Yamaha MIXING CONSOLE User Manual

Owner’s Manual

Keep This Manual For Future Reference.

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

WARNING: THIS APPARATUS MUST BE EARTHED

IMPORTANT

THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE:

GREEN-AND-YELLOW : EARTH

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:

The wire which is coloured GREEN and YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or coloured GREEN and YELLOW.

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

* This applies only to products distributed by YAMAHA KEMBLE

MUSIC (U.K.) LTD.

NEDERLAND THE NETHERLANDS

● Dit apparaat bevat een lithium batterij voor geheugen back-up.

ADVARSEL! Lithiumbatteri—Eksplosionsfare ved fejlagtig håndtering. Udskiftning må kun ske med batteri af samme fabrikat og type. Levér det brugte batteri tilbage til leverandoren.

VARNING Explosionsfara vid felaktigt batteribyte. Använd samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren. Kassera använt batteri enligt fabrikantens instruktion.

VAROITUS Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda paristo ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hävitä käytetty paristo valmistajan ohjeiden mukaisesti.

● This apparatus contains a lithium battery for memory back-up.

● Raadpleeg uw leverancier over de verwijdering van de batterij op het moment dat u het apparaat ann het einde van de levensduur afdankt of de volgende Yamaha Service Afdeiing:

Yamaha Music Nederland Service Afdeiing Kanaalweg 18-G, 3526 KL UTRECHT Te l. 030-2828425

● Gooi de batterij niet weg, maar lever hem in als KCA.

● For the removal of the battery at the moment of the

disposal at the end of the service life please consult your retailer or Yamaha Service Center as follows:

Yamaha Music Nederland Service Center Address: Kanaalweg 18-G, 3526 KL

UTRECHT

Te l: 030-2828425

● Do not throw away the battery. Instead, hand it in as small chemical waste.

• Explanation of Graphical Symbols

The lightning ﬂash with arrowhead symbol

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

The above warning is located on the rear of the unit

within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufﬁcient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

IMPORTANT SAFETY INSTRUCTIONS

1 Read these instructions. 2Keep these instructions. 3 Heed all warnings. 4 Follow all instructions. 5 Do not use this apparatus near water. 6 Clean only with dry cloth. 7 Do not block any ventilation openings. Install in

accordance with the manufacturer’s instructions.

8 Do not install near any heat sources such as

radiators, heat registers, stoves, or other apparatus (including ampliﬁers) that produce heat.

9 Do not defeat the safety purpose of the polar-

ized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not ﬁt into your outlet, consult an electrician for replacement of the obsolete outlet.

10 Protect the power cord from being walked on or

pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11 Only use attachments/accessories speciﬁed by

the manufacturer.

12 Use only with the cart, stand,

tripod, bracket, or table speciﬁed by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/ apparatus combination to avoid injury from tip-over.

13 Unplug this apparatus during lightning storms

or when unused for long periods of time.

14 Refer all servicing to qualiﬁed service person-

nel. Servicing is required when the apparatus has been damaged in any way, such as powersupply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.

Important Information

Warnings

•Connect this unit’s power cord only to an AC outlet of the type stated in this Owner’s Manual or as marked on the unit. Failure to do so is a ﬁre and electrical shock hazard.

•Do not allow water to enter this unit or allow the unit to become wet. Fire or electrical shock may result.

•Do not place heavy objects, including this unit, on top of the power cord. A damaged power cord is a ﬁre and electrical shock hazard. In particular, be careful not to place heavy objects on a power cord covered by a carpet.

•Do not place a container with liquid or small metal objects on top of this unit. Liquid or metal objects inside this unit are a ﬁre and electrical shock hazard.

•Do not scratch, bend, twist, pull, or heat the power cord. A damaged power cord is a ﬁre and electrical shock hazard.

•Do not remove the unit’s cover. You could receive an electrical shock. If you think internal inspection, maintenance, or repair is necessary, contact your dealer.

•Do not modify the unit. Doing so is a ﬁre and electrical shock hazard.

•If lightning begins to occur, turn off the power switch of the unit as soon as possible, and unplug the power cable plug from the electrical outlet.

•If there is a possibility of lightning, do not touch the power cable plug if it is still connected. Doing so may be an electrical shock hazard.

•Use only the included power cord for this unit. Using other types may be a ﬁre and electrical shock hazard.

•This unit has a slot for installing mini-YGDAI cards. For technical reasons, certain card combinations are not supported. Before installing any cards, check the Yamaha web site to if your card is compatible. Installing cards that are not endorsed by Yamaha may cause electrical shock, ﬁre, or damage to the unit.

•If the power cord is damaged (i.e., cut or a bare wire is exposed), ask your dealer for a replacement. Using the unit with a damaged power cord is a ﬁre and electrical shock hazard.

•If you notice any abnormality, such as smoke, odor, or noise, or if a foreign object or liquid gets inside the unit, turn it off immediately. Remove the power cord from the AC outlet. Consult your dealer for repair. Using the unit in this condition is a ﬁre and electrical shock hazard.

• Should this unit be dropped or the cabinet be damaged, turn the power switch off, remove the power plug from the AC outlet, and contact your dealer. If you continue using the unit without heeding this instruction, ﬁre or electrical shock may result.

Cautions

•Keep this unit away from the following locations:

•Hold the power cord plug when disconnecting it from an AC outlet. Never pull the cord. A

•Do not touch the power plug with wet hands. Doing so is a potential electrical shock hazard.

01V96—Owner’s Manual

—Locations exposed to oil splashes or steam, such as near cooking stoves, humidiﬁers, etc. —Unstable surfaces, such as a wobbly table or slope. —Locations exposed to excessive heat, such as inside a car with all the windows closed, or

places that receive direct sunlight.

—Locations subject to excessive humidity or dust accumulation.

damaged power cord is a potential ﬁre and electrical shock hazard.

•This unit has ventilation holes along the top, front, rear, and sides to prevent the internal temperature from rising too high. Do not block them. Blocked ventilation holes are a ﬁre hazard. In particular, do not operate the unit while it’s on its side, is upside down, or while it’s covered with a cloth or dust sheet.

•This unit is equipped with a dedicated ground connection to prevent electrical shock. Before connecting the power plug to an AC outlet, be sure to ground the unit.

•To relocate the unit, turn the power switch off, remove the power plug from the AC outlet, and remove all connecting cables. Damaged cables may cause ﬁre or electrical shock.

•If you know you will not use this unit for a long period of time, such as when going on vacation, remove the power plug from the AC outlet. Leaving it connected is a potential ﬁre hazard.

Operating Notes

• XLR-type connectors are wired as follows: pin 1–ground, pin 2–hot (+), and pin 3–cold (–).

•Insert TRS phone jacks are wired as follows: sleeve–ground, tip–send, and ring–return.

•The performance of components with moving contacts, such switches, rotary controls, faders, and connectors, deteriorates over time. The rate of deterioration depends on the operating environment and is unavoidable. Consult your dealer about replacing defective components.

•Using a mobile telephone near this unit may induce noise. If noise occurs, use the telephone away from the unit.

•If the message “WARNING Low Battery!” appears when you turn on this unit, contact your dealer as soon as possible about replacing the internal data backup battery. The unit will still operate correctly, but data other than the presets will be lost.

•Before replacing the batteries, back up your data to a memory card, or another unit by using MIDI Bulk Dump.

•The digital circuits of this unit may induce a slight noise into nearby radios and TVs. If noise occurs, relocate the affected equipment.

•When you change the wordclock settings on any device in your digital audio system, some devices may output noise, so turn down your power amps beforehand, otherwise your speakers may be damaged.

Operating Notes

Interference

This unit uses high-frequency digital circuits that may cause interference on radio and television equipment located nearby. If interference is a problem, relocate the affected equipment. Using a mobile telephone near the unit may induce noise. In this case use the telephone away from the unit.

Exclusion of Certain Responsibility

Manufacturer, importer, or dealer shall not be liable for any incidental damages including personal injury or any other damages caused by improper use or operation of this unit.

01V96—Owner’s Manual

Important Information

Trademarks

Copyright

ADAT MultiChannel Optical Digital Interface is a trademark and ADAT and Alesis are registered trademarks of Alesis Corporation. Apogee is a trademark of Apogee Electronics, Inc. Apple, Mac, and Power Macintosh are registered trademarks and Mac OS is a trademark of Apple Corporation, Inc. HUI is a trademark of Mackie Designs, Inc. Intel and Pentium are registered trademarks of Intel Corporation. Nuendo is a registered trademark of Steinberg Media Technologies AG. Pro Tools is a trademark or registered trademark of Digidesign and/or Avid Technology, Inc. Tascam Digital Interface is a trademark and Tascam and Teac are registered trademarks of Teac Corporation. Microsoft and Windows are registered trademarks of Microsoft Corporation, Inc. Waves is a trademark of Waves, Inc. Yamaha is a trademark of Yamaha Corporation. All other trademarks are the property of their respective holders and are hereby acknowledged.

No part of this unit, its software, or this Owner’s Manual may be reproduced or distributed in any form or by any means without the prior written authorization of Yamaha Corporation.

Yamaha Web Site

Further information about the 01V96, related products, and other Yamaha professional audio equipment is available on the Yamaha Professional Audio Web site at: <http://www.yamahaproaudio.com/>.

Package Contents

• 01V96 Digital Mixing Console

• CD-ROM

•Power cord

•This manual

•Studio Manager Installation Guide

Optional Extras

• RK1 Rack Mount Kit

• mini YGDAI I/O cards

01V96—Owner’s Manual

About this Owner’s Manual

This Owner’s Manual explains how to operate the 01V96 Digital Mixing Console. The Table of Contents can help you to familiarize yourself with the manual’s organization

and to locate tasks and topics. The index can help you locate speciﬁc information. Before diving in, it’s recommend that you read the “Operating Basics” chapter, starting on

page 27. Each chapter in this manual discusses a speciﬁc section or function of the 01V96. The Input

and Output Channels are explained in the following chapters: “Input Channels,” “Bus Outs,” and “Aux Outs.” Where possible, these chapters have been organized in order of signal ﬂow, from input to output.

Conventions Used in this Manual

The 01V96 features two types of buttons: physical buttons that you can press (e.g., ENTER and DISPLAY) and buttons that appear on the display pages. References to physical buttons are enclosed in square brackets, for example, “press the [ENTER] button.”

References to display page buttons are not emphasized, for example, “move the cursor to the ON button.”

You can select display pages by using the [DISPLAY] buttons or the Left Tab Scroll, Right Tab Scroll, and F1–4 buttons below the display. In order to simplify explanations, the procedures reference only the [DISPLAY] button method.

See “Selecting Display Pages” on page 28 for details on all the ways in which you can select pages.

About this Owner’s Manual

vii

Installing the 01V96

This unit should be placed on a strong and stable surface, that complies with the warnings and cautions listed in the previous sections.

Always turn the power off when the instrument is not in use.

The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may appear somewhat different from those on your instrument.

Copying of the commercially available music sequence data and/or digital audio ﬁles is strictly prohibited except for your personal use.

01V96—Owner’s Manual

Contents

1 Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

2 Control Surface & Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Installing an Optional Card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

3 Operating Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

About the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Selecting Display Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Display Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Selecting Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Selecting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Selecting Fader Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

4 Connections and Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Wordclock Connections and Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Input and Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

5 Tutorial . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Connections and Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Initial Track Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Overdubbing to Other Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Mixing Recorded Tracks into Stereo (Mixdown) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

6 Analog I/O & Digital I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

Analog Inputs & Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

Digital Inputs & Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Converting Sampling Rates of Signals Received at I/O Card Inputs . . . . . . . . . . 72

Monitoring Digital Input Channel Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Dithering Digital Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

Setting the Transfer Format for Higher Sampling Rates . . . . . . . . . . . . . . . . . . . . . . . 75

7 Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

About Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Setting the Input Channels from the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Setting the Input Channels from the Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . 90

Pairing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Naming Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

8 Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

About Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

Bus Out 1–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

Setting the Stereo Out and Bus Out 1–8 from the Display . . . . . . . . . . . . . . . . . . . . . 99

Setting the Stereo Out and Bus Out 1–8 from the Control Surface . . . . . . . . . . . . . . 104

Pairing Buses or Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Attenuating Output Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Naming the Stereo Out and Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

9 Aux Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

01V96—Owner’s Manual

Aux Out 1–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

Setting Aux Out 1–8 from the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110

Viewing Aux Out settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112

Setting Aux Out 1–8 from the Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . 113

Contents

Setting Aux Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113

Viewing Aux Send Settings for Multiple Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117

Panning Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Copying Channel Fader Positions to Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

10 Input & Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Input Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Patching Direct Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Insert Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

11 Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131

Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131

Monitor and Solo Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132

Using the Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

Using the Solo Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134

12 Surround Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135

Using Surround Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135

Setting Up and Selecting Surround Pan Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . 136

Surround Panning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141

13 Grouping Channels & Linking Parameters . . . . . . . . . . . . . . . . . . 147

Grouping & Linking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147

Using Fader Groups and Mute Groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148

Linking EQ and Compressor Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150

14 Internal Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

About the Internal Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

Using Effects Processors via Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154

Inserting the Internal Effects into Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156

Editing Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157

About Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159

15 Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161

About Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161

What is Stored in a Scene? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161

About Scene Numbers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162

Storing & Recalling Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163

Auto Scene Memory Update . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

Fading Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166

Recalling Scenes Safely . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168

Sorting Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169

16 Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

About the Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

General Library Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

Using Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

17 Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185

About Remote Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185

Pro Tools Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186

Nuendo Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202

Other DAW Remote Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202

MIDI Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203

Machine Control Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208

01V96—Owner’s Manual

Contents

18 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211

MIDI & the 01V96 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211

MIDI Port Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212

Assigning Scenes to Program Changes for Remote Recall . . . . . . . . . . . . . . . . . . 215

Assigning Parameters to Control Changes for Real-time Control . . . . . . . . . . . . 216

Controlling Parameters by Using Parameter Changes . . . . . . . . . . . . . . . . . . . . . 221

Transmitting Parameter Settings via MIDI (Bulk Dump) . . . . . . . . . . . . . . . . . . . . . . 222

19 Other Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225

Changing the Input and Output Channel Names . . . . . . . . . . . . . . . . . . . . . . . . . 225

Setting Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 226

Creating a Custom Layer by Combining Channels (User Assignable Layer) . . . 229

Using the Oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230

Using the User Defined Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231

Using Operation Lock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233

Cascading Consoles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234

Checking the Battery and the System Version . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238

Initializing the 01V96 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239

Calibrating the Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240

Appendix A: Parameter Lists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241

USER DEFINED KEYS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241

USER DEFINED KEYS Initial Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243

Input Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243

Initial Input Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245

Output Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247

Initial Output Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249

User Defined Remote Layer Initial Bank Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250

Effects Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254

Preset EQ Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274

Preset Gate Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 278

Preset Compressor Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . 278

Appendix B: Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283

General Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283

Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 288

Analog Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289

Analog Output Specs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289

Digital Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290

Digital Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290

I/O SLOT Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290

CONTROL I/O Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291

Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291

Appendix C: MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 292

Scene Memory to Program Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 292

Initial Parameter to Control Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293

MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 309

Appendix D: Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 324

01V96—Owner’s Manual

■

1 Welcome

Thank you for choosing the Yamaha 01V96 Digital Mixing Console. The compact 01V96 Digital Console features 24-bit/96 kHz digital audio processing with-

out compromise, as well as 40-channel simultaneous mixing. The 01V96 covers a broad range of needs and applications, including multi-track recording, 2-channel mixdown, and cutting-edge surround sound production. This integrated, comprehensive audio system features remote control function for DAWs (Digital Audio Workstations) as popularized by the DM2000 and 02R96 Digital Mixing Consoles.

The 01V96 offers the following features:

Hardware Features

• 100-mm motorized faders x 17

•Faders can set levels for Input Channels, Aux send levels, and Bus Outs.

•Four selectable software layers determine the function of channel faders.

• 320 x 240 dot LCD display

•Buttons and controls in the SELECTED CHANNEL section enable direct editing of

channel EQ parameters.

•8 USER-DEFINED KEYS enable you to assign functions to control 01V96 internal

parameters.

•ADAT optical connectors

•Expansion slot for optional digital I/O, AD, and DA cards.

Welcome

Sonic Speciﬁcations

• Linear 24-bit, 128-times oversampling A/D converters

• Linear 24-bit, 128-times oversampling D/A converters

• 20 Hz through 40 kHz frequency response at 96 kHz sampling rate.

• 106 dB typical dynamic range

• 32-bit internal signal processing (58-bit accumulator)

Inputs and Outputs

• 12 mic/line inputs with switchable +48 V phantom power and 4 line inputs

• 12 analog inserts

•Any Bus Outs or Channel Inserts can be routed to four Omni Outs.

•Individual outputs for Stereo Out and Monitor Out

•Analog 2TR In and Out for use with Tape In and Out signals

•An optional card installed in the slot permits a maximum of 16 inputs/outputs.

•Digital 2TR In and Out for consumer-format digital audio signals

•Double Channel support for recording and playing at 88.2/96 kHz on 44.1/48 kHz leg-

acy multi-track digital recorders.

•You can cascade two 01V96s while remaining in the digital domain.

•Input patches enable assignment of input signals to desired signal paths.

•Output patches enable assignment of Bus Out signals and Input Channel Direct Outs to

desired output jacks.

01V96—Owner’s Manual

■

Chapter 1—Welcome

Channel Conﬁguration

• 32 Input Channels and four ST IN channels can be mixed at a time. Group multiple channels and pair channels for stereo.

•Eight Bus Outs and eight Aux Sends. Bus Outs 1-8 can be routed to Stereo Buses for use as Group Buses.

•Channel library for storing and recalling the channel settings for each Input Channel and Output Channel

•Four-band EQ on each channel

•Dynamics processors on all channels (excluding ST IN channels)

•Dynamics processor settings and EQ settings can be stored in libraries and recalled.

Effects

•Four high-quality multi-channel effects (Apply effects via Aux Sends or Channel Inserts)

• Effect library for storing and recalling effect settings.

Scene Memory

•Scene memories for storing and recalling mix settings as Scenes

Surround Sound

•Supports 3-1, 5.1, and 6.1 channel surround sound production

•Surround channel outputs can be assigned to suit connected devices.

Remote Control

•Control and manage your 01V96 from your Mac or PC using bundled Studio Manager software.

•Remote Layer for remote control of Pro Tools, Nuendo, and other DAWs that support the Pro Tools protocol

•Control an external recorder via MMC commands.

