Waves Audio Bass Rider User Guide

WAVES
BASS RIDER
USER GUIDE

TABLE OF CONTENTS

Chapter 1 – Introduction....................................................................................................3
1.3 Concepts and Terminology......................................................................................4
1.4 Compon
Chapter 2 – Quick Start Guide
ents............................................................................................................5
..........................................................................................6
Chapter 3 – Interface and Controls...................................................................................7
3.1 Interface
...................................................................................................................7
3.2 Controls...................................................................................................................8
Chapter 4 – The WaveSystem........................................................................................11
4.1 The WaveSystem T
oolbar.....................................................................................11
4.2 Preset Handling.....................................................................................................11
4.3 Interface
4.4 Waves Preferences (Pro Tools
Controls..................................................................................................14
only).....................................................................16
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Chapter 1 – Introduction

1.1 Welcome

Thank you for choosing Waves! In order to get the most out of your Waves processor, please take the time to read through this manual.
In conjunction, we also suggest you become familiar with www.wavesupport.net you will find an extensive Answer Base, the latest Tech Specs, detailed Installation guides, new Software Updates, and current information on Authorization and Registration.
By signing up at www.wavesupport.net your registered products, reminders when updates are available, and information on your authorization status.
, you will receive personalized information on
. There

1.2 Product Overview

Bass Rider is an innovative, easy-to-use plugin that rides bass levels automatically. A companion to our popular Vocal Rider plugin, Bass Rider delivers perfect bass levels, without changing the natural sound of your bass. Optimized especially for the frequency range and envelope characteristics of bass instruments, Bass Rider covers all the basses: DI, amplified, acoustic, synth, upright—you name it.
A real timesaver with dedicated studio and live components, Bass Rider keeps bass levels in check and so note by note, without disturbing their inner dynamics, so they sustain and decay naturally. Best of all, since Bass Rider keeps your levels steady with automatic gain adjustment, now you can focus on the feel and flow of your bass—and use compression to add color and character.
With Bass Rider, you’ll never mix bass the same way again.
lid throughout your mix. Unlike a compressor, Bass Rider works
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1.3 Concepts and Terminology

In contemporary music, the bass usually helps form the foundation of a mix. However, bass is also
regarded as one of the hardest parts of the mix to “get right.” Taming bass levels can be tricky, as they are naturally very dynamic. Therefore, some sort of bass leveling is often required. Bass frequencies often vary in the power they produce, and behave in ways that may seem counter-intuitive. For example, a C1 note will generate much more energy than a C3, even though the C3 is perceived as louder. The most common way to compensate for different bass levels is to heavily compress the signal. However, heavy compression reduces the overall dynamic range of the bass, since louder notes are “squashed,” while quieter notes are compressed less, and note attacks may “smear,” while note sustains can “swell.”
So, we studied how contemporary mixers keep their bass levels steady, and found that many first prepare their bass tracks
by manually adjusting overly quiet or loud notes in order to avoid the artifacts of over-compression. However, this is a very time-consuming approach. Bass Rider offers a quicker way to deal with the dynamic range of bass instruments, by detecting notes and their envelopes, and automatically adjusting the gain of each note to a specified level.
Target
The Target Fader is used to set the desired bass level range. To achieve the most transparent
results, we r
ecommend setting it to around the average level of your bass input. Higher Target values will result in more added gain and higher overall loudness. It’s also important to keep in mind that gain applied to quiet notes also boosts any noise accompanying the note. Use the Output Fader to adjust the overall output level for mix positioning.
Note Detection
Note Detection is the process by which Bass Rider detects note attack, sustain, and release in order to determine the appropriate gain leveling fo
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default settings are generally effective on a wide variety of material. In cases when fine­tuning is necessary, use the note detection Sensitivity and Response controls located under the Target fader.
Artifacts
In this plugin, Artifacts is the term we use to describe parts of the signal that trigger detection, but are not in
part of the note we want to ride. Artifacts may include string buzz, amp crackles, transient noises, squeaks, and even modulation within individual notes.
Spill
When riding mic’d sources, some spill from other instruments may make its way into the bass signal.
This spill may be detected as notes, and its gain increased. Use the Ignore
Spill control to help avoid the detection of spill signal.

1.4 Components

WaveShell technology enables us to split Waves processors into smaller plugins, which we call components. Having a choice of components for a particular processor gives you the flexibility to choose the configuration best suited to your material.
Waves Bass Rider includes two components each in 2 channel configurations:
Bass Rider, Mono and Stereo
Bass Rider Live, Mono and Stereo
Mono and Stereo Components have a latency of 42ms and have a round, transparent sound; Live Mono and Stereo components have only a 5ms latency and add a little punch to note start events.
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