover point of the other speakers.

SPEAKERSSETUP

SET CROSSOVERS

THX SETUP

When a THX speaker setup is selected, a THX 80Hz crossover point is applied to the SUBWOOFER L/R output connectors, and the SUB L/R parameter cannot be adjusted.

LFE ON, OFF

SPEAKERSSETUP CUSTOM SETUP LFESET CROSSOVERS

Activates and deactivates the Main Zone audio output connector labeled LFE when a custom speaker setup is selected.

When a custom speaker setup is selected:

SPEAKERSSETUP

SET CROSSOVERS THX SETUP

When a THX speaker setup is selected, the SUBWOOFER L/R output connectors are configured for a speaker setup that includes one subwoofer, and the SUB L/R parameter cannot be adjusted.

3-30

•Select ON to activate the LFE output connector. LFE information is sent to the LFE output connector.

• Select OFF to deactivate the LFE output connector. LFE signals are redirected to the SUBWOOFER L/R output connectors. If the SUB L/R parameter is set to OFF, LFE signals are redirected to the speakers with the lowest crossover point.

MC-12 Setup

SPEAKERSSETUP

SET CROSSOVERS THX SETUP

When a THX speaker setup is selected, the LFE information is redirected to the SUBWOOFER L/R output connectors, and the LFE parameter cannot be adjusted.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

THX SPEAKER SETUP

AUTOMATICALLY CHANGE

THE OUTPUTS TO A THX

SPEAKER CONFIGURATION

!CAUTION! PRESSING THE BUTTON WILL

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

THX SETUP FRONT L/R

CENTER SIDE L/R REAR L/R SUB L/R SUB XOVER LFE ULTRA2 SUB BGC ASA

SPEAKER SETUP

SET CROSSOVERS CHECK MICROPHONES AUTOMATIC MANUAL

SET CROSSOVERS

BEFORE CALIBRATING

THX 80Hz THX 80Hz THX 80Hz THX 80Hz

MONO

THX 80Hz

OFF OFF

N/A

APART

THX ULTRA2 SUB ON, OFF

SPEAKERSSETUP CUSTOM SETUPSET CROSSOVERS

SPEAKERSSETUP THX SETUPSET CROSSOVERS

Enables boundary gain compensation (BGC) for THX Ultra2certified subwoofers.

CUSTOM SETUP

CROSSOVER SETUP

CUSTOM SETUP THX SETUP

SUB

80Hz

ON OFF

APART CLOSE

TOGETHER

80Hz

40 Hz 60 Hz 60 Hz 60 Hz 40 Hz

R SR RR

OFF

80Hz

N/A

APART

L SL RL

80Hz

CUSTOM SETUP FRONT L/R

CENTER SIDE L/R REAR L/R SUB L/R SUB XOVER LFE ULTRA2 SUB BGC ASA

80Hz 80Hz 80Hz 80Hz

MONO

80Hz

OFF OFF

N/A

APART

ULTRA2 SUB

•Select ON if the subwoofer using the Main Zone audio output connectors labeled Subwoofer L/R is THX Ultra2-certified. When ON is selected, the BGC parameter can be used to adjust boundary gain compensation.

• Select OFF if the subwoofer using the Main Zone audio output connectors labeled Subwoofer L/R is not THX Ultra2-certified. When OFF is selected, the BGC parameter is not available (N/A).

3-31

Setup Lexicon

BGC (BOUNDARY GAIN COMPENSATION) ON, OFF

SPEAKERSSETUP CUSTOM SETUPSET CROSSOVERS

SPEAKERSSETUP THX SETUPSET CROSSOVERS

Adjusts boundary gain compensation when the THX ULTRA2 SUB parameter is set to ON.

•Select ON to apply a highpass 55Hz filter to all Main Zone audio output connectors and listening modes.

•Select OFF, and no filtering is applied to the Main Zone audio output connectors and listening modes.

Note:

BGC compensates for increased bass energy that is caused by the proximity of the speakers to the listening room walls.

BGC

ASA (ADVANCED SPEAKER ARRAY) ON, OFF

SPEAKERSSETUP CUSTOM SETUPSET CROSSOVERS

SPEAKERSSETUP THX SETUPSET CROSSOVERS

ASA is a proprietary THX technology that processes rear channel signals to optimize the listening experience for THX Ultra2 listening modes, including

5.1 THX ULTRA2, 5.1 THX MUSIC, DTS THX ULTRA2, DTS THX MUSIC,

5.1a THX ULTRA2, or 5.1a THX MUSIC. Applied to film sources, ASA processing blends surround channel signals to optimize ambient and directional surround sounds. Applied to music sources, ASA processing places surround channel signals on a wide, stable rear soundstage.

ASA

To maximize the effectiveness of ASA processing, configure a

7.1-channel speaker setup so the rear speakers are placed close together facing the center of the listening space.

• Select APART if the distance between the rear speakers is greater than 4 feet (1.2m).

• Select CLOSE if the distance between the rear speakers is greater than 1 foot (0.3m), but less than 4 feet (1.2m).

• Select TOGETHER if the distance between the rear speakers is less than 1 foot (0.3m).

You can use the remote control 7/5 button to toggle between 7- and 5-channel playback. When you use the 7/5 button , the MC-12 automatically:

• Activates ASA processing during 7-channel playback.

• Deactivates ASA processing during 5-channel playback.

• Switches between the 5.1 THX ULTRA2 and THX, DTS THX ULTRA2 and DTS THX, or 5.1a THX ULTRA2 and 5.1a THX listening modes.

ASA processing is not available unless:

• One of the THX ULTRA2 listening modes is activated.

• Both side and rear speakers are present. The ASA parameter can be changed in any mode, but the change

will have no effect unless the above conditions are met.

3-32

MC-12 Setup

CALIBRATING SPEAKER DISTANCES & OUTPUT LEVELS

The MC-12 offers both automatic and manual calibration of speaker distances and output levels. Calibration helps to ensure accurate output signal arrival time and level at the primary listening position. However, it is not a substitute for proper speaker placement.

