Behringer 1002B User Manual [ru]

User Manual

1002

Premium 10-Input 2-Bus Mixer with XENYX Preamps, British EQs
and Optional Battery Operation

2 XENYX 1002B User Manual

Table of Contents

Thank you .......................................................................2

Important Safety Instructions ...................................... 3

Legal Disclaimer ............................................................. 3

Limited warranty ............................................................ 3

1. Before you get started .............................................. 4

1.1 Shipment ................................................................................ 4

1.2 Online registration ............................................................. 4

1.3 Basic operation ................................................................... 4

2. Audio Connections .................................................... 5

3. Controls and Connectors .........................................6

3.1 Front panel ............................................................................ 6

3.2 Rear panel ............................................................................. 7

4. Gain Setting ............................................................... 7

4.1 Using external eects ....................................................... 7

4.2 Creating a monitor mix ................................................... 8

4.3 Battery installation ............................................................. 8

5. Applications ............................................................... 8

6. Specications ...........................................................10

Thank you

Congratulations! With the PMP2000 you have acquired a state-of-the-art
14-channel power mixer that sets new standards. Right from the star t, our goal
has been to design a revolutionary device that can be used for a great variety of
applications. And indeed, this overwhelming power mixer gives you plenty of
functionality and a broad range of connection and expansion options.

3 XENYX 1002B User Manual

9. Do not defeat the safety purpose of the polarized

TO BIND MUSICGROUP BY ANY EXPRESS OR IMPLIED

Important Safety Instructions

Terminals marked with this symbol carry
electrical current of su cient magnitude

to constitute risk of electric shock.
Use only high-quality professional speaker cables with
¼" TS or twist-locking plugs pre-installed. Allother
installation or modi cation should be performed only
by quali edpersonnel.

This symbol, wherever it appears,

alertsyou to the presence of uninsulated

dangerous voltage inside the
enclosure-voltage that may be su cient to constitute a
risk ofshock.

This symbol, wherever it appears,

alertsyou to important operating and

maintenance instructions in the
accompanying literature. Please read the manual.

Caution

To reduce the risk of electric shock, donot

remove the top cover (or the rear section).
No user serviceable parts inside. Refer servicing to
quali ed personnel.

Caution

To reduce the risk of  re or electric shock,

do not expose this appliance to rain and
moisture. The apparatus shall not be exposed to dripping
or splashing liquids and no objects  lled with liquids,
suchas vases, shall be placed on the apparatus.

Caution

These service instructions are for use

by quali ed ser vice personnel only.
Toreduce the risk of electric shock do not perform any
servicing other than that contained in the operation
instructions. Repairs have to be performed by quali ed
servicepersonnel.

or grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding-type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. Ifthe
provided plug does not  t into your outlet, consult an
electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles,
and the point where they exit from the apparatus.

11. Use only attachments/accessories speci ed by
themanufacturer.

12. Use only with the
cart, stand, tripod, bracket,
or table speci ed by the
manufacturer, orsold with
the apparatus. When a cart
is used, use caution when
moving the cart/apparatus
combination to avoid

injury from tip-over.

13. Unplug this apparatus during lightning storms or
when unused for long periods of time.

14. Refer all servicing to quali ed service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power supply cord or plug
is damaged, liquid has been spilled or objects have fallen
into the apparatus, the apparatus has been exposed
to rain or moisture, does not operate normally, or has
beendropped.

15. The apparatus shall be connected to a MAINS socket
outlet with a protective earthing connection.

16. Where the MAINS plug or an appliance coupler is
used as the disconnect device, the disconnect device shall
remain readily operable.

UNDERTAKING OR REPRESENTATION. THIS MANUAL
IS COPYRIGHTED. NO PART OF THIS MANUAL MAY
BE REPRODUCED OR TRANSMITTED IN ANY FORM
OR BY ANY MEANS, ELECTRONIC OR MECHANICAL,
INCLUDING PHOTOCOPYING AND RECORDING OF ANY
KIND, FOR ANY PURPOSE, WITHOUT THE EXPRESS
WRITTEN PERMISSION OF MUSICGROUPIPLTD.

