Yamaha RX-V657 User Manual

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Page 1

RX-V657

AV Receiver Ampli-tuner audio-vidéo

OWNER’S MANUAL

MODE D’EMPLOI

BEDIENUNGSANLEITUNG

BRUKSANVISNING

GEBRUIKSAANWIJZING

ИНСТРУКЦИЯ ПО ЭКСПЛУАТАЦИИ

Page 2

CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.

1 To assure the finest performance, please read this

manual carefully. Keep it in a safe place for future reference.

2 Install this sound system in a well ventilated, cool,

dry, clean place – away from direct sunlight, heat sources, vibration, dust, moisture, and/or cold. Allow ventilation space of at least 30 cm on the top, 20 cm on the left and right, and 20 cm on the back of this unit.

3 Locate this unit away from other electrical

appliances, motors, or transformers to avoid humming sounds.

4 Do not expose this unit to sudden temperature

changes from cold to hot, and do not locate this unit in a environment with high humidity (i.e. a room with a humidifier) to prevent condensation inside this unit, which may cause an electrical shock, fire, damage to this unit, and/or personal injury.

5 Avoid installing this unit where foreign object may

fall onto this unit and/or this unit may be exposed to liquid dripping or splashing. On the top of this unit, do not place: – Other components, as they may cause damage

and/or discoloration on the surface of this unit.

– Burning objects (i.e. candles), as they may cause

fire, damage to this unit, and/or personal injury.

– Containers with liquid in them, as they may fall

and liquid may cause electrical shock to the user and/or damage to this unit.

6 Do not cover this unit with a newspaper, tablecloth,

curtain, etc. in order not to obstruct heat radiation. If the temperature inside this unit rises, it may cause fire, damage to this unit, and/or personal injury.

7 Do not plug in this unit to a wall outlet until all

connections are complete.

8 Do not operate this unit upside-down. It may

overheat, possibly causing damage. 9 Do not use force on switches, knobs and/or cords. 10 When disconnecting the power cord from the wall

outlet, grasp the plug; do not pull the cord. 11 Do not clean this unit with chemical solvents; this

might damage the finish. Use a clean, dry cloth. 12 Only voltage specified on this unit must be used.

Using this unit with a higher voltage than specified

is dangerous and may cause fire, damage to this

unit, and/or personal injury. YAMAHA will not be

held responsible for any damage resulting from use

of this unit with a voltage other than specified. 13 To prevent damage by lightning, disconnect the

power cord and outdoor antenna from the wall outlet

during an electrical storm.

14 Do not attempt to modify or fix this unit. Contact

qualified YAMAHA service personnel when any service is needed. The cabinet should never be opened for any reasons.

15 When not planning to use this unit for long periods

of time (i.e. vacation), disconnect the AC power plug from the wall outlet.

16 Be sure to read the “TROUBLESHOOTING” section

on common operating errors before concluding that this unit is faulty.

17 Before moving this unit, press STANDBY/ON to set

this unit in the standby mode, and disconnect the AC power plug from the wall outlet.

WARNI NG

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.

This unit is not disconnected from the AC power source as long as it is connected to the wall outlet, even if this unit itself is turned off. This state is called the standby mode. In this state, this unit is designed to consume a very small quantity of power.

■ For U.K. customers

If the socket outlets in the home are not suitable for the plug supplied with this appliance, it should be cut off and an appropriate 3 pin plug fitted. For details, refer to the instructions described below.

Note

The plug severed from the mains lead must be destroyed, as a plug with bared flexible cord is hazardous if engaged in a live socket outlet.

■ Special Instructions for U.K. Model

IMPORTANT

THE WIRES IN MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE:

Blue: NEUTRAL Brown: LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug.

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INTRODUCTION

FEATURES.......................................... ...................2

GETTING STARTED............................................ 3

Supplied accessories.................................... ..............3

Installing batteries in the remote control................... 3

CONTROLS AND FUNCTIONS .........................4

Front panel................................................... ..............4

Remote control........................................................... 6

Using the remote control ...........................................7

Front panel display ....................................................8

Rear panel....................................... .........................10

PREPARATION

SPEAKER SETUP ............................................... 11

Speaker placement................................................ ... 11

Speaker connections........... ... ... ...............................12

CONNECTIONS .................................................. 15

Before connecting components................................ 15

Connecting video components................................. 16

Connecting audio components................................. 19

Connecting the FM and AM antennas..................... 21

Connecting the power supply cord........... ...............22

Speaker impedance setting. ... ..................................23

Turning on the power............................................... 23

AUTO SETUP..................................................... ..24

Introduction.............................................................. 24

Optimizer microphone setup.................................... 24

Starting the setup...................... ... ... .........................25

BASIC OPERATION

PLAYBACK........................................................ ..30

Basic operations....................................................... 30

Selecting sound field programs ...............................32

Selecting input modes.............................................. 36

FM/AM TUNING.......... ....................................... 38

Automatic and manual tuning.................................. 38

Presetting stations................................................. ... 39

Selecting preset stations........................................... 41

Exchanging preset stations ......................................42

Receiving Radio Data System stations.................... 43

Changing the Radio Data System mode.................. 44

PTY SEEK function ................................................45

EON function........................................................... 46

RECORDING......... .............................................. 47

CONTENTS

SOUND FIELD PROGRAMS

SOUND FIELD PROGRAM

DESCRIPTIONS............................................... 48

For movie/video sources.......................................... 48

For music sources....................... .............................50

ADVANCED OPERATION

ADVANCED OPERATIONS ..............................51

Selecting the OSD mode.......................................... 51

Using the sleep timer........................... ....................51

Manually adjusting speaker levels........................... 52

SET MENU............................... .............................53

Using SET MENU................................................... 55

1 SOUND MENU.................................................... 56

2 INPUT MENU...................................................... 61

3 OPTION MENU................................................... 63

ADVANCED SETUP MENU...............................65

REMOTE CONTROL FEATURES ...................67

Control area... .......................................................... 67

Setting remote control codes ...................................68

Controlling other components....................... ... ... ... . 69

Switching library codes.... .......................................70

Clearing set up remote control codes....................... 70

ZONE 2 . .................................................................71

Zone 2 connections.................................................. 71

Remote controlling Zone 2.................................. ....72

ADDITIONAL INFORMATION

EDITING SOUND FIELD PARAMETERS...... 74

What is a sound field..................... ... ... ... .................74

Changing parameter settings ................................... 74

SOUND FIELD PARAMETER

DESCRIPTIONS............................................... 76

TROUBLESHOOTING .......................................81

RESETTING THE FACTORY PRESETS ........86

GLOSSARY...................................................... .....87

Audio formats......................................... .................87

Sound field programs............................................... 88

Audio information... ................................................88

Video signal information..................................... ... .89

SPECIFICATIONS............................................... 90

PREPARATIONINTRODUCTION

OPERATION

BASIC

SOUND FIELD

PROGRAMS

OPERATION

ADVANCED

INFORMATION

ADDITIONAL

English

Page 4

FEATURES

Built-in 7-channel power amplifier

◆ Minimum RMS output power (0.06% THD, 20 Hz to 20 kHz, 8 !) Front: 95 W + 95 W Center: 95 W Surround: 95 W + 95 W Surround back: 95 W + 95 W

Sound field features

◆ Proprietary YAMAHA technology for the creation of sound fields

◆ Dolby Digital/Dolby Digital EX decoder

◆ DTS/DTS-ES Matrix 6.1, Discrete 6.1, DTS Neo:6,

DTS 96/24 decoder

◆ Dolby Pro Logic/Dolby Pro Logic II/ Dolby Pro Logic IIx decoder

◆ Virtual CINEMA DSP

™

◆ SILENT CINEMA

Sophisticated AM/FM tuner

◆ 40-station random and direct preset tuning

◆ Automatic preset tuning

◆ Preset station shifting capability (preset editing)

• y indicates a tip for your operation.

• Some operations can be performed by using either the buttons on the main unit or on the remote control. In cases when the button

names differ between the main unit and the remote control, the button name on the remote control is given in parentheses.

• This manual is printed prior to production. Design and specifications are subject to change in part as a result of improvements, etc. In

case of differences between the manual and product, the product has priority.

Other features

◆ YPAO: YAMAHA Parametric Room Acoustic Optimizer for automatic speaker setup

◆ 192-kHz/24-bit D/A converter

◆ A SET MENU that provides you with items for

optimizing this unit for your audio/video system

◆ 8 additional input jacks for discrete multi-channel input

◆ PURE DIRECT for pure fidelity sound with analog and

PCM sources

◆ On-screen display function helpful in controlling this unit

◆ S-video signal input/output capability

◆ Component video input/output capability

◆ Video signal conversion (Composite video " S-video

# Component video) capability for monitor out

◆ Optical and coaxial digital audio signal jacks

◆ Sleep timer

◆ Cinema and music night listening modes

◆ Remote control with preset remote control codes

◆ Zone 2 custom installation facility

Manufactured under license from Dolby Laboratories. “Dolby”, “Pro Logic”, “Surround EX”, and the double-D symbol are trademarks of Dolby Laboratories.

“SILENT CINEMA” is a trademark of YAMAHA CORPORATION.

“DTS”, “DTS-ES”, “Neo:6” and “DTS 96/24” are trademarks of Digital Theater Systems, Inc.

Page 5

Supplied accessories

GETTING STARTED

Please check that you received all of the following parts.

Remote control

POWERPOWER

CD MD/CD-R

DTV/CBL

VCR 1 DVR/VCR2

TV VOL TV CH

TV MUTE TV INPUT

MUSICSTEREO

STANDARD

SELECT

SPEAKERS

LEVEL

BAND SRCH MODE

A-E/CAT.

MEMORY

REC

DISC SKIP

FREQ/TEXT

Batteries (4)

(AAA, R03, UM-4)

TRANSMITCODE SET

SYSTEM

STANDBY

POWER

AVTV

TUNER

SLEEP

V-AUXDVD

MULTI CH IN

AMP

VOLUME

MUTE

MOVIE

ENTERTAIN

4321

PURE DIRECT

EXTD SUR.

Optimizer microphone

81070965

STRAIGHT

NIGHT

ENT.

EFFECT

PRESET/CH

SET MENU

FAVOR.

MENUTITLE

ENTER

A/B/C/D/E

DISPLAYRETURN ON SCREEN

AUDIO

EONSTARTMODEPTY SEEK

AM loop antenna

Indoor FM antenna

GETTING STARTED

75-ohm/300-ohm antenna adapter (U.K. model only)

INTRODUCTION

Installing batteries in the remote control

1 Press the part and slide the battery

compartment cover off.

Insert four supplied batteries (AAA, R03, UM-4) according to the polarity markings (+ / –) on the inside of the battery compartment.

3 Slide the cover back until it snaps into place.

Notes on batteries

• Change all of the batteries if you notice the following conditions; the operation range of the remote control decreases, the indicator does not flash or its light becomes dim.

• Do not use old batteries together with new ones.

• Do not use different types of batteries (such as alkaline and manganese batteries) together. Read the packaging carefully as these different types of batteries may have the same shape and color.

• If the batteries have leaked, dispose of them immediately. Avoid touching the leaked material or letting it come into contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries.

• Do not throw away batteries with general house waste; dispose of them correctly in accordance with your local regulations.

If the remote control is without batteries for more than 2 minutes, or if exhausted batteries remain in the remote control, the contents of the memory may be cleared. When the memory is cleared, insert new batteries, set up the remote control code and program any acquired functions that may have been cleared.

English

Page 6

CONTROLS AND FUNCTIONS

Front panel

31452609

OPTIMIZER MIC

STANDBY

1 STANDBY/ON

Turns on this unit or sets it to the standby mode. When you turn on this unit, you will hear a click and there will be a 4 to 5-second delay before this unit can reproduce sound.

Note

In standby mode, this unit consumes a small amount of power in order to receive infrared-signals from the remote control.

2 OPTIMIZER MIC jack

Use to connect and input audio signals from the supplied microphone for use with the AUTO SETUP function (see page 24).

3 Remote control sensor

Receives signals from the remote control.

4 Front panel display

Shows information about the operational status of this unit.

5 A/B/C/D/E, NEXT

Selects one of the 5 preset station groups (A to E) when the unit is in tuner mode. Selects the speaker channel to be adjusted when the unit is not in tuner mode.

PRESET/TUNING A/B/C/D/E

CATEGORY

SEARCH MODE

EDIT

PROGRAM

SPEAKERSPHONES

/ON

EFFECT

SILENT CINEMA

VOLUME

ZONE ON/OFF

MAIN

ZONE 2

MEMORYFM/AM

TUNING MODE

l PRESET/TUNING h

DISPLAY

MAN'L/AUTO FM AUTO/MAN'L MONO

LEVEL

INPUT

PURE DIRECTINPUT MODETONE CONTROLSTRAIGHT

MULTI CH INPUT

VIDEO AUX

S VIDEO VIDEO OPTICALL AUDIO R

KHGEBACDF I

6 PRESET/TUNING l / h, LEVEL –/+ Selects preset station number 1 to 8 when the colon (:) is displayed next to the band indication in the front panel display when the unit is in tuner mode. Selects the tuning frequency when the colon (:) is not displayed. Adjusts the level of the speaker channel selected using A/B/C/D/E (NEXT) when the unit is not in tuner mode.

7 MEMORY (MAN’L/AUTO FM)

Stores a station in the memory. Hold down this button for more than 3 seconds to start automatic preset tuning.

8 TUNING MODE (AUTO/MAN’L MONO)

Switches the tuning mode between automatic (AUTO indicator on) and manual (AUTO indicator off).

9 VIDEO AUX jacks

Input audio and video signals from a portable external source such as a game console. To reproduce source signals from these jacks, select V-AUX as the input source.

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0 VOLUME

Controls the output level of all audio channels. This does not affect the REC OUT level.

A PHONES (SILENT CINEMA) jack

Outputs audio signals for private listening with headphones. When you connect headphones, no signals are output to the PRE OUT jacks or to the speakers. All Dolby Digital and DTS audio signals are mixed down to the left and right headphone channels.

B SPEAKERS A/B

Turns on or off the set of front speakers connected to the A and/or B terminals on the rear panel each time the corresponding button is pressed.

C PRESET/TUNING (EDIT)

Switches the function of PRESET/TUNING l / h (LEVEL –/+) between selecting preset station numbers and tuning.

D STRAIGHT (EFFECT)

Switches the sound fields off or on. When STRAIGHT is selected, input signals (2-channel or multi-channel) are output directly from their respective speakers without effect processing.

E FM/AM

Switches the reception band when the unit is in tuner mode.

F PROGRAM

Use to select sound field programs or adjust the bass/treble balance (in conjunction with TONE CONTROL).

G TONE CONTROL

Use to adjust the bass/treble balance for the front left and right, center, presence and subwoofer channels (see pages 31).

H INPUT MODE

Sets the priority (AUTO, DTS, ANALOG) for the type of signals received when one component is connected to two or more of this unit’s input jacks (see page36).

I INPUT selector

Selects the input source you want to listen to or watch.

J MULTI CH INPUT

Selects the source connected to the MULTI CH INPUT jacks. When selected, the MULTI CH INPUT source takes priority over the source selected with INPUT (or the input selector buttons on the remote control).

K PURE DIRECT

Turns on or off PURE DIRECT mode (see page35).

L ZONE ON/OFF buttons MAIN

Switches this unit’s operation to control the component in the main room (see page72).

ZONE 2

Switches this unit’s operation to control the component in the second room (Zone 2) (see page72).

CONTROLS AND FUNCTIONS

INTRODUCTION

English

Page 8

CONTROLS AND FUNCTIONS

Remote control

This section describes the function of each control on the remote control used to control this unit. To operate other components, see “REMOTE CONTROL FEATURES” on page 67.

TV MUTE TV INPUT

STANDARD

MEMORY ON SCREEN

DISC SKIP

FREQ/TEXT

CD MD/CD-R

VCR 1 DVR/VCR2

TV VOL TV CH

SPEAKERS

LEVEL

BAND SRCH MODE

A-E/CAT. A/B/C/D/E

REC

TRANSMITCODE SET

SYSTEM

POWERPOWER

STANDBY

POWER

AVTV

TUNER

SLEEP

DTV/CBL

V-AUXDVD

MULTI CH IN

AMP

VOLUME

MUTE

ENTERTAIN

MUSICSTEREO

MOVIE

4321

PURE DIRECT

EXTD SUR.

SELECT

81070965

STRAIGHT

NIGHT

ENT.

EFFECT

PRESET/CH

SET MENU

MENUTITLE

ENTER

DISPLAYRETURN

AUDIO

EONSTARTMODE PTY SEEK

1 Infrared window

Outputs infrared control signals. Aim this window at the component you want to operate.

2 CODE SET

Use to set up remote control codes (see page68).

3 Input selector buttons

Select the input source and change the control area.

4 Sound field program/numeric buttons

Use to select sound field programs. Use numbers 1 through 8 to select preset stations when the unit is in tuner mode. Use SELECT to playback 2-channel sources in surround (see page 34). Use EXTD SUR. to switch between 5.1 or 6.1/7.1-channel playback of multi-channel software (see page33). Use PURE DIRECT to turn on or off PURE DIRECT mode (see page 35).

5 SPEAKERS A/B

Use to turn on or off the set of front speakers connected to the A and/or B terminal on the rear panel each time the corresponding button is pressed.

6 LEVEL

Selects the speaker channel to be adjusted and sets the level.

7 Cursor buttons u / d / j / i / ENTER

Use to select and adjust sound field program parameters or SET MENU items. Press i to select a preset station group (A to E) when the unit is in tuner mode. Press u / d to select a preset station number (1 to 8) when the unit is in tuner mode.

8 RETURN

Returns to the previous menu level when adjusting the SET MENU parameters.

9 TRANSMIT indicator

Flashes while the remote control is sending signals.

0 STANDBY

Sets this unit in the standby mode.

A SYSTEM POWER

Turns on the power of this unit.

Page 9

B SLEEP

Sets the sleep timer.

C MULTI CH IN

Selects multi-channel input when using an external decoder (etc.).

D AMP

Selects the AMP mode. You must select the AMP mode to control the main unit.

E VOLUME +/–

Increases or decreases the volume level.

F MUTE

Mutes the sound. Press again to restore the audio output to the previous volume level.

G NIGHT

Turns on or off the night listening modes (see page35).

H STRAIGHT (EFFECT)

Switches the sound fields off or on. When STRAIGHT is selected, input signals (2-channel or multi-channel) are output directly from their respective speakers without effect processing.

I SET MENU

Activates the SET MENU function.

J Radio Data System tuning buttons FREQ/TEXT

Press this button when the unit is receiving a Radio Data System station to cycle the display between the PS mode, PTY mode, RT mode, CT mode (if the station offers those Radio Data System data services) and/or the frequency display (see page44).

PTY SEEK MODE

Press this button to set the unit to the PTY SEEK mode (see page 45).

PTY SEEK START

Press this button to begin searching for a station after the desired program type has been selected in the PTY SEEK mode (see page 45).

EON

Press this button to select a radio program type (NEWS, INFO, AFFAIRS, SPORT) to tune in automatically (see page 46).

Using the remote control

CONTROLS AND FUNCTIONS

The remote control transmits a directional infrared beam. Be sure to aim the remote control directly at the remote control sensor on the main unit during operation.

OPTIMIZER MIC

STANDBY /ON

SILENT CINEMA

■ Handling the remote control

• Do not spill water or other liquids on the remote

control.

• Do not drop the remote control.

• Do not leave or store the remote control in the

following types of conditions: – places of high humidity, such as near a bath – places of high temperature, such as near a heater or

stove – extremely low temperatures – dusty places

VOLUME

MEMORYFM/AM

TUNING MODE

l PRESET/TUNING h

PRESET/TUNING A/B/C/D/E

MAN'L/AUTO FMAUTO/MAN'L MONO

LEVEL

EDIT

PROGRAM

INPUT

SPEAKERSPHONES

PURE DIRECTINPUT MODETONE CONTROLSTRAIGHT

MULTI CH INPUT

VIDEO AUX

S VIDEO VIDEO OPTICALL AUDIO R

EFFECT

Approximately 6 m

30 30

TRANSMITCODE SET

SYSTEM

POWERPOWER

STANDBY

POWER

AVTV

MD/CD-R

TUNER

SLEEP

V-AUX

DVD

DTV/CBL

MULTI CH IN

VCR 1DVR/VCR2

AMP

VOLUME

TV VOLTV CH

TV MUTETV INPUT

MUTE

STEREO

MOVIE

ENTERTAIN

MUSIC

4321

PURE DIRECT

EXTD SUR.STANDARD

SELECT

70965

SPEAKERS

STRAIGHT

NIGHT

ENT.

EFFECT

PRESET/CH

LEVEL

SET MENU

MENUTITLE

BAND

SRCH MODE

ENTER

A-E/CAT. A/B/C/D/E

DISPLAYRETURN

MEMORY ON SCREEN

REC

AUDIO

DISC SKIP

EONSTARTMODEPTY SEEK

FREQ/TEXT

INTRODUCTION

English

Page 10

CONTROLS AND FUNCTIONS

Front panel display

123456789 A B C0

VCR1

DVR/VCR2

VIRTUAL

DIGITAL EX

Left surround DSP sound field

qPLq

PL x

SILENT CINEMA

ZONE2STANDARD

NIGHT

Presence DSP sound field

Surround back DSP sound field

Listening position

Right surround DSP sound field

MATRIX DISCRETE

PCM

1 Decoder indicators

When any of this unit’s decoders function, the respective indicator lights up.

2 VIRTUAL indicator

Lights up when Virtual CINEMA DSP is active (see page 36).

3 SILENT CINEMA indicator

Lights up when headphones are connected and a sound field program is selected (see page 31).

4 Input source indicators

A cursor lights to show the current input source.

5 Sound field indicators

Light to indicate the active DSP sound fields.

6 CINEMA DSP indicator

Lights up when you select a CINEMA DSP sound field program.

7 YPAO indicator

Lights up during the auto setup procedure and when the auto setup speaker settings are used without any modifications.

8 AUTO ind icator

Lights up when this unit is in automatic tuning mode.

9 TUNED indicator

Lights up when this unit is tuned into a station.

DVD

DTV/CBL

V-AUX

HiFi DSP

A B

IJ M

0 STEREO indicator

Lights up when this unit is receiving a strong signal for an FM stereo broadcast while the AUTO indicator is lit.

A MEMORY indicator

Flashes to show that a station can be stored.

B MUTE indicator

Flashes while the MUTE function is on.

C VOLUME level indication

Indicates the current volume level.

D PCM indicator

Lights up when this unit is reproducing PCM (Pulse Code Modulation) digital audio signals.

E STANDARD indicator

Lights up when Surround Standard or Surround Enhanced is selected (see page 34).

F NIGHT indicator

Lights up when you select night listening mode.

G SP A B indicators

Light up according to the set of front speakers selected. Both indicators light up when both sets of speakers are selected.

H Headphones indicator

Lights up when headphones are connected.

I HiFi DSP indicator

Lights up when you select a HiFi DSP sound field program.

J Multi-information display

Shows the current sound field program name and other information when adjusting or changing settings.

YPAO

MD/CD-R

AUTO

HOLD

MEMORY

TUNED STEREO MUTE

RT CTEONPTYPTY

SLEEP

KNLED

PHONOCDTUNER

VOLUME

96/24

LCR

SL SB SR

LFE

Page 11

K SLEEP indicator

Lights up while the sleep timer is on.

L 96/24 indicator

Lights up when a DTS 96/24 signal is input to this unit.

M LFE indicator

Lights up when the input signal contains the LFE signal.

N Input channel indicators

Indicate the channel components of the current digital input signal.

O ZONE 2 indicator

Lights up when Zone 2 power is on.

P Radio Data System indicators

The name(s) of the Radio Data System data offered by the currently received Radio Data System station light(s) up. EON lights up when an Radio Data System station that offers the EON data service is being received. PTY HOLD lights up while searching for stations in the PTY SEEK mode.

CONTROLS AND FUNCTIONS

INTRODUCTION

English

Page 12

CONTROLS AND FUNCTIONS

90 A B C

Rear panel

12 3 47865

COMPONENT VIDEO

PR PB Y

DVD

DTV/

CBL

VIDEO

AUDIO AUDIO

VIDEO S VIDEO

DIGITAL OUTPUT

MD/CD-R

OPTICAL

(PLAY)

MD/ CD-R OUT

MD/CD-R

(REC)

FRONT

DVD

SURROUND

DTV/CBL

SURROUND

BACK

DVD

COAXIAL

SUB

WOOFER

DIGITAL

MULTI CH INPUT

INPUT

MONITOR

OUT

DVD

DTV/ CBL

VCR 1

OUT

DVR/ VCR 2

OUT

CENTER

ZONE 2 OUTPUT

PRE OUT

CENTER SINGLE

FRONT

WOOFER

SURROUND

VIDEO S VIDEO

MONITOR OUT

TUNER

75Ω UNBAL.

ANTGND

ANT

REMOTE

AC OUTLETS

SWITCHED

CONTROL

OUT

+12V

PRESENCE/

SUB

SURROUND

ZONE 2

BACK

FRONT

15mA MAX.

SPEAKERS

SURROUND

SURROUND BACK

CENTER

1 DIGITAL OUTPUT jacks

See page 19 for details.

2 Audio component jacks

See page 19 for connection information.

3 Video component jacks

See pages 16 and 18 for connection information.

4 Antenna terminals

See page 21 for connection information.

5 PRESENCE/ZONE 2 speaker terminals

See page 12 for connection information.

6 REMOTE IN/OUT jacks

See page 71 for details.

7 CONTROL OUT jack

This is a control expansion terminal for commercial use.

8 AC OUTLE T(S)

Use to supply power to your other A/V components (see page 22).

9 DIGITAL INPUT jacks

See pages 16, 18 and 19 for details.

0 MULTI CH INPUT jacks

See page 17 for connection information.

A ZONE 2 OUTPUT jacks

These jacks output analog signals only. See page71 for details.

B PRE OUT jacks

See page 20 for connection information.

C Speaker terminals

See page 12 for connection information.

Page 13

SPEAKER SETUP

Speaker placement

The speaker layout below shows the standard ITU-R* speaker setting. You can use it to enjoy CINEMA DSP and multi-channel audio sources.

ITU-R is the radio communication sector of the ITU (International Telecommunication Union).

1.8 m

Front speakers (FR and FL)

The front speakers are used for the main source sound plus effect sounds. Place these speakers an equal distance from the ideal listening position. The distance of each speaker from each side of the video monitor should be the same.

Center speaker (C)

The center speaker is for the center channel sounds (dialog, vocals, etc.). If for some reason it is not practical to use a center speaker, you can do without it. Best results, however, are obtained with the full system. Align the front face of the center speaker with the front face of your video monitor. Place the speaker centrally between the front speakers and as close to the monitor as possible, such as directly over or under it.

80˚

SBL

30 cm or more

30˚

60˚

SBR

1.8 m

SPEAKER SETUP

Surround speakers (SR and SL)

The surround speakers are used for effect and surround sounds. Place these speakers behind your listening position, facing slightly inwards, about 1.8 m above the floor.

Surround back speakers (SBR and SBL)

The surround back speakers supplement the surround speakers and provide for more realistic front-to-back transitions. Place these speakers directly behind the listening position and at the same height as the surround speakers. They should be positioned at least 30 cm apart. Ideally, they should be positioned at the same width as the front speakers.

Subwoofer

The use of a subwoofer, such as the YAMAHA Active Servo Processing Subwoofer System, is effective not only for reinforcing bass frequencies from any or all channels, but also for high fidelity reproduction of the LFE (lowfrequency effect) channel included in Dolby Digital and DTS software. The position of the subwoofer is not so critical, because low bass sounds are not highly directional. But it is better to place the subwoofer near the front speakers. Turn it slightly toward the center of the room to reduce wall reflections.

