Tascam FireOne Owner's Manual

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FireOne
FireWire Audio/MIDI Control
OWNER'S MANUAL
D00963220B
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IMPORTANT SAFETY PRECAUTIONS
CAUTIO N : TO R EDUCE THE RISK O F ELECTRIC SHO CK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol, within equilateral triangle, is intended to aler t the user to the presence of uninsulated “dange rous voltage” within the product’s enclosure that may be of suff icient magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to aler t the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.
This appl ianc e has a se rial numbe r loc ated on the
re ar pane l. Pl ease rec ord the mod el n umbe r a nd
seria l number a nd retain t hem for you r record s.
Model nu mber
Seria l number
WARNING: TO PREVENT FIRE OR SHOCK
For U.S.A.
TO THE USER
This equipment has been tested and found to comply with
the limits for a Class B digital device, pursuant to Part 15
of th e FCC Rules . These limits are des igned to provide
re as on able pr ot ec ti on ag ai ns t h ar mf ul inter feren ce in
a r es i de n ti al i ns t al lat ion . T his equi pme nt gen era te s ,
uses, and can radiate radio frequency energy and, if not
in st al le d a nd use d in ac co rdanc e wi th the instr uc ti on
manual, ma y c a u s e h a rm f u l in te r f e r e n c e to ra d i o
communications.
However, there is no guarantee that inter ference will not
occur in a particular in stallation. If this equipment does
cause harmful interference to radio or television reception,
wh i ch c a n be det e rmi ned by tur n ing th e equi p men t
off and on, the user is encou raged to try to correct the
interference by one or more of the following measures.
a) Reorient or relocate the receiving antenna.
b) Increase the separation bet ween the equipment and
receiver.
c) Co nn ec t the equi pm ent i nto an outlet on a c ir cu it
different from that to which the receiver is connected.
d) C o nsu l t th e de a ler o r an ex p eri e n c ed radi o / TV
technician for help.
HAZARD, DO NOT EXPOSE THIS
APPLIANCE TO RAIN OR MOISTURE.
Declaration of Conformity
Model Number : FireOne
Trade Name : TASCAM
Responsible party : TEAC AMERICA, INC.
Address : 7733 Tel e g raph Road , M o nte bello ,
California, U.S. A .
Telephone number : 1-323-727-7663
This devic e c ompl ie s wi t h Pa r t 15 of th e FC C R u l e s.
Op era ti on is sub jec t to the follo wi ng two co ndi ti on s : (1)
this device may not cause harmful interference, and (2) this
devi ce mus t a cc ept any i nt er fer en ce re cieved, inclu di ng
interference that may cause undesired operation.
CAUTION
Changes or modifications to this equipment not expressly
approved by TEAC CORPORATION for compliance could
void the user's authority to operate this equipment.
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IMPORTANT SAFETY INSTRUCTIONS
1 Read these instructions.
2 Keep these instructions.
3 Heed all warnings.
4 Follow all instructions.
5 Do not use this apparatus near water.
6 Clean only with dr y cloth.
7 Do not block any ventilation openings. Install in accordance
with the manufacturer's instructions.
8 Do not install nea r any heat sources such as radiators, heat
registers, stoves, or other apparatus (including amplifier s) that produce heat.
9 Do n ot d efe a t the s afe t y purp o se o f the p o la r i ze d or
grounding-type plug. A polarized plug has two blades with one wider than the othe r. A grounding type pl ug has two blades and a third grounding prong. The wide blade or the thi rd prong are p rov id ed for yo ur safety. If the prov ided plug doe s not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10 Protect the power cord from being walked on o r pinched
pa rt ic ul ar ly at pl ug s, conven ie nc e receptacles, an d the point where they exit from the apparatus.
11 On l y us e at tach ment s/ a cce ss ori e s sp ecif ied by th e
manufacturer.
12 Use on ly wi th th e c ar t , sta nd , t ri po d, br acket, or ta ble
specified by the manufacturer, or sold with the apparatus. Whe n a cart is used, use caution wh en moving the ca rt / apparatus combination to avoid injury from tip-over.
13 Unp lug this app aratus du ri ng li gh tn in g storm s or wh en
unused for long periods of time.
14 Refer all ser vicing to qualified service personnel. Servicing
is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.Do not exposeDo not expose this apparatus to drips or splashes.
Do not place any objects filled with liquids, such as vases, on the apparatus.
Do not install this apparatus in a confin ed sp ace such as a book case or similar unit.
The ap pa ra tus sh ould be located close e nough to the AC outlet so that you can easily grasp the power cord plug at any time.
An apparatus with Class I construction shall be connected to an AC outlet with a prote ctive grounding connection.
Batteries (b atte ry pack or batteries install ed) shou ld not be exposed to excessive heat such as sunshine, fire or the like.
Excessive sound pressure fro earphones and headphones can cause hearing loss.
The apparatus draws nominal non-operating powe r from the AC outlet with its STAND-BY/ON in the Stand- By position.
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Contents