ALL RIGHTS RESERVED.
© 2013 MUSICGroupIPLtd.
Trident Chambers, Wickhams Cay, P.O. Box 146,
Road Town, Tortola, British Virgin Islands

LIMITED WARRANTY

For the applicable warranty terms and conditions
and additional information regarding MUSIC Group’s
Limited Warranty, please see complete details online at
www.music-group.com/warranty.

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with dry cloth.

7. Do not block any ventilation openings. Install in

accordance with the manufacturer’s instructions.

8. Do not install near any heat sources such as
radiators, heat registers, stoves, or other apparatus
(including ampli ers) that produce heat.

LEGAL DISCLAIMER

TECHNICAL SPECIFICATIONS AND APPEARANCES
ARE SUBJECT TO CHANGE WITHOUT NOTICE AND
ACCURACY IS NOT GUARANTEED. BEHRINGER,
KLARKTEKNIK, MIDAS, BUGERA, AND TURBOSOUND
ARE PART OF THE MUSIC GROUP MUSICGROUP.COM.
ALL TRADEMARKS ARE THE PROPERTY OF THEIR
RESPECTIVE OWNERS. MUSICGROUP ACCEPTS NO
LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED
BY ANY PERSON WHO RELIES EITHER WHOLLY OR
IN PART UPON ANY DESCRIPTION, PHOTOGRAPH
OR STATEMENT CONTAINED HEREIN. COLORS AND
SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT.
MUSIC GROUP PRODUCTS ARE SOLD THROUGH
AUTHORIZED FULLFILLERS AND RESELLERS ONLY.
FULLFILLERSAND RESELLERS ARE NOT AGENTS OF
MUSICGROUP AND HAVE ABSOLUTELY NO AUTHORITY

4 XENYX 1002B User Manual

1. Before you get started

1.1 Shipment

Your XENYX 1002B was carefully packed at the factory and the packaging is
designed to protect the unit from rough handling. Nevertheless, we recommend
that you carefully examine the packaging and its contents for any signs of
physical damage which may have occurred during transit.

◊ If the unit is damaged, please do NOT return it to BEHRINGER,

but notify your dealer and the shipping company immediately.
Otherwise, claims for damage or replacement may not be granted.

◊ We recommend that you use a flight case, so as to give your power

mixer optimum protection during use or transport.

◊ Always use the original packing carton to prevent damage during

storage or transport.

◊ Make sure that children cannot play unsupervised with the device

or its packaging.

◊ Please ensure proper disposal of all packing materials.

1.2 Online registration

Please register your new BEHRINGER equipment right after your purchase
by visiting http://behringer.com and read the terms and conditions of our
warranty carefully.

1.3 Basic operation

The XENYX 1002B is easy to use. Simply follow these steps to achieve the best
possible sound:

1. Plug the included power cable into the back of the mixer. Plug the other end
of the cable into a mains outlet. DO NOT turn the mixer on yet.

2. Make all appropriate audio connections:

• Connect microphones to the MIC jacks using XLR cables

• Connect line-level sources to the LINE IN jacks using ¼" TS cables

• Connect stereo sources (keyboard, drum machine) to one of the

stereo LINE IN jacks using a pair of ¼" TS cables

• Connect a CD player to the 2 TRACK INPUT using ¼" or RCA cables

• See Applications chapter for more details and options

3. Connect a monitoring source or speaker system. You may connect
powered studio monitors, powered loudspeakers or a power amp to the
MAIN OUTPUT jacks. You may also connect a pair of headphones to the
PHONES jack. Leave powered speakers and/or power amps turned o until
the mixer has been powered on.

4. Turn all PAN/BAL and EQ knobs to their center (12 o’clock) position.
Set all other knobs and faders all the way down/o.

5. Once all connections have been made, you may turn the mixer on.

Should your BEHRINGER product malfunction, it is our intention to have it
repaired as quickly as possible. To arrange for warranty service, please contact
the BEHRINGER retailer from whom the equipment was purchased. Should your
BEHRINGER dealer not be located in your vicinity, you may directly contact
one of our subsidiaries. Corresponding contact information is included in
the original equipment packaging (Global Contact Information/European
Contact Information). Should your country not be listed, please contact the
distributor nearest you. A list of distributors can be found in the support area
of our website (http://behringer.com).

