Yamaha CVP-700, CVP-103, CVP-103M, CVP-105, CVP-107 Reference Manual

...

Download

Page 1

Reference Booklet

Page 2

Voice List ..............................................................................3

Demo Songs.........................................................................9

Drum/key Assignment List..................................................10

Style List .............................................................................12

Vocal Harmony Type List (CVP-109/107/700) .......................13

Parameter Chart .................................................................13

Fingering Chart...................................................................15

MIDI Data Format ...............................................................16

MIDI Implementation Chart.................................................38

CVP-103: Assembly ...........................................................40

CVP-105: Assembly ...........................................................46

CVP-700: Assembly ...........................................................52

CVP-109/107: Assembly ....................................................60

Specifications .....................................................................67

CVP-109/107/105/103/700

Page 3

Voice List

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

CVP-109/107/700

Voice #

Category Voice Name

MSB # LSB #

Piano Grand Piano 0 112 0

Bright Piano 0 112 1 Mellow Piano 0 114 0 Rock Piano 0 113 1 Midi Grand 0 115 2 Harpsichord1 0 112 6 Harpsichord2 0 113 6 Grand Harpsi 0 115 6 Honky Tonk 0 112 3 NewAgePiano 0 118 2

E.Piano Stage EP 1 0 112 4

Galaxy EP 0 118 5 New Tines 0 113 5 Funk EP 0 113 4 DX EP Modern 0 115 5 Vintage EP 0 115 4 CP80 0 116 2 Tremolo EP 0 118 4 Hyper Tines 0 117 5 Clavi. 0 112 7 DX EP 0 112 5 Venus EP 0 116 5 Dream EP 0 114 5 Stage EP 2 0 117 4 Wah Clavi. 0 113 7 DX treme 0 113 92 Funky Clavi. 0 114 7 Galaxian EP 0 113 100 DX-EP & Str. 0 118 88

Guitar Spanish Gtr. 0 113 24

12Str.Guitar 0 115 25 Solid Guitar 0 115 27 Bright Clean 0 113 27 Solid Chord 0 117 27 Jazz Guitar1 0 113 26 Mute Guitar 0 112 28 Banjo 0 112 105 HawaiianGtr. 0 114 26 Crunch Gtr 0 113 30 Smooth Nylon 0 114 24 Elec12string 0 126 27 Folk Guitar1 0 116 25 60’s Clean 0 124 27 Clean Guitar 0 112 27 Jazz Guitar2 0 112 26 OctaveGuitar 0 115 26 Mandolin 0 114 25 Pedal Steel 0 114 27 Feedback Gtr 0 113 29 Gut Guitar 0 112 24 Folk Guitar2 0 112 25 StackCrunch 0 114 30 Dist. Guitar 0 112 30

Synth Golden Age 0 115 88

Insomnia 0 113 94 Wave 2010 0 114 95 NewAge Pad 0 113 88 Fire Wire 0 113 81 Wire Lead 0 114 81 Blaster 0 112 87

Program

Change #

Voice #

Category Voice Name

MSB # LSB #

Synth Square Lead 0 112 80

Analogon 0 115 81 Funky Lead 0 116 81 Cyber Pad 0 113 99 Choir Pad 0 112 91 Atmosphere 0 112 99 Brass Pad 0 112 90 Warm Pad 0 112 89 Saw. Lead 0 112 81 Equinox 0 112 94 Stardust 0 112 96 Millenium 0 114 88 Template 0 113 95 Loch Ness 0 113 93 Strings Pad 0 112 51 Wave 2001 0 112 95 Harp Pad 0 112 88 DX Pad 0 112 92

Organ Pipe Organ 0 112 19

Chapel Org.1 0 115 19 Chapel Org.2 0 116 19 Accordion1 0 112 21 Small Accrd. 0 113 21 Rotor Organ 0 112 18 Jazz Organ 1 0 114 17 Rock Organ 0 116 18 Elec. Organ 0 113 16 Organ Flutes 0 116 16 Class. Organ 0 113 19 Chapel Org.3 0 114 19 Tango Accrd. 0 112 23 Accordion2 0 114 21 Tutti Accord 0 115 21 Rotary Drive 0 115 18 Jazz Organ 2 0 117 16 Jazz Organ 3 0 115 16 Perc. Organ 0 115 17 Full Rocker 0 114 18 Theatre Org. 0 114 16 60’s Organ 0 113 17

Strings / Choir Strings 0 118 48

Orch.Str.1 0 115 48 ClassicalStr 0 114 48 Popular Str 0 116 48 Vivaldi Str 0 116 49 Violin 0 112 40 Sweet Cello 0 113 42 Choir 0 112 52 Air Choir 0 112 54 Pizzicato 0 112 45 Orch.Str.2 0 117 48 ChamberStr 0 113 48 Strings Slow 0 113 49 Str.Quartet 0 113 40 Fiddle 0 112 110 Cello 0 114 42 Choir Oohs 0 112 53 Choir Slow 0 113 52 Harp 0 112 46 OrchestraHit 0 112 55

Program

Change #

CVP-109/107/105/103/700

Page 4

Voice List

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

CVP-109/107/700

Voice #

Category Voice Name

MSB # LSB #

Brass SweetTrumpet 0 115 56

Trombone 0 114 57 MuteTrumpet1 0 113 59 Soft Trumpet 0 114 56 Brass Band 0 118 57 BrassSection 0 112 61 Mellow Brass 0 123 61 BigBnd Brass 0 115 61 Soft Brass 0 116 61 Analog Brass 0 112 63 Solo Trumpet 0 112 56 Trb.Section 0 113 57 MuteTrumpet2 0 112 59 Flugel Horn 0 113 56 Tuba 0 113 58 Big Brass 0 114 61 Bright Brass 0 117 61 French Horn 0 112 60 Ballroom Brs 0 114 59 Synth Brass 0 112 62

Sax / Flute Sweet Tenor 0 113 66

Sweet Flute 0 115 73 Sweet Clari. 0 113 71 Sweet Alto 0 116 65 Growl Sax 0 114 66 Soprano Sax 0 112 64 Pan Flute 1 0 113 75 Modern Harp 0 113 22 Sax Section 0 114 65 WindEnsemble 0 113 73 Breath Tenor 0 115 66 Classical Fl 0 116 73 Clarinet 0 112 71 Breath Alto 0 115 65 Baritone Sax 0 113 67 Oboe 0 112 68 Piccolo 0 113 72 Blues Harm. 0 114 22 Bassoon 0 113 70 Whistle 0 112 78 Tenor Sax 0 116 66 Flute 0 112 73 Alto Sax 0 112 65 English Horn 0 112 69 Recorder 0 113 74 Harmonica 0 112 22 Pan Flute 2 0 112 75

Bass Acous.Bass 1 0 112 32

Elec. Bass 0 113 33 Finger Bass 0 114 33 E. Bass Slap 0 112 33 Pick Bass 0 112 34 FretlessBass 0 112 35 Slap Bass 0 112 36 Synth Bass 1 0 112 38 Analog Bass 0 113 39 Bass&Cymbal 0 114 32 Acous.Bass 2 0 113 32 Bert’s Bass 0 113 34

Program

Change #

Voice #

Category Voice Name

MSB # LSB #

Bass Synth Bass 2 0 112 39

Hi Q Bass 0 114 38 Synth Bass 3 0 113 38

Percussion Vibes 0 112 11

Marimba 0 112 12 Music Box 0 113 10 Steel Drums 0 112 114 Celesta 0 113 8 Jazz Vibes 0 113 11 Xylophone 0 112 13 Glockenspiel 0 113 9 TubularBells 0 112 14 Timpani 0 112 47 Xylomarimba 0 113 12 Dulcimer 0 112 15 Kalimba 0 112 108 Standard Kit 127 0 0 Standard2Kit 127 0 1 Hit Kit 127 0 4 Room Kit 127 0 8 Rock Kit 127 0 16 Electro Kit 127 0 24 Analog Kit 127 0 25 Dance Kit 127 0 27 Jazz Kit 127 0 32 Brush Kit 127 0 40 Classic Kit 127 0 48 SFX1 Kit 126 0 0 SFX2 Kit 126 0 1

Ensemble 1 Oct. Piano 0 113 3

2 Oct. Piano 0 114 3 Piano & Str 0 118 1 Piano Heaven 0 114 100 Piano&Choir 0 118 0 Orchestral 1 0 117 49 Orchestral 2 0 118 49 Orchestral 3 0 118 68 Orchestral 4 0 116 68 Orchestral 5 0 117 68 Baroque 0 118 6 Flute&Mallet 0 118 73 Guitar&Flute 0 118 24 Guitar&Str 0 115 99 TwelveString 0 114 99 Hallelujah 0 113 53 Evensong 1 0 118 53 Evensong 2 0 118 52 X’mas Organ 0 118 19 Sunrise Pad 0 116 100 Brass&Sax 1 0 118 65 Brass&Sax 2 0 118 66 Moon Sax 1 0 117 71 Moon Sax 2 0 118 71 Trump.&Clari 0 118 56 Brass&Lyra 0 118 63 Flute&Lyra 0 118 72 ElectricJazz 0 116 26 Galaxy Choir 0 117 100 Heaven Stack 0 115 100

Program

Change #

CVP-109/107/105/103/700

Page 5

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

CVP-105/103

Voice #

Category Voice Name

MSB # LSB #

Piano Grand Piano 0 112 0

Bright Piano 0 112 1 Mellow Piano 0 114 0 Rock Piano 0 113 1 Midi Grand 0 115 2 Harpsichord1 0 112 6 Harpsichord2 0 113 6 Grand Harpsi 0 115 6 Honky Tonk 0 112 3 NewAge Piano 0 118 2

E.Piano Stage EP 1 0 112 4

Galaxy EP 0 118 5 New Tines 0 113 5 Funk EP 0 113 4 DX EP Modern 0 115 5 CP80 0 116 2 Tremolo EP 0 118 4 Hyper Tines 0 117 5 Venus EP 0 116 5 Clavi. 0 112 7 Dream EP 0 114 5 Stage EP 2 0 117 4 Wah Clavi. 0 113 7 DX treme 0 113 92 Funky Clavi. 0 114 7 Galaxian EP 0 113 100 DX-EP & Str. 0 118 88

Guitar Spanish Gtr. 0 113 24

12Str.Guitar 0 115 25 Solid Guitar 0 115 27 Bright Clean 0 113 27 Clean Guitar 0 112 27 Jazz Guitar1 0 113 26 Mute Guitar 0 112 28 Banjo 0 112 105 HawaiianGtr. 0 114 26 Dist. Guitar 0 112 30 Smooth Nylon 0 114 24 Elec12string 0 126 27 Folk Guitar1 0 116 25 Jazz Guitar2 0 112 26 OctaveGuitar 0 115 26 Gut Guitar 0 112 24 Folk Guitar2 0 112 25 Pedal Steel 0 114 27

Synth Golden Age 0 115 88

Insomnia 0 113 94 Wave 2010 0 114 95 NewAge Pad 0 113 88 Fire Wire 0 113 81 Wire Lead 0 114 81 Blaster 0 112 87

Program

Change #

Category Voice Name

MSB # LSB #

Synth Square Lead 0 112 80

Analogon 0 115 81 Saw. Lead 0 112 81 Cyber Pad 0 113 99 Choir Pad 0 112 91 Atmosphere 0 112 99 Brass Pad 0 112 90 Warm Pad 0 112 89 Equinox 0 112 94 Stardust 0 112 96 Millenium 0 114 88 Strings Pad 0 112 51 Wave 2001 0 112 95 Harp Pad 0 112 88 DX Pad 0 112 92

Organ Pipe Organ 0 112 19

ChapelOrgan1 0 115 19 ChapelOrgan2 0 116 19 Accordion 0 112 21 Tutti Accord 0 115 21 Rotor Organ 0 112 18 Jazz Organ 1 0 114 17 Rock Organ 0 116 18 Elec. Organ 0 113 16 Jazz Organ 2 0 117 16 Class. Organ 0 113 19 ChapelOrgan3 0 114 19 Tango Accrd. 0 112 23 Jazz Organ 3 0 115 16 Perc. Organ 0 115 17 Theatre Org. 0 114 16 60’s Organ 0 113 17

Strings / Choir OrchStrings1 0 115 48

ClassicalStr 0 114 48 Popular Str 0 116 48 Vivaldi Str 0 116 49 Chamber Str 0 113 48 Violin 0 112 40 Cello 0 114 42 Choir 0 112 52 Air Choir 0 112 54 Pizzicato 0 112 45 OrchStrings2 0 117 48 Strings Slow 0 113 49 Str.Quartet 0 113 40 Fiddle 0 112 110 Choir Oohs 0 112 53 Choir Slow 0 113 52 Harp 0 112 46 OrchestraHit 0 112 55

Voice List

Voice #

Program

Change #

CVP-109/107/105/103/700

Page 6

Voice List

CVP-105/103

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Voice #

Category Voice Name

MSB # LSB #

Brass SweetTrumpet 0 115 56

Trombone 0 114 57 MuteTrumpet1 0 113 59 Soft Trumpet 0 114 56 Brass Band 0 118 57 BrassSection 0 112 61 Mellow Brass 0 123 61 Big Brass 0 114 61 Analog Brass 0 112 63 Synth Brass 0 112 62 Solo Trumpet 0 112 56 Trb.Section 0 113 57 MuteTrumpet2 0 112 59 Flugel Horn 0 113 56 Tuba 0 113 58 French Horn 0 112 60 BallroomBrs 0 114 59

Sax / Flute Breath Tenor 0 115 66

Flute 0 112 73 Clarinet 0 112 71 Breath Alto 0 115 65 Baritone Sax 0 113 67 Soprano Sax 0 112 64 Pan Flute 1 0 113 75 Harmonica 0 112 22 Sax Section 0 114 65 WindEnsemble 0 113 73 Tenor Sax 0 116 66 Alto Sax 0 112 65 Oboe 0 112 68 Piccolo 0 113 72 Bassoon 0 113 70 Whistle 0 112 78 English Horn 0 112 69 Recorder 0 113 74 Pan Flute 2 0 112 75

Bass Acous.Bass 0 112 32

Elec. Bass 0 113 33 Finger Bass 0 114 33 E. Bass Slap 0 112 33 Pick Bass 0 112 34 FretlessBass 0 112 35 Slap Bass 0 112 36 Synth Bass 1 0 112 38 Analog Bass 0 113 39 Bass&Cymbal 0 114 32 Bert’s Bass 0 113 34 Synth Bass 2 0 112 39 Hi Q Bass 0 114 38 Synth Bass 3 0 113 38

Program

Change #

Voice #

Category Voice Name

MSB # LSB #

Percussion Vibes 0 112 11

Marimba 0 112 12 Music Box 0 113 10 Steel Drums 0 112 114 Celesta 0 113 8 Jazz Vibes 0 113 11 Xylophone 0 112 13 Glockenspiel 0 113 9 TubularBells 0 112 14 Timpani 0 112 47 Xylomarimba 0 113 12 Dulcimer 0 112 15 Kalimba 0 112 108 Standard Kit 127 0 0 Standard2Kit 127 0 1 Room Kit 127 0 8 Rock Kit 127 0 16 Electro Kit 127 0 24 Analog Kit 127 0 25 Dance Kit 127 0 27 Jazz Kit 127 0 32 Brush Kit 127 0 40 Classic Kit 127 0 48 SFX1 Kit 126 0 0 SFX2 Kit 126 0 1

Ensemble 1 Oct. Piano 0 113 3

2 Oct. Piano 0 114 3 Piano & Str 0 118 1 Piano Heaven 0 114 100 Piano&Choir 0 118 0 Orchestral 1 0 117 49 Orchestral 2 0 118 49 Orchestral 3 0 118 68 Orchestral 4 0 116 68 Orchestral 5 0 117 68 Baroque 0 118 6 Flute&Mallet 0 118 73 Guitar&Flute 0 118 24 Guitar&Str 0 115 99 TwelveString 0 114 99 Hallelujah 0 113 53 Evensong 1 0 118 53 Evensong 2 0 118 52 X’mas Organ 0 118 19 Sunrise Pad 0 116 100 Brass&Sax 1 0 118 65 Brass&Sax 2 0 118 66 Moonsax 1 0 117 71 Moonsax 2 0 118 71 Trump.&Clari 0 118 56 Brass&Lyra 0 118 63 Flute&Lyra 0 118 72 ElectricJazz 0 116 26 GalaxyChoir 0 117 100 Heaven Stack 0 115 100

Program

Change #

CVP-109/107/105/103/700

Page 7

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Voice List

Voice #

Voice Name

GrandPno 0 0 0 GrndPnoK 0 1 0 MelloGrP 0 1 8 0 PianoStr 0 40 0 Dream 0 41 0 BritePno 0 0 1 BritPnoK 0 1 1 El.Grand 0 0 2 ElGrPnoK 0 1 2 Det.CP80 0 32 2 LayerCP1 0 40 2 LayerCP2 0 41 2 HnkyTonk 0 0 3 HnkyTnkK 0 1 3 E.Piano1 0 0 4 El.Pno1K 0 1 4 MelloEP1 0 18 4 Chor.EP1 0 32 4 HardEl.P 0 40 4 VX El.P1 0 45 4 60sEl.P1 0 64 4 E.Piano2 0 0 5 El.Pno2K 0 1 5 Chor.EP2 0 32 5 DX Hard 0 33 5 DXLegend 0 34 5 DX Phase 0 40 5 DX+Analg 0 41 5 DXKotoEP 0 42 5 VX El.P2 0 45 5 Harpsi. 0 0 6 Harpsi.K 0 1 6 Harpsi.2 0 25 6 Harpsi.3 0 35 6 Clavi 0 0 7 Clavi K 0 1 7 ClaviWah 0 27 7 PulseClv 0 64 7 PierceCl 0 65 7 Celesta 0 0 8 Glocken 0 0 9 MusicBox 0 0 10 Orgel 0 64 10 Vibes 0 0 11 Vibes K 0 1 11 HardVibe 0 45 11 Marimba 0 0 12 MarimbaK 0 1 12 SineMrmb 0 64 12 Balimba 0 97 12 Log Drum 0 98 12 Xylophon 0 0 13 TubulBel 0 0 14 ChrchBel 0 96 14 Carillon 0 97 14 Dulcimer 0 0 15 Dulcimr2 0 35 15 Cimbalom 0 96 15 Santur 0 97 15 DrawOrgn 0 0 16

MSB # LSB #

Program

Change #

Voice #

Voice Name

DetDrwOr 0 32 16 60sDrOr1 0 33 16 60sDrOr2 0 34 16 70sDrOr1 0 35 16 DrawOrg2 0 36 16 60sDrOr3 0 37 16 EvenBar 0 38 16 16+2’2/3 0 40 16 Organ Ba 0 64 16 70sDrOr2 0 65 16 CheezOrg 0 66 16 DrawOrg3 0 67 16 PercOrgn 0 0 17 70sPcOr1 0 24 17 DetPrcOr 0 32 17 Lite Org 0 33 17 PercOrg2 0 37 17 RockOrgn 0 0 18 RotaryOr 0 64 18 SloRotar 0 65 18 FstRotar 0 66 18 ChrchOrg 0 0 19 ChurOrg3 0 32 19 ChurOrg2 0 35 19 NotreDam 0 40 19 OrgFlute 0 64 19 TrmOrgFl 0 65 19 ReedOrgn 0 0 20 Puff Org 0 40 20 Acordion 0 0 21 AccordIt 0 32 21 Harmnica 0 0 22 Harmo. 2 0 32 22 TangoAcd 0 0 23 TngoAcd2 0 64 23 NylonGtr 0 0 24 NylonGt2 0 16 24 NylonGt3 0 25 24 VelGtHrm 0 43 24 Ukulele 0 96 24 SteelGtr 0 0 25 SteelGt2 0 16 25 12StrGtr 0 35 25 Nyln&Stl 0 40 25 Stl&Body 0 41 25 Mandolin 0 96 25 Jazz Gtr 0 0 26 MelloGtr 0 18 26 Jazz Amp 0 32 26 CleanGtr 0 0 27 ChorusGt 0 32 27 Mute Gtr 0 0 28 FunkGtr1 0 40 28 MuteStlG 0 41 28 FunkGtr2 0 43 28 Jazz Man 0 45 28 Ovrdrive 0 0 29 Gt.Pinch 0 43 29 Dist.Gtr 0 0 30 FeedbkGt 0 40 30

MSB # LSB #

Program

Change #

Voice #

Voice Name

FeedbGt2 0 41 30 GtrHarmo 0 0 31 GtFeedbk 0 65 31 GtrHrmo2 0 66 31 Aco.Bass 0 0 32 JazzRthm 0 40 32 VXUprght 0 45 32 FngrBass 0 0 33 FingrDrk 0 18 33 FlangeBa 0 27 33 Ba&DstEG 0 40 33 FngrSlap 0 43 33 FngBass2 0 45 33 Mod.Bass 0 65 33 PickBass 0 0 34 MutePkBa 0 28 34 Fretless 0 0 35 Fretles2 0 32 35 Fretles3 0 33 35 Fretles4 0 34 35 SynFretl 0 96 35 SmthFrt1 0 97 35 SlapBas1 0 0 36 ResoSlap 0 27 36 PunchThm 0 32 36 SlapBas2 0 0 37 VeloSlap 0 43 37 SynBass1 0 0 38 SynBa1Dk 0 18 38 FastResB 0 20 38 AcidBass 0 24 38 Clv Bass 0 35 38 TechnoBa 0 40 38 Orbiter 0 64 38 Sqr.Bass 0 65 38 RubberBa 0 66 38 Hammer 0 96 38 SynBass2 0 0 39 MelloSBa 0 6 39 Seq Bass 0 12 39 ClkSynBa 0 18 39 SynBa2Dk 0 19 39 SmthSynB 0 32 39 ModulrBa 0 40 39 DX Bass 0 41 39 X WireBa 0 64 39 Violin 0 0 40 Slow Vln 0 8 40 Viola 0 0 41 Cello 0 0 42 Contrabs 0 0 43 Trem.Str 0 0 44 SlwTrStr 0 8 44 Susp. Str 0 40 44 Pizz.Str 0 0 45 Harp 0 0 46 YangChin 0 40 46 Timpani 0 0 47 Strings1 0 0 48 S.Strngs 0 3 48

MSB # LSB #

Program

Change #

CVP-109/107/105/103/700

Page 8

Voice List

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Voice #

Voice Name

Slow Str 0 8 48 Arco Str 0 24 48 60sStrng 0 3 5 48 Orchestr 0 40 48 Orchstr2 0 41 48 TremOrch 0 42 48 Velo.Str 0 45 48 Strings2 0 0 49 S.SlwStr 0 3 49 LegatoSt 0 8 49 Warm Str 0 40 49 Kingdom 0 41 49 70s Str 0 64 49 Strings3 0 65 49 Syn Str1 0 0 50 Reso Str 0 27 50 Syn Str4 0 64 50 Syn Str5 0 65 50 Syn Str2 0 0 51 ChoirAah 0 0 52 S.Choir 0 3 52 Ch.Aahs2 0 16 52 MelChoir 0 32 52 ChoirStr 0 40 52 VoiceOoh 0 0 53 SynVoice 0 0 54 SyVoice2 0 40 54 Choral 0 41 54 AnaVoice 0 64 54 Orch.Hit 0 0 55 OrchHit2 0 35 55 Impact 0 64 55 Trumpet 0 0 56 Trumpet2 0 16 56 BriteTrp 0 17 56 Warm Trp 0 32 56 Trombone 0 0 57 Trmbone2 0 18 57 Tuba 0 0 58 Tuba 2 0 16 58 Mute Trp 0 0 59 Fr.Horn 0 0 60 FrHrSolo 0 6 60 FrHorn 2 0 32 60 HornOrch 0 37 60 BrssSect 0 0 61 Tp&TbSec 0 35 61 BrssSec2 0 40 61 HiBrass 0 41 61 MelloBrs 0 42 61 SynBrss1 0 0 62 Quack Br 0 12 62 RezSynBr 0 20 62 PolyBrss 0 24 62 SynBrss3 0 27 62 JumpBrss 0 32 62 AnVelBr1 0 45 62 AnVelBr2 0 64 62 SynBrss2 0 0 63 Soft Brs 0 18 63 SynBrss4 0 40 63

MSB # LSB #

Change #

Program

Voice #

Voice Name

ChoirBrs 0 41 63 VelBrss2 0 45 63 AnaBrss2 0 64 63 SprnoSax 0 0 64 Alto Sax 0 0 65 Sax Sect 0 40 65 HyprAlto 0 43 65 TenorSax 0 0 66 BrthTnSx 0 40 66 SoftTenr 0 41 66 TnrSax 2 0 64 66 Bari.Sax 0 0 67 Oboe 0 0 68 Eng.Horn 0 0 69 Bassoon 0 0 70 Clarinet 0 0 71 Piccolo 0 0 72 Flute 0 0 73 Recorder 0 0 74 PanFlute 0 0 75 Bottle 0 0 76 Shakhchi 0 0 77 Whistle 0 0 78 Ocarina 0 0 79 SquareLd 0 0 80 SquarLd2 0 6 80 LMSquare 0 8 80 Hollow 0 18 80 Shroud 0 19 80 Mellow 0 64 80 SoloSine 0 65 80 SineLead 0 66 80 Saw Lead 0 0 81 Saw Ld 2 0 6 81 ThickSaw 0 8 81 Dyna Saw 0 18 81 Digi Saw 0 19 81 Big Lead 0 20 81 HeavySyn 0 24 81 WaspySyn 0 25 81 PulseSaw 0 4 0 81 Dr. Lead 0 41 81 VeloLead 0 45 81 Seq Ana. 0 96 81 CaliopLd 0 0 82 PureLead 0 65 82 Chiff Ld 0 0 83 Rubby 0 64 83 CharanLd 0 0 84 DistLead 0 64 84 WireLead 0 65 84 Voice Ld 0 0 85 SynthAah 0 24 85 Vox Lead 0 64 85 Fifth Ld 0 0 86 Big Five 0 35 86 Bass&Ld 0 0 87 Big&Low 0 16 87 Fat&Prky 0 64 87 Soft Wrl 0 65 87 NewAgePd 0 0 88

MSB # LSB #

Program

Change #

Voice #

Voice Name

Fantasy 0 64 88 Warm Pad 0 0 89 ThickPad 0 16 89 Soft Pad 0 17 89 Sine Pad 0 18 89 Horn Pad 0 64 89 RotarStr 0 65 89 PolySyPd 0 0 90 PolyPd80 0 64 90 ClickPad 0 65 90 Ana. Pad 0 66 90 SquarPad 0 6 7 90 ChoirPad 0 0 91 Heaven 0 64 91 Itopia 0 66 91 CC Pad 0 67 91 BowedPad 0 0 92 Glacier 0 64 92 GlassPad 0 65 92 MetalPad 0 0 93 Tine Pad 0 64 93 Pan Pad 0 65 93 Halo Pad 0 0 94 SweepPad 0 0 95 Shwimmer 0 20 95 Converge 0 27 95 PolarPad 0 64 95 Celstial 0 66 95 Rain 0 0 96 ClaviPad 0 45 96 HrmoRain 0 64 96 AfrcnWnd 0 65 96 Carib 0 66 96 SoundTrk 0 0 97 Prologue 0 27 97 Ancestrl 0 64 97 Crystal 0 0 98 SynDrCmp 0 12 9 8 Popcorn 0 14 98 TinyBell 0 18 98 RndGlock 0 35 98 GlockChi 0 40 98 ClearBel 0 41 98 ChorBell 0 42 98 SynMalet 0 64 98 SftCryst 0 65 98 LoudGlok 0 66 98 ChrstBel 0 67 98 VibeBell 0 68 98 DigiBell 0 69 98 AirBells 0 70 98 BellHarp 0 71 98 Gamelmba 0 72 98 Atmosphr 0 0 99 WarmAtms 0 18 99 HollwRls 0 19 99 Nylon EP 0 40 99 NylnHarp 0 64 99 Harp Vox 0 65 99 AtmosPad 0 66 99 Planet 0 67 99