IMPORTANT SAFETY PRECAUTIONS
1 - Introduction .................5
Overview .............................. 5
Features ...............................5
In The Box ............................ 5
Copyright, etc ...................... 5
Precautions and notes for
placement and use ........ 6
Beware of condensation .......6
Conventions used in this
manual ................................. 6
System Requirements ......... 6
Software Application
Guide .................................... 7
Updates ................................ 7
FireWire connection notes .. 7
2 - Features of the FireOne .. 8
5 - Connections ............... 14
FireWire connections ........ 14
Audio connections ............ 14
Mic ........................................14
Guitar ....................................15
Keyboard/drum machine/sound module/cassette deck/MD/CD
etc. (analog connection) .....15
Analog record player ........... 16
Speakers/headphones ......... 17
MIDI connections .............. 18
6 - Troubleshooting ......... 19
Host Connection trouble-
shooting ............................. 19
Control surface
troubleshooting .......... 19
Audio troubleshooting ..... 20
Top panel .............................8
Rear panel .......................... 10
3 - Installation ................. 11
Control panel Installation ... 11
Windows XP .........................11
Mac OS X ............................... 11
4 - Control panel settings .. 12
Sample rate ........................ 12
Buffer size .......................... 12
Control Surface Mode ....... 12
Jog/Shuttle Display Mode ... 12
Sampling Rate Lock ........... 13
Input Mon Mono ............... 13
7 - Block diagram ............ 21
FireOne Block Diagram ..... 21
8 - Specifications ............. 22
FireOne Specifications ...... 22
Inputs / Outputs ...................22
Performance .........................23
Physical characteristics .......23
Dimensional drawing ........ 23
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Overview

IMPORTANT SAFETY INSTRUCTIONS

1 - Introduction

Thank you for choosing the TASCAM FireOne. With an inte­grated design that includes professional-quality mic preampli-
ers, high-resolution analog-to-digital conversion, MIDI, and control surface features, we have designed FireOne to be the perfect addition to your computer-based digital audio worksta­tion. With the ability to be powered from its FireWire interface or from the included power adapter, FireOne is equally at home
in the studio or on the road.
FireOne is designed to be compatible with a wide variety of audio software for Windows XP and Mac OS X. The included Digital Audio Workstation (DAW) application soft­ware provides an incredibly rich music composition, record-

Features

The FireOne’s audio input section provides the ability to connect a wide variety of microphone, line, or instrument signals. Conversion is fully 24-bit and you can select from a variety of sample rates (up to 192 kHz). The quiet, low­distortion mic preamps with switchable phantom power give you the exibility to use virtually any type of microphone, and the pad switches allow you to accom modate unusually hot signals up to line-level sources. The second (B) input can also be switched to “instr ument” mode, whereupon a high­impedance source such as an electric guitar or bass can be connected to the ¼” phone jack conveniently located on the
front panel.
The output section offers left and right analog outputs on ¼” TRS jacks. An output level control permits easy adjustment of your speaker levels, while t wo front-panel headphone outputs with individual out put level controls allow you and a friend to comfortably listen to the FireOne’s audio outputs.
ing and editing environment. The FireOne’s high-denition recording capabilities (up to 192 kHz, 24-bit) are supported by DAW applications, giving you the immediately ability to record audio with amazing clarity and resolution.
This owner’s manual will help you familiarize yourself with FireOne’s features and operation. It will discuss how to connect FireOne to your other equipment, and it will discuss how to use FireOne with your computer. A troubleshoot­ing guide will help identify and correct common problems. Please read this guide carefully and keep it handy for future
reference.
MIDI IN and OUT jacks are provided on the FireOne which
allow you to connect MIDI keyboard controllers, external synthesizers, or anything else that makes use of the ubiqui­tous MIDI protocol.
FireOne’s unique complement of transport controls, function keys, and a large weighted scrub/shuttle wheel offer instant access to the software controls you need the most. The way each audio software application deals with control surfaces varies somewhat, so please refer to the Application Guide for details on function key and wheel use in the various DAW applications covered by that document.