Presence speakers (PR and PL)

Presence speakers supplement the sound from the front speakers with extra ambient effects produced by CINEMA DSP (see page 48). These effects include sounds that filmmakers intend to locate a little farther back behind the screen in order to create more theater-like ambience. Place these speakers at the front of the room about 0.5 - 1 m outside the front speakers, facing slightly inwards, and about 1.8 m above the floor.

PREPARATION

English

Page 14

SPEAKER SETUP

Speaker connections

Be sure to connect the left channel (L), right channel (R), “+” (red) and “–” (black) properly. If the connections are faulty, no sound will be heard from the speakers, and if the polarity of the speaker connections is incorrect, the sound will be unnatural and lack bass.

CAUTION

• If you will use 4 or 6 ohm speakers, be sure to set this unit’s speaker impedance setting to 4 ohms before using (see page 23).

• Before connecting the speakers, make sure that the power of this unit is off.

• Do not let the bare speaker wires touch each other or do not let them touch any metal part of this unit. This could damage this unit and/or speakers.

• Use magnetically shielded speakers. If this type of speakers still creates the interference with the monitor, place the speakers away from the monitor.

A speaker cord is actually a pair of insulated cables running side by side. One cable is colored or shaped differently, perhaps with a stripe, groove or ridges. Connect the striped (grooved, etc.) cable to the “+” (red) terminals on this unit and your speaker. Connect the plain cable to the “–” (black) terminals.

10 mm

1 Remove approximately 10 mm of insulation

from the end of each speaker cable.

2 Twist the exposed wires of the cable together

to prevent short circuits.

3 Unscrew the knob.

4 Insert one bare wire into the hole in the side

of each terminal.

5 Tighten the knob to secure the wire.

Red: positive (+)

Black: negative (–)

■ Connecting to PRESENCE/ZONE 2 or PRESENCE speaker terminals

1 Open the tab.

2 Insert one bare wire into the hole of each

terminal.

3 Return the tab to secure the wire.

Page 15

Subwoofer

system

Presence speakers

LeftRight

231

Surround speakers

LeftRight

4 5

SPEAKER SETUP

PREPARATION

PRE OUT

CENTER SINGLE

PRESENCE/

SUB

SURROUND

ZONE 2

FRONT

SURROUND

WOOFER

BACK

SPEAKERS

SURROUND

FRONT

CENTER

SURROUND BACK

6 7 10

You can connect both surround back and presence speakers to this unit, but they do not output sound simultaneously.

• The surround back speakers output the surround back channel included in Dolby Digital EX and DTS-ES software and only operate when the Dolby Digital EX, DTS-ES or Dolby Pro Logic IIx decoder is turned on.

• The presence speakers output ambient effects created by the DSP sound fields. They do not output sound when other sound fields are selected.

Front speakers (A)

Front

speakers

(B)

LeftRight

Center speaker

Surround back

speakers

LeftRight

English

Page 16

SPEAKER SETUP

■ FRONT terminals

Connect one or two speaker systems (6, 7) to these terminals. If you use only one speaker system, connect it to the FRONT A or B terminals.

■ CENTER terminals

Connect a center speaker (8) to these terminals.

■ SURROUND terminals

Connect surround speakers (4, 5) to these terminals.

■ SUBWOOFER jack

Connect a subwoofer with built-in amplifier (1), such as the YAMAHA Active Servo Processing Subwoofer System, to this jack.

■ SURROUND BACK terminals

Connect surround back speakers (9, 10) to these terminals. If you only connect one surround back speaker, connect it to the left (L) terminals.

■ PRESENCE terminals

Connect presence speakers (2, 3) to these terminals.

If you are using either the U.S.A., Canada, Australia, U.K. or Europe model, you can also use these speakers as Zone 2 speakers (see page71).

Speaker layout

Page 17

CONNECTIONS

Before connecting components

CAUTION

Do not connect this unit or other components to the mains power until all connections between components are complete.

■ Cable indications

For analog signals

left analog cables right analog cables

For digital signals

optical cables coaxial cables

For video signals

video cables S-video cables

component video cables

■ Analog jacks

You can input analog signals from audio components by connecting audio pin cable to the analog jacks on this unit. Connect red plugs to the right jacks and white plugs to the left jacks.

■ Digital jacks

This unit has digital jacks for direct transmission of digital signals through either coaxial or fiber optic cables. You can use the digital jacks to input PCM, Dolby Digital and DTS bitstreams. When you connect components to both the COAXIAL and OPTICAL jacks, priority is given to the input signals from the COAXIAL jack. All digital input jacks are compatible with 96-kHz sampling digital signals.

Note

This unit handles digital and analog signals independently. Thus audio signals input to the analog jacks are only output to the analog OUT (REC) jacks. Likewise audio signals input to the digital (OPTICAL or COAXIAL) jacks are only output to the DIGITAL OUTPUT jack.

PR P

CONNECTIONS

Dust protection cap

Pull out the cap from the optical jack before you connect the fiber optic cable. Do not discard the cap. When you are not using the optical jack, be sure to put the cap back in place. This cap protects the jack from dust.

■ Video jacks

This unit has three types of video jacks. Connection depends on the availability of input jacks on your monitor. The signals input through the S VIDEO jacks on this unit are automatically converted for output through the VIDEO jacks. When VIDEO CONV. is set to ON (see page63), signals input through the VIDEO jacks can be output through the S VIDEO and COMPONENT VIDEO jacks. Likewise, signals input through the S VIDEO jacks can also be output through the COMPONENT VIDEO jacks.

VIDEO

VIDEO jacks

For conventional composite video signals.

S VIDEO jacks

For S-video signals, separated into luminance (Y) and color (C) video signals to achieve high-quality color reproduction.

COMPONENT VIDEO jacks

For component signals, separated into luminance (Y) and color difference (P picture reproduction.

Signal flow inside this unit

COMPONENT VIDEO

S VIDEO

VIDEO

Only when VIDEO CONV. is set to ON (see page63).

Note

When signals are input through both the S VIDEO and VIDEO jacks, signals input through the S VIDEO jack have priority.

COMPONENT VIDEO

S VIDEO

PR PB Y

B, PR) to provide the best quality in

Input

(MONITOR OUT)

Output

PREPARATION

English

Page 18

CONNECTIONS

Connecting video components

■ Connections for DVD playback

Note

Be sure to connect your video source components in the same way you connect your video monitor to this unit if VIDEO CONV. (see page63) is set to OFF. For example, if you connect your video monitor to this unit using a VIDEO connection, connect your video source components to this unit using the VIDEO connections. (Even when VIDEO CONV. is set to OFF, S-video signals input from your video source component are automatically converted to composite signals in this unit.)

Audio out

DVD player

Video out

LRC

VIDEO

AUDIO

VIDEO S VIDEO

DVD

VIDEO S VIDEO

MONITOR OUT

DVD

MONITOR

COMPONENT VIDEO

OUT

PR PB Y

R PB Y

Video in

monitor

Video

Coaxial out Optical out

DVD

COAXIAL

DIGITAL INPUT

Page 19

SUB

WOOFER

MULTI CH INPUT

CONNECTIONS

CENTER

■ Connecting to the MULTI CH INPUT jacks

This unit is equipped with 8 additional input jacks (left and right FRONT, CENTER, left and right SURROUND, left and right SURROUND BACK and SUBWOOFER) for discrete multi-channel input from a multi-format player, external decoder, sound processor or pre-amplifier. Connect the output jacks on your multi-format player or external decoder to the MULTI CH INPUT jacks. Be sure to match the left and right outputs to the left and right input jacks for the front and surround channels.

For 6-channel input

FRONT

SURROUND

SUB

CENTER

WOOFER

MULTI CH INPUT

For 8-channel input

FRONT

SURROUND

BACK

PREPARATION

Subwoofer

LRLR

out

Center out

Multi-format player/

External decoder

Front out

Notes

• When you select MULTI CH INPUT as the input source, this unit automatically turns off the digital sound field processor, and you cannot select sound field programs.

• This unit does not redirect signals input to the MULTI CH INPUT jacks to accommodate for missing speakers. We recommend that you connect at least a 5.1-channel speaker system before using this feature.

• When headphones are used, only front left and right channels are output.

Surround out

Front out

Subwoofer out

Center out

Multi-format player/

External decoder

Surround back out

Surround out

LR LRLR

English

Page 20

CONNECTIONS

■ Connections for other video components

Notes

• Be sure to connect your video source components in the same way you connect your video monitor to this unit if VIDEO CONV. (see page63) is set to OFF. For example, if you connect your video monitor to this unit using a VIDEO connection, connect your video source components to this unit using the VIDEO connections. (Even when VIDEO CONV. is set to OFF, S-video signals input from your video source component are automatically converted to composite signals in this unit.)

• Converted video signals are only output to the MONITOR OUT jacks. When recording you must make the same type of video connections (i.e., S-video) between each component.

Optical out

DTV/CBL

COAXIAL

DIGITAL INPUT

■ VIDEO AUX jacks (on the front panel)

Use these jacks to connect any video source, such as a game console or video camera, to this unit.

Cable TV or

satellite tuner

Audio out

AUDIO

R LR

Audio out Video out

Video out

VIDEO S VIDEO

DTV/

CBL

VCR 1

OUT

VIDEO S VIDEO

MONITOR OUT

DVD recorder

or VCR

R PB Y

COMPONENT VIDEO

PRPBY

DTV/ CBL

VIDEO

MONITOR

OUT

or or

SVS

Video in

Video

monitor

Video inAudio in

VIDEO AUX

VIDEOS VIDEO OPTICALL AUDIO R

Optical out Audio out R

Game console or

Audio out L

video camera

Video out S-video out

Page 21

Connecting audio components

■ Connections for audio components

CONNECTIONS

MD recorder or

tape deck

Optical in

Optical out

Audio out

Audio in

AUDIO

DIGITAL

OUTPUT

MD/CD-R

OPTICAL

(PLAY)

MD/ CD-R OUT

MD/CD-R

(REC)

COAXIAL

DIGITAL

INPUT

Audio out

Coaxial out

PREPARATION

CD player

English

Page 22

CONNECTIONS

■ Connecting to an external amplifier

If you want to increase the power output to the speakers, or want to use another amplifier, connect an external amplifier to the PRE OUT jacks as follows.

Notes

• When audio pin plugs are connected to the PRE OUT jacks for output to an external amplifier, do not make connections to the corresponding SPEAKERS terminals. Set the volume of the amplifier connected to this unit to the maximum.

• The signals output through the FRONT PRE OUT and CENTER PRE OUT jacks are affected by the TONE CONTROL settings.

• If SPEAKERS A is turned off and SP B is set to ZONE B (see page64), signals will only be output from the FRONT PRE OUT jacks.

12354

PRE OUT

CENTER SINGLE

SURROUND

SUB

FRONT

SURROUND

BACK

WOOFER

1 FRONT PRE OUT jacks

Front channel line output jacks.

2 SURROUND PRE OUT jacks

Surround channel line output jacks.

3 CENTER PRE OUT jack

Center channel line output jack.

4 SURROUND BACK PRE OUT jacks

Surround back or presence channel line output jacks.

5 SUBWOOFER PRE OUT jack

Connect a subwoofer with built-in amplifier, such as the YAMAHA Active Servo Processing Subwoofer System, to this jack.

Notes

• Each PRE OUT jack outputs the same channel signals as the corresponding speaker terminals.

• Adjust the volume level of the subwoofer with the control on the subwoofer. It is also possible to adjust the volume level using the remote control (see “Manually adjusting speaker levels” on page52).

• Some signals may not be output from the SUBWOOFER PRE OUT jack depending on the SPEAKER SET (see page56) and LFE/BASS OUT (see page57) settings.

Page 23

Connecting the FM and AM antennas

Both FM and AM indoor antennas are included with this unit. In general, these antennas should provide sufficient signal strength. Connect each antenna correctly to the designated terminals.

Indoor FM antenna (included)

AM loop antenna

(included)

TUNER

75Ω UNBAL.

GND

ANT

Ground (GND terminal)

For maximum safety and minimum interference, connect the antenna terminal to a good earth ground. A good earth ground is a metal stake driven into moist earth.

GND

■ Connecting the AM loop antenna

1 Set up the AM loop antenna.

2 Press and hold the tab to

insert the AM loop antenna lead wires into the AM ANT and GND terminals.

3 Orient the AM loop antenna

for the best reception.

Insert wire into slot

CONNECTIONS

Unit:

Lead wire

Clamp

Notes

• The AM loop antenna should be placed away from this unit.

• The AM loop antenna should always be connected, even if an outdoor AM antenna is connected to this unit.

• A properly installed outdoor antenna provides clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may improve the quality. Consult the nearest authorized YAMAHA dealer or service center about outdoor antennas.

■ Connecting the 75-ohm/300-ohm

antenna adapter (U.K. model only)

1 Open the cover of the

included 75-ohm/300-ohm antenna adapter.

2 Cut the external sleeve

of the 75-ohm coaxial cable and prepare it for connection.

3 Cut the lead wire and

remove it.

4 Insert the cable

wire into the slot, and clamp it with pliers.

5 Snap the cover into place.

PREPARATION

English

Page 24

CONNECTIONS

Connecting the power supply cord

■ Connecting the AC power cord

Plug the power cord into an AC wall outlet.

■ AC OUTLET(S) (SWITCHED)

U.K. model ......... .. ................................................ 1 outlet

Other models .. ......................................................2 outlets

Use these outlets to connect the power cords from your other components to this unit. Power to the AC OUTLET(S) is controlled by this unit’s STANDBY/ON (or SYSTEM POWER and STANDBY). The outlet(s) supply power to any connected component whenever this unit is turned on. For information on the maximum power (total power consumption of components), see “SPECIFICATIONS” on page90.

■ Memory back-up

The memory back-up circuit prevents the stored data from being lost even if this unit is in the standby mode. However if the power cord is disconnected from the AC wall outlet, or the power supply is cut for more than one week, the stored data will be lost.

Page 25

Speaker impedance setting

TRANSMITCODE SET

STANDBY

SYSTEM

POWER

CD MD/CD-R

TUNER

V-AUXDVD

AMP

POWERPOWER

VOLUME

TV MUTE TV INPUT

TV VOL TV CH

AVTV

VCR 1 DVR/VCR2

DTV/CBL

MULTI CH IN

SLEEP

CAUTION

If you are using 4 or 6 ohm speakers, set the impedance to 4 or 6 ohms as follows before turning on the power.

Be sure this unit is in the standby mode.

1 Turn off the power to this unit, and while

holding down STRAIGHT (EFFECT), press STANDBY/ON.

This unit turns on, and the ADVANCED SETUP menu appears in the front panel display.

STRAIGHT

While holding down, press

EFFECT

2 Rotate PROGRAM to move through the menu

and select “SP IMP.”.

PROGRAM

3 Press STRAIGHT (EFFECT) repeatedly to

select “4 ! MIN”.

STRAIGHT

EFFECT

4 Press STANDBY/ON to turn off the power.

STANDBY

/ON

The setting you made is reflected the next time this unit’s power is turned on.

Turning on the power

When all connections are complete, turn on the power of this unit.

OPTIMIZER MIC

STANDBY

/ON

1 Press STANDBY/ON (or SYSTEM POWER on

2 Turn on the video monitor connected to this

CONNECTIONS

MEMORYFM/AM

TUNING MODE

PRESET/TUNING A/B/C/D/E

l PRESET/TUNING h

MAN'L/AUTO FMAUTO/MAN'L MONO

LEVELNEXT

EDIT

PROGRAM

INPUT

SPEAKERSPHONES

STANDBY /ON

SILENT CINEMA

PURE DIRECTINPUT MODETONE CONTROLSTRAIGHT

MULTI CH

INPUT

EFFECT

S VIDEO VIDEO OPTICALL AUDIO R

the remote control) to turn on the power of this unit.

unit.

STANDBY

Front panel

SYSTEM

POWER

/ON

Remote control

VOLUME

VIDEO AUX

PREPARATION

English

Page 26

AUTO SETUP

Introduction

This receiver employs YAMAHA Parametric Room Acoustic Optimizer (YPAO) technology which lets you avoid troublesome listening-based speaker setup and achieves highly accurate sound adjustments. The supplied optimizer microphone collects and analyzes the sound your speakers produce in your actual listening environment.

Notes

• Please be advised that it is normal for loud test tones to be output during the auto setup procedure.

• If auto setup stops and error messages appear on the screen, follow the troubleshooting on page28.

YPAO performs the following checks and makes appropriate adjustments to give you the best possible sound from your system. WIRING: Checks which speakers are connected and the polarity of each speaker.

SIZE: Checks the speakers frequency response and sets the crossover/high cut frequency for the subwoofer to improve the sound relationship between the speakers and the subwoofer.

DISTANCE: Checks the distance of each speaker from the listening position and adjusts the delay of each channel so that the sound from each speaker reaches the listening position at the same time.

EQUALIZING: Adjusts frequency and levels of each channel’s parametric equalizer to reduce coloration across the channels and create a cohesive sound field. This is particularly important if you use different brands or sizes of speakers for some channels or have a room with unique sonic characteristics. YPAO equalizing calibration incorporates three parameters (frequency, level and Q factor) for each of the seven bands in its parametric equalizer to provide highly precise automatic adjustment of frequency characteristics.

LEVEL: Checks and adjusts the sound level (volume) of each speaker.

Optimizer microphone setup

1 Connect the supplied optimizer microphone

to the OPTIMIZER MIC jack on the front panel.

OPTIMIZER MIC

STANDBY

Notes

• After you have completed the auto setup procedure, be sure to disconnect the optimizer microphone.

• The optimizer microphone is sensitive to heat. –Keep it away from direct sunlight. –Do not place it on top of this unit.

2 Place the optimizer microphone on a flat

level surface with the omni-directional microphone head upward, at your normal listening position.

If possible, use a tripod (etc.) to affix the optimizer mic at the same height as your ears would be when you are seated in your listening position.

PRESET/TUNING A/B/C/D/E

SPEAKERSPHONES

/ON

SILENT CINEMA

Optimizer microphone position

FM/AM

l PRESET/TUNING h

LEVELNEXT

EDIT

PROGRAM

INPUT MODETONE CONTROLSTRAIGHT

EFFECT

Page 27

Starting the setup

For best results, make sure the room is as quiet as possible during the auto setup procedure (YPAO). If there is too much ambient noise, the results may not be satisfactory.

If your subwoofer has adjustable volume and crossover/high cut frequency controls, set the volume between 9 and 11 o’clock (as viewed on a conventional clockface) and set the crossover/high cut frequency to the maximum.

1 Switch on this unit and your video monitor.

Make sure the OSD is displayed.

2 Press AMP.

3 Press SET MENU.

When MEMORY GUARD is set to ON, you cannot select any other SET MENU items (see page63).

4 Press u / d to select AUTO SETUP, then

press ENTER.

PRESET/CH

ENTER

A-E/CAT. A/B/C/D/E

CROSSOVER/

VOLUME

HIGH CUT

MAX

MIN

150Hz

50Hz

Subwoofer

AMP

SET MENU

SRCH MODE

SET MENU

.;AUTOSETUP ;MANUALSETUP ;SIGNAL INFO.

[ ]/[ ]:Up/Down [ENTER]:Enter

PRESET/CH

ENTER

A-E/CAT. A/B/C/D/E

1 AUTO:MENU

. SETUP;;;;;;;AUTO

START  Automatic processing of all items

[ ]/[ ]:Up/Down

[<]/[>]:Select

1 AUTO:MENU

2 AUTO:CHECK

INITIALZING WIRING

SIZE/DISTANCE.

EQUALIZING.

LEVEL.

RESULT:EXIT

AUTO SETUP

5 Press u / d to select SETUP, then press j / i

to select the desired setting.

AUTO To perform the auto setup procedure

(YPAO).

RELOAD To reload the last auto setup (YPAO)

settings to override any manual changes.

UNDO To undo the last auto setup (YPAO) and

restore the previous settings.

DEFAULT To restore the factory preset (default)

setup parameters.

You can choose RELOAD or UNDO only if you have already performed the auto setup procedure.

6 Press d to select “START”, then press

ENTER to start the setup procedure.

The screen changes as follows.

SETUP;;;;;;;AUTO .START

 Automatic processing of all items []/[]:Up/Down [ENTER]:Start

.

CHECK CH=CENTER |||||;;;;;;;; []:Exit

.WARNING (3) RESULT  SP : 5/4/0.1  DIST: 10.0/ 12.0ft  LVL : -9.0/ +6.5dB .>SET CANCEL []/[]:Up/Down [ENTER]:Enter

PREPARATION

English

Page 28

AUTO SETUP

The results displayed in the RESULT:EXIT screen are as follows:

SP The number of connected speakers

displayed in the order: Front/Back/Subwoofer

DIST The distance of the speakers from this

unit displayed in the order: Closest speaker distance/Farthest speaker distance

LVL The speaker output level displayed in

the order: Lowest output level/Highest output level

• If you selected AUTO in step 5, “WAITING” appears when the auto setup procedure is started, then loud test tones are output from each speaker in turn.

• If you selected DEFAULT, RELOAD or UNDO in step 5, no test tones are output.

• If an ERROR screen appears, see “If an error screen appears” on page26.

• If a WARNING screen appears, see “If a warning screen appears” on page27.

You can display the detailed result information by using d and ENTER to select “RESULT”. In the detailed result information screen, you can switch information by pressing u / d / j / i.

7 Press j / i to select SET or CANCEL, then

press ENTER to return to the SET MENU screen.

RESULT:EXIT

WARNING (3) RESULT  SP : 5/4/0.1  DIST: 10.0/ 12.0ft  LVL : -9.0/ +6.5dB

.>SET CANCEL

[]/[]:Up/Down [ENTER]:Enter

SET To apply the auto setup (YPAO)

settings.

CANCEL To cancel the auto setup (YPAO)

without making any changes.

If you are not satisfied with the result or want to manually adjust each setup parameter, use the manual setup parameters (see page 52).

Notes

• If E-10 appears during testing, restart the procedure from step 3.

• To cancel the auto setup procedure before completion, press u.

■ If an error screen appears

Use u / d / j / i to select RETRY or EXIT, then press ENTER.

ERROR

.E-9:USER CANCEL .

.Don't operate .any function.

.>RETRYEXIT

[]/[]:Up/Down [ENTER]:Enter

RETRY To retry the auto setup procedure. EXIT To exit auto setup.

Page 29

■ If a warning screen appears

1 Press ENTER to display detailed information

about the warning.

Press j / i to switch between warning messages.

RESULT:EXIT

.WARNING (3) RESULT  SP : 5/4/0.1  DIST: 10.0/ 12.0ft  LVL : -9.0/ +6.5dB

.>SET CANCEL

[]/[]:Up/Down [ENTER]:Enter

WARNING:W-1

.<OUT OF PHASE> .Reverse Channel .FL __ .CENTER .PL PR .SL SR .SBL SBR [<]/[>]:Select [ENTER]:Return

W-1 warning screen

For details about each message, see page29.

• Warnings let you know about potential problems detected during auto setup. Warnings will not cancel the auto setup.

• The number of warnings is displayed to the right of “WARNING”.

• When the warning is not applicable to a speaker, “– –” is displayed.

2 When you are finished, press ENTER to

return to the RESULT:EXIT screen.

Continue from step 7 on page 26.

Notes

• If you change speakers, speaker positions, or the layout of your listening environment, perform auto setup again to re-calibrate your system.

• Depending on listening environments, SWFR PHASE:REV appears in AUTO:CHECK and SUBWOOFER PHASE parameter in SET MENU (see page 58) is automatically set to REVERSE. To select the desired setting, change the SUBWOOFER PHASE parameter in SET MENU.

• In the DISTANCE results, the distance displayed may be longer than the actual distance depending on the characteristics of your subwoofer.

AUTO SETUP

PREPARATION

English

Page 30

AUTO SETUP

■ Troubleshooting for auto setup procedure

Before auto setup

Error message Cause Remedy

Connect MIC

Unplug HP

Errors during auto setup

E-1:NO FRONT SP

E-2:NO SURR. SP E-3:NO PRES. SP E-4:SBR->SBL

E-5:NOISY

E-6:CHECK SUR.

E-7:NO MIC

E-8:NO SIGNAL

E-9:USER CANCEL

E-10:INTERNAL ERROR

Optimizer microphone is not connected. • Connect the supplied optimizer microphone to the

Headphones are connected. • Unplug the headphones.

Error message Cause Remedy

Front L/R channel signal(s) is (are) not detected.

Only one surround channel signal is detected. • Check the surround speaker connections.

Only one presence channel signal is detected. • Check the presence speaker connections.

Only right surround back channel signal is detected.

Background noise is too loud. •Try the auto setup procedure in a quiet environment.

Surround back speaker(s) is (are) connected, though surround L/R speakers are not.

The optimizer microphone was unplugged during the auto setup procedure.

The optimizer microphone does not detect test tones.

The auto setup procedure was cancelled due to user activity.

A DSP communication error or hangup occurred.

OPTIMIZER MIC jack on the front panel.

• Select the front speakers with SPEAKERS A/B.

• Check the front left and right speaker connections.

• Turn on the power to the external amplifier (when the front speaker signals are output from an external amplifier).

• Connect the surround back speaker to the LEFT SURROUND BACK SPEAKERS terminal if you only have one surround back speaker.

• Turn off noisy electric equipment like air conditioners (etc.) or move them away from the optimizer microphone.

• Connect surround speakers when you use (a) surround back speaker(s).

• Check the surround speaker connections.

• Do not touch the optimizer microphone during the auto setup procedure.

• Check the microphone setting.

• Check the speaker connections and placement.

• Perform the auto setup procedure again. Do not adjust VOLUME (etc.) during the auto setup procedure.

• Perform the auto setup procedure again.

Page 31

Warnings after auto setup

Press j / i to display detailed information about individual warnings.

Warning message Cause Remedy

W-1:OUT OF PHASE

W-2:OVER 24m

W-3:LEVEL ERROR

• If the ERROR or WARNING screens appears, check the cause of the problem, then perform the auto setup procedure again.

• If warning W-1 appears, corrections are made, but they may not be optimal.

• If warning W-2 or W-3 appears, no corrections are made.

• If error E-10 occurs repeatedly, please contact a qualified YAMAHA service center.

Speaker polarity is not correct. This message may appear depending on the speakers even when the speakers are connected correctly.

The distance between the speaker and the listening position is 24 m or more.

The difference of volume level among speakers is excessive. (No level correction is made.)

• Check the speaker connections for proper polarity (+ / –).

• Move the speaker closer to the listening position.

• Check the speaker connections for proper polarity (+ / –).

• Readjust the speaker installation so that all speakers are set in locations with similar conditions.

• Check the speaker connections for proper polarity (+ / –).

• Use speakers of similar quality and efficiency.

AUTO SETUP

PREPARATION

English

Page 32

PLAYBACK

TRANSMITCODE SET

STANDBY

SYSTEM

POWER

CD MD/CD-R

TUNER

V-AUXDVD

AMP

POWERPOWER

VOLUME

TV VOL TV CH

AVTV

VCR 1 DVR/VCR2

DTV/CBL

MULTI CH IN

SLEEP

MUTE

VOLUME

STRAIGHT

MOVIE

ENTERTAIN

MUSICSTEREO

4321

81070965

ENT.

PURE DIRECT

EXTD SUR.

STANDARD

SELECT

NIGHT

SPEAKERS

EFFECT

TV MUTE TV INPUT

TV VOL TV CH

Basic operations

OPTIMIZER MIC

PRESET/TUNING A/B/C/D/E

l PRESET/TUNING h

EDIT

PROGRAM

SPEAKERSPHONES

STANDBY

/ON

EFFECT

SILENT CINEMA

1 7 43

3,7

1 Press STANDBY/ON (or SYSTEM POWER on

the remote control) to turn on the power.

STANDBY

/ON

Front panel Remote control

2 Turn on the video monitor connected to this

unit.

3 Press SPEAKERS A or B (or press AMP to

select the AMP mode, then press SPEAKERS A or B on the remote control).

Each press turns the respective speakers on or off.

