Page 1
CLP-115
Owner's Manual
Bedienungsanleitung
Mode d'emploi
Manual de instrucciones
Before using the Clavinova, be sure to read “PRECAUTIONS„ on pages 6 -7.
Achten Sie darauf, vor Einsatz des Clavinova die “VORSICHTSMASSNAHMEN„ auf Seite 6-7
durchzulesen.
Avant d'utiliser le Clavinova, lire attentivement la section
pages 6- 7.
Antes de utilizar el Clavinova, lea las
6- 7.
“PRECAUCIONES„ que debe tener en cuenta en las páginas
IMPORTANT
Check your power supply
Make sure that your local AC mains voltage matches the voltage specified on the name plate
on the bottom panel. In some areas a voltage selector may be provided on the bottom panel of
the main keyboard unit near the power cord. Make sure that the voltage selector is set for the
voltage in your area. The voltage selector is set at 240V when the unit is initially shipped. To
change the setting use a "minus" screwdriver to rotate the selector dial so that the correct voltage
appears next to the pointer on the panel.
WICHTIG
Überprüfung der Stromversorgung
Vergewissern Sie sich vor dem Anschließen an das Stromnetz, daß die örtliche Netzspannung den
Betriebsspannungswerten auf dem Typenschild an der Unterseite des Instruments entspricht. In
bestimmten Verkaufsgebieten ist das Instrument mit einem Spannungswähler an der Unterseite
neben der Netzkabeldurchführung ausgestattet. Falls vorhanden, muß der Spannungswähler auf
die örtliche Netzspannung eingestellt werden. Der Spannungswähler wurde werkseitig auf 240 V
voreingestellt. Zum Verstellen drehen Sie den Spannungsregler mit einem Schlitzschraubendreher,
bis der Zeiger auf den korrekten Spannungswert weist.
IMPORTANT
Contrôler la source d'alimentation
Vérifiez que la tension spécifiée sur le panneau inférieur correspond à la tension du secteur. Dans
certaines régions, l'instrument peut être équipé d'un sélecteur de tension situé sur le panneau
inférieur du clavier à proximité du cordon d'alimentation.
Vérifiez que ce sélecteur est bien réglé en fonction de la tension secteur de votre région. Le
sélecteur de tension est réglé sur 240 V au départ d'usine. Pour modifier ce réglage, utilisez un
tournevis à lame plate pour tourner le sélecteur afin de mettre l'indication correspondant à la
tension de votre région vis à vis du repère triangulaire situé sur le panneau.
IMPORTANTE
Verifique la alimentación de corriente
Asegúrese de que tensión de alimentación de CA de su área corresponde con la tensión
especificada en la placa de características del panel inferior. En algunas zonas puede haberse
incorporado un selector de tensión en el panel inferior de la unidad del teclado principal, cerca del
cable de alimentación. Asegúrese de que el selector de tensión esté ajustado a la tensión de su
área. El selector de tensión se ajusta a 240V cuando la unidad sale de fábrica. Para cambiar el
ajuste, emplee un destornillador de cabeza "recta" para girar el selector de modo que aparezca la
tensión correcta al lado del indicador del panel.
«PRECAUTIONS D'USAGE» aux
Page 2
Introduction
SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS:
Yamaha electronic
products may have either labels similar to the graphics
shown below or molded/stamped facsimiles of these
graphics on the enclosure. The explanation of these
graphics appears on this page. Please observe all cautions
indicated on this page and those indicated in the safety
instruction section.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
See bottom of Keyboard enclosure for graphic symbol markings.
The exclamation point within the
equilateral triangle is intended to alert
the user to the presence of important
operating and maintenance (servicing) instructions in the literature
accompanying the product.
The lightning flash with arrowhead
symbol, within the equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous
voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical
shock.
Battery Notice:
This product MAY contain a small nonrechargable battery which (if applicable) is soldered in
place. The average life span of this type of battery is
approximately five years. When replacement becomes
necessary, contact a qualified service representative to
perform the replacement.
Warning:
Do not attempt to recharge, disassemble, or
incinerate this type of battery. Keep all batteries away
from children. Dispose of used batteries promptly and as
regulated by applicable laws. Note: In some areas, the
servicer is required by law to return the defective parts.
However, you do have the option of having the servicer
dispose of these parts for you.
Disposal Notice:
Should this product become damaged
beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and
federal regulations that relate to the disposal of products
that contain lead, batteries, plastics, etc.
NOTICE:
Service charges incurred due to lack of knowledge relating to how a function or effect works (when the
unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult
your dealer before requesting service.
NAME PLATE LOCATION:
The graphic below indicates the location of the name plate. The model number,
serial number, power requirements, etc., are located on
this plate. You should record the model number, serial
number, and the date of purchase in the spaces provided
below and retain this manual as a permanent record of
your purchase.