In The Box

The FireOne box contains the items listed below. When opening the package please be certain all the items listed are included. If any items are missing, please consult your
TASCAM supplier.
FireOne main unit
FireOne AC power adapter
6-pin to 6-pin FireWire cable
A CD-ROM containing the Windows and Macintosh soft-
ware, control surface plug-ins for various audio recording
applications

Copyright, etc

Windows and Windows XP are trademarks of Microsoft
Corporation.
Macintosh, MacOS, MacOS X and FireWire™ are trade­marks of Apple Computer.
i.LINK is a trademark of Sony Corporation.
A second CD-ROM containing the DAW application soft-
ware
This manual
A warranty card
HUI is a t rademark of LOUD Technologies Inc.
Pro Tools is a trademark of Digidesign, a division of Avid Technology, Inc.
All other trademarks are the property of their respective
holders.
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1 - Introduction
IMPORTANT SAFETY PRECAUTIONS

Precautions and notes for placement and use

Please use the FireOne only within its operating temperature range of 5°C to 35°C (41°F to 95°F). Please avoid use or stor­age in dusty or humid environ ments because these conditions
can cause malfunction.
To maintain top performance, and prolong operating life, observe the following notes, precautions and environmental
conditions:
Avoid exposing it to extremes of temperature and humid-
ity and avoid mechanical shocks.
Keep the unit away from strong magnetic f ields (TV sets,
computer monitors, large electric motors, etc.).
Relative humidity should be 30 to 90 percent.
As the unit may become hot during operation, always
leave sufficient space above the unit for ventilation. Do not operate this unit in a confined space such as a book­case, and do not put anything on top of the unit.

Beware of condensation

If the unit is moved from a cold to a warm place, or used after a sudden temperature change, there is a danger of condensation; vapor in the air could condense on the internal mechanism, making cor rect operation impossible.

Conventions used in this manual

Avoid placing this unit on top of any heat-generating elec-
trical device such as a power amplifier.
Always use the supplied AC adapter with the standard
home electrical power outlet. Use of other AC adapters
may damage the FireOne.
Use the unit on a table or rack that is level and sturdy.
Wipe dir t from the unit with a dry cloth. Never use thin-
ner, benzene or other solvents because they may cause acrylic parts and coated surfaces to dissolve, labels to be
eroded or other damage.
To prevent this, or if this occurs, let the unit sit for one or two hours at the new room temperature before using.
Within this manual, the following typographic conventions
are used:
The name of a control or connector on the unit is written
in the following way: PHONES.
The name of a control or connector on another unit is
written in the following way: AUX IN.
When referring to the screen display of the host computer,
we refer to any prompts, messages, etc. in the following
typeface: Press any key to continue.
If you have to type something into the computer, we write
it this way: FIL ENAME.E XT.

System Requirements

FireOne is s uppor ted under Windows X P Ser vice Pack
2. No suppor t for earlier version s such as Windows 98 or Windows ME is offer ed.
FireOne is supported by Macintosh OS X, version 10.4 and later. Earlier versions of Macintosh operating systems are not
supported.
The names of keys to be pressed on the computer
keyboard are written in this typeface with square brackets enclosing them [F1].
Keys that are to be pressed together are joined by a “+”
symbol, so that [Ctrl]+[F1] means “press and hold the Control key and press the F1 key.”
Whenever we refer to the software application to control
and set up the FireOne, we refer to it as the “Control Panel” or the “software Control Panel.”
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IMPORTANT SAFETY INSTRUCTIONS
NOTE
NOTE

Software Application Guide

1 - Introduction
Since much of the FireOne’s control surface operation pertains directly to your DAW software, TASCAM has prepared an Application Guide on using the FireOne with a number of different DAW programs. This Application Guide is available online in PDF format on the TASCAM Web site.
To read it, you will need an application capable of display­ing PDF les, such as the Adobe Acrobat Reader (version 4 or above), available as a free download from the Adobe Web
site at www.adobe.com.

Updates

Since software applications and operating systems often evolve and develop after their initial release, we suggest you check the TASCAM site (www.tascam.com) regularly for updated FireOne drivers.

FireWire connection notes

FireOne is supplied with a 2 m (6-foot) cable. If you wish
Some manufacturers may use a different nomenclature to refer to their FireWire™ connections, such as Sony’s “i.LINK”, or simply “1394”).
to use a longer cable, the length should not be more than 3 m (9 feet) and the cable should be the best possible quality available to avoid data loss, which results in audio dropouts.
While the IEEE 1394 standard permits devices to be “daisy-chained” via devices that contain more than one FireWire port, not all such configurations may work correctly, especially in the case of intermediate equip­ment being powered off. In any case where daisy-chain­ing is being used and one or more of the connected devices is not functioning properly, we strongly suggest recabling such that the FireOne is the only unit connected to the associated FireWire port or buss on the host computer. Always perform all FireWire connections and disconnections with the power to both the FireOne and the computer turned off. If connections are made or broken with power to the FireOne or computer turned on, this may result in your computer crashing, or “freez­ing” and possible loss of data. When turning the power of the FireOne on and off while it is connected to the computer, turn on the power before launching the DAW software, and quit the software before turning off the FireOne.
FireOne comes with a high-quality 6-pin to 6-pin interface cable. We strongly suggest you use this cable, or one of equal quality, for optimum performance.
If your computer possesses only a 4-pin type IEEE 1394 connector, you must use the FireOne’s external AC adapter, as there is no bus power provided by a 4-pin connection.
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WAR NING
WAR NING
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2
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2 - Features of the FireOne