SPEAKERS

AMP

Front panel

LEVELNEXT

INPUT

Remote control

PLAYBACK

4 Select the input source.

Rotate INPUT (or press one of the input selector buttons on the remote control) to select the input you desire.

VOLUME

MEMORYFM/AM

TUNING MODE

MAN'L/AUTO FMAUTO/MAN'L MONO

PURE DIRECTINPUT MODETONE CONTROLSTRAIGHT

MULTI CH INPUT

SYSTEM

POWER

INPUT

VIDEO AUX

S VIDEO VIDEO OPTICALL AUDIO R

Front panel

The current input source name and input mode appear in the front panel display and video monitor for a few seconds.

Selected input source

5 Start playback or select a broadcast station

on the source component.

Refer to the operating instructions for the component.

6 Adjust the volume to the desired output level.

VOLUME

Front panel

SPEAKERS

CD MD/CD-R

TUNER

SLEEP

V-AUXDVD

DTV/CBL

VCR 1 DVR/VCR2

MULTI CH IN

AMP

Remote control

DVR/VCR2

VOLUME

CD PHONOTUNER

MD/CD-R

DVD

DTV/CBL

V-AUX

VCR1

Input mode

VOLUME

Remote control

Page 33

7 Select a sound field program if desired.

Use PROGRAM (or press AMP to select the AMP mode, then press one of the sound field program buttons) to select a sound field program. See page 48 for details about sound field programs.

PROGRAM

Front panel

ENTERTAIN

MUSICSTEREO

MOVIE

AMP

Remote control

■ To listen with headphones (“SILENT CINEMA”)

“SILENT CINEMA” allows you to enjoy multi-channel music or movie sound, including Dolby Digital and DTS surround, through ordinary headphones. “SILENT CINEMA” activates automatically whenever you connect headphones to the PHONES jack while listening to CINEMA DSP or HiFi DSP sound field programs. When activated, the “SILENT CINEMA” indicator lights up in the front panel display.

Notes

• This unit will not be set to “SILENT CINEMA” when MULTI

CH INPUT is selected as the input source.

• “SILENT CINEMA” is not effective when PURE DIRECT or

the 2ch Stereo program is selected, or in STRAIGHT mode.

STANDARD

SPEAKERS

4321

PURE DIRECT

EXTD SUR.

SELECT

81070965

NIGHT

STRAIGHT

ENT.

EFFECT

■ To adjust the tone

You can adjust the tonal quality of your front left and right, center, and subwoofer speakers or headphones (when connected). Press TONE CONTROL on the front panel repeatedly to select TREBLE or BASS, then rotate PROGRAM to the right or left to increase or decrease.

• Select TREBLE to adjust the high frequency response.

• Select BASS to adjust the low frequency response.

Speaker and headphone adjustments are stored independently.

Notes

• TONE CONTROL is not effective during playback in the PURE

DIRECT mode, or when MULTI CH INPUT is selected (page 32).

• When TONE BYPASS is set to “AUTO” (page60), and BASS

and TREBLE are set to 0 dB, audio output automatically bypasses this unit’s tone control circuitry.

■ To mute the sound

Press MUTE on the remote control. The MUTE indicator flashes in the front panel display. To resume the audio output, press MUTE again (or press VOLUME –/+). The MUTE indicator disappears from the display.

You can adjust the muting level (see page60).

PLAYBACK

TONE CONTROL

PROGRAM

MUTE

OPERATION

BASIC

English

Page 34

PLAYBACK

■ Selecting MULTI CH INPUT

Press MULTI CH INPUT (or MULTI CH IN on the remote control) so that “MULTI CH INPUT” appears in the front panel display and video monitor.

MULTI CH

INPUT

Front panel

Note

When “MULTI CH INPUT” is shown in the front panel display, no other source can be played. To select another input source with INPUT (or one of the input selector buttons), press MULTI CH INPUT (or MULTI CH IN on the remote control) to turn off “MULTI CH INPUT” in the front panel display.

■ Playing video sources in the background

You can combine a video image from a video source with sound from an audio source. For example, you can enjoy listening to classical music while viewing beautiful scenery from the video source on the video monitor.

Use the input selector buttons on the remote control to select a video source, then select an audio source.

CD MD/CD-R

DTV/CBL

VCR 1 DVR/VCR2

Note

If you want to enjoy audio from the MULTI CH INPUT jacks together with a video source, first select the video source, then press MULTI CH INPUT (or MULTI CH IN on the remote control).

MULTI CH INPUT

TUNER

SLEEP

V-AUXDVD

MULTI CH IN

AMP

MULTI CH IN

Remote control

Audio sources

Video sources

Selecting sound field programs

■ Front panel operation

PROGRAM

VOLUME

MEMORYFM/AM

TUNING MODE

l PRESET/TUNING h

MAN'L/AUTO FMAUTO/MAN'L MONO

LEVEL

INPUT

PURE DIRECTINPUT MODETONE CONTROLSTRAIGHT

MULTI CH INPUT

VIDEO AUX

S VIDEO VIDEO OPTICALL AUDIO R

CD PHONOTUNER

MD/CD-R

DVD

DTV/CBL

HiFi DSP

OPTIMIZER MIC

PRESET/TUNING A/B/C/D/E

EDIT

PROGRAM

SPEAKERSPHONES

STANDBY /ON

EFFECT

SILENT CINEMA

PROGRAM

Rotate PROGRAM to select the desired program.

The name of the selected program appears in the front panel display and video monitor.

V-AUX

VCR1

DVR/VCR2

SP A

TV Sports

Program name

VOLUME

L R

Page 35

■ Remote control operation

TRANSMITCODE SET

STANDBY

SYSTEM

POWER

CD MD/CD-R

TUNER

V-AUXDVD

AMP

POWERPOWER

VOLUME

TV MUTE TV INPUT

TV VOL TV CH

AVTV

VCR 1 DVR/VCR2

DTV/CBL

MULTI CH IN

SLEEP

MUTE

MENUTITLE

VOLUME

SET MENU

BAND SRCH MODE

LEVEL

STRAIGHT

MOVIE

ENTERTAIN

MUSICSTEREO

4321

81070965

ENT.

PURE DIRECT

EXTD SUR.

STANDARD

SELECT

NIGHT

SPEAKERS

EFFECT

TV MUTE TV INPUT

TV VOL TV CH

ENTER

PRESET/CH

DTV/CBL

V-AUX

HiFi DSP

Program name

Sound field

program buttons

ENTERTAIN

MUSICSTEREO

PURE DIRECT

EXTD SUR.

STANDARD

SELECT

SPEAKERS

NIGHT

STRAIGHT

CD PHONOTUNER

MD/CD-R

DVD

VOLUME

AMP

Press AMP to select the AMP mode, then press one of the sound field program buttons to select the desired program.

The name of the selected program appears in the front panel display.

AMP

VCR1

DVR/VCR2

TV Sports

Choose a sound field program based on your listening preference, and not on the name of the program.

Notes

• When you select an input source, this unit automatically selects the last sound field program used with that source.

• Sound field programs cannot be selected when MULTI CH INPUT is selected.

• Sampling frequencies higher than 48 kHz (except for DTS 96/ 24 signals) will be sampled down to 48 kHz, then sound field programs will be applied.

■ Enjoying multi-channel software

If you connected a surround back speaker, use this feature to enjoy 6.1/7.1-channel playback for multi-channel sources using the Dolby Pro Logic IIx, Dolby Digital EX or DTS-ES decoders.

Press AMP to select the AMP mode, then press EXTD SUR. on the remote control to switch between 5.1 and 6.1/7.1-channel playback.

AMP

To select a decoder, press j / i repeatedly when PLIIxMusic (etc.) is displayed.

MOVIE

4321

81070965

ENT.

EFFECT

Auto (AUTO)

When a signal (flag) that can be recognized by the unit is

input, the unit selects the optimum decoder for playing

L R

back the signal in 6.1/7.1 channels. If the unit cannot recognize the flag or no flag is present in the input signal, it cannot automatically be played in 6.1/

7.1 channels.

Decoders (select with j / i)

You can select from the following decoders depending on the format of the software you are playing.

PLIIxMovie

For playing back Dolby Digital or DTS signals in 7.1 channels using the Pro Logic IIx movie decoder.

PLIIxMusic

For playing back Dolby Digital or DTS signals in 6.1/7.1 channels using the Pro Logic IIx music decoder.

EX/ES

For playing back Dolby Digital signals in 6.1/7.1 channels using the Dolby Digital EX decoder. DTS signals are played back in 6.1/7.1 channels using the DTS-ES decoder.

For playing back Dolby Digital or DTS signals in 6.1/7.1 channels using the Dolby Digital EX decoder.

Off (OFF)

Decoders are not used to create 6.1/7.1 channels.

When “SUR. B L/R SP” is set to SMLx1 or LRGx1 (see page57), the surround back channel will be output from the left SURROUND BACK speaker terminals.

PRESET/CH

ENTER

A-E/CAT. A/B/C/D/E

PLAYBACK

EXTD SUR.

OPERATION

BASIC

English

Page 36

PLAYBACK

Notes

• Some 6.1-channel compatible discs do not have a signal (flag) which this unit can automatically detect. When playing these kinds of discs with 6.1-channel, select a decoder (PLIIx Movie, PLIIx Music, EX/ES or EX) manually.

• 6.1-channel playback is not possible even if EXTD SUR. is pressed in the following cases: –When “SUR. L/R SP” (see page 56) or “SUR. B L/R SP” (see

page57) is set to NONE.

–When the source connected to the MULTI CH INPUT jack is

being played.

–When the source being played does not contain surround left

and right channel signals. –When a Dolby Digital KARAOKE source is being played. –When “2ch Stereo” or PURE DIRECT is sele cted.

• When the power of this unit is turned off, this setting will be reset to AUTO.

• The Pro Logic IIx decoder is not available when “SUR. B L/R SP” is set to NONE (see page 57).

• PLIIxMovie cannot be selected when “SUR. B L/R SP” is set to SMLx1 or LRGx1 (see page57).

■ Enjoying 2-channel software in surround

Signals input from 2-channel sources can also be played back on multiple channels.

Press AMP to select the AMP mode, then press STANDARD on the remote control to switch between the SUR. STANDARD and SUR. ENHANCED programs.

Or press MOVIE to select the MOVIE THEATER program.

Press SELECT on the remote control to select the decoder.

You can select from the following modes depending on the type of software you are playing and your personal preference.

STANDARD

AMP

MOVIE

SELECT

When you select the SUR. STANDARD program:

PRO LOGIC

Dolby Pro Logic processing for any sources.

PLII Movie

Dolby Pro Logic II processing for movie software.

PLII Music

Dolby Pro Logic II processing for music software.

PLII Game

Dolby Pro Logic II processing for game software.

PLIIx Movie

Dolby Pro Logic IIx processing for movie software.

PLIIx Music

Dolby Pro Logic IIx processing for music software.

PLIIx Game

Dolby Pro Logic IIx processing for game software.

Neo:6 Cinema

DTS processing for movie software.

Neo:6 Music

DTS processing for music software.

When you select the SUR. ENHANCED or MOVIE THEATER program:

PRO LOGIC

Dolby Pro Logic processing for any sources.

PLII Movie

Dolby Pro Logic II processing for movie software.

PLIIx Movie

Dolby Pro Logic IIx processing for movie software.

Neo:6 Cinema

DTS processing for movie software.

You can also select a decoder by pressing j / i on the remote control when the decoder type is displayed in the short message display.

Note

The Pro Logic IIx decoder is not available when “SUR. B L/R SP” is set to NONE (see pages 57).

Page 37

■ Listening to high fidelity stereo sound (PURE DIRECT)

PURE DIRECT allows you to bypass this unit’s decoders and DSP processors, and turn off the video circuitry and front panel display to enjoy pure high fidelity sound from analog and PCM sources.

Press PURE DIRECT (or press AMP to select the AMP mode, then press PURE DIRECT on the remote control) to activate pure direct.

The indicator around the front panel button lights up.

PURE DIRECT

Front panel Remote control

The front panel display switches on momentarily when an operation is performed.

To cancel, press PURE DIRECT again.

The indicator around the front panel button goes out and the previous settings are restored.

Notes

• To avoid unexpected noise, do not play DTS-encoded CDs in

this mode.

• When a multi-channel signal (Dolby Digital or DTS) is input,

this unit automatically switches to the corresponding analog input.

• No sound will be output from the subwoofer.

• The following operations are not possible during PURE

DIRECT operation: –switching the sound field program –displaying the OSD –adjusting SET MENU parameters –all video functions (video conversion etc.)

• PURE DIRECT is automatically cancelled whenever this unit is

set to the standby mode.

AMP

PURE DIRECT

PRESET/CH

ENTER

Remote control

PLAYBACK

NIGHT

■ Night listening modes

The night listening modes are designed to improve listenability at lower volumes or at night. Choose either NIGHT:CINEMA or NIGHT:MUSIC depending on the type of material you are playing.

Press AMP to select the AMP mode, then press NIGHT repeatedly on the remote control to select cinema or music.

When night listening is selected, the NIGHT indicator in the front panel display lights up.

AMP

• Select NIGHT:CINEMA when watching films to reduce the dynamic range of film soundtracks and make dialog easier to hear at lower volumes.

• Select NIGHT:MUSIC when listening to music sources to preserve ease-of-listening for all sounds.

• Select OFF if you do not want to use this function.

Press j / i to adjust the effect level while NIGHT:CINEMA or NIGHT:MUSIC is displayed.

This adjusts the level of compression.

A-E/CAT. A/B/C/D/E

Effect.Lvl:MID

• Select MIN for minimum compression.

• Select MID for standard compression.

• Select MAX for maximum compression.

NIGHT:CINEMA and NIGHT:MUSIC adjustments are stored independently.

Notes

• You cannot use the night listening modes with PURE DIRECT

or MULTI CH INPUT (even though the NIGHT indicator lights up when PURE DIRECT is selected).

• The night listening modes may vary in effectiveness depending

on the input source and surround sound settings you use.

OPERATION

BASIC

English

Page 38

PLAYBACK

■ Downmixing to 2 channels

You can enjoy 2-channel stereo playback even from multichannel sources.

Rotate PROGRAM (or press AMP to select the AMP mode, then press STEREO on the remote control) to select 2ch Stereo.

PROGRAM

Front panel

2ch Stereo

You can use a subwoofer with this program when SWFR or BOTH is selected in “BASS OUT”.

■ Listening to unprocessed input signals

In STRAIGHT mode, two channel stereo sources are output from only the front left and right speakers. Multichannel sources are decoded straight into the appropriate channels without any additional effect processing.

Press STRAIGHT (or press AMP to select the AMP mode, then press STRAIGHT on the remote control) to select STRAIGHT.

STRAIGHT

EFFECT

Front panel

STRAIGHT

Press STRAIGHT (EFFECT) again so that “STRAIGHT” disappears from the display when you want to turn the sound effect back on.

■ Virtual CINEMA DSP

Virtual CINEMA DSP allows you to enjoy the CINEMA DSP programs without surround speakers. It creates virtual speakers to reproduce the natural sound field. If you set “SUR. L/R SP” to NONE (see page 56), Virtual CINEMA DSP activates automatically whenever you select a CINEMA DSP sound field program.

Note

Virtual CINEMA DSP will not activate, even when “SUR. L/R SP” is set to NONE (see page 56) in the following cases:

–When MULTI CH INPUT is selected as the input source. –When headphones are connected to the PHONE S jack.

STEREO

AMP

Remote control

STRAIGHT

AMP

ENT.

EFFECT

Remote control

Selecting input modes

This unit comes with a variety of input jacks. Do the following to select the type of input signals you want to use.

1 Rotate INPUT to select the input source.

2 Press INPUT MODE to select an input mode.

You can adjust the default input mode of this unit (see page62).

INPUT

Front panel

In most cases, use AUTO.

INPUT MODE

Front panel

DTV/CBL

V-AUX

VCR1

DVR/VCR2

SP A

AUTO Automatically selects input signals in

the following order:

1) Digital signals

2) Analog signals

DTS Selects only digital signals encoded in

DTS. If no DTS signals are input, no sound is output.

ANALOG Selects only analog signals. If no

analog signals are input, no sound is output.

* If this unit detects a Dolby Digital or DTS signal, the

decoder automatically switches to the appropriate decoder.

CD PHONOTUNER

MD/CD-R

DVD

VOLUME

Input modeInput source

Page 39

Notes

• When playing a DTS-CD/LD, be sure to set the INPUT MODE to DTS.

• If the digital output data of the player has been processed in any way, you may not be able to perform DTS decoding even if you make a digital connection between this unit and the player depending on the player.

■ Displaying information about the input

source

You can display the type, format and sampling frequency of the current input signal.

1 Select the input source.

CD MD/CD-R

TUNER

SLEEP

V-AUXDVD

DTV/CBL

MULTI CH IN

AMP

VCR 1 DVR/VCR2

2 Press AMP to select the AMP mode, then

press STRAIGHT so that “STRAIGHT” appears in the display.

STRAIGHT

AMP

ENT.

then

EFFECT

STRAIGHT

3 Press u / d to display the following

information about the input signal.

PRESET/CH

ENTER

A-E/CAT. A/B/C/D/E

(Format) Signal format display. When the unit

cannot detect a digital signal it automatically switches to analog input.

in Number of source channels in the input

signal. For example, a multi-channel soundtrack with 3 front channels, 2 surround channels and LFE, is displayed as “3/2/LFE”.

fs Sampling frequency. When the unit is

unable to detect the sampling frequency “Unknown” appears.

rate Bit rate. When the unit is unable to

detect the bit rate “Unknown” appears.

flg Flag data encoded with DTS or Dolby

Digital signals that cue this unit to automatically switch decoders.

PLAYBACK

OPERATION

BASIC

English

Page 40

FM/AM TUNING

Automatic and manual tuning

There are 2 tuning methods; automatic and manual. Automatic tuning is effective when station signals are strong and there is no interference.

■ Automatic tuning

OPTIMIZER MIC

STANDBY

/ON

SILENT CINEMA

1 Rotate INPUT to select TUNER as the input

source.

2 Press FM/AM to select the reception band.

“FM” or “AM” appears in the front panel display.

SPEAKERSPHONES

3 312 4

PRESET/TUNING A/B/C/D/E

EDIT

EFFECT

MEMORYFM/AM

TUNING MODE

PRESET/TUNING

MAN'L/AUTO FMAUTO/MAN'L MONO

LEVEL

PROGRAM

INPUT

PURE DIRECTINPUT MODETONE CONTROLSTRAIGHT

MULTI CH INPUT

VIDEO AUX

S VIDEO VIDEO OPTICALL AUDIO R

INPUT

FM/AM

3 Press TUNING MODE (AUTO/MAN’L MONO)

so that the AUTO indicator lights up in the front panel display.

TUNING MODE

AUTO/MAN'L MONO

DISPLAY

If a colon (:) appears in the front panel display, tuning is not possible. Press PRESET/TUNING (EDIT) to

VOLUME

turn the colon (:) off.

PRESET/TUNING

SEARCH MODE

DTV/CBL

V-AUX

VCR1R/VCR2

SP A

4 Press PRESET/TUNING l / h once to begin

automatic tuning.

Press h to tune into a higher frequency, or press l to tune into a lower frequency.

PRESET/TUNING

V-AUX

VCR1R/VCR2

SP A

When tuned into a station, the TUNED indicator lights up and the frequency of the received station is shown in the front panel display.

AUTO

Lights up

EDIT

TUNER

MD/CD-R

DVD

AUTO

TUNED

LEVEL

TUNER

MD/CD-R

DVD

DTV/CBL

AUTO

TUNED

Page 41

■ Manual tuning

If the signal from the station you want to select is weak, tune into it manually. Manually tuning into an FM station will automatically switch the tuner to monaural reception to increase the signal quality.

1 Select TUNER and the reception band

following steps 1 and 2 as described in “Automatic tuning”.

2 Press TUNING MODE (AUTO/MAN’L MONO)

so that the AUTO indicator disappears from the front panel display.

TUNING MODE

AUTO/MAN'L MONO

DISPLAY

If a colon (:) appears in the front panel display, tuning is not possible. Press PRESET/TUNING (EDIT) to turn the colon (:) off.

3 Press PRESET/TUNING l / h to tune into

the desired station manually.

Hold down the button to continue searching.

AUTO

Disappears

PRESET/TUNING

EDIT

SEARCH MODE

TUNER

MD/CD-R

DVD

DTV/CBL

V-AUX

VCR1R/VCR2

AUTO

TUNED

SP A

PRESET/TUNING

LEVEL

Presetting stations

FM/AM TUNING

■ Automatically presetting FM stations

You can use the automatic preset tuning feature to store FM stations. This function enables this unit to automatically tune into FM stations with strong signals, and to store up to 40 (8 stations in 5 groups, A1 through E8) of those stations in order. You can then recall any preset station easily by selecting the preset station number.

CATEGORY

PRESET/TUNING

SEARCH MODE

VOLUME

MEMORYFM/AM

TUNING MODE

PRESET/TUNING

MAN'L/AUTO FMAUTO/MAN'L MONO

DISPLAY

LEVEL

INPUT

PURE DIRECTINPUT MODETONE CONTROLSTRAIGHT

MULTI CH INPUT

VIDEO AUX

S VIDEO VIDEO OPTICALL AUDIO R

231

AUTO

Lights up

EDIT

TUNER

MD/CD-R

DVD

DTV/CBL

AUTO

TUNED

OPTIMIZER MIC

PRESET/TUNING A/B/C/D/E

SEARCH MODE

XIM

EDIT

PROGRAM

SPEAKERSPHONES

STANDBY

/ON

EFFECT

SILENT CINEMA

1 Press FM/AM to select the FM band.

FM/AM

2 Press TUNING MODE (AUTO/MAN’L MONO)

so that the AUTO indicator lights up in the front panel display.

TUNING MODE

AUTO/MAN'L MONO

DISPLAY

If a colon (:) appears in the front panel display, tuning is not possible. Press PRESET/TUNING (EDIT) to turn the colon (:) off.

V-AUX

VCR1R/VCR2

SP A

OPERATION

BASIC

English

Page 42

FM/AM TUNING

3 Press and hold MEMORY (MAN’L/AUTO FM)

for more than 3 seconds.

The preset number, the MEMORY and AUTO indicators flash. After about 5 seconds, automatic presetting starts from the frequency currently displayed and proceeds toward the higher frequencies.

MEMORY

MAN'L/AUTO FM

CD PHONOTUNER

MD/CD-R

DVD

DTV/CBL

V-AUX

VCR1

DVR/VCR2

When automatic preset tuning is completed, the front panel display shows the frequency of the last preset station.

Notes

• Any stored station data existing under a preset number is cleared when you store a new station under that preset number.

• If the number of received stations does not reach 40 (E8), automatic preset tuning has automatically stopped after searching all stations.

• Only FM stations with sufficient signal strength are stored automatically by automatic preset tuning. If the station you want to store is weak in signal strength, tune into it manually, and store it by following the procedure in “Manually presetting stations”.

Automatic preset tuning options:

You can select the preset number from which this unit will store FM stations and/or begin tuning toward lower frequencies. After pressing MEMORY in step 3: 1 Press A/B/C/D/E, then PRESET/TUNING l / h to

select the preset number under which the first station will be stored. Automatic preset tuning will stop when stations have all been stored up to E8.

2 Press PRESET/TUNING (EDIT) to turn off the colon

(:) and then press PRESET/TUNING l to begin tuning toward the lower frequencies.

Memory back-up

The memory back-up circuit prevents the stored data from being lost even if this unit is set in the standby mode, the power cord is disconnected from the AC outlet, or the power supply is temporarily cut due to power failure. However, if the power is cut for more than one week, the preset stations may be cleared. If so, store the stations again by using the presetting station methods.

AUTO

MEMORY

TUNED

SP A

■ Manually presetting stations

You can also store up to 40 stations (8 stations in 5 groups, A1 through E8) manually.

OPTIMIZER MIC

PRESET/TUNING A/B/C/D/E

PRESET/TUNING

CATEGORY

SEARCH MODE

XIM

EDIT

PROGRAM

SPEAKERSPHONES

STANDBY

/ON

EFFECT

SILENT CINEMA

VOLUME

1 Tune into a station.

L R

2 Press MEMORY (MAN’L/AUTO FM).

3 Press A/B/C/D/E (NEXT) repeatedly to select

43 2,5

See page 38 for tuning instructions.

DTV/CBL

V-AUX

VCR1

DVR/VCR2

SP A

When tuned into a station, the front panel display shows the frequency of the station received.

The MEMORY indicator flashes for about 5 seconds.

MEMORY

MAN'L/AUTO FM

a preset station group (A to E) while the MEMORY indicator is flashing.

The group letter appears. Check that the colon (:) appears in the front panel display.

A/B/C/D/E

CATEGORY

DTV/CBL

V-AUX

VCR1

DVR/VCR2

SP A

Preset group

VOLUME

MEMORYFM/AM

TUNING MODE

MAN'L/AUTO FMAUTO/MAN'L MONO

LEVEL

DISPLAY

INPUT

PURE DIRECTINPUT MODETONE CONTROLSTRAIGHT

MULTI CH INPUT

VIDEO AUX

S VIDEO VIDEO OPTICALL AUDIO R

CD PHONOTUNER

MD/CD-R

DVD

TUNED

VOLUME

MEMORY

Flashes

CD PHONOTUNER

MD/CD-R

DVD

TUNED

VOLUME

MEMORY

Page 43

4 Press PRESET/TUNING l / h to select a

REC

AUDIO

MENUTITLE

SET MENU

BAND SRCH MODE

MEMORY ON SCREEN

LEVEL

A-E/CAT. A/B/C/D/E

STRAIGHT

1009

ENT.

NIGHT

SPEAKERS

EFFECT

DISPLAYRETURN

ENTER

PRESET/CH

preset station number (1 to 8) while the MEMORY indicator is flashing.

Press h to select a higher preset station number. Press l to select a lower preset station number.

PRESET/TUNING

LEVEL

MD/CD-R

DVD

DTV/CBL

V-AUX

VCR1

DVR/VCR2

SP A

Preset number

5 Press MEMORY (MAN’L/AUTO FM) on the

front panel while the MEMORY indicator is flashing.

The station band and frequency appear in the front panel display with the preset group and number you have selected.

DVR/VCR2

MD/CD-R

DVD

DTV/CBL

V-AUX

VCR1

SP A

Shows the displayed station has been stored as C3.

6 Repeat steps 1 to 5 to store other stations.

Notes

• Any stored station data existing under a preset number is cleared when you store a new station under that preset number.

• The reception mode (stereo or monaural) is stored along with the station frequency.

Selecting preset stations

You can tune any desired station simply by selecting the preset station number under which it was stored.

OPTIMIZER MIC

STANDBY

/ON

CD PHONOTUNER

TUNED

VOLUME

MEMORY

When performing this operation with the remote control, first

MEMORY

press TUNER to set the remote to tuner mode.

MAN'L/AUTO FM

1 Press A/B/C/D/E (NEXT) (or A/B/C/D/E i on

the remote control) to select the preset

CD PHONOTUNER

TUNED

station group.

VOLUME

MEMORY

The preset group letter appears in the front panel

display and changes each time you press the button.

SILENT CINEMA

A/B/C/D/E

CATEGORY

Front panel

FM/AM TUNING

VOLUME

MEMORYFM/AM

TUNING MODE

PRESET/TUNING A/B/C/D/E

PRESET/TUNING

MAN'L/AUTO FMAUTO/MAN'L MONO

LEVEL

EDIT

DISPLAY

CATEGORY

SEARCH MODE

XIM

PROGRAM

INPUT

SPEAKERSPHONES

PURE DIRECTINPUT MODETONE CONTROLSTRAIGHT

MULTI CH INPUT

VIDEO AUX

EFFECT

S VIDEO VIDEO OPTICALL AUDIO R

1 2

OPERATION

BASIC

PRESET/CH

ENTER

A-E/CAT. A/B/C/D/E

Remote control

English

Page 44

FM/AM TUNING

2 Press PRESET/TUNING l / h (or PRESET/

CH u / d on the remote control) to select a preset station number (1 to 8).

