This Operation Manual explains how to use the
device. The explanations in this manual assume that
you’ve set up the device and prepared it for use
according to the Getting Started document. If you
haven’t done that yet, refer to the Getting Started
document and complete the setup before reading
this manual.
Features
High-resolution Microphone
Preamplifiers (D-PRE)
Discrete microphone preamps featuring a highperformance inverted Darlington circuit
configuration achieve low distortion and noise while
delivering sound with eminently musical balance
and character.
Supports a Variety of Inputs
Switchable phantom power is provided for
condenser microphones, electric guitars and
basses can be directly connected via a HI-Z (high
impedance) input, and a PAD is provided for input
matching with high-level signals from electronic
instruments. Optical input connectors enable direct
digital input in ADAT or S/PDIF format from a variety
of digital audio devices, while a BNC-connector for
word clock input and output allows precise
synchronization with other digital equipment.
Powerful DSP Mixer (dspMixFx)
A DSP mixer that can mix up to 24 input channels to
four stereo outputs is built in. Two of those stereo
mixes can be independently assigned to separate
headphone outputs. It is also possible to directly
route a stereo input to any specified stereo output. A
number of DSP effects that can be applied to input
signals are also provided, and since it is a hardware
mix with there is no monitoring latency.
DSP Effect: Sweet Spot Morphing
Channel Strip
The Sweet Spot Morphing Channel Strip (“Channel
Strip” for short) is a multi-effect that combines
compression and EQ. Advanced sound engineering
know-how is condensed into a number of presets
that can simply be recalled as required for
professional results. Up to eight channel strips can
be used at a time, and it can be assigned either to
the monitor sound only, or to both the monitor and
recorded sound.
DSP Effect: REV-X Reverb
REV-X is a digital reverb platform developed by
Yamaha for pro audio applications. One REV-X
effect is included in this unit. Input signals can be
sent to the REV-X effect, and the REV-X effect is
applied only to the monitor outputs.
DSP Effect: Guitar Amp Classics
Guitar Amp Classics are guitar amp effects that
make extensive use of advanced Yamaha modeling
technology. One Guitar Amp Classics effect can be
used at a time, and it can be assigned either to the
monitor sound only, or to both the monitor and
recorded sound.
The maximum number of Channel Strip and Guitar
Amp Classics iterations which can be used
simultaneously has restrictions. Refer to the
“Limitations on the use of effects” (page 34).
DSP Effect VST Plug-ins Included
VST3 Plug-ins (page 31) of the Channel Strip, REV-X
and Guitar Amp Classics effects are included for
use with Cubase series or similar VST-compatible
DAW software.
Free Download of Cubase AI
Steinberg’s Cubase AI digital audio workstation
(DAW, page 31) is available free for downloading via
our website, specifically for customers who have
purchased the UR824. Cubase AI is the entry-level
version of the Cubase series DAW products,
providing the basic functionality you need for music
production and editing.
UR824 Operation Manual3
Class Compliant mode
UR824 DSP Mixer
BGM
Delivery
In Class Compliant mode, the UR824 works with the
iPad through the Apple iPad Camera Connection
Kit. It can be used with iOS compatible music
production applications such as Steinberg Cubasis
for convenient high-quality recording anywhere, at
any time. A computer can also be used in CC mode.
Loopback function
Loopback function facilitates video delivery and
other Internet related activities. This function mixes
the input audio signals (LINE, Guitar, Mic, etc) and
the audio signals playing back in the software into
two channels in the UR824, and back to the
computer for live broadcasting via the Internet.
Introduction
UR824 Operation Manual4
Panel Controls and
Terminals (Details)
Rear Panel
Panel Controls and Terminals (Details)
1 DC IN 16V
For connection to the AC power adaptor.
2 Grounding screw
For connection to a ground wire.
If you have a problem with hum or noise, use this
terminal to connect to ground. The noise may be
reduced.