Registering your purchase and equipment with us helps us process your repair
claims more quickly and eciently.

Thank you for your cooperation!

6. After the mixer is turned on, you may also turn the speakers or
power amp on.

7. Set the input gain level for each channel using the GAIN knob. While testing
the audio source, turn the GAIN knob as high as possible without allowing
the CLIP LED to light. See the Gain Set ting section for details.

8. Raise the MAIN fader to 0. You may adjust it further as you begin
to set levels.

9. Adjust all channel volume faders until you achieve a balanced mix.

10. Make sure that the channel CLIP LEDs and MAIN CLIP LEDs do not
light frequently. If this happens, adjust the respective GAIN or MAIN
fader accordingly.

11. Congratulations! You have now set up a basic mix! The 1002B oers many
other cool features as well, so continue through the manual to make the
most out of this powerful little mixer.

5 XENYX 1002B User Manual

2. Audio Connections

Balanced use with XLR connectors

12

3

input

1 = ground/shield
2 = hot (+ve)
3 = cold (-ve)

1

2

3

output

For unbalanced use, pin 1 and pin 3
have to be bridged

Fig. 2.1: XLR Balanced

Balanced ¼" TRS connector

strain relief clamp

sleeve
ring
tip

sleeve

ground/shield

ring

cold (-ve)

tip

hot (+ve)

For connection of balanced and unbalanced plugs,
ring and sleeve have to be bridged at the stereo plug.

Unbalanced ¼" TS connector

strain relief clamp

sleeve

tip

sleeve

(ground/shield)

tip

(signal)

Fig. 2.3: ¼" Unbalance d

tip tip

shield

sleevesleeve

Fig. 2.4: RCA

Balanced ¼" TRS connector

strain relief clamp

sleeve
ring
tip

sleeve

ground/shield

Fig. 2.2: ¼" Balance d

ring

cold (-ve)

tip

hot (+ve)

For connection of balanced and unbalanced plugs,
ring and sleeve have to be bridged at the stereo plug.

Fig. 2.5: Inser t cable

6 XENYX 1002B User Manual

3. Controls and Connectors

3.1 Front panel

(1)

(2)

(6)

(8)
(9)

(10)

(11)

(12)

(13)
(14)

(16) (21)(15)(5)(4)(7)(3)

(17) (18)

(19)

(20)

(22)
(23)

(24)

(25)

(26)

(27)

(1) MIC – Plug a microphone into this input using an XLR cable.

(2) LINE IN – Plug a line-level source into this jack using a ¼" TS or TRS cable.

(3) INS(ERT) – Plug an external dynamic processor into this jack using a TRS to

dual TS cable. You may also use the INSERT jack as a pre-EQ/pre-fader send
by plugging in a ¼" TS cable part way to the rst click.

(4) STEREO LINE IN – Plug in a stereo source using two ¼" TS cables,

or a single line-level source using the left input jack only.

(5) GAIN LINE – Adjusts STEREO LINE IN sensitivity, also known as

“gain setting.”

(6) GAIN MIC – Adjusts MIC input sensitivity, also known as “gain setting.”

(7) CLIP – Lights when preamp begins to overload.

(8) PAN/BAL – Adjusts the left-to-right positioning of the channel in

the stereo eld.

(9) HIGH – Adjusts frequencies above 10 kHz by ± 15 dB.

(10) MID – Adjusts frequencies peaking at 700 Hz by ± 15 dB.

(11) LOW – Adjusts frequencies below 50 Hz by ± 15 dB.

(12) MON – Adjusts the amount of signal sent to the MON SEND jack.

This signal is sent pre-fader.

(13) FX – Adjusts the amount of signal sent to the FX SEND jack.

This signal is sent post-fader.

(14) CHANNEL FADER – Adjusts the channel volume in the main mix.

(15) 2-TRACK OUTPUT – Connect to the inputs of recording device

using RCA cables.

(16) 2-TRACK INPUT – Connect to outputs of CD, tape or MP3 player using

RCA or ¼" cables.