MSB # LSB #

Program

Change #

CVP-109/107/105/103/700

Page 9

Voice #

Voice Name

Bright 0 0 100 FantaBel 0 64 100 Smokey 0 96 100 Goblins 0 0 101 GobSynth 0 6 4 101 Creeper 0 65 101 Ring Pad 0 66 101 Ritual 0 67 101 ToHeaven 0 68 101 Night 0 70 101 Glisten 0 71 101 BelChoir 0 96 101 Echoes 0 0 102 Echoes 2 0 8 102 Echo Pan 0 14 102 EchoBell 0 64 102 Big Pan 0 65 102 SynPiano 0 66 102 Creation 0 67 102 StarDust 0 68 102 Reso&Pan 0 69 102 Sci-Fi 0 0 103 Starz 0 64 103 Sitar 0 0 104 DetSitar 0 32 104 Sitar 2 0 35 104 Tambra 0 96 104 Tamboura 0 97 104 Banjo 0 0 105 MuteBnjo 0 28 105 Rabab 0 96 105 Gopichnt 0 97 105 Oud 0 98 105 Shamisen 0 0 106 Koto 0 0 107 Taisho-k 0 96 107 Kanoon 0 97 107 Kalimba 0 0 108 Bagpipe 0 0 109

MSB # LSB #

Program

Change #

Voice #

Voice Name

Fiddle 0 0 110 Shanai 0 0 111 Shanai 2 0 64 111 Pungi 0 96 111 Hichriki 0 97 111 TnklBell 0 0 112 Bonang 0 96 112 Altair 0 97 112 Gamelan 0 98 112 S.Gamlan 0 99 112 Rama Cym 0 100 112 AsianBel 0 101 112 Agogo 0 0 113 SteelDrm 0 0 114 GlasPerc 0 97 114 ThaiBell 0 98 114 WoodBlok 0 0 115 Castanet 0 96 115 TaikoDrm 0 0 116 Gr.Cassa 0 96 116 MelodTom 0 0 117 Mel Tom2 0 64 117 Real Tom 0 65 117 Rock Tom 0 66 117 Syn Drum 0 0 118 Ana Tom 0 64 118 ElecPerc 0 65 118 RevCymbl 0 0 119 FretNoiz 0 0 120 BrthNoiz 0 0 121 Seashore 0 0 122 Tweet 0 0 123 Telphone 0 0 124 Helicptr 0 0 125 Applause 0 0 126 Gunshot 0 0 127 CuttngNz 64 0 0 CttngNz2 64 0 1 Str Slap 64 0 3

MSB # LSB #

Program

Change #

Voice #

Voice Name

Fl.KClik 64 0 16 Shower 64 0 32 Thunder 64 0 33 Wind 64 0 34 Stream 64 0 35 Bubble 64 0 36 Feed 64 0 37 Dog 64 0 48 Horse 64 0 49 Tweet 2 64 0 50 Ghost 64 0 54 Maou 64 0 55 Tel.Dial 64 0 64 DoorSqek 64 0 65 DoorSlam 64 0 66 ScratchC 64 0 67 ScratchS 64 0 68 WindChim 64 0 69 Telphon2 64 0 70 CarEIgnt 64 0 80 CarTSqel 64 0 81 Car Pass 64 0 82 CarCrash 64 0 83 Siren 64 0 84 Train 64 0 85 JetPlane 64 0 86 Starship 64 0 87 Burst 64 0 88 Coaster 64 0 89 Submarin 64 0 90 Laugh 64 0 96 Scream 64 0 97 Punch 64 0 98 Heart 64 0 99 Footstep 64 0 100 MchinGun 64 0 112 LaserGun 64 0 113 Xplosion 64 0 114 Firework 64 0 115

MSB # LSB #

Program

Change #

Demo Songs

SONG DEMO

Title Composer Song 1 Song 3 Beautiful Dreamer S.C.Foster

Song 4 Annie Laurie Traditional

Klavier Konzert a moll op.16 (Piano Concert a minor op.16)

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

VOICE DEMO

Title Composer

E.Grieg

PIANO Walzer op.70-1 F.Chopin SYNTHESIZER Bruyeres C.A.Debussy ORGAN PERCUSSION Air de Ballet M.Moszkowski XG TREPAK from “Nutcracker Suite” op.71a P.I.Tschaikovsky

Choralvorspiele “Ich ruf’ zu dir, Herr Jesus Christ”

J.S.Bach

CVP-109/107/105/103/700

Page 10

Drum/key Assignment List

Bank Select MSB 127 127 127 127 127 127 127

Bank Select LSB 0 0 0 0 0 0 0

Program # (1-128) 1 2 4 9 17 25 26 Keyboard MIDI Key Alternate Standard Kit Standard 2 Kit Hit Kit Room Kit Rock Kit Electro Kit Analog Kit Note Note # Note off assign C# 113C# -1 3 Surdo Mute Surdo Mute Surdo Mute Surdo Mute Surdo Mute Surdo Mute Surdo Mute D 1 14 D -1 3 Surdo Open Surdo Open Surdo Open Surdo Open Surdo Open Surdo Open Surdo Open D# 115D# -1 Hi Q Hi Q Hi Q Hi Q Hi Q Hi Q Hi Q E 1 16 E -1 Whip Slap Whip Slap Whip Slap Whip Slap Whip Slap Whip Slap Whip Slap F 1 17 F -1 4 Scratch H Scratch H Scratch H Scratch H Scratch H Scratch H Scratch H F# 118F# -1 4 Scratch L Scratch L Scratch L Scratch L Scratch L Scratch L Scratch L G 1 19 G -1 Finger Snap Finger Snap Finger Snap Finger Snap Finger Snap Finger Snap Finger Snap G# 120G# -1 Click Noise Click Noise Click Noise Click Noise Click Noise Click Noise Click Noise A 1 21 A -1 Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click A# 122A# -1 Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell B 1 23 B -1 Seq Click L Seq Click L Seq Click L Seq Click L Seq Click L Seq Click L Seq Click L C 2 24 C 0 Seq Click H Seq Click H Seq Click H Seq Click H Seq Click H Seq Click H Seq Click H C# 225C# 0 Brush Tap Brush Tap Brush Tap Brush Tap Brush Tap Brush Tap Brush Tap D2 26 D0 D# 227D# 0 Brush Slap Brush Slap Brush Slap Brush Slap Brush Slap Brush Slap Brush Slap E2 28 E0 F2 29 F0 F# 230F# 0 Castanet Castanet Castanet Castanet Castanet Hi Q 2 Hi Q 2 G 2 31 G 0 Snare Soft Snare Soft 2 Snare Electro Snare Soft Snare Noisy SnrSnpyElctr SnareNoisy 4 G# 232G# 0 Sticks Sticks Sticks Sticks Sticks Sticks Sticks A 2 33 A 0 Kick Soft Kick Soft Kick Tight L Kick Soft Kick Tight 2 Kick 3 Kick Tight 2 A# 234A# 0 OpenRimShot RimShotHShrt Snare Pitched OpenRimShot OpenRimShot OpenRimShot OpenRimShot B 2 35 B 0 Kick Tight KickTghtShrt Kick Wet Kick Tight Kick 2 Kick Gate KickAnlgShrt C 3 36 C 1 Kick Kick Short Kick Tight H Kick Kick Gate KckGateHeavy Kick Analog C# 337C# 1 Side Stick Side Stick Stick Ambient Side Stick Side Stick Side Stick SideStickAn D 3 38 D 1 Snare Snare Short Snare Ambient Snare Snappy Snare Rock SnareNoisy 2 SnareAnalog D# 339D# 1 Hand Clap Hand Clap Hand Clap Hand Clap Hand Clap Hand Clap Hand Clap E 3 40 E 1 Snare Tight SnareTight H Snare Tight 2 SnrTightSnpy SnareRockRim SnareNoisy 3 SnareAnalog2 F 3 41 F 1 Floor Tom L Floor Tom L Hybrid Tom 1 Tom Room 1 Tom Rock 1 TomElectro 1 Tom Analog 1 F# 342F# 1 1 Hi-HatClosed Hi-HatClosed Hi-Hat Closed Light Hi-HatClosed Hi-HatClosed Hi-HatClosed HatCloseAnlg G 3 43 G 1 Floor Tom H Floor Tom H Hybrid Tom 2 Tom Room 2 Tom Rock 2 TomElectro 2 Tom Analog 2 G# 344G# 1 1 Hi-Hat Pedal Hi-Hat Pedal Hi-Hat Pedal Light Hi-Hat Pedal Hi-Hat Pedal Hi-Hat Pedal HatCloseAn 2 A 3 45 A 1 Low Tom Low Tom Hybrid Tom 3 Tom Room 3 Tom Rock 3 TomElectro 3 Tom Analog 3 A# 346A# 1 1 Hi-Hat Open Hi-Hat Open Hi-Hat Open Light Hi-Hat Open Hi-Hat Open Hi-Hat Open HatOpen Anlg B 3 47 B 1 Mid Tom L Mid Tom L Hybrid Tom 4 Tom Room 4 Tom Rock 4 TomElectro 4 Tom Analog 4 C 4 48 C 2 Mid Tom H Mid Tom H Hybrid Tom 5 Tom Room 5 Tom Rock 5 TomElectro 5 Tom Analog 5 C# 449C# 2 CrashCymbal1 CrashCymbal1 CrashCymbal1 CrashCymbal1 CrashCymbal1 CrashCymbal1 Crash Analog D 4 50 D 2 High Tom High Tom Hybrid Tom 6 Tom Room 6 Tom Rock 6 TomElectro 6 Tom Analog 6 D# 451D# 2 RideCymbal 1 RideCymbal 1 RideCymbal 1 RideCymbal 1 RideCymbal 1 RideCymbal 1 RideCymbal 1 E 4 52 E 2 Chinese Cym Chinese Cym Chinese Cym Chinese Cym Chinese Cym Chinese Cym Chinese Cym F 4 53 F 2 Ride Cym Cup Ride Cym Cup Ride Cym Cup Ride Cym Cup Ride Cym Cup Ride Cym Cup Ride Cym Cup F# 454F# 2 Tambourine Tambourine Tambourine Light Tambourine Tambourine Tambourine Tambourine G 4 55 G 2 SplashCymbal SplashCymbal SplashCymbal SplashCymbal SplashCymbal SplashCymbal SplashCymbal G# 456G# 2 Cowbell Cowbell Cowbell Cowbell Cowbell Cowbell Cowbell Anlg A 4 57 A 2 CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2 A# 458A# 2 Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap B 4 59 B 2 RideCymbal 2 RideCymbal 2 RideCymbal 2 RideCymbal 2 RideCymbal 2 RideCymbal 2 RideCymbal 2 C 5 60 C 3 Bongo H Bongo H Bongo H Bongo H Bongo H Bongo H Bongo H C# 561C# 3 Bongo L Bongo L Bongo L Bongo L Bongo L Bongo L Bongo L D 5 62 D 3 Conga H Mute Conga H Mute Conga H Mute Conga H Mute Conga H Mute Conga H Mute Conga Anlg H D# 563D# 3 Conga H Open Conga H Open Conga H Open Conga H Open Conga H Open Conga H Open Conga Anlg M E 5 64 E 3 Conga L Conga L Conga L Conga L Conga L Conga L Conga Anlg L F 5 65 F 3 Timbale H Timbale H Timbale H Timbale H Timbale H Timbale H Timbale H F# 566F# 3 Timbale L Timbale L Timbale L Timbale L Timbale L Timbale L Timbale L G 5 67 G 3 Agogo H Agogo H Agogo H Agogo H Agogo H Agogo H Agogo H G# 568G# 3 Agogo L Agogo L Agogo L Agogo L Agogo L Agogo L Agogo L A 5 69 A 3 Cabasa Cabasa Cabasa Cabasa Cabasa Cabasa Cabasa A# 570A# 3 Maracas Maracas Maracas Maracas Maracas Maracas Maracas 2 B5 71 B3 C6 72 C4 C# 673C# 4 Guiro Short Guiro Short Guiro Short Guiro Short Guiro Short Guiro Short Guiro Short D6 74 D4 D# 675D# 4 Claves Claves Claves Claves Claves Claves Claves 2 E 6 76 E 4 Wood Block H Wood Block H Wood Block H Wood Block H Wood Block H Wood Block H Wood Block H F 6 77 F 4 Wood Block L Wood Block L Wood Block L Wood Block L Wood Block L Wood Block L Wood Block L F# 678F# 4 Cuica Mute Cuica Mute Cuica Mute Cuica Mute Cuica Mute Scratch H 2 Scratch H 2 G 6 79 G 4 Cuica Open Cuica Open Cuica Open Cuica Open Cuica Open Scratch L 2 Scratch L 3 G# 680G# 4 2 TriangleMute TriangleMute TriangleMute TriangleMute TriangleMute TriangleMute TriangleMute A 6 81 A 4 2 TriangleOpen TriangleOpen TriangleOpen TriangleOpen TriangleOpen TriangleOpen TriangleOpen A# 682A# 4 Shaker Shaker Shaker Shaker Shaker Shaker Shaker B 6 83 B 4 Jingle Bells Jingle Bells Jingle Bells Jingle Bells Jingle Bells Jingle Bells Jingle Bells C 7 84 C 5 Bell Tree Bell Tree Bell Tree Bell Tree Bell Tree Bell Tree Bell Tree – 85 C# 5 – 86 D 5 – 87 D# 5 – 88 E 5 – 89 F 5 – 90 F# 5 – 91 G 5

• Key Off: Keys marked “O” stop sounding the instant they are released.

• Alternate Assign: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number.

O O

Brush Swirl Brush Swirl Brush Swirl Brush Swirl Brush Swirl Brush Swirl Brush Swirl BrushTapSwrl BrushTapSwrl BrushTapSwrl BrushTapSwrl BrushTapSwrl ReversCymbal ReversCymbal

Snare Roll Snare Roll 2 Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll

SambaWhistlH SambaWhistlH SambaWhistlH SambaWhistlH SambaWhistlH SambaWhistlH SambaWhistlH SambaWhistlL SambaWhistlL SambaWhistlL SambaWhistlL SambaWhistlL SambaWhistlL SambaWhistlL

Guiro Long Guiro Long Guiro Long Guiro Long Guiro Long Guiro Long Guiro Long

(CVP-109/107/700)

○○○○○○○○○○○○○○○○○○○○○○○○○

CVP-109/107/105/103/700

Page 11

Drum/key Assignment List

Bank Select MSB 127 127 127 127 126 126

Bank Select LSB 0 0 0 0 0 0

Program # (1-128) 28 33 41 49 1 2 Keyboard MIDI Key Alternate Dance Kit Jazz Kit Brush Kit Symphony Kit SFX Kit 1 SFX Kit 2 Note Note # Note off assign C# 113C# -1 3 Surdo Mute Surdo Mute Surdo Mute Surdo Mute D 1 14 D -1 3 Surdo Open Surdo Open Surdo Open Surdo Open D# 115D# -1 Hi Q Hi Q Hi Q Hi Q E 1 16 E -1 Whip Slap Whip Slap Whip Slap Whip Slap F 1 17 F -1 4 Scratch H Scratch H Scratch H Scratch H F# 118F# -1 4 Scratch L Scratch L Scratch L Scratch L G 1 19 G -1 Finger Snap Finger Snap Finger Snap Finger Snap G# 120G# -1 Click Noise Click Noise Click Noise Click Noise A 1 21 A -1 Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click A# 122A# -1 Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell B 1 23 B -1 Seq Click L Seq Click L Seq Click L Seq Click L C 2 24 C 0 Seq Click H Seq Click H Seq Click H Seq Click H C# 225C# 0 Brush Tap Brush Tap Brush Tap Brush Tap D2 26 D0 D# 227D# 0 Brush Slap Brush Slap Brush Slap Brush Slap E2 28 E0 F2 29 F0 F# 230F# 0 Hi Q 2 Castanet Castanet Castanet G 2 31 G 0 SnareTechno3 Snare Soft Brush Slap 2 Brush Slap 2 G# 232G# 0 Sticks Sticks Sticks Sticks A 2 33 A 0 KickTechno Q Kick Soft Kick Soft Kick Soft 2 A# 234A# 0 Rim Gate OpenRimShot OpenRimShot OpenRimShot B 2 35 B 0 KickTechno L Kick Tight Kick Tight Gran Cassa C 3 36 C 1 KickTechno 2 Kick Jazz Kick Small GranCassa Mu CuttingNoiz Phone Call C# 337C# 1 SideStickAn Side Stick Side Stick Side Stick CuttingNoiz2 Door Squeak D 3 38 D 1 Snare Clap Snare Brush Slap 3 Band Snare Door Slam D# 339D# 1 Hand Clap Hand Clap Hand Clap Hand Clap String Slap Scratch Cut E 3 40 E 1 Snare Dry 2 Snare Tight Brush Tap 2 Band Snare 2 Scratch H 3 F 3 41 F 1 Tom Analog 1 Tom Jazz 1 Tom Brush 1 Tom Jazz 1 Wind Chime F# 342F# 1 1 HiHatClose 3 Hi-HatClosed Hi-HatClosed Hi-HatClosed Telephone 2 G 3 43 G 1 Tom Analog 2 Tom Jazz 2 Tom Brush 2 Tom Jazz 2 G# 344G# 1 1 HatCloseAn 2 Hi-Hat Pedal Hi-Hat Pedal Hi-Hat Pedal A 3 45 A 1 Tom Analog 3 Tom Jazz 3 Tom Brush 3 Tom Jazz 3 A# 346A# 1 1 HiHat Open 3 Hi-Hat Open Hi-Hat Open Hi-Hat Open B 3 47 B 1 Tom Analog 4 Tom Jazz 4 Tom Brush 4 Tom Jazz 4 C 4 48 C 2 Tom Analog 5 Tom Jazz 5 Tom Brush 5 Tom Jazz 5 C# 449C# 2 Crash Analog CrashCymbal1 CrashCymbal1 Hand Cymbal D 4 50 D 2 Tom Analog 6 Tom Jazz 6 Tom Brush 6 Tom Jazz 6 D# 451D# 2 RideCymbal 1 RideCymbal 1 RideCymbal 1 HandCymShort E 4 52 E 2 Chinese Cym Chinese Cym Chinese Cym Chinese Cym Fl.Key Click Ignition F 4 53 F 2 Ride Cym Cup Ride Cym Cup Ride Cym Cup Ride Cym Cup Squeal F# 454F# 2 Tambourine Tambourine Tambourine Tambourine Exhaust G 4 55 G 2 SplashCymbal SplashCymbal SplashCymbal SplashCymbal Crash G# 456G# 2 Cowbell Anlg Cowbell Cowbell Cowbell Siren A 4 57 A 2 CrashCymbal2 CrashCymbal2 CrashCymbal2 HandCymbal 2 Train A# 458A# 2 Vibraslap Vibraslap Vibraslap Vibraslap Jet Plane B 4 59 B 2 RideCymbal 2 RideCymbal 2 RideCymbal 2 HandCym2Shrt Starship C 5 60 C 3 Bongo H Bongo H Bongo H Bongo H Burst C# 561C# 3 Bongo L Bongo L Bongo L Bongo L Coaster D 5 62 D 3 Conga Anlg H Conga H Mute Conga H Mute Conga H Mute Submarine D# 563D# 3 Conga Anlg M Conga H Open Conga H Open Conga H Open E 5 64 E 3 Conga Anlg L Conga L Conga L Conga L F 5 65 F 3 Timbale H Timbale H Timbale H Timbale H F# 566F# 3 Timbale L Timbale L Timbale L Timbale L G 5 67 G 3 Agogo H Agogo H Agogo H Agogo H G# 568G# 3 Agogo L Agogo L Agogo L Agogo L Shower Laugh A 5 69 A 3 Cabasa Cabasa Cabasa Cabasa Thunder Scream A# 570A# 3 Maracas 2 Maracas Maracas Maracas Wind Punch B5 71 B3 C6 72 C4 C# 673C# 4 Guiro Short Guiro Short Guiro Short Guiro Short Feed D6 74 D4 D# 675D# 4 Claves 2 Claves Claves Claves E 6 76 E 4 Wood Block H Wood Block H Wood Block H Wood Block H F 6 77 F 4 Wood Block L Wood Block L Wood Block L Wood Block L F# 678F# 4 Scratch H 2 Cuica Mute Cuica Mute Cuica Mute G 6 79 G 4 Scratch L 3 Cuica Open Cuica Open Cuica Open G# 680G# 4 2 TriangleMute TriangleMute TriangleMute TriangleMute A 6 81 A 4 2 TriangleOpen TriangleOpen TriangleOpen TriangleOpen A# 682A# 4 Shaker Shaker Shaker Shaker B 6 83 B 4 Jingle Bells Jingle Bells Jingle Bells Jingle Bells C 7 84 C 5 Bell Tree Bell Tree Bell Tree Bell Tree Dog Machine Gun – 85 C# 5 Horse Laser Gun – 86 D 5 Bird Tweet 2 Explosion – 87 D# 5 Firework – 88 E 5 – 89 F 5 – 90 F# 5 Ghost – 91 G 5 Maou

O O

Brush Swirl Brush Swirl Brush Swirl Brush Swirl ReversCymbal BrushTapSwrl BrushTapSwrl BrushTapSwrl

Snare Roll Snare Roll Snare Roll Snare Roll

SambaWhistlH SambaWhistlH SambaWhistlH SambaWhistlH Stream Heartbeat SambaWhistlL SambaWhistlL SambaWhistlL SambaWhistlL Bubble Footsteps

Guiro Long Guiro Long Guiro Long Guiro Long

CVP-109/107/105/103/700

Page 12

Style List

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Category Style Name

8 BEAT 8 Beat 1

8 Beat 2 8Bt Adria 8Bt Pop 1 8Bt Pop 2 British Pop 8 Beat Rock ◆ 8 Beat Soft 8Beat Ballad Light Pop

16 BEAT 16 Beat 1

16 Beat 2 16 Beat 3 16 Beat 4 16 Beat 5 Soft Fusion Groundbeat ◆ Hip Hop Pop 16Bt Funk Funky Pop Funky Dance 80’s Fusion Jazz Rock

●

Funk ◆ FusionShfl. 16 Beat 6

BALLAD 16-Ballad 1

16-Ballad 2 Piano Ballad Rock Ballad U.S. Ballad Slow Rock 1 Slow Rock 2 Slow Ballad Analog Pop Modern 6/8 Pop Ballad 1 Pop Ballad 2 Cool Night GuitarBallad Organ Ballad Pop Ballad 3 Pop Ballad 4 ◆ Blues Ballad ■ ◆ Epic Ballad Pop Waltz

Category Style Name Category Style Name Category Style Name

DANCE Clubdance

Techno Entrance Eurobeat Trance ◆

●

70’s Disco 1 80’s Disco ◆

●

90’s Disco Disco Soul Cool Dance Miami Pop Disco Tropic Disco Hands Electro Pop 70’s Disco 2 ◆

●

ROCK/R&B Rock 1

Hard Rock R & Roll 1

●

Rock Shuffle Gospel Shffl R & B 1

Twist 1 Motown

●

Soul ■ ◆ 4/4 Blues

●

Rock 2 8 Beat Heat R & Roll 2 ◆

●

Soul Shuffle Pop Shuffle R & B 2 Twist 2 ■ ◆

●

6/8 Blues

●

SWING/JAZZ

Blues Rock ■ ◆ 6/8 Rock

Swing 1 Big Band 1 BigBand Bld Jazz Ballad Jazz Trio Boogie 1

●

Dixieland 1 BBand Boogie Gypsy Swing Bebop Swing 2

●

SWING/JAZZ

LATIN Samba Rio

COUNTRY Country Rock

●

BALLROOM Vienna Waltz

●

Big Band 2 Big Band 3 ■ ◆ Jazz Club 1 ■ ◆ Jazz Club 2 ■ ◆ Boogie 2 ■ ◆

●

Dixieland 2 Swing Ballad ■ ◆ Jazz Waltz 1 Jazz Waltz 2

Bossa Nova 1 Bossa Nova 2 Reggae ■ ◆

●

Swing Reggae GuitarRhumba Guitar Bossa Salsa Mambo Pop Samba ◆ Jazz Samba Pop Bossa 1

●

Pop Bossa 2 ◆ Spanish Paso Pop Reggae Pop Rhumba ◆ Pop Cha Cha ◆

Country 8Bt Country Pop CntryShuffle Cntry Swing Bluegrass Cntry Ballad Two Step CowboyBoogie Hoedown CountryWaltz Folk

Slow Waltz Slow Fox Quickstep 1 Tango Cha Cha Samba Rhumba

●

Pasodoble Jive

TRAD./ U.S. March WALTZ

●

PIANIST Stride 1

●

German March 6/8 March 1 Showtune Polka Pop Ober Polka Oberkrain.W. Tarantella Musette Guitar Waltz 6/8 March 2 Enka 1 Enka 2

Stride 2 Swing 1 Swing 2 Jazz Ballad Blues 1 Blues 2 BoogieWoogie Jazz Waltz Arpeggio 1 8Bt Ballad 1 8Bt Ballad 2 8 Beat Rock’n’ Roll Slow Rock 2Beat Swing Ragtime 1 Ragtime 2 March 1 6/8 March 4 Stroke March 2 Musical Traditional1 Traditional2 Traditional3 Arpeggio 2 Arpeggio 3 Waltz Slow Waltz Bossa Nova Samba Rhumba Cha Cha Beguine

Orch.Waltz Beguine Foxtrot Quickstep 2

CVP-109/107/105/103/700

• Styles marked with a ■ are not available on the CVP-107/700.

• Styles marked with a

• Styles marked with a *1 “70’s Disco” on the CVP-105/103.

*2 “Rock” on the CVP-103. *3 “R & Roll” on the CVP-105/103. *4 “Twist” on the CVP-107/105/103/700. *5 “Swing” on the CVP-103. *6 “Boogie” on the CVP-107/105/103/700. *7 “Bossa Nova” on the CVP-103. *8 “Pop Bossa” on the CVP-105/103.

◆

are not available on the CVP-105.

●

are not available on the CVP-103.

Page 13

Vocal Harmony Type List (CVP-109/107/700)

○○○○○○○○○○○○○

Display Name Harmony Type Harmony Mode Display Name Harmony Type Harmony Mode

Std:Duet Standard:Duet Chordal/Vocoder Girl:Duet Girl:Duet Chordal/Vocoder Lisa&Tina Lisa and Tina Chordal/Vocoder Singer Singer Chordal/Vocoder Dream Girls Dream Girls Chordal/Vocoder MenChoir Men Choir Chordal/Vocoder WomenChoir Women Choir Chordal/Vocoder ClosedChoir Closed Choir Chordal/Vocoder MixedChoir Mixed Choir Chordal/Vocoder CountryMen Country Men Chordal/Vocoder CntryGirls Country Girls Chordal/Vocoder Barbershop Barbershop Chordal/Vocoder MenCho:Jazz MenChoir:Jazz Chordal/Vocoder WomenCho:J WomenCho:Jazz Chordal/Vocoder CloseCho:J ClosedCho:Jazz Chordal/Vocoder MixedCho:J MixedCho:Jazz Chordal/Vocoder MenCho:Dia MenCho:Diatonic Chordal/Vocoder Girl:Diatnc Girl:Diatonic Chordal/Vocoder ACapellBoy A Capella Boy Chordal/Vocoder ACapellaMix A Capella Mix Chordal/Vocoder ACapellaDia A Capella Dia Chordal/Vocoder

Note: Vocal harmony types that have “

Chordal/Vocoder

” in the Harmony Mode

Falset:Duet Falsetto:Duet Chordal/Vocoder Falsett:Trio Falsetto:Trio Chordal/Vocoder Falsetto:Dia Falsetto:Dia Chordal/Vocoder Falset:Jazz Falsetto:Jazz Chordal/Vocoder FalACapella Fal A Capella Chordal/Vocoder UnisonLow:2 Unison Low:2 Chordal/Vocoder UnisonHigh:2 Unison High:2 Chordal/Vocoder UnisonLow:3 Unison Low:3 Chordal/Vocoder UnisonHigh:3 Unison High:3 Chordal/Vocoder XG XG Chordal/Vocoder Karaok:Duet Karaoke:Duet Chordal/Vocoder Karaok:Trio Karaoke:Trio Chordal/Vocoder KaraokGirl Karaoke:Girl Chordal/Vocoder KaraokPich Karaoke:Pitch Chordal/Vocoder SingBass Sing the Bass Chromatic SpdyMouse Speedy Mouse Chromatic ChromatXG ChromaticXG Chromatic DetuneXG DetuneXG Detune Voice&Inst Voice & Inst Chromatic VoiceToInst Voice to Inst Chromatic Thru Thru ---

column can be used in either Chordal or Vocoder mode.

