SHOCK DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE
The symbols shown above are internationally accepted symbols that warn of potential hazards with
electrical products. The lightning flash with arrowpoint in an equilateral triangle means that there
are dangerous voltages present within the unit. The exclamation point in an equilateral triangle indicates that it is necessary for the user to refer to the owner’s manual.
These symbols warn that there are no user serviceable parts inside the unit. Do not open the unit.
Do not attempt to service the unit yourself. Refer all servicing to qualified personnel. Opening the
chassis for any reason will void the manufacturer’s warranty. Do not get the unit wet. If liquid is
spilled on the unit, shut it off immediately and take it to a dealer for service. Disconnect the unit during storms to prevent damage.
SAFETY INSTRUCTIONS
NOTICE FOR CUSTOMERS IF YOUR UNIT IS EQUIPPED WITH A POWER CORD.
WARNING: THIS APPLIANCE MUST BE EARTHED.
CAUTION: EQUIPMENT IS NOT DISCONNECTED FROM MAINS WHEN SWITCH IS IN THE
OFF
POSITION
The cores in the mains lead are coloured in accordance with the following code:
GREEN and YELLOW - Earth BLUE - Neutral BROWN - Live
As colours of the cores in the mains lead of this appliance may not correspond with the
coloured markings identifying the terminals in your plug, proceed as follows:
• The core which is coloured green and yellow must be connected to the terminal
in the plug marked with the letter E, or with the earth symbol, or coloured green,
or green and yellow.
• The core which is coloured blue must be connected to the terminal marked N or
coloured black.
• The core which is coloured brown must be connected to the terminal marked L or
coloured red.
This equipment may require the use of a different line cord, attachment plug, or both,
depending on the available power source at installation. If the attachment plug needs to
be changed, refer servicing to qualified service personnel who should refer to the table
below. The green/yellow wire shall be connected directly to the units chassis.
CONDUCTOR
L
N
E
WARNING: If the ground is defeated, certain fault conditions in the unit or in
the system to which it is connected can result in full line voltage between
chassis and earth ground. Severe injury or death can then result if the chassis and earth ground are touched simultaneously.
RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR
TO REDUCE THE RISK OF FIRE OR ELECTRIC
WIRE COLOR
NormalAlt
LIVE
NEUTRAL
EARTH GND
BROWN
BLUE
GREEN/YEL
BLACK
WHITE
GREEN
KEEP THESE INSTRUCTIONS
HEED ALL WARNINGS
FOLLOW ALL INSTRUCTIONS
CLEAN ONLY WITH A DAMP CLOTH.
DO NOT BLOCK ANY OF THE VENTILATION OPENINGS. INSTALL IN ACCORDANCE WITH THE
MANUFACTURERS INSTRUCTIONS.
DO NOT INSTALL NEAR ANY HEAT SOURCES SUCH AS RADIATORS, HEAT REGISTERS, STOVES;
OR OTHER APPARATUS (INCLUDING AMPLIFIERS) THAT PRODUCE HEAT.
ONLY USE ATTACHMENTS/ACCESSORIES SPECIFIED BY THE MANUFACTURER.
UNPLUG THIS APPARATUS DURING LIGHTNING STORMS OR WHEN UNUSED FOR LONG PERI-
ODS OF TIME.
WATER AND MOISTURE: Appliance should not be used near water (e.g. near a bathtub,
washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool, etc).
Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings.
POWERSOURCES:The appliance should be connected to a power supply only of the type
described in the operating instructions or as marked on the appliance.
GROUNDINGORPOLARIZATION:Precautions should be taken so that the grounding or polarization means of an appliance is not defeated.
POWERCORDPROTECTION: Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular
attention to cords at plugs, convenience receptacles, and the point where they exit from
the appliance.
SERVICING:To reduce the risk of fire or electric shock, the user should not attempt to service the appliance beyond that described in the operating instructions. All other servicing should be referred to qualified service personnel.
FOR UNITS EQUIPPED WITH EXTERNALLY ACCESSIBLE FUSE RECEPTACLE: Replace fuse with
same type and rating only.
MULTIPLE-INPUT VOLTAGE: This equipment may require the use of a different line cord,
attachment plug, or both, depending on the available power source at installation. Connect
this equipment only to the power source indicated on the equipment rear panel. To reduce
the risk of fire or electric shock, refer servicing to qualified service personnel or equivalent.
POWER ON / OFF SWITCH: The Power Switch used in this piece of equipment DOES
NOTbreak the connection from the Mains.
PLEASE READ THE FOLLOWING:
IMPORTANT SAFETY INSTRUCTIONS
LITHIUM BATTERY
WARNING
CAUTION!
