Teac IF-FW-DM User Manual

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IF-SM/DM
Surround Monitor Card
D00885000A
This appliance has a serial number. Please record the model number and serial number and retain them for your records.
Model number Serial number

Contents

1 – Introduction
Installation ............................................ 3
Connections ........................................... 4
Monitor alignment ............................... 4
2 – Using the card
OPERATION option ............................... 5
Muting channels ............................ 5
Soloing channels ............................ 6
Downmix on/off ............................ 6
Bass management ......................... 6
Alternative speakers ..................... 6
Oscillator routing ........................... 6
To 2.1 ............................................. 6
SPL reference and level ................. 6
Notes on other hardware controls ...6
ROUTING option ................................... 7
Monitoring keys ............................ 7
Output routing .............................. 7
DOWNMIX option .................................8
6.1 format ....................................... 9
5.1 format ..................................... 10
LRCS format ................................. 11
Stereo format ............................... 12
BASS MANAGEMENT option .............. 13
Type 1 bass management ........... 13
Type 2 bass management ........... 13
MONITOR ALIGNMENT option ........... 14
Trimming the levels ..................... 14
Generating the pink noise .......... 15
Setting the surround speaker level ...15
Adjusting the LFE GAIN ............... 15
Channel delay .............................. 15
Setting the overall surround level ... 16
3 – Reference
Block diagram ...................................... 17
Level diagram ...................................... 18
Audio performance ............................. 18
Table of figures
Figure 1.1: Fitting the card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Table 1.2: Pin assignments of the IF-SM/DM analog outputs . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Figure 2.1: The main surround monitor screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Figure 2.2: The OPERATION option . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Figure 2.3: SHIFTed number keys used for channel control . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Figure 2.4: ROUTING option screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Figure 2.5: Example downmix screen showing attenuation points . . . . . . . . . . . . . . . . . . . . . 8
Table 2.6: 6.1 to 5.1 downmix pattern . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Table 2.7: 6.1 to 2.1 downmix pattern . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Table 2.8: 6.1 to stereo downmix pattern . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Table 2.9: 6.1 to mono downmix pattern . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Table 2.10: 5.1 to phantom rear LRCS downmix pattern . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Table 2.11: 5.1 to hard rear LRCS downmix pattern . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Table 2.12: 5.1 to 2.1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Table 2.13: 5.1 to stereo downmix pattern . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Table 2.14: 5.1 to mono downmix pattern . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Table 2.15: LRCS to stereo downmix pattern . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Table 2.16: LRCS to mono downmix pattern . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Table 2.17: LRCS to LRCS with phantom rear downmix pattern . . . . . . . . . . . . . . . . . . . . . . 12
Figure 2.18: Stereo to mono downmix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Figure 2.19: Example downmix screen showing attenuation points . . . . . . . . . . . . . . . . . . . 13
Figure 2.20: Type 1 and Type 2 bass management for 5.1 and 6.1 settings . . . . . . . . . . . . . 13
Figure 2.21: Example downmix screen showing attenuation points . . . . . . . . . . . . . . . . . . . 14
Figure 3.1: Block diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Figure 3.2: Level diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
2 TASCAM IF-SM/DM Owner’s Manual

1 – Introduction

The IF-SM/DM card allows the connection of one or two surround monitoring systems. It pro­vides flexible setup capabilities, routing, downmix capabilities, bass management, and monitor setup, etc. from within the IF-SM/DM’s interface.

Installation

You should not install or remove cards your­self, but should refer installation to a qualified TASCAM distributor. Otherwise, the war­ranty will be voided.
1Turn off the main unit and disconnect
it from the power supply. Disconnect all other equipment connected to it.
WARNING
The above step is most important. If you do not do this, there is a risk that you may cause damage to the main unit as well as to other equipment.
2 Use a screwdriver to remove the blank-
ing panel from the slot into which you will fit the interface card. Keep the retaining screws in a safe place.
If you are installing more than one card, we suggest that you start from the top slot (slot 1) and work downwards.
Figure 1.1: Fitting the card
Ta ke care, if you are removing a previ­ously-fitted interface card, that you are removing the retaining screws, and not the smaller screws which fix the card to the rear plate. Also, if you are removing a previously-fitted card, use the binding posts on the rear plate to help remove the card.
3 Remove the interface card from the
anti-static protective bag. Hold the
card by the edges, and insert it, com­ponent side upwards, into the slot.
Insert the card between the guide rails and slide it all the way into the slot, as shown. You may have to push firmly to plug the card into the internal connector.
4 Locate the card into the connector
inside the main unit. Push the card firmly, without forcing, so that the con­nector grips the end of the card.
TASCAM IF-SM/DM Owner’s Manual 3
1 – Introduction : Connections
A new unit’s card slot and/or new card may be a little stiff. Make sure that the card is pushed as far as it will go (so that the card rear connector plate touches the rear panel of the unit).
5 Use the screws supplied with the card
to attach the rear panel of the interface card to the rear panel of the unit.
6 Repeat the installation process for all
the interface cards that you are fitting.
When removing a card, unscrew the five retaining screws and use the “pull posts” on the rear panel of the card to remove it from the unit. There are no rules governing which interface cards may be fitted in any of the slots, except for the IF-FW card, which must be fit­ted in slot 1—any other interface card may be fitted in any expansion slot.