Parameter Chart

Group Contents Default V. Harmony

VOICE RIGHT1 VOICE Grand Piano — OOOVOICE SETTING O VOICE SETTING VOICE SETTING

DUAL DUAL ON/OFF OFF — O O O VOICE SETTING O VOICE SETTING VOICE SETTING

SPLIT SPLIT ON/OFF OFF — — O O VOICE SETTING O VOICE SETTING VOICE SETTING

ORGAN FLUTES (109/107/700)

REVERB REVERB ON/OFF Depends on voice selection. — OOOREV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF

EFFECT EFFECT ON/OFF Depends on v oice selection. — O O O REV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF

CHORUS CHORUS ON/OFF (109/107/105/700) Depends on voice selection. — O O O REV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF

EQUALIZER (109/107/700)

RIGHT1 OCTAVE SHIFT 0 — O O O VOICE SETTING O VOICE SETTING VOICE SETTING RIGHT1 PAN Center — OOOVOICE SETTING O VOICE SETTING VOICE SETTING RIGHT1 VOLUME 127 — O O O VOICE SETTING O VOICE SETTING VOICE SETTING Selected voice in each VOICE SELECT page Top voice — — — — — O VOICE SETTING VOICE SETTING HARMONY ON/OFF OFF — O O O VOICE SETTING O VOICE SETTING VOICE SETTING HARMONY TYPE Depends on voice selection. — OOOVOICE SETTING O VOICE SETTING VOICE SETTING HARMONY VOLUME Depends on voice selection. — O O O VOICE SETTING O VOICE SETTING VOICE SETTING HARMONY SPEED Depends on voice selection. — OOOVOICE SETTING O VOICE SETTING VOICE SETTING

RIGHT2 VOICE Strings Slow — OOOVOICE SETTING O VOICE SETTING VOICE SETTING RIGHT2 OCTAVE SHIFT 0 — O O O VOICE SETTING O VOICE SETTING VOICE SETTING DUAL DETUNE DEPTH 5 — OOOVOICE SETTING O VOICE SETTING VOICE SETTING RIGHT2 PAN Center — O O O VOICE SETTING O VOICE SE TTING VOICE SETTING RIGHT2 VOLUME 127 — OOOVOICE SETTING O VOICE SETTING VOICE SETTING

LEFT VOICE Acous.Bass 1 — — OOVOICE SETTING O VOICE SETTING VOICE SETTING LEFT OCTAVE SHIFT +1 — — O O VOICE SETTING O VOICE SETTING VOICE SETTING SPLIT POINT F#2 — — — O VOICE SETTING O VOICE SETTING VOICE SETTING LEFT PAN Center — — O O VOICE SETTING O VOICE SETTING VOICE SETTING LEFT VOLUME 127 — — OOVOICE SETTING O VOICE SETTING VOICE SETTING PEDAL RANGE RIGHT — — — O PEDAL O PEDAL PEDAL ORGAN FLUTES VOICE JAZZ ORGAN — — OOVOICE SETTING O VOICE SETTING VOICE SETTING

FOOTAGE (16', 8' , 5+1/3', 4', 2+2/3', 2', 1+1/3', 1') Depends on voice selection. — — O O VOICE SETTING O VOICE SETTING VOICE SETTING ATTACK (4', 2+2/3', 2', LENGTH, RESPONSE) Depends on voice selection. — — OOVOICE SETTING O VOICE SETTING VOICE SETTING ATTACK MODE (EACH/FIRST) Depends on voice selection. — — O O VOICE SETTING O VOICE SETTING VOICE SETTING

REVERB TYPE Depends on style (voice)

Natural Reverb Type (109) Depends on style (voice)

Reverb System (RIGHT1, RIGHT2, LEFT) (109) REVERB TOTAL DEPTH 64 — — OOREV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF REVERB PART DEPTH (RHYTHM, ACMP) 64 — — O O REV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF REVERB PART DEPTH (LEFT, RIGHT1, RIGHT2) Depends on voice selection. — OOOREV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF

EFFECT TYPE (RIGHT1, RIGHT2, LEFT) (105/103) Depends on voice selection. — OOOREV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF EFFECT1 TYPE (109/107/700) Depends on voice selection. — O O O REV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF EFFECT2 TYPE (109/107/700) Depends on voice selection. — OOOREV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF EFFECT DEPTH (105/103) Depends on voice selection. — O O O REV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF EFFECT1 DEPTH (109/107/700) Depends on voice selection. — OOOREV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF EFFECT2 DEPTH (109/107/700) Depends on voice selection. — O O O REV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF EFFECT VARIATION (105/103) Depends on voice selection. — OOOREV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF EFFECT1 VARIATION (109/107/700) Depends on voice selection. — O O O REV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF EFFECT2 VARIATION (109/107/700) Depends on voice selection. — OOOREV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF EFFECT1 PART (109/107/700) RIGHT 1 — O O O REV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF EFFECT2 PART (109/107/700) RIGHT 2 — OOOREV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF

CHORUS TYPE Depends on style selection. — — OOREV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF CHORUS DEPTH (RIGHT1, RIGHT2, LEFT) Depends on voice selection. — O O O REV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF

EQUALIZER TYPE STANDARD — — — — VOICE SETTING O VOICE SETTING VOICE SETTING EQUALIZER GAIN Depends on equalizer type

selection.

selection. Depends on voice selection. — O O O REV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF

selection.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

One Touch

Memory

Setting

— — O O REV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF

— OOOREV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF

— — — — VOICE SETTING O VOICE SETTING VOICE SETTING

Music

Database

Set Up

Memory

Registration Freeze

Group

All Set Up

Backup Group Recall Group

CVP-109/107/105/103/700

Page 14

Parameter Chart

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Group Contents Default V. Harmony

REGISTRATION REGISTRATION FREEZE ON /OFF O FF — — — — — — REGISTRATION REGISTRATION

MIXER MIXER PART VOLUME (RHYTHM, BASS, CHORD,

ACCOMPANIMENT STYLE 8 Beat 1 — — O — ACMP. SETTING O ACMP SETTING ACMP SETTING

METRONOME METRONOME TYPE NORMAL — — — — — O ACMP SETTING ACMP SETTING

SONG GUIDE MODE NORMAL — — — — —

HELP LANGUAGE ENGLISH — — — — — O Always backed up. — FUNCTION TUNE 440.0Hz (A3) — — — — — O TUNE TUNE

VOCAL HARMONY (109/107/700)

1 The One Touch Setting function can only set this parameter for the RIGHT1 part. The

Registration function and All Set Up files can set this item for the RIGHT1, RIGHT2, and LEFT parts. Parameters related to the Organ Flutes voice will be recalled with a registration, Music Database setup, or All Setup file only if the Organ Flutes voice is selected by the recalled data.

2 The Registration function only stores the gain values for the currently selected equalizer

type. The Backup function backs up the gain values for all equalizer types.

3 When a Music Database setup or registration is recalled during Auto Accompaniment

playback, the style thereby selected will begin playing immediately if it is the same as the style that is currently playing, or from the top of the next measure if it is a different style.

4 REGISTRATION: ON; Others: OFF

FREEZE CATEGORY ON/OFF (VOICE SETTING, REV/CHO/EFF TUNE, PEDAL, ACMP.SETTING, VOCAL HARMONY (109/107/700) REGISTRATION NAME (109/107/105/700) REGIST Bank-Num. — — — — Always recalled. O REGISTRATION REGISTRATION ALL REGISTRATION Memory Da ta (20) Factory preset d ata — — — —

PAD, PHRASE) KEYBOARD VOLUME 127 — — O O VOICE SETTING O VOICE SETTING VOICE SETTING

Selected style in each STYLE SELECT page Top style — — — — — O ACMP SETTING ACMP SETTING MAIN A/B /C/D MAIN C — — O — ACMP. SETTING O ACMP SETTING ACMP SETTING ACMP. ON/O FF OFF — ON ON — ACMP. SETTING O ACMP SETTING ACMP SETTING ACCOMPANIMENT MODE MULTI FINGER — — — — ACMP. SETTING O ACMP SETTING ACMP SETTING TEMPO INTRO/FILL IN/ENDING O FF — — — — ACMP. SETTING O ——

METRONOME VOLUME 64 — — — — — O ACMP SETTING ACMP SETTING

SOUND REPEAT AUTO — — — — — O SONG SETTING SONG SETTING PIANO ROLL DISPLAY AUTO — — — — — O SONG SETTING SONG SETTING GUIDE LAMP ON/ OFF ON — — — — — O SONG SETTING SONG SETTING LYRICS ON/O FF ON — — — — SONG VOLUME [ACMP/SONG VOLUME]

TRANSPOSE (ALL) 0 — — — — VOIC E SETTING O VOICE SETTING VOICE SETTING TRANSPOSE (SONG) 0 — — — — — O VOICE SETTING VOICE SETTING VOICE SETTING AUTO — — — — — O VOICE SETTING VOICE SETTING KEY TOUCH NORMAL — — — — VOICE SETTING O VOICE SETTING VOICE SETTING FIXED VELOCITY 76 — — — — VOICE SETTING O VOICE SETTING VOICE SETTING LEFT PEDAL FUNCTION SOFT — — O O PEDAL O PEDAL PEDAL RIGHT PEDAL FUNCTION (109/107/700) LEFT PART MIDI SEND Ch. 3 — — — — — O MIDI SETTING MIDI SETTING RIGHT 1 PART MIDI SEND Ch. 1 — — — — — O MIDI SETTING MIDI SETTING RIGHT 2 PART MIDI SEND Ch. 2 — — — — — O MIDI SETTING MIDI SETTING LOCAL CONTROL ON/OF F ON — — — — — O MIDI SETTING MIDI SETTING SYNC. CLOCK INT. — — — — — O MIDI SETTING MIDI SETTING PROGRAM CHANGE SEND/RECEIVE ON/O FF TX&RX (ON) — — — — — O MIDI SETTING MIDI SETTING CONTROL CHANGE SEND/RECEIVE ON /OFF TX&RX (ON) — — — — — O MIDI SETTING MIDI SETTING SYSTEM EXCLUSIVE SEND/RECEIVE ON/O FF TX&RX (ON) — — — — — O MIDI SETTING MIDI SETTING START/STOP SEND/RECEIVE ON/OF F OFF — — — — — O MIDI SETTING MIDI SETTING MIDI FILTER ON/OFF (all channels) ON — — — — — O MIDI SETTING MIDI SETTING MIDI TRANSPOSE RECEIVE ON /OFF ON — — — — — O MIDI SETTING MIDI SETTING ACMP & RHY SEND ON /OF F O F F — — — — — O MIDI SETTING MIDI SETTING HARMONY SEND ON /OF F OFF — — — — — O MIDI SETTING MIDI SETTING SEQUENCER SEND ON/ OFF O F F — — — — — O MIDI SETTING MIDI SETTING REMOTE KEYBOARD OFF — — — — — O MIDI SETTING MIDI SETTING MICRO TUNING ON/ OF F O F F — — — — — O TUNE TUNE MICRO TUNE. SETTING 0 — — — — — O TUNE TUNE SCALE TUNING SELECT PRESET — — — — TUNE O TUNE TUNE PRESET SCALE SELECT EQUAL — — — — TUNE O TUNE TUNE PRESET SCALE KEY C — — — — TUNE O TUNE TUNE USER SCALE SETTING 0 — — — — TUNE O TUNE TUNE BACKUP ON/O FF Set separately for each

Video Out Screen SIZE (109/107/700) LARGE — — — — — — Always backed up. — Video Out CHARACTER Color (109/107/700) BLUE (19) — — — — — — Always backed up. — Video Out BACKGROUND Color (109/107/700) WHITE — — — — — — Always backed up. — VOCAL HARMONY O N/O FF OF F O — — — VOCAL HARMONY O VOCAL HARMONY VOCAL HARMONY

VOCAL HARMONY TYPE MenChoir O — — — VOCAL HARMONY O VOCAL HARMONY VOCAL HARMONY VOCAL HARMONY REVERB DEPTH 64 O — — — VOCAL HARMONY O VOCAL HARMONY VOCAL HARMONY VOCAL HARMONY CHORUS DEPTH 0 O — — — VOCAL HARMONY O VOCAL HARMONY VOCAL HARMONY VOCAL HARMONY EFFECT DEPTH 50 O — — — VOCAL HARMONY O VOCAL HARMONY VOCAL HARMONY VOCAL HARMONY EFFECT TYPE KARAOKE1 O — — — VOCAL HARMONY O VOCAL HARMONY VOCAL HARMONY VOCAL HARMONY BALANCE Depends on Vocal Harmony

VOCAL HARMONY PITCH TO NOTE PART Depends on Vocal Harmony

VOCAL HARMONY GENDER TYPE Depends on Vocal Harmony

VOCAL HARMONY HARMONY PART Automatically set O — — — VOCAL HARMONY O VOCAL HARMONY VOCAL HARMONY VOCAL HARMONY HARMONY MODE AUTO O — — — VOCAL HARMONY O VOCAL HARMONY VOCAL HARMONY VOCAL HARMONY PITCH CORRECTION Depends on Vocal Harmony

VOCAL HARMONY LOCK ON/OF F OFF — — — — — O VOCAL HARMONY VOCAL HARMONY

(109/107/700),

REVERB/EFFECT

ACMP. SETTING: ON

(105/103),

Others: OF F

110 — — O ACMP. SETTING O ACMP SETTING ACMP SETTING

Depends on style selection. — — O — ACMP. SETTING O ACMP SETTING ACMP SETTING

slider val ue

Depends on R1 voice selection.

group.

type.

One Touch

Memory

— — — — — — REGISTRATION REGISTRATION

— — — SONG SETTING

——OOVOICE SETTING O VOICE SETTING VOICE SETTING

O — — — VOCAL HARMONY O VOCAL HARMONY VOCAL HARMONY

Setting

Music

Set Up

Memory

—

Registration Freeze

Group

— O REGISTRATION REGISTRATION

— O SONG SETTING SONG SETTING

Database

—— —

All Set Up

Backup Group Recall Group

—— —

—

Always backed up.

CVP-109/107/105/103/700

Page 15

Fingering Chart

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

* All fingerings shown are simple root-position types. * Die hier gezeigten Akkorde sind jeweils die Grundakkorde. * Tous les doigtés indiqués sont du type à position fondamentale simple. * Todos los digitados se muestran como tipos de posición de raíz sencilla.

Example for “C” chords Beispiele für “C”-Akkorde Exemples d’accords en “C” Ejemplo de acordes “C”

Cadd

(#5)

CmM

( )

(9)

(b5)

(#5)

( )

Cmadd

CmM

( )

(9)

( )

(9)

( )

(9)

( )

(b5)

( )

Cdim

(b5)

(11)

( )

Caug

CmM

(#11)

( )

(b5)

C sus

(b9)

( )

(9)

( )

(b13)

(#11)

( )

(#9)

( )

Csus

(13)

( )

CVP-109/107/105/103/700

( )

(b5)

Page 16

MIDI Data Format

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Many MIDI messages listed in the MIDI Data Format are expressed in decimal numbers, binary numbers and hexadecimal numbers. Hexadecimal numbers may include the letter “H” as a suffix. Also, “n” can freely be defined as any whole number. To enter data/values, refer to the table below.

Decimal Hexadecimal Binary Decimal Hexadecimal Binary

0 00 0000 0000 1 01 0000 0001 2 02 0000 0010 3 03 0000 0011 4 04 0000 0100 5 05 0000 0101 6 06 0000 0110 7 07 0000 0111 8 08 0000 1000

9 09 0000 1001 10 0A 0000 1010 11 0B 0000 1011 12 0C 0000 1100 13 0D 0000 1101 14 0E 0000 1110 15 0F 0000 1111 16 1 0 0001 0000 17 1 1 0001 0001 18 1 2 0001 0010 19 1 3 0001 0011 20 1 4 0001 0100 21 1 5 0001 0101 22 1 6 0001 0110 23 1 7 0001 0111 24 1 8 0001 1000 25 1 9 0001 1001 26 1A 0001 1010 27 1B 0001 1011 28 1C 0001 1100 29 1D 0001 1101 30 1E 0001 1110 31 1F 0001 1111 32 2 0 0010 0000 33 2 1 0010 0001 34 2 2 0010 0010 35 2 3 0010 0011 36 2 4 0010 0100 37 2 5 0010 0101 38 2 6 0010 0110 39 2 7 0010 0111 40 2 8 0010 1000 41 2 9 0010 1001 42 2A 0010 1010 43 2B 0010 1011 44 2C 0010 1100 45 2D 0010 1101 46 2E 0010 1110 47 2F 0010 1111 48 3 0 0011 0000 49 3 1 0011 0001 50 3 2 0011 0010 51 3 3 0011 0011 52 3 4 0011 0100 53 3 5 0011 0101 54 3 6 0011 0110 55 3 7 0011 0111 56 3 8 0011 1000 57 3 9 0011 1001 58 3A 0011 1010 59 3B 0011 1011 60 3C 0011 1100 61 3D 0011 1101 62 3E 0011 1110 63 3F 0011 1111

64 4 0 0100 0000 65 4 1 0100 0001 66 4 2 0100 0010 67 4 3 0100 0011 68 4 4 0100 0100 69 4 5 0100 0101 70 4 6 0100 0110 71 4 7 0100 0111 72 4 8 0100 1000 73 4 9 0100 1001 74 4A 0100 1010 75 4B 0100 1011 76 4C 0100 1100 77 4D 0100 1101 78 4E 0100 1110 79 4F 0100 1111 80 5 0 0101 0000 81 5 1 0101 0001 82 5 2 0101 0010 83 5 3 0101 0011 84 5 4 0101 0100 85 5 5 0101 0101 86 5 6 0101 0110 87 5 7 0101 0111 88 5 8 0101 1000 89 5 9 0101 1001 90 5A 0101 1010 91 5B 0101 1011 92 5C 0101 1100 93 5D 0101 1101 94 5E 0101 1110 95 5F 0101 1111 96 6 0 0110 0000 97 6 1 0110 0001 98 6 2 0110 0010

99 6 3 0110 0011 100 64 0110 0100 101 65 0110 0101 102 66 0110 0110 103 67 0110 0111 104 68 0110 1000 105 69 0110 1001 106 6A 0110 1010 107 6B 0110 1011 108 6C 0110 1100 109 6D 0110 1101 110 6E 0110 1110 111 6F 0110 1111 112 70 0111 0000 113 71 0111 0001 114 72 0111 0010 115 73 0111 0011 116 74 0111 0100 117 75 0111 0101 118 76 0111 0110 119 77 0111 0111 120 78 0111 1000 121 79 0111 1001 122 7A 0111 1010 123 7B 0111 1011 124 7C 0111 1100 125 7D 0111 1101 126 7E 0111 1110 127 7F 0111 1111

• Except the table above, for example 144-159(decimal)/9nH/1001 0000-1001 1111(binary) displays the Note On Message for each channel (1-16). 176-191/

BnH/1011 0000-1011 1111 displays the Control Change Message for each channel (1-16). 192-207/CnH/1100 0000-1100 1111 displays the Program

Change Message for each channel (1-16). 240/F0H/1111 0000 denotes the start of a System Exclusive Message. 247/F7H/1111 0111 denotes the end of

a System Exclusive Message.

• aaH (hexidecimal)/0aaaaaaa (binary) denotes the data address. The address contains High, Mid, and Low.

• bbH/0bbbbbbb denotes the byte count.

• ccH/0ccccccc denotes the check sum.

• ddH/0ddddddd denotes the data/value.

(1) TRANSMIT FLOW

MIDI← KEY OFF 8nH OUT KEY ON/OFF 9nH

CONTROL CHANGE BnH BANK SELECT MSB BnH,00H

BANK SELECT LSB BnH,20H DATA ENTRY MSB BnH,06H DATA ENTRY LSB BnH,26H MAIN VOLUME BnH,07H PANPOT BnH,0AH EXPRESSION BnH,0BH SUSTAIN BnH,40H SOSTENUTE BnH,42H SOFT PEDAL BnH,43H PORTAMENTO CONTROL BnH,54H REVERB SEND LEVEL BnH,5BH CHORUS SEND LEVEL BnH,5DH VARIATION SEND LEVEL BnH,5EH RPN LSB BnH,64H RPN MSB BnH,65H PITCH BEND SENS. BnH,65H,00H,64H,00H,06H,mmH

PROGRAM CHANGE CnH

SYSTEM EXCLUSIVE MESSAGE

UNIVERSAL NON-REALTIME F0H 7EH.....F7H

XG PARAMETER CHANGE

XG BULK DUMP

SYSTEM REALTIME MESSAGE

MIDI CLOCK F8H START FAH STOP FCH ACTIVE SENSING FEH

(2) RECEIVE FLOW

MIDI → KEY OFF 8nH IN

KEY ON/OFF 9nH

CONTROL CHANGE

BANK SELECT MSB BnH,00H BANK SELECT LSB BnH,20H MODULATION BnH,01H PORTAMENTO TIME BnH,05H DATA ENTRY MSB BnH,06H DATA ENTRY LSB BnH,26H MAIN VOLUME BnH,07H PANPOT BnH,0AH EXPRESSION BnH,0BH SUSTAIN BnH,40H PORTAMENTO BnH,41H SOSTENUTO BnH,42H SOFT PEDAL BnH,43H HARMONIC CONTENT BnH,47H RELEASE TIME BnH,48H ATTACK TIME BnH,49H BRIGHTNESS BnH,4AH PORTAMENTO CONTROL BnH,54H REVERB SEND LEVEL BnH,5BH CHORUS SEND LEVEL BnH,5DH VARIATION SEND LEVEL BnH,5EH DATA INCREMENT BnH,60H DATA DECREMENT BnH,61H NRPN LSB BnH,62H NRPN MSB BnH,63H

VIBRATO RATE BnH,63H,01H,62H,08H,06H,mmH VIBRATO DEPTH BnH,63H,01H,62H,09H,06H,mmH VIBRATO DELAY BnH,63H,01H,62H,0AH,06H,mmH FILTER CUTOFF FREQ. BnH,63H,01H,62H,20H,06H,mmH FILTER RESONANCE BnH,63H,01H,62H,21H,06H,mmH EQ BASS (CVP-109/107/700) BnH,63H,01H,62H,30H,06H,mmH EQ TREBLE (CVP-109/107/700) BnH,63H,01H,62H,31H,06H,mmH EQ BASS FREQ. EQ TREBLE FREQ. (CVP-109/107/700) EG ATTACK TIME BnH,63H,01H,62H,63H,06H,mmH EG DECAY TIME BnH,63H,01H,62H,64H,06H,mmH EG RELEASE BnH,63H,01H,62H,66H,06H,mmH DRUM INST *1

CUTOFF FREQ. BnH,63H,14H,62H,rrH,06H,mmH

(CVP-109/107/700)

F0H 43H 1nH 4CH aaH aaH aaH ddH

F0H 43H 0nH 4CH bbH bbH aaH aaH

aaH ddH.....ddH ccH F7H

BnH,63H,01H,62H,34H,06H,mmH BnH,63H,01H,62H,35H,06H,mmH

.....ddH F7H

CVP-109/107/105/103/700

Page 17

MIDI Data Format

FILTER RESONANCE BnH,63H,15H,62H,rrH,06H,mmH EG ATTACK RATE BnH,63H,16H,62H,rrH,06H,mmH EG DECAY RATE BnH,63H,17H,62H,rrH,06H,mmH PITCH COARSE BnH,63H,18H,62H,rrH,06H,mmH PITCH FINE BnH,63H,19H,62H,rrH,06H,mmH LEVEL BnH,63H,1AH,62H,rrH,06H,mmH PANPOT BnH,63H,1CH,62H,rrH,06H,mmH REVERB SEND BnH,63H,1DH,62H,rrH,06H,mmH CHORUS SEND BnH,63H,1EH,62H,rrH,06H,mmH

VARIATION SEND BnH,63H,1FH,62H,rrH,06H,mmH RPN LSB BnH,64H RPN MSB BnH,65H

PITCH BEND SENS. BnH,65H,00H,64H,00H,06H,mmH FINE TUNING BnH,65H,00H,64H,01H,06H,mmH,

COARSE TUNING BnH,65H,00H,64H,02H,06H,mmH

NULL BnH,65H,7FH,64H,7FH ALL SOUND OFF BnH,78H,00H RESET ALL CONTROLLERS BnH,79H,00H ALL NOTES OFF BnH,7BH,00H OMNI OFF BnH,7CH,00H OMNI ON BnH,7DH,00H MONO BnH,7EH POLY BnH,7FH

PROGRAM CHANGE CnH

CHANNEL AFTER TOUCH DnH

PITCH BEND CHANGE EnH

SYSTEM EXCLUSIVE MESSAGE

UNIVERSAL REALTIME F0H 7FH.....F7H

UNIVERSAL NON-REALTIME F0H 7EH.....F7H

XG PARAMETER CHANGE

XG BULK DUMP

PARAMETER REQUEST DUMP REQUEST

SYSTEM REALTIME MESSAGE

MIDI CLOCK F8H START FAH STOP FCH ACTIVE SENSING FEH

F0H 43H 1nH 4CH aaH aaH aaH ddH

F0H 43H 0nH 4CH bbH bbH aaH aaH

aaH ddH.....ddH ccH F7H

F0H 43H 3nH 4CH aaH aaH aaH F7H F0H 43H 2nH 4CH aaH aaH aaH F7H

(3) TRANSMIT/RECEIVE DATA

(3-1) CHANNEL VOICE MESSAGES

(3-1-1) KEY OFF

STATUS 1000nnnn(8nH) n = 0 - 15 VOICE CHANNEL NUMBER NOTE NUMBER 0kkkkkkk k = 0 (C-2) - 127 (G8) VELOCITY 0vvvvvvv v: ignored

(3-1-2) KEY ON/OFF

STATUS 1001nnnn(9nH) n = 0 - 15 VOICE CHANNEL NUMBER NOTE NUMBER 0kkkkkkk k = 0 (C-2) - 127 (G8) VELOCITY 0vvvvvvv (v ≠ 0) NOTE ON

(3-1-3) PROGRAM CHANGE

STATUS 1100nnnn(CnH) n = 0 - 15 VOICE CHANNEL NUMBER PROGRAM NUMBER 0ppppppp p = 0 - 127

* PROGRAM NUMBER: XG DRUM VOICE number correspondence

P = 0 Standard Kit P = 1 Standard2 Kit P = 4 Hit Kit (CVP-109/107/700) P = 8 Room Kit P = 16 Rock Kit P = 24 Electro Kit P = 25 Analog Kit P = 27 Dance Kit P = 32 Jazz Kit P = 40 Brush Kit P = 48 Classic Kit

* PROGRAM NUMBER: XG SFX KIT number correspondence

P = 0 SFX1 Kit P = 1 SFX2 Kit

When DRUM VOICE is selected and program change data for a different DRUM VOICE is received, the currently selected Drum Setup data will be replaced with the new DRUM VOICE DATA.

