Bank 0 : (GM)
Bank 1 : Key Scale Panning
Bank 3 : Stereo
Bank 6 : Single
Bank 8 : Slow
Bank 12 : Fast Decay
Bank 14 : Double Attack
Bank 16 : Bright
Bank 17 : Bright
Bank 18 : Dark
Bank 19 : Dark
Bank 20 : Resonant
Bank 24 : Attack
Bank 25 : Release
Bank 27 : Reso Sweep
Bank 28 : Muted
Bank 32 : Detune 1
Bank 33 : Detune 2
Bank 34 : Detune 3
Bank 35 : Octave 1
Bank 36 : Octave 2
Bank 37 : 5th 1
Bank 38 : 5th 2
Bank 39 : Bend
Bank 40 : Tutti
Bank 41 : Tutti
Bank 42 : Tutti
Bank 43 : Velo-Switch
Bank 45 : Velo-Xfade
Bank 64 : Other wave
Bank 65 : Other wave
Bank 66 : Other wave
Bank 67 : Other wave
8 Echoes 2 2
14 Echo Pan 2
64 EchoBell 2
65 Big Pan 2
66 SynPiano 2
67 Creation 2
68 StarDust 2
69 Reso&Pan 2
64 Starz2
Element
Bank 68 : Other wave
Bank 69 : Other wave
Bank 70 : Other wave
Bank 71 : Other wave
Bank 72 : Other wave
Bank 96 : Other wave
Bank 97 : Other wave
Bank 98 : Other wave
Bank 99 : Other wave
Bank 100 : Other wave
Bank 101 : Other wave
Bank Select
MSB=064, LSB=000
SFX Voice
(The category display
is Sfx.)
Element
No sound
3
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X G D r u m V o i c e L i s t
XG Drum Voice List
Bank Select MSB=Bank Number, LSB=000
Bank Select MSB127127127127127
Bank Select LSB00000
Pgm# (1-128)12349
ey
Note# Note
13 C# -13Surdo Mute1Surdo Mute B1
14 D -13Surdo Open1Surdo Open B1
15 D# -1Hi Q1Hi Q B1
16 E -1Whip Slap1Whip Slap B1
17 F -14Scratch H1Scratch H B1
18 F# -14Scratch L1Scratch L B1
19 G -1Finger Snap1Finger Snap B1
20 G# -1Click Noise1Click Noise B1
21 A -1Metronome Click1Metronome Click B1
22 A# -1Metronome Bell1Metronome Bell B1
23 B -1Seq Click L1Seq Click L B1
24 C 0Seq Click H1Seq Click H B1
25 C# 0Brush Tap1Brush Tap B1
26 D 0 OBrush Swirl1Brush Swirl B1
27 D# 0Brush Slap1Brush Slap B1
28 E 0 OBrush Tap Swirl1Brush Tap Swirl B1
29 F 0 OSnare Roll1 Snare Roll 21Snare Roll B1
30 F# 0Castanet1Castanet B1
31 G 0Snare Soft1 Snare Soft 21 Snare Dry Soft1 Snare Soft B1
32 G# 0Sticks1Sticks B1
33 A 0Kick Soft1Kick Dry Soft1 Kick Soft B1
34 A# 0Open Rim Shot1 Open Rim Shot H Short1 Open Rim Shot Dry1 Open Rim Shot B1
35 B 0Kick Tight1 Kick Tight Short1 Kick Dry Tight1 Kick Tight B1
36 C 1Kick1 Kick Short1 Kick Dry Mute1 Kick B1
37 C# 1Side Stick1Side Stick Dry1 Side Stick B1
38 D 1Snare1 Snare Short1 Snare Dry1 Snare B1 Snare Snappy1
39 D# 1Hand Clap1Hand Clap B1
40 E 1Snare Tight1 Snare Tight H1 Snare Dry Mute1 Snare Tight B1 Snare Tight Snappy1
41 F 1Floor Tom L1Floor Tom L Short1 Floor Tom L B1 Tom Room 11
42 F# 11Hi-Hat Closed1Hi-Hat Closed L B1
43 G 1Floor Tom H1Floor Tom H Short1 Floor Tom H B1 Tom Room 21
44 G# 11Hi-Hat Pedal1Hi-Hat Pedal B1
45 A 1Low Tom1Low Tom Short1 Low Tom B1 Tom Room 31
46 A# 11Hi-Hat Open 1Hi-Hat Open B1
47 B 1Mid Tom L1Mid Tom L Short1 Mid Tom L B1 Tom Room 41
48 C 2Mid Tom H1Mid Tom H Short1 Mid Tom H B1 Tom Room 51
49 C# 2Crash Cymbal 11Crash Cymbal 1 B1
50 D 2High Tom1High Tom Short1 High Tom B1 Tom Room 61
51 D# 2Ride Cymbal 11Ride Cymbal 1 B1
52 E 2Chinese Cymbal1Chinese Cymbal B1
53 F 2Ride Cymbal Cup1Ride Cymbal Cup Short1
54 F# 2Tambourine1Tambourine B1
55 G 2Splash Cymbal1Splash Cymbal B1
56 G# 2Cowbell1Cowbell L1
57 A 2Crash Cymbal 21Crash Cymbal 2 B1
58 A# 2Vibraslap1Vibraslap B1
59 B 2Ride Cymbal 21Ride Cymbal 2 B1
60 C 3Bongo H1Bongo H B1
61 C# 3Bongo L1Bongo L B1
62 D 3Conga H Mute1Conga H Mute B1
63 D# 3Conga H Open1Conga H Open B1
64 E 3Conga L1Conga L B1
65 F 3Timbale H1Timbale H B1
66 F# 3Timbale L1Timbale L B1
67 G 3Agogo H1Agogo H B1
68 G# 3Agogo L1Agogo L B1
69 A 3Cabasa1Cabasa B1
70 A# 3Maracas1Maracas B1
71 B 3 OSamba Whistle H1Samba Whistle H B1
72 C 4 OSamba Whistle L1Samba Whistle L B1
73 C# 4Guiro Short1Guiro Short B1
74 D 4 OGuiro Long1Guiro Long B1
75 D# 4Claves1Claves B1
76 E 4Wood Block H1Wood Block H B1
77 F 4Wood Block L1Wood Block L B1
78 F# 4Cuica Mute1Cuica Mute B1
79 G 4Cuica Open1Cuica Open B1
80 G# 42Triangle Mute1Triangle Mute B1
81 A 42Triangle Open1Triangle Open B1
82 A# 4Shaker1Shaker B1
83 B 4Jingle Bells1Jingle Bells B1
84 C 5Bell Tree1Bell Tree B1
85 C# 5
86 D 5
87 D# 5
88 E 5
89 F 5
90 F# 5
91 G 5
* The Alternate Group is a function that prevents voices in the same group from being played simultaneously.
For example, Hi-Hat Closed and Hi-Hat Open voices will not simultaneously sound in group 1.
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X G D r u m V o i c e L i s t
Bank Select MSB127127127127127
Bank Select LSB00000
Pgm# (1-128)110171825
ey
Note# Note
13 C# -13Surdo Mute1
14 D -13Surdo Open1
15 D# -1Hi Q1
16 E -1Whip Slap1
17 F -14Scratch H1
18 F# -14Scratch L1
19 G -1Finger Snap1
20 G# -1Click Noise1
21 A -1Metronome Click1
22 A# -1Metronome Bell1
23 B -1Seq Click L1
24 C 0Seq Click H1
25 C# 0Brush Tap1
26 D 0 OBrush Swirl1
27 D# 0Brush Slap1
28 E 0 OBrush Tap Swirl1Reverse Cymbal1
29 F 0 OSnare Roll1
30 F# 0Castanet1Hi Q 21
31 G 0Snare Soft1Snare Noisy1 Snare Noisy 51 Snare Snappy Electro1
32 G# 0Sticks1
33 A 0Kick Soft1Kick Tight 21 Kick Tight 31 Kick 31
34 A# 0Open Rim Shot1
35 B 0Kick Tight1 Kick Dark1 Kick 21 Kick 41 Kick Gate1
36 C 1Kick1 Kick Room Gate1 Kick Gate1 Kick Gate 21 Kick Gate Heavy1
37 C# 1Side Stick1
38 D 1Snare1 Snare Snappy 21 Snare Rock1 Snare Rock 21 Snare Noisy 21
39 D# 1Hand Clap1
40 E 1Snare Tight1 Snare Tight Snappy 21 Snare Rock Rim1 Snare Rock Rim Q1 Snare Noisy 31
41 F 1Floor Tom L1 Tom Room 1 Q1 Tom Rock 11 Tom Rock 1 H1 Tom Electro 11
42 F# 11Hi-Hat Closed1 Hi-Hat Closed Q1Hi-Hat Closed 21
43 G 1Floor Tom H1 Tom Room 2 Q1 Tom Rock 21 Tom Rock 2 H1 Tom Electro 21
44 G# 11Hi-Hat Pedal1 Hi-Hat Pedal Q1Hi-Hat Pedal 21
45 A 1Low Tom1 Tom Room 3 Q1 Tom Rock 31 Tom Rock 3 L Short1 Tom Electro 31
46 A# 11Hi-Hat Open 1 Hi-Hat Open L1Hi-Hat Open 21
47 B 1Mid Tom L1 Tom Room 4 Dark1 Tom Rock 41 Tom Rock 4 L Short1 Tom Electro 41
48 C 2Mid Tom H1 Tom Room 5 L Dark1 Tom Rock 51 Tom Rock 5 L Short1 Tom Electro 51
49 C# 2Crash Cymbal 11
50 D 2High Tom1 Tom Room 6 L Dark1 Tom Rock 61 Tom Rock 6 L Short1 Tom Electro 61
51 D# 2Ride Cymbal 11
52 E 2Chinese Cymbal1
53 F 2Ride Cymbal Cup1
54 F# 2Tambourine1
55 G 2Splash Cymbal1
56 G# 2Cowbell1
57 A 2Crash Cymbal 21
58 A# 2Vibraslap1
59 B 2Ride Cymbal 21
60 C 3Bongo H1
61 C# 3Bongo L1
62 D 3Conga H Mute1
63 D# 3Conga H Open1
64 E 3Conga L1
65 F 3Timbale H1
66 F# 3Timbale L1
67 G 3Agogo H1
68 G# 3Agogo L1
69 A 3Cabasa1
70 A# 3Maracas1
71 B 3 OSamba Whistle H1
72 C 4 OSamba Whistle L1
73 C# 4Guiro Short1
74 D 4 OGuiro Long1
75 D# 4Claves1
76 E 4Wood Block H1
77 F 4Wood Block L1
78 F# 4Cuica Mute1Scratch H 21
79 G 4Cuica Open1Scratch L 21
80 G# 42Triangle Mute1
81 A 42Triangle Open1
82 A# 4Shaker1
83 B 4Jingle Bells1
84 C 5Bell Tree1
85 C# 5
86 D 5
87 D# 5
88 E 5
89 F 5
90 F# 5
91 G 5
* The Alternate Group is a function that prevents voices in the same gr oup from being played simultaneously.