3 USB2.0 (USB port)
For connection to a computer or iPad. Apple iPad
Camera Connection Kit or Lightning to USB
Camera Adapter are required when connecting
the UR824 with an iPad.
USB Port Precautions
NOTICE
Be sure to observe the following points when
connecting to the computer’s USB interface.
Failing to do so may result in the computer
freezing or shutting down, as well as corruption
or even loss of data. If the device or computer
does freeze, restart the application or computer.
• Be sure to wake the computer from sleep/
suspended/stand by mode before making a
connection to the computer’s USB port.
• Before turning on the power to the device,
connect the computer to the USB port.
• Before turning on/off the device or plugging/
unplugging the USB cable, quit any open
application software on the computer.
• When connecting or disconnecting the USB
cable, be sure to set all output level controls to
the minimum.
• Wait at least six seconds between connecting
or disconnecting the USB cable.
For connection to the device which transmits and
receives the word clock.
6 OPTICAL A/B IN/OUT (optical)
For connection to a digital audio device.
You can select the format of the OPTICAL A/B
between ADAT and S/PDIF. To select the format,
use the “Setup Window” (page 13) in the section
“dspMixFx UR824” or the “Settings Window”
(page 19) in the section “Dedicated Windows for
Cubase Series.”
You can select the output signal of the OPTICAL
A/B OUT. To select the output signal, use the
“Setup Window” (page 13) in the section
“dspMixFx UR824” or the “Output Routing
Window” (page 18) in the section “Dedicated
Windows for Cubase Series.”
7 LINE OUTPUT 1–8 (phone type,
balanced/unbalanced)
For connection to monitor speakers. When the
monitor speakers have a balanced input, connect
them with a balanced cable.
You can select the output signal of LINE OUTPUT
1–8. To select the output signal, use the “Setup
Window” (page 13) in the section “dspMixFx
UR824” or the “Output Routing Window” (page
18) in the section “Dedicated Windows for
Cubase Series.”
8 MIC/LINE INPUT 3–8 (XLR/phone type,
balanced/unbalanced)
For connection to a microphone or digital
instrument.
4 WCLK switch
Switches between IN and OUT for the upper
WCLK terminal.
5 WCLK IN (OUT)/OUT (BNC connector)
UR824 Operation Manual5
Front Panel
CAUTION
CAUTION
Panel Controls and Terminals (Details)
1 MIC/LINE/HI-Z (XLR/phone type,
balanced/unbalanced)
For connection to a microphone, digital
instrument, electric guitar, or electric bass.
2 HI-Z switch
Turns on (O) and off (N) the HI-Z of the MIC/
LINE/HI-Z.
Turn this switch on when connecting high
impedance instruments, such as an electric
guitar or electric bass, directly to the MIC/LINE/
HI-Z.
When you turn this switch on, use an unbalanced
phone type cable for connection between the
instrument and the MIC/LINE/HI-Z. If you use a
balanced cable or an XLR cable, this device will
not work correctly.
• Do not connect or disconnect a device while turning
on the HI-Z switch. Doing so can damage the
connected device and/or the unit itself.
• To protect your speaker system, leave the monitor
speakers turned off when turning the HI-Z switch on/
off. It’s also a good idea to turn all output volume
controls down to their minimum. Neglect of these
precautions may result in large noise bursts that may
damage your equipment, your ears, or both.
3 PAD s w i t ch
Turns on (O) and off (N) the PAD of the analog
input jacks (MIC/LINE/HI-Z and MIC/LINE
INPUT).
When you turn this switch on, the input signal
level of the analog input jacks will be attenuated
by 26 dB. Turn this switch on when connecting
high output equipment, such as a synthesizer, to
the analog input jacks.
4 SIG/PEAK lamp
Indicates the input signal level of the analog input
jacks (MIC/LINE/HI-Z and MIC/LINE INPUT).
