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SDDS Player System
DIGITAL FILM SOUND READER
DFP-R3000
DIGITAL FILM SOUND DECODER
DFP-D2500
QUICK START GUIDE
1st Edition
Sony DFP-2500 SDDS Player System
Quick Start Guide to Installation and Setup
Outline of Contents
1. Introduction
2. Equipment and accessories.
3. Site preparation and Interconnection.
4. B-Chain calibration, using the Setup Software.
5. Final adjustments and tests.
6. Troubleshooting.
7. Rear Panel Connectors.
1. Introduction
1.1 About the DFP-2500
The Sony DFP-D2500 Film Sound Decoder has been designed to upgrade existing
cinema sound systems to SDDS in a simple and cost effective way, whether your
auditorium sound system supports 5.1, or the full 8 channel SDDS sound format.
The DFP-D2500 must be combined with a DFP-R3000 Film Sound Reader, which reads
the SDDS data on film and sends this bit-stream to the DFP-D2500 for SDDS decoding
and audio processing. The audio processing includes complete 8 channel B-chain
functions and a calibrated master level control, both using high-power DSP (Digital
Signal Processing) for maximum sound quality, reliability and consistency.
The output of the DFP-D2500 is then routed directly to the main crossover networks and
power amplifiers (alternate configuration of the DFP-D2500 is also possible – see
section 3.1, Configuring the DFP-D2500 as an Input Device).
Additionally, the DFP-D2500 can apply its powerful DSP-based sound processing to the
current system’s cinema processor, vastly improving the sound performance of existing,
or aging equipment. For example, if the existing cinema processor in the sound system
is not of current design and technology, the D2500’s input can be configured so that the
superior B-chain and master level control of the D2500 is applied instead. This
effectively upgrades the sound performance of the existing cinema processor to today’s
state-of-the-art technology and capability, at a much more reasonable cost than
discarding and replacing it with a new, higher-priced cinema processor.
1.2 About this guide
To properly install and maintain the DFP-2500 system, the following documentation is
available in addition to this guide:
• DFP-D2500 Operation Manual 3-205-080-01(included in the decoder box)
• DFP-D2500 Maintenance Manual 9-976-894-01(available upon request)
• DFP-R3000 Installation Manual9-968-522-02(available upon request)
• DFP-R3000 Maintenance Manual 9-968-523-01(available upon request)
• Relevant Technical Notes and Bulletinssee www.sdds.com
2. Equipment and accessories.
Your purchase of a DFP-D2500 system includes the following items in two boxes:
In the Reader box you will find:
Digital Film Sound Reader Unit1DFP-R3000
Reader-to-Decoder Cable, 10 meter*11-783-382-11
Adapter EA13-194-819-03
Spacers4
Bolt, Hex 3/8"43-185-981-01
Washer 1047-688-000-32
Screw, Hex 4x1257-683-421-04
Washer 457-688-004-12
Spring Washer 457-623-210-22
In the Decoder box you will find:
Film Sound Decoder Unit1DFP-D2500
Mains cable1Varies by country
Operation Manual13-205-080-01
The following additional equipment is available from Sony:
Setup SoftwareFreehttp://www.sdds.com
SDDS Alignment Film1-759-836-11
#1 JIS screwdriver, cross point type7-700-749-03
Reader-to-Decoder Cable, 50 meter*1-783-896-11
*Neither the 10 meter nor 50 meter cable can be cut, spliced, or re-pinned.
Personal equipment you will need:
Personal computer (laptop) running
Windows 3.1 or later
Null modem cable, RS232CWith 9-pin male on D3000 end
Real Time AnalyzerWith calibrated microphone(s)
Allen wrench set, ANSIUp to 3/8-inch
Allen wrench set, MetricUp to 6mm
Tweaker(small screw driver)
486-66 with 32 Mb RAM, Floppy drive,
serial port, 20Mb available disk space.
Pentium 120+ MHz recommended
3. Site preparation and interconnection.
Before you begin making settings and adjustments to your DFP-2500 system, it is best
to confirm some basic conditions. Here is a check list.
3.1 Decide audio signal path
Configuring the DFP-D2500 as an output device
The DFP-D2500 has been primarily designed to be the last link of the audio processing
chain before the crossover networks and power amplifiers (in order to facilitate the full
8 channel output capability), very much like the 1st generation SDDS processor, the
DFP-D2000. Only by using the DFP-D2500 in this manner will you obtain the full benefit
of the D2500, such as its 8 channel capability, its exceptional B-chain performance, its
seamless fallback transitions, and the capability to enhance the performance of the
existing cinema processor to today’s state-of-the-art audio processing.
The illustration below shows this recommended signal path. No automation connections
are needed.
Configuring the DFP-D2500 as an input device
If for some reason the above configuration is not possible, the DFP-D2500 can also be
used as an input device to the central cinema processor. The System Output of the DFPD2500 is then routed to the auxiliary input of the existing cinema processor.
Additionally, automation lines need to be connected to allow the DFP-D2500 to switch
the central cinema processor in and out of the applicable SDDS preset, depending on
the SDDS Playback Status. The necessary logic signals have been integrated into the
Automation connector of the DFP-D2500, making system integration for this
configuration simple to achieve.
In this application, connect the signals noted below from the DFP-D2500 automation
connector to the control input of the central cinema processor:
Pin #FunctionSignal
32SDDS Data OKOutput pulse: Low = SDDS OK
36SDDS Data not OKOutput pulse: Low = SDDS NG
3.2 Check the version of the Setup Software on your computer.
The Setup Software is updated regularly. Be sure you are using the latest version,
which will be v3.00, build 3.000 or higher. You can check the SDDS web site at
http://www.sdds.com or contact Sony Cinema Products to determine the latest version
and to request a free copy. You can check the version of Setup Software you are
currently using by launching the program and selecting Help>About. . . from the pull
down menus at the top of the main screen.
3.3 Confirm proper audio interface wiring.
The Sony DFP-D2500 Decoder unit uses professionally balanced audio interface
connectors, pinned according to the THX convention, for interconnections to amplifiers,
crossovers, limiters, booth monitors, and other cinema processors. Unfortunately,
many such devices may not employ balanced inputs or outputs. It is essential that
proper balanced to unbalanced interface wiring techniques are used when connecting to
these devices to ensure optimum operating conditions for the DFP-D2500 and
connected equipment. Failure to use proper techniques in your sound rack wiring may
result in reduced system headroom, improper theater calibration, and compromised
sound performance. For a guide to properly interconnecting balanced and unbalanced
audio signals, refer to Tech Note TN99060401.
3.4 Chassis earth ground check.
Most audio grounding schemes require that the chassis of the DFP-D2500 have a solid
electrical connection to the rack in which it is mounted. The finish on the rack mounting
rails may be very durable. Make sure that the mounting screws cut through the finish of
the DFP-D2500 and that the mounting ears make electrical connection through the rack
rails’ finish to the rack itself. Test this with an ohm meter. Additionally, a screw terminal
Technical Ground is available on the back panel of the Decoder, to help make a solid
ground connection. Do not remove the line cord safety ground pin in an attempt to
avoid ground loops. This precaution is already taken care of in the design of the
DFP-D2500 and removing the pin will have no benefit, but doing so will compromise
electrical safety and may violate electrical codes.
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