00000000 (v = 0) NOTE OFF

26H,llH

.....ddH F7H

(3-1-4) CHANNEL AFTER TOUCH (Receive only)

STATUS 1101nnnn(DnH) n = 0 - 15 VOICE CHANNEL NUMBER VALUE 0vvvvvvv v = 0 - 127 AFTER TOUCH VALUE

(3-1-5) PITCH BEND CHANGE

STATUS 1110nnnn(EnH) n = 0 - 15 VOICE CHANNEL NUMBER LSB 0vvvvvvv PITCH BEND CHANGE LSB MSB 0vvvvvvv PITCH BEND CHANGE MSB

(3-1-6) CONTROL CHANGE

STATUS 1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER CONTROL NUMBER 0ccccccc CONTROL VALUE 0vvvvvvv

* Transmit CONTROL NUMBER.

c = 0 BANK SELECT MSB ; v = 0:XG NORMAL,

c = 32 BANK SELECT LSB ; v = 0 - 127 c = 6 DATA ENTRY MSB ; v = 0 - 127 *1 c = 38 DATA ENTRY LSB ; v = 0 - 127 *1 c = 7 MAIN VOLUME ; v = 0 - 127 c = 10 PANPOT; v = 0 - 127 c = 11 EXPRESSION ; v = 0 - 127 c = 64 SUSTAIN ; v = 0-63:OFF , 64-127:ON *2 c = 66 SOSTENUTO ; v = 0-63:OFF , 64-127:ON *2 c = 67 SOFT PEDAL ; v = 0-63:OFF , 64-127:ON *2 c = 84 PORTAMENTO CONTROL ; v = 0 - 127 c = 91 REVERB SEND LEVEL ; v = 0 - 127 c = 93 CHORUS SEND LEVEL ; v = 0 - 127 c = 94

c = 100 RPN LSB ; v = 0 - 127 c = 101 RPN MSB ; v = 0 - 127

* Receive CONTROL NUMBER.

c = 0 BANK SELECT MSB ; v = 0:XG NORMAL,

c = 32 BANK SELECT LSB ; v = 0 - 127 c = 1 MODULATION ; v = 0 - 127 *2 c = 5 PORTAMENTO TIME ; v = 0 - 127 *2 c = 6 DATA ENTRY MSB ; v = 0 - 127 *1 c = 38 DATA ENTRY LSB ; v = 0 - 127 *1 c = 7 MAIN VOLUME ; v = 0 - 127 c = 10 PANPOT; v = 0 - 127 c = 11 EXPRESSION ; v = 0 - 127 c = 64 SUSTAIN ; v = 0-63:OFF , 64-127:ON *2 c = 65 PORTAMENTO ; v = 0-63:OFF , 64-127:ON *2 c = 66 SOSTENUTO ; v = 0-63:OFF , 64-127:ON *2 c = 67 SOFT PEDAL ; v = 0-63:OFF , 64-127:ON *2 c = 71 HARMONIC CONTENT ; c = 72 RELEASE TIME ; c = 73 ATTACK TIME ; c = 74 BRIGHTNESS ; c = 84 PORTAMENT CONTROL ; v = 0 - 127 *2 c = 91 REVERB SEND LEVEL ; v = 0 - 127 c = 93 CHORUS SEND LEVEL ; v = 0 - 127 c = 94

c = 96 DATA INCREMENT ; v = 0 - 127 *1 c = 97 DATA DECREMENT ; v = 0 - 127 *1

*1 Only when setting the appointed parameter with RPN, NRPN. *2 Does not effect Rhythm Voice.

VARIATION SEND LEVEL

RPN MSB/LSB, NRPN MSB/LSB

64:SFX NORMAL, 126:XG SFX KIT, 127:XG DRUM

; v = 0 - 127 (When only Connection = 1[System])

64:SFX NORMAL, 126:XG SFX KIT, 127:XG DRUM

v = 0:-64 - 64:0 - 127:+63 *2 v = 0:-64 - 64:0 - 127:+63 *2 v = 0:-64 - 64:0 - 127:+63 *2 v = 0:-64 - 64:0 - 127:+63 *2

; v = 0 - 127 (When only Connection = 1[System])

• Until a PROGRAM CHANGE message is received, the BANK SELECT operation will be suspended. When a Voice, including VOICE BANK, is changed, set the BANK SELECT and Program Change Message, and transmit in the following order, BANK SELECT MSB, LSB, PROGRAM CHANGE.

• MODULATION controls the Vibrato Depth.

• PORTAMENTO TIME controls the Pitch Change Speed when the Portamento Switch = ON. 0 being the shortest time, and 127 being the longest.

• PANPOT changes the value for the melody voice and rhythm voice in relation to the preset value.

• Portamento time is fixed to 0 when the PORTAMENTO CONTROL is used.

CVP-109/107/105/103/700

Page 18

MIDI Data Format

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

• HARMONIC CONTENT applies adjustment to the resonance value that is set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment. As values get higher the sound becomes increasingly eccentric. Note that for some voices the effective parameter range is narrower than the legal parameter range.

• RELEASE TIME applies adjustment to the envelope release time set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment.

• ATTACK TIME applies adjustment to the envelope attack time set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment.

• BRIGHTNESS applies adjustment to the cut-off frequency set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment. Lower voices produce a softer sound. For some voices the effective parameter range is narrower than the legal parameter range.

(3-2) CHANNEL MODE MESSAGES

STATUS 1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER CONTROL NUMBER 0ccccccc c = CONTROL NUMBER CONTROL VALUE 0vvvvvvv v = DATA VALUE

(3-2-1) ALL SOUND OFF (Receive only)

(CONTROL NUMBER = 78H , DATA VALUE = 0)

Switches off all sound from the channel. Reset Note On and Hold On conditions established by Channel Messages.

(3-2-2) RESET ALL CONTROLLERS (Receive only)

(CONTROL NUMBER = 79H , DATA VALUE = 0)

Resets controllers as follows.

PITCH BEND CHANGE 0 (Center) AFTER TOUCH 0 (min.) MODULATION 0 (min.) EXPRESSION 127 (max.) SUSTAIN 0 (off) SOSTENUTO 0 (off) SOFT PEDAL 0 (off) NRPN Sets number to null. (Internal data remains unchanged) RPN Sets number to null. (Internal data remains unchanged) PORTAMENT CONTROL Resets portamento source note number PORTAMENTO 0 (off)

(3-2-3) ALL NOTES OFF (Receive only)

(CONTROL NUMBER = 7BH , DATA VALUE = 0)

Switches off all of the channel’s “on” notes. However, any notes being held by SUSTAIN or SOSTENUTO continue to sound until SUSTAIN/SOSTENUTO goes off.

(3-2-4)

OMNI OFF (Receive only) (CONTROL NUMBER = 7CH , DATA VALUE = 0)

Same processing as for All Notes Off.

(3-2-5) OMNI ON (Receive only)

Same processing as for All Notes Off. Omni On is not executed.

(3-2-6) MONO (Receive only)

Same processing as for All Notes Off. If the 3rd byte is in a range of 0-16 the corresponding channel will be changed to Mode 4 (m=1).

(CONTROL NUMBER = 7DH , DATA VALUE = 0)

(CONTROL NUMBER = 7EH , DATA VALUE = 0)

(3-2-7) POLY (Receive only) (CONTROL NUMBER = 7FH , DATA VALUE = 0)

Same processing as for All Sounds Off and the corresponding channel will be changed to Mode 3.

(3-3) REGISTERED PARAMETER NUMBER(RPN)

STATUS 1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER RPN LSB 01100100(64H) RPN LSB NUMBER 0ppppppp p = RPN LSB (refer to the list below) RPN MSB 01100101(65H) RPN MSB NUMBER 0qqqqqqq q = RPN MSB (refer to the list below) DATA ENTRY MSB 00000110(06H) DATA VALUE 0mmmmmmm m = Data Value DATA ENTRY LSB 00100110(26H) DATA VALUE 0lllllll l = Data Value

First appoints the parameter for RPN MSB/LSB, then sets the parameter value for data entry MSB/LSB.

RPN D.ENTRY LSB MSB MSB LSB PARAMETER NAME DATA RANGE 00H 00H mmH — 01H 00H mmH llH FINE TUNE

02H 00H mmH — COARSE TUNE 7FH 7FH — — NULL Clears the current RPN number setting.

PITCH BEND SENSITIVITY

{mmH,llH} = {00H,00H}-{40H,00H}-{7FH,7FH} (-8192*100/8192) - 0 - (+8192*100/8192)

28H - 40H - 58H (-24 - 0 - +24 semitones)

Does not change the internal parameter settings.

00H-18H (0 - 24 semitones)

(3-4) NON-REGISTERED PARAMETER NUMBER(NRPN) (Receive only)

STATUS 1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER NRPN LSB 01100010(62H) NRPN LSB NUMBER 0ppppppp p = NRPN LSB (refer to the list below) NRPN MSB 01100011(63H) NRPN MSB NUMBER 0qqqqqqq q = NRPN MSB (refer to the list below) DATA ENTRY MSB 00000110(06H) DATA VALUE 0mmmmmmm m = Data Value

First appoints the parameter for NRPN MSB/LSB, then sets the parameter value for data entry MSB/LSB.

NRPN D.ENTRY MSB LSB MSB LSB PARAMETER NAMEDATA RANGE 01H 08H mmH — VIBRATO RATE 01H 09H mmH — VIBRATO DEPTH 01H 0AH mmH — VIBRATO DELAY 01H 20H mmH — 01H 21H mmH — FILTER RESONANCE 01H 30H mmH — 01H 31H mmH — 01H 34H mmH — 01H 35H mmH — 01H 63H mmH — EG ATTACK TIME 01H 64H mmH — EG DECAY TIME 01H 66H mmH — EG RELEASE 14H rrH mmH — 15H rrH mmH — 16H rrH mmH — DRUM AEG ATTACK RATE 17H rrH mmH — DRUM AEG DECAY RATE 18H rrH mmH — DRUM PITCH COARSE 19H rrH mmH — DRUM PITCH FINE 1AH rrH mmH — DRUM LEVEL 1CH rrH mmH — DRUM PANPOT

1DH rrH mmH — 1EH rrH mmH — 1FH rrH mmH —

The MSB 14H-1FH (for drums) message is received when multi-part parameters PART MODE = DRUMS1...2.

rrH : drum instrument note number

FILTER CUTOFF FREQUENCY

EQ BASS (CVP-109/107/700) EQ TREBLE EQ BASS FREQ. EQ TREBLE FREQ. (CVP-109/107/700)

DRUM FILTER CUTOFF FREQ. 00H - 40H - 7FH (-64 - 0 - +63) DRUM FILTER RESONANCE

DRUM REVERB SEND LEVEL DRUM CHORUS SEND LEVEL DRUM VARIATION SEND LEVEL 00H - 7FH (0 - max.)

(CVP-109/107/700) 00H - 40H - 7FH (-64 - 0 - +63)

(CVP-109/107/700)

00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63)

00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63)

00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 7FH (0 - max.) 00H ,01H - 40H - 7FH (random,left - center - right) 00H - 7FH (0 - max.) 00H - 7FH (0 - max.)

(3-5) SYSTEM REALTIME MESSAGES

(3-5-1) MIDI CLOCK

STATUS 11111000 (F8H)

Transmission: 96 clocks per measure are transmitted. Reception: If the instrument’s clock is set to external, after FAH is received from the external

device the instrument’s clock will sync with the 96 beats per measure received from the external device. Decides whether the internal clock, or Timing Clocks received via the MIDI IN will be used.

(3-5-2) START

STATUS 11111010 (FAH)

Transmission: Transmitted when instrument’s Rhythm or Song playback is started. Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will start.

(3-5-3) STOP

STATUS 11111100 (FCH)

Transmission: Transmitted when instrument’s Rhythm or Song playback is stopped. Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will stop.

(3-5-4) ACTIVE SENSING

STATUS 11111110 (FEH)

Transmission: Transmitted approximately once every 200msec. Reception: Sensing is started once this Code is received. If Status or Data is not received within

400ms, the MIDI Receive Buffer will be cleared, and all notes, including those being sustained, will be cut OFF. Also, all control values will be reset to their factory defaults.

CVP-109/107/105/103/700

Page 19

○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

MIDI Data Format

(3-6) SYSTEM EXCLUSIVE MESSAGE

(3-6-1) YAMAHA MIDI FORMAT

(3-6-1-1) SECTION CONTROL

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01111110 7E Style 00000000 00 0sssssss SS Switch No.

0ddddddd DD Switch On/Off: 00H(Off),7FH(On) 11110111 F7 End of Exclusive

When an ON code is received, the appointed section will be changed.

(3-6-1-2) TEMPO CONTROL

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01111110 7E Style 00000000 01 0ttttttt TT Tempo4 0ttttttt TT Tempo3 0ttttttt TT Tempo2 0ttttttt TT Tempo1 11110111 F7 End of Exclusive

The internal clock will be set to the received Tempo value. Tempo Meta Event is a large data block (24-bit), it is divided into 4 groups with 7-bits going into each of the Tempos 1-4 (4 receives the remaining 3 bits).

(3-6-1-3) CHORD CONTROL type1

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01111110 7E Style 00000010 02 type 1 0ddddddd dd chord root(cr) 0ddddddd dd chord type(ct) 0ddddddd dd bass note(bn) 0ddddddd dd bass type(bt) 11111110 F7 End of Exclusive

Chord transmit: Transmitted using type 1 format.

cr Chord Root 0kkknnnn (kkk:Change symbol, nnnn:Note) Binary Hex Change symbol Binary Hex Note 0000nnnn 0n bbb(3 flats) 0kkk0000 k0 reserved 0001nnnn 1n bb (2 flats) 0kkk0001 k1 C 0010nnnn 2n b (1 flat) 0kkk0010 k2 D 0011nnnn 3n natural 0kkk0011 k3 E 0100nnnn 4n # (1 sharp) 0kkk0100 k4 F 0101nnnn 5n ## (2 sharps) 0kkk0101 k5 G 0110nnnn 6n ###(3 sharps) 0kkk0110 k6 A

00H : INTRO A 01H : INTRO B 02H : INTRO C/D 03H~07H : INTRO C/D 08H : MAIN A 09H : MAIN B 0AH : MAIN C 0BH~0FH : MAIN D 10H : FILL IN A 11H : FILL IN B 12H : FILL IN C 13H~17H : FILL IN D 18H : BREAK FILL 19H : BREAK FILL 1AH : BREAK FILL 1BH~1FH : BREAK FILL 20H : ENDING A 21H : ENDING B 22H : ENDING C/D 23H~27H : ENDING C/D

0kkk0111 k7 B

ct Chord Type 0 - 34,127 Binary Hex Dec Chord type Binary Hex Dec Chord type 00000000 00 0 Maj 00010010 12 18 dim7 00000001 01 1 Maj6 00010011 13 19 7th 00000010 02 2 Maj7 00010100 14 20 7sus4 00000011 03 3 Maj7(#11) 00010101 15 21 7b5 00000100 04 4 Maj(9) 00010110 16 22 7(9) 00000101 05 5 Maj7(9) 00010111 17 23 7(#11) 00000110 06 6 Maj6(9) 00011000 18 24 7(13) 00000111 07 7 aug 00011001 19 25 7(b9) 00001000 08 8 min 00011010 1A 26 7(b13) 00001001 09 9 min6 00011011 1B 27 7(#9) 00001010 0A 10 min7 00011100 1C 28 Maj7aug 00001011 0B 11 min7b5 00011101 1D 29 7aug 00001100 0C 12 min(9) 00011110 1E 30 1+8 00001101 0D 13 min7(9) 00011111 1F 31 1+5 00001110 0E 14 min7(11) 00100000 20 32 sus4 00001111 0F 15 minMaj7 00100001 21 33 1+2+5 00010000 10 16 minMaj7(9) 00100010 22 34 cc 00010001 11 17 dim

bn On Bass Note Same as Chord root,

bt Bass Chord Same as Chord type

127:No bass chord

(3-6-2) UNIVERSAL SYSTEM EXCLUSIVE

(3-6-2-1) UNIVERSAL REALTIME MESSAGE

(3-6-2-1-1) MIDI MASTER VOLUME (Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01111110 7F Universal Realtime 01111111 7F ID of target Device 00001001 04 Sub-ID #1=Device Control Message 00000001 01 Sub-ID #2=Master Volume 0sssssss SS Volume LSB 0ttttttt TT Volume MSB 11110111 F7 End of Exclusive or 11110000 F0 Exclusive status 01111110 7F Universal Realtime 0xxxnnnn XN

00001001 04 Sub-ID #1=Device Control Message 00000001 01 Sub-ID #2=Master Volume 0sssssss SS Volume LSB 0ttttttt TT Volume MSB 11110111 F7 End of Exclusive

The volume for all channels will be changed simultaneously. The TT value is used as the MIDI Master Volume value. (the SS value is ignored.)

When N is received N=0-F, whichever is received. When N is transmitted N always=0. X = don’t care

(3-6-2-2) UNIVERSAL NON REALTIME MESSAGE

(3-6-2-2-1) GENERAL MIDI SYSTEM ON

binary hexadecimal 11110000 F0 Exclusive status 01111110 7E Universal Non-Realtime 01111111 7F ID of target Device 00001001 09 Sub-ID #1=General MIDI Message 00000001 01 Sub-ID #2=General MIDI On 11110111 F7 End of Exclusive or 11110000 F0 Exclusive status 01111110 7E Universal Non-Realtime 0xxxnnnn XN

00001001 09 Sub-ID #1=General MIDI Message 00000001 01 Sub-ID #2=General MIDI On 11110111 F7 End of Exclusive

Depending upon the received ON message, the System Mode will be changed to XG. Except MIDI Master Tuning, all control data be reset to default values. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent.

After the GM System ON message is received, message reception of the following will be limited.

• Bank Select MSB-LSB in channel 10 will be ignored and the drum voice will be fixed.

• Bank Select MSB-LSB except in channel 10 will be ignored except 127/0.

• NRPN is not received.

When XG SYSTEM ON is received, these restrictions will be cancelled.

When N is received N=0-F, whichever is received. When N is transmitted N always=0. X = don’t care

CVP-109/107/105/103/700

Page 20

MIDI Data Format

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

(3-6-3) XG STANDARD

(3-6-3-1) XG PARAMETER CHANGE

(3-6-3-1-1) XG SYSTEM ON

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0001nnnn 1N Device Number 01001100 4C Model ID 00000000 00 Address High 00000000 00 Address Mid 01111110 7E Address Low 00000000 00 Data 11110111 F7 End of Exclusive

Depending upon the received ON message, the SYSTEM MODE will be changed to XG.Controllers will be reset, all values of Multi Part and Effect, and All System values denoted by “XG” data within All System will be reset to default values in the table. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent.

(3-6-3-1-2) XG PARMETER CHANGE

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0001nnnn 1N Device Number 01001100 4C Model ID 0aaaaaaa AA Address High 0aaaaaaa AA Address Mid 0aaaaaaa AA Address Low 0ddddddd DD Data

11110111 F7 End of Exclusive

For parameters with data size of 2 or 4, transmit the appropriate number of data bytes. For more information on Address and Parameters, refer to < Table 1-2 > (page 23) and < Table 1-4 > ~ < Table 1-10 > (pages 23-29).

The following Parameter Changes are handled.

XG System Data Multi Effect 1 Data Multi EQ Data (CVP-109/107/700) Multi Effect 2 Data (CVP-109/107/700) Special Effect Data (CVP-109/107/700) Multi Part Data A/D Part Data (CVP-109/107/700) Drums Setup Data

(3-6-3-2) XG BULK DUMP

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0000nnnn 0N Device Number 01001100 4C Model ID 0bbbbbbb BB ByteCount 0bbbbbbb BB ByteCount 0aaaaaaa AA Address High 0aaaaaaa AA Address Mid 0aaaaaaa AA Address Low 0ddddddd DD Data

|| 0ccccccc CC Check sum 11110111 F7 End of Exclusive

For more information on Address and Byte Count, refer to < Table 1-2 > ~ < Table 1-10 >

(pages 23-29).

The Check Sum value is set such that the sum of Byte Count, Address, Data, and Check Sum

has value zero in its seven least significant bits.

If the top of the block is appointed to the Address the XG Bulk Dump, Bulk Request will be

received.

The Block is a unit that consists of the data, arranged in the list, as the Total Size.

The following Bulk Dumps are handled.

XG System Data Multi Effect 1 Data(Individual effect unit) Multi EQ Data (CVP-109/107/700) Multi Effect 2 Data (CVP-109/107/700) Special Effect Data (CVP-109/107/700) Multi Part Data(Individual part unit) A/D Part Data (CVP-109/107/700) Drums Setup Data(Individual note unit) System Information(Transmit only)

(3-6-3-3) XG PARAMETER REQUEST (Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0011nnnn 3n Device Number 01001100 4C Model ID 0aaaaaaa AA Address High 0aaaaaaa AA Address Mid 0aaaaaaa AA Address Low 11110111 F7 End of Exclusive

For more information on Address and Byte Count refer to < Table 1-2 > (page 23) and < Table 1-4 > ~ < Table 1-10 > (pages 23-29).

The following Parameter Requests are handled.

(3-6-3-4) XG DUMP REQUEST (Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0010nnnn 2n Device Number 01001100 4C Model ID 0aaaaaaa AA Address High 0aaaaaaa AA Address Mid 0aaaaaaa AA Address Low 11110111 F7 End of Exclusive

For more information on Address and Byte Count refer to (pages 23-29).

The following Dump Requests are handled.

XG System Data Multi Effect 1 Data(Individual module unit) Multi EQ Data (CVP-109/107/700) Multi Effect 2 Data (CVP-109/107/700) Special Effect Data (CVP-109/107/700) Multi Part Data(Individual part unit) A/D Part Data (CVP-109/107/700) Drums Setup Data(Individual note unit) System Information

< Table 1-2 > ~ < Table 1-10 >

(3-6-4) CLAVINOVA MIDI COMPLIANCE

(3-6-4-1) INTERNAL CLOCK / EXTERNAL CLOCK (Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 00000001 01 Clavinova common ID 0000001n 0N 11110111 F7 End of Exclusive

(3-6-4-2) BULK DUMP ORGAN FLUTE DATA (CVP-109/107/700)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA 01110011 73 CLAVINOVA ID 00000001 01 Model ID (Clavinova common ID) 00000110 06 Bulk ID 00001011 0B Bulk No.(ORGAN FLUTE Bulk Dump DATA) 0000nnnn 0n Data Length 0000nnnn 0n Data Length 0000nnnn 0n Data Length 0000nnnn 0n Data Length (Data Length=nnnnH bytes) 0ddddddd dd1 Bulk Data

0ccccccc cc don’t care 11110111 F7 End of Exclusive

: :

N: 2(Internal Clock),3(External Clock)

CVP-109/107/105/103/700

Page 21

○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

MIDI Data Format

Data Length = 16Hbytes

[BULK DATA items dd1...dd22]

1st 0nH n: MIDI Channel No. Discription 2nd Drawber [1'] 00 - 07H 0: -∞ [dB] 3rd [1 1/3'] 00 - 07H 1: -12 [dB] 4th don’t care 00H 2: -9 [dB] 5th [2'] 00 - 07H 3: -6 [dB] 6th [2 2/3'] 00 - 07H 4: -4.5 [dB] 7th [4'] 00 - 07H 5: -3 [dB] 8th [5 1/3'] 00 - 07H 6: -1.5 [dB] 9th [8'] 00 - 07H 7: 0 [dB] 10th [16'] 00 - 07H 11th [Attack 2'] 00 - 07H 12th [Attack 2 2/3'] 00 - 07H 13th [Attack 4'] 00 - 07H 14th Settings [Attack Length] 00 - 07H 15th [Response] 00 - 07H 16th [Attack Mode] 00 - 01H 17th don’t care 00H 18th don’t care 00H 19th don’t care 00H 20th don’t care 00H 21th don’t care 00H 22th don’t care 00H

00H:Each, 01H:First

(3-6-4-3) DOC MULTI TIMBRE ON / OFF (Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 00000001 01 Clavinova commmon ID 00000110 1N 11110111 F7 End of Exclusive

(3-6-4-4) PANEL LED ON / OFF (Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 00000001 01 Clavinova commmon ID 00011010 1A PANEL LED On/Off 0mmmmmmm MM

00000000 00 0nnnnnnn NN LED No. 11110111 F7 End of Exclusive

Remotely switches the Panel LED On/Off.

(3-6-4-5) PANEL VOICE SETTING (Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01000101 01 Clavinova common ID 00100010 22 Piano Live Exclusive Substatus 00000000 00 Panel Voice Setting Substatus 0000nnnn 0n Panel Part No.

0mmmmmmm mm Bank Select MSB 0lllllll ll Bank Select LSB 0ppppppp pp Program Change 11110111 F7 End of Exclusive

N:3(DOC Multi Timbre Off),4(DOC Multi Timbre On)

MM:00H(LED Off),01H(LED On),02H(The LED flashes) 03H (LED All off), 04H (Panel LED returns to normal operation)

00H (RIGHT 1) 01H (RIGHT 2) 02H (LEFT)

(3-6-4-6) PANEL VOICE VOLUME SETTING (Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01000101 01 Clavinova common ID 00100010 22 Piano Live Exclusive Substatus 00000001 01 Panel Voice Volume Setting Substatus 0000nnnn 0n Panel Part No.

0vvvvvvv vv Value (0 - 7FH) 11110111 F7 End of Exclusive

00H (RIGHT 1) 01H (RIGHT 2) 02H (LEFT)

(3-6-4-7) PANEL VOICE REVERB DEPTH SETTING (Receive only)

0vvvvvvv vv Value (0 - 7FH) 11110111 F7 End of Exclusive

Panel Voice Reverb Depth Setting Substatus

00H (RIGHT 1) 01H (RIGHT 2) 02H (LEFT)

(3-6-4-8) PANEL VOICE EFFECT DEPTH SETTING (Receive only)

0vvvvvvv vv Value (0 - 7FH) 11110111 F7 End of Exclusive

Panel Voice Effect Depth Setting Substatus

00H (RIGHT 1) 01H (RIGHT 2) 02H (LEFT)

(3-6-4-9) MIDI FA CANCEL (Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01000101 01 Clavinova common ID 01100001 61 MIDI FA Cancel 11110111 F7 End of Exclusive

If this message is received, even if FAH is received the Rhythm will not start.

(3-6-5) SPECIAL OPERATORS

(3-6-5-1) SPLIT POINT

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01000101 01 Clavinova common ID 00010001 11 Sub ID 00000000 00 00010100 14 Split Point 0ddddddd DD Split Key No. 11110111 F7 End of Exclusive

(3-6-5-2) STYLE NUMBER

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01011010 5E CVP-103/105/107/109/700 ID 00010001 11 Sub ID 00000000 00 Channel No. (always 00) 00010110 16 Style No. Control No. 0mmmmmmm mm Style No. MSB 0lllllll ll Style No. LSB 11110111 F7 End of Exclusive

(3-6-5-3) FINGERING

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01000101 01 Clavinova common ID 00010001 11 Sub ID 00000000 00 01000000 40 Fingering 0000dddd 0D 0D: 00H(Off),01H(Single Finger),

11110111 F7 End of Exclusive

02H(Fingered 1),03H(Fingered 2), 04H(Full Keyboard),07H(Multi Finger)

CVP-109/107/105/103/700

Page 22

MIDI Data Format

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

(3-6-5-4) ACCOMP VOLUME

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01000101 01 Clavinova common ID 00010001 11 Sub ID 0000nnnn 0N

01000000 42 Accomp Volume 0ddddddd DD Volume Data: 00H~7FH 11110111 F7 End of Exclusive

Part: 00H(All Part),05H(Rhythm),0AH(Bass), 06H(Chord),0DH(Pad),07H(Phrase)

(3-6-5-5) CHANNEL DETUNE

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01000101 01 Clavinova common ID 00010001 11 Sub ID 0000nnnn 0N N = MIDI Channel 01000011 43 Dual Detune 0vvvvvvv VV 11110111 F7 End of Exclusive

The Channel Detune message only affects the specified channel.

Value VV: 00H - 40H - 7FH (-64 - 0 - +63)

(3-6-5-6) VOLUME ,EXPRESSION AND PAN REALTIME CONTROL OFF

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01000101 01 Clavinova common ID 00010001 11 Sub ID 0000nnnn 0N N = MIDI Channel 01001001 45 0vvvvvvv VV Value VV: off=7FH, on=00H 11110111 F7 End of Exclusive

When “On” is received, subsequent volume, expression, and PAN changes are only valid after

the reception of the next key on. Normal operation resumes when “Off” is received.