IMPORTANT NOTICE:
All Yamaha electronic products
are tested and approved by an independent safety testing
laboratory in order that you may be sure that when it is
properly installed and used in its normal and customary
manner, all foreseeable risks have been eliminated. DO
NOT modify this unit or commission others to do so
unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished.
Claims filed under the expressed warranty may be denied
if the unit is/has been modified. Implied warranties may
also be affected.
SPECIFICATIONS SUBJECT TO CHANGE:
The
information contained in this manual is believed to be
correct at the time of printing. However, Yamaha reserves
the right to change or modify any of the specifications
without notice or obligation to update existing units.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and environmentally
friendly. We sincerely believe that our products and the
production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the
law, we want you to be aware of the following:
Model
Serial No.
Purchase Date
92-469 1 (bottom)
Page 3
Thank you for purchasing the Yamaha Clavinova! We recommend that you read this manual carefully so that you can
fully take advantage of the advanced and convenient functions of the CLP-115.
We also recommend that you keep this manual in a safe and handy place for future reference.
About this Owner’s Manual
This manual consists of three main sections: “Introduction,” “Reference” and “Appendix.”
Introduction (page 2):
Please read this section first.
Reference (page 13):
This section explains how to make detailed settings for the CLP-115’s various functions.
Appendix (page 33):
This section introduces reference material.
*The model CLP-115 will be referred to as the CLP/Clavinova in this Owner’s Manual.
*The illustrations of the controls in this owner’s manual are for instructional purposes only and actual appearance of
the controls may be somewhat different on your instrument.
COPYRIGHT NOTICE
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with
respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all
computer software, MIDI files and WAVE data. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE,
DISTRIBUTE OR USE ILLEGAL COPIES.
Trademarks:
•Apple and Macintosh are trademarks of Apple Computer, Inc.
•Windows is a registered trademark of Microsoft® Corporation.
•All other trademarks are the property of their respective holders.
“The Clavinova-Computer Connection,” is a supplementary guidebook that describes, for beginners, what you
can do with your Clavinova and a personal computer and how to set up a Clavinova-Computer system (the manual is
not written for a specific model). The document is available as a PDF file (in English) at the following Internet address:
ENGLISH
Clavinova Web site (English only):
http://www.yamahaclavinova.com/
Yamaha Manual Library:
http://www2.yamaha.co.jp/manual/english/
CLP-115
About this Owner’s Manual
3
Page 4
Ta b le of Contents
Application Index........................................ 5
PRECAUTIONS............................................. 6
Accessories .................................................. 8
Maintenance ............................................... 8
Features....................................................... 9
Before Using the CLP-115......................... 10
ENGLISH
Panel Controls and Terminals................... 14
Listening to the Demo Songs ................... 15
Listening to 50 Piano Preset Songs .......... 16
Selecting & Playing Voices........................ 17
Introduction
Key Cover ...........................................................10
Music Rest ..........................................................10
Turning the Power On.......................................11
Setting the Volume.............................................11
Using Headphones.............................................12
Reference
Selecting Voices..................................................17
Using the Pedals .................................................17
Adding Variations to the Sound – Reverb........18
Combining Two Voices (Dual mode)...............19
Transposition .....................................................20
Fine-tuning the Pitch .........................................20
Using the Metronome........................................21
Appendix
MIDI Data Format / MIDI-Datenformat /
Format des données MIDI /
Formato de datos MIDI ..........................34
MIDI Implementation Chart ..................... 38
Specifications / Technische Daten /
Caractéristiques techniques /
Especificaciones ......................................39
About MIDI ............................................... 23
Connecting a Personal Computer ............ 24
MIDI Functions.......................................... 26
MIDI Transmit/Receive Channel Selection......26
Local Control ON/OFF......................................26
Program Change ON/OFF.................................27
Control Change ON/OFF ..................................27
Troubleshooting ....................................... 28
Options...................................................... 28
Keyboard Stand Assembly ........................ 29
Index ......................................................... 32
CLP-115
4
Table of Contents
Page 5
Application Index
Use this index to find reference pages that may be helpful for your particular application and situation.
