YAMAHA CLP-370, CLP-340, CLP-330 User Manual

CLP-370/340/330
OWNER’S MANUAL
IMPORTANT
—Check your power supply—
Make sure that your local AC mains voltage matches the voltage specified on the name plate on the bottom panel. In some areas a voltage selector may be provided on the bottom panel of the main keyboard unit near the power cord. Make sure that the voltage selector is set for the voltage in your area. The voltage selector is set at 240V when the unit is initially shipped. To change the setting use a "minus" screwdriver to rotate the selector dial so that the correct voltage appears next to the pointer on the panel.
For information on assembling the keyboard stand, refer to the instructions at the end of this manual.
EN
Introduction
SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS: Yamaha electronic
products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
See bottom of Keyboard enclosure for graphic symbol markings.
The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servic­ing) instructions in the literature accompanying the product.
The lightning flash with arrowhead symbol, within the equilateral trian­gle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclo­sure that may be of sufficient magni­tude to constitute a risk of electrical shock.
Battery Notice: This product MAY contain a small non-
rechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
Warning: Do not attempt to recharge, disassemble, or
incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.
Disposal Notice: Should this product become damaged
beyond repair, or for some reason its useful life is consid­ered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc.
NOTICE: Service charges incurred due to lack of knowl-
edge relating to how a function or effect works (when the unit is operating as designed) are not covered by the man­ufacturer’s warranty, and are therefore the owners respon­sibility. Please study this manual carefully and consult your dealer before requesting service.
NAME PLATE LOCATION: The graphic below indi-
cates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
IMPORTANT NOTICE: All Yamaha electronic products
are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product perfor­mance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected.
SPECIFICATIONS SUBJECT TO CHANGE: The
information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.
ENVIRONMENTAL ISSUES: Yamaha strives to pro-
duce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:
CLP-370/340/330
Model
Serial No.
Purchase Date
92-469 1 (bottom)
Thank you for purchasing the Yamaha Clavinova! We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions of the Clavinova. We also recommend that you keep this manual in a safe and handy place for future reference.

About this Owner’s Manual and Data List

The documentation and reference materials for this instrument consist of the following:
Owner’s Manual (this book)
Introduction (page 2):
Please read this section first.
Reference (page 16):
This section explains how to make detailed settings for the Clavinova’s various functions.
Appendix (page 94):
This section introduces reference material.
Data List
You can download various MIDI-related reference materials, such as the MIDI Data Format and MIDI Implementation Chart, from the Yamaha Manual Library. Connect to the Internet, visit the following website, type the model name of your instrument (such as “CLP-370”) in the Model Name text box, then click the Search button. Yamaha Manual Library
http://www.yamaha.co.jp/manual/
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*The models CLP-370/340/330 will be referred to as the CLP/Clavinova in this owner’s manual. *The illustrations and LED displays shown in this owner’s manual are for instructional purposes only and may appear somewhat dif-
ferent from those on your instrument. *The panel illustrations shown in this owner’s manual are taken from the CLP-370. *Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited
except for your personal use.
(CLP-370/340) AVE-TCP™, a TCP/IP protocol stack by ACCESS Co., Ltd., is installed in this product. Copyright © 1997-2008 ACCESS CO., LTD. (CLP-370/340) AVE™-SSL, an encryption module technology by ACCESS Co., Ltd., is installed in this product. Copyright © 1997-2008 ACCESS CO., LTD.
COPYRIGHT NOTICE
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, style files, MIDI files, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.
Trademarks:
•Windows is a registered trademark of Microsoft® Corporation in the United States and other countries.
•SmartMedia is a trademark of Toshiba Corporation.
•All other trademarks are the property of their respective holders.
CLP-370/340/330 Owner’s Manual
3