Lamp status Description
Red-3 dB or more
Green40 dB or more – less than -3 dB
DarkLess than -40 dB
5 INPUT GAIN knob
Adjusts the input signal level of the analog input
jacks (MIC/LINE/HI-Z and MIC/LINE INPUT). The
adjustable range varies depending on the on/off
setting of the PAD switch.
PADRan ge
On-34 dB – +10 dB
Off-60 dB – -16 dB
6 +48V button
Turns on (lit) and off (dark) the phantom power of
XLR type connections on analog input jacks
(MIC/LINE/HI-Z and MIC/LINE INPUT).
When you turn on this button, phantom power will
be supplied to the two adjacent analog input
jacks. Turn on this button when connecting
phantom powered devices, such as a condenser
microphone, to the analog input jacks.
• Make sure that phantom power is turned OFF unless
it is needed.
• When turning phantom power ON, make sure that no
equipment other than phantom-powered devices
such as condenser microphones are connected.
Devices other than condenser microphones may be
damaged if connected to the phantom power supply.
Note, however, that the switch may be left on when
connecting to balanced dynamic microphones. When
connecting an unbalanced device to the MIC/LINE/HIZ and MIC/LINE INPUT and phantom power is turned
on, hum or noise may result; this is not a malfunction
or failure in the device.
UR824 Operation Manual6
Panel Controls and Terminals (Details)
• Do not connect or disconnect a device while
phantom power is applied. Doing so can damage the
connected device and/or the unit itself.
• To protect your speaker system, leave the monitor
speakers turned off when switching the phantom
power on/off. It’s also a good idea to turn all output
volume controls down to their minimum. Neglect of
these precautions may result in large noise bursts
that may damage your equipment, your ears, or both.
7 PHONES knob 1/2
Adjusts the output signal level of PHONES 1/2.
This output signal level is not affected by the
OUTPUT LEVEL knob.
PHONES 1/2 output one of the MIX 1–4 signals.
To select the output signal, use the “Headphone
Area” (page 13) in the section “dspMixFx UR824”
or the “Headphones Window” (page 18) in the
section “Dedicated Windows for Cubase Series.”
8 PHONES 1/2 (phone type, stereo)
For connection to a set of headphones.
PHONES 1/2 output one of the MIX 1–4 signals.
To select the output signal, use the “Headphone
Area” (page 13) in the section “dspMixFx UR824”
or the “Headphones Window” (page 18) in the
section “Dedicated Windows for Cubase Series.”
9 Word clock source lamp
Indicates the word clock (page 31) source of the
device.
) Sample rate lamp
Indicates the sample rate of the device.
LampSample Rate
96k and 48k192 kHz
88k and 44k176.4 kHz
96k96 kHz
88k88.2 kHz
48k48 kHz
44k44.1 kHz
To select the sample rate of the device, use the
“(device name) Window” (page 8) in the section
“Control Panel of the Audio Driver” in Windows or
Audio MIDI Setup in Mac.
! OUTPUT LEVEL knob
Adjusts the output level of the LINE OUTPUT 1–8
signals.
To select the LINE OUTPUT for adjusting the
output signal level, use the “Setup Window”
(page 13) in the section “dspMixFx UR824” or the
“Master Levels Window” (page 19) in the section
“Dedicated Windows for Cubase Series.”
@ Power button
Turn the power on and off.
LampClock Source
WCLKThe word clock signal input to the
WCLK IN.
ADAT AThe word clock signal input to the
OPTICAL A IN.
ADAT BThe word clock signal input to the
OPTICAL B IN.
INTERNALThe internal word clock signal.
Lamp status Description
LitSynchronized with the clock
source.
FlashNot synchronized with the clock
source.
To select the clock source of the device, use the
“(device name) Window” (page 8) in the section
“Control Panel of the Audio Driver” in Windows or
Audio MIDI Setup in Mac.
Power onPress the power button (). The
power button will light.
Power offHold down the power button ()
for over two seconds. The power
button will light dimly.