Listening
Listening to demo songs with different voices...................................................... “Listening to the Demo Songs” on page 15
Listening to songs from “50 Greats for the Piano” ...................................... “Listening to 50 Piano Preset Songs” on page 16
Playing
Using three pedals ....................................................................................................................... “Using the Pedals” on page 17
Playing an accompaniment that matches pitch............................................................................. “Transposition” on page 20
Fine-tuning the pitch of the entire instrument when you play the CLP-115
along with other instruments or CD music....................................................................... “Fine-tuning the Pitch” on page 20
Changing voices
Viewing the list of voices............................................................................................................. “Selecting Voices” on page 17
Simulating a concert hall ....................................................................“Adding Variations to the Sound – Reverb” on page 18
Combining two voices............................................................................... “Combining Two Voices (Dual mode)” on page 19
Practicing
Practicing with an accurate and steady tempo .................................................................“Using the Metronome” on page 21
Connecting the CLP-115 to other devices
What is MIDI? .................................................................................................................................... “About MIDI” on page 23
Connecting the computer...............................................................................“Connecting a Personal Computer” on page 24
Assembling
Assembling and disassembling the CLP-115 ......................................................“Keyboard Stand Assembly” on pages 29–31
ENGLISH
CLP-115
Application Index
5
Page 6
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even
death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions
include, but are not limited to, the following:
Power supply/Power cord
●
ENGLISH
●
●
●
Do not open
●
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or
others, or damage to the instrument or other property. These precautions include, but are not limited
to, the following:
Only use the voltage specified as correct for the instrument. The
required voltage is printed on the name plate of the instrument.
Check the electric plug periodically and remove any dirt or dust
which may have accumulated on it.
Use only the supplied power cord/plug.
Do not place the power cord near heat sources such as heaters
or radiators, and do not excessively bend or otherwise damage
the cord, place heavy objects on it, or place it in a position
where anyone could walk on, trip over, or roll anything over it.
Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no
user-serviceable parts. If it should appear to be malfunctioning,
discontinue use immediately and have it inspected by qualified
Yamaha service personnel.
CAUTION
Water warning
Do not expose the instrument to rain, use it near water or in
●
damp or wet conditions, or place containers on it containing liquids which might spill into any openings.
●
Never insert or remove an electric plug with wet hands.
Fire warning
Do not put burning items, such as candles, on the unit.
●
A burning item may fall over and cause a fire.
If you notice any abnormality
●
If the power cord or plug becomes frayed or damaged, or if there
is a sudden loss of sound during use of the instrument, or if any
unusual smells or smoke should appear to be caused by it,
immediately turn off the power switch, disconnect the electric
plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel.
Power supply/Power cord
●
When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Pulling by the
cord can damage it.
Remove the electric plug from the outlet when the instrument is
●
not to be used for extended periods of time, or during electrical
storms.
Do not connect the instrument to an electrical outlet using a
●
multiple-connector. Doing so can result in lower sound quality,
or possibly cause overheating in the outlet.
Assembly
●
Read carefully the attached documentation explaining the
assembly process. Failure to assemble the instrument in the
proper sequence might result in damage to the instrument or
even injury.
(1)B-7
CLP-115
6
PRECAUTIONS
Location
●
Do not expose the instrument to excessive dust or vibrations, or
extreme cold or heat (such as in direct sunlight, near a heater,
or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components.
●
Do not use the instrument in the vicinity of a TV, radio, stereo
equipment, mobile phone, or other electric devices. Otherwise,
the instrument, TV, or radio may generate noise.
●
Do not place the instrument in an unstable position where it
might accidentally fall over.
Before moving the instrument, remove all connected cables.
●
●
Do not place the instrument against a wall (allow at least 3 cm/
one-inch from the wall), since this can cause inadequate air circulation, and possibly result in the instrument overheating.
1/2
Page 7
Connections
●
Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the
power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their
minimum levels and gradually raise the volume controls while
playing the instrument to set the desired listening level.
Maintenance
When cleaning the instrument, use a soft, dry or slightly damp
●
cloth. Do not use paint thinners, solvents, cleaning fluids, or
chemical-impregnated wiping cloths.
Handling caution
●
Ta ke care that the key cover does not pinch your fingers, and do
not insert a finger or hand in any gaps on the key cover or
instrument.
●
Never insert or drop paper, metallic, or other objects into the
gaps on the key cover, panel or keyboard. If this happens, turn
off the power immediately and unplug the power cord from the
AC outlet. Then have the instrument inspected by qualified
Yamaha service personnel.
●
Do not place vinyl, plastic or rubber objects on the instrument,
since this might discolor the panel or keyboard.
●
Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches
or connectors.
Do not operate the instrument for a long period of time at a high
●
or uncomfortable volume level, since this can cause permanent
hearing loss. If you experience any hearing loss or ringing in the
ears, consult a physician.
Using the bench (If included)
Do not place the bench in an unstable position where it might
●
accidentally fall over.
●
Do not play carelessly with or stand on the bench. Using it as a
tool or step-ladder or for any other purpose might result in accident or injury.
●
Only one person should sit on the bench at a time, in order to
prevent the possibility of accident or injury.
If the bench screws become loose due to extensive long-term
●
use, tighten them periodically using the included tool.
ENGLISH
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
(1)B-7
2/2
CLP-115
PRECAUTIONS
7
Page 8
Accessories
• “50 Greats for the Piano” (Music Book)
• Owner’s Manual
This manual contains complete instructions for operating your CLP-115.