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/Power cord
• Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument.
• Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.
• Use only the supplied power cord/plug.
• Do not place the power cord near heat sources such as heaters or radiators, and
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do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.
Do not open
• Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.
CAUTION
Water warning
• Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. If any liquid such as water seeps into the instrument, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel.
• Never insert or remove an electric plug with wet hands.
Fire warning
• Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire.
If you notice any abnormality
• If the power cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel.
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
Power supply/Power cord
• When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it.
• Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms.
• Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
Assembly
• Read carefully the attached documentation explaining the assembly process. Failure to assemble the instrument in the proper sequence might result in damage to the instrument or even injury.
Location
• Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components.
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise.
• Do not place the instrument in an unstable position where it might accidentally fall over.
• Before moving the instrument, remove all connected cables.
• When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still flowing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet.
• Do not place the instrument against a wall (allow at least 3 cm/one-inch from the wall), since this can cause inadequate air circulation, and possibly result in the instrument overheating.
CLP-370/340/330 Owner’s Manual
4
(1)B-12 1/2
Connections
• Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
Maintenance
• (For polish-finished model) Gently remove dust and dirt with a soft cloth. Do not wipe too hard since small particles of dirt can scratch the instrument’s finish.
• When cleaning the instrument, use a soft, dry or slightly damp cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths.
Handling caution
•Take care that the key cover does not pinch your fingers, and do not insert a finger or hand in any gaps on the key cover or instrument.
• Never insert or drop paper, metallic, or other objects into the gaps on the key cover, panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel.
• Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.
• (For polish-finished model) Bumping the surface of the instrument with metal, porcelain, or other hard objects can cause the finish to crack or peel. Use caution.
• Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.
• Do not use the instrument/device or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
Using the bench (If included)
• Do not place the bench in an unstable position where it might accidentally fall over.
• Do not play carelessly with or stand on the bench. Using it as a tool or step­ladder or for any other purpose might result in accident or injury.
• Only one person should sit on the bench at a time, in order to prevent the possibility of accident or injury.
• Do not attempt to adjust the bench height while sitting on the bench, since this can cause excessive force to be imposed on the adjustment mechanism, possibly resulting in damage to the mechanism or even injury.
• If the bench screws become loose due to extensive long-term use, tighten them periodically using the included tool.
Saving data
Saving and backing up your data
• Data in the instrument’s internal memory can be lost due to operational errors or malfunction. Be sure to save any important data to external media via a computer connected to the instrument. (page 78)
Backing up the USB Storage device
•To protect against data loss through media damage, we recommend that you save your important data onto two USB storage devices.
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Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
Even when the power is turned off, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the power cord from the wall AC outlet.
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CLP-370/340/330 Owner’s Manual
5
Accessories
• “50 greats for the Piano” (Music Book)
• Owner’s Manual
This manual contains complete instructions for operating your Clavinova.
• Accessory CD-ROM for Windows
• Accessory CD-ROM for Windows Installation Guide
• Bench
A bench may be included or optional, depending on your locale.
• My Yamaha Product User Registration
The PRODUCT ID on the sheet will be needed when you fill out the User Registration form.
Tuning
Unlike an acoustic piano, the Clavinova does not need to be tuned. It always stays perfectly in tune.
Transporting
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If you move to another location, you can transport the Clavinova along with your other belongings. You can move the unit as it is (assembled) or you can disassemble the unit. Tr ansport the keyboard horizontally. Do not lean it up against a wall or stand it up on its side. Do not subject the instrument to excessive vibration or shock.
CLP-370/340/330 Owner’s Manual
6
Features
Highly evolved touch and expression: Graded Hammer 3 (GH3) keyboard (CLP-330) and Graded Hammer 3 (GH3) keyboard with artificial ivory top (CLP-340)
The Graded Hammer keyboard features natural grand-piano type key weights (heavier in the low range and lighter in the higher range) providing a pleasant playability that is unmatched by conventional electronic pianos.
The Graded Hammer keyboard also offers superb playability for legato (without pedal operation) and repetitive­striking techniques, as with a grand piano. The CLP-340 feature an “artificial ivory” keyboard top, which simulates the moderate hygroscopic characteristics of real ivory and offers a less slippery surface, smooth key movement, and a warm and inviting color.
Ultimate natural playability: Natural Wood (NW) keyboard with artificial ivory top (CLP-370)
In addition to the features offered by the GH3 keyboard with artificial ivory top model, the NW keyboard uses natural wood for the inside of the white keys, as seen on an acoustic piano. This feature provides a heavier weighted touch that surpasses that of conventional electronic pianos and is closer in feel to a grand piano.
Digital recording of a full-size concert grand piano sound (via AMW Dynamics Stereo Sampling)
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This digital piano offers a rich and versatile range of sounds, which are created using Yamaha's proprietary sampling tone-generation system, “AWM Dynamic Stereo Sampling.”
AWM (Advanced Wave Memory) is a sampling system that creates sounds close to those of an acoustic instrument by digitally recording the sounds of an instrument and applying high-quality digital filtering technology to the recorded audio samples.
The sound waveform created by an acoustic piano differs depending on the player's strength of touch, from pianissimo to fortissimo.
AWM Dynamic Stereo Sampling can create extremely dynamic nuances by recording samples at various playing strengths. The greater the number of samples used, the greater the resulting expressiveness of the instrument.
The piano voice “Grand Piano 1” features a totally new sample recorded from a full-size concert grand piano. Each note in the sample has been adjusted meticulously so that the digital piano will play only the very best piano sounds.
The piano voices are well-separated sounds featuring a fast attack and a satisfying response.
The “Grand Piano 1” voice features multiple wave samples for different velocities (Dynamic Sampling). That is, different samples are used depending on how fast or strong the player strikes the keys. Therefore, this voice expresses detailed dynamics and sounds much closer to those of a true acoustic piano.
The CLP-370/340 creates a rich, luxurious sound using “Sustain Sampling,” which is a sample of the soundboard and the resonance of the strings when the damper pedal is pressed. The instrument also features “Key-off Sampling,” which is a sample of the very delicate noises that are caused when keys are released.
Internet Direct Connection function (CLP-370/340)
You can connect these digital piano models to the Internet, enabling you to access and enjoy a broad range of song data files that are available on a dedicated website.
CLP-370/340/330 Owner’s Manual
7

Ta b le of Contents

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Introduction

About this Owner’s Manual and Data List.............................................................................. 3
Accessories............................................................................................................................... 6
Panel Controls and Terminals ............................................................................................... 10
Before Using the Clavinova................................................................................................... 12
Key Cover.....................................................................................................................................................12
Music Rest....................................................................................................................................................13
Music Braces (CLP-370/340) ...................................................................................................................... 14
Turning the Power On ................................................................................................................................14
Setting the Volume ...................................................................................................................................... 15
Using Headphones.......................................................................................................................................15
Using the Speaker Switch ............................................................................................................................15
Listening to the Demonstration Tunes................................................................................. 16

Reference

Listening to 50 Piano Preset Songs ...................................................................................... 17
Practicing a One-Hand Part Using the 50 Preset Songs (Part Cancel Function) ....................................18
A-B Repeat for 50 Preset Songs................................................................................................................... 19
Selecting & Playing Voices .................................................................................................... 20
Selecting Voices............................................................................................................................................20
Using the Pedals........................................................................................................................................... 21
Adding Variations to the Sound — [VARIATION] (CLP-370/340)/[BRILLIANCE]/[REVERB]/
[EFFECT]/[DAMPER RES.] ....................................................................................................................... 22
Touch Sensitivity — [TOUCH].................................................................................................................. 24
Transposition — [TRANSPOSE] ...............................................................................................................25
Combining Two Voices (Dual mode) ........................................................................................................ 26
Splitting the Keyboard Range and Playing Two Different Voices (Split mode) (CLP-370/340) ............27
Using the Metronome .................................................................................................................................29
Recording Your Performance................................................................................................ 30
Recording a performance quickly...............................................................................................................30
Playing back a recorded song......................................................................................................................32
Re-recording a previously recorded song................................................................................................... 32
Recording to RIGHT/LEFT parts ...............................................................................................................33
Changing the Initial Settings (Data recorded at the beginning of a song) ...............................................35
Handling Songs with a USB Storage Device......................................................................... 36
About Save and Load...................................................................................................................................36
Saving a Song ...............................................................................................................................................37
Loading a Song............................................................................................................................................. 38
Deleting Song Files ......................................................................................................................................39
Formatting the USB Storage Device ........................................................................................................... 40
Handling the USB Storage Device (USB Flash Memory/Floppy Disk, etc.) ............................................41
Handling the Floppy Disk Drive (FDD) and Floppy Disks....................................................................... 42
Playing Back Songs................................................................................................................ 43
Playing Back User/External Songs on the Instrument............................................................................... 44
Playing Back User Songs from a USB Storage Device ...............................................................................45
Useful Playback Functions .......................................................................................................................... 45
CLP-370/340/330 Owner’s Manual
8
Internet Direct Connection (CLP-370/340) .......................................................................... 46
Setting up the Instrument for Internet Connection .................................................................................. 46
Connecting the Instrument to the Internet................................................................................................ 48
About the Internet Settings ......................................................................................................................... 49
Checking the field strength (when using a USB wireless LAN adaptor) ..................................................51
Exporting the Connection Information ..................................................................................................... 52
Other Internet Operations ..........................................................................................................................53
Listening to the Songs on Internet (CLP-370/340).............................................................. 56
Glossary of Internet Terms..........................................................................................................................57
Initializing the data......................................................................................................................................58
Detailed Settings — [FUNCTION] ......................................................................................... 59
Basic Procedure in Function Mode ............................................................................................................60
About Each Function................................................................................................................................... 62
F1. Fine Tuning of the Pitch.................................................................................................................. 62
F2. Selecting a Scale ...............................................................................................................................63
F3. Dual Mode Functions...................................................................................................................... 64
F4. (CLP-370/340) Split Mode Functions ............................................................................................ 65
F5. (CLP-370/340) / F4. (CLP-330) Other Functions..........................................................................66
F6. (CLP-370/340) / F5. (CLP-330) Metronome Volume ...................................................................67
F7. (CLP-370/340) / F6. (CLP-330) MIDI Functions ..........................................................................67
F8. (CLP-370/340) / F7. (CLP-330) Backup Functions .......................................................................70
F8.5 (CLP-370/340)/ F7.5 (CLP-330) Character Code ........................................................................ 70
F9. (CLP-370/340) LAN Settings .......................................................................................................... 70
Connections........................................................................................................................... 71
Connectors...................................................................................................................................................71
Connection to a USB storage device........................................................................................................... 73
Connecting a Personal Computer ..............................................................................................................75
Transmitting Song Data between the Computer and the Instrument................................ 76
Loading Song Data from a Computer to the Instrument.......................................................................... 76
Transmitting Song Data from the Instrument to a Computer .................................................................77
Data Backup........................................................................................................................... 78
Message List .......................................................................................................................... 79
Troubleshooting.................................................................................................................... 80
Options .................................................................................................................................. 80
CLP-370: Keyboard Stand Assembly ..................................................................................... 81
CLP-340/330: Keyboard Stand Assembly ............................................................................. 84
Installing the Optional Floppy Disk Drive (CLP-370/340).................................................... 87
Preset Voice List .................................................................................................................... 88
Demo Song List ..................................................................................................................... 91
Index...................................................................................................................................... 92
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Appendix

