Steinberg UR824 User manual

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USB AUDIO INTERFACE

IT

Contents

Introduction............................................................3

Contents in this Operation Manual............................... 3

Features ....................................................................... 3

Panel Controls and Terminals (Details)...............5

Rear Panel.................................................................... 5

Front Panel ................................................................... 6

Panel Controls for the Software Programs .........8

Introduction .................................................................. 8

Control Panel of the Audio Driver................................. 8

dspMixFx UR824.......................................................... 9

Dedicated Windows for Cubase Series ..................... 15

Sweet Spot Morphing Channel Strip (Channel Strip). 20

REV-X ......................................................................... 22

Guitar Amp Classics .................................................. 24

Usage Examples ..................................................26

Introduction ................................................................ 26

Recording with the Channel Strip and REV-X............ 26

Connecting the Mic Preamp ...................................... 28

Using the Device Without a Computer....................... 28

Using the Device with an iPad ................................... 29

Appendix ..............................................................31

Glossary ..................................................................... 31

Contents of the Getting Started Section .................... 32

Signal Flow................................................................. 33

Block Diagrams.......................................................... 35

UR824 Operation Manual 2

Introduction

Introduction

Contents in this Operation Manual

This Operation Manual explains how to use the
device. The explanations in this manual assume that
you’ve set up the device and prepared it for use
according to the Getting Started document. If you
haven’t done that yet, refer to the Getting Started
document and complete the setup before reading
this manual.

Features

High-resolution Microphone
Preamplifiers (D-PRE)

Discrete microphone preamps featuring a high­performance inverted Darlington circuit
configuration achieve low distortion and noise while
delivering sound with eminently musical balance
and character.

Supports a Variety of Inputs

Switchable phantom power is provided for
condenser microphones, electric guitars and
basses can be directly connected via a HI-Z (high
impedance) input, and a PAD is provided for input
matching with high-level signals from electronic
instruments. Optical input connectors enable direct
digital input in ADAT or S/PDIF format from a variety
of digital audio devices, while a BNC-connector for
word clock input and output allows precise
synchronization with other digital equipment.

Powerful DSP Mixer (dspMixFx)

A DSP mixer that can mix up to 24 input channels to
four stereo outputs is built in. Two of those stereo
mixes can be independently assigned to separate
headphone outputs. It is also possible to directly
route a stereo input to any specified stereo output. A
number of DSP effects that can be applied to input
signals are also provided, and since it is a hardware
mix with there is no monitoring latency.

DSP Effect: Sweet Spot Morphing
Channel Strip

The Sweet Spot Morphing Channel Strip (“Channel
Strip” for short) is a multi-effect that combines
compression and EQ. Advanced sound engineering
know-how is condensed into a number of presets
that can simply be recalled as required for
professional results. Up to eight channel strips can
be used at a time, and it can be assigned either to
the monitor sound only, or to both the monitor and
recorded sound.

DSP Effect: REV-X Reverb

REV-X is a digital reverb platform developed by
Yamaha for pro audio applications. One REV-X
effect is included in this unit. Input signals can be
sent to the REV-X effect, and the REV-X effect is
applied only to the monitor outputs.

DSP Effect: Guitar Amp Classics

Guitar Amp Classics are guitar amp effects that
make extensive use of advanced Yamaha modeling
technology. One Guitar Amp Classics effect can be
used at a time, and it can be assigned either to the
monitor sound only, or to both the monitor and
recorded sound.

The maximum number of Channel Strip and Guitar
Amp Classics iterations which can be used
simultaneously has restrictions. Refer to the
“Limitations on the use of effects” (page 34).

DSP Effect VST Plug-ins Included

VST3 Plug-ins (page 31) of the Channel Strip, REV-X
and Guitar Amp Classics effects are included for
use with Cubase series or similar VST-compatible
DAW software.

Free Download of Cubase AI

Steinberg’s Cubase AI digital audio workstation
(DAW, page 31) is available free for downloading via
our website, specifically for customers who have
purchased the UR824. Cubase AI is the entry-level
version of the Cubase series DAW products,
providing the basic functionality you need for music
production and editing.

UR824 Operation Manual 3

Class Compliant mode

UR824 DSP Mixer

BGM

Delivery

In Class Compliant mode, the UR824 works with the
iPad through the Apple iPad Camera Connection
Kit. It can be used with iOS compatible music
production applications such as Steinberg Cubasis
for convenient high-quality recording anywhere, at
any time. A computer can also be used in CC mode.

Loopback function

Loopback function facilitates video delivery and
other Internet related activities. This function mixes
the input audio signals (LINE, Guitar, Mic, etc) and
the audio signals playing back in the software into
two channels in the UR824, and back to the
computer for live broadcasting via the Internet.

Introduction

UR824 Operation Manual 4

Panel Controls and Terminals (Details)

Rear Panel

Panel Controls and Terminals (Details)

1 DC IN 16V

For connection to the AC power adaptor.

2 Grounding screw

For connection to a ground wire.

If you have a problem with hum or noise, use this
terminal to connect to ground. The noise may be
reduced.

3 USB2.0 (USB port)

For connection to a computer or iPad. Apple iPad
Camera Connection Kit or Lightning to USB
Camera Adapter are required when connecting
the UR824 with an iPad.

USB Port Precautions

NOTICE

Be sure to observe the following points when
connecting to the computer’s USB interface.
Failing to do so may result in the computer
freezing or shutting down, as well as corruption
or even loss of data. If the device or computer
does freeze, restart the application or computer.

• Be sure to wake the computer from sleep/
suspended/stand by mode before making a
connection to the computer’s USB port.

• Before turning on the power to the device,
connect the computer to the USB port.

• Before turning on/off the device or plugging/
unplugging the USB cable, quit any open
application software on the computer.

• When connecting or disconnecting the USB
cable, be sure to set all output level controls to
the minimum.

• Wait at least six seconds between connecting
or disconnecting the USB cable.

For connection to the device which transmits and
receives the word clock.

6 OPTICAL A/B IN/OUT (optical)

For connection to a digital audio device.

You can select the format of the OPTICAL A/B
between ADAT and S/PDIF. To select the format,
use the “Setup Window” (page 13) in the section
“dspMixFx UR824” or the “Settings Window”
(page 19) in the section “Dedicated Windows for
Cubase Series.”

You can select the output signal of the OPTICAL
A/B OUT. To select the output signal, use the
“Setup Window” (page 13) in the section
“dspMixFx UR824” or the “Output Routing
Window” (page 18) in the section “Dedicated
Windows for Cubase Series.”

7 LINE OUTPUT 1–8 (phone type,

balanced/unbalanced)

For connection to monitor speakers. When the
monitor speakers have a balanced input, connect
them with a balanced cable.

You can select the output signal of LINE OUTPUT
1–8. To select the output signal, use the “Setup
Window” (page 13) in the section “dspMixFx
UR824” or the “Output Routing Window” (page

18) in the section “Dedicated Windows for
Cubase Series.”

8 MIC/LINE INPUT 3–8 (XLR/phone type,

balanced/unbalanced)

For connection to a microphone or digital
instrument.

4 WCLK switch

Switches between IN and OUT for the upper
WCLK terminal.

5 WCLK IN (OUT)/OUT (BNC connector)

UR824 Operation Manual 5

Front Panel

CAUTION

CAUTION

Panel Controls and Terminals (Details)

1 MIC/LINE/HI-Z (XLR/phone type,

balanced/unbalanced)

For connection to a microphone, digital
instrument, electric guitar, or electric bass.

2 HI-Z switch

Turns on (O) and off (N) the HI-Z of the MIC/
LINE/HI-Z.

Turn this switch on when connecting high
impedance instruments, such as an electric
guitar or electric bass, directly to the MIC/LINE/
HI-Z.

When you turn this switch on, use an unbalanced
phone type cable for connection between the
instrument and the MIC/LINE/HI-Z. If you use a
balanced cable or an XLR cable, this device will
not work correctly.

• Do not connect or disconnect a device while turning
on the HI-Z switch. Doing so can damage the
connected device and/or the unit itself.

• To protect your speaker system, leave the monitor
speakers turned off when turning the HI-Z switch on/
off. It’s also a good idea to turn all output volume
controls down to their minimum. Neglect of these
precautions may result in large noise bursts that may
damage your equipment, your ears, or both.

3 PAD s w i t ch

Turns on (O) and off (N) the PAD of the analog
input jacks (MIC/LINE/HI-Z and MIC/LINE
INPUT).

When you turn this switch on, the input signal
level of the analog input jacks will be attenuated
by 26 dB. Turn this switch on when connecting
high output equipment, such as a synthesizer, to
the analog input jacks.

4 SIG/PEAK lamp

Indicates the input signal level of the analog input
jacks (MIC/LINE/HI-Z and MIC/LINE INPUT).

Lamp status Description

Red -3 dB or more

Green 40 dB or more – less than -3 dB

Dark Less than -40 dB

5 INPUT GAIN knob

Adjusts the input signal level of the analog input
jacks (MIC/LINE/HI-Z and MIC/LINE INPUT). The
adjustable range varies depending on the on/off
setting of the PAD switch.

PAD Ran ge

On -34 dB – +10 dB

Off -60 dB – -16 dB

6 +48V button

Turns on (lit) and off (dark) the phantom power of
XLR type connections on analog input jacks
(MIC/LINE/HI-Z and MIC/LINE INPUT).

When you turn on this button, phantom power will
be supplied to the two adjacent analog input
jacks. Turn on this button when connecting
phantom powered devices, such as a condenser
microphone, to the analog input jacks.

• Make sure that phantom power is turned OFF unless
it is needed.

• When turning phantom power ON, make sure that no
equipment other than phantom-powered devices
such as condenser microphones are connected.
Devices other than condenser microphones may be
damaged if connected to the phantom power supply.
Note, however, that the switch may be left on when
connecting to balanced dynamic microphones. When
connecting an unbalanced device to the MIC/LINE/HI­Z and MIC/LINE INPUT and phantom power is turned
on, hum or noise may result; this is not a malfunction
or failure in the device.

UR824 Operation Manual 6

Panel Controls and Terminals (Details)

• Do not connect or disconnect a device while
phantom power is applied. Doing so can damage the
connected device and/or the unit itself.

• To protect your speaker system, leave the monitor
speakers turned off when switching the phantom
power on/off. It’s also a good idea to turn all output
volume controls down to their minimum. Neglect of
these precautions may result in large noise bursts
that may damage your equipment, your ears, or both.

7 PHONES knob 1/2

Adjusts the output signal level of PHONES 1/2.
This output signal level is not affected by the
OUTPUT LEVEL knob.

PHONES 1/2 output one of the MIX 1–4 signals.
To select the output signal, use the “Headphone
Area” (page 13) in the section “dspMixFx UR824”
or the “Headphones Window” (page 18) in the
section “Dedicated Windows for Cubase Series.”

8 PHONES 1/2 (phone type, stereo)

For connection to a set of headphones.

PHONES 1/2 output one of the MIX 1–4 signals.
To select the output signal, use the “Headphone
Area” (page 13) in the section “dspMixFx UR824”
or the “Headphones Window” (page 18) in the
section “Dedicated Windows for Cubase Series.”

9 Word clock source lamp

Indicates the word clock (page 31) source of the
device.

) Sample rate lamp

Indicates the sample rate of the device.