This product may contain a lithium battery.There is danger of
explosion if the battery is incorrectly replaced.Replace only
with an Eveready CR 2032 or equivalent.Make sure the battery is installed with the correct polarity. Discard used batteries according to manufacturer’s instructions.
ADVARSEL!
Lithiumbatteri - Eksplosjonsfare.Ved utskifting benyttes kun
batteri som anbefalt av apparatfabrikanten. Brukt batteri
returneres apparatleverandøren.
ADVARSEL!
Lithiumbatteri - Eksplosionsfare ved fejlagtig håndtering.
Udskiftning må kun ske med batteri av samme fabrikat og
type. Levér det brugte batteri tilbage til leverandøren.
VAROITUS!
Paristo voi räjähtää,jos se on virheellisesti asennettu. Vaihda
paristo ainoastaan laitevalmistajan suosittelemaan tyyppin.
Hävitä käytetty paristo valmistajan ohjeiden mukaisesti.
VARNING!
Explosionsfara vid felaktigt batteribyte.Använd samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren.Kassera använt batteri enligt fabrikantens instruktion.
U.K. MAINS PLUG WARNING
A molded mains plug that has been cut off from the cord is unsafe.
Discard the mains plug at a suitable disposal facility. NEVER UNDER ANY
CIRCUMSTANCES SHOULD YOU INSERT A DAMAGED OR CUT MAINS
PLUG INTO A 13 AMP POWER SOCKET. Do not use the mains plug with-
out the fuse cover in place. Replacement fuse covers can be obtained
from your local retailer. Replacement fuses are 13 amps and MUST be
ASTA approved to BS1362.
DECLARATION OF
CONFORMITY
Manufacturer’s Name:dbx Professional Products
Manufacturer’s Address: 8760 S. Sandy Parkway
Sandy, Utah 84070, USA
declares that the product:
Product name: dbx quantum II
Product option: N/A
conforms to the following Product Specifications:
Safety: EN 60065 (1993)
IEC65 (1985) with Amendments 1,2, 3
ELECTROMAGNETIC
COMPATIBILITY
This unit conforms to the Product
Specifications noted on the Declaration ofConformity. Operation is subject to the following two conditions:
• this device may not cause harmful interference, and
• this device must accept any interference
received, including interference that may
cause undesired operation.
Operation of this unit within significant electromagnetic fields should be avoided.
• use only shielded interconnecting cables.
EMC:EN 55013 (1990)
EN 55020 (1991)
Supplementary Information:
The product herewith complies with the requirements of the Low Voltage Directive 73/23/EEC
and the EMC Directive 89/336/EEC as amended
by Directive 93/68/EEC.
dbx Professional Products
Vice-President of Engineering
8760 S. Sandy Parkway
Sandy, Utah 84070, USA
May 15, 2001
European Contact: Your Local dbx Sales and Service
Office or
Harman Music Group
8760 South Sandy Parkway
Sandy, Utah
84070 USA
Phone:(801) 568-7660 fax:(801) 568-7662
QUANTUM II
Table of Contents
Introduction
1.1 What is QUANTUM II?.....................................ii
1.2 Service Contact Info ........................................iii
H.1 AP Plots..........................................................89
Table of Contents
®
QUANTUM II User Manual
Table of Contents
O
®
QUANTUM II
INTRODUCTION
INTR
CUSTOMER SERVICE INFO
What is QUANTUM II?
WARRANTY INFO
Introduction
QUANTUM II
INTRODUCTION
Congratulations on your purchase of the dbx QUANTUM II Digital Mastering Processor! For
over 25 years, dbx has been the industry leader in dynamics processing. With the introduction
of the QUANTUM II, we apply our superior dynamics processing technology to the digital mastering process.
This manual will be your guide to understanding the full functionality of the powerful QUANTUM II, read it carefully. After you have become familiar with the unit, we encourage you to
experiment and find creative ways that the QUANTUM II can help you make a better sounding mix.