Factory Setting List................................................................................................................ 94
Specifications......................................................................................................................... 96
CLP-370/340/330 Owner’s Manual
9

Panel Controls and Terminals

USB TO DEVICE
SELECT
Panel Controls and Terminals
The panel illustrations shown are taken from the CLP-370.
2 3
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!645
8 )
7 @
9
*
(
CLP-370/340 only
OFF
ON
NORMAL
HP. SW
SPEAKER
PHONES
Front
¡
AUX IN
# %$
^
&
1
This illustration shown is taken from the CLP-370.
¢
Pedal jack for CLP-340/330 is next to the MIDI jacks.
Shows the jacks as seen when viewed
L/L+R
R
THRU
OUT
£
MIDI
from below the instrument.
º
AUX OUT
§
CLP-370/ 340 only
Shows the jacks as seen when viewed from below the instrument.
CLP-370/340/330 Owner’s Manual
10
L/L+R
R
Front
IN
TO HOST
USB
TO DEVICE
(
CLP-370/ 340 only
Panel Controls and Terminals
1 [POWER] switch .............................page 14
2 [MASTER VOLUME] slider..............page 15
Adjust the volume level using this slider.
3 [DEMO] button ..............................page 16
Demonstration playback is available for each voice.
4 [TRANSPOSE] button.....................page 25
You can shift the pitch of the entire keyboard up or down so that the pitch will match that of another instrument or singer, while you play the same, unshifted keys.
5 [REC] button .................................page 30
For recording your keyboard performance.
6 [RIGHT], [LEFT] buttons
............................................... pages 18, 33
For turning the left- and right-hand parts on or off as required so you can practice the corresponding part (the part that is turned off) on the keyboard.
7 [PLAY/PAUSE], [STOP] buttons
............................................... pages 16, 44
For playing back the preset songs or your recorded songs, etc. You can also play back songs from the Internet over a special website.
8 [SONG SELECT] button ......... pages 17, 56
For selecting a song to play back or edit.
9 [FILE] button ......................... pages 36, 40
For saving songs to and loading songs from a USB storage device, as well as managing song files. Also, lets you format a USB storage device.
)
[TEMPO/FUNCTION] button
............................................... pages 29, 60
For changing the song tempo (speed) and selecting other useful functions (pages 59 – 70).
! [METRONOME] button
............................................... pages 29, 67
For using the metronome.
@ Display............................................page 14
CAUTION
Do not turn off the power to the instrument while flashing dashes appear in the display (indicating the operation is in process). Doing so may damage the data.
# [–/NO], [+/YES] buttons
For setting values or performing file operations. Pressing both buttons simultaneously for certain value settings (Transpose, Tempo, etc.) restores the default value.
$ Voice group buttons......................page 20
For selecting voices from 14 internal sounds includ­ing Grand Piano 1 and 2. You can also combine two voices and use them together. (Only the CLP-370 and CLP-340 has the [VARIATION] button.)
^ [BRILLIANCE], [REVERB], [EFFECT]
buttons .......................................... page 22
For adjusting the brightness of the sound and adding reverb effects to the sound.
& [TOUCH] button ............................ page 24
For adjusting the touch response.
* [DAMPER RES.] button ................. page 23
For turning the Damper Resonance function on or off. When DAMPER RES. is on, the Clavinova simu­lates the sustain sound that occurs when you press the damper pedal of a grand piano, as you press the damper pedal and play the keyboard.
( USB [TO DEVICE] terminals........... page 72
For connecting the instrument to a USB storage device, allowing saving/loading of data to and from the connected device. On the CLP-370 and CLP-340, there are two TO DEVICE terminals, A and B, which can be specified using the [SELECT] switch.
º AUX OUT [L/L+R][R] jacks ............. page 71
For outputting the sound of the Clavinova to an external audio system.
¡ AUX IN [L/L+R] [R] jacks ............... page 72
For connecting an external tone generator, allowing you to play the sound of that device via the Clavi­nova’s internal sound system and speakers.
USB [TO HOST] terminal .............. page 72
For connecting the instrument to your computer, allowing you to transfer MIDI data between the Clavinova and the computer.
£ MIDI [IN] [OUT] [THRU] terminals
.......................................................page 72
For connecting external MIDI devices, allowing the use of various MIDI functions.
¢ [PHONES] jacks, [SPEAKER] switch
.......................................................page 15
For connecting a set of standard stereo headphones, allowing private practice. The [SPEAKER] switch turns the internal speakers on or off.
PEDALS........................................... page 21
For producing a range of expressive effects similar to those produced by the pedals on an acoustic piano. The left pedal can also be assigned to a variety of functions.
§ [LAN] jack (CLP-370/340)..............page 72
For connecting a LAN cable to access special Internet websites for this instrument, and playing songs from the Internet.
[PEDAL] jack ..................................page 83
For connecting a pedal cable.
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% [SPLIT] button (CLP-370/340).......page 27
For playing different voices on the left- and right­hand sections of the keyboard.
CLP-370/340/330 Owner’s Manual
11

