Multi-Effects Processor
Effect Types and Parameters
© 2019 ZOOM CORPORATION
Manufacturer names and product names are trademarks or registered trademarks of their respective owners. The names are used only to illustrate
sonic characteristics and do not indicate any affiliation with the Zoom Corporation.
Effect explanation overview
Guitar Lab additional effects
Effect type Effect explanation Parameter range
PDL Delay The expression pedal controls the delay input level of this effect.
★
InLvl Adjusts the delay input level. 0 – 100 P
Time Sets the delay time. 1 – 3000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
Parameter explanation
Effect Screen
Parameter
Pedal control possible icon
Tempo synchronization possible icon
Contents
DYNAMICS
FILTER
DRIVE
AMP
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CABINET
MODULATION
SFX
DELAY
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REVERB
PEDAL
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AG MODEL
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Additional tables
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11
12
12
13
18
20
22
24
26
30
3
5
2 3
Effect Types and Parameters
A1
FOUR /
A1X
[ DYNAMICS ]
Comp This compressor in the style of the MXR Dyna Comp.
Sense Adjusts the sensitivity of the effect.
ATTCK Sets compressor attack speed to Fast or Slow.
Tone Adjusts the tone.
VOL Adjusts the volume.
RackComp This compressor allows more detailed adjustment than Comp.
THRSH Sets the level that activates the compressor. 0 – 50
Ratio Adjusts the compression ratio. 1 – 10
ATTCK Sets compressor attack speed. 1 – 10
VOL Adjusts the volume. 0 – 100
SlowATTCK This effect slows the attack of each note, resulting in a violin-like performance.
★
ZNR
Time Adjusts the attack time. 1 – 50
Curve Set the curve of volume change during attack. 0 – 10
Tone Adjusts the tone. 0 – 100
VOL Adjusts the volume. 0 – 100
ZOOM's unique noise reduction cuts noise during pauses in playing without affecting
the tone.
DETCT Sets control signal detection level.
Depth Sets the depth of noise reduction. 0 – 100
THRSH Adjusts the effect sensitivity. 0 – 100
Decay Adjust the envelope release. 0 – 100
MuteSW This effect allows you to mute the volume using the foot switch.
★
Edge
Speed Adjust the recovery time from muting. 0 – 100
INVRT Sets the foot switch control direction.
ON/OFF
Sets how smoothly the volume changes. As the parameter value increases, the change
becomes smoother.
Sets the foot switch function.
GrayComp This models a ROSS Compressor. Added parameters allow you to adjust the tone.
★
SUSTN Adjusts the sustain. 0 – 100
Lo Adjusts volume of low frequencies. 0 – 100
Hi Adjusts volume of high frequencies. 0 – 100
VOL Adjusts the volume. 0 – 100
NoiseGate This is a noise gate that cuts the sound during playing pauses.
★
DETCT Sets control signal detection level. GTRIN, EFXIN
Depth Sets the depth of noise reduction. 0 – 100
THRSH Adjusts the effect sensitivity. 0 – 100
Decay Adjust the envelope release. 0 – 100
OptComp This is an optical compressor.
Drive Adjusts the depth of the compression. 0 – 10
Lo Adjusts volume of low frequencies. 0 – 100
Hi Adjusts volume of high frequencies. 0 – 100
VOL Adjusts the volume. 0 – 100
0 –10
SLOW, FAST
0 – 10
0 – 100
GTRIN,
EFXIN
0 – 100
NORMAL,
INVERT
LATCH,
UnLATCH,
TRGGR
FOUR
Effect Types and Parameters
[ DYNAMICS ]
A1
FOUR /
A1X
FOUR
BlackOpt
★
This is a simulation of the Demeter COMP-1 Compulator.
Added parameters allow you to adjust the tone.
Comp Adjusts the depth of the compression. 0 – 100
Lo Adjusts volume of low frequencies. 0 – 100
Hi Adjusts volume of high frequencies. 0 – 100
VOL
Adjusts the volume. 0 – 100
LMT-76 This is a simulation of the UREI 1176LN.
★
Input Adjusts the input level. 0 – 80
Ratio Adjusts the compression ratio.
REL This is a limiter that suppresses signal peaks above a certain reference level. 10 – 70
Output
Adjusts the output level. 0 – 80
160 Comp This compressor is in the style of the dbx 160A.
★
DualComp
★
THRSH Adjusts the threshold that determines when the effect is activated. -60 – 0
Ratio Adjusts the compression ratio. 1.0 – 10.0
Knee Sets the type of knee. SOFT, HARD
VOL
Adjusts the volume. 0 – 100
This is a compressor which allows separate settings for the low frequency and high
frequency range.
FREQ Adjusts the crossover point between the high frequency and low frequency range. 300 – 1.5k
LoCMP Adjusts the compression depth in the low frequency range. 0 – 50
HiCMP Adjusts the compression depth in the high frequency range. 0 – 50
VOL
Adjusts the volume. 0 – 100
MB Comp This is a simulation of the MultiComp (MODE:MB).
★
DYN Comp
★
Glam Comp
★
Adv.NR
Comp Adjusts the depth of the compression. 0 – 100
LoTHR Adjusts the threshold that triggers the low-frequency effect. 0 – 100
HiTHR Adjusts the threshold that triggers the high-frequency effect. 0 – 100
VOL
Adjusts the volume. 0 – 100
This is a simulation of the MXR Dyna Comp.
Added parameters allow you to adjust the tone and the compressor attack speed.
Sense Adjusts the sensitivity of the effect. 0 – 10
ATTCK Sets compressor attack speed to FAST or SLOW. SLOW, FAST
Tone Adjusts the tone. 0 – 100
VOL
Adjusts the volume. 0 – 100
This compressor becomes a glamorous tone as increasing the Shape parameter.
Also, you can mix the original sound.
Comp Adjusts the depth of the compression. 0 – 100
Shape Emphasizes high and low frequencies. 0 – 10
VOL Adjusts the volume. 0 – 100
DryMx
Adjusts the volume of the unaffected sound. 0 – 100
This noise reduction naturally suppresses noise when not playing.
THRSH Adjust the threshold that triggers the effect. 0 – 100
ATTCK Adjust the speed that it starts. 0 – 100
Hold
Decay Adjust the decay time. 0 – 100
Adjust the time that noise reduction continues to operate after the control signal goes below
the threshold value.
4:1, 8:1, 12:1,
20:1
0 – 100
4 5
Effect Types and Parameters
A1
FOUR /
A1X
[ FILTER ]
AutoWah This effect varies wah in accordance with picking intensity.
Mode Sets direction of movement of the filter. DOWN, UP
Sense Adjusts the sensitivity of the effect. 1 – 10
RESO Sets effect resonance. 0 – 10
VOL Adjusts the volume. 0 – 100
Resonance This effect varies the resonance filter frequency according to picking intensity.
★
Cry This effect varies the sound like a talking modulator.
★
SeqFLTR The sequence filter has the flavor of a Z.Vex Seek-Wah.
★
Gt GEQ This mono graphic equalizer has 6 bands that suit guitar frequencies.
★
Gt GEQ7 This mono graphic equalizer has 7 bands that suit guitar frequencies.
St Gt GEQ This stereo graphic equalizer has 6 bands that suit guitar frequencies.
★
Mode Sets direction of movement of the filter. DOWN, UP
Sense Adjusts the sensitivity of the effect. 1 – 10
RESO Sets effect resonance. 0 – 10
VOL Adjusts the volume. 0 – 100
Range Adjusts the frequency range processed by the effect. 1 – 10
RESO Sets effect resonance. 0 – 10
Sense Adjusts the sensitivity of the effect.