■ MIDI

•Equipped with MIDI ports and a USB port for computer connection

•Scene recall and mix parameter changes via MIDI

01V96—Owner’s Manual

Control Surface & Rear Panel 13

SOLO SOLO

ON ON

SOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLO

SOLOONSOLO

ONON

PEAK

SIGNAL

PEAK

SIGNAL

PEAK SIGNAL

1-16 17-32 MASTER REMOTE

LAYER

SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SELSEL

ST IN

ENTER

EQUALIZER

HIGH

HIGH-MID

LOW-MID

LOW

FREQUENCY

GAIN

STEREO

SELECTED CHANNEL

PAN

DEC INC

SOLO CLEAR

RECALL

STORE

SCENE MEMORY

PHONES

MONITOR

OUT

MONITOR 2TR IN

CH15/16 2TR IN

LEVEL

PHONES

LEVEL

-26

GAIN

-26

GAIN

-26

GAIN

-26

GAIN

20dB

-16

-60

GAIN

20dB

-16

-60

GAIN

20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

PAD

FADER MODE

DISPLAY ACCESS

AUX 1

AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 BUS 1 BUS 2 BUS 3 BUS 4 BUS 5 BUS 6 BUS 7 BUS 8

AUX 2 AUX 3 AUX 4

AUX 8AUX 7AUX 6AUX 5

HOME (METER)

DYNAMICS

EQ EFFECT VIEW

PATCH

UTILITYMIDISCENE

DIO/SETUP

/ INSERT/

DELAY

PAN/

ROUTING

PAIR/

GROUP

ABABABABABABABABABABABA

1513

121110987643215

INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/OINSERT I/O INSERT I/O

IN OUT

2TR

-10dBV (UNBAL)

PHANTOM +48V

CH9-12CH5-8CH1-4

INPUT

(BAL)

INSERT

OUTIN

(UNBAL)

ST IN 1 ST IN 2

USER DEFINED

KEYS

+10

1010

1515

2020

303030

4040

5050

6060

7070

60 70

+10

60 70

+10

60 70

50505050

60 70

+10

303030

+10

15 15

+10

123456

891011 12

13 14 15 16

32313029282726252423222120191817

STEREO

13 14 15 16

OVER

-3

-6

-9

-12

-15

-18

-24

-30

-36

-48

AD Input Section (p. 14)

SELECTED CHANNEL Section (p. 20)

Monitor Out & Headphones Section (p. 15)

SOLO Section (p. 22)

Channel Strip Section (p. 16) STEREO Section (p. 16) USER DEFINED KEYS

Section (p. 21)

Data Entry Section (p. 22)

LAYER Section (p. 19)

SCENE MEMORY Section (p. 21)

Display Section (p. 19)

DISPLAY ACCESS Section (p. 18)

ST IN Section (p. 17)

FADER MODE Section (p. 17)

2 Control Surface & Rear Panel

Control Surface

Control Surface & Rear Panel

01V96—Owner’s Manual

14 Chapter 2—Control Surface & Rear Panel

AD Input Section

CH1-4

121110943215

1513

5 6 7

INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O

-60

-16 GAIN

PEAK SIGNAL

OUTIN

(UNBAL)

INPUT

(BAL)

INSERT

PAD

-60

-16 GAIN

PEAK SIGNAL

-16 GAIN

PEAK SIGNAL

GAIN

PEAK SIGNAL

-60

-16

-60

-16 GAIN

PEAK SIGNAL

-60

-16 GAIN

PEAK SIGNAL

20dB

20dB20dB20dB20dB20dB20dB20dB

-60

-16

-16 GAIN

PEAK SIGNAL

GAIN

PEAK SIGNAL

A INPUT connectors A/B

INPUT A connectors are balanced XLR-3-31-type connectors that accept line-level and microphone signals. Each of the phantom [+48V] switches on the rear panel turns on or off the +48V phantom power feed to the corresponding input. INPUT B connectors are balanced TRS phone-type connectors that accept line-level and microphone signals. The nominal signal level of both types of connectors ranges from –60 dB to +4 dB. Phantom power is not supplied to these connectors.

If you connect cables to INPUT A and INPUT B connectors of the same number, only the signal from INPUT B is effective.

Male XLR plug

1 (ground)

3 (cold)

1/4" TRS phone plug

20dB

-60

-16 GAIN

GAIN

-60

GAIN

PEAK

13 14 15 16

SIGNAL

CH15

2TR IN

-26

GAIN

-26

GAIN

PEAK

SIGNAL

Tip (hot)

Ring (cold)

2 (hot)

Sleeve (ground)

B INPUT connectors 13–16

These balanced TRS phone-type connectors accept line-level signals. The nominal signal level ranges from –26 dB to +4 dB. INPUT 15 & 16 connectors are available only when the AD 15/16 button is turned off (page 15).

C INSERT I/O connectors

These unbalanced TRS phone-type connectors are used for channel insert ins and outs. Use a split cable to insert an external effects processor to AD input channels.

Tip (send)

Sleeve (ground)

Tip (return)

Tip (send)

Ring (return)

1/4" phone plug

Sleeve (ground)

Connect to INSERT jack

1/4" phone plug

To processor’s input

1/4" phone plug

Sleeve (ground)

From processor’s output

01V96—Owner’s Manual

Control Surface 15

D PAD switches

These switches turn on or off the 20 dB pad (attenuator) for each AD Input.

E GAIN controls

These controls adjust input sensitivity for each AD Input. Input sensitivity is –16 dB to –60 dB when the Pad is off, and +4 dB to –40 dB when the Pad is on.

F PEAK indicators

These indicators light up when the input signal level is 3 dB below clipping. Adjust the Pad switch and GAIN control so that the indicator rarely lights up at signal peak.

G SIGNAL indicators

These indicators light up when the input signal level exceeds –34 dB.

H AD15/16 selector

This button selects AD Input Channel 15 and 16 signals. When the button is turned on (pushed in), the 2TR IN signals (page 24) are selected. When the button is turned off (raised), the INPUT 15 and 16 signals are selected.

Monitor Out & Headphones Section

CH9-12CH5-8

PHANTOM +48V

IN OUT

2TR

-10dBV (UNBAL)

MONITOR 2TR IN

LEVEL

MONITOR

OUT

PHONES

LEVEL

PHONES

Control Surface & Rear Panel

A 2TR IN/OUT connectors

These unbalanced RCA phono connectors input and output line-level signals, and are typically used to connect a master recorder.

When the AD15/16 selector in the AD Input section (

8) is turned on (pushed in), the sig-

nals input at the 2TR IN connectors are routed to AD Input Channels 15 and 16. When the Monitor Source selector (

2) is turned on (pushed in), you can monitor the 2TR IN signals

from the MONITOR OUT connectors. The 2TR OUT signals are always the same as the STEREO OUT signals.

B Monitor Source selector

This button selects the signals output from the MONITOR OUT connectors on the rear panel. When this button is turned on (pushed in), you can monitor the signals input from the 2TR IN connectors. When the button is turned off (raised), you can monitor the Stereo Out signals or soloed channel signals.

C MONITOR LEVEL control

This control adjusts the monitoring level of the signals output from the MONITOR OUT connectors.

D PHONES LEVEL control

This control sets the level of the PHONES. (See page 131 for more information on monitoring through the headphones.)

E PHONES jack

You can connect a set of stereo headphones to this stereo phone jack. The signals output from the MONITOR OUT connectors are also output from this jack.

01V96—Owner’s Manual

16 Chapter 2—Control Surface & Rear Panel

Channel Strip Section

A [SEL] buttons

These buttons enable you to select desired channels. The [SEL] button indicator for the cur-

SEL

SOLO

+10

AUX 1

rently-selected channel lights up. The channel selected by each [SEL] button depends on the layer selected in the LAYER section (see page 19).

These buttons also allow you to create or cancel channel pairs, and add channels to (or remove them from) Fader, Mute, EQ, and Compressor groups.

B [SOLO] buttons

These buttons solo the selected channels. The [SOLO] button indicator of the currently-soloed channel lights up.

C [ON] buttons

These buttons turn the selected channels on or off. The [ON] button indicators for On channels light up.

D Channel faders

Depending on the button selected in the FADER MODE section (see page 17), these faders adjust the selected channel input levels or the Bus Out or Aux Out levels.

STEREO Section

A [SEL] button

SEL

60 70

STEREO

Selects the Stereo Out.

B [ON] button

Tu r ns the Stereo Out on or off.

C [STEREO] fader

This 100mm motorized fader adjusts the ﬁnal output level of the Stereo Out.

01V96—Owner’s Manual

ST IN Section

Control Surface 17

ST IN

SEL SEL

SOLOONSOLO

ST IN 1 ST IN 2

A [ST IN] button

This button selects an ST IN channel pair (ST IN Channels 1 & 2 or 3 & 4) which you can control using the buttons and controls in the ST IN section. The indicators to the right of the button indicate the available ST IN channels.

B [SEL] buttons

These buttons select the ST IN channel you want to control.

C [SOLO] buttons

These buttons solo the selected ST IN channels.

D [ON] buttons

These buttons turn the ST IN channels on or off.

Control Surface & Rear Panel

E Level controls

These controls adjust the ST IN channel levels.

FADER MODE Section

FADER MODE

A [AUX 1]–[AUX 8] buttons

These buttons enable you to select the Aux Send you wish to control. Pressing one of these buttons switches the Fader mode (see page 33), and displays the corresponding Aux page. (The selected button’s indicator lights up.)

You can now adjust the send level of signals routed from Input Channels to the corresponding Aux buses by using the faders.

B [HOME] button

This button recalls Meter pages that display Input Channel levels or Output Channel (Bus Out, Aux Out, Stereo Out) levels (see page 34).

AUX 1 AUX 2 AUX 3 AUX 4

AUX 8AUX 7AUX 6AUX 5

HOME (METER)

01V96—Owner’s Manual

18 Chapter 2—Control Surface & Rear Panel

DISPLAY ACCESS Section

6 5

1 2 3

DISPLAY ACCESS

DIO/SETUP

PAN/

/ INSERT/

ROUTING

DELAY

EQ EFFECT VIEW

DYNAMICS

J K L

PAIR/

GROUP

UTILITYMIDISCENE

PATCH

7 8

A [SCENE] button

This button displays a Scene page, enabling you to store and recall Scenes (see page 161).

B [DIO/SETUP] button

This button displays a DIO/Setup page, enabling you to set up the 01V96, including digital input and output setup and remote control setup (see pgaes 72, 188).

C [MIDI] button

This button displays a MIDI page, enabling you to make MIDI settings (see page 215).

D [UTILITY] button

This button displays a Utility page, enabling you to use the internal oscillators and view information about installed optional cards.

E [ /INSERT/DELAY] button

This button displays a /INS/DLY page, enabling you to switch the signal phase, set the signal to be inserted, or set the delay parameters (see pages 79, 127).

F [PAN/ROUTING] button

This button displays a Pan/Route page, enabling you to select a Bus to which the selected channel signal is routed, adjust the selected channel pan settings, adjust the level of signals routed from Buses 1–8 to the Stereo Bus, and adjust the stereo or surround pan settings (see pages 85, 135).

G [PAIR/GROUP] button

This button displays a Pair/Grup page, enabling you to create or cancel channel pairs and group multiple channel faders or [ON] buttons (see pages 93, 147).

H [PATCH] button

This button displays a Patch page, enabling you to patch input signals and Bus Out signals to Input channels, or patch signals to the desired output connectors (see page 121).

I [DYNAMICS] button

This button displays a Dynamics page, enabling you to control channel gates and compressors (see page 81).

J [EQ] button

This button displays an EQ page, enabling you to set the equalizer and attenuator of the selected channel (see page 84).

K [EFFECT] button

This button displays an Effect page, enabling you to edit the internal effects processors and use optional plug-in cards (see page 157).

L [VIEW] button

This button displays a View page, enabling you to view and set mix parameters for a speciﬁc channel (see page 87).

01V96—Owner’s Manual

Control Surface 19

LAYER Section

LAYER

1-16 17-32 MASTER REMOTE

1 2 3

A [1–16]/[17–32] buttons

These buttons select an Input Channel layer as the layer controlled in the Channel Strip section. When the [1–16] button is turned on, you can control Channels 1–16. When the [17–32] button is turned on, you can control Channels 17–32. (See page 31 for more information on the Input Channel layers.)

B [MASTER] button

This button selects the Master Layer as the layer controlled in the Channel Strip section. You can use this layer to control Bus Outs and AUX Sends. (See page 31 for more information on the Master layer.)

C [REMOTE] button

This button selects the Remote Layer as the layer controlled in the Channel Strip section. You can use this layer to control external MIDI devices or computer-based DAWs. (See page 185 for more information on the Remote layer.)

Control Surface & Rear Panel

Tip: The ST IN section is not affected by the layer settings.

Display Section

STEREO

A Display

This is a 320 x 240 dot LCD display with a backlight.

B Stereo meters

These 12-segment level meters display the ﬁnal output level of the Stereo Bus.

OVER

-3

-6

-9

-12

-15

-18

-24

-30

-36

-48

C Contrast control

This control adjusts the display contrast.

D [F1]–[F4] buttons

These buttons select a page from a multi-page screen. Selecting a tab at the bottom of the screen using one of these buttons displays the corresponding page. (See page 28 for more information on displaying a page.)

01V96—Owner’s Manual

20 Chapter 2—Control Surface & Rear Panel

E Left Tab Scroll [ ] button F Right Tab Scroll [ ] button

If there are more pages available than the four whose tabs are currently displayed, use these buttons to display the additional tabs. These buttons are available only when the left or right Tab Scroll arrow appears.

SELECTED CHANNEL Section

Tab Scroll arrow

SELECTED CHANNEL

PAN

EQUALIZER

HIGH

HIGH-MID

FREQUENCY

LOW-MID

LOW

GAIN

A [PAN] control

This control adjusts the pan of the channel selected by the [SEL] button.

B [HIGH] button C [HIGH-MID] button D [LOW-MID] button E [LOW] button

These buttons select the EQ band (HIGH, HIGH-MID, LOW-MID, LOW) of the channel selected by the [SEL] button. The corresponding button indicator of the currently-selected band lights up.

F [Q] control

This control adjusts the currently-selected band Q.

G [FREQUENCY] control

This control adjusts the currently-selected band frequency.

H [GAIN] control

This control adjusts the currently-selected band gain.

01V96—Owner’s Manual

SCENE MEMORY Section

Control Surface 21

SCENE MEMORY

STORE

1 3

RECALL

A [STORE] button

This button enables you to store the current mix settings. (See page 161 for more information on Scene Memories.)

B Scene Up [ ] / Down [ ] buttons

These buttons select a Scene to store or recall. Pressing the Scene Up [ ] button increments the selection; pressing the Scene Down [ ] button decrements the selection. Holding down either key increments or decrements the selection continuously.

C [RECALL] button

This button recalls the Scene memory selected by the Scene Up [ ] / Down [ ] buttons.

USER DEFINED KEYS Section

USER DEFINED

KEYS

Control Surface & Rear Panel

A [1]–[8] buttons

You can assign any of the 167 functions to these User Deﬁned buttons.

01V96—Owner’s Manual

22 Chapter 2—Control Surface & Rear Panel

Data Entry Section

DEC INC

ENTER

A Parameter wheel

This control adjusts the parameter values shown on the display. Turning it clockwise increases the value; turning it counterclockwise decreases the value. This wheel also enables you to scroll a displayed list and select a character for entry (see page 30).

B [ENTER] button

This button activates a selected (highlighted) button on the display, and conﬁrms the edited parameter values.

C [DEC] & [INC] buttons

These buttons increment or decrement a parameter value by one. Pressing the [INC] button increments the value; pressing the [DEC] button decrements the value. Holding down either key increments or decrements the value continuously.

D Left, Right, Up, Down ([ ]/[ ]/[ ]/[ ]) cursor buttons

These buttons move the cursor around the display pages, or select parameters and options. Holding down a cursor button moves the cursor continuously in the corresponding direction.

SOLO Section

SOLO CLEAR

A [SOLO] indicator

This indicator ﬂashes when single or multiple channels are soloed.

B [CLEAR] button

This button “unsolos” all soloed Channels.

01V96—Owner’s Manual

Rear Panel

Rear Panel 23

PHANTOM +48V (p. 23)

Power Section (p. 25)

PHANTOM +48V

AD Output Section (p. 23)

Digital I/O Section (p. 24)

SLOT Section (p. 25)

MIDI/Control Section (p. 25)

Control Surface & Rear Panel

3 2 1

A CH1–4 ON/OFF switch B CH5–8 ON/OFF switch C CH9–12 ON/OFF switch

Each of these switches turns on or off the +48V phantom power feed to four corresponding inputs. When the switches are on, +48V phantom power is supplied to the INPUT A connectors.

AD Output Section

321

A MONITOR OUT connectors L/R

These balanced TRS phone-type connectors output monitoring signals or 2TR IN signals. The nominal signal level is +4 dB.

You can select signals using the Monitor Source selector.

1/4" TRS phone plug

Ring (cold)

Sleeve (ground)

Tip (hot)

01V96—Owner’s Manual

24 Chapter 2—Control Surface & Rear Panel

B OMNI OUT connectors 1–4

These balanced TRS phone-type connectors output any Bus signals or channel Direct Out signals. The nominal signal level is +4 dB.

C STEREO OUT connectors L/R

These balanced XLR-3-32-type connectors output the Stereo Out signals. The nominal signal level is +4 dB.

Digital I/O Section

1/4" TRS phone plug

Female XLR plug

421 53

Tip (hot)

Ring (cold)

Sleeve (ground)

2 (hot)

3 (cold)

1 (ground)

A WORD CLOCK OUT connector

This BNC connector outputs a wordclock signal from the 01V96 to a connected external device.

B WORD CLOCK IN connector

This BNC connector inputs a wordclock signal from a connected external device to the 01V96.

C ADAT IN/OUT connectors

These optical TOSLINK connectors input and output ADAT digital audio signals.

D 2TR OUT DIGITAL COAXIAL

This RCA phono connector outputs consumer format (IEC-60958) digital audio. The connector is typically used to connect the digital stereo input (consumer format) of a DAT recorder, MD recorder, or CD recorder.

E 2TR IN DIGITAL COAXIAL

This RCA phono connector accepts consumer format (IEC-60958) digital audio. The connector is typically used to connect the digital stereo output (consumer format) of a DAT recorder, MD recorder, or CD recorder.

01V96—Owner’s Manual

Rear Panel 25

MIDI/Control Section

A MIDI IN/THRU/OUT ports

These standard MIDI IN, OUT and THRU ports enable you to connect the 01V96 to other MIDI equipment.

B TO HOST USB port

This USB port enables you to connect a computer equipped with a USB port.

SLOT Section

Control Surface & Rear Panel

A SLOT

You can insert optional mini-YGDAI cards into this slot. (See page 26 for information on installing these cards.)

Power Section

A POWER ON/OFF switch

This switch turns the power to the 01V96 on or off.

Note: To prevent loud clicks and thumps in your speakers, turn on your audio equipment in the following order (reverse this order when turning the equipment off )—sound sources, multitrack and master recorders, 01V96, monitoring power ampliﬁers.

B AC IN connector

This connector enables you to connect the 01V96 to an AC outlet via the supplied power cord.

01V96—Owner’s Manual

26 Chapter 2—Control Surface & Rear Panel

Installing an Optional Card

Visit the following Yamaha Pro Audio web site to ensure that the card you are installing is supported by the 01V96.

<http://www.yamahaproaudio.com/>.

Follow the steps below to install an optional mini-YGDAI card.

1 Make sure that the power to the 01V96 is turned off.

2 Undo the two ﬁxing screws and remove the slot cover, as shown below.

Keep the cover and ﬁxing screws in a safe place for future use.

3 Insert the card between the guide rails and slide it all the way into the slot,

as shown below.

You may have to push ﬁrmly to fully insert the card into the internal connector.

4 Secure the card using the attached thumbscrews.

Tighten the screws ﬁrmly to secure the card. Otherwise, the card may not be grounded correctly.

01V96—Owner’s Manual

3 Operating Basics

This chapter describes basic operations on the 01V96, including how to use the display and operate the controls on the top panel.

Operating Basics 27

About the Display

The top panel display indicates various parameters that you must set before you can operate the 01V96. The display indicates the following items:

1Selected

DISPLAY

2Selected

channel

9Page title

KPage area

3Current Scene

Operating Basics

4EDIT indicator

5MIDI indicator

6Surround mode indicator

7Sampling rate indicator

8ST IN channel

levels

JChannel name

MTab Scroll arrowsLPage tabs

A Selected DISPLAY

This section indicates the currently-selected display page group.

B Selected channel

This section indicates the Input or Output Channel currently selected by its corresponding [SEL] button. The ﬁrst four characters are the Channel ID (e.g., CH1–CH32, BUS1–BUS8, AUX1–AUX8, ST-L, ST-R). The second four characters are the channel’s Short name. You can edit the channel’s Short name if you desire (see page 225).

C Current Scene

This section indicates the number and title of the currently-selected Scene memory (see page 162). If the selected Scene is write-protected, a padlock icon ( ) appears.

D EDIT indicator

This indicator appears when the current mix settings no longer match those of the Scene that was most-currently recalled.

E MIDI indicator

This indicator appears when the 01V96 is receiving MIDI data via the MIDI IN port, USB port, or an installed MY8-mLAN card.

F Surround mode indicator

This indicator identiﬁes the currently-selected Surround mode (ST=stereo, 3-1, 5.1, or

6.1) (see page 135).