For example, Hi-Hat Closed and Hi-Hat Open voices will not simultaneously sound in group 1.
5
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X G D r u m V o i c e L i s tX G D r u m V o i c e L i s t
Bank Select MSB=Bank Number, LSB=000
Bank Select MSB127127127127
Bank Select LSB0000
Pgm# (1-128)1262728
ey
Note# Note
13 C# -13Surdo Mute1
14 D -13Surdo Open1
15 D# -1Hi Q1
16 E -1Whip Slap1
17 F -14Scratch H1
18 F# -14Scratch L1
19 G -1Finger Snap1
20 G# -1Click Noise1
21 A -1Metronome Click1
22 A# -1Metronome Bell1
23 B -1Seq Click L1
24 C 0Seq Click H1
25 C# 0Brush Tap1
26 D 0 OBrush Swirl1
27 D# 0Brush Slap1
28 E 0 OBrush Tap Swirl1 Reverse Cymbal1 Reverse Cymbal1 Reverse Cymbal1
29 F 0 OSnare Roll1
30 F# 0Castanet1 Hi Q 21 Hi Q 21 Hi Q 21
31 G 0Snare Soft1 Snare Noisy 41 Snare Analog 31 Snare Analog 31
32 G# 0Sticks1
33 A 0Kick Soft1 Kick Tight 21 Kick Techno Soft1 Kick Techno Q1
34 A# 0Open Rim Shot1Open Rim Shot Dry1 Rim Gate1
35 B 0Kick Tight1 Kick Analog Short1 Kick Techno Tight1 Kick Techno L1
36 C 1Kick1 Kick Analog1 Kick Techno1 Kick Techno 21
37 C# 1Side Stick1 Side Stick Analog1 Side Stick Analog1 Side Stick Analog1
38 D 1Snare1 Snare Analog1 Snare Techno1 Snare Clap1
39 D# 1Hand Clap1
40 E 1Snare Tight1 Snare Analog 21 Snare Techno 21 Snare Dry 21
41 F 1Floor Tom L1 Tom Analog 11 Tom Analog 11 Tom Analog 11
42 F# 11Hi-Hat Closed1 Hi-Hat Closed Analog1 Hi-Hat Closed Analog1 Hi-Hat Closed 31
43 G 1Floor Tom H1 Tom Analog 21 Tom Analog 21 Tom Analog 21
44 G# 11Hi-Hat Pedal1 Hi-Hat Closed Analog 21 Hi-Hat Closed Analog 21 Hi-Hat Closed Analog 21
45 A 1Low Tom1 Tom Analog 31 Tom Analog 31 Tom Analog 31
46 A# 11Hi-Hat Open 1 Hi-Hat Open Analog1 Hi-Hat Open Analog1 Hi-Hat Open 31
47 B 1Mid Tom L1 Tom Analog 41 Tom Analog 41 Tom Analog 41
48 C 2Mid Tom H1 Tom Analog 51 Tom Analog 51 Tom Analog 51
49 C# 2Crash Cymbal 11 Crash Analog1 Crash Analog1 Crash Analog1
50 D 2High Tom1 Tom Analog 61 Tom Analog 61 Tom Analog 61
51 D# 2Ride Cymbal 11
52 E 2Chinese Cymbal1
53 F 2Ride Cymbal Cup1
54 F# 2Tambourine1
55 G 2Splash Cymbal1
56 G# 2Cowbell1 Cowbell Analog1 Cowbell Analog1 Cowbell Analog1
57 A 2Crash Cymbal 21
58 A# 2Vibraslap1
59 B 2Ride Cymbal 21
60 C 3Bongo H1
61 C# 3Bongo L1
62 D 3Conga H Mute1 Conga Analog H1 Conga Analog H1 Conga Analog H1
63 D# 3Conga H Open1 Conga Analog M1 Conga Analog M1 Conga Analog M1
64 E 3Conga L1 Conga Analog L1 Conga Analog L1 Conga Analog L1
65 F 3Timbale H1
66 F# 3Timbale L1
67 G 3Agogo H1
68 G# 3Agogo L1
69 A 3Cabasa1
70 A# 3Maracas1 Maracas 21 Maracas 21 Maracas 21
71 B 3 OSamba Whistle H1
72 C 4 OSamba Whistle L1
73 C# 4Guiro Short1
74 D 4 OGuiro Long1
75 D# 4Claves1 Claves 21 Claves 21 Claves 21
76 E 4Wood Block H1
77 F 4Wood Block L1
78 F# 4Cuica Mute1 Scratch H 21 Scratch H 21 Scratch H 21
79 G 4Cuica Open1 Scratch L 31 Scratch L 31 Scratch L 31
80 G# 42Triangle Mute1
81 A 42Triangle Open1
82 A# 4Shaker1
83 B 4Jingle Bells1
84 C 5Bell Tree1
85 C# 5
86 D 5
87 D# 5
88 E 5
89 F 5
90 F# 5
91 G 5
* The Alternate Group is a function that prevents voices in the same group from being played simultaneously.
For example, Hi-Hat Closed and Hi-Hat Open voices will not simultaneously sound in group 1.
6
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X G D r u m V o i c e L i s tX G D r u m V o i c e L i s t
Bank Select MSB127127127127127
Bank Select LSB00000
Pgm# (1-128)129303334
ey
Note# Note
13 C# -13Surdo Mute1
14 D -13Surdo Open1
15 D# -1Hi Q1
16 E -1Whip Slap1
17 F -14Scratch H1
18 F# -14Scratch L1
19 G -1Finger Snap1
20 G# -1Click Noise1
21 A -1Metronome Click1
22 A# -1Metronome Bell1
23 B -1Seq Click L1
24 C 0Seq Click H1
25 C# 0Brush Tap1
26 D 0 OBrush Swirl1
27 D# 0Brush Slap1
28 E 0 OBrush Tap Swirl1
29 F 0 OSnare Roll1
30 F# 0Castanet1
31 G 0Snare Soft1 Open Rim Shot 2 Soft1 Rim Gate 21
32 G# 0Sticks1
33 A 0Kick Soft1 Kick Dry Soft 21 Kick Cough1
34 A# 0Open Rim Shot1 Open Rim Shot 21 Rim Gate 31
35 B 0Kick Tight1 Kick Dim1 Kick Zap1
36 C 1Kick1 Kick Boon1 Kick Dawn1 Kick Jazz1 Kick Jazz L1
37 C# 1Side Stick1 Side Stick Dry1 Side Stick Dry1
38 D 1Snare1 Snare Dry Mute1 Snare Tin1Snare H1
39 D# 1Hand Clap1
40 E 1Snare Tight1 Snare White1 Snare Can1Snare Tight L1
41 F 1Floor Tom L1 Floor Tom L Short1 Floor Tom L Short1 Tom Jazz 11 Tom Jazz 71
42 F# 11Hi-Hat Closed1 Hi-Hat Closed 2 H1 Hi-Hat Closed 2 Soft1Hi-Hat Closed L1
43 G 1Floor Tom H1 Floor Tom H Short1 Floor Tom H Short1 Tom Jazz 21 Tom Jazz 81
44 G# 11Hi-Hat Pedal1 Hi-Hat Pedal 2 H1 Hi-Hat Pedal 2 Soft1Hi-Hat Pedal L1
45 A 1Low Tom1 Low Tom Short1 Low Tom Short1 Tom Jazz 31 Tom Jazz 91
46 A# 11Hi-Hat Open 1 Hi-Hat Open 2 L1 Hi-Hat Open 2 Soft1Hi-Hat Open L1
47 B 1Mid Tom L1 Mid Tom L Short1 Mid Tom L Short1 Tom Jazz 41 Tom Jazz 101
48 C 2Mid Tom H1 Mid Tom H Short1 Mid Tom H Short1 Tom Jazz 51 Tom Jazz 111
49 C# 2Crash Cymbal 11
50 D 2High Tom1 High Tom Short1 High Tom Short1 Tom Jazz 61 Tom Jazz 121
51 D# 2Ride Cymbal 11
52 E 2Chinese Cymbal1
53 F 2Ride Cymbal Cup1Ride Cymbal Cup L1
54 F# 2Tambourine1
55 G 2Splash Cymbal1
56 G# 2Cowbell1
57 A 2Crash Cymbal 21
58 A# 2Vibraslap1
59 B 2Ride Cymbal 21
60 C 3Bongo H1
61 C# 3Bongo L1
62 D 3Conga H Mute1
63 D# 3Conga H Open1
64 E 3Conga L1
65 F 3Timbale H1
66 F# 3Timbale L1
67 G 3Agogo H1
68 G# 3Agogo L1
69 A 3Cabasa1
70 A# 3Maracas1
71 B 3 OSamba Whistle H1
72 C 4 OSamba Whistle L1
73 C# 4Guiro Short1
74 D 4 OGuiro Long1
75 D# 4Claves1
76 E 4Wood Block H1
77 F 4Wood Block L1
78 F# 4Cuica Mute1
79 G 4Cuica Open1
80 G# 42Triangle Mute1
81 A 42Triangle Open1
82 A# 4Shaker1
83 B 4Jingle Bells1
84 C 5Bell Tree1
85 C# 5
86 D 5
87 D# 5
88 E 5
89 F 5
90 F# 5
91 G 5
ternate
Off
GroupStandard KitEHip Hop KitEJungle KitEJazz KitEJazz Kit 2E
Same as Standard Kit
No sound
* The Alternate Group is a function that prevents voices in the same gr oup from being played simultaneously.
For example, Hi-Hat Closed and Hi-Hat Open voices will not simultaneously sound in group 1.