• Quick Operation Guide
• Bench
A bench may be included or optional, depending on your locale.
ENGLISH
Maintenance
Clean the instrument using a dry or slightly damp soft cloth (wring well).
Do not use benzene, thinner, detergent, or chemically-treated cloth for cleaning. Do not place vinyl, plastic or rubber
products on the instrument.
Otherwise, the panel or keys may become discolored or degraded.
Before using the CLP-115, be sure to read “PRECAUTIONS” on pages 6 – 7.
CAUTION
CAUTION
Tuning
Unlike an acoustic piano, the CLP-115 does not need to be tuned. It always stays perfectly in tune.
Transporting
If you move to another location, you can transport the CLP-115 along with your other belongings. You can move the
unit as it is (assembled) or you can disassemble the unit before moving.
Tr ansport the keyboard horizontally. Do not lean it up against a wall or stand it up on its side. Do not subject the
instrument to excessive vibration or shock.
CLP-115
8
Accessories / Maintenance
Page 9
Features
The Yamaha Clavinova CLP-115 digital piano offers unmatched sonic realism and natural grand-piano type playability as
well as Yamaha’s original “ AWM Stereo Sampling ” tone-generation technology for rich, musical voices, and a special
“ Graded Hammer ” keyboard that provides graded key weight and response throughout the keyboard range.
The Grand Piano 1 and 2 voices feature samples painstakingly recorded from a full concert grand piano. The E. Piano 1
voice features a single velocity-switched sample (Dynamic Sampling) and E. Piano 2 voice features two velocity-switched
sample.
The CLP-115 sounds much closer to a true acoustic piano.
MIDI [IN/OUT/THRU]
[PHONES]
A set of standard stereo
headphones can be plugged
in here for private
practice (page 12).
Connect a MIDI device to this connector to
use various MIDI functions (pages 24–25).
(About MIDI—page 23)
MIDI
ENGLISH
MASTER
VOLUME
MIN MAX
DEMO
METRONOME
VOICE
PHONES
PEDAL
INOUTTHRU
POWER
[PEDAL]
Connect the pedal cord
here to use the CLP-115’s
pedals (page 30).
MASTER
VOLUME
MIN MAX
DEMO
METRONOME
VOIC E
[MASTER VOLUME]
Adjust the volume level using this control (page 11).
[DEMO]
Playback of a demo song and 50 preset songs is available (page 15).
[METRONOME]
Control the metronome functions (page 21).
[VOICE]
Select voices from 10 internal sounds, including Grand Piano 1 and 2 (page 17).
You can also combine two voices simultaneously (page 19), select various reverb
effects (page 18), etc.
CLP-115
Features
9
Page 10
Before Using the CLP-115
To open the key cover:
To close the key cover:
ENGLISH
Key Cover
Lift the cover slightly, then push and slide it open.
Slide the cover toward you and gently lower the cover
over the keys.
CAUTION
Be careful to avoid catching your fingers
when opening or closing the cover.
CAUTION
Hold the cover with both hands when opening or closing it. Do not release it until it is fully opened or closed. Be careful to avoid catching fingers (yours or others, especially children’s) between the cover and main unit.
CAUTION
Do not place objects, such as a piece of metal or paper, on top of the key cover. Small objects placed on the key cover
may fall inside the unit when the cover is opened and may be nearly impossible to remove. This could cause electric
shock, short circuit, fire or other serious damage to the instrument.
Music Rest
To raise the music rest:
1. Pull the music rest up and toward yourself as far as it will go.
2. Flip down the two metal supports at the left and right on
the rear of the music rest.
3. Lower the music rest so that it rests on the metal sup-
ports.
10
To lower the music rest:
1. Pull the music rest toward yourself as far as it will go.
2. Raise the two metal supports (at the rear of the music rest).
3. Gently lower the music rest backward until it is all the
way down.
CAUTION
Do not try to use the music rest in a half-raised position.
When lowering the music rest, do not release your hands
from the music rest until it is all the way down.
CLP-115
Before Using the CLP-115
Page 11
Tu rning the Power On
1. Connect the power cord.
Insert the plugs at the ends of the cord: one into the AC INLET on the CLP-115, and the other into a standard AC outlet.
In some areas, a plug adaptor may be provided to match the pin configuration of AC wall outlets in your area.
12
(bottom surface)
(The shape of the plug differs depending on locale.)
2. Turn the power on.
Press the [POWER] button.
•The power indicator located below the left end of the keyboard lights up.
[POWER]
Power indicator
M
A
S
T
R
E
V
O
L
U
M
E
M
I
N
M
A
X
D
E
M
O
M
E
T
R
O
N
O
M
E
V
O
I
C
E
When you’re ready to turn off the power, press the [POWER] button again.
•The power indicator turns off.