01V96—Owner’s Manual

28 Chapter 3—Operating Basics

G Sampling rate indicator

This indicator identiﬁes the 01V96’s current sampling rate: 44.1 kHz (44k), 48 kHz (48k), 88.2 kHz (88k), or 96 kHz (96k).

H ST IN channel levels

These level controls indicate the level of ST IN channels 1–4.

I Page title

This section indicates the title of the current page.

J Channel name

On certain pages, this area displays the Long name of the currently-selected channel.

K Page area

This page area displays various page contents.

L Page tabs

These tabs enable you to select a display page.

M Tab Scroll arrows

These arrows indicate that more pages are available.

Selecting Display Pages

To select a display page:

1 Press the corresponding button on the top panel to select the desired page

group.

Display pages are grouped by function. To select a page group, press the desired button in the DISPLAY ACCESS section.

2You can select pages that have currently-displayed tabs by pressing the

[F1]–[F4] buttons.

If the selected display page group contains multiple pages, press the [F1]–[F4] buttons below the corresponding tab to select a speciﬁc page.

3To select a page for which a tab is not currently displayed, press either the

Left or Right [ ]/[ ] Tab Scroll button (depending on where the page is located) to display the page tab, then press the corresponding [F1]–[F4] button.

If display page groups contain more than four pages, either the left or right arrow appears. To display the currently-hidden tabs, press the Right or Left [ ]/[ ] Tab Scroll button.

You can also select a page from a page group as follows:

• Selecting the next page in a page group:

Press the button you selected in Step 1 repeatedly. This enables you to select a page that has a hidden tab.

•To select the previous page in a page group:

•To select the ﬁrst page in the group:

01V96—Owner’s Manual

Press and hold down the button you selected in Step 1. The screen steps back through the pages one by one. Release the button when the desired page is displayed. This enables you to select a page that has a hidden tab.

Double-click the button you selected in Step 1.

4 Press the cursor buttons to move the cursor (a bold frame) to a button,

parameter box, rotary control, or fader so that you can change the value.

Tip: The 01V96 remembers the current page and parameter when you select a new page group. If you return to the previous page group, the 01V96 displays the correct page, with the same parameter selected. You can also select a page by using the controls or buttons on the top panel (see page 226).

Display Interface

This section describes how to use the display interface.

Rotary Controls & Faders

The rotary controls and faders enable you to adjust the continuously variable parameter values, including Input Channel levels and effects parameters. Press the cursor buttons to move the cursor to a rotary control or fader you want to adjust, then rotate the Parameter wheel or press the [INC]/[DEC] buttons to modify the value.

Display Interface 29

Operating Basics

Buttons

The buttons enable you to turn certain functions on (enabled) or off (disabled). Move the cursor to the appropriate button, then press the [ENTER] button to turn the function on (highlighted) or off. The buttons also enable you to select one of two options or to execute certain functions.

Parameter Boxes

The parameter boxes enable you to select one of multiple options. Press the cursor buttons to move the cursor to a parameter box, then rotate the Parameter wheel or press the [INC]/[DEC] buttons to select the setting.

You may need to press the [ENTER] button to conﬁrm a change in certain parameter boxes. If you edit a value in this type of parameter box, the value ﬂashes. Press the [ENTER] button to conﬁrm the change, and the ﬂashing stops. If you move the cursor to other parameters while the edited value is ﬂashing, the edit is cancelled.

01V96—Owner’s Manual

30 Chapter 3—Operating Basics

Conﬁrmation Messages

For certain functions, the 01V96 prompts you for conﬁrmation before executing the functions, as shown here.

Move the cursor to YES and press [ENTER] to execute the function, or move the cursor to NO and press [ENTER] to cancel.

If you take no action for awhile, the conﬁrmation window closes automatically and the function is not executed.

Title Edit Window

The Title Edit window enables you to enter titles for Scene and library memories. You can enter 4, 12, or 16 characters, depending on the item.

The ﬁgure on the left shows uppercase characters and various punctuation marks. The ﬁgure on the right shows lowercase characters and numbers.

Use the cursor buttons to select characters, and press the [ENTER] button to enter them into the title. The cursor moves to the right automatically as each character is entered. Use the Parameter wheel to move the cursor within the title.

Use the SHIFT LOCK button to select uppercase or lowercase characters, and use the SPC button to enter a space.

To insert a space at the cursor position and move subsequent characters to the right, move the cursor to the INS button and press [ENTER].

To delete the character at the cursor position and move subsequent characters to the left, move the cursor to the DEL button and press [ENTER].

When you have ﬁnished, move the cursor to the OK button, then press [ENTER] to conﬁrm the title. To cancel the title entry, move the cursor to the CANCEL button, then press [ENTER].

01V96—Owner’s Manual

Selecting Layers

Input Channels and Output Channels (Bus Outs & Aux Outs) are arranged into layers, as illustrated below. There are four layers altogether.

Selecting Layers 31

Operating Basics

Input Channel Layer 1–16

Input Channel Layer 17–32

Master Layer

Remote Layer

The currently-selected layer determines the function of the channel strip, [SEL] buttons, [SOLO] buttons,

LAYER

[ON] buttons, and faders. Use the LAYER buttons to select a layer you wish to edit using the channel strip

1-16 17-32 MASTER REMOTE

controls.

The following table shows the layers that you can access using the LAYER buttons, and the parameters you can control using the channel strips on each layer.

LAYER buttons Layers

[1–16] button

[17–32] button

[REMOTE] button

[MASTER] button

Input Channel Layer 1–16 Input Channels 1–16

Input Channel Layer 17–32 Input Channels 17–32

Remote Layer

Master Layer

Operation depends on the selected target (see page 185).

Aux Send masters 1–8

Channel Strips

1–8 9–16

Bus Out masters 1–8

Tip:

• The function of each channel strip fader depends on the currently-selected Fader mode (see page 33).

• The STEREO [SEL] button, [ON] button, and [STEREO] fader always control the Stereo Out signal, regardless of the Layer settings.

• The ST IN [SEL] buttons, [SOLO] buttons, [ON] buttons, and level control knobs always adjust the ST IN channels selected via the [ST IN] button regardless of the Layer settings.

01V96—Owner’s Manual

32 Chapter 3—Operating Basics

Selecting Channels

To select a channel on the 01V96, press the corresponding [SEL]

SELECTED CHANNEL

button. To adjust the Pan and EQ settings, use the rotary controls in the SELECTED CHANNEL section. To select a channel on pages

PAN

that cover multiple channels, press the corresponding [SEL] button.

EQUALIZER

1 Press the corresponding LAYER button to select a layer

that includes the desired channel (see page 31).

To select ST IN channels, press the ST IN [ST IN] button.

2 Use the corresponding [SEL] button to select the desired

channel.

The channel is selected and the [SEL] button indicator lights up.

FREQUENCY

HIGH-MID

LOW-MID

The Channel’s ID and Short name appear in the upper-left corner of the display. If the currently-displayed page contains a relevant

GAIN

channel parameter, the cursor moves to that parameter automatically. If the currently-displayed page contains no such parameter, a page that does contain such a parameter is selected automatically.

Tip: For paired Input or Output Channels, the channel for which you pressed the [SEL] button is selected, and its indicator lights up. The [SEL] button indicator of the paired partner ﬂashes.

3To select the Stereo Out, press the STEREO [SEL] button.

Repeatedly pressing the STEREO [SEL] button toggles between the Stereo Out left and Stereo Out right channels.

If the currently-displayed page contains a relevant Stereo Out parameter, the cursor moves to that parameter automatically. If the currently-displayed page contains no such parameter, a page that does contain such a parameter is selected automatically.

HIGH

LOW

01V96—Owner’s Manual

Selecting Fader Modes

The function of channel faders (1–16) depends on the selected Layer and Fader mode.

1 Select a layer that includes the desired channel (see page 31).

Selecting Fader Modes 33

2 Press the FADER MODE buttons to select a Fader

FADER MODE

mode.

The button indicators identify the following Fader modes:

AUX 1 AUX 2 AUX 3 AUX 4

•When the [HOME] button indicator lights up:

You can use channel faders to control Input Channels and ST IN Channel levels or Output Channels (Aux Out 1–8, Bus Out 1–8) master levels.

HOME (METER)

•When one of the [AUX1]–[AUX8] button indicators light up:

You can use channel faders to control the corresponding Aux Send level.

The following table shows the channel fader functions for each Layer and Fader mode.

LAYER buttons Fader Mode

[1–16] button

[17–32] button

[REMOTE] button

[MASTER] button

[HOME] button

[AUX1]–[AUX8] buttons

[HOME] button

[AUX1]–[AUX8] buttons

[HOME] button

[AUX1]–[AUX8] buttons

[HOME] button

[AUX1]–[AUX8] buttons

Input Channel 1–16 level

Input Channel 1–16 Aux Send level

Input Channel 17–32 level

Input Channel 17–32 Aux Send level

Operation depends on the selected target (see page 185).

No operation

Aux Send master 1–8 output level

No operation

Channel Strip Fader

1–8 9–16

Bus Out master1–8 output level

Operating Basics

AUX 8AUX 7AUX 6AUX 5

Note: Yo u cannot select the [AUX1]–[AUX8] buttons while the Master layer or Remote layer is selected. If you switch to the Master layer while one of the [AUX1]–[AUX8] button indicators is lit, the indicator automatically turns off and the [HOME] button indicator lights up.

01V96—Owner’s Manual

34 Chapter 3—Operating Basics

Metering

This section describes how to check Input and Output Channel levels using the Meter pages.

1 Press the FADER MODE [HOME] button repeatedly until the Meter | Position

page appears.

This page enables you to set the metering position for Input and Output Channels.

A INPUT section

This section enables you to select the metering position for Input Channel and ST IN Channel signals.

B OUTPUT section

This section enables you to select the metering position for Output Channel (Aux Out 1–8, Bus Out 1–8, Stereo Out) signals.

2 Move the cursor to the desired parameter button in the INPUT or OUTPUT

section, then press [ENTER].

You can select one of the following three positions in each section.

• PRE EQ.......................... Immediately before EQ.

• PRE FADER .................. Immediately before the fader.

• POST FADER ...............Immediately after the fader.

3 Press the FADER MODE [HOME] button repeatedly until the page listed

below that contains the desired channels appears.

- CH1-32 page

This page displays the Input Channel 1–32 levels respectively.

01V96—Owner’s Manual

Metering 35

- ST IN page

This page displays the left and right ST IN Channel 1–4 levels separately.

-Master page

This section displays the Output Channel (Aux Out 1–8, Bus Out 1–8, Stereo Out) levels altogether.

Operating Basics

-Effect page

This page displays the internal effects processor 1–4 input and output levels altogether.

01V96—Owner’s Manual

36 Chapter 3—Operating Basics

-Stereo page

This page displays the Stereo Out output level.

If you selected the CH1-32 page or the Master page, use the MASTER MODE parameter to select one of the following three metering signal types:

• GATE GR....................... The amount of gain reduction for the gate (only for CH1-32)

• COMP GR ..................... The amount of gain reduction for the compressor

• LEVEL ........................... Input Channel input level, or Output Channel output level

Tip: These pages also allow you to change the metering position using the POSITION parameter. This parameter setting operates in unison with the Meter | Position page setting.

4To activate the Peak Hold function, move the cursor to the PEAK HOLD but-

ton, then press [ENTER].

The PEAK HOLD button turns on, and the peak level is held on the meters on the page. To cancel the Peak Hold function, turn the PEAK HOLD button off.

01V96—Owner’s Manual

4 Connections and Setup

This chapter explains how to connect and set up your 01V96.

Connections

The following section explains three typical ways to connect the 01V96 to external equipment, although there are numerous others.

■ Conﬁguring an analog 24-channel mixing system

Synthesizer Synthesizer

MUSIC

SYNTHESIZER

PRODUCTION

Sequencer

Sampling

Integrated

Real-timeExternalControl

Surface

Modular

SynthesisPlug-in

SONG SCENE

REC

System

SONG SCENE

REC

MUSIC

Connections and Setup 37

SYNTHESIZER

PRODUCTION

Sequencer

Sampling

Integrated

Real-timeExternalControl

Surface

Modular

SynthesisPlug-in

System

Connections and Setup

Effects processor

Guitar

MY8-AD96

Master recorder

etc.

INPUT connector

OMNI OUT connector

INPUT connector

SLOT

ABABABABABABABABABABABA

INPUT

(BAL)

INSERT

OUTIN

(UNBAL)

INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/OINSERT I/O

PAD

-16 -60

-16 -60 GAIN

GAIN

PEAK

SIGNAL

DISPLAY ACCESS

DIO/SETUP

UTILITYMIDISCENE

PAN/

PAIR/

/ INSERT/

PATCH

ROUTING

GROUP

DELAY

EQ EFFECT VIEW

DYNAMICS

FADER MODE

AUX 1

AUX 2 AUX 3 AUX 4

AUX 8AUX 7AUX 6AUX 5

HOME (METER)

LAYER

1-16 17-32 MASTER REMOTE

SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SELSEL

SOLO SOLO

SOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLO

ON ON

123456

+10

15 15

303030

123456

AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 BUS 1 BUS 2 BUS 3 BUS 4 BUS 5 BUS 6 BUS 7 BUS 8

-16 -60

+10

GAIN

PEAK SIGNAL

+10

-16 -60

-16 -60 GAIN

GAIN

PEAK

SIGNAL

891011 12

+10

50505050

891011 12

-16 -60 GAIN

PEAK SIGNAL

+10

20dB

20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB

20dB

-16 -60

-16 -60 GAIN

GAIN

PEAK

SIGNAL

SCENE MEMORY

STORE

SELECTED CHANNEL

OVER

-3

-6

PAN

-9

-12

-15

EQUALIZER

-18

-24

-30

-36 HIGH

-48

STEREO

HIGH-MID

FREQUENCY

LOW-MID

LOW

GAIN

13 14 15 16

+10

60 70

13 14 15 16

121110987643215

PEAK SIGNAL

DEC INC

ENTER

+10

-26

GAIN

-26

GAIN

PEAK

13 14 15 16

SIGNAL

+10

32313029282726252423222120191817

CH9-12CH5-8CH1-4

PHANTOM +48V

1513

IN OUT

2TR

2TR IN connector

-10dBV (UNBAL)

PHONES

MONITOR

CH15/16

2TR IN

0100

-26 10

GAIN

LEVEL

PHONES

MONITOR

OUT

-26

GAIN

2TR OUT connector

PEAK SIGNAL

SOLO CLEAR

RECALL

MONITOR OUT

ST IN

connectors

ONON

ST IN 1 ST IN 2

USER DEFINED

KEYS

1010

1515

2020

303030

4040

5050

6060 7070

STEREO

PHONES jack

VOL VOL

Monitoring system

In this system, the 01V96, with an optional AD card (MY8-AD, MY8-AD96, etc.) installed in the slot, is used as a keyboard mixer or sound re-enforcement mixer. Up to 24 analog channels, including Inputs 1–16 and slot channels, are available for mixing.

Tip: You can adjust the gain of the AD card channels by setting the DIP switches on the card. For more information, see your AD card documentation.

01V96—Owner’s Manual

38 Chapter 4—Connections and Setup

■ Conﬁguring a recording system with a hard disk recorder

Effects processor

Synthesizer

REC

INPUT connector

OMNI OUT connector

MUSIC

SYNTHESIZER

PRODUCTION

Sequencer

Sampling

Integrated Real-timeExternalControl

Surface

Modular

SynthesisPlug-in

SONG SCENE

System

INPUT connector

HDR (Hard Disk Recorder)

MIDI OUT

WORD CLOCK OUT

INOUT INOUT

MY8-AT

etc.

SLOT

ABABABABABABABABABABABA

INPUT

(BAL)

INSERT

OUTIN

(UNBAL)

INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O

PAD

-16 -60

-16 -60 GAIN

GAIN

PEAK

SIGNAL

DISPLAY ACCESS

DIO/SETUP

PAN/

/ INSERT/

ROUTING

GROUP

DELAY

EQ EFFECT VIEW

DYNAMICS

FADER MODE

AUX 1

AUX 2 AUX 3 AUX 4

HOME (METER)

LAYER

1-16 17-32 MASTER REMOTE

SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SELSEL

SOLO SOLO

ON ON

123456

+10

15 15

123456

AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 BUS 1 BUS 2 BUS 3 BUS 4 BUS 5 BUS 6 BUS 7 BUS 8

ADAT IN

-16 -60

-16 -60 GAIN

GAIN

PEAK

SIGNAL

UTILITYMIDISCENE

PAIR/

PATCH

AUX 8AUX 7AUX 6AUX 5

SOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLO

+10

303030

50505050

+10

MIDI IN

ADAT OUT

-16 -60

-16 -60 GAIN

GAIN

PEAK

SIGNAL

891011 12

+10

891011 12

WORD CLOCK IN connector

121110987643215

20dB

20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB

20dB

-16 -60

GAIN

PEAK

SIGNAL

SCENE MEMORY

STORE

SELECTED CHANNEL

OVER

-3

-6

PAN

DEC INC

-9

-12

-15

EQUALIZER

-18

-24

-30

-36 HIGH

-48

STEREO

HIGH-MID

FREQUENCY

LOW-MID

ENTER

LOW

GAIN

13 14 15 16

+10

13 14 15 16

-26

GAIN

-26

GAIN

PEAK

13 14 15 16

SIGNAL

+10

32313029282726252423222120191817

CH9-12CH5-8CH1-4

PHANTOM +48V

1513

IN OUT

2TR

-10dBV (UNBAL)

PHONES

MONITOR

CH15/16

2TR IN

0100

-26 10

GAIN

LEVEL

PHONES

MONITOR

OUT

-26

GAIN

PEAK SIGNAL

SOLO CLEAR

RECALL

ST IN

ONON

ST IN 1 ST IN 2

USER DEFINED

KEYS

1010

1515

2020

303030

4040

5050

6060 7070

STEREO

MIDI OUT

MIDI IN

Computer

Master recorder

TO HOST USB port

2TR IN connector

2TR OUT connector

MONITOR OUT connectors

VOL VOL

Monitoring system

PHONES jack

In this system, the 01V96 is one component in a system that includes a digital MTR, such as a hard disk recorder, that is connected to the 01V96 via the ADAT IN and OUT connectors on the rear panel and via an optional I/O card (MY8-AT, MY16-AT, MY8-TD, etc.) installed in the slot. This system will support track recording, overdubbing, track bouncing, and mixdown. You can also control the hard disk recorder’s transport section by sending MMC commands from the 01V96 to the recorder.

01V96—Owner’s Manual

Connections 39

■ Conﬁguring a recording system that uses a DAW (Digital Audio Workstation)

Computer

MIDI interface

MIDI IN

MIDI OUT

Audio interface

WORD CLOCK OUT

INOUT INOUT

Connections and Setup

Effects processor

Synthesizer

REC

MY-16AT

Master recorder

etc.