Before Using the Clavinova

Before Using the Clavinova

Key Cover

To open the key cover:
Lift the cover slightly, then push and slide it open.
To close the key cover:
Slide the cover toward you and gently lower the cover over the keys.
Be careful to avoid catching your fingers when opening or closing the cover.
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CAUTION
Be careful not to pinch your fingers or the fingers of child when opening or closing it.
CAUTION
Do not place objects such as a piece of metal or paper on top of the key cover. Small objects placed on the key cover may fall inside the unit when the cover is opened and may be nearly impossible to remove. This could cause electric shock, short circuit, fire or other serious damage to the instrument.
CAUTION
Disconnect the optional USB storage device connected to the USB [TO DEVICE] A terminal before closing the key cover. Closing the cover with the device still connected may damage the device.
CLP-370/340/330 Owner’s Manual
12

Music Rest

To raise the music rest:
1. Pull the music rest up and toward yourself as far as it will go.
2. Flip down the two metal supports at the left and right on the rear
of the music rest.
3. Lower the music rest so that it rests on the metal supports.
To lower the music rest:
1. Pull the music rest toward yourself as far as it will go.
2. Raise the two metal supports (at the rear of the music rest).
3. Gently lower the music rest backward until it is all the way down.
CAUTION
Do not try to use the music rest in a half-raised position. When low­ering the music rest, do not release your hands from the music rest until it is all the way down.
Before Using the Clavinova
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CLP-370/340/330 Owner’s Manual
13
Before Using the Clavinova

Music Braces (CLP-370/340)

These braces are for holding the pages of music books in place.
To open To close

Tu rning the Power On

1.Connect the power cord.
Insert the plugs at the ends of the cord, one into the AC IN on the Clavinova, and the other into a standard AC outlet. In some areas, a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your area.
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2.Turn the power on.
1-1 1-2
(bottom surface)
Shows the AC IN as seen when viewed from below the instrument.
(The shape of plug differs depending on locale.)
WARNING
Make sure your instrument is rated for the AC voltage supplied in the area in which it is to be used (voltage rating appears on the name plate on the bottom panel). In some areas, a voltage selector may be provided on the bottom panel of the main keyboard unit near the AC IN. Make sure that the voltage selector is set for the voltage in your area. Connecting the unit to the wrong AC supply can cause serious damage to the internal circuitry and may even pose a shock hazard! Use only the AC power cord supplied with the Clavinova. If the supplied cord is lost or damaged and needs to be replaced, contact your Yamaha dealer. The use of an inappropriate replacement can pose a fire and shock hazard! The type of AC power cord provided with the Clavinova may be different depending on the country in which it is purchased. (In some areas a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your area.) Do NOT modify the plug provided with the Clavinova. If the plug will not fit the outlet, have a proper outlet installed by a qualified electrician.
Press the [POWER] switch.
•The display located in the center of the front panel and the power indicator located below the left end of the keyboard lights up.
[POWER] switch
Power indicator
When you’re ready to turn off the power, press the [POWER] switch again.
•The display and the power indicator turn off.
NOTE
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14
Display
Normally indicates tempo.
Power indicator
If you close the key cover without turning the power off, the power indicator remains lit, indicating that the power is still on.
Before Using the Clavinova

Setting the Volume

Initially set the [MASTER VOLUME] slider about halfway between the “MIN” and “MAX” settings. Then, when you start playing, re-adjust the [MASTER VOLUME] slider to the most comfortable listening level.
The level decreases. The level increases.
CAUTION
Do not use the Clavinova at a high volume level for a long period of time; doing so may damage your hearing.
TERMINOLOGY
NOTE

Using Headphones

MASTER VOLUME:
The volume level of the entire keyboard sound.
You can also adjust the [PHONES] output level and the AUX OUT level using the [MASTER VOLUME] slider.
bottom surface
ENGLISH
Connect a pair of headphones to one of the [PHONES] jacks. Tw o [PHONES] jacks are provided. You can connect two sets of standard stereo head­phones. (If you are using only one pair of headphones, you can plug them into either jack.)
Using the Headphone Hanger
A headphone hanger is included in the Clavinova pack­age so that you can conveniently hang the headphones on the Clavinova. Install the headphone hanger using included two screws (4 x 10mm) as shown in the figure.
CAUTION
Do not hang anything other than the headphones on the hanger. Doing so may damage the Clavinova or the hanger.
NORMAL
HP. SW
SPEAKER
PHONES
OFF
ON
standard stereo phone plug

Using the Speaker Switch

This switch turns the internal speakers on or off.
NORMAL (HP. SW) ......... The speakers produce sound as long as a pair of
headphones is not connected.
ON ....................................... The speakers always produce sound.
OFF ...................................... The speakers produce no sound.
OFF
ON
NORMAL
HP. SW
SPEAKER
PHONES
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15
Reference

Listening to the Demonstration Tunes

Listening to the Demonstration Tunes
Demonstration tunes are provided that effectively demonstrate each of the Clavinova’s voices.
Procedure
1. Turn the power on.
ENGLISH
2. Engage Demo mode.
3. Play a Voice demo.
4. Stop the Voice demo and exit from Demo mode.
1
24
43
(In case the power is not turned ON) Press the [POWER] switch. When the power is turned ON, one of the voice button LEDs will light. Initially set the [MASTER VOLUME] slider about half way between the “MIN” and “MAX” settings. Then, when you start playing, re-adjust the [MASTER VOLUME] slider to the most comfortable listening level.
Press the [DEMO] button to engage Demo mode. The voice button indicators will flash in sequence.
Press one of the voice buttons to start playback of all songs starting from the corresponding voice demo tune — featuring the voice normally selected by that voice button. (If you press the SONG [PLAY/PAUSE] button instead of a voice button or only waiting (not press any keys) a short while, the GRAND PIANO 1 demo tune will begin playback.)
Press the [DEMO] or SONG [STOP] button.
3
NOTE
For a list of the demo songs, see page 91.
NOTE
MIDI reception is not possible in Demo Song mode.
Demo song data is not transmitted via the MIDI terminals.
NOTE
Demo mode cannot be engaged during User song recording (page 30) or file operations (page
36).
TERMINOLOGY
Mode:
A mode is a status under which you can execute a certain function. In Demo mode, you can play back demonstration tunes.
NOTE
You cannot adjust the tempo of demo songs.
You cannot use the part cancel function (page 18) or the song A-B repeat function (page 19) in Demo mode.
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16
NOTE
On the CLP-370/340, you can demo the piano voices with vari­ous effects by pressing the [VARIATION] button, then press­ing the desired voice button. Refer to the “Piano Voice Demo Description” on page 91 for the complete list of demo sounds for the piano voices with various effects.