Before calibrating speaker distances and output levels:

• Set crossover points for the Main Zone audio output connectors. Setting crossover points afterwards could invalidate calibrated output levels. (The CUSTOM or THX SETUP menu can be used to set crossover points.)

• Eliminate extraneous noise in the listening space, including conversation, air conditioners, and sounds that filter in through open doors and windows.

• Move or remove objects – including people – blocking the line-of-sight path between the microphones or SPL meter and the speakers.

SPEAKER CALIBRATION PARAMETERS

The table on the next page indicates the speaker calibration parameters that can be used to set speaker distances and output levels for the speakers connected to the corresponding Main Zone audio output connectors. These parameters are available on the speaker distance and output level menus shown throughout this section. All parameters perform the same function whether automatic or manual calibration is selected.

SPEAKER DISTANCE PARAMETERS +0.0 to 30.0ft or 12.0m

Determine the distance between the primary listening position and the speaker connected to the corresponding Main Zone audio output connector.

OUTPUT LEVEL PARAMETERS -18.0db to +12.0dB

Determine the output level of signals sent to the speaker connected to the corresponding Main Zone audio output connector.

3-33

Setup Lexicon

UNITS FEET, METERS

SPEAKERSSETUP SPEAKER DISTANCES UNITSMANUAL

Determines the unit of measurement in which speaker distances are calculated on ALL speaker distance menus. When FEET is selected, the MC-12 calculates speaker distances in feet. When METERS is selected, the MC-12 calculates speaker distances in meters. When the UNITS parameter setting is adjusted, the MC-12 automatically adjusts speaker distances to the closest available value in the selected unit of

measurement.

Speaker Distance Settings Output Level Settings

Parameter

FRONT L/R +0.0ft +0.0 to 30.0ft or 12.0m +0.0dB -18.0 to +12.0dB CENTER +0.0ft +0.0 to 30.0ft or 12.0m +0.0dB -18.0 to +12.0dB FRONT RIGHT +0.0ft +0.0 to 30.0ft or 12.0m +0.0dB -18.0 to +12.0dB SIDE LEFT +0.0ft +0.0 to 30.0ft or 12.0m +0.0dB -18.0 to +12.0dB REAR LEFT +0.0ft +0.0 to 30.0ft or 12.0m +0.0dB -18.0 to +12.0dB REAR RIGHT +0.0ft +0.0 to 30.0ft or 12.0m +0.0dB -18.0 to +12.0dB SIDE RIGHT +0.0ft +0.0 to 30.0ft or 12.0m +0.0dB -18.0 to +12.0dB MONO SUB* +0.0ft +0.0 to 30.0ft or 12.0m +0.0dB -18.0 to +12.0dB SUB RIGHT N/A† +0.0 to 30.0ft or 12.0m N/A† -18.0 to +12.0dB LFE N/A† +0.0 to 30.0ft or 12.0m N/A† -18.0 to +12.0dB UNITS FEET FEET, METERS

* When one subwoofer is included in the speaker setup, this parameter is labeled MONO SUB. When two subwoofers are included in the speaker setup, this parameter is labeled SUB LEFT.

† When a speaker is not included in the speaker setup, the corresponding speaker distance or output level parameter is not available (N/A).

Default Setting Possible Setting Default Setting Possible Setting

3-34

MC-12 Setup

AUTOMATIC CALIBRATION

The MC-12 offers automatic calibration of speaker distances, output levels, or both. The table below indicates available automatic calibration options. A successful microphone check is required before automatic calibration can be performed.

Automatic Options Details

MICROPHONE CHECK • Confirms that the microphones are properly connected and functioning.

• Calculates an average level for the microphones connected to the microphone input connectors, allowing the MC-12 to compensate for individual microphone sensitivities during automatic calibration.

• Ensures that microphone levels are consistent, eliminating automatic calibration errors from individual microphone levels.

DISTANCES & LEVELS • Activates automatic calibration of speaker distances and output levels.

• Offers accurate calibration with minimal interaction, automatically applying calibrated speaker distances and output levels.

• Calibrates speaker distances within 0.5 foot (.2m) of the physical distance between the primary listening position and the speaker.

• Calibrates individual speaker output levels within +/-0.5dB of each other and overall speaker output levels within +/-3.0dB of THX reference levels (75dB).

DISTANCES • Activates automatic calibration of speaker distances.

• Provides a comparison between original and calibrated speaker distances, allowing selection of the desired values.

• Calibrates speaker distances within 0.5 foot (.2m) of the physical distance between the primary listening position and the speaker.

LEVELS • Activates automatic calibration of output levels.

• Provides a comparison between original and calibrated output levels, allowing selection of the desired values.

• Calibrates individual speaker output levels within +/-0.5dB of each other and overall speaker output levels within +/-3.0dB of THX reference levels (75dB).

3-35

Setup Lexicon

CONNECTING THE MICROPHONES

CAUTION!

• The microphones included in the Lexicon Microphone Kit require careful handling. Dropping or otherwise physically abusing the microphones might cause errors during use or irreparable damage to the microphone.

• The microphone wires also require careful handling. Do not sharply bend the wires or place objects on them.

• Never make or break microphone input connections unless the MC-12 is powered off with the rear panel power switch OR standby mode is activated with the front panel or remote control standby button.

Note the following:

• Automatic calibration requires the microphones included in the Lexicon Microphone Kit available at authorized Lexicon dealers. Performing automatic calibration with microphones other than those in the kit will produce unpredictable results.

• Proper microphone placement is essential to achieving the desired automatic calibration results. Pay particular attention to the microphone placement instructions and illustrations included in this section.

• It is important to read and observe the care and handling documentation included with the Lexicon Microphone Kit to ensure optimal microphone performance.

MC-12 Rear Panel

1. Make sure the MC-12 is powered off OR in standby mode.

2. Connect the microphones included in the Lexicon Microphone Kit to the microphone input connectors on the MC-12 rear panel as shown above. Make sure the microphone cable plug is fully inserted for a solid connection.

During the microphone check, the microphones will be referred to as 1, 2, 3, and 4 based on the input connector to which the microphone is connected. You should label the microphones for troubleshooting purposes.