BAL Adjusts the balance between original and effect sounds. 0 – 100
Step Adjusts number of sequence steps. 2 – 8
PTTRN Sets effect pattern. 1 – 8
Speed Sets the speed of the modulation. 1 – 50
RESO Sets effect resonance. 0 – 10
160 Adjust to boost or cut 160 Hz. -12 – 12
400 Adjust to boost or cut 400 Hz. -12 – 12
800 Adjust to boost or cut 800 Hz. -12 – 12
3.2k Adjust to boost or cut 3.2k Hz. -12 – 12
6.4k Adjust to boost or cut 6.4k Hz. -12 – 12
12k Adjust to boost or cut 12k Hz. -12 – 12
VOL Adjusts the volume. 0 – 100
100 Adjust to boost or cut 100 Hz. -12 – 12
200 Adjust to boost or cut 200 Hz. -12 – 12
400 Adjust to boost or cut 400 Hz. -12 – 12
800 Adjust to boost or cut 800 Hz. -12 – 12
1.6k Adjust to boost or cut 1.6k Hz. -12 – 12
3.2k Adjust to boost or cut 3.2k Hz. -12 – 12
6.4k Adjust to boost or cut 6.4k Hz. -12 – 12
VOL Adjusts the volume. 0 – 100
160 Adjust to boost or cut 160 Hz. -12 – 12
400 Adjust to boost or cut 400 Hz. -12 – 12
800 Adjust to boost or cut 800 Hz. -12 – 12
3.2k Adjust to boost or cut 3.2k Hz. -12 – 12
6.4k Adjust to boost or cut 6.4k Hz. -12 – 12
12k Adjust to boost or cut 12k Hz. -12 – 12
VOL Adjusts the volume. 0 – 100
-10 – -1,
1 – 10
FOUR
Effect Types and Parameters
A1
FOUR /
A1X
[ FILTER ]
ParaEQ This is a 1-band parametric equalizer.
★
ParaEQx2
RndmFLTR This filter effect changes character randomly.
★
LowPassFL This effect varies the low pass filter frequency according to picking intensity.
★
Exciter This exciter enables flexible control.
Step This special effect gives the sound a stepped quality.
★
LFO FLTR This filter effect changes tone characteristics cyclically.
★
AG PU SEL
FREQ Sets the frequency of the equalizer. 20 – 20k
Q Adjusts equalizer Q. 0.5 – 16
Gain Adjusts the gain. -12 – 12
VOL Adjusts the volume. 0 – 100
This is a 2-band parametric equalizer.
Freq1 Adjust the center frequency of EQ 1. 20 – 20k
Q1 Adjust the Q of EQ 1. 0.5 – 16
Gain1 Adjust the gain of EQ 1. -12 – 12
Freq2 Adjust the center frequency of EQ 2. 20 – 20k
Q2 Adjust the Q of EQ 2. 0.5 – 16
Gain2 Adjust the gain of EQ 2. -12 – 12
Level Adjust the volume. 0 – 100
Type Sets filter type. HPF, LPF
Speed Sets the speed of the modulation. 1 – 50
BAL Adjusts the balance between original and effect sounds. 0 – 100
VOL Adjusts the volume. 0 – 100
FREQ Sets minimum frequency of low pass filter. 0 – 100
Sense Adjusts the sensitivity of the effect.
RESO Sets effect resonance. 2P-10 – 4P-10
BAL Adjusts the balance between original and effect sounds. 0 – 100
Bass Adjusts the amount of low-frequency phase correction. 0 – 100
Treble Adjusts the amount of high-frequency phase correction. 0 – 100
VOL Adjusts the volume. 0 – 100
ON/OFF
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 0 – 50
RESO Sets effect resonance. 0 – 10
Shape Adjusts the effect envelope. 0 – 10
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 1 – 50
RESO Sets effect resonance. 0 – 10
Wave Sets the modulation waveform.
Sets the foot switch function.
This effect adjusts the tone according to the type of acoustic guitar pickup.
FOUR
FST100 –
SLW100
LATCH,
UnLATCH
SINE, TRI,
SAWUP,
SAWDN
Type Select the type of pickup used.
PIEZO,
MAGNET
6 7
Effect Types and Parameters
[ FILTER ]
A1
FOUR /
A1X
FOUR
BaDePiezo
Fish EQ
Baggs EQ
Bone EQ
This softens the characteristic tone of bass piezo pickups.
Gain Adjust the gain. -6 – +6
Mode Change the tone compensation mode.
LoBst Use to compensate for low frequencies, which are usually lacking when using piezo pickups. 0 – 100
HiCut This suppresses high frequencies, which tend to be unpleasant when using piezo pickups. 0 – 100
This models the EQ of the Fishman ToneDEQ.
Low Adjust the volume of low frequencies. -10 – 10
Mid Adjust the volume of middle frequencies. -10 – 10
Hi Adjust the volume of high frequencies. -10 – 10
Vol Adjust the volume. 0 – 100
This models the EQ of the L.R.Baggs Venue DI.
Bass Adjust the volume of low frequencies. -10 – 10
LMidF Adjust the center frequency of the low-mid frequency equalization. 100 – 500
LoMid Adjust the gain of the low-mid frequency equalization. -10 – 10
HMidF Adjust the center frequency of the high-mid frequency equalization. 500 – 2.50k
HiMid Adjust the gain of the high-mid frequency equalization. -10 – 10
PRSNC Adjust the volume of ultra-high frequencies. -10 – 10
TRBL Adjust the volume of high frequencies. -10 – 10
VOL Adjust the volume. 0 – 100
This models the EQ of the Radial Tonebone PZ-Pre.
Bass Adjust the volume of low frequencies. -10 – 10
Mid F Adjust the center frequency of the mid frequency equalization. 103 – 6.10k
Mid Adjust the gain of the mid frequency equalization. -10 – 10
Hi Adjust the volume of high frequencies. -10 – 10
Ntc Q Adjust the Q of the notch filter.
Notch Adjust the center frequency of the notch filter. 53 – 420
LoCut Set the frequency at which to cut low frequencies.
Vol Adjust the volume. 0 – 100
BassA-Wah You can adjust the mix of this bass guitar auto-wah with the original signal.
Sense Adjusts the sensitivity of the effect. -10 – -1, 1 – 10
RESO Sets effect resonance. 0 – 10
Dry Adjusts the volume of the unaffected sound. 0 – 100
VOL
Adjusts the volume. 0 – 100
Z Tron This is like a Q-Tron Envelope Filter in LP mode.
★
Sense Adjusts the sensitivity of the effect. -10 – -1, 1 – 10
RESO Sets effect resonance. 0 – 10
Dry Adjusts the volume of the unaffected sound. 0 – 100
VOL
Adjusts the volume. 0 – 100
A-Filter This is a resonance filter with a sharp envelope.
★
Mode Sets direction of movement of the filter. UP, DOWN
Sense Adjusts the sensitivity of the effect. 1 – 10
Peak Adjusts the Q value of the filter. 0 – 10
Adjusts the volume of the unaffected sound. 0 – 100
Dry
NORMAL,
FAT
BYPA SS,
NORM,
DEEP
BYPA SS,
80, 200
Effect Types and Parameters
A1
FOUR /
[ FILTER ]
Bass Cry This talking modulator is suitable for the bass frequency range.
★
BassGEQ This 7-band graphic equalizer is suitable for the bass frequency range.
St Ba GEQ This stereo graphic equalizer has 7 bands that suit bass guitar frequencies.
★
BassPEQ This 1-band parametric equalizer is suitable for the bass frequency range.
★
Splitter
★
Low EQ Designed for low frequencies, this equalizer allows you to select the type.
★
High EQ Designed for high frequencies, this equalizer allows you to select the type.