Volume and Expression Realtime Control Off

(3-6-5-7) MIDI KEY LED MODE ON / OFF (Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01000101 01 Clavinova common ID 00010001 11 Sub ID 0000nnnn 0N N = MIDI Channel 01000111 47 MIDI Key LED Mode On / Off 0ddddddd DD DD: 00H(Key LED Mode Off),

11110111 F7 End of Exclusive

(3-6-5-8) NATURAL REVERB TYPE (CVP-109)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01011001 5D CVP-109 ID 00010001 11 Sub ID 00000000 00 Channel No. (always 00) 01010010 52 Natural Reverb Control No. 00000000 00 Natural Reverb Type Parameter No. 0mmmmmmm mm Natural Reverb Type MSB 0lllllll ll Natural Reverb Type LSB 11110111 F7 End of Exclusive

(3-6-5-9) NATURAL REVERB TRACK ON/OFF (CVP-109)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01011001 5D CVP-109 ID 00010001 11 Sub ID 0000nnnn 0n Channel No. (00H - 0FH)

01010011 53 0ddddddd dd Natural Reverb Track On/Off

11110111 F7 End of Exclusive

01H(Key LED Mode On + no tone), 02H(Key LED Mode On + tone)

00H - 0FH (MIDI Channel 1 - 16) Natural Reverb Track On/Off Control No.

dd Natural Rev. XG Rev.

0 Off On (default) 1 Off Off 2On On 3 On Off

(3-6-5-10) VOCAL HARMONY PITCH TO NOTE (CVP-109/107/700)

(Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01000101 01 Clavinova common ID 00010001 11 Sub ID 00000000 00 Channel No. (always 00) 01010000 50 00000000 00 Pitch to Note Parameter No. 0sssssss ss Pitch to Note Switch

11110111 F7 End of Exclusive

Vocal Harmony Additional Parameter Control No.

00H (Off) 01H (On)

(3-6-5-11) VOCAL HARMONY PITCH TO NOTE PART (CVP-109/107/700)

(Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01000101 01 Clavinova common ID 00010001 11 Sub ID 00000000 00 Channel No. (always 00) 01010000 50 00000001 01 Pitch to Note Part Parameter No. 0sssssss ss Pitch to Note Part No.

11110111 F7 End of Exclusive

Vocal Harmony Additional Parameter Control No.

00H (RIGHT 1) 01H (RIGHT 2) 02H (LEFT)

(3-6-5-12) VOCAL HARMONY VOCODER PART (CVP-109/107/700)

(Harmony Part [Panel]) (Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01000101 01 Clavinova common ID 00010001 11 Sub ID 00000000 00 Channel No. (always 00) 01010000 50 00010000 10 Vocoder Part Parameter No. 0sssssss ss Harmony Part No.

11110111 F7 End of Exclusive

Vocal Harmony Additional Parameter Control No.

00H (Off) 01H (RIGHT 1) 02H (LEFT)

(3-6-6) Others

(3-6-6-1) MIDI MASTER TUNING (Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0001nnnn 1N When N is received N=0-F,

00100111 27 Model ID 00110000 30 Sub ID 00000000 00 00000000 00 0mmmmmmm MM Master Tune MSB 0lllllll LL Master Tune LSB 0ccccccc CC don’t care 11110111 F7 End of Exclusive

Changes tuning of all channels. MM, LL values are used to define the MIDI Master Tuning value.

T = M – 128

T: Tuning value (-99 cents to +99 cents) M: A single byte value (28–228) that consists of bits 0–3 of MM as MSB, bits 0–3 of LL as LSB.

This setting is not reset when the GM System or XG System is turned on.

whichever is received.

CVP-109/107/105/103/700

Page 23

○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

< Table 1-1>

Parameter Basic Address

Parameter Change Address (H)(M) (L) Description

SYSTEM 00 00 00 System

00 00 7D Drum Setup Reset 00 00 7E XG System On 00 00 7F All Parameter Reset

INFORMATION 01 00 00 System Information

EFFECT 1 02 01 00 Effect1(Reverb,Chorus,Variation )

MIDI Data Format

MULTI EQ

EFFECT 2

SPECIAL EFFECT

(CVP-109/107/700)

MULTI PART 08 00 00 Multi Part 1

A/D (CVP-109/107/700) 10 00 00 A/D Part 1

DRUM 30 0D 00 Drum Setup 1 → Address Parameter

(CVP-109/107/700)

02 40 00 Multi EQ

03 00 00 Effect2 (Insertion Effect1) ::: 03 02 00 (Insertion Effect3)

04 00 00 Special Insertion Effect1

08 0F 00 Multi Part 16

31 0D 00 Drum Setup 2

3n 0D 00 note number 13 3n 0E 00 note number 14 :: 3n 5B 00 note number 91

< Table 1-2 >

MIDI Parameter Change table ( SYSTEM )

Address Size Data Parameter Name Description Default (H) (H) (H) Value(H) 00 00 00 4 0000 Master Tune -102.4..+102.3[cent] 00 04 00 00

TOTAL SIZE 6

01 ..07FF 1st bit3-0 -> bit15-12 (0400) 02 2nd bit3-0 -> bit11-8 03 3rd bit3-0 -> bit7-4

4th bit3-0 -> bit3-0 04 1 00..7F Master Volume 0..127 7F 05 1 Not Used 06 1 28..58 Transpose -24..+24[semitones] 40 7D n Drum Setup Reset n=Drum Setup Number 7E 00 XG System On 00=XG Sytem on 7F 00 All Parameter Reset 00=on (receive only)

< Table 1-3 >

MIDI Parameter table ( System information )

Address Size Data Parameter Name Description (H) (H) (H) 01 00 00 E 20..7F Model Name 32..127(ASCII)

: 0D 0E 1 00 0F 1 01

TOTAL SIZE 10

(Transmitted by Dump Request. Not received. Bulk Dump Only)

< Table 1-4 >

MIDI Parameter Change table ( EFFECT 1)

Address Size Data Parameter Name Description Default (H) (H) (H) Value(H)

02 01 00 2 00..7F Reverb Type MSB Refer to the Effect Type List 01(=HALL1)

00..7F Reverb Type LSB 00 : basic type 00 02 1 00..7F Reverb Parameter 1 Refer to the Ef. Parameter List Depend on Reverb type 03 1 00..7F Reverb Parameter 2 Refer to the Ef. Parameter List Depend on Reverb type 04 1 00..7F Reverb Parameter 3 Refer to the Ef. Parameter List Depend on Reverb type 05 1 00..7F Reverb Parameter 4 Refer to the Ef. Parameter List Depend on Reverb type

CVP-109/107/105/103/700

Page 24

MIDI Data Format

06 1 00..7F Reverb Parameter 5 Refer to the Ef. Parameter List Depend on Reverb type 07 1 00..7F Reverb Parameter 6 Refer to the Ef. Parameter List Depend on Reverb type 08 1 00..7F Reverb Parameter 7 Refer to the Ef. Parameter List Depend on Reverb type 09 1 00..7F Reverb Parameter 8 Refer to the Ef. Parameter List Depend on Reverb type 0A 1 00..7F Reverb Parameter 9 Refer to the Ef. Parameter List Depend on Reverb type 0B 1 00..7F Reverb Parameter 10 Refer to the Ef. Parameter List Depend on Reverb type 0C 1 00..7F Reverb Return -∞..0..+6dB(0..96..127) 40 0D 1 01..7F Reverb Pan L63..C..R63(1..64..127) 40

TOTAL SIZE 0E

02 01 10 1 00..7F Reverb Parameter 11 Refer to the Ef. Parameter List Depend on Reverb type

11 1 00..7F Reverb Parameter 12 Refer to the Ef. Parameter List Depend on Reverb type 12 1 00..7F Reverb Parameter 13 Refer to the Ef. Parameter List Depend on Reverb type 13 1 00..7F Reverb Parameter 14 Refer to the Ef. Parameter List Depend on Reverb type 14 1 00..7F Reverb Parameter 15 Refer to the Ef. Parameter List Depend on Reverb type 15 1 00..7F Reverb Parameter 16 Refer to the Ef. Parameter List Depend on Reverb type

TOTAL SIZE 6

02 01 20 2 00..7F Chorus Type MSB Refer to the Effect Type List 41(=Chorus1)

00..7F Chorus Type LSB 00 : basic type 00 22 1 00..7F Chorus Parameter 1 Refer to the Ef. Parameter List Depend on Chorus Type 23 1 00..7F Chorus Parameter 2 Refer to the Ef. Parameter List Depend on Chorus Type 24 1 00..7F Chorus Parameter 3 Refer to the Ef. Parameter List Depend on Chorus Type 25 1 00..7F Chorus Parameter 4 Refer to the Ef. Parameter List Depend on Chorus Type 26 1 00..7F Chorus Parameter 5 Refer to the Ef. Parameter List Depend on Chorus Type 27 1 00..7F Chorus Parameter 6 Refer to the Ef. Parameter List Depend on Chorus Type 28 1 00..7F Chorus Parameter 7 Refer to the Ef. Parameter List Depend on Chorus Type 29 1 00..7F Chorus Parameter 8 Refer to the Ef. Parameter List Depend on Chorus Type 2A 1 00..7F Chorus Parameter 9 Refer to the Ef. Parameter List Depend on Chorus Type 2B 1 00..7F Chorus Parameter 10 Refer to the Ef. Parameter List Depend on Chorus Type 2C 1 00..7F Chorus Return -∞..0..+6dB(0..96..127) 40 2D 1 01..7F Chorus Pan L63..C..R63(1..64..127) 40 2E 1 00..7F Send Chorus To Reverb -∞..0..+6dB(0..96..127) 00

TOTAL SIZE 0F

02 01 30 1 00..7F Chorus Parameter 11 Refer to the Ef. Parameter List Depend on Chorus Type

31 1 00..7F Chorus Parameter 12 Refer to the Ef. Parameter List Depend on Chorus Type 32 1 00..7F Chorus Parameter 13 Refer to the Ef. Parameter List Depend on Chorus Type 33 1 00..7F Chorus Parameter 14 Refer to the Ef. Parameter List Depend on Chorus Type 34 1 00..7F Chorus Parameter 15 Refer to the Ef. Parameter List Depend on Chorus Type 35 1 00..7F Chorus Parameter 16 Refer to the Ef. Parameter List Depend on Chorus Type

TOTAL SIZE 6

02 01 40 2 00..7F Variation Type MSB Refer to the Effect Type List “05(=DELAY L,C,R)”

00..7F Variation Type LSB 00 : basic type 00 42 2 00..7F Vari. Param. 1 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 1 LSB Refer to the Ef. Parameter List Depend on Vari. Type 44 2 00..7F Vari. Param. 2 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 2 LSB Refer to the Ef. Parameter List Depend on Vari. Type 46 2 00..7F Vari. Param. 3 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 3 LSB Refer to the Ef. Parameter List Depend on Vari. Type 48 2 00..7F Vari. Param. 4 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 4 LSB Refer to the Ef. Parameter List Depend on Vari. Type 4A 2 00..7F Vari. Param. 5 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 5 LSB Refer to the Ef. Parameter List Depend on Vari. Type 4C 2 00..7F Vari. Param. 6 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 6 LSB Refer to the Ef. Parameter List Depend on Vari. Type 4E 2 00..7F Vari. Param. 7 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 7 LSB Refer to the Ef. Parameter List Depend on Vari. Type 50 2 00..7F Vari. Param. 8 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 8 LSB Refer to the Ef. Parameter List Depend on Vari. Type 52 2 00..7F Vari. Param. 9 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 9 LSB Refer to the Ef. Parameter List Depend on Vari. Type 54 2 00..7F Vari. Param. 10 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 10 LSB Refer to the Ef. Parameter List Depend on Vari. Type 56 1 00..7F Variation Return -∞..0..+6dB(0..96..127) 40 57 1 01..7F Variation Pan L63..C..R63(1..64..127) 40 58 1 00..7F Send Vari. To Reverb -∞..0..+6dB(0..96..127) 00 59 1 00..7F Send Vari. To Chorus -∞..0..+6dB(0..96..127) 00 5A 1 00..01 Variation Connection 0:insertion,1:system 00 5B 1 00..1F Variation Part part1..32(0..31),off(127) 7F 5C 1 01..7F MW Vari. Ctrl Depth -63..+63 40 5D 1 01..7F PB Vari. Ctrl Depth -63..+63 40 5E 1 01..7F CAT Vari. Ctrl Depth -63..+63 40 5F 1 01..7F Not Used 60 1 01..7F Not Used

TOTAL SIZE 21

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

CVP-109/107/105/103/700

Page 25

○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

MIDI Data Format

02 01 70 1 00..7F Variation Parameter 11 option Parameter Depend on Variation Type

TOTAL SIZE 6

71 1 00..7F Variation Parameter 12 option Parameter Depend on Variation Type 72 1 00..7F Variation Parameter 13 option Parameter Depend on Variation Type 73 1 00..7F Variation Parameter 14 option Parameter Depend on Variation Type 74 1 00..7F Variation Parameter 15 option Parameter Depend on Variation Type 75 1 00..7F Variation Parameter 16 option Parameter Depend on Variation Type

< Table 1-5 >

MIDI Parameter Change table ( MULTI EQ ) (CVP-109/107/700)

Address Size Data Parameter Name Description Default (H) (H) (H) Value(H) 02 40 00 1 34..4C EQ Type 0:FLAT 0

01 1 34..4C EQ Gain1 -12..+12[dB] 40 02 1 04..28 EQ Frequency1 32..2000[Hz] 0C 03 1 01..78 EQ Q1 0.1..12.0 07 04 1 00..01 EQ Shape1 00:Shelving,01:Peaking 00 05 1 34..4C EQ Gain2 -12..+12[dB] 40 06 1 0E..36 EQ Frequency2 0.1..10[KHz] 1C 07 1 01..78 EQ Q2 0.1..12.0 07 08 1 Not Used 09 1 34..4C EQ Gain3 -12..+12[dB] 40 0A 1 0E..36 EQ Frequency3 0.1..10[KHz] 22 0B 1 01..78 EQ Q3 0.1..12.0 07 0C 1 Not Used 0D 1 34..4C EQ Gain4 -12..+12[dB] 40 0E 1 0E..36 EQ Frequency4 0.1..10[KHz] 2E 0F 1 01..78 EQ Q4 0.1..12.0 07 10 1 Not Used 11 1 34..4C EQ Gain5 -12..+12[dB] 40 12 1 1C..3A EQ Frequency5 0.5..16.0[KHz] 34 13 1 01..78 EQ Q5 0.1..12.0 07 14 1 00..01 EQ Shape5 00:Shelving,01:Peaking 00

TOTAL SIZE 15

1:JAZZ 2:POPS 3:ROCK 4:CLASSIC

< Table 1-6 >

MIDI Parameter Change table ( EFFECT 2 ) (CVP-109/107/700)

Address Size Data Parameter Name Description Default (H) (H) (H) 03 0n 00 2 00..7F Insertion Type MSB Refer to the Ef. Type List

02 1 00..7F Insertion Parameter1 Refer to the Ef. Parameter List 03 1 00..7F Insertion Parameter2 Refer to the Ef. Parameter List 04 1 00..7F Insertion Parameter3 Refer to the Ef. Parameter List 05 1 00..7F Insertion Parameter4 Refer to the Ef. Parameter List 06 1 00..7F Insertion Parameter5 Refer to the Ef. Parameter List 07 1 00..7F Insertion Parameter6 Refer to the Ef. Parameter List 08 1 00..7F Insertion Parameter7 Refer to the Ef. Parameter List 09 1 00..7F Insertion Parameter8 Refer to the Ef. Parameter List 0A 1 00..7F Insertion Parameter9 Refer to the Ef. Parameter List 0B 1 00..7F Insertion Parameter10 Refer to the Ef. Parameter List 0C 1 00..7F Insertion Part Part1..16,OFF 0D 1 00..7F MW INS CTRL DPT 0E 1 00..7F BEND INS CTRL DPT 0F 1 00..7F CAT INS CTRL DPT 10 1 00..7F Not Used 11 1 00..7F Not Used

TOTAL SIZE 12

03 0n 20 1 00..7F Insertion Parameter11 Refer to the Ef. Parameter List

21 1 00..7F Insertion Parameter12 Refer to the Ef. Parameter List 22 1 00..7F Insertion Parameter13 Refer to the Ef. Parameter List 23 1 00..7F Insertion Parameter14 Refer to the Ef. Parameter List 24 1 00..7F Insertion Parameter15 Refer to the Ef. Parameter List 25 1 00..7F Insertion Parameter16 Refer to the Ef. Parameter List

TOTAL SIZE 06

00..7F Insertion Type LSB 00 : basic type

CVP-109/107/105/103/700

Page 26

MIDI Data Format

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

03 0n 30 2 00..7F Ins. Param.1 MSB Refer to the Ef. Parameter List

03 0n 32 2 00..7F Ins. Param.2 MSB Refer to the Ef. Parameter List

03 0n 34 2 00..7F Ins. Param.3 MSB Refer to the Ef. Parameter List

03 0n 36 2 00..7F Ins. Param.4 MSB Refer to the Ef. Parameter List

03 0n 38 2 00..7F Ins. Param.5 MSB Refer to the Ef. Parameter List

03 0n 3A 2 00..7F Ins. Param.6 MSB Refer to the Ef. Parameter List

03 0n 3C 2 00..7F Ins. Param.7 MSB Refer to the Ef. Parameter List

03 0n 3E 2 00..7F Ins. Param.8 MSB Refer to the Ef. Parameter List

03 0n 40 2 00..7F Ins. Param.9 MSB Refer to the Ef. Parameter List

03 0n 42 2 00..7F Ins. Param.10 MSB Refer to the Ef. Parameter List

TOTAL SIZE 14

For effect types that do not require MSB, the Parameters for Address 02-0B will be received. Address 30-42 will not be received. For effect types that require MSB, the Parameters for Address 30-42 will be received. Address 02-0B will not be received. When Bulk Dumps that include Effect Type data are transmitted, the Parameters for Address 02 - 0B will always be transmitted. But, effects that require MSB, when the bulk dump is received the Parameters for Address 02 - 0B will not be received.

n = Insertion Effect No. (0 - 2) The INSERTION EFFECT Parameter cannot be reset to its factory settings with XG SYSTEM ON or XG ALL PARAMETER RESET, there is no default value.

When a Parameter Request or Bulk Request message is received, the currently set value is always transmitted.

00..7F Ins. Param.1 LSB Refer to the Ef. Parameter List

00..7F Ins. Param.2 LSB Refer to the Ef. Parameter List

00..7F Ins. Param.3 LSB Refer to the Ef. Parameter List

00..7F Ins. Param.4 LSB Refer to the Ef. Parameter List

00..7F Ins. Param.5 LSB Refer to the Ef. Parameter List

00..7F Ins. Param.6 LSB Refer to the Ef. Parameter List

00..7F Ins. Param.7 LSB Refer to the Ef. Parameter List

00..7F Ins. Param.8 LSB Refer to the Ef. Parameter List

00..7F Ins. Param.9 LSB Refer to the Ef. Parameter List

00..7F Ins. Param.10 LSB Refer to the Ef. Parameter List

< Table 1-7 >

MIDI PARAMETER CHANGE TABLE (SPECIAL EFFECT) (CVP-109/107/700)

Address Size Data Parameter Description Default (H) (H) (H) 04 00 00 2 00 - 7F Insertion Effect Type MSB Refer to the XG Effect Map

02 1 00 - 7F Insertion Effect Parameter1 Refer to the XG Ef. Parameter List 03 1 00 - 7F Insertion Effect Parameter2 Refer to the XG Ef. Parameter List 04 1 00 - 7F Insertion Effect Parameter3 Refer to the XG Ef. Parameter List 05 1 00 - 7F Insertion Effect Parameter4 Refer to the XG Ef. Parameter List 06 1 00 - 7F Insertion Effect Parameter5 Refer to the XG Ef. Parameter List 07 1 00 - 7F Insertion Effect Parameter6 Refer to the XG Ef. Parameter List 08 1 00 - 7F Insertion Effect Parameter7 Refer to the XG Ef. Parameter List 09 1 00 - 7F Insertion Effect Parameter8 Refer to the XG Ef. Parameter List 0A 1 00 - 7F Insertion Effect Parameter9 Refer to the XG Ef. Parameter List 0B 1 00 - 7F Insertion Effect Parameter10 Refer to the XG Ef. Parameter List 0C 1 00 - 7F Insertion Effect Part Part1...16(0...15)

0D 1 00 - 7F MW Insertion Control Depth Don’t care 0E 1 00 - 7F BEND Insertion Control Depth Don’t care 0F 1 00 - 7F CAT Insertion Control Depth Don’t care 10 1 00 - 7F AC1 Insertion Control Depth Don’t care 11 1 00 - 7F AC2 Insertion Control Depth Don’t care

TOTAL SIZE 12

04 00 14 1 00 - 7F

15 1 00 - 7F

TOTAL SIZE 2

04 00 20 1 00 - 7F Insertion Effect Parameter11 Refer to the XG Ef. Parameter List

21 1 00 - 7F Insertion Effect Parameter12 Refer to the XG Ef. Parameter List 22 1 00 - 7F Insertion Effect Parameter13 Refer to the XG Ef. Parameter List 23 1 00 - 7F Insertion Effect Parameter14 Refer to the XG Ef. Parameter List 24 1 00 - 7F Insertion Effect Parameter15 Refer to the XG Ef. Parameter List 25 1 00 - 7F Insertion Effect Parameter16 Refer to the XG Ef. Parameter List

00 - 7F Insertion Effect Type LSB 00 : basic type

AD1(64) OFF(16...63, 65...127)

Unique Insertion Effect External Control CH1(Harmony Channel) Unique Insertion Effect External Control CH2 (MELODY CHANNEL)

1...16(0...15), off(127)

TOTAL SIZE 6

Insertion Effect Type MSB: Assigns the Harmony Mode.

Insertion Effect Type LSB: Assigns the Harmony Kit.

Harmony Channel: Harmony control channel. Melody Channel: Melody play channel.

Note) The SPECIAL EFFECT Parameter cannot be reset to its factory settings with XG SYSTEM ON or XG ALL PARAMETER RESET, there is no default value. When a request message is received, the currently set value is always transmitted.

CVP-109/107/105/103/700

If the value is not a Harmony Mode value, the Harmony function will be OFF and the input signal will be transmitted as is.

If the value is not an existing harmony kit value, don’t care.

When both are received, the last message received will take priority. For example, when the Melody Channel is 3 and the Harmony Channel 3 message is received, the Melody Channel will be OFF and the Harmony Channel will be 3.

Page 27

○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

< Table 1-8 >

MIDI Parameter Change table ( MULTI PART )

Address Size Data Parameter Name Description Default (H) (H) (H) Value(H) 08 nn 00 1 00..20 Element Reserve 0..32 0(Part10),2(Others)

nn 01 1 00..7F Bank Select MSB 0..127 7F(Part10),00(Others) nn 02 1 00..7F Bank Select LSB 0..127 00 nn 03 1 00..7F Program Number 1..128 00 nn 04 1 00..0F, Rcv Channel 0..16;1..16,127;off Part No.

7F nn 05 1 00..01 Mono/Poly Mode 0:mono,1:poly 01 nn 06 1 00..02 Same Note Number 0:single 01

Key On Assign 1:multi

2:inst (for DRUM)

nn 07 1 00..02 Part Mode 0:normal 00 (Except Part10)

1..3:drum thru,drum1..2 02 (Part10) nn 08 1 28..58 Note Shift -24..+24[semitones] 40 nn 09 2 00..FF Detune -12.8..+12.7[Hz] 08 00 nn 0A 1st bit3..0 -> bit7..4 (80)

2nd bit3..0 -> bit3..0 nn 0B 1 00..7F Volume 0..127 64 nn 0C 1 00..7F Velocity Sense Depth 0..127 40 nn 0D 1 00..7F Velocity Sense Offset 0..127 40 nn 0E 1 00..7F Pan 0:random 40

L63..C..R63(1..64..127)

nn 0F 1 00..7F Note Limit Low C-2..G8 00 nn 10 1 00..7F Note Limit High C-2..G8 7F nn 11 1 00..7F Dry Level 0..127 7F nn 12 1 00..7F Chorus Send 0..127 00 nn 13 1 00..7F Reverb Send 0..127 28 nn 14 1 00..7F Variation Send 0..127 00

MIDI Data Format

nn 15 1 00..7F Vibrato Rate -64..+63 40 nn 16 1 00..7F Vibrato Depth -64..+63 40 nn 17 1 00..7F Vibrato Delay -64..+63 40 nn 18 1 00..7F Filter Cutoff Freq. -64..+63 40 nn 19 1 00..7F Filter Resonance -64..+63 40 nn 1A 1 00..7F EG Attack Time -64..+63 40 nn 1B 1 00..7F EG Decay Time -64..+63 40 nn 1C 1 00..7F EG Release Time -64..+63 40

nn 1D 1 28..58 MW Pitch Control -24..+24[semitones] 40 nn 1E 1 00..7F MW Filter Control -9600..+9450[cent] 40 nn 1F 1 00..7F MW Amp. Control -100..+100[%] 40 nn 20 1 00..7F MW LFO PMod Depth 0..127 0A nn 21 1 00..7F MW LFO FMod Depth 0..127 00 nn 22 1 00..7F MW LFO AMod Depth 0..127 00

nn 23 1 28..58 Bend Pitch Control -24..+24[semitones] 42 nn 24 1 00..7F Bend Filter Control -9600..+9450[cent] 40 nn 25 1 00..7F Bend Amp. Control -100..+100[%] 40 nn 26 1 00..7F Bend LFO PMod Depth 0..127 00 nn 27 1 00..7F Bend LFO FMod Depth 0..127 00 nn 28 1 00..7F Bend LFO AMod Depth 0..127 00

TOTAL SIZE 29

nn 30 1 Not Used

: : :

nn 34 1 Not Used nn 35 1 00..01 Rcv Note Message nn 36 1 Not Used

: : :

nn 40 1 Not Used

nn 41 1 00..7F Scale Tuning C -64..+63[cent] 40 nn 42 1 00..7F Scale Tuning C# -64..+63[cent] 40 nn 43 1 00..7F Scale Tuning D -64..+63[cent] 40 nn 44 1 00..7F Scale Tuning D# -64..+63[cent] 40 nn 45 1 00..7F Scale Tuning E -64..+63[cent] 40 nn 46 1 00..7F Scale Tuning F -64..+63[cent] 40 nn 47 1 00..7F Scale Tuning F# -64..+63[cent] 40 nn 48 1 00..7F Scale Tuning G -64..+63[cent] 40 nn 49 1 00..7F Scale Tuning G# -64..+63[cent] 40 nn 4A 1 00..7F Scale Tuning A -64..+63[cent] 40 nn 4B 1 00..7F Scale Tuning A# -64..+63[cent] 40 nn 4C 1 00..7F Scale Tuning B -64..+63[cent] 40

(CVP-109/107/700)

OFF, ON 01

CVP-109/107/105/103/700

Page 28

MIDI Data Format

nn 4D 1 28..58 CAT Pitch Control -24..+24[semitones] 40 nn 4E 1 00..7F CAT Filter Control -9600..+9450[cent] 40 nn 4F 1 00..7F CAT Amplitude Control -100..+100[%] 40 nn 50 1 00..7F CAT LFO PMod Depth 0..127 00 nn 51 1 00..7F CAT LFO FMod Depth 0..127 00 nn 52 1 00..7F CAT LFO AMod Depth 0..127 00

nn 53 Not Used

66 Not Used

nn 67 1 00..01 Portamento Switch off/on 00 nn 68 1 00..7F Portamento Time 0..127 00

nn 69 Not Used

6E Not Used

TOTAL SIZE 3F

08 nn 70 1 Not Used Don’t care

nn 71 1 Not Used Don’t care nn 72 1 00 - 7F EQ Bass (CVP-109/107/700) -64 - +63(-12 - +12[dB]) 40 nn 73 1 00 - 7F EQ Treble (CVP-109/107/700) -64 - +63(-12 - +12[dB]) 40

TOTAL SIZE 04

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

08 nn 74 1 Not Used Don’t care

TOTAL SIZE 0C

nn = PartNumber

If there is a Drum Voice assigned to the Part, the following parameters are ineffective.