3. Power on the MC-12 OR deactivate standby mode.

3-36

MC-12 Setup

POSITIONING THE MICROPHONES FOR THE MICROPHONE CHECK

Refer to the microphone placement examples that begin below to position the microphones for the microphone check.

PROPER microphone positioning for the microphone check

During the microphone check, position the microphones:

3 As close together as possible

3 Relatively centered between and equidistant

from the front left and right speakers

Rear

3 In a clear line-of-sight path with the speakers

3 In a location unobstructed by furniture and

other fixtures, where echoes will not obscure calibration noise signals

Rear

Right

Left

Side Left

3 At least 2 feet (0.61m) from all speakers and

walls, but within 30 feet (9.14m) of all speakers.

The illustration to the right provides an example of proper microphone placement during the microphone check. All of the microphones are positioned as close together as possible in an unobstructed location that is equidistant from the front left and right speakers.

Microphone

Side Right

Front Right

Subwoofer

Center

Front

Left

3-37

Setup Lexicon

IMPROPER

During the microphone check, do not:

7 Separate the microphones

7 Scatter the microphones throughout the listening

space

7 Obstruct the line-of-sight path between the micro-

phones and the speakers

7 Position the microphones on the floor, on seat

cushions, or in locations obstructed by furniture and other fixtures, where echoes might obscure calibration noise signals

microphone positioning for the microphone check

Rear

Right

Rear

Left

Side Left

7 Position the microphones within 2 feet (0.61m) of

speakers and walls or more than 30 feet (9.14m) from any one speaker.

The illustration to the right provides an example of improper microphone placement during the microphone check. The microphones are scattered throughout the listening space rather than positioned as close together as possible in a location that is equidistant from the front left and right speakers.

3-38

Microphone

Side

Right

Front Right

Subwoofer

Center

Front

Left

MC-12 Setup

CHECKING THE MICROPHONES

CUSTOM SETUP

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

SPEAKER SETUP

SET CROSSOVERS CHECK MICROPHONES AUTOMATIC MANUAL

SET CROSSOVERS

BEFORE CALIBRATING

CHECK MICROPHONES

40 Hz

GROUP MICROPHONES

60 Hz

INTO A BUNDLE IN THE

60 Hz

MIDDLE OF THE ROOM

60 Hz 40 Hz

PRESS TO BEGIN

OFF

MIC CHECK

N/A

APART

Note the following:

• The MC-12 outputs calibration noise signals between 55 and 95dB, beginning with 55dB and increasing in 5dB increments until the microphones detect the required level. If the calibration noise signal becomes too loud, press the  arrow button to cancel the microphone check.

• Although the calibration noise signal is output at a fixed volume level, you should set all volume controls for associated components (i.e. speakers, subwoofers, and power amplifiers) to a reasonable level before performing automatic calibration. When the procedure is finished, the MC-12 automatically reverts to the last volume level that was selected before automatic calibration began.

• During automatic calibration, you should refer to the on-screen display instead of the front panel display, as additional information and instructions are available on the on-screen display.

1. Select the SPEAKER SETUP menu CHECK MICROPHONES option as shown above.

2. The first CHECK MICROPHONES screen opens in the on-screen display, indicating the importance of proper microphone placement to achieve accurate automatic calibration results.

3. Press the  arrow button to begin the microphone check. The following screens appear in the on-screen display as the microphone check is performed:

CHECKING FOR SILENCE

Appears in the on-screen display while the MC-12 determines the relative noise level of the listening space and the internal noise level of the microphones.

CUSTOM SETUP

CHECK MICROPHONES

CHECKING FOR SILENCE

PLEASE WAIT

After eliminating microphones that are not detected or not functioning, the MC-12 calculates an average level for all microphones.

CHECKING MICROPHONES

Appears in the on-screen display while the MC-12 confirms the microphone level calculated during the silence check. To do this, the MC-12 sends

CUSTOM SETUP

CHECK MICROPHONES

CHECKING MICROPHONES

PLEASE WAIT

alternating calibration noise signals to the front left and right speakers. These signals are output between 55 and 95dB, beginning with 55dB and increasing in 5dB increments until the microphones detect the required

3-39

Setup Lexicon

CHECKING THE MICROPHONES (continued)

level. If the signal becomes too loud, press the  arrow button to cancel the microphone check.

The MC-12 uses the calibration noise signal to eliminate microphones that register the signal at a level that is too low or too high. Then, the MC-12 determines the appropriate output level for the calibration noise signal used during automatic calibration.

CHECK MICROPHONES Results

Appears on-screen when the MC-12 is finished checking the microphones. This display indicates the individual check results for each microphone.

• An OK result indicates that the microphone passed the microphone check.

• An ERROR result indicates that the microphone did not pass the microphone check.

CHECK MICROPHONES

MIC 1 MIC 2 MIC 3 MIC 4

PRESS TO VIEW

DETAILS

ERROR

OK OK

(MICROPHONE) OK

4. Press the  and  arrow buttons to highlight the desired microphone parameter. The MC-12 refers to the microphones according to the input connector to which the microphone is connected.

5. Press the  arrow button to view more detailed results for the selected microphone. A message similar to the one shown at the bottom of the previous column opens in the on-screen display. Refer to the table on the next page for information about all possible microphone check messages.

Note the following:

• The MC-12 retains the calculated microphone level until the SPEAKER SETUP menu is closed. Once this menu is closed, another microphone check is required before automatic calibration can be performed.

• For best results, you should perform automatic calibration with four microphones that have passed the microphone check. However, the MC-12 will perform automatic calibration as long as at least one microphone passes the microphone check. In this circumstance, place the successfully checked microphones in the primary listening position.

• If a microphone check was successful, do not disconnect the microphones from the microphone input connectors. If the microphones are disconnected, you should perform the microphone check again before proceeding to automatic calibration.