TIP
Power indicator
If you close the key cover without turning the power off, the power indicator remains lit, indicating that the
power is still on.
ENGLISH
Setting the Volume
When you start playing, adjust the [MASTER VOLUME] control to the most comfortable listening level.
MASTER
VOLUME
The level decreases. The level increases.
MIN MAX
CAUTION
Do not use the CLP-115 at a high volume level for a long period of time, or your hearing may be damaged.
TERMINOLOGY
TIP
MASTER VOLUME:
The volume level of the entire keyboard sound
You can also adjust the [PHONES] output level using the [MASTER VOLUME] control.
CLP-115 Before Using the CLP-115
11
Page 12
Connect a pair of headphones to one of the [PHONES] jacks.
Tw o [PHONES] jacks are provided.
You can connect two sets of standard stereo headphones. (If you are
using only one pair of headphones, you can plug them into either
jack.)
ENGLISH
Using Headphones
M
A
S
T
R
E
V
O
L
U
M
E
M
I
N
MA
X
DE
MO
M
E
T
R
O
N
O
M
E
V
O
I
C
E
bottom surface
PHONES
standard stereo
phone plug
Using the Headphone Hanger
A headphone hanger is included in the CLP-115 package so that you can hang
the headphones on the CLP-115. Install the headphone hanger using the
included two screws (4 × 10mm) as shown in the figure.
CAUTION
Do not hang anything other than the headphones on the hanger. Otherwise,
the CLP-115 or the hanger may be damaged.
ES
ON
PH
CLP-115 Before Using the CLP-115
12
Page 13
This section explains how to make detailed settings for the
Reference
Panel Controls and Terminals .................................14
Listening to the Demo Songs................................... 15
Listening to 50 Piano Preset Songs.......................... 16
Selecting & Playing Voices .......................................17
Selecting Voices ........................................................... 17
Using the Pedals .......................................................... 17
Adding Variations to the Sound – Reverb.................. 18
Combining Two Voices (Dual mode)......................... 19
Tr ansposition............................................................... 20
Fine-tuning the Pitch.................................................. 20
Using the Metronome ................................................. 21
About MIDI.............................................................. 23
Connecting a Personal Computer........................... 24
MIDI Functions........................................................ 26
MIDI Transmit/Receive Channel Selection ............... 26
Local Control ON/OFF............................................... 26
Program Change ON/OFF ......................................... 27
Control Change ON/OFF ........................................... 27
Tr oubleshooting .......................................................28
CLP-115’s various functions.
ENGLISH
Options .....................................................................28
Keyboard Stand Assembly........................................ 29
Index .........................................................................32
CLP-115
13
Page 14
Panel Controls and Terminals
Top panel
7
MIDI
INOUTTHRU
ENGLISH
6
PHONES
MASTER
VOLUME
MIN MAX
DEMO
METRONOME
VOICE
C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4
B-1A-1
MASTER
VOLUME
2
MIN MAX
8
PEDAL
C5
E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7
D5
POWER
1
DEMO
3
METRONOME
4
VOICE
5
1 [POWER] ....................................... P11
2 [MASTER VOLUME]....................... P11
3 [DEMO] ...................................P15–16
4 [METRONOME]........................P21–22
5 [VOICE]....................................P17–19
6 [PHONES] ..................................... P12
7 MIDI [IN] [OUT] [THRU]................ P23
9
0
A
8 [PEDAL]......................................... P30
9 Soft (Left) Pedal ............................ P18
0 Sostenute (Center) Pedal............... P18
A Damper (Right) Pedal ................... P17
CLP-115 Panel Controls and Terminals
14
Page 15
Listening to the Demo Songs
Demo songs are provided that effectively demonstrate each of the CLP-115’s voices.
Procedure
1. Turn on the power.
(In case the power is not turned ON) Press the [POWER] button.
When you start playing, adjust the [MASTER VOLUME] control to the most
comfortable listening level.
2. Engage Demo mode.
Press the [DEMO] button to engage Demo mode. The [DEMO] button indicator
will light.
3. Play a Voice demo.
While holding down the [DEMO] button, press one of the C1–A1 keys to select
and start the corresponding demo song. Starting with the selected tune, the
demo songs will play in sequence until stopped.
DEMO
Refer to the voice list on
page 17 for more information on
the characteristics of each preset voice.
TERMINOLOGY
Mode:
A mode is a condition or status
under which you can execute a
certain function. In Demo mode,
you can play back demo songs.
You cannot adjust the tempo of
demo songs.
NOTE
ENGLISH
NOTE
The lowest key
Demo Song List
Demo songs are original (©2002 Yamaha Corporation) except for the three
songs listed below.
Refer to the voice list on page 17 for voice key assignments.
The demo songs listed below are short re-arranged excerpts from the original
compositions.