75 1 Not Used Don’t care 76 1 04 - 28 EQ Bass frequency 77 1 1C - 3A 78 1 Not Used Don’t care 79 1 Not Used Don’t care 7A 1 Not Used Don’t care 7B 1 Not Used Don’t care 7C 1 Not Used Don’t care 7D 1 Not Used Don’t care 7E 1 Not Used Don’t care 7F 1 Not Used Don’t care

• Bank Select LSB

• Pitch EG

• Portamento

• Soft Pedal

• Mono/Poly

• Scale Tuning

EQ Treble frequency (CVP-109/107/700)

(CVP-109/107/700)

32-2.0k[Hz] 0C 500-16.0k[Hz] 36

MIDI Parameter Change Table ( A/D Part ) (CVP-109/107/700)

Address Size Data Parameter Description Default (H) (H) (H) value(H) 10 nn 0 1 00 - 01 Input Gain Don’t care

TOTAL SIZE 15

1 1 00 - 7F Bank Select MSB Don’t care 2 1 00 - 7F Bank Select LSB Don’t care 3 1 00 - 7F Program Nummber Don’t care 4 1 00 - 1F, 7F Rcv Channel A1 - A16, OFF 5 1 Not Used 6 1 Not Used 7 1 Not Used 8 1 Not Used

9 1 Not Used 0A 1 Not Used 0B 1 00 - 7F Volume 0 - 127 0C 1 Not Used 0D 1 Not Used 0E 1 01 - 7F Pan L63...C...R63(1...64...127) 0F 1 Not Used 10 1 Not Used 11 1 00 - 7F Dry Level 0 - 127 12 1 00 - 7F Chorus Send 0 - 127 13 1 00 - 7F Reverb Send 0 - 127 14 1 00 - 7F Variation Send 0 - 127

nn:A/D Part number (fixed 00)

Note) The A/D PART Parameter cannot be reset to its factory settings with XG SYSTEM ON or XG ALL PARAMETER RESET, there is no default value. When a request message is received, the currently set value is always transmitted.

CVP-109/107/105/103/700

Page 29

○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

MIDI Parameter Change table ( DRUM SETUP )

Address SizeData Parameter Name Description Default (H) (H) (H) Value(H) 3n rr 00 1 00..7F Pitch Coarse -64..+63 40 3n rr 01 1 00..7F Pitch Fine -64..+63[cent] 40 3n rr 02 1 00..7F Level 0..127 Depend on the Note 3n rr 03 1 00..7F Alternate Group 0:off,1..127 Depend on the Note 3n rr 04 1 00..7F Pan 0:random Depend on the Note

L63..C..R63(1..64..127) 3n rr 05 1 00..7F Reverb Send Level 0..127 Depend on the Note 3n rr 06 1 00..7F Chorus Send Level 0..127 Depend on the Note 3n rr 07 1 00..7F Variation Send Level 0..127 7F 3n rr 08 1 00..01 Key Assign 0:single,1:multi 00 3n rr 09 1 00..01 Rcv Note Off off/on Depend on the Note 3n rr 0A 1 00..01 Rcv Note On off/on 01 3n rr 0B 1 00..7F Filter Cutoff Freq. -64..63 40 3n rr 0C 1 00..7F Filter Resonance -64..63 40 3n rr 0D 1 00..7F EG Attack Rate -64..63 40 3n rr 0E 1 00..7F EG Decay1 Rate -64..63 40 3n rr 0F 1 00..7F EG Decay2 Rate -64..63 40 TOTAL SIZE 10

n:Drum Setup Number(0 - 1) rr:note number(0DH - 5BH)

If XG SYSTEM ON and/or GM SYSTEM ON message is received, all Drum Setup Parameter will be reset to default values. According to the Drum Setup Reset message, individual Drum Setup Parameters can be reset to default values.

MIDI Data Format

<Table 1-11 > CVP-109/107/700 Effect Map

If the received value does not contain an effect type in the TYPE LSB, the LSB will be directed to TYPE 0. The panel effects are marked by “*”.

REVERB TYPE

TYPE MSB TYPE LSB DEC HEX 00 01 02 03 ... 07 08 ... 16 17 18 19 20 000 0 NO EFFECT 001 1 *HALL1 HALL2 *HALL2 *HALL3 *HALL4 002 2 ROOM1 ROOM2 ROOM3 *ROOM1 *ROOM2 *ROOM3 *ROOM4 003 3 STAGE1 STAGE2 *STAGE1 *STAGE2 004 4 PLATE *PLATE1 *PLATE2 005 5 NO EFFECT :: : 015 F NO EFFECT 016 10 WHITE ROOM 017 11 TUNNEL 018 12 CANYON 019 13 BASEMENT 020 14 NO EFFECT :: : 127 7F NO EFFECT

CHORUS TYPE

TYPE MSB TYPE LSB DEC HEX 00 01 02 03 ... 07 08 ... 16 17 18 19 20 000 0 NO EFFECT 001 1 NO EFFECT :: : 064 40 NO EFFECT 065 41 CHORUS1 CHORUS2 *CHORUS5 CHORUS4 066 42 CELESTE1 *CHORUS4 CELESTE3 *CHORUS2 *CHORUS3 *CHORUS1 067 43 FLANGER 1 *FLANGER 4 *FLANGER1 *FLANGER2 *FLANGER3 068 44 SYMPHONIC Symphonic 069 45 NO EFFECT :: : 071 47 NO EFFECT 072 48 PHASER 1 073 49 NO EFFECT :: : 086 56 NO EFFECT 087 57 ENSEMBLE DETUNE 088 58 NO EFFECT :: : 127 7F NO EFFECT

CVP-109/107/105/103/700

Page 30

MIDI Data Format

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

VARIATION TYPE(0 – 63)

TYPE MSB TYPE LSB DEC HEX 00 01 02 03 ... 07 08 ... 16 17 18 19 20 000 0 NO EFFECT 001 1 HALL HALL2 HALL HALL HALL 002 2 ROOM1 ROOM2 ROOM3 ROOM ROOM ROOM ROOM 003 3 STAGE1 STAGE2 STAGE STAGE 004 4 PLATE PLATE PLATE 005 5 DELAY L,C,R DELAY LCR 006 6 DELAY LR 007 7 ECHO 008 8 CROSS DELAY 009 9 EARLY REF1 EARLY REF 010 A GATE REVERB 011 B REVERSE GATE 012 C NO EFFECT or THRU :: : 015 F NO EFFECT or THRU 016 10 WHITE ROOM 017 11 TUNNEL 018 12 CANYON 019 13 BASEMENT 020 14 KARAOKE 1 KARAOKE 2 KARAOKE 3 021 15 NO EFFECT or THRU :: : 063 3F NO EFFECT or THRU

VARIATION TYPE(64 – 127)

TYPE MSB TYPE LSB DEC HEX 00 01 02 03 ... 07 08 ... 16 17 18 19 20 064 40 THRU 065 41 CHORUS1 CHORUS2 CHORUS CHORUS4 066 42 CELESTE1 CHORUS CELESTE3 CHORUS CHORUS CHORUS Rotary Sp 067 43 FLANGER 1 FLANGER FLANGER FLANGER FLANGER 068 44 SYMPHONIC SYMPHONIC 069 45 ROTARY SP. ROTARY SP 070 46 TREMOLO TREMOLO ROTARY SP 071 47 AUTO PAN AUTO PAN ROTARY SP ROTARY SP TREMOLO 072 48 PHASER PHASER 2 073 49 DISTORTION COMP+

074 4A OVER DRIVE 075 4B AMP SIM. DIST HARD DIST SOFT 076 4C 3BAND EQ EQ DISCO EQ TEL 077 4D 2BAND EQ 078 4E AUTO WAH AUTO WAH+ AUTO WAH+ AUTO WAH

079 4F THRU 080 50 PITCH CHANGE1 081 51 HARMONIC ENHANCER 082 52 TOUCH WAH 1 TOUCH WAH+ TOUCH WAH+ TOUCH WAH 2

083 53 COMPRESSOR 084 54 NOISE GATE 085 55 VOICE CANCEL 086 56 2WAY ROTARY SP 087 57 ENSEMBLE DETUNE 088 58 AMBIENCE 089 59 THRU :: 092 5C THRU 093 5D TALKING MODULATOR 094 5E LO-FI 095 5F DIST+DELAY OVERDRIVE+

096 60 COMP+DIST+DELAY COMP+

097 61 WAH+DIST+DELAY WAH+

098 62 THRU :: 127 7F THRU

DISTORTION

DIST OVERDRIVE

PITCH CHANGE2

DIST OVERDRIVE

DELAY OVERDRIVE+

DELAY

GTR TREMOLO

CVP-109/107/105/103/700

Page 31

○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

INSERTION TYPE

TYPE MSB TYPE LSB DEC HEX 00 01 02 03 ... 07 08 ... 16 17 18 19 20 000 0 THRU 001 1 *HALL1 HALL 2 *HALL2 *HALL3 *HALL4 002 2 ROOM 1 ROOM 2 ROOM 3 *ROOM1 *ROOM2 *ROOM3 *ROOM4 003 3 STAGE 1 STAGE 2 *STAGE1 *STAGE2 004 4 PLATE *PLATE1 *PLATE2 005 5 DELAY L,C,R *DELAY LCR 006 6 *DELAY LR 007 7 *ECHO 008 8 *CROSS DELAY 009 9 THRU :: : 019 13 THRU 020 14 *KARAOKE1 *KARAOKE2 *KARAOKE3 021 15 THRU :: : 063 3F THRU 064 40 THRU 065 41 CHORUS 1 CHORUS 2 *CHORUS5 CHORUS 4 066 42 CELESTE 1 *CHORUS4 CELESTE 3 *CHORUS2 *CHORUS3 *CHORUS1 *ROTARY SP5 067 43 FLANGER 1 *FLANGER4 *FLANGER1 *FLANGER2 *FLANGER3 068 44 *SYMPHONIC2 *SYMPHONIC1 069 45 ROTARY SPEAKER 1 *ROTARY SP1 070 46 TREMOLO *TREMOLO1 *ROTARY SP4 071 47 *AUTO PAN2 *AUTO PAN1 *ROTARY SP2 *ROTARY SP3 *TREMOLO2 072 48 *PHASER 073 49 DISTORTION 074 4A OVER DRIVE 075 4B *AMP SIMULATOR *DIST HARD *DIST SOFT 076 4C 3BAND EQ *EQ DISCO *EQ TEL 077 4D 2-BAND EQ 078 4E *AUTO WAH2 *AUTO WAH1 079 4F THRU 080 50 THRU 081 51 HARMONIC ENHANCER 082 52 *TOUCH WAH1 *TOUCH WAH2 083 53 COMPRESSOR 084 54 NOISE GATE 085 55 THRU 086 56 THRU 087 57 ENSEMBLE DETUNE 088 58 THRU :: : 127 7F THRU

MIDI Data Format

*GTR TREMOLO

<Table 1-12 > CVP-105/103 Effect Map

If the received value does not contain an effect type in the TYPE LSB, the LSB will be directed to TYPE 0. The panel effects are marked by “*”.

REVERB TYPE

CVP-109/107/105/103/700

Page 32

MIDI Data Format

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

CHORUS TYPE

VARIATION TYPE(0 – 63)

TYPE MSB TYPE LSB DEC HEX 00 01 02 03 ... 07 08 ... 16 17 18 19 20 000 0 NO EFFECT 001 1 *HALL1 HALL2 *HALL2 *HALL3 *HALL4 002 2 ROOM1 ROOM2 ROOM3 *ROOM1 *ROOM2 *ROOM3 *ROOM4 003 3 STAGE1 STAGE2 *STAGE1 *STAGE2 004 4 PLATE *PLATE1 *PLATE2 005 5 DELAY L,C,R *DELAY LCR 006 6 *DELAY LR 007 7 *ECHO 008 8 *CROSS DELAY 009 9 *EARLY REF1 *EARLY REF2 010 A *GATE REVERB 011 B *REVERSE GATE 012 C NO EFFECT or THRU :: : 019 13 NO EFFECT or THRU 020 14 KARAOKE 1 KARAOKE 2 KARAOKE 3 021 15 NO EFFECT or THRU :: : 063 3F NO EFFECT or THRU

VARIATION TYPE(64 – 127)

TYPE MSB TYPE LSB DEC HEX 00 01 02 03 ... 07 08 ... 16 17 18 19 20 064 40 THRU 065 41 CHORUS1 CHORUS2 *CHORUS5 CHORUS4 066 42 CELESTE1 *CHORUS4 CELESTE3 *CHORUS2 *CHORUS3 *CHORUS1 *Rotary Sp5 067 43 FLANGER 1 *FLANGER4 *FLANGER1 *FLANGER2 *FLANGER3 068 44 SYMPHONIC *SYMPHONIC 069 45 ROTARY SP. *ROTARY SP1 070 46 TREMOLO *TREMOLO1 *ROTARY SP4 071 47 AUTO PAN *AUTO PAN *ROTARY SP2 *ROTARY SP3 *TREMOLO2 072 48 *PHASER PHASER 2 073 49 DISTORTION 074 4A OVER DRIVE 075 4B AMP SIM. *DIST HARD *DIST SOFT 076 4C 3BAND EQ *EQ DISCO *EQ TEL 077 4D 2BAND EQ 078 4E AUTO WAH *AUTO WAH 079 4F THRU :: 127 7F THRU

*GTR TREMOLO

CVP-109/107/105/103/700

Page 33

○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

MIDI Data Format

<Table 1-13 > Effect Parameter List

XG Effect Name HALL1,HALL2 ROOM1,ROOM2,ROOM3 STAGE1,STAGE2 PLATE (reverb, variation, insertion block)

No. Parameter Display Value See Table Comment Control

1 Reverb Time 0.3–30.0s 0–69 table#4 2 Diffusion 0–10 0–10 3 Initial Delay 0.1mS–99.3mS 0–63 table#5 4 HPF Cutoff Thru–8.0kHz 0–52 table#3 5 LPF Cutoff 1.0k–Thru 34–60 table#3 6 7 8 9

10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 11 Rev Delay 0.1mS–99.3mS 0–63 table#5

12 Density 0–4 (reverb, variation block) 0–4 CVP-109/107/700

13 Er/Rev Balance E63>R – E=R – E<R63 1–127 14 High Damp 0.1–1.0 1–10 15 Feedback Level -63–+63 1–127 16

WHITE ROOM TUNNEL CANYON BASEMENT (reverb, variation block)

No. Parameter Display Value See Table Comment Control

1 Reverb Time 0.3–30.0s 0–69 table#4 2 Diffusion 0–10 0–10 3 Initial Delay 0.1mS–99.3mS 0–63 table#5 4 HPF Cutoff Thru–8.0kHz 0–52 table#3 5 LPF Cutoff 1.0k–Thru 34–60 table#3 6 Width 0.5–10.2m 0–37 table#11 7 Heigt 0.5–20.2m 0–73 table#11 8 Depth 0.5–30.2m 0–104 table#11 9 Wall Vary 0–30 0–30

10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 11 Rev Delay 0.1mS–99.3mS 0–63 table#5

12 Density 0–4 0–4 CVP-109/107/700 13 Er/Rev Balance E63>R – E=R – E<R63 1–127

14 High Damp 0.1–1.0 1–10 15 Feedback Level -63–+63 1–127 16

DELAY L,C,R (variation, insertion block)

No. Parameter Display Value See Table Comment Control

1 Lch Delay 0.1–715.0ms (variation block) 1–7150 2 Rch Delay 0.1–715.0ms (variation block) 1–7150 3 Cch Delay 0.1–715.0ms (variation block) 1–7150 4 Feedback Delay 0.1–715.0ms (variation block) 1–7150 5 Feedback Level -63–+63 1–127

6 Cch Level 0–127 0–127 7 High Damp 0.1–1.0 1–10 8 9

10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 11

12 13 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 CVP-109/107/700

14 EQ Low Gain -12–+12dB 52–76 15 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 16 EQ High Gain -12–+12dB 52–76

DELAY L,R (variation, insertion block)

No. Parameter Display Value See Table Comment Control

1 Lch Delay 0.1–715.0ms (variation block) 1–7150 2 Rch Delay 0.1–715.0ms (variation block) 1–7150 3 Feedback Delay 1 0.1–715.0ms (variation block) 1–7150 4 Feedback Delay 2 0.1–715.0ms (variation block) 1–7150 5 Feedback Level -63–+63 1–127

6 High Damp 0.1–1.0 1–10 7 8 9

10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 11

12 13 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 CVP-109/107/700

14 EQ Low Gain -12–+12dB 52–76 15 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 16 EQ High Gain -12–+12dB 52–76

ECHO (variation, insertion block)

No. Parameter Display Value See Table Comment Control

1 Lch Delay1 0.1–355.0ms (variation block) 1–3550 2 Lch Feedback Level -63–+63 1–127

3 Rch Delay1 0.1–355.0ms (variation block) 1–3550 4 Rch Feedback Level -63–+63 1–127

5 High Damp 0.1–1.0 1–10 6 Lch Delay2 0.1–355.0ms (variation block) 1–3550

7 Rch Delay2 0.1–355.0ms (variation block) 1–3550 8 Delay2 Level 0–127 0–127

10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 11

12 13 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 CVP-109/107/700

14 EQ Low Gain -12–+12dB 52–76 15 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 16 EQ High Gain -12–+12dB 52–76

0–3 (reverb, variation block) 0–3 CVP-105/103 0–2 (insertion block) 0–2

0–3 0–3 CVP-105/103

0.1–715.0ms (Insertion block) 1–7150

50Hz–2.0kHz 8–40 table#3 CVP-105/103

0.1–715.0ms (Insertion block) 1–7150

50Hz–2.0kHz 8–40 table#3 CVP-105/103

0.1–355.0ms (insertion block) 1–3550

50Hz–2.0kHz 8–40 table#3 CVP-105/103

CVP-109/107/700 only CVP-109/107/700 only

CVP-109/107/700 only

CVP-109/107/700 only CVP-109/107/700 only CVP-109/107/700 only CVP-109/107/700 only

CVP-109/107/700 only

CVP-109/107/700 only CVP-109/107/700 only

CROSS DELAY (variation, insertion block)

No. Parameter Display Value See Table Comment Control

1 L->R Delay 0.1–355.0ms (variation block) 1–3550 2 R->L Delay 0.1–355.0ms (variation block) 1–3550 3 Feedback Level -63–+63 1–127

4 Input Select L,R,L&R 0–2 5 High Damp 0.1–1.0 1–10 6 7 8 9

10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 11

12 13 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 CVP-109/107/700

14 EQ Low Gain -12–+12dB 52–76 15 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 16 EQ High Gain -12–+12dB 52–76

EARLY REF1,EARLY REF2(variation block)

No. Parameter Display Value See Table Comment Control

1 Type S-H, L-H, Rdm, Rvs, Plt, Spr 0–5 2 Room Size 0.1–7.0 0–44 table#6 3 Diffusion 0–10 0–10 4 Initial Delay 0.1mS–99.3mS 0–63 table#5 5 Feedback Level -63–+63 1–127 6 HPF Cutoff Thru–8.0kHz 0–52 table#3 7 LPF Cutoff 1.0k–Thru 34–60 table#3 8 9

10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 11 Liveness 0–10 0–10

12 Density 0–3 0–3 13 High Damp 0.1–1.0 1–10 14 15 16

GATE REVERB REVERSE GATE (variation block)

No. Parameter Display Value See Table Comment Control

1 Type TypeA,TypeB 0–1 2 Room Size 0.1–20.0 0–127 table#6 3 Diffusion 0–10 0–10 4 Initial Delay 0.1mS–200.0mS 0–127 table#5 5 Feedback Level -63–+63 1–127 6 HPF Cutoff Thru–8.0kHz 0–52 table#3 7 LPF Cutoff 1.0k–Thru 34–60 table#3 8 9

10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 11 Liveness 0–10 0–10

12 Density 0–3 0–3 13 High Damp 0.1–1.0 1–10 14 15 16

KARAOKE1,2,3 (variation, insertion block)

No. Parameter Display Value See Table Comment Control

1 Delay Time 0.1mS–400.0mS 0–127 table#7 2 Feedback Level -63–+63 1–127 3 HPF Cutoff Thru–8.0kHz 0–52 table#3 4 LPF Cutoff 1.0k–Thru 34–60 table#3 5 6 7 8 9

10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 11

12 13 14 15 16

CHORUS1,2,3,4 CELESTE1,2,3,4 (chorus, variation, insertion block)

No. Parameter Display Value See Table Comment Control

1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1 2 LFO Depth 0–127 0–127 3 Feedback Level -63–+63 1–127 4 Delay Offset 0.0mS–50mS 0–127 table#2 5 6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 CVP-109/107/700

7 EQ Low Gain -12–+12dB 52–76 8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 9 EQ High Gain -12–+12dB 52–76

10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 11 EQ Mid Frequency

12 EQ Mid Gain -12–+12dB (variation block) 52–76 13 EQ Mid Width 1.0–12.0 (variation block) 10–120 14 15 Input Mode mono/stereo 0–1 16

FLANGER1,2,3 (chorus, variation, insertion block)

No. Parameter Display Value See Table Comment Control

7 EQ Low Gain -12–+12dB 52–76 8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 9 EQ High Gain -12–+12dB 52–76

10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 11 EQ Mid Frequency

12 EQ Mid Gain -12–+12dB (variation block) 52–76 13 EQ Mid Width 1.0–12.0 (variation block) 10–120 14

LFO Phase Difference -180–+180deg(resolution=3deg.) 15 16

0.1–355.0ms (insertion block) 1–3550

50Hz–2.0kHz 8–40 table#3 CVP-105/103

100Hz–10.0kHz (variation block)

50Hz–2.0kHz 8–40 table#3 CVP-105/103

100Hz–10.0kHz (variation block)

14–54 table#3

4–124

CVP-109/107/700 only CVP-109/107/700 only

CVP-109/107/700 only CVP-109/107/700 only CVP-109/107/700 only

CVP-109/107/105/103/700

Page 34

MIDI Data Format

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

SYMPHONIC (chorus, variation, insertion block)

No. Parameter Display Value See Table Comment Control

1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1 2 LFO Depth 0–127 0–127 3 Delay Offset 0.0mS–50mS 0–127 table#2 4 5 6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 CVP-109/107/700

7 EQ Low Gain -12–+12dB 52–76 8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 9 EQ High Gain -12–+12dB 52–76

10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 11 EQ Mid Frequency

12 EQ Mid Gain -12–+12dB (variation block) 52–76 13 EQ Mid Width 1.0–12.0 (variation block) 10–120 14 15 16

ENSEMBLE DETUNE (chorus, variation, insertion block)

No. Parameter Display Value See Table Comment Control

1 Detune -50–+50cent 14–114 2 Lch Init Delay 0.0mS–50mS 0–127 table#2 3 Rch Init Delay 0.0mS–50mS 0–127 table#2 4 5 6 7 8 9

10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 11 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 12 EQ Low Gain -12–+12dB 52–76 13 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 14 EQ High Gain -12–+12dB 52–76 15

AMBIENCE (variation block)

No. Parameter Display Value See Table Comment Control

1 Delay Time 0.0mS–50mS 0–127 table#2 2 Output Phase normal/invers 0–1 3 4 5 6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 7 EQ Low Gain -12–+12dB 52–76 8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 9 EQ High Gain -12–+12dB 52–76

10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 11

12 13 14 15 16

ROTARY SPEAKER (variation, insertion block)

No. Parameter Display Value See Table Comment Control

1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1 ● 2 LFO Depth 0–127 0–127 3 4 5 6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 CVP-109/107/700

7 EQ Low Gain -12–+12dB 52–76 8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 9 EQ High Gain -12–+12dB 52–76

10 Dry/Wet D63>W – D=W – D<W63 1–127 11 EQ Mid Frequency 100Hz–10.0kHz (variation block) 14–54 table#3

12 EQ Mid Gain -12–+12dB (variation block) 52–76 13 EQ Mid Width 1.0–12.0 (variation block) 10–120 14 15 16

2WAY ROTARY SPEAKER (variation block)

No. Parameter Display Value See Table Comment Control

1 Rotor Speed 0.0Hz–39.7Hz 0–127 table#1 ● 2 Drive Low 0–127 0–127 3 Drive High 0–127 0–127 4 Low/High L63>H – L=H – L<H63 1–127 5 6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 7 EQ Low Gain -12–+12dB 52–76 8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 9 EQ High Gain -12–+12dB 52–76

10 11 Crossover Frequency 100Hz–10.0kHz 14–54 table#3

12 Mic L-R Angle 0deg–180deg(resolution=3deg.) 0–60 13 14 15 16

TREMOLO (variation, insertion block)

No. Parameter Display Value See Table Comment Control

1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1 ● 2 AM Depth 0–127 0–127 3 PM Depth 0–127 0–127 4 5 6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 CVP-109/107/700

7 EQ Low Gain -12–+12dB 52–76 8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 9 EQ High Gain -12–+12dB 52–76

10 11 EQ Mid Frequency

12 EQ Mid Gain -12–+12dB (variation block) 52–76 13 EQ Mid Width 1.0–12.0 (variation block) 10–120 14

LFO Phase Difference -180–+180deg(resolution=3deg.) 15 Input Mode mono/stereo 0–1 16

50Hz–2.0kHz 8–40 table#3 CVP-105/103

100Hz–10.0kHz (variation block)

(variation, insertion block) (variation, insertion block) (variation, insertion block) (variation, insertion block)

50Hz–2.0kHz 8–40 table#3 CVP-105/103

100Hz–10.0kHz (variation block)

14–54 table#3

4–124

CVP-109/107/700 only CVP-109/107/700 only CVP-109/107/700 only

CVP-109/107/700 only CVP-109/107/700 only CVP-109/107/700 only CVP-109/107/700 only

CVP-109/107/700 only CVP-109/107/700 only CVP-109/107/700 only

AUTO PAN (variation, insertion block)

No. Parameter Display Value See Table Comment Control

1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1 ● 2 L/R Depth 0–127 0–127 3 F/R Depth 0–127 0–127 4 PAN Direction 5 6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 CVP-109/107/700

7 EQ Low Gain -12–+12dB 52–76 8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 9 EQ High Gain -12–+12dB 52–76

10 11 EQ Mid Frequency

12 EQ Mid Gain -12–+12dB (variation block) 52–76 13 EQ Mid Width 1.0–12.0 (variation block) 10–120 14 15 16

PHASER 1 (chorus, variation, insertion block)

No. Parameter Display Value See Table Comment Control

1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1 2 LFO Depth 0–127 0–127 3 Phase Shift Offset 0–127 0–127 4 Feedback Level -63–+63 1–127 5 6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 CVP-109/107/700

7 EQ Low Gain -12–+12dB 52–76 8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 9 EQ High Gain -12–+12dB 52–76

10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 11 Stage 4,5,6 (chorus, insertion block) 4–6

12 Diffusion mono/stereo 0–1 13 14 15 16

PHASER 2 (variation block)

No. Parameter Display Value See Table Comment Control

7 EQ Low Gain -12–+12dB 52–76 8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 9 EQ High Gain -12–+12dB 52–76

10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 11 Stage 3,4,5,6 3–6 CVP-109/107/700

12 3,4,5 3–5 CVP-105/103

LFO Phase Difference

13 14

15 16

DISTORTION OVERDRIVE (variation, insertion block)

No. Parameter Display Value See Table Comment Control

1 Drive 0–127 0–127 ● 2 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 CVP-109/107/700

3 EQ Low Gain -12–+12dB 52–76 4 LPF Cutoff 1.0k–Thru 34–60 table#3 5 Output Level 0–127 0–127 6 7 EQ Mid Frequency 100Hz–10.0kHz 14–54 table#3 CVP-109/107/700

8 EQ Mid Gain -12–+12dB 52–76 9 EQ Mid Width 1.0–12.0 10–120

10 Dry/Wet D63>W – D=W – D<W63 1–127 11 Edge(Clip Curve) 0–127 0–127 mild–sharp

12 13 14 15 16

COMP+DIST (variation block)

No. Parameter Display Value See Table Comment Control

1 Drive 0–127 0–127 ● 2 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 3 EQ Low Gain -12–+12dB 52–76 4 LPF Cutoff 1.0k–Thru 34–60 table#3 5 Output Level 0–127 0–127 6 7 EQ Mid Frequency 100Hz–10.0kHz 14–54 table#3 8 EQ Mid Gain -12–+12dB 52–76 9 EQ Mid Width 1.0–12.0 10–120

10 Dry/Wet D63>W – D=W – D<W63 1–127 11 Edge(Clip Curve) 0–127 0–127 mild–sharp

12 Attack 1ms–40ms 0–19 table#8 13 Release 10ms–680ms 0–15 table#9 14 Threshold -48dB– -6dB 79–121 15 Ratio 1.0–20.0 0–7 table#10 16

AMP SIMULATOR (variation, insertion block)

No. Parameter Display Value See Table Comment Control

1 Drive 0–127 0–127 ● 2 AMP Type Off,Stack,Combo,Tube 0–3 3 LPF Cutoff 1.0k–Thru 34–60 table#3 4 Output Level 0–127 0–127 5 6 7 8 9

10 Dry/Wet D63>W – D=W – D<W63 1–127 11 Edge(Clip Curve) 0–127 0–127 mild–sharp

12 13 14 15 16

L<->R,L->R,L<-R,Lturn,Rturn,L/R

50Hz–2.0kHz 8–40 table#3 CVP-105/103

100Hz–10.0kHz (variation block)

50Hz–2.0kHz 8–40 table#3 CVP-105/103

4–12 (variation block) 4–12 CVP-109/107/700 6–10 (variation block) 6–10 CVP-105/103

50Hz–2.0kHz 8–40 table#3 CVP-105/103

-180deg–+180deg 4–124 (resolution=3deg.)