3-40

MC-12 Setup

Message Description Troubleshooting

(MICROPHONE) OK

(MICROPHONE) NOT DETECTED

(MICROPHONE) SIGNAL TOO LOW

(MICROPHONE) OUT OF RANGE

(MICROPHONE) TOO MUCH ROOM NOISE

The microphone detected the calibration noise signal without error.

The MC-12 did not detect the microphone during the silence check.

The MC-12 detected the microphone during the silence check. However, the microphone level determined during the silence check was not confirmed during the microphone check.

The microphone level is more than 20dB below the highest microphone level.

The microphone level could not be determined because of excessive room noise in the listening space.

•N/A

• Examine microphone input connections to ensure that the microphones are properly connected to the MC-12 and that microphone cable plugs are fully inserted for a solid connection.

• The microphone might be damaged. Contact an authorized Lexicon dealer for assistance.

• Examine microphone input connections to ensure that the microphones are properly connected to the MC-12 and that microphone cable plugs are fully inserted for a solid connection.

• The microphones might be positioned too far from the front speakers. Refer to the microphone placement examples that begin on page 3-42 to confirm that the microphones are appropriately positioned for the microphone check.

• The microphone might be damaged. Contact an authorized Lexicon dealer for assistance.

• Examine microphone input connections to ensure that the microphones are properly connected to the MC-12 and that microphone cable plugs are fully inserted for a solid connection.

• The microphone might be damaged. Contact an authorized Lexicon dealer for assistance.

• Eliminate extraneous noises in the listening space, including conversations, air conditioners, and sounds that filter in through open doors and windows.

• The microphone might be damaged. Contact an authorized Lexicon dealer for assistance.

POSITIONING THE MICROPHONES FOR AUTOMATIC CALIBRATION

Proper microphone placement is essential to achieving the desired automatic calibration results. Microphone placement determines whether the MC-12 calibrates optimal speaker distances and output levels for a single listening position, several listening positions in a single row, or several listening positions in the listening space.

Refer to the microphone placement examples that begin on the next page to position the microphones for automatic calibration. Select the microphone placement that best meets the needs of the listening space.

3-41

Setup Lexicon

POSITIONING THE MICROPHONES FOR AUTOMATIC CALIBRATION (continued)

PROPER microphone placement to achieve the best results for a single listening position

When calibrating for a single listening position, place the microphones:

3 As close together as possible in a single listening

position (the primary listening position)

3 At the approximate spot where the listener’s

head will be during listening

3 In a clear line-of-sight path with the speakers

3 In a location unobstructed by furniture and

other fixtures, where echoes will not obscure calibration noise signals

3 At least 2 feet (0.61m) from all speakers and

walls, but within 30 feet (9.14m) of all speakers.

The illustration to the right provides an example of proper microphone placement when calibrating for a single listening position. The microphones are positioned as close together as possible in a single listening position, allowing the MC-12 to calibrate optimal speaker distances and output levels for that position.

Rear

Right

Microphone

Side

Right

Rear Left

Front Right

Side Left

Subwoofer

Center

Front

Left

3-42

MC-12 Setup

PROPER microphone placement to achieve the best results for multiple listening positions in a single row

When calibrating for multiple listening positions in a single row, position the microphones:

3 At the approximate spot where the listener’s

head will be during listening

3 In a clear line-of-sight path with the speakers

3 In a location unobstructed by furniture and

other fixtures, where echoes will not obscure calibration noise signals

3 At least 2 feet (0.61m) from all speakers and

walls, but within 30 feet (9.14m) of all speakers.

The illustration to the right provides an example of proper microphone placement when calibrating for multiple listening positions in a single row. Each microphone is positioned in a single listening position within a single row, allowing the MC-12 to calibrate optimal speaker distances and output levels for that row at the expense of a single listening position.

Rear

Right

Microphone

Side

Right

Rear Left

Front Right

Side Left

Subwoofer

Center

Front

Left

3-43

Setup Lexicon

POSITIONING THE MICROPHONES FOR AUTOMATIC CALIBRATION (continued)

PROPER microphone placement to achieve the best results for multiple listening positions in multiple rows

When calibrating for multiple listening positions in multiple rows, position the microphones:

3 At the approximate spot where the listener’s

head will be during listening

3 In a clear line-of-sight path with the speakers

3 In a location unobstructed by furniture and

other fixtures, where echoes will not obscure calibration noise signals

3 At least 2 feet (0.61m) from all speakers and

walls, but within 30 feet (9.14m) of all speakers.

The illustration to the right provides an example of proper microphone placement when calibrating for multiple listening positions in multiple rows. Each microphone is positioned in a single listening position within rows, allowing the MC-12 to calibrate optimal speaker distances and output levels for a larger listening area at the expense of a single listening position.

3-44

Rear

Right

Microphone

Side

Right

Rear Left

Front Right

Side

Left

Subwoofer

Center

Front

Left

MC-12 Setup

IMPROPER microphone positioning for automatic calibration

During the automatic calibration, do not:

7 Arrange the microphones along the perimeter of

the listening positions or space

7 Position the microphones in spots where the

listeners’ heads will not be during listening

7 Obstruct the line-of-sight path between the

microphones and the speakers

7 Position the microphones on the floor, on seat

cushions, or in locations obstructed by furniture and other fixtures, where echoes might obscure calibration noise signals

Rear

Right

Side

Right

Rear Left

Side Left

7 Position the microphones within 2 feet (0.61m) of

speakers and walls or more than 30 feet (9.14m) from any one speaker.

The illustration to the right provides an example of improper microphone placement during the microphone check. The microphones are positioned on the floor along the perimeter of the listening space, making it difficult for the MC-12 to calibrate optimal speaker distances and output levels for the actual listening positions.

Microphone

Front Right

Subwoofer

Center

Front

Left

3-45

Setup Lexicon

POSITIONING THE MICROPHONES FOR AUTOMATIC CALIBRATION (continued)

IMPROPER microphone positioning for automatic calibration

During the automatic calibration, do not:

7 Arrange the microphones along the perimeter of

the listening positions or space

7 Position the microphones at spots where the

listeners’ heads will not be during listening

7 Obstruct the line-of-sight path between the

microphones and the speakers

7 Position the microphones on the floor, on seat

cushions, or in locations obstructed by furniture and other fixtures, where echoes might obscure calibration noise signals

Rear

Right

Side

Right

Rear

Left

Side

Left

7 Position the microphones within 2 feet (0.61m) of

speakers and walls or more than 30 feet (9.14m) from any one speaker.