KeyVoice Name Title Composer
C1 GrandPiano1 Consolation No.3 F. Liszt
E1 Harpsichord1 Gavotte J.S. Bach
F1 Harpsichord2 Invention No.1 J.S. Bach
Adjusting the Volume
Use the
[MASTER VOLUME] control to adjust the volume.
C1
A1
4. Stop the Voice demo.
Press the [DEMO] button to stop playback.
CLP-115 Listening to the Demo Songs
15
Page 16
Listening to 50 Piano Preset Songs
The CLP-115 provides performance data for 50 piano songs. You can simply listen to these songs.
You can also refer to the included “50 Greats for the Piano” that contains scores for 50 piano preset
songs.
Procedure
1. Engage Preset Song mode.
2. Play a preset song.
ENGLISH
Press the [DEMO] button to engage Preset Song mode. The [DEMO] button
indicator will light.
While holding down the [DEMO] button, press one of the C2–C6 keys to select
and start the corresponding tune. To play all preset songs in sequence, while
holding down the [DEMO] button, press the D6 key.
C 6
DEMO
TERMINOLOGY
Song:
On the CLP-115, performance
data is called a “Song.” This
includes demo songs and piano
preset tunes.
TIP
You can play the keyboard
along with the preset song. You
can change the voice playing on
the keyboard.
C2 D6
Adjusting the Volume
Use the [MASTER VOLUME] control to adjust the volume.
3. Stop playback.
Playback will stop automatically when the selected preset song has finished. To
stop the song during playback (or continuous playback), press the [DEMO] button.
•To continue playing other songs, see procedure 2 above.
The highest key
TIP
You can adjust the Reverb type
(page 18) that is applied to the
voice you play on the keyboard
and to the preset song playback.
NOTE
The default tempo is automatically selected whenever a new
preset song is selected, and
when a new preset song begins
playback.
NOTE
To adjust the tempo of the preset
song playback, see page 21.
NOTE
When you select a different song
(or a different song is selected
during chained playback), an
appropriate reverb type will be
selected accordingly.
NOTE
MIDI reception is not possible in
Piano Song mode. Piano song
data is not transmitted via the
MIDI connectors.
CLP-115 Listening to 50 Piano Preset Songs
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Selecting & Playing Voices
Selecting Voices
Procedure
While holding down the [VOICE] button, press one of the C1–A1 keys to select and
start the corresponding voice.
Then, when you start playing, adjust the [MASTER VOLUME] control to the most comfortable listening level.
VOICE
C 1
D 1F 1G 1
TIP
To understand the characteristics of various voices, listen to
demo songs for each voice
(page 15).
The lowest key
KeyVoice Name Description
C1 Grand Piano 1
C1Grand Piano 2 Spacious and clear piano with bright reverb. Good for popular music.
D1 E.Piano 1 An electronic piano sound created by FM synthesis. Good for popu-
D1 E.Piano 2
E1 Harpsichord 1 The definitive instrument for baroque music. Since harpsichord uses
F1 Harpsichord 2 Mixes the same voice an octave higher for a more brilliant tone.
F1 Vibraphone Vibraphone played with relatively soft mallets. It has a tremolo effect
G1
Church Organ 1
G1
Church Organ 2
A1 Strings Spacious and large-scale string ensemble. Try combining this voice
Recorded samples from a full concert grand piano. Perfect for classical
compositions as well as any other style that requires acoustic piano.
lar music.
The sound of an electric piano using hammer-struck metallic “tines.” Soft
tone when played lightly, and an aggressive tone when played hard.
plucked strings, there is no touch response.
that is typical for vibraphone.
This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good for
sacred music from the Baroque period.
This is the organ’s full coupler sound, often associated with Bach’s
“Toccata and Fugue”.
with piano in DUAL mode.
C1 D1 E1 F1 G1 A1
TERMINOLOGY
Voice:
On the CLP-115, a voice means
a “tone” or “tonal color.”
NOTE
Selecting a voice automatically
engages the best-suited reverb
type and depth (page 18) for
that particular voice.
ENGLISH
Using the Pedals
Damper (Right) Pedal
The damper pedal functions in the same way as a
damper pedal on an acoustic piano. When the
damper pedal is pressed, notes sustain longer.
Releasing the pedal immediately stops (damps) any
sustained notes.
When you press the damper pedal
here, the notes you play before you
release the pedal sustain longer.
NOTE
If the damper pedal doesn’t
work, make sure that the pedal
cord is properly plugged into the
main unit (page 30).
CLP-115 Selecting & Playing Voices
17
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Sostenuto (Center) Pedal
If you play a note or chord on the keyboard and
press the sostenuto pedal while the note(s) are
held, those notes will sustain as long as you hold
the pedal (as if the damper pedal had been pressed)
but all subsequently played notes will not be sustained. This makes it possible to sustain a chord,
for example, while other notes are played “staccato.”