Listening to 50 Piano Preset Songs

Listening to 50 Piano Preset Songs
The Clavinova provides performance data of 50 piano songs. You can simply listen to these songs or use them for practice (page 18). You can also refer to the included “50 greats for the Piano” that contains scores for the 50 piano preset songs.
1
2-23
Procedure
42-1
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1. Engage Preset Song mode.
Press the [SONG SELECT] button a few times until the “PRESET” indicator lights.
2. Play any of the 50 preset songs.
2-1 Press the [–/NO], [+/YES] buttons to select a number of the tune you want to
play (the number will appear on the LED display) or select a playing method.
1 – 50: Select a preset song number and play only the song. r n d: Play all preset songs continuously in random order. ALL: Play all preset songs in sequence.
2-2 Press the SONG [PLAY/PAUSE] button to start playback.
Adjust the Volume
Use the
[MASTER VOLUME] control to adjust the volume.
Adjust the Tempo
You can use the
]
buttons to adjust the playback tempo as required. The default tempo can be recalled by simultaneously pressing the [] and [] buttons.
[TEMPO/FUNCTION ▼,
This produces a relative tempo varia­tion, with a range from “–50” through “0” to “50” at maximum; the range will differ depending on the selected song.
3. Stop playback.
Playback will stop automatically when the selected preset song has finished. To stop the song during playback (or continuous playback), press the SONG
[STOP] button. You can also pause playback by pressing the SONG [PLAY/ PAUSE] button.
•To play back another song continuously, see procedure 2 above.
4. Exit from Preset Song mode.
Press the [SONG SELECT] button to exit Preset Song mode. The indicator turns off, and the unit returns to normal play mode.
How to use the practice functions
You can turn the left- and right-hand parts on or off as required so you can practice the corresponding part (part cancel function) and continuously repeat a specified phrase within a song (song A-B repeat function). For more information, see pages 18–19.
ENGLISH
NOTE
Preset Song mode cannot be engaged while the unit is in Demo Song mode (page 16) or during song playback (page 44), User song recording (page 30), or file operations (page 36).
TERMINOLOGY
Song:
Performance data is called a “Song.” This includes demonstra­tion tunes and piano preset tunes.
NOTE
You can play the keyboard along with the preset song. You can change the voice playing on the keyboard.
NOTE
You can adjust the Brilliance con­trol (page 22) and Reverb type (page 22) that is applied to preset song playback.
You can change the Effect set­tings (page 23) and Touch sensi­tivity (page 24) for the keyboard voice you play.
NOTE
The default tempo “0” is automati­cally selected whenever a new preset song is selected, or when playback of a new preset song begins during “ALL” or “r n d” playback.
NOTE
When you select a different song (or a different song is selected during chained playback), appro­priate reverb and effect types will be selected accordingly.
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Listening to 50 Piano Preset Songs

Practicing a One-Hand Part Using the 50 Preset Songs (Part Cancel Function)

The 50 preset songs have separate left- and right-hand parts on individual parts. You can turn the left- and right-hand parts on or off as desired, in order to practice the corresponding part (the part that is turned off) on the keyboard. The right-hand part is played by [RIGHT] and the left-hand part is played by [LEFT].
ENGLISH
Procedure
1. Turn off the playback part you wish to practice.
After you select a song to practice, press the [RIGHT] or [LEFT] button to turn off the corresponding part. When you first select a song, both [RIGHT] and [LEFT] indicators light up, indi­cating that you can play back both parts. When you press one of the buttons to turn off playback, the corresponding button indicator turns off and the corre­sponding part playback is muted.
•Pressing the buttons repeatedly toggles playback between on and off.
2. Start playback and playing.
Press the SONG [PLAY/PAUSE] button to start playback. Play the part you just turned off.
1
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NOTE
Appropriate channels in the song will automatically be assigned to
[RIGHT] and [LEFT]. Therefore, [RIGHT] may be assigned to a
part other than channel 1, or [LEFT] to a part other than chan­nel 2.
NOTE
The Preset Song Part Cancel function cannot be used during “ALL” or “r n d” (page 17) play­back.
NOTE
The parts can be turned on or off even during playback.
Starting playback automatically as you start playing the keyboard (Sync Start)
When the Sync Start function is engaged, playback of the selected preset song will begin automatically as soon as you start playing on the keyboard. To engage the Sync Start function, simultaneously hold down the and press the [PLAY/PAUSE] button. (Repeat the previous operation to disengage the Sync Start function.) Playback will then start as soon as you begin playing on the keyboard.
Left Pedal Play/Pause
The left pedal can be assigned to play and pause preset song playback via the “Left Pedal Mode” function described on page 66.
3. Stop playback.
When playback is complete, it automatically stops and the Clavinova locates the top of the song. If you wish to stop playback in the middle of a song, press the
SONG [STOP] button. You can also pause playback by pressing the SONG [PLAY/PAUSE]
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SONG [STOP]
NOTE
Both parts are automatically turned ON whenever a new song is selected.
button.
Listening to 50 Piano Preset Songs

A-B Repeat for 50 Preset Songs

The A-B Repeat function can be used to continuously repeat a specified phrase within a preset song. Combined with the Part Cancel function described on page 18, this provides an excellent way to practice difficult phrases.
12
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Procedure
1. Specify the beginning (A) and the end (B) of the
phrase, and start practicing.
Select and play a preset song, then press the [TEMPO/ FUNCTION] button at the beginning of the phrase
you want to repeat.
This sets the “A” point ( will appear on the dis­play).
To specify the end (B) of the phrase, press the [TEMPO/FUNCTION] button a second time at the end of the phrase.
This sets the “B” point ( will appear on the dis­play). At this point, repeat playback will begin between the specified A and B points.
ENGLISH
NOTE
The A-B Repeat function cannot be used during “ALL” or “r n d” (page 17) playback.
NOTE
•To set the “A” point at the very beginning of the song, press the [TEMPO/FUNCTION] but­ton before starting playback.
•You can have the B point auto­matically be set to the song’s end, by setting the A point and letting the song play to the end.
NOTE
An automatic lead-in (to help guide you into the phrase) starts at the A point of the song.
2. Stop playback.
Press the SONG [STOP] button to stop playback while retaining the specified A and B points. A-B repeat playback will resume if you press the SONG [PLAY/ PAUSE] button.
To cancel the A and B points, press the [TEMPO/FUNCTION] button once.
NOTE
The A and B points are automati­cally canceled when a new song is selected.
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Selecting & Playing Voices