The illustration to the right provides an example of improper microphone placement during the microphone check. The microphones are positioned on seat cushions rather than in spots where the listener’s heads will be during listening.

3-46

Microphone

Front Right

Subwoofer

Center

Front

Left

MC-12 Setup

PERFORMING AUTOMATIC CALIBRATION

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

SET CROSSOVERS CHECK MICROPHONES AUTOMATIC MANUAL

SET CROSSOVERS

BEFORE CALIBRATING

AUTO SPEAKER SETUP

DISTANCES & LEVELS DISTANCES OUTPUT LEVELS

40 Hz 60 Hz 60 Hz 60 Hz

PLACE MICROPHONES

40 Hz

IN PRIMARY LISTENING

OFF

POSITIONS

N/A

APART

CUSTOM SETUP

AUTO SPEAKER SETUP

40 Hz

!CAUTION!

60 Hz

HIGH AUDIO LEVELS

60 Hz 60 Hz

YOU WILL HAVE 10 SEC

40 Hz

TO LEAVE THE ROOM OR

OFF

SIT QUIETLY

N/A

APART

PRESS TO BEGIN

COUNTDOWN

CUSTOM SETUP

Follow the procedures in the appropriate table column for the desired type of automatic calibration.

STEP DISTANCES DISTANCES & LEVELS LEVELS

Select the SPEAKER SETUP menu AUTOMATIC option as shown in the menu illustration above.

• If a microphone check is successful, the AUTO SPEAKER SETUP menu becomes available on the on-screen display. Press the  or  arrow button to highlight the automatic calibration option you want. Then, press the  arrow button to select

this option. Refer to the table on page 3-35 for more information about automatic calibration options.

• If a microphone check is unsuccessful, one of the error messages shown at the right appears on the on-screen display, indicating that a successful microphone check is required before automatic calibration is available, and also the reason the previous check failed. If this occurs, go back to “Connecting the Microphones” on page 3-36 and work your way forward to this page.

The following AUTO SPEAKER SETUP messages display on-screen before automatic calibration begins:

• The !CAUTION! HIGH AUDIO LEVELS message indicates that the MC-12 generates loud calibration noise signals during automatic calibration. If the signals become too loud, press the

 arrow button to cancel automatic calibration. Press the  arrow button to open the next AUTO SPEAKER

SETUP menu.

• The countdown display notifies you that automatic calibration will begin in 10 seconds. The primary reason for the 10 second delay is to give you time to leave the listening space before automatic calibration begins. If you choose to remain in the room, your movements could affect the calibration

results. If you leave the room, you can return in about 10 minutes (the calibration procedure should be completed). Press the skip the countdown and begin automatic calibration. The MC-12 automatically activates automatic calibration when the countdown ends.

AUTO SPEAKER SETUPSPEAKER SETUP

TEST WILL BEGIN IN

PRESS TO SKIP

COUNTDOWN

M I C C H E C K R E Q U I R E D

FOR AUTO CALIBRATION

NO MICROPHONE

DETECTED

 arrow button to

3-47

Setup Lexicon

PERFORMING AUTOMATIC CALIBRATION (continued)

SETTING DISTANCES

CUSTOM SETUP

FRONT LEFT CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEFT SIDE LEFT MONO SUB SUB RIGHT LFE

0.0ft

0.0ft N/A N/A

SETTING DISTANCES

CUSTOM SETUP

FRONT LEFT CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEFT SIDE LEFT MONO SUB SUB RIGHT LFE

12.0ft

10.5ft

12.0ft

4.5ft

ERROR

6.0ft

4.5ft N/A N/A N/A

SETTING LEVELS

CUSTOM SETUP

FRONT LEFT CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEFT SIDE LEFT MONO SUB SUB RIGHT LFE

0.0dB

0.0dB N/A N/A

SETTING LEVELS

CUSTOM SETUP

FRONT LEFT CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEFT SIDE LEFT MONO SUB SUB RIGHT LFE

-2.0dB ERROR

-2.0dB

-4.5dB

-3.0dB

-4.5dB

STEP DISTANCES DISTANCES & LEVELS LEVELS

The SETTING DISTANCES screen displays when the MC-12 calibrates speaker distances.

• During speaker distance calibration, the MC-12 sends calibration noise signals to the Main Zone audio output connectors in the order shown on the SETTING DISTANCES screen. The cursor automatically scrolls downward through speaker calibration parameters, highlighting each parameter while the MC-12 calculates a distance for the corresponding speaker. As it finishes each parameter, the MC-12 enters the calibrated value or an ERROR message to the right of the parameter label.

• Because of the way low frequency signals propagate in most listening spaces, automatic speaker distance calibration often produces unreliable results for subwoofers and LFE subwoofers. For this reason the MC-12 does not send calibration noise signals to the Subwoofer L/R and LFE output connectors during speaker distance calibration. Instead, the MC-12 automatically calibrates subwoofer and LFE subwoofer distances to the shortest distance of the other speakers. These distances can be manually adjusted. See “PERFORMING MANUAL SPEAKER DISTANCE CALIBRATION” on page 3-53.

This step does not occur when the AUTO SPEAKER SETUP menu LEVELS option is selected.

N/A N/A N/A

3-48

This step does not occur when the AUTO SPEAKER SETUP menu DISTANCES option is selected.

The SETTING LEVELS screen displays when the MC-12 calibrates output levels.

• The MC-12 sends calibration noise signals to the Main Zone audio output connectors in the order shown on the SETTING LEVELS screen. The cursor automatically scrolls downward through speaker calibration parameters, highlighting each parameter while the MC-12 calculates an output level for the corresponding speaker. As it finishes each parameter, the MC-12 enters the calibrated value or an ERROR message to the right of the parameter label.