UR824 Operation Manual7
Panel Controls for the Software Programs
Panel Controls for the
Software Programs
Introduction
This section explains software operations for using
the UR824 with a computer.
NOTE
The software programs below do not apply to iPad.
Control Panel of the Audio
Driver
This is the control panel for selecting the general
settings of the audio driver. Click the upper tabs to
select the desired window.
Screenshot
Panel Controls
(Device name) Window
This is the window for selecting the sample rate or
word clock source of the device.
1 Sample Rate (Windows only)
Selects the sample rate of the device.
Option: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz,
176.4 kHz, 192 kHz
NOTE
For Mac, select the sample rate of the device via the
Audio MIDI Setup.
How to Open the Window
Windows
•[Control Panel] [Hardware and Sound] or
[Sounds, Speech, and Audio Devices] [Yamaha
Steinberg USB Driver]
•From the Cubase series menu, [Devices]
[Device Setup] [Yamaha Steinberg USB ASIO]
[Control Panel]
Mac
•[System Preferences] [Yamaha Steinberg USB]
•From the Cubase series menu, [Devices]
[Device Setup] [Steinberg UR824] [Control
Panel] [Open Config App]
2 Clock Source (Windows only)
Selects the word clock source of the device.
OptionClock Source
WCLKThe word clock signal input to the
WCLK IN.
ADAT AThe word clock signal input to the
OPTICAL A IN.
ADAT BThe word clock signal input to the
OPTICAL B IN.
InternalThe internal word clock signal.
NOTE
For Mac, select the word clock source of the device
via the Audio MIDI Setup.
UR824 Operation Manual8
Panel Controls for the Software Programs
3 Enable Power Management
Select enable (checkmark) and disable (no
checkmark) for automatic power off.
The device is equipped with an automatic power
off function. When this function is enabled, the
power of the device will turn off automatically
(after thirty minutes) when one of the following
actions is performed. The power button will flash
during the thirty-minute interval.
• Turning off the computer.
• Disconnecting the USB cable between the device
and the computer.
ASIO Window (Windows only)
This is the window for selecting the ASIO driver
settings.
3 Input Latency/Output Latency
Indicates the delay time for the audio input and
output in millisecond units.
Audio latency varies depending on the value of
the ASIO buffer size. The lower the value of the
ASIO buffer size, the lower the value of Audio
latency.
About Window
This window indicates information about the audio
driver.
1 Device
Selects the device that will be using the ASIO
driver. This function is available when connecting
to the computer two or more devices compatible
with the Yamaha Steinberg USB Driver.
2 Buffer Size
Selects the buffer size (page 31) for the ASIO
driver. The range varies depending on the sample
rate.
Sample RateRange
44.1 kHz/44.8 kHz 64 samples – 2048 samples
88.2 kHz/96 kHz128 samples – 4096 samples
176.4 kHz/192 kHz 256 Samples – 8192 Samples
1 About
Indicates the version and copyright of the audio
driver. The letters “x.x.x” indicate the version
number.
dspMixFx UR824
This is the window for configuring the DSP mixer
and DSP effect equipped with the device. The
signals flow top-to-down and left-to-right. The
dspMixFx UR824 provides stand-alone operation.
NOTE
You cannot operate the dspMixFx UR824 while a
Cubase series DAW is running. When Cubase is
running, configure the DSP mixer and DSP effect from
“Dedicated Windows for Cubase Series” (page 15).
Screenshot
NOTE
For Mac, select the buffer size in the buffer size
selecting window, which is opened from an
application such as DAW software.
This is the area for configuring the common settings
of the dspMixFx UR824.
1 Quit
Quits the dspMixFx UR824.
2 Minimize
Minimizes the dspMixFx UR824 window.
3 Menu
Provides four menus, including Save the settings
file of the dspMixFx UR824 (page 31) and Import
Scene (page 31).
MenuDescription
4 Scene
Indicates the scene name. You can change the
scene name by clicking on it.