Lamp Sample Rate

96k and 48k 192 kHz

88k and 44k 176.4 kHz

96k 96 kHz

88k 88.2 kHz

48k 48 kHz

44k 44.1 kHz

To select the sample rate of the device, use the
“(device name) Window” (page 8) in the section
“Control Panel of the Audio Driver” in Windows or
Audio MIDI Setup in Mac.

! OUTPUT LEVEL knob

Adjusts the output level of the LINE OUTPUT 1–8
signals.

To select the LINE OUTPUT for adjusting the
output signal level, use the “Setup Window”
(page 13) in the section “dspMixFx UR824” or the
“Master Levels Window” (page 19) in the section
“Dedicated Windows for Cubase Series.”

@ Power button

Turn the power on and off.

Lamp Clock Source

WCLK The word clock signal input to the

WCLK IN.

ADAT A The word clock signal input to the

OPTICAL A IN.

ADAT B The word clock signal input to the

OPTICAL B IN.

INTERNAL The internal word clock signal.

Lamp status Description

Lit Synchronized with the clock

source.

Flash Not synchronized with the clock

source.

To select the clock source of the device, use the
“(device name) Window” (page 8) in the section
“Control Panel of the Audio Driver” in Windows or
Audio MIDI Setup in Mac.

Power on Press the power button ( ). The

power button will light.

Power off Hold down the power button ( )

for over two seconds. The power
button will light dimly.

UR824 Operation Manual 7

Panel Controls for the Software Programs

Panel Controls for the
Software Programs

Introduction

This section explains software operations for using
the UR824 with a computer.

NOTE

The software programs below do not apply to iPad.

Control Panel of the Audio Driver

This is the control panel for selecting the general
settings of the audio driver. Click the upper tabs to
select the desired window.

Screenshot

Panel Controls

(Device name) Window

This is the window for selecting the sample rate or
word clock source of the device.

1 Sample Rate (Windows only)

Selects the sample rate of the device.

Option: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz,

176.4 kHz, 192 kHz

NOTE

For Mac, select the sample rate of the device via the
Audio MIDI Setup.

How to Open the Window

Windows

•[Control Panel]  [Hardware and Sound] or
[Sounds, Speech, and Audio Devices]  [Yamaha
Steinberg USB Driver]

•From the Cubase series menu, [Devices] 
[Device Setup]  [Yamaha Steinberg USB ASIO]
 [Control Panel]

Mac

•[System Preferences]  [Yamaha Steinberg USB]

•From the Cubase series menu, [Devices] 
[Device Setup]  [Steinberg UR824]  [Control
Panel]  [Open Config App]

2 Clock Source (Windows only)

Selects the word clock source of the device.

Option Clock Source

WCLK The word clock signal input to the

WCLK IN.

ADAT A The word clock signal input to the

OPTICAL A IN.

ADAT B The word clock signal input to the

OPTICAL B IN.

Internal The internal word clock signal.

NOTE

For Mac, select the word clock source of the device
via the Audio MIDI Setup.

UR824 Operation Manual 8

Panel Controls for the Software Programs

3 Enable Power Management

Select enable (checkmark) and disable (no
checkmark) for automatic power off.

The device is equipped with an automatic power
off function. When this function is enabled, the
power of the device will turn off automatically
(after thirty minutes) when one of the following
actions is performed. The power button will flash
during the thirty-minute interval.

• Turning off the computer.

• Disconnecting the USB cable between the device
and the computer.

ASIO Window (Windows only)

This is the window for selecting the ASIO driver
settings.

3 Input Latency/Output Latency

Indicates the delay time for the audio input and
output in millisecond units.

Audio latency varies depending on the value of
the ASIO buffer size. The lower the value of the
ASIO buffer size, the lower the value of Audio
latency.

About Window

This window indicates information about the audio
driver.

1 Device

Selects the device that will be using the ASIO
driver. This function is available when connecting
to the computer two or more devices compatible
with the Yamaha Steinberg USB Driver.

2 Buffer Size

Selects the buffer size (page 31) for the ASIO
driver. The range varies depending on the sample
rate.

Sample Rate Range

44.1 kHz/44.8 kHz 64 samples – 2048 samples

88.2 kHz/96 kHz 128 samples – 4096 samples

176.4 kHz/192 kHz 256 Samples – 8192 Samples

1 About

Indicates the version and copyright of the audio
driver. The letters “x.x.x” indicate the version
number.

dspMixFx UR824

This is the window for configuring the DSP mixer
and DSP effect equipped with the device. The
signals flow top-to-down and left-to-right. The
dspMixFx UR824 provides stand-alone operation.

NOTE

You cannot operate the dspMixFx UR824 while a
Cubase series DAW is running. When Cubase is
running, configure the DSP mixer and DSP effect from
“Dedicated Windows for Cubase Series” (page 15).

Screenshot

NOTE

For Mac, select the buffer size in the buffer size
selecting window, which is opened from an
application such as DAW software.

UR824 Operation Manual 9

Panel Controls for the Software Programs

Channel Area (page 11) MIX Area (page 13)

DAW Area (page 12)

Master Area (page 12)

Headphone Area (page 13)

How to Open the Window

Windows

[All Programs] or [All apps]  [Steinberg UR824] 
[dspMixFx UR824]

Mac

[Applications]  [dspMixFx UR824]

Panel Controls

Tool Area

This is the area for configuring the common settings
of the dspMixFx UR824.

1 Quit

Quits the dspMixFx UR824.

2 Minimize

Minimizes the dspMixFx UR824 window.

3 Menu

Provides four menus, including Save the settings
file of the dspMixFx UR824 (page 31) and Import
Scene (page 31).

Menu Description

4 Scene

Indicates the scene name. You can change the
scene name by clicking on it.

When you click the button on the right side, the
window for calling up the scene will open. You
can call up the scene by clicking it. To cancel
calling up the scene, click outside of the window.

5 STORE

Opens the scene store window. Enter the desired
scene name into the STORE NAME field. Select
the destination for storing the scene in the No.
NAME field. Click [OK] to store the scene.

6 Selecting the window

Selects the dspMixFx UR824 window. The
selected window icon will light in red.

Icon Description

Main window (page 10)

Level Meter window (page 13)

Setup window (page 13)

Information window (page 15)

7 Help

Opens the Operation Manual (this manual).

Open Opens the settings file of the

dspMixFx UR824.

Save Saves the settings file of the

dspMixFx UR824 to a computer.

Import
Scene

Initialize All
Scenes

Imports a scene from the settings file
of the dspMixFx UR824. Select the
settings file of the dspMixFx UR824
and import scene on the left side of
the IMPORT SCENE window. Select
the destination for importing on the
right side of the window. Click [OK]
to import it.

Deletes all the saved scenes.

Main Window

This is the window for configuring the entire signal
flow.

UR824 Operation Manual 10

Panel Controls for the Software Programs

Channel Area

This is the area for configuring the input channel
settings.

5 Effect Insertion Location

Selects the insertion location of an effect.

Option Description

MON.FX Applies an effect to only the monitor

signal (sent to the device).

INS.FX Applies an effect to both the monitor

signal (sent to the device) and the
recording signal (sent to the DAW
software).

6 Effect On/Off

Turns the effect on (lit) and off (dark).

7 Effect Edit

Opens (lit) and closes (dark) the selected effect
setup window.

8 Effect Type

Selects the effect.The maximum number of
Channel Strip and Guitar Amp Classics iterations
which can be used simultaneously has
restrictions. Refer to the “Limitations on the use of
effects” (page 34).

1 Channel Link

Turns on (lit) and off (dark) the channel link of two
adjacent channels. When you turn this on, two
mono channels will become one stereo channel.

2 Level Meter

Indicates the signal level.

3 High Pass Filter

Turns on (lit) and off (dark) the high pass filter.

To select the cutoff frequency of the high pass
filter, use the “Setup Window” (page 13) in the
section “dspMixFx UR824.”

9 REV-X Send

Adjusts the signal level which is sent to the
REV-X.

Range: -∞ dB – +6.00 dB

) Pan

Adjusts the pan.

Range: L16 – C – R16

! Mute

Turns the mute on (lit) and off (dark).

@ Solo

Turns the solo on (lit) and off (dark).

# +48V

Indicates the on/off status of the phantom power
function of the device.

$ Fader

Adjusts the signal level.

Range: -∞ dB – +6.00 dB

4 Phase

Turns on (lit) and off (dark) the phase inversion of
the signal.

UR824 Operation Manual 11

Panel Controls for the Software Programs

DAW Area

This is the area for configuring the DAW channel
settings.

Master Area

This is the area for configuring the master channel
settings.

1 Level Meter

Indicates the signal level.

2 Pan

Adjusts the pan.

Range: L16 – C – R16

3 Mute

Turns the mute on (lit) and off (dark).

4 Solo

Turns the solo on (lit) and off (dark).

5 Fader

Adjusts the signal level.

Range: -∞ dB – +6.00 dB

1 Level Meter

Indicates the signal level.

2 REV-X Send On/Off

Turns the REV-X on (lit) and off (dark).

You can turn this on for one of MIX 1–4.

3 REV-X Edit

Opens (lit) and closes (dark) the “REV-X” (page

22) setup window.

4 REV-X Type

Selects the REV-X type.

Option: Hall, Room, Plate

5 REV-X Time

Adjusts the reverb time of the REV-X. This
parameter links to Room Size. The adjustable
range varies depending on the REV-X type.

REV-X type Range

Hall 0.103 sec – 31.0 sec

Room 0.152 sec – 45.3 sec

Plate 0.176 sec – 52.0 sec

UR824 Operation Manual 12

Panel Controls for the Software Programs

6 REV-X Return Level

Adjusts the return level of the REV-X.

Range: -∞ dB – +6.00 dB

7 Pan

Adjusts the pan.

Range: L16 – C – R16

8 Mute

Turns the mute on (lit) and off (dark).

9 Fader

Adjusts the signal level.

Range: -∞ dB – +6.00 dB

MIX Area

This is the area for selecting the MIX you want to
configure.

Level Meter Window

This is the window for indicating the level meter of all
channels on the upper part of the window. Also, this
window indicates the controls of some channels on
the lower part of the window. The function of the
controls are the same as those described in the
section “Main Window” (page 10).

1 Range

Indicates the displayed range of the controls on
the lower part of the window.

1 MIX

Selects the MIX you want to configure.

You can copy the Main window settings of the
MIX by dragging and dropping.

Headphone Area

This is the area for selecting the output signal of the
headphone.

1 PHONES On/Off

Turns on (lit) and off (dark) the headphone. You
can output the MIX selected in the MIX area to the
PHONES by turning this on.

Setup Window

This is the window for configuring the common
settings of the device.

1 CONTROL PANEL

For Windows, this opens the “Control Panel of the
Audio Driver” (page 8). For Mac, this opens the
Audio MIDI Setup.

2 HPF

Selects the cutoff frequency of the high pass filter.

Option: 120 Hz, 100 Hz, 80 Hz, 60 Hz, 40 Hz

UR824 Operation Manual 13

Panel Controls for the Software Programs

3 DIGITAL MODE

Selects the input and output signal format of the
OPTICAL A/B.

Option Description

ADAT This is an input and output signal

format supporting up to 8 channels.

S/PDIF This is a 2-channel input and output

signal format.