7
7
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K
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X G D r u m V o i c e L i s t
Bank Select MSB=Bank Number, LSB=000
Bank Select MSB127127127126126
Bank Select LSB00000
Pgm# (1-128)1414912
ey
Note# Note
13 C# -13Surdo Mute1
14 D -13Surdo Open1
15 D# -1Hi Q1
16 E -1Whip Slap1
17 F -14Scratch H1
18 F# -14Scratch L1
19 G -1Finger Snap1
20 G# -1Click Noise1
21 A -1Metronome Click1
22 A# -1Metronome Bell1
23 B -1Seq Click L1
24 C 0Seq Click H1
25 C# 0Brush Tap1
26 D 0 OBrush Swirl1
27 D# 0Brush Slap1
28 E 0 OBrush Tap Swirl1
29 F 0 OSnare Roll1
30 F# 0Castanet1
31 G 0Snare Soft1 Brush Slap 21
32 G# 0Sticks1
33 A 0Kick Soft1Kick Soft 21
34 A# 0Open Rim Shot1
35 B 0Kick Tight1Gran Cassa1
36 C 1Kick1 Kick Small1 Gran Cassa Mute1 Cutting Noise1 Phone Call1
37 C# 1Side Stick1Cutting Noise 22 Door Squeak1
38 D 1Snare1 Brush Slap 31 Band Snare1 Distorted Cutting Noise2 Door Slam1
39 D# 1Hand Clap1String Slap1 Scratch Cut1
40 E 1Snare Tight1 Brush Tap 21 Band Snare 21 Bass Slide2 Scratch H 32
41 F 1Floor Tom L1 Tom Brush 11 Tom Jazz 11 Pick Scrape1 Wind Chime1
42 F# 11Hi-Hat Closed1Telephone Ring 21
43 G 1Floor Tom H1 Tom Brush 21 Tom Jazz 21
44 G# 11Hi-Hat Pedal1
45 A 1Low Tom1 Tom Brush 31 Tom Jazz 31
46 A# 11Hi-Hat Open 1
47 B 1Mid Tom L1 Tom Brush 41 Tom Jazz 41
48 C 2Mid Tom H1 Tom Brush 51 Tom Jazz 51
49 C# 2Crash Cymbal 11Hand Cymbal1
50 D 2High Tom1 Tom Brush 61 Tom Jazz 61
51 D# 2Ride Cymbal 11Hand Cymbal Short1
52 E 2Chinese Cymbal1Flute Key Click1 Car Engine Ignition1
53 F 2Ride Cymbal Cup1Car Tires Squeal1
54 F# 2Tambourine1Car Passing1
55 G 2Splash Cymbal1Car Crash1
56 G# 2Cowbell1Siren2
57 A 2Crash Cymbal 21Hand Cymbal 21Train1
58 A# 2Vibraslap1Jet Plane2
59 B 2Ride Cymbal 21Hand Cymbal 2 Short1Starship2
60 C 3Bongo H1Burst2
61 C# 3Bongo L1Roller Coaster2
62 D 3Conga H Mute1Submarine2
63 D# 3Conga H Open1
64 E 3Conga L1
65 F 3Timbale H1
66 F# 3Timbale L1
67 G 3Agogo H1
68 G# 3Agogo L1Shower2 Laugh1
69 A 3Cabasa1Thunder1 Scream1
70 A# 3Maracas1Wind1 Punch1
71 B 3 OSamba Whistle H1Stream2 Heart Beat1
72 C 4 OSamba Whistle L1Bubble2 Foot Steps1
73 C# 4Guiro Short1Feed2
74 D 4 OGuiro Long1
75 D# 4Claves1
76 E 4Wood Block H1
77 F 4Wood Block L1
78 F# 4Cuica Mute1
79 G 4Cuica Open1
80 G# 42Triangle Mute1
81 A 42Triangle Open1
82 A# 4Shaker1
83 B 4Jingle Bells1
84 C 5Bell Tree1Dog1 Machine Gun1
85 C# 5Horse1 Laser Gun2
86 D 5Bird Tweet 21 Explosion2
87 D# 5Firework2
88 E 5
89 F 5
90 F# 5Ghost2
91 G 5Maou2
ternate
Off
GroupStandard KitEBrush KitESymphony KitESFX Kit 1ESFX Kit 2E
Same as Standard Kit
No sound
* The Alternate Group is a function that prevents voices in the same group from being played simultaneously.
For example, Hi-Hat Closed and Hi-Hat Open voices will not simultaneously sound in group 1.
* Both MSB, LSB are hexadecimal.* The effect for LSB=0 is the basic type.
Effect TypeDescription
Effect TypeDescription
Effect TypeDescription
Effect turned off.
Reverb simulating the resonance of a hall.
Reverb simulating the resonance of a hall.
Reverb simulating the resonance of a room.
Reverb simulating the resonance of a room.
Reverb simulating the resonance of a room.
Reverb appropriate for a solo instrument.
Reverb appropriate for a solo instrument.
Reverb simulating a metal plate reverb unit.
A unique short reverb with a bit of initial delay.
Simulation of a tunnel space expanding to left and right.
A bit of initial delay followed by reverb with a unique resonance.
Effect turned off.
Conventional chorus program that adds natural spaciousness.
Conventional chorus program that adds natural spaciousness.
Conventional chorus program that adds natural spaciousness.
Chorus with stereo input. The pan setting specified for the Part will also apply to the effect sound.
A 3-phase LFO adds modulation and spaciousness to the sound.
A 3-phase LFO adds modulation and spaciousness to the sound.
A 3-phase LFO adds modulation and spaciousness to the sound.
Celeste with stereo input. The pan setting specified for the Part will also apply to the effect sound.
Adds a jet-airplane effect to the sound.
Adds a jet-airplane effect to the sound.
Adds a jet-airplane effect to the sound.
Effect turned off.
Reverb simulating the resonance of a hall.
Reverb simulating the resonance of a hall.
Reverb simulating the resonance of a room.
Reverb simulating the resonance of a room.
Reverb simulating the resonance of a room.
Reverb appropriate for a solo instrument.
Reverb appropriate for a solo instrument.
Reverb simulating a metal plate reverb unit.
A program that creates three delay sounds; L, R, and C (center).
A program that creates two delay sounds; L and R. Two feedback delays are provided.
Two delays (L and R) and independent feedback delays for L and R.
A program that crosses the feedback of two delays.
An effect that produces only the early reflection component of reverb.
An effect that produces only the early reflection component of reverb.
A simulation of gated reverb.
A program that simulates gated reverb played backwards.
A delay with feedback of the same types as used for karaoke reverb.
A delay with feedback of the same types as used for karaoke reverb.
A delay with feedback of the same types as used for karaoke reverb.
Conventional chorus program that adds natural spaciousness.
Conventional chorus program that adds natural spaciousness.
Conventional chorus program that adds natural spaciousness.
Chorus with stereo input.
A 3-phase LFO adds modulation and spaciousness to the sound.
A 3-phase LFO adds modulation and spaciousness to the sound.
A 3-phase LFO adds modulation and spaciousness to the sound.
Celeste with stereo input.
Adds a jet-airplane effect to the sound.
Adds a jet-airplane effect to the sound.
Adds a jet-airplane effect to the sound.
A multi-phase version of CELESTE.
A simulation of a rotary speaker. You can use AC1 (assignable controller) etc. to control the speed of rotation.
An effect that cyclically modulates the volume.
A program that cyclically moves that sound image to left and right, front and back.
Cyclically changes the phase to add modulation to the sound.
Phaser with stereo input.
Adds a sharp-edged distortion to the sound.
Adds mild distortion to the sound.
A simulation of a guitar amp.
A mono EQ with adjustable LOW, MID, and HIGH equalizing.
A stereo EQ with adjustable LOW and HIGH. Ideal for drum Parts.
Cyclically modulates the center frequency of a wah filter. With an AC1 etc. this can function as a pedal wah.
Bypass without applying an effect.
* ● mark : Indicates that AC1 (Assignable Controller 1) can be used to control the parameter when VARIATION = INS.
* No.*: This number corresponds to the PARAMETER numbers in <Table 1-4> (-> page 57)
* →Tbl** : Refer to the “Data/Value Tables” on page 13.
* ● mark : Indicates that AC1 (Assignable Controller 1) can be used to control the parameter when VARIATION = INS.
* No.*: This number corresponds to the PARAMETER numbers in <Table 1-4> (-> page 57)
* →Tbl** : Refer to the “Data/Value Tables” on page 13.
* ● mark : Indicates that AC1 (Assignable Controller 1) can be used to control the parameter when VARIATION = INS.
* No.*: This number corresponds to the PARAMETER numbers in <Table 1-4> (-> page 57)
* →Tbl** : Refer to the “Data/Value Tables” on page 13.
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Page 13
D a t a / V a l u e C o r r e s p o n d e n c e T a b l e s
000- -OFF- -OFF
001 DanceGoaTran1Goa Trance 1
002GoaTran2Goa Trance 2
003ElectroElectro Techno
004E-JElectoro Jungle
005DrmnBas1Drum & Bass 1
006DrmnBas2Drum & Bass 2
007DrmnBas3Drum & Bass 3
008PopJnglePop Jungle
009UK TeknoU.K. Techno
010MnTr anceMinimal Trance
011PopTeknoPop Techno
012EuroT eknEuro Techno
013EuroBt1Eurobeat 1
014EuroBt2Eurobeat 2
015HouseHouse
016GroundBtGroundbeat
017Hip HopHip Hop
018Pop HipPop Hip Hop
019Smooth1Smooth 1
020Smooth2Smooth 2
021RapRap
022Jazz HipJazz Hip Hop
023NJ SwingNew Jack Swing
024DiscoDisco
025DscFunk1Disco Funk 1
026DscFunk2Disco Funk 2
027FP FunkFP Funk
028 RockHardCoreHard Core Punk
029PsychRckPsychedelic Rock
0308btRock18-beat Rock 1
0318btRock28-beat Rock 2
032CollgeRkCollege Rock
033Mid8Rck1Mid-tempo 8-beat Rock 1
034Mid8Rck2Mid-tempo 8-beat Rock 2
035ProgreRkPop Progresive Rock
036RckShuflRock Shuffle
037New WaveNew Wave Rock
03816btRock16-beat Rock
039BritpopBritpop
040PunkRockPunk Rock
041Pub RockPub Rock
042HardRockHard Rock
04316btHard16-beat Hard Rock
044AmercHR1American Hard Rock 1
045AmercHR2American Hard Rock 2
046GrungeRkGrunge Rock
047SpeedMtlSpeed Metal
048HvyMetalHeavy Metal
049MtlBoogyMetal Boogie
050ThrashThrash Metal
051DeathMtlDeath Metal
052HR BalldHard Rock Ballad
0536/8HrdRk6/8 Hard Rock
054 PopPnoBalldPiano Ballad
055ArpBalldArpeggio Ballad
05616btBald16-beat Ballad
057PopBalldPop Ballad
058LatinBldLatin Ballad
0596/8Balld6/8 Ballad
060PopWaltzPop Waltz
061Lite PopLight Pop
062AOR PopA.O.R. Pop
063LatinPopLatin Pop
064Game PopGame Pop
No. CategoryDisplayFull Name
065 PopPopShuflPop Shuffle
066DetroPopDetroit Pop Shuffle
06724bt Pop24beat Pop
068FusionFusion
069LiteFusnLight Fusion
070FunkFusnFunk Fusion
071JazzFunkJazz Funk
072AcidJazzAcid Jazz
073 RhythmJB FunkJB Funk
074 & BluesSoulSoul
075R&BR&B
0768Detroit8-beat Detroit Pop
0776/8 R&B6/8 R&B
078BluesShfBlues Shuffle
079SlwBluesSlow Blues
080GospelGospel
081 Rock & Roll RocknRolRock’n’ Roll
082RockablyRockabilly
083OldiesOldies
084LiverpolLiverpool Pop
085SurfRockSurf Rock
086 CountryFolkRockFolk Rock
087 & Western CW FolkCountry Folk Rock
088ContryRk Country Rock
08916Contry16beat Country Rock
090CW BaladCountry Ballad
091CW Walz1Country Waltz 1
092BluegrasBluegrass
093 JazzComboJz1Combo Jazz 1
094ComboJz2Combo Jazz 2
095Big BandBig Band Jazz
096JazBalldJazz Ballad
097JazWaltzJazz Waltz
098CoolJazzCool Jazz
099AfroJazzAfroJazz
100 LatinSalsaSalsa
101SambaSamba
102BossaBossa Nova
103MerengeMerengue
104MamboMambo
105RhumbaRhumba
106SonSon
107 ReggaeReggae 1Reggae 1
108Reggae 2Reggae 2
109DH ReggeDance Hall Reggae
110LoversRkLovers Rock
111SkaSka
112 WorldSokaSoca
113Hi-LifeHi-Life
114SowettoSowetto
115CajunCajun
116KlezmerKlezmer
117EnkaEnka
118PolkaPolka
119DixieDixieland
120Cha ChaCha Cha
121BeguinBeguin
122TangoTango
123FoxtrotFoxtrot
124CW Walz2Slow Waltz
125VienaWlzVienna Waltz
126MarchMarch
1276/8March6/8 March
128SpaceOprSpace Opera
The “is a special “non-ABC” type
that can be used to
transpose accompaniment
patterns to the selected
chord root without reharmonization.