1.1 What is QUANTUM II?
The dbx QUANTUM II is the first mastering processor that offers a sampling rate of up to
96kHz, a true 48-bit digital signal path with up to 24-bit digital output. Below are some of
QUANTUM II’s features:
4 Band Stereo Gating, Compression and Limiting
•
5 Band Parametric EQ with either an adaptive Q or a constant Q response
•
Hi and Low shelves w/switchable slopes 3, 4.5, 6, 9, and 12 dB/octave
•
EQ can be positioned pre dynamics, or post dynamics
•
5 Band Parametric Side Chain EQ with either an adaptive Q or a constant Q response
•
and MS (middle-side) EQ
Dual Mono or True Stereo Operation with True RMS Power Summing™
•
Patented TYPE IV™ Conversion System with TSE™ Tape Saturation Emulation
•
Normalizer – flexible gain optimization
•
Stereo adjust – increased control of stereo imaging
•
Dither outputs to 8,16, 20, or 24 bits, and noise shaping
•
Sample rate conversion (full up/down)
•
PC GUI control via the RS232 port
•
MS (Middle-Side) EQ (within all stereo linked setups)
•
Ambience Effect
•
Multi-Band chain with De-Esser
•
MS (Middle-Side) Compressor
•
Meter Ballistics
•
Sync input/output using dbx proprietary clock chips for extremely low jitter sync
•
With the patented dbx TYPE IV™ Conversion System, your signal retains its analog warmth and
character, with the clarity demanded by today’s digital standards. Our patented TSE™ Tape
Saturation Emulation processing makes it easy.
The discussion of the binary system, sample rate frequencies, and bit rates, would easily take
up an entire semester of college. For the sake of brevity, more is better. Theoretically 96kHz/48bit resolution is beyond the limits our ears can perceive. The QUANTUM II’s 96kHz A/D-D/A’s
result in improved frequency response. The QUANTUM II’s 48-bit path gives you the “hard”
and “fast” room required for a true 24-bit output. This allows the use of only 1 stage of dither
at the output, where it belongs.
ii
QUANTUM II User Manual
®
QUANTUM II
The engineers at dbx designed the QUANTUM II to be the Rosetta Stone of digital formats,
clocks, and bit rates. Whatever permutation of AES/EBU or S/PDIF is brought to you, the
QUANTUM II will be able to understand it and output whatever format you need.
Introduction
1.1 What is QUANTUM II? (cont.)
Imagine this scenario as an example. A client brings in a stereo mix on a sampling workstation.
The mix is recorded at 96kHz/24-bit. In order to create a CD compatible mix you need to convert to 44.1kHz/16-bit. With the QUANTUM II this is not a problem. Simply follow the instructions in the Application Guide in section 5. Whether you are going from the workstation to a
DAW , DAT , or a stand-alone CD-R, the QUANTUM II covers all the digital sample rates 96, 88.2,
48, or 44.1kHz. The QUANTUM II will dither down to 24, 20, 16, or 8 bits. See the Appendix
for all the possible conversions.
In addition to having all of the aforementioned features at your disposal, the Quantum II now
provides you with the convenience of optimizing all operational control through the use of the
included dbx proprietary GUI software.
1.2 Service Contact Info
If you require technical support, contact dbx Customer Service. Be prepared to accurately
describe the problem. Know the serial number of your unit - this is printed on a sticker attached
to the rear panel. If you have not already taken the time to fill out your warranty registration
card and send it in, please do so now.
Before you return a product to the factory for service, we recommend you refer to the manual. Make sure you have correctly followed installation steps and operation procedures. If you
are still unable to solve a problem, contact our Customer Service Department at (801) 568-7660
for consultation. If you need to return a product to the factory for service, you MUST contact
Customer Service to obtain a Return Authorization Number.
No returned products will be accepted at the factory without a Return Authorization Number.
Please refer to the Warranty below, which extends to the first end-user. After expiration of the
warranty, a reasonable charge will be made for parts, labor, and packing if you choose to use
the factory service facility. In all cases, you are responsible for transportation charges to the factory. dbx will pay return shipping if the unit is still under warranty.
Use the original packing material if it is available. Mark the package with the name of the shipper and with these words in red: DELICATE INSTRUMENT, FRAGILE! Insure the package properly. Ship prepaid, not collect. Do not ship parcel post.
1.3 W arranty
This warranty is valid only for the original purchaser and only in the United States.
1. The warranty registration card that accompanies this product must be mailed within 30 days
after purchase date to validate this warranty. Proof-of-purchase is considered to be the burden
of the consumer.
2. dbx warrants this product, when bought and used solely within the U.S., to be free from
defects in materials and workmanship under normal use and service.
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QUANTUM II User Manual
iii
Introduction
1.3 W arranty (cont.)
3. dbx liability under this warranty is limited to repairing or, at our discretion, replacing defective materials that show evidence of defect, provided the product is returned to dbx WITH
RETURN AUTHORIZATION from the factory, where all parts and labor will be covered up to a
period of two years. A Return Authorization number must be obtained from dbx by telephone.
The company shall not be liable for any consequential damage as a result of the product's use
in any circuit or assembly.