★
Range Adjusts the frequency range processed by the effect. 1 – 10
RESO Sets effect resonance. 0 – 10
Sense Adjusts the sensitivity of the effect. -10 – -1, 1 – 10
BAL
4.5k Adjust to boost or cut 4.5k Hz. -12.0 – 12.0
VOL Adjusts the volume. 0 – 100
4.5k Adjust to boost or cut 4.5k Hz. -12.0 – 12.0
VOL Adjusts the volume. 0 – 100
FREQ Sets the frequency of the equalizer. 20 – 20k
Gain Adjusts the gain. -20.0 – 20.0
VOL
Adjusts the balance between original and effect sounds. 0 – 100
50 Adjust to boost or cut 50 Hz. -12.0 – 12.0
120 Adjust to boost or cut 120 Hz. -12.0 – 12.0
400 Adjust to boost or cut 400 Hz. -12.0 – 12.0
500 Adjust to boost or cut 500 Hz. -12.0 – 12.0
800 Adjust to boost or cut 800 Hz. -12.0 – 12.0
10k Adjust to boost or cut 10k Hz. -12.0 – 12.0
50 Adjust to boost or cut 50 Hz. -12.0 – 12.0
120 Adjust to boost or cut 120 Hz. -12.0 – 12.0
400 Adjust to boost or cut 400 Hz. -12.0 – 12.0
500 Adjust to boost or cut 500 Hz. -12.0 – 12.0
800 Adjust to boost or cut 800 Hz. -12.0 – 12.0
10k Adjust to boost or cut 10k Hz. -12.0 – 12.0
Q Adjusts equalizer Q. 0.5 – 16.0
Adjusts the volume. 0 – 100
This effect divides the signal into two bands (high/low) and lets you freely adjust the
mix ratio of the two bands.
FREQ Adjusts the crossover point between the high frequency and low frequency band. 80 – 2.5k
Lo Adjusts the mix ratio of the low frequency band. 0 – 100
Hi Adjusts the mix ratio of the high frequency band. 0 – 100
VOL
Type Sets filter type. SHELF, HPF
FREQ Sets the frequency of the filter. 20 – 640
Gain
VOL Adjusts the volume. 0 – 100
Type Sets filter type. SHELF, LPF
FREQ Sets the frequency of the filter. 500 – 20k
Gain
VOL Adjusts the volume. 0 – 100
Adjusts the volume. 0 – 100
Adjusts the gain.
This setting is disabled when the Type parameter is set to HPF.
Adjusts the gain.
This setting is disabled when the Type parameter is set to LPF.
A1X
-12.0 – 12.0
-12.0 – 12.0
FOUR
8 9
Effect Types and Parameters
A1
FOUR /
A1X
[ FILTER ]
EnvFilter This models the MXR envelope filter.
★
Hm GEQ This is a seven-band equalizer for harmonica.
Hm A.Wah This is an auto wah for harmonica.
Hm Preamp Preamp for Hamonica.
Hm Bullet This effect changes the sound of a vocal mic to be like the sound of a bullet mic.
A.Vn GEQ This is a seven-band equalizer for violin.
E.Vn GEQ This is a seven-band equalizer for electric violin.
THRSH Adjusts the effect sensitivity. 0 – 100
ATTCK Adjusts the attack speed. 0 – 100
Mode Sets direction of movement of the filter. UP, DOWN
VOL Adjusts the volume. 0 – 100
60 Adjust to boost or cut 60 Hz. -12 – 12
250 Adjust to boost or cut 250 Hz. -12 – 12
400 Adjust to boost or cut 400 Hz. -12 – 12
700 Adjust to boost or cut 700 Hz. -12 – 12
1.0k Adjust to boost or cut 1.0k Hz. -12 – 12
2.0k Adjust to boost or cut 2.0k Hz. -12 – 12
4.0k Adjust to boost or cut 4.0k Hz. -12 – 12
VOL Adjust the volume. 0 – 100
Sense Adjust the sensitivity of the effect. 1 –10
RESO Set the amount of resonance. 0 –10
Range Adjust the frequency band affected. 0 –100
BAL Adjust the balance of the original and effect sounds. 0 –100
Gain Set the gain. 0 – 100
Low Set the volume of low frequencies. -12 – 12
MID Set the volume of middle frequencies. -12 – 12
Hi Set the volume of high frequencies. -12 – 12
Low Set the volume of low frequencies. -12 – 12
MID Set the volume of middle frequencies. -12 – 12
Hi Set the volume of high frequencies. -12 – 12
VOL Set the volume. 0 – 100
131 Adjust to boost or cut 131 Hz. -12 – 12
270 Adjust to boost or cut 270 Hz. -18 – 18
450 Adjust to boost or cut 450 Hz. -12 – 12
524 Adjust to boost or cut 524 Hz. -12 – 12
1.4k Adjust to boost or cut 1.4k Hz. -12 – 12
3.0k Adjust to boost or cut 3.0k Hz. -12 – 12
6.0k Adjust to boost or cut 6.0k Hz. -12 – 12
VOL Adjust the volume. 0 – 100
131 Adjust to boost or cut 131 Hz. -12 – 12
220 Adjust to boost or cut 220 Hz. -12 – 12
450 4Adjust to boost or cut 450 Hz. -12 – 12
800 Adjust to boost or cut 800 Hz. -12 – 12
2.2k Adjust to boost or cut 2.2k Hz. -12 – 12
3.1k Adjust to boost or cut 3.1k Hz. -12 – 12
7.0k Adjust to boost or cut 7.0k Hz. -12 – 12
VOL Adjust the volume. 0 – 100
FOUR
Effect Types and Parameters
A1
[ FILTER ]
Vn A.Wah This is an auto wah for violin.
Sense Adjust the sensitivity of the effect.
RESO Set the amount of resonance. 0 – 10
LoMix Adjust the mix of the low frequencies. 0 – 10
BAL Adjust the balance of the original and effect sounds. 0 – 100
VnDePiezo This softens the characteristic tone of electric violin piezo pickups.
DePZ Adjust the strength of the audio quality compensation. 0 – 10
Lo Set the volume of low frequencies. -12 – 12
Hi Set the volume of high frequencies. -12 – 12
VOL Set the volume. 0 – 100
Tp GEQ This is a seven-band equalizer for trumpet.
200 Adjust to boost or cut 200 Hz. -12 – 12
350 Adjust to boost or cut 350 Hz. -12– 12
700 Adjust to boost or cut 700 Hz. -12 – 12
1.0k Adjust to boost or cut 1.0k Hz. -12 – 12
2.0k Adjust to boost or cut 2.0k Hz. -12 – 12
4.0k Adjust to boost or cut 4.0k Hz. -12 – 12
10.0k Adjust to boost or cut 10.0k Hz. -12 – 12
VOL Adjust the volume. 0 – 100
Tp A.Wah This is an auto wah for trumpet.
Sense Adjust the sensitivity of the effect. 1–10
RESO Set the amount of resonance. 0 –10
BAL Adjust the balance of the original and effect sounds. 0 –100
THRSH Set the threshold for changing sensitivity. 0 –10
Peak Set the amount of resonance when the filter is open. 0 –10
VOL Adjust the volume. 0 –100
Sax GEQ This is a seven-band equalizer for saxophone.
200 Adjust to boost or cut 200 Hz. -12 – 12
400 Adjust to boost or cut 400 Hz. -12 – 12
640 Adjust to boost or cut 640 Hz. -12 – 12
1.0k Adjust to boost or cut 1.0k Hz. -12 – 12
2.0k Adjust to boost or cut 2.0k Hz. -12 – 12
3.2k Adjust to boost or cut 3.2k Hz. -12 – 12
5.0k Adjust to boost or cut 5.0k Hz. -12 – 12
VOL Adjust the volume. 0 – 100
Sax A.Wah This is an auto wah for saxophone.
Sense Adjust the sensitivity of the effect. 1 – 10
RESO Set the amount of resonance. 0 – 10
BAL Adjust the balance of the original and effect sounds. 0 – 100
INST
Select the instrument used.
TN/ALT: Tenor/alto sax
SP: Soprano sax
FOUR /
A1X
-10 – -1,
1 – 10
TN/ALT, SP
FOUR
10 11
Effect Types and Parameters
[ FILTER ]
A1
FOUR /
A1X
FOUR
SaxAtkFlt
This filter effect for saxophone emphasizes the movement of the filter. By inputting a
loud sound and holding it, the filter will change from a completely open state.
Sense Adjust the sensitivity of the effect. 1–10
RESO Set the amount of resonance. 1-– 10
BAL Adjust the balance of the original and effect sounds. 0 –100
SW Set the amount of time until filter operation changes.