IMPORTANT SAFETY PRECAUTIONS
The controls and connectors of the FireOne are described in the following sections. Note that the specic functionality of the control surface buttons may vary with the application that

Top panel

it’s being used with. Please refer to the Application Guide
for more details.
1 SIG and OL indicators
Each input has indicators located just above its associated
GAIN control to assist in setting the proper input signal
levels. The SIG indicator flashes green to indicate that an audio signal is present at that input connector. The
OL indicator flashes red when a signal approaching the
FireOne’s clipping level is detected (the signal level that causes OL to flash is -2.5dBFS).
When one of these indicators lights, it indicates an over-
loaded input, and you should reduce the level of the input to the channel gradually, until the OL indicator stops
flashing.
If you ignore the OL indicator, peaks in the incoming signal will be internally clipped at the A/D converter input, resulting in distortion in the recorded signal!
2 GAIN controls
The GAIN controls allow the signals at FireOne’s input jacks to be amplified or attenuated, such that the signal at the input to the A/D converter can be optimized. Careful optimization of the signal levels will maximize the signal-to-noise ratio of the recorded signal, while prevent­ing distortion due to overload. The signal level indicators
8 TASCAM FireO ne
described below will help you to set the proper levels. In the section on metering, we’ll also describe a way to use FireOne’s stereo meters to help you set the input level
most accurately.
3 PHANTOM switches and indicators
The XLR connectors on the FireOne inputs can be used to supply phantom power to microphones which require its use. Each input has an associated PHANTOM pushbut­ton switch, and an LED indicator to indicates the status of +48 V phantom power on the channel.
Microphones should not be connected to or discon­nected from the FireOne with phantom power switched on. Unbalanced ribbon microphones should never be connected to phantom-powered connectors.
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IMPORTANT SAFETY INSTRUCTIONS
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2 - Features of the FireOne
4 PAD switches
The PAD switch is used to attenuate input signals by 20 dB.
Use the PAD switch with high-level output devices that would otherwise overdrive the inputs and cause distortion.
5 MIX control
The MIX control is used to balance the audio levels from inputs with signals coming from the host computer. When the knob moved fully counter-clockwise (pointer at “7 o’ clock”), only the signals connected to the FireOne input jacks will be heard at the LINE OUT and PHONES outputs. When the MIX control is turned fully clockwise (pointer at “5 o’clock”), only the audio coming from the host computer will be heard. At any adjustment point between these two extremes, the expected proportion of both the inputs and the host computer generated audio will be
heard.
6 LINE OUT level control
The LINE OUT control is used to adjust the level of audio on FireOne’s LINE OUTPUT connectors. In most cases, the line outputs will be connected to an amplif ier or powered speakers and will control the audio level in your studio. This control is independent of the headphone levels.
7 PHONES level controls
Each of the two PHONES jacks on the front of the FireOne can drive a set of headphones. The independent PHONES
LEVEL controls permit you to adjust the listening level of
each PHONES output independently.
8 FireWire indicator
This indicator lights when a valid FireWire (IEEE.1394) connection is made between the FireOne and the host
computer.
9 MIDI IN and OUT indicators
These light momentarily when MIDI activity is detected on the external MIDI IN and OUT ports.
0 STEREO ME TERS
The 12-segment stereo meters on FireOne permit high­resolution observation of input and output signal levels. The first 9 segments (-42dB … -4dB) are green. The next two segment (-2dB, 0dB) are amber. The last segment (OL) is red. The point in the FireOne signal flow that is metered corresponds to the program that is sent to both the LINE OUT’s and the PHONES.
The metering point is just after the MI X c ontrol, which suggests the following method for adjusting input signals:
This permits maximum signal at the input to the
converters but prevents clipping, affording the highest signal-to-noise ratio for the recording signal.
q TRANSPORT controls
A standard set of transport buttons (Ô, , ª, ¥, and
º) are provided. In most cases these controls will map
naturally to the transport controls in the audio application
software you’re running on your computer.
w JOG/SHUTTLE wheel
A weighted JOG/SHUTTLE wheel on the FireOne is used
to help you quickly locate to a section of your current
project. Depending on the application-specific plug-in and settings, you may also be able to use this jog wheel for other functions. A set of LED’s under the wheel pro­vides various forms of visual feedback, and can be used as a visual metronome display when you set your appli­cation to send MIDI clock information to the FireOne Virtual MIDI port.
e FUNCTION keys
A set of 8 buttons labeled F1, F2, …, F8 are provided in an arc just above the transport buttons. These perfor m a variety of functions, depending on the control surface capabilities of the host software. See the application-spe­cific notes for infor mation on how to set up these controls with the audio software you use.
r SHIFT button
SHIFT is used to double the capabilities of the FireOne
control sur face, by provid ing a n alte rnat e f unct ion for each cont rol listed above (tra nsport, JOG/SH UT TLE wheel, and FUNC TION keys) as sup ported by the host software.
t PHONES 1 and 2 outputs
Two PHONES out puts with independent level controls are provided on the FireOne, so you and a friend can both lis­ten at the levels you’re comfortable with.
Note that plugging in headphones doesn’t affect the level
at the LINE OUT connectors – you can adjust room and phones levels independently.
y GUITAR IN
The connector labeled GUITAR IN on the front panel is an instrument-level input that can be used in place of the “combo” (XLR/phone) jack on the rear panel. A slide switch on the rear panel of the FireOne (“FRONT­REA R”) selects which of the two connectors is routed to input B. The guitar input is matched to the higher-
impedance of instr ument out puts.
1. Turn the MIX cont rol completely counterclockw is e so that on ly the input signals are present on the meters.
2. Adjust the input sig nals with t he input GAIN controls such that the loudest pea ks in the signals wi ll on ly occasional ly li ght the amber (-2dB) indi ­cators.
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2 - Features of the FireOne
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2
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IMPORTANT SAFETY PRECAUTIONS

