Steinberg Cubase Essential - 4.0 Mackie Control and Cubase Essential

Mackie Control and Cubase Essential
The information in this document is subject to change without notice and does not represent a commitment on the part of Steinberg Media Technologies GmbH. The software described by this document is subject to a License Agreement and may not be copied to other media except as specifically allowed in the License Agreement. No part of this publica­tion may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Steinberg Media Technologies GmbH.
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Release Date: January 30, 2008
© Steinberg Media Technologies GmbH 2008.
All rights reserved.
Table of Contents
5 Introduction
6 The Steinberg layout for Mackie Control 7 About Mackie Control XT
8 Basic mixing
9 About this chapter 9 Selecting which channels to control 9 Using the faders 10 Rec/Rdy 10 Mute and Solo 10 Using the Select buttons 10 A note about automation
11 Control strip assignment
12 About this chapter 12 Basic procedures 14 About the symbols used in this chapter 15 Selected Channel: EQ 15 Selected Channel: FX Send 16 Selected Channel: Inserts 17 Selected Channel: Instruments 17 Fader Set: Pan 18 Global: Send Effects 18 Global: Master Effects 19 Global: Instruments
20 Transport control
21 About this chapter 21 The transport controls 21 Working with markers 22 Switching the time display
23 Other functions
24 About this chapter 24 Project functions 24 Edit functions 24 Working with windows 25 Function keys 25 Cursor keys 25 Showing level meters in the parameter display
26 Index
4
Table of Contents
1

Introduction

The Steinberg layout for Mackie Control

This chapter describes the Steinberg-specific layout for Mackie Control, and also provides information regarding the Mackie Control XT 8 channel extender unit.
Display section
Function keys F1 to F8
Fader Groups section
An overlay is included with your Mackie Control that shows all Steinberg-specific key assignments for this device. The overlay can be placed over the top right part of Mackie Control, above the transport controls. These key assign­ments are used to remote control Cubase Essential.
You can also order this overlay from Mackie. Contact your hardware dealer for details.
The following figure shows the Steinberg overlay for Mackie Control.
Action Keys section
!
Please note that we will refer to the key assignments of the Steinberg overlay throughout this manual, i.e. the original key labels replaced by this overlay are not used.
The Shift button
Markers section
About the Shift button
In the Action Keys section, to the right in the second row of buttons, you will find the Shift button. The Shift button is always used in combination with another button to extend that button’s functionality. Pressing the Shift button alone has no effect.
6
Introduction

About Mackie Control XT

Mackie Control XT 8 channel extender units are also sup­ported. All faders and encoder/displays are combined into one continuous surface. The following applies:
When the encoder section is used to display the data for one channel (channel strip mode, or for plug-ins), the parameters are presented over the encoder section of all devices, from left to right.
Fader bank navigation and encoder section assignment is controlled by the Mackie Control unit.
For each Mackie Control and Mackie Control XT unit, a new device needs to be added in the Device Setup.
For each device select the appropriate MIDI ports.
In the Device List, the top-most device represents the right-most channels, and vice versa.
Please make sure that the used MIDI ports are deactivated in the “All MIDI Inputs” device.
7
Introduction
2

Basic mixing

About this chapter

This chapter describes how to work with the faders and the rows of buttons above them (Solo, Mute, Select and Rec), and how to select which channels are affected by the fader settings.

Selecting which channels to control

Mackie Control’s fader section controls eight different channels in Cubase Essential (plus the master level, which has its own fader). You select which channels to control with the aid of the Fader Banks section of Mackie Control.
The Fader Banks section
Using the controls in the Fader Banks section
In the Fader Banks section, press the left or right Bank button to switch from one set of eight channels to the next. For example, if you are currently controlling Mixer channels 1 to 8, pressing the right Bank button will switch to the next eight channels, i.e. channels 9 to 16. To go back to the previous eight channels, press the left Bank button.
Selects the previous eight channels.
Selects the next eight channels.
If you press the left or right Channel button in the Fader Banks section, the fader assignment will shift in steps of one channel instead.
Let’s say the faders currently control audio channels 9-16. If you press the left Channel button, the faders will shift one step to the left and con­trol audio channels 8-15.
Pressing the Flip button in the Fader Banks section switches the parameter assignment between the faders and the V-Pots, i.e. what was controlled with a fader is now controlled with the corresponding V-Pot and vice versa.
Press the Edit button in the Fader Banks section to open an editor for the current selection.
Hold down Shift and press Edit to close the currently active window.

Using the faders

The faders of Mackie Control are used for hands-on level control and mixing, and allow precise adjustments of the corresponding channel levels in Cubase Essential. Since the faders are motorized, they will move to reflect any level automation you have created in your projects. The faders will also move when you select a new set of eight chan­nels to control, instantly jumping to reflect the current lev­els of the eight channels.
The faders are also touch sensitive, which means that as soon as you move a fader manually, the motors are “overridden”.
In other words, if you have automated level changes, you can grab a fader at any time, overriding the automation – just as you can click and hold a moving fader on screen with the mouse.
Even though the faders are very quiet, there may be sit­uations when you want absolute silence – e.g. when mix­ing an extremely soft and subtle piece of music. If that is the case, you can disable the motors by clicking the Mo­tors button in the Action Keys section.
When you are finished, click the Motors button again. The fader motors are enabled again, and the faders will instantly move to reflect the current levels.
!
Turning the motors off does not affect the automa­tion in Cubase Essential – all automation data saved in your project is played back as usual.
9
Basic mixing
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