ADAT OUT

ADAT IN

-16 -60

-16 -60 GAIN

GAIN

PEAK

SIGNAL

UTILITYMIDISCENE

PAIR/

PATCH

AUX 8AUX 7AUX 6AUX 5

SOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLO

+10

303030

60 70

GAIN

PEAK

SIGNAL

891011 12

+10

50505050

891011 12

GAIN

PEAK

SIGNAL

OVER

STEREO

+10

MIDI IN

WORD CLOCK IN connector

121110987643215

1513

CH15/16 2TR IN

20dB

20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB

-16 -60

-16 -60 GAIN

GAIN

PEAK

SIGNAL

SELECTED CHANNEL

-3

-6

-9

-12

-15

EQUALIZER

-18

-24

-30

-36 Q

-48

FREQUENCY

GAIN

PAN

HIGH-MID

LOW-MID

SCENE MEMORY

STORE

HIGH

LOW

-16 -60 GAIN

PEAK SIGNAL

GAIN

PEAK

13 14 15 16

SIGNAL

DEC INC

ENTER

-26

-26 +4

GAIN

-26

-26 +4

GAIN

PEAK SIGNAL

RECALL

13 14 15 16

+10

13 14 15 16

1010

1515

2020

303030

4040

5050

6060

7070

32313029282726252423222120191817

STEREO

TO HOST USB port

MIDI OUT

CH9-12CH5-8CH1-4

PHANTOM +48V

IN OUT

2TR IN connector

2TR

-10dBV (UNBAL)

PHONES

MONITOR 2TR IN

0100

LEVEL

PHONES

MONITOR

OUT

2TR OUT connector

SOLO CLEAR

MONITOR OUT

ST IN

connectors

ONON

ST IN 1 ST IN 2

USER DEFINED

KEYS

PHONES jack

Monitoring system

INPUT connector

OMNI OUT connector

MUSIC

SYNTHESIZER

PRODUCTION

Sequencer

Sampling

Integrated

Real-timeExternalControl

Surface

Modular

SynthesisPlug-in

SONG SCENE

System

INPUT connector

SLOT

ABABABABABABABABABABABA

INPUT

(BAL)

INSERT

OUTIN (UNBAL)

INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/OINSERT I/O

PAD

-16 -60

-16 -60 GAIN

GAIN

PEAK

SIGNAL

DISPLAY ACCESS

DIO/SETUP

PAN/

/ INSERT/

ROUTING

GROUP

DELAY

EQ EFFECT VIEW

DYNAMICS

FADER MODE

AUX 1

AUX 2 AUX 3 AUX 4

HOME (METER)

LAYER

1-16 17-32 MASTER REMOTE

SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SELSEL

SOLO SOLO

ON ON

123456

+10

15 15

123456

AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 BUS 1 BUS 2 BUS 3 BUS 4 BUS 5 BUS 6 BUS 7 BUS 8

In this system, the 01V96, with an optional I/O card (MY8-AT, MY16-AT, MY8-AE, etc.) installed in the slot, is connected to a computer-based DAW (Digital Audio Workstation). The 01V96 can provide audio input and output for the DAW. If you connect the 01V96 and the computer via USB, the 01V96’s Remote function enables you to control the DAW’s locate and transport functions and change the parameters.

VOL VOL

01V96—Owner’s Manual

40 Chapter 4—Connections and Setup

Wordclock Connections and Settings

About Wordclock

Digital audio equipment must be synchronized when digital audio signals are transferred from one device to another. Even if both devices use identical sampling rates, digital signals may not transfer correctly, or audible noise or unwanted clicks may occur if the digital audio processing circuits inside each digital audio device are not synchronized with each other.

Wo rdclocks are signals that enable digital audio processing circuits to synchronize with each other. In a typical digital audio system, one device operates as the wordclock master, transmitting wordclock signals, and the other devices operate as wordclock slaves, synchronizing to the wordclock master.

If you are digitally connecting the 01V96 to other equipment, you must decide which device to use as the wordclock master and which devices to use as slaves, then set up all the devices accordingly. The 01V96 can be used as the wordclock master running at either 44.1 kHz, 48 kHz, 88.2 kHz, or 96 kHz, or slaved to an external wordclock source.

Wordclock Connections

To establish wordclock synchronization between the 01V96 and external devices, you can distribute wordclock signals independently via dedicated cables, or you can use clock information derived from digital audio connections.

The WORD CLOCK IN and OUT connectors transmit and receive wordclock signals independently on the 01V96. The following examples show two ways in which wordclock signals can be distributed and received via the WORD CLOCK IN and OUT connectors.

• Daisy Chain Distribution

In this example, the wordclock signal is distributed in a “daisy-chain” fashion, with each device feeding the wordclock signal from the wordclock out connector on to the wordclock in connector of the next device. This method of distribution is not recommended for larger systems.

Wordclock

master

WC OUT (BNC)

WC IN (BNC)

Device A

Wordclock slave

WC OUT (BNC)

WC IN (BNC)

Device B

Wordclock slave

WC OUT (BNC)

WC IN (BNC)

Device C

Wordclock slave

• Star Distribution

In this example, a dedicated wordclock distribution box (such as a Yamaha IFU4) is used to supply wordclock signals from the wordclock master to each wordclock slave individually.

01V96—Owner’s Manual

Wordclock

master

WC IN (BNC) WC IN (BNC) WC IN (BNC) WC IN (BNC)

Device A

Wordclock slave

WC OUT (BNC)

Device B

Wordclock slave

Wordclock

distribution box

Device C

Wordclock slave

Device D

Wordclock slave

Wordclock Connections and Settings 41

If the external devices do not have wordclock in and out connectors, you can use the clock information included in the digital audio signals. In this case, digital audio signals and wordclock signals are transferred via the 2TR OUT DIGITAL and 2TR IN DIGITAL jacks or via the digital I/O card installed in the rear panel slot.

Digital audio signal

Wordclock signal

External device

Digital I/O

card

ABABABABABABABABABABABA

INPUT

(BAL)

INSERT

OUTIN

(UNBAL)

INSERT I/O INSERT I/O INSERT I/OINSERT I/OINSERT I/O INSERT I/OINSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O

PAD

-16 -60

/ INSERT/ DELAY

DYNAMICS

HOME (METER)

+10

GAIN

PEAK

SIGNAL

DISPLAY ACCESS

DIO/SETUP

UTILITYMIDISCENE

PAN/

PAIR/

PATCH

ROUTING

GROUP

EQ EFFECT VIEW

FADER MODE

AUX 1

AUX 2 AUX 3 AUX 4

AUX 8AUX 7AUX 6AUX 5

LAYER

1-16 17-32 MASTER REMOTE

SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SELSEL

SOLO SOLO

SOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLO

ON ON

123456

+10

15 15

303030

123456

AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 BUS 1 BUS 2 BUS 3 BUS 4 BUS 5 BUS 6 BUS 7 BUS 8

-16 -60 GAIN

PEAK SIGNAL

+10

-16 -60 GAIN

PEAK SIGNAL

+10

50505050

-16 -60

-16 -60 GAIN

GAIN

PEAK

SIGNAL

891011 12

+10

891011 12

20dB

20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB

20dB

-16 -60

GAIN

PEAK

SIGNAL

SCENE MEMORY

STORE

SELECTED CHANNEL

OVER

-3

-6

PAN

-9

-12

-15

EQUALIZER

-18

-24

-30

-36 HIGH

-48

STEREO

HIGH-MID

FREQUENCY

LOW-MID

LOW

GAIN

13 14 15 16

+10

13 14 15 16

121110987643215

GAIN

PEAK SIGNAL

DEC INC

ENTER

+10

-26

GAIN

-26

GAIN

PEAK

13 14 15 16

SIGNAL

+10

32313029282726252423222120191817

CH9-12CH5-8CH1-4

PHANTOM +48V

1513

IN OUT

2TR

-10dBV (UNBAL)

PHONES

MONITOR

CH15/16

2TR IN

0100

-26 10

GAIN

LEVEL

PHONES

MONITOR

OUT

-26

GAIN

PEAK SIGNAL

SOLO CLEAR

RECALL

ST IN

ONON

ST IN 1 ST IN 2

USER DEFINED

KEYS

1010

1515

2020

303030

4040

5050

6060 7070

STEREO

Specifying the Wordclock Source

To digitally connect the 01V96 to external devices, you must specify the wordclock source for the system. Follow the steps below.

Connections and Setup

Note: When you change the wordclock settings on any device in your digital audio system, some devices may output noise due to being out of synchronization. Be sure to turn down your monitoring device before changing wordclock settings.

1 Press the DISPLAY ACCESS [DIO/SETUP] button repeatedly until the

DIO/Setup | Word Clock page appears.

On this page, you can view the current synchronization status of input signals at each slot and connector.

01V96—Owner’s Manual

42 Chapter 4—Connections and Setup

The source select button indicators are explained below:

A usable wordclock signal is present at this input, and it is in sync with the current 01V96 internal clock.

No wordclock signal is present at this input. A usable wordclock signal is present at this input, but it is out of sync with the current

01V96 internal clock. This input is the currently-selected wordclock source. This input was selected as the wordclock source, but no usable signal was received. Either this input is not receiving wordclock, or else it cannot be used with the cur-

rently-installed I/O card.

Tip:

• The FS box displays the sampling frequency at which the 01V96 is currently operating.

• The SLOT TYPE column displays the names of any installed I/O card.

• The IN and OUT columns indicate the number of input and output channels available for each installed I/O card.

2 Use the cursor buttons to move the cursor to a source, then press [ENTER].

The following are possible wordclock sources:

• SLOT.............................. These buttons select the inputs from the digital I/O card

• adat ................................ These buttons select the inputs from the ADAT IN connector

• WC IN............................ This button selects the wordclock signal input at the WORD

• 2TRD ............................. This button selects the 2TR IN DIGITAL input as the word-

• INT 44.1k, INT 48k

INT 88.2k, INT 96k .....These buttons select the internal clock generator as the word-

installed in the slot as the wordclock source. Inputs are selected in pairs (odd and even numbers in this order). The SLOT TYPE column displays the names of any installed I/O card. The number of pairs depends on the type of I/O card installed.

on the rear panel. Inputs are selected in pairs (odd and even numbers in this order).

CLOCK IN connector on the rear panel.

clock source.

clock source. The 01V96 will function as the wordclock master.

01V96—Owner’s Manual

Note: To transfer data at higher sampling frequencies (88.2 kHz or 96 kHz) between the 01V96 and connected external devices, you need to set the data transfer format. For more information, see page 72.

Tip: If wordclock transfer is interrupted while the 01V96 (being used as a slave unit) is receiving the clock signal, the unit automatically switches to the closest internal clock signal (INT

44.1k, INT 48k, INT 88.2k, or INT 96k).

Input and Output Patching

The 01V96 is designed to enable you to patch (assign) signals to Inputs and Outputs. This section explains how to view the signals patched to Inputs and Outputs and change the assignment.

Tip: If the data from a connected instrument fails to be input, or if you are unable to monitor the signal at the desired output, check the I/O patching, as explained below:

Input and Output Patching 43

Patching Input Channels

By default, the Input Channels are patched as follows:

• INPUT connectors 1–16 .................... Input Channels 1–16

• ADAT IN channels 1–8....................... Input Channels 17–24

• Slot channels 1–8 ................................ Input Channels 25–32

•Outputs 1–2 of Internal Effects

Processor 1–4 ...................................... ST IN Channels 1–4

Follow the steps below to view or change the patching.

1 Press the DISPLAY ACCESS [PATCH] button repeatedly until the following

page appears.

Connections and Setup

Inputs and Slot channels that are currently assigned to Input Channels are shown in the parameter boxes ( explained below:

• - ......................................No assignment

• AD1–AD16.................... INPUT connectors 1–16

• ADAT1–ADAT8 ............ADAT IN channels 1–8

• SL-01–SL-16..................Slot channels 1–16

• FX1-1–FX1-2 ................Outputs 1–2 of Internal Effects Processor 1

• FX2-1–FX2-2 ................Outputs 1–2 of Internal Effects Processor 2

• FX3-1–FX3-2 ................Outputs 1–2 of Internal Effects Processor 3

• FX4-1–FX4-2 ................Outputs 1–2 of Internal Effects Processor 4

• 2TD-L/R ........................2TR IN DIGITAL L/R connectors

Follow the steps below to view or change the patching.

2 Use the cursor buttons to move the cursor to a patch parameter (

which you want to change the assignment, and rotate the Parameter wheel or press the [INC]/[DEC] buttons to modify the patching.

1) beneath the channel numbers. The parameter indicators are

1) for

01V96—Owner’s Manual

44 Chapter 4—Connections and Setup

3 Press [ENTER] to conﬁrm the change.

Tip: To restore the default patching, recall Input Patch memory #00 (see page 174).

Patching Omni Outs

By default, the output connectors are patched as follows:

• OMNI OUT connectors 1–4 ..............Aux Out 1–4

• ADAT OUT channels 1–8 ...................Bus Out 1–8

• Slot channels 1–8.................................Bus Out 1–8

• Slot channels 9–16...............................Bus Out 1–8

• 2TR DIGITAL connectors..................Stereo Out L & R

Tip:

• The STEREO OUT connectors always output the Stereo Bus signals.

• The MONITOR OUT connectors output monitor signals or the 2TR IN signals, depending on the Monitor Source selector setting.

Follow the steps below to view or change the patching.

1 Press the DISPLAY ACCESS [PATCH] button repeatedly until the following

page appears.

Signals that are currently assigned to the output connectors are shown in the parameter

1) underneath the connector numbers. The parameter indicators are explained

boxes ( below:

• - ..............................................................No assignment

• BUS1–BUS8..........................................Bus Out 1–8 signals

• AUX1–AUX8 ........................................Aux Out 1–8 Signals

• ST L/R ....................................................Stereo Out signals

• INS CH1–INS CH32 ...........................Input Channels 1–32 Insert Outs

• INS BUS1–INS BUS8 ..........................Bus Out 1–8 Insert Outs

• INS AUX1–INS AUX8.........................Aux Out 1–8 Insert Outs

• INS ST-L/ST-R......................................Stereo Out Insert Outs

• CAS BUS1–BUS8 .................................Bus Out 1–8 Cascade Outs

• CAS AUX1–AUX8................................Aux Out 1–8 Cascade Outs

• CAS ST-L/ST-R.....................................Stereo Out Cascade Outs

• CASSOLOL/CASSOLOR....................Solo Channel Cascade Outs

01V96—Owner’s Manual

Input and Output Patching 45

2 Use the cursor buttons to move the cursor to a patch parameter (1) you

wish to change, and rotate the Parameter wheel or press the [INC]/[DEC] buttons to modify the patching.

3 Press [ENTER] to conﬁrm the change.

Tip: To restore the default patching, recall Output Patch memory #00 (see page 175).

Connections and Setup

01V96—Owner’s Manual

46 Chapter 4—Connections and Setup

01V96—Owner’s Manual

5 Tutorial

This chapter describes how to use the 01V96 for multitrack recording and mixdown, using an example in which the 01V96 is connected to a digital multitrack recorder. A rhythm machine, guitar, bass, and keyboard are recorded.

Connections and Setup

1 Connect a digital MTR, musical instruments and a microphone to the 01V96.

In this example, a 16-track hard disk recorder is connected to the ADAT IN and OUT connectors on the rear panel, and the ADAT IN and OUT connectors on an installed MY8-AT card. (See page 38 for connection details.)

Hard disk recorder

Tutorial 47

Tutorial

Guitar or bass

INPUT connector

Synthesizer or rhythm machine

MUSIC

SYNTHESIZER

PRODUCTION

Sequencer

Sampling

Integrated Real-timeExternalControl Modular

SONG SCENE

REC

SynthesisPlug-in

INPUT connector

Track 9–16

Track

1–8

INOUT INOUT

Headphone ampliﬁer

MY8-AT

SLOT

ABABABABABABABABABABABA

INPUT

(BAL)

INSERT

OUTIN

(UNBAL)

INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/OINSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O

PAD

-16 -60 GAIN

PEAK SIGNAL

DISPLAY ACCESS

DIO/SETUP

PAN/

/ INSERT/

ROUTING

Surface System

DELAY

DYNAMICS

FADER MODE

AUX 1

AUX 2 AUX 3 AUX 4

HOME (METER)

LAYER

1-16 17-32 MASTER REMOTE

SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SELSEL

SOLO SOLO

ON ON

123456

+10

123456

AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 BUS 1 BUS 2 BUS 3 BUS 4 BUS 5 BUS 6 BUS 7 BUS 8

-16 -60

EQ EFFECT VIEW

+10

15 15

GAIN

PEAK

SIGNAL

UTILITYMIDISCENE

PAIR/

PATCH

GROUP

AUX 8AUX 7AUX 6AUX 5

SOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLO

+10

303030

ADAT OUT

-16 -60

-16 -60 GAIN

GAIN

PEAK

SIGNAL

891011 12

+10

50505050

891011 12

connector

-16 -60 GAIN

PEAK SIGNAL

OVER

-3

-6

-9

-12

-15

-18

-24

-30

-36

-48

STEREO

+10

ADAT IN connector

-16 -60 GAIN

PEAK SIGNAL

+10

20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB

-16 -60 GAIN

PEAK SIGNAL

+10

20dB

-16 -60

-16 -60 GAIN

PEAK SIGNAL

SCENE MEMORY

STORE

SELECTED CHANNEL

PAN

EQUALIZER

HIGH

HIGH-MID

FREQUENCY

LOW-MID

LOW

GAIN

13 14 15 16

+10

13 14 15 16

121110987643215

20dB

GAIN

PEAK SIGNAL

DEC INC

ENTER

+10

-26

GAIN

-26

GAIN

PEAK

13 14 15 16

SIGNAL

+10

32313029282726252423222120191817

CH9-12CH5-8CH1-4

PHANTOM +48V

1513

IN OUT

2TR

-10dBV (UNBAL)

PHONES

MONITOR

CH15/16

2TR IN

0100

-26 10

GAIN

LEVEL

PHONES

MONITOR

OUT

-26

GAIN

PEAK

SIGNAL

SOLO CLEAR

RECALL

MONITOR OUT

ST IN

connectors

ONON

ST IN 1 ST IN 2

USER DEFINED

KEYS

1010

1515

2020

303030

4040

5050

6060 7070

STEREO

PHONES jack

VOL VOL

Monitoring system

Microphone

2 Press the DISPLAY ACCESS [DIO/SETUP] button repeatedly until the

DIO/Setup | Word Clock page appears. On this page, specify the wordclock source.

The best wordclock source depends on the system and environment. In the following example, a hard disk recorder operating at a sampling frequency of

44.1kHz is used as the wordclock master. The wordclock source is derived from the signal input at the ADAT IN Channels 1 and 2.

01V96—Owner’s Manual

48 Chapter 5—Tutorial

Tip:

• See page 40 for more information on wordclock.

• See page 75 for more information on 01V96s running at higher sampling frequencies (88.2 kHz or 96 kHz).

Note:

•You can select the 01V96 internal clock as the wordclock source. In this case, you must set the hard disk recorder so that it will synchronize to an external clock.

•If the 01V96 and a connected device are not synching to each other, the 01V96 displays the message “Sync Error!” If this happens, check the ADAT IN and OUT connections, digital I/O card connection, and the sampling frequency setting on each device.

3 Press the DISPLAY ACCESS [PATCH] button repeatedly until the Patch | In

Patch page appears. On this page, make sure that the Input Patch settings remain set to default values, as shown below.

01V96—Owner’s Manual

By default (as shown in this example), the signals input at INPUT connectors 1–16 are routed to Input Channels 1–16.

The signals input at the ADAT IN connector (the Track 1–8 signals from the hard disk recorder in this example) are routed to Input Channels 17–24, and the signals input from the slot (the Track 9–16 signals from the hard disk recorder) are routed to Input Channels 25–32.

If the Input Patch settings have been changed from the default settings, recall Input Patch memory #00 from the Input Patch library (page 171).

Initial Track Recording 49

4 Press the [PATCH] button repeatedly until the Patch | Out Patch page

appears. On this page, make sure that the Output Patch settings remain set to default values, as shown below.

By default (as shown in this example), the signals output from Bus Outs 1–8 are routed to the ADAT OUT connector (Tracks 1–8 of the hard disk recorder in this example), and to the slot output channels (Tracks 9–16 of the hard disk recorder in this example).

Tutorial

If the Output Patch settings have been changed from the default settings, recall Output Patch memory #00 from the Output Patch library (page 171).

Initial Track Recording

This section explains how to make an initial recording to the hard disk recorder’s tracks of a rhythm machine, synthesizer, bass, guitar, and microphone that are connected to INPUT connectors 1–12.

Setting the Input Levels

1 Cue the musicians to play the musical instru-

ments connected to INPUT connectors 1–12 while adjusting the corresponding [PAD] switches and [GAIN] controls so that the [PEAK] indicators temporarily ﬂash at the highest volumes.

Tip: The [GAIN] controls adjust the analog input sensitivity. To make a high-quality recording with a wide dynamic range and little noise, set the [GAIN] controls as high as possible while avoiding clipping.