The preset group and number appear on the front panel display along with the station band, frequency and the TUNED indicator lights up.

PRESET/TUNING

LEVEL

Front panel

DVR/VCR2

PRESET/CH

ENTER

A-E/CAT. A/B/C/D/E

Remote control

MD/CD-R

DVD

DTV/CBL

V-AUX

VCR1

TUNED

SP A

Exchanging preset stations

You can exchange the assignment of two preset stations with each other. The example below describes the procedure for exchanging preset station “E1” with “A5”.

OPTIMIZER MIC

PRESET/TUNING A/B/C/D/E

CATEGORY

SEARCH MODE

XIM

EDIT

PROGRAM

SPEAKERSPHONES

STANDBY

/ON

EFFECT

SILENT CINEMA

2,4 1,31,3

1 Select preset station “E1”.

CDTUNER

See “Selecting preset stations”.

2 Press and hold PRESET/TUNING (EDIT) for

more than 3 seconds.

“E1” and the MEMORY indicator flash in the front panel display.

PRESET/TUNING

SEARCH MODE

DTV/CBL

V-AUX

VCR1

DVR/VCR2

SP A

VOLUME

MEMORYFM/AM

TUNING MODE

PRESET/TUNING

DISPLAY

MAN'L/AUTO FMAUTO/MAN'L MONO

LEVEL

INPUT

PURE DIRECTINPUT MODETONE CONTROLSTRAIGHT

MULTI CH INPUT

VIDEO AUX

S VIDEO VIDEO OPTICALL AUDIO R

EDIT

CDTUNER

MD/CD-R

DVD

TUNED MEMORY

Page 45

3 Select preset station “A5” using A/B/C/D/E

and PRESET/TUNING l / h.

“A5” and the MEMORY indicator flash in the front panel display.

A/B/C/D/E

CATEGORY

DVR/VCR2

4 Press PRESET/TUNING (EDIT) again.

The stations stored at the two preset assignments are exchanged.

DVR/VCR2

PRESET/TUNING

LEVEL

CDTUNER

MD/CD-R

DVD

DTV/CBL

V-AUX

VCR1

TUNED MEMORY

SP A

PRESET/TUNING

EDIT

SEARCH MODE

CDTUNER

MD/CD-R

DVD

DTV/CBL

V-AUX

VCR1

TUNED

SP A

Receiving Radio Data System stations

Radio Data System is a data transmission system used by FM stations in many countries. The Radio Data System function is carried out among the network stations.

This unit can receive various Radio Data System data such as PS (Program Service name), PTY (Program Type), RT (Radio Text), CT (Clock Time), EON (Enhanced Other Networks) when receiving Radio Data System broadcasting stations.

■ PS (Program Service name) mode

The name of the Radio Data System station being received is displayed.

■ PTY (Program Type) mode

There are 15 program types to classify Radio Data System stations.

NEWS News

AFFAIRS Current affairs

INFO General information

SPORT Sports

EDUCATE Education

DRAMA Drama CULTURE Culture SCIENCE Science

VARIED Light entertainment

POP M Pops

ROCK M Rock M.O.R. M Middle-of-the-road music

LIGHT M Light classics CLASSICS Serious classics OTHER M Ot her music

■ RT (Radio Text) mode

Information about the program (such as the title of the song or name of the singer) on the Radio Data System station being received is displayed using a maximum of 64 alphanumeric characters, including the umlaut symbol. If other characters are used for RT data, they are displayed with an underbar (_).

■ CT (Clock Time) mode

The current time is displayed and updated every minute. If the data are accidentally cut off, “CT WAIT” may appear.

■ EON (Enhanced Other Networks)

See “EON function” on page 46.

(easy-listening)

FM/AM TUNING

OPERATION

BASIC

English

Page 46

FM/AM TUNING

Changing the Radio Data System mode

Four modes are available for displaying Radio Data System data. The PS, PTY, RT and/or CT indicators that correspond to the Radio Data System data services offered by the station light up in the front panel display.

1 Press TUNER on the remote control to set

this unit to tuner mode.

TUNER

2 Press FREQ/TEXT repeatedly on the remote

control to display the various Radio Data System data offered by the transmitting station.

FREQ/TEXT

Remote control

PTY

Frequency display

Notes

• Do not press FREQ/TEXT until a Radio Data System indicator lights up in the front panel display. You cannot change the mode if you press the button prior to this. This is because this unit has not finished receiving all of the Radio Data System data from the station.

• Radio Data System data not offered by the station cannot be selected.

• This unit cannot utilize the Radio Data System data source if the signal received is not strong enough. In particular, the RT mode requires a large amount of data, so it is possible that the RT mode may not be displayed even if other Radio Data System modes (PS, PTY, etc.) are displayed.

• Radio Data System data may not be received under poor reception conditions. In such cases, press TUNING MODE (AUTO/MAN’L MONO) so that the AUTO indicator disappears from the front panel display. Although this will change the reception mode to manual, Radio Data System data may be displayed when you change the display to Radio Data System mode.

• If the signal strength is weakened by external interference during the reception of a Radio Data System station, the Radio Data System data service may be cut off suddenly and “...WAIT” will appear in the front panel display.

Page 47

PTY SEEK function

REC

AUDIO

DISC SKIP

FREQ/TEXT

EONSTARTMODEPTY SEEK

EFFECT

If you select the desired program type, this unit automatically searches all preset Radio Data System stations that are broadcasting a program of the required type.

OPTIMIZER MIC

STANDBY

/ON

SILENT CINEMA

MEMORYFM/AM

TUNING MODE

PRESET/TUNING A/B/C/D/E

PRESET/TUNING

MAN'L/AUTO FMAUTO/MAN'L MONO

LEVEL

EDIT

DISPLAY

CATEGORY

SEARCH MODE

XIM

PROGRAM

INPUT

SPEAKERSPHONES

PURE DIRECTINPUT MODETONE CONTROLSTRAIGHT

MULTI CH

INPUT

EFFECT

S VIDEO VIDEO OPTICALL AUDIO R

PRESET/CH

SET MENU

LEVEL

MENUTITLE

ENTER

A/B/C/D/E

RETURN

DISPLAY

ON SCREEN

1,3

When performing this operation with the remote control, first press TUNER to set the remote to tuner mode.

1 Press PTY SEEK MODE on the remote

control to set this unit in the PTY SEEK mode.

The program type of the station being received or “NEWS” flashes in the front panel display. To exit from the PTY SEEK mode, press PTY SEEK MODE again.

STARTMODE PTY SEEK

Remote control

Flashes

2 Press PRESET/TUNING l / h (or PRESET/

CH u / d on the remote control) to select the desired program type.

The selected program type appears in the front panel display.

l PRESET/TUNING h

LEVEL

Front panel

VOLUME

VIDEO AUX

PRESET/CH

ENTER

A/B/C/D/E

Remote control

3 Press PTY SEEK START on the remote

control to begin searching all preset Radio Data System stations.

The selected program type flashes and the PTY HOLD indicator lights up in the front panel display while searching for stations. To cancel searching, press PTY SEEK START ag ain.

STARTMODE PTY SEEK

Remote control

• The unit stops searching when it finds a station broadcasting the selected type of program.

• If the found station is not the one you desire, press PTY SEEK START again. This unit resumes searching for another station broadcasting the same type of program.

FM/AM TUNING

POP M

PTY HOLD

Lights up

OPERATION

English

BASIC

Page 48

FM/AM TUNING

REC

AUDIO

DISC SKIP

FREQ/TEXT

EONSTARTMODE

PTY SEEK

DISPLAY

RETURN

A-E/CAT.

EON function

This function uses the EON data service on the Radio Data System station network. If you select the desired program type (NEWS, INFO, AFFAIRS or SPORT), this unit automatically searches for all preset Radio Data System stations that are scheduled to broadcast the selected type of program and switches from the station currently being received to the new station when the broadcast starts.

When performing this operation with the remote control, first press TUNER to set the remote to tuner mode.

Note

This function can only be used when a Radio Data System station that offers the EON data service is being received. When such a station is being received, the EON indicator lights up in the front panel display.

1 Check that the EON indicator is lit in the front

panel display.

If the EON indicator is not lit up, tune into another Radio Data System station so that the EON indicator lights up.

2 Press EON repeatedly on the remote control

to select the desired program type (NEWS, INFO, AFFAIRS or SPORT).

The selected program type name appears in the front panel display.

EON

Remote control

• If a preset Radio Data System station type starts broadcasting the selected type of program, the unit automatically switches from the program being received to that program. (The EON indicator flashes.)

• When broadcasting of the selected program ends, the unit returns to the previous station (or another program on the same station).

■ To cancel this function

Press EON repeatedly until no program type name is shown in the front panel display.

ON SCREEN

Page 49

Recording adjustments and other operations are

TRANSMITCODE SET

STANDBY

SYSTEM

POWER

CD MD/CD-R

TUNER

V-AUXDVD

AMP

POWERPOWER

VOLUME

TV MUTE TV INPUT

TV VOL TV CH

AVTV

VCR 1 DVR/VCR2

DTV/CBL

MULTI CH IN

SLEEP

performed from the recording components. Refer to the operating instructions for those components.

OPTIMIZER MIC

PRESET/TUNING A/B/C/D/E

PRESET/TUNING

CATEGORY

SEARCH MODE

XIM

LEVEL

EDIT

PROGRAM

INPUT

SPEAKERSPHONES

STANDBY

/ON

EFFECT

SILENT CINEMA

1 Turn on the power of this unit and all

connected components.

2 Select the source component you want to

record from.

INPUT

Front panel Remote control

3 Start playback (or select a broadcast station)

on the source component.

4 Start recording on the recording component.

Do a test recording before you start an actual recording.

MEMORYFM/AM

MAN'L/AUTO FMAUTO/MAN'L MONO

CD MD/CD-R

VCR 1 DVR/VCR2

RECORDING

Notes

• When this unit is set in the standby mode, you cannot record between other components connected to this unit.

• The setting of TONE CONTROL, VOLUME, “SPEAKER LEVEL” (page58) and programs does not affect recorded

VOLUME

material.

• A source connected to the MULTI CH INPUT jacks of this unit

TUNING MODE

DISPLAY

cannot be recorded.

PURE DIRECTINPUT MODETONE CONTROLSTRAIGHT

MULTI CH

INPUT

• S-video and composite video signals pass independently

VIDEO AUX

S VIDEO VIDEO OPTICALL AUDIO R

through this unit’s video circuits. Therefore, when recording or dubbing video signals, if your video source component is connected to provide only an S-video (or only a composite video) signal, you can record only an S-video (or only a composite video) signal to your VCR.

• Digital signals input to the DIGITAL INPUT jacks are not output to the analog AUDIO OUT (L/R) jacks for recording. Likewise, analog signals input to the AUDIO IN (L/R) jacks are

not output to the DIGITAL OUTPUT jack. Therefore, if your source component is connected to provide only digital (or analog) signals, you can only record digital (or analog) signals.

• A given input source is not output on the same REC OUT channel. (For example, the signal input from VCR 1 IN is not output on VCR 1 OUT.)

• Check the copyright laws in your country to record from records, CDs, radio, etc. Recording of copyrighted material may infringe copyright laws.

If you playback a video source that uses scrambled or encoded signals to prevent it from being dubbed, the picture itself may be disturbed due to those signals.

TUNER

SLEEP

■ Special considerations when recording

V-AUXDVD

DTV/CBL

MULTI CH IN

The DTS signal is a digital bitstream. Attempting to

AMP

digitally record the DTS bitstream will result in noise being recorded. Therefore, if you want to use this unit to record sources that have DTS signals recorded on them, the following considerations and adjustments need to be made. For DVDs and CDs encoded with DTS, when your player is compatible with the DTS format, follow its operating instructions to make a setting so that the analog signal will be output from the player.

DTS software

RECORDING

OPERATION

BASIC

English

Page 50

SOUND FIELD PROGRAM DESCRIPTIONS

This unit is equipped with a variety of precise digital decoders that allow you to enjoy multi-channel playback from almost any sound source (stereo or multi-channel). This unit is also equipped with a YAMAHA digital sound field processing (DSP) chip containing several sound field programs which you can use to enhance your playback experience. Most of these sound field programs are precise digital recreations of actual acoustic environments found in famous concert halls, music venues, and movie theaters.

The YAMAHA CINEMA DSP modes are compatible with all Dolby Digital, DTS, and Dolby Surround sources. Set the input mode to AUTO (see page36) to enable this unit to automatically switch to the appropriate digital decoder according to the input signal.

Notes

• This unit’s DSP sound field programs are recreations of real-world acoustic environments made from precise measurements taken in the actual hall, etc. Thus you may notice variations in the strength of the reflections coming from the front, back, left and right.

• Feel free to choose a sound field program based on your listening preference, and not purely on the name of the program itself.

For movie/video sources

You can select from the following sound fields when playing movie or video sources. The sound fields marked “MULTI” can be used with multi-channel sources, like DVD, digital TV, etc. Those marked “2-CH” can be used with 2-channel (stereo) sources like TV programs, video tapes, etc.

Program selection methods vary depending on sound field program types. For details on how to select sound field programs, see “Selecting sound field programs” on pages 32 to 36.

Remote control

Program Features So urces

button

Downmixes multi-channel sources to 2 channel (left and right) or plays back 2-channel

STEREO:

sources as is.

2ch Stereo

This program lends an enthusiastic atmosphere to the sound, giving you the feeling you are a t

MUSIC:

an actual jazz or rock concert.

POP/ROCK

Though the presence sound field is relatively narrow, the surround sound field employs the

ENTERTAINMENT:

sound environment of a large concert hall. This effect enhances the experience of watching

TV Sports

various TV programs such as news, variety shows, music programs or sports programs. This program is provided for reproducing monaural video sources (such as old movies). The

ENTERTAINMENT:

program produces the optimum reverberation to create sound depth using only the presence

Mono Movie

sound field. This program adds a deep and spatial feeling to video game sounds.

ENTERTAINMENT: Game

MULTI 2-CH

Page 51

Remote control

Program Features Sources

button

CINEMA DSP processing. This program creates the extremely wide sound field of a 70-mm

MOVIE THEATER:

movie theater. It precisely reproduces the source sound in detail, making both the video and

Spectacle

the sound field incredibly real. This is ideal for any kind of video source encoded with Dolby Surround, Dolby Digital or DTS (especially large-scale movie producti ons).

CINEMA DSP processing. This program clearly reproduces dialog and sound effects in the

MOVIE THEATER:

latest sound form for science fiction films, thus creating a broad and expansive cinematic

Sci-Fi

space amid silence. You can enjoy science fiction films in a virtual-space sound field that includes Dolby Surround, Dolby Digital and DTS-encoded software employing the most advanced techniques.

CINEMA DSP processing. This program is ideal for precisely reproducing the sound design

MOVIE THEATER:

of the newest 70-mm and multi-channel soundtrack films. The sound field is made to be

Adventure

similar to that of the newest movie theaters, so the reverberations of the sound field itself are restrained as much as possible.

CINEMA DSP processing. This program is for reproducing sounds from 70-mm and multi-

MOVIE THEATER:

channel soundtrack films, and is characterized by soft and extensive sound field.

General

Standard processing for the selected decoder.

SUR. STANDARD

Enhanced processing for the selected decoder.

SUR. ENHANCED

SOUND FIELD PROGRAM DESCRIPTIONS

MULTI

2-CH

SOUND FIELD

PROGRAMS

English

Page 52

SOUND FIELD PROGRAM DESCRIPTIONS

For music sources

You can select from the following sound fields when playing music sources, like CD, FM/AM broadcasting, tapes, etc.

Program selection methods vary depending on sound field program types. For details on how to select sound field programs, see “Selecting sound field programs” on pages 32 to 36.

Remote

control

Program Features Sources

button

2-channel (left and right) playback.

STEREO: 2ch Stereo

Use to increase the output stereo sources (in stereo) from all speakers. This provides a

STEREO:

larger sound field and is ideal for background music at parties, etc.

7ch Stereo

HiFi DSP processing. A classic shoe-box type concert hall with approximately 1700

MUSIC:

seats. Pillars and ornate carvings create extremely complex reflections which produce

Hall in Vienna

a very full, rich sound. HiFi DSP processing. This is the sound field at stage front in “The Bottom Line”, a

MUSIC:

famous New York jazz club. The floor can seat 300 people to the left and right in a

The Bttm Line

sound field offering a real and vibrant sound. HiFi DSP processing. The ideal program for lively, dynamic rock music. The data for

MUSIC:

this program was recorded at LA’s “hottest” rock club. The listener’s virtual seat is at

The Roxy Thtr

the center-left of the hall. HiFi DSP processing. This program recreates the acoustic environment of a lively

ENTERTAINMENT:

disco in the heart of a big city. The sound is dense and highly concentrated. It is also

Disco

characterized by high-energy, “immediate” sound. Standard processing for the selected decoder.

SUR. STANDARD

Enhanced processing for the selected decoder.

SUR. ENHANCED

MULTI

2-CH

Page 53

Selecting the OSD mode

TRANSMITCODE SET

STANDBY

SYSTEM

POWER

CD MD/CD-R

TUNER

V-AUXDVD

AMP

POWERPOWER

VOLUME

TV MUTE TV INPUT

TV VOL TV CH

AVTV

VCR 1 DVR/VCR2

DTV/CBL

MULTI CH IN

SLEEP

You can display this unit’s operating information on a video monitor. If you display the SET MENU and sound field program parameter settings on a monitor, it is much easier to see the available options and parameters than it is by reading this information on the front panel display.

1 Turn on the video monitor connected to this

unit.

2 Press ON SCREEN repeatedly to change the

OSD mode.

The OSD mode changes in the following order: full display, short display, and display off.

Full display

Always shows the sound field program parameter settings as well as the contents of the front panel display.

Short display

Briefly shows the contents of the front panel display at the bottom of the screen each time you operate this unit.

Display off

Only operations performed using ON SCREEN are displayed. The OSD is displayed when using SET MENU or the test tone feature, even if the OSD mode is set to “Display off”.

P04 MOVIE THEATER

.General DSPLEVEL;;;;0dB P.INIT.DLY;;15ms P.ROOMSIZE;;1.0 S.INIT.DLY;;20ms S.ROOMSIZE;;1.0

Notes

• The OSD signal is not output to the REC OUT jack, and will not be recorded.

• You can set the OSD to turn on (gray background) or off when a video source is not being reproduced (or the source component is turned off) by using “DISPLAY SET” (see page63).

• When using component video signals, the “Short display” is not output to the COMPONENT VIDEO MONITOR OUT jacks. To display the OSD with component video signal input, set the OSD mode to “Full display” while GRAY BACK in DISPLAY SET (see page63) is set to AUTO.

P04MOVIETHEATER General

Full display Short display

ADVANCED OPERATIONS

Using the sleep timer

Use this feature to automatically set this unit in the standby mode after a certain amount of time. The sleep timer is useful when you are going to sleep while this unit is playing or recording a source. The sleep timer also automatically turns off any external components connected to AC OUTLET(S).

■ Setting the sleep timer

DISPLAY

ON SCREEN

1 Select a source and start playback on the

source component.

2 Press SLEEP repeatedly to set

the amount of time.

Each time you press SLEEP, the front panel display changes as shown below. The SLEEP indicator flashes while switching the amount of time for the sleep timer.

SLEEP 120min

DVR/VCR2

The SLEEP indicator lights up in the front panel display, and the display returns to the selected sound field program.

DVR/VCR2

DTV/CBL

V-AUX

VCR1

SP A

DTV/CBL

V-AUX

VCR1

SP A

TV Sports

ADVANCED OPERATIONS

SLEEP 90min

SLEEP 60minSLEEP 30minSLEEP OFF

MD/CD-R

DVD

HiFi DSP

SLEEP indicator

MD/CD-R

DVD

SLEEP

OPERATION

ADVANCED

CD PHONOTUNER

TUNED

VOLUME

SLEEP

CD PHONOTUNER

TUNED

VOLUME

SLEEP

English

Page 54

ADVANCED OPERATIONS

AMP

REC

MUTE

MENUTITLE

VOLUME

SET MENU

BAND SRCH MODE

MEMORY ON SCREEN

LEVEL

A-E/CAT. A/B/C/D/E

STRAIGHT

MOVIE

ENTERTAIN

MUSICSTEREO

4321

81070965

ENT.

PURE DIRECT

EXTD SUR.

STANDARD

SELECT

NIGHT

SPEAKERS

EFFECT

DISPLAYRETURN

TV MUTE TV INPUT

TV VOL TV CH

ENTER

VCR 1 DVR/VCR2

PRESET/CH

■ Canceling the sleep timer

Press SLEEP repeatedly until “SLEEP OFF” appears in the front panel display. After a few seconds, “SLEEP OFF” disappears, and the SLEEP indicator goes off.

SLEEP

The sleep timer setting can also be canceled by pressing STANDBY on the remote control (or STANDBY/ON on the front panel) to set this unit to the standby mode.

SLEEP OFF

Manually adjusting speaker levels

You can adjust the output level of each speaker while listening to a music source. This is also possible when playing sources through the MULTI CH INPUT jacks. Please note that this operation will override the level adjustments made in “AUTO SETUP” (page24), “SPEAKER LEVEL” (page 58).

4 3

1 Press AMP.

2 Press LEVEL repeatedly to select the

speaker you want to adjust.

FRONT L Front left speaker level CENTER Center speaker level FRONT R Front right speaker level SUR.R Surround right speaker level SUR.L Surround left speaker level SUR.B.R Surround back right speaker level SUR.B.L Surround back left speaker level SWFR Subwoofer level PRES.L Presence left speaker level PRES.R Presence right speaker level

Once you press LEVEL, you can also select the speaker by pressing u / d.

3 Press j / i to adjust the speaker output level.

The control range is from +10 dB to –10 dB.

4 Press ENTER when you have completed your

adjustment.

This operation can also be performed using the controls on the front panel. Press NEXT repeatedly to select the speaker you want to adjust, then press LEVEL –/+ to adjust the output level.

Page 55

SET MENU

You can use the following parameters in SET MENU to adjust a variety of system settings and customize the way this unit operates. Change the initial settings (indicated in bold under each parameter) to reflect the needs of your listening environment.

■ AUTO SE TUP

Use to specify which speaker parameters auto setup will adjust, and to activate the auto setup procedure (see page24).

■ MANUAL SETUP

Use to manually adjust speaker and system parameters.

1 SOUND MENU

Use to manually adjust any speaker setting, alter the quality and tone of the sound output by the system or compensate for video signal processing delays when using LCD monitors or projectors.

Most of the parameters described in SOUND MENU are set automatically when you run auto setup (see page24). You can use SOUND MENU to make further adjustments, but we recommend running auto setup first

Item Features Page

A)SPEAKER SET B)SPEAKER LEVEL

C)SP DISTANCE D)EQUALIZER E)LFE LEVEL F)DYNAMIC RANGE G)AUDIO SET

2 INPUT MENU

Use to reassign digital input/outputs, select the input mode or rename your inputs.

A)I/O ASSIGNMENT B)INPUT MODE C)INPUT RENAME D)VOLUME TRIM

Selects the size of each speaker, the speakers for low-frequency signal output, and the cross over frequency.

Adjusts the output level of each speaker.

Adjusts the delay time of each speaker.

Adjusts the tonal quality of the center speaker.

Adjusts the output level of the LFE channel for Dolby Digital or DTS signals.

Adjusts the dynamic range for Dolby Digital or DTS signals.

Customizes the muting level, audio delay and tone bypass settings.

Item Features Page

Assigns jacks according to the component to be used.

Selects the initial input mode of the source.

Changes the name of the inputs.

Adjusts the output volume of each jack.

58 59 59 60 60 60

61 62 62 62

OPERATION

ADVANCED

English

Page 56

SET MENU

3 OPTION MENU

Use to adjust the optional system parameters.

Item Features Page

A)DISPLAY SET B)MEMORY GUARD C)PARAM. INI

D)MULTI ZONE SET

■ SIGNAL INFO

Use to check audio signal information (see page 37).

Adjusts the brightness of the display and converts video signals.

Locks sound field program parameters and other SET MENU settings.

Initializes the parameters of a group of sound field programs. Specifies the location of the speakers connected to the SPEAKERS B terminals or selects how

the ZONE 2 speakers will be amplified.

63 63 64

Page 57

Using SET MENU

AMP

REC

AUDIO

MUTE

MENUTITLE

VOLUME

SET MENU

BAND SRCH MODE

MEMORY ON SCREEN

LEVEL

A-E/CAT.

A/B/C/D/E

STRAIGHT

MOVIE

ENTERTAIN

MUSICSTEREO

4321

81070965

ENT.

PURE DIRECT

EXTD SUR.

STANDARD

SELECT

NIGHT

SPEAKERS

EFFECT

DISPLAYRETURN

TV MUTE TV INPUT

TV VOL TV CH

ENTER

VCR 1 DVR/VCR2

PRESET/CH

Use the remote control to access and adjust each parameter.

2,8

• You can change SET MENU parameters while the unit is reproducing sound.

• If you press a sound field program button during SET MENU operation, the SET MENU is canceled.

Note

You cannot change some SET MENU parameters while the unit is in either cinema or music night listening mode.

1 Press AMP.

3-7

2 Press SET MENU.

3 Press u / d to select MANUAL SETUP.

PRESET/CH

;AUTOSETUP .;MANUALSETUP

ENTER

.;SIGNAL INFO.

[]/[]:Up/Down [ENTER]:Enter

A-E/CAT. A/B/C/D/E

AMP

SET MENU

SRCH MODE



SET MENU

4 Press ENTER to enter MANUAL SETUP.

1 SOUND MENU appears on the front panel display.

PRESET/CH

;MANUAL SETUP

.1SOUNDMENU

2INPUTMENU

ENTER

3OPTIONMENU

A-E/CAT. A/B/C/D/E

[]/[]:Up/Down [ENTER]:Enter

5 Press u / d to select the desired menu.

6 Press ENTER to enter the selected menu.

PRESET/CH

1 SOUND

MENU 1/2

.A)SPEAKERSET B)SPEAKERLEVEL

ENTER

C)SPDISTANCE D)EQUALIZER

B)SPEAKER

-+ .FL FR  C

SET MENU

SRCH MODE

[]/[]:Up/Down [ENTER]:Enter

LEVEL

A-E/CAT. A/B/C/D/E

7 Press u / d and ENTER to select the

submenu, then press u / d to select the item and j / i to change the parameter.

• Repeat this operation to select and adjust each setting.

• To return to the previous menu level, press RETURN.

8 To exit, press SET MENU when finished.

Memory back-up

The memory back-up circuit prevents the stored data from being lost even if this unit is in the standby mode. However, if the power cord is disconnected from the AC outlet, or the power supply is cut for more than one week, the stored data will be lost. If so, adjust the items again.

SET MENU

OPERATION

ADVANCED

English

Page 58

SET MENU

1 SOUND MENU

Use to manually adjust any speaker setting or compensate for video signal processing delays when using LCD monitors or projectors. Most of the SOUND MENU parameters are set automatically when you run auto setup (see page 24)

1 SOUND

.A)SPEAKERSET B)SPEAKERLEVEL C)SPDISTANCE D)EQUALIZER

[]/[]:Up/Down [ENTER]:Enter

■ Speaker settings A)SPEAKER SET

Use to manually adjust any speaker setting.

If you are not satisfied with the bass sounds from your speakers, you can change these settings according to your preference.

Front speakers FRONT SP

Choices: LARGE, SMALL

MENU 1/2

FRONT SP

  SMALL)LARGE

• Select SMALL if you have small front speakers. The unit directs the low-frequency signals of the front channel to the speakers selected with “LFE/BASS OUT”.

• Select LARGE if you have large front speakers. The unit directs the entire range of the front left and right channel signals to the front left and right speakers.