(17) PHONES – Connect a pair of headphones with a ¼" TRS plug.

(18) MAIN OUTPUT – Connect to the inputs of a power amp or powered speakers

using ¼" TS cables.

(19) FX SEND – Connect to the input of an external eects device using a

¼" TS cable.

(20) MON SEND – Connect to the input of a powered monitor or monitor power

amp using a ¼" TS cable.

(21) VU CLIP – Lights when the MAIN OUTPUT signal begins to overload.

(22) PHANTOM – Sends 23V of power to the XLR MIC inputs for use with

condenser microphones. When used with batteries, 18 V of power
is supplied.

(23) VU METER – Displays the MAIN OUTPUT signal level.

(24) MON SEND – Adjusts the output at the MON SEND jack.

(25) FX SEND – Adjusts the output at the FX SEND jack.

(26) PHONES – Adjusts the output at the PHONES jack.

(27) MAIN FADER – Adjusts the overall output of the mixer through the MAIN

OUTPUTS. It also aects the signal at the PHONES out and 2-TRACK OUTPUT.

7 XENYX 1002B User Manual

3.2 Rear panel

(28) (29)

(28) AC POWER IN – Connect the mains power cable

into this input.

(29) POWER ON – Turns the mixer’s power on and o.

4. Gain Setting

It is very important to set each channel’s GAIN knob correctly in order to get
the maximum amount of signal headroom and least amount of noise possible.
Setting the GAIN too low could make that channel too quiet to mix properly,
while setting it too high will cause clipping and distortion. Stereo channels 3/4,
5/6 and 7/8 allow the MIC and LINE inputs to be used in parallel thanks to the
dedicated GAIN knobs for each input. Follow these instructions to set the gain for
each channel and situation:

• Plug the audio source into the channel input (XLR or ¼")

• Sing into the microphone or play the line-level source at the volume you

will ultimately use during recording or performance. If you set the gain
for a vocal mic by saying “check” into it, this gain setting will probably not
be as loud as the actual vocal performance. Setting the gain this way will
lead you to set the gain too high, which may cause the extra loud vocal
performance to overload and distort. Likewise, if checking a mic that will
record a saxophone, make sure the performer plays close to the mic while
setting the gain. For keyboards, do not change the output volume of the
keyboard after the mixer’s gain has been set

• Turn the GAIN knob clockwise until the red CLIP LED lights up. This means the

channel has begun to overload (too much signal is allowed in)

• Turn the GAIN knob counterclockwise a small amount, then sing or play

again. Ideally, the GAIN knob should be set as high as possible while allowing
the CLIP LED to only light occasionally, if at all

If you must use both the MIC and LINE inputs on channels 3/4, 5/6, or 7/8, you
can adjust the gain setting for each source individually thanks to the dedicated
GAIN knobs. The channel fader aects the level of both sources, so achieving a
good balance between the 2 inputs can be tricky.

• Set the gain for the MIC input using the GAIN MIC as described above

• Set the gain for the LINE input(s) using the GAIN LINE as described above

• Both GAIN knobs share the same CLIP LED, so when both sources are in use at

the same time, neither input should cause the LED to light. If this happens,
turn each GAIN knob down one at a time to determine which is overloading

• Raise the channel fader so that both sources are audible in the overall mix.

Ideally, they will already be balanced and not require further adjustment

4.1 Using external eects

The 1002B lets you use external eects processors to add a touch of reverb,
delay, or other eects to various channels. Use the channel FX knobs, FX SEND
knob and FX SEND jack to send a por tion of the signal from several channels to
an eects processor. You can insert the “wet” signal back into the mix through
one of the stereo channels. The FX signal from each channel is sent “post-fader,”
meaning that as you change the channel’s volume, you also change how much
of that channel’s signal is sent to the eec ts processor. This ensures that the
mix of wet and dry signal remains the same as you adjust the channel volume.
Follow these steps to incorporate external eects in your mix:

• Connect a ¼" TS cable from the FX SEND jack to the input of the

eects processor

• If you would like the eects to operate in stereo, connect ¼" cables from the

left and right outputs of the processor to one of the stereo input channels on
the 1002B