4. dbx reserves the right to make changes in design or make additions to or improvements upon
this product without incurring any obligation to install the same additions or improvements on
products previously manufactured.
5. The foregoing is in lieu of all other warranties, expressed or implied, and dbx neither
assumes nor authorizes any person to assume on its behalf any obligation or liability in connection with the sale of this product. In no event shall dbx or its dealers be liable for special
or consequential damages or from any delay in the performance of this warranty due to causes beyond their control.
QUANTUM II
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QUANTUM II User Manual
®
QUANTUM II
Section 1
Getting Started
®
Section 1
Digital Multiband
Processor
QUANTUM
PUSHPUSH
RS232
PUSH
OUT/THRUIN
Getting Started
1.1 Rear Panel Connections
Analog Input/Output Connectors
Each analog channel features both XLR and 1/4" TRS electronically balanced connections. They
may be used in a balanced or unbalanced configuration.
MIDI In and Out/Thru Connectors
These connectors provide full MIDI functionality to the QUANTUM II. The Out/Thru jack
allows you to use the QUANTUM II at any point in the MIDI chain. For a complete guide to all
the MIDI and SYSEX functionality of the QUANTUM II, see Section 3: Software Operations.
RS 232 Port
This port is used to make connections between the Quantum II and a PC for utilization of the
included GUI software.
Sync In and Out Connectors
BNC connectors are provided for both clock in and out functions. The QUANTUM II’s clock
chips are dbx custom VCXO chips, designed for low-jitter performance. You may use the
QUANTUM II as a master clock source, having other equipment slave to the QUANTUM II, or
you may slave the QUANTUM II’s clock to any other source device. For more information on
the QUANTUM II’s sync functions see Sync in the Utilities section.
QUANTUM II
1.2 Front Panel
2
QUANTUM II User Manual
S/PDIF Digital Connectors (see Utility Section)
The QUANTUM II provides S/PDIF digital input and output through the RCA connectors on
the rear panel. The analog outputs still operate regardless of the selection of the digital output
format.
AES/EBU Digital Connectors
XLR connectors provide AES/EBU input and output.
IEC Power Cord Receptacle
The QUANTUM II comes with an International power supply that will accept voltages ranging
from 100V-240V at frequencies from 50Hz-60Hz. An IEC cord is included.
Analog Input and Output Level Controls
These controls adjust the analog audio levels of the QUANTUM II at the input and output
stages. Note that the analog output level controls do not affect any digital processing or digital
output levels.
®
QUANTUM II
The QUANTUM II is designed to interface as easily as possible to your system. The QUANTUM II uses wide ranging analog input and output gain controls. These controls allow the connection of nominal levels of either -10dBV or +4dBu.
Getting Started
1.2 Front Panel (cont.)
Analog Level Meters
These meters monitor analog input and output. For more on meters refer to Section 3.
TSE™ Audio Level Meters
These meters monitor the level of Tape Saturation Emulation. Refer to Type IV™ in Section 3.
LCD Display
The large LCD display shows the program, curve, digital meters, parameters, and modules
selected by the function buttons and the DATA WHEEL.
Section 1
Digital input /
output meters
(peak and average)
Fig. 1.1
Program
number
3 parameters
per "page"
Channel numbers
within program
stereo link indicator
Parameter
Parameter
page number
measurement
units
Chain element
identifier
Gain Reduction meter
Type IV™
conversion
indicator
Threshold
Meters
Dynamics
curve graph
Data Wheel / Selector
The DATA WHEEL changes selected parameters, programs, etc. Pushing the DATA WHEEL
moves the cursor from parameter to parameter.
Function Buttons
The function buttons allow access to the programs, modules, utilities, and parameters of the
QUANTUM II.
Power Switch
Turns the QUANTUM II on and off.
The Curve Window
After you have chosen a program, you may want to change some of the parameters to meet
your specific needs. One of the most useful tools available on the QUANTUM II for setting up
a proper compression curve is the curve window. In the curve window you can see the combined effects of dynamics-related parameters expressed in a graphical format. The figure below
shows the different parts of the curve window you will see as you edit the gate, compressor,
and limiter functions of the QUANTUM II.
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QUANTUM II User Manual
3
Section 1
Getting Started
1.2 Front Panel (cont.)
When working with the sidechain EQ, or the in-line EQ, the curve window changes to show a
graphical representation of the 5 parametric bands in a frequency grid. Your adjustments to the
5 bands are shown in real time.
Additionally, the De-Esser has its own graphical way of displaying its parameters. The frequency
is shown on the bottom, or X axis, and the low frequency rolloff is shown on the side, or Y
axis.