When you click the button on the right side, the
window for calling up the scene will open. You
can call up the scene by clicking it. To cancel
calling up the scene, click outside of the window.
5 STORE
Opens the scene store window. Enter the desired
scene name into the STORE NAME field. Select
the destination for storing the scene in the No.
NAME field. Click [OK] to store the scene.
6 Selecting the window
Selects the dspMixFx UR824 window. The
selected window icon will light in red.
IconDescription
Main window (page 10)
Level Meter window (page 13)
Setup window (page 13)
Information window (page 15)
7 Help
Opens the Operation Manual (this manual).
OpenOpens the settings file of the
dspMixFx UR824.
SaveSaves the settings file of the
dspMixFx UR824 to a computer.
Import
Scene
Initialize All
Scenes
Imports a scene from the settings file
of the dspMixFx UR824. Select the
settings file of the dspMixFx UR824
and import scene on the left side of
the IMPORT SCENE window. Select
the destination for importing on the
right side of the window. Click [OK]
to import it.
Deletes all the saved scenes.
Main Window
This is the window for configuring the entire signal
flow.
UR824 Operation Manual10
Panel Controls for the Software Programs
Channel Area
This is the area for configuring the input channel
settings.
5 Effect Insertion Location
Selects the insertion location of an effect.
OptionDescription
MON.FXApplies an effect to only the monitor
signal (sent to the device).
INS.FXApplies an effect to both the monitor
signal (sent to the device) and the
recording signal (sent to the DAW
software).
6 Effect On/Off
Turns the effect on (lit) and off (dark).
7 Effect Edit
Opens (lit) and closes (dark) the selected effect
setup window.
8 Effect Type
Selects the effect.The maximum number of
Channel Strip and Guitar Amp Classics iterations
which can be used simultaneously has
restrictions. Refer to the “Limitations on the use of
effects” (page 34).
1 Channel Link
Turns on (lit) and off (dark) the channel link of two
adjacent channels. When you turn this on, two
mono channels will become one stereo channel.
2 Level Meter
Indicates the signal level.
3 High Pass Filter
Turns on (lit) and off (dark) the high pass filter.
To select the cutoff frequency of the high pass
filter, use the “Setup Window” (page 13) in the
section “dspMixFx UR824.”
9 REV-X Send
Adjusts the signal level which is sent to the
REV-X.
Range: -∞ dB – +6.00 dB
) Pan
Adjusts the pan.
Range: L16 – C – R16
! Mute
Turns the mute on (lit) and off (dark).
@ Solo
Turns the solo on (lit) and off (dark).
# +48V
Indicates the on/off status of the phantom power
function of the device.
$ Fader
Adjusts the signal level.
Range: -∞ dB – +6.00 dB
4 Phase
Turns on (lit) and off (dark) the phase inversion of
the signal.
UR824 Operation Manual11
Panel Controls for the Software Programs
DAW Area
This is the area for configuring the DAW channel
settings.
Master Area
This is the area for configuring the master channel
settings.
1 Level Meter
Indicates the signal level.
2 Pan
Adjusts the pan.
Range: L16 – C – R16
3 Mute
Turns the mute on (lit) and off (dark).
4 Solo
Turns the solo on (lit) and off (dark).
5 Fader
Adjusts the signal level.
Range: -∞ dB – +6.00 dB
1 Level Meter
Indicates the signal level.
2 REV-X Send On/Off
Turns the REV-X on (lit) and off (dark).
You can turn this on for one of MIX 1–4.
3 REV-X Edit
Opens (lit) and closes (dark) the “REV-X” (page
22) setup window.
4 REV-X Type
Selects the REV-X type.
Option: Hall, Room, Plate
5 REV-X Time
Adjusts the reverb time of the REV-X. This
parameter links to Room Size. The adjustable
range varies depending on the REV-X type.
REV-X type Range
Hall0.103 sec – 31.0 sec
Room0.152 sec – 45.3 sec
Plate0.176 sec – 52.0 sec
UR824 Operation Manual12
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