Rear panel

1 MIC/LINE IN conne ctor
The f lexible combo (XLR/phone) jacks connect a wide variety of possible input sources to FireOne’s high-quali-
ty internal microphone preamplifiers.
Note that when ¼” jacks are used, that FireOne accom-
modates both u nbalanced (TS) and balanced (TRS)
sources.
2 REAR /FRONT switch
This slide switch selects whether the rear-panel combo jack, or the front-panel GUITAR IN jack is used as the
source for FireOne input B.
3 LINE OUT connectors
Two ¼” TRS phone jacks carr y the Left and Right pro­gram material to your external amplifier and speakers.
The LINE OUT control on the top panel is used to set the
listening level.
4 FOOTSWITCH jack
A footswitch can be connected to this jack, and can be set to provide control functionality (ex: Punch-In, Start-Stop) to your application software. See the application-specific notes for information on how to set up the external foot­switch input with the audio software you use.
5 MIDI IN and MIDI OUT connectors
Standard MIDI IN and MIDI OUT 5-pin connectors allow you to hook up external MIDI controllers, tone genera­tors, etc. The MIDI messages are not processed by the FireOne, but passed to application software as with any other external MIDI port.
6 FireWire (IEEE 1394) connector
The IEEE 1394 (or FireWire”) connector is the main con­nection between FireOne and the host computer. A high­quality FireWire cable is provided with FireOne for this purpose. Please see the war nings addressing FireWire hookup in the “Firewire connection notes” section above.
7 POWER jack and switch
FireOne can be powered either by the FireWire bus, or via its own included AC adapter. As noted in the “Firewire connection notes” section, using bus power requires that the FireWire node connected to the FireOne provide the necessary bus power, and that a standard 6-pin FireWire cable such as the one provided with FireOne be used.
The 4-pin FireWire connectors found on many note­book computers do not carry power, and hence cannot be used to power the FireOne. In such a case, you must power the FireOne from its own AC adapter.
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IMPORTANT SAFETY INSTRUCTIONS
NOTE

Control panel Installation

Windows XP

3 - Installation

A setup program is provided on the CD-ROM. This program will install the FireOne Windows driver onto your computer, as well as a Windows Control Panel applet and plugins for Cakewalk SONAR and Steinberg Cubase and Nuendo. To install the software:
Make sure FireOne is not yet connected to the host
computer (the software will instruct you at the appropri­ate point to connect it).
Insert the CD-ROM into the drive. I n the start-up
window, click on “Install Dr iver” to begin installation (if the start-up wi ndow does not appear, locate “FireOne Setup.exe” on the CD-ROM and double-click it).
Follow the onscreen instructions, which will guide you
through the installation process. Make sure to select any
application-specific plugins that you will need at the
appropriate step.
The first time you install FireOne, you will need to install the “TASCAM Null Driver” and then the standard Fire­One driver. If you need to reinstall the driver at a later time, you will not need to install the Null Driver again, and you can click OK to skip this step at the appropriate point.

Mac OS X

When installation is complete, “TASCAM FireOne”
should appear in the Windows Device Manager under “Sound, game, and video controllers.” If it does not,
repeat the installation process.
Drivers for FireWire audio devices are a standard feature of Macintosh OS X. However, there is additional FireOne­specic software that you will need to load onto your computer to allow you to control certain features, and to make it compatible with certain host applications. To install the software onto your computer:
Make sure FireOne is not yet connected to the host
computer (the software will instruct you at the appropri­ate point to connect it).
Locate the “FireOne Setup.mpkg” file on the CD-ROM
and double-click it.
Follow the onscreen instructions, which will guide you
through the installation process. Make sure to select any
application-specific plugins that you will need at the
appropriate step.
The following software components will be installed:
FireOneCP:FireOne Control Panel (in /Applications)
FireOneUB.bundle:FireOne plugin for Digital Performer
(in /Library/Audio/Plug-Ins/MOTU Control Surface)
FireOneCN.bundle:FireOne plugin for Cubase/Nuendo
(in Cubase.app/Contents/Components)
When installation is complete, connect the FireOne, start the FireOneCP applet (in /Applications) and verify that you can make adjustments to the FireOne. The Digital Performer and Cubase/Nuendo plugins will now be avail­able for you to use.
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4 - Control panel settings