MC-12 Setup

STEP

DISTANCES

AUTO DISTANCES

FRONT LEFT CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEFT SIDE LEFT MONO SUB SUB RIGHT LFE

12.0ft

10.5ft

12.0ft

4.5ft

ERROR

6.0ft

4.5ft N/A N/A N/A

When the MC-12 is finished calibrating

speaker distances, the AUTO DISTANCES screen displays, indicating the results for each individual speaker.

• A value indicates that no errors occurred during the calibration procedure.

• An ERROR message indicates that a value was calculated, but at least one error occurred during the calibration procedure.

• Press the  or  arrow button to highlight the speaker calibration parameter you want. Then, press the  button to view more detailed results for the selected speaker. A message similar to the one shown above will display.

• Refer to the table on 3-51 for information about all possible speaker calibration messages.

FRONT LEFT OK

Refer to the table on page 3-51 for information about all possible speaker calibration messages.

DISTANCES & LEVELS LEVELS

AUTO SPEAKER SETUP

DISTANCES LEVELS

AUTO VALUES APPLIED

PRESS TO VIEW

DETAILS

ERROR

When the MC-12 is finished calibrating speaker distances and output levels, the AUTO SPEAKER SETUP screen displays, indicating the results for each calibration procedure.

• An OK message indicates that no errors occurred during the calibration procedure.

• An ERROR message indicates that a value was calculated, but at least one error occurred during calibration.

• Press the  or  arrow button to highlight the desired calibration procedure.

DISTANCES displays the AUTO DISTANCES screen shown in the left column of this table.

LEVELS displays the AUTO LEVELS screen shown in the right column of this table.

• Press the  arrow button to select this procedure.

• Refer to the instructions in the appropriate column to view more detailed results for each individual speaker.

AUTO LEVELS

FRONT LEFT CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEFT SIDE LEFT MONO SUB SUB RIGHT LFE

-2.0dB

-4.5dB

-3.0dB

-4.5dB

When the MC-12 is finished calibrating output levels, the AUTO LEVELS screen displays, indicating the results for each individual speaker.

• A value indicates that no errors occurredduring the calibration procedure.

• An ERROR message indicates that a value was calculated, but at least one error occurred during the calibration procedure.

•Press the or  arrow button to high- light the desired speaker calibration parameter. Then, press the  arrow button to view more detailed results for the selected speaker. A message similar to the one shown above displays.

• Refer to the table on page 3-51 for information about all possible speaker calibration messages.

ERROR

N/A N/A N/A

FRONT LEFT OK

Refer to the table on page 3-51 for information about all possible speaker calibration messages.

Note:

To fine-tune individual speaker distances and output levels, refer to the MANUAL CALIBRATION section that begins on page 3-52. You should also configure BASS PEAK LIMITERS parameter settings. (See “SETTING BASS PEAK LIMITERS” on page 3-57.)

3-49

Setup Lexicon

PERFORMING AUTOMATIC CALIBRATION (continued)

STEP DISTANCES DISTANCES & LEVELS LEVELS

SET DISTANCES AUTO DISTANCES*

AUTO DISTANCES ORIGINAL DISTANCES

R SR RR

0.0ft

L SL RL

SUB

0.0ft

Use the SET DISTANCES menu to select the desired speaker distances.

1 Press the  arrow button to return to

the SET DISTANCES menu.

2 Press the  or  arrow button to tog-

gle between calibrated speaker distances (AUTO) and original speaker distances. The speaker graphics at the bottom of the menu update to indicate the selected values.

3 Press the

selected values. A confirmation message displays to indicate the applied values.

4 Press the  button twice in succession

to return to the SPEAKER SETUP menu.

 button to apply the

AUTO DISTANCES

FRONT LEFT CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEFT SIDE LEFT MONO SUB SUB RIGHT LFE

12.0ft

10.5ft

12.0ft

4.5ft

ERROR

6.0ft

4.5ft N/A N/A N/A

AUTO SPEAKER SETUP

DISTANCES LEVELS

AUTO VALUES APPLIED

PRESS TO VIEW

DETAILS

ERROR

FRONT LEFT CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEFT

12.0ft

10.5ft

12.0ft

ERROR

SIDE LEFT MONO SUB SUB RIGHT LFE

Use the AUTO SPEAKER SETUP menu to select speaker distances or levels.

1 Press the  arrow button to return to the

AUTO SPEAKER SETUP results screen.

2 To select the other calibration procedure,

follow the instructions in Step 5. Otherwise, press the  button to return to the SPEAKER SETUP menu.

The AUTO DISTANCES screen is shown above as an example. The AUTO LEVELS screen can be substituted.

4.5ft

6.0ft

4.5ft N/A N/A N/A

SET LEVELS

AUTO LEVELS ORIGINAL LEVELS

R SR RR

0.0dB

L SL RL

0.0dB

SUB

0.0dB

AUTO LEVELS

FRONT LEFT CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEFT SIDE LEFT MONO SUB SUB RIGHT LFE

-2.0dB ERROR

-2.0dB

-4.5dB

-3.0dB

-4.5dB

Use the SET LEVELS menu to select the desired speaker levels.

1 Press the  arrow button to return to

the SET LEVELS menu.

• Press the  and  arrow buttons to toggle between calibrated output levels (AUTO) and original output levels. The speaker graphics at the bottom of the menu update to indicate the selected values.

• Press the selected values. A confirmation message displays to indicate the applied values.

 arrow button to apply the

• Press the  arrow button twice in succession to return to the SPEAKER SETUP menu.

N/A N/A N/A

3-50

MC-12 Setup

Message Description Troubleshooting

(SPEAKER) OK

(SPEAKER) SPEAKER IS NOT ENABLED

(SPEAKER) SPEAKER OUT OF PHASE

(SPEAKER) SIGNAL TOO LOW

(SPEAKER) UNABLE TO CALCULATE

(SPEAKER) MAY NOT BE ACCURATE

(SPEAKER) SPKR OUTPUT TOO HIGH

The MC-12 successfully calibrated the value for the selected speaker without error.