Soft (Left) Pedal
The soft pedal reduces the volume and slightly changes the timbre of notes played while
the pedal is pressed. The soft pedal will not affect notes that are already playing when it
is pressed.
ENGLISH
This control enables you to select various digital reverb effects that add extra depth and expression
to the sound to create a realistic acoustic ambience.
When you press the sostenuto
pedal here while holding the note,
the note will sustain as long as you
hold the pedal.
Adding Variations to the Sound – Reverb
NOTE
Organ and string voices will continue to sound for as long as the
sostenuto pedal is depressed.
Procedure
When you select a reverb, the reverb is automatically turned on.
While holding down the [VOICE] button, press one of the C2–E2 keys to select a reverb
type.
D 2
C 2
VOICE
The lowest key
KeyReverb Type Description
C2 Room This setting adds a continuous reverb effect to the sound, similar to
the acoustic reverberation you would hear in a room.
C2 Hall1 For a “bigger” reverb sound, use the HALL 1 setting. This effect sim-
ulates the natural reverberation of a small-size concer t hall.
D2 Hall2 For a truly spacious reverb sound, use the HALL 2 setting. This effect
simulates the natural reverberation of a large concert hall.
D2 Stage Simulates the reverb of a stage environment.
E2 Off No effect is applied.
Adjusting Reverb Depth
Adjust the reverb depth for the selected voice by pressing one of the C3–G4 keys while
holding down the [VOICE] button. The depth range is from 0 through 20.
VOICE
C2 D2 E2
G 4: depth 20
TIP
The default reverb type (including OFF) and depth settings are
different for each voice.
The lowest key
CLP-115 Selecting & Playing Voices
18
C3: depth 0
The depth value increases as you press higher keys.
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depth 0: no effect
depth 20: maximum reverb
depth
Page 19
Combining Two Voices (Dual mode)
You can play two voices simultaneously across the entire range of the keyboard. In this way, you
can simulate a melody duet or combine two similar voices to create a thicker sound.
Procedure
1. Engage Dual mode.
While holding down the [VOICE] button, press two of the C1–A1 keys at simultaneously (or press one key while holding another).
Refer to the voice list on page 17 for available voices.
VOICE
The lowest key
According to the voice priority shown in the voice list (page 17), the voice
assigned to the lower keyboard will be designated as Voice 1 (the other voice will
be designated as Voice 2).
You can make the following settings only in Dual mode:
Setting the Octave
You can shift the pitch up and down in octave steps for Voice 1 and Voice 2 independently. Depending on which voices you combine in Dual mode, the combination may sound better if one of the voices is shifted up or down an octave.
While holding down the [VOICE] button, press one of the C5–F5 keys.
VOICE
C1 A1
C5 F5
NOTE
You cannot assign the same
voice to Voice 1 and Voice 2
simultaneously in Dual mode.
TIP
Reverb in Dual Mode
The reverb type assigned to
Voice 1 will take priority over the
other. (If the reverb is set to
OFF, Voice 2 reverb type will be
in effect.) Reverb depth setting
(
page 18
) will be applied only to
Voice 1.
ENGLISH
For setting
the octave. (C5–F5)
The highest key
C5 key: –1 (Voice 1), C5 key: 0 (Voice 1), D5 key: +1(Voice 1),
D5 key: –1 (Voice 2), E5 key: 0 (Voice 2), F5 key: +1(Voice 2)
Setting the Balance
You can set one voice as the main voice, and another voice as a softer, mixed voice.
While holding down the [VOICE] button, press one of the F5–F6 keys.
A setting of “0” produces an equal balance between the two Dual mode voices.
Settings below “0” increases the volume of Voice 2 in relation to Voice 1, and settings above “0” increases the volume of Voice 1 in relation to Voice 2.
F 6
+1 +3 +6
The highest key
VOICE
F 5
-6 -4 -2
-5
-3 -1 0 +2 +4 +5
For setting the balance. (F5–F6)
2. Exit Dual mode and return to normal play mode.
While holding down the [VOICE] button, press one of the C1–A1 keys.
CLP-115 Selecting & Playing Voices
19
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The CLP-115’s Transpose function makes it possible to shift the pitch of the entire keyboard up or
down in semitone intervals up to a maximum of six semitones, and lets you easily match the pitch
of the keyboard to the range of a singer or other instruments.
For example, if you set the transposition amount to “5,” playing key C produces pitch F. In this way,
you can play a song as though it were in C major, and the CLP-115 will transpose it to the key of F.
Procedure
While holding down the A-1 and C0 keys, press one of the F2–F3 keys to set the
desired amount of transposition.