*1
minor added ninthminor seventh ninthminor major seventh
minorminor seventhminor sixth
*1 Due to space limitations, “add9”, for madd9 (minor added ninth) chords, is indicated
above “m” on the micro keyboard.
*2 Some preset patterns have their own chord progressions. Use the ”– – –“ (non-ABC)
to retain the ”character“ of the chord progressions when playing these patterns.
minor seventh
added eleventh
minor seventh
flatted fifth
35
35
Page 36
F i n g e r e d C h o r d L i s t
Fingered Chord List
■ Using the Fingered Chord function, press the keyboard keys, as shown in the chart, to input
chord types.
(Notes in chord when root is C.)
CCM7Cadd9CM7
(9)
C6
(b9)
C7
(#5)
C7
Cm7
Cm7
(b5)
CaugC7
(#9)
C7
(#11)
C7
(9)
Cm7
(11)
Cm7
C7
(13)
C7
Cm
Cm6
Csus4
C7
Cmadd9
CmM7
C7sus4
(9)
(b13)
36
36
Cdim
Page 37
C h o r d T e m p l a t e L i s t
Chord Template List
#NameChord Progression Type#NameChord Progression Type
00USRUser
01POPS-M01Pops type 1
02POPS*M01Pops type 1 : (Double time feel)
03POPS-M02Pops type 2
04POPS-m02Pops type 2 :
05POPS*M02Pops type 2 : (Double time feel)
06POPS*m02Pops type 2 :
07POPS-M03Pops type 3
08POPS*M03Pops type 3 : (Double time feel)
09POPS-M04Pops type 4
10POPS*M04Pops type 4 : (Double time feel)
11POPS-M05Pops type 5 : Starts with 4th
12POPS*M05Pops type 5 : Starts with 4th
13POPS-M06Pops type 6 : Starts with minor 6th
14POPS*M06Pops type 6 : Starts with minor 6th
15POPS-m07Pops type 7 : Progresses in 4ths
16POPS*m07Pops type 7 : Progresses in 4ths
17POPS-M08Pops type 8 : J-Techno
18POPS*M08Pops type 8 : J-Techno
19POPS-M09Pops type 9
20POPS*M09Pops type 9 : (Double time feel)
21POPS-M10Pops type 10
22POPS*M10Pops type 10 : (Double time feel)
23POPS-M11Pops type 11
24POPS*M11Pops type 11 : (Double time feel)
25BALAD-M1Ballad type 1
26BALAD-m1Ballad type 1 : (Minor)
27BALAD*M1Ballad type 1 : (Double time feel)
28BALAD*m1Ballad type 1 :
29BALAD-M2Ballad type 2
30BALAD*M2Ballad type 2 : (Double time feel)
31BALAD-M3Ballad type 3
32BALAD*M3Ballad type 3 : (Double time feel)
33BALAD-M4Ballad type 4
34BALAD*M4Ballad type 4 : (Double time feel)
35BALAD-M5Ballad type 5
36BALAD*M5Ballad type 5 : (Double time feel)
37BALAD-m6Ballad type 6 : Progresses in 4ths
38BALAD*m6Ballad type 6 : Progresses in 4ths
39BLUES-M1Blues 1 : for Rock and Blues
40BLUES-m1Blues 1 : for Rock and Blues
41BLUES*M1Blues 1 : for Rock and Blues
42BLUES*m1Blues 1 : for Rock and Blues
43BLUES-M2Blues 2 : for Jazz
44BLUES*M2Blues 2 : for Jazz (Double time feel)
45BLUES-m3Blues 3 : for Jazz
46BLUES*m3Blues 3 : for Jazz (Double time feel)
47BLUES-M4Blues 4 : for Blues
48BLUES*M4Blues 4 : for Blues
(Double time feel)(Minor)
(Minor)(Double time feel)
(Double time feel)
(Double time feel)
(Double time feel)
(Double time feel)
(Minor)(Double time feel)
(Double time feel)
(Minor)
(Double time feel)
(Minor)(Double time feel)
(Double time feel)
49OnBAS-M1On-Bass 1
50OnBAS*M1On-Bass 1 : (Double time feel)
51OnBAS-M2On-Bass 2
52OnBAS-m2On-Bass 2 : (Minor)
53OnBAS*M2On-Bass 2 : (Double time feel)
54OnBAS*m2On-Bass 2 :
55OnBAS-M3On-Bass 3
56OnBAS*M3On-Bass 3 : (Double time feel)
57OnBAS-M4On-Bass 4
58OnBAS*M4On-Bass 4 : (Double time feel)
59OnBAS-M5On-Bass 5
60OnBAS-m5On-Bass 5 : (Minor)
61OnBAS*M5On-Bass 5 : (Double time feel)
62OnBAS*m5On-Bass 5 :
63OnBAS-M6On-Bass 6
64OnBAS*M6On-Bass 6 : (Double time feel)
65OnBAS-M7On-Bass 7
66OnBAS-m7On-Bass 7 : (Minor)
67OnBAS*M7On-Bass 7 : (Double time feel)
68OnBAS*m7On-Bass 7 :
69CLCHE-M1Cliché type 1
70CLCHE*M1Cliché type 1 : (Double time feel)
71CLCHE-M2Cliché type 2
72CLCHE-m2Cliché type 2 : (Minor)
73CLCHE*M2Cliché type 2 : (Double time feel)
74CLCHE*m2Cliché type 2 :
75CLCHE-M3Cliché type 3
76CLCHE-m3Cliché type 3 : (Minor)
77CLCHE*M3Cliché type 3 : (Double time feel)
78CLCHE*m3Cliché type 3 :
79CLCHE-m4Cliché type 4
80CLCHE*m4Cliché type 4 : (Double time feel)
81CLCHE-M5Cliché type 5
82CLCHE*M5Cliché type 5 : (Double time feel)
83CLCHE-m6Cliché type 6
84CLCHE*m6Cliché type 6 : (Double time feel)
85TENSN-M1Tension type 1
86TENSN-m1Tension type 1 : (Minor)
87TENSN*M1Tension type 1 : (Double time feel)
88TENSN*m1Tension type 1 : (Minor)
89TENSN-M2Tension type 2
90TENSN-m2Tension type 2 : (Minor)
91TENSN*M2Tension type 2 : (Double time feel)
92TENSN*m2Tension type 2 : (Minor)
93TENSN-m3Tension type 3
94TENSN*m3Tension type 3 : (Double time feel)
95TENSN-m4Tension type 4
96TENSN*m4Tension type 4 : (Double time feel)
97TENSN-M5Tension type 5
98TENSN*M5Tension type 5 : (Double time feel)
99DIATONICDiatonic chord
The MIDI Transmit Channel is selected with track select.
>
NOTE OFF8nH
NOTE ON/OFF9nH
CONTROL CHANGE
BANK SEL MSBBnH,00H
BANK SEL LSBBnH,20H
MODULATIONBnH,01H
PORTAMENTO TIMEBnH,05H
DATA ENTRY MSBBnH,06H
DATA ENTRY LSBBnH,26H
MAIN VOLUMEBnH,07H
PANPOTBnH,0AH
EXPRESSIONBnH,0BH
AC1 CONTROLLERBnH,10H
SUSTAIN SWITCHBnH,40H
PORTAMENTO SWITCHBnH,41H
SOSTENUTOBnH,42H
SOFT PEDALBnH,43H
HARMONIC CONTENTBnH,47H
RELEASE TIMEBnH,48H
ATTACK TIMEBnH,49H
PITCH BEND SENS.BnH,64H,00H,65H,00H,06H,mmH
FINE TUNINGBnH,64H,01H,65H,00H,06H,mmH,26H,llH
COARSE TUNINGBnH,64H,02H,65H,00H,06H,mmH
RPN RESETBnH,64H,7FH,65H,7FH
ALL SOUND OFFBnH,78H,00H
RESET ALL CONTROLLERS
ALL NOTE OFFBnH,7BH
OMNI MODE OFFBnH,7CH
OMNI MODE ONBnH,7DH
MONO MODEBnH,7EH
POLY MODEBnH,7FH
STATUS1000nnnn (8nH)n = 0 ~ 15 VOICE CHANNEL NUMBER
NOTE NUMBER0kkkkkkkk = 0 (C-2) ~ 127 (G8)
VELOCITY0vvvvvvvv is ignored
Received only.