When ADAT is selected, the OPTICAL A/B
terminals input and output signals of up to eight
channels at 44.1 kHz and 48 kHz, or up to four
channels at 88.2 kHz and 96 kHz, or up to two
channels at 176.4 kHz and 192 kHz. When S/PDIF
is selected, the OPTICAL A/B terminals input and
output signals of up to two channels at any
available sample rate.

4 LINE OUT

Selects the output signal of the LINE OUTPUT.

5 OPTICAL A/B OUT

Selects the output signal of the OPTICAL A/B
OUT.

The number of OUT selections displayed here
varies depending on the sample rate or DIGITAL
MODE setting.

6 Knob Control

Selects which LINE OUTPUT signal level is to be
adjusted by the OUTPUT LEVEL knob on the
device. You can select more than one LINE
OUTPUT at the same time. Checkmarks indicate
the selected LINE OUTPUT signals.

7 Master Level Knob

Adjusts the output signal level of the LINE
OUTPUT. Please note that this Master Level knob
is disabled for the LINE OUTPUT with a
checkmark on the Knob Control.

8 Master Level

Indicates the output signal level of the LINE
OUTPUT.

9 KNOB MOUSE CONTROL

Selects the method of operating the knobs on the
dspMixFx UR824.

Option Description

Circular Drag in a circular motion to increase

and decrease the parameter. Drag in
a dial clockwise to increase, and
counterclockwise to decrease. If you
click any point on the knob, the
parameter will jump there instantly.

Linear Drag in a linear motion to increase

and decrease the parameter. Drag to
the upward or rightward to increase,
and downward or leftward to
decrease. Even if you click any point
on the knob, the parameter will not
jump there.

) SLIDER MOUSE CONTROL

Selects the method of operating the sliders and
faders on the dspMixFx UR824.

Option Description

Jump Click any point on the slider and

fader to increase and decrease the
parameter. If you click any point on
the slider and fader, the parameter
will jump there instantly.

Touch Drag the handle of the slider and

fader to increase and decrease the
parameter. Even if you click any
point on the slider and fader, the
parameter will not jump there.

! LOOPBACK

Turns the Loopback function on (lit) and off
(dark). When the Loopback function is set to ON,
the audio signals output from MIX 1 in the DSP
mixer (dspMix FX) in the device are returned to
the computer for actual broadcasting. Refer to
the section “Signal Flow” (page 33). When using
multi-track recording in audio recording software,
set the Loopback function to OFF.

UR824 Operation Manual 14

Panel Controls for the Software Programs

Information Window

This window indicates information about the
dspMixFx UR824 and the device.

1 Version Information

Indicates the version of the firmware and
software. The letters “x.x.x” and “x.xx” indicate
the version number.

2 Check for update

Checks whether or not you have the latest
software and firmware version, via the Internet. If
a new version is found, follow the on-screen
instructions for updating.

Screenshot

Input Settings Window

Hardware Setup Window

Dedicated Windows for Cubase Series

These are the windows for configuring the device
settings from Cubase series. The Dedicated
Windows for Cubase series allow you to configure
the parameters which are configured by the
dspMixFx UR824. from Cubase series. Two types of
windows are available: Input Settings and Hardware
Setup.

Input Settings Window

This is the window for configuring the input settings
of the device. The signal flow is from top to bottom.
The settings on this window are saved to the
Cubase project file, except for the +48V indicator.

Hardware Setup Window

This is the window for configuring the general
settings of the device. Click the upper tabs to select
the window. Only the settings on the Reverb Routing
window are saved to the Cubase project file.

How to Open the Window

The Input Settings window appears in the Mixer
window

1. [Devices]  [MixConsole] to open the Mixer

window.

2. Click [Racks] to open the rack selector.

The rack selector appears.

UR824 Operation Manual 15

Panel Controls for the Software Programs

3. Click  next to the [Hardware] to show

[HARDWARE] in the Mixer window.



Hidden  Visible



4. Click [HARDWARE].

The Input Settings window appears in the Mixer
window as shown below.

UR824 Operation Manual 16

Panel Controls for the Software Programs

Panel Controls

Input Settings Window

1 +48V

Indicates the on/off status of the phantom power
function of the device.

2 Phase

Turns on (lit) and off (dark) the phase inversion of
the signal.

3 High Pass Filter

Turns on (lit) and off (dark) the high pass filter.

To select the cutoff frequency of the high pass
filter, use the “Settings Window” (page 19) in the
section “Dedicated Windows for Cubase Series.”

4 Effect Edit

Opens the selected effect setup window.

5 Effect Type

Selects the effect.The maximum number of
Channel Strip and Guitar Amp Classics iterations
which can be used simultaneously has
restrictions. Refer to the “Limitations on the use of
effects” (page 34).

6 DRIVE / Output Level

When Channel Strip is selected, this adjusts the
degree to which the compressor is applied. The
higher the value, the greater the effect.

7 MORPH

Adjusts the Channel Strip Sweet Spot Data.
(Refer to the “MORPH” in the section “Channel
Strip” on page 20.)

When Guitar Amp Classics is selected, MORPH is
not displayed.

8 Effect Insertion Location

Selects the insertion location of an effect.

Insertion
location

Upper
(OFF)

Middle
(MON.FX)

Lower
(INS.FX)

9 Output Position of the Direct Monitoring

Signal

Indicates the position from which the audio
signals for monitoring will be output when turning
on Direct Monitoring in the device settings on
Cubase.

) REV-X Edit

Opens the “REV-X” (page 22) setup window.

! REV-X Send

Adjusts the signal level which is sent to the
REV-X.

Range: -∞ dB – +6.00 dB

@ Headphones Edit

Opens the “Headphones Window” (page 18) in
the section “Dedicated Windows for Cubase
Series.”

# Reverb Routing Edit

Opens the “Reverb Routing Window” (page 18) in
the section “Dedicated Windows for Cubase
Series.”

Description

Turns the effect off.

Applies an effect to only the monitor
signal (sent to the device).

Applies an effect to both the monitor
signal (sent to the device) and the
recording signal (sent to the DAW
software).

Range: 0.00 – 10.00

When Guitar Amp Classics is selected, this
adjusts the output level.

Range: 0.00 - 1.00

UR824 Operation Manual 17

Panel Controls for the Software Programs

Hardware Setup Window

How to Open the Window

[Devices]  [Audio Hardware Setup]

Headphones Window

This is the window for selecting the output signal of
the PHONES on the device.

1 Phones 1

Selects the output signal of PHONES 1.

2 Phones 2

Selects the output signal of PHONES 2.

Reverb Routing Window

This is the window for configuring the “REV-X” (page

22) settings.

4 REV-X Send Source Select

Selects the send source signal which is sent to
the REV-X. You can select one signal at a time.
The checkmark will be on the selected signal.

5 REV-X Return Signals

Selects the signal for which the return level is
adjusted.

6 REV-X Return Level

Indicates the return level of the REV-X.

7 REV-X Return Level knob

Adjusts the return level of the selected
(highlighted) signal.

Range: -∞ dB – +6.00 dB

Output Routing Window

This is the window for selecting the output signal of
the output jacks on the device.

1 REV-X Edit

Opens the “REV-X” (page 22) setup window.

2 REV-X Type

Selects the REV-X type.

Option: Hall, Room, Plate

3 REV-X Time

Adjusts the reverb time of the REV-X. This
parameter links to Room Size. The adjustable
range varies depending on the REV-X type.

REV-X type Range

Hall 0.103 sec – 31.0 sec

Room 0.152 sec – 45.3 sec

Plate 0.176 sec – 52.0 sec

1 LINE OUT

Selects the output signal of the LINE OUTPUT.

2 OPTICAL A/B OUT

Selects the output signal of the OPTICAL A/B
OUT.

The number of OUT selections displayed here
varies depending on the sample rate or DIGITAL
MODE setting.

UR824 Operation Manual 18

Panel Controls for the Software Programs

Master Levels Window

This is the window for configuring the master level of
the output jacks on the device.

1 Knob Control

Selects which LINE OUTPUT signal level is to be
adjusted by the OUTPUT LEVEL knob on the
device. You can select more than one LINE
OUTPUT at the same time. Checkmarks indicate
the selected LINE OUTPUT signals.

2 Master Source

Indicates the LINE OUTPUT.

3 Master Level

Indicates the output signal level of the LINE
OUTPUT.

2 DIGITAL MODE

Selects the input and output signal format of the
OPTICAL A/B.

Option Description

ADAT This is an input and output signal

format supporting up to 8 channels.

S/PDIF This is a 2-channel input and output

signal format.

When ADAT is selected, the OPTICAL A/B
terminals input and output signals of up to eight
channels at 44.1 kHz and 48 kHz, or up to four
channels at 88.2 kHz and 96 kHz, or up to two
channels at 176.4 kHz and 192 kHz. When S/PDIF
is selected, the OPTICAL A/B terminals input and
output signals of up to two channels at any
available sample rate.

3 LOOPBACK

Turns the Loopback function on (lit) and off
(dark). Refer to the “LOOPBACK” in the section
“dspMixFx UR824” (page 14).

4 Master Level knob

Adjusts the output signal level of the selected
(highlighted) LINE OUTPUT signal. Please note
that this Master Level Knob will not appear when
selecting a LINE OUTPUT with a checkmark on
the Knob Control.

5 Reset

Sets the output signal level of all LINE OUTPUT
signals not selected in the Knob Control to -∞ dB.

Settings Window

This is the window for configuring the device
settings.

1 HPF

Selects the cutoff frequency of the high pass filter.

Option: 120 Hz, 100 Hz, 80 Hz, 60 Hz, 40 Hz

UR824 Operation Manual 19

Panel Controls for the Software Programs

Sweet Spot Morphing Channel Strip (Channel Strip)

Overview

The Sweet Spot Morphing Channel Strip (“Channel
Strip” for short) is a multi-effect that combines
compression and EQ. Advanced sound engineering
know-how is condensed into a number of
convenient presets that can be simply and instantly
recalled, for professional results.

Eight channel strips can be used at a time, and it
can be assigned either to the monitor sound only, or
to both the monitor and recorded sound.

The Channel Strip equipped with the device and the
Channel Strip of the VST Plug-in version have the
same parameters. When using the Channel Strip on
Cubase series programs, you can share the settings
between the built-in Channel Strip and the Channel
Strip of the VST Plug-in version as a preset file.

When using the built-in Channel Strip on Cubase
series programs, turn on the “Direct Monitoring”
setting in the program. Also, when assigning the
Channel Strip of the VST Plug-in version to the effect
slot on Cubase series programs, select it from the
“Dynamics” category (in the case of the default
settings). Please note that you cannot use the builtin
Channel Strip when the sample rate is set to 176.4
kHz or 192 kHz.

Panel Controls

Common to Compressor and Equalizer

1 MORPH

Adjusts the parameter of the Sweet Spot Data.

You can simultaneously adjust the compressor
and equalizer settings which are set to five points
around this knob by turning this knob. When you
set the knob to the middle of adjacent two points,
the compressor and equalizer settings will be set
to an intermediate value.

2 Sweet Spot Data

Selects the Sweet Spot Data (page 31).

3 TOTAL GAIN

Adjusts the total gain of the Channel Strip.

Range: -18.0 dB – +18.0 dB

How to Open the Window

From Dedicated Windows for Cubase Series

Select the “Channel Strip” from the “Effect Type”,
then click “Channel Strip Edit” in the section “Input
Settings Window” (page 15).