Rate Set the speed when the filter moves automatically. 1-50
Wave Select the waveform when the filter moves automatically.
Range Adjust the frequency band affected. Low, High
VOL Adjust the volume. 0 –100
FA ST,
SLOW,
OFF
SINE,
TRI,
SAWUP,
SAWDN
Anti FB This function detects and cuts a frequency band that is causing feedback to reduce it.
FREQ
Set the cut frequency band. When AUTO is selected, the feedback frequency band will be
automatically detected when the effect is on.
AUTO,
70 – 8000
[ DRIVE ]
TS Drive Simulation of the Ibanez TS808.
Gain Adjusts the gain. 0 – 100
Boost Turns boost ON/OFF. OFF, ON
Tone Adjusts the tone. 0 – 100
VOL Adjusts the volume. 0 – 100
RC Boost This booster covers sounds ranging from clean boosts to light drives.
Gain Adjusts the gain. 0 – 100
Bass Adjusts volume of low frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
VOL Adjusts the volume. 0 – 100
Vn DIST
This is a distortion effect for violin.
Gain Adjust the gain. 0 – 100
BAL Adjust the balance of the original and effect sounds. 0 – 100
VOL Adjust the volume. 0 – 100
Bass Adjust the volume of low frequencies. 0 – 100
MID Adjust the volume of middle frequencies. 0 – 100
Treble Adjust the volume of high frequencies. 0 – 100
Effect Types and Parameters
[ AMP ]
FD B-MAN This models the sound of the Fender '59 Bassman.
Input Selects the input channel.
Bass Adjusts volume of low frequencies. 10 – 12 0
MID Adjusts volume of middle frequencies. 10 – 12 0
Treble Adjusts volume of high frequencies. 10 – 12 0
PRSNC Adjusts volume of super-high frequencies. 10 – 12 0
Gain Adjusts the gain. 10 – 12 0
VOL Adjusts the volume. 10 – 120
FD DLXR This models the sound of the Fender '65 Deluxe Reverb.
Input Selects the input channel.
Bass Adjusts volume of low frequencies. 10 – 10 0
Treble Adjusts volume of high frequencies. 10 – 10 0
Gain Adjusts the gain. 10 – 10 0
VOL Adjusts the volume. 10 – 10 0
Depth Sets the depth of the modulation. 10 – 10 0
Speed Sets the speed of the modulation. 10 – 10 0
A1
FOUR /
A1X
NORMAL,
BRIGHT
NORMAL,
VIBRATO
FOUR
[ CABINET ]
FD-B4x10
FD-DX1x12
This models the sound of the Fender '59 Bassman cabinet with four 10" Jensen
speakers.
MIC
D57:D421
MIC=OFF: This tone is optimized for using amp modeling with a guitar amp.
MIC=ON: This tone is optimized for using amp modeling with headphones or monitor
speakers.
This adjusts the volume balance between the Shure SM57 and the Sennheiser MD421.
When the MIC parameter is set to OFF, this setting has no effect.
Hi Adjusts volume of high frequencies. 0 – 100
Lo Adjusts volume of low frequencies. 0 – 100
This models the sound of a Fender '65 Deluxe Reverb cabinet with one 12" Jensen
C-12K Speaker.
MIC
D57:D421
MIC=OFF: This tone is optimized for using amp modeling with a guitar amp.
MIC=ON: This tone is optimized for using amp modeling with headphones or monitor
speakers.
This adjusts the volume balance between the Shure SM57 and the Sennheiser MD421.
When the MIC parameter is set to OFF, this setting has no effect.
Hi Adjusts volume of high frequencies. 0 – 100
Lo Adjusts volume of low frequencies. 0 – 100
[ MODULATION ]
Tremolo This effect varies the volume at a regular rate.
Wave Sets the modulation waveform.
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 0 – 100
VOL Adjusts the volume. 0 – 100
OFF, ON
0 – 100
OFF, ON
0 – 100
TRI, TUBE,
SQR
12 13
Effect Types and Parameters
[ MODULATION ]
A1
FOUR /
A1X
FOUR
Chorus
This effect mixes a shifted pitch with the original sound to add movement and
thickness.
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 1 – 50
Tone Adjusts the tone. 0 – 10
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
StereoCho This is a stereo chorus with a clear tone.
★
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 1 – 50
Tone Adjusts the tone. 0 – 10
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
Phaser This effect adds a phasing variation to the sound.
4 STG,
Color Sets the tone of the effect type.
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 1 – 50
RESO Sets effect resonance. 0 – 100
8 STG,
INV 4,
INV 8
VinFLNGR This analog flanger sound is similar to an MXR M-117R.
PreD Sets pre-delay time of effect sound. 0 – 50
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 0 – 50
RESO Sets effect resonance. -10 – 10
TheVibe This vibe sound features unique undulations.
★
Speed Sets the speed of the modulation. 0 – 50
Depth Sets the depth of the modulation. 0 – 100
Mode Sets effect to vibrato or chorus. VIBRT, CHORS
VOL Adjusts the volume. 0 – 100
Vibrato This effect automatically adds vibrato.
★
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 0 – 50
Tone Adjusts the tone. 0 – 10
BAL Adjusts the balance between original and effect sounds. 0 – 100
Octave This effect adds sound one octave and two octaves below the original sound.
★
RingMod
★
OCT1 Adjusts the level of the sound one octave below the effect sound. 0 – 100
OCT2 Adjusts the level of the sound two octaves below the effect sound. 0 – 100
Tone Adjusts the tone. 0 – 10
Dry Adjusts the volume of the unaffected sound. 0 – 100
This effect produces a metallic ringing sound. Adjusting the "FREQ" parameter results
in a drastic change of sound character.
FREQ Sets the frequency of the modulation. 1 – 50
Tone Adjusts the tone. 0 – 10
BAL Adjusts the balance between original and effect sounds. 0 – 100
VOL Adjusts the volume. 0 – 100
Effect Types and Parameters
[ MODULATION ]
A1
FOUR /
A1X
FOUR
Detune
★
By mixing an effect sound that is slightly pitch-shifted with the original sound, this
effect type has a chorus effect without much sense of modulation.
Cent Adjusts the detuning in cents, which are fine increments of 1/100-semitone. -25 – 25
PreD Sets the pre-delay time of the effect sound. 0 – 50
Tone Adjusts the tone. 0 – 10
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
PitchSHFT This effect shifts the pitch up or down.
Shift Adjusts the pitch shift amount in semitones. Selecting "0" gives a detuning effect. -12–12, 24
Fine Allows fine adjustment of pitch shift amount in Cent (1/100 semitone) steps. -25 – 25
Tone Adjusts the tone. 0 – 10
BAL Adjusts the balance between original and effect sounds. 0 – 100
MonoPitch This is a pitch shifter with little sound variance for monophonic (single note) playing.
★
HPS
★
Shift Adjusts the pitch shift amount in semitones. Selecting "0" gives a detuning effect. -12–12, 24
Fine Allows fine adjustment of pitch shift amount in Cent (1/100 semitone) steps. -25 – 25
Tone Adjusts the tone. 0 – 10
BAL Adjusts the balance between original and effect sounds. 0 – 100
This intelligent pitch shifter outputs the effect sound with the pitch shifted according
to scale and key settings.
-6, -5, -4, -3,
Scale Sets the pitch of the pitch-shifted sound added to the original sound.
Key Sets the tonic (root) of the scale used for pitch shifting.
Tone Adjusts the tone. 0 – 10
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
-m, m, 3, 4, 5,
6
( See Table 1 )
C, C#, D, D#,
E, F, F#, G, G#,
A, A#, B
Slicer This effect creates a rhythmical sound by continuously slicing the input.
★
PTTRN Sets effect pattern. 1 – 20
Speed Sets the speed of the modulation. 1 – 50
THRSH Adjusts effect threshold. 0 – 50
VOL Adjusts the volume. 0 – 100
CloneCho This analog chorus sound models the Electro-Harmonix SmallClone.