Center speaker CENTER SP Choices: LRG, SML, NONE

CENTER SP

NONE)SMLLRG

• Select LRG if you have a large center speaker. The unit directs the entire range of the center channel signal to the center speaker.

• Select SML if you have a small center speaker. The unit directs the low-frequency signals of the center channel to the speakers selected with “LFE/BASS OUT”.

• Select NONE if you do not have a center speaker. The unit directs all of the center channel signal to the front left and right speakers.

Surround left/right speakers SUR. L/R SP Choices: LRG, SML, NONE

SUR. L/R SP

NONE)SMLLRG

• Select LRG if you have large surround left and right speakers. The entire range of the surround channel signal is directed to the surround left and right speakers.

• Select SML if you have small surround left and right speakers. The low-frequency signals of the surround channel are directed to the speakers selected with “LFE/BASS OUT”.

• Select NONE if you do not have surround speakers. This will set the unit to the Virtual CINEMA DSP mode (see page 36) and automatically set the surround back speaker setting (SUR. B L/R SP) to NONE.

Page 59

Surround back speakers SUR. B L/R SP Choices: LRGx2, LRGx1, SMLx2, SMLx1, NONE

SUR. B L/R SP

SMLx1)SMLx2

• Select LRGx1 if you have a large surround back speaker. The unit directs the entire range of the surround back channel signal to the left surround back speaker.

• Select LRGx2 if you have 2 large surround back speakers. The unit directs the entire range of the surround back channel signal to the surround back speakers.

• Select SMLx2 if you have 2 small surround back speakers. The low-frequency signals of the surround back channels are directed to the speakers selected with “LFE/BASS OUT”.

• Select SMLx1 if you have a small surround back speaker. The low-frequency signals of the surround back channel are directed to the speakers selected with “LFE/BASS OUT”, and the rest of the frequency signals are directed to the left surround back speaker.

• Select NONE if you do not have a surround back speaker. The unit directs all of the surround back channel signal to the surround left and right speakers.

Note

If you select SMLx1 or LRGx1, connect the speaker to the left SURROUND BACK speaker terminals.

Presence speakers PRESENCE SP Choices: YES, NONE

PRESENCE SP

)NONEYES

• Select YES if you have presence speakers.

• Select NONE if you do not have presence speakers.

When YES is selected, the unit automatically adjusts the dialog lift parameter. To adjust it manually, see page79.

Bass out LFE/BASS OUT

Low-frequency (bass) signals can be directed to the subwoofer and/or the front left and right speakers according to the characteristics of your system. This setting also determines the routing of the LFE (lowfrequency effect) signals found in Dolby Digital or DTS sources. Choices: SWFR, FRNT, BOTH

SET MENU

LFE/BASS OUT

SWFRFRNT)BOTH

• Select SWFR if you connect a subwoofer. LFE and low-frequency signals from other channels are directed to the subwoofer according to the speaker settings.

• Select FRNT if you do not use a subwoofer. LFE and low frequency signals from other channels are directed to the front speakers according to the speaker settings (even if you have previously set front speakers to SML).

• Select BOTH if you connect a subwoofer and you want to output low-frequency signals from front channels to both the front speakers and subwoofer. LFE and lowfrequency signals from other channels are also directed to the subwoofer according to the speaker settings. Use this function to reinforce low-frequency signals using the subwoofer when playing back sources such as CDs.

Cross over CROSS OVER

Use this feature to select a cross-over (cut-off) frequency for all low-frequency signals. All frequencies below the selected frequency will be sent to the subwoofer. Choices: 40Hz, 60Hz, 80Hz, 90Hz, 100Hz, 110Hz,

120Hz, 160Hz, 200Hz

CROSS OVER

FREQ;;;80Hz

OPERATION

ADVANCED

English

Page 60

SET MENU

Subwoofer phase SUBWOOFER PHASE

If bass sounds are lacking or unclear, use this feature to switch the phase of your subwoofer. Choices: NORMAL, REVERSE

02ASUBWOOFER PHASE

)NORMALREVERSE

• Select NORMAL if you do not want to reverse the phase of your subwoofer.

• Select REVERSE to reverse the phase of your subwoofer.

Presence/Surround back channel priority

PRIORITY

You can select to prioritize either the surround back or presence speakers when playing sources that contain surround back channel signals using CINEMA DSP sound field programs. Choices: PRch, SBch



PRIORITY



 PRch )SBch

• Select PRch to use presence speakers even when surround back channel signals are input. The signals for the surround back channel will be output from surround speakers.

• Select SBch to use surround back speakers when a surround back channel signal is detected in a CINEMA DSP program. Presence channel signals will be output from front speakers.

■ Speaker level B)SPEAKER LEVEL

Use these settings to manually balance the speaker levels between the front left or surround left speakers and each speaker selected in SPEAKER SET (page 56). Choices: –10.0 dB to +10.0 dB Initial Setting: 0 dB

B)SPEAKER

LEVEL

-+ .FL FR  C

• FL adjusts the balance of the front left speaker.

• FR adjusts the balance of the front right speaker.

• C adjusts the balance of the center speaker.

• SL adjusts the balance of the surround left speaker.

• SR adjusts the balance of the surround right speaker.

• SBL

adjusts the balance of the surround back left

speaker.

• SBR

adjusts the balance of the surround back right

speaker.

• SWFR adjusts the balance of the subwoofer.

• PL adjusts the balance of the presence left speaker.

• PR adjusts the balance of the presence right speaker.

Instead of SBL and SBR, SB will be displayed if you selected only one surround back speaker in SUR. B L/R SP (page57).

Page 61

■ Speaker distance C)SP DISTANCE

Use this feature to manually input the distance of each speaker and adjust the delay applied to respective channel. Ideally, each speaker should be the same distance from the main listening position. However, this is not possible in most home situations. Thus, a certain amount of delay must be applied to the sound from each speaker so that all sound will arrive at the listening position at the same time.

C)SP DISTANCE

. UNIT;;;;;;meters FRONTL;;;;3.00m FRONTR;;;;3.00m CENTER;;;;;3.00m

[]/[]:Up/Down [<]/[>]:Adjust

Unit UNIT

Choices: meters (m), feet (ft)

• Select meters to input speaker distances in meters.

• Select feet to input speaker distances in feet.

Speaker distances

Choices: 0.3 to 24.0 m (1 to 80 ft)

• FRONT L adjusts the distance of the front left speaker.

Initial setting: 3.0 m (10.0 ft)

• FRONT R adjusts the distance of the front right

speaker. Initial setting: 3.0 m (10.0 ft)

• CENTER adjusts the distance of the center speaker.

Initial setting: 3.0 m (10.0 ft)

• SUR. L adjusts the distance of the surround left

speaker. Initial setting: 3.0 m (10.0 ft)

• SUR. R adjusts the distance of the surround right

speaker. Initial setting: 3.0 m (10.0 ft)

• SB L

adjusts the distance of the surround back left

speaker. Initial setting: 2.10 m (7.0 ft)

adjusts the distance of the surround back right

• SB R

speaker. Initial setting: 2.10 m (7.0 ft)

• SWFR adjusts the distance of the subwoofer. Initial

setting: 3.0 m (10.0 ft)

• PRES L adjusts the distance of the presence left

speaker. Initial setting: 3.0 m (10.0 ft)

• PRES R adjusts the distance of the presence right

speaker. Initial setting: 3.0 m (10.0 ft)

Instead of SB L and SB R, SUR. B will be displayed if you selected only one surround back speaker in SUR. B L/R SP (page57).

■ Center graphic equalizer D)EQUALIZER

Use this feature to select the parametric (AUTO PEQ) or graphic equalizer (CNTR GEQ).

Equalizer EQ TYPE SELECT

Select to change the type of equalizer used by this unit. Choices: AUTO PEQ, CNTR GEQ, EQ OFF

• Select AUTO PEQ to use the equalizer adjusted in auto setup.

• Select CNTR GEQ to adjust the built-in 5-band graphic equalizer so that the tonal quality of the center speaker matches that of the front left and right speakers.

• Select EQ OFF to cancel equalizing.

Center graphic equalizer CENTER GEQ

When CNTR GEQ is selected, use this feature to output a test tone and adjust the tonal quality so that it matches that of the front left speaker. You can adjust 5 frequency bands: 100Hz, 300Hz, 1kHz, 3kHz, 10kHz Choices: –6 to +6 dB Initial setting: 0 dB

D)EQUALIZER

.TEST)OFFON -+ 100Hz0dB 300Hz0dB 1kHz0dB 3kHz0dB 10kHz0dB []/[]:Up/Down [<]/[>]:Adjust

• Select ON to output test tones from the front left and center speakers, and adjust the tonal quality of the center speaker.

• Select OFF to stop the test tone and output the currently selected source component.

• Press u / d to select a frequency band.

• Press j / i to adjust the selected frequency band.

SET MENU

OPERATION

ADVANCED

English

Page 62

SET MENU

■ Low-frequency effect level E)LFE LEVEL

Use to adjust the output level of the LFE (low-frequency effect) channel according to the capacity of your subwoofer or headphones. The LFE channel carries lowfrequency special effects which are only added to certain scenes. This setting is effective only when this unit decodes Dolby Digital or DTS signals. Choices: –20 to 0 dB

E)LFE LEVEL

.SPEAKER;;;;;;0dB HEADPHONE;;;;0dB

[]/[]:Up/Down [<]/[>]:Adjust

Speaker SPEAKER

Select to adjust the speaker LFE level.

Headphone HEADPHONE

Select to adjust the headphone LFE level.

Note

Depending on the settings of “LFE LEVEL”, some signals may not be output from the SUBWOOFER OUTPUT jack.

■ Dynamic range F)DYNAMIC RANGE

Use to select the amount of dynamic range compression to be applied to your speakers or headphones. This setting is effective only when the unit is decoding Dolby Digital and DTS signals. Choices: MIN (minimum), STD (standard), MAX

(maximum)

F)DYNAMIC RANGE

.SP:MINSTD)MAX HP:MINSTD)MAX

[]/[]:Up/Down [<]/[>]:Select

Speaker SP

Select to adjust the speaker compression.

Headphone HP

Select to adjust the headphone compression.

• Select MIN if you regularly listen at low volume levels.

• Select STD for general use.

• Select MAX to preserve the greatest amount of dynamic range.

■ Audio settings G)AUDIO SET

Use to customize this units overall audio settings.

G)AUDIO SET

.MUTING TYPE;;FULL AUDIODELAY;;0ms TONE BYPASS;;AUTO

[]/[]:Up/Down [<]/[>]:Select

Muting type MUTING TYPE

Use to adjust how much the mute function reduces the output volume. Choices: FULL, –20dB

• Select FULL to completely halt all output of sound.

• Select –20dB to reduce the current volume by 20 dB.

Audio delay AUDIO DELAY

Use to delay the sound output and synchronize it with the video image. This may be necessary when using certain LCD monitors or projectors. Choices: 0 to 160 ms

Tone b ypa ss TONE BYPASS

Use to select whether audio output bypasses tone control circuitry when TREBLE and BASS are set to 0 dB (see page 31). Choices: AUTO, OFF

• Select AUTO if you want signals to bypass tone control circuitry to provide the purest signal possible.

• Select OFF if you do not want signals to bypass tone control circuitry.

Page 63

2 INPUT MENU

Use to reassign digital input/outputs, select the input mode or rename your inputs.

2

INPUTMENU

.A)I/OASSIGNMENT B)INPUTMODE C)INPUTRENAME D)VOLUME TRIM

[]/[]:Up/Down [ENTER]:Enter

■ Input/output assignment

A)I/O ASSIGNMENT

You can assign jacks according to the component to be used if this unit’s initial settings do not correspond to your needs. Change the following parameters to reassign the respective jacks and effectively connect more components. Once the inputs have been reassigned, you can select the corresponding component by using INPUT on the front panel or the input selector buttons on the remote control.

For COMPONENT VIDEO jacks A (CMPNT-V INPUT [A]

) and B (CMPNT-V INPUT [B])

Choices: [A] DVD, DTV/CBL, V-AUX, VCR1,

DVR/VCR2 [B] DVD, DTV/CBL, V-AUX, VCR1, DVR/VCR2



CMPNT-VINPUT

.[A];;;;;DVD (DVD) [B];;;;;DTV/CBL (DTV/CBL)

For OPTICAL OUTPUT jack 1 (OPTICAL OUT (1)

Choices: CD, MD/CD-R, DVD, DTV/CBL,

V-AUX, VCR1, DVR/VCR2



OPTICALOUT

.(1);;;;;MD/CD-R

(MD/CD-R )

For OPTICAL INPUT jack 2 (OPTICAL IN (2)

(OPTICAL IN (3)) and 4 (OPTICAL IN (4))

Choices: (2) CD, MD/CD-R, DVD, DTV/CBL, VCR1,

DVR/VCR2 (3) CD, MD/CD-R, DVD, DTV/CBL, VCR1, DVR/VCR2 (4) CD, MD/CD-R, DVD, DTV/CBL, VCR1, DVR/VCR2



OPTICALIN

.(2);;;;;MD/CD-R

(MD/CD-R)

(3);;;;; DVD

(DVD )

(4);;;;;DTV/CBL

(DTV/CBL )

For COAXIAL INPUT jacks 5 (COAXIAL IN (5)

(COAXIAL IN (6))

and 6

Choices: (5) CD, MD/CD-R, DVD, DTV/CBL, V-AUX,

VCR1, DVR/VCR2 (6) CD, MD/CD-R, DVD, DTV/CBL, V-AUX, VCR1, DVR/VCR2



COAXIALIN

.(5);;;;; CD

(CD)

(6);;;;; DVD

(DVD )

Notes

• You cannot select a specific item more than once for the same type of jack.

• When you connect a component to both the COAXIAL and OPTICAL jacks, priority is given to the input signals from the COAXIAL jack.

)

SET MENU

)

OPERATION

ADVANCED

English

Page 64

SET MENU

■ Input mode B)INPUT MODE

Use this feature to designate the input mode for sources connected to the DIGITAL INPUT jacks when you turn on this unit (see page 36 for details about the input mode). Choices: AUTO, LAST



B)INPUTMODE

)AUTOLAST

[<]/[>]:Select [ENTER]:Return

• Select AUTO to allow this unit to automatically detect the type of input signal and select the appropriate input mode.

• Select LAST to set this unit to automatically select the last input mode used for that source.

Note

Even if LAST is selected, the last setting for the EX/ES button will not be recalled.

■ Input rename C)INPUT RENAME

Use this feature to change the name of the inputs on the OSD and front panel display.



C)INPUTRENAME

DVD->DVD

[<]/[>]:Position

[]/[]:Chara.

1 Press an input selector button to select the

input you want to change the name of.

2 Press AMP.

3 Press j / i to place the _ (under-bar) under

the space or the character you want to edit.

4 Press u / d to select the character you want,

then use j / i to move to the next space.

• You can use up to 8 characters for each input.

• Press d to change the character in the following order, or press u to go in the reverse order: A to Z, a space, 0 to 9, a space, a to z, a space, symbols (#, *, –, +, etc.).

5 Repeat steps 1 through 4 to rename each

input.

6 To exit, press SET MENU when finished.

■ Volume Trim D)VOLUME TRIM

Use this feature to adjust the level of the signal input to each jack. This is useful if you want to balance the level of each input source to avoid sudden changes in volume when switching between input sources. Choices: CD, MD/CD-R, TUNER, DVD, DTV/CBL,

V-AUX, VCR1, DVR/VCR2

Page 65

3 OPTION MENU

Use to adjust the optional system parameters.

3

OPTIONMENU

.A)DISPLAYSET

B)MEMORYGUARD C)PARAM.INI D)MULTI ZONESET

[]/[]:Up/Down [ENTER]:Enter

■ Display settings A)DISPLAY SET



A)DISPLAYSET

.DIMMER;;;;;;;;;0 VIDEOCONV.;;;ON OSD SHIFT;;;;;;0 GRAY BACK;;;AUTO CMPNTOSD;;;;;ON

[]/[]:Up/Down [<]/[>]:sELECT

Dimmer DIMMER

Use to adjust the brightness of the front panel display. Choices: –4 to 0

Video conversion VIDEO CONV.

Use this feature to turn on/off conversion of composite (VIDEO) signals to both S-video and component signals. This allows you to output converted video signals from the S VIDEO or COMPONENT VIDEO jacks when no S-video or component signals are input. This feature also converts S-video signals to component signals when no component signals are input. Choices: ON, OFF

• Select OFF not to convert any signals (except S-video signals to composite signals).

• Select ON to convert composite signals to S-video and component signals, and to convert S-video signals to component signals.

• Regardless of the setting, S-video signals are always converted to composite signals.

Notes

• Converted video signals are only output to the MONITOR OUT

jacks. When recording you must make the same type of video connections (i.e.,

S-video) between each component.

• When converting composite video or S-video signals from a

VCR to component video signals, the picture quality may suffer depending on your VCR.

OSD shift OSD SHIFT

Use to adjust the vertical position of the OSD. Choices: +5 (downward) to –5 (upward)

• Press + to lower the position of the OSD.

• Press – to raise the position of the OSD.

Gray back GRAY BACK

Selecting AUTO for the on-screen display setting displays a gray background when there’s no video signal input. Nothing is displayed if OFF is selected. Choices: AUTO, OFF

Notes

• When only the component video signals are input, the OSD is not displayed if GRAY BACK is set to OFF. To display the OSD with component video signal input, set GRAY BACK to AUTO while the OSD mode (see page51) is set to “Full display”.

• When video signals are not being input, set GRAY BACK to AUTO to display the OSD.

Component OSD CMPNT OSD

Use this feature to turn on/off OSD output to the COMPONENT VIDEO MONITOR OUT jacks when using the SET MENU. Choices: ON, OFF

• Select ON to output the OSD signals from

COMPONENT VIDEO MONITOR OUT jacks.

• Select OFF if you do not want to output the OSD

signals from COMPONENT VIDEO MONITOR OUT jacks.

Note

SET MENU functions even when OFF is selected.

■ Memory guard B)MEMORY GUARD

Use this feature to prevent accidental changes to DSP program parameter values and other system settings. Choices: ON, OFF



B)MEMORYGUARD

)OFFON

[<]/[>]:Select [ENTER]:Return

Select ON to protect:

• DSP program parameters

• All SET MENU items

• All speaker levels

• The on-screen display (OSD) mode

Note

When MEMORY GUARD is set to ON, you cannot select any other SET MENU items.

SET MENU

OPERATION

ADVANCED

English

Page 66

SET MENU

■ Parameter initialization C)PARAM. INI

Use this feature to initialize the parameters for each sound field program within a sound field program group. When you initialize a sound field program group, all of the parameter values within that group revert to their initial settings. Press the corresponding numeric button for the sound program that you want to initialize. Choices: An asterisk (*) appears to the left of program names that have been changed from their initial settings. Choices: STEREO, MUSIC, ENTERTAINMENT,

MOVIE, STANDARD



C)PARAM.INI

STEREO *MUSIC ENTERTAINMENT MOVIE THEATER *STANDARD Press DSP key

Notes

• You cannot automatically revert to the previous parameter settings once you initialize a

sound field program group.



D)MULTI ZONESET

.SPB;;;;;;;;FRONT ZONE2 AMP;;;;;EXT

[<]/[>]:Select [ENTER]:Return

sound field

• You cannot separately initialize individual programs.

• You cannot initialize any program groups when “MEMORY GUARD” is set to ON.

■ Zone set D)MULTI ZONE SET

Use to specify the location of speakers connected to the SPEAKERS B terminals.

Speaker B setting SP B

Use this feature to select the location of the front speakers connected to the SPEAKERS B terminals. Choices: FRONT, ZONE B

• Select FRONT to turn on/off SPEAKERS A and B

when the speakers connected to the SPEAKERS B terminals are set in the main room.

• Select ZONE B if the speakers connected to the

SPEAKERS B terminals are set in another room. If SPEAKERS A is turned OFF and SPEAKERS B is turned ON, all the speakers including the subwoofer in the main room are muted and the unit outputs sound from SPEAKERS B only.

Notes

• If you connect headphones to the PHONES jack on the unit when “SP B” is set to ZONE B, the sound is output from both headphones and SPEAKERS B.

• If a DSP program is selected when “SP B” is set to ZONE B, the unit automatically enters the Virtual CINEMA DSP mode.

field

Zone 2 amplifier ZONE2 AMP

Use to select how the ZONE 2 speakers will be amplified. Choices: INT, EXT

D)MULTI ZONE SET

.SPB;;;;;;;;FRONT

.ZONE2 AMP;;;;;EXT

[<]/[>]:Select [ENTER]:Return

• Select EXT if you do not use Zone 2 speakers or if you

connect your Zone 2 speakers through an external amplifiers connected to this unit’s ZONE 2 OUTPUT jacks.

• Select INT to use this unit’s internal amplifier if you

connect your Zone 2 speakers directly to this unit’s PRESENCE/ZONE 2 speaker terminals.

Page 67

PRESET/TUNING A/B/C/D/E

CATEGORY

SEARCH MODE

XIM

EDIT

PROGRAM

SPEAKERSPHONES

EFFECT

1,3

While holding down, press

ADVANCED SETUP MENU

VOLUME

MEMORYFM/AM

TUNING MODE

PRESET/TUNING

DISPLAY

MAN'L/AUTO FMAUTO/MAN'L MONO

LEVEL

INPUT

PURE DIRECTINPUT MODETONE CONTROLSTRAIGHT

MULTI CH

INPUT

VIDEO AUX

S VIDEO VIDEO OPTICALL AUDIO R

STANDBY

/ON

The ADVANCED SETUP menu is displayed in the front panel display.

• During the advanced setup procedure, audio output is muted.

• During the advanced setup procedure, only the STANDBY/ON and STRAIGHT (EFFECT) buttons, and PROGRAM selector buttons on the front panel are available for operation.

CAUTION

Be sure to set the speaker impedance before using this unit to play back audio or video signals.

OPTIMIZER MIC

STANDBY

/ON

SILENT CINEMA

1,4 2

1 Turn off the power to this unit, and while

holding down STRAIGHT (EFFECT), press STANDBY/ON.

This unit turns on, and the ADVANCED SETUP menu appears in the front panel display.

STRAIGHT

EFFECT

ADVANCED SETUP MENU

2 Rotate PROGRAM to move through the menu

and select the item you want to set up.

See the end of this section for a complete list of available parameters.

PROGRAM

3 Press STRAIGHT (EFFECT) repeatedly to

toggle between the available parameters.

STRAIGHT

EFFECT

4 Press STANDBY/ON to confirm your

selection.

STANDBY

/ON

This completes the advanced setup procedure. The settings you made are reflected the next time this unit’s power is turned on.

OPERATION

ADVANCED

English

Page 68

ADVANCED SETUP MENU

■ ADVANCED SETUP menu items

Change the initial settings (indicated in bold under each parameter) to reflect the needs of your listening environment.

Speaker impedance SP IMP.

Use to switch the speaker impedance for this unit. Choices: 8 ! MIN$%4 !%MIN

• Select 8 !%MIN%to set the speaker impedance to 8 !%.

• Select 4 !%MIN to set the speaker impedance to 4 !%.

SP IMP. Speaker Impedance level

4!%&'(

8!%&'(

Factory presets PRESET

Use to reset all parameters to the factory presets (see page 86). Choices: CANCEL, RESET

• Select CANCEL if you do not want this unit’s parameters to be initialized when you reset the factory presets.

• Select RESET if you want all of this unit’s parameters to be initialized when you reset the factory presets.

Note

This setting does not affect ADVANCED SETUP menu item parameters.

Front

Center

Surround

Surround back

Front

Center

Surround

Surround back

If you use one set (A or B), the impedance of each speaker must be 4 ! or higher.

If you use two sets (A and B), the impedance of each speaker must be 8 ! or higher.

The impedance of each speaker must be 6 ! or higher.

If you use one set (A or B), the impedance of each speaker must be 8 ! or higher.

If you use two sets (A and B), the impedance of each speaker must be 16 ! or higher.

The impedance of each speaker must be 8 ! or higher.

Remote REMOTE

Use to switch the ID for the remote control of this unit. Choices: ID1, ID2

• Select ID1 to operate this unit using the default code.

• Select ID2 to operate this unit using an alternative code.

Note

You must also make settings for the remote control (see page70).

Page 69

REMOTE CONTROL FEATURES

In addition to controlling this unit, the remote control can also operate other A/V components made by YAMAHA and other manufacturers. To control other components, you must set up remote control with the appropriate remote control codes.

Control area

■ Controlling this unit

The shaded areas below can be used to control this unit after pressing AMP to activate the AMP mode.

TRANSMITCODE SET

SYSTEM

POWERPOWER

STANDBY

POWER

AVTV

CD MD/CD-R

TUNER

SLEEP

DTV/CBL

V-AUXDVD

MULTI CH IN

AMP

VCR 1 DVR/VCR2

Press AMP to control this unit.

TV VOL TV CH

TV MUTE TV INPUT

MUSICSTEREO

STANDARD

SELECT

SPEAKERS

PRESET/CH

LEVEL

BAND SRCH MODE

ENTER

A-E/CAT. A/B/C/D/E

MEMORY ON SCREEN

REC

DISC SKIP

FREQ/TEXT

VOLUME

MUTE

MOVIE

ENTERTAIN

4321

PURE DIRECT

EXTD SUR.

81070965

STRAIGHT

NIGHT

ENT.

EFFECT

SET MENU

MENUTITLE

DISPLAYRETURN

AUDIO

EONSTARTMODE PTY SEEK

■ Controlling other components

The shaded areas below can be used to control other components. Each button has a different function depending on the selected component. Select the component you want to control by pressing an input

The buttons in the

selector button.

dotted lines control this unit in any mode (SYSTEM POWER, STANDBY, SLEEP, MULTI CH

The button and the

IN, VOLUME +/–,

input selector buttons switch

MUTE and input

the function of the

selector buttons).

component control area below.

Use the buttons to control other components regardless of whether they are connected to this unit.

Component control area

You can control up to 9 different components by setting appropriate remote control codes (see page68).

TRANSMITCODE SET

POWERPOWER

AVTV

CD MD/CD-R

DTV/CBL

VCR 1 DVR/VCR2

TV VOL TV CH

TV MUTE TV INPUT

ENTERTAIN

MUSICSTEREO

EXTD SUR.

STANDARD

SELECT

STANDARD

SPEAKERS

PRESET/CH

LEVEL

BAND SRCH MODE

ENTER

BAND SRCH MODE

A-E/CAT. A-E/CAT.

A-E/CAT. A/B/C/D/E

MEMORY ON SCREEN

REC

MEMORY ON SCREEN

REC

DISC SKIP

FREQ/TEXT

SYSTEM

STANDBY

POWER

TUNER

SLEEP

POWERPOWER

AVTV

V-AUXDVD

MULTI CH IN

AMP

VOLUME

MUTE

MOVIE

4321

ENTERTAIN

MUSICSTEREO

PURE DIRECT

81070965

EXTD SUR.

SELECT NIGHT

STRAIGHT

ENT.

NIGHT

EFFECT

SET MENU

MENUTITLE

PRESET/CH

ENTER

DISPLAYRETURN

AUDIO

MOVIE

4321

PURE DIRECT

81070965

STRAIGHT

ENT.

EFFECT

SET MENU

MENUTITLE

DISPLAYRETURN

OPERATION

ADVANCED

AUDIO

EONSTARTMODE PTY SEEK

English

Page 70

REMOTE CONTROL FEATURES

Setting remote control codes

You can control other components by setting the appropriate remote control codes. Codes can be set up for each input area. For a complete list of available remote control codes, refer to “LIST OF REMOTE CONTROL CODES” at the end of this manual.

The following table shows the default component (Library: component category) and the remote control code for each area.