(3-1-2) NOTE ON/OFF
STATUS1001nnnn (9nH)n = 0 ~ 15 VOICE CHANNEL NUMBER
NOTE NUMBER0kkkkkkkk = 0 (C-2) ~ 127 (G8)
VELOCITY0vvvvvvv(v≠0) NOTE ON
(3-1-3) PROGRAM CHANGE
STATUS1100nnnn (CnH)n = 0 ~ 15 VOICE CHANNEL NUMBER
PROGRAM NUMBER 0pppppppp = 0 ~ 127
* The XG DRUM VOICE NUMBER corresponds to the PROGRAM NUMBER.
P = 1DR1Standard
P = 2DR2Standard2
P = 3DR3Dry
P = 4DR4bright
P = 9DR5Room
P = 10DR6Dark
P = 17DR7Rock
P = 18DR8Rock2
P = 25DR9Electro
P = 26DR10Analog
P = 27DR11Analog2
P = 28DR12Dance
P = 29DR13HipHop
P = 30DR14Jungle
P = 33DR15Jazz
P = 34DR16Jazz2
P = 41DR17Brush
P = 49DR18Symphonic
* The XG SFX KIT NUMBER corresponds to the PROGRAM NUMBER.
P = 1DR19SFX1
P = 2DR20SFX2
If while a Drum Voice being selected, a Program Change for a different Drum Voice is received, the Drum
Setup that was currently being used by the Drum Voice will be reset to the setting of new Drum Voice.
00000000(v=0) NOTE OFF
4242
(3-1-4) CHANNEL AFTER TOUCH
STATUS1101nnnn (DnH)n = 0 ~ 15 VOICE CHANNEL NUMBER
VALUE0vvvvvvvv = 0 ~ 127 AFTER TOUCH VALUE
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M I D I D a t a F o r m a t
(3-1-5) PITCH BEND CHANGE
STATUS1110nnnn (EnH)n = 0 ~ 15 VOICE CHANNEL NUMBER
LSB0vvvvvvvPITCH BEND CHANGE LSB
MSB0vvvvvvvPITCH BEND CHANGE MSB
14 bit resolution
MSB
00000000B ( 00H )minimum value
01000000B ( 40H )center value
01111111B ( 7FH )maximum Value
(3-1-6) CONTROL CHANGE
STATUS1011nnnn (BnH)n = 0 ~ 15 VOICE CHANNEL NUMBER
CONTROL NUMBER 0ccccccc
CONTROL VALUE0vvvvvvv
* The CONTROL NUMBER to be transmitted.
c = 0BANK SEL MSB; v =0 :XG NORMAL,
c = 32BANK SEL LSB; v = 0 - 127*3
c = 1MODULATION; v = 0 - 127*2
c = 7MAIN VOLUME; v = 0 - 127
c = 10PANPOT; v = 0 - 127
c = 71HARMONIC CONTENT; v = 0:-64 - 64:0 - 127:+63*2
c = 72RELEASE TIME; v = 0:-64 - 64:0 - 127:+63*2
c = 73ATTACK TIME; v = 0:-64 - 64:0 - 127:+63*2
c = 74BRIGHTNESS; v = 0:-64 - 64:0 - 127:+63*2
c = 91EFFECT SEND LEVEL 1; v = 0 - 127
c = 93EFFECT SEND LEVEL 3; v = 0 - 127
c = 94EFFECT SEND LEVEL 4; v = 0 - 127 (Only when Connection = 1 (System))
* The CONTROL NUMBER to be received.
c = 0BANK SEL MSB; v =0 :XG NORMAL,
c = 32BANK SEL LSB; v = 0 - 127
c = 1MODULATION; v = 0 - 127*2
c = 5PORTAMENTO TIME; v = 0 - 127*2
c = 6DATA ENTRY MSB; v = 0 - 127*1
c = 38DATA ENTRY LSB; v = 0 - 127*1
c = 7MAIN VOLUME; v = 0 - 127
c = 10PANPOT; v = 0 - 127
c = 11EXPRESSION; v = 0 - 127
c = 16AC1 CONTROLLER; v = 0 - 127*2
c = 64SUSTAIN SWITCH; v = 0-63:OFF , 64-127:ON*2
c = 65PORTAMENTO SWITCH; v = 0-63:OFF , 64-127:ON*2
c = 66SOSTENUTO; v = 0-63:OFF , 64-127:ON*2
c = 67SOFT PEDAL; v = 0-63:OFF , 64-127:ON*2
c = 71HARMONIC CONTENT; v = 0:-64 - 64:0 - 127:+63*2
c = 72RELEASE TIME; v = 0:-64 - 64:0 - 127:+63*2
c = 73ATTACK TIME; v = 0:-64 - 64:0 - 127:+63*2
c = 74BRIGHTNESS; v = 0:-64 - 64:0 - 127:+63*2
c = 84PORTAMENT CONTROL; v = 0 - 127*2
c = 91EFFECT SEND LEVEL 1; v = 0 - 127
c = 93EFFECT SEND LEVEL 3; v = 0 - 127
c = 94EFFECT SEND LEVEL 4; v = 0 - 127(Only when Connection = 1 (System))
c = 96DATA ENTRY INC; v = 127*1
c = 97DATA ENTRY DEC; v = 127*1
*1 Used only to set the parameter specified by RPN
*2 Not valid for rhythm voices.
64 :SFX NORMAL,
126 :XG SFX KIT,
127 :XG DRUM
64 :SFX NORMAL,
126 :XG SFX KIT,
127 :XG DRUM
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M I D I D a t a F o r m a t
*3 When MSB is other than 0 or 127, this is 0.
When MSB = 0, this is 0,1,3,5,8,12,14,16,17,18,19,20,24,25,27,28,32,33,34,35,36,37,38,39,40,
When MSB = 127, this is 0.
MODULATION controls the depth of vibrato.
PORTAMENTO TIME adjusts the speed of the pitch change if the Portamento Switch = ON. A setting of
0 produces the shortest portamento time, and 127 produces the longest portamento time.
For consistency with the GMx Portamento Control
Standard, this value is valid only for the Portamento Switch (Ctr#65).
PANPOT produces change relative to the preset value of the voice, both for melody voices and for rhythm
voices.
For PORTAMENTO CONTROL, the portamento time is always fixed at 0.
EFFECT SEND LEVEL 1 controls the Reverb send.
EFFECT SEND LEVEL 3 controls the Chorus send.
EFFECT SEND LEVEL 4 controls the Variation send.
HARMONIC CONTENT adjusts the resonance specified by the Voice. This is a relative parameter, and
specifies an increase or decrease centered at 64. Higher values will produce a more distinctive tone. For
some voices, the effective range maybe less than the range of the setting.
RELEASE TIME adjusts the envelope release time specified by the Voice. This is a relative parameter, and
specifies an increase or decrease centered at 64.
ATTACK TIME adjusts the envelope attack time specified by the Voice. This is a relative parameter, and
specifies an increase or decrease centered at 64.
BRIGHTNESS adjusts the cutoff frequency specified by the Voice. This is a relative parameter, and
specifies an increase or decrease centered at 64. Decreasing the value will make the sound more mellow.
For some voices, the effective range may be less than the range of the setting.
The following Bank Select related operations will all occur when a Program Change is received.
Bank Select MSB:60h-6Fh are not sounded on models which do not support GMx, but since on the QY70
these are for future expansion of melodic voices, they will be sounded for the present by MSB00h.
If Bank Select MSB is other than 0,40H, 60H-6FH, 7EH, or 7FH, voice Off will be selected.
If Bank Select MSB = 0,40H, 60H-60FH, 7EH or 7FH is selected, unsupported BANK SELECT LSB
numbers will be ignored.
STATUS1011nnnn (BnH)n = 0 ~ 15 VOICE CHANNEL NUMBER
CONTROL NUMBER 0cccccccc = CONTROL NUMBER
CONTROL VALUE0vvvvvvvv = DATA VALUE
(3-2-1) ALL SOUND OFF (CONTROL NUMBER = 78H , DATA VALUE = 0)
Turns off the sound of all currently sounding notes on the corresponding channel. The status of channel
messages such as Note On and Hold On is also turned off.
(3-2-2) RESET ALL CONTROLLERS (CONTROL NUMBER = 79H , DATA VALUE = 0)
SOFT PEDAL0 (off)
NRPNUn-set status. Internal data will not change.
RPNUn-set status. Internal data will not change.
PORTAMENT CONTROLreset
The following data will not change.
PROGRAM CHANGE, BANK SELECT MSB/LSB, VOLUME, PAN.
HARMONIC CONTENT, RELEASE TIME, ATTACK TIME, BRIGHTNESS, DRY SEND LEVEL,
EFFECT SEND LEVEL 1, EFFECT SEND LEVEL 3, EFFECT SEND LEVEL 4,
PITCH BEND SENSITIBITY, FINE TUNING, COURSE TUNING
(3-2-3) ALL NOTE OFF (CONTROL NUMBER = 7BH , DATA VALUE = 0)
Turns off all notes of the corresponding channel which are on. However if Sustain or Sostenuto are on,
the sound will continue until these are turned off.
(3-2-4) OMNI MODE OFF (CONTROL NUMBER = 7CH , DATA VALUE = 0)
Performs the same processing as when ALL NOTE OFF is received. Sets the VOICE RECEIVE CHANNEL
to OMNI OFF and CHANNEL = 1.
(3-2-5) OMNI MODE ON (CONTROL NUMBER = 7DH , DATA VALUE = 0)
Performs the same processing as when ALL NOTE OFF is received. Does not set OMNI ON. Sets the
VOICE RECEIVE CHANNEL to OMNI ON.
(3-2-6) MONO (CONTROL NUMBER = 7EH , DATA VALUE = 0)
Performs the same processing as when All SOUND OFF is received, and if the 3rd byte (mono number) is
in the range 0—16, sets the corresponding channel to Mode 4 (m=1).
If in the VOICE MODE, Mode 2 (m=1) is also possible, according to the VOICE RECEIVE CHANNEL.
(3-2-7) POLY (CONTROL NUMBER = 7FH , DATA VALUE = 0)
Performs the same processing as when ALL SOUND OFF is received, and sets the corresponding
channel to Mode 3.
When in the VOICE MODE, Mode 1 is also possible, according to the VOICE RECEIVE CHANNEL.
(3-3) REGISTERED PARAMETER NUMBER
STATUS1011nnnn (BnH)n = 0 ~ 15 VOICE CHANNEL NUMBER
LSB01100100 (64H)
RPN LSB0pppppppp = RPN LSB (Refer to the table on the following page.)
MSB01100101 (65H)
RPN MSB0qqqqqqqq = RPN MSB (Refer to the table on the following page.)