★
Depth Sets the depth of the modulation. 1, 2
Rate Sets the speed of the modulation. 0 – 100
Tone Adjusts the tone. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
SuperCho This models the sound of a BOSS CH-1 SUPER CHORUS.
★
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 0 – 100
Tone Adjusts the tone. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
StonePha This phaser sound models the Electro-Harmonix SmallStone.
★
Color Sets the sound color. 1, 2
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 0 – 100
RESO Sets effect resonance. 0 – 100
14 15
Effect Types and Parameters
A1
FOUR /
A1X
FOUR
[ MODULATION ]
CoronaTri This is a model of tc electronic's CORONA Tri-Chorus.
★
BendCho
★
AnalogCho This effect simulates an analog chorus.
★
WarpPhase This phaser has a one way effect.
★
Duo Phase This effect combines two phasers.
★
AG Detune This detuning effect tailored for acoustic guitar provides chorus with little variation.
AG Chorus
BassStCho This stereo chorus for bass has a clear sound quality.
★
Depth Sets the depth of the modulation. 0 – 100
Speed Sets the speed of the modulation. 0 – 100
Tone Adjusts the tone. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
This effect provides pitch bending that uses the input signal as trigger and processes
each note separately.
Mode Sets direction of pitch bend. UP, DOWN
Depth Sets the depth of the modulation. 0 – 100
Time Sets time before effect starts. 0 – 50
BAL Adjusts the balance between original and effect sounds. 0 – 100
Depth Sets the depth of the modulation. 0 – 100
Rate Sets modulation speed. 0 – 100
Tone Adjusts the tone. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
Mode Sets direction of warping. GO, BACK
Speed Sets modulation speed. 1 – 50
RESO Sets effect resonance. 0 – 10
VOL Adjusts the volume. 0 – 100
DPT A Sets the depth of LFO A modulation. 1 – 100
RateA Sets the speed of LFO A modulation. 1 – 50
ResoA Sets the resonance of LFO A modulation. 0 – 10
Link Sets how 2 phasers are connected.
DPT B Sets the depth of LFO B modulation. 1 – 10 0
RateB Sets the speed of LFO B modulation.
ResoB Sets the resonance of LFO B modulation. 0 – 10
VOL Adjusts the volume. 0 – 10 0
Cent Adjust the amount of detuning precisely in cents (1/100 semitone). 0 – 25
PreD Set the pre-delay for the effect sound. 0 – 50
Tone Adjust the tone. 0 – 100
Mix Adjust the amount of effect sound mixed with the original sound. 0 – 100
SERI, PARA,
STR
1 – 50,
SyncA, RvrsA
This three-pole chorus has been tailored for acoustic guitar. When connected in
stereo, it can provide a wide chorus effect.
Speed Set the modulation speed. 0 – 100
Depth Set the modulation depth. 0 – 100
Tone Adjust the tone. 0 – 100
Mix Adjust the amount of effect sound mixed with the original sound. 0 – 100
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 1 – 50
LoCut Sets the cut-off frequency in the low range of the effect sound. OFF, 60 – 800
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
Effect Types and Parameters
[ MODULATION ]
A1
FOUR /
A1X
FOUR
BaVinFLNG
★
This analog flanger sound is similar to an MXR M-117R. A parameter has been added
to cut low frequencies from the effect sound.
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 0 – 50
RESO Sets effect resonance. -10 – 10
LoCut Sets the cut-off frequency in the low range of the effect sound. OFF, 60 – 800
Ba Octave This effect adds sound one octave below the original sound.
★
Ba Detune
BaMnPitch
★
Oct Adjusts the level of the one-octave lower sound component. 0 – 100
Lo Adjusts volume of low frequencies. 0 – 10
Hi Adjusts volume of high frequencies. 0 – 10
Dry Adjusts the volume of the unaffected sound. 0 – 100
By mixing a small amount of the pitch-shifted effect sound with the original sound, a
natural bass chorus effect is achieved.
Cent Adjusts the detuning in cents, which are fine increments of 1/100-semitone. -50 – 50
PreD Sets the pre-delay time of the effect sound. 0 – 50
Tone Adjusts the tone. 0 – 10
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
This pitch shifter was designed specifically for playing single notes in the bass
frequency range.
Shift Adjusts the pitch shift amount in semitones. Selecting "0" gives a detuning effect. -12 – 12, 24
Fine Allows fine adjustment of pitch shift amount in Cent (1/100 semitone) steps. -25 – 25
Tone Adjusts the tone. 0 – 10
BAL Adjusts the balance between original and effect sounds. 0 – 100
BassPhase This phaser is good for bass frequencies.
★
HmChorus
VnChorus
Color Sets the sound color. 1, 2
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 0 – 100
RESO Sets effect resonance. 0 – 100
This is a detuned chorus effect for harmonica.
Cent Adjust the amount of detuning precisely in cents (1/100 semitone). -25 – 25
Depth Adjust the pitch variation depth of the effect sound. 0 – 100
PreD Set the pre-delay for the effect sound. 0 – 100
MID Adjust the volume of the effect sound mid frequencies. -12 – 12
Hi Adjust the volume of the effect sound high frequencies. -12 – 12
BAL Adjust the balance of the original and effect sounds. 0 – 100
This is a detuned chorus effect for violin.
Cent Adjust the amount of detuning precisely in cents (1/100 semitone). -25 – 25
Depth Adjust the pitch variation depth of the effect sound. 0 – 100
PreD Set the pre-delay for the effect sound. 0 – 100
LoCut Set the frequency at which to cut low frequencies of the effect sound.
Hi Adjust the volume of the effect sound high frequencies. -12 – 12
BAL Adjust the balance of the original and effect sounds. 0 – 100
OFF,
100 – 1.2K
16 17
Effect Types and Parameters
A1
FOUR /
A1X
[ MODULATION ]
TpChorus This is a detuned chorus effect for trumpet.
Cent Adjust the amount of detuning precisely in cents (1/100 semitone). -25 – 25
Depth Adjust the pitch variation depth of the effect sound. 0 – 100
PreD Set the pre-delay for the effect sound. 0 – 100
MID Adjust the volume of the effect sound mid frequencies. -12 – 12
Hi Adjust the volume of the effect sound high frequencies. -12 – 12
BAL Adjust the balance of the original and effect sounds. 0 – 100
SaxChorus This is a detuned chorus effect for saxophone.
Cent Adjust the amount of detuning precisely in cents (1/100 semitone). -25 – 25
Depth Adjust the pitch variation depth of the effect sound. 0 – 100
PreD Set the pre-delay for the effect sound. 0 – 100
MID Adjust the volume of the effect sound mid frequencies. -12 – 12
Hi Adjust the volume of the effect sound high frequencies. -12 – 12
BAL Adjust the balance of the original and effect sounds. 0 – 100
Sax Growl This effect simulates using a growling technique, which muddies the sound.
FREQ Set the frequency of modulation. 1 – 100
Sense Adjust the sensitivity of the effect. 1 – 10
Tone Adjust the tone. 0 – 10
Mix Adjust the amount of effect sound mixed with the original sound. 0 – 100
PolyOctUp This effect adds a higher octave to the original sound. Chord input is also possible.
Color Select the effect sound type. NORM, ACO
Tone Adjusts the tone. 0 – 100
Wet Adjust the amount of the effect sound in the mix. 0 – 100
Dry Adjust the amount of the original sound in the mix. 0 – 100
PolyOctDw This effect adds a lower octave to the original sound. Chord input is also possible.
Color Select the effect sound type. NORM, ACO
Tone Adjusts the tone. 0 – 100
Wet Adjust the amount of the effect sound in the mix. 0 – 100
Dry Adjust the amount of the original sound in the mix. 0 – 100
DualPitch This effect combines two pitch shifters.
-12 –
12, 24
-12 –
12, 24
Ensemble
ShftA Set the pitch shift in semitones for pitch shifter A. Set to "0" for a detuning effect.