PAD

20dB

-16 GAIN

PEAK

[PAD] switch

[GAIN] control

-60

[PEAK] indicator

2 Press the LAYER [1–16] button.

Input Channel Layer 1–16 is now available for control from the channel strip section.

Tip: Since the fader and [ON] button positions of each layer are memorized, those positions for the corresponding layer are restored when you switch to that layer.

3 Press the DISPLAY ACCESS [HOME] button, then press the [F1] button to dis-

play the Meter | CH1-32 page.

Meter pages are the start point for mixing and recording. They display channel input and output levels, and compressor and gate gain reduction amounts.

01V96—Owner’s Manual

50 Chapter 5—Tutorial

The CH1-32 page enables you to view Input Channel 1–32 levels and compressor and gate gain reduction amounts.

4 Make sure that the LEVEL button (1) is turned on in the METER MODE sec-

tion.

The METER MODE section enables you to select the type of signals displayed on the meters. If any button other than the LEVEL button is turned on, move the cursor to the LEVEL button, then press [ENTER].

2 1

5 Move the cursor to the POSITION parameter box (

LEVEL button, rotate the Parameter wheel or press the [INC]/[DEC] buttons to select “POST FADER,” then press [ENTER].

The POSITION parameter indicates the metering position. When “POST FADER” is selected, the meters indicate the post-fader signal levels.

Tip: If you set the POSITION parameter to “PRE EQ,” the pre-EQ input levels are metered. If you set the parameter to “PRE FADER,” the post-EQ and pre-fader input levels are metered.

6 Make sure that [ON] button indicators 1–12 are lit, then raise faders 1–12 to

0dB.

7 While the musicians play the musical instruments, check the input channel

levels using the level meters on the display.

Tip: If the meters reach the “OVER” level, make sure that the faders are set to 0dB, then lower the corresponding [GAIN] controls.

2) to the right of the

Pairing Channels

On the 01V96, you can pair adjacent odd-even channels for stereo operation. Faders and most mix parameters of paired channels (excluding the Input Patch, phase, routing, and pan parameters) are linked. Pairing Input Channels is useful when you are connecting stereo sources, such as a rhythm machine or synthesizer.

1To pair adjacent odd-even Input Channels, press and hold the [SEL] button

01V96—Owner’s Manual

for one of the channels you wish to pair, and press the [SEL] button for the adjacent channel.

The corresponding two channels are paired, and the settings (such as faders, channel on/off, etc.) of the ﬁrst channel are copied to the second channel. Subsequently, adjusting the linked parameters of one of the paired channels will adjust the parameters of its partner in the same way.

Initial Track Recording 51

Parameters are copied.

SEL SEL SEL SEL SEL SEL

Tip:

•You can still select one of the paired channels for control by pressing the corresponding [SEL] button. When you select the channel, the [SEL] button indicator lights up, and the [SEL] button for the paired partner ﬂashes.

•You can also determine how to copy the parameter settings to the paired partner by using a special window (see page 226).

•You can create or cancel pairs on the Pair/Grup pages (see page 93).

•You can also group the faders, [ON] buttons, EQs, or compressors of multiple channels (see page 147).

2To cancel a pair, press and hold the [SEL] button for one of the paired chan-

nels, and press the [SEL] button for the other channel.

Tutorial

Note: If you want to operate the faders of paired channels, make sure you operate only one fader for the pair. If you try to operate the faders for both channels in the pair, an excessive load will be applied to the fader motor, causing malfunction.

Routing Signals

To record the 01V96 input signals to an external digital multitrack recorder, you must specify the destination of the signals for each Input Channel. This process is called “routing.” There are two routing methods.

• Using Bus Outs 1–8

Input Channel signals are ﬁrst routed to Buses 1–8, then through Bus Outs 1–8 to the output connectors or channels. Use this method to mix multiple Input Channel signals and record them to the MTR’s tracks. If you desire, you can process the signals using the Bus Out 1–8 compressors and EQs.

In the following example, Input Channel signals are routed through Bus Outs 1 and 2 to ADAT OUT connectors 1 and 2.

INPUT connector 1

INPUT connector 2

Input Channels 1

Input Channels 2 Bus Out 2

Bus Out 1

ADAT OUT connector

CH 1

CH 2

INPUT connector 3

INPUT connector 4

INPUT connector 5

Input

Patch

Input Channels 3 Bus Out 3

Input Channels 4

Input Channels 5 Bus Out 5

Bus Out 4

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52 Chapter 5—Tutorial

• Using Direct Outs

Each Input Channel signal is directly routed to and output from the speciﬁed output connectors and channels. Use this method to patch each Input Channel directly to each MTR track.

The following example illustrates the signals directly output from ADAT OUT channels 1–5.

INPUT connector 1

Input Channels 1

ADAT OUT connector

CH 1

INPUT connector 2

INPUT connector 3

INPUT connector 4

INPUT connector 5

Input Channels 2

Input Channels 3

Input Channels 4

Input Channels 5

Input Patch

CH 2

CH 3

CH 4

CH 5

This section describes how to route signals by combining the above two routing methods.

1 Press the DISPLAY ACCESS [PAN/ROUTING] button repeatedly to display the

Pan/Route | Rout1-16 page.

This page enables you to select a Bus Out as the signal destination for each channel.

2 3

01V96—Owner’s Manual

This page contains the following buttons:

A 1–8 buttons

These buttons route Input Channel signals to Buses 1–8. You can select multiple buttons.

B S button

This button routes Input Channel signals to the Stereo Bus.

C D button

This button routes Input Channel signals to the speciﬁed output connectors and channels directly.

Initial Track Recording 53

2 Move the cursor to the S button for the Input Channel to

which the musical instrument or microphone is connected, then press [ENTER] to turn it off.

By default, each Input Channel is routed to the Stereo Bus, which enables you to monitor the signals from the MONITOR OUT connectors and the PHONES jack.

However, during multitrack recording you may usually want to monitor the signals returned from the connected digital MTR, rather than monitoring the Input Channel signals. To do so, you must turn off the S button so that the particular Input Channel signals will not be routed to the Stereo Bus.

Tip: The S buttons for paired channels are linked.

3To route Input Channel signals to the connected digital MTR via Buses 1–8,

use the 1–8 buttons to specify a Bus Out as the destination for each of the Input Channels to which the musical instruments and microphone are connected.

In this example, Input Channels 1–4 are assigned to Buses 1 and 2, and Input Channels 5–8 are assigned to Buses 3 and 4.

4 Press the [PAN/ROUTING] button repeatedly to display the Pan/Route | Pan

page.

This page enables you to set the panpots for signals routed from the Input Channels to the Stereo Bus, and for signals routed from the Input Channels to the odd-even buses.

5 Move the cursor to the PAN parameter controls for the Input Channels that

are assigned to the odd-even buses, then rotate the Parameter wheel or press the [INC]/[DEC] buttons to set the pan.

Tutorial

Cursor on the PAN parameter control

Tip: You can also use the [SEL] buttons to select Input Channels, and the SELECTED CHANNEL [PAN] control to adjust the pan setting.

6To route Input Channel signals to Direct Outs, press the DISPLAY ACCESS

[PATCH] button repeatedly until the Patch | Direct Out page appears.

The Direct Out page enables you to specify the output connectors or channels to which each Input Channel is directly patched.

7 Move the cursor to the parameter box for the Input Channels you want to

route to Direct Outs, then specify the output connectors or channels.

01V96—Owner’s Manual

54 Chapter 5—Tutorial

In this example, Input Channel 9–12 signals are routed to ADAT OUT channels 5–8.

8 Press the DISPLAY ACCESS [PAN/ROUTING] button repeatedly until the

Pan/Route | Rout1-16 page appears.

9 Move the cursor to the D button for the Input Channels you want to route

to Direct Outs, then press [ENTER].

The Input Channels for which the D buttons are turned on are directly patched to the output connectors or channels speciﬁed in Step 7.

Adjusting the Monitoring Level

You can monitor the recording signals by placing the digital MTR in record ready mode, routing the signals sent to Tracks 1–8 of the digital MTR back to the 01V96’s Input Channels 17–24, then patching them to the MONITOR OUT connectors and the PHONES jack.

1 Arm the connected digital MTR’s tracks for recording.

At this time, set the monitor mode on the digital MTR accordingly so that you can monitor the input signals on the armed tracks. (Refer to the owner’s manual for the digital MTR for more information.) In this way, signals sent to Tracks 1–8 of the digital MTR are returned to the 01V96’s Input Channels 17–24.

2 Press the LAYER [17–32] button.

Input Channel Layer 17–32 is now available for control from the channel strip section.

3 Press the DISPLAY ACCESS [PAN/ROUTING] button repeatedly until the

Pan/Route | Rout17-STI page appears.

01V96—Owner’s Manual

Initial Track Recording 55

4 Make sure that the S buttons for Input Channels 17–24 are turned on and

the 1–8 buttons are turned off, then use the PAN control to pan the monitoring signal.

Tip: Controlling Input Channel 17–32 Pan settings, faders, and the [ON] buttons will affect the monitoring signal, but will not affect the signal recorded to the digital MTR.

Tutorial

5 Press the DISPLAY ACCESS [HOME] button, then press the [F1] button to dis-

play the Meter | CH1-32 page.

6 Make sure that [ON] button indicators 1–8 are steadily lit, then raise the [STE-

REO] fader to 0 dB.

7 While the musicians play the musical instruments, adjust faders 1–8, [MON-

ITOR OUT] control, and [PHONES] control to set the appropriate monitoring level.

Now you can monitor via the monitoring system and headphones the signals sent from Input Channels 17–24 to the Stereo Bus.

Note: If the L & R level meters reach the “OVER” position, lower the [STEREO] fader.

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56 Chapter 5—Tutorial

EQ’ing the Input Signals

The 01V96’s Input Channels feature 4-band full parametric EQ. This section describes how to apply EQ to the signals before they are recorded to the tracks.

1 Press the LAYER [1–16] button.

Input Channel Layer 1–16 is now available for control from the channel strip section.

2 Press the [SEL] button for the Input Channel to which you want to apply EQ.

3 Press the [EQ] button, then the [F1] button to display the EQ | EQ Edit page.

The EQ Edit page enables you to adjust the EQ parameters for the currently-selected channel.

4 Make sure that the EQ ON button (in the upper-left corner) is turned ON.

The EQ ON/OFF button turns the currently-selected Input Channel’s EQ on or off. If the button is off, press the [ENTER] button to turn it on.

5 While a musician plays the musical instrument, adjust the EQ parameters.

01V96—Owner’s Manual

To do so, move the cursor to the parameters in the lower half of the page, then rotate the Parameter wheel to change the values. You can adjust the following parameters for the LOW, L-MID, H-MID, and HIGH bands individually.

Initial Track Recording 57

•Q

This parameter control speciﬁes the Q (slope) for cut/boost of the center frequency set via the F parameter control. The setting range is between 10 and 0.10. The smaller the value, the steeper the slope becomes. This parameter control also selects the type of EQ for the LOW and HIGH band.

•F (Frequency)

This parameter control speciﬁes the center frequency for cut/boost, with a setting range of

21.2 Hz to 20.0 kHz.

•G (Gain)

This parameter control speciﬁes the cut/boost amount in the range of –18.0 dB to +18.0 dB. The LOW and HIGH GAIN controls function as ﬁlter on/off controls when Q is set to HPF and LPF respectively.

Tutorial

You can also press the buttons ([HIGH], [HIGH-MID],

SELECTED CHANNEL

[LOW-MID], [LOW]) in the SELECTED CHANNEL section to select the desired band and use the rotary controls ([Q], [FREQUENCY], [GAIN]) to directly edit the Q, F, and G parameters.

EQUALIZER

Tip:

•Turn the Q parameter control for the LOW band clockwise all the way to set the LOW-band EQ to “L. SHELF” (low-shelving), and

counter-clockwise all the way to set it to “HPF” (high-pass ﬁlter).

•Turn the Q parameter control for the HIGH band clockwise all the way to set the HIGH-band EQ to “H. SHELF” (high-shelv-

FREQUENCY

ing), and counter-clockwise all the way to set it to “LPF” (low-pass ﬁlter).

•By default, the LOW band is set to “L. SHELF,” and the HIGH band is set to “H. SHELF.”

GAIN

6 In the same way, adjust the EQ for the other channels.

Tip:

• The meters in the upper-right corner of the page indicate the post-EQ signal levels of the currently-selected Input Channel. If these meters reach the “OVER” position, lower the pre-EQ signal level using the ATT. parameter control located in the upper-left on the page.

•You can also apply EQ to the Input Channel signals returned from the recorder. In this way, you can process only the monitoring signals, without affecting the signals being recorded to the recorder.

•You can use the EQ settings (programs) in the provided EQ library for various applications and instruments.

PAN

HIGH

HIGH-MID

LOW-MID

LOW

Compressing the Input Signals

The 01V96’s Input Channels 1–32 feature individual channel compressors. This section describes how to compress the signals before they are recorded to the tracks.

1 Press the LAYER [1–16] button.

Input Channel Layer 1–16 is now available for control from the channel strip section.

2 Press the [SEL] button of the Input Channel to which you want to apply com-

pression.

01V96—Owner’s Manual

58 Chapter 5—Tutorial

3 Press the [DYNAMICS] button, then press the [F4] button.

The Dynamics | Comp Lib page appears. This page enables you to store compressor settings (programs) to the Compressor library, and recall compressor programs from the library. This example uses one of the compressor programs 1–36 from the Compressor library.

4 Rotate the Parameter wheel to scroll the library title list, and select a pro-

gram that you want to recall.

The selected program appears inside the dotted box.

5 Move the cursor to the RECALL button located to the left of the library title

list, then press [ENTER].

The selected program is recalled.

6 Press the [F3] button.

The 01V96 displays the Dynamics | Comp Edit page, which enables you to adjust compressor parameters.

01V96—Owner’s Manual

Initial Track Recording 59

Tip:

• The 01V96 features four types of dynamics processors: COMP (Compressor), EXPAND (Expander), COMP. (S) (Compander Soft), and COMP. (H) (Compander Hard). These processors feature different parameters. (See page 278 for the parameters for each compressor type.)

•You cannot change the compressor type on the Comp Edit page. To change the compressor type, recall a program that uses the desired compressor type from the Compressor library, then adjust the parameters as desired.

Tutorial

7 Press the [ENTER] button to turn on the ON/OFF button located in the

lower-left corner of the page.

The ON/OFF button turns the currently-selected Input Channel’s compressor on or off.

8 While a musician plays the musical instrument, adjust the compressor

parameters.

To do so, move the cursor to the desired parameter in the PARAMETER section on the page, then rotate the Parameter wheel or press the [INC]/[DEC] buttons.

Input Channels 1–32 feature a gate that can be used independently of the compressor. To use the gate, ﬁrst press the [DYNAMICS] button, then the [F2] button to access the Gate library. After you recall a gate program, press the [Dynamics] button, then the [F1] button to display the Gate Edit page, which enables you to adjust gate parameters.

Recording

When you ﬁnish setting up each channel, you can start recording on the digital MTR as follows:

1 Start recording on the digital MTR, and cue the musicians to start playing

the musical instruments.

During recording, press the [HOME] button to display the Meter | CH1-32 page or the Master page, and check to conﬁrm that the Input Channel levels and Bus 1–8 output levels are not clipping.

2 When you ﬁnish playing, stop the digital MTR.

3To check the recording, play the digital MTR from the beginning.

4 If you are satisﬁed with the recording, stop the playback and disarm Tracks

1–8 on the recorder.

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60 Chapter 5—Tutorial

Tip: If the digital MTR supports MMC (MIDI Machine Control) commands, you can use the 01V96’s Machine Control function to select tracks or locate a position on the recorder from the 01V96 (see page 208).

Overdubbing to Other Tracks

This section describes how to overdub the musical instruments or microphone connected to the INPUT connectors 1 and 2 to the digital MTR’s Tracks 9 and 10, while listening to the performance recorded on Tracks 1–8.

Setting the Input Levels

1 Connect the musical instruments to INPUT

connectors 1 and 2, and adjust the corresponding [PAD] switches and [GAIN] controls so that the [PEAK] indicators temporarily ﬂash at the highest volumes.

PAD

20dB

-60

-16 GAIN

PEAK

[PAD] switch

[GAIN] control

[PEAK] indicator

2 Press the LAYER [1–16] button.

Input Channel Layer 1–16 is now available for control from the channel strip section.

3 Press the DISPLAY ACCESS [HOME] button, then press the [F1] button to dis-

play the Meter | CH1-32 page.

4 Make sure that [ON] button indicators for the channels to which the instru-

5 While the musicians play the musical instruments, check the input channel

01V96—Owner’s Manual

ments or microphone are connected are lit, then raise the corresponding faders to 0dB.

Tu rn off the [ON] buttons for the channels not in use.

levels using the level meters on the display.

Overdubbing to Other Tracks 61

Routing Signals

Follow the steps below to route the Input Channel 1 and 2 signals to Slot Channels 1 and 2 directly so that the signals will be recorded to Tracks 9 and 10 on the digital MTR.

1 Press the DISPLAY ACCESS [PATCH] button repeatedly until the Patch | Direct

Out page appears.

2 Move the cursor to the parameter box for the Input Channels you want to

route to Direct Outs, then specify the output connectors or channels.

In this example, Input Channel 1 and 2 signals are patched to Slot output channels 1 and 2.

Tutorial

3 Press the DISPLAY ACCESS [PAN/ROUTING] button repeatedly until the

Pan/Route | Rout1-16 page appears.

4 Move the cursor to the D buttons for Input Channels 1 and 2,

then press [ENTER]. Turn off the S buttons and 1–8 buttons.

The Input Channel 1 and 2 signals are now routed to Slot output channels 1 and 2, then output to Tracks 9 and 10 on the digital MTR.

Adjusting the Monitoring Level

Follow the steps below to place the digital MTR in record ready mode and monitor the signals (that are sent from Tracks 9 and 10 of the digital MTR back to the 01V96’s Input Channels 25 and 26) through the MONITOR OUT connectors and the PHONES jack.

1 Arm the connected digital MTR’s Tracks 9 and 10.

At this time, set the monitor mode on the digital MTR accordingly so that you can monitor the input signals on the armed tracks, and monitor playback signals from the other tracks. (Refer to the owner’s manual for the digital MTR for more information.)

2 Press the LAYER [17–32] button.

Input Channel Layer 17–32 is now available for control from the channel strip section.

3 Press the DISPLAY ACCESS [PAN/ROUTING] button repeatedly until the

Pan/Route | Rout17–STI page appears.

4 Make sure that the S buttons for Input Channels 25 and 26 are turned on

and the 1–8 buttons are turned off.

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62 Chapter 5—Tutorial

5 Press the [F1] button to display the Pan/Route | Pan page, then use the PAN

parameter controls on the page to pan channel signals.

6 Press the DISPLAY ACCESS [HOME] button, then press the [F1] button to dis-

play the Meter | CH1-32 page.

7 Make sure that [ON] button indicators 9 and 10 are steadily lit.

8 While the musicians play the musical instruments, raise faders 9 and 10 to

set the appropriate monitoring level.

If necessary, play back the recording on the digital MTR and adjust the volume balance between the recorded and recording signals.

Recording

1 Start recording on the digital MTR, and cue the musicians to start playing

the musical instruments while monitoring the recorded tracks.

During recording, display the Meter | CH1-32 page, and conﬁrm that the Input Channel levels are not clipping.

2 When the musicians ﬁnish playing, stop the digital MTR.

3To check the recording, play the digital MTR from the beginning.

4 If you are satisﬁed with the recording, stop the playback and disarm Tracks

9 and 10 on the recorder.

01V96—Owner’s Manual

Mixing Recorded Tracks into Stereo (Mixdown) 63

Mixing Recorded Tracks into Stereo (Mixdown)

“Mixdown” is the process of mixing recorded tracks into stereo and recording the stereo signal to an external master recorder. This section describes how to mix signals recorded on Tr acks 1–16 into a stereo signal, then apply the 01V96’s internal effects to the signal, then record it to an external master recorder.