1.3 QUANTUM II Wizard
The easiest way to program the QUANTUM II is using the Wizard. To access the Wizard, press
and hold the PROGRAM button.
Once in the Wizard mode, you will select the task that you are performing. The QUANTUM
II will automatically choose the correct chain type for your task. If you select Mastering or
Mixing, the Wizard will then have you choose your music type. After you have selected the
music type, you will then select the type of EQ, gating, compression, and limiting. These are
all influenced by the music type. For example, a "Light" compression setting with the music
type set to "Hard Rock" will be heavier than "Heavy" compression with the music type set to
"Classical".
If you select "Tracking", then you will be asked to set up either channel one, channel two, or
stereo. If you are tracking two separate instruments in dual mono, then you can go through
the Wizard twice, the first time setting up channel one and the second time setting up channel
two. If at any time you decide you want to quit without the Wizard setting up a program for
you, you may press the PROGRAM button to exit the Wizard.
Once all of the questions have been answered, the QUANTUM II will display "WORKING..."
and then a custom setup will appear tailored to your application. If you are working in a stereo
setup, the QUANTUM II will allow you to optimize your output gain. To optimize the output
gain, push the EDIT ALL/BAND button while the loudest part of the program material is passing through the quantum ii. Press the button again when the peak has passed. The Wizard
will optimize the output level so that the highest peak is set to 0 dBFS. The Wizard will then
return you to the Program mode. If the PROGRAM button is pressed while gain optimizing, the
Wizard will exit without changing the output level. This setup can be further adapted to your
taste and saved for later use.
QUANTUM II
1.4 Signal Path
4
QUANTUM II User Manual
The following illustration shows how audio signals flow through the QUANTUM II.
®
QUANTUM II
digital
input
digital
input
analog
input
analog
input
meter
TSE
meter
TYPE IV™
Conversion
control
digital
input
meter
gain
reduction
meter
Dynamics
Processor
Getting Started
DSP (Software - Based)
Operations
Dither
Sample Rate
Converter
digital
output
meter
D / A
Convertor
Section 1
digital
output
analog
output
meter
analog
output
Bypass
Clone Bypass
(push and hold Bypass for 2 seconds)
Fig 1.2
analog
input
control
A /D
Convertor
1.5 Mastering and the Quantum II
The Quantum II is a Mastering Processor that has many features:
• Multiband compression
• Multiband gating
• Multiband limiting
• Parametric equalizer
• Normalize function with gain optimization
• 8-24-bit dither with noise shaping
These tools used together can give your recording studio the power to create the big sound
associated with a mastered recording.
Traditionally, mastering was accomplished by a combination of compression and equalization.
Specifically, multiband compression was used to allow the mastering engineer to control the
dynamics of the mix without making the recording seem lifeless. The QUANTUM II has four
bands of multiband compression.
Multiband compression is a three-step process. First, a crossover is used to separate the audio
into different frequency bands. Next, separate compressors process the individual bands.
Finally, the bands are summed back together. Because these bands contain different amounts
of energy, they can be compressed using widely varying settings. The end result is that parts
of the mix, the low frequency bands for example, can be compressed more heavily than if a
single compressor was used on the entire mix; thereby, allowing a greater overall level and a
"hotter" mix.
The easiest way of setting up the multiband compressor in QUANTUM II, is to use the monitor in conjunction with the crossover and the compressor.
For example, assume that you had a rock mix that you wanted to master. Specifically, you want
to compress the kick and bass parts to create a more “punchy” mix. You also want to control
the vocals to keep them from being too prominent in the mix. The first thing you would do is
to set up the crossover so that most of the low frequency energy of the kick and bass is in the
sub and low bands. The vocal band should also be separated from the other bands.
analog
output
control
The Monitor page allows the engineer to toggle the monitor position between the main L/R
and individual bands both pre and post processing. By r otating the DATA WHEEL, the
monitor position is changed. As you listen to the bands you realize that Band two has too
much of the vocal in it, so crossover band two should be adjusted to a lower frequency.
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QUANTUM II User Manual
5
Section 1
Getting Started
The crossover page shows the crossover points as well as their slopes. The crossover points can
be adjusted by rotating the DATA WHEEL and using the NEXT PAGE and PREV PAGE buttons to move between different crossover points. The slope can be changed by, pushing the
DATA WHEEL to move to the slope parameter line. Turning the DATA WHEEL changes the
slope of the crossover. Changing the crossover slope changes the way the frequency bands
interact. For example, a broader slope, e.g. 6 dB/Octave, allows the adjacent bands to have
much more interaction than a slope of 18 dB/Octave. Broader slopes pr ovide a mor e seamless transition between bands, while steeper slopes allow tighter control over a particular
band.