ToneA Adjust the tone of pitch shifter A. -6 – 6
VOL A Adjust the volume of pitch shifter A. 0 – 100
ShftB Set the pitch shift in semitones for pitch shifter A. Set to "0" for a detuning effect.
ToneB Adjust the tone of pitch shifter B. -6 – 6
VOL B Adjust the volume of pitch shifter B. 0 – 100
Dry Adjust the amount of the original sound in the mix. 0 – 100
This is an eight-voice doubling effect. The effect sounds like multiple people
performing the same phrase.
Depth Adjust the pitch variation depth of the effect sound. 0 – 100
MID Adjust the volume of the effect sound mid frequencies. -6 – 6
Hi Adjust the volume of the effect sound high frequencies. -6 – 6
BAL Adjust the balance of the original and effect sounds. 0 – 100
FOUR
Effect Types and Parameters
A1
FOUR /
A1X
[ MODULATION ]
EnvPhaser This phaser changes the modulation period in response to the input volume.
Color Select the effect sound type.
Depth Set the modulation depth. 0 – 100
RESO Set the amount of resonance. 0 – 100
Sense Set the sensitivity of the effect. 1 – 10
RateL Set the minimum speed of the effect. 0.2 – 2
RateH Set the maximum speed of the effect. 3 – 30
Curve Set the effect-to-input-volume change curve.
RndPhaser This is a phaser effect with randomly changing modulation speed.
Color Select the effect sound type.
Depth Set the modulation depth. 0 – 100
RESO Set the amount of resonance. 0 – 100
Range Set the range of the modulation speed. 1 – 50
INTVL Set the modulation speed change interval. 1 – 5
FOUR
4 STG,
8 STG,
INV 4,
INV 8
LINEAR,
SHARP
4 STG,
8 STG,
INV 4,
INV 8
[ SFX ]
Bomber This effect generates explosive sounds.
★
AutoPan This effect moves the sound image cyclically left and right.
★
LoopRoll This effect allows you use the footswitch to sample and hold what you play.
★
HotSpice This effect simulates a sitar tone.
★
StdSyn ZOOM original bass synthesizer sound.
★
Decay Adjusts the length of the explosive sound. 1 – 100
Tone Adjusts the tone. 0 – 10
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
ON/OFF
Rate Sets the speed of the modulation. 0 – 50
Width Sets the width of the panning. 0 – 50
Clip
VOL Adjusts the volume. 0 – 100
Time Sets the loop time. 10 – 3000
Duty Sets the time that the sample-and-hold sound is produced. 25 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
ON/OFF
Bend Adjust the depth of the pitch bend. 0 – 100
Buzz Adjust the buzzing tone. 0 – 100
+1oct Adjust the volume of one octave up. 0 – 100
VOL Adjusts the volume. 0 – 100
Sense Adjusts the sensitivity for trigger detection. 0 – 100
Sound Selects a synthesizer variation. 1 – 4
Tone Adjusts the tone. 0 – 10
BAL Adjusts the balance between original and effect sounds. 0 – 100
Sets the foot switch function.
Adjusts the amount of waveform clipping. Higher values emphasize the auto-panning effect
more.
Sets the foot switch function.
LATCH,
TRGGR
0 – 10
LATCH,
UnLATCH
18 19
Effect Types and Parameters
[ SFX ]
A1
FOUR /
A1X
FOUR
SynTlk
★
This effect produces a synthesizer sound similar to a talking modulator producing
vowels.
Decay Adjusts the rate of sound change. 0 – 100
Type Selects a vowel variation.
Tone Adjusts the tone. 0 – 10
BAL Adjusts the balance between original and effect sounds. 0 – 100
IA, UE,
UA, OA
Z-Syn This bass synthesizer sound adds analog synth fatness.
★
FREQ Sets the cut-off frequency of the lowpass filter. 0 – 10
Range Adjusts the amount of cut-off frequency modulation. 0 – 20
Decay Adjusts the speed of tone modulation. 0 – 100
RESO Sets effect resonance. 0 – 20
Wave Selects the waveform. SAW, SQR
Tone Adjusts the tone. 0 – 10
BAL Adjusts the balance between original and effect sounds. 0 – 100
VOL Adjusts the volume. 0 – 100
Defret Turns the sound from any bass guitar into a fretless bass sound.
★
Sense Adjusts the sensitivity of the effect. 0 – 30
Color
Tone Adjusts the tone. 1 – 50
VOL Adjusts the volume. 0 – 100
Adjusts the harmonics contents of the sound. Higher setting values result in stronger effect
character.
1 – 10
PH+Dist This effect combines a phaser and distortion in the style of the Roland JET PHASER.
★
Mode Selects the jet sound mode. 1 – 4
Rate Sets the speed of the modulation. 0 – 50
RESO Sets effect resonance. 0 – 10
VOL Adjusts the volume. 0 – 100
[ DELAY ]
Delay This long delay has a maximum length of 3000 ms.
Time Sets the delay time. 1 – 3000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
AnalogDly This analog delay simulation has a long delay with a maximum length of 3000 ms.
Time Sets the delay time. 1 – 3000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
TapeEcho
★
This effect simulates a tape echo. Changing the "Time" parameter changes the pitch of
the echoes.
Time Sets the delay time. 1 – 2000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
OFF, ON
OFF, ON
OFF, ON
Effect Types and Parameters
A1
FOUR /
[ DELAY ]
ReverseDL This reverse delay is a long delay with a maximum length of 1500 ms.
★
ModDelay This delay effect allows the use of modulation.
★
P-P Delay This delay outputs the delay sound alternately left and right.
FilterDly This effect filters a delayed sound.
★
Dual DLY This effect combines 2 individual delays.
★
Pitch DLY This effect applies pitch shift to a delayed sound.
★
SlapBackD
★
Time Sets the delay time. 10 – 1500
F. B Adjusts the feedback amount. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
Time Sets the delay time. 1 – 2000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
Time Sets the delay time. 1 – 3000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
Time Sets the delay time. 1 – 2000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
TimeA Adjusts the delay time of Delay A.
F.B A Adjusts the Delay A feedback amount. 0 – 110
TimeB Adjusts the delay time of Delay B.
F.B B Adjusts the Delay B feedback amount. 0 – 110
DlyMx Adjust the mix of the Delay A and B effect sounds. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
Depth Sets the depth of the modulation. MN-0 – ST-50
Speed Sets the speed of the modulation. 0 – 50
Pitch Sets volume of pitch shift applied to delayed sound. -12 – 12
Time Sets the delay time. 1 – 2000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
This delay features a short delay time that is good for muted rhythm playing and
rockabilly.
Time
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
SubDv
Sets the delay time.
When Sync is chosen, the delay time is synchronized to the tempo.
F.B Adjusts the feedback amount. 0 – 100
Set the note length of the delay sound.
When P-P is chosen, L/R channels output delays in quarter/dotted eighth notes respectively.
A1X
OFF, ON
OFF, ON
OFF, ON
OFF, ON
0 – 1490,
x 6
♩
0 – 1490,
x 6
♩
1 – 300
, , P-P
FOUR
20 21
Effect Types and Parameters
[ DELAY ]
A1
FOUR /
A1X
FOUR
A-Pan DLY
★
This combines auto pan and delay to create the effect of the stereo image moving
cyclically.
Time Sets the delay time. 1 – 1500
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
Link Sets the order that the auto pan and delay are connected.
Cycle Sets the speed of the sound movement. 1/4 – 50
Width Sets the width of the sound movement. 0 – 50
Clip Adjusts the amount of waveform clipping. 0 – 10
PhaseDly This effect applies a phaser to a delayed sound.
★
Time Sets the delay time. 1 – 2000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
Color Sets the tone of the effect type.
Depth Sets the depth of the modulation. 0 – 100
Rate Sets the speed of the modulation. 1 – 50
Reso Sets effect resonance. 0 – 100
TapeEcho3 This tape echo effect models the MAESTRO ECHOPLEX EP-3.