Selecting & Playing Voices

Selecting Voices

Procedure
Voice buttons
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Select the desired voice by pressing one of the Voice buttons.
ENGLISH
Then, when you start playing, re-adjust the [MASTER VOLUME] slider for the most comfortable listening level.
NOTE
To learn characteristics of the voices, listen to demo songs for each voice (page 16). Refer to “Preset Voice List” on page 88 for more information on the charac­teristics of each preset voice.
TERMINOLOGY
Voice:
On the Clavinova, a voice means a “tone” or “tonal color.”
NOTE
You can control the loudness of a voice by adjusting the force with which you strike the keys, although different playing styles (touch sensitivities) have little or no effect with certain musical instruments.
Refer to “Preset Voice List” on page 88.
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Using the Pedals

The Clavinova has three foot pedals that produce a range of expressive effects similar to those produced by the pedals on an acoustic piano.
Damper (Right) Pedal
The damper pedal functions in the same way as a damper pedal on an acoustic piano. When the damper pedal is pressed, notes sustain longer. Releasing the pedal immediately stops (damps) any sustained notes. The damper pedal also features a naturally expressive half-pedal function. When DAMPER RES. is on, the Clavinova simulates the sustain sound that occurs when you press the damper pedal of a grand piano, as you press the damper pedal and play the keyboard.
When you press the damper pedal here, the notes you play before you release the pedal have a longer sustain.
Selecting & Playing Voices
NOTE
If the damper pedal doesn’t work, make sure that the pedal cord is properly plugged into the jack (pages 83, 86).
TERMINOLOGY:
Half-pedal:
While playing the piano with Sus­tain and you want to slightly mute the sustained sound, release the damper pedal from maximum position to half position.
NOTE
The depth of the effect produced by the “Sustain Samples” can be adjusted via the “Sustain Sample Depth” (page 66) in Function mode.
ENGLISH
Sostenuto (Center) Pedal
If you play a note or chord on the keyboard and press the sostenuto pedal while the note(s) are held, those notes will sustain as long as you hold the pedal (as if the damper pedal had been pressed) but all subsequently played notes will not be sustained. This makes it possible to sustain a chord, for example, while other notes are played “staccato.”
Soft (Left) Pedal
The soft pedal reduces the volume and slightly changes the timbre of notes played while the pedal is pressed. The soft pedal will not affect notes that are already playing when it is pressed.
When you press the soste­nuto pedal here while hold­ing the note, the note will sustain as long as you hold the pedal.
NOTE
Organ, string and choir voices will continue to sound for as long as the sostenuto pedal is depressed.
NOTE
The left pedal can be assigned to song play/pause operation or variation function (CLP-370/340) via the “Left Pedal Mode” described on page 66.
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Selecting & Playing Voices
Adding Variations to the Sound — [VARIATION] (CLP-370/340)/[BRILLIANCE]/[REVERB]/[EFFECT]/ [DAMPER RES.]
[–/NO] [+/YES]
buttons
[VARIATION] button
[REVERB]
button
[DAMPER RES.]
button
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[VARIATION] (CLP-370/340)
ENGLISH
Lets you alter another aspect of the effect, depending on the selected type. Refer to “Preset Voice List” on page 88 for more information on the characteristics of each variation.
Procedure
Pressing the [VARIATION] or selected voice button toggles the variation on and off. The indicator lights (ON) when [VARIATION] is enabled.
[BRILLIANCE]
This control can be used to change the tonality or “timbre” of the sound output.
BRIGHT: Bright tone NORMAL: Standard tone MELLOW: Soft and mellow tone
Procedure
To select a brilliance type, press the [BRILLIANCE] button a few times until the indica­tor corresponding to the desired type lights (the indicator lights in sequence each time you press the [BRILLIANCE] button). Brilliance can be selected among five types. When two adjacent indicators are lit, the type that is between the two indicated types is selected. For example, when both NORMAL and MELLOW are lit, the brilliance set­ting between NORMAL and MELLOW is selected. This parameter affects the entire sound of the instrument.
[BRILLIANCE]
button
Normal setting = OFF
Normal setting:
The “Normal setting” refers to the default setting (factory setting) obtained when you first turn on the power to the Clavinova.
The left pedal can be assigned to ON or OFF the variation via the “Left Pedal Mode” function described on page 66.
Normal setting = NORMAL
When the BRILLIANCE is set to BRIGHT, the overall sound will be slightly louder. If the MASTER VOLUME is set at a high level the sound may become distorted. If so, lower the MASTER VOLUME level.
[EFFECT]
button
NOTE
TERMINOLOGY
NOTE
NOTE
NOTE
[REVERB]
This control enables you to select various digital reverb effects that would add extra depth and expression to the sound to create a realistic acoustic ambience.
OFF: When no reverb effect is selected, no REVERB indicator is lit. ROOM: This setting adds a continuous reverb effect to the sound, similar to the
acoustic reverberation you would hear in a room.
HALL 1: For a “bigger” reverb sound, use the HALL 1 setting. This effect simulates
the natural reverberation of a small-size concert hall.
HALL 2: For a truly spacious reverb sound, use the HALL 2 setting. This effect simu-
lates the natural reverberation of a large concert hall.
STAGE: Simulates the reverb of a stage environment.
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22
NOTE
The default reverb type (including OFF) and depth settings are dif­ferent for each voice.
NOTE
Releasing the [REVERB] button changes the reverb type.
If you have changed the reverb depth, releasing the [REVERB] button will not change the reverb type.
Procedure
To select an reverb type, press the [REVERB] button a few times until the indicator cor­responding to the desired type lights (the indicators light in sequence each time you press the [REVERB] button). No effect is produced when all indicators are off.
Adjusting Reverb Depth
Adjust the reverb depth for the selected voice by using the
[–/NO] [+/YES] buttons
while holding the [REVERB] button. The depth range is from 0 through 20. The cur­rent depth setting appears on the LED display while the [REVERB] button is held.
[EFFECT]
The [EFFECT] button allows you to select an effect to give your sound greater depth and animation.
OFF: When no effect is selected, no EFFECT indicator is lit. CHORUS: A shimmering, broadening effect PHASER: Adds a sweeping effect to the sound. TREMOLO: Tr emolo effect ROTARY SP: Adds the vibrato effect of a rotary speaker.
Procedure
Selecting & Playing Voices
NOTE
Depth 0: no effect Depth 20: maximum reverb depth
NOTE
The default effect type (including OFF) and depth settings are dif­ferent for each voice.
ENGLISH
NOTE