1.5 Mastering and the Quantum II (cont.)
Now that your bands are set up for your application, you monitor them and you hear how the
sub-band (band one), is the ultra-low frequencies of the kick and bass as well as some of the
guitar. The low band (band two), includes the electric and acoustic guitars, the bass, and some
of the low vocal frequencies. The Mid band, (band three), contains the majority of the vocals
as well as the mid range frequencies of the Mid band guitar. The high band (band four), contains the cymbals, the click of the guitar pick on the acoustic guitar, and the higher vocal frequencies. You are now ready to go to the compressor and start compressing your mix.
Setting up your compressor is similar to setting up your crossover, in that you can go and listen to how the compression is affecting the individual bands by monitoring them both pre and
post processing.
The Compressor page gives the engineer control over all the parameters that ar e needed to
adjust the multiband compressor. The Multiband compressor can be adjusted either as a
unit or the individual bands can be adjusted separately. By pushing the DAT A WHEEL, the
different parameters on a page can be adjusted, and by pushing the NEXT PAGE and PREV
PAGE buttons all the compressor parameters can be accessed. (for a complete list of compressor parameters see Section 3, Software Operations). The dif ferent bands of the multiband compressor can be accessed by either using the EDIT ALL/BAND button or by pushing
the compressor button. Each additional push of the compressor button allows access to the
next band.
QUANTUM II
Setting up your compressor you decide to compress bands one and two with a ratio of 3:1. Y ou
set the threshold for band one at –22 dBFS and the threshold for band two you set to –20 dBFS.
(Remember that in multiband compression, the individual bands have less energy than the overall mix, so the compression threshold must be lower.) These settings seems to work well for
bands one and two if the gain is set to 4.5 dB for band one and 3.5 dB for band two. Band
three requires less compression to control it so you set the ratio to 1.5:1 with the threshold set
to –26 dBFS and the gain to 2.0 dB. The high frequencies require a little compression to keep
them in line with the rest of the mix so you set band four’s ratio to 2:1 with the threshold set
to –30 dBFS and the gain set to 1.0 dB. As you listen to your mix, you realize that the vocals
could use a little more compression so you change the ratio of band three to 1.8:1. It is important to listen to both the individual bands and the mix as a whole to hear how the compression is affecting the entire mix. This type of procedure should be duplicated on the multiband
gate and the multiband limiter to achieve the best results.As you have seen, setting up the multiband compressor is an iterative process that takes time to perfect. By using the multiband compressor along with the other tools available in QUANTUM II you will be able to create much
larger sounding mixes and masters.
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QUANTUM II User Manual
®
QUANTUM II
Section 2
NAVIGATION
®
Section 2
Navigate through
the bands by
depressing the
"Compressor"
button
successively until
arriving at the
desired band
All
Bands
Band
1
Band
2
Band
3
Band
4
Navigating the"Multiband Compressor"
Navigate through the Pages by depressing "Next Page" or "Prev Page"
successively until arriving at the desired Page
Compr On/Loc/Off
OverEasy®
Auto
Loc/On/Off
Threshold
Ratio
Gain
Attack
Hold
Release
Band 1 On/Off
OverEasy®
Auto
Threshold
Ratio
Gain
Attack
Hold
Release
Band 2 On/Off
OverEasy®
Auto
Threshold
Ratio
Gain
Attack
Hold
Release
Band 3 On/Off
OverEasy®
Auto
Threshold
Ratio
Gain
Attack
Hold
Release
Band 4 On/Off
OverEasy®
Auto
Threshold
Ratio
Gain
Attack
Hold
Release
Page 1Page 2Page 3
Navigation
QUANTUM II
NAVIGATION
Control of each of the bands within the QUANTUM II’s multiband dynamic modules is made
possible in two different ways. You may either use the “All page” or individual band adjustments. The “All page” is signified by a large “All” seen where the program number would normally be. Adjusting settings in this page will adjust the settings in all four bands as a group.
To control individual bands within the “All page” press the EDIT ALL/BAND button to cycle
through each band. Pressing the dynamic module’s button again will cycle you through the
separate bands and the dynamic controls of those bands e.g., compressor or limiter.
Refer to the Navigation illustrations for a complete view of the parameters available in each
Multiband Dynamic Module.