From the dspMixFx UR824

Select the “Channel Strip” from the “Effect Type”,
then click “Channel Strip Edit” in the section
“Channel Area” (page 11).

4 Level Meter

Indicates the output level of the Channel Strip.

Compressor

UR824 Operation Manual 20

Panel Controls for the Software Programs

1 ATTAC K

Adjusts the attack time of the compressor.

Range: 0.092 msec – 80.00 msec

2 RELEASE

Adjusts the release time of the compressor.

Range: 9.3 msec – 999.0 msec

3 RATIO

Adjusts the ratio of the compressor.

Range: 1.00 – ∞

4 KNEE

Selects the knee type of the compressor.

Option Description

SOFT Produces the most gradual change.

MEDIUM Middle setting between SOFT and

HARD.

HARD Produces the sharpest change.

Equalizer

1 Equalizer Curve

This graph indicates the characteristics of the 3­band equalizer. The vertical axis indicates the
gain, and the horizontal axis indicates the
frequency. You can adjust LOW, MID, and HIGH
by dragging each handle in the graph.

5 SIDE CHAIN Q

Adjusts the band width of the side chain filter
(page 31).

Range: 0.50 – 16.00

6 SIDE CHAIN F

Adjusts the center frequency of the side chain
filter.

Range: 20.0 Hz – 20.0 kHz

7 SIDE CHAIN G

Adjusts the gain of the side chain filter.

Range: -18.0 dB – +18.0 dB

8 COMPRESSOR On/Off

Turns the compressor on (lit) and off (dark).

9 Compressor Curve

This graph indicates the approximate compressor
response. The vertical axis indicates the output
signal level, and the horizontal axis indicates the
input signal level.

) Gain Reduction Meter

Indicates the gain reduction.

! DRIVE

Adjusts the degree to which the compressor is
applied. The higher the value, the greater the
effect.

Range: 0.00 – 10.00

2 LOW F

Adjusts the center frequency of the low band.

Range: 20.0 Hz – 1.00 kHz

3 LOW G

Adjusts the gain of the low band.

Range: -18.0 dB – +18.0 dB

4 MID Q

Adjusts the band width of the middle band.

Range: 0.50 – 16.00

5 MID F

Adjusts the center frequency of the middle band.

Range: 20.0 Hz – 20.0 kHz

6 MID G

Adjusts the gain of the middle band.

Range: -18.0 dB – +18.0 dB

7 HIGH F

Adjusts the center frequency of the high band.

Range: 500.0 Hz – 20.0 kHz

8 HIGH G

Adjusts the gain of the high band.

Range: -18.0 dB – +18.0 dB

9 EQUALIZER On/Off

Turns the equalizer on (lit) and off (dark).

UR824 Operation Manual 21

Panel Controls for the Software Programs

REV-X

Overview

REV-X is a digital reverb platform developed by
Yamaha for pro audio applications.

One REV-X effect is included in this unit. Input
signals can be sent to the REV-X effect, and the
REV-X effect is applied only to the monitor outputs.

Three types of REV-X are available: Hall, Room, and
Plate.

The hardware REV-X equipped with the device and
REV-X of the VST Plug-in version have essentially
the same parameters. However, the [OUTPUT] and
[MIX] parameters are only available in the VST
Plugin version. When using REV-X on Cubase series
programs, you can share the settings between the
built-in REV-X and REV-X of the VST Plug-in version
as a preset file. When using the built-in REV-X on
Cubase series programs, turn on the “Direct
Monitoring” setting in the program. Also, when
assigning REV-X of the VST Plug-in version to the
effect slot on Cubase series programs, select it from
the “Reverb” category (in the case of the default
settings).

The built-in REV-X is equipped with an “FX Bus”
which is used for sending the signal from DAW
software to REV-X. For example, to send the
recorded audio data to REV-X, you can check the
sound with REV-X, which is used for monitoring
during the recording.

Panel Controls

NOTE

This section uses the Hall type of REV-X as an
example.

1 Reverb Time

Adjusts the reverb time. This parameter links to
Room Size. The adjustable range varies
depending on the REV-X type.

REV-X type Range

Hall 0.103 sec – 31.0 sec

Room 0.152 sec – 45.3 sec

How to Open the Window

From Dedicated Windows for Cubase
Series

•Click “REV-X Edit” (page 17) in the section “Input
Settings Window.”

•Click “REV-X Edit” (page 17) in the section “Reverb
Routing Window.”

From the dspMixFx UR824

Click “REV-X Edit” (page 12) in the section “Master
Area.”

Plate 0.176 sec – 52.0 sec

2 Initial Delay

Adjusts the time that elapses between the direct,
original sound and the initial reflections that follow
it.

Range: 0.1 msec – 200.0 msec

3 Decay

Adjusts the characteristic of the envelope from
the moment the reverberation starts to the
moment it attenuates and stops.

Range: 0 – 63

4 Room Size

Adjusts the size of the simulated room. This
parameter links to Reverb Time.

Range: 0 – 31

UR824 Operation Manual 22

Panel Controls for the Software Programs

5 Diffusion

Adjusts the spread of the reverberation.

Range: 0 – 10

6 HPF

Adjusts the cutoff frequency of the high pass filter.

Range: 20 Hz – 8.0 kHz

7 LPF

Adjusts the cutoff frequency of the low pass filter.

Range: 1.0 kHz – 20.0 kHz

8 Hi Ratio

Adjusts the duration of reverberation in the high
frequency range by using a ratio relative to the
Reverb Time. When you set this parameter to 1,
the actual specified Reverb Time is fully applied
to the sound. The lower the value, the shorter the
duration of reverberation in the high frequency
range.

Range: 0.1 – 1.0

% Time Axis Setting

Select the display range of the time (horizontal
axis) on the graph.

Display range: 500 msec – 50 sec

^ Zoom Out

Zooms out the display range of the time
(horizontal axis) on the graph.

& Zoom In

Zooms in the display range of the time (horizontal
axis) on the graph.

TIPS

•You can reset some parameters to the default
value by holding the [Ctrl]/[command] key while
you click on the knobs, sliders, and faders.

•You can adjust the parameters more finely by
holding the [SHIFT] key while you drag on the
knobs, sliders, and faders.

9 Low Ratio

Adjusts the duration of reverberation in the low
frequency range by using a ratio relative to the
Reverb Time. When you set this parameter to 1,
the actual specified Reverb Time is fully applied
to the sound. The lower the value, the shorter the
duration of reverberation in the low frequency
range.

Range: 0.1 – 1.4

) Low Freq

Adjusts the frequency of the Low Ratio.

Range: 22.0 Hz – 18.0 kHz

! OPEN/CLOSE

Opens and closes the window which adjusts the
reverb settings.

@ Graph

Indicates the characteristics of reverberation. The
vertical axis indicates the signal level, the
horizontal axis indicates the time, and the Z-axis
indicates the frequency. You can adjust the
characteristics of reverberation by dragging the
handles in the graph.

# OUTPUT (VST Plug-in version only)

Indicates the output level of the REV-X.

$ MIX (VST Plug-in version only)

Adjusts the output level balance between the
original sound and effect sound.

Range: 0% – 100%

UR824 Operation Manual 23

Panel Controls for the Software Programs

12 3 478

65

12 3 45

Guitar Amp Classics

Overview

Guitar Amp Classics are guitar amp effects that
make extensive use of advanced Yamaha modeling
technology. Four amp types with different sonic
characteristics are provided.
Please note that you cannot use the Guitar Amp Classics
when the sample rate is set to 176.4 kHz or 192 kHz.
The maximum number of Channel Strip and Guitar
Amp Classics iterations which can be used
simultaneously has restrictions. Refer to the
“Limitations on the use of effects” (page 34).

How to Open the Window

From Dedicated Windows for Cubase
Series

Select the “Guitar Amp Classics” from the “Effect
Type”, then click “Channel Strip Edit” in the section
“Input Settings Window” (page 15).

4 PRESENCE

Can be adjusted to emphasize the high
frequencies and overtones.

5 Cho/OFF/Vib

Turns the Chorus or Vibrato effect on or off. Set to
[Cho] to turn the Chorus effect on, or to [Vib] to
turn the Vibrato effect on.

6 SPEED/DEPTH

These controls adjust the speed and depth of the
Vibrato effect when it is on.

The SPEED and DEPTH controls only work with
the Vibrato effect, and are disengaged when the
Cho/OFF/Vib control, above, is set to “Cho” or
“OFF.”

7 BLEND

Adjusts the balance between the direct and effect
sound.

8 OUTPUT

Adjusts the final output level.

From the dspMixFx UR824

Select the “Guitar Amp Classics” from the “Effect
Type”, then click “Channel Strip Edit” in the section
“Channel Area” (page 11).

Controls and Functions

CLEAN

This amp type is optimized for clean tones, effectively
simulating the tight brilliance of transistor amplifiers.
The tonal character of this amp model provides an
ideal platform for recording with multi-effects. It also
features built-in chorus and vibrato effects.

1 VOLUME

Adjusts the amplifier’s input level.

2 DISTORTION

Adjusts the depth of distortion produced.

3 TREBLE/MIDDLE/BASS

These three controls adjusts the amplifier’s tonal
response in the high, middle, and low frequency
ranges.

CRUNCH

This is the amp type to use when you want lightly
overdriven crunch tones. The CRUNCH model
simulates the type of vintage tube amplifiers that are
favored for blues, rock, soul, R&B, and similar styles.

1 Normal/Bright

Selects a normal or bright tonal character. The
[Bright] setting emphasizes the high-frequency
overtones.

2 GAIN

Adjusts the input level applied to the preamp
stage. Rotate clockwise to increase the amount of
overdrive produced.

3 TREBLE/MIDDLE/BASS

These three controls adjusts the amplifier’s tonal
response in the high, middle, and low frequency ranges.

4 PRESENCE

Can be adjusted to emphasize the high
frequencies and overtones.

5 OUTPUT

Adjusts the final output level.

UR824 Operation Manual 24

Panel Controls for the Software Programs

123 4 5

6

123 4 5

6

DRIVE

The DRIVE amp type provides a selection of
distortion sounds that simulate the tonal character
or several high-gain tube amplifiers. From mildly
overdriven crunch to heavy distortion suitable for
hard rock, heavy metal, or hardcore styles, this
model offers a wide range of sonic capabilities.

1 AMP TYPE

Six amplifier types are provided. Types 1 and 2
feature relatively mild distortion that allows
picking nuances to come through naturally. Types
3 and 4 have more pronounced overtones,
resulting in a fat, soft tone. Types 5 and 6 deliver
wild, aggressive distortion with a tight attack. The
even-numbered amp types have greater
presence and range than the odd-numbered
types.

2 GAIN

Adjusts the input level applied to the preamp
stage. Rotate clockwise to increase the amount of
distortion produced.

3 MASTER

Adjusts the output level from the preamp stage.

4 TREBLE/MIDDLE/BASS

These three controls adjusts the amplifier’s tonal
response in the high, middle, and low frequency
ranges.

LEAD

The LEAD amp type simulates a high-gain tube amp
that is rich in overtones. It is ideally suited to playing
lead guitar lines that will project well in an ensemble,
but it can also be set up for crisp accompaniment
tones as well.

1 High/Low

Selects the amp output type. The [High] setting
simulates a high-output amp, and allows the
creation of more distorted tones.