• For mono operation, most processors return a mono signal through the

left output. This mono signal should then be routed into the left input
on one of the mixer channels. If possible, use channel 9/10 since it only
allows line inputs

• Turn the FX SEND knob to the center (12 o’clock) position

• Turn the channel FX knob up for each source to which you would like to

apply eects. For example, you can add a lot of reverb to a vocal mic, while
only adding a small amount to a snare drum. This will just be a preliminary
setting as you will not be able to hear the eect yet. Keep the knobs around
the center position; you will ne-tune them shortly

• Adjust the input gain for the channel receiving the output from the

eects processor. (See the Gain Setting section for details.)

• Turn the channel fader up to 0 on the channel receiving the signal back from

the processor. DO NOT turn the FX knob on that channel up at all! Your sound
system will become haunted with screaming banshees

• You should now hear the selected eect on the channels that are sending

signal to the processor. Adjust the channel FX knobs to get the eect
mix just right

• NOTE: The processor will likely have its own VU meters to monitor the

incoming signal level. If the processor’s meter begins clipping, turn down the
FX SEND knob on the 1002B

See the Applications section for details.

• If one source is too quiet with the fader turned up, turn the louder

source’s GAIN knob down a bit, then raise the fader to the appropriate level.
DO NOT simply turn the quiet source’s GAIN knob up until it is loud enough,
as this will likely cause clipping and distortion

8 XENYX 1002B User Manual

4.2 Creating a monitor mix

For live applications, audio engineers often send dierent mixes to the audience
and to the performing musicians. To allow this, the 1002B is equipped with a
dedicated monitor send bus. Each channel features a MON knob that sends a
“pre-fader” signal to the MON OUT jack, allowing the channel’s volume fader to
be adjusted without aecting the monitor mix. The signal can also be used as a
second eects send. Follow these steps to set up a basic monitor mix:

• Make sure the powered monitor speaker or power amp is turned o.

Connect a ¼" TS cable from the MON OUT jack to the powered speaker or
power amp

• Turn on the powered speaker or power amp, and then turn the volume up

about half way

• Turn the MON SEND knob to the center (12 o’clock) position. This setting may

need to be adjusted later depending on volume requirements

• As the musicians begin to play, turn each channel’s MON knob up slowly until

each source is audible in the monitor mix

• It may take some time to get a balanced mix that all the musicians are happy

with. If possible, avoid turning a channel’s MON knob much past the center
position. Do not point the monitor speakers directly at a microphone, as this
will likely cause feedback

See the Applications section for details.

As previously stated, the MON SEND jack can also be used as a second eec ts
send. This application requires a similar setup to the normal eects send,
but since the signal from each channel is sent pre-fader using the MON knob,
adjustments to the channel’s volume will aect the mix of wet and dry eect
signal. Therefore, if you alter a channel’s volume during the performance,
you must also adjust that channel’s MON knob.

5. Applications

UL2000M

HPS5000

XENYX1002B

UCA222

Fig. 5.1: Field Recording

• NOTE: When using the MON SEND for eects, if you neglect to change a

channel’s MON knob while turning that channel’s volume fader all the
way down, you will still hear the eected signal coming through the mix.
This problem happens because the signal routes “pre-fader,” but the normal
FX SEND bus will not experience this issue

4.3 Battery installation

The 1002B can be powered by three 9V batteries. This feature allows you,
for example, to capture a high-quality recording while sitting on the beach with
your laptop. You’re no longer tethered by an electrical outlet. You can still record
with condenser mics thanks to the 18V of phantom power supplied by two of the
batteries. Follow these steps to install the batteries:

• Open the battery compar tment located on the underside of the mixer.

You will need to remove a small screw with a Phillips screwdriver

• Slide the compartment cover out. There are slots for three batteries inside

the compartment

• Insert the batteries so that the + and – poles are in the correct position

• Replace the cover and tighten the screw

The battery power will last approximately four hours using high-quality
alkaline batteries.