Connecting and Setting Up the Master Recorder

Follow the steps below to connect a DAT recorder, MD recorder, CD recorder or other master recorder to the 01V96. Change the 01V96’s internal patch so that you can monitor the playback signal on the master recorder through ST IN Channel 2.

1 Connect a master recorder to the 01V96.

In the following example, the 01V96 2TR OUT DIGITAL connector is connected to the master recorder’s digital input, and the 01V96 2TR IN DIGITAL connector is connected to the master recorder’s digital output.

ABABABABABABABABABABABA

INPUT

(BAL)

INSERT

OUTIN

(UNBAL)

INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O

PAD

-16 -60

-16 -60 GAIN

GAIN

PEAK

SIGNAL

DISPLAY ACCESS

DIO/SETUP

PAN/

PAIR/

/ INSERT/

ROUTING

GROUP

DELAY

EQ EFFECT VIEW

DYNAMICS

FADER MODE

AUX 1

AUX 2 AUX 3 AUX 4

HOME (METER)

LAYER

1-16 17-32 MASTER REMOTE

SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SELSEL

SOLO SOLO

SOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLOONSOLO

ON ON

123456

+10

15 15

123456

AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 BUS 1 BUS 2 BUS 3 BUS 4 BUS 5 BUS 6 BUS 7 BUS 8

-16 -60

-16 -60 GAIN

GAIN

PEAK

SIGNAL

UTILITYMIDISCENE

PATCH

AUX 8AUX 7AUX 6AUX 5

+10

303030

GAIN

PEAK SIGNAL

+10

GAIN

PEAK SIGNAL

+10

50505050

-16 -60

-16 -60 GAIN

GAIN

PEAK

SIGNAL

891011 12

+10

891011 12

20dB

20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB

-16 -60

-16 -60 GAIN

GAIN

PEAK

SIGNAL

SCENE MEMORY

STORE

SELECTED CHANNEL

OVER

-3

-6

PAN

-9

-12

-15

EQUALIZER

-18

-24

-30

-36 HIGH

-48

STEREO

HIGH-MID

FREQUENCY

LOW-MID

LOW

GAIN

13 14 15 16

+10

13 14 15 16

121110987643215

13 14 15 16

DEC INC

ENTER

+10

CH9-12CH5-8CH1-4

PHANTOM +48V

1513

-26

IN OUT

2TR

-10dBV

MONITOR 2TR IN

LEVEL

MONITOR

OUT

ST IN

ST IN 1 ST IN 2

(UNBAL)

SOLO CLEAR

USER DEFINED

KEYS

PHONES

0100

LEVEL

PHONES

ONON

2TR OUT DIGITAL connector

2TR IN DIGITAL connector

CH15/16 2TR IN

-26 +4

GAIN

-26 +4

GAIN

PEAK

SIGNAL

RECALL

+10

1010

1515

2020

303030

4040

5050

6060

7070

32313029282726252423222120191817

STEREO

DIGITAL

connector

DIGITAL

OUT

connector

Master recorder

Tutorial

Tip: To monitor the master recorder’s playback signals, you can also connect the analog output of the master recorder to the 01V96 2TR IN connector. In this way, you can quickly switch the monitoring signal using the Monitor Source selector in the MONITOR OUT section.

2 Press the DISPLAY ACCESS [PATCH] button repeatedly until the Patch | In

Patch page appears.

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64 Chapter 5—Tutorial

3 Move the cursor to the 2L parameter box in the STEREO INPUT section,

rotate the Parameter wheel or press the [INC]/[DEC] buttons to select “2TD L,” then press [ENTER].

4 In the same way, move the cursor to the 2R parameter box in the STEREO

INPUT section, then select “2TD R.”

The signals input at the 2TR IN DIGITAL connector are now routed to ST IN Channel 2 L and R.

5 Use the ST IN [ST IN] button to select ST IN Channels 1 and 2.

The ST IN [ST IN] button selects an ST IN channel pair (ST IN Channels 1 and 2 or 3 and 4) which you can control using the buttons and controls in the ST IN section. The indicators to the right of the button indicate which ST IN channels are currently selected.

ST IN

6Turn off the [ON] button for ST IN Channel 2.

The button indicator turns off. This [ON] button should be turned on only when you monitor the playback signal of the

master recorder.

Adjusting the Track Mix Balance

Follow the steps below to adjust the mix balance among Tracks 1–16 and process the signals using the EQ, compressor and gate.

1 Make sure that Tracks 1–16 on the digital MTR are all disarmed and the

recorder is in a mode that enables you to monitor the track playback signals.

2 Press the LAYER [1–16] button, then turn off the [ON] buttons for Input

Channels 1–16.

3 Press the LAYER [17–32] button and make sure that the [ON] buttons for

Input Channels 17–32 are turned on.

Lights up.

4 Press the DISPLAY ACCESS [PAN/ROUTING] button repeatedly until the

01V96—Owner’s Manual

Pan/Route | Rout17–STI page appears. On this page, make sure that the S buttons for Input Channels 17–32 are turned on, and the 1–8 buttons are turned off.

Mixing Recorded Tracks into Stereo (Mixdown) 65

Input Channel 17–32 signals input from Tracks 1–16 of the digital MTR are now routed through the Stereo Bus, to the STEREO OUT and 2TR OUT DIGITAL connectors.

5 Use the PAN parameter controls for Input Channels 17–32 on the page to

adjust the panpot for each track.

Tutorial

Tip: Alternatively, you can adjust the pan settings by selecting the Input Channels via the corresponding [SEL] button, then rotating the SELECTED CHANNEL [PAN] control.

6 Raise the [STEREO] fader to 0 dB.

7 While playing back the recording on the digital MTR from the beginning,

operate faders 1–16 to adjust the mix balance among the tracks.

• EQ’ing the track signals

Select the desired channel by pressing the corresponding [SEL] button, press the [EQ] button, then press the [F1] button to display the EQ Edit page (see page 84). Alternatively, adjust the EQ parameters using the buttons and controls in the SELECTED CHANNEL section.

• Compressing the track signals

Select the desired channel by pressing the corresponding [SEL] button, press the [DYNAMICS] button, then press the [F4] button to display the Dynamics | Comp Lib page and recall the desired compressor program (see page 82). Press the [DYNAMICS] button, then press the [F3] button to display the Comp Edit page, then edit the compressor parameters.

• Gating the track signals

Select the desired channel by pressing the corresponding [SEL] button, press the [DYNAMICS] button, then press the [F2] button to display the Dynamics | Gate Lib page. Then, recall the desired gate program. Press the [DYNAMICS] button, then press the [F1] button to display the Gate Edit page, then edit the gate parameters.

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66 Chapter 5—Tutorial

Using the Internal Effects

The 01V96 features four internal multi-effects processors that can be used via Aux Sends and Returns or by inserting them into speciﬁc channels. This section describes how to use internal Effects processor 1 via Aux Send 1, and apply reverb to the track signals.

1 Press the DISPLAY ACCESS [PATCH] button repeatedly until the Patch | Effect

page appears.

This page enables you to patch the inputs and outputs of Effects processors 1–4. By default, Aux Send 1 is patched to the input of Effects processor 1, and the output of Effects processor 1 is patched to ST IN Channel 1 L and R, as shown in the diagram above.

Tip: If the patch for internal Effects processor 1 is different from the above, use the Parameter wheel or [INC]/[DEC] buttons, and the [ENTER] button to change the patch.

2 Make sure that the [ON] button for ST IN Channel 1 in the ST IN section is

turned on.

3 Press the DISPLAY ACCESS [EFFECT] button repeatedly until the Effect | FX1

Lib page appears.

01V96—Owner’s Manual

The Effect | FX1 Lib page enables you to recall effect programs to be used by Effects processor 1 from the Effects library, and store the current effects settings of Effects processor 1 to the Effects library.

Select from the list in the center column a program memory to which you wish to store the effects settings, or a program memory that you wish to recall. The selected program appears inside the dotted box.

Mixing Recorded Tracks into Stereo (Mixdown) 67

4 Rotate the Parameter wheel and select “2. Reverb Room”

For purposes of this tutorial, select this room reverb program.

5 Move the cursor to the RECALL button located to the left of the list, then

press [ENTER].

Effect program “Reverb Room” is loaded into Effects processor 1.

Tip: To edit the effect parameters, press the [EFFECT] button repeatedly until the Effect | FX1 Edit page appears (see page 157).

6 Press the LAYER [17–32] button.

Input Channel Layer 17–32 is selected for control from the channel strip section.

7 Press the FADER MODE [AUX1] button.

The button indicator lights up. While the [AUX 1]–[AUX 8] button indicators are lit, faders 1–16 control the Aux 1–8 send

levels. In this example, the faders control the send level of the signals routed from Input Channels

17–32 to Aux 1 (Effects processor 1 input).

Tip: To reset the fader 1–16 function to normal mode, press the FADER MODE [HOME] button.

8 While playing back the recording on the digital MTR from the beginning,

operate faders 1–16 to adjust the send level of the signals routed from Input Channels to Effects processor 1.

Tutorial

9To adjust the effect return level, use the rotary level control located on the

left side of the ST IN section on the top panel.

You can view the current level in the upper-right corner of the display.

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68 Chapter 5—Tutorial

Recording to the Master Recorder

Follow the steps below to record the mixed stereo signal from the 01V96 to the connected master recorder.

1 Start recording on the master recorder, then start playing back on the digital

MTR.

During recording, observe the stereo meter on the right of the display and conﬁrm that the stereo output level is not clipping.

2 When the playback is ﬁnished, stop the master recorder, then stop the digital

MTR.

3Turn on the [ON] button for ST IN Channel 2 in the ST IN section. The button

indicator lights up.

4 Play back the recording on the master recorder.

The playback signal is input at the 01V96’s 2TR IN DIGITAL connector, then routed through ST IN Channel 2 to the Stereo bus.

Note: Most consumer-type DAT recorders and MD recorders are unable to synchronize to external wordclock during playback (that is, they cannot be wordclock slaves). If this type of master recorder is connected to the 01V96’s 2TR IN DIGITAL connector, access the DIO/Setup | Word Clock page and select “2TRD” (2TR IN DIGITAL) as the wordclock source.

When the master recorder ﬁnishes playing back, turn off the [ON] button for ST IN Channel 2.

Tip: If you desire, you can store the current mix settings to memory as a Scene (see page 161).

01V96—Owner’s Manual

6 Analog I/O & Digital I/O

This chapter describes the 01V96’s analog and digital input/output connectors as well as the basic operations involving the digital I/Os.

Analog Inputs & Outputs

Input Section

The 01V96’s top panel features input connectors, which enable you to connect microphone and line-level sources.

Analog I/O & Digital I/O 69

• INPUT connectors A 1–12

These balanced TRS-type phone connectors accept line-level and microphone signals. The nominal input range is –60 dB through +4 dB. The phantom [+48V] switches on the rear panel turn on or

off the +48V phantom power feed to these inputs.

• INPUT connectors B 1–12

INPUT

(BAL)

These balanced TRS-type connectors accept line-level and microphone signals. The nominal input range is –60 dB through +4 dB.

You cannot use same-numbered INPUT A and INPUT B connectors simultaneously. (For example, you cannot use INPUT A-2 and INPUT B-2 at the same time.) If you connect cables to A and B connectors of the same number, only the signal from INPUT B is effective (e.g., B-2 takes priority over A-2).

• INPUT connectors 13–16

1513

These balanced TRS-type phone connectors accept line-level signals. When the AD 15/16 source selector is turned on (pushed in), signals

from INPUT 15 and 16 are ignored. Instead, signals from the 2TR IN connector will be routed to AD Input Channels 15 and 16.

Tip: You can patch signals input from the INPUT connectors to any Input Channels. (See page 121 for information on patching input signals to Input Channels.)

Analog I/O & Digital I/O

• INSERT I/O connectors

INSERT

OUTIN

(UNBAL)

INSERT I/O INSERT I/O

These TRS-type phone connectors are used to insert external devices, such as effects processors, into AD Input Channels.

• Phantom Power

Inputs 1 through 12 feature switchable +48V phantom powering for use with condenser-type microphones and direct boxes. The phantom [+48V] switches on the rear panel turn on or off the +48V phantom power feed to the corresponding inputs.

•PAD switches

Inputs 1 through 12 feature pad switches, which attenuate input sig-

PAD

20dB

nals by 20 dB. These switches are effective on both INPUT A and B signals.

01V96—Owner’s Manual

70 Chapter 6—Analog I/O & Digital I/O

GAIN

• GAIN controls

Inputs 1 through 16 feature rotary gain controls that adjust input sensitivity. Input sensitivity for INPUT connectors 1–12 ranges from

-60

-16 GAIN

PEAK SIGNAL

• PEAK & SIGNAL Indicators

PEAK SIGNAL

• 2TR IN connectors

IN OUT

2TR

-10dBV (UNBAL)

–16 dB to –60 dB when the Pad is off, and from +4 dB to –40 dB when the Pad is on. Input sensitivity for INPUT connectors 13–16 ranges from +4 dB to –26 dB.

The SIGNAL indicator lights up when the input signal level at INPUTs 1–16 exceeds –34 dB. The PEAK indicator lights up when the input signal level is 3 dB below clipping.

These unbalanced RCA phono connectors accept line-level signals from master recorders.

When the AD 15/16 source selector is turned on (pushed in), signals input at these conductors are routed to AD Inputs 15 and 16. When the Monitor source selector is turned on (pushed in), you can monitor these signals from the MONITOR OUT connectors.

Output Section

The 01V96 top and rear panels feature output connectors that enable you to connect a monitoring system, master recorder, effects processors and other line-level devices.

• MONITOR OUT connectors L/R

These balanced TRS-type phone connectors output monitoring signals or input signals routed from the 2TR IN connectors. The nominal output level is +4 dB.

Use the Monitor source selector in the AD Input section to select the signal output from these connectors.

• OMNI OUT connectors 1–4

These balanced TRS-type phone connectors output any Bus Outs or Input Channel Direct Outs. The nominal output level is +4 dB.

Tip: Any signal path can be patched to the OMNI OUT connectors. (See page 124 for more information on patching signals to the OMNI OUT connectors.)

• STEREO OUT connectors L/R

These balanced XLR-3-32-type connectors output the Stereo Out signals. The nominal output level is +4 dB.

01V96—Owner’s Manual

• 2TR OUT connectors

IN OUT

2TR

-10dBV (UNBAL)

These unbalanced RCA phono connectors output line-level signals to a connected master recorder or other external device. These connectors always output the Stereo Out signals.

Digital Inputs & Outputs

The 01V96 rear panel features digital input and output connectors that enable you to connect external digital devices. Any signal path can be patched to these digital inputs and outputs.

You can also add analog and digital I/Os by installing an optional I/O card in the slot.

Digital I/O Connectors

• 2TR IN DIGITAL connector

2TR IN DIGITAL is an RCA phono connector and accepts consumer format (IEC-60958) digital audio. You can patch digital signals input at this connector to any Input Channel (page 121).

• 2TR OUT DIGITAL connector

This RCA phono connector outputs consumer format (IEC-60958) digital audio. You can patch any Bus outs or Input channel Direct Outs to this output (page 125).

Digital Inputs & Outputs 71

Analog I/O & Digital I/O

• ADAT IN connector

This TOSLINK connector accepts 8-channel ADAT optical format signals, which can be patched to any Input Channel (page 121).

• ADAT OUT connector

This TOSLINK connector outputs an 8-channel ADAT optical format signal. You can patch any Bus Outs or Input Channel Direct outs to this output (page 123).

SLOT

This slot allows you to install an optional mini-YGDAI (Yamaha General Digital Audio Interface) I/O card. This card offers AD/DA conversion, and various analog I/O options and digital I/O interfaces in all the popular digital audio interconnect formats, including AES/EBU, ADAT, and Tascam. You can patch signals input at these card connectors to any Input Channels or Insert Ins (see page 122).

You can patch the card outputs to Bus Outs or Input Channel Direct Outs (see page 125). The following mini-YGDAI I/O cards are currently available.

Card Format In Out Resolution/Sampling Rate Connectors

MY8-AD

MY8-AD24

MY4-AD

MY8-AD96

Analog in

4 XLR-3-31 type (balanced) x4

8 24-bit, 44.1/48/88.2/96 kHz 25-pin D-sub

20-bit, 44.1/48 kHz

—

24-bit, 44.1/48 kHz

Phone jack (balanced) x8

01V96—Owner’s Manual

72 Chapter 6—Analog I/O & Digital I/O

Card Format In Out Resolution/Sampling Rate Connectors

MY4-DA

MY8-DA96

MY8-AE

MY8-AE96

MY8-AE96S

MY8-AT

MY16-AT

MY8-TD

MY8-mLAN

1. This card is a substitution for a 20-bit MY8-AD card.

2. These cards support 24-bit/96 kHz in Double Channel mode. They require 96kHz wordclock signals.

3. This card is identical to the MY8-AE96, except that it features a sampling rate converter.

See the Yamaha Professional Audio Web site at the following URL for up-to-date news on I/O cards:

<http://www.yamahaproaudio.com/>.

Analog out —

AES/EBU I/O

ADAT I/O

Tascam

IEEE1394 6-pin 1394 connector x2

4 20-bit, 44.1/48 kHz XLR-3-32 type (balanced) x4

8 24-bit, 44.1/48/88.2/96 kHz

24-bit, 44.1/48 kHz

16 16 Optical x4

24-bit, 44.1/48/88.2/96 kHz

24-bit, 44.1/48 kHz

25-pin D-sub

Optical x2

25-pin D-sub BNC wordclock output

Converting Sampling Rates of Signals Received at I/O Card Inputs

An optional MY8-AE96S Digital I/O card features sampling rate converters, so you can easily convert the sampling frequency of digital inputs to the current 01V96 sampling rate.

1 Press the DISPLAY ACCESS [DIO/SETUP] button repeatedly until the

DIO/Setup | Format page appears.

Use the buttons in the SRC sections to turn the sampling rate converters on and off. You can turn the sampling rate converters of the digital I/O card on or off in pairs (odd & even channels, in this order).

01V96—Owner’s Manual

Tip: The FS box on the Word Clock page displays the sampling frequency at which the 01V96 is currently operating.

Note: The sampling rate converter is available only on the Yamaha MY8-AE96S Digital I/O card. If you have installed another type of I/O card in the slot, or if no card is installed in the 01V96, the buttons in the SRC sections are disabled.

Monitoring Digital Input Channel Status 73

2 Use the cursor buttons to move the cursor to any two-channel button in the

SRC sections, then press [ENTER].

The sampling rate converter for the selected 2-channel input turns on or off. When on, the sampling rate of the received digital audio is converted to the 01V96’s current sampling rate.

Monitoring Digital Input Channel Status

You can view and monitor the Channel Status (sampling rate, emphasis, etc.) of digital audio signals connected to the 2TR Digital Inputs and Slot Inputs as follows.

1 Press the DISPLAY ACCESS [UTILITY] button, then press the [F2] button.

The Utility / CH Status page appears.

1 2

3 4 5 6

Analog I/O & Digital I/O

On this page, use the following buttons to select a slot or connector for which you want to view the channel status.

A 2TR IN

This button enables you to view the Channel Status of input signals connected to the 2TR Digital Inputs.

B SLOT

These buttons enable you to view the Channel Status of each two adjacent (odd and even, in this order) channel signals connected to the digital I/O card installed in the slot.

2 Move the cursor to the desired input or slot button, then press [ENTER].

Channel Status information for the selected input is displayed. Channel Status information includes the following items:

C FS

Indicates the sampling rate. If no signal is being input, or if the incoming wordclock is not synching to the internal clock, “Unlock” appears.

D EMPHASIS

Indicates the Emphasis on/off status.