Remote Control Code Default Settings

Library

Input

(component

area

category)

CD CD YAMAHA 0005

MD/CD-R MD YAMAHA 0024

TUNER TUNER YAMAHA 0023

DVD DVD YAMAHA 0098

DTV/CBL – – –

V-AUX – – –

VCR 1 – – –

DVR/VCR2

DVR YAMAHA 0208

–––

Note

You may not be able to operate your YAMAHA component even if a YAMAHA remote control code is initially set as listed above. In this case, try to set other YAMAHA remote control code(s).

Manufacturer

Default

YAMAHA

code

1 Press an input selector button or to

select the component you want to set up.

CD MD/CD-R

TUNER

SLEEP

V-AUXDVD

DTV/CBL

MULTI CH IN

AMP

VCR 1 DVR/VCR2

2 Press CODE SET using a ballpoint pen or

similar object.

The TRANSMIT indicator on the remote control flashes twice.

CODE SET

3 Press the numeric buttons (0 to 9) to enter

the four-digit remote control code for the component to be used.

Refer to “LIST OF REMOTE CONTROL CODES” at the end of this manual.

The TRANSMIT indicator on the remote control flashes twice, and the remote control code for the selected component is set.

Notes

• If the manufacturer of your component has more than one code, try each of them until you find the correct one.

• If you wait for more than 30 seconds during step 3, the setup process is canceled. If this happens, start over from step 2.

STANDARD

SPEAKERS

TRANSMIT

ENTERTAIN

MUSICSTEREO

MOVIE

4321

PURE DIRECT

EXTD SUR.

SELECT

81070965

NIGHT

STRAIGHT

ENT.

EFFECT

Page 71

Controlling other components

TRANSMITCODE SET

STANDBY

SYSTEM

POWER

CD MD/CD-R

TUNER

V-AUXDVD

AMP

POWERPOWER

MUTE

VOLUME

MOVIE

ENTERTAIN

MUSICSTEREO

4321

TV MUTE TV INPUT

TV VOL TV CH

AVTV

VCR 1 DVR/VCR2

DTV/CBL

MULTI CH IN

SLEEP

REC

AUDIO

MENUTITLE

DISC SKIP

SET MENU

BAND SRCH MODE

MEMORY ON SCREEN

LEVEL

A-E/CAT.

A/B/C/D/E

STRAIGHT

MOVIE

ENTERTAIN

MUSICSTEREO

4321

81070965

ENT.

PURE DIRECT

EXTD SUR.

STANDARD

SELECT

NIGHT

SPEAKERS

EFFECT

DISPLAYRETURN

ENTER

PRESET/CH

REMOTE CONTROL FEATURES

Once you set the appropriate remote control codes, you can use this remote to control your other components. Note that some buttons may not correctly operate the selected component. Use the input selector buttons to select the component you want to operate. The remote control automatically switches to the appropriate control mode for that component.

DVD player

VCR

DVD record er

Power *1 Power *1 VCR power *3 Power *1 Power *1 Power *1 Power *1

1 AV PO WER

TV power *2 TV power *2 TV power TV power *2 TV power *2 TV power *2 TV power *2

2 TV POWER

TV channel up *2 TV channel up *2 TV channel up TV channel up *2 TV channel up *2 TV channel up *2 TV channel up *2

3 TV CH +

TV channel down

TV CH –

4 TV VOL +

TV VOL –

5 TV MUTE 6 TV INPUT 7 1-9, 0, +10 8 TITLE 9 PRESET/CH u

PRESET/CH d Down VCR channel down Preset down (1-8) j Left i Right Preset up (A-E)

0 RETURN A REC/

DISC SKIP

h Play Play VCR play *3 Play Play Play ll Search backward Search backward

hh Search forward Search forward

AUDIO Audio Sound

e Pause Pause VCR pause *3 Pause Pause Pause b Skip backward Skip backward Skip backward Skip backward a Skip forward Skip forward Skip forward Skip forward s Stop Stop VCR stop *3 Stop Stop Stop

B ENT. C MENU D DISPLAY

This button functions only when the original remote control of the component has a POWER button.

These buttons can operate your TV without switching the input if the remote control code is set in DTV/CBL or . When the remote control code for your TV is set up in both the DTV/CBL and areas, priority is given to the signal in the DTV/CBL area.

These buttons can operate your VCR without switching the input to VCR 1 if the remote control code is set in VCR 1.

TV channel down *2 TV channel down TV channel down *2 TV channel down *2 TV channel down *2

*2 TV volume up *2 TV volume up *2 TV volume up TV volume up *2 TV volume up *2 TV volume up *2 TV volume up *2 TV volume down

TV volume down *2 TV volume down TV volume down *2 TV volume down *2 TV volume down *2

*2 TV mute *2 TV mute *2 TV mute TV mute *2 TV mute *2 TV mute *2 TV mute *2 TV input * TV input *2 TV input TV input *2 TV input *2 TV input *2 TV input *2 Numeric buttons Numeric buttons Numeric buttons Numeric buttons Numeric buttons Numeric buttons Preset stations (1-8) Title Up VCR channel up Preset up (1-8)

Return Disc skip (player)

Rec VCR rec *3 Disc skip Rec (MD)

Rec (recorder)

Title/Index Enter Enter Chapter/Time Index Index Menu Display Display Display Display Display

1 2

5 6

Digital TV/

LD player CD player

Cable TV

VCR search

Search backward Search backward Search backward

backward *3 VCR search

Search forward Search forward Search forward

forward *3

8 9 0

MD/CD recorder

EONSTARTMODE PTY SEEK

FREQ/TEXT

Tuner

TV channel down *2

TV volume down *2

OPERATION

ADVANCED

English

Page 72

REMOTE CONTROL FEATURES

Switching library codes

You can select the unit you want to operate with the remote control by entering the library code.

1 Press CODE SET using a ballpoint pen or

similar object.

The TRANSMIT indicator on the remote control flashes twice.

CODE SET

2 Enter the code number “9991” or “9992” (see

the table below).

The TRANSMIT indicator on the remote control flashes twice, and the library code is changed.

AMP library

code (remote control setting)

9991

9992

When using multiple YAMAHA receivers/amplifiers, you may be able to operate the other components simultaneously with the default code setting. In this case, set one of the alternative codes to operate this unit separately.

Note

You must also make settings for the receiver/amplifier.

Function

To operate this unit using the default code.

To operate this unit using an alternative code.

TRANSMIT

Remote

control ID (unit

setting: see

page 66)

(initial setting)

ID1

ID2

Clearing set up remote control codes

1 Press an input selector button or to

select the component control for which you want to clear the remote control code.

CD MD/CD-R

TUNER

SLEEP

V-AUXDVD

DTV/CBL

MULTI CH IN

AMP

VCR 1 DVR/VCR2

2 Press CODE SET using a ballpoint pen or

similar object.

The TRANSMIT indicator on the remote control flashes twice.

CODE SET

3 Enter the code number “0000”.

The TRANSMIT indicator on the remote control flashes twice, and the remote control code for the selected component is cleared.

• If you do not press any button within 30 seconds after step 2, the clearing process is canceled. If this happens, start over from step 1.

• You can clear all setup remote control codes at once by entering the code number “9990”.

TRANSMIT

Page 73

ZONE 2

This unit allows you to configure a multi-room audio system. You can control this unit from the second room using the supplied remote control.

Only analog signals are sent to the second room. Any source you want to listen to in the second room must be connected using the analog (AUDIO L/R) input jacks on this unit.

Zone 2 connections

You need the following additional equipment to use the multi-room functions of this unit:

• An infrared signal receiver in the second room.

• An infrared emitter in the main room. This emitter transmits the infrared signals from the remote control in the second room to the main room (to a CD player, for example).

• An amplifier and speakers for the second room.

• Since there are many possible ways to connect and use this unit in a multi-room installation, we recommend that you consult with your

nearest authorized YAMAHA dealer or service center about the Zone 2 connections that best meet your requirements.

• Some YAMAHA models are able to connect directly to the REMOTE CONTROL OUT jack of this unit. If you own these products,

you may not need to use an infrared emitter. Up to 6 YAMAHA components can be connected as shown.

•

■ System configuration and connections example

Notes

• When not using the main room, turn down the volume of this unit in the main room. Adjust the volume control on the amplifier in the

second room.

• To avoid unexpected noise, DO NOT USE the Zone 2 feature with CDs encoded in DTS.

OUTINOUT

DVD player

(orother component)

This unit

DVD INPUT

Infrared emitter

Main room

REMOTE CONTROL OUT

ZONE 2 OUTPUT

Remote control

Second room

ZONE 2 REMOTE IN

REMOTE

CONTROL OUT

This unit

Amplifier

Infrared signal receiver

OPERATION

ADVANCED

English

Page 74

ZONE 2

Using this unit’s internal amplifier

To use this unit’s internal amplifier, set “ZONE2 AMP” to INT in the SET MENU (see pages 64).

–

PRESENCE /ZONE 2

Second room

This unit

Remote controlling Zone 2

The supplied remote control can be used to control Zone

2. You can even select the input source and control components located in the main room directly from the second room regardless of the listening condition in the main room.

You can also turn on/off the main or Zone 2 mode by pressing

MAIN or ZONE 2 on the front panel.

■ To enable Zone 2 mode on the remote control

1 Press .

2 Press CODE SET using a ballpoint pen or

similar object.

The TRANSMIT indicator on the remote control flashes twice.

CODE SET

3 Enter the code number “2999”.

Immediately after you have configured the remote control for Zone 2, the remote will enter main mode. When the remote is in main mode, you can turn the main unit on, or set it in standby mode independently of Zone 2 by pressing SYSTEM POWER or STANDBY.

Notes

• If you enable Zone 2, the Zone function is applied to the current

remote control ID (ID1: default code, ID2: alternative code). However, because the remote control codes for Zone 2 are common to ID1 and ID2, the remote control ID does not change even if it is switched.

• To release Zone 2, clear the remote control code set for , or

set a remote control code other than a TV code for

■ To control Zone 2

1 Press to set the remote control to Zone 2.

The TRANSMIT indicator on the remote control lights up while the remote control is in Zone 2 mode.

2 Press SYSTEM POWER to turn Zone 2 power

on.

3 Press an input selector button to select the

input source you want to listen to in the second room.

4 You can control Zone 2 using the input

selector buttons, STANDBY, SYSTEM

TRANSMIT

POWER, MUTE and VOLUME +/–.

If “ZONE2 AMP” in OPTION MENU is set to INT, you can use VOLUME –/+ to adjust sound output from speakers connected to the PRESENCE/ZONE 2 speaker terminals. However, VOLUME –/+ cannot be used to adjust sound output from the ZONE2 OUTPUT jacks.

CD MD/CD-R

VCR 1 DVR/VCR2

DVD

VCR 1 DVR/VCR2

TV VOL TV CH

TV MUTE TV INPUT

DTV/CBL

TRANSMITCODE SET

POWERPOWER

AVTV

MD/CD-R

DTV/CBL

TUNER

SLEEP

V-AUXDVD

MULTI CH IN

AMP

SYSTEM

STANDBY

POWER

TUNER

SLEEP

V-AUX

MULTI CH IN

AMP

VOLUME

MUTE

Page 75

Note

The remote control returns to the main mode 10 seconds after you press , or if you press any button other than SYSTEM POWER, STANDBY, MUTE, VOLUME +/– or the input selector buttons. If the TRANSMIT indicator is turned off, press

to set the remote control to Zone 2 mode before turning Zone

2 power on or off, changing the input source, or muting the sound.

STANDBY/

SYSTEM POWER

Press STANDBY to turn the main unit to standby.

Press SYSTEM POWER to turn on the main unit.

Press STANDBY to turn the Zone 2 component to standby.

Press SYSTEM POWER to turn on the Zone 2 component.

ZONE 2

■ To control the power of the main unit and Zone 2 unit

To turn all units (the main unit and Zone 2 unit) to standby:

While holding down AMP, press STANDBY.

To turn on all units (the main unit and Zone 2 unit):

While holding down AMP, press SYSTEM POWER.

STANDBY and SYSTEM POWER work differently depending on the selected mode.

TRANSMIT

Mode

indicator

Main mode Off

Zone 2 mode On

■ Special considerations for DTS software

The DTS signal is a digital bitstream. If you attempt to send the DTS signal to the second room you will only hear digital noise (that may damage your speakers). Thus, the following considerations and adjustments need to be made when playing DTS-encoded discs.

For DVDs encoded in DTS

Only 2 channel analog audio signals may be sent to the second room. Use the disc menu to set the DVD player’s mixed 2-channel left and right audio outputs to the PCM or Dolby Digital soundtrack.

For CDs encoded in DTS

To avoid unexpected noise, DO NOT USE the Zone 2 feature with CDs encoded in DTS.

OPERATION

ADVANCED

English

Page 76

EDITING SOUND FIELD PARAMETERS

REC

AUDIO

MUTE

MENUTITLE

DISC SKIP

SET MENU

BAND SRCH MODE

MEMORY ON SCREEN

LEVEL

A-E/CAT.

A/B/C/D/E

STRAIGHT

MOVIE

ENTERTAIN

MUSICSTEREO

4321

81070965

ENT.

PURE DIRECT

EXTD SUR.

STANDARD

SELECT

NIGHT

SPEAKERS

EFFECT

DISPLAYRETURN

ENTER

PRESET/CH

TRANSMITCODE SET

STANDBY

SYSTEM

POWER

CD MD/CD-R

TUNER

V-AUXDVD

AMP

POWERPOWER

VOLUME

TV MUTE TV INPUT

TV VOL TV CH

AVTV

VCR 1 DVR/VCR2

DTV/CBL

MULTI CH IN

SLEEP

EDITING SOUND FIELD PARAMETERS

What is a sound field Changing parameter settings

What really creates the rich, full tones of a live instrument are the multiple reflections from the walls of the room. In addition to making the sound “live”, these reflections enable us to tell where the player is situated, and the size and shape of the room in which we are sitting.

■ Elements of a sound field

In any environment, in addition to the direct sound coming straight to our ears from the player’s instrument, there are two distinct types of sound reflections that combine to make up the sound field:

Early reflections

Reflected sounds reach our ears extremely rapidly (50 ms – 100 ms after the direct sound), after reflecting from one surface only – for example, from the ceiling or a wall. Early reflections actually add clarity to the direct sound.

Reverberations

These are caused by reflections from more than one surface – walls, ceiling, the back of the room – so numerous that they merge together to form a continuous sonic “afterglow”. They are non-directional, and lessen the clarity of the direct sound.

Direct sound, early reflections and subsequent reverberation taken together help us to determine the subjective size and shape of the room, and it is this information that the digital sound field processor reproduces in order to create sound fields.

If you could create the appropriate early reflections and subsequent reverberations in your listening room, you would be able to create your own listening environment. The acoustics in your room could be changed to those of a concert hall, a dance floor, or virtually any size room at all. This ability to create sound fields at will is exactly what YAMAHA has done with the digital sound field processor.

You can enjoy good quality sound with the factory preset parameters. Although you do not have to change the initial settings, you can change some of the parameters to better suit the input source or your listening room.

1 Press AMP.

2 Turn on the video monitor and

press ON SCREEN repeatedly to select the full display mode.

3 Select the sound field program you want to

adjust.

Program No. Program name

Cursor

ENTERTAIN

MUSICSTEREO

MOVIE

4321

PURE DIRECT

EXTD SUR.

STANDARD

SELECT

81070965

SPEAKERS

NIGHT

STRAIGHT

ENT.

EFFECT

P04 MOVIE THEATER

.General DSPLEVEL;;;;0dB P.INIT.DLY;;15ms P.ROOMSIZE;;1.0 S.INIT.DLY;;20ms S.ROOMSIZE;;1.0

Parameters Parameter values

5 2

AMP

DISPLAY

ON SCREEN

Page 77

4 Press u / d to select

the parameters.

PRESET/CH

ENTER

A-E/CAT. A/B/C/D/E

EDITING SOUND FIELD PARAMETERS

■ Resetting parameters to the factory presets

Use PARAM. INI (see page64).

5 Press j / i to change

the parameter value.

When you set a parameter to a value other than the factory-set value, an asterisk mark (*) appears by the parameter name on the on-screen display.

If you press and hold j / i to change the parameter value, the front panel display automatically stops at the factory preset parameter momently.

6 Repeat steps 3 through 5 as necessary to

change other program parameters.

Note

You cannot change parameter values when “MEMORY GUARD” is set to ON. If you want to change the parameter values, set “MEMORY GUARD” to OFF (see page63).

Memory back-up

The memory back-up circuit prevents the stored data from being lost even if this unit is set in the standby mode, the power cord is disconnected from the AC outlet, or the power supply is temporarily cut due to power failure. However, if the power is cut for more than one week, the parameter values will return to the factory settings. If this happens, edit the parameter value again.

PRESET/CH

ENTER

A-E/CAT. A/B/C/D/E

INFORMATION

ADDITIONAL

English

Page 78

SOUND FIELD PARAMETER DESCRIPTIONS

You can adjust the values of certain digital sound field parameters so the sound fields are recreated accurately in your listening room. Not all of the following parameters are found in every program.

■ DSP LEVEL (DSP level)

Function: Adjusts the level of all the DSP effect sounds within a narrow range. Description: Depending on the acoustics of your listening room, you may want to increase or decrease the DSP

effect level relative to the level of the direct sound.

Control range: –6 dB to +3 dB

■ INIT. DLY/P. INIT. DLY (Initial delay)

Function: Changes the apparent distance from the source sound by adjusting the delay between the direct sound

and the first reflection heard by the listener.

Description: The smaller the value, the closer the sound source seems to the listener. The larger the value, the farther

it seems. For a small room, set to a small value. For a large room, set to a large value.

Control range: 1

to 99 msec

Level

Delay Sound Source

■ ROOM SIZE/P. ROOM SIZE (Room size)

Function: Adjusts the apparent size of the surround sound field. The larger the value, the larger the surround

Description: As the sound is repeatedly reflected around a room, the larger the hall is, the longer the time between

Control range: 0.1 to 2.0

Small value = 1 ms Large value = 99 ms

sound field becomes.

the original reflected sound and the subsequent reflections. By controlling the time between the reflected sounds, you can change the apparent size of the virtual venue. Changing this parameter from one to two, doubles the apparent length of the room.

Level

Sound Source

Reflection Face

Time

Source Sound

Early Reflections

Level

Time

Level

Delay

Source Sound

Time

Early Reflections

Delay

Level

Time

Small value = 0.1

Large value = 2.0

Page 79

Source Sound

Level

SOUND FIELD PARAMETER DESCRIPTIONS

Level

Time Ti me

Large Reflected Sound

Large value = 10

Live

■ LIVENESS (Liveness)

Function: Adjusts the reflectivity of the virtual walls in the hall by changing the rate at which the early reflections

decay.

Description: The early reflections of a sound source decay much faster in a room with acoustically absorbent wall

surfaces than in one which has highly reflective surfaces. A room with acoustically absorbent surfaces is referred to as “dead”, while a room with highly reflective surfaces is referred to as “live”. The LIVENESS parameter lets you adjust the early reflection decay rate, and thus the “liveness” of the room.

Control range: 0 to 10

Dead

Level

Time

Small Reflected Sound

■ S. INIT. DLY (Surround initial delay)

Function: Adjusts the delay between the direct sound and the first reflection on the surround side of the sound

Control Range: 1 to 49 msec

■ S. ROOM SIZE (Surround room size)

Function: Adjusts the apparent size of the surround sound field. Control Range: 0.1 to 2.0

■ S. LIVENESS (Surround liveness)

Function: Adjusts the apparent reflectivity of the virtual walls in the surround sound field. Control Range: 0 to 10

■ SB INI. DLY (Surround back initial delay)

Function: Adjusts the delay between the direct sound and the first reflection in the surround back sound field. Control Range: 1 to 49 msec

■ SB ROOM SIZE (Surround back room size)

Function: Adjusts the apparent size of the surround back sound field. Control Range: 0.1 to 2.0

■ SB LIVENESS (Surround back liveness)

Function: Adjusts the apparent reflectivity of the virtual wall in the surround back sound field. Control Range: 0 to 10

Small value = 0

field. You can only adjust this parameter when at least two front channels and two surround channels are used.

INFORMATION

ADDITIONAL

English

Page 80

SOUND FIELD PARAMETER DESCRIPTIONS

■ REV.TIME (Reverberation time)

Function: Adjusts the amount of time it takes for the dense, subsequent reverberation sound to decay by 60 dB (at

1 kHz). This changes the apparent size of the acoustic environment over an extremely wide range.

Description: Set a longer reverberation time for “dead” sources and listening room environments, and a shorter time

for “live” sources and listening room environments.

Control Range: 1.0 to 5.0 sec

Sound Source

Small value = 1.0 s Large value = 5.0 s

■ REV.DELAY (Reverberation delay)

Function: Adjusts the time difference between the beginning of the direct sound and the beginning of the

reverberation sound.

Description: The larger the value, the later the reverberation sound begins. A later reverberation sound makes you

feel like you are in a larger acoustic environment.

Control Range: 0 to 250 msec

■ REV. LEVEL (Reverberation level)

Function: Adjusts the volume of the reverberation sound. Description: The larger the value, the stronger the reverberation becomes. Control Range: 0 to 100%

Source Sound

Reverberation Reverberation

Early Reflections

60 dB 60 dB 60 dB

Reverberation time

Short Reverberation

Source Sound

Level

(dB)

Reverberation

Reverberation time

delay

Source Sound

Level

Reverberation level

Reverberation time

Long Reverberation

60 dB

Time

Page 81

■ DIALG.LIFT (Dialog lift)

Function: Adjusts the height of the front and center channel sounds by assigning some of the front and center

channel elements to the presence speakers. Description: The larger the parameter, the higher the position of the front and center channel sound. Choices: 0/1/2/3/4/5, initial setting is 0.

For 2ch Stereo:

■ DIRECT (Direct)

Function: Bypasses this unit’s decoders and DSP processors for pure high fidelity sound when playing 2-channel

analog sources. The AUTO setting is effective only when BASS and TREBLE are set to 0 dB. Choices: AUTO, OFF

Notes

• When multi-channel signals (Dolby Digital and DTS) are input, they are downmixed to 2 channels and output from the front left and

right speakers.

• When “BASS OUT” is set to BOTH, or “FRONT SP” set to SMALL and “BASS OUT” set to SWFR, front left and right speaker low-

frequency signals are redirected to the subwoofer.

For 7ch Stereo:

Function: These parameters adjust the volume level for each channel in 7-channel stereo mode. Control Range: 0 – 100%

■ CT LEVEL (Center level)

■ SL LEVEL (Surround left level)

■ SR LEVEL (Surround right level)

■ SB LEVEL (Surround back level)

■ PL LEVEL (Presence left level)

■ PR LEVEL (Presence right level)

For PRO LOGIC IIx Music and PRO LOGIC II Music:

■ PANORAMA (Panorama)

Function: Sends stereo signals to the surround speakers as well as the front speakers for a wraparound effect. Choices: OFF, ON

■ DIMENSION (Dimension)

Function: Gradually adjusts the sound field either towards the front or towards the rear. Control range: –3 (towards the rear) to +3 (towards the front), initial setting is STD (standard).

■ CENTER WIDTH (Center width)

Function: Adjusts the center image from all three front speakers to varying degrees. A larger value adjusts the

center image towards the front left and right speakers. Control range: 0 (center channel sound is output only from center speaker) to 7 (center channel sound is output only

from front left and right speakers) Initial setting: 3

Note

This parameter can be set only when SUR. STANDARD is selected.

SOUND FIELD PARAMETER DESCRIPTIONS

INFORMATION

ADDITIONAL

English

Page 82

SOUND FIELD PARAMETER DESCRIPTIONS

For DTS Neo:6 Music:

■ C. IMAGE (Center image)

Function: Adjusts the center image from all three front speakers to varying degrees. Control range: 0 to 1.0 Initial setting: 0.3

Note

This parameter can be set only when SUR. STANDARD is selected.

Page 83

TROUBLESHOOTING

Refer to the chart below when this unit does not function properly. If the problem you are experiencing is not listed below or if the instruction below does not help, set this unit to the standby mode, disconnect the power cord, and contact the nearest authorized YAMAHA dealer or service center.

■ General

Problem Cause Remedy

This unit fails to turn

The power cord is not connected or the

on when STANDBY/

plug is not completely inserted.

ON (or SYSTEM

The impedance setting is incorrect. Set the impedance to match your speakers.

POWER) is pressed, or enters the standby

The protection circuitry has been

mode soon after the

activated.

power has been turned on.

This unit has been exposed to a strong external electric shock (such as lightning or strong static electricity).

On-screen display

The setting for the on-screen display is set

does not appear.

to “DISPLAY OFF”. “GRAY BACK” in SET MENU is set to

OFF, and no video signal is currently being received.

No sound Incorrect input or output cable

connections. The optimizer microphone is connected. Disconnect the optimizer microphone. The input mode is set to DTS or

ANALOG. No appropriate input source has been

selected.

Speaker connections are not secure. Secure the connections. The front speakers to be used have not

been selected properly. The volume is turned down. Turn up the volume. The sound is muted. Press MUTE or any operation button of this unit to

The input mode is set to ANALOG while playing a source encoded with a DTS signal.

Signals this unit cannot reproduce are being received from a source component, such as a CD-ROM.

No picture The output and input for the picture are

connected to different types of video jacks.

Connect the power cord firmly.

Make sure all speaker wire connections on this unit and on all speakers are secure and that the wire for each connection does not touch anything other than its respective connection.

Set this unit in the standby mode, disconnect the power cord, plug it back in after 30 seconds, then use it normally.

Select the full display or short display mode.

Set “GRAY BACK” to AUTO to always show the OSD.

Connect the cables properly. If the problem persists, the cables may be defective.

Select AUTO.

Select an appropriate input source with INPUT, MULTI CH INPUT (or MULTI CH IN on the remote control) or the input selector buttons.

Select the front speakers with SPEAKERS A and/or B.

resume audio output, then adjust the volume. Set the input mode to AUTO or DTS.

Play a source whose signals can be reproduced by this unit.

Turn on the video conversion function.

Refer to

page

11-14

15-20

—

24 36

12 30

— 31

INFORMATION

ADDITIONAL

—

English

Page 84

TROUBLESHOOTING

Problem Cause Remedy

The sound suddenly

The protection circuitry has been activated

goes off.

because of a short circuit, etc.

The sleep timer has turned the unit off. Turn on the power, and play the source again. The sound is muted. Press MUTE to cancel a mute.

Only the speaker on

Incorrect cable connections. Connect the cables properly. If the problem persists,

one side can be heard.

Incorrect balance settings in SET MENU. Adjust the SPEAKER LEVEL settings.

Only the center

When playing a monaural source with a

speaker outputs

CINEMA DSP program, the source signal

substantial sound.

is directed to the center channel, and the front and surround speakers output effect sounds.

No sound from the

The sound field programs are turned off. Press STRAIGHT (EFFECT) to turn them on.

effect speakers.

You are using a source or program combination that does not output sound from all channels.

No sound from the

The output level of the center speaker is

center speaker.

set to minimum. “CENTER SP” in SET MENU is set to

NONE. One of the HiFi DSP programs (except for

7ch Stereo) has been selected.

No sound from the

The output level of the surround speakers

surround speakers.

is set to minimum. “SUR. L/R SP” in SET MENU is set to

NONE. A monaural source is being played with

STRAIGHT.

No sound from the

Surround back speakers are not selected. Select surround back speakers in SUR. B L/R SP.

surround back

“SUR. L/R SP” in SET MENU is set to

speakers.

NONE.

“SUR. B L/R SP” in SET MENU is set to NONE.

No sound from the

“LFE/BASS OUT” in SET MENU is set

subwoofer.

to FRNT when a Dolby Digital or DTS signal is being played.

“LFE/BASS OUT” in SET MENU is set to SWFR or FRNT when a 2-channel source is being played.

The source does not contain low bass signals.

Check that the impedance selector setting is correct. Check that the speaker wires are not touching each

other and then turn this unit back on.

the cables may be defective.

Try another sound field program.

Raise the level of the center speaker.

Select the appropriate setting for the center speaker.

Try another sound field program.