2 GAIN

Adjusts the input level applied to the preamp
stage. Rotate clockwise to increase the amount of
distortion produced.

3 MASTER

Adjusts the output level from the preamp stage.

4 TREBLE/MIDDLE/BASS

These three controls adjusts the amplifier’s tonal
response in the high, middle, and low frequency
ranges.

5 PRESENCE

Can be adjusted to emphasize the high
frequencies and overtones.

6 OUTPUT

Adjusts the final output level.

5 PRESENCE

Can be adjusted to emphasize the high
frequencies and overtones.

6 OUTPUT

Adjusts the final output level.

HINT

Using the GAIN, MASTER, and OUTPUT
Controls

The tonal character of the DRIVE and LEAD amp types can
be adjusted over a wide range via the GAIN, MASTER, and
OUTPUT controls. GAIN adjusts the level of the signal
applied to the preamp stage, affecting the amount of
distortion produced. MASTER adjusts the output level from
the preamp stage that is then fed to power amp stage. The
GAIN and MASTER control settings have a large effect on
the final sound, and the MASTER control may need to be
turned up fairly high in order to drive the power stage
sufficiently for optimum tone. The OUTPUT control adjusts
the final output level from the amp model without affecting
the distortion or tone, and is useful for adjusting the guitar’s
volume without changing any other aspects of the sound.

UR824 Operation Manual 25

Usage Examples

Computer Monitor speakers

Microphone Headphones

Usage Examples

Introduction

This section introduces some usage examples of
the device. It is assumed that the audio driver
settings on the DAW software have been properly
configured according to the “Basic Operation”
section in the Getting Started manual. If you have
not configured them yet, refer to the section “Basic
Operation” to complete the configuration.

Recording with the Channel Strip and REV-X

This section shows how to record a vocal to DAW
software using the built-in Channel Strip and REV-X
on the device. When using Cubase series
programs, it is handy to use the project template.
These project templates include the settings of the
Channel Strip and REV-X. You can start recording
instantly by opening the project template. When
using programs other than the Cubase series, use
the dspMixFx UR824.

NOTE

You cannot use the built-in Channel Strip when the
sample rate is set to 176.4 kHz or 192 kHz. When you
follow the steps in this section, set the sample rate to
96 kHz or less. To select the sample rate of the device,
use the “(device name) Window” (page 8) in the
“Control Panel of the Audio Driver” section in Windows
or Audio MIDI Setup in Mac.

Connection Example

Operation

Cubase Series Programs

1. Launch the Cubase series DAW.

The Project Assistant window appears.

2. Select the project template “Steinberg

UR824 Vocal-Inst Recording 1” in
“Recording” on the Project Assistant
window, then click [Create].

When using Cubase 7, select “Steinberg
UR824 Vocal-Inst Recording 1-C7.” The “C7”
designation in project template name indicates
the template is for Cubase 7 or later.

3. Turn on Direct Monitoring as follows.

[Devices]  [Device Setup]  [Yamaha
Steinberg USB ASIO] (Windows) or [Steinberg
UR824] (Mac)  enter checkmark to “Direct
Monitoring”  [OK]

4. Confirm that the "Record Enable” and

“Monitor” indicators are turned on (lit) for
the audio track.

5. While singing into the microphone, adjust

the input signal level of the microphone by
the INPUT GAIN knob on the device.

Adjust the input signal level so that the SIG/
PEAK lamp flashes dimly in red.

UR824 Operation Manual 26

Usage Examples

6. While singing into the microphone, adjust

the output signal level of the headphones by
the PHONES knob on the device.

7. Set the Channel Strip settings and REV-X

settings on the Input Settings window.

Select the Channel Strip Insertion Location
depending on the desired insert point. The
default setting is “Lower” (applied to both the
monitor signal and the recording signal). For
details on the Insertion Location, refer to the
“Effect Insertion Location” (page 17) in the
section “Dedicated Windows for Cubase
Series.”

12. Click “Play” to check the recorded sound.

When listening to the sound over monitor
speakers, adjust the output signal level by the
OUTPUT LEVEL knob on the device.

Operation is now completed.

Programs Other Than Cubase Series

1. Launch your DAW software.

2. Open the dspMixFx UR824.

For instructions on how to open the dspMixFx
UR824, refer to the section “How to Open the
Window” (page 10).

3. Adjust the input signal level of the

microphone by the INPUT GAIN knob on the
device.

Adjust the input signal level so that the SIG/
PEAK lamp flashes dimly in red.

8. Click “Record” to start the recording.

9. After finishing the recording, click “Stop” to

stop it.

10. Turn “Monitor” off (dark) for the audio track.

4. Adjust the output signal level of the

headphone by the PHONES knob on the
device.

5. Set the Channel Strip settings and REV-X

settings on the dspMixFx UR824.

6. Start recording on your DAW software.

7. After finishing recording, stop it.

8. Playback the newly recorded sound to

check it.

11. Click the Ruler to move the project cursor to

the desired point for starting playback.

Operation is now completed.

UR824 Operation Manual 27

Usage Examples

Monitor speakersComputer

Mic Preamp

Monitor speakers

Guitar

Microphone

Synthesizer

Bass

Connecting the Mic Preamp

This section shows how to increase the number of
analog input channels you can record by
connecting an eight-channel mic preamp. In this
example, you can record via up to sixteen channels
by connecting up to sixteen mics to the devices.
Use the OPTICAL A IN (ADAT) on the device to input
the audio signal, and use the WCLK OUT on the
device to output the word clock signal to the mic
preamp.

Connection Example

4. Switch the clock source of the mic preamp

to the word clock input terminal.

For switching the clock source of the mic
preamp, refer to the owner’s manual of your
particular mic preamp.

5. Switch the DIGITAL MODE of the OPTICAL A

on the device to the “ADAT” by using the
“Setup Window” (page 13) in the section
“dspMixFx UR824” or the “Settings
Window” (page 19) in the section
“Dedicated Windows for Cubase Series.”

The operation is now complete.

Using the Device Without a Computer

This section shows how to use the device without a
computer, allowing you to use it as a standalone
mixer or A/D - D/A converter. You can save the DSP
mixer and DSP effect settings configured by the
dspMixFx UR824 to the device. These settings are
maintained even if you turn off the power of the
device.

Operation

1.

2. Connect the WCLK OUT on the device to the

3. Switch the clock source in the device to

Connection Example

Connect the optical output terminal (ADAT)
of the mic preamp to the OPTICAL A IN on
the device.

word clock input terminal on the mic
preamp.

“Internal” by using the following window.

Windows

“(device name) Window” (page 8) in the
section “Control Panel of the Audio Driver.”

Mac

Audio MIDI Setup

UR824 Operation Manual 28

Usage Examples

Mic Preamp

iPad

Apple iPad Camera

Connection Kit/

Lightning - USB

Camera Adapter

Using the Device with an iPad

Introduction

This section covers basic instructions for operating
with Cubasis (an iPad app sold by Apple).

For the latest Cubasis information, see the Steinberg
web site below.

http://www.steinberg.net/

NOTE

iOS applications may not be supported in your area. Please
check with your Yamaha dealer.

Connection Example

4. Enter a project name and tap [OK] in the

[New project] window.

5. Tap [+AUDIO] to add an AUDIO track.

Make sure to set all volume levels to minimum before
connecting or disconnecting the external device.
Otherwise, high-volume output may damage your
hearing or the equipment.

Recording/Playback

1.

Turn on the device while holding down
[+48V] button of the channel 7/8, and keep
pressing the [+48V] button until a SIG/PEAK
lamp flashes.

The UR824 enters Class Compliant mode for
Apple iPad connectivity. While in the Class
Compliant mode, the power button flashes
several times by pressing the power button. To
turn off the Class Compliant mode, turn on the
power while holding down [+48V] button of the
channel 7/8 again.

2. Open Cubasis.

3. Double-tap the Project [Template].

6. Tap on the far left of your screen to show

the track menu, with [Audio input] at the top.

UR824 Operation Manual 29

7. Tap to show the details window and set

the input bus for the track by tapping a
number.

8. Tap to turn monitoring on (lit).

9. Adjust the input signal level of the

microphone with the [INPUT GAIN] knob on
the device.

To achieve optimum recording levels, increase the
input level with the [INPUT GAIN] knob until the
[PEAK] indicator lights in red, then slowly bring the
level down until the indicator lights slightly when the
input level is maximum.

Usage Examples

dspMixFx for iPad

From your iPad, you conveniently control built-in
DSP mixer functions and DSP effects by using
dspMixFx for iPad.

For details on dspMixFx for iPad, see the
Steinberg web site below.

http://www.steinberg.net/

10. While singing into the microphone, adjust

the output signal level of the headphones by
the [PHONES] knob on the device.

11. Tap [I] to start the recording.

12. Tap [] to stop the recording.

13. Tap and slide on the ruler to move the

playback position.

You can also tap to return to the beginning of the
recording.

14. Tap [>] to playback the recorded sound.

UR824 Operation Manual 30

Appendix

Appendix

Glossary

MIX

MIX refers to the stereo output signals which flow in
the device. The input signals to the device flow to
each MIX. You can assign any MIX to any analog
output jack or any digital output jack.

VST Plug-in

VST (Virtual Studio Technology) is a technology
developed by Steinberg which allows the integration
of virtual effect processors and instruments into your
digital audio environment. VST Plug-ins are
instrument- and effect-based software of VST
format. When you install a VST Plug-in to your
computer, it will work on any DAW software
compatible with VST Plug-ins, such as Cubase
series.

DAW (Digital Audio Workstation)

DAW is an integrative system of music production,
which lets you record and edit digital audio data.
DAW software programs are applications which
allow you to build such comprehensive systems on
a computer.

Word Clock

Word clock synchronizes the process timing of
audio signals when transferring digital audio data
between multiple devices. Normally, one device
transmits a reference word clock signal, and the
other devices receive this word clock signal and
synchronize to it. If the word clock signal is not
transferred correctly, click noise may occur or
recording may not be successful, even if the sample
rates of the various devices are set to the same
value.

Scene

A Scene is stored data which maintains the settings
on the Main window of dspMixFx UR824. You can
recall the stored Scene in dspMixFx UR824, and up
to 20 Scenes can be stored.

Settings file of the dspMixFx UR824

The settings file of the dspMixFx UR824 is a data file
including up to 20 scenes which can be saved to
your computer. You can load the dspMixFx UR824
settings file to the dspMixFx UR824.

Sweet Spot Data

Sweet Spot Data are preset settings data of the
Sweet Spot Morphing Channel Strip created by top­class engineers. This data includes the settings for
the compressor and equalizer which are saved to
each five points around the MORPH knob.

Side Chain Filter

The side chain filter is a peaking filter which adjusts
the frequency range to which the compressor is
applied. It features Q (band width), F (center
frequency), and G (gain) parameters. For example,
if the compressor reduces the audio signal level
excessively because only the specified frequency of
the audio signal is at a high level (and other
frequencies are lower), you can selectively lower the
level of the specified frequency by using this
peaking filter. This will prevent the compressor from
excessive level reduction.

Buffer Size

Buffer size refers to the amount of memory used to
temporarily hold data during playback and
recording. It is recommended to adjust the buffer
size depending on the situation. Normally, a higher
buffer size reduces load to the computer CPU but
produces latency (time lag). Smaller buffer sizes
reduce latency but produce greater load to the
computer CPU. This high load to the computer CPU
may result in noise or the sound cutting off.