E CATEGORY

Indicates the status of “Category Code Bit” included in the IEC958 Part 2 (S/PDIF-Consumer) format. This parameter can display the following values:

Parameter value Description

General

Laser Optical

D/D Conv

Magnetic

Temporarily used

Laser optical device

Digital - Digital converter and signal processing device

Magnetic tape device and magnetic disk device

01V96—Owner’s Manual

74 Chapter 6—Analog I/O & Digital I/O

Parameter value Description

D.Broadcast

Instruments

A/D Conv

A/D Conv with (C)

Solid Memory

Experimental

Unknown

Digital broadcast reception

Musical instrument, microphone, and sources that generate string signals

A/D converter (without copyright information)

A/D converter (with copyright information)

Solid memory device

Experimental device

Unknown

Note: “AES/EBU” appears in the Category row when you are monitoring IEC958 Part 3 (AES/EBU-Professional) format signals (that do not include Category Code Bit).

F COPY

Indicates the status of copy protection information included in the IEC958 Part2 (S/PDIF-Consumer) format signals. “OK” appears if copying is allowed. “Prohibit” appears if copy-protected.

Dithering Digital Outputs

When digital audio is transferred to lower-resolution systems, truncated bits may generate unpleasant noise. To cancel the audible effect of this noise, a small complement of noise is intentionally added to the digital outputs. This process is called “dithering.”

On the 01V96, you can dither the 2TR Digital Outputs and Slot Outputs. For example, you can apply dithering to the 01V96 stereo mix data and record to a 16-bit DAT recorder.

1 Press the DISPLAY ACCESS [DIO/SETUP] button repeatedly until the

DIO/Setup | Format page appears.

The dithering settings are displayed at the bottom of the page.

2 Move the cursor to the output or channel to which you want to apply dith-

01V96—Owner’s Manual

ering, then rotate the Parameter wheel or press the [INC]/[DEC] buttons to select the value that matches the resolution of the receiving device.

Note:

•You cannot apply dithering to outputs or channels that are set to “OFF.”

•Dithering is effective only when the resolution of the receiving device is lower than that of the 01V96.

Tip: To copy the currently-selected setting to all channels, double-click the [ENTER] button. The copy conﬁrmation window is displayed.

Setting the Transfer Format for Higher Sampling Rates 75

Setting the Transfer Format for Higher Sampling Rates

To operate the 01V96 at higher sampling frequencies (88.2 kHz or 96 kHz) and transfer digital audio signals to and from connected external devices, you must set the data transfer format in accordance with the sampling frequencies supported by the external devices.

1 Press the DISPLAY ACCESS [DIO/SETUP] button repeatedly until the

DIO/Setup | Word Clock page appears.

2 Select INT88.2k or INT96k as the wordclock source.

3 Press the DISPLAY ACCESS [DIO/SETUP] button repeatedly until the

DIO/Setup | Format page appears.

Analog I/O & Digital I/O

4 Use the cursor buttons to move the cursor to an IN/OUT parameter ﬁeld

1), then rotate the Parameter wheel or press the [INC]/[DEC] buttons to

( set the data transfer format.

The IN/OUT parameters are used to set one of the following data transfer formats for each slot input and output.

• DOUBLE CHANNEL

In Double Channel mode, digital audio data is received and transmitted as mono signals at a sampling rate that is exactly half (44.1/48 kHz) the current higher sampling rate. Data is handled by two channels. This is useful when you wish to transfer data between the 01V96 running at a higher sampling rate and legacy 44.1/48 kHz digital MTRs or HDRs.

Note:

•Double Channel mode reduces the total number of inputs or outputs on the corresponding slot. The even-numbered channels are disabled.

•You cannot select this mode unless the 01V96 is operating at a high sampling rate.

• DOUBLE SPEED

In Double Speed mode, digital audio data is received and transmitted at the current high sampling rate (i.e., 88.2 kHz or 96 kHz). Select this mode if the devices that support the higher sampling rates transmit or receive data.

Note: This mode is available only for the slot in which the optional Yamaha MY8-AE96 or MY8-AE96S Digital I/O card is installed.

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76 Chapter 6—Analog I/O & Digital I/O

• SINGLE

In Single mode, digital audio data is received and transmitted at a sampling rate that is half (44.1/48 kHz) the current higher sampling rate of the 01V96. For example, this is useful when you wish to send 44.1 kHz digital signals from an external HDR to the 01V96 running at 88.2 kHz.

Note:

• This mode is unavailable for the slot in which the optional Yamaha MY9-AE96 or MY8-AE96S Digital I/O card is installed.

•You cannot select this mode unless the 01V96 is operating at a high sampling rate.

• When the 01V96 operates at a high sampling rate (88.2 kHz or 96 kHz), only two internal effects processors are available.

Tip:

• The parameter ﬁelds display “–” if the slot contains no I/O card or if an AD/DA card or other I/O card that does not allow you to set the transfer format has been installed.

01V96—Owner’s Manual

7 Input Channels

This chapter describes how to adjust the 01V96’s Input Channel parameters.

About Input Channels

The input Channel section enables you to adjust the level and tone of the signals input to the 01V96 (and the signals output from the internal Effects processors 1–4), and route the signals to Buses 1–8, the Stereo Bus, and Aux Sends 1–8. There are two types of Input Channels, each featuring slightly different functions: monaural Input Channels 1–32 and stereo ST IN Channels 1–4.

Input Channels 1–32

Each of these monaural Input Channels features a phase effect, gate, compressor, attenuator, and EQ for signal processing. The following diagram illustrates the Input Channel 1–32 signal ﬂow.

INPUT 1(...32)

(Gain Reduction)

METER

INPUT PATCH

(Out Meter)

METER

GATE

Keyin

12ch Group(1-12,13-24....)

AUX 1-8

METER

4BANDEQINPUT

AT T

INSERT

(Gain Reduction)

METER

COMP

Keyin Self or Stereo Link

DELAY

(Out Meter)

METER

INSERT

ON LEVEL

METER

PA N

LFE

PRE/POST

Input Channels 77

SOLO

AUX

DIRECT OUT 1(...32)

BUS1

BUS2

BUS3

BUS4

BUS5

BUS6

BUS7

BUS8

STEREO R

STEREO L

SOLO L

SOLO R

AUX 1

Input Channels

AUX 8

Input Channels 1–32 feature the following parameters:

• (Phase)

This section switches the phase of input signals.

•GATE

This dynamics processor can be used as a gate or for ducking.

• COMP (Compressor)

This dynamics processor can be used as compressor, expander or limiter. The compressor can be pre-EQ, pre-fader, or post-fader.

•ATT (Attenuator)

This section enables you to attenuate or amplify the level of signals that will be input to the EQ. The attenuator enables you to prevent post-EQ signals from clipping and to correct signal levels that are too low.

•4 BAND EQ (4-band equalizer)

This parametric EQ features four bands (high, high-mid, low-mid, and low).

• INPUT DELAY (Input delay)

This section enables you to delay input signals. You can use this delay to ﬁne-tune the timing between channels, or as a delay effect with feedback.

01V96—Owner’s Manual

78 Chapter 7—Input Channels

• ON (On/Off)

This section enables you to turn the channel on or off. The channel is muted with the Off setting.

• LEVEL

This section enables you to adjust the input level of the Input Channel signal.

•PAN

This section enables you to adjust the pan setting of the signals routed from the Input Channels to the Stereo Bus. You can also apply the pan setting to a pair of Bus channels.

• AUX (Aux Send level)

This section enables you to adjust the level of signals routed to Aux Sends 1–8. The signals can be routed to Aux Sends from either the pre-fader or post-fader position.

• INSERT

This section enables you to patch input signals to external devices via the on-board I/O connectors or I/O card, or insert the internal effect processors. You can patch any inputs, outputs, or I/O card channels. (Note that this is different from the INSERT I/O connectors in the AD Input section.)

• METER

This section enables you to switch the metering position of the signal levels that are displayed in the Meter page. (See page 34 for more information on selecting the metering position.)

ST IN Channels 1–4

These stereo channels enable you to process stereo signals using the phase effect, attenuator, and EQ. The following diagram illustrates the ST IN Channel 1–4 signal ﬂow.

ST IN 1-4

BUS1

BUS2

BUS4

BUS3

BUS6

BUS5

METER

ON LEVEL

Stereo Configuration

AT T

4BAND

INPUT PATCH

ST IN Channels 1–4 feature the following parameters:

• (Phase)

•ATT (Attenuator)

•4 BAND EQ (4-band equalizer)

• ON (On/Off)

• LEVEL

•PAN

• AUX (Aux Send level)

• METER

METER

PA N

LFE

PRE/POST

SOLO

AUX

BUS7

BUS8

SOLO L

STEREO R

STEREO L

AUX 1

SOLO R

AUX 8

01V96—Owner’s Manual

Setting the Input Channels from the Display 79

Refer to the description of Input Channels for more information on these parameters (page 77).

Tip: You can store these channel parameter settings in the Channel library. You can also store the Gate, Compressor, and EQ parameter settings to the corresponding libraries.

Setting the Input Channels from the Display

To set the Input Channel parameters, you can either move the cursor to the desired parameter on the display and change the value, or operate the desired button or control on the top panel to directly change the setting.

This section explains how to set the parameters via the display.

Switching the Signal Phase

To switch the phase of each Input Channel, press the [ /INSERT/DELAY] button repeatedly until the following /INS/DLY | Phase page appears.

Move the cursor to the NOR/REV button of the channel for which you want to change the phase, then press the [ENTER] or [INC]/[DEC] buttons to change the setting.

Input Channels

A NOR/REV

These buttons switch the corresponding Input Channel phase. NOR buttons indicate normal phase, and REV buttons indicate reversed phase.

B GLOBAL

The GLOBAL NOR/REV buttons allow you to set the phase for all Input Channels simultaneously.

Tip:

• The name of the currently-selected channel is indicated in the upper-right corner of the screen.

•You can set the phase separately for each of the ST IN Channels or for each channel in a channel pair. If you selected the desired ST IN Channel using the corresponding [SEL] button, pressing the same [SEL] button repeatedly will toggle between channels L and R.

01V96—Owner’s Manual

80 Chapter 7—Input Channels

Delaying Input Channels

To set the delay for each channel, press the [ /INSERT/DELAY] button repeatedly until the page listed below that contains the desired channels appears.

-DLY 1-16 page

This page enables you to set the Delay function for Input Channels 1–16.

-DLY 17-32 page

This page enables you to set the Delay function for Input Channels 17–32.

The parameters on these two pages (and the procedure for setting them) are the same.

A DELAY SCALE

The following buttons determine the units of the delay value shown below the msec value.

• meter ............................. Units are set to meters.

• feet ................................. Units are set to feet.

• sample ........................... Units are set to samples.

• beat ................................ Units are set to beats.

• frame ............................. Units are set to timecode frames.

B GANG button

When this button is turned on (highlighted), the delay time for each channel in a channel pair can be set simultaneously. When this option is turned off, the delay time can be set for each channel in a channel pair individually.

01V96—Owner’s Manual

C Channel section

You can set individual delay parameters here. The delay parameters include the following items:

• ON/OFF ........................ This button switches the corresponding channel delay on or

off.

• msec ...............................This parameter sets the delay time in milliseconds.

•meter/feet/sample/

beat/frame ....................The delay time can be set using units of meters, feet, samples,

beats, or frames, which you select by using the DELAY SCALE buttons.

• MIX................................ This parameter sets the mix balance of dry (Input Channel)

and wet (delayed) signals.

• FB.GAIN ....................... This parameter sets the amount of delay feedback.

Setting the Input Channels from the Display 81

Tip:

• This function is unavailable for the ST IN Channels.

• The delay time range depends on the sampling rate at which the 01V96 is operating. (For example, at 44.1 kHz, the range is 0 through 984.1 msec.)

•If you select the DELAY SCALE meter or feet button, the distance value can be converted to the delay time based on sonic speeds (about 340 m/sec at 15 degrees Celsius). This option is useful if you wish to correct the timing difference between two sound sources that are far apart.

•If you select the DELAY SCALE beat button, a parameter box for setting a note that represents the beat and a parameter box for a tempo (BPM) setting appear below the DELAY SCALE parameter. Setting the note and BPM settings in these parameter boxes enables you to set a delay time that synchronizes to the song tempo.

Gating Input Channels

To set the Input Channel gates, use the [SEL] buttons to select the desired Input Channel, then press the DISPLAY ACCESS [DYNAMICS] button, then press the [F1] button. The Dynamics | Gate Edit page appears.

Input Channels

A KEYIN SOURCE

Select one of the following buttons to determine the trigger source for the currently-selected Input Channel’s gate.

• SELF ...............................The selected channel’s own input signal is the trigger source.

• CHANNEL ....................Another Channel’s input signal is the trigger source. Select the

desired channel in the parameter box below the CHANNEL button.

• AU X ................................An Aux Send signal is the trigger source. Select the desired bus

in the parameter box below the AUX button.

B STEREO LINK

This parameter’s ON/OFF button enables you to pair gates for stereo operation even when the Input Channels are not paired.

C CURVE

This area displays the current gate curve.

D TYPE

This area displays the current gate type (GATE or DUCKING).

Note: Yo u cannot change the gate type on this page. To change the gate type, recall a program that uses the desired gate type from the Gate library.

01V96—Owner’s Manual

82 Chapter 7—Input Channels

E Meters

These meters indicate the levels of the post-gate signals and the amount of gain reduction.

F ON/OFF

The ON/OFF button turns the currently-selected Input Channel’s gate on or off.

G PARAMETER

These controls enable you to set the gate parameters. (See page 278 for more information on the parameters.)

Tip:

• This function is unavailable for the ST IN Channels.

•You can store the gate settings in the Gate library, which features preset programs that can be used for various applications (see page 179).

Compressing Input Channels

To set the Input Channel compressors, use the [SEL] buttons to select the desired Input Channel, then press the DISPLAY ACCESS [DYNAMICS] button, then press the [F3] button to display the Dynamics | Comp Edit page.

A POSITION

Use the Parameter wheel, or the [INC]/[DEC] buttons to select the position of the compressor within the channel from the following options:

• PRE EQ.......................... Immediately before EQ (default)

• PRE FADER.................. Immediately before the fader

• POST FADER ...............Immediately after the fader

B STEREO LINK

This ON/OFF button enables you to pair compressors for stereo operation even when channels are not paired.

01V96—Owner’s Manual

C CURVE

This area displays the current compressor curve.

D TYPE

This ﬁeld indicates the compressor type used by the currently-selected channel’s compressor (COMP/EXPAND/COMP (H)/COMP (S)).

Note: Yo u cannot change the Compressor type on this page. To change the compressor type, recall a program that uses the desired compressor type from the compressor library.

Setting the Input Channels from the Display 83

E Meters

These meters indicate the levels of the post-compressor signals and the amount of gain reduction.

F ON/OFF

The ON/OFF button turns the currently-selected Input Channel’s compressor on or off.

G PARAMETER section

These controls enable you to set the compressor parameters. (See page 278 for more information on the parameters of each compressor type.)

Tip:

• This function is unavailable for the ST IN Channels.

•You can store the compressor settings in the compressor library, which features preset programs that can be used for various applications (see page 181).

Attenuating Input Channels

To set the attenuator for each Input Channel, press the DISPLAY ACCESS [EQ] button, then press the [F3] button to display the EQ | In Att page.

Move the cursor to the knob for the desired Input Channel, then rotate the Parameter wheel to set the amount of attenuation in the range of –96 dB to +12 dB.

Tip: You can also set the attenuation amount (in dB) for the currently-selected channel on the EQ | EQ Edit page.

Input Channels

01V96—Owner’s Manual

84 Chapter 7—Input Channels

EQ’ing Input Channels

The 01V96’s Input Channels feature 4-band (LOW, LOW-MID, HIGH-MID, HIGH) parametric EQ. The LOW-MID and HIGH-MID bands are a peaking type of EQ. The LOW and HIGH bands can be set to shelving, peaking, or HPF and LPF respectively.

1 Press the [SEL] button of the channel for which you want to adjust EQ.

2 Press the DISPLAY ACCEESS [EQ] button, then press the [F1] button to dis-

play the EQ | EQ Edit page.

The parameters on this page are described below:

A EQ ON

The ON/OFF button turns the currently-selected Input Channel’s EQ on or off. You can press the [ENTER] button to turn the EQ on or off as long as the cursor is located on any parameter other than TYPE.

B TYPE

Selects the type of EQ. TYPE I is the EQ type used on legacy Yamaha 02R series digital mixing consoles. TYPE II is a newly developed algorithm.

C ATT

Determines the amount of pre-EQ signal attenuation in dB. It is the same Attenuator parameter that appears on the EQ | ATT In page.

D CURVE

This area displays the current EQ curve.

E Meters

These meters indicate the post-EQ signal levels of the currently-selected Input Channel and its available pair partner.

01V96—Owner’s Manual

F LOW, L-MID, H-MID, HIGH sections

These sections contain the Q, Frequency (F), and Gain (G) parameters for the four bands. These parameter values range as follows:

Parameter LOW LOW-MID HIGH-MID HIGH

Frequency

Gain

1. The LOW and HIGH GAIN controls function as filter on/off controls when Q is set to HPF or LPF respectively.

HPF, 10.0 to 0.10

(41 steps), L.SHELF

10.0 to 0.10 (41 steps)

21.2 Hz to 20.0 kHz (120 steps per 1/12 octave)

–18.0 dB to +18.0 dB (0.1 dB steps)

LPF, 10.0 to 0.10

(41 steps), H.SHELF

Setting the Input Channels from the Display 85

Tip:

• The LOW-band EQ functions as a high-pass ﬁlter when the Q parameter in the LOW section is set to HPF. It functions as a shelving-type EQ when the Q parameter is set to L.SHELF.

• The HIGH-band EQ functions as a low-pass ﬁlter when the Q parameter in the HIGH section is set to LPF. It functions as a shelving-type EQ when the Q parameter is set to H.SHELF.

3 Move the cursor to the desired parameter, then rotate the Parameter wheel

to change the value.

Tip:

• The EQ settings for the ST IN Channels L & R are linked to each other.

•You can also press the buttons in the SELECTED CHANNEL section to select the desired band and use the rotary controls to directly edit the Q, F, and G parameters (see page 91).

•You can store the EQ settings in the EQ library, which features preset programs that can be used for various applications (see page 274).

Panning Input Channels

Input Channels can be panned in the range of L63 through CENTER to R63. To pan each channel, press the [PAN/ROUTING] button repeatedly until the Pan/Route | Pan page appears.

Input Channels

Move the cursor to the desired Pan control, then rotate the Parameter wheel to set the value.

A Pan controls

These knobs adjust the channel pan settings. Press the [ENTER] button to reset the currently-selected Pan control to center.

B MODE

The MODE parameter determines how paired Input Channels are panned. There are three Pan modes as follows:

• INDIVIDUAL...............In Individual mode, paired Input Channel

pan controls operate independently.

• GANG ............................In Gang mode, paired Input Channel pan

controls operate in unison, maintaining the current pan range.

• INV GANG....................In Inverse Gang mode, paired Input Channel

pan controls operate in unison but move in opposite directions.

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86 Chapter 7—Input Channels

Tip:

•You can adjust the pan setting for the ST IN Channels L & R separately.

•You can also adjust the pan setting for the Input Channels using the PAN control in the SELECTED CHANNEL section.

•Surround Pan is available when the 01V96 is in Surround mode. Refer to Chapter 12 for more information on Surround Pan.

Routing Input Channels

You can route each Input Channel to the Stereo Bus, Bus 1–8, or its own Direct Out. With the default setting, signals are routed only to the Stereo Bus. However, you can patch signals to a single or multiple destinations, if necessary.

1 Press the DISPLAY ACCESS [PAN/ROUTING] button repeatedly until the

page listed below that contains the desired channels appears.

-ROUT1-16 page

This page enables you to change the routing for Input Channels 1–16.

-ROUT17-ST1 page

This page enables you to change the routing for Input Channels 17–32 and ST IN Channels 1-4.

The parameters on these two pages (and the procedure for setting them) are the same.