2.1 Multiband Compressor
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QUANTUM II User Manual
®
QUANTUM II
Navigation
2.2 Broadband Compressor
Navigating the "Broadband Compressor"
Section 2
Navigate through the Pages by depressing "Next Page" or "Prev Page"
successively until arriving at the desired Page
Page 1Page 2Page 3
Compr On/Loc/Off
OverEasy¤
Loc/On/Off
Auto
Threshold
Ratio
Gain
Attack
Hold
Release
Page 4
MS On/Off
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QUANTUM II User Manual
9
Section 2
2.3 Multiband Gate
Navigating the "Multiband Gate"
Navigation
QUANTUM II
Navigate through
the bands by
depressing the
"Gate" button
successively until
arriving at the
desired band
Navigate through the Pages by depressing "Next Page" or "Prev Page"
successively until arriving at the desired Page
Page 1Page 2Page 3
All
Bands
Band
1
Band
2
Band
3
Band
4
Gate On/Loc/Off
Threshold
Ratio
Band 1 On/Off
Threshold
Ratio
Band 2 On/Off
Threshold
Ratio
Band 3 On/Off
Threshold
Ratio
Band 4 On/Off
Threshold
Ratio
Attack
Hold
Release
Attack
Hold
Release
Attack
Hold
Release
Attack
Hold
Release
Attack
Hold
Release
Max Att
Max Att
Max Att
Max Att
Max Att
10
QUANTUM II User Manual
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QUANTUM II
Navigating the "Broadband Gate"
Navigation
2.4 Broadband Gate
Section 2
Navigate through the Pages by depressing "Next Page" or "Prev Page"
successively until arriving at the desired Page
Page 1Page 2Page 3
All
Bands
Gate On/Loc/Off
Threshold
Ratio
Attack
Hold
Release
Max Att
®
QUANTUM II User Manual
11
Section 2
2.5 Multiband Limiter
Navigating the "Multiband Limiter"
Navigation
QUANTUM II
Navigate through
the bands by
depressing the
"Limiter" button
successively until
arriving at the
desired band
Navigate through the Pages by depressing "Next Page" or "Prev Page"
successively until arriving at the desired Page
All
Bands
Band
1
Band
2
Band
3
Band
4
Limiter On/Loc/Off
Threshold
Band 1 On/Off
Threshold
Band 2 On/Off
Threshold
Band 3 On/Off
Threshold
Band 4 On/Off
Threshold
Attack
Hold
Release
Attack
Hold
Release
Attack
Hold
Release
Attack
Hold
Release
Attack
Hold
Release
OverEasy®
Auto On/Off
OverEasy®
Auto On/Off
OverEasy®
Auto On/Off
OverEasy®
Auto On/Off
OverEasy®
Auto On/Off
12
QUANTUM II User Manual
®
QUANTUM II
Navigation
2.6 Broadband Limiter
Navigating the"Broadband Limiter"
Section 2
Navigate through the Pages by depressing "Next Page" or "Prev Page"
successively until arriving at the desired Page
Limiter On/Loc/Off
Threshold
Typ e
Attack
Hold
Release
OverEasy®
Auto On/Off
®
QUANTUM II User Manual
13
Section 2
Navigation
QUANTUM II
2.7 EQ/XOver
Navigating the "Multiband EQ/XOver"
Navigate through the Pages by depressing "Next Page" or "Prev Page"
successively until arriving at the desired Page
The "EQ/XOver"
button toggles
between
EQ and XOver.
Depress once to
access EQ and a
second
time for XOver
EQ
XOver
Page 1Page 2Page 3Page 4Page 5Page 6
EQ On/Off
Pos Pre/Post
Type
Edge 1 FC
Slope
Band 1 FC
Slope
Level
Edge 2 FC
Slope
Band 2 FC
Q
Level
Edge 3 FC
Slope
Band 3 FC
Q
Level
Band 4 FC
Q
Level
Band 5 FC
Slope
Level
14
QUANTUM II User Manual
®
QUANTUM II
Navigation
Section 2
2.8 EQ/SEQ
Navigating the "Broadband EQ/SEQ"
Navigate through the Pages by depressing "Next Page" or "Prev Page"
successively until arriving at the desired Page
The "EQ/SEQ"
button toggles
between
EQ and SEQ.