DATA ENTRY MSB00000110 (06H)
DATA VALUE0mmmmmmmm = Data Value
DATA ENTRY LSB00100110 (26H)
DATA VALUE0llllllll = Data Value
First transmit an RPN MSB and RPN LSB to specify the parameter that is to be controlled, then use Data
Entry to set the value of the specified parameter.
RPND.ENTRY
LSB MSBMSB LSB PARAMETER NAMEDATA RANGE
02H 00HmmH —MASTER COARSE TUNE28H - 40H - 58H (-24 - 0 - +24 semitones)
7FH 7FH — —RPN RESETSet to a condition in which the RPN number is
(-8192*100/8192) - 0 - (+8192*100/8192)
unspecified.
Internal settings will not change.
4545
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M I D I D a t a F o r m a t
(3-4) NON-REGISTERED PARAMETER NUMBER
STATUS1011nnnn (BnH)n = 0 ~ 15 VOICE CHANNEL NUMBER
LSB01100010 (62H)
RPN LSB0ppppppp
MSB01100011 (63H)
RPN MSB0qqqqqqq
DATA ENTRY MSB00000110 (06H)
DATA VALUE0mmmmmmmm = Data Value
First transmit an NRPN MSB and NRPN LSB to specify the parameter that is to be controlled, then use
Data Entry to set the value of the specified parameter.
NRPND.ENTRY
MSB LSBMSB LSB PARAMETER NAMEDATA RANGE
MSB 14h-1Fh (for drum) are valid only if the channel is set to Drum Set Mode.
rrH : drum instrument note number
p = NRPN LSB (Refer to the table on the following page.)
q = NRPN MSB (Refer to the table on the following page.)
(random, left - center - right)
(3-5) SYSTEM REAL TIME MESSAGES
(3-5-1) ACTIVE SENSING
STATUS11111110(FEH)
Transmitted at intervals of approximately 200 msec.
Once this message is received, SENSING will begin. If neither STATUS nor DATA messages are received
for an interval longer that approximately 350 msec, the MIDI RECEIVE BUFFER will be cleared, and all
sounding notes and SUSTAIN SWITCH will be forced off. Also, data for each of the controls will be reset
to specific values.
(3-6) SYSTEM EXCLUSIVE MESSAGE
(3-6-1) UNIVERSAL NON REALTIME MESSAGE
(3-6-1-1) GENERAL MIDI MODE ON
F0H 7EH 7FH 09H 01H F7H
The following controller values will be reset.
VOLUME100
PANCenter
PROGRAM CHANGE1 (Grandpno)
BANK SELECT MSB0
Modifies the MASTER VOLUME value.
The value of mm is used as the MIDI Master Volume (the ll value is ignored).
(3-6-3) PARAMETER CHANGE
(3-6-3-1) MIDI MASTER TUNING
F0H 43H 1nH 27H 30H 00H 00H mmH llH ccH F7H
Modifies the MASTER TUNE value.
The values of mm and ll are used as the MIDI Master Tuning.
(n and cc values are ignored.)
T = M*200/256-100
Where T : actual tuning value (-99 — +99)
M: a one-byte value with MSB of ”mm“ bits 0-3, and LSB of ”ll“ bits 0-3.
(3-6-3-2) XG SYSTEM ON
11110000F0Exclusive status
0100001143YAMAHA ID
0001nnnn1ndevice Number
010011004CModel ID
0aaaaaaa00Address High
0aaaaaaa00Address Mid
0aaaaaaa7EAddress Low
0000000000Data
11110111F7End of Exclusive
When On is received, the SYSTEM MODE will be changed to XG.
Since approximately 50 ms is required in order to execute this message, an appropriate interval must be
allowed before the next message.
Controllers will be reset, and all Multi Part and Effect data of the attached table, together with the values
of all data of All System that are noted as (XG), will be reset to the Default values.
(3-6-3-3) XG PARMETER CHANGE
11110000F0Exclusive status
0100001143YAMAHA ID
0001nnnn1ndevice Number
010011004CModel ID
0aaaaaaaaaaaaaaAddress High
0aaaaaaaaaaaaaaAddress Mid
0aaaaaaaaaaaaaaAddress Low
0ddddddddddddddData
||
11110111F7End of Exclusive
4747
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M I D I D a t a F o r m a t
For parameters with a Data Size of 2 or 4, the corresponding amount of data will be transmitted.
For Addresses and Byte Counts, refer to the attached tables.
The following four types are transmitted and received. ( Transmitted only if a Parameter Change Request
is received.)
System Data
Multi Effect Data (ignored in Voice Mode)
Multi Part Data(ignored in Voice Mode)
Drums Setup Data
(3-6-4) BULK DUMP
(3-6-4-1) XG BULK DUMP
11110000F0Exclusive status
0100001143YAMAHA ID
0000nnnn0ndevice Number
010011004CModel ID
0bbbbbbbbbbbbbbByteCount
0bbbbbbbbbbbbbbByteCount
0aaaaaaaaaaaaaaAddress High
0aaaaaaaaaaaaaaAddress Mid
0aaaaaaaaaaaaaaAddress Low
0000000000Data
||
0ccccccccccccccCheck-sum
11110111F7End of Exclusive
For Addresses and Byte Counts, refer to the attached tables.
Check sum is the value which produces a lower 7 bits of zero when the Byte Count, Start Address, Data,
and the Check-sum itself are added.
513 bytes or more must not be transmitted at once. Thus, if a Dump Request for 513 or more bytes is
received, the date will be divided into packets of 512 bytes or less, and transmitted at an appropriate
timing interval (120 msec or longer).
The following five types are transmitted and received. (Transmitted only if a Bulk Dump Request is
received.)
System Data
Multi Effect Data (for each module)
Multi Part Data (for each part)
Drums Setup Data (for each note)
System Information (transmitted only)
4848
(3-6-5) DUMP REQUEST
(3-6-5-1) XG DUMP REQUEST
11110000F0Exclusive status
0100001143YAMAHA ID
0010nnnn2ndevice Number
010011004CModel ID
0aaaaaaaaaaaaaaAddress High
0aaaaaaaaaaaaaaAddress Mid
0aaaaaaaaaaaaaaAddress Low
11110111F7End of Exclusive
For Addresses and Byte Counts, refer to the attached tables.
The following four types are received.
System Data
Multi Effect Data (for each module)
Multi Part Data (for each part)
Drums Setup Data (for each note)
Page 49
M I D I D a t a F o r m a t
(3-6-6) XG PARAMETER REQUEST
11110000F0Exclusive status
0100001143YAMAHA ID
0011nnnn3ndevice Number
010011004CModel ID
0aaaaaaaaaaaaaaAddress High
0aaaaaaaaaaaaaaAddress Mid
0aaaaaaaaaaaaaaAddress Low
11110111F7End of Exclusive
For Addresses and Byte Counts, refer to the attached tables.
The following four types are received.
System Data
Multi Effect Data
Multi Part Data
Drums Setup Data
(4) Diagram of connections between the Keyboard/ Switch block, Sequencer block, and
Tone Generator block
MIDI IN
(TO HOST)
Filter
REC SEQUENCER
PLAY SEQUENCER
TONE GENERATOR
When PC1, PC2 or, Mac is selected with the HOST SELECT switch, data will be transmitted and received
via the TO HOST connector.
In this case, MIDI data received via the MIDI IN connector will re-transmitted to the TO HOST connector,
data received via the TO HOST connector will be re-transmitted to the MIDI OUT connector.
KEYBOARD
Selected
Track
MIDI OUT
(TO HOST)
4949
Page 50
M I D I D a t a F o r m a t
■ Sequencer part
(1) TRANSMIT FLOW
<
MIDI
OUTNOTE ON/OFF9nH
CHANNEL VOICE MESSAGE
KEY’S AFTER TOUCHAnH
CONTROL CHANGEBnH
PROGRAM CHANGECnH
CHANNEL AFTER TOUCH DnH
PITCH BEND CHANGEEnH
CHANNEL MODE MESSAGE
ALL SOUND OFFBnH 78H
RESET ALL CONTROLLERS
LOCAL CONTROLBnH 7AH
OMNI MODE OFFBnH 7CH
OMNI MODE ONBnH 7DH
MONO MODE ONBnH 7EH
POLY MODE ONBnH 7FH
Reception can be turned on/off according to the Input Filter settings.
MIDI Control
SW2
Reception can be turned On/Off.
MIDI Sync
SW3
Select whether timing will be determined by the Internal clock, or by MIDI Clock
messages received at MIDI IN.
5151
Page 52
M I D I D a t a F o r m a t
(3) TRANSMIT/RECEIVE DATA
(3-1) CHANNEL VOICE MESSAGE
Transmitted only during recording and playback.
Transmission channel can be turned On/Off and the transmit channel set for each track.
Received only during recording. All Channel are always received.
During MULTI TRACK RECORD, data of MIDI CH 0-15 will be recorded separately onto tracks 1-16.
* In RECORD MODE, recording is normally omni on.
However, during MULTI TRACK RECORD, this will be omni off, and data of MIDI CH 0-15 will be
recorded separately onto tracks 1-16.
(3-1-1) NOTE OFF
STATUS1000nnnn (8nH)n = 0 ~ 15 TRACK CHANNEL NUMBER
NOTE NUMBER0kkkkkkkk = 0 (C-2) ~ 127 (G8)
VELOCITY0vvvvvvvv is ignored
Only recorded.
During playback, converted into 9nH kkH 00H.
(3-1-2) NOTE ON/OFF
STATUS1001nnnn (9nH)n = 0 ~ 15 TRACK CHANNEL NUMBER
NOTE NUMBER0kkkkkkkk = 0 (C-2) ~ 127 (G8)
VELOCITY0vvvvvvv(v≠0) NOTE ON
STATUS1110nnnn (EnH)n = 0 ~ 15 TRACK CHANNEL NUMBER
LSB0vvvvvvvPITCH BEND LSB 0 ~ 127
MSB0vvvvvvvPITCH BEND MSB 0 ~ 127
(3-2) CHANNEL MODE MESSAGE
The following messages are recorded and played back.
5252
Page 53
M I D I D a t a F o r m a t
RESET ALL CONTROLLERS BnH 78H
LOCAL CONTROLBnH 7AH
OMNI MODE OFFBnH 7CH
OMNI MODE ONBnH 7DH
MONO MODE ONBnH 7EH
POLY MODE ONBnH 7FH
(3-3) SYSTEM COMMON MESSAGE
These are transmitted and received as Control Messages for QY70 functions.
They are not recorded as SEQUENCE DATA.
(3-3-1) SONG POSITION POINTER
STATUS11110010 (F2H)
LSB0vvvvvvvSONG POSITION LSB
MSB0vvvvvvvSONG POSITION MSB
Transmitted when you move to a different measure in the SONG PLAY Mode.