The selected speaker is not present in the speaker setup

The microphones detected out-of-phase calibration noise signals, but the calibrated value is still accurate.

The microphones detected calibration noise signals at an unusually low level.

The microphones did not detect calibration noise signals or the MC-12 could not calculate a value.

One or more microphones did not detect calibration noise signals at a reasonable level. The calibrated value could be inaccurate.

The microphones detected calibration noise signals at an unusually high level.

•N/A

• Set the corresponding CUSTOM or THX SETUP menu parameter to include the selected speaker in the speaker setup. (The MC-12 only calibrates values for speakers that are included in the speaker setup.)

• Examine speaker/associated amplifier connections to ensure that speaker wires are not crossed.

• Dipolar speakers could cause this error. However, the MC-12 does not report this error unless at least half of the microphones detect out-of-phase calibration noise signals.

• Reflections from room objects can cause an out of phase error.

• Drivers intentionally wired out-of-phase.

• The microphones might be positioned more than 30 feet (9.14m) from the selected speaker or in a location where echoes obscure calibration noise signals. Refer to the placement examples on pages 3-42 to 3-46 to confirm that the microphones are appropriately positioned for automatic calibration.

• Examine microphone input connections to ensure that the microphones are properly connected to the MC-12 and that microphone cable plugs are fully inserted for a solid connection.

• Refer to the microphone placement examples on pages 3-42 to 3-46 to confirm that the microphones are appropriately positioned for automatic calibration.

• Examine microphone input connections to ensure that the microphones are properly connected to the MC-12 and that microphone cable plugs are fully inserted for a solid connection.

• Refer to the microphone placement examples on pages 3-42 to 3-46 to confirm that the microphones are appropriately positioned for automatic calibration.

• Decrease associated amplifier volume levels – including (if applicable) powered subwoofer amplifiers.

• The microphones may be positioned too close (within 2 feet [0.61m]) of the selected speaker. Refer to the microphone placement examples on pages 3-42 to 3-46 to confirm that the microphones are appropriately positioned for automatic calibration.

(SPEAKER) SPKR OUTPUT TOO LOW

The microphones detected calibration noise signals at an unusually low level.

• Increase associated amplifier volume levels – including (if applicable) powered subwoofer amplifiers.

• The microphones may be positioned too far away (more than 30 feet [9.14m]) from the selected speaker. See the microphone placement examples on pages 3-42 to 3-46 to confirm that the microphones are appropriately positioned for automatic calibration.

3-51

Setup Lexicon

MANUAL CALIBRATION

SPEAKERSSETUP MANUAL

Selecting the SPEAKER SETUP menu MANUAL option displays the MANUAL SPEAKER SETUP menu, to manually calibrate speaker distances and output levels. The table below indicates available manual calibration options.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

SPEAKER SETUP

SET CROSSOVERS CHECK MICROPHONES AUTOMATIC MANUAL

SET CROSSOVERS

BEFORE CALIBRATING

CUSTOM SETUP

MANUAL SPEAKER SETUP

SPEAKER DISTANCES LEVELS CALIBRATION

R SR RR

0.0dB

L SL RL

SUB

0.0dB

Manual Options DetailsB

SPEAKER DISTANCES Provides manual calibration and individual adjustment of speaker distances.

LEVELS CALIBRATION Provides manual calibration and individual adjustment of output levels.

INTERNAL NOISE TEST

Automatically sends an internal calibration noise signal to each Main Zone audio output connector, allowing for simultaneous output level adjustment.

EXTERNAL NOISE TEST

• Requires an external calibration source such as an audio calibration disc.

• Activates an appropriate listening mode based on the current Main Zone input source.

0.0dB

40 Hz 60 Hz 60 Hz 60 Hz 40 Hz

OFF

N/A

APART

0.0dB

3-52

BASS PEAK LIMITERS

• Provides amplitude limits for low frequency signals sent to the Main Zone audio output connectors labeled Subwoofer L/R and LFE, and low frequency signals redirected to other Main Zone audio output connectors.

• Protects speakers against input sources that produce low frequency signal peaks.

MC-12 Setup

PERFORMING MANUAL SPEAKER DISTANCE CALIBRATION

SPEAKERSSETUP MANUAL SPEAKER DISTANCES

Selecting the MANUAL SPEAKER SETUP menu SPEAKER DISTANCES option displays the SPEAKER DISTANCES menu, to manually calibrate speaker distances.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

SET CROSSOVERS CHECK MICROPHONES AUTOMATIC MANUAL

SET CROSSOVERS

BEFORE CALIBRATING

To manually calibrate speaker distances:

1. Follow the menu path shown above to select SPEAKER DISTANCES. The SPEAKER DISTANCES menu shown above will open on the on-screen display.

2. Press the  or  arrow buttons to highlight the desired speaker distance parameter. Then, press the  arrow button to select the highlighted speaker distance parameter.

MANUAL SPEAKER SETUPSPEAKER SETUP

SPEAKER DISTANCES LEVELS CALIBRATION

R SR RR

0.0ft

L SL RL

SUB

0.0ft

SPEAKER DISTANCES

CUSTOM SETUP

FRONT LEFT CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEFT SIDE LEFT MONO SUB SUB RIGHT LFE UNITS

0.0ft

0.0ft N/A N/A

FEET

0.0 to 30.0ft or 12.0m

METERS

FEET

3. To determine the appropriate speaker distance, measure the distance between the primary listening position and the front of the speaker.

For example, when the FRONT LEFT parameter is selected, measure the distance between the primary listening position and the front of the front left speaker (connected to the Main Zone audio output connector labeled Front L).

4. When the speaker distance has been measured, press the  and  arrow buttons to set the parameter to the closest available value.

3-53

Setup Lexicon

PERFORMING MANUAL OUTPUT LEVEL CALIBRATION

SPEAKERSSETUP MANUAL LEVELS CALIBRATION

Selecting the MANUAL SPEAKER SETUP menu LEVELS CALIBRATION option displays the LEVELS CALIBRATION menu to manually calibrate output levels.