Raise the output level of the surround speakers.

Select the appropriate setting for the surround left and right speakers.

Press STRAIGHT (EFFECT) to turn on the sound fields.

If the surround left and right speakers are set to NONE, the surround back speaker setting is automatically set to NONE. Select the appropriate setting for the surround speakers.

Select LRGx1 or SMLx1.

Select SWFR or BOTH.

Select BOTH.

Refer to

page

66 —

— 31 12

36 48

—

57 56

Page 85

Problem Cause Remedy

Dolby Digital or DTS

The connected component is not set to

sources cannot be

output Dolby Digital or DTS digital

played. (Dolby Digital

signals.

or DTS indicator on

The input mode is set to ANALOG. Set the input mode to AUTO or DTS.

the front panel display does not light up.)

A “humming” sound

Incorrect cable connections. Firmly connect the audio plugs. If the problem

can be heard. The volume level

The component connected to the OUT

cannot be increased,

(REC) jacks of this unit is turned off.

or the sound is distorted.

The sound effect

It is not possible to record the sound effect

cannot be recorded.

with a recording component.

A source cannot be

The source component is not connected to

recorded by a digital

this unit’s DIGITAL INPUT jacks.

recording component

Some components cannot record the

connected to this

Dolby Digital or DTS sources.

DIGITAL OUTPUT jack.

A source cannot be

The source component is not connected to this unit’s analog AUDIO IN jacks.

recorded by an analog component connected to the AUDIO OUT jacks.

The sound field

“MEMORY GUARD” in SET MENU is

parameters and some

set to ON.

other settings on this unit cannot be changed.

This unit does not

The internal microcomputer has been

operate properly.

frozen by an external electric shock (such as lightning or excessive static electricity) or by a power supply with low voltage.

“CHECK SP WIRES”

Speaker cables are short circuited. Make sure all speaker c ables are connected correctly.

appears in the front panel display.

Make an appropriate setting following the operating instructions for your component.

persists, the cables may be defective. Turn on the power to the component.

Connect the source component to the DIGITAL INPUT jacks.

Connect the source component to the analog AUDIO IN jacks.

Select OFF.

Disconnect the AC power cord from the outlet and then plug it in again after about 30 seconds.

TROUBLESHOOTING

Refer to

page

15-19

—

INFORMATION

ADDITIONAL

English

Page 86

TROUBLESHOOTING

Problem Cause Remedy

There is noise interference from digital or radio frequency equipment, or this unit.

The picture is disturbed.

There is noise when the OSD is displayed.

This unit suddenly turns into the standby mode.

This unit is too close to the digital or highfrequency equipment.

The video source uses scrambled or encoded signals to prevent dubbing.

The OSD may be disturbed when displaying OSD through component video connections.

The internal temperature becomes too high and the overheat protection circuitry has been activated.

Move this unit further away from such equipment.

Select OFF in CMPNT OSD.

Wait about 1 hour for this unit to cool down and then turn it back on.

■ Tuner

Problem Cause Remedy

FM stereo reception is noisy.

There is distortion, and clear reception cannot be obtained even with a

good FM antenna. The desired station

cannot be tuned in with the automatic tuning method.

Previously preset stations can no longer be tuned in.

The desired station cannot be tuned in with the automatic tuning method.

There are continuous

crackling and hissing noises.

There are buzzing and whining noises.

The characteristics of FM stereo broadcasts may cause this problem when the transmitter is too far away or the antenna input is poor.

There is multipath interference. Adjust the antenna position to eliminate

The signal is too weak. Use a high- quality directional FM antenna.

This unit has been disconnected for a long period.

The signal is weak or the antenna connections are loose.

Noises result from lightning, fluorescent lamps, motors, thermostats and other electrical equipment.

A TV set is being used nearby. Move this unit away from the TV.

Check the antenna connections. Try using a high-quality directional FM antenna.

Use the manual tuning method.

multipath interference.

Use the manual tuning method.

Preset the stations again.

Tighten the AM loop antenna connections and orient it for the best reception.

Use the manual tuning method.

Use an outdoor antenna and a ground wire. This will help somewhat, but it is difficult to eliminate all noise.

Refer to

Refer

to page

page

—

39 —

21 39

—

Page 87

■ Remote control

Problem Cause Remedy

The remote control

Wrong distance or angle. The remote control will f unction within a maximum

does not work nor function properly.

Direct sunlight or lighting (from an inverter type of fluorescent lamp, etc.) is striking the remote control sensor of this unit.

The batteries are weak. Re pl ac e al l ba tteries. The remote control code was not correctly

set.

The remote control ID and this unit’s ID do not match.

Even if the remote control code is correctly set, there are some models that do not respond to the remote control.

range of 6 m (20 ft) and no more than 30 degrees offaxis from the front panel.

Reposition this unit.

Set the remote control code correctly using “LIST OF REMOTE CONTROL CODES” at the end of this manual.

Try to set another code for the same manufacturer using “LIST OF REMOTE CONTROL CODES” at the end of this manual.

Switch the library code.

TROUBLESHOOTING

Refer to

page

—

INFORMATION

ADDITIONAL

English

Page 88

RESETTING THE FACTORY PRESETS

If you want to reset all of your unit’s parameters for any reason, do the following. This procedure completely resets ALL parameters, including the SET MENU, level, assign and tuner presets.

Be sure this unit is in standby mode.

1,4

1 With the unit in standby mode, hold down

2 Rotate PROGRAM to move through the menu

3 Press STRAIGHT (EFFECT) to select the

RESETTING THE FACTORY PRESETS

MEMORY

FM/AM

TUNING MODE

PRESET/TUNING

OPTIMIZER MIC A/B/C/D/E

PRESET/TUNING

MAN'L/AUTO FM

AUTO/MAN'L MONO

EDIT

LEVEL

XIM

DISPLAY

CATEGORY

SEARCH MODE

PROGRAM

INPUT

SPEAKERSPHONES

STANDBY /ON

SILENT CINEMA

1,3

STRAIGHT (EFFECT) on the front panel and press STANDBY/ON.

The ADVANCED SETUP menu appears in the front panel display.

STRAIGHT

EFFECT

To cancel the initialization procedure without making any changes, press STANDBY/ON.

and select “PRESET”.

desired setting.

RESET To reset the unit to its factory presets. CANCEL To cancel without making any changes.

EFFECT

While holding down, press

PROGRAM

STRAIGHT

PURE DIRECTINPUT MODETONE CONTROLSTRAIGHT

MULTI CH INPUT

S VIDEO VIDEO OPTICALL AUDIO R

STANDBY

/ON

EFFECT

VOLUME

VIDEO AUX

4 Press STANDBY/ON to confirm your

selection.

STANDBY

/ON

If you selected “RESET”, the unit is reset to its factory presets and switches to standby mode. If you selected “CANCEL”, the unit switches to standby mode and nothing is reset.

Page 89

GLOSSARY

Audio formats

■ Dolby Digital

Dolby Digital is a digital surround sound system that gives you completely independent multi-channel audio. With 3 front channels (left, center, and right), and 2 surround stereo channels, Dolby Digital provides 5 full-range audio channels. With an additional channel especially for bass effects, called LFE (low frequency effect), the system has a total of 5.1-channels (LFE is counted as 0.1 channel). By using 2-channel stereo for the surround speakers, more accurate moving sound effects and surround sound environment are possible than with Dolby Surround. The wide dynamic range (from maximum to minimum volume) reproduced by the 5 full-range channels and the precise sound orientation generated using digital sound processing provide listeners with previously unheard of excitement and realism. With this unit, any sound environment from monaural up to a 5.1-channel configuration can be freely selected for your enjoyment.

■ Dolby Digital EX

Dolby Digital EX creates 6 full-bandwidth output channels from 5.1-channel sources. This is done using a matrix decoder that derives 3 surround channels from the 2 in the original recording. For the best results, Dolby Digital EX should be used with movie sound tracks recorded with Dolby Digital Surround EX. With this additional channel, you can experience more dynamic and realistic moving sound especially with scenes with “flyover” and “fly-around” effects.

■ Dolby Pro Logic II

Dolby Pro Logic II is an improved technique used to decode vast numbers of existing Dolby Surround software. This new technology enables a discrete 5-channel playback with 2 front left and right channels, 1 center channel, and 2 surround left and right channels (instead of only 1 surround channel for conventional Pro Logic technology). Music and Game modes are also available for 2-channel sources in addition to the Movie mode.

■ Dolby Pro Logic IIx

Dolby Pro Logic IIx is a new technology enabling discrete multi-channel playback from 2-channel or multi-channel sources. There is a Music mode for music, a Movie mode for movies and a Game mode for games.

GLOSSARY

■ Dolby Surround

Dolby Surround uses a 4 channel analog recording system to reproduce realistic and dynamic sound effects: 2 front left and right channels (stereo), a center channel for dialog (monaural), and a surround channel for special sound effects (monaural). The surround channel reproduces sound within a narrow frequency range. Dolby Surround is widely used with nearly all video tapes and laser discs, and in many TV and cable broadcasts as well. The Dolby Pro Logic decoder built into this unit employs a digital signal processing system that automatically stabilizes the volume on each channel to enhance moving sound effects and directionality.

■ DTS 96/24

DTS 96/24 offers an unprecedented level of audio quality for multi-channel sound on DVD-Video, and is fully backward-compatible with all DTS decoders. “96” refers to a 96 kHz sampling rate (compared to the typical 48 kHz sampling rate). “24” refers to 24-bit word length. DTS 96/ 24 offers sound quality transparent to the original 96/24 master, and 96/24 5.1-channel sound with full-quality fullmotion video for music programs and motion picture soundtracks on DVD-video.

■ DTS (Digital Theater Systems) Digital Surround

DTS digital surround was developed to replace the analog soundtracks of movies with a 6-channel digital sound track, and is now rapidly gaining popularity in movie theaters around the world. Digital Theater Systems Inc. has developed a home theater system so that you can enjoy the depth of sound and natural spatial representation of DTS digital surround in your home. This system produces practically distortion-free 6-channel sound (technically, a left, right and center channels, 2 surround channels, plus an LFE 0.1 channel as a subwoofer, for a total of 5.1channels). The unit incorporates DTS-ES decoder that enables 6.1-channel reproduction by adding the surround back channel to existing 5.1-channel format.

■ Neo:6

Neo:6 decodes the conventional 2-channel sources for 6 channel playback by the specific decoder. It enables playback with the full-range channels with higher separation just like digital discrete signal playback. Two modes are available; “Music mode” for playing music sources and “Cinema mode” for movies.

INFORMATION

ADDITIONAL

English

Page 90

GLOSSARY

Sound field programs Audio information

■ CINEMA DSP

Since the Dolby Surround and DTS systems were originally designed for use in movie theaters, their effect is best felt in a theater having many speakers and designed for acoustic effects. Since home conditions, such as room size, wall material, number of speakers, and so on, can differ so widely, it’s inevitable that there are dif ferenc es in the sound heard as well. Based on a wealth of actually measured data, YAMAHA CINEMA DSP uses YAMAHA original sound field technology to combine Dolby Pro Logic, Dolby Digital and DTS systems to provide the visual and audio experience of movie theater in the listening room of your own home.

■ SILENT CINEMA

YAMAHA has developed a natural, realistic sound effect DSP algorithm for headphones. Parameters for headphones have been set for each sound field so that accurate representations of all the sound field programs can be enjoyed on headphones.

■ Virtual CINEMA DSP

YAMAHA has developed a Virtual CINEMA DSP algorithm that allows you to enjoy DSP sound field surround effects even without any surround speakers by using virtual surround speakers. It is even possible to enjoy Virtual CINEMA DSP using a minimal two-speaker system that does not include a center speaker.

■ ITU-R

ITU-R is the radio communication sector of the ITU (International Telecommunication Union). ITU-R recommends a standard speaker placement which is used in many critical listening rooms, especially for mastering purposes.

■ LFE 0.1 channel

This channel is for the reproduction of low bass signals. The frequency range for this channel is 20 Hz to 120 Hz. This channel is counted as 0.1 because it only enforces a low frequency range compared to the full-range reproduced by the other 5/6 channels in Dolby Digital or DTS 5.1/6.1-channel systems.

■ PCM (Linear PCM)

Linear PCM is a signal format under which an analog audio signal is digitized, recorded and transmitted without using any compression. This is used as a method of recording CDs and DVD audio. The PCM system uses a technique for sampling the size of the analog signal per very small unit of time. Standing for “pulse code modulation”, the analog signal is encoded as pulses and then modulated for recording.

■ Sampling frequency and number of quantized bits

When digitizing an analog audio signal, the number of times the signal is sampled per second is called the sampling frequency, while the degree of fineness when converting the sound level into a numeric value is called the number of quantized bits. The range of rates that can be played back is determined based on the sampling rate, while the dynamic range representing the sound level difference is determined by the number of quantized bits. In principle, the higher the sampling frequency, the wider the range of frequencies that can be played back, and the higher the number of quantized bits, the more finely the sound level can be reproduced.

Page 91

Video signal information

■ Component video signal

With the component video signal system, the video signal is separated into the Y signal for the luminance and the P and P

R signals for the chrominance. Color can be

reproduced more faithfully with this system because each of these signals is independent. The component signal is also called the “color difference signal” because the luminance signal is subtracted from the color signal. A monitor with component input jacks is required in order to use the component signal for output.

■ Composite video signal

With the composite video signal system, the video signal is composed of three basic elements of a video picture; color, brightness and synchronization data. A composite video jack on a video component transmits these three elements combined.

■ S-video signal

With the S-video signal system, the video signal normally transmitted using a pin cable is separated and transmitted as the Y signal for the luminance and the C signal for the chrominance through the S-video cable. Using the S VIDEO jack eliminates video signal transmission loss and allows recording and playback of even more beautiful images.

GLOSSARY

INFORMATION

ADDITIONAL

English

Page 92

SPECIFICATIONS

AUDIO SECTION

• Minimum RMS Output Power for Front, Center, Surround, Surround back

20 Hz to 20 kHz, 0.06% THD, 8 !%......................................95 W

• Maximum Power (EIAJ) [China, Korea and General models]

1 kHz, 10% THD, 8 !%....... ................................................135 W

• Dynamic Power (IHF)

8/6/4/2 ! .......................................................130/165/195/240 W

• DIN Standard Output Power [U.K., Europe and Asia models]

1 kHz, 0.7% THD, 4 !%.. ....................................................145 W

• IEC Output Power [U.K., Asia and Europe models]

1 kHz, 0.06% THD, 8 !% ....................................................105 W

• Damping Factor (IHF)

20 Hz to 20 kHz, 8 !%..................................... ...........120 or more

• Frequency Response

CD terminal to Front L/R ..................... 10 Hz to 100 kHz, –3 dB

• Total Harmonic Distortion

CD, etc. to Front L/R (20 Hz to 20 kHz, 50 W, 8 !)%

.............................................................................. 0.0 6% or le ss

• Signal to Noise Ratio (IHF-A Network)

CD (250 mV) to Front L/R, Effect Off ............... 100 dB or more

• Residual Noise (IHF-A Network)

Front L/R .............................................................. 150 µV or less

• Channel Separation (1 kHz/10 kHz)

CD (5.1 k! terminated) to Front L/R ........ 60 dB/45 dB or more

• Tone Control (Front L/R)

BASS Boost/Cut ...................................................... ±6 dB/50 Hz

BASS Turnover Frequency ............................................... 350 Hz

TREBLE Boost/Cut ........... ................................... ±6 dB/20 kHz

TREBLE Turnover Frequency ......................................... 3.5 kHz

• Phones Output .......... ............................................... 150 mV/100 !

• Input Sensitivity/Input Impedance

CD, etc. ....... ......................................................... 200 mV/47 k!

MULTI CH INPUT .............................................. 200 mV/47 k!

• Output Level/Output Impedance

REC OUT ............................................................ 200 mV/1.2 k!

PRE OUT ....................................................... .............2 V/1.2 k!

SUBWOOFER ........................................................... 4 V/1.7 k!

ZONE 2 OUTPUT

[U.S.A., Canada and Australia models] ........... 200 mV/1.2 k!

SPECIFICATIONS

VIDEO SECTION

• Video Signal Type ......................................................... PAL/NTSC

• Signal to Noise Ratio ............................................... 50 dB or more

• Frequency Response (MONITOR OUT)

Composite, S-video ..................... ........... 5 Hz to 10 MHz, –3 dB

Component ...... ....................................... 5 Hz to 60 MHz, –3 dB

FM SECTION

• Tuning Range

[U.S.A. and Canada models] ......................... 87.5 to 107.9 MHz

[Asia and General models] ...... 87. 5/87.50 to 108.0/108.00 MHz

[Other models] ........................................... 87. 50 to 108. 00 MHz

• Usable Sensitivity (IHF)...................................... 1.0 µV (11.2 dBf)

• Signal to Noise Ratio (IHF)

Mono/Stereo .................................... ........................ 76 dB/70 dB

• Harmonic Distortion (1 kHz)

Mono/Stereo .............................................................. 0.2%/0.3%

• Stereo Separation (1 kHz) ...................................................... 42 dB

• Frequency Response ....................... . 20 Hz to 15 kHz, +0.5, –2 dB

AM SECTION

• Tuning Range

[U.S.A. and Canada models] ............................ 530 to 1710 kHz

[Asia and General models] ............... 530/531 to 1710/1611 kHz

[Other models] .................................................. 531 to 1611 kHz

• Usable Sensitivity ........................................ ................... 300 µV/m

GENERAL

• Power Supply

[U.S.A. and Canada models] ............................ AC 120 V, 60 Hz

[Australia model] .............................................. AC 240 V, 50 Hz

[China model] ................................................... AC 220 V, 50 Hz

[Korea model] ................................................... AC 220 V, 60 Hz

[U.K. and Europe models] ................................ AC 230 V, 50 Hz

[General model] ............. AC 110/120/220/230–240 V, 50/60 Hz

[Asia model] ................................. AC 220/230–240 V, 50/60 Hz

• Power Consumption

[U.S.A. and Canada models] ............................... 400 W/500 VA

[Other models] .................................................................. 440 W

• Standby Power Consumption .................................... 0.1 W or less

• AC Outlets

[U.K. and Australia models] ............. 1 (Total 100 W maximum)

[U.S.A., Canada and China models]

........................................................ 2 (Total 100 W maximum)

[Europe, Asia and General models]

.......................................................... 2 (Total 50 W maximum)

• Dimensions (W x H x D) ............................... 435 x 171 x 420 mm

(17-1/8” x 6-3/4” x 16-1/2”)

• Weight ............................................................ 12.5 kg (27 lbs 9 oz)

Page 93

LIST OF REMOTE CONTROL CODES LISTE DES CODES DE COMMANDE LISTE DER FERNBEDIENUNGSCODES LISTA ÖVER FJÄRRKONTROLLKODER LIJST MET AFSTANDSBEDIENINGSCODES

СПИСОК КОДОВ ДИСТАНЦИОННОГО УПРАВЛЕНИЯ

ADMIRAL 0411, 0451, 0911,

1021, 1081 AIKO 0891 AKAI 0061, 0101, 0231,

1191, 1351, 1591,

1641, 1791, 1891,

1981 AKURA 1331 ALBA 1241, 1331, 2361 ALBIRAL 1971 AMSTRAD 1301, 1511 ANAM 1171 ARC EN CIEL 0571 ARCAM 0571, 0761 ARISTONA 0751 ARTHUR MARTIN 0451, 1641 ASA 0411, 0451, 0521,

0781, 0871, 1021,

1081, 1421, 2051,

2091, 2151, 2551 ASTRA 1511 ATANTIC 0761 ATLANTIC 0761 ATORI 1511 AUDIOSONIC 1181, 1321, 1511 AUSIND 0491, 1411 AUTOVOX 0091, 0351, 0481,

0491, 0601, 0781,

0951, 1051, 1081,

1391, 1421 BAIRD 1101, 1351 BANG & OLUFSEN 1081 BASIC LINE 1321, 1331 BAUER 1451 BAUR 0041, 0061, 0121,

0131, 0221, 1561 BEKO 2491, 2501 BLAUPUNKT 0221, 0231, 0241,

0251, 0471, 0741,

2201, 2211, 2221,

2231, 2241, 2261,

2571, 2581 BRANDT 0571, 0651, 0731,

0901, 1821 BRIONVEGA 1021, 1051, 1081 BRITANNIA 0761 BRUNS 0821, 0991, 1021,

1081 BSR 0391, 0691, 1621,

1901, 1981 BUSH 0451, 1241, 1331,

1641, 1741, 2131,

2151 BUSH (UK) 0481, 1561, 1611 CANDLE 0791 CENTURY 1021, 1081 CGE 0491, 0811, 0981,

1401, 1531, 1611,

1621, 1981, 2201,

2251, 2271

CITIZEN 0791 CLARIVOX 0821, 0961, 1971 CLATRONIC 1181, 1331 CONCERTO 0791 CONDOR 0761 CONTEC 0151, 1171 CONTINENTAL EDISON

0571, 0651, 0901 CRAIG 1171 CROSLEY 0021, 0491, 1021,

1081, 1401, 1981,

2201, 2251, 2271 CROWN 2541 CTC CLATRONIC 0261 CXC 1171 DAEWOO 0101, 1501, 1511,

2611 DANSAI 0101 DECCA 0271, 0581, 0601,

0971, 1101, 1691 DECCA (UK) 0271, 0581, 0601,

1101, 1681 DEGRAAF 0451, 1351 DIXI 0991, 1511 DOMEOS 0101 DORIC 1031 DUAL 0091, 0601, 1611,

1641, 2101 DUAL-TEC 0601, 1511, 1621,

2111 DUMONT 0261, 0521, 0781,

1021, 1081, 1981,

2121, 2151 DYNATRON 0101 ELBE 1551, 1971, 2031 ELECTRO TECH 1511 ELEKTRONSKA 0771 ELMAN 0261, 1621 ELTA 1511 EMERSON 0921, 1021, 1081,

1121, 1171, 1261,

1301 ERRES 0101 ETRON 1981 EUROPHON 0261, 0581, 0601,

0771, 1091, 1621,

2001 FENNER 0101, 1511 FERGUSON 0281, 0371, 0551,

0651, 0781, 0861,

0881, 1131, 1181,

1361, 1461, 1971,

1991, 2281, 2311,

2341 FIDELITY 0451, 0761, 2281 FIDELITY (UK) 0561, 0591,

1931, 2281 FILMNET 1141 FINLANDIA 0451, 2321

FINLUX 0021, 0261, 0491,

0521, 0781, 0811, 0871, 1081, 1411, 1421, 1981, 2051, 2091, 2121, 2151,

2551 FIRST LINE 1981 FISHER 0021, 0091, 0141,

0511, 0601, 0801,

0821, 0981, 1021,

1081, 1981, 2091 FORGESTONE 2281 FORMENTI 0451, 0491, 0761,

1081, 1451, 1541,

1981 FORMENTI-PHOENIX

0021, 0431, 0451,

0591, 1411 FORTRESS 1081 FRONTECH 0451, 1181, 1981 FUJITSU 1261 FUNAI 0391, 0691, 1171,

1181, 1261 FUTURETECH 1171 GBC 0021, 0141, 1321,

1511, 1621, 1981 GEC 0451, 1101, 1281,

2321 GEC (UK) 0031, 0081, 0581,

0601, 1101, 1281,

1561 GELOSO 0021, 0411, 0451,

1321, 1511, 1621,

1981 GENERAL TECHNIC

2681 GENEXXA 0451, 1331 GOODMANS 0141, 1101, 1371,

1641, 2301 GORENJE 0981, 1061 GRAETZ 0451 GRANADA 0141, 0451, 0491,

0581, 0601, 1101,

1111, 1351, 1981,

2321 GRANADA (UK) 0081, 0141,

0451, 0491, 0581,

0601, 1031, 1311,

1521, 1561, 1641 GRUNDIG 0221, 0231 , 0471,

0491, 0711, 0741,

1381, 2021, 2041,

2141, 2151 HANSEATIC 0 021, 0121 , 0141,

0431, 0591, 1561 HANTAREX 0581 HEMMERMANN 0061 HIFIVOX 0331, 0571 HINARI 0071, 0141, 0451,

1261, 1351, 1511,

1641, 1981, 2011

HITACHI 0001, 0011, 0031,

0081, 0141, 0291, 0331, 0341, 0451, 0601, 0631, 0701, 1281, 1561, 1601, 1821, 1831, 1841, 1861, 1871, 1881, 1891, 1941, 1981, 2051, 2321, 2341

HYPER 0591, 0601, 1511,

1621

IMPERIAL 0451, 0491, 0811,

0981, 1401, 1611, 1621, 2201, 2251,

2271 INGERSOL 1511 INNO HIT 0581, 0601, 0841,

1101, 1331, 1371,

1511, 2011 INNOVATION 2591, 2601, 2611,

2621, 2641, 2651,

2661, 2711, 2721,

2761, 2771, 2781 INTERFUNK 0031, 0041, 0061,

0121, 0181, 0451,

0491, 1081, 1641,

1791, 1821, 1981,

2231 IRRADIO 0491, 1321, 1331,

1371, 1411, 1511,

2011 ISUKAI 1331 ITT 0031, 0041, 0051,

0061, 0071, 0081,

0181, 0411, 0451,

0491, 1241, 1291,

1351, 1501, 1601,

1641, 1741, 1921,

1981, 2091, 2331,

2431 ITT-NOKIA 0031, 0041, 0051,

0061, 0071, 0081,

0181, 0411, 0451,

0491, 1241, 1291,

1351, 1501, 1601,

1641, 1741, 1921,

1981, 2091, 2331,

2431 JVC 0071, 0721, 1441,

1581, 1591, 1741,

1791 KAISUI 0591, 1321, 1331 KAMOSONIC 0601 KARCHER 0591, 0601, 0841,

1091, 1321, 1511,

1561, 2051 KAWASHO 0761 KENDO 0261 KENNEDY 0021, 0351, 0951,

1981 KONKA 2701

APPENDIX-i

Page 94

KORTING 0431, 1011, 1021,

1081, 1541 KTV 0601, 1171 LENOIR 0601, 1511 LEYEO 1181 LG (GOLDSTAR) 0591, 0601,

0761, 0791, 1371,

1491, 1511, 1561,

1621, 1641 LIFETEC 2591, 2601, 2611,

2621, 2641, 2651,

2661, 2671, 2681,

2691, 2711, 2761,

2771, 2781 LOEWE OPTA 0121, 0131,

0581, 0611, 1081 LOGIC 1691, 2281 LOGIK 0551, 1681, 2281 LOWEWE 0831 LUMA 0351, 0451, 1901 LUXMAN 0791 LUXMAN STEREO TUNER