IMPORTANT SAFETY PRECAUTIONS
Certain FireOne settings are controlled by the FireOne Control Panel applet which was installed onto your host

Sample rate

FireOne supports a number of sample rates ranging from (44.1kHz to 192kHz). A combo-box in the FireOne Control Panel permits choosing one of these rates as the default. Applications can also change the active sample rate, so make sure to check the documentation that came with your audio software to see how to manage the sample rate in your recording projects.

Buffer size

computer when you installed the d river software. The follow­ing settings are available.
FireOne buffers the amount of audio that it uses to commu­nicate with audio applications. The amount of buffering
directly deter mines the latency of audio passing from
FireOne’s inputs, th rough your DAW application, and back to its outputs. The FireOne Control Panel’s Buffer Size slider allows you to select a buffer size that is compatible with your needs and with the performance of your host computer. In general, remember that more buffering affords greater

Control Surface Mode

The control surface features of FireOne use a virtual MIDI port to communicate with the host computer. The specic MIDI messages that are used to communicate button presses and jog/shuttle movements depend on the Control Surface
Mode setting in the FireOne control panel.
It is important that the Control Surface Mode setting is proper for the application(s) that you are using.

Jog/Shuttle Display Mode

FireOne includes a set of LEDs arranged in a ring under the jog/shuttle wheel. The Display Mode setting offers the following possibilities:
Always Off
Always On
Breathe
Metronome
MIDI Clock Rotate
protection from “clicks and pops,” but also increases the
latency.
You may need to experiment with the slider to determine the best setting for your needs. This setting does not affect audio monitored via the INPUT setting of the MIX knobs, which is zero-latency at all times.
At the time of this writing, two modes are supported:
1. FireOne Native protocol (Mackie Control emulation mode)
2. FireOne HUI emulation mode (for use with Pro Tools software).
MIDI Clock Flash
Jog Slow Rotate
Jog Track
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IMPORTANT SAFETY INSTRUCTIONS
4 - Control panel settings

Sampling Rate Lock

Normally, any audio application can change FireOne’s sample rate. When “Sample Rate Lock” is enabled, only the
FireOne control panel is permitted to change the sample rate.

Input Mon Mono

The direct input monitor is normally stereo, with Input A being heard in the left channel and Input B being heard in the right. Enabling “Input Mon Mono” causes the direct input monitor to be mono, with Input A and B being heard in both
the left and right channels equally.
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Computer
FireWire
Mic

5 - Connections

IMPORTANT SAFETY PRECAUTIONS

FireWire connections

Using the included cable, con nect the FireOne to your computer as shown in the illustration.

Audio connections

Connect the output signal of your mic, guitar, keyboard, or other audio device to the FireOne, where it will be converted into digital audio and sent via FireWire to your computer. Connect the output of the FireOne to your speakers (via an
Mic
Connect your mics to the MIC/LINE IN (B/A) jacks (XLR). If you are using a condenser mic that requires phantom power, tur n on the phantom power.
amp) or headphones, so you will be able to monitor the audio signals coming into the FireOne or being produced by your
computer.
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IMPORTANT SAFETY INSTRUCTIONS

Guitar

Keyboard/ Drum machine/ sound module/ cassette deck/ MD/CD etc.
OUT
Guitar
Connect your guitar to the GUITAR IN jack (1/4” phone jack) and set the REAR /FRONT switch to FRONT.
5 - Connections

Keyboard/drum machine/sound module/cassette deck/MD/CD etc. (analog connection)

Connect the analog audio output of these devices to the MIC/
LINE IN (B/A) jacks (1/4” phone jack). If you use the B, set the REAR /FRONT switch to REAR.
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5 - Connections

Analog record player

PHONO amp or amp with PHONO inputs
IMPORTANT SAFETY PRECAUTIONS
Analog record player
The output of an analog record player cannot be connected
directly to the FireOne.
You must connect a phono preamplier between your analog
record player and the FireOne.
Alternatively, you can connect it via an audio amplier that
has PHONO inputs.
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Speakers/headphones

Powered speakers or amp and speakers
Headphones
IMPORTANT SAFETY INSTRUCTIONS
5 - Connections
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5 - Connections
FireWire
Computer
MIDI OUT
MIDI IN
Sequencer/ drum machine/etc.
Keyboard/ synthesizer/etc.
Sound module/etc.
MIDI OUT
FireWire
MIDI IN
Computer
IMPORTANT SAFETY PRECAUTIONS