50Hz–2.0kHz 8–40 table#3 CVP-105/103

500Hz–10.0kHz 28–54 table#3 CVP-105/103

0–5

14–54 table#3

CVP-109/107/700 only CVP-109/107/700 only CVP-109/107/700 only

CVP-109/107/700 only

CVP-109/107/105/103/700

Page 35

○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

MIDI Data Format

3BAND EQ(MONO) (variation, insertion block)

No. Parameter Display Value See Table Comment Control

1 EQ Low Gain -12–+12dB 52–76 2 EQ Mid Frequency 100Hz–10.0kHz 14–54 table#3 CVP-109/107/700

3 EQ Mid Gain -12–+12dB 52–76 4 EQ Mid Width 1.0–12.0 10–120 5 EQ High Gain -12–+12dB 52–76 6 EQ Low Frequency 50Hz–2.0kHz 8–40 table#3 7 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 8 9

10 11

12 13 14 15 Input Mode mono/stereo 0–1 16

2BAND EQ(STEREO) (variation, insertion block)

No. Parameter Display Value See Table Comment Control

1 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 CVP-109/107/700 2 EQ Low Gain -12–+12dB 52–76

3 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 4 EQ High Gain -12–+12dB 52–76 5 6 7 8 9

10 11

12 13 14 15 16

AUTO WAH (variation, insertion block)

No. Parameter Display Value See Table Comment Control

1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1 2 LFO Depth 0–127 0–127 3 Cutoff Frequency 0–127 0–127 ●

Offset 4 Resonance 1.0–12.0 10–120 5 6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 CVP-109/107/700

7 EQ Low Gain -12–+12dB 52–76 8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 9 EQ High Gain -12–+12dB 52–76

10 Dry/Wet D63>W – D=W – D<W63 1–127 11 Drive 0–127(variation block) 0–127

12 13 14 15 16

AUTO WAH+DIST AUTO WHA+ODRV (variation block)

No. Parameter Display Value See Table Comment Control

1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1 2 LFO Depth 0–127 0–127 3 Cutoff Frequency 0–127 0–127 ●

Offset 4 Resonance 1.0–12.0 10–120 5 6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 7 EQ Low Gain -12–+12dB 52–76 8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 9 EQ High Gain -12–+12dB 52–76

10 Dry/Wet D63>W – D=W – D<W63 1–127 11 Drive 0–127 0–127

12 EQ Low Gain

(distortion)

13 EQ Mid Gain

(distortion)

14 LPF Cutoff 1.0kHz–thru 34–60 table#3 15 Output Level 0–127 0–127 16

TOUCH WAH 1 (variation, insertion block) TOUCH WAH+DIST (variation block)

No. Parameter Display Value See Table Comment Control

1 Sensitive 0–127 0–127 2 Cutoff Frequency 0–127 0–127 ●

Offset 3 Resonance 1.0–12.0 10–120 4 5 6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 7 EQ Low Gain -12–+12dB 52–76 8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 9 EQ High Gain -12–+12dB 52–76

10 Dry/Wet D63>W – D=W – D<W63 1–127 11 Drive 0–127(variation block) 0–127

12 13 14 15 16

TOUCH WAH 2 (variation, insertion block) TOUCH WAH+ODRV (variation block)

No. Parameter Display Value See Table Comment Control

1 Sensitive 0–127 0–127 2 Cutoff Frequency 0–127 0–127 ●

10 Dry/Wet D63>W – D=W – D<W63 1–127 11 Drive 0–127(variation block) 0–127

12 EQ Low Gain -12–+12dB(variation block) 52–76

(distortion)

13 EQ Mid Gain -12–+12dB(variation block) 52–76

(distortion)

14 LPF Cutoff 1.0kHz–thru(variation block) 34–60 table#3 15 Output Level 0–127(variation block) 0–127 16 Release 10–680ms 52–67

500Hz–10.0kHz 28–54 table#3 CVP-105/103

50Hz–2.0kHz 8–40 table#3 CVP-105/103

-12–+12dB

52–76

-12–+12dB

52–76

PITCH CHANGE 1 (variation block)

No. Parameter Display Value See Table Comment Control

1 Pitch -24–+24 40–88 2 Initial Delay 0.1mS–400.0mS 0–127 table#7 3 Fine 1 -50–+50 14–114 4 Fine 2 -50–+50 14–114 5 Feedback Level -63–+63 1–127 6 7 8 9

10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 11 Pan 1 L63–R63 1–127

12 Output Level 1 0–127 0–127 13 Pan 2 L63–R63 1–127 14 Output Level 2 0–127 0–127 15 16

PITCH CHANGE 2 (variation block)

No. Parameter Display Value See Table Comment Control

1 Pitch -24–+24 40–88 2 Initial Delay 0.1mS–400.0mS 0–127 table#7 3 Fine 1 -50–+50cent 14–114 4 Fine 2 -50–+50cent 14–114 5 Feedback Level -63–+63 1–127 6 7 8 9

10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 11 Pan 1 L63–R63 1–127

12 Output Level 1 0–127 0–127 13 Pan 2 L63–R63 1–127 14 Output Level 2 0–127 0–127 15 16

COMPRESSOR (variation, insertion block)

No. Parameter Display Value See Table Comment Control

1 Attack 1–40ms 0–19 table#8 2 Release 10–680ms 0–15 table#9 3 Threshold -48– -6dB 79–121 4 Ratio 1.0–20.0 0–7 table#10 5 Output Level 0–127 0–127 6 7 8 9

10 11

12 13 14 15 16

NOISE GATE (variation, insertion block)

No. Parameter Display Value See Table Comment Control

1 Attack 1–40ms 0–19 table#8 2 Release 10–680ms 0–15 table#9 3 Threshold -72– -30dB 55–97 4 Output Level 0–127 0–127 5 6 7 8 9

10 11

12 13 14 15 16

VOICE CANCEL (variation block)

No. Parameter Display Value See Table Comment Control

1 2 3 4 5 6 7 8 9

10 11 Low Adjust 0–26 0–26

12 High Adjust 0–26 0–26 13 14 15 16

NO EFFECT (reverb, chorus, variation block) THRU (variation, insertion block)

No. Parameter Display Value See Table Comment Control

1 2 3 4 5 6 7 8 9

10 11

12 13 14 15 16

CVP-109/107/105/103/700

Page 36

MIDI Data Format

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

HARMONIC ENHANCER (variation block)

No. Parameter Display Value See Table Comment Control

1 HPF Cutoff 500Hz–16kHz 28–58 table#3 2 Drive 0–127 0–127 3 Mix Level 0–127 0–127 4 5 6 7 8 9

10 11

12 13 14 15 16

TALKING MODULATION (variation block)

No. Parameter Display Value See Table Comment Control

1 Vowel a,i,u,e,o 0–4 2 Move speed 1–62 1–62 3 Drive 0–127 0–127 4 Output Level 0–127 0–127 5 6 7 8 9

10 11

12 13 14 15 16

LO-FI (variation block)

No. Parameter Display Value See Table Comment Control

1 Sampling Freq a,i,u,e,o 0–4

Control 2 Word Length 1–62 1–62 3 Output Gain 0–127 0–127 4 LPF Cutoff 0–127 0–127 5 Filter Type Thru,PowerBass,Radio,Tel, 0–5

6 LPF Resonance 1.0–12.0 10–120 7 Bit Assign 0–6 0–6 8 Emphasis Off/On 0–1 9

10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 11

12 13 14 15 Input Mode mono/stereo 16

DIST+DELAY (variation block) OVERDRIVE+DELAY (variation block)

No. Parameter Display Value See Table Comment Control

1 Lch Delay Time 0.1–1486.0ms 1–14860 2 Rch Delay Time 0.1–1486.0ms 1–14860

Delay Feedback Time

Delay Feedback Level

4 5 Delay Mix 0–127 0–127 6 Dist Drive 0–127 0–127 7 Dist Output Level 0–127 0–127 8 Dist EQ Low Gain -12–+12dB 52–76 9 Dist EQ Mid Gain -12–+12dB 52–76

10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 11

12 13 14 15 16

COMP+DIST+DELAY (variation block) COMP+OVERDRIVE+DELAY (variation block)

No. Parameter Display Value See Table Comment Control

1 Delay Time 0.1–1486.0ms 1–14860

Delay Feedback Level

2 3 Delay Mix 0–127 0–127 4 Dist Drive 0–127 0–127 5 Dist Output Level 0–127 0–127 6 Dist EQ Low Gain -12–+12dB 52–76 7 Dist EQ Mid Gain -12–+12dB 52–76 8 9

10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 11 Comp. Attack 1ms–40ms 0–19 table#8

12 Comp. Release 10ms–680ms 0–15 table#9 13 Comp. Threshold -48dB– -6dB 79–121 14 Comp. Ratio 1.0–20.0 0–7 table#10 15 16

WAH+DIST+DELAY (variation block) WAH+OVERDRIVE+DELAY (variation block)

No. Parameter Display Value See Table Comment Control

1 Delay Time 0.1–1486.0ms 1–14860 2

Delay Feedback Level 3 Delay Mix 0–127 0–127 4 Dist Drive 0–127 0–127 5 Dist Output Level 0–127 0–127 6 Dist EQ Low Gain -12–+12dB 52–76 7 Dist EQ Mid Gain -12–+12dB 52–76 8 9

10 Dry/Wet D63>W – D=W – D<W63 1–127 ● 11 Wah Sensitive 0–127 0–127

12 Wah Cutoff Freq 0–127 0–127

Offset

13 Wah Resonance 1.0–12.0 10–120 14 Wah Release 10–680ms 52–67 15 16

Clean,Low

0.1–1486.0ms 1–14860

-63–+63 1–127

VOCAL HARMONY MIDI SPECIFICATIONS

Channel message

1) Note on / off Harmony ch Melody ch 9n kk vv note on message OO

8n kk vv note off message OO

9n kk 00

2) Control change Bn 40 vv damper pedal OO

64 RPN OO 65 RPN OO 62 NRPN OO 63 NRPN OO 06 Data entry MSB OO 64 Data Increment OO 26 Data Decrement OO 7B All note off OO

3) RPN MSB LSB 00 00 Pitch bend sensitivity OO 7F 7F NULL OO

4) NRPN MSB LSB 00 00 Harmony mute OX

01 08 Vibrato rate modulation OO 01 09 Vibrato depth modulation OO 01 0A Vibrato delay modulation OO 01 1A Detune modulation OX

02 10 Harmony 1 volume OX 02 11 Harmony 2 volume OX

02 20 Harmony 1 pan OX 02 21 Harmony 2 pan OX

02 30 Harmony 1 detune OX 02 31 Harmony 2 detune OX

03 00 Lead gender type XO 03 01 Lead gender amount XO

5) Pitch bend E0 nn nn OO

Specifies pitch in the Vocoder mode. Velocity not recognized. Also used as Gender Threshold source for the Melody channel.

Turns the current note off in the Vocoder mode.

Also used as Gender Threshold source for the Melody channel.

Controls the overall amount of detune.

Only effective when melody channel Lead Gender ON.

Note: Parameter 10 (Dry/Wet) can only be set for insertion type effects.

CVP-109/107/105/103/700

Page 37

○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

<Table 1-14 > Effect Data Value Assign Table

MIDI Data Format

Table#1 LFO Frequency

Data Value Data Value Data Value Data Value

0 0.00 32 1.35 64 2.69 96 8.41 1 0.04 33 1.39 65 2.78 97 8.75 2 0.08 34 1.43 66 2.86 98 9.08 3 0.13 35 1.47 67 2.94 99 9.42 4 0.17 36 1.51 68 3.03 100 9.76 5 0.21 37 1.56 69 3.11 101 10.1 6 0.25 38 1.60 70 3.20 102 10.8 7 0.29 39 1.64 71 3.28 103 11.4 8 0.34 40 1.68 72 3.37 104 12.1

9 0.38 41 1.72 73 3.45 105 12.8 10 0.42 42 1.77 74 3.53 106 13.5 11 0.46 43 1.81 75 3.62 107 14.1 12 0.51 44 1.85 76 3.70 108 14.8 13 0.55 45 1.89 77 3.87 109 15.5 14 0.59 46 1.94 78 4.04 110 16.2 15 0.63 47 1.98 79 4.21 111 16.8 16 0.67 48 2.02 80 4.37 112 17.5 17 0.72 49 2.06 81 4.54 113 18.2 18 0.76 50 2.10 82 4.71 114 19.5 19 0.80 51 2.15 83 4.88 115 20.9 20 0.84 52 2.19 84 5.05 116 22.2 21 0.88 53 2.23 85 5.22 117 23.6 22 0.93 54 2.27 86 5.38 118 24.9 23 0.97 55 2.31 87 5.55 119 26.2 24 1.01 56 2.36 88 5.72 120 27.6 25 1.05 57 2.40 89 6.06 121 28.9 26 1.09 58 2.44 90 6.39 122 30.3 27 1.14 59 2.48 91 6.73 123 31.6 28 1.18 60 2.52 92 7.07 124 33.0 29 1.22 61 2.57 93 7.40 125 34.3 30 1.26 62 2.61 94 7.74 126 37.0 31 1.30 63 2.65 95 8.08 127 39.7

Table#2 Modulation Delay Offset

Data Value Data Value Data Value Data Value

0 0.0 32 3.2 64 6.4 96 9.6

1 0.1 33 3.3 65 6.5 97 9.7

2 0.2 34 3.4 66 6.6 98 9.8

3 0.3 35 3.5 67 6.7 99 9.9

4 0.4 36 3.6 68 6.8 100 10.0

5 0.5 37 3.7 69 6.9 101 11.1

6 0.6 38 3.8 70 7.0 102 12.2

7 0.7 39 3.9 71 7.1 103 13.3

8 0.8 40 4.0 72 7.2 104 14.4

9 0.9 41 4.1 73 7.3 105 15.5 10 1.0 42 4.2 74 7.4 106 17.1 11 1.1 43 4.3 75 7.5 107 18.6 12 1.2 44 4.4 76 7.6 108 20.2 13 1.3 45 4.5 77 7.7 109 21.8 14 1.4 46 4.6 78 7.8 110 23.3 15 1.5 47 4.7 79 7.9 111 24.9 16 1.6 48 4.8 80 8.0 112 26.5 17 1.7 49 4.9 81 8.1 113 28.0

18 1.8 50 5.0 82 8.2 114 29.6 19 1.9 51 5.1 83 8.3 115 31.2 20 2.0 52 5.2 84 8.4 116 32.8 21 2.1 53 5.3 85 8.5 117 34.3 22 2.2 54 5.4 86 8.6 118 35.9 23 2.3 55 5.5 87 8.7 119 37.5 24 2.4 56 5.6 88 8.8 120 39.0 25 2.5 57 5.7 89 8.9 121 40.6 26 2.6 58 5.8 90 9.0 122 42.2 27 2.7 59 5.9 91 9.1 123 43.7 28 2.8 60 6.0 92 9.2 124 45.3 29 2.9 61 6.1 93 9.3 125 46.9 30 3.0 62 6.2 94 9.4 126 48.4 31 3.1 63 6.3 95 9.5 127 50.0

Table#5 Delay Time(200.0ms)

Data Value Data Value Data Value Data Value

0 0.1 32 50.5 64 100.8 96 151.2 1 1.7 33 52.0 65 102.4 97 152.8 2 3.2 34 53.6 66 104.0 98 154.4 3 4.8 35 55.2 67 105.6 99 155.9 4 6.4 36 56.8 68 107.1 100 157.5 5 8.0 37 58.3 69 108.7 101 159.1 6 9.5 38 59.9 70 110.3 102 160.6 7 11.1 39 61.5 71 111.9 103 162.2 8 12.7 40 63.1 72 113.4 104 163.8

9 14.3 41 64.6 73 115.0 105 165.4 10 15.8 42 66.2 74 116.6 106 166.9 11 17.4 43 67.8 75 118.2 107 168.5 12 19.0 44 69.4 76 119.7 108 170.1 13 20.6 45 70.9 77 121.3 109 171.7 14 22.1 46 72.5 78 122.9 110 173.2 15 23.7 47 74.1 79 124.4 111 174.8 16 25.3 48 75.7 80 126.0 112 176.4 17 26.9 49 77.2 81 127.6 113 178.0 18 28.4 50 78.8 82 129.2 114 179.5 19 30.0 51 80.4 83 130.7 115 181.1 20 31.6 52 81.9 84 132.3 116 182.7 21 33.2 53 83.5 85 133.9 117 184.3 22 34.7 54 85.1 86 135.5 118 185.8 23 36.3 55 86.7 87 137.0 119 187.4 24 37.9 56 88.2 88 138.6 120 189.0 25 39.5 57 89.8 89 140.2 121 190.6 26 41.0 58 91.4 90 141.8 122 192.1 27 42.6 59 93.0 91 143.3 123 193.7 28 44.2 60 94.5 92 144.9 124 195.3 29 45.7 61 96.1 93 146.5 125 196.9 30 47.3 62 97.7 94 148.1 126 198.4 31 48.9 63 99.3 95 149.6 127 200.0

Table#6 Room Size

Data Value Data Value Data Value Data Value

0 0.1 32 5.1 64 10.1 96 15.1

1 0.3 33 5.3 65 10.3 97 15.3

2 0.4 34 5.4 66 10.4 98 15.5

3 0.6 35 5.6 67 10.6 99 15.6

4 0.7 36 5.7 68 10.8 100 15.8

5 0.9 37 5.9 69 10.9 101 15.9

6 1.0 38 6.1 70 11.1 102 16.1

7 1.2 39 6.2 71 11.2 103 16.2

8 1.4 40 6.4 72 11.4 104 16.4

9 1.5 41 6.5 73 11.5 105 16.6 10 1.7 42 6.7 74 11.7 106 16.7 11 1.8 43 6.8 75 11.9 107 16.9 12 2.0 44 7.0 76 12.0 108 17.0 13 2.1 45 7.2 77 12.2 109 17.2 14 2.3 46 7.3 78 12.3 110 17.3 15 2.5 47 7.5 79 12.5 111 17.5 16 2.6 48 7.6 80 12.6 112 17.6 17 2.8 49 7.8 81 12.8 113 17.8

18 2.9 50 7.9 82 12.9 114 18.0 19 3.1 51 8.1 83 13.1 115 18.1 20 3.2 52 8.2 84 13.3 116 18.3 21 3.4 53 8.4 85 13.4 117 18.4 22 3.5 54 8.6 86 13.6 118 18.6 23 3.7 55 8.7 87 13.7 119 18.7 24 3.9 56 8.9 88 13.9 120 18.9 25 4.0 57 9.0 89 14.0 121 19.1 26 4.2 58 9.2 90 14.2 122 19.2 27 4.3 59 9.3 91 14.4 123 19.4 28 4.5 60 9.5 92 14.5 124 19.5 29 4.6 61 9.7 93 14.7 125 19.7 30 4.8 62 9.8 94 14.8 126 19.8 31 5.0 63 10.0 95 15.0 127 20.0

Table#8 Table#9 Compressor Attack Time Compressor Release Time

Data Value Data Value

01 010 12 115 23 225 34 335 45 445 56 555 67 665 78 775 89 885

9 10 9 100 10 12 10 115 11 14 11 140 12 16 12 170 13 18 13 230 14 20 14 340 15 23 15 680 16 26 17 30

18 35 19 40 Data Value

Table#11 Reverb Width;Depth;Height

Data Value Data Value Data Value Data Value

0 0.5 32 8.8 64 17.6 96 27.5 1 0.8 33 9.1 65 17.9 97 27.8 2 1.0 34 9.4 66 18.2 98 28.1 3 1.3 35 9.6 67 18.5 99 28.5 4 1.5 36 9.9 68 18.8 100 28.8 5 1.8 37 10.2 69 19.1 101 29.2 6 2.0 38 10.4 70 19.4 102 29.5 7 2.3 39 10.7 71 19.7 103 29.9 8 2.6 40 11.0 72 20.0 104 30.2 9 2.8 41 11.2 73 20.2

10 3.1 42 11.5 74 20.5 11 3.3 43 11.8 75 20.8 12 3.6 44 12.1 76 21.1 13 3.9 45 12.3 77 21.4 14 4.1 46 12.6 78 21.7 15 4.4 47 12.9 79 22.0 16 4.6 48 13.1 80 22.4 17 4.9 49 13.4 81 22.7 18 5.2 50 13.7 82 23.0 19 5.4 51 14.0 83 23.3 20 5.7 52 14.2 84 23.6 21 5.9 53 14.5 85 23.9 22 6.2 54 14.8 86 24.2 23 6.5 55 15.1 87 24.5 24 6.7 56 15.4 88 24.9 25 7.0 57 15.6 89 25.2 26 7.2 58 15.9 90 25.5 27 7.5 59 16.2 91 25.8 28 7.8 60 16.5 92 26.1 29 8.0 61 16.8 93 26.5 30 8.3 62 17.1 94 26.8 31 8.6 63 17.3 95 27.1

Table#10 Compressor Ratio

0 1.0 1 1.5 2 2.0 3 3.0 4 5.0 5 7.0 6 10.0 7 20.0

Table#3 EQ Frequency

Data Value Data Value

0 THRU(0) 32 800 1 22 33 900 2 25 34 1.0k 3 28 35 1.1k 4 32 36 1.2k 5 36 37 1.4k 6 40 38 1.6k 7 45 39 1.8k 8 50 40 2.0k

9 56 41 2.2k 10 63 42 2.5k 11 70 43 2.8k 12 80 44 3.2k 13 90 45 3.6k 14 100 46 4.0k 15 110 47 4.5k 16 125 48 5.0k 17 140 49 5.6k 18 160 50 6.3k 19 180 51 7.0k 20 200 52 8.0k 21 225 53 9.0k 22 250 54 10.0k 23 280 55 11.0k 24 315 56 12.0k 25 355 57 14.0k 26 400 58 16.0k 27 450 59 18.0k 28 500 60 THRU(20.0k) 29 560 30 630 31 700

Table#4 Reverb time

Data Value Data Value Data Value

0 0.3 32 3.5 64 17.0 1 0.4 33 3.6 65 18.0 2 0.5 34 3.7 66 19.0 3 0.6 35 3.8 67 20.0 4 0.7 36 3.9 68 25.0 5 0.8 37 4.0 69 30.0 6 0.9 38 4.1 7 1.0 39 4.2 8 1.1 40 4.3

9 1.2 41 4.4 10 1.3 42 4.5 11 1.4 43 4.6 12 1.5 44 4.7 13 1.6 45 4.8 14 1.7 46 4.9 15 1.8 47 5.0 16 1.9 48 5.5 17 2.0 49 6.0

18 2.1 50 6.5 19 2.2 51 7.0 20 2.3 52 7.5 21 2.4 53 8.0 22 2.5 54 8.5 23 2.6 55 9.0 24 2.7 56 9.5 25 2.8 57 10.0 26 2.9 58 11.0 27 3.0 59 12.0 28 3.1 60 13.0 29 3.2 61 14.0 30 3.3 62 15.0 31 3.4 63 16.0

Table#7 Delay Time(400.0ms)

Data Value Data Value Data Value Data Value

0 0.1 32 100.9 64 201.6 96 302.4 1 3.2 33 104.0 65 204.8 97 305.5 2 6.4 34 107.2 66 207.9 98 308.7 3 9.5 35 110.3 67 211.1 99 311.8 4 12.7 36 113.5 68 214.2 100 315.0 5 15.8 37 116.6 69 217.4 101 318.1 6 19.0 38 119.8 70 220.5 102 321.3 7 22.1 39 122.9 71 223.7 103 324.4 8 25.3 40 126.1 72 226.8 104 327.6

9 28.4 41 129.2 73 230.0 105 330.7 10 31.6 42 132.4 74 233.1 106 333.9 11 34.7 43 135.5 75 236.3 107 337.0 12 37.9 44 138.6 76 239.4 108 340.2 13 41.0 45 141.8 77 242.6 109 343.3 14 44.2 46 144.9 78 245.7 110 346.5 15 47.3 47 148.1 79 248.9 111 349.6 16 50.5 48 151.2 80 252.0 112 352.8 17 53.6 49 154.4 81 255.2 113 355.9 18 56.8 50 157.5 82 258.3 114 359.1 19 59.9 51 160.7 83 261.5 115 362.2 20 63.1 52 163.8 84 264.6 116 365.4 21 66.2 53 167.0 85 267.7 117 368.5 22 69.4 54 170.1 86 270.9 118 371.7 23 72.5 55 173.3 87 274.0 119 374.8 24 75.7 56 176.4 88 277.2 120 378.0 25 78.8 57 179.6 89 280.3 121 381.1 26 82.0 58 182.7 90 283.5 122 384.3 27 85.1 59 185.9 91 286.6 123 387.4 28 88.3 60 189.0 92 289.8 124 390.6 29 91.4 61 192.2 93 292.9 125 393.7 30 94.6 62 195.3 94 296.1 126 396.9 31 97.7 63 198.5 95 299.2 127 400.0

CVP-109/107/105/103/700

Page 38

YAMAHA [ Clavinova ] Date:01-MAR-1999

Model

CVP-103/105/107/109/700

MIDI Implementation Chart

Version : 1.0

Transmitted Recognized Remarks

Function ...

Basic Default 1 - 16 1 - 16 Memorized Channel Changed 1 - 16 *1 1 - 16 *2

Default 3 3 Mode Messages x 3,4 (m=1) *3 Altered ************** x

Note 0 - 127 0 - 127 Number : True voice ************** 0 - 127

Velocity Note ON o 9nH,v=1-127 o 9nH,v=1-127 Note OFF x 9nH,v=0 x

After Key's x x Touch Ch's x o

Pitch Bend o o 0-24 semi

0,32 o o Bank Select 1 x *4 o Modulation 5 x o

Portamento Time 7,10,11 o o Control 6,38 o o Data Entry 64,66,67 o o change 65 x o Portamento 71-74 x *4 o 84 o o

Sound Controller

Portamento Cntrl 91,93,94 o o Effect Depth 96,97 x o RPN Inc,Dec 98,99 x *4 o NRPN LSB,MSB 100,101 o o RPN LSB,MSB

Prog o 0 - 127 o 0 - 127 Change : True # **************

System Exclusive o o : Song Pos. x x

Common : Song Sel. x x : Tune x x

System :Clock o o Real Time :Commands o o

Aux : : : : Mes- : sages:

All Sound Off Reset All Cntrls Local ON/OFF All Notes OFF Active Sense Reset

x o(120,126,127) x o(121) xx x o(123-125) oo xx

Notes:

Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No

CVP-109/107/105/103/700

Page 39

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Notes: *1: The send channel for the RIGHT1, RIGHT2, and LEFT parts can be set

using the Send Channel (Keyboard) function. The transmission of accompaniment, harmony, and song data can be turned on or off using the Send Channel (Accompaniment/Harmony) and Song Transmission functions.