Connections

The D-sub 25-pin connector allows the connec­tion of up to eight balanced analog connections at +4dBu levels (the impedance is 100Ω).
Pin 1 2 3 4 5 6 7 8 9 10 11 12 13‘
8+ 8Gnd 7– 6+ 6Gnd 5– 4+ 4Gnd 3– 2+ 2Gnd 1– NC
Signal
8– 7+ 7Gnd 6– 5+ 5Gnd 4– 3+ 3Gnd 2– 1+ 1Gnd
Pin 14 15 16 17 18 19 20 21 22 23 24 25
Table 1.2: Pin assignments of the IF-SM/DM analog outputs
Suitable cables can be obtained from most professional audio suppliers.

Monitor alignment

The card allows each channel to have an indi­vidual delay time set in milliseconds, as well as a trim level.
This is set using the screen, and the procedure is described later in this manual (“MONITOR ALIGNMENT option” on page 14).
MONITOR ALIGNMENT
4 TASCAM IF-SM/DM Owner’s Manual
The overall SPL level can be set (on the
ATION screen), along with the LFE gain.
OPER-

2 – Using the card

You can access the card’s functions by press­ing the
DIGITAL key and selecting the SLOT
sub-screen.
Figure 2.1: The main surround monitor screen

OPERATION option

The OPERATION option allows the following operations to be carried out:
Figure 2.2: The OPERATION option
The surround monitor card is here shown installed in slot 2.
The top half of this part of the screen shows the different options (referred to as
GETs), and the lower half shows the settings
SETUP TAR-
for these options.
Use the POD 4 encoder ferent options available, and the
1
to highlight the dif-
ENTER key
to select the option.
1. Throughout this manual, we assume that the card is fitted in slot 2. If the card is fit­ted in slot 1, any reference to POD 4 should be interpreted as referring to POD 2, and any reference to POD 3 should be interpreted as referring to POD 1.
• Muting of individual channels
• Soloing (exclusive or mixed) of individual channels
• Switching downmix on and off
• Switching alternative speakers on and off
• Routing the internal oscillator on and off
•Turning bass management on and off
• Instant downmix to a 2.1 setting
• Setting the monitoring level
• Setting SPL reference level

Muting channels

Use the cursor and ENTER keys to select the
MUTE option. Mute the monitoring of individ-
ual channels using the
SHIFTed number keys
as described here:
LCR
LC LFE RC
LS CS RS
Figure 2.3: SHIFTed number keys used for channel control
When a channel is muted, it appears with an inverse
M on the display. Unmuted channels
show an on-screen “button”.
Note that you can also use the cursor and
ENTER keys to change the mute status.
TASCAM IF-SM/DM Owner’s Manual 5
2 – Using the card : OPERATION option

Soloing channels

This works with the same SHIFTed number keys as for muting (see Figure 2.3, SHIFTed number keys used for channel control) as well as the cursor and
There are two solo options—one for an exclu­sive solo mode, where only one channel at a
ENTER key options.

Downmix on/off

Use the on-screen DOWN MIX button to turn downmixing on and off (as set up in the
MIX option) — ignored when the alternative
DOWN

Bass management

Use the on-screen BASS MGT button to turn bass management on and off (as set up in the
BASS MANAGEMENT option) — ignored when

Alternative speakers

This routes the signal when downmixed to stereo, to the speakers connected to the LC and RC channels, which are not used in the surround patterns.
time is active, and one for a mixed solo mode, where selected channels are active.
The on-screen solo marks are shown by an S button, in the same way as the mute buttons are shown by an
speaker switch, 2.1 switch or oscillator switch are on.
the alternative speaker switch, 2.1 switch or oscillator switch are on.
This allows the use of a pair of “large” stereo speakers together with smaller surround mon­itors, without the need for repatching.
Naturally, downmix is not possible with this switch on.
M (they invert when active, etc.).

Oscillator routing

Allows the routing of the mixer’s internal oscillator to the surround card outputs.
When the oscillator is routed in this way, solo­ing is automatically changed to exclusive

To 2.1

When on and the current surround mode is 5.1 or 6.1, this setting automatically overrides the current downmix setting (of course, downmix is not possible when this switch is on).

USE ST-FADER

If you check “USE ST-FADER”, you can adjust the Monitor level settings by the Stereo fader.

SPL reference and level

Note that the SPL REFERENCE setting and moni­tor level settings are made on this page. These
6 TASCAM IF-SM/DM Owner’s Manual
soloing (it reverts to the previous setting when the oscillator is not routed in this way).
Note that downmix and bass management are not available when the oscillator is routed in this way.
When this setting is deactivated, the original downmix and mode are restored, as is the mute status of the LFE channel.
are explained further in “MONITOR ALIGN­MENT option” on page 14.
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