MIDI connections

Connect your sound module, keyboard/synthesizer, drum machine, or other MIDI device to the FireOne as shown below.
You can use the MIDI IN/MIDI OUT connectors to transmit
and receive MTC (MIDI Time Code). This allows the MTC­compatible DAW (Digital Audio Workstation) computer application to synchronize with your MIDI equipment.
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IMPORTANT SAFETY INSTRUCTIONS

6 - Troubleshooting

FireOne is a device dependent on a number of interrelated software and hardware components. If you experience

Host Connection troubleshooting

Problem Solution
FireWire light is OFF.
FireOne does not appear as an audio or MIDI device selection in my DAW software.
FireOne MIDI por t names are displayed as “plug 1” and “plug 2”

Control surface troubleshooting

Problem Solution
No selection for FireOne in application’s control-surface setup
FireOne MIDI por ts do not appear as a selection in application’s control-surface setup.
FireOne is set up as a control surface; however, no buttons operate the DAW software
problems with your FireOne, here are a few suggestions to check rst:
• Check FireWire cable connection between host and FireOne, and make sure that power is switched ON.
• Try external FireOne power supply; host computer’s FireWire power may be inadequate.
• [Windows] FireOne driver may not be loaded. Reinstall driver.
• [Windows] Check Device Manager (Control Panel | Sy tem | Hardware). If “FireOne” does not appear under “Sound, video, and game control lers” run the “FireOne Setup” program again and follow the on-screen instructions.
• [Macintosh] With the FireOne connected to the computer and powered ON, run the “Audio MIDI Setup” program (in /Applications/Utilities) and verify that FireOne appears in the “Properties For:” pop-up list. If not, check FireWire cable connection, and re-power the FireOne.
• [Macintosh] Run the “FireOne Setup.mpkg” installer on the CD-ROM which will rename the MIDI ports to “FireOne MIDI” and “FireOne Control.”
• Install the FireOne plug-in appropriate for your DAW application. This applie s to: Cakewalk SONAR, Steinberg Cubase & Nuendo, MOTU Digital Performer.
• Make sure FireOne is conne cted and powered-on.
• [Windows] Make sure FireO ne appears unde r “Sound, video, and game controllers” in Windows Device Manager
• [Macintosh] Make sure FireOne appears as a device in the “Audio MIDI Setup” program’s “MIDI Devices” panel.
• See application software’s instructions for enabling MIDI por ts.
• Make sure that the FireOne Control MIDI port is being used for control surface input and output, and not the ex ternal FireOne MIDI port.
• Make sure that the appropriate control surface protocol is set in the FireOne control panel. This will be Native in most cases (exception: Pro Tools).
• Review the application-specif ic instructions for your DAW on the CD ­ ROM or TASCAM web site.
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6 - Troubleshooting
IMPORTANT SAFETY PRECAUTIONS

Audio troubleshooting

Problem Solution
• Make sure LINE OUT signal is connected to an amplifier and speakers, and that they are powered on and have proper level settings.
• Adjust FireOne LINE OUT knob appropriately.
General: I can’t hear the audio output.
I can’t hear the microphone or instrument connected to the FireOne inputs
I can’t hear playback from the host computer’s DAW software.
I can’t record from FireOne into the computer.
The recorded audio is distorted
The audio has clicks and pops
• If you are monitoring using headphones, make sure they are properly connected at the PHONES volume control is set for a comfortable listening level.
• Make sure FireOne MIX knob is set according to whether you want to hear inputs, computer playback, or both.
• Check that the signal source is on, connected, and providing adequate signal level to the FireOne input. (FireOne SIG LED will flash.)
• Adjust FireOne input GAIN knob for best signal without overload.
• If the input signal level is relatively low (microphone) make sure that the PAD switch is OFF or signal will be too low to use.
• If the input is a condenser microphone, turn on FireOne’s PHANTOM power for that input channel.
• Make sure FireOne MIX knob is set according to whether you want to hear inputs, computer playback, or both.
• Make sure that the FireOne device is selected as the output destination of the host application software. Refer to documentation for the host software for this procedure.
• Make sure that the FireOne MIX knob is set to COMPUTER or to your preferred mix of inputs and DAW playback.
• Make sure that FireOne device is selected as the input source for the tracks you are trying to record. Refer to documentation for the host software for this procedure.
• Make sure that the SIG lights for the FireOne are indicating adequate signal levels for the incoming audio.
• Adjust the input trim control is set properly, so that the OL (overload) LED does not come on during recording.
• If the signal level is too “hot” and easily causes the OL light to come on, engage the FireOne’s PAD switch to reduce the signal level on the associated input.
• [Windows] Adjust the latency setting in the FireOne control panel to provide more buffering and prevent overruns.
• [Macintosh] Adjust the latency (audio buffer size) setting in your audio application, if it has one.
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IMPORTANT SAFETY INSTRUCTIONS