Note the following:

• You should use a Sound Pressure Level (SPL) meter to manually calibrate output levels. An SPL meter is a device that measures the relative loudness of the speakers to ensure accurate output level calibration. SPL meters are available at Radio Shack.

• Output levels should be calibrated from the primary listening position, placing the SPL meter at the approximate location where the listener’s head will be during listening.

MAIN MENU

MODE ADJUST AUDIO CONTROLS SETUP

SETUP

INPUTS SPEAKERS REAR PANEL CONFIG DISPLAYS VOLUME CONTROLS TRIGGERS LOCK OPTIONS LIVE! CALIBRATION

SET CROSSOVERS CHECK MICROPHONES AUTOMATIC MANUAL

SET CROSSOVERS

BEFORE CALIBRATING

• Output levels for speakers that are not included in the speaker setup cannot be adjusted during the internal noise test. These output levels can be adjusted during the external noise test, but there is no need to do so.

MANUAL SPEAKER SETUPSPEAKER SETUP

SPEAKER DISTANCES LEVELS CALIBRATION

R SR RR

0.0dB

L SL RL

0.0dB

SUB

0.0dB

LEVELS CALIBRATION

CUSTOM SETUP

INTERNAL NOISE TEST

EXTERNAL NOISE TEST

BASS PEAK LIMITERS

INTERNAL NOISE

!CAUTION!

HIGH AUDIO LEVELS

SPEAKER LEVEL ADJUST

CUSTOM SETUP

FRONT LEFT CENTER FRONT RIGHT SIDE RIGHT REAR RIGHT REAR LEFT SIDE LEFT MONO SUB SUB RIGHT LFE UNITS

+0.0dB +0.0dB +0.0dB +0.0dB +0.0dB +0.0dB +0.0dB +0.0dB +0.0dB

N/A N/A

3-54

-18.0 to +12.0dB

MC-12 Setup

INTERNAL NOISE TEST

SPEAKERSSETUP MANUAL LEVELS CALIBRATION

INTERNAL NOISE TEST

Opens the INTERNAL NOISE message shown on the previous page, which indicates that the internal noise test generates loud calibration noise signals.

When the INTERNAL NOISE message opens:

•Press the arrow button to open the SPEAKER LEVEL ADJUST menu shown on the previous page. When the SPEAKER LEVEL ADJUST menu opens, the internal noise test automatically begins.

•Press the button to skip the internal noise test.

During the internal noise test, the MC-12 sends calibration noise signals to each speaker in the order shown on the SPEAKER LEVEL ADJUST menu. The cursor automatically scrolls through output level parameters, highlighting each parameter as the MC-12 sends the calibration noise signal to the corresponding speaker. The calibration noise signal is sent to each speaker for about 4 seconds.

Note:

When the internal noise test begins, the MC-12 automatically sets volume level to +0dB. Avoid adjusting the master volume level while the test is in progress to achieve THX reference levels (75dB).

To manually calibrate output levels during the internal noise test:

1. Set the SPL meter to “C” weighting and “SLOW” response.

2. Press the  or  arrow button to highlight the desired output level parameter. Then, quickly press the  button to select this output level parameter. The horizontal bar graph shown on the previous page will open on the on-screen display and automatic scrolling will stop.

Note:

During the internal noise test, it is possible to select an output level parameter just as the cursor is about to automatically scroll to the next parameter, causing the MC-12 to send the calibration noise signal to both speakers. If this occurs, reselect the desired speaker.

3. When the horizontal bar graph opens, press the  or  button to select the output level that achieves a 75dB SPL meter reading from the primary listening position.

4. Press  to close the parameter. The internal noise test will continue and automatic scrolling will resume.

5. Repeat steps 2, 3, and 4 until all desired output levels have been set.

INTERNAL NOISE TEST LEVELS CALIBRATION MANUAL SPEAKERS SETUP

3-55

Setup Lexicon

EXTERNAL NOISE TEST

SPEAKERSSETUP MANUAL LEVELS CALIBRATION

EXTERNAL NOISE TEST

Selecting the LEVELS CALIBRATION menu EXTERNAL NOISE TEST option opens the SPEAKER LEVEL ADJUST menu shown on page 3-54, which manually calibrates output levels.

The external noise test requires an external calibration source such as an audio calibration disc. When the external noise test is conducted, the MC-12 activates a listening mode based on the current Main Zone input source. Refer to the table below for more information about external noise test listening mode activation.

When a listening mode is activated during the external noise test, all custom listening mode menu parameter settings are ignored. The listening mode is applied to the current Main Zone input source in its factory-default condition. When the external noise test is finished, the listening mode returns to its custom condition.

EXTERNAL NOISE TEST LEVELS CALIBRATION MANUAL SPEAKERS SETUP

INPUT SOURCE LISTENING MODE

2-Channel

Dolby Digital

DTS(-ES)

PLII MOVIE, PLIIx MOVIE*

DIGITAL**

Note:

When the external noise test begins, the MC-12 automatically sets volume level to +0dB. Avoid adjusting the master volume level while the test is in progress to achieve THX reference levels (75dB).

To manually calibrate output levels during the external noise test:

1. Set the SPL Meter to “C” weighting and “SLOW” response.

2. Place the SPL Meter at the primary listening position.

3. Press the  or  arrow button to highlight the output level parameter you want. Then, press the  button to select this output level parameter.

The horizontal bar graph shown on page 3-54 displays.

4. Begin playback of the external calibration source and press the  or  arrow button to select the output level that achieves a 75dB SPL Meter reading.

5. After selecting the output level, press the  arrow button to close the horizontal bar graph.

6. Repeat steps 2, 3, and 4 until you have set all the output levels you want.

5.1-Channel Analog 5.1a STANDARD

* These listening modes depend on the speaker configuration. Dolby Pro Logic IIx MOVIE

will only load when side and rear speakers are present.

**These listening mode names differ depending on the current input source, speaker

setup, and parameter settings. Refer to the Listening Mode Descriptions section beginning on page 5-5 for more information.

3-56

Lexicon MC-12 User Manual 2

Specifications and Main Features

Frequently Asked Questions

User Manual