UR824 Operation Manual 31

Contents of the Getting Started Section

PRECAUTIONS

Introduction

A Message from the Development Team

Included Accessories

How to Read the Manual

Panel Controls and Terminals

Rear Panel

Front Panel

Appendix

Setup

Setting up the Power Supply

Installing TOOLS for UR824

Downloading the Licenses (Activation)

Basic Operations

Introduction

Connection Example

Configuring Audio Driver Settings on
the DAW Software

Troubleshooting

Appendix

Contents of the UR824 Operation Manual

Uninstalling TOOLS for UR824

Specifications

UR824 Operation Manual 32

Appendix

Effect

(MON.FX)

Effect

(INS.FX)

*1

Effect

(MON.FX)

Effect

(INS.FX)

Effect

(MON.FX)

Effect

(INS.FX)

Effect

(MON.FX)

Effect

(INS.FX)

*2

From

MIC/LINE/

HI-Z 1

To DAW
input

From DAW
output

To LINE
OUTPUT 1/2

To LINE
OUTPUT 7/8

To OPTICAL A
OUT 1/2

To OPTICAL B
OUT 7/8

To PHONES 1

To PHONES 2

From

MIC/LINE

HI-Z 2

From

OPTICAL

A IN 1

From

OPTICAL

B IN 8

OUTPUT SELECT

REV-X select

Volume

Pan

Volume

Pan

Volume

Pan

Volume

Pan

REV-X

Send
Level

REV-X

Send
Level

REV-X

Send
Level

REV-X

Send
Level

Volume

Pan

MIX 4

MIX 3

MIX 2

MIX 1

*3

REV-X
Return

Level

REV-X
Return

Level

REV-X
Return

Level

REV-X

Return

Level

REV-X

LOOPBACK

OFF/ON

USB

Signal Flow

The following chart indicates the signal flow in the device.

NOTE

•The controllers on the device, such as the HI-Z switch, INPUT GAIN knob, and OUTPUT LEVEL knob, are not
included in this chart.

•To configure each parameter, use the “dspMixFx UR824” (page 9) or “Dedicated Windows for Cubase Series”
(page 15).

• Please note that you cannot use the built-in Channel Strip (Ch. Strip) and Guitar Amp Classics when the sample rate is set
to 176.4 kHz or 192 kHz.

•Some parts of the following signal flow may differ depending on the routing settings in the device.

UR824 Operation Manual 33

Appendix

Effect

Effect

Upper (INS.FX)

From input on the device

To DAW
input

To DAW
input

To DAW
input

To output on the device

Lower (MON.FX)

From input on the device

To output on the device

Not applied (OFF)

From input on the device

To output on the device

*1The following chart indicates an effect insertion location.

*2 One of the MIX 1–4 signals can be sent to the REV-X.

*3 The built-in REV-X is equipped with an “FX Bus” which is used for sending the signal from DAW software to

the REV-X. For example, to send the recorded audio data to the REV-X, you can check the sound with the
REV-X, which is used for monitoring during the recording.

Limitations on the use of effects

The maximum number of Channel Strip and Guitar Amp Classics iterations which can be used simultaneously
are limited to the following. For example, Channel Strip can be used for four mono channels and two stereo
channels, while Guitar Amp Classics can be used for one mono channel simultaneously.

Channel Strip Guitar Amp Classics

Mono Stereo Mono Stereo

801-

611-

421-

231-

041-

Please note that you cannot use the effect when the sample rate is set to 176.4 kHz or 192 kHz.

UR824 Operation Manual 34

Appendix

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㪛㪘㪮㩷㪠㪥㪧㪬㪫㪆㪦㪬㪫㪧㪬㪫

㪉㪍㩷㪠㪥㪧㪬㪫㪆㪉㪋㩷㪦㪬㪫㪧㪬㪫

㪠㪥㪧㪬㪫㩷㪘

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㪦㪬㪫㩷㪙

㪤㪜㪫㪜㪩

㪤㪬㪫㪜 㪙㪘㪣㪤㪘㪪㪫㪜㪩

㪤㪠㪯㩷㪦㪬㪫㪈㩷㪣㪆㪩

㩿㪃㪤㪠㪯㩷㪦㪬㪫㪉㩷㪣㪆㪩㩷㩷㪃㪤㪠㪯㩷㪦㪬㪫㪊㩷㪣㪆㪩㩷㪃㪤㪠㪯㩷㪦㪬㪫㩷㪋㩷㪣㪆㪩㪀

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㪦㪬㪫㪧㪬㪫㩷㩷

㪣㪜㪭㪜㪣

㪅㪅㪅㪅㪅㪅㪅

㪤㪠㪯㩷㪦㪬㪫㩷㪈㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪉㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪊㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪋㪣㪆㪩

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㪤㪠㪯㩷㪦㪬㪫㩷㪋㪣㪆㪩

㪚㪟㪈㪃㩷㪉㩷㫆㫅㫃㫐

㪛㪠㪫

㪛㪠㪫

㪛㪠㪩

㪛㪠㪩

㪲㪄㪍㪇㪻㪙㫌䌾㪂㪈㪇㪻㪙㫌㪴

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪊㪆㪋

㪫㪦㩷㪛㪘㪮㩷㪊㪆㪋

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪌㪆㪍

㪫㪦㩷㪛㪘㪮㩷㪌㪆㪍

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪎㪆㪏

㪫㪦㩷㪛㪘㪮㩷㪎㪆㪏

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪐㪆㪈㪇

㪫㪦㩷㪛㪘㪮㩷㪐㪆㪈㪇

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪈㪈㪆㪈㪉

㪫㪦㩷㪛㪘㪮㩷㪈㪈㪆㪈㪉

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪈㪊㪆㪈㪋

㪫㪦㩷㪛㪘㪮㩷㪈㪊㪆㪈㪋

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪈㪌㪆㪈㪍

㪫㪦㩷㪛㪘㪮㩷㪈㪌㪆㪈㪍

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪈㪎㪆㪈㪏

㪫㪦㩷㪛㪘㪮㩷㪈㪎㪆㪈㪏

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪈㪐㪆㪉㪇

㪫㪦㩷㪛㪘㪮㩷㪈㪐㪆㪉㪇

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪉㪈㪆㪉㪉

㪫㪦㩷㪛㪘㪮㩷㪉㪈㪆㪉㪉

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㪫㪦㩷㪛㪘㪮㩷㪉㪊㪆㪉㪋

㪤㪜㪫㪜㪩

㪤㪜㪫㪜㪩

㪤㪜㪫㪜㪩

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪈

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪉

㪫㪦㩷㪛㪘㪮㩷㪈

㪫㪦㩷㪛㪘㪮㩷㪉

㪤㪠㪯㩷㪦㪬㪫㪈㪣

㪤㪠㪯㩷㪦㪬㪫㪈㪩

㪣㪦㪦㪧㪙㪘㪚㪢

㪞㪅㪘㪅㪚㫃㪸㫊㫊㫀㪺㫊㩷㪙㫃㫆㪺㫂㩷㫏㪈㩷

㪤㪜㪫㪜㪩

㪤㪜㪫㪜㪩

㪞㪅㪘㪅㪚㫃㪸㫊㫊㫀㪺㫊

Block Diagrams

UR824 – 44.1/48 kHz

8 Analog In/Out, 16 Digital In/Out, 26 DAW In/24 DAW Out, 8+2 BUS

UR824 Operation Manual 35

UR824 – 88.2/96 kHz

㪚㪦㪤㪧

㪟㪘

㪤㪠㪚㪆㪣㪠㪥㪜㩷㪠㪥㪧㪬㪫

㪚㪟㪈㪄㪏

㪞㪘㪠㪥

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㪣㪜㪭㪜㪣

㪲㪄㪊㪋㪻㪙㫌䌾㪂㪈㪇㪻㪙㫌㪴

㪲㪄㪍㪇㪻㪙㫌䌾㪄㪈㪍㪻㪙㫌㪴

㪅㪅㪅㪅㪅㪅

㪚㪟㪈㪄㪏

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㪋㩷㩿㫆㫉㩷㪉㪀

㪋㩷㩿㫆㫉㩷㪉㪀

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㪤㪬㪫㪜

㪣㪜㪭㪜㪣

㪙㪘㪣

㪤㪜㪫㪜㪩

㪩㪜㪭㪜㪩㪙㩷㪣

㪩㪜㪭㪜㪩㪙㩷㪩

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㪅㪅㪅㪅㪅㪅

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㪩㪜㪭

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼

㪪㪜㪣㪜㪚㪫

㪋

㪋

㪘㪆㪛

㪟㪧㪝

㱂

㪇

㪉㪍

㪧㪘㪛

㩷㩷㪝㪯㩷㪠㪥㪪㪜㪩㪫

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪈㪄㪏

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪐㪄㪈㪉

㪂㪋㪏㪭

㪟㫀㪄㪱

㪦㪥

㪦㪝㪝

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪈㪊㪄㪈㪍

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼㩷

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼㩷

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼

㩷㩷㪝㪯㩷㪠㪥㪪㪜㪩㪫

㪬㪪㪙

㪜㪥㪚㪦㪛㪜㪩

㪛㪜㪚㪦㪛㪜㪩

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪈㪄㪈㪏

㪫㪦㩷㪛㪘㪮㩷㪈㪄㪈㪍

㪛㪘㪮㩷㪠㪥㪧㪬㪫㪆㪦㪬㪫㪧㪬㪫

㪈㪏㩷㪠㪥㪧㪬㪫㪆㪈㪍㩷㪦㪬㪫㪧㪬㪫

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪈

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪉

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪊

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪋

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪌

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪍

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪎

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪏

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪐

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪈㪇

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼

㪠㪥㪧㪬㪫㩷㪘

㪧㪟㪦㪥㪜㪪㪈

㪛㪆㪘

㪛㪆㪘

㪲㪊㫄㪮㩷㪋㪇㫆㪿㫄㫊㪴

㪣㪜㪭㪜㪣

㪧㪟㪦㪥㪜㪪㪉

㪛㪆㪘

㪛㪆㪘

㪲㪊㫄㪮㩷㪋㪇㫆㪿㫄㫊㪴

㪣㪜㪭㪜㪣

㪋㩷㩿㫆㫉㩷㪉㪀

㪋㩷㩿㫆㫉㩷㪉㪀

㪛㪆㪘

㪲㪂㪋㪻㪙㫌㪴

㪣㪠㪥㪜㩷㪦㪬㪫㪉

㪛㪆㪘

㪲㪂㪋㪻㪙㫌㪴

㪅㪅㪅㪅

㪣㪠㪥㪜㩷㪦㪬㪫㪏

㪛㪆㪘

㪲㪂㪋㪻㪙㫌㪴

㪅㪅㪅㪅

㪣㪠㪥㪜㩷㪦㪬㪫㪈

㪘㪛㪘㪫㪆㪦㪧㪫㪠㪚㪘㪣㩷

㪦㪬㪫㩷㪘

㪣㪠㪥㪜㩷㪦㪬㪫㪎

㪛㪆㪘

㪲㪂㪋㪻㪙㫌㪴

㪧㪟㪦㪥㪜㪪㪈㩷

㪪㪜㪣㪜㪚㪫

㪧㪟㪦㪥㪜㪪㪉㩷

㪪㪜㪣㪜㪚㪫

㪤㪠㪯㩷㪦㪬㪫㩷㪈㪄㪋㪣㪆㪩

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪈㪈㪆㪈㪉㪄㪈㪎㪆㪈㪏

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪈㪆㪉㪄㪎㪆㪏

㪘㪛㪘㪫㪆㪦㪧㪫㪠㪚㪘㪣㩷

㪦㪬㪫㩷㪙

㪛㪠㪫

㪪㪜㪣㪜㪚㪫

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪈㪈㪆㪈㪉㪄㪈㪎㪆㪈㪏

㪤㪠㪯㩷㪦㪬㪫㩷㪈㪄㪋㪣㪆㪩

㪪㪜㪣㪜㪚㪫

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪐㪆㪈㪇㪄㪈㪌㪆㪈㪍

㪦㪬㪫㪧㪬㪫㩷

㪣㪜㪭㪜㪣

㪅㪅㪅㪅㪅㪅㪅

㪤㪠㪯㩷㪦㪬㪫㩷㪈㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪉㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪊㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪋㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪈㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪉㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪊㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪋㪣㪆㪩