Received when in SONG PLAY Standby.
(3-3-2) SONG SELECT
STATUS11110011 (F3H)
SONG NUMBER0sssssss
In the SONG PLAY Mode, this will be transmitted when a SONG is switched.
In the PATTERN PLAY Mode, this will be transmitted when a PATTERN is switched.
When in SONG PLAY Mode Standby, PATTERN PLAY Mode Standby, and PLAY, this message is received.
When received in the PATTERN PLAY Mode, the PATTERN will change.
SONG NUMBER (PATTERN NUMBER in the PATTERN Mode)
(3-4) SYSTEM REAL TIME MESSAGE
Not recorded as Sequence Data.
(3-4-1) TIMING CLOCK
STATUS11111000 (F8H)
You can select whether the internal clock will be used as the Timing Clock, or whether Timing Clock
messages from the MIDI IN will be used.
Transmission and reception can be turned On/Off.
(3-4-2) START
STATUS11111010 (FAH)
Transmission/Reception can be turned On/Off.
(3-4-3) CONTINUE
STATUS11111011 (FBH)
Transmission/Reception can be turned On/Off.
(3-4-4) STOP
STATUS11111100 (FCH)
Transmission/Reception can be turned On/Off.
5353
Page 54
M I D I D a t a F o r m a t
(3-5) SYSTEM EXCLUSIVE MESSAGE
All System Exclusive Messages are recorded and played back.
Even if time intervals existed within the actual data that was received, the entire message between F0
and F7 will be recorded into one timing location.
For playback, an interval time can be specified for each 1K bytes.
(3-6) SYSTEM EXCLUSIVE MESSAGE
In the QY70, the following Exclusive Messages can be used.
The following data, during Standby for SONG MODE, PATTERN MODE, will be transmitted and received
as the QY70’s internal data.
When RECORDING, it will be recorded as Sequence Data.
(3-6-1) UNIVERSAL NON REALTIME MESSAGE
(3-6-1-1) IDENTITY REQUEST (Received only)
F0H 7EH 0nH 06H 01H F7H (n is device number however, the QY70 receives when in OMNI.)
11110000F0Exclusive status
0100001143YAMAHA ID
011111107EStyle
0000000000Section Control
0sssssssssSection
0dddddddddOn/Off
11110111F7End of Exclusive
ss=08H-0EH, dd=on is received, and the PATTERN will be changed to the QY70’s sections INTRO, MAIN
A, MAIN B, FILL AB, FILL BA, ENDING, and BLANK respectively.
5454
(3-6-3) BULK DUMP and PARAMATER CHANGE
The following 3 types of data are received and transmitted by the QY70.
The format for transmission and reception of SONG DATA and PATTERN DATA.
The data size for one transmission or reception is 147 byte.
Long sequencer files will be divided before 147 bytes, separated, and transmitted.
8bit original data will be converted into 7bit MIDI data.
Refer to <Table 1-9 >for Address and Data size.
11110000F0Exclusive status
0100001143YAMAHA ID
0000000000substatus
010111115Fmodel ID
0000000101ByteCount MSB
0001001113ByteCount LSB
0aaaaaaaaaaaaaaAddress High
0aaaaaaaaaaaaaaAddress Mid
0aaaaaaaaaaaaaaAddress Low
SONG INFORMATION,PATTERN INFORMATION
(The data size is fixed at 147 bytes.)
Page 55
M I D I D a t a F o r m a t
0dddddddddddddddata
||
0dddddddddddddddata
0ccccccccccccccCheck-sum
11110111F7End Of Exclusive
(3-6-3-2) Bulk Dump DATA
The format for transmission and reception of SETUP DATA, SONG INFORMATION and PATTERN
INFORMATION.
Refer to <Table 1-9> for Address and Data size.
11110000F0Exclusive status
0100001143YAMAHA ID
0000000000substatus
010111115Fmodel ID
0bbbbbbbbbbbbbbByteCount MSB
0bbbbbbbbbbbbbbByteCount LSB
0aaaaaaaaaaaaaaAddress High
0aaaaaaaaaaaaaaAddress Mid
0aaaaaaaaaaaaaaAddress Low
0dddddddddddddddata
||
0dddddddddddddddata
0ccccccccccccccCheck-sum
11110111F7End Of Exclusive
(3-6-3-3) Parameter Change
The format for executing BULK MODE ON/OFF, CLEAR SONG and CLEAR PATTERN.
11110000F0Exclusive status
0100001143YAMAHA ID
0001000010substatus
010111115Fmodel ID
0aaaaaaaaaaaaaaAddress High
0aaaaaaaaaaaaaaAddress Mid
0aaaaaaaaaaaaaaAddress Low
0dddddddddddddddata
11110111F7End Of Exclusive
(3-6-3-4) Bulk Dump Request
The Bulk Data request of SONG DATA, PATTERN DATA, SETUP DATA, SONG INFORMATION, and
PATTERN INFORMATION.
11110000F0Exclusive status
0100001143YAMAHA ID
0010000020substatus
010111115Fmodel ID
0aaaaaaaaaaaaaaAddress High
0aaaaaaaaaaaaaaAddress Mid
0aaaaaaaaaaaaaaAddress Low
11110111F7End Of Exclusive
(3-6-3-5) Parameter Change Request
Parameter request for BULK MODE ON/OFF.
11110000F0Exclusive status
0100001143YAMAHA ID
0011000030substatus
010111115Fmodel ID
0aaaaaaaaaaaaaaAddress High
0aaaaaaaaaaaaaaAddress Mid
0aaaaaaaaaaaaaaAddress Low
11110111F7End Of Exclusive
01..07FF1st bit3-0→bit15-12(0400)
022nd bit3-0→bit11-8(not reset by XG or GM on)
033rd bit3-0→bit7-4
04100..7FMaster Volume0..1277F
05100..7FNot Used
06128..58Transpose-24..+24[semitones]40
7DnDrum Setup Resetn=Drum Setup Number
7E00XG System On00=XG Sytem on (receive only)
7F00All Parameter Reset00=on (receive only)
TOTAL SIZE 06
4th bit3-0→bit3-0
< Table 1-3 >
MIDI Parameter table ( System information )
AddressSize DataPrameter NameDescriptionDefault value
(H)(H) (H)(H)
01 00 00E20..7FModel Name(“QY70 ”)
:
0E100
0F100XG Support Level0..127
TOTAL SIZE 10
(Transmitted in response to a Dump Request. Not received. Bulk Dump Only)
5656
Page 57
M I D I D a t a F o r m a t
< Table 1-4 >
MIDI Parameter Change table ( EFFECT 1)
AddressSize DataPrameter NameDescriptionDefault value
(H)(H) (H)(H)
02 01 00200..7FReverb Type MSBRefer to Effect Type List01 (=HALL1)
02100..7FReverb Parameter 1Refer to Ef. Parameter Listdepends on Reverb type
03100..7FReverb Parameter 2Refer to Ef. Parameter Listdepends on Reverb type
04100..7FReverb Parameter 3Refer to Ef. Parameter Listdepends on Reverb type
05100..7FReverb Parameter 4Refer to Ef. Parameter Listdepends on Reverb type
06100..7FReverb Parameter 5Refer to Ef. Parameter Listdepends on Reverb type
07100..7FReverb Parameter 6Refer to Ef. Parameter Listdepends on Reverb type
08100..7FReverb Parameter 7Refer to Ef. Parameter Listdepends on Reverb type
09100..7FReverb Parameter 8Refer to Ef. Parameter Listdepends on Reverb type
0A 100..7FReverb Parameter 9Refer to Ef. Parameter Listdepends on Reverb type
0B 100..7FReverb Parameter 10Refer to Ef. Parameter Listdepends on Reverb type
0C 100..7FReverb Return-∞..0..+6dB (0..96..127)60
0D 101..7FReverb PanL63..C..R63 (1..64..127)40
TOTAL SIZE 0E
02 01 10100..7FReverb Parameter 11Refer to Ef. Parameter Listdepends on Reverb type
11100..7FReverb Parameter 12Refer to Ef. Parameter Listdepends on Reverb type
12100..7FReverb Parameter 13Refer to Ef. Parameter Listdepends on Reverb type
13100..7FReverb Parameter 14Refer to Ef. Parameter Listdepends on Reverb type
14100..7FReverb Parameter 15Refer to Ef. Parameter Listdepends on Reverb type
15100..7FReverb Parameter 16Refer to Ef. Parameter Listdepends on Reverb type
TOTAL SIZE 6
02 01 20200..7FChorus Type MSBRefer to Effect Type List41 (=Chorus1)
22100..7FChorus Parameter 1Refer to Ef. Parameter Listdepends on Chorus Type
23100..7FChorus Parameter 2Refer to Ef. Parameter Listdepends on Chorus Type
24100..7FChorus Parameter 3Refer to Ef. Parameter Listdepends on Chorus Type
25100..7FChorus Parameter 4Refer to Ef. Parameter Listdepends on Chorus Type
26100..7FChorus Parameter 5Refer to Ef. Parameter Listdepends on Chorus Type
27100..7FChorus Parameter 6Refer to Ef. Parameter Listdepends on Chorus Type
28100..7FChorus Parameter 7Refer to Ef. Parameter Listdepends on Chorus Type
29100..7FChorus Parameter 8Refer to Ef. Parameter Listdepends on Chorus Type
2A 100..7FChorus Parameter 9Refer to Ef. Parameter Listdepends on Chorus Type
2B 100..7FChorus Parameter 10Refer to Ef. Parameter Listdepends on Chorus Type
2C 100..7FChorus Return-∞..0..+6dB (0..96..127)60
2D 101..7FChorus PanL63..C..R63 (1..64..127)40
2E100..7FSend Chorus To Reverb-∞..0..+6dB (0..96..127)00
TOTAL SIZE 0F
02 01 30100..7FChorus Parameter 11Refer to Ef. Parameter Listdepends on Chorus Type
31100..7FChorus Parameter 12Refer to Ef. Parameter Listdepends on Chorus Type
32100..7FChorus Parameter 13Refer to Ef. Parameter Listdepends on Chorus Type
33100..7FChorus Parameter 14Refer to Ef. Parameter Listdepends on Chorus Type
34100..7FChorus Parameter 15Refer to Ef. Parameter Listdepends on Chorus Type
35100..7FChorus Parameter 16Refer to Ef. Parameter Listdepends on Chorus Type
TOTAL SIZE 6
02 01 40200..7FVariation Type MSBRefer to Ef. Type List05 (=DELAY L,C,R)
42200..7FVariation Param 1 MSBRefer to Ef. Parameter Listdepends on vari. type
44200..7FVariation Param 2 MSBRefer to Ef. Parameter Listdepends on vari. type
46200..7FVariation Param 3 MSBRefer to Ef. Parameter Listdepends on vari. type
48200..7FVariation Param 4 MSBRefer to Ef. Parameter Listdepends on vari. type
4A 200..7FVariation Param 5 MSBRefer to Ef. Parameter Listdepends on vari. type
4C 200..7FVariation Param 6 MSBRefer to Ef. Parameter Listdepends on vari. type
00..7FReverb Type LSB00 : basic type00
00..7FChorus Type LSB00 : basic type00
00..7FVariation Type LSB00 : basic type00
00..7FVariation Param 1 LSBRefer to Ef. Parameter Listdepends on vari. type
00..7FVariation Param 2 LSBRefer to Ef. Parameter Listdepends on vari. type
00..7FVariation Param 3 LSBRefer to Ef. Parameter Listdepends on vari. type
00..7FVariation Param 4 LSBRefer to Ef. Parameter Listdepends on vari. type
00..7FVariation Param 5 LSBRefer to Ef. Parameter Listdepends on vari. type
00..7FVariation Param 6 LSBRefer to Ef. Parameter Listdepends on vari. type
5757
Page 58
M I D I D a t a F o r m a t
AddressSize DataPrameter NameDescriptionDefault value
(H)(H) (H)(H)
4E200..7FVariation Param 7 MSBRefer to Ef. Parameter Listdepends on vari. type
50200..7FVariation Param 8 MSBRefer to Ef. Parameter Listdepends on vari. type
52200..7FVariation Param 9 MSBRefer to Ef. Parameter Listdepends on vari. type
54200..7FVariation Param 10 MSBRefer to Ef. Parameter Listdepends on vari. type
The following shows the relationship of data and the display.