★
Gain Adjusts the gain. 0 – 100
Hi Adjusts volume of high frequencies. 0 – 100
Lo Adjusts volume of low frequencies. 0 – 100
VOL Adjusts the volume. 0 – 100
Time Sets the delay time. 10 – 1000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
RecLv Adjusts the volume recorded to the tape. 0 – 100
ICE Delay This effect combines pitch shifting and delay.
★
INTVL Sets the pitch modulation amount for the audio slices. -OCT – 2 OCT
Time Sets the delay time. 60 – 980
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
SlwAtkDly This effect combines slow attack and delay.
★
Swell Adjusts the attack time. 1 – 50
Time Sets the delay time. 1 – 1900
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
SoftEcho This echo has a soft tone.This echo effect allows the use of modulation.
★
MOD Turns modulation ON or OFF. OFF, ON
Time Sets the delay time. 19 – 581
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
PAN-DLY,
DLY-PAN
OFF, ON
4 STG,
8 STG,
INV 4,
INV 8
Effect Types and Parameters
A1
[ DELAY ]
Ac TpEcho This tape echo sound has been tailored for acoustic instruments.
Time Set the delay time. 10 – 1000
F. B Adjust the amount of feedback. 0 – 100
Mix Adjust the amount of effect sound mixed with the original sound. 0 – 100
When ON, the effect sound is sustained even if the effect itself is turned off. When OFF, the
Tail
effect sound also stops when the effect is turned off.
PercusDly
This delay emphasizes the attack of the delay sound, keeping it distinct among the
sounds of other instruments.
Time Set the delay time. 1 – 3000
F. B Adjust the amount of feedback. 0 – 100
Mix Adjust the amount of effect sound mixed with the original sound. 0 – 100
Tone Adjust the tone of the effect. 0 – 10
Sense Set the sensitivity of the effect. 0 – 10
ATTCK Adjust the amount of effect sound emphasis when the input is high. 0 – 10
Comp Adjust the depth of compression on the effect sound. 0 – 100
When ON, the effect sound is sustained even if the effect itself is turned off. When OFF, the
Tail
effect sound also stops when the effect is turned off.
FOUR /
A1X
OFF, ON
OFF, ON
FOUR
[ REVERB ]
Air This effect reproduces the ambience of a room, to create spatial depth.
★
Room This reverb effect simulates the acoustics of a room.
Hall This reverb effect simulates the acoustics of a concert hall.
HD Hall This is a dense hall reverb.
★
Spring This reverb effect simulates a spring reverb.
★
Size Sets the size of the space. 1 – 100
REF Adjusts the amount of reflection from the wall. 0 – 10
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 1 – 100
Decay Sets the duration of the reverberations. 1 – 30
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 1 – 100
Decay Sets the duration of the reverberations. 1 – 30
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 1 – 200
Decay Sets the duration of the reverberations. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 1 – 100
Decay Sets the duration of the reverberations. 1 – 30
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
22 23
Effect Types and Parameters
A1
[ REVERB ]
FD Spring This simulates the spring reverb of the '65 Fender Twin Reverb.
★
Plate This simulates a plate reverb.
EarlyRef This effect reproduces only the early reflections of reverb.
Church This effect simulates the reverberations of a church.
★
Chamber This effect simulates the reverberations of a chamber-sized room.
★
GateRev This unique reverb is good for percussive playing.
★
ModReverb This wide and thick reverb adds modulation to the reverberations.
DryPlate This plate reverb simulation can provide clear reverberations.
Color Sets the tone of the effect type. 0, 1
Lo Adjusts volume of low frequencies. 0 – 100
Hi Adjusts volume of high frequencies. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 1 – 200
Decay Sets the duration of the reverberations. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
Decay Adjusts the duration of the reverb. 1 – 30
Shape Adjusts the effect envelope. -10 – 10
Tone Adjusts the tone. 0 – 10
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 0 – 200
Decay Sets the duration of the reverberations. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. The dry sound also continues
Tail
to have the same tone as when the effect was on. When OFF, effect sound stops right when
effect is turned off.
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 0 – 200
Decay Sets the duration of the reverberations. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
When ON, effect sound continues even after effect is turned off. When OFF, effect sound
Tail
stops right when effect is turned off.
Color Sets the sound color. 1 – 5
Decay Sets the duration of the reverberations. 0 – 100
Tone Adjusts the tone. 0 – 100
BAL Adjusts the balance between original and effect sounds. 0 – 100
Depth Set the modulation depth. 0 – 100
Decay Set the reverb duration. 1 – 30
Mix Adjust the amount of effect sound mixed with the original sound. 0 – 100
When ON, the effect sound is sustained even if the effect itself is turned off. When OFF, the
Tail
effect sound also stops when the effect is turned off.
PreD Set the time between when the original sound is input and reverb starts. 1 – 200
Decay Set the reverb duration. 0 – 100
LoDMP Adjust the damping of low frequencies in the reverb sound. 0 – 100
Mix Adjust the amount of effect sound mixed with the original sound. 0 – 100
FOUR /
A1X
OFF, ON
OFF, ON
OFF, ON
OFF, ON
FOUR
Effect Types and Parameters
A1
FOUR /
A1X
FOUR
[ PEDAL ]
Pedal effects are available to add only for
.
PDL Vol The volume curve of the volume pedal can be set.
VOL Adjusts the volume. 0 – 100 P
Min Adjusts the volume when the pedal is at minimum position. 0 – 100
Max Adjusts the volume when the pedal is at maximum position. 0 – 100
Curve Sets the volume curve. A, B
BlackWah This pedal wah effect simulates the Cry Baby.
★
FREQ Adjusts the emphasized frequency. 0 – 100 P
Range Adjusts the frequency range processed by the effect. 0 – 100
Dry Adjusts the volume of the unaffected sound. 0 – 100
VOL Adjusts the volume. 0 – 100
ChromeWah This simulates a British wah pedal with a chrome finish.
FREQ Adjusts the emphasized frequency. 0 – 100 P
Range Adjusts the frequency range processed by the effect. 0 – 100
Dry Adjusts the volume of the unaffected sound. 0 – 100
VOL Adjusts the volume. 0 – 100
WAH100 Simulates an Ibanez wah pedal.
★
FREQ Adjusts the emphasized frequency. 0 – 50 P
Depth Sets the depth of the wah. 0 – 100
Dry Adjusts the volume of the unaffected sound. 0 – 100
VOL Adjusts the volume. 0 – 100
PDL Pitch Use an expression pedal to change the pitch in real time with this effect.
Bend Sets the amount of pitch shift. 0 – 100 P
Color Sets the type of pitch change control with the expression pedal.
Tone Adjusts the tone. 0 – 10
Mode Sets the sound style. UP, DOWN
PDL MnPit
★
This is a pitch shifter specially for monophonic sound (single-note playing), which
allows the pitch to be shifted in real time with the expression pedal.
Bend Sets the amount of pitch shift. 0 – 100 P
Color Sets the type of pitch change control with the expression pedal.
Tone Adjusts the tone. 0 – 10
Mode Sets the sound style. UP, DOWN
PDL Vibe This vibe sound features unique undulations.
★
Speed Sets the speed of the modulation. 0 – 50 P
Depth Sets the depth of the modulation. 0 – 100
Mode Sets effect to vibrato or chorus.
VOL Adjusts the volume. 0 – 100
PDL Drive The expression pedal controls the gain of this drive effect.
★
Gain Adjusts the gain. 0 – 100 P
Tone Adjusts the tone. 0 – 100
PRSNC Adjusts volume of super-high frequencies. 0 – 100
VOL Adjusts the volume. 0 – 100
1 – 9
( See Table 2 )
1 – 9
( See Table 2 )
VIBRAT,
CHORS
24 25
Effect Types and Parameters
A1
FOUR /
[ PEDAL ]
PDL PHSR The expression pedal controls the modulation frequency of this phaser.
★
PDL Delay The expression pedal controls the delay input level of this effect.
PDL Rev The expression pedal controls the reverb input level of this effect.
OSC Echo The expression pedal controls the delay oscillation of this effect.
★
VoiceWah This effect can make a guitar sound like a human voice.