㪤㪜㪫㪜㪩

㪤㪬㪫㪜 㪙㪘㪣

㪤㪘㪪㪫㪜㪩

㪤㪠㪯㩷㪦㪬㪫㪈㩷㪣㪆㪩

㩿㪃㪤㪠㪯㩷㪦㪬㪫㪉㩷㪣㪆㪩㩷㩷㪃㪤㪠㪯㩷㪦㪬㪫㪊 㩷㪣㪆㪩㩷㪃㪤㪠㪯㩷㪦㪬㪫㩷㪋㩷㪣㪆㪩㪀

㪚㪟㪈㪃㩷㪉㩷㫆㫅㫃㫐

㪛㪠㪫

㪛㪠㪩

㪛㪠㪩

㪲㪄㪍㪇㪻㪙㫌䌾㪂㪈㪇㪻㪙㫌㪴

㪘㪛㪘㪫㪆㪦㪧㪫㪠㪚㪘㪣㩷㪠㪥㪧㪬㪫

㪤㪜㪫㪜㪩

㪊㪙㪸㫅㪻㩷㪜㪨

㩿㪞㪸㫀㫅㩷㪩㪼㪻㫌㪺㫋㫀㫆㫅㪀

㪚㪿㪅㪪㫋㫉㫀㫇㩷㪙㫃㫆㪺㫂㩷㫏㪏㩷

㪤㪜㪫㪜㪩

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪊㪆㪋

㪫㪦㩷㪛㪘㪮㩷㪊㪆㪋

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪌㪆㪍

㪫㪦㩷㪛㪘㪮㩷㪌㪆㪍

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪎㪆㪏

㪫㪦㩷㪛㪘㪮㩷㪎㪆㪏

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪐㪆㪈㪇

㪫㪦㩷㪛㪘㪮㩷㪐㪆㪈㪇

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪈㪈㪆㪈㪉

㪫㪦㩷㪛㪘㪮㩷㪈㪈㪆㪈㪉

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪈㪊㪆㪈㪋

㪫㪦㩷㪛㪘㪮㩷㪈㪊㪆㪈㪋

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪈㪌㪆㪈㪍

㪫㪦㩷㪛㪘㪮㩷㪈㪌㪆㪈㪍

㪤㪜㪫㪜㪩

㪤㪜㪫㪜㪩

㪤㪜㪫㪜㪩

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪈

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪉

㪫㪦㩷㪛㪘㪮㩷㪈

㪫㪦㩷㪛㪘㪮㩷㪉

㪤㪠㪯㩷㪦㪬㪫㪈㪣

㪤㪠㪯㩷㪦㪬㪫㪈㪩

㪣㪦㪦㪧㪙㪘㪚㪢

㪞㪅㪘㪅㪚㫃㪸㫊㫊㫀㪺㫊㩷㪙㫃㫆㪺㫂㩷㫏㪈㩷

㪤㪜㪫㪜㪩

㪤㪜㪫㪜㪩

㪞㪅㪘㪅㪚㫃㪸㫊㫊㫀㪺㫊

8 Analog In/Out, 8 Digital In/Out, 18 DAW In/16 DAW Out, 8+2BUS

Appendix

UR824 Operation Manual 36

UR824 – 176.4/192 kHz

㪟㪘

㪤㪠㪚㪆㪣㪠㪥㪜㩷㪠㪥㪧㪬㪫

㪚㪟㪈㪄㪏

㪞㪘㪠㪥

㪤㪬㪫㪜

㪣㪜㪭㪜㪣

㪲㪄㪊㪋㪻㪙㫌䌾㪂㪈㪇㪻㪙㫌㪴

㪲㪄㪍㪇㪻㪙㫌䌾㪄㪈㪍㪻㪙㫌㪴

㪅㪅㪅㪅㪅㪅

㪚㪟㪈㪄㪋

㪠㪥㪧㪬㪫㩷㪙

㪉

㪉

㪧㪘㪥

㪤㪬㪫㪜

㪣㪜㪭㪜㪣

㪙㪘㪣

㪤㪜㪫㪜㪩

㪩㪜㪭㪜㪩㪙㩷㪣

㪩㪜㪭㪜㪩㪙㩷㪩

㪣㪜㪭㪜㪣

㪅㪅㪅㪅㪅㪅

㪩㪜㪭㪄㪯

㪩㪜㪭㪜㪩㪙㩷㪣

㪩㪜㪭㪜㪩㪙㩷㪩

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼

㪩㪜㪭

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼

㪪㪜㪣㪜㪚㪫

㪋

㪋

㪘㪆㪛

㪟㪧㪝

㱂

㪇

㪉㪍

㪧㪘㪛

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪈㪄㪏

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪐㪄㪈㪇

㪂㪋㪏㪭

㪟㫀㪄㪱

㪦㪥

㪦㪝㪝

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪈㪈㪄㪈㪉

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼㩷

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼㩷

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼

㪬㪪㪙

㪜㪥㪚㪦㪛㪜㪩

㪛㪜㪚㪦㪛㪜㪩

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪈㪄㪈㪉

㪫㪦㩷㪛㪘㪮㩷㪈㪄㪈㪉

㪛㪘㪮㩷㪠㪥㪧㪬㪫㪆㪦㪬㪫㪧㪬㪫

㪈㪉㩷㪠㪥㪧㪬㪫㪆㪈㪉㩷㪦㪬㪫㪧㪬㪫

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪈

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪉

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪊

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪋

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪌

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪍

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪎

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪏

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪐

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪈㪇

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼

㪠㪥㪧㪬㪫㩷㪘

㪧㪟㪦㪥㪜㪪㪈

㪛㪆㪘

㪛㪆㪘

㪲㪊㫄㪮㩷㪋㪇㫆㪿㫄㫊㪴

㪣㪜㪭㪜㪣

㪧㪟㪦㪥㪜㪪㪉

㪛㪆㪘

㪛㪆㪘

㪲㪊㫄㪮㩷㪋㪇㫆㪿㫄㫊㪴

㪣㪜㪭㪜㪣

㪉

㪉

㪛㪆㪘

㪲㪂㪋㪻㪙㫌㪴

㪣㪠㪥㪜㩷㪦㪬㪫㪉

㪛㪆㪘

㪲㪂㪋㪻㪙㫌㪴

㪅㪅㪅㪅

㪣㪠㪥㪜㩷㪦㪬㪫㪏

㪛㪆㪘

㪲㪂㪋㪻㪙㫌㪴

㪅㪅㪅㪅

㪣㪠㪥㪜㩷㪦㪬㪫㪈

㪘㪛㪘㪫㪆㪦㪧㪫㪠㪚㪘㪣㩷

㪦㪬㪫㩷㪘

㪣㪠㪥㪜㩷㪦㪬㪫㪎

㪛㪆㪘

㪲㪂㪋㪻㪙㫌㪴

㪧㪟㪦㪥㪜㪪㪈㩷

㪪㪜㪣㪜㪚㪫

㪧㪟㪦㪥㪜㪪㪉㩷

㪪㪜㪣㪜㪚㪫

㪤㪠㪯㩷㪦㪬㪫㩷㪈㪄㪋㪣㪆㪩

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪈㪈㪆㪈㪉

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪈㪆㪉㪄㪎㪆㪏

㪘㪛㪘㪫㪆㪦㪧㪫㪠㪚㪘㪣㩷

㪦㪬㪫㩷㪙

㪛㪠㪫

㪪㪜㪣㪜㪚㪫

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪈㪈㪆㪈㪉

㪤㪠㪯㩷㪦㪬㪫㩷㪈㪄㪋㪣㪆㪩

㪪㪜㪣㪜㪚㪫

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪐㪆㪈㪇㪄㪈㪈㪆㪈㪉

㪦㪬㪫㪧㪬㪫㩷

㪣㪜㪭㪜㪣

㪅㪅㪅㪅㪅㪅㪅

㪤㪠㪯㩷㪦㪬㪫㩷㪈㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪉㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪊㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪋㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪈㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪉㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪊㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪋㪣㪆㪩