A-1C 0
ENGLISH
Pressing the
(=B2) transposes the pitch of the keyboard down a semitone, the next key to the left
(=B
transposes down six semitones. Upward transposition is accomplished in the same way
using the keys to the right of C3, up to F
Transposition
C3 key produces normal keyboard pitch. Pressing the key to the left of C3
2) transposes down a whole tone (two semitones), etc., down to the F2 key, which
F
Transpose
down.
C3
2
-6 -4 -2 +1
-5 -3 -1 0 +2 +4 +5
Normal
pitch.
3, which transposes up six semitones.
F 3
+3 +6
Transpose
up.
TERMINOLOGY
Transpose:
Changing the key signature of a
song. On the CLP-115, transposing shifts the pitch of the
entire keyboard.
TIP
Notes below and above the A-1
.... C7 range of the CLP-115
sound one octave higher and
lower, respectively.
Fine-tuning the Pitch
You can fine-tune the pitch of the entire instrument. This function is useful when you play the CLP115 along with other instruments or CD music.
Procedure
To tune up (in about 0.2Hz steps):
Hold down the A-1 and
To tune down (in about 0.2Hz steps):
Hold down the A-1 and
B3.
To restore standard pitch:
Hold down the A-1, A-1 and B-1 simultaneously and press any key between C3 and B3.
To tune up To tune down To restore standard pitch
A-1 B-1
A-1
B-1
keys simultaneously and press any key between C3 and B3.
A-1
keys simultaneously and press any key between C3 and
-1
A
A -1
A-1 B-1
C3 B3
TERMINOLOGY
Hz (Hertz):
This unit of measurement refers
to the frequency of a sound and
represents the number of times
a sound wave vibrates in a second.
Setting range: 427.0-453.0 Hz
Standard pitch: 440.0 Hz
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Using the Metronome
The CLP-115 features a built-in metronome (a device that keeps an accurate tempo) that is convenient for practicing.
Procedure
1. Start the metronome.
Press the [METRONOME] button to turn on the metronome.
Determines the time signature
While holding down the [METRONOME] button, press one of the C3–F3 keys.
D 3
C 3
METRONOME
During preset song playback,
you can set the tempo from 20
to 400 beats per minute,
depending on the song data.
NOTE
ENGLISH
C3
D3
E3
F3
The highest key
C3 key: No downbeat, C3 key: 2/4, D3 key: 3/4, D3 key: 4/4, E3 key: 5/4, F3 key: 6/4
Adjusting the tempo
The tempo of the metronome and preset song playback can be set from 32 to
280 beats per minute.
While holding down the [METRONOME] button, press a sequence of C4–A4
keys to specify a three-digit number.
Select a number starting from the left-most digit. For example, to set the tempo
“95,” press the C4 (0), A4 (9) and F4 (5) keys in sequence.
METRONOME
024579
C4 A4
8631
The highest key
To increase the tempo value in steps of one, while holding down the [METRO-
NOME]
button, press the C5 key. To decrease the tempo value in steps of one,
while holding down the [METRONOME] button, press the B4 key.
To increase the tempo value in steps of ten, while holding down the [METRO-
NOME]
button, press the D5 key. To decrease the tempo value in steps of ten,
while holding down the [METRONOME] button, press the A4 key.
To set the default tempo (the metronome’s original tempo or the song’s original
tempo), while holding down the [METRONOME] button, press the C5 key.
5
A 4
METRONOME
C
B4 C5 D5
The highest key
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Adjusting the volume
You can change the volume of the metronome sound.
While holding down the [METRONOME] button, press one of the C1–G2 keys
to determine the volume.
METRONOME
2. Stop the metronome.
ENGLISH
The lowest key
The volume level increases as you press higher keys.
Tu rn off the metronome by pressing the [METRONOME] button.
C1 G2
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About MIDI
MIDI (Musical Instrument Digital Interface) is a standard format for
data transmission and reception. It enables the transfer of performance
data and commands between MIDI devices and personal computers.
Using MIDI, you can control a connected MIDI device from the CLP115, or control the CLP-115 from a connected MIDI device or computer.
MIDI connectors
MIDI
INOUTTHRU
MIDI [IN]: Receives MIDI data.
MIDI [OUT]: Tr ansmits MIDI data.
MIDI [THRU]: Tr ansmits data received at the MIDI [IN] connector, passing it through
the unit unmodified.
TIP
MIDI performance data and
commands are transferred in
the form of numeric values.
TIP
Since MIDI data that can be
transmitted or received varies
depending on the type of MIDI
device, check the “MIDI Implementation Chart” to find out
what MIDI data and commands
your devices can transmit or
receive. The CLP-115’s MIDI
Implementation Chart appears
on page 38.
ENGLISH
MIDI cables
Prepare dedicated MIDI cables.
TIP
You can also obtain detailed
information about MIDI from
various music books and other
publications.
CLP-115 About MIDI
23
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