7 horizontally arranged elements are combined to create 1 byte of data.
When the elements are displayed, the “bit” that is displayed is 1, and the “bit” that is not displayed is 0.
The arrangement for the display’s data is below.
5858
b6 b5 b4 b3 b2 b1 b0
Data 0
Data 1
Data 2
Data 3
Data 4
Data 5
Data 6
Data 7
Data 8
Data 9
Data 10
Data 11
Data 12
Data 13
Data 14
Data 15
b6 b5 b4 b3 b2 b1 b0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
Data 16
0
0
0
0
0
0
Data 17
0
0
0
Data 18
0
0
0
Data 19
0
0
0
Data 20
0
0
0
Data 21
0
0
0
Data 22
0
0
0
Data 23
0
0
0
Data 24
0
0
0
Data 25
0
0
0
Data 26
0
0
0
Data 27
0
0
0
Data 28
0
0
0
Data 29
0
0
0
Data 30
0
0
0
Data 31
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
Data 32
Data 33
Data 34
Data 35
Data 36
Data 37
Data 38
Data 39
Data 40
Data 41
Data 42
Data 43
Data 44
Data 45
Data 46
Data 47
b6 b5 b4 b3 b2 b1 b0
0
0
–
–
–
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
–
0
–
–
–
–
0
–
–
–
–
0
–
–
–
–
0
–
–
–
–
0
–
–
–
–
0
–
–
–
–
0
–
–
–
–
0
–
–
–
–
0
–
–
–
–
0
–
–
–
–
0
–
–
–
–
0
–
–
–
–
0
–
–
–
–
0
–
–
–
–
0
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
Data 32-47 only uses bit 6 and bit 5.
–
Page 59
M I D I D a t a F o r m a t
In the Bit Map Data, only the specified elements can also be received. At this time, other elements are displayed in
their previous condition.
Parameter changes for DISPLAY DATA can be constantly transmitted from the specified region.
< Table 1-6 >
MIDI Parameter Change table ( MULTI PART )
AddressSize DataPrameter NameDescriptionDefault value
(H)(H) (H)(H)
08 nn 00100..20Element Reserve0..320 (Part10) ,2 (Others)
nn 01100..7FBank Select MSB0..1277F (Part10) ,00 (Others)
nn 02100..7FBank Select LSB0..12700
nn 03100..7FProgram Number1..12800
nn 04100..0F,Rcv Channel0..15;1..16,127;offPart No. 7F
nn 05100..01Mono/Poly Mode0:mono,1:poly01
nn 06100..02Same Note Number0:single01
nn 07100..02Part Mode0:normal00 (other than Part 10)
nn 08128..58Note Shift-24..+24[semitones]40
nn 09200..FFDetune-12.8..+12.7[Hz]08 00
nn 0A1st bit3..0→bit7..4(80)
nn 0B 100..7FVolume0..12764
nn 0C 100..7FVelocity Sense Depth0..12740
nn 0D 100..7FVelocity Sense Offset0..12740
nn 0E100..7FPan0:random40
nn 0F100..7FNote Limit LowC-2..G800
nn 10100..7FNote Limit HighC-2..G87F
nn 11100..7FDry Level0..1277F
nn 12100..7FChorus Send0..12700
nn 13100..7FReverb Send0..12728
nn 14100..7FVariation Send0..12700
nn 15100..7FVibrato Rate-64..+6340
nn 16100..7FVibrato Depth-64..+6340
nn 17100..7FVibrato Delay-64..+6340
nn 18100..7FFilter Cutoff Frequency-64..+6340
nn 19100..7FFilter Resonance-64..+6340
nn 1A 100..7FEG Attack Time-64..+6340
nn 1B 100..7FEG Decay Time-64..+6340
nn 1C 100..7FEG Release Time-64..+6340
nn 1D 128..58MW Pitch Control-24..+24[semitones]40
nn 1E100..7FMW Filter Control-9600..+9450[cent]40
nn 1F100..7FMW Amplitude Control-64..+6340
nn 20100..7FMW LFO PMod Depth0..1270A
nn 21100..7FMW LFO FMod Depth0..12700
nn 22100..7FMW LFO AMod Depth0..12700
nn 23128..58Bend Pitch Control-24..+24[semitones]42
nn 24100..7FBend Filter Control-9600..+9450[cent]40
nn 25100..7FBend Amplitude Control-64..+6340
nn 26100..7FBend LFO PMod Depth0..12700
nn 27100..7FBend LFO FMod Depth0..12700
nn 28100..7FBend LFO AMod Depth0..12700
TOTAL SIZE 29
nn 30100..01Not Used
nn 31100..01Not Used
nn 32100..01Not Used
nn 33100..01Not Used
nn 34100..01Not Used
Key On Assign1:multi
2:inst (for DRUM)
1..3:drum thru,drum1..201 (Part10)
2nd bit3..0→bit3..0
L63..C..R63 (1..64..127)
5959
Page 60
M I D I D a t a F o r m a t
AddressSize DataPrameter NameDescriptionDefault value
(H)(H) (H)(H)
nn 35100..01Not Used
nn 36100..01Not Used
nn 37100..01Not Used
nn 38100..01Not Used
nn 39100..01Not Used
nn 3A 100..01Not Used
nn 3B 100..01Not Used
nn 3C 100..01Not Used
nn 3D 100..01Not Used
nn 3E100..01Not Used
nn 3F100..01Not Used
nn 40100..01Not Used
nn 41100..7FNot Used
nn 42100..7FNot Used
nn 43100..7FNot Used
nn 44100..7FNot Used
nn 45100..7FNot Used
nn 46100..7FNot Used
nn 47100..7FNot Used
nn 48100..7FNot Used
nn 49100..7FNot Used
nn 4A 100..7FNot Used
nn 4B 100..7FNot Used
nn 4C 100..7FNot Used
nn 4D 128..58Ch’s AT Pitch Control-24..+24[semitones]40
nn 4E100..7FCh’s AT Filter Control-9600..+9450[cent]40
nn 4F100..7FCh’s AT Amp. Control-100..+100[%]40
nn 50100..7FCh’s AT LFO PMod Depth 0..12700
nn 51100..7FCh’s AT LFO FMod Depth 0..12700
nn 52100Ch’s AT LFO AMod Depth 0..12700
nn 53128..58Not Used
nn 54100..7FNot Used
nn 55100..7FNot Used
nn 56100..7FNot Used
nn 57100..7FNot Used
nn 58100Not Used
nn 59100..5FNot Used
nn 5A 128..58Not Used
nn 5B 100..7FNot Used
nn 5C 100..7FNot Used
nn 5D 100..7FNot Used
nn 5E100..7FNot Used
nn 5F100..7FNot Used
nn 60100..5FNot Used
nn 61128..58Not Used
nn 62100..7FNot Used
nn 63100..7FNot Used
nn 64100..7FNot Used
nn 65100..7FNot Used
nn 66100..7FNot Used
nn 67100..01Portamento Switchoff/on00
nn 68100..7FPortamento Time0..12700
nn 69100..7FPitch EG Initial Level-64..+6340
nn 6A 100..7FPitch EG Attack Time-64..+6340
nn 6B 100..7FPitch EG Release Level-64..+6340
nn 6C 100..7FPitch EG Release Time-64..+6340
nn 6D 100..7FNot Used
nn 6E100..7FNot Used
TOTAL SIZE 3F
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M I D I D a t a F o r m a t
nn = PartNumber
For the Drum Part, the following parameters have no effect.
n:Drum Setup Number - 1
rr:note number (0D - 5B)
When XG SYSTEM ON or GM SYSTEM ON messages are received, all Drum Setup Parameters will be initialized.
Drum Setup Reset message allows individual Drum Setup Parameters to be initialized.
(Invalid for voices for which GMx specifies Note-off recognition.)
L63..C..R63 (1..64..127)
< Table 1-8 >
Effect Type List
REVERB TYPE[ ] is the order of display
TYPE MSBTYPE LSB
Many MIDI messages listed in the MIDI Data Format section are expressed in hexadecimal or binary numbers. Hexadecimal
numbers may include the letter “H” as a suffix. The letter “n” indicates a certain whole number.
The chart below lists the corresponding decimal number for each hexadecimal/binary number.
• For example, 144 - 159(Decimal)/9nH/1001 0000 - 1001 1111(Binary) indicate the note-on messages for the channels 1
through 16 respectively. 176 - 191/BnH/1011 0000 - 1011 1111 indicate the control change messages for the channels 1
through 16 respectively. 192 - 207/CnH/1100 0000 - 1100 1111 indicate the program change messages for the channels 1
through 16 respectively. 240/F0H/1111 0000 is positioned at the beginning of data to indicate a system exclusive
message. 247/F7H/1111 0111 is positioned at the end of the system exclusive message.
• aaH(Hexadecimal)/0aaaaaaa(Binary) indicates the data addresses. The data address consists of High, Mid and Low.