㪤㪜㪫㪜㪩

㪤㪬㪫㪜 㪙㪘㪣

㪤㪘㪪㪫㪜㪩

㪤㪠㪯㩷㪦㪬㪫㪈㩷㪣㪆㪩

㩿㪃㪤㪠㪯㩷㪦㪬㪫㪉㩷㪣㪆㪩㩷㩷㪃㪤㪠㪯㩷㪦㪬㪫 㪊㩷㪣㪆㪩㩷㪃㪤㪠㪯㩷㪦㪬㪫㩷㪋㩷㪣㪆㪩㪀

㪚㪟㪈㪃㩷㪉㩷㫆㫅㫃㫐

㪛㪠㪫

㪛㪠㪩

㪛㪠㪩

㪲㪄㪍㪇㪻㪙㫌䌾㪂㪈㪇㪻㪙㫌㪴

㪘㪛㪘㪫㪆㪦㪧㪫㪠㪚㪘㪣㩷㪠㪥㪧㪬㪫

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪊㪆㪋

㪫㪦㩷㪛㪘㪮㩷㪊㪆㪋

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪌㪆㪍

㪫㪦㩷㪛㪘㪮㩷㪌㪆㪍

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪎㪆㪏

㪫㪦㩷㪛㪘㪮㩷㪎㪆㪏

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪐㪆㪈㪇

㪫㪦㩷㪛㪘㪮㩷㪐㪆㪈㪇

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪈㪈㪆㪈㪉

㪫㪦㩷㪛㪘㪮㩷㪈㪈㪆㪈㪉

㪤㪜㪫㪜㪩

㪤㪜㪫㪜㪩

㪤㪜㪫㪜㪩

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪈

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪉

㪫㪦㩷㪛㪘㪮㩷㪈

㪫㪦㩷㪛㪘㪮㩷㪉

㪤㪠㪯㩷㪦㪬㪫㪈㪣

㪤㪠㪯㩷㪦㪬㪫㪈㪩

㪣㪦㪦㪧㪙㪘㪚㪢

8 Analog In/Out, 4 Digital In/Out, 12 DAW In/12 DAW Out, 8+2 BUS

Appendix

UR824 Operation Manual 37

Appendix

㪟㪘

㪤㪠㪚㪆㪣㪠㪥㪜㩷㪠㪥㪧㪬㪫

㪚㪟㪈㪄㪏

㪞㪘㪠㪥

㪤㪬㪫㪜

㪣㪜㪭㪜㪣

㪲㪄㪊㪋㪻㪙㫌䌾㪂㪈㪇㪻㪙㫌㪴

㪲㪄㪍㪇㪻㪙㫌䌾㪄㪈㪍㪻㪙㫌㪴

㪧㪘㪥

㪤㪬㪫㪜

㪣㪜㪭㪜㪣

㪙㪘㪣

㪤㪜㪫㪜㪩

㪩㪜㪭㪜㪩㪙㩷㪣

㪩㪜㪭㪜㪩㪙㩷㪩

㪣㪜㪭㪜㪣

㪅㪅㪅㪅㪅㪅

㪩㪜㪭㪄㪯

㪩㪜㪭㪜㪩㪙㩷㪣

㪩㪜㪭㪜㪩㪙㩷㪩

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼

㪩㪜㪭

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼

㪪㪜㪣㪜㪚㪫

㪋

㪋

㪘㪆㪛

㪟㪧㪝

㱂

㪇

㪉㪍

㪧㪘㪛

㪧㪟㪦㪥㪜㪪㪈

㪛㪆㪘

㪛㪆㪘

㪲㪊㫄㪮㩷㪋㪇㫆㪿㫄㫊㪴

㪣㪜㪭㪜㪣

㪧㪟㪦㪥㪜㪪㪉

㪛㪆㪘

㪛㪆㪘

㪲㪊㫄㪮㩷㪋㪇㫆㪿㫄㫊㪴

㪣㪜㪭㪜㪣

㪛㪆㪘

㪲㪂㪋㪻㪙㫌㪴

㪣㪠㪥㪜㩷㪦㪬㪫㪉

㪛㪆㪘

㪲㪂㪋㪻㪙㫌㪴

㪅㪅㪅㪅

㪣㪠㪥㪜㩷㪦㪬㪫㪏

㪛㪆㪘

㪲㪂㪋㪻㪙㫌㪴

㪅㪅㪅㪅

㪣㪠㪥㪜㩷㪦㪬㪫㪈

㩷㩷㪝㪯㩷㪠㪥㪪㪜㪩㪫

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪈㪄㪏

㪣㪠㪥㪜㩷㪦㪬㪫㪎

㪛㪆㪘

㪲㪂㪋㪻㪙㫌㪴

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪈

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪉

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪊

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪋

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪌

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪍

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪎

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪏

㪤㪜㪫㪜㪩

㪊㪙㪸㫅㪻㩷㪜㪨

㪚㪦㪤㪧

㩿㪞㪸㫀㫅㩷㪩㪼㪻㫌㪺㫋㫀㫆㫅㪀

㪚㪿㪅㪪㫋㫉㫀㫇㩷㪙㫃㫆㪺㫂㩷㫏㪏㩷

㪤㪜㪫㪜㪩

㪂㪋㪏㪭

㪟㫀㪄㪱

㪦㪥

㪦㪝㪝

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼

㪧㪟㪦㪥㪜㪪㪈㩷

㪪㪜㪣㪜㪚㪫

㪧㪟㪦㪥㪜㪪㪉㩷

㪪㪜㪣㪜㪚㪫

㪤㪠㪯㩷㪦㪬㪫㩷㪈㪄㪋㪣㪆㪩

㩷㩷㪝㪯㩷㪠㪥㪪㪜㪩㪫

㪬㪪㪙

㪜㪥㪚㪦㪛㪜㪩

㪛㪜㪚㪦㪛㪜㪩

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪈㪄㪏

㪫㪦㩷㪛㪘㪮㩷㪈㪄㪏

㪛㪘㪮㩷㪠㪥㪧㪬㪫㪆㪦㪬㪫㪧㪬㪫

㪏㩷㪠㪥㪧㪬㪫㪆㪏㩷㪦㪬㪫㪧㪬㪫

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼

㪤㪜㪫㪜㪩

㪤㪬㪫㪜

㪙㪘㪣

㪤㪘㪪㪫㪜㪩

㪤㪠㪯㩷㪦㪬㪫㪈㩷㪣㪆㪩

㩿㪃㪤㪠㪯㩷㪦㪬㪫㪉㩷㪣㪆㪩㩷㩷㪃㪤㪠㪯㩷㪦㪬㪫㪊㩷㪣㪆㪩㩷㪃㪤㪠㪯㩷㪦㪬㪫㩷㪋㩷㪣㪆㪩㪀

㪪㪜㪣㪜㪚㪫

㪦㪬㪫㪧㪬㪫㩷㩷

㪣㪜㪭㪜㪣

㪅㪅㪅㪅㪅㪅㪅

㪤㪠㪯㩷㪦㪬㪫㩷㪈㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪉㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪊㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪋㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪈㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪉㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪊㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪋㪣㪆㪩

㪚㪟㪈㪃㩷㪉㩷㫆㫅㫃㫐

㪲㪄㪍㪇㪻㪙㫌䌾㪂㪈㪇㪻㪙㫌㪴

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪊㪆㪋

㪫㪦㩷㪛㪘㪮㩷㪊㪆㪋

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪌㪆㪍

㪫㪦㩷㪛㪘㪮㩷㪌㪆㪍

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪎㪆㪏

㪫㪦㩷㪛㪘㪮㩷㪎㪆㪏

㪤㪜㪫㪜㪩

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪈㪆㪉

㪫㪦㩷㪛㪘㪮㩷㪈㪆㪉

㪞㪅㪘㪅㪚㫃㪸㫊㫊㫀㪺㫊㩷㪙㫃㫆㪺㫂㩷㫏㪈㩷

㪤㪜㪫㪜㪩

㪤㪜㪫㪜㪩

㪞㪅㪘㪅㪚㫃㪸㫊㫊㫀㪺㫊

UR824 – 44.1/48/88.2/96 kHz - iPad

8 Analog In/Out, 8 DAW In/Out 8+2 BUS

UR824 Operation Manual 38

Appendix

㪟㪘

㪤㪠㪚㪆㪣㪠㪥㪜㩷㪠㪥㪧㪬㪫

㪚㪟㪈㪄㪏

㪞㪘㪠㪥

㪤㪬㪫㪜

㪣㪜㪭㪜㪣

㪲㪄㪊㪋㪻㪙㫌䌾㪂㪈㪇㪻㪙㫌㪴

㪲㪄㪍㪇㪻㪙㫌䌾㪄㪈㪍㪻㪙㫌㪴

㪧㪘㪥

㪤㪬㪫㪜

㪣㪜㪭㪜㪣

㪙㪘㪣

㪤㪜㪫㪜㪩

㪩㪜㪭㪜㪩㪙㩷㪣

㪩㪜㪭㪜㪩㪙㩷㪩

㪣㪜㪭㪜㪣

㪅㪅㪅㪅㪅㪅

㪩㪜㪭㪄㪯

㪩㪜㪭㪜㪩㪙㩷㪣

㪩㪜㪭㪜㪩㪙㩷㪩

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼

㪩㪜㪭

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼

㪪㪜㪣㪜㪚㪫

㪋

㪋

㪘㪆㪛

㪟㪧㪝

㱂

㪇

㪉㪍

㪧㪘㪛

㪧㪟㪦㪥㪜㪪㪈

㪛㪆㪘

㪛㪆㪘

㪲㪊㫄㪮㩷㪋㪇㫆㪿㫄㫊㪴

㪣㪜㪭㪜㪣

㪧㪟㪦㪥㪜㪪㪉

㪛㪆㪘

㪛㪆㪘

㪲㪊㫄㪮㩷㪋㪇㫆㪿㫄㫊㪴

㪣㪜㪭㪜㪣

㪛㪆㪘

㪲㪂㪋㪻㪙㫌㪴

㪣㪠㪥㪜㩷㪦㪬㪫㪉

㪛㪆㪘

㪲㪂㪋㪻㪙㫌㪴

㪅㪅㪅㪅

㪣㪠㪥㪜㩷㪦㪬㪫㪏

㪛㪆㪘

㪲㪂㪋㪻㪙㫌㪴

㪅㪅㪅㪅

㪣㪠㪥㪜㩷㪦㪬㪫㪈

㩷㩷㪝㪯㩷㪠㪥㪪㪜㪩㪫

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪈㪄㪏

㪣㪠㪥㪜㩷㪦㪬㪫㪎

㪛㪆㪘

㪲㪂㪋㪻㪙㫌㪴

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪈

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪉

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪊

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪋

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪌

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪍

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪎

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪏

㪂㪋㪏㪭

㪟㫀㪄㪱

㪦㪥

㪦㪝㪝

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼

㪧㪟㪦㪥㪜㪪㪈㩷

㪪㪜㪣㪜㪚㪫

㪧㪟㪦㪥㪜㪪㪉㩷

㪪㪜㪣㪜㪚㪫

㪤㪠㪯㩷㪦㪬㪫㩷㪈㪄㪋㪣㪆㪩

㩷㩷㪝㪯㩷㪠㪥㪪㪜㪩㪫

㪬㪪㪙

㪜㪥㪚㪦㪛㪜㪩

㪛㪜㪚㪦㪛㪜㪩

㪝㪩㪦㪤㩷㪛㪘㪮㩷㪈㪄㪏

㪫㪦㩷㪛㪘㪮㩷㪈㪄㪏

㪛㪘㪮㩷㪠㪥㪧㪬㪫㪆㪦㪬㪫㪧㪬㪫

㪏㩷㪠㪥㪧㪬㪫㪆㪏㩷㪦㪬㪫㪧㪬㪫

㫊㪸㫄㪼㩷㪸㫊㩷㪸㪹㫆㫍㪼

㪤㪜㪫㪜㪩

㪤㪬㪫㪜 㪙㪘㪣㪤㪘㪪㪫㪜㪩

㪤㪠㪯㩷㪦㪬㪫㪈㩷㪣㪆㪩

㩿㪃㪤㪠㪯㩷㪦㪬㪫㪉㩷㪣㪆㪩㩷㩷㪃㪤㪠㪯㩷㪦㪬㪫㪊㩷㪣㪆㪩㩷㪃㪤㪠㪯㩷㪦㪬㪫㩷㪋㩷㪣㪆㪩㪀

㪪㪜㪣㪜㪚㪫

㪦㪬㪫㪧㪬㪫㩷㩷

㪣㪜㪭㪜㪣

㪅㪅㪅㪅㪅㪅㪅

㪤㪠㪯㩷㪦㪬㪫㩷㪈㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪉㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪊㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪋㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪈㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪉㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪊㪣㪆㪩

㪤㪠㪯㩷㪦㪬㪫㩷㪋㪣㪆㪩

㪚㪟㪈㪃㩷㪉㩷㫆㫅㫃㫐

㪲㪄㪍㪇㪻㪙㫌䌾㪂㪈㪇 㪻㪙㫌㪴

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪊㪆㪋

㪫㪦㩷㪛㪘㪮㩷㪊㪆㪋

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪌㪆㪍

㪫㪦㩷㪛㪘㪮㩷㪌㪆㪍

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪎㪆㪏

㪫㪦㩷㪛㪘㪮㩷㪎㪆㪏

㪤㪜㪫㪜㪩

㪛㪠㪩㪜㪚㪫㩷㪦㪬㪫㩷㪈㪆㪉

㪫㪦㩷㪛㪘㪮㩷㪈㪆㪉

UR824 - 176.4/192 kHz - iPad

8 Analog In/Out, 8 DAW In/Out 8+2 BUS

UR824 Operation Manual 39

Steinberg Web Site
http://www.steinberg.net/

C.S.G., PA Development Division

© 2011-2014 Yamaha Corporation

04/2014 MW-E0