Releasing the [EFFECT] button changes the effect type.
If you have changed the depth settings, releasing the [EFFECT] button will not change the effect type.
To select an effect type, press the
[EFFECT] button a few times until the indicator corre-
sponding to the desired type lights (the indicators light in sequence each time you press the [EFFECT] button). No effect is produced when all indicators are off.
Adjusting Effect Depth
You can adjust the effect depth for the selected voice by using the
[–/NO] and [+/YES]
buttons while holding the [EFFECT] button. The depth range is from 0 through 20. The current depth setting appears on the LED display while the [EFFECT] button is held.
[DAMPER RES.]
The Damper Resonance lets you hear a simulation of the sustain sound of the damper pedal on a grand piano, as you press the damper pedal and play the keyboard. This effect is applied to the entire sound of the instrument.
Procedure
Pressing the [DAMPER RES.] button repeatedly toggles the Damper Resonance on and off.
Adjusting DAMPER RES. Depth
You can adjust the Damper Resonance depth by using the while holding the [DAMPER RES.] button. The depth range is from 0 through 20. The current depth setting appears on the LED display while the [DAMPER RES.] button is held.
[–/NO] and [+/YES] buttons
NOTE
Depth 0: no effect Depth 20: maximum effect depth
NOTE
Default depth settings are differ­ent for each voice.
NOTE
Normal setting = ON
NOTE
Depth 0: no effect Depth 20: maximum depth
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Selecting & Playing Voices
Touch Sensitivity — [TOUCH]
You can select four different types of keyboard touch sensitivity — HARD, MEDIUM, SOFT or FIXED — to match different playing styles and preferences.
HARD: MEDIUM: Produces a fairly “standard” keyboard response. SOFT: FIXED:
ENGLISH
Requires that the keys be played quite hard to produce maximum loudness.
Allows maximum loudness to be produced with relatively light key pressure. All notes are produced at the same volume no matter how hard the keyboard is played. (No indicators are lit.) The fixed volume can be changed.
[–/NO] [+/YES] buttons
NOTE
This setting does not change the weight of the keyboard.
NOTE
Normal setting = MEDIUM
NOTE
The touch sensitivity type will become the common setting for all voices. However, the touch sensitivity settings may have little or no effect with certain voices that are not normally responsive to keyboard dynamics. (Refer to the “Preset Voice List” on page
88.)
[TOUCH] button
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Procedure
To select a touch sensitivity type press the [TOUCH] button a few times until the indica­tor corresponding to the desired type lights (the indicators light in sequence each time the [TOUCH] button is pressed). No indicator is lit when “FIXED” is selected.
Changing the volume when FIXED is selected
When you select FIXED, you can set the volume for notes played in FIXED mode by using the you hold the
[TOUCH]
appears on the display. The volume range is from 1 through 127. The default setting is 64.
[–/NO]
and
[+/YES]
buttons while
button. The current volume
level
Volume range
NOTE
1: minimum volume 127: maximum volume
NOTE
The touch volume set in FIXED mode will become the common setting for all voices.
NOTE
Releasing the [TOUCH] button changes the touch type.
If you have changed the volume, releasing the [TOUCH] button will not change the touch type. (FIXED mode will remain selected.)
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Selecting & Playing Voices
Tr ansposition — [TRANSPOSE]
The Clavinova’s Transpose function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals to facilitate playing in difficult key signatures, and to let you easily match the pitch of the keyboard to the range of a singer or other instruments. For example, if you set the transposition amount to “5,” playing a C key produces a pitch of F. In this way, you can play a song as though it were in C major, and the Clavinova will transpose it to F major.
[–/NO] [+/YES] buttons [TRANSPOSE] button
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Procedure
Use the [–/NO] and [+/YES] button while holding the
[TRANSPOSE] button to transpose down or up as required.
The amount of transposition appears on the LED display while the [TRANSPOSE] button is held. The default transpose setting is “0.”
Tr ansposition
TERMINOLOGY
Transpose:
Change the key signature of a song. On the Clavinova, transpos­ing shifts the pitch of the entire keyboard.
ENGLISH
The [TRANSPOSE] button indicator remains lit when a transpose setting other than “0” is selected. If a value other than “0” is selected, the [TRANSPOSE] button can be switched the transpose function ON or OFF at any time.
NOTE
The transposition range: –12: –12 semitones (down one
octave)
0: normal pitch 12: 12 semitones (up one octave)
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Selecting & Playing Voices

Combining Two Voices (Dual mode)

You can play two voices simultaneously across the entire range of the keyboard. In this way, you can simulate a melody duet or combine two similar voices to create a thicker sound.
1
2
Procedure
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1. Engage Dual mode.
ENGLISH
2. Exit Dual mode and return to normal play mode.
Press two voice buttons at the same time (or press one voice button while holding another). The voice indicators of both selected voices will light when Dual mode is active.
•According to the voice numbering priority shown in the diagram on
Voice numbering priority
12
34567
the right, the lower value voice number will be designated as Voice 1 (the other voice will be desig­nated as Voice 2).
891011
12 13 14
The Function mode provides access to a number of other Dual mode functions, such as volume balance setting or octave setting (page 64). (If you do not set Dual mode functions, the appropriate setting will be set in each voice by default.)
To return to the normal single-voice play mode, press any single voice button.
NOTE (CLP-370/340)
Dual and Split (page 27) modes cannot be engaged at the same time.
NOTE
[VARIATION] in Dual Mode (CLP-370/340)
The [VARIATION] button’s indica- tor will light if the variation is engaged for either or both of the Dual mode voices. While Dual mode is engaged, the [VARIA- TION] button can be used to turn the variation for both voices on or off. To turn the variation on or off for only one of the voices, hold the voice button for the other voice and press the button of the voice for which you want to change the variation.
NOTE
[REVERB] in Dual Mode
The reverb type assigned to Voice 1 will take priority over the other. (If the reverb is set to OFF, Voice 2 reverb type will be in effect.)
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26
NOTE
[EFFECT] in Dual Mode
Depending on the conditions, one effect type may take priority over the other. Depth will be decided according to the depth default value of the voice combination.
However, using function F3 (page
64) you can adjust the depth value for each voice to your liking.
Selecting & Playing Voices