*2: Messages received on the channel set by the Remote Keyboard func-

tion are handled as operations performed directly on the keyboard or panel. Only the following messages are received on this channel:

• Note On/Off (A-1...C7)

• Control Changes Bank Select MSB/LSB (RIGHT1 part) Modulation Data Entry MSB (when PITCH BEND SENS. is set by RPN LSB/

MSB) Volume Expression Sustain Sostenuto Soft Pedal Data Increment/Decrement (when PITCH BEND SENS. is set by

RPN LSB/MSB) RPN LSB/MSB (PITCH BEND SENS. only) All Note Off

• Program Change (RIGHT1 part)

• Pitch Bend

*3: “m” is always treated as “1” regardless of its value. *4: Transmitted when ACMP&RHY or HARMONY setting of Send Channel

(Accompaniment/Harmony) function is on.

CVP-109/107/105/103/700

Page 40

• Phone jacks

• Cardboard packing cushions

• Bundled pedal cord inside

• AC power cord • Cord holders x 2

CVP-103: Assembly

○○○○○○○○○○○○○○○○○○○○○○○○○

CAUTION

• Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in accordance with the sequence given below.

• Assembly should be carried out by at least two persons.

• Be sure to use the correct screw size, as indicated above. Use of incorrect screws can cause damage.

• Be sure to tighten up all screws upon completing assembly of each unit.

• To disassemble, reverse the assembly sequence given below.

ZOpen the box and remove all the parts.

Take out the two cardboard packing cushions on top of the main unit and place them on the floor. Then take out main unit (A) and place it on top of the packing cushions. Position the cushions so as to protect the phone jacks on the base of the unit. Remove all parts from the box. Confirm that all parts shown in the illustration above are provided.

CVP-109/107/105/103/700

Page 41

• 6 x 20 mm round-head screws x 4 1

• 4 x 12 mm round-head screws x 2 2

• 4 x 20 mm tapping screws x 4 3

• 6 x 16 mm flat-head screws x 4 3

XAttach the side panels (D) to the pedal box (C).

Before installing the pedal box, untie and straighten out the bundled cord attached to the bottom of the pedal box. Don’t discard the vinyl tie, you’ll need it later in step B. Place the pedal box on top of the brackets attached to the side panels (D), and attach using the four 6 x 20 millimeter round-head screws 1 — two screws on each side. Make sure the pedals extend in the same direction as the side panel feet.

• 6 x 20 mm round-head screws 1

CVP-109/107/105/103/700

Page 42

• 4 x 12 mm round-head screws 2

15 cm

• 4 x 20 mm tapping screws 3

• Be sure to place your hands at least 15 centimeters from either end of the main unit when positioning it.

CAttach the rear panel (B).

With the rear panel slightly angled as shown in the illustration, lower it onto the feet’s protruding edge at the rear of the pedal box. Then, while eliminating any gaps between the rear and side panels, secure the top of the rear panel to the side panel brackets using two 4 x 12 mm round-head screws 2. Finally, secure the bottom of the rear panel to the pedal box using four 4 x 20 mm tapping screws 3.

VInstall the main unit (A).

Place the main unit (A) on the side panels (D) with the screws on its bottom panel (toward the rear of the main unit) just behind the grooves in the brackets located at the top of the side panels. Then slide the main unit forward until it stops. WATCH YOUR FINGERS WHEN DO-

ING THIS!!

Align the holes on the bottom panel of the main unit with the holes in the brackets on the side panels (also center the main unit to produce equal clearance on the left and right sides, as shown in the illustration), then screw in and securely tighten the four 6 x 16 millimeter flat-head screws 4.

CAUTION

• Do not hold the keyboard in any position other than the position shown in the above illustration.

• Fingers can become pinched between the main unit and the rear or side panels, be extra careful so as not to drop the main unit.

CVP-109/107/105/103/700

Page 43

• Cord holder

• Kabelhalter

• Serre-câble

• Soporte del cable

• 6 x 16 mm flat-head screws 4

BConnect the pedal cord.

The pedal cord from the pedal box must be plugged into the PEDAL connector on the rear of the main unit. Once connected, attach the cord holders to the rear panel as shown, then clip the cord into the holders.

• Use the vinyl tie that was removed from the bundled pedal cord in step X to tie up any slack in the pedal cord.

CVP-109/107/105/103/700

Page 44

6 7

240

110

220

127

• A voltage selector is provided in some areas.

NVoltage Selector

Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V , 220V or 240V main voltages, use a “minus” screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped. After the proper voltage has been selected, slide the AC power cord over the rear panel and connect the cord to the AC INLET, then connect the other end of the cord to an AC wall outlet. A plug adaptor may be also provided in some areas to match the pin configuration of the AC wall outlets in your area.

CAUTION

• An improper voltage setting can cause serious damage to the CVP103 or result in improper operation.

MSet the adjuster.

For stability, an adjuster is provided on the bottom of the pedal box (C). Rotate the adjuster until it comes in firm contact with the floor surface. The adjuster ensures stable pedal operation and facilitates pedal effect control. If the adjuster is not in firm contact with the floor surface, distorted sound may result.

CVP-109/107/105/103/700

Page 45

• Models without keyboard cover

• Models with keyboard cover

CAUTION

• When moving the instrument after assembly, always hold the lower surface of the main unit, NEVER the top portion or keyboard cover. Improper handling can result in damage to the instrument or personal injury.

■ After completing the assembly, please

check the following.

• Are there any parts left over? ➔ Review the assembly procedure and correct any errors.

• Is the Clavinova clear of doors and other movable fixtures? ➔ Move the Clavinova to an appropriate location.

• Does the Clavinova make a rattling noise when you shake it? ➔ Tighten all screws.

• Does the pedal box rattle or give way when you step on the pedals?

➔ Turn the adjuster so that it is set firmly against the floor.

• Are the pedal and power cords inserted securely into the sockets? ➔ Check the connection.

• If the main unit creaks or is otherwise unsteady when you play on the keyboard, refer to the assembly diagrams and retighten all screws.

CVP-109/107/105/103/700

Page 46

• Phone jacks

• AC power cord

• Cardboard packing cushions

• 5 x 12 mm screws x 30

CVP-105: Assembly

○○○○○○○○○○○○○○○○○○○○○○○○○

CAUTION

• Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in accordance with the sequence given below.

• Assembly should be carried out by at least two persons.

• Be sure to use the correct screw size, as indicated above. Use of incorrect screws can cause damage.

• Be sure to tighten up all screws upon completing assembly of each unit.

• To disassemble, reverse the assembly sequence given below.

ZOpen the box and remove all the parts.

Take out the two cardboard packing cushions and place them on the floor. Then take out main unit and place it on top of the packing cushions. Position the cushions so as to protect the phone jacks on the base of the unit. Remove all parts from the box. Confirm that all parts shown in the illustration above are provided.

CAUTION

• When you lift the pedal box assembly, make sure that you lift by both legs.

CVP-109/107/105/103/700

Page 47

2 3

• Blanket, etc.

XCarefully lean the main unit against a wall.

To make it easier to install the legs, place a soft blanket or similar material on the floor near a wall, close the Clavinova keyboard cover, place the front panel of the Clavinova (the side with the keyboard) on the blanket and gently lean the unit against the wall — MAKING SURE THAT IT CAN NOT FALL — as shown in the illustration.

• Three screws on each side

CAUTION

• Do not lay the main unit upside-down on the floor.

CAttach the front legs.

Securely attach the two front legs using three screws for each leg (use a Philips “+” screwdriver) as shown in the illustration. Make sure that the screws are firmly tightened.

CVP-109/107/105/103/700

Page 48

4 5

• Four screws on each side

VAttach the speaker box.

Gently rest the speaker box onto the corresponding brackets on the front legs. Make sure the speaker cord is extending out from the rear of the speaker box. Loosely secure the speaker box to the main keyboard unit using four screws on both the front and back. (The speaker will be secured in step B.) Insert the speaker cord connector into the corresponding socket on the main keyboard unit, making sure that the protruding clip on the connector is facing up.

• Cord holder

• Vinyl tie

BAttach the pedal box assembly.

First, remove the vinyl tie from the left leg. Make sure you don’t remove the cord holder on the top of the left leg. Using 6 screws for each leg (four screws per leg and two screws on each leg bracket) loosely secure the rear leg and pedal box assembly making sure that the pedal cord on the left leg protrudes from the cut hole on the underside of the main unit. Once loosely attached, go back and firmly tighten all 12 screws on the rear leg and pedal assembly, and also secure the 8 screws on the speaker box. After the rear leg and pedal assembly is securely attached, insert the pedal cord plug into the PEDAL connector on the rear panel.

CVP-109/107/105/103/700

Page 49

• Six screws on each side

• Two screws on each side

NSecure the speaker box.

Stand the main unit on its legs and securely attach the speaker box to the bracket on the front legs using two screws for each bracket. If it is impossible to align the bracket holes with the speaker box holes, slightly loosen the three screws on each of the front legs, align the holes, and secure the speaker box. After the speaker box is firmly attached, retighten the screws on the front legs firmly.

CVP-109/107/105/103/700

Page 50

7 8

240

110

• A voltage selector is provided in some areas.

MVoltage Selector

Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a “minus” screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped. After the proper voltage has been selected, connect the AC pow er cord to the AC INLET and an AC wall outlet. A plug adaptor may be also provided in some areas to match the pin configuration of the AC wall outlets in your area.

220

127

CAUTION

• An improper voltage setting can cause serious damage to the CVP105 or result in improper operation.

<Set the adjuster.

For stability, an adjuster is provided on the bottom of the pedal box. Rotate the adjuster until it comes in firm contact with the floor surface. The adjuster ensures stable pedal operation and facilitates pedal effect control. If the adjuster is not in firm contact with the floor surface, distorted sound may result.

CVP-109/107/105/103/700

Page 51

CAUTION

■ After completing the assembly, please

check the following.

• Are there any parts left over? ➔ Review the assembly procedure and correct any errors.

• Is the Clavinova clear of doors and other movable fixtures? ➔ Move the Clavinova to an appropriate location.

• Does the Clavinova make a rattling noise when you shake it? ➔ Tighten all screws.

• Does the pedal box rattle or give way when you step on the pedals?

➔ Turn the adjuster so that it is set firmly against the floor.

• Are the pedal and power cords inserted securely into the sockets? ➔ Check the connection.

• If the main unit creaks or is otherwise unsteady when you play on the keyboard, refer to the assembly diagrams and retighten all screws.

CVP-109/107/105/103/700

Page 52

5 x 20 mm long screws x 20

● Cord holders x 2

● AC power cord

● Front leg A

● Front leg B

● Rear leg C

● Pedal box D

CVP-700: Assembly

○○○○○○○○○○○○○○○○○○○○○○○○○

CAUTION

• Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in accordance with the sequence given below.

• Assembly should be carried out by at least two persons. Attempting to assemble alone is dangerous.

• Be sure to use the correct screw size, as indicated above. Use of incorrect screws can cause damage.

• Be sure to tighten up all screws upon completing assembly of each unit.

• The entire package must be turned over during assembly, so select an area that is large enough for the unpacking and assembly operation.

Z Open the carton and remove the parts from

the upper level.

Referring to the illustration, make sure that you have all the

required parts.

• A bench may be supplied or optional, depending on the location in which the instrument was purchased.

CVP-109/107/105/103/700

Page 53

5 x 20 mm long screws

Minimum space between the leg flanges and the metal frame.

X Attach the three legs (A, B, C).

Use scissors or a cutter to remove the packing material in

which the main unit is wrapped. Then attach the legs to the bottom of the main unit using four 5 x 20 mm long screws per leg. Please refer to the illustration carefully when attaching the legs, to ensure that the positions of the (A) and (B) legs are not reversed. Also make sure that there is minimum space between the (A) and (B) leg flanges and the metal frame on the bottom of the main unit (the screws which attach the legs to this frame will be installed later, in step N).

CVP-109/107/105/103/700

Page 54

5 x 20 mm long screws

Keyboard Side

Rear Side

C Attach the pedal box (D).

Before attaching the pedal box, connect the pedal cord. Pull the pedal plug out from the hole in the base plate and plug it into the socket in the bottom of the main unit with the lug on the plug facing the rear of the main unit (refer to the illustration). If the plug won’t go in properly, don’t force it … check the plug orientation and try again.

Making sure that the pedal cord doesn’t get caught between the base plate and main unit, carefully lower the pedal box assembly onto the bottom of the main unit and line up the screw holes. Finally, attach the pedal box with four 5 x 20 mm long screws.

CVP-109/107/105/103/700

Page 55

V Turn over the instrument and packing.

Make sure that the three legs are firmly attached, then using the front legs (A) and (B) for support, turn over the instrument and packing so that the carton is on top of the instrument.

CAUTION

• Make sure that two persons are used to turn the instrument over.

Holding the sides carefully turn over the instrument.

CVP-109/107/105/103/700

Page 56

B Remove the carton and packing material.

Lift and remove the carton, then remove the remaining pack-

ing material from the main unit.

CVP-109/107/105/103/700

Page 57

240

127

110

220

6 7

5 x 20 mm long screws

● A voltage selector is provided in some areas.

N Attach the front leg/frame screws.

Firmly attach the front legs (A) and (B) to the frame on the

bottom of the main unit using two 5 x 20 mm long screws for each leg.

M Voltage Selector

Check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a “minus” screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped.

CAUTION

• An improper voltage setting can cause serious damage to the

CVP-700 or result in improper operation.

CVP-109/107/105/103/700

Page 58

● Cord holders

< Attach the cord holders and plug in the AC

cord.

Remove the protective backing from the adhesive surface of the cord holders, and attach at approximately the locations shown in the illustration. Plug the main-unit end of the AC cord into the corresponding socket on the bottom of the main unit, then secure the cord with the cord holders.

A plug adaptor may be also provided in some areas to match the pin configuration of the AC wall outlets in your area.

> Set the adjuster.

For stability, an adjuster is provided on the bottom of the pedal box (D). Rotate the adjuster until it comes in firm contact with the floor surface. The adjuster ensures stable pedal operation and facilitates pedal effect control. If the adjuster is not in firm contact with the floor surface, distorted sound may result.

CVP-109/107/105/103/700

Page 59

CAUTION

• When moving the instrument after assembly, always hold the lower surface of the main unit, NEVER the lid or keyboard cover. Improper handling can result in damage to the instrument or personal injury.

■ After completing the assembly, please

check the following.

● Are there any parts left over?

m Review the assembly procedure and correct any errors.

● Is the Clavinova clear of doors and other movable fixtures?

m Move the Clavinova to an appropriate location.

● Does the Clavinova make a rattling noise when you shake it?

m Tighten all screws.

● Does the pedal box rattle or give way when you step on the pedals?

m Turn the adjuster so that it is set firmly against the floor.

● Are the pedal and power cords inserted securely into the sockets?

m Check the connection.

● If the main unit creaks or is otherwise unsteady when you play on the keyboard, refer to the assembly diagrams and retighten all screws.

CVP-109/107/105/103/700

Page 60

• Phone jacks

• Cardboard packing cushions

CVP109/107: Assembly

• Be careful not to confuse parts, and be sure to install all parts in the

• Assembly should be carried out by at least two persons.

• Be sure to use the correct screw size, as indicated above. Use of

• Be sure to tighten up all screws upon completing assembly of each

• To disassemble, reverse the assembly sequence given below.

ZOpen the box and remove all the parts.

• Depending upon the unit type, the unit may be packed with the cardboard packing cushions shown in the illustration. In this case, refold the cushions as shown in the illustration. Rest the main unit in a stable manner on the cushions as shown in the illustration.

○○○○○○○○○○○○○○○○○○○○○○○○○

CAUTION

correct direction. Please assemble in accordance with the sequence given below.

incorrect screws can cause damage. unit.

T ak e out the tw o cardboard packing cushions and place them on the floor. Then take out main unit and place it on top of the packing cushions. phone jacks on the base of the unit. Remove all parts from the box. Confirm that all parts shown in the illustration above are provided.

Position the cushions so as to protect the

CVP-109/107/105/103/700

Page 61

• AC power cord

2 3

• 4 x 12 mm small screws x 4

• 5 x 12 mm large screws x 30

• Blanket, etc.

• Right leg

XCarefully lean the main unit against a wall.

T o mak e it easier to install the le gs, place a soft blank et or similar material on the floor near a wall, close the Clavinova k eyboard cover , place the with the keyboard) on the blanket and gently lean the unit against the wall — MAKING SURE THAT IT CAN NOT FALL — as shown in the illustration.

CAUTION

• Do not lay the main unit upside-down on the floor.

front panel of the Clavinova (the side

C Pedal assembly.

A: Under the pedal box, remove the vinyl tie from the pedal

cable (the illustration shows the tie removed). Pa ying close attention to the direction of the rear legs (take note of the leg brackets in the illustration), slide the pedal box onto the left leg.

B: Align the cut hole in the pedal box with the hole in the left leg and insert the cable into the hole on the left leg, pull the cable out of the top of the left leg.

C: Align the screw holes, attach the two 4 x 12 millimeter small

screws to 2 locations. (First tighten both screws loosely, once the position has been determined tighten firmly.)

Use the same procedure (A, B and C) to attach the right leg.(However, the right leg is not equipped with a pedal cord.)

CAUTION

• When you lift the pedal box assembly, make sure that you lift by both legs.

• Left leg

CVP-109/107/105/103/700

Page 62

CVP-109

• Three screws on each side

VAttach the front legs.

Securely attach the two front legs using three 5 x 12 millimeter large screws for each leg (use a Philips “+” screwdriver) as shown in the illustration. Make sure that the screws are firmly tightened.

BAttach the speaker box.

Remove the speaker box cover (attached to the speaker box in 6 places with plastic plugs) from the speaker box. Gently rest the speaker box onto the corresponding brackets on the front legs. (Be careful not to touch the speakers when handling the speaker box. Damage may result.) Make sure the speaker cord is extending out from the rear of the speaker box. Loosely secure the speaker box to the main keyboard unit using four 5 x 12 millimeter large screws on both the front and back. (The speaker will be secured in step N.) Insert the speaker cord connector into the corresponding socket on the main keyboard unit, making sure that the protruding clip on the connector is facing up.

• Four screws on each side

CVP-109/107/105/103/700

Page 63

• Six screws on each side

NAttach the pedal box assembly.

CAUTION

• When you lift the pedal box assembly, make sure that you lift by both legs.

Before attaching the rear leg and pedal box assembly, insert the pedal cord plug extending from the left leg into the corresponding socket in the main unit. Make sure that the protruding clip on the connector is on the right. Put the excess cord into the leg and loosely secure the rear leg and pedal assembly using six 5 x 12 millimeter large screws for each leg (four screws per leg and two screws on each leg bracket). Once the rear leg and pedal assembly has been loosely attached, go back and tighten all 12 of the screws on the rear leg and pedal assembly, and also secure the 8 screws on the speaker box.

CVP-109/107/105/103/700

Page 64

CVP-109

• Make sure the plugs are fully inserted and there is no space left around the plugs and holes.

• Two screws on each side

MSecure the speaker box.

Stand the main unit on its legs and securely attach the speaker box to the bracket on the front legs using two 5 x 12 millimeter large screws for each bracket. If it is impossible to align the bracket holes with the speaker box holes, slightly loosen the three screws on each of the front legs, align the holes, and secure the speaker box. After the speaker box is firmly attached, retighten the screws on the front legs firmly. Put the speaker box cover back in place with the rounded edge of the cover at the bottom, insert the plugs on the cover into their corresponding holes on the speaker box.

CAUTION

• When attaching the cover first, make sure the cover is not upsidedown (the plugs will damage the speakers if attached upside-down) and make sure you push where the plugs are. The speaker cover is made of a soft material so pushing in a place where there are no plugs may cause damage.

CVP-109/107/105/103/700

Page 65

8 9

240

110

220

127

• A voltage selector is provided in some areas.

<Voltage Selector

Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a “minus” screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped. After the proper voltage has been selected, connect the AC power cord to the AC INLET and an AC wall outlet. A plug adaptor may be also provided in some areas to match the pin configuration of the AC wall outlets in your area.

CAUTION

• An improper voltage setting can cause serious damage to the CVP-

109 /107 or result in improper operation.

>Set the adjuster.

For stability , an adjuster is provided on the bottom of the pedal box. Rotate the adjuster until it comes in firm contact with the floor surface. The adjuster ensures stable pedal operation and facilitates pedal effect control. If the adjuster is not in firm contact with the floor surface, distorted sound may result.

CVP-109/107/105/103/700

Page 66

CAUTION

■ After completing the assembly, please

check the following.

• Are there any parts left over? ➔ Review the assembly procedure and correct any errors.

• Is the Clavinova clear of doors and other movable fixtures? ➔ Move the Clavinova to an appropriate location.

• Does the Clavinova make a rattling noise when you shake it? ➔ Tighten all screws.

• Does the pedal box rattle or give way when you step on the pedals?

➔ Turn the adjuster so that it is set firmly against the floor.

• Is the power cord inserted securely into the socket? ➔ Check the connection.

• If the main unit creaks or is otherwise unsteady when you play on the keyboard, refer to the assembly diagrams and retighten all screws.

CVP-109/107/105/103/700

Page 67

Specifications

KEYBOARD 88 keys (A–1 — C7) TONE GENERATOR AWM (Advanced Wave Memory) MAXIMUM SIMULTANEOUS 128 (CVP-109), 64 (CVP-107/700), 64 (CVP-105), 64 (CVP-103)

POLYPHONY VOICES Clavinova voices: 224 (CVP-109/107/700), 195 (CVP-105/103) Organ Flutes voices: 6 (CVP-109/107/700)

EFFECTS Natural Reverb: 5 types (CVP-109) Reverb: 12 types Chorus: 9 types

TONE CONTROLS Master Equalizer (CVP-109/107/700) ACCOMPANIMENT STYLES Rhythm Styles: 157 (CVP-109), 147 (CVP-107/700), 135 (CVP-105), 125 (CVP-103) Pianist Styles: 35

AUTO ACCOMPANIMENT Music Database: 564 (CVP-109), 534 (CVP-107/700), 498 (CVP-105), 463 (CVP-103)

REGISTRATION Bank A – E x 4 memory locations (20), Freeze, Registration Name (CVP-109/107/105/700) SONG PLAY MODE Song Playback, Repeat, Volume control of individual Parts (Mixer)

SONG RECORD MODE Quick Recording, Track Recording, Chord Sequence, Step Edit (CVP-109/107/105/700), Song Name, Track Edit, Initial Edit,

LCD/CONTROLS 320 x 240 dot (240 x 64 dot: CVP-103) liquid crystal display, Contrast dial, Beat lamp, Function button, Mixer button,

VOLUME CONTROLS Master volume, Acmp/Song volume DEMO/HELP 50 Demo Songs; 5 help languages (English, Japanese, German, French, Spanish) DISK DRIVE 3.5-inch micro floppy disk drive PEDAL RIGHT Damper, Pitch Bend (CVP-109/107/700)

CONTROLS

JACKS AND TERMINALS PHONES jacks x 2, AUX OUT jacks (L/L+R, R), AUX IN jacks (L/L+R, R), EXP.PEDAL jack (CVP-109/107/700),

INPUT/OUTPUT AUX OUT: Output Impedance: 600 Ω SPECIFICATIONS AUX IN: Input Impedance: 10 kΩ; Input Sensitivity: –10 dBm

MAIN AMPLIFIERS 240W (60W x 4) 120W (60W x 2) 80W (40W x 2) 80W (40W x 2) 120W (60W x 2) SPEAKERS 16cm x 2, 13cm x 2, 16cm x 2, 5cm x 2, 16cm x 2, 5cm x 2 16cm x 2, 5cm x 2 16cm x 2, 5cm x 2

DIMENSIONS (W x D x H)

WEIGHT 71.3kg (157lbs., 3oz.) 66.3kg (146lbs., 3oz.) 64.1kg (141lbs., 5oz.) Models with key cover: 86.5kg (190lbs., 11oz.)

• Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.

CENTER Sostenuto LEFT Soft, Damper (CVP-109/107/700), Start/Stop, Harmony, Registration, Registration Freeze, Ending/rit, Break, Break Fill,

XG voices: 480 Drum Kits: 13 sets (CVP-109/107/700), 12 sets (CVP-105/103) Voice Groups: Piano, Electric Piano, Guitar, Synthesizer, Organ, Strings/Choir, Brass, Sax/Flute, Bass, Percussion,

Ensemble, XG Dual, Split

Effect: 50 types x 2 (CVP-109/107/700), 45 types (CVP-105/103) Vocal Harmony: 42 types (CVP-109/107/700)

Custom Styles: 12 (CVP-109/107/105/700), 4 (CVP-103) Style Groups: 8Beat, 16Beat, Ballad, Dance, Rock/R&B, Swing/Jazz, Latin, Country, Ballroom, Trad/Waltz, Pianist,

Disk/Custom Controls: Intro, Main A, Main B ,Main C, Main D, Auto-fill, Ending, Fade in/out, Synchro, Start/Stop, Tap,

Metronome, Tempo –/+

Single Finger, Multi Finger, Fingered1, Fingered2, Full Keyboard Acmp Assist (CVP-109/107/105/700), Harmony, One Touch Setting, Chord Assist, Synchro Stop,

Individual Part Volume Control (Mixer)

Controls: Song, Play/Stop, Rewind, Fast forward, Pause Guide Control: Easy Play, Next Note, Sound Repeat

Lyric Display, Piano Roll Display, Keyboard Guide Lamps

Setup Memory, Vocal Harmony Memory (CVP-109/107/700)

Page < > buttons, Direct Access button, LCD buttons, data dial, –/+ buttons, Exit button

Bass Hold, Fade In/Out, Effect 1/2 Variation (CVP-109/107/700), Effect Variation (CVP-105/103), Glide

MIC. jack (CVP-109/107/700), VIDEO OUT jack (CVP-109/107/700), TO HOST terminal, MIDI terminals (IN, OUT, THRU)

CVP-109 CVP-107 CVP-105 CVP-103 CVP-700

3cm x 2, 5cm x 2 3cm x 2 3cm x 2

1415mm x 602mm x 887mm 1415mm x 602mm x 887mm 1402mm x 609mm x 888mm 1394mm x 561mm x 854mm 1417mm x 870mm x 908mm

(55-3/4" x 23-11/16" x 34-15/16") (55-3/4" x 23-11/16" x 34-15/16")

1415mm x 602mm x 1054mm 1415mm x 602mm x 1054mm 1402mm x 609mm x 1049mm 1394mm x 561mm x 1020mm 1417mm x 870mm x 1253mm (55-3/4" x 23-11/16" x 41-1/2") (55-3/4" x 23-11/16" x 41-1/2") (55-3/16" x 24" x 41-5/16") (54-7/8" x 22-1/16" x 40-1/8") (55-3/4" x 34-1/4" x 49-3/8")

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Music stand down Lid down

Music stand up Lid up

(55-3/16" x 24" x 35") (54-7/8" x 22-1/16" x 33-5/8") (55-3/4" x 34-1/4" x 35-3/4")

56.0kg (123lbs., 7oz.)

Models without key cover:

54.0kg (119lbs., 1oz.)

CVP-109/107/105/103/700

Page 68

V335380 909POCP6.3-04C0 Printed in Japan

Yamaha CVP-700, CVP-103, CVP-103M, CVP-105, CVP-107 Reference Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

Table of Contents

Voice List

Demo Songs

Drum/key Assignment List

Style List

Vocal Harmony Type List (CVP-109/107/700)

Parameter Chart

Fingering Chart

MIDI Data Format

MIDI Implementation Chart

CVP-103: Assembly

CVP-105: Assembly

CVP-700: Assembly

CVP109/107: Assembly

Specifications