5 6

3 4

A PAN buttons

These buttons determine whether the channel’s Pan setting is applied to the Bus outs.

B Bus buttons 1–8

These buttons route the currently-selected Input Channel to the Bus Outs. If the 01V96 is in Surround mode, the button indicators change as follows, depending on the selected Surround mode:

Bus buttons 12345678

Surround mode: 3-1

Surround mode: 5.1

Surround mode: 6.1

L=Left, R=Right, C=Center, S=Surround, Ls=Left Surround Rs=Right Surround, E=Low Frequency Effect, Bs=Back Surround

The above table shows the default assignment. The actual assignment may vary, depending on the settings on the DIO/Setup | Surround Bus Setup page.

LRCS 5678

LRLsRs C E 7 8

LRLsRs C Bs E 8

01V96—Owner’s Manual

Setting the Input Channels from the Display 87

C S

When this button is turned on, the currently-selected Input Channel is routed to the Stereo Bus.

D D

When this button is turned on, the currently-selected Input Channel is routed to its Direct Out. See page 125 for more information on the Direct Out.

E ALL STEREO

This button turns on the S button for all channels on the page.

F ALL BUS

This button turns on the Bus buttons 1–8 for all channels on the page.

G ALL CLEAR

This button clears all routing assignments on the page.

H SURROUND MODE

This ﬁeld displays the current Surround mode.

Tip: The routings of the ST IN Channels L & R are linked. The D button is unavailable for the ST IN Channels.

Input Channels

Viewing Input Channel Settings

You can view and adjust parameter settings for the currently-selected Input Channel on the View | Parameter or Fader pages.

■ Viewing the Gate, Compressor, and EQ Settings

To display the View | Parameter page for a speciﬁc Input Channel, use the corresponding [SEL] button to select the desired channel, then press the DISPLAY ACCESS [VIEW] button repeatedly.

Move the cursor to a parameter you wish to change, then rotate the Parameter wheel or press the [INC]/[DEC] buttons or [ENTER] button to modify the setting.

6 7

The following parameters are available (sections marked with an asterisk (*) are unavailable for the ST IN Channels).

A GATE section (*)

This section enables you to turn the gate-type dynamics processor on or off and set the parameters. (See page 81 for more information.)

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88 Chapter 7—Input Channels

B COMP section (*)

This section enables you to turn the compressor-type dynamics processor on or off and set the parameters. (See page 82 for more information.)

C INSERT section (*)

This section enables you to turn the Insert on or off and patch the Insert In and Out. (See page 127 for more information.)

D EQ section

This section enables you to set various EQ parameters. (See page 84 for more information.)

E Meters

These meters indicate the signal levels of the currently-selected Input Channel and its available pair partner.

F (Phase) section

You can reverse the signal phase of the currently-selected Input Channel. (See page 79 for more information.)

G DELAY section (*)

This section enables you to set the currently-selected channel’s Delay function. (See page 80 for more information.)

H PAIR section (*)

This section indicates whether or not channels are paired. The heart icon ( ) is in one piece when channels are paired. The heart icon is broken ( ) when channels are not paired. (See page 92 for more information.)

■ Viewing the Pan, Fader, and Aux Send Level Settings

To display the View | Fader page of a certain Input Channel, use the corresponding [SEL] button to select the desired channel, then press the DISPLAY ACCESS [VIEW] button repeatedly.

Move the cursor to a parameter you wish to change, then rotate the Parameter wheel or press the [INC]/[DEC] buttons to modify the setting.

321 4

01V96—Owner’s Manual

A PAN/ON/Fader section

• PAN control.................. This control adjusts the currently-selected Input Channel’s Pan

parameter. Press the [ENTER] button to reset the Pan control to Center.

Setting the Input Channels from the Display 89

• ON/OFF button ...........This button turns on or off the currently-selected Input Chan-

nel.

• Fader ..............................This parameter sets the fader position of the currently-selected

Input Channel. The fader knob is highlighted when the fader is set to 0.0 dB. Press the [ENTER] button to reset the Fader to 0.0 dB.

B SURROUND PAN section

• SURROUND PAN........The Surround pan parameters for the currently-selected Input

Channel are displayed only when a Surround mode is selected. See page 135 for more information on Surround pan.

C BUS ROUTING/FOLLOW PAN section

• BUS ROUTING ............This section enables you to select a destination Bus for the

selected channel. When the D button is turned on, the channel signal is patched to the Direct Out selected in the parameter box below the button. (The D button is unavailable for the ST IN Channels.)

• FOLLOW PAN..............This button determines whether the Input Channel’s Pan set-

ting is applied to the paired Bus Outs (Follow Pan function). When the button is turned off, the Follow Pan function is disabled and an identical signal is sent to the paired Bus Outs.

Input Channels

D AUX section

• AU X ................................These controls set the currently-selected Input Channel’s Aux

Send 1–8 levels and positions. (See page 109 for more information on Aux Sends.)

E Meter section

• Meters ............................These meters indicate the levels of the currently-selected Input

Channel.

• PRE EQ/PRE FADER/POST FADER ...........The metering position is displayed below

the meters.

F GROUP section

• FADER/MUTE/EQ/COMP ............... These buttons indicate which Fader, Mute, EQ,

or Comp group, if any, the currently-selected Input Channel is in. If the channel is in a group, the group number appears. If the channel is not in a group, “—” appears. (The compressor is unavailable for the ST IN Channels.)

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90 Chapter 7—Input Channels

Setting the Input Channels from the Control Surface

You can use the faders, [SEL] buttons, and various buttons and controls in the SELECTED CHANNEL section on the top panel to directly control most parameters for Input Channels.

Setting Input Channel Levels and Panning the Channels

■ Input Channels 1–32

1 Press the LAYER [1–16] or [17–32] button to select a layer.

2 Press the [SEL] button of the channel for which you want to adjust the input

level and/or pan settings.

3 Use the faders to set the Input Channel levels.

4 Rotate the SELECTED CHANNEL [PAN] control to adjust the pan settings.

When you rotate the [PAN] control, the Pan/Route | Pan page is displayed automatically.

■ ST IN Channels 1–4

1 Use the ST IN [ST IN] button to select the desired ST IN Channels.

The indicators next to the [ST IN] button display the ST IN Channels currently selected for control by the ST IN section.

2 Press the [SEL] button for the channel for which you want to adjust the level

and/or pan settings.

3 Rotate the level control of the desired channel to set the level.

You can always view the current channel level at the top of the display.

4 Rotate the SELECTED CHANNEL [PAN] control to adjust the pan setting.

The pan setting can be applied to either ST IN channel L or R. To switch between channels L and R for the pan setting, press the same [SEL] button repeatedly. (The channel currently being controlled is indicated in the upper-left corner of the display.)

01V96—Owner’s Manual

Setting the Input Channels from the Control Surface 91

EQ’ing Input Channels

1 Press the [SEL] button or move the fader for the channel you wish to control.

2To control EQ for the currently-selected channel, press one of the following

buttons to select the band you wish to adjust:

• [HIGH] button.............HIGH band

• [H-MID] button........... HIGH-MID band

• [L-MID] button............LOW-MID band

• [LOW] button ..............LOW band

3 Use the SELECTED CHANNEL [Q], [FREQUENCY], and [GAIN] controls to

adjust the Q, frequency, and gain of the band selected in Step 2.

When the Auto EQUALIZER Display (page 227) check box is on, the 01V96 displays the EQ/EQ Edit page.

Input Channels

If the check box is off, the parameter value currently being adjusted pops up. See page 84 for more information on EQ.

Tip:

•Pressing and holding down the button selected in Step 2 resets the corresponding band gain.

•Pressing the SELECTED CHANNEL [HIGH] and [LOW] buttons simultaneously rese ts the Q, frequency and gain for each band.

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92 Chapter 7—Input Channels

Pairing Input Channels

On the 01V96, you can pair adjacent odd-even Input Channels or counterpart channels on Layer 1 and Layer 2 that share the same physical fader. Faders and most parameters of paired channels are linked for stereo operation. Paired channels’ linked parameters and non-linked parameters (that are available for independent control) are listed below:

Linked parameters

[SEL] buttons

Faders

Channel on/off

Insert on/off

Solo on/off

Solo Safe

Aux on/off

Aux Send level

Aux Sends as Pre or Post

Gate

Comp settings

EQ settings

Fader group

Mute group

Fade time

Recall Safe

Routing settings

Non-linked parameters

Input patches

Insert patches

Output patches

Comp insert position

Phase

Delay on/off

Delay time

Delay feedback

Delay mix

Routing

Pan, Follow Pan

Surround pan

Aux Send pan

Balance

Attenuators

* You can set this parameter for each channel independent-

ly if the GANG button is turned off on the /INS/DLDLY | DLY page.

** You can set this parameter for each channel independent-

ly on the EQ | ATT page, but the paired channel settings are linked on the EQ | Edit and View pages.

Note: Yo u cannot pair an ST IN channel 1–4 with an Input Channel.

To pair channels, or to cancel channel pairs, you can use the [SEL] buttons on the top panel or access the Pair/Grup pages.

■ Pairing Channels by Using the [SEL] Buttons

1 While pressing and holding down the [SEL] button for one of the channels

you wish to pair, press the [SEL] button for the adjacent channel. (The paired channel numbers should be odd and even in this order).

When the Pair Conﬁrmation check box is on, the Channel Pairing window appears.

Note: Yo u can pair only channels that are adjacent, odd-even (in this order) channels. Pressing the [SEL] button for a non-adjacent channel will be ignored. You cannot create or cancel a pair of vertical partners.

01V96—Owner’s Manual

Pairing Input Channels 93

2 Move the cursor to the desired button in the Channel Pairing window, then

press [ENTER].

The following buttons are available in this window:

• CANCEL

Cancels the operation.

• CH x ➔ y

Copies the odd channel parameter values to the even channel.

• CH y ➔ x

Copies the even channel parameter values to the odd channel.

• RESET BOTH

Resets both channel parameters to the default settings (same as when Channel memory #01 is recalled).

Move the cursor to the desired button, then press [ENTER] to conﬁrm the pair.

Tip: Pressing and holding down the ﬁrst [SEL] button of the paired channels and pressing the second [SEL] button cancels the pair.

Input Channels

■ Pairing Input Channels Using the Display

1 Press the [PAIR/GROUP] button repeatedly until the Pair/Grup | Input page

appears.

The parameters on this page are described below:

A PAIR MODE

Determines how channels are paired.

B STEREO/MONO x2 buttons

These buttons turn pairs on or off.

2 Move the cursor to the PAIR MODE parameter ﬁeld (

HORIZONTAL or VERTICAL button.

The function of each mode is described below:

• HORIZONTAL.............This button pairs adjacent odd-even channels (default).

• VERTICAL ....................This button pairs counterpart channels on Layer 1 and Layer 2

that share the same physical fader (e.g., CH1 & CH17, CH16 & CH32, etc.). This mode is useful when you wish to use one fader to control both stereo channels.

1), then select the

01V96—Owner’s Manual

94 Chapter 7—Input Channels

When you switch the Pair Mode, the combinations of channel numbers displayed on the page also change.

Note:

• When Pair mode is switched, only the channel numbers change. The mix parameters of the paired partners do not change.

•For example, if you change Pair mode from Horizontal to Vertical, the Input Channel “2” indication changes to Input Channel “17.” However, its parameters do not change. (If Channels 1 and 2 have been paired, switching the mode will pair Channels 1 and 17.)

3 Move the cursor to the desired channel’s MONOx2 button (

[ENTER].

The channels are paired.

4To cancel a pair, move the cursor to the desired channel’s STEREO button,

then press [ENTER].

Tip: You can also create or cancel a pair of Output Channels in the same way on the Pair/Grup | Output page (see page 105).

Naming Input Channels

By default, Input Channels are named CH1, CH2, etc. You can change these names if desired. For example, it may be helpful for mixdown if you name a particular Input Channel with the type of musical instrument connected to the corresponding input jack.

1 Press the DISPLAY ACCESS [PATCH] button repeatedly until the Patch | IN

Name page appears.

2), then press

1 2

01V96—Owner’s Manual

You can specify Short names in the center column (1) and Long (full) names in the right column (

When the Name Input Auto Copy check box ( newly-entered Long name are automatically copied to the Short name. On the other hand, a newly-entered Short name is automatically added to the beginning of the Long name.

You can reset all channel names to their default names by moving the cursor to the INITIALIZE button, then pressing [ENTER].

2).

3) is on, the ﬁrst four characters of a

Naming Input Channels 95

2 Move the cursor to a name you wish to change, then press [ENTER].

The Title Edit window appears, enabling you to enter a name.

3 Edit the name, move the cursor to the OK button, then press [ENTER].

The new name is now effective.

Tip: The edited name is stored in the Input Patch library.

Input Channels

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96 Chapter 7—Input Channels

01V96—Owner’s Manual

8 Bus Outs

This chapter describes how to adjust the 01V96’s Stereo Out and Bus Out 1–8 parameters.

About Stereo Out

The Stereo Out section receives Input Channel and Bus Out 1–8 signals, mixes them into two channels, processes them using on-board EQ, compressor, etc., then routes them to the STEREO OUT and 2TR OUT connectors. The following diagram illustrates the Stereo Out signal ﬂow.

Bus Outs 97

STEREO R

STEREO L

INSERT

AT T

(Gain Reduction)

METER

4BAND

Same as stereo master L

METER

COMP

INSERT

(Out Meter)

METER

LEVEL

INSERT

BAL

OUTPUT

DELAY

METER

(-10dBV)

(+4dBu)

[2TR OUT]

[STEREO OUT]

OUTPUT PATCH

• INSERT

This section enables you to route the Stereo Out signals to external devices via the on-board connectors or I/O card, or insert internal effects processors.

•ATT (Attenuator)

This section enables you to attenuate or amplify the level of signals to be input to the EQ. The attenuator prevents post-EQ signals from clipping or corrects signal levels that are too low.

•4 BAND EQ (4-band equalizer)

This parametric EQ features four bands (HIGH, HIGH-MID, LOW-MID, and LOW).

Bus Outs

• COMP (Compressor)

This dynamics processor can be used as compressor, expander, or limiter. The processor can be located pre-EQ, pre-[STEREO] fader, or post-[STEREO] fader.

• ON (On/Off)

This button turns the Stereo Out on or off.

• LEVEL

The [STEREO] fader adjusts the Stereo Out output levels.

• Balance

This section enables you to adjust the level balance between the L and R channels of the Stereo Out.

• OUTPUT DELAY (Output delay)

This section delays the output signals. It is mainly used to ﬁne-tune the signal timing.

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98 Chapter 8—Bus Outs

• METER

This section enables you to switch the metering position of signal levels that are displayed on the Meter page or by the stereo meter to the right of the screen. (See page 34 for more information on selecting the metering position.)

Note: Yo u can also patch the Stereo Out signals to other output connectors or the I/O card by using the Patch | Out Patch pages.

Bus Out 1–8

The Bus Out 1–8 section mixes signals routed from Input Channels to the speciﬁed buses, processes them using on-board EQ, compressor, etc., then routes them to the speciﬁed output connectors or I/O card.

The following diagram illustrates the Bus Out signal ﬂow.

BUS4

BUS5

BUS6

BUS7

BUS8

STEREO L

INSERT

AT T

BUS1

BUS2

BUS3

STEREO R

• INSERT

•ATT (Attenuator)

•4 BAND EQ (4-band equalizer)

• COMP (Compressor)

• ON (On/Off)

• LEVEL

• OUTPUT DELAY (Output delay)

• METER

The parameters and sections listed above are identical to those for the Stereo Out. For more information, refer to the explanation of the Stereo Out (see page 97).

METER

4BAND

(Gain Reduction)

METER

COMP

INSERT

PA N

(Out Meter)

METER

LEVEL

INSERT

OUTPUT

LEVEL

DELAY

METER

BUS 1(...8)

BUS to STEREO

OUTPUT PATCH

• Bus to Stereo

01V96—Owner’s Manual

Bus Out 1–8 signals are also routed to the Stereo Bus. In addition to the ON, LEVEL, and other parameters, you can also set the Send Level, On/Off, Pan, and other parameters.

Tip:

•You can also pair adjacent odd-even buses for stereo operation (see page 105).

•By default, Slot channels 1–8 and 9–16 and ADAT OUT channels 1–8 are patched to the Bus Out 1–8 outputs. However, you can change this patching on the Patch | Out Patch page (see page 123).

Setting the Stereo Out and Bus Out 1–8 from the Display 99

Setting the Stereo Out and Bus Out 1–8 from the Display

To set the Stereo Out and Bus Out 1–8 parameters, you can either move the cursor to the desired parameter on the display and change the value, or operate the desired button or control on the top panel.

This section explains how to set the parameters on the display.

Tip: Refer to Chapter 10 “Input & Output Patching” on page 121 for more information on how to set inserts.

Attenuating the Stereo Out and Bus Out

To attenuate the Stereo Out and Bus Out signals, press the DISPLAY ACCESS [EQ] button, then press the [F4] button to display the EQ | Out Att page. On this page, you can attenuate the Bus Out 1–8, Aux Out 1–8, and Stereo Out signals.

Bus Outs

The parameters on this page (and the procedure for setting them) are the same as for Input Channels (see page 83).

Delaying the Stereo Out and Bus Outs

To delay the Stereo Out and Bus Out 1–8 signals, press the [ /INSERT/DELAY] button repeatedly until the /INS/DLY | Out Dly page appears.

The parameters on this page (and the procedure for setting them) are the same as for Input Channels, except that this page does not include the MIX/FB.GAIN parameters (see page 80).

Tip: You can also display the Out Dly page by pressing the [ /INSERT/DELAY] button once, then press the [SEL] button to select the Stereo Out or Bus Out 1–8.

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100 Chapter 8—Bus Outs

Compressing the Stereo Out and Bus Outs

To set the Stereo Out and Bus Out 1–8 compressors, press the [DYNAMICS] button, then the [F3] button to display the Dynamics | Comp Edit page, and use the [SEL] buttons to select the Stereo Out or Bus Out 1–8.

The parameters on this page (and the procedure for setting them) are the same as for Input Channels (see page 82).

EQ’ing the Stereo Out and Bus Outs

To set the EQ for the Stereo Out and Bus Out 1–8 EQ, press the DISPLAY ACCESS [EQ] button, then press the [F1] button to display the EQ | EQ Edit page, and use the [SEL] buttons to select the Stereo Out or Bus Out 1–8.

The parameters on this page (and the procedure for setting them) are the same as for Input Channels (see page 84). Note that the Stereo Out does not feature the STEREO LINK parameter.

01V96—Owner’s Manual

Yamaha MIXING CONSOLE User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

Important Information

Warnings

Cautions

Operating Notes

Interference

Exclusion of Certain Responsibility

Trademarks

Copyright

Yamaha Web Site

Package Contents

Optional Extras

About this Owner’s Manual

Conventions Used in this Manual

Installing the 01V96

Contents

1 Welcome

2 Control Surface & Rear Panel

Control Surface

Rear Panel

Installing an Optional Card

3 Operating Basics

About the Display

Selecting Display Pages

Display Interface

Selecting Layers

Selecting Channels

Selecting Fader Modes

Metering

4 Connections and Setup

Connections

Wordclock Connections and Settings

Input and Output Patching

5 Tutorial

Connections and Setup

Initial Track Recording

Overdubbing to Other Tracks

Mixing Recorded Tracks into Stereo (Mixdown)

6 Analog I/O & Digital I/O

Analog Inputs & Outputs

Digital Inputs & Outputs

Converting Sampling Rates of Signals Received at I/O Card Inputs

Monitoring Digital Input Channel Status

Dithering Digital Outputs

Setting the Transfer Format for Higher Sampling Rates

7 Input Channels

About Input Channels

Setting the Input Channels from the Display

Setting the Input Channels from the Control Surface

Pairing Input Channels

Naming Input Channels

8 Bus Outs

About Stereo Out

Bus Out 1–8

Setting the Stereo Out and Bus Out 1–8 from the Display