DI100

HPS5000

XENYX1002B

MP3 Player

Fig. 5.2: Live Sm all Combo

F1220A

B212D

9 XENYX 1002B User Manual

DSP2024P

B-1

XENYX1002B

HPS5000

B2031A

Fig. 5.3: Computer Recording

DSP2024P

B-1

XENYX1002B

UCA222

FCA202

HPS5000

Fig. 5.4: Video Editing

DV Deck

B2031A

10 XENYX 1002B User Manual

6. Specications

Mono Inputs

Microphone inputs (XENYX Mic preamp)

Type XLR connector, electronically balanced,
discrete input circuit

Mic E.I.N.1 (20 Hz - 20 kHz)

@ 0Ω source resistance -134 dB 135.7 dB A-weighted

@ 50Ω source resistance -131 dB 133.3 dB A-weighted

@ 150Ω source resistance -129 dB 130.5 dB A-weighted

Frequency response (-1 dB) <10 Hz - 160 kHz (-1 dB)

Frequency response (-3 dB) <10 Hz - 200 kHz (-3 dB)

Gain range +14 dB to +60 dB

Max. input level +12 dBu @ +10 dB GAIN

Impedance 2.6 k Ohms balanced

Signal-to-noise ratio 120 dB A-weighted
(0 dBu In @ +22 dB GAIN)

Distortion (THD + N) 0.005% / 0.004% A-weighted

Line Input

CD/Tape In

Type RCA connector

Impedance 10 k Ohms

Max. input level +22 dBu

Equalizer

LOW 50 Hz / ±15 dB

MID 700 Hz / ±15 dB

HIGH 10 kHz / ±15 dB

Channel Inserts

Type ¼" TRS jack, unbalanced

Max. input level +22 dBu

MON/FX Send

Type ¼" mono jack, unbalanced

Impedance 120 Ohms

Max. output level +22 dBu

Type ¼" TRS jack, electronically balanced

Impedance 20 k Ohms balanced,
10 k Ohms unbalanced

Gain range -10 dB to +40 dB

Max. input level +22 dBu @ 0 dB GAIN

Frequenc y Response (Mic In → Main Out)

<10Hz - 90kHz (-1 dB) +0 dB / -1 dB

<10Hz - 160kHz (-3 dB) +0 dB / -3 dB

Stereo Inputs

Type 2 x ¼" TRS jack, balanced

Impedance 20 k Ohms balanced,
10 k Ohms unbalanced

Gain range -20 dB to +20 dB

Max. input level +22 dBu @ 0 dB GAIN

Main Outputs

Type ¼" TRS jack, electronically balanced

Impedance 240 Ohms balanced,
120 Ohms unbalanced

Max. output level +28 dBu

Phones Output

Type ¼" TRS jack, unbalanced

Max. output level +19 dBu / 150 Ohms (+25 dBm)

CD/Tape Out

Type RCA connector

Impedance 1 k Ohms

Max. output level +22 dBu

11 XENYX 1002B User Manual

Main Mix System Data (Noise)

3

Main mix @ -∞, -100 dB / -102.5 dB A weighted
channel fader @ -∞

Main mix @ 0dB, -82 dB / -85 dB A weighted
channel fader @ -∞

Main mix @ 0dB, -72 dB / -75 dB A weighted
channel fader @ 0dB

Power Supply

Power consumption 50 W

Fuse (100-120V~, 50/60Hz) T 2,0 A H 250 V

Fuse (220-230V~, 50/60Hz) T 2,0 A H 250 V

Mains Voltage

USA/Canada 120 V~, 60 Hz, Power Supply MXUL4

U.K./Australia 240 V~, 50 Hz, Power Supply MXUK4

China/Korea 220 V~, 50 Hz, Power Supply MXCHN4

Europe 230 V~, 50 Hz, Power Supply MXEU4

Japan 100 V~, 50-60 Hz, Power Supply MXJP4

Phantom Power

With battery power +18 V

With AC adaptor +23 V

Battery

Battery life 4 hours w/ high quality Alkaline battery

Physical/Weight

Dimensions (H x W x D) 1 /" / 2 / x 11 / x 8 /"
40 mm / 73 x 298 x 216 mm

Weight 5.5 lbs / 2.5 kg (PSU not included)

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