★
PDL Roto Simulates a rotary speaker.
P-BitCRSH This effect creates a lo-fi sound.
★
PDL FLNGR The expression pedal controls the emphasized frequency of this flanger.
★
BassWah This is a pedal wah effect for bass guitar.
★
Rate Sets the speed of the modulation. 1 – 50 P
Depth Sets the depth of the modulation. 0 – 100
RESO Sets effect resonance. 0 – 100
Color Sets the tone of the effect type.
InLvl Adjusts the delay input level. 0 – 100 P
Time Sets the delay time. 1 – 3000
F. B Adjusts the feedback amount. 0 – 100
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
InLvl Adjusts the reverb input level. 0 – 100 P
PreD Adjusts the delay between input of the original sound and start of the reverb sound. 1 – 100
Decay Sets the duration of the reverberations. 1 – 30
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
OSC Adjusts the delay time and feedback. 0 – 100 P
T-Min Adjusts the delay time when the pedal is at minimum position. 19 – 500
T-Max Adjusts the delay time when the pedal is at maximum position. 19 – 500
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
Vowel Adjusts the emphasized vowel. 0 – 100 P
PTTRN Sets effect pattern. A – C
Voice Adjusts the vowel sounds. 0 – 100
Mode Sets the sound style. STEP, SOFT
Mode Sets the rotary mode. SLOW, FAST P
Drive Adjusts the amount of amplification from the preamp. 0 – 100
BAL Adjusts the balance between the horn (high frequencies) and the drum (low frequencies). 0 – 100
VOL Adjusts the volume. 0 – 100
SMPL Sets sampling rate. 0 – 50 P
Bit Sets bit depth. 4 – 32
Tone Adjusts the tone. 0 – 10
BAL Adjusts the balance between original and effect sounds. 0 – 100
FREQ This sets the emphasized frequency. 0 – 100 P
RESO Sets effect resonance. -10 – 10
HiDMP Adjusts the treble attenuation of the effect sound. 0 – 10
Mix Adjusts the amount of effected sound that is mixed with the original sound. 0 – 100
FREQ Adjusts the emphasized frequency. 0 – 100 P
Range Adjusts the frequency range processed by the effect. 0 – 100
Dry Adjusts the volume of the unaffected sound. 0 – 100
VOL Adjusts the volume. 0 – 100
A1X
4 STG,
8 STG,
INV 4,
INV 8
FOUR
Effect Types and Parameters
[ PEDAL ]
A1
FOUR /
A1X
FOUR
PDL Reso
★
Pedal wah with a strong character.
FREQ Adjusts the emphasized frequency. 1 – 50 P
RESO Sets effect resonance. 0 – 10
Dry Adjusts the volume of the unaffected sound. 0 – 100
VOL
Adjusts the volume. 0 – 100
BaPDLPit Use an expression pedal to change the pitch in real time with this effect.
★
BaPDLMnP
★
Bend Sets the amount of pitch shift. 0 – 100 P
Color Sets the type of pitch change control with the expression pedal.
Tone Adjusts the tone. 0 – 10
Mode
Sets the sound style. UP, DOWN
This is a pitch shifter specially for monophonic sound (single-note playing), which
allows the pitch to be shifted in real time with the expression pedal.
Bend Sets the amount of pitch shift. 0 – 100 P
Color Sets the type of pitch change control with the expression pedal.
Tone Adjusts the tone. 0 – 10
Mode
Sets the sound style. UP, DOWN
Tp P.Wah This is a pedal wah for trumpet.
FREQ Set the emphasized frequency. 0 – 50 P
Depth Set the depth of the wah effect. 0 – 100
Peak Set the amount of resonance when the filter is open. 0 – 10
VOL Adjust the volume. 0 – 100
Output VP
This controls the product output level. This volume will be kept even when the patch
is changed.
1 – 9
( See Table 2 )
1 – 9
( See Table 2 )
- -
[ AG MODEL ]
D-28 Body characteristics of a Martin D-28, which is a standard acoustic guitar style.
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
D-18 Body characteristics of a Martin D-18, which features a clear tone.
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
D-45 Body characteristics of a Martin D-45, which features rich harmonics and deep bass.
★
000-28 Body characteristics of a Martin 000-28, which features beautiful treble.
★
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
26 27
Effect Types and Parameters
A1
FOUR /
A1X
FOUR
[ AG MODEL ]
000-18 Body characteristics of a Martin 000-18, which features clear bass.
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
OM-28
★
OM-18 Body characteristics of a Martin OM-18, which features a tone with a fast response.
★
OM-42
★
00-21 Body characteristics of a Martin 00-21, which features a clear tone typical of jacaranda.
00-18
★
J-45
Adv.Jumbo
★
J-160E
★
Body characteristics of a Martin OM-28, which features full high frequencies and just
the right amount of volume.
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Body characteristics of a Martin OM-42, which features rich harmonics and a tight low
end.
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Body characteristics of a Martin 00-18, which features a balanced tone from a small
body.
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Body characteristics of a Gibson J-45, which features a dry tone that is perfect for
strumming.
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Body characteristics of a Gibson J-45 Advanced Jumbo, which uses a rosewood back
to add rich bass to the J-45 sound.
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Body characteristics of a Gibson J-160E, which is famous as a pioneering acousticelectric guitar.
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Effect Types and Parameters
A1
FOUR /
A1X
FOUR
[ AG MODEL ]
HumBird
Dove
★
SJ-200 Body characteristics of a Gibson SJ-200, which is known as the king of flattop guitars.
F-55
★
LG-2
LG-0
★
314ce
LL36
★
LL66
Body characteristics of a Gibson Hummingbird, which is loved by pop and rock artists.
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Body characteristics of a Gibson Dove, which features a solid bass tone from its maple
sides and back.
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Body characteristics of a Guild F-55, which has deep bass and bell-like high
frequencies thanks to its large body.
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Body characteristics of a Gibson LG-2, which is a small-bodied guitar loved by blues
musicians.
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Body characteristics of a Gibson LG-0, which has a down-home sound thanks to its
ladder bracing.
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Body characteristics of a Taylor 314ce, which is popular because of its great playability
and balanced tone.
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Body characteristics of a YAMAHA LL36, which features a thick solid sound with a
balanced tone.
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Body characteristics of a YAMAHA LL66, which has a transparent sound with a good
balance of all the strings.
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
28 29
Effect Types and Parameters
A1
FOUR /
A1X
[ AG MODEL ]
Adamas
Legend
★
Nylon Body characteristics of a nylon guitar used in bossa nova, jazz and other genres.
12Strings
Resonator
UprightBa Body characteristics of a 3/4 upright bass, which has soft highs and rich lows.
Body characteristics of an Ovation Adamas, which was created to have ideal vibration
traits by using a unique top material.
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Body characteristics of an Ovation Legend, which features a round back and a large
sound hole.
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Body characteristics of a Guild 12-string guitar, which features the unique wide sound
of doubled strings.
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Body characteristics of a Dobro resonator guitar, which has a spider cone resonator in
a wood body.
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
Gain Adjusts the gain. -12 – 12
Bass Adjusts volume of low frequencies. 0 – 100
MID Adjusts volume of middle frequencies. 0 – 100
Treble Adjusts volume of high frequencies. 0 – 100
FOUR
Additional tables
Table 1 [Scale Parameter]
Setting Scale used Interval
-6
-5 5th down
-4 4th down
-3 3rd down
-m
m 3rd up
3
4 4th up
5 5th up
6 6th up
Major
Minor
Major
Table 2 [Color Parameter]
Color Pedal min Pedal max
1 0 cent +1 octave
2 0 cent +2 octave
3 0 cent - 100 cent
4 0 cent - 2 octave
5 0 cent -∞
6 - 1 octave +original +1 octave +original
7 - 700 cent +original +500 cent +original
8 Doubling Detuned +original
9 -∞ (0 Hz) +original +1 octave +original
6th down
3rd down
3rd up
©2019 ZOOM CORPORATION Z2I-3811-01
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