FireOne Block Diagram

7 - Block diagram

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8 - Specifications

IMPORTANT SAFETY PRECAUTIONS

FireOne Specifications

Inputs / Outputs

MIC Input Connector XLR-3-31 (1: GND, 2: HOT, 3: COLD) Input impedance 1.3 kØ Input level -60 dBu ( Trim max) to -7.8 dBu (Trim min) Headroom 16 dB Maximum gain 53 dB Pad 20 dB
LINE Input Connector 1/4” inch Phone jack (Tip: HOT, Ring: COLD, Sleeve: GND) Input impedance 4 kØ Input level -49 dBu (Trim max) to +4 dBu ( Trim min) Headroom 16 dB Maximum gain 53 dB Pad 20 dB
LINE Output Connector 1/4” inch Phone jack (Tip: HOT, Sleeve: GND) Output impedance 100 Ø Reference output level -10 dBv Maximum output level +6 dBv
Headphone Output Connector 1/4” inch Phone jack (Tip: L, Ring: R, Sleeve: GND) Output load impedance 32 Ø Maximum output level +4.7 dBu (at Distortion 1%) Output power 55 mW + 55mW
Firewire Connector IEEE1394 (6 pin) Format IEEE1394 (Isochoronous) Baudrate 400 Mbps
Footswitch Connector 1/4” inch Phone jack (Tip: HOT, Sleeve: GND) Input impedance 100 Ø Input level TTL level
MIDI input/output Connector 5 pin DIN connector Format MIDI
GUITAR input Connector 1/4” inch Phone jack (Tip: HOT, Sleeve: GND) Input impedance 1 MØ Input level -61 dBv (Trim max) to -8 dBv (Trim min) Headroom 16 dB Maximum Gain 53 dB
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IMPORTANT SAFETY INSTRUCTIONS
54.0 mm (21.26")
260.7 mm (102.64")
168.3 mm (66.26")
8 - Specifications

Performance

Bit depth 16, 24 bits
Sample rates 44.1, 48, 88.2, 96, 176.4, or 192 kHz
Frequency response (@ Norminal level, MIC to LINE OUT) 20 Hz - 20 kHz ±1.0 dB (44.1 kHz/48 kHz) 20 Hz - 40 kHz ±0.5 dB/-4.0 dB (88.2 kHz/96 kHz) 20 Hz - 80 kHz ±0.5 dB/-20 dB (176.4 kHz/192 kHz)
Noise level (Trim max 150Ø, 22Hz-22kHz) MIC to LINE OUT <-80 dBu
Dynamic range (Trim min) MIC to LINE OUT 105 dB @ 44.1 kHz
THD (Trim min, 22Hz-22kHz) <0.006% 1 kHz, MIC to LINE OUT
Crosstalk (@ 1 kHz) MIC to LINE OUT >80 dB
Phantom power +48 V, 10 mA
Delay MIC to LINE OUT 48 kHz <5 msec 96 kHz <2 msec 192 kHz <1 msec

Physical characteristics

Power U.S.A./Canada 120 VAC, 60 Hz U.K./Europe 230 VAC, 50Hz Australia 240 VAC, 50Hz
Power consumption 4 W (U.S.A.>/Canada) 4 W (U.K./Europe)
Dimensions (w x h x d) 260.7 x 168.3 x 54.0 mm (102.64” x 66.26” x 21.26”)
Weight 1.2 kg (2.65 lb)

Dimensional drawing

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»
FireOne
TEAC CORPORATION
Phone : +81-422-52-5082 www.tas cam.com 3-7-3, Nakacho, Musashino-shi, Tokyo 180 -8550, Japan
TEAC AMERICA, INC.
Phone : +1-323-726-0 303 www.tas cam.co m 7733 Telegr aph Road , Montebe llo, Cali fornia 9 0640
TEAC CANADA LTD.
Phone : +1905-89 0-80 08 Facs imile: +190 5-89 0-988 8 www.tas cam.co m 5939 Wall ace Stre et, Miss issau ga, Onta rio L4Z 1Z8, Can ada
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Phone : +52-55 5-581-55 00 www.tas cam.co m Campe sinos No. 184, C olonia G ranje s Esmer alda, De legac ion Izta palapa C P 09810, Mexic o DF
TEAC UK LIMITED
Phone : +44- 8451-302511 www.ta scam.c o.uk Unit 19 & 20, The C ourt yards Ha tters L ane, Wat ford, Her tfordshire . WD18 8TE, U.K.
TEAC EUROPE GmbH
Phone : +49- 611-71580 www.tas cam.de Bahns trasse 12, 652 05 Wiesb aden- Erbenh eim, Ger many
Pri nted in Ch ina
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