0791 LUXOR 0001, 0061, 0181,

0341, 0421, 0451,

0461, 0491, 0601,

0671, 1351, 1371,

1561, 1601, 1911,

1921, 1981 LYCO 1181 MAGNADYNE 0021, 0061,

0261, 0581, 0641,

0771, 1021, 1081,

1621, 1981 MAGNAFON 0261, 0491, 0581,

0591, 0641, 0761,

1091, 2001 MANESTH 0101 MARANTZ 0101 MARELLI 1081 MARK 0101 MATSUI 0061, 0451, 0601,

0691, 1101, 1151,

1241, 1271, 1301,

1511, 1561, 1681,

1691 MAXIMAL 0071, 1981 MCMICHAEL 1281 MEDION 2591, 2601, 2611,

2621, 2641, 2651,

2661, 2671, 2681,

2691, 2711, 2721,

2761, 2771, 2781 MEMOREX 1511 METZ 0231, 0741, 1001,

1041, 1081, 1481,

2071, 2081 MGA 1231 MICROMAXX 2591, 2621, 2641,

2651, 2711, 2761,

2771, 2781 MINERVA 0221, 0231, 0491,

1381, 2141, 2151 MISTRAL 2281 MITSUBISHI 0141, 0201, 0231,

0661, 1191, 1201,

1231, 1671, 1691,

1741 MIVAR 0491, 0501, 0581,

0591, 0761, 0771,

1371, 1431, 2031 MTC 0791 MULTITECH 0261, 0581, 0601,

0641, 0981, 1321,

1511

MURPHY 0451, 2091 MURPHY (UK) 0081, 1031 N.E.I. 0101, 0961 NAD 1341 NEC 0141, 1711, 1721,

1731

NECKERMANN 0451, 0601,

0981, 1081, 1561, 1931, 1981, 2211,

2231, 2241 NEDIATOR 0101 NICAMAGIC 0761 NIKKAI 1101, 1331, 1641,

1701, 2011 NOBLIKO 0261, 0491, 0591,

0641, 1381, 1411 NOGAMATIC 0571 NOKIA 0031, 0041, 0051,

0061, 0071, 0081,

0181, 0411, 0451,

0491, 1241, 1291,

1351, 1501, 1601,

1641, 1741, 1921,

1981, 2091, 2331,

2431, 2461, 2791 NORDMENDE 0031, 0291,

0331, 0451, 0531,

0541, 0571, 1051,

1131, 1591, 1791,

1811, 1821, 1891,

1941, 2631 OCEANIC 0321, 1651, 1981 OCEANIC (F) 0031, 0061, 0321,

0441, 1661 ONCEAS 0601 ONWA 1171 ORION 0061, 0391, 0691,

0851, 1211, 1241,

1251, 1301, 1481,

1511, 1681, 1691,

1981, 2371, 2421 OSAKA 2011 OSAKI 1101, 1331, 2011 OSUME 0151 OTTO VERSAND 0021, 0121,

0141, 0221, 0601,

1561, 1741, 1981 PAEL 0591, 1411 PANASONIC 0031, 0201, 0211,

0451, 0701, 1311,

1751, 1961, 2561,

2741 PAN ORAMIC 2351 PATHE MARCONI 0571 PATHE’ CINEMA (F)

0431, 0591, 1621,

1661, 1971 PAUSA 1511 PAUZA 1511 PERDIO 0891, 1101 PHILCO 0021, 0491, 0811,

0981, 1021, 1081,

1401, 1611, 1621,

1751, 2201, 2251,

2271, 2451, 2471 PHILIPS 0101, 0361, 0591,

0621, 0681, 0751,

0761, 1021, 1081,

1281, 2031, 2281,

2291, 2431, 2441,

2511, 2731 PHOENIX 1081 PHONOLA 0751, 1081 PIONEER 0291, 0451, 1341,

1821

PRANDONI-PRINCE

0411, 0451, 0491, 0581, 1411

PRANDONI-PROMCE

0451, 0491, 0581 PRIMA 0451 PROFEX 1981 PROTECH 0641, 1181, 1981 QUELLE 0041, 0061, 0121,

0221, 0231, 0391,

0491, 0521, 0601,

0781, 1371, 1381,

1411, 1421, 1641,

1681, 2051, 2091,

2141, 2151, 2201,

2211, 2231, 2241,

2251, 2271, 2551,

2571, 2581 RADIOMARELLI 0101, 0451,

0661, 0771, 1081 RADIONETTE 0031, 2051,

2091 RADIOLA 2291 RANK 0481, 2151 RBM 2131, 2151 RBM (UK) 0481 REDIFFUSION 0451, 0661,

1641, 1981, 2331 REDIFFUSION (UK)

0061, 0081, 1031 REX 0071, 0101, 0351,

0411, 0451, 0951,

1901, 2061, 2101,

2111 RFT 0991, 2511 ROADSTAR 1321, 1511 ROTEL 0151 SABA 0291, 0331, 0421,

0451, 0531, 0541,

0571, 0581, 0651,

0731, 0931, 1021,

1071, 1081, 1131,

1791, 1811, 1821,

1891, 1941, 2631 SACCS 1971 SAISHO 0451, 0601, 1161,

1241, 1301, 1511,

1671, 1681, 1691 SALORA 0011, 0041, 0061,

0071, 0341, 0451,

0671, 1291, 1351,

1521, 1561, 1601,

1641, 1911, 1921,

1931, 1981, 2321 SAMBERS 0261, 0491, 0581,

0641, 1091, 1371,

1411, 2001 SAMSUNG 0101, 0601, 0841,

0981, 1101, 1181,

1371, 1511, 2011 SANYO 0141, 0151, 0401,

0601, 0801, 0821,

0981, 1021, 1101,

1111, 1291, 1351,

1691, 1741, 2051,

2091, 2551 SBR 0681, 0751, 1281,

2281 SCHAUB LORENZ 0451 SCHNEIDER 0021, 0071, 0091,

0451, 0511, 0591,

0601, 0751, 1321,

1361, 1621, 1641,

2101, 2111, 2291

SCOTT 1171, 1261 SEG 0261, 0601, 0821,

0991

SEI 0641, 0691, 1081,

1301, 1481, 1981

SELECO 0071, 0101, 0351,

0411, 0451, 0951, 1901, 2061, 2101,

2111 SENTRA 1601 SHARP 0141, 0151, 0191,

1761, 1781 SIAREM 0021, 0261, 0581,

0641, 1021, 1081,

1981 SICATEL 1971 SIEMENS 0151, 0221, 0231,

0451, 0741, 2011,

2201, 2211, 2221,

2231, 2241, 2261,

2571, 2581 SILVER 1181 SINGER 0021, 0261, 1021,

1081 SINUDYNE 0021, 0061, 0101,

0261, 0391, 0641,

0691, 0851, 0941,

1021, 1081, 1241,

1301, 1321, 1481,

1631, 1981 SKANTIC 0451 SOLAVOX 0451, 1641, 2011 SONOKO 0101, 1181, 1511 SONY 0141, 0171, 1121,

1681, 1691, 2751 SOUNDESIGN 1171 SSS 1171 STERN 0071, 0101, 0351,

0411, 0451, 0951,

1901, 2061, 2101,

2111 SUNKAI 0691 SUPRA 0791 TANDBERG 0161, 0331, 0611,

1021, 1421, 1771,

1791, 2081 TANDY 0191, 0451, 1331,

1531 TASHIKO 0141 TATUNG 0271, 0581, 0601,

0971, 1101, 1681,

1691 TCM 2621, 2641, 2711,

2761, 2771, 2781 TECHNICS 1311 TECHWOOD 0791 TEKNIKA 1171, 1231, 1261 TELE 1141 TELEAVIA 0571, 0651, 0731,

1821 TELEFUNKEN 0291, 0301,

0311, 0551, 0731,

1131, 1471, 1591,

1791, 1801, 1811,

1821, 1991, 2161,

2171, 2181, 2191,

2201, 2251, 2271,

2521, 2631 TELETECH 1511 TEMPEST 2381, 2391, 2401,

2411 TENSAI 1331, 2091 TEXET 0601

APPENDIX-ii

Page 95

THOMSON 0331, 0481, 0531,

0571, 0631, 0651, 0731, 0901, 1241, 1571, 1591, 1791, 1811, 1821, 1891, 1941, 2531

THORN 0741, 0861, 2091,

2251, 2271, 2281

THORN-FERGUSON

0281, 0371, 0551, 0651, 0781, 0861, 0881, 1131, 1181, 1361, 1461, 1971,

1991, 2281 TMK 0141, 0791, 1471 TOSHIBA 0141, 0381, 0481,

1221, 1271, 1701,

1741, 1851, 2151,

2801, 2811 TRANS CONTINENS

0451 TRISTAR 2281 TRIUMPH 0481, 0581, 2121 UHER 0431, 0451, 0481,

0491, 0511, 1311,

1541 ULTRAVOX 0021, 0261, 0591,

1021, 1081, 1981 UNIVERSUM 1181, 2051 UNIVOX 1971 VEGAVOX 0811 VEXA 0101, 1511 VICTOR 1441, 1591 VIDEOTON 2481 VORTEC 0101, 0651 VOXSON 0411, 0451, 0491,

1021, 1081 WALTHAM 0451 WATSON 0431, 2201, 2241 WATT RADIO 0021, 0061, 0261,

0591, 0641, 0761,

1091, 1971, 1981,

2001 WEGA 0141, 1081, 1981 WEGA COLOR 1021 WELTBLICK 0101 WESTON 1621 WHITE WESTINGHOUSE

0101, 0261, 0431,

0591, 0761, 1401,

1541 YAMAHA 2821, 2831, 2841,

2851 YOKO 0601, 1511 ZANUSSI 0071, 0101, 0351,

0411, 0451, 0951,

1901, 2061, 2101,

2111 ZOPPAS 0451

CABLE TV

CABLETIME 1446, 1456, 1476 CLYDE CABLEVISION

1426 FILMNET 1396, 1436 FRANCE TELECOM

1386 GEC 1426 JERROLD 1416 MOVIE TIME 1466 NSC 1466 PHILIPS 1386 PIONEER 0006 SAMSUNG 1496

SCIENTIFIC ATLANTA

1486, 1506 STARCOM 1416 STS 1466 TANDBERG 1366 TELE 1436 TELE +1 1436 TELESERVICE 1406, 1476 TUDI 1376 UNITED CABLE 1416 ZENITH 1406

SATELLITE TUNER

AKAI 1276 ALBA 0826, 1276 AMSTRAD 0166, 0796, 1016,

1026, 1296 ANKARO 0476 AST 0406 ASTRA 0126 BARCOM 0476 BLAUPUNKT 0966 BMC SATELLITE 0106 BRITISH TELECOM 1276 BUSH 0826 BUSH (UK) 0956 CAMBRIDGE 0196, 1276 CANAL PLUS (FRANCE)

1536 CHAPARRAL 0016, 0696, 1006 COLUMBUS 0616 CONNEXIONS 0306, 0426 DISCUS ELIPSE 0856, 0866 DISKXPRESS 0426, 0476 DRAKE 1516 ECHOSTAR 0226, 0236, 0606,

0626, 0666, 0926,

0996, 1046, 1056,

1066, 1106 ELTA 1286 ELTA SAT 0146 EURODEC 1226, 1236, 1246 FERGUSON 0046, 0176, 0186,

0296, 0846, 0956,

1306 FINLUX 0976 FRACARRO 0026, 0536, 0776 FUBA 0476, 0616, 0636,

1056 GIUCAR RECORD 0206, 0336 GRUNDIG 0176, 0946, 0956,

0966 HIGH PERFORMANCE

0916 HIRSCHMANN 0756, 0966 HITACHI 0446, 0516, 0706,

0946 ICX INTERNATIONAL

0886 ITT 0066, 0126, 0176,

0446, 1156 ITT/NOKIA 0066, 0126, 0176,

0446, 1156 JEEMON 0146 JERROLD 0846, 0986 JOHANSSON 0246 JVC 1276 KATHREIN 0116, 0266, 0276,

0366, 1586 KOSMOS 0266 KYOSTAR 1036, 1086 LENG 0246 LIFESAT 1326, 1346, 1356

LUXOR 0126, 0136, 0446,

0466, 0506, 1156 MACAB 0356 MASPRO 0016, 0116, 0256,

0956 MEDION 1326, 1346 METZ 0966 MICROMAXX 1326, 1346 MITSUBISHI 0966 MORGANS 0596 MURATTO 0406 NEC 0286, 0316, 0766,

0786, 0836 NETWORK 0046 NIKKO 1136, 1146 NOKIA 0066, 0126, 0176,

0446, 1156, 1166,

1336 NORSAT 0786 OTTO VERSAND 0966 PACE 0 046, 0176 , 0296,

0936, 0956, 1306,

1566, 1576 PACE MSS 0946 PACE SKY DIGITAL BOX (UK)

1526 PALCOM 0616, 0686, 0706 PALSAT 0396 PALTEC 0706 PANASONIC 0806, 1306 PANSAT 1076 PHILIPS 0326, 0346, 0476,

0956, 1126, 1186,

1196, 1206, 1216,

1306, 1316 PROSAT 1176 PTT TELECOM 0306, 0896 QUELLE 0966 RADIX 1056 REDIFFUSION 0316, 0786 RFT 1186, 1196, 1206,

1216 SAGEM 1256, 1546 SAKURA 0566, 0816 SALORA 0066, 0126, 0136,

0446, 0456, 0486,

0496, 0576 SAMSUNG 0746, 0756 SAT 0406 SATCOM 0896 SATECO 0646 SECTOR 1266 SEDEA 1096 SENTRA 0416 SIEMENS 0896, 0966 SINTRACK 0906 SKYLAB 0476 SKYSCAN 0876 SONY 0736, 0946 STELLA 0306 STRONG 0156, 0396, 1036,

1086 STV 0636 TANDBERG 1116 TANDY 0916 TANTEC 0616 TATUNG 0516, 0546 TECHNISAT 0086, 0096, 0526,

0556, 1056 TELECOM 0306 TELEMAX 0586 THORN-FERGUSON

0046, 0076, 0176,

0186, 0956 TOSHIBA 0946

TPS (FRANCE) 1546 TRIAD 0406 UNIDEN 0036, 0216, 0676,

0716, 0726 US ELECTRONICS 0886 VORTEC 0756, 1036, 1076 VTECH 0436 WINERSAT 0246 WISI 0056, 0356, 0376,

0386, 0406, 0656,

1056, 1156 WOLSEY 0916 XCOM MULTIMEDIA

1556 XSAT (FRANCE) 1556 ZEHNDER 0266, 0406 ZENDER 0406

VCR

AIWA 0042, 0352, 0432 AKAI 0042, 0422, 0492,

0582, 0612, 0642,

0652, 0762, 0912 ALBA 0002, 0112, 0282,

0332, 0342, 0972 AMSTRAD 0322, 0432, 0452 ANITECH 0002 ANITSCH 1002 ASA 0012, 0052 AUDIOSONIC 0002 BAIRD 0042, 0282, 0492 BANG & OLUFSEN 0042 BAUR 0052, 0062, 0812 BLAUPUNKT 0062, 0092, 0252,

0462, 0672, 0992 BRIONVEGA 0032 BUSH 0002, 0282, 0332,

0342, 0512, 0972 BUSH (UK) 0812 CAPEHART 0112 CGE 0042, 0432, 0762 CRAIG 0072, 0482 CROWN 0112, 0282, 0622 DAEWOO 0112, 0282, 0622 DANSAI 0012 DAYTRON 0112 DECCA 0042, 0052, 0432,

0942 DECCA (UK) 0052 DEGRAAF 0052, 0132, 0432,

0532, 0602 DIXI 0442 DUAL 0042, 0632 DUMONT 0052, 0432, 0532 DYNATECH 0432 DYNATRON 0012 ELBE 0122 ELIN 0072 EMERSON 0012, 0162, 0202,

0432, 0512, 0522 ERRES 0012 FERGUSON 0042, 0712, 0722,

0852, 0902, 1012,

1022, 1082 FIDELITY 0432 FINLANDIA 0052, 0532 FINLUX 0012, 0042, 0052,

0082, 0262, 0382,

0432, 0462, 0492,

0532, 0572, 0602,

0912 FIRST LINE 0002, 0912 FISHER 0162, 0482, 0532,

0542, 0572, 0592

APPENDIX-iii

Page 96

FORMENTI-PHOENIX

0012, 0052 FRONTECH 0112 FUNAI 0432 GBC 0002 GEC (UK) 0022, 0052 GELOSO 0002 GENERAL TECHNIC

1172 GOODMANS 0002, 0072, 0282,

0432, 0502 GOODMANS (UK) 0002 GRAETZ 0022, 0042 GRANADA 0052, 0132, 0532,

0572 GRANADA (UK) 0052, 0092,

0462, 0602, 0812,

0822 GRUNDIG 0052, 0062, 0092,

0232, 0252, 0262,

0752, 0802 HANSEATIC 0052, 0812 HARMAN/KARDON

0122, 0922 HCM 0002 HINARI 0002, 0202, 0412,

0442, 0522 HITACHI 0042, 0172, 0292,

0432, 0602, 0662,

0812, 1022 IMPERIAL 0072, 0432 INGERSOL 0442 INNO HIT 0002, 0052, 0072 INNOVATION 1142, 1162, 1172 INTERFUNK 0022, 0052 IRRADIO 0002, 0012 ITT 0022, 0032, 0042,

0072, 0292, 0492,

0532, 0572, 0762 ITT-NOKIA 0022, 0032, 0042,

0072, 0292, 0492,

0532, 0572, 0762 JENSEN 0042 JVC (VICTOR) 0042, 0102,

0142, 0272, 0742,

0762, 0782, 0902 KARCHER 0052, 0072, 0812 KENDO 0492 KENWOOD 0042, 0142, 0572 LG (GOLDSTAR) 0012, 0122,

0812, 0952 LIFETEC 1142, 1162, 1172 LLOYD 0432 LOEWE OPTA 0052, 0092,

0152 LOGIK 0002, 0072, 0442 LUMA 0162 LUXOR 0492, 0572, 0812 M ELECTRONIC 0432 MAGNADYNE 0052 MAGNASONIC 0572 MANESTH 0012 MARANTZ 0012, 0052, 0092,

0122, 0502 MARK 0012 MARTA 0012 MATSUI 0012, 0442, 0512,

0522, 0812, 0972 MEDION 1142, 1162, 1172 MEMOREX 0012, 0132, 0432,

0482, 0532, 0572 METZ 0062, 0092, 0932 MGA 0912 MICROMAXX 1142, 1162, 1172 MINERVA 0062, 0092, 0252

MINOLTA 0172, 0602 MITSUBISHI 0052, 0062, 0142,

0912, 0922 MTC 0072, 0432 MULTITECH 0002, 0052, 0062,

0282, 0432 MURPHY 0432 N.E.I. 0012, 0052 NATIONAL 0462 NEC 0042, 0122, 0142 NECKERMANN 0032, 0042,

0052, 0072, 0092,

0202, 0522, 0572,

0762, 0812 NIKKAI 0112 NOBLIKO 0092 NOKIA 0022, 0032, 0042,

0072, 0292, 0492,

0532, 0572, 0762,

1152 NORDMENDE 0042, 0102,

0142, 0192, 0222,

0242, 0392, 0402,

0632, 0732, 0742,

0762, 0782, 0792,

0832, 0842, 0872 OLYMPUS 0462 OPTONICA 0132, 0502 ORION 0162, 0202, 0312,

0442, 0512, 0522 OSAKA 0432 OSAKI 0002, 0012, 0432 OTTO VERSAND 0052, 0062,

0812 PANASONIC 0022, 0212, 0462,

0672, 0992, 1092,

1102, 1182 PENTAX 0172, 0602 PERDIO 0432 PHILCO 1062 PHILIPS 0052, 0082, 0092,

0152, 0182, 0362,

0372, 0382, 0472,

0502, 1072 PHONOLA 0052, 0152 PILOT 0012 PIONEER 0052, 0142, 0372,

0472 PORTLAND 0112 PROLINE 0432 PYE 0052, 0152 QUARTZ 0572 QUELLE 0012, 0032, 0042,

0052, 0062, 0072,

0092, 0202, 0462,

0522, 0942 RADIONETTE 0022 REALISTIC 0012, 0072, 0132,

0432, 0482, 0502,

0532, 0572 RET 1072 REX 0042, 0742, 0782 RICOH 0952 SABA 0042, 0142, 0192,

0222, 0242, 0392,

0632, 0732, 0742,

0762, 0772, 0782,

0792, 0872 SAISHO 0162, 0202, 0292,

0442, 0512, 0522,

0972 SALORA 0192, 0572, 0812,

0822, 0912 SAMSUNG 0052, 0072, 0622,

0652, 1192

SANSUI 0042, 0142 SANYO 0482, 0532, 0562,

0572 SBR 0052, 0152, 0182 SCHAUB LORENZ 0022, 0042 SCHNEIDER 0002, 0012, 0052,

0072, 0432 SEG 0002, 0072 SEI-SINUDYNE 0442 SELECO 0042 SENTRA 0112 SHARP 0132, 0502, 0702 SHINTOM 0002 SIEMENS 0062, 0092, 0252,

0572 SINUDYNE 0052, 0382, 0442,

0932 SONOKO 0282

SONY 0432, 0552, 0682,

0692, 0942, 0952,

0962, 1122, 1132 STS 0602 SUNKAI 0512 SUNSTAR 0432 SYLVANIA 0432, 0912 SYMPHONIC 0432, 0912 TANDBERG 0062, 0162, 0522,

0932 TASHIKO 0132, 0432 TATUNG 0042, 0052, 0432,

0922 TCM 1142, 1162, 1172 TEAC 0042, 0432 TECHNICS 0462 TEKNIKA 0012, 0432 TELEFUNKEN 0042, 0192,

0632, 0732, 0742,

0762, 0782, 0882,

0892 TEMPEST 1032, 1042, 1052 TENOSAL 0002 THOMSON 0042, 0102, 0142,

0192, 0402, 0632,

0762 THORN 0042, 0902 THORN-FERGUSON

0042, 0222, 0302,

0712, 0722, 0742,

0762, 0852, 0862,

0872, 0902 TMK 0522 TONSAI 0002 TOSHIBA 0042, 0622, 0912 TOTEVISION 0012, 0072 TRIUMPH 0922 UHER 0042, 0072 ULTRAVOX 0032 UNITECH 0072 VECTOR RESEARCH

0122 VICTOR 0042, 0102, 0142 VIDEON 1162, 1172 WELTBLICK 0012 WHITE WESTINGHOUSE

0032 XENON 0162 YAMAHA 0042, 1202 YOKO 0012, 0062, 0072

DVD PLAYER

AKAI 0058 AIWA 0218 DENON 0188

HITACHI 0198 JVC 0088, 0178 KENWOOD 0148 LG 0228 MAGNAVOX 0128 MITSUBISHI 0138 ONKYO 0068, 0128 PANASONIC 0028 PHILIPS 0098, 0128 PIONEER 0108, 0118 PROSCAN 0158 RCA 0158 SAMSUNG 0078 SHARP 0038 SONY 0018 TECHNICS 0028 THOMSON 0168 TOSHIBA 0048, 0128 YAMAHA 0008, 0028, 0098 ZENITH 0128

DVD RECORDER

PANASONIC 0238, 0248, 0258 PHILIPS 0208 PIONEER 0278, 0288, 0298 SHARP 0338, 0348 SONY 0308, 0318, 0328 TOSHIBA 0268 YAMAHA 0208

LD PLAYER

AIWA 0137 FUNAI 0137 HITACHI 0047 MAGNAVOX 0077 PANASONIC 0027 PIONEER 0037 RCA 0067 REALISTIC 0137 SAMSUNG 0017, 0087 SONY 0057, 0097, 0107,

0117 VICTOR 0127 YAMAHA 0007

CD PLAYER

ACCUPHASE 0315 ADC 0865 ADCOM 0785, 1015 AKAI 0115, 0125, 0725,

0735, 0745, 0935,

1155 ARCAM 1875 ARCAM-ROTEL 0165 AUDIO-TECHNICA 0835 AUDIOSONIC 0155 AIWA 1105, 1235, 1245,

1765, 1915, 1935 BSR 0875 CALIFORNIA AUDIO LAB

1075 CARRERA 0555, 0875 CARVER 0825, 1415 CYRUS-ROTEL 0205 DENON 0045, 0955, 1045,

1595, 1795, 1805 DUAL 1005 ELIN 0185 EMERSON 1015, 1285, 1675 FISHER 0105, 0595, 0605,

0825, 1165, 1175

APPENDIX-iv

Page 97

GENEXXA 0525, 0825, 0855,

0875, 0995, 1265, 1285, 1345, 1355, 1485, 1575, 1675,

1715, 1825 GRUNDIG 0175 HARMAN KARDON

0325, 0495, 0565,

1135, 1145, 1155 HITACHI 0065, 0585, 0685,

0945, 1005, 1015,

1225, 1545 INNOVATION 1995, 2005, 2015 ITT-NOKIA 0185 JVC 0385, 0395, 0455,

0575, 0585 KARCHER 0485 KENWOOD 0025, 0055, 0145,

0215, 0595, 0675,

0695, 0705, 0715,

0925, 1355, 1485,

1575, 1675, 1715,

1825 KORTING 0175 LG (GOLDSTAR) 0555, 1185,

1195, 1585 LIFETEC 2015 LIGHT CONTROL 1155, 1645,

1655, 1665 LINN 0165, 1875 LUXMAN 0265, 0275, 0795,

0805, 1295, 1305,

1555, 1925 LUXOR 0185, 1895, 1905 MAGNAVOX 1865, 1875 MARANTZ 0165, 0175, 0545,

0665, 1275, 1335,

1405, 1505, 1875,

1955 MATSUSHITA 1095, 1605 MCS 0535 MEDION 0075, 1995, 2005,

2015 MEMOREX 0525, 1015, 1265,

1275, 1285, 1675 MGA 1125 MICROMAXX 2015 MISSION 0165, 1875 MITSUBISHI 1125, 1205 NAD 0135, 0255, 0285,

0295, 0305, 0345,

0755, 0765, 1315,

1325 NAKAMICHI 0635, 0645, 1565 NEC 0405, 0535, 0775,

0785 NECKERMAN 0155, 0225 NIKKO 0835, 1165 OCEANIC 0185 OKANO 0155, 0225 ONKYO 0885, 1385, 1425,

1455, 1515 PANASONIC 1055, 1075, 1615,

1625 PHILIPS 0165, 0175, 0195,

1865, 1875 PIONEER 0095, 0335, 0425,

0435, 0445, 0525,

0855, 1035, 1945 PROTON 0905, 1875 QUASAR 1075 RADIOLA 1845, 1855 RADIOTONE 0485 REALISTIC 0825, 1015, 1265,

1275, 1285, 1575

ROTEL 1875 SABA 1005 SAE 1875 SALORA 0185 SANSUI 0415, 0965, 0975,

0985, 1255, 1675, 1875

SANYO 0625, 0825, 0845,

0915 SCHNEIDER 1845, 1855 SCOTT 1285, 1675 SHARP 0025, 0035, 1025,

1115, 1275, 1635,

1785, 1815, 1825,

1835 SHERWOOD 1275, 1445 SIEMENS 1085 SIGNATURE 1155 SONY 0345, 0355, 0365,

0375, 0865, 1685,

1695, 1705, 1715,

1725, 1735, 1745 SYLVANIA 1875 TANDBERG 1885 TASHIKO 1525 TCM 1985, 2015 TEAC 0235, 0245, 1275,

1365, 1375, 1395,

1435, 1465, 1475 TECHNICS 0465, 0475, 1065,

1075, 1625 TELEFUNKEN 1005 THETA DIGITAL 1865 THOMSON 1005 TOSHIBA 0755, 0765 VECTOR RESEARCH

0555, 0865 VICTOR 0575 YAMAHA 0005, 0015, 0085,

0345, 0615, 0655,

0815, 0835, 0895,

1815

CD RECORDER

HITACHI 0304 JVC 0334 MARANTZ 0314, 0324 PHILIPS 0274 PIONEER 0284, 0294 YAMAHA 0244

MD RECORDER

KENWOOD 0214 PIONEER 0254 SHARP 0264 SONY 0224 YAMAHA 0024, 0224, 0234,

0344

TAPE DECK

AKAI 0124 DENON 0204 GRUNDIG 0134 HARMAN 0044 JVC 0194 KENWOOD 0164 KORTING 0134 LUXMAN 0054, 0064, 0074,

0084 MARANTZ 0134, 0144 NAD 0174 ONKYO 0184

PHILIPS 0134, 0144, 0154 PIONEER 0034, 0114 SONY 0094, 0104 YAMAHA 0004, 0014

APPENDIX-v

Page 98

YAMAHA ELECTRONICS CORPORATION, USA

YAMAHA CANADA MUSIC LTD. YAMAHA ELECTRONIK EUROPA G.m.b.H. YAMAHA ELECTRONIQUE FRANCE S.A. YAMAHA ELECTRONICS (UK) LTD. YAMAHA SCANDINAVIA A.B. YAMAHA MUSIC AUSTRALIA PTY, LTD.

135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA

J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWE D EN

6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.

SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, GERMAN Y

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17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

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