Depress once to
access EQ and a
second
time for SEQ
EQ
SEQ
Page 1Page 2Page 3Page 4Page 5Page 6
EQ On/Off
Pos Pre/Post
Type
SChain On/Off
Type
Band 1 FC
Slope
Level
Band 1 FC
Slope
Level
Band 2 FC
Q
Level
Band 2 FC
Q
Level
Band 3 FC
Q
Level
Band 3 FC
Q
Level
Band 4 FC
Q
Level
Band 4 FC
Q
Level
Band 5 FC
Slope
Level
Band 5 FC
Slope
Level
®
QUANTUM II User Manual
15
Section 2
2.9 Norm/Output
Navigating "Norm/Output"
Navigation
QUANTUM II
Navigate through
the bands by
depressing the
"Norm/Output"
button
successively until
arriving at the
desired band
Navigate through the Pages by depressing "Next Page" or "Prev Page"
successively until arriving at the desired Page
Page 1Page 2
Normalize
Output
Normalize On/Off
Level
Typ e
Bits
Dither
Shaping
Dither Out
16
QUANTUM II User Manual
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QUANTUM II
Navigating "Other"
Navigate through
the bands by
depressing the
"Other" button
successively until
arriving at the
desired band
2.10 Other
Type IV On/Off
Color
Level
Stereo Adj On/Off
Balance
M-S
De-Esser On/Off
Freq
Amount
Navigation
Typ e
Width
Section 2
TCM On/Off
TCM Time
Ambience On/Off
Amount
Width
Thresh1
®
QUANTUM II User Manual
17
Section 2
Navigation
2.11 Utility
Navigating "Utility"
QUANTUM II
Navigate through the Pages by depressing "Next Page" or "Prev Page"
Page 1
Limiter
Input
Clock
SRC
successively until arriving at the desired Page
Page 2
Limiter
Output
BNC Freq
Page 3Page 5
Limiter
DigIn Ch 1
DigIn Ch 2
HighPass on/off
Page 4Page 6Page 7Page 8Page 9
Limiter
Chain Type
MIDI CC #
MIDI CC Effect
LimiterLimiterLimiterLimiterLimiter
MIDI CH
Sysex Ch
Merge On/Off
Receive
MIDI Prg
as Prg
Type
Page 10
Limiter
Bulk DumpDump Setup
A/D Cal
Contrast
AutoLoad
MtrSpeed
18
QUANTUM II User Manual
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®
QUANTUM II
Section 3
SOFTWARE
SOFTWARE
OPERATIONS
Section 3
SOFTWARE
OPERATIONS
3.1 FX Chains
Software Operations
QUANTUM II
This section explains how signals are routed, monitored, and controlled in the QUANTUM II.
Changes that are made to the QUANTUM II’s dynamic processing can be monitored visually
and aurally at several different points in the chain. Storing, and organizing user and factory
setups in task specific libraries is also covered in this section. The Quantum II now offers MS
or middle-side encoding, which comes from a mic’ing technique. The encoding process takes
left and right signals and uses their signal content to produce "Middle" and "Side" signals.
Additional processing can then be applied to these signals. The middle signal is created by simply adding Left and Right signals together (M=L+R). This accentuates the common elements in
the left and right channels, or the "mono" part of the signal. The Side signal is created by subtracting the Right signal from the Left (S=L-R). Any common elements will cancel, leaving a
"stereo" signal. The Middle and Side signal can then be re-combined to reproduce Left and
Right signals. By following the outlined steps you will quickly understand the usage and benefits of the QUANTUM II’s storage system.
The following charts show the signal flow through the QUANTUM II’s FX chains. Note that
the location of the parametric EQ (PEQ) changes according to Pre/Post settings.
Chain Type: Stereo Multi Band with De-Esser and Pre-EQ
PEQ may be Pre or Post Dynamics
What the QUANTUM II screen shows for Pre:
Gate
Comp
Gate
Comp
Limiter
Gate
Comp
Limiter
Gate
Comp
Limiter
Gate
Comp
Limiter
Limiter
Gate
Comp
Limiter
Gate
Comp
Crossover
Limiter
Gate
Comp
Limiter
Dynamics
Post
PEQ
Norm
Norm
Dither
Noise
Shape
Dither
Noise
Shape
Stereo Input
Stereo
CH1
Adjust
CH2
Chain Type: Stereo Multi Band with De-Esser and Post-EQ
What the QUANTUM II
screen shows for Post:
Stereo Input
Stereo
CH1
Adjust
CH2
Pre
PEQ
De-Esser
De-Esser
Crossover
Dynamics
20
Chain Type: Stereo Multi Band with De-Esser and MS-EQ
What the QUANTUM II screen shows for Pre:
EQ
MS
Stereo Input
CH1
CH2
Stereo
Adjust
EQ
MS
EQ
QUANTUM II User Manual
G
C
L
G
C
L
X
N OD
G
C
L
G
C
L
De-Esser
Gate
Comp
Limiter
Gate
Comp
Limiter
Gate
Comp
Crossover
Limiter
Gate
Comp
Limiter
Norm
Dither
Noise
Shape
Dynamics
®
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