Splitting the Keyboard Range and Playing Two Different Vo ices (Split mode) (CLP-370/340)

Split mode enables you to play two different voices on the keyboard — one with the left hand and another with the right hand. For example, you can play a bass part using the Wood Bass or Electric Bass voice with the left hand, and a melody with the right hand.
Voice buttons [SPLIT] button
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Procedure
1. Engage Split mode.
Press the [SPLIT] button so that its indicator lights. The default setting (WOOD
BASS)
will be selected for the left-hand voice at first.
The Function mode provides access to a number of other Split mode functions (page 65). (If you make no settings for Split mode functions, the appropriate setting will be set in each voice by default.)
Dual (page 26) and Split modes cannot be engaged simulta­neously.
NOTE
ENGLISH
2. Specify the split point (the border between the
right-and left-hand range).
(The split point is initially set at the F#2 key by default. If you do not need to change the split point, skip this procedure.) You can change the split point to any other key by pressing the key while hold­ing the LED display while the [SPLIT] button is held).
An example of split-point key display
[SPLIT] button (the name of the current split-point key appears on the
F 2
followed by a high bar if sharp
F#2
Eb2
followed by a low bar if flat
NOTE
A specified “split point” key is included in the left-hand range.
The split point can also be changed by simultaneously hold­ing down the [SPLIT] button and pressing the [–/NO] or [+/YES] button.
The default split point can be recalled by simultaneously hold­ing down the [SPLIT] button and pressing both the [–/NO] and [+/ YES] buttons together.
NOTE
The split point can also be set via Function 4 (page 65).
A -1 C1 C2 F#2C3 C4 C5 C6 C7
Normal setting=F#2
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Selecting & Playing Voices
3. Select a voice for the right hand.
Press a voice button.
4. Select a voice for the left hand.
Press the corresponding voice button while holding the [SPLIT] button. (The indicator of the Left Voice button will light while the [SPLIT] button is pressed.) To turn the variation on or off for the split voice, hold the [SPLIT] button and press the [VARIATION] button or the currently-selected voice button.
5. Exit Split mode and return to normal play mode.
Press the [SPLIT] button again so that its indicator goes out.
ENGLISH
NOTE
[VARIATION] in Split Mode
You can turn the variation on or off for Split mode voices. Normally, the voice indicator of the right voice lights in Split mode. The [VARIATION] can be used to turn the variation for the right voice on or off as required. While the [SPLIT] button is held, however, the voice indicator of the left voice lights. In this state the [VARIA- TION] button turns the variation for the left voice on or off.
NOTE
[REVERB] in Split Mode
The reverb type assigned to the right voice will take priority over the other. (If the reverb of the right voice is set to OFF, the left voice’s reverb type will be in effect.)
NOTE
[EFFECT] in Split Mode
Depending on the conditions, one effect type will take priority over the other. The depth will be decided according to the depth default value of the voice combi­nation. However, using function F4 (page 65) you can change the depth value for each voice as you like. Effect depth setting via the panel controls (i.e. pressing the [–/NO] or [+/YES] buttons while holding the [EFFECT] button — will be applied to the right voice only.
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Selecting & Playing Voices

Using the Metronome

The Clavinova features a built-in metronome (a device that keeps an accurate tempo) that is conve­nient for practicing.
2
1
[TEMPO/FUNCTION ▲▼] buttons
[–/NO] [+/YES] buttons
Procedure
1. Start the metronome.
The metronome sound is turned on by pressing the METRONOME [ON/OFF] button.
The beat indicator flashes at the current tempo.
Adjusting the tempo
The tempo of the metronome and user song recorder playback (the recorder is described in the next section) can be set from 32 to 280 beats per minute by using the
, ]
Adjusting the time signature
The time signature (beat) of the metronome can be set by using the holding the METRONOME [ON/OFF] button. You can set the beat from 0 to 15. The current setting appears on the LED display while you are holding the METRONOME [ON/OFF] button. A beat setting of “0” plays a low click sound for all beats, while a setting of “1” plays a high click sound for all beats; other beat settings play a high click for the first beat in a measure and a low click for all following beats.
[TEMPO/FUNCTION , ] buttons (when the [TEMPO/FUNCTION
button’s [TEMPO] indicator is lit).
[–/NO] and [+/YES] buttons while
Beat
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NOTE
If the [TEMPO/FUNCTION] but­ton’s [TEMPO] indicator is not lit, press the [TEMPO/FUNCTION] button to light the [TEMPO] indi­cator.
NOTE
The volume of the metronome can be adjusted via the Metronome Volume function in Function mode (page 67).
ENGLISH
2. Stop the metronome.
Tu rn off the metronome by pressing the METRONOME [ON/OFF] button.
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Recording Your Performance

Recording Your Performance
The ability to record and play back what you’ve played on the instru­ment can be an effective practice aid. You can, for example, record just the left-hand part, and then practice the right-hand part while playing back the recorded left-hand part. Or, since you can record up to two parts separately, you could record the left-and right-hand parts sepa­rately, or record both parts of a duet and hear how they sound when played back. The two-part Song Recorder on the instrument allows the recording of up to three User songs (U01 – U03) to the instrument. User songs can be saved to an optional USB storage device.
ENGLISH

Recording a performance quickly

This convenient and simple recording method lets you quickly record your performance without specifying the recording parts — useful, for example, in recording solo piano pieces. In this way, the performance is automatically recorded to right part.
2 4 4 3
CAUTION
To avoid erasing previously recorded song(s):
If the song contains data, the part indicator lights up green when you select a song. Note that recording new data on this part will erase the existing data.
You cannot record the performance to the connected USB storage device directly. The recorded songs are saved to the instrument automatically. If you want to save data to the device, perform the Save operation (page 37) after stopping recording.
TERMINOLOGY
Recording vs. Saving:
The format of performance data recorded on a cassette tape differs from that of data recorded on the Clavinova. A cassette tape records audio signals. The Clavinova “saves” information regarding note timing, voices, and a tempo value, but not audio signals. When you play back recorded songs, the Clavinova produces sound based on the saved information. Therefore, recording on the Clavinova may be more accurately called “saving information.” However, this book often uses the word “record­